#which I've addressed in another post

[blackswallowtailbutterfly]

Can I ask when the last time “dick worshipper”, etc. has actually been used by a radblr woman? Not a black-pill orbiter; they’re awful to everyone and don’t tend to last long here. I mean from someone in radblr, claiming to be a radical feminist or supporting radical feminism. I know it used to be fairly common years ago. So did political lesbianism, which pissed everyone off for different reasons. Most of those people either left or just don’t show up in my circles anymore, and those that do again don’t last long. So where is this coming from? I see it referenced but no recent examples. I am seeing a hell of a lot of recent homophobia from women in radblr though. Every woman I’ve seen addressing the homophobia has stated the misogynistic terms aren’t okay, again, even though from what I’ve seen it hasn’t happened for a long time. Whereas I’m seeing a ton of defensiveness and doubling down in regards to the homophobia. And there seems to be this demand of all lesbians and non-lesbian pro-separatist women to denounce the “dick worshipper” type comments, and it’s like, A) they already have and B) if they’re not the ones who said it can you stop conflating pro-separatist arguments with that shit? Again, this is just what I’ve seen. Maybe the “dick-worshipper” comments are all over some areas of radblr, but they’re not from anyone I follow or have seen on my dash for years. I’d say for the last four or five years the only time I’ve seen it is from women asking not to be called that--which, I agree, I don’t want to be called that and I don’t want to see other women called that. It’s just, I haven’t been called it or seen it for a long time, so something’s not adding up.

[anipgarden]

Ani Reviews: Hellstrip Gardening

Alrighty homies here's another Informal Book Review. This is the second time I've done a book review, but I hope this is helpful!

[Photo ID: a book, titled "Hellstrip Gardening: Create a paradise between the sidewalk and the curb" by Evelyn J. Hadden (Author of Beautiful No-Mow Yards) With photographs by Joshua McCullough, Foreword by Lauren Springer Ogden]

Out of the seven books I checked out from the library this round, I picked this one second because not only was I looking forward to the read, but so were some friends in my gardening server! Its one of, if not the longest book in the stack--the main contents are 279 pages total--but its definitely well worth the read! You can see where I live blogged it here.

The inspiration and energy in this book is potent! By the time I finished reading the foreword and the introduction, I was already dreaming up new gardening projects to work on next spring, and that energy stayed up all the way until the end! It definitely helps that the photos in this book are absolutely gorgeous! Seriously, even if you aren't wanting to make a front yard garden, I'd recommend this book for cool garden photos alone! This is another one of those books that's way more relevant if you're the home owner, or a landscaper (or just got permission from your parents to do some front yard gardening), but even still so much of the advice in this book is great for just about any kind of gardening as well! Between beautiful photos of front yard gardens others have already done, tons of encouragement and advice on how to handle anything from trees to poor soils to outdated laws and HOA boards, and a deluge of plant recommendations for different grow zones and purposes, it's definitely a valuable resource!

After the introduction, this book is separated into four major sections referred to as Parts. There's Inspirations, Situations, Creation, and Curbside-Worthy Plants. If you're looking for ideas on what a converted yard can look like, Inspirations and Creation is the place to go. If you're unsure how to do so with any specific circumstances you may be facing, Situations is the section for you. So on and so forth. All in all, between the gorgeous photos, and the amazing content, this was a fairly quick read for me!

I will say, this is a book aimed directly for gardeners in the US. While some of the general advice might be good for people abroad, at the end of the day its a book written in an American perspective for gardeners in America. That being said, it focuses on America as a whole--so if you're hoping for a dedicated section on how to do what you want in your state specifically, you might get lucky, you might get unlucky. I know the example garden for my state wasn't anything I'd be excited about, meanwhile there's three sample gardens for Minnesota (two in Minneapolis) and there's only twelve sample gardens in the book! Also, if you're looking for a book to tell you to only ever use native plants in your garden, this isn't the one--the book will eagerly encourage you use native plants, and will implore you to remove any invasive plants that may be on your property, but is also more than welcome to recommending well behaved non-native plants. Let it be known that I don't think this is a problem at all! But if you're picky about that, I'm just letting that be known.

Oh and also one final note. The book is called Hellstrip Gardening, and it does talk about hellstrips, but it doesn't only talk about hellstrips. A good chunk of the example gardens don't even have hellstrips. This book talks plenty about full yard transformation! Which I find fantastic and enlightening! If you're looking for a book that's only about hellstrips, though, this isn't it.

All in all, this is an amazing book with amazing photos, 10/10 could probably show to someone to get them to see the light of front yard gardens.

[notthestarwar]

Snippet from: When is a monster not a monster? Oh, when you love it. Chapter 5

Ghost Mace speaks to past Jaster (alive) and tells him what he knows of Jango's future, in the life he lived.

Mace's brow stiffened. "When we realised what we had done, we tried to find him but we could not."

"We tried to find the True Mandolorian's but the survivors had fled in all directions. We did try and see justice done, there was an overhaul of our internal mission preparation process. We changed our training. Dooku left the order as did his apprentice."

"None of it could make up for what we did. Years after the fact, I learnt that Jango was sold in to slavery by the governor. It took him years to escape. I learnt of the weight of what we had done in helping end the True Mandolorian's. In leaving Death Watch unchecked."

He meets Jaster's eyes. "We are here to discuss why we haunt Jango, but it would be remiss of me to not tell you that your son has haunted me every single day since the day I left on a mission to retrieve him; to attempt to offer reparations for what my peoples neglect brought down on him, and came home empty handed."

" We thought him dead, but I did not forget him. From that day, I've carried the weight of what we did to him. I have often thought of him over the years." Mace shook his head.

"You hold no blame here, but we just might."

And isn't that a thing. His son haunting a Jedi even before that Jedi might haunt him.

Jango is tangled up in something here far beyond Jaster's reckoning.

Mace is laying out the constituent parts that when put together, make Jango in to the man that is responsible for the death of every single person standing in that warehouse. Jaster isn't sure where that leaves him, because once he's done hearing this story, in the years that lay ahead of them yet, every single one of these horrible pieces is going to fall in to place. Tragedy after Tragedy ready to be pasted and slapped on to the boy he loves, his son, in order to make him in to the man that did this.

How the hell can Jaster stand by and let that happen?

There are no rules that apply to Jaster, not anymore. He doesn't care about morality or the ethics of fucking with a future that's apparently already happened. He has no care for his own code, not now. None of it matters.

Jaster is Jango's buir, before all else. He has been from the day he stepped in to a smoldering farmhouse and against the odds saw signs of life dancing across his HUD. The Ka'ra gave him Jango and by god, it can stand back while he brings his son back from the abyss.

Mace is watching him. "Jaster, you had no hand in making Jango Fett the man he became at the end. You did not abandon him, you were taken from him. I need you to know this. You should know that none of this was your fault. "

Jaster doesn't care. It doesn't matter if its his fault or not, he is responsible all the same; because he wants to be. He didn't fall in to parenthood, he walked in to it willingly. For Jango, there is no monster that Jaster will not face.

The ka'ra has given him one last gift. The opportunity to see Jango's life after Jaster, and a few precious years in which to try and change them. It may not be in Jaster's power to save his son from himself but by god, he'll die trying.

He looks at the Jedi.  "Tell me the rest."

Some of my thoughts below the cut

Some of my thoughts (because clearly rambling in the comments hasn't been enough for me lol)

I had a lot of fun with this one. I've written about ghosts before but with this one, I went at it from another angle. In this au, ghosts aren't bound by linear time. If you do something that leaves a ghost tied to your soul, they are tied to you in the past as well as the future. Jango and Jaster are both Force Sensitive (tho with a Mando understanding of it. They call it 'star touched') and so can see ghosts.

In this fic, moving in with Jaster sets Jango on the path that brings him to the prequels. Once he's on that path, the ghosts that'll be tied to him in his future, can move freely along the timeline, with each of them pulled to a particular version of Jango. Jango will obviously be responsible for the deaths of quite a few people, there are his bounties, the Jedi and the clones and so on; but when the first ghost appears he's just a kid. The story deals with Jaster coming to terms with the fact that his kid, who he loves beyond reason, even if he stumbled upon him quite by accident, one day becomes the person that will make all these ghosts.

