#what made the writers go in that direction and how can i get them to do that again

[genericpuff]

Rachel did a live Q&A in the LO Discord server and gave some news about the Animated Series, it’s still happening! (Surprisingly) Any thoughts on that or things you’d like to see from it?

Right, like every other time she's said it's "still happening" with no evidence to actually support it. That's always been the issue and still is.

Sorry, that's not me being snarky at you, I'm more so frustrated and absolutely fucking done with all the empty promises and platitudes.

Best case scenario with what was said during the Q&A was that she said "it's still happening" (worst case was that she didn't address it at all).

Like, how is this:

"I can say that… we are currently doing work on it… and it is going well.. and that it looks really cool and that I wish everyone could see what we’ve done because it looks really really really cool, and it’s happening, but that’s all I can say at this point… I can say, making tv shows takes a really long time, it takes so long" (last night's Q&A)

Any different than this:

Any different than this:

“Um, it’s been really interesting. It’s been educational for me. So, what I—what has been done so far is beautiful. Like, if I could share it, I would. But I can’t. Because it’s very naughty.” - Girl Wonder SDCC (July 2023)

She's been saying this for the last two years since people started getting suspicious it wasn't happening in the first place, and despite all the reassurances that "it's still happening", it doesn't seem to have anything to show for itself. Cast list? Nope. Director? Nope. Writers? Nah. Just a showrunner whose bio still says "TBA" and who, despite having a whole ass 40 minute long interview with Girl Wonder, still didn't have anything to show for what's to come, just more empty promises that it's "still happening" (and a lot of banter about Stephanie's life, rather than her involvement with LO).

In fact, most of what Stephanie talks about in the podcast concerning LO is pitching it, not developing it. And this interview happened just a few months ago. Go listen to it yourself if you don't believe me.

So at this point, I see "it's still happening" as "don't panic" corporate speak for "we're still pitching it and trying to find a network for it so we can actually move onto development." Yes, animation takes a long time, even Hazbin Hotel took about three and a half years to finally release after Prime bought the rights to it in 2020. But LO, again, clearly hasn't even started the animation process yet. And while we're comparing it to Hazbin, note that HH actually had LOADS to show for itself along the way of being developed and did a much, MUCH better job at staying relevant and pulling in new people and hyping it up. Even people who never watched Hazbin before in its indie days on Youtube were hearing about it, it made an active effort to sell itself to new viewers and break out of its bubble on Youtube. Is LO doing that? No, not really. Most of the people who know about it are diehard fans who refuse to read anything that isn't shown directly to them on Webtoons, and diehard haters who are tired of the garbage that gets advertised on Webtoons. Ask anyone who doesn't use Webtoons, and best case, they'll know someone who reads LO, worst case, they won't even know what a webtoon is.

Shit, even the new upcoming Zelda movie has names attached to it, including Avi Arad, Wes Ball, and Derek Connolly. And my god, it's gonna SUCK DICK with that bad of a line-up (the guy who ruined the OG Spiderman trilogy and created Morbius, the guy who directed the Maze Runner films, and one of the leading storywriters behind Rise of Skywalker, fucking YIKES) but hey, at least it has more than one name attached to it.

But okay, if we're gonna play the comparison game, let's be fair and compare LO to some other works in its own lane. Let's Play announced last year that it would be getting an animated adaption, and it already has a studio backing it that is FAR more suited for it than JHC is to LO - OLM, the same studio whose animated for massive franchises like Pokemon, Yo-Kai, and Gudetama. JHC meanwhile has animated... motion capture kid shows like Word Party. Because that's the only kind of animation they actually specialize in when it comes to their in-house services. Sure, they also have Harriet the Spy, but that wasn't animated by them, that was animated by Titmouse Inc (heh sorry).

I'm the Grim Reaper recently had its own animated adaption announced, and who's in charge of it? Oh, only SAM FUCKING RAIMI-

And look, maybe the Let's Play and I'm the Grim Reaper adaptions won't happen either. I just think it's ironic that they both have more to show for themselves in terms of credible names attached to them than what LO has managed to scrape up after five years of promising that it's "still happening" (especially when one of those series is nowhere near as big as LO and the one that WAS as big as LO walked away from Webtoons entirely). For Webtoons' own "worldwide phenomenon", they sure have given LO the shit end of the stick by pairing it with a family-with-kids-under-10 production studio that doesn't specialize in animation and a showrunner who got her start with the Cosmopolitan (weird how LO has so many plugs with Cosmo, huh? Why is JHC producing the show again?)

At the end of the day, nothing's changed. It's still just the ole' "it's still happening" record on a loop, while the comic itself falls further out of favor with people. And it's likely gonna be going behind DailyPass soon, so just think about what that's gonna do to its relevancy after it gets sent away to the equivalent of the Webtoons graveyard.

As I've said countless times before every time this topic comes up, at best, if it is still happening, and I'm wrong about all of this, they are doing the worst job I've ever seen at hyping people up and keeping them informed. It is NOT a good thing that people have to keep asking Rachel if it's still happening.

As for worst case... you wanna know what other projects come to my mind that have fallen into the same state of development hell and decay as LO's TV show? YandereSim and Cryamore. What do you think the popular opinion is about those works and their creators now? Because if you don't know either of those names and are about to google them, let me give you a heads up warning - it's not positive.

If it happens, it happens. It will hopefully be before I get all the therapy I need to undo what LO has done to my brain so that I don't have to make repeat visits LOL But if it's after, hey, maybe the show will be good! Assuming Rachel doesn't, y'know, E.L. James the whole thing. Because frankly, the show will need to cut and rework a LOT of stuff to be any good IMO and I don't think that will be possible if Rachel gets directly involved. But I'm not even hoping for that scenario because there's literally NOTHING to give me that hope, "it's still happening" is nothing more than "don't panic" corporate speak to me at this point. It's cynical, but I just can't waste my energy caring about it anymore.

[raininyourblackeyes]

My cousin, a published writer, a well-known poet in my country and a literature professor, for whom I've always been no.1 support ever since her first attempts at writing in high school, told me that I must stop writing as a hobby because that's her thing and since I'm writing fantasy mostly my writing could never have any important artistic value anyways.

[arrow-tied-messages]

Grand Obsession 2? Please paper can you give us a Grand Obsession 2?

[alienzil]

Okay so I saw this post and you know the types of fics where adult Danny moves to Gotham and winds up emotionally adopting one or more of bat kids or accidentally coparenting with Bruce (with or without a relationship between them)? I had the thought, what if Danny parented the bat kids but he started doing it out of spite?

Like, Danny moves to Gotham and runs into Batman and Robin one night while out for a late night flight and drops down to the rooftop to say hi.

Bruce sees this 5'6" twink that looks like a stiff breeze could knock him over and is so obviously new in town and thinks Gotham is going to eat him alive, he needs to leave before he gets killed.

Batman: Looming menacingly and in his deepest scariest Batman voice, "Leave. Metas aren't allowed in Gotham."

Danny: Offend! Excuse?! Who does this guy think he is?! 😡 Danny was trying to be polite here! "First of all, I'm not a meta. Second of all, rude much?!"

Batman: Does scariest bat glare. "Leave." Swoops off into the night.

Robin (Damian): "My father is correct. You should leave the city for your own safety."

Danny sees this tiny vigilante child with fierce expression and a sword and is just like awww, so cute! 😍 Then he noticed Robin had a small cut on his arm and his inner gremlin activates. If the rude flying furry can't take care of his own kid properly, Danny will do it better!

He bandages up Damian's arm, gives him a cookie and teaches him a neat sword trick before sending him on his way with a hug telling him he needs his sleep.

Danny goes out of his way to run into the bat kids and be the absolute best dad.

He takes Nightwing flying and throws him in the air so Nightwing can do all the fanciest acrobatic tricks.

He tracks down Red Hood and starts a book club with him (Danny may or may not have used his connection with Ghost Writer to get ahold of some rare books).

He eats waffles with Spoiler and trys out weird topping combinations that make them both make faces and laugh.

He makes new gadgets for Red Robin but carefully breaks them just a little bit and takes them to the teen so they can fix them together (it's enrichment!). He always insists RR keep them as a reward.

He follows Signal around during the day invisibly, making faces and doing tricks only Signal can see (he made him laugh in front of the police at a crime scene twice!).

All of the kids get his attention and love and Danny smugly thinks how Batman must be absolutely seething about his kids bonding with Danny and Batman missing out on all of it.

Danny started it out of spite but he does wind up genuinely loving the bat kids.

Batman definetly hates it when the kids are bonding with Danny and is extremely jealous (sulky Batman brooding in his cave about it).

Bruce's repeated attempts to intimidate Danny into leaving Gotham don't work and him telling his kids to stay away from Danny had zero effect (the terrible children don't listen to him at all).

So Bruce starts spending more time with the kids to compete against Danny. The bat kids love it and (little gremlins that they are) use the two of them against each other constantly.

Bruce:"Sorry Tim, I can't make it to your photography exhibit this weekend, there's a meeting with the Justice League."

Tim:"Oh that's fine... I'll just ask Danny to come." 😏

Bruce: Narrows his eyes and grits his teeth, "Actually, the Justice League needs to have contingencies in place to manage without my input. This would be a good time to test their capabilities. I'll skip the meeting and come to your exhibit."

With both of them competing to spend more time with the kids it leads to the two of them spending time with each other to be around the kids more.

After Damian catches a terrible flu bug, Danny spends an entire weekend at the manor babying him. This is when Bruce finds out Danny has known their secret identities for months and tries to get mad about it but Alfred puts his foot down, raises a judgmental eyebrow in Bruce's direction that puts a stop to that nonsense and sets up Danny with his own room in the family wing.

Eventually, Danny gets to the point where he spends most of his nights at the manor and he and Bruce consult each other on all major household decisions.

The whole family is at the manor one morning including Danny. Bruce has a meeting at WE and he and Danny are absently discussing their plans for the day at the breakfast table.

Bruce: " The meeting should take most of the morning and then I have paperwork this afternoon and a scheduled walk through on one of the new engineering projects. I probably won't be done by the time school let's out. Can you pick up Damian today?"

Danny: "That shouldn't be a problem. Would you mind swinging by the bookstore on the way home and getting my preorder? Jay and I just finished rereading the first book and we were wanting to start the second tonight before you all go on patrol. I'd rather not try to make it to the bookstore in school rush hour traffic"

Bruce: "Sure."

Stephanie watches Danny reach out and absently straighten Bruce's tie as they both get up to leave. Bruce grabs Danny's coffee thermos and hands it to him while they walk out the door.

Stephanie: "Sooo, bets on how long until they realize they're basically married?"

[xlpoww]

Jealousy, Jealousy

i really loved how bad for business turned out, and it seems you all did too!! so here's a continuation of the bfb universe/storyline :) it's not exactly a part two

warnings! jealousy (sanji's)

word count: 1,720

opla! sanji x f! reader

i actually took the time to reference back to this scene in the live action to make sure i got their orders right :) !! also hi i am alive !!! i just got busy with work- and i had a mini con to go to this weekend and i cosplayed nami! :D -> i have also been struggling with tremendous writers block, and was trying to force myself to write about zoro for days! but i couldn't, and i was frustrated with myself untill i rememebred this isnt a job, this is for fun for me and you guys. so i went back to some of the things i've written and felt like i could continue this one :) the story really flowed from there and i wrote a lot in a short span sooooooo &lt;3 ily all! thanks for reading as always <3333

sanji vinsmoke is jealous. 

the cook is used to woman falling at his feet, swooning over his flirty personality. either that or they get annoyed at him and clearly show disinterest. (oftentimes calling him names and sometimes resulting in him getting hit)

but you, the one girl he actually held a candle for, he couldn’t even seem to get a rejection from you. that would’ve made things so much easier for him and his heart. it’s gotten to the point he’s wishing you would tell him you don’t return his feelings. sure it would hurt in the moment, but at least he could have (hopefully) forced himself to move on.

but no, you won’t reject him; nor will you swoon at his advances. they seem to roll right off you like beads of rain on a window. never a hint of blush on your cheeks, no angrily quirked brows. how was he meant to understand? there are two reasonable reactions to such a forward man, either interest or not. how do you manage to toe the line so perfectly?

it drove him mad, not only were you horribly hard to read, every once in a while you would flirt aggressively back at him. it would always catch the poor boy off guard, leaving him stunned and blushing standing wherever he was. oftentimes you did it right in the middle of the kitchen, leaving him to deal with the playful teasing of the other workers, walking off to continue doing your job. 

you would be the death of him surely.

especially when the sight of you smiling so sweetly at that stupid swordsman causes a painful squeeze in his chest. his grip on the tray he was holding is bruising, and there’s a jealous rage brewing inside of him.

-

“hello my name is y/n, and i’ll be your waitress today. can i start you guys with any refreshments?” you flip over a page on your notepad, ready to write down the group's requests. what a charming bunch they were, with just a glance you could tell they really cared for one another.

“i’ll take a beer,” the green haired man speaks up, and you nod with a smile.

“i’ll take two beers, i normally have three but..” he trails off as the woman at the table speaks up.

“i’ll take a water.”

“and a glass of milk!” the endearing boy with a straw hat adds on, his words are muffled by the bun he was still chewing. when coming to greet them you’d brough over a basket of perfectly warmed buns with butter. nodding at them all, your pen into your apron as you repeat back to them. 

“three beers, milk and water, coming right up you guys.” you step back with a bow, turning towards the kitchen. doing so you notice your best friend is glaring in your direction, and as you walk back you tilt your head at him. when you get closer you realize his glare wasn't directed towards you, but the swordsman you had taken the order from. he doesn’t even seem to pay you any mind as you approach him, too focused on the table you had just walked away from. when you reach him where he stands in front of the doorway, you snap your fingers in his face. it seems to snap him out of it, and he looks down at you with a charming smile.

“hello my love, what can i do for you?” his hand is placed on your shoulder sweetly. the touch warms your body, but you shake it off to cross your arms. 

“what’s up with you, why were you glaring at my table? do you know them?” you gesture back towards your table, and a flush washes over his face when he realizes he’d been caught. he straightens his tie in an attempt to shake off his shame,

“not a clue who they are darling.” your eyebrow raises in suspicion, you’re not buying it. he seems to know you won’t, and he tucks his hand into his pockets as he shrugs.

“you just glare at people you don’t know now sanj?” a pout forms out of frustration. while you were wondering why he was lying to you so blatantly, he was internally swooning at how adorable you looked in that moment, and the sweet way you'd shortend his name. the grip you had over his heart was the strongest in all the seas.

“don’t worry, pretty lady, it’s nothing. now if you’ll excuse me i’ve got my own tables to wait on.” he’s internally scrambling to figure out how to distract you from what he was caught doing, in a moment of boldness (or a crazy attempt to change the subject), he leans down to press a kiss to the side of your head.

the action causes your eyes to almost bulge out of your head as you begin to blush. a smug smile forms on sanji’s face at the sight, he’d never felt more accomplished than he did in that moment. not only had he distracted you, he’d made your face light up all pretty and embarrassed. he winked at you before brushing past you to do his job, pushing open the swinging door into the kitchen behind you.

you’re left in shock trying to wrap your brain around his actions, ‘what had gotten into him?’ as bold and flirtatious as he was, you would have never expected a display like that in front of all the customers.

oh shit, the customers. ‘had anyone seen that? oh gods.’ your hands clench into fists as you attempt to bring yourself back to reality and calm down, and you push past the doors of the kitchen. your eyes are focused on the ground as you collect the drinks needed for your table, placing them all on a tray and balancing them on one hand. you take a moment to breathe in and compose yourself before walking back out into the dining room. 

you eyes scan the room and find your favorite blond waiting on a table on the opposite side of the room of your own. his location makes it easy to return to the table without incident, placing down the three beers before the milk and water. with a smile, you tuck the tray under your arm and pull out your notepad again to continue taking their orders. maybe doing your job could distract from the rapid beating in your chest.

“you guys decided on food yet?” 

“one of everything!” the boy with a straw hat speaks up, and you quirk your eyebrow. they didn't look like the big spenders you were used too, but it wasn’t really your place to mention that. your smile never slips as you nod, writing it down and once again bowing before you leave. by your luck sanji seems to be waiting for you at the doorway of the kitchen. so much for the idea you had to avoid him until you’d calmed down.

he holds his hand out, offering to take your tray from you. his kind offer brings a smile to your lips, and you decide to shove down whatever inner turmoil was happening and act like what he did hadn’t happened. (he sure was.)

“any interesting orders?” he smiles, quirking a brow at you as you offer him your serving tray. you laugh, holding out your notepad to show him where you had written down ‘one of everything’ sanji’s heart squeezes at how cute your handwriting is, and he can’t help the chuckle. “well it looks like you’ll need some help taking out this order then, love.” the pet name causes the usual skip in your heartbeat, and you smile, nodding in acceptance of his offer for help, pushing past him into the kitchen to get your cooks started on the order of everything.

-

the food gets taken out in waves, sanji always accompanying you with an extra plate or two. the table is rather nice about it, they’re always caught up in conversation. even still they thank you for every plate you place down, they seem like genuine people. it warms your heart to see such a close group of friends. 

you can’t help but notice the way sanji doesn’t even pay the girl at the table any mind, too busy glaring at the green haired man, his hands lingering on your shoulder or back longer than they needed to. how he’d managed to add on to his unusual behavior, you wouldnt understand.

not that he really had any reason to be placing a tender hand on your back while you were serving guests. the third time it happens you turn to look at him with a raised eyebrow, and he turns to smile down at you sweetly, his hand on your back rubbing up and down. you look at him incredulously, sanji steps back, bowing before walking back towards the kitchen. before he left his gaze lingered on the man longer than should have been acceptable. you have to hold back a frustrated huff, turning back to the table with a plastered smile

“don’t hesitate to call me if you need anything! i hope you enjoy your meal.” you finish off the sentence with a bow, turning to look at the swordsman when he speaks up with a snort. “are you sure, wouldn’t want to make your busboy anymore jealous than he already is?” your eyes widen in confusion, not only at the notion, but the unnecessary insult towards your sanji.

“whatever could you mean.” the whole table turns to you, and the redhead quirks a brow at you, adding on.

“you’re not really that clueless, are you?” your mouth drops open, and a blush begins to cover your cheeks.

“no, i didn’t think i was.”

and then you’re even more confused. what reason would he have to be jealous over you and a random guest? it’s not like the man had even given you the time of day, or you’d even wanted it?  all you’d done was take his orders. 

the thought feels so impossible, even so it has already quickly begun eating away at your brain and heart. it was the only logical explanation for all his odd behaviors tonight.

sanji vinsmoke, was jealous. over you.

taglist: @the-maladaptive-daydreamers @teenyforestfairy @gothicuwusposts @cheesesoda @scentisterror @shuujin @gcldtom

[abbyshands]

THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.

let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

—

[physalian]

What No One Tells you about Writing #3

Opening this up to writing as a whole, because it turns out I have a lot more to say!

Part 1

Part 2

1. You don’t fall in love with your characters immediately

But when you do, it’s a hit of serotonin like no other. I’d been writing a tight cast of characters for my sci-fi series since 2016 and switched over in a bout of writer’s block this year to my new fantasy book. I made it about ⅓ through writing the book going through the motions, unable to visualize what these new characters look like, sound like, or would behave like without a ‘camera’ on them.

Then, all of a sudden, I opened my document to keep on chugging with the first draft, and it clicked. They were no longer faceless elements of my plot, they were my characters and I was excited to see what they could accomplish, rooting for them to succeed. Sometimes, it takes a while, but it does come.

2. Sometimes a smaller edit is better than a massive rewrite

Unless you’re changing the trajectory of your entire plot, or a character’s arc really is unrecoverable, sometimes even a single line of dialogue, a single paragraph of introspection, or a quick exchange between two characters can change everything. If something isn’t working, or your beta readers consistently aren’t jiving with a character you yourself love, try taking a step back, looking at who they are as a person, and boil down what your feedback is telling you and it might demand a simpler fix than you expect.

Tiny details inserted at the right moment can move mountains. Fan theories stand on the backs of these minutiae. One sentence can turn a platonic relationship romantic. One sentence can unravel a fair and just argument. One sentence can fill or open a massive plot hole.

3. Outline? What outline?

Not every book demands weeks upon weeks of prep and worldbuilding. I would argue that jumping right in with only a vague direction in mind gives you a massive advantage: You can’t infodump research you haven’t done. Exposition is forced to come as the plot demands it, because you haven’t designed it yet.

Not every story is simple and straightforward, but even penning the first draft with your vague plan, *then* going back and adding in deeper worldbuilding elements, more thematic details, richer character development, can get you over the writer’s block hurdle and make it far less intimidating to just shut up and write the book.

4. It’s okay to let your characters take the wheel

I’ve seen writing advice that chastises authors who let their characters run wild, off the plan the story has for them. Yeah, doing this can harm your pacing and muddy a strong and consistent arc, but refusing to leave the box of your outline greatly limits your creativity. I do this particularly when writing romantic relationships (and end up like Captain Crunch going Oops! All Gays!).

Did I plan for these two to get together? No, it just happened organically as I wrote them talking, getting closer, getting to know each other better in the circumstances they find themselves in. Was this character meant to be gay? Well, he wasn’t meant to be straight, but you know what, he’d work really well with this other boy over here. None of that would have happened if I was bound and determined to follow my original plan, because my original plan didn’t account for how the story that I want to tell evolves. You aren’t clairvoyant—it’s okay if it didn’t end up where you thought it would.

5. Fight. Scenes. Suck.

Which is crazy because I love fantasy and sci-fi, the actiony-est genres. Some authors love battle scenes and fistfights. It comes naturally to them and I will forever be jealous. I hate fight scenes. I hate blocking and choreographing them. I hate how it doesn’t read like I’m watching a movie. I hate how it could take me hours to write a scene I can read in 5 minutes. I hate that there’s no way around it except to just not write them, or put in the elbow grease and practice.

Whatever your writing kryptonite is, don’t be too hard on yourself. It won’t ever replicate the movie in your head, but our audience isn’t privy to that movie and will be none the wiser of how this didn’t fit your expectations, because it’s probably awesome on its own. It could be a fight scene, sex scene, epic battle, cavalry charge, courtroom argument, car chase—whatever. Be patient, and kind to yourself and it will all come together.