At first there's only one ghost in their time, but Jaster can't let it go (tho he knows he should), he needs to know what happens. So he keeps asking until she admits that she isn't the only ghost and that they are tied to Jango as he's responsible for their deaths. Then, he keeps pushing until she introduces him to the others. She gathers them in a warehouse (so Jango doesn't see) and takes Jaster there.

In the part of the story this snippet is from, Jaster has just been confronted with an excessive number of people (including children) who are all tied to Jango as he's responsible for their deaths. He's had a (understandable) freak out, and ghost Mace has taken him aside and offered to tell him what he knows of Jango's future, and how it led to the death of so many people.

What follows is a buddy up adventure between Mace and Jaster (unlikely duo) in which Jaster tries to come to terms with what Mace has told him, and the horrible events that led to Jango becoming the man that would one day be responsible for all these ghosts. While he tries to save Jango from himself, long before he needs saving.

The idea behind the fic is the inevitability of a tragedy. There's a feeling when you're watching a tragedy play out, that it's all so unnecessary, that it didn't need to happen, but you only know that because as the audience you know that they are in a tragedy, the characters don't know. So what if a character did know? Jaster is served advance notice, will having that allow him to save Jango, or will it just feed in to the fulfillment of this prophetic future?

I wanted to explore the fact that there's only so much one particular character can do, in trying to prevent the end another is headed towards and also, the power of familial love, even when it's found somewhere unexpected. Jaster isn't Jango's blood family, he didn't even know him till he was an older child, which I think makes his love for Jango in spite of knowing what he will become, all the more powerful. The glimpse of Jango's future is disgusting to Jaster, it goes against all he believes in, but its Jango so he can't hate him for it, he loves him too much and so, he's determined to save him from himself. He's willing to do the impossible.

Then there's Mace: so in this au, Mace is sent out shortly after Galidraan, when it becomes clear to the order that they've made a mistake, to find the survivor they left in the hands of the Governor, and to right a wrong. He isn't successful, he looks everywhere but he can't find him, and in the end the order write him off as dead. In this au, Jango was 18 on Galidraan and what Mace sees as his failure to save someone that was little more as a child, and suffered so greatly thanks to what the order see as their own neglect, haunts him for the rest of his career.

Its that idea of 'the one case you couldn't close'. It's at the start of his career and he goes on to do amazing things, Mace is peak Jedi, he invents a new form, he's one of the youngest Jedi to be elected to the council, he ends up heading that council, but he is still human (or near human lol sw complicates everything. he's 100% human in a fallible/emotional/sapient sense) I think that as a Master Jedi he's very aware of his own weaknesses, and he tries to work through it, he talks to it with other Jedi, and he certainly doesn't let it affect his judgement, but he can't forget it all the same.

So it's this version of Mace that ended up meeting Jango in the arena. Which I think adds such an interesting angle.

[generalsmemories]

Admiral, the general is touch-deprived.

✧ jing yuan x gn!reader

✧ based on the ask: "Please do one if you haven’t where Jing Yuan is severely down bad for reader and makes it known to everyone and they are just done with him"

✧ content: established relationship, fluff, make-out scene, humor, mentions of other characters

✧ a/n: where did almost 100 of you come- bless this ask for making me write needy jing yuan i love you. not beta-read again anyway buckle up this is another one of unfiltered shame for my love for one mere general with a silly thunder lord that he nicknamed shin-kun in the jp dub because the official title was way too long for this old man.

this was written in a google doc on the phone since I'm on vacation so I apologize if the formatting is messier than the first post 🫡

There's tension in the air.

"... As for Stargazer Navidia, there seems to be another onslaught of mara-struck cloud knights making their way within the area in the next few days. I'll appoint Lieutenant Yanqing to lead a few troops there by the next hour, but be sure to send a messenger cycrane if the situation gets too out of hand or you need to divide the troops up to cover more ground."

You hear a loud "Yes!" as you flip over to the next page, quickly scanning through the documents contents, purposefully ignoring the tension in the air, muttering the details lowly to yourself with a furrowed eyebrow.

It's the sort of tension you wish everyone just ignored, even though it's more difficult than it sounds.

Perhaps being fed up with your avoidance of ignoring the elephant in the room, one of the captains of the Knights loudly cough into the air before meekly addressing you, "Admiral [Name]?"

"Yes?" you look up with a smile, cocking your head to the side. A small gesture to ensure the captain that they have your full attention which makes the knight before you quickly glance to the side and away from you, although that didn't help the pair of eyes boring a hole into the side of his head, "The general…" he starts, coughing once again while glancing back and forth at you and the weapons displayed at the seat of Divine Foresight, "... Would very much like your attention, it seems."

As if on cue, the arms that were wrapped around your waist squeeze a bit tighter than normal. The sudden pressure makes you let out a grunt of surprise while Qingzu lets out another exhausted sigh. Meanwhile you glance down to lock eyes with Jing Yuan, who very much is staring at you with a small pout evident on his lips, "Oh so my darling has finally acknowledged my existence?" he jokes with a grin, meanwhile you merely stare down back at him with a neutral expression before resting your left arm carrying the paperwork on his gray head. The general uses the opportunity to nuzzle his face into your waist, playfully biting into an exposed part of your skin from where his hand had wormed itself underneath your shirt, making you squirm away from him, to which he immediately grabs your back into his hold.

"If you haven't noticed dear, you're practically leeching onto me to the point I can't even stand at my usual side, that is to per say in front of the desk and not literally quite next to you and within your arms." You whisper to him gently. Flicking his forehead before whipping your head around to address the Cloud Knights before your husband can say anything in his defense.

You ignore the looks of disbelief on some of the soldiers' faces.

"I apologize for the awkwardness this position may cause, I can only hope for your understanding being that I've been away from the Luofu for a few months helping Marshal Fua with some matters at her fleet. I've only recently come back." you explain, gesturing Qingzu over to hand over the paperwork to her before waving your hand with a guilty smile, "You're all dismissed, please be safe out there."

"Lady Fu Xuan, how may I be of assis-"

"Are you two arguing or something?" Fu Xuan interrupts before you can even finish your sentence which leaves you staring wide eyed at her with your mouth agape, "Pardon? I'm not quite sure who you're referring to-"

"The general. I'm referring to general Jing Yuan, who else would I be referring to? He sits around the seat of Divine Foresight like a kicked puppy. Which makes it even harder to get any information in OR to him because he's not even mentally present! Can you fix him? Wonderful! Let's make haste to the seat."

You're not even allowed to finish your cup of tea or give an answer before the divination commissioner grabs you by the forearms and drags you out of the teahouse.

"Jing-" you haven't even taken one step into the seat of Divine Foresight before you're surrounded by the familiar scent of your husband. A gentle hand placed by your head while an arm is tightly wound around your waist. You can practically feel the smile of utter glee on Jing Yuan's lips as he buries his face into your hair.

"Darling, I thought you had the day off today?" he mutters into your hair, sounding a bit too happy to have you in his arms again to the point he's ignoring the death glares from Fu Xuan besides you, the divination commissioner just wanting to do her part of keeping the Luofu afloat.

"I was having my day off, before Lady Fu Xuan here dragged me out because someone didn't-" you struggle free to nag at him, but your husband merely smiles softly at you before lifting your chin to give you a quick kiss, "Now that you're here I feel more energized than ever, let me finish the paperwork for today and I'll join you, we can even play a round of starchess." he suggests.

You can practically sense Fu Xuan roll her eyes in disgust, able to hear her mutter about a "lovesick fool" before walking past the two of you, Jing Yuan merely grabbing your hand to lead you towards the seat.

So much for a day off.

You can't breathe.

"Jing-" another press of his lips onto yours as you find yourself pressed on the wall beside the door, "Yanqing-" you manage to breathe out when finally able to pull a tiny bit away from him. Pressing your hand over whatever surface of his face you can reach to try to shove him away, your other hand occupied with bracing itself against the wall.

Your husband ignores your literal hand on his face, somehow having more strength to still slant his lips across your own despite your efforts, the hand he has behind your head pushing you further against him while he shoves a leg between your own to keep you still, "Train-"

There's a rather loud set of knocks on your bedroom door followed by an exasperated sigh coming from behind it, which makes you freeze but Jing Yuan ignores it, sliding his tongue over your teeth while you resign yourself to slam your fist repeatedly on his back to get him to back off.

"General! I know you missed [Name] a lot during the months they were away from the Luofu, but you know that today is supposed to be a training day!" Yanqing shouts from behind the door, and you feel sorry over the realization he's aware of what's happening beyond it.

Feeling sorry enough for Yanqing whose probably already waited 15 minutes before knocking at the door, you muster whatever little strength you have left against your husband's addictive lips to grab his ponytail and yank him off and away from you.

Jing Yuan merely grunts in irritation, looking at you with a glare and swollen lips, but you ignore him. Opening the door before Jing Yuan can grab you again and giving Yanqing an apologetic look, "I tried-"

"It's better than last time, at least." He points out to which you merely sigh before opening the door wider, "I'll give you more pocket money this month, how's that for compensation?" You suggest, shoving your husband out the door before he do anything else, Yanqing smiling in triumph at your generosity.

"You're the best! Give me extra if I manage to land a few hits on the general?"

"5 more than usual and I'll give you an extra thousand." You settle, tapping Jing Yuan on the shoulder. Your husband turns around to face you with a hum, and you lean in to peck him on the cheek, gliding your lips over to his ear, "If you're a bit nicer to him today you'll also get a reward."

Needless to say, there were two very happy boys onboard the Luofu at the end of the day.

[copperbadge]

The thing about pain, that I never really knew until this happened to me in my thirties, is that if you are in bad enough pain or for a long enough time (and that's in weeks, not months or years) it can give you depression. Even if your quality of life isn't otherwise impacted -- if it doesn't impede your mobility or exhaust you so that you can't go out -- even if it's "just" pain, being in pain is depressing. And the thing about both pain and depression is that independent of one another, when you are in either one of them you tend to make poor choices. You aren't able to pay full attention to the decision and depression impedes your ability to envision your future, effectively making you feel as if there are no consequences or rewards for your actions.

Now, the nice thing about being a little older and having gone through stuff like serious physical injury, particularly a brain injury, is that it's a lot easier to recognize when you've begun to make poor decisions, and put a stop to it before you make some really poor ones. You can't necessarily just tell yourself "hey stop doing that" but you can readjust your risk assessment and also stop trying to make as many.

Like, you catch yourself walking in front of a car that probably can't see you at a dangerous intersection, and for the rest of the day you make sure you don't cross against the light even if you think you could probably make it. You take the ramp instead of the stairs. You move more slowly. You don't buy anything. You walk away when you might normally pick a fight.

I'm fine -- I injured my foot last night so walking is very painful today, but the wound isn't see-a-doctor serious and I'm getting around okay. I did have to come in to the office for a meeting, which necessitates walking, catching and boarding a bus, and navigating a downtown street that's still pretty busy even at seven in the morning. And I did catch myself walking in front of a car coming out of a driveway because I wasn't watching the driveway as I normally do, because I was in pain. So, for the rest of the trip, I moved as slowly as necessary, stopped at crosswalks if I didn't have a clear walk signal (ie, no flashing red hands), and kept my eyes on the ground. In the office today I'm going to stay quiet and I've made a mental note not to speak in the meeting unless directly addressed. I might catch a cab home, though that has its own perils and the bus is arguably more safe given my muscle memory of public transit. And that's just because I made one bad call after being in pain for like, twelve hours. But I know me, so, a couple of days of caution it is.

Anyway the only real point of the post is to let people know, because nobody told me, that if you're in longterm or serious pain, a) it can materially impact your mental health, and b) you should move a little slowly and not make any serious decisions if you can avoid it.

[porcelana-r0ta]

let the mourners come

Title: let the mourners come

Ao3 Link: Only available to Ao3 users

Word Count: 3045

Summary:

It started, as most things do with Danny Fenton, as a joke.

It ended, as most things do with Jazz Fenton, with things better than they were before.

xxXxx

When Danny finally gets a Twitter, it’s during Elon Musk’s shit show takeover. He’s able to secure a good Twitter handle thanks to people leaving en masse and fleeing to Tumblr. He knows about things that happen outside of Amity Park (he is terminally online rather than chronically, after all), but he still doesn’t think anything of using @TheJoker as his handle, even knowing about Gotham City’s clown troubles. It’s just going to be a shitpost account, anyway, one that dances in the chaos of Elon’s electronic graveyard. Nothing will come about him using @TheJoker when he’s merely posting things like, “Just grew a new row of teeth!!! very pointy but can’t go to the dentist anymore bc they might turn me in to the giw.”

So Danny honestly never foresaw The Actual Real Joker breaking out of Arkham Asylum all the way in Gotham City, New Jersey, and deciding to get a Twitter account to terrorize people online as well as offline. And he definitely never foresaw The Joker @’ing him on Twitter, demanding that Danny change his Twitter handle. But, well. Here he was. 

[Image Description: A screenshot of a Twitter reply chain, starting with the real Joker @'ing Danny's Twitter account, which uses TheJoker as his Twitter handle. The Joker, who has a verified account, demands that Danny "change your handle", and Danny replies with a simple "no" followed by red heart emoji. The Joker Tweets, "Kid you don't know who you're fucking with," to which Danny replies, "Ye I do ur some dude w/ poor fashion sense and lame jokes. Maybe try badjokesbyjeff bc originality is ugly on u" followed by a shrugging emoticon. The Joker responds, "Check your DMs." Danny then responds, "Perf [happy emoji surrounded by hearts] I've sent you a time and place. Can't wait to beat the shit out of another disgrace of a clown." Someone with the username "Gregg rulz ok" responds to Danny's last Tweet, "Bro is absolutely RATIOING the joker but the clown keeps responding [three skull emojis] embarrassing frfr too bad he's gonna die for realsies".

End ID]

Danny is quick to respond and then makes even quicker work of roasting The Joker. This soon results in The Joker DMing him his IP Address and a creative threat. Still, Danny isn’t about to cow to a clown with no respect for the art of clowning. He replies to the DM: 

Cool, meet me at the Nasty Burger parking lot in Amity Park IL on tuesday at 2am

The response from The Joker is quick:

Fourteen year olds are too confident these days

Danny rolls his eyes and ignores the influx of notifications from Twitter, and instead makes another Tweet.

Imagine beefing with someone over a Twitter handle lol acc so embarrassing for him

He blackens his screen and stretches in bed, letting his spine pop more than what is humanly possible. He runs his tongue over that second row of teeth, his lips curling into a grin. 

xxXxx

Gothamite Twitter is blowing up over The Joker’s social media beef with a faceless shitposting account. Jason, upon finding out about it, has a series of reactions: first, he looks up the shitposter and follows them. Then, he finds the actual chain between the poster and The Joker, and his vision goes vibrant green when he sees that The Joker’s profile picture is of the second Robin, beaten and swollen in an abandoned building in Ethiopia. 

When his vision clears and he can breathe without wanting to kill, he likes the shitposter’s replies, and he calls the Replacement to see if the other Bats know already.

“We know,” Tim says in lieu of a hello when the ringing cuts out. “We’re working on it.”

“What, you think anything’s gonna come of it?” But even as Jason asks, he already knows the answer. The Joker is unhinged and once he’s threatened something, he’ll follow up unless he comes up with a “funnier” option. 

Tim’s breath hitches, and he says, “I’ve hacked their DMs. Joker knows the kid’s IP address and sent it to him. He knows everything from that address alone.”

He pauses in the middle of suiting up, “Kid?”

He hears Tim swallow, “Yes, kid. He’s fifteen. And he gave The Joker a specific time and place to meet up to fight. In his own hometown.”