6. Write the scenes you want to write first

And then be prepared to never use them. It can be mighty difficult working backwards from a climax and figuring out how to write the story around it, but if you’re sitting at your laptop staring at your cursor and watching it blink, stuck on a tedious moment that’s necessary but frustrating, go write something exciting. Even if that amazing scene ends up no longer working in the book your story becomes, you still get practice by writing it. Particularly if you hate beginnings or the pressure of a perfect first page is too high, you’re allowed to write any other moment in the book first.

And with that, be prepared to kill your darlings. Not your characters, I mean that one badass line of dialogue living rent free in your head. That epic monologue. That whump scenario for your favorite character. Sometimes it just doesn’t work out anymore, but even if it ends up in the trash, you can always salvage something from it, even if that’s only the knowledge of what not to do in the future.

7. “This is clearly an author insert.” … Yes. It is. Point?

No one likes Mary Sues, because a character who doesn’t struggle or learn to get everything they want in life is uncompelling. The most flagrant author inserts I see aren’t Mary Sues, they’re nerdy, awkward, boring white guys whose world changes to fit their perspective, instead of the other way around—they don’t have anything to say. I’m not the intended audience to relate to these characters and I accept that, but I don’t empathize with the so-called “strong female character” who also doesn’t have flaws or an arc either.

A good author insert? When the author gives their characters pieces of themselves. When the “author insert” struggles and learns and grows and it’s a therapeutic experience just writing these characters thrown into such horrible situations. They feel human when they’re given pieces of a human’s soul. They have real human flaws and idiosyncrasies. I don’t care if the author wrote themselves as the protagonist. I care that this protagonist is entertaining. So if you want to make yourself the hero of your book, go for it! But make sure you look in the mirror and write in your flaws, as much as your strengths.

[gasolinerainbowpuddles]

991 i hav emerjenci

Wow, what an absolute dumpster fire, right? *gestures broadly* ↓Below the cut↓ are some specific things as a reader/mutual/friend/etc you can do that will make things a little better.

You come across someone posting/using someone else's work without express permission to do so:

INFORM THE ORIGINAL CREATOR/POSTER (OP) DIRECTLY ════════════════════════════════════════ ✧ Let OP know BEFORE you attempt to engage with the person on their behalf. ✧ OP will probably want to lay eyes on the situation, and, if the person stealing their work is tipped off, they might proactively block OP and/or remove posts before they can be verified as stolen. ✧ Do not harass the person who stole the work. It might be coming from a place of wanting to stick up for OP, but it ultimately doesn't help the situation.

OP is experiencing a hate brigade, nasty anons, or trolling over their fic:

PRIORITIZE ACTIONS AND BEHAVIORS THAT KEEP THE FOCUS ON SUPPORT FOR OP ════════════════════════════════════════ ✧ Reblog the fic in question with a glowing recommendation or just leave a comment under it expressing your appreciation for it. Both actions will boost the work in question as well as show direct support for OP. ✧ Reach out privately through DMs if you have that sort of relationship, or send a supportive message through asks. Keep it simple and short as they are probably overwhelmed with the shitstorm at certain points. ✧ Speaking up with a supportive comment or post for OP isn't necessarily a bad thing, but arguing back and forth with the trolls/hate brigade/etc. - even if you are doing it with intention to support OP - only fuels the fire, and some of them are doing it for the attention anyway.

OP seems down / isn't motivated to write / is expressing considerations of leaving fic writing altogether because of the current climate on this hellsite:

GIVE THEM THE SPACE OR TIME THEY NEED, BUT ALSO LET THEM KNOW THAT THEY ARE VALUED ════════════════════════════════════════ ✧ For the love of god please don't bombard them with asks about when xyz is going to be posted. This is a hobby for them, and they have jobs, families, and other life responsibilities that come first. Many would love nothing more than to sit and write all day, but that just isn't the reality for 99% of fic writers. ✧ Show their older works love, too. Many fic writers take the time to curate an organized masterlist of their works, and many have been writing for a while. There is a trove of wonderful content that can be read or re-read while you patiently wait for your fave to update. ✧ If you're waiting for an update on a specific fic, go back through the older chapters/updates and leave a comment saying you love it so much that you're coming back to visit older chapters while you wait to see what happens next in the story. I guarantee it will give them a boost of motivation for that story in particular. ✧ REBLOG AND COMMENT. Yes, do both of those things. I want you open up a fic you love and scroll down to the bottom where you can see likes, comments, and reblogs. I want you to look at the disparity between likes and comments/reblogs. Clicking a heart button is pretty much zero effort, and it comes across as such to many writers. It's not how Tumblr operates. This is a REBLOG site. That is how things make their way around. That is how posts get engagement. That is how other people can discover the fic writers you enjoy. Look, I even made a meme to show you what it feels like when after hours and hours of writing and editing you finally post a fic and then somebody only hearts it:

Even a simple "I loved this so much and can't wait to read more!" does wonders. A quick reblog that mentions your favorite part in the story is like a pot of gold at the end of a rainbow for writers.

You come across people trashing a writer you like:

CONSIDER IF IT'S HELPFUL OR NOT TO ADDRESS IT ════════════════════════════════════════ ✧ People are allowed to have negative/differing opinions about things. If they are expressing their dislike, even in a nasty way, they are allowed to do so. ✧ If it is a genuinely harmful/disparaging conversation, look to see what sort of traction the conversation has. Sometimes it's better to just let something die down before it can even take off. Examples of genuinely harmful/disparaging conversation include but aren't limited to: accusing OP of something egregious without any evidence to support it, framing rumors/gossip they've seen about OP as factual, deeming them criminally or morally corrupt based off a personal opinion they have of OP/their works. ✧ Remember that while serious concerns (like the above point) might be good to share with OP, not every instance of negativity or hate needs to be brought to their attention. If it's just some random jerk on a different platform talking about how much OP's writing is amateur hour, you should probably just leave it be. OP is a person at the end of the day, and sometimes things can be more hurtful than helpful for them to see.

OP isn't acting / responding in a way that you like:

REMIND YOURSELF THAT THEY ARE JUST ANOTHER PERSON IN THE FANDOM AND ARE NOT AN INFLUENCER ════════════════════════════════════════ ✧ OP isn't in this fandom to be put on a pedestal (of course there are always exceptions, but I'm not talking about those people) and treated like an influencer. ✧ OP creates works in the fandom because that is how they choose to engage with the fandom. It is one of many ways that people can come together in a community and celebrate an actor/movie/series/etc. ✧ OP is not a content farm. They are writing and sharing because they genuinely enjoy it. They are not being compensated. They are not being endorsed by anybody or any company. They are a normal person trying to take part in a fandom they enjoy. ✧ OP is not obligated to address or comment on a situation, an interaction, discourse, etc. They are not an influencer and aren't equivalent to the parasocial relationships that influencers (aka people who make a living off the internet) have with their followers. OP is not required to "use their platform" for something. It's not a platform. It is OP's personal account where they engage and post in fandom. That is why it exists. OP is not some mega entity that has to speak on something because you demand or expect it.

OP blocked me:

THE CALL IS COMING FROM INSIDE THE HOUSE ════════════════════════════════════════ ✧ Listen, I know it can be hurtful/confusing if you are blocked, especially if it is a writer you really like. I guarantee you that it was not done out of spite and for no reason. ✧ Take a look at the circles you run in, the posts you like, the sort of comments you leave, etc. Many writers are quick to block these days because the climate of this hellsite is very charged and exhausting. If OP sees your username cropping up again and again in fandom drama or you liked a discourse post with a shitty take or your chummy mutual is going off the rails with some bullshit, you might just get caught up in the Block Party. ✧ Don't go through another channel/account to ask why you've been blocked. No, you aren't entitled to a reason. OP is allowed to protect their mental health and peace, and they don't owe anyone an explanation of why and how they choose to curate their experience on this hellsite. ✧ If you believe you were blocked by mistake (which, again, is very unlikely), just take the L, homie. I know that's not what you want to hear, but that's just how it is.

If you took the time to read this, share it, or just in general intend to apply it to your interactions, ✨thank you✨!

Here is a Pedro gif tax for your time and attention. 💜

[dduane]

The Young Wizards series turns 40!

...And yes, we're having a sale to celebrate. But that can wait. :)

I'm sitting here looking at the date and considering how amazing it is that, despite the changes in the publishing world, anything can stay in print nonstop for forty years.

But this book has. Here's how it started:

...Well, not how it started. It started with three things:

A newbie YA writer being deeply annoyed with a non-newbie one for (as she thought) stripping their teenage characters of their agency without good reason.

A suddenly-appearing joke involving two terms or concepts that wouldn't normally appear together: the 1950s young-readers' series of careers books with titles that always began So You Want To Be A..., and the word "wizard."

And the idea immediately springing from that juxtaposition. What if there was such a book? Not a careers book, but a book that told you how to be a wizard—maybe some kind of manual? One that would tell you the truth about the magic underlying the universe, and how to get your hands on it... assuming you felt you could promise the things that power would demand of you, and survive the Ordeal that would follow?

Six or seven months after that confluence of events, there was a novel with that joke-line as its title. A month or so after that, the novel was bought. So You Want To Be A Wizard came out as a Fall 1983 book, as you can see from the Locus Magazine ad above (from back when Locus was only a paper zine). The first reviews were encouraging.

And by the middle of 1984, the publishers were asking, "So, what's next?" A question I'm still busy answering.

There's been a lot of water under the wizardly bridge since. In SYWTBAW's case, this involved a couple/few publishers, a surprising number of covers, a fair number of awards here and there; and lots more books. (I always knew there'd be more, but how many more continues to surprise me. Which is a bit funny, considering how much stuff that universe has going on in it.)

So here we are at forty, and looking ahead to The Big Five-Oh with some interest. More books? Absolutely. Young Wizards #11 is in progress at the moment, and YW #12 is in the late concept stages. More covers for So You Want To Be A Wizard? Seems inevitable. A TV series, perhaps? (shrug) Stranger things have happened: we'll keep our fingers (or other manipulatory instrumentalities) crossed. The New Millennium Editions in translation? and in international paperback? Working on that right now. The sky's the limit.*

And meanwhile, to celebrate, just for today we'll have a sale. (Except in the UK. To our British friends, the usual sad apology: the expensive bureaucracy of Brexit has made it impossible for us to sell directly to you any more. Details here, with our apologies.)

As has been mentioned before, changes are afoot at Ebooks Direct, so this kind of sale won't be happening again for the foreseeable future. (In fact I thought we were all done with them already. But the number 40 suggested one last opportunity that wouldn't be recurring, so I thought, "Aah, what the heck? Let's.")

New things first! Today, to mark this occasion, we're introducing the "All The Wizardry" Bundle. This is Ebook Direct's entire inventory of Young Wizards works; the contents of the bundle are listed on its product page. The $29.99 price listed there is for today only, to celebrate SYWTBAW's birthday, and will go up as of 23:59 Hawai'ian time tonight. As always, should you ever lose your ebooks or need to change reading platforms, we'll change your formats as necessary, or replace the books, for free.

Just click here, or on the image below, for the "All The Wizardry" Bundle. (Please ignore the category listings under the "Pay Using..." icons on the product page: they plainly think they're in a different universe. Kind of an occupational hazard around here...)

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[reiding-writing]

Hi congrats on the Milestone, for the event can i ask for prompts 15 and 16 (angsty ones) Ty! 💖💖

EAVESDROP [CLIMACTERIC]

/ˈiːvzdrɒp/

15. "You heard that?”

16. "I didn't mean it.”

WARNINGS: miscommunication (i hate and love miscommunication way too much), happy ending

spencer reid x gn!reader || fluff || 3.0k || event masterlist!!

a/n: when i said that these were going to be coming out slower i unfortunately meant it 😭 didn’t help that i had massive writer’s block with this one either rip—

main masterlist!!

You really didn’t mean to eavesdrop. You just happened to get to the office early that morning and figured it’d be an opportune time to make yourself some coffee.

But once you heard your name in the mix of the conversation that Spencer and Morgan were having you found yourself waiting around the corner until they finished what they had to say.

“—should just ask,”

“That’s awkward, besides, if I was going to then it’d have to be something more meaningful,” You can hear Spencer sigh in exasperation as he shuts down Morgan’s suggestion, and your imagination tells you he probably has his face furrowed almost in a pout like he usually does when he’s frustrated.

“Then plan something, you can’t just wait for something to happen, you have to take action man,” Morgan sounds determined in his beliefs, and it leaves you with a furrowed expression as you try and piece together what they’re talking about and how it relates back to you.

Spencer wants to ask you something. In a ‘meaningful’ way. Because he’s been sitting around waiting for something for too long.

What?

“I know that,” Spencer lets out another sigh, and you can hear the sound of his mug hitting the kitchenette counter. “I’m just afraid that they’re going to turn me down, okay? I really like them and I want this to go well,”

If their conversation was a tv show you would’ve rewound it to hear what Spencer just said again.

Spencer Reid. Dr Spencer Walter Reid just openly admitted to liking you.

There’s a major part of your brain that tells you that he just meant it platonically, that he just really valued your friendship and didn’t want to ruin it by asking you whatever he was going to.

And then there was another part of your brain telling you that that was complete bullshit, because what kind of question could possibly be so bad that it would mean you didn’t want to be friends with him anymore?

It had to be something inherently romantic, or Spencer’s concerns wouldn’t make any logical sense, which was a very off brand thing for him.

“It’ll never ‘go well’ if you don’t actually ask,”

The small flutter in your heart only proves to increase at Morgan’s reply, and if you were an actual part of the conversation you’d agree with him.

You wanted Spencer to ask you whatever was plaguing his mind, whether it be to take you on a date somewhere or even if it’s just to get lunch with him on your shared break. Any step forward was a step in the right direction, and you wanted that next step.

He doesn’t.

The whole day goes by without a single peep from Spencer in relation to his little pep talk with Morgan in the morning, and it was beginning to frustrate you just a little.

Of course you wouldn’t actually be frustrated if you hadn’t overheard the conversation they were having, but that wasn’t your fault. It was like the fates were trying to bring you together.

And you were letting them drag you in whatever direction they deemed fit.

“Hey Spencer!” You catch him right as he steps into the elevator, and he sticks out a hand over the motion sensor to keep the door open for you.

“Hey,” Spencer gives you a small, awkwardly endearing smile as you join him inside the elevator, retracting his hand to grip the strap of his messenger bag.

“Thanks,” You let out a stuttered exhale as you catch your breath from the mild jog you made to reach the door, pulling on the shoulders of your shirt to straighten it back out.

“No problem,” He gives you another small smile, and then the conversation falls silent, the sound of the doors opening as the two of you reach the ground level being the only thing to break the stillness of your joined company.

You couldn’t really tel whether the lack of conversation was awkward or not, but you did know that the longer you were in his sole company the more that you wanted to oust your knowledge of his earlier conversation with Morgan, to the point where you were rehearsing how to bring it up in your head.

“I’ll see you tomorrow,” Spencer gives you a small wave as the two of you step out of the elevator and into the covered parking lot, stuffing his hands into his pockets and turning around to walk away before you can reply.

You swear you catch the tiniest glimpse of him mouthing something to himself with a furrowed expression as he turns around, like he’s berating himself for something, and your brain decides that it’s the perfect time to just go for it, his name tumbling out of your mouth to no consciousness of your own.

“Spencer—”

He turns around at your call and your throat goes dry, your impulsiveness biting you right in the ass as you lose your confidence immediately under his gaze. “Yeah?”

“You… uh-” You watch as his eyebrows furrow slightly in confusion, and you clear your throat to throw your inhibitions out the window. You couldn’t just not tell him now. “I overheard the conversation you were having this morning with Morgan, the uh… the one about me?”

You can practically see the colour drain from his face at your admission, and it immediately makes you regret bringing it up. He wasn’t ready yet.

“You-” He lets out a sharp exhale through his mouth, tugging at the strap of his back awkwardly. “You heard that?”

You give him a small guilty nod with your lips pressed together, and he sucks in a breath like he’s forgotten how to breathe. “How much of it did you hear..?”

“About… three quarters of it,”

He shuts his eyes, head dropping until the hair framing his face catches against his eyelashes.

Of course you’d heard it all. Because him stumbling over himself over how to properly approach you to Morgan wasn’t humiliating enough.

No, you just had to be there to hear it.

There went any minuscule chance he had of actually managing to build something with you. You probably thought he was some weirdo who had some stalkerish fantasy of you.

“Spencer—”

“I didn’t mean it.” Your attempt at elaborating was very quickly short lived as he cuts you off.

“I- What?”

“I didn’t- I was just saying that to get Morgan off my back about not dating anyone,” Spencer knows he’s speaking straight out of his ass, but it’s the only thing that he can think of to say to possibly salvage a fraction of your friendship with him without making everything weird. “I didn’t actually mean any of it-”

There’s a small pause, silence flooding the space between you until you feel like you’re drowning in it.

“Oh,” There’s a split second where the astonishment shows across your face, and Spencer swears he catches a glimpse of disappointment in your irises before it’s covered up with something else. “Right- Yeah no that makes sense he can be quite annoying about that stuff can’t he?”

He gives a pathetic laugh at your response. “Yeah…”

“Well I’ll uh, see you tomorrow then…” There’s no mistaking the awkward tension between the two of you as you rifle in your pocket for your car keys.

“Yeah… See you tomorrow…”

—

“I messed up. I messed up really bad.” Morgan barely has time to leave the elevator before Spencer is practically dragging him into the conference room to speak to him privately, without any chance of their conversation being heard.

“Well good morning to you too boy genius,”

“I’m serious Morgan, this is really bad-” Spencer’s face conveys absolute desperation, almost bordering patheticness from just how rifled he seems.

“Okay okay damn,” Morgan raises his arms in surrender, a silent vow to take Spencer’s worries seriously.

“They overheard our conversation, the one about me being afraid to ask them out.” Spencer sighs in absolute indignation, taking a hand through his hair with an expression like his doctor just told him he wasn’t going to wake up tomorrow morning.

“Oh-” Morgan’s eyes widen slightly at Spencer’s confession, straightening up and furrowing his eyebrows. “And?”

“And I told them that I was just saying I wanted to ask them out to get you off my back about dating-”

Morgan’s shoulders drop, and he narrows his eyes slightly in a mix of confusion and absolute astoundment that he would fumble the bag that hard. “Why did you do that?”

“Because I didn’t want things to get awkward, but when they walked into the office this morning they didn’t even say good morning and we’ve been sat in a stalemate for almost ten minutes which suggests that they didn’t believe what I said and I did make it awkward and-”

“Reid-” Morgan holds up a hand to stop Spencer’s rambling mid-sentence. “Slow your roll a minute, what actually happened?”

“They caught me on the way out of the elevator to the parking lot yesterday and told me that they overheard our conversation,” Spencer drags his hand down his face in exasperation. “And I panicked and said that I didn’t mean it and that it was just to get you to stop asking me about my dating life, so that it wouldn’t make our friendship awkward…”

He exhales heavily, leaning his body weight against the conference table in defeat. “But I don’t think they believed me, and now they’re acting like I’m a stranger to them and I don’t know what to do,”

“Right… Okay,” Morgan takes a few seconds to take in the information through furrowed eyebrows. “And you’re sure it’s because they don’t believe you?”

“What’s that supposed to mean?” It was Spencer’s turn to furrows his features at Morgan’s response. What else could it possibly be to do with?

“Look, I’m not going to say anything, but you need to come clean and talk to them, right now.”

“What—” Spencer barely gets the question out of his mouth before Morgan is leaving his side to open the door of the conference room and yelling your name across the bullpen to bring you over.

“What are you doing?” Spencer Whisper-yells through his teeth as he watches you approach from over Morgan’s shoulder, and he watches the way your curiosity turns to begrudgement as you realise that Morgan wasn’t the only one there.

You literally fizzled out after realising that Spencer was there, what else was he supposed to think?

“You two need to have a conversation,” Morgan points between the two of you before tugging you into the room by your forearm. “I am going to stand outside that door and you are not allowed to leave until you’ve spoken to each other properly, no bullshit. You hear me?”

It feels like you and Spencer are two five year olds as Morgan looks between you, but you both nod stuntedly either way, and true to his word, Morgan leaves the room and leans his weight against the closed door so you can’t push it open to leave.

“So…”

“So-”

The tension between the two of you is palpable as you both try to start the conversation at the same time, but the fact that you were so similar in your awkward attempts at breaking the silence makes you laugh a little, which in turn makes Spencer laugh as well.

It was a little silly, but you were both glad for the break in the stalemate you’d put yourselves in, even if just for that moment before you found yourselves surrounded by silence once more, albeit a slightly more comfortable one.

“Well… Uh…”

“I’m sorry I assumed you liked me, romantically I mean,” You cut off Spencer’s awkward attempt at breaking the silence with your own blurted excuse. “I didn’t mean to make things awkward between us I just thought—” You cut yourself short before you can finish to save yourself from your own embarrassment.

Spencer can only blink at your apology.

“I— What?”

“When I cornered you in the parking lot yesterday, I should’ve known it was just Morgan bothering you, I didn’t mean to make you uncomfortable,” You clasp your hands behind your back, nervously wringing your hands together.

So it wasn’t because you didn’t believe him. You did. And you looked… upset about it? Dejected maybe? Spencer couldn’t be quite sure, but whatever emotion you were displaying it wasn’t something objectively positive.

“I— You didn’t—” Spencer exhales heavily through his mouth, clenching his hands into fists as he internally fights with himself over whether to just spit it out and get it over with.

‘You need to come clean’.

Morgan sounded extremely assured in his statement when he directed Spencer earlier, like he knew what the outcome was going to be.

It wasn’t a case of ‘come clean because the truth is better than lying’, it was a ‘come clean because whatever happens afterwards isn’t going to be negative’.

“I lied to you,”

Spencer’s brain always worked faster than his body, but apparently he’d managed to override his own instincts and let his mouth make the decision for him before he could think through all of the possible consequences.

“…What?” The traces of disappointment in your eyes are diluted by a mix of surprise and confusion as you turn them up to his, and Spencer feels his throat dry out almost immediately.

“I wasn’t trying to get Morgan off my back, I…” Spencer lets out another small sigh. “I really was asking him for advice, I… I really like you, a lot, and I just didn’t know how to tell you without ruining our friendship so Morgan was trying to help,” He lets out a small laugh, his fingers raking through his hair animatedly as he laments his own patheticness. “It didn’t go very well, clearly,”

There’s a small pause after his confession, the silence settling in Spencer’s chest and making him feel nauseous as he waits for a sign of how you’re going to respond.