“Are— are you fucking kidding me?” 

“No. B is already calling Nightwing. We’re taking the Batwing to Illinois.”

“Jesus fuck. I’ll be there in twenty.”

“Hood, I—”

“Shut up, I’m already in my gear.” He hangs up without waiting for a response. 

He refreshes the Twitter feed and barks a laugh at the newest Tweet:

Jason Todd votes, and the Red Hood leaves his safe house. 

xxXxx

A commercial flight to Illinois takes around two and a half hours. In the Batwing, they get there in an hour, and don’t even have to worry about the drive from Chicago to a small speck of a town like Amity Park. They spend the quick flight learning everything they can about Daniel James Fenton, the owner of the Twitter account, and they can all sense the growing tension from (and between) Bruce and Jason.

But, well. Jason doesn’t care. Let them be uncomfortable. It doesn’t compare to being ripped back into life and finding out his dad didn’t even get justice for his death. 

When they reach town, it doesn’t take long to find the Fentons’ home. This is in part because Amity Park is a very navigable town, and because of the giant neon sign proclaiming FentonWorks on the side of the building. 

“Is that a blimp?” Dick asks. “Why don’t we have a blimp?” 

“Where would we keep it?” the Demon Brat counters practically. “Goliath takes up all of the Cave’s extra space.” 

Jason rolls his eyes and knows veins would be popping out of Bruce’s forehead if it weren’t for the cowl. 

“Let’s go,” Bruce says instead, and they all make their way to the house. 

Nightwing, predictably, goes for the front door approach. Jason rolls his eyes as he takes one of the second-story windows and finds his way downstairs.

He gets down at the same time that a redheaded girl answers the door and nearly slams it in Dick’s face. Jason has to suppress snickers at the sight. 

“Wait, wait, wait, are you Jazz Fenton? We need to talk to your brother!” 

“...We?” she asks, then tenses and turns around to see the rest of the Bats in the hall behind her. Dick takes the opportunity to step in completely, closing the door behind him. “Wha— what’s going on?”

“Where are your parents, Jazz?” Bruce makes every question sound like a demand. Jason rolls his eyes from behind his mask—way to put the teenager at ease, B.

“Why do you need to know?” Her voice has a defensive edge to it. “What do you want with Danny?” 

“Hey, it’s okay,” Nightwing comforts. “He didn’t do anything too bad, just said some dumb things online. It’s not his fault.” 

This relaxes her, and her shoulders begin un-hunching. “Oh, s-so what’d he do?”

“He foolishly challenged The Joker to a battle in a ‘Nasty Burger’ parking lot tonight.” 

“You could’ve had some more tact, Robin,” Nightwing scolds. But the Demon Spawn just crosses his arms. 

“He did what?” Jazz shrieks. “Like, The Joker from Gotham? That Joker?”

“Are there others?” Red Hood comments dryly. 

Her face goes through several different emotions—disbelief, rage, fear, and then rage again, “DANIEL JAMES FENTON! GET DOWN HERE RIGHT NOW!” 

There’s a thumping noise, and then frantic footsteps down the stairs. 

“Wha? Who died?” asks the figure of a tiny fifteen-year-old, smaller than even Jason had been when he was alone with The Joker. He’s tiny and lanky. Zero muscle definition. Eye bags to rival the Replacement’s. Something ripples in the Pit, deep and distinct, but he can’t name what causes it.

Oh, this kid is so dead. 

“Danny,” says Jazz calmly while Danny blinks uncomprehendingly at the heroes in their hallway. She is solemn when she says, “I’m afraid I’m going to have to kill you now.” 

“What did I do?” 

She stares at him, “Why have you scheduled a fight with The Joker?” 

“Oh, that.” He rubs the back of his neck, “Is he taking that seriously?”

“Of course he is, Danny! It’s The Joker! That’s what he does! He can’t differentiate between a joke and reality! He would tear off his own face for the bit!” 

“Oof,” is all Danny can muster. He digs his phone out and starts typing before Jazz yanks it out his hand. 

“You’re fucking TWEETING about this?” Jazz asks incredulously, and Hood’s hackles rise. She even reads the Tweet aloud, “‘Just found out @TheJ0ker is being fr about fighting me. Sad but i can take a clown.’”

“I was gonna add ‘i’ve done it b4,’ but like the letter and the number four. But yeah.” 

“You’re grounded forever.” Danny opens his mouth to protest, but the look Jazz cuts at him is so scathing that he shuts his mouth. Hood is reluctantly impressed—she had what could be cultivated into a fantastic Batglare. She pockets the phone, “You’re never getting this phone back. Taunting The Joker to Amity? Have you any brain cells? What if he brings Joker gas with him, huh? Or any of his goons? What if he starts hurting other people? Have you thought any of this through?” 

Danny’s face goes from tired to chastised, his lips drawing into a frown, especially at the mention of other people. 

“I’m sorry,” he says. “I didn’t think that he’d take it so seriously.”

“He sent you your IP Address.”

“I thought that was just a random string of numbers?”

“Oh my god,” Jazz despairs. “Oh my god. Grounded forever. See, I know you're lying to me. I know you're lying because Tucker, the nerdiest tech nerd to have ever been born, is your best friend.”

He rubs the back of his neck, “I tune him out?”

“You’re still lying to me?” Jazz scoffs and turns to Batman, “Do whatever you want with him. I’m not going to defend him from this.” 

“Hey!” complained her brother, but Batman just continued on, “Where are your parents?”

“They’re in Sweden for a science convention,” Jazz answers. “They left this morning.” 

Damn, Jason curses to himself. 

“Jazz, seriously. You’re not gonna let Batman kill me, right?” 

“Do you want to be cremated or buried, Danny?” Jazz asks blasély, and Danny gulps, refusing to meet anyone’s eyes. 

“It’s my Twitter handle,” he mutters petulantly, and Jason can’t believe the gall of this kid. Or maybe stupidity. Audacity’s a good one, too. “If he wanted it, he should’ve gotten it first. And he gives clowns a bad name.” 

“Not the clown thing again.” Jazz digs her palms into her eyes, sighs, then turns to the heroes. “He has a whole clown thing ever since Circus Gothica came to town and robbed a bunch of jewelry stores.” 

Danny gestures wildly with his hands, as if demonizing clowns was the real problem and not the egomaniacal mass murderer who wanted to murder him for his Twitter handle, “Clowning is an art form, Jazz, and people like Freakshow and The Joker make a mockery of the very serious societal statements that clowns make!” 

All of the Bats very carefully Did Not look at Nightwing, who has made very similar rants on quiet patrols.

“You are never leaving this house again,” she says serenely. “And I’m unplugging the wifi router.”

“You would punish even yourself?”

“Oh, little brother. I would watch the world burn if it meant knocking sense into your thick skull.” 

“Okay, Christ,” Red Hood finally interrupted the siblings’ melodrama. An unyielding redheaded girl and a mouthy black-haired, blue-eyed boy? They’d fit in a little too well back at the Manor, so Jason needs to cut this shit out before Bruce’s bat-doption instincts start tingling. “Stop. Just… Christ. Stop. Is this how you always interact with each other?”

“Sometimes there’s explosions,” Danny pipes up, a cheeky grin on his face. 

Jazz doesn’t dispute it. 

Fucking hell. God damn it. I can’t. I just can’t. 

Batman doesn’t give anything away, “Robin and Red Robin will be staying here with you until Nightwing, Hood, and I apprehend The Joker. First, we’re going to check the perimeter.” 

“Oooh, I get to give the lab tour!” 

Lab?

“No lab. You’re grounded. You’ll only be in there for cleaning duty now.”

“Wh– hey! No fair!” 

“What’s this lab you two are talking about?” Red Robin asks before Jazz can rip into her brother again. 

She sighs, “Our parents’ lab. I’ll show you, but someone needs to stay with Danny.” 

“You act like I’m gonna run off and start World War III….”

“I wonder why,” she says sarcastically.