The blankness on your face isn’t very reassuring.

“You’re being serious?”

“…mhm…” Practically all of the conviction in Spencer’s tone disappears at your question, and he half-wishes that he could travel back in time so this conversation never happened.

“I like you too Spencer,”

“I underst—” Spencer lowers his head as he dejectedly accepts your rejection. Except it’s not a rejection. “What?”

“I like you too,” You repeat yourself with determination, your eyes practically boring holes into his, and he swears he can feel his knees trying to buckle underneath him.

“You uh… Really?” Spencer blinks at you like a deer in headlights, his genius brain seemingly unable to comprehend how the conversation, one Spencer was sure would end in your rejection and end with the two of you as practical strangers, somehow turned into this.

You give him a firm nod. “I’d like to go out with you Spencer, on a date, anywhere you like,” Your confidence starkly contrasts his shattered composure as you give him your proposal like you’re presenting in a board meeting. Although he’s sure it’s almost entirely feigned, and the way you fiddle with your fingers is evidence enough of his theory. “Please?”

There’s a tinge of desperation in your tone as you add your small plea at the end, and it makes Spencer realise that he’s just blankly staring at you.

“I— Yes— Yes I’d love to go on a date with you Uh—” Spencer thoroughly stumbles over his words in his rush to wipe the traces of doubt in your features. “I’d really like that…”

“Good— Good,” You let out a short laugh of relief at his answer, and he echoes it with your own as you stand in a shared dome of fluster together.

“Do you want to get lunch? Uh, together?” The way Spencer phrases the question was like a middle schooler trying to ask out their crush rather than a grown man, but it only makes the sentiment more endearing.

“That sounds like a good idea,” Your answer is joined by a soft laugh that echoes from the back of your throat, and it makes Spencer’s heart flutter.

“Okay,” Spencer returns your chuckle with his own, gesturing curtiously towards the closed door like a true gentleman, and you have to suppress the urge to stamp a kiss against his pink cheeks as you pass him to push it open.

There’s less resistance than there should be as you push it open, with Morgan decidedly having left the two of you to your own devices to return to his desk without either of you realising.

He shoots the two of you a wink and a thumbs up as you walk down the stairs, and Spencer’s cheeks turn a slightly darker shade of red at the ‘unfortunate’ realisation that he’s due in for a whole load of jests and teases from him going forward.

[alessiasfreckles]

too in love to think straight

Alessia always thought she was straight, until y/n joined the team. Y/n has a crush on Alessia, but is far too shy to do anything about it. Their meddling teammates decide to help them out.

warnings: none!

A/N: based off this prompt! longest fic yet at almost 4k words, so thank you for the prompt, it definitely helped the writer's block!

------

Alessia Russo was straight. Straight as a ruler. Sometimes her teammates joked about it, teasing her for being a heterosexual female footballer, one of a kind. She had never let the jokes they made get to her, always brushing them off, not even giving them a second thought. After all, she was straight, wasn’t she?

She watched you in training, sometimes. Not in a creepy way or anything, just in a… ‘wanting to know more about you’ way. Alessia was fascinated by you, even if she couldn’t quite explain why. You had joined the team a month ago and had already earned a reputation for being extremely shy and quiet. Sometimes your teammates would place bets on who could get you to say more than a single sentence that day, which you didn’t mind, really. You knew they weren’t doing it to be mean, and that they’d stop if you asked. Despite how shy you were, you’d already found your place in the team and felt comfortable there. The girls were your friends, even if you didn’t talk much. 

You were warming up in training, your hand on Steph’s shoulder as you swung your leg back and forth, when she said something that made you start giggling. The sound nearly made Alessia trip over her own feet, and when she looked up to see you grinning at Steph, she felt something flutter in her stomach.

That was normal, right? That was a thing that happened to straight people? She just really wanted to be friends with you, that was all. Right?

As the days went by, she started making an effort to talk to you more. She would coincidentally finish getting changed at the same time as you, meaning the two of you ended up walking together quite often. 

“So, um, how are you settling in?” she asked the first time it happened. 

“Good,” you said, smiling shyly. 

“That’s good! I settled in pretty quickly too, the girls are so nice and welcoming here, you know? I had been worried when I moved that it was going to take me ages to feel at home, but now it feels like I’ve been here forever!” she rambled, and then laughed awkwardly. “Oh, sorry, I’m rambling, aren’t I?”

“No, it’s okay,” you glanced up at her and gave her another smile, blushing slightly, and she smiled back. 

From then on, she found herself thinking about your smile a lot. She would look for you during training, hoping to catch a glimpse of it. It was even better when it was directed at her. 

----

“So we can all agree that Lessi definitely has a thing for y/n, right?” Steph said in the changing room to the few teammates that were still getting ready after the two of you had (completely coincidentally, of course) left at the same time once again. 

“Wait, I thought she was straight?” Kyra asked.

“Nah, y/n’s gay,” Jen piped up. “I mean, she doesn’t really talk about it much, but she posts about pride month on instagram and stuff, and we talked about what going to pride for the first time was like a couple weeks ago.”

“No, I know y/n is gay,” Kyra said, exasperated. “I meant Lessi. She’s like, the token straight in the team.”

“Yeah, I have a feeling that our token straight isn’t as straight as we thought. Or as she thought, for that matter,” Steph grinned. “Have you seen the way she follows y/n around? Like a lovesick puppy.”

“Maybe someone should try and find out if y/n feels the same way,” Jen suggested, a sly look on her face. “Ky, you should do it.”

“What?! No way,” Steph laughed. “Ky can’t keep her mouth shut to save her life.”

“Hey!” the younger Australian protested. “Actually, yeah she’s right. I would definitely just ask her outright if she’s interested in Less. Kinda get the feeling that we might need subtlety to get that kind of info out of her.”

Just then, Viv walked back into the changing room. “What are you guys doing in here? Come on, we’re all waiting for you.”

“Viv!” Steph exclaimed. “You’d be perfect for our plan!”

“What plan?” she asked, crossing her arms and raising an eyebrow.

“Okay, so you’ve noticed how Less has a crush on y/n, too, right?” Jen said, grinning. “Well, we want to find out if the feeling is mutual. But, you know, since y/n’s so shy we figured that just asking outright isn’t the right approach. So…. that’s where you come in!”

“Really, guys?” Viv said, looking unimpressed. “That’s their business.”

“Oh, come on, Viv,” Steph pleaded. “Look, we all know there’s no way y/n would make any moves herself, and Less probably hasn’t even realised she likes her yet.”

Viv sighed. “I guess you have a point. But I’m not going to push her, okay? If she doesn’t want to tell me, that’s fine.”

“Oooh, this is so exciting!” Kyra squealed, clapping her hands. “Oh, but remember to be subtle!”

“Yeah, yeah,” Viv said, rolling her eyes. “Now come on, everyone’s waiting.”

----

“So, um, you’re very much straight, right?” Alessia asked Ella as they had one of their weekly facetime calls. 

“Ha, yeah, unfortunately,” Ella grinned. “Why, you interested?”

“Yeah, yeah, very funny,” the blonde rolled her eyes. “As, y’know, a straight person, would you say it’s normal to, um, think about another girl? A lot?”

“Right, tell me everything,” Ella said, getting comfy. “Who is it?”

Alessia groaned, burying her face in her hands. “Y/n. The newbie?”

“Aw, yeah, she’s cute!” 

“Okay, so you think she’s cute too! So, it’s a perfectly normal thing to think about someone, isn’t it?” 

“Well, that depends,” Ella said with a grin. “Do you think she’s cute in a completely platonic way or in a ‘she’s cute and i want to kiss her and have sex and get married and have babies’ way?”

“Oh my god, Ella!” Alessia groaned again.

Ella laughed. “Okay, so it’s the second one.”

“I don’t know, maybe?” the blonde blushed at the thought, but had to admit to herself that it wasn’t the first time she’d thought about kissing you. “So, it’s not something straight people think about?”

“Nope,” Ella smirked. 

Okay, so maybe Alessia was as straight as one of those bendy rulers the cool kids had in high school.

“Ugh, what do I do?” she asked.

“I mean, you don’t have to do anything if you don’t want to,” Ella said gently. “Like, about maybe not being straight, or about y/n.”

“Okay but,” Alessia started, then sighed. “Yeah, I don’t know if I want to do anything about the maybe not being straight bit. But, the y/n bit, I just, I don’t know! She’s just really fucking cute and like, really shy but when she does talk you can tell that she’s really smart and observant, and she has the cutest laugh, oh my god, the first time I heard it I nearly fell over, and I just want to be the one to make her laugh, you know? And like, I want to get to know her better. I want to know what she does when she gets home from training, what her favourite TV show is, what her family is like.”

“Well,” her best friend said. “Kind of seems like you do know what you want to do about y/n. You want to get to know her and make her laugh. Those seem like very achievable goals!”

“Yeah, I suppose,” the blonde said, frowning. Those were pretty achievable goals, actually. And technically she wouldn’t even be doing anything about her… well, her crush. She would just be getting to know her teammate. “Yeah. Thanks, Ella.”

“Anytime!” Ella said with a wide grin. “But as soon as this goes anywhere, I want to be the first to know, okay?”

Alessia let out a laugh, feeling much better after having talked to the brunette. “Deal.”

-------

A few days later, you were walking on the treadmill in the gym when Viv joined the treadmill next to you. You smiled at her, not thinking much of it, and when she gestured for you to take your headphones out you did. 

“Shit, sorry, I hate it when people try talking to me when I have headphones in,” she cringed, laughing sheepishly.

“It’s fine,” you said with a small smile. You liked Viv. She was quiet too, but more confident than you were. 

“I just wanted to check in, see how you were feeling. You’ve been here for what, 5, 6 weeks now?”

“5 weeks today,” you said, and she nodded. “I’m feeling good. I really like it here. Everyone has been really welcoming.”

She smiled, and it was genuine. She really did want to know if you were settling in okay. “That’s great! I’m happy to hear that. Beth will be too.”

“You two really are the mums of the team,” you teased softly.

“Ha, yeah, people say that a lot,” Viv said with a laugh. The two of you jogged quietly for a minute before she spoke up again. “So, I noticed you and Lessi have been hanging out a lot lately.”

“Oh, uh, yeah,” you said, blush quickly rising your cheeks. “She’s, um, really nice.”

“She’s pretty new here, too,” the older player said offhandedly, glancing over at you. “Maybe she can show you some good spots in the area?”

“Yeah, that’d be nice,” you said, feeling your cheeks burn as you looked down at the treadmill, not wanting to meet Viv’s eye.

“I’m glad you’re making friends here, y/n,” Viv said with a kind smile, and you nodded.

-------

“Okay, yeah, she has a crush on Less,” Viv announced to the girls in the changing room. It was the same group as before, Kyra, Steph and Jen, plus Katie, Leah, and Beth, who had gotten involved now too. 

“Oh my god, that’s so cute!” Steph gushed. “Wait, did she tell you that? Just like that?”

“No, of course not,” Viv said, rolling her eyes. “But trust me, okay? She likes her.”

“Alright,” Steph said, happy to believe her. “So, what’s the next step?”

“Guys, come on, you can’t meddle in this!” Leah said, standing up. “They have to figure it out for themselves!” 

“Aw, come on, Lee,” Katie said with a grin. “Surely a little push is okay? After all, there’s no way y/n is gonna do anything about it. And we’re still not sure Less even knows she likes her.”

Leah stood there for a minute, arms crossed, before sighing. “Fine, a little meddling is okay. But nothing big, alright?”

The girls grinned excitedly and got to planning.

-----

Jonas clapped his hands, getting everyone’s attention. 

“Okay, ladies, I want you to partner up for this next one!” 

The team was close enough that things like this didn’t make you feel the same dread that it did in P.E. in high school. Partnering up now meant partnering up with any of your friends, not waiting anxiously to see if you were chosen. Still, you waited to see if anyone did choose you. 

Alessia sidled up to you with a smile. “Hey,” she said.

“Hi,” you replied, smiling back.

Behind your back, Steph and Katie shot each other a knowing look and a grin. 

“I meant to tell you, you played really well on Sunday,” the blonde said with pink cheeks. You weren’t sure if it was from the cold air or if she was blushing. 

“Oh, thank you!” you ducked your head, blushing a little. “So did you.”

“Thanks,” she smiled. “So, um, did you have a nice weekend? Aside from the game, I mean.”

You nodded. “Yeah, it was good. I just stayed home and relaxed.”

“Yeah? What did you get up to?” she asked, eager to know more about you, but realised she might be pushing. “Sorry, I didn’t mean to pry-

“It’s okay,” you said, cutting her off and placing a hand on her arm, and she blushed at the gesture. “I didn’t really get up to much, to be honest. I watched some TV, read a bit, did some puzzles, baked a little. And the boring stuff, like doing some washing, cleaning. But I guess the other stuff is kind of boring too.” 

“No, it’s not! It’s interesting! I like learning about you,” she said quickly, then blushed deeper pink. “Um, what kind of puzzles? Like, jigsaw puzzles?”

You laughed gently. “Oh, no, like, um, puzzle books? Things like sudoku, crosswords, that kind of thing. It’s my guilty pleasure,” you admitted.

“Wow, so you’re smart, then,” she teased with a laugh. 

“Girls! Less chatting, more moving!” Jonas shouted across the field at the two of you.

“Oops,” Alessia said, grinning. “I guess he has a point.”

As you were walking back to the changing rooms after training, Jen came up from behind, clapping both of you on the back.

“Right girls, monthly movie night on Friday,” she said. “You in?”

You waited a beat to see Alessia’s reaction, before nodding.

“Great! Less, we good to do it at your place?” 

The blonde rolled her eyes, but she was smiling. “Do I really have a choice?”

“Nope,” Jen said with a grin. “Thanks, Less!”

She ran off, yelling to Katie that movie night was good to go, and Alessia laughed. “I’m not sure why they’ve picked my place,” she said, shrugging. “Personally I think Beth and Viv’s place is the best for movie nights. Plus, any excuse to see Myle, right?”

You nodded, smiling. You’d gone to one movie night at Beth and Viv’s place, a couple weeks after you joined the club. You’d been in awe of how close knit the team was, wanting to be a part of it, but not sure how. You hadn’t really said much that time, opting to sit on the corner of the sofa, watching everyone else around you.

“You’ll come too, right?” Alessia asked, her voice hopeful, and you felt your heart skip when you realised she was hoping that you would come, hoping you’d be at her place. 

“Yeah!” you said, trying not to sound too eager. 

“Good!” she said, sounding relieved. 

For the next few days, you couldn’t stop thinking about the upcoming movie night. You knew it wasn’t a big deal, really. After all, it was a bigger group of the girls that were going to be there, not just the two of you. Still, that alone was a scary thought. You preferred your own company, or the company of just a few people rather than a big group. 

Despite knowing that the evening was in no way a special occasion, you decided to dress a little nicer than you normally would for a night in (meaning you wore the slightly nicer leggings rather than the stained jogging bottoms you used as pjs half the time), putting your favourite perfume on to give you a boost of confidence. As you got closer to Alessia’s house, though, your stomach started tying itself in knots. You forced yourself to keep going despite how nervous you felt about being at the other player’s home for the first time, and rang the doorbell. 

“Y/n, hi!” Alessia said, beaming when she opened the door. “Come in! Oh, you can leave your shoes and coat over there, if you want.”

She wouldn’t admit it, but she was nervous too. She’d spent far longer than usual tidying and preparing for the evening, and had swapped out the decorative cushions on her sofa three times before giving up. 

“Am I early?” you asked when you realised you were the only one there. 

“No, don’t worry! Some of the others just have a habit of being late. Half the time I tell Katie an earlier time than we’re actually planning, just so she shows up on time. Speak of the devil,” she said with a grin when another car pulled up outside.

20 minutes later, the others had all arrived as well. It was a smaller group than last time, just 9 of you, though you weren’t sure how many more than that would be able to fit into Alessia’s living room. You were a little disappointed when Katie arrived so soon after you had, enjoying the short-lived one on one time you were spending with her. 

Meanwhile, Alessia and Leah were in the kitchen, getting drinks for everyone.

“So, you and y/n have been spending a lot of time together,” Leah said casually. “What’s that about?”

Alessia blushed. “We’re… friends?”

“Is that right?” Leah said with a knowing grin.

“Okay, fine,” Alessia said, easily giving in to Leah’s knowing look. She glanced over her shoulder, checking that the kitchen door was closed before continuing. “I just think that she’s really cute, okay? And yeah, maybe I want to kiss her, so what?”

Suddenly she was being hugged tightly by Leah. “This is so exciting!” the older blonde squealed, making sure to keep her voice down. “You should tell her.”

“What?! No way,” Alessia laughed, shaking her head. “I have no idea if she feels the same way!”

“Oh, come on, she definitely does!” Leah insisted. “Haven’t you noticed that you’re, like, one of the only people y/n talks to on a daily basis? Full conversations, too!”

“Pfft, that doesn’t mean anything,” the younger player said, frowning. Did it mean something?

Leah sighed. “If you say so. Just remember, though: tonight is for your own good.” she said with a wink, and left the kitchen before Alessia could ask what the hell she was on about.

She started to get an idea about 15 minutes, when Steph, Kyra and Jen all got a text message and mysteriously had to leave. 5 minutes after that, Beth checked her phone and, not particularly convincingly, said, “Oh, the neighbour has just messaged me that she can hear Myle going crazy, we should head home and check on her.”.

Alessia raised an eyebrow. It didn’t take long for Leah and Katie to make up a similar excuse. The door swung closed behind them, and she turned to smile at you sheepishly. 

“And then there were two,” she said. “Sorry, I’m not sure what all that was about. This isn’t how movie nights usually go.”

“If I’m being honest, I’m kind of glad it’s just the two of us, rather than a big group,” you admitted shyly, internally cursing the blush you could already feel rising to your cheeks.

“Me too,” Alessia said with a smile. Before she could get another word out, however, the bluetooth speaker she kept in her training bag next to the door started blaring Love Story by Taylor Swift. The song was accompanied by a couple of car headlights flashing outside the window and some honks, and when the two of you looked out you could see Katie grinning from her car before she sped off, cutting off the music when she left the range of the speaker.

“Right, well, I feel like she didn’t quite think that through,” Alessia laughed, shaking her head at your teammates’ antics. 

Your cheeks were pink and thoughts were rushing through your mind. Did they know you liked her? Was that why they’d picked that song? And why they’d all left?

Alessia’s phone buzzed, and she checked it to find a message from Leah, saying ‘Just tell her! You’ve got this!! x’. She quickly turned her phone off again when you glanced over, and gestured towards the TV, where the film the girls had picked was still playing. 

“Want to keep watching?”

“Sure,” you nodded, though really you weren’t that interested. If it meant you got to hang out with Alessia longer though, you were all for it. You both sat down and started watching the film again, but it didn’t take long for the two of you to start chatting, the film playing in the background. 

“It’s good that your family were so supportive when you came out,” Alessia said.

“Yeah, they were really sweet, actually. To be honest, I kind of think they expected it, you know? Being a female footballer and all that,” you said, then quickly blushed, realising what you’d said. “Not that, um, all female footballers are gay, of course, I mean, I know you’re, um-”

She laughed gently, blushing a little. “It’s okay, I know what you mean. I think my family were actually surprised, really, when I never showed any interest in girls,” Up until now, she thought. “I’m just gonna, um, get a drink, do you want anything?”

“Oh, no, that’s okay, thank you,” you said quickly, not wanting to make extra work for her. 

Grinning, she picked up your empty glass anyway and took it to the kitchen with her. When she was in there, she pulled out her phone, quickly texting Leah, ‘I don’t know how to tell her!’. She anxiously bit her lip as she waited for a reply, not realising that the water was overflowing in the glass. She swore under her breath when she realised, but was quickly distracted when a reply came through. ‘Tell her how you feel! That’s all you have to do x’. Well. That wasn’t particularly helpful.

She went back into the living room and set the glasses down on the coffee table. 

“So, when did you know you liked girls?” she asked, taking a sip of water.

“I think I always knew, really. I was just never that interested in boys, and I had a huge crush on a girl in my P.E. class in high school.”

“Oh, is that your type then? Sporty girls?” she teased, and you blushed. “Has, um, anyone caught your eye here then?”

“I, uh, I-” you stammered, cheeks burning. 

She laughed nervously. “Sorry, I’m teasing. Um, actually, there’s something I wanted to talk to you about.”

You could feel your heart pounding as you wondered where this was going. “Yeah?”

“Yeah, I- well, I don’t think I am, um, straight, after all. At least, there’s at least one girl that I am interested in,” she said, sucking in a breath and looking at you with bright eyes. “You.”

“Me?” you squeaked, brain struggling to process what she was telling you. 

“I’m so sorry if I’ve made this awkward, if you don’t feel the same way, I’ve never done this before with a girl, and I really didn’t mean to make things awkward, we can just stay friends if you want, I’m so so happy to just be your friend as well-” Alessia rambled, barely pausing to take a breath until you put a hand on her leg, making her stop.

“I’m, um, interested in you, too,” you said shyly, unable to meet her gaze. There was a part of you that was still wondering if this was all a big joke. When Alessia’s hand cupped your cheek, you started to feel pretty sure it wasn’t.

“Really?” she asked, lifting your head so she could look you in the eyes.

“Really,” you told her.

You both leant in, gravitating towards one another, and you could barely breathe. You’d thought about this moment, dreamt about it. Whenever the two of you exchanged glances at training, when she laughed at something you said, when your hands brushed as you walked next to each other, you’d think about what it would be like to kiss her.

Now you were finally going to find out.

[fingertipsmp3]

Do you ever see something and think ‘wow, I’m a people-pleaser, but not that much’

[bet-on-me-13]

The Hades and Persephone AU

So! It had been a coincidence. One of the Rouges Cass had been chasing down had dropped a stray Bullet Casing, and she had managed to miss it as she ran after them. All they could hear through the Comms was her startled yelp as she tumbled 3 Stories, directly onto her Back.

Batman had rushed to the scene, hoping that his daughter was still alive, but when he got there he came across a very different sight. A Tall, shadow covered Knight Carrying Cass in his Arms. Before he could do anything, the Shadow Knight turned away and walked deeper into the Alleyway, were a Lazarus Green Portal stood waiting.