Batman nods to Robin, who nods back, and the rest of them follow Jazz out of the living room to a metal reinforced door. She types in a code—Jason catches the numbers 03-14-99. There’s an assenting beep, and she opens the door, flicking on the lights and leading them down into what is apparently a basement lab. 

A stone settles in Red Hood’s stomach, cold and heavy. 

The basement is large, likely the floor size of the entire building. There are several work tables, filled with miscellaneous blueprints and spare parts and weapons and tools. Against the farthest wall is another armored door, but what draws Hood’s—and the entire Batclan’s—attention is the south wall, where a circular hole in the wall was glowing a toxic Pit green. 

The stone shattered in his stomach, splintering into his body. Is it harder or easier to breathe? Jason can’t tell. 

“Wow,” says Nightwing. His voice is cheerful, but Jason can feel the stress beneath it. “Do I even want to know?” 

Wasn’t this supposed to just be typical Joker bullshit?

“Our parents are ectobiologists,” Jazz explains nonchalantly, walking further into the lab. “As in, ghost biologists.” She pauses at one of the work tables, picking up a green and white thermos. Pretty boring, considering the rest of their surroundings. 

“Ghosts.” Red Robin’s voice is carefully neutral. 

“Ghosts,” Jazz reaffirms. “I know. I thought they were crazy at first, too. But I can prove it, if you like.” Then, without waiting for a yes or no, she untwists the thermos, and there’s a bright flash of white, and a whole entire body sprouting out of it. 

“WHOO! I’M FREE!” cries the…being, pale and floating and lanky and entirely too big to have fit into a fucking thermos, of all the fucking things. “....And not in the Realms? Wait.” He stops stretching, descending to rest closer to the ground, but still hovering a few inches from the floor. He’s got green eyes and lifeless (ha) blond hair. He’s wearing a trenchcoat and a green skull necklace. Overall, he looks like the type of thug he’d arrest in the Bowery. 

“Hello, Johnny.” The man’s—ghost’s?—eyes flicker around each person in the room, his gaze becoming more and more confused and panicked as he takes in each Bat, before settling on Jazz Fenton. 

“Why are the fucking Bats here?” 

“The Joker’s coming to Amity,” she says. The ghost’s eyes widen. Jazz tilts her head, “How many ghosts would you say passed away in Gotham, Johnny?” 

As Jason and the Bats tense, this Johnny guy lets out a wicked laugh, “Oh, Doll, you have the best surprises. Why did we break up?” 

“You did try to have my body possessed. That ruins any good relationship.” 

“Man, but Kitty’ll love this. Thanks for letting me out of Soup Time, Doll.” He floats higher, “Any advice?” 

She throws him the phone she’d confiscated from Danny and he catches it easily, “Everything’s on here. Have fun.”

“What exactly are you planning?” Batman scowls. 

Johnny laughs, “Aww, don’t worry, Bats. Peace and love on Planet Earth, or whatever. We’ll make it quick.” Then, as the Bats leap into action as one, Johnny turns invisible, the Batarangs passing harmlessly through where he’d once been floating. 

“Where did he go?” Batman turns his scowl, angrier than ever, to Jazmin Fenton, who stares back unflinchingly. “He’s going to solve the problem.”

“You mean he’s going to kill The Joker.”

She shakes her head, “Oh, no. That’d just be asking for him to come back as a ghost. Could you imagine a Joker with powers like invisibility, intangibility, flight, and more? Johnny can be impulsive, but he’s smart. None of them will kill The Joker.” 

“Then what are they going to do?” Red Robin asks. 

“My parents are ectobiologists,” Jazz repeats from earlier. “But I am more of an anthro-ectopologist. I am concerned with the study of ectoplasmic beings’ societies and cultures. And while it is very ancient, there is protocol in the Infinite Realms—that is, where you go when you die, should you remain after death—to prosecute living criminals who have killed a certain number of Realms citizens. So you don’t have to worry about your moral code, Batman. The Joker will be tried by a much fairer court than Gotham can ever hope to have. No offense.” 

Jason stares at Jazz Fenton, who he’d pegged as the sane sibling. He’s not so sure now, but he can’t say he hates it.

“And how do we know it’s a fair trial?” Nightwing asks. 

She waves her hand, “Oh, as Gotham’s Knights, you’re key witnesses. I’m sure you’ll be summoned to testify. You will see then. And don’t worry about your secret identities—the dead don’t care much for that sort of thing.” 

“So if this is a ‘fair’ trial or whatever, The Joker’s going to be locked up forever?” Jason asks. “I mean, that’s the only option for shit like him.” 

Batman sends him a look, but he ignores it. 

“Well, there are several different punishments that could be deemed appropriate, but he’ll never be able to set foot in the mortal world again, yes.” 

Jason Todd grins, “Oh, I’m glad your brother’s stupid, kid.” 

She sighs, long-suffering, “Well, that makes one of us. Still, there’s more important things we should discuss now that you’re here.”

“More important than The Joker trying to kill your brother over a Twitter handle?” Red Robin asks doubtfully. 

Jazz smiles, sharp and dangerous, and asks, ”Have you ever heard of the Anti-Ecto Acts?” 

xxXxx

Several months later when Danny is finally un-grounded, he Tweets his last three Tweets before Twitter can become the foolishly named X: 

Imagine bullying the Joker so hard that it not only lands the Joker in ghost prison BUT it also leads to major law reform in the US lmao someone make the domino effect meme about this pls

Y’allre replying to me with thanks like i did anything other than be an internet troll. My sister literally manipulated local, federal, and interdimensional law so you should be thanking her. 

i just a babie 🥺🥺🥺

xxXxx

Thanks for reading! This is the whole fic, so pls do not ask for tags! Thank you :)

[mewtwoandme]

I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!

Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!

This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.

Quick reality check for everyone who's made it this far before I end this train wreck of a rant:

People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!

[fairuzfan]

Hey, I've read your post reply on the ask about the Standing together movement, and there you mentioned that it's incorrect to separate Palestinians and Jews and create a false dichotomy when speaking about liberating Palestine and anti-occupation movement. Could you please elaborate on that? It's a very interesting take that I haven't heard before yet.

So I generally don't understand why we are separating "Palestinian" and "Jews" with no potential for overlap between the two. By separating them, this implies, fundamentally, that there can be no Jewish Palestinians which... is not true. Just even historically, Jewish Palestinians exist and continue to exist.

Why are they mutually exclusive terms within their mission statement when they wish to "stand together"? And I'm not saying this in a condescending manner, I'm saying this because I know there are Palestinians who live in Israel who insist on being referred to as Palestinian. They won't let their Palestinian identity be erased under any circumstances. But they're the only group at risk of having that happen to them. Jewish people are not at risk of having their Jewishness erased for being Palestinian. So how can it be "standing together" when you acknowledge that there is a divide, societally, between perceptions of identity where one is at risk of total destruction by another and you, yourself, do not risk anything?

Where do Jewish Palestinians fall in this dichotomy, exactly? Does that mean no Palestinian will be able to convert to Judiasm without giving up their Palestinian identity? Are Jewish people just innately separated from Palestinians as a whole? If so, what is the thing that categorizes "Palestinian" in their eyes? Is it their religion? Well it can't be, because Palestinians have a diverse array of religions and like I said, people who identity as Palestinian and Jewish exist and are at risk of having their "Palestinian" erased in favor of their "Jewish" one.

Is it their ethnicity? Also can't be, because there is a vast array of ethnicities within Palestinian society. Unless they mean Palestinian=Arab, which is erasure. It erases Armenian Palestinians who play an integral part in Palestinian culture, for example.

So like what is the separation exactly? How are these mutually exclusive categories and how are we defining them? Unless, which is the reason that underlies all this, you mean to say that there is a difference between people who are Palestinians and people are Jewish innately in some unidentifiable manner?

Now, many Palestinians who have Israeli citizenship are not really subject to equal rights lol. And those rights are taken away *because* they are Palestinian. You have to acknowledge that. So when we say "Jewish and Palestinian" in a mission statement where you intend to """solve""" inequality, you're already setting that distinction in your mind that there is an actual difference between these people. So it's problematic in that vein.

But also, the group doesn't address the systematic abuses Palestinians face for YEARS, even before the Likud government. You can't erase that and attribute it to Netanyahu only. You have to address that the very system of Israel was founded on the mass expulsion and erasure of Palestinians, that includes Palestinian Jews.

But again, we have this dichotomy of "Jewish" and "Palestinian," setting into motion that "Palestinian" is somehow an identity that is separate from "Jewish." And through what definitions are we imposing that difference? Through... race science? Through cultural differences? Well, again, what about people who have cultural overlaps. Like if a nonJewish Palestinian marries a Jewish person who is not Palestinian and their child is growing up with both cultures? What does that mean for them? What does that mean for the two people who got married? And even Jewish Palestinians, are they having to give up their Palestinian side for marrying someone Jewish? Won't that cause further inequality within our groups? Isn't this separation just a nicer worded version of segregation in that way?

We have to acknowledge that it is within the state of Israel's interests, at their core, to separate these two identities. So by playing into this narrative, we're continuing the very colonization of history as they try to rewrite the past, implying that Jewish Palestinians especially were not considered a part of Palestinian culture and werent allowed to partake in it.

And it's just, to me, very racist to assume that there can't be overlap between these two types of people. It's happened in Palestine for centuries. But when Balfour comes in and is like "here you go, Jewish people of European cultural heritage, here is your homeland, nevermind the other people who have customs and traditions here, just do whatever you want and get out of Europe," everyone just nods their head like yeah that's reasonable. They didn't even try to learn Palestinian culture and life they just kicked us out. I'd argue that Palestinians would have welcomed Jewish immigrants who sought a safe homeland, so long as they didn't kick us out and enact nearly a century of violence. Palestine is the holy land for a reason! This land is the convergence of faiths and ideas and culture in such a unique way. Labeling it "Palestine" emphasizes that Palestinians are diverse and allow for an overlap of identities!

Essentially, when you try to separate groups of people like this, particularly when the separation of "Palestinians" (or more commonly referred to as "arabs" in Israeli society. Even our identities are erased to homogenize us) and "Jews," it makes it seem like Palestinians are fundamentally anti-jewish and antisemitic. And historically, just doesn't even make any sense.

[felikatze]

THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER

HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!

DISCLAIMER

This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!

You have been warned.

ALSO!!!!

The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.

WHAT IS IT?

Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.

(Yes, this is why divorce AU exists.)

WHY DO YOU EVEN BELIEVE THIS?

Quite a lot of reasons, actually.

It's really funny

Let us begin with: the basics.

SUPERFLOUS AESTHETIC DETAIL

HAIR COLOR

This is Euphrasie. She's very pretty. I love her.

You might notice several things about her, like her fantabulous white hair.

Well. What other characters have white hair?

You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.

(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)

EYELASHES

(EDIT!!!!! FINALLY PUTTING THIS ON THE MAIN POST!!!

Turns out I was incorrect in this. Some characters (Mira, Isa) also have eyelashes on SOME portraits. The mentioned chars r still notable for Always Having Em, + the Loop lashes are like, literally intended as plot twist foreshadowing, but, hey.

That's what you get for writing essays at 1am.

IN RETURN!!! Someone pointed out to me [i forgot who sorry] that Euphrasie's capelet.... has stars on it!! It's speckled like the starry sky!! Now isn't that a neat coinkydink.)

(Original text left up because I respect my past self's artistic vision. And his lunacy.)

Correct. Eyelashes.

Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.

So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.

(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)

SPEAKING HABITS

(EDIT!!! Another Point that is Kind Of Off, in that other characters [e.g. Odile] also do this occasionally. Again, keeping the text for my creative vision.

In return I get to inform you that the King makes the "not so bright, Bright One" pun TWICE in different loops, thus implying the King likes puns. Take this as you will. That's been my psychic damage, buhbyeeee~)

Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?

And I've seen people wonder, are these titles? Nicknames?

And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.

So Siffrin just naturally lapses into this style of nicknaming strangers.

Which two other people also do.

Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!

Funny little tidbit that these three characters all speak alike isn't it :)

Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:

THE MECHANICS OF FORGETTING AND BEING FORGOTTEN

I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?

The particularity that's important to us right now is: what people get forgotten?

All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.

I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.

The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.

You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.

Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]

Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?

Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.

Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:

Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.

On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.

Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!

(For her to forget someone like her sister, so easily... Her sister must've traveled to...)

Secondly, we know that remnants of the island were not completely forgotten immediately.

Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.

The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.

"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."

And Odile also remarks the following

Odile: We also know that people could remember that country clearly, before.

This will be relevant later. Moving on.

CONTRIVANCES

THE HOUSE'S OBSERVATORY

SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:

Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.

This reveals to us several things:

This room is innate to the House, and not brought here by the King's weird redecorating

Someone from the House was using it for study

All memory of who or what was studying and being studied was erased alongside the island's existence

Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation

However, I find the general presence of the Island written all over the House incredibly interesting.

Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.

(A pile of papers.) (It looks like someone was trying to write your country's name.)

Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:

(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)

BOOKS

During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.

Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.

Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!

As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?

These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.

(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)

CONCLUSION OF THIS SECTION

Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead

they forgot where they're from.

One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.

And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.

Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.

Now. The real cinch of this.

Why, in particular, do I think Euphrasie is one of them?

Answer me this, then.

How does Euphie know what Wish Craft is?

1. How could she read it?

Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.

The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.

There are no legible records of Wish Craft.

2. What about the Favor Tree?

Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.

Only Euphrasie does. She thinks it's the key to defeating the King.

(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)

Except, when Isabeau talks about it...

Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?

He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.

To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.

And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.

If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.

3. Something's breaking, failing, rotting

At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.

It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!

There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.

To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.

If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.

There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.

If she knew it all beforehand already.

[writer-logbook]

5 tips for proofreading & their pros and cons

Define your objectives for each chapter. In my case, some of my chapters are better written than others. My objectives for them will differ. Before starting my proofreading, I list my needs and areas of improvements, and I write them down somewhere so I have them in front of me rather than in my head alone.

Pros : allows you to know which points you need to focus on ; provides a guideline adapted to your needs.

Cons : risk of losing homogeneity and fluidity + flaws may be shifted to other chapters that didn't have them before due to a sudden imbalance.

Plan several proofreading sessions, each one of them addressing ONE NEED AT A TIME. (E.g., one for grammar, another for style, and a final one for coherence. ) And I insist on the "one need at a time" part. Even for those who can multitask (unlike me), I really don't recommend settling for a single proofreading session. It could interfere with your concentration and let you skip some flaws. And please, always give your chapter a final read after your edits to ensure that the elements make sense as a whole, and are not repeated every two paragraphs (I plead guilty, your honor)

Pros: allows you to focus precisely on each point, and give it dedicated attention.

Cons: you can quickly get confused and risk multiple re-readings + significant time investment.

I make my corrections on a separate file. Whatever you do, it's always better to have a backup and therefore to save your files (don't blindly trust autosave) to create archives. I think it's a two-ways process : 1) you open two files simultaneously, one with your V1 and one, blank, where you'll rewrite your chapter as you make changes. Eventually, this new doc will become your V2 ; 2) you copy the parts to proofread into a new document and edit directly in there.

Pros: allows you to rewrite as you wish without being discouraged by the following paragraphs - especially in case of the first way.

Cons: requires multiple files (maybe multiple screens to be at ease) and better organization.

Change the typography. I don't know about you, but after a while, I'm struck by semantic satiation (click on the link - it's Wikipedia -, it's very interesting) and nothing makes sense anymore. After the 52,846th proofreading, I might as well read in another language. I've found a relatively effective trick - not as effective as a complete break, but sometimes you need to move forward - which consists of changing the typography. I can't remember who gave me this advice though, but be sure they've been thanked more than enough in my mind. In any case, seeing words change their shape significantly helps my brain to stay focused and attentive. (Maybe it's just my mind playing tricks on me but I only see the results.)

Pros: it's simple to implement.