Batman could only watch as his critically injured daughter was kidnapped by some sort of Dark Armored Demon. And into a Portal glowing with the same light as a Lazarus Pit no less.

When he returned to the Cave, Bruce immediately contacted Constantine. Within the Hour, Constantine had arrived and had been lead to the scene where Cass had been taken.

"Well, I don't know what you did to catch their ire but it seems like Orphan was kidnapped by a Realms Being." He explained, "And by the looks of it, by the Right Hand of the Ghost King himself. How did you manage this?"

"Where can we find her?" Asked Batman in a Hard Tone. This was his Daughter, and she had just been kidnapped by Royalty from another Realm. He didn't know why, but they were going to pay.

"Well, the Ghost Zone is a treacherous Realm. Ordinarily I would advise against even considering going there, but I know you will either way."

Constantine gave them Directions to a small town in Illinois, where supposedly a pair of Techno-Mages had managed to open a Permanent Portal the the Ghost Zone. They would have all the Weapons, Armor, and Transportation he would need to venture into the Zone.

Finding the Tecno-Mages was easy (though they preferred the term Ecto-Biologists), and surprisingly convincing them that they needed their help was even easier. Once Batman explained that his Daughter had been kidnapped by a Being from the Zone, they offered their help immediately.

"We understand, if it had been one of our own Kids who had been kidnapped, we would be doing the exact same. If only we could get into contact with our Son, he has connections in the Zone that may be have been useful, but he's been busy for the past few days."

After a day of preparing, the Team was ready to delve into this alternate dimension to save their Missing Family Member.

...

Meanwhile Cass is living out her Mythologically Accurate Romantic Fantasy (I have a headcanon that Cass adores myths). She was basically Kidnapped like Persephone, except it was under very different circumstances.

Basically, David Cain had made a deal with the Previous Ghost King. David would be given access to Fresh Lazarus Pits for the League, and in return the Ghost King would be given his daughters hand in marriage upon her Death. And while Cass was technically still alive, her Near-Death Experience had drawn enough Ecto to her that it pushed her Liminality past the point of Human Limits. She was no longer technically Alive, so the Contract had activated.

Thankfully, when Fright Knight noticed his new Queen-To-Be's condition, he had rushed her to the Far Frozen to be healed. Then he brought her to the Castle and had informed Danny of the development.

Now, Neither of them was really ready to be married, but a Contract like that needed to be canceled by the one who made it. And Pariah was still locked in his Box. So, they had delved into the Ghost Writers Library to see if they could find a Loophole.

And Study Dates have never been so fun.

Even though she isn't ready to be married yet, Cass still thinks that Danny is kind of cute. And she likes his goofy little smile, and his slightly glowing eyes, and his smooth white hair, and-

Oh, that Persephone comparison might have been a little more accurate than she thought...

[mitsvriii]

"Nothing's New"

In which your partner is never going to pay attention to you, because they’re too focused on their dead lover

Bell’s notes: “writer bell goes too far with this fic-” im /j no ones gonna say that, angst powers pls work tho, like im asdlkfjawel;fjsd;jf;lska, i cant write dude, let me like, plan this out in my head before writing nonsense, LIKE BRO, feral over angst LORD, 100k likes and you get part 2 /jjjj, growling i love angst, MWHAHAHA, sorry ely, yuka, mhie, snob, and zee if you read this 😔😔😔, i listened to “IT Girl” while writing this 😋, got carried away with Ayato’s part oopsies, i believe Guizhong for the ladies but whatever 😔😔😔, cut out Wanderer & Childe in the end because i’m TIRED, not proofread

Story details: Ayato lowkey a bitch, scratch that highkey, reader has self-doubt, Neuvilette doesn’t mean to be mean he just ISSS, GUIZHONG DID NOTHING STOP MAKING HER THE ONE IN BLAME IN THESE ZHONGLI SCENARIOS, oh and I couldn’t be bothered with Xiao’s part like a quarter through he’s such a flexible yet straight character, it’s the way you can tell when I got lazy with each part, chance Xiao & Zhongli are gonna be ooc as i’ve never written anything but short headcanons for them before

Characters & Triggers: Ayato, Neuvilette, Xiao, & Zhongli;  reader has self-doubt, mention of death, mention of martial neglect

Reader details: female reader in Ayato’s part is explicit. female reader in Neuvilette’s part can be interpreted with the way you read it. the other parts, however, shouldn’t have a specified reader type. reader’s personality, race/ethnicity, height, physical descriptions, or anything of the sort is not mentioned. if anything is let me know and i’ll edit it. 

Ayato: No surprise the Yashiro Commissioner doesn’t pay attention to his new wife, the one that he didn’t marry first. You knew that he didn’t love you, and most likely never would because you were, in fact, the second pick. Actually, it was probably in the hundreds based on the amount of marriage arrangement offers Ayato had gotten considering he was one of the biggest figures in Inazuma. It didn’t matter, but he most likely picked you because your clan was a small one to put it lightly, so he most likely chose it, and you, because it wouldn’t be a hassle with the press. But of course, he would choose the person and clan that seemed, “easy”. It hurt seeing some of the people’s sympathetic stares, such as Ayaka’s, Thoma’s, and a few of the older women working in the estate. You got used to the lack of greeting from Ayato when he got off work, the lack of warmth beside you at night. You found it hilarious, although you were hysteric at the time as you had just found out that Ayato was off that day and neglected to see you, that he never, ever laid down in the same bed as you. It doesn’t matter no matter how hard you work around the estate, how long you sit up doing his work, which you soon quit once he yelled at you like a homeless dog, or even the distinct flower you made out of one of Ayato’s favorite sweets that he ignored. Not even a glance at your general direction, either. After a while, you decided to do some digging on his past wife, only to find out that she was in fact near perfect. Perfect reputation, perfect everything, to put it shortly. Shortly after asking Ayaka what happened to her, by pulling the sad, guilty wife card, you found out she was a victim of an assassination attempt that turned into a success. Of course, Ayato and his perfect wife would only be torn apart by death. It was poetic, and it made you sick. So what were you to do but endure the slow torture that you and Ayato’s marriage was? After all, nothing you could do could change how he felt about you. 

Neuvillette: The famous hydro dragon, at least to those who knew his ‘secret’. His past lover, unfortunately, died before him, no doubt to his immortality. Of course, you would soon die, maybe in a few decades but, hey, it wasn’t like he would miss you. You could only wait awake at night as Neuvillette went to fix himself his own meal, despite you staying up to cook him one and await for his return from work. It’s not that was the only time he never paid attention to you, after all the man had most likely been grieving his wife for centuries at this point in time. So what were you to do besides stay and watch this man be emotionally constipated around you? Why did he even marry you in the first place, then? It couldn’t be because his past wife resembled you, and it certainly wasn’t because you both acted the same. Was it because he needed someone to cling to? I mean, you weren’t exactly someone who seemed to not fit the criteria of a compassionate co-worker who would comfort Neuvillette in his times of distress. Did Neuvilette only come to you because you were his way of grieving? It would make partial sense, to cling to the nearest piece of comfort to help with the pain of loss. It made you feel like nothing but an object meant for his emotional wants, but in reality, that’s all you ever are and will ever be to him. 

Xiao: The famous adeptus long ago, had someone close to him. Shame they fell to waste during the archon wars, along with the other adepti. It was no surprise that everyone familiar with Liyue stories knew about the two of them together, which unfortunately included you. It didn’t pain you that much until your oh-so-loveable boyfriend got distracted by two kids playing with a Xiao lantern and one of her. After that, it only devolved into more. The lack of visits to your room in the inn, the lack of responses whenever you left your little notes for him near your meet-up place, and the extreme lack of thank-you-notes whenever you left Xiao almond tofu. It didn’t matter that you started to skip and completely ignore doing all of these things just to see if he would notice because the adeptus failed to appear in your room just to check in to see if you were okay. This behavior was unlike him, at least in the sense of him completely ignoring you. The only answer you could think of, that logically made sense, of course, was that he was reminded of his past loved one because of the run-in with the lanterns you two had while out in Liyue. So in terms, he seemed to disconnect with you because of the memories of his past significant other? You knew the adepti didn’t die peacefully, you could tell that much from the stories, so it wouldn’t be surprising if that also applied to Xiao’s past lover. There was nothing you could do about it though, because if you knew Xiao, he wouldn’t talk about her to you nor push her aside for you.

Zhongli: Guizhong. Of course, you were familiar with the name, everyone in Liyue was. Everyone might be a stretch considering the visitors and children, but the point’s been made. Morax and Guizhong were close. Close in a sense of possibly having relationship affairs but that was only explicit to you because of the way your lover would glace at glaze lilies. You couldn’t call him your lover, could you? Not with the way he would hum to the glaze lilies, the way his eyes would also drift away from you whenever you talked as you took strolls through Guilu Plains, and the way he would opt to tell stories of specific tales of his time as Morax, ones that included Guizhong in some way. It got to the point where you had to make up tasks that you had to do daily just to get away from the walks you two took, not to hear the different-yet-similar stories of Morax and totally not Guizhong. It was childish of you to be doing so, you had yourself convinced, as you couldn’t blame Guizhong for any of it. She had no part of this besides well, besides being your number one stressor for the past few weeks. It was tiring yet somehow for the sake of not wanting a glare or side-eye from Zhongli about his stories, which you never thought you’d get that tired of hearing, you kept your mouth shut, despite how hard it was. You knew it would only take so much more, though, before you said something about it. 

[derinwrites]

How can I make money writing fiction?

I'm gonna be straight with you. There is no guarantee that you'll make enough as an independent writer to make it worth your time. You very well might -- I make a liveable wage as an independent writer -- but many don't. Most writers I know also have a job. And luck plays a big part in it.

If you're interested in going forward in spite of this, you have two main options for monetisation open to you, and you are going to have to pick one. I call them the sales model and the sponsorship model, and you are going to have to pick one.

The sales model involves writing stories and selling them to readers. You can put books up on Amazon or Smashwords, sell them direct from your own website, enlist the help of a traditional publisher to handle that for you and let them decide where to sell, whatever -- the point is that your money is made from the sale of books to readers. If you go with a traditional publisher, you're using this model (though they will give you some of the money ahead of time in the form of an advance). Most indie authors also use this model, publishing through draft2digital, Ingram Spark, direct through Amazon, whatever. I've never relied on the sales model and can't give you any advice on how to do this, but Tumblr is full of indie authors who probably can.

The sponsorship model involves soliciting small amounts of money from various readers over time. This is ideal for web serials, and it's what I use. I use Patreon, which is designed specifically for this purpose, but you can use other sites such as ko-fi. This model involves providing regular content for free, with bonuses for those who support you.

"Can't I do both? Sell books and have a Patreon?" You absolutely can! I know several indie authors with a Patreon. I sell my completed books as ebooks and will eventually sell them as paperbacks. But your time and attention is limited, and so is your audience's, and you're going to have to half-arse one of these in order to have enough arse to whole-arse the other. You're going to make a lo of decisions that benefit either the sponsorship model or the sales model, not both. So pick your primary income source early and commit.