Cons: I don't know if this trick works for everyone or if I'm the only weirdo (you can tell me in the comment section).

Take notes. This is a very personal tip but I keep a proofreading logbook. Like, I record in a few sentences the first time an element is mentioned, how it's describes, and most importantly… I MENTION THE DATES. The story I'm currently writing is heavily governed by a chronological system, so I have an absolute need to keep the day count up to date.

Pros: helps avoid inconsistencies and oversights.

Cons: very tedious to maintain and creates (a lot) of extra work.

I've started my prooreading journey yesterday and I already want to die. If I find in the edits something that is worth making a post, be sure that I will. Or let me know if you're simply curious.

Gentle reminder : Best is the worst enemy of good so, at some point, you'll have to let it go and let your chapter live its life to its fullest. Don't be hard on yourself and be proud of your work - or know that I am.

[i-heart-hxh]

So, a few days ago I found this post on Reddit from 2 years ago (that sadly barely got any attention at the time) that sheds a ton of light on the separation scene between Gon and Killua, and my mind is blown! I've known for years that there was some sort of Togashi "coding" in the dialogue and it was always like I could get halfway to understanding, but this post gives the rest of the puzzle pieces that I was missing, and ties into other scenes that I was uncertain about the meaning of as well. It's heartbreaking, but also hopeful for their future! I had to share it with you all. Please read it!

The original Reddit post has been deleted, but here is a link to the author's Reddit profile. (I received permission from the original author to post this here.)

In-Depth analysis on the Hidden Reasons behind Gon & Killua's separation scene (ep 147) Why Gon is 'Number 2'

The translations across the separation scene in both manga (chp 338) and the anime (ep 147, 2011) have some shortfalls. These dialogues are vital for understanding even the first layer of reasons behind this separation.

REASONS FOR KILLUA'S DELICATELY PLANNED SEPARATION 

1. WHEN -

There are very important reasons why Killua picked a specific timing to tell Gon about Alluka. It was Killua's plan all along, to only tell Gon at a moment's notice, to make sure Gon won’t get time to ask any DETAILS. He is deliberately downplaying the seriousness of everything he’s been through to heal Gon, so it will have less impact on Gon, and at the same time, avoid Gon asking details. Prior to healing Gon, Killua specifically asked Morel and Leorio to promise not to tell Gon that he saved him. After Gon was healed, there was a scene in the anime (ep 148) which showed the three spent a night together before reaching the World Tree. During that time, Killua still haven't said anything. It wasn't until the moment when they were literally saying the last goodbye, Killua casually brought up:

“Oh, by the way, this guy healed you."

I want to emphasis the word Killua used to address Alluka was “こいつ”. This is a very light and overly casual word used to address someone you know, and usually a playful guy friend (e.g. “This guy used to be my neighbour.” type of feeling). The manga and anime translation, “She’s the one that healed you,” did not clearly depict the intentional casualness.

2. WHAT was SAID -

If Killua just doesn’t want to burden Gon with guilt and responsibility, then why not just keep his mouth shut and say nothing? That’s because Killua found a better option than not telling Gon anything. Killua shifted the “priority of reasons” a bit, so the VERSION OF EVENTS he told Gon, was PRIORITIZED on Alluka’s rescue rather than healing Gon. This way, they will also get to THANK Gon, and put an emphasis on thanking Gon because Killua make it SEEMED like it was more important to rescue Alluka, that the INITIAL REASON for Killua to go home, was to rescue Alluka. Only AFTER Alluka was freed, they came to the hospital to heal Gon, out of convenience, since only Alluka has the ability to do so, and since she’s now outside. The MAIN motive for these past events has been delicately swapped around by Killua, so the focus switched to the rescue of Alluka, rather than healing Gon. Hence Alluka is “No. 1”, Gon is “No. 2”. Downplaying it so healing Gon was just a bonus convenience (ep 147, 19:12 to 19:51).

Killua then goes on another level to make this version of events seem even more realistic, by saying “….You owe me a lot now,” in a teasing and playful tone of voice. This is to again, downplay the seriousness of everything he’s been through, to comfort Gon that "Yes you owe me one now, but don’t you worry! I will make sure you pay it back okay?! Hehe!”

3. WHY -

The fight with Pitou allowed Killua to witness Gon's ultimately immature mind set when it comes to “repaying someone, and redeeming himself.” Kite lost an arm and his life to protect him. So Gon gave his life and was even more happy when Pitou took his arm too. Gon will always want to “match” what was sacrificed by another, by throwing away AT LEAST the same. Not “sacrificing”, but THROWING AWAY. It’s so immature, so dangerous, no one will be able to keep up with him. Killua was very confident with how much he could take, but even Killua himself is at limit. This ultimate baka!! (ep 136, 17:50 - 20:17)

If this is how far Gon will go for Kite, he can only imagine what Gon would go recklessly into if he knew the DETAILS. This is when Killua decided on a way to part with Gon the way they did, and to PROVIDE him a particular REASON.

“I’m prepared to spent the rest of my life protecting her.” 

This is the reason Killua wants Gon to know, but NOT what he actually wants to do with his life. Although it’s true he feels responsible and genuinely wish to protect Alluka and Nanika, but it’s not what he ultimately WANTS to do. He NEEDS to protect Alluka, but he WANTS to spent his entire life by the side of a certain baka…

After the previous events, Killua was traumatized, especially when he saw Gon's twisted decaying arm. That was a breaking point for him, after that, the only thing that matters THE MOST for him is for Gon to be safe. He also realized that in order to protect this baka... it’s better if he keeps a distance for now, until he finds a solution to keep Alluka safe from Illumi and his family.

4. THE PARTING -

By planning this parting with Gon, Killua hopes Gon will become detached from him. And that time and distance will slowly render him less important to Gon. So if he was to die... (because Illumi is hunting them down) he did for Alluka, he did it for the vow to protect Alluka, not Gon. We knew Killua always plans ahead, and here, he plants this reason for Gon in the future so he won’t need to feel responsible if he was to die protecting Alluka (or die with Alluka while Illumi is hunting them). This is what’s going through Killua’s head:

“If I die, you’re not responsible for anything. You don’t owe me anything, so NEVER throw your life away again. My only one wish, is for you to be safe. So here I am. I’m parting ways with you... Because I SAID you are only ... No. 2 ... I SAID you are not the most important to me.. So don’t think of me as the most important to you too….”

This, is Killua’s eternal Devotion. 

5. THE RESULT -

As a result of this deliberate planning by Killua,

Gon was made to believe:

While I was recovering in hospital Killua had to go home and rescue his sister 

Alluka is such a cute sister and she can grant Killua any wish?!!! Wow…that’s one cool sister…

Well… no wonder Killua thinks his cool sister is more important than me, it’s only natural. 

Looks like Killua finally found what he wants to do. He will enjoy traveling the world with such a cool sister, it will be so much fun. I should be happy for him, I can’t hold him here... I have to let him go…

VS

The DETAILS omitted:

Gon was not recovering at all in the hospital. Killua RESORTED to USE Alluka in order to heal Gon. 

Alluka’s blood stained dark past and the risks and uncertainty that still involves.

Baka Gon is always No. 1 !

Killua and Alluka are desperately trying to find a way to out of Illumi’s grasp. Illumi is hunting them down and trying to make Killua his puppet again. And this time it's not going to be just a needle in the head... Killua can feel it. And if things doesn’t work out, he will just kill Alluka.

These Reasons are the core of the separation. We have a song named “Reason”… aren’t the lyrics shedding a new layer of light now?

6. IMPORTANT WORDS ALLUKA USED TO FACILITATE A BETTER RELATIONSHIP AFTER REUNION -

Killua promised to “always be together” with Alluka.