I can only advise on writing web serials and using the sponsorship model, so I'll go ahead with that assumption. If you want to make a liveable wage doing this, not only will you need luck, you'll also need patience. This is not a fast way to build a career. at the end of my first year of doing this, I had one single patron, and they were a real-life friend of mine. When I reached an income of $100/month, I threw a little party for myself, I was so happy. It had taken such a long time and was so much work. I reached enough to cover rent/mortgage after I'd been doing this for more than four years. It's a long term sort of career.

Here are some general tips for succeeding in this industry, given by me, someone with no formal training in any of this who only vaguely knows what they're talking about:

Have a consistent update schedule and STICK TO IT

The #1 indicator for stable success in this industry (aside from luck, which we're discounting because you can't do much about that) is having a consistent update schedule. Your readers need to know when the next chapter is coming out, and it should be coming out regularly. Ideally, you should have no breaks or hiatuses -- if you're in a bus crash or something, that might be unavoidable, and your readers will understand if you tell them, but if you're stopping and starting a lot for trivial reasons, they WILL abandon you. You can't get away with that shit if you're not Andrew Hussie, and I'm pretty sure Andrew Hussie doesn't message me for career advice on Tumblr. If you find you need a lot of hiatuses to write fast enough then you're updating too often; change your schedule. A regular schedule is more important than a fast one (ideally it should be both, but if you have to pick between the two, pick regular).

2. Pay attention to your readership, listen to what they want from you

Your income is based on a pretty complicated support structure when you're using the sponsorship model. this model relies on people finding your story, liking your story, and continuing to find it valuable enough to keep paying you month after month. This means that your rewards for your sponsors should be things that they value and will continue to pay for ('knowing I'm supporting an artist whose work I enjoy' counts as a thing that they value, to my great surprise; there's a lot of people giving me money just for the sake of giving me money, so I can pay my mortgage and keep writing for them without needing a second job), but it also means supporting the entire network that attracts readers and keeps them having the best time they can with your story -- being part of a rewarding community. Because this is advice on making money, I'm going to roughly divide your readership into groups based on how they affect your bottom line:

sponsors. People giving you money directly. The importance of keeping this group happy should be obvious.

administration and community helpers -- discord moderators, IT people, guys who set up fan wikis, whoever's handling your mailing list if you have a mailing list. You can do this stuff yourself, or you can hire someone to do it, but if you're incredibly lucky and people enjoy being a part of your reader community, people will sometimes volunteer to do the work for free. If you are lucky enough to get such people, respect them. They are doing you a massive favour, and they're not doing it for you, but to maintain a place that they value, and you have to respect both of those things. My discord has just shy of 1,300 members and is moderated by volunteers. I'd peel my own face off if I had to moderate a community that large. If you've got people stepping up to do work for you, you need to respect them and you need to make sure that they continue to find that rewarding by doing what you can to make sure that the community they're maintaining is rewarding. Sometimes this means taking actions and sometimes this means staying the fuck out of the way. Depending on the circumstances.

fan artists. Once you have people drawing your characters, writing fanfic of your stories, whatever, treat these like fucking gold. Give them a space to do this, and more importantly, give them a space to do this without you in it. Fanworks are a symptom of engagement with your work, which is massively important. They are also a component of a healthy community, an avenue for readers to talk to each other and express themselves creatively to each other. Third, fanworks act as a bridge for new readers. When readers share their art on, say, Tumblr, it can intrigue new people and get them into the story. Your job in all of this is to give them the space to work, encourage them as required or invited (I reblog most TTOU fanart that I'm tagged in on Tumblr, for instance), and other than that, stay the fuck out of their way. These people are vital to the liveblood of your community, the continued engagement of your audience, and the interest of your sponsors. Some of the fan artists will be sponsors themselves; some won't be. Those who aren't sponsors are still massively valuable for their art.

speculators, conversers, theorists, livebloggers, and That Guy Who's Just Really Jazzed For The Next Chapter. Some people don't make art but just like to chat about your story. These people are a bedrock of the community that's supporting your sponsors and increasing your readership, and therefore are critical to your income stream. Give them a place to talk. Be nice to them when they talk to you. Sometimes, they'll ask you questions about the story, which you can choose to answer or not, however you feel is appropriate. They'll also want to chat about non-story-related stuff with each other, so make sure they have a place to do that, too.

that guy who never talks to you or comments on anything but linked your story to ten guys in his office who all read it now. Some of your supporters are completely invisible to you. You can't do anything for these people except continue to release the story and have a forum they can silently lurk on if they want to. But, y'know, they exist.

If you want to focus on income then these are, roughly, the groups of people that you will need to listen to and accommodate for. You can generally just make sure they have space to do their thing, and if they want anything else, they'll tell you (yes, guys, paperbacks will be coming eventually). Many people will fit into multiple groups -- I have some sponsors that are in every single one of these groups except the last. Some will only be in one group. A healthy income rests on a healthy community which rests on accommodating these needs.

3. If you can manage it, try to make your story good.

It's also helpful for your story to be good. Economically, this is far less important than you'd think -- there are some people out there writing utter garbage and making a living doing it. Garbage by what standards? By whatever your standards are. Just think of the absolute laziest, emptiest, hackiest waste-of-bandwidth story you can imagine -- some guy is half-arsing that exact story and making three times what you'll ever make on Patreon doing it. And honestly? Good for him. If he's making that much then his readers are enjoying it, and that's what matters. Still, one critical component of making money as a writer is writing something that people actually want to read. And you can't trick them with web serials, because they don't pay in advance -- if they're bored, they'll just stop. So you have to make it worth their time, money and attention, and the simplest way to do that is to write a good story.

This hardly seems mentioning, since you were presumably planning to do that anyway. It's basic respect for your audience to give them something worth their time. Besides, if we're not interested in improving our craft and striving for our best, what are we even writing for? I'm sure I don't need to tell you to try to write a good story. The reason I list this is in fact the opposite -- don't let "I'm not a good enough writer" paralyse you. The world is full of someday-writers who endlessly fuss over and revise a single story because it's not good enough, it's not perfect, they're not Terry Pratchett yet. Neither was Terry Pratchett when his first books were published. If you're waiting to be good enough, you won't start. I didn't think Curse Words was good enough when I started releasing it -- I still don't. I started putting it out because I knew it was the only way I'd get myself to actually finish something. I don't think it's all that great, but you know what? An awful lot of people read it and really enjoyed it. And if I hadn't released it, I'd have been doing those people a disservice.

Also, it taught me a lot, and based on what I learned, Time to Orbit: Unknown is much better. If I'd never released Curse Words, if I hadn't seen how people read it and reacted to it and seen what worked and what didn't, then Time to Orbit: Unknown wouldn't be very good. And it certainly wouldn't be making me a living wage, because it was the years writing Curse Words that started building the momentum I have today.

And Time to Orbit: Unknown as it is today has some serious problems. Problems that I'm learning from. And the next book will be a lot better.

So that's basically my advice for making money in this industry. Be patient, be lucky, be consistent. Value your community; it's your lifeline, even the parts of it that don't directly pay you. And try to make your story as good as you can, but make that an activity you do, not a barrier to prevent you from starting.

Good luck.

[anne-bsd-bibliophile]

Mirror: The Fiction and Essays of Kōda Aya translated by Ann Sherif

The papers in those days always had some amazing news in them - from the attempted military coup of February the year before to the start of fighting in China just three months later. A ferocious gale had come sweeping through, causing small whirlwinds some days and, at other times, a tremendous commotion that stirred up everything, even the dust in the forgotten corners of the world. I was just a speck of dust in one of the narrowest, most remote niches. - Kōda Aya, "The Medal"

A kimono worn by a woman immature in her emotions can be a powerful thing. Or, to put it another way, clothes have the strength to control one's psyche. To me, the striped outfit was a uniform; it gave me a sense of direction and a feeling of pride in my work. The apron shielded me from all arrows; it acted as a cast to brace me against all blows. It was a metal fire door behind which I could hide the anguish of my heart. - Kōda Aya, "The Medal"

What other child would fail to rise to the occasion when her father was being so honored? He was my only father, and I his only child. Is this any way to behave? I had lost my way at the bottom of a deep abyss. I cast my eyes upward, toward my father, only to see him dimly shrouded by mist. - Kōda Aya, "The Medal"

I know nothing about the breadth of my father's learning, nor do I pretend to understand the scope of his art. I could not tell you what came to him as a matter of luck, what he accomplished through his own talents, nor about his stature among men. Though I may be vastly ignorant, I do have enough sense not to entertain the foolish notion that he is some kind of lion of literature, a king among writers. He was just my father. From my own biased viewpoint, I would say that Father possessed some lionlike qualities, but there were those of a lion who would finish you off or give you the push-off-the-cliff test. - Kōda Aya, "The Medal"

Father was an unusual man. He would point out the beauty of blossoms or clouds in the sky with the very whip he had cracked a moment before. With the same knife he had just used to rive your innards, he would slice up a wedge of some delicacy for you. No one else I knew could perform such feats. There was something solid about him. I felt all at once like a contrite sinner and a puppy dog who is eager to please. I wanted to cut all ties with him, but at the same time I needed him to recognize me as worthy of his love. - Kōda Aya, "The Medal"

Higuchi Ichiyo's nephew Higuchi Etsu once said about [me and my father]: "The parent dons a medal, and the child an apron." I made a show of laughing at his comment, but only because I wanted to hide my weakness. In fact, that apron chafed against my hands and my heart with its unyielding roughness. - Kōda Aya, "The Medal"

One often hears about the magical powers of mirrors. Certainly the mirror's ability to reflect creates this feeling of mystery. The objects around the viewer look so different in the mirror - what was one may multiply into two or even three. Objects that had appeared to be piled up come apart. Something might look real in the mirror, but then when you try to touch it, you can't. It seems to be there but it makes no sound. Is it real or just an illusion? Sometimes you can see through things in a mirror. Some things seem actually to be alive inside the mirror, but once the reflection stops moving, the illusion of life is gone. The mirror's power resides in this ability to confound. - Kōda Aya, "A Friend for Life"

My life was not going smoothly. I could not handle the problems that confronted me and became unbelievably nervous and stubborn. At times, any little thing would set me off in a rage; often I would get upset and break down in tears. I had so many things on my mind. In those days I consoled myself by leaning up against my mirror. To think how proud I had felt of it on my wedding day. Now all I could do was crouch up against it and sigh. In that house it was the only place where I felt calm. The mirror served more as a support for my emotions than as a glass in which I could see my reflection. The sunny location I had chosen for it had been part of my effort to avoid sadness and gloom in my life, but ironically it ended up lodging a darkened, tired soul. I did, in any case, feel most peaceful when I sat by my mirror. - Kōda Aya, "A Friend for Life"

The first time I wiped the glass, I was shocked to discover how dirty a mirror can become. One usually does not notice the dust; a mirror will reflect even when covered with a heavy layer of grime. And once you get used to this, you may end up looking at yourself and trying to make yourself presentable with powder and lipstick, unaware that you are seeing yourself through a haze. But who bothers to dust mirrors? If even smoothly polished glass attracts dust how much more would accumulate on a troubled heart? - Kōda Aya, "A Friend for Life"

Kōda Aya has also been added to the BSD-Bibliophile Online Library!

You can find more information about Kōda Aya-sensei on the following pages:

List of Books in English Quotes and Facts Collection Fun Facts