But to this promise, Alluka’s response was always silent (episode 145, 3:32 to 4:19). She looked at Killua with deep thought. Because even in such a short amount of time, she realized Killua is doing all this to ALSO or MORE SO protect Gon. It was never just for her, it will never be just for her, and there will never be anyone more important than Gon for Killua. She’s moved by Killua’s devotion and resolve, and she can also feel his sadness…   

If, the situation was different, if Gon was never there to begin with, and Killua just happened to solely come to Alluka’s rescue, and then make a promise to stay together with her forever, Alluka’s natural reaction will be melting with happiness, she’d be crying tears of joy, and hugging Killua. But in this instance, she was composed, she sensed her brother’s deep seriousness and sadness. That’s why later on, she reassured the two at parting, that they will see each other again, without disclosing Killua’s true REASONS. 

The Exacted words Alluka used (Manga chpt 338, 2011 anime epi 147)

a. Manga translation: “I’m going to HUG my brother for a while and then I will LET HIM GO.”  

b. Better translation: “I’m going to have my brother all to myself for a while and then I will let him free.”                            

c. The exacted phrase: “I’m going to Monopolise my brother Exclusively for a period of time, then I will Release him.”

独り占 (Monopolise Exclusively) 

Very strong characters with Explicit meaning. Have it all to oneself. Same characters and meaning used in Chinese as well. （独占）

解放 (Release) 

This is much more formal and serious than “let go”. It implies the subject was initially bound/locked/restricted. Also the same characters and meaning used in Chinese.

Alluka employed these words to imply a forceful lead in this “deal” of owning Killua exclusively. These words have an underlying tone of enslavement. 

Why? Because Alluka knows, the harder she IMPOSES herself on Killua during their time together, the more effective it would be on the easing of Killua’s own guilt. 

Killua felt immensely guilty.

No one will enjoy a relationship bound by guilt. 

Alluka knows clearly that part of her brother’s promise, was formed with guilt, from using her and Nanika, that he was having fun with Gon while Alluka was literally forgotten. Although it's true that this was largely due to Illumi's manipulation, but the fact that he did just left her in the basement all this time was both unacceptable and unforgivable to Killua himself (episode 138, 13:28).

Therefore apart from protecting Gon, this was the other important reason for this separation. Almost as if Killua has accepted this as a befitting price to pay in order to redeem himself as a brother.

Alluka and Nanika have no condition nor demand in return for Killua’s requests. But Killua imposed a price on himself for having Gon healed. Out of guilt. Alluka knows, Nanika knows. That’s why Alluka used the word 解放 (release), because it will make Killua feel better, that he has complied with her ‘enslavement’, so when the time comes, Killua will be able to release HIMSELF from guilt, and go back to Gon, properly. Alluka loves her brother, and she’s prepared to help him towards a better relationship with Gon in the future, by helping him to eliminating this chain of guilt.

lol Alluka totally ships Gon and Killua ! XD

Thank you for reading.

[aces-and-angels]

URGENT PSA: DELETED GFMS UPDATE- PLEASE READ

the detective hat is screwed on tight gang- i just remembered that the wayback machine exists and have been able to gather some additional information regarding the deleted gfm campaigns for omar, raina, and iman:

all the info is under the cut

---

see the info on the site yourselves by using the following links:

iman: https://www.gofundme.com/f/jhcjrv-help-imans-family-find-safety omar: https://www.gofundme.com/f/help-me-to-evacuate-from-the-genocide ran/raina: https://www.gofundme.com/f/displaced-gaza-family-seeks-help-after-war-destroys-lives

my hunch was correct: these campaigns were not formatted in the way gfm requires in order to stay operational. i detailed the common reasons why gfm's may be terminated in a response post to @rubashabansblog but i will include it again here:

ruba- i have figured out the following info from my own research. there are several issues that can result in a gfm being suspended. the biggest issue comes from how the actual campaign is written. the key is being transparent. that means everyone that is benefiting from the campaign must be listed out by name (there may be a rule about specifying any minors/kids' ages as well) + locations. the issue also may be linked to whoever is organizing these campaigns on behalf of these families. another part that needs to be addressed fully is who will be handling the money. essentially if at any point in the transfer of funds someone is responsible for holding the money raised, they need to be listed on the account plainly and on the actual donation page as well. example: person a is organizing this fundraiser on behalf of person b. the last issue i can think of from everything i've read involves keeping an accurate account of the family's expenses. meaning that you need to write down everything that you are spending the money on. since there's no way to print actual receipts- gfm is asking people to write everything down on their notes app with their phones. these notes count as "receipts" and the total amount must always equal the amount the person/people are trying to raise. example: say i am raising $10K to evacuate, but am planning on putting aside $3K for other future living expenses like rent -> all of that needs to be documented fully. basically- as long as goal amounts match up to your expense report- the campaign should be fine. i understand that some families may need to keep raising their goals in order to cover the cost of living before they are able to evacuate. if that is the case- each time they raise/decrease the goal- i believe they need to update their gfm page to address the new total costs for their fundraiser. please forward this information to the affected families when you get the chance 🖤 perhaps this new info can help them solve the problem on their end *edit: another problem i forgot to mention- the currencies must match between the fundraiser and the bank account it is linked to. this means that if the fundraiser is in euros-- the bank tied to the account must also be in a country that uses euros as their primary currency. a US-based bank account would not work if the fundraiser is in euros.

all three campaigns have the same characteristics: not enough info is being disclosed in the fundraisers. another common theme: they are all recently made (may 2024). the decision to evacuate is a painful choice for families to make as none of want to be displaced yet again- but the situation in gaza has prompted many families to make this decision in an attempt to save themselves + their loved ones. the issue is that many of those who are now choosing to make campaigns are not aware of the ins and outs of how to properly start a gfm (+ i'm most certain there are other factors at play as to why this keeps happening to families in desperate need of aid).

this is bound to happen again and again unless this information is being spread widely. which is why i am also asking for this:

please share this w/ anyone who is fluent in arabic that can translate this in its entirety (DO NOT TRY TO USE GOOGLE TRANSLATE). i have a lot of new followers from 🇵🇸, some of them with newly made gfm pages that may be at risk of being frozen if they do not correct the issues i've addressed above. this information is vital to ensuring they are able to continue fundraising.

i have seen campaigns launched in june formatted similarly to the three that have been abruptly terminated. obtaining a stable internet connection in gaza requires people to put themselves at greater risk as they travel to locations with a working signal. people have been brutally murdered by just trying to activate the e-sims being sent over. so it makes sense that these newer campaigns made by these families would not have all the necessary info required- as these guidelines may be difficult to obtain on their end/may be worded in a way they cannot understand (you try reading the terms and policies of gfm yourself and tell me how fast your brain shuts off- and you're doing so in the comfort of your own homes. imagine what it's like to do so while facing constant bombardment).

a mutual of mine has already tried to contact gfm on behalf of omar- and they have informed me of gfm's response to their question:

Omar has already contacted them and is apparently in contact with the team according to the person i chatted with. they cannot disclose to me *why* the fundraiser was terminated they said they are working with Omar to solve the issue. if the issue cannot be solved, the money will be refunded to everyone... ^ this "contact" is likely using the same chatbox the rest of us need to use in order to even speak to a representative at gfm one-on-one. a very annoying system, but unless someone has a direct line to gfm- it is our only option.

we need to mobilize right now and put pressure on gfm to give these families the time they need to rework their campaign pages.

through the wayback machine i was able to figure out the organizers for each campaign.

omar is the organizer for his own -> says he is located in vienna but that is in direct conflict w/ the location he says he is in under the fundraiser info (displaced in rafah). i'm unsure if he has a contact in vienna that is actually the one responsible for holding/transferring the money, but this information needs to get to them so they can try to fix the issue ASAP

the other two have beneficiaries listed, but there could be additional problems with how that whole thing is currently set up.

i still do not know the emails for raina/iman's gfm's (and the wayback machine doesn't let you see the contact info on the archived pages 😓) but- we can try to mobilize right now for omar. he is absolutely devastated and has lost hope that he will be able to recuperate the money he has already raised. this is not the time for the rest of us to lose faith in his cause.

for anyone interested in helping out- i have laid out all this information so you can question gfm directly. if you come in knowing your stuff, they may be more receptive in their responses than the first initial attempts. please contact me directly if you wish to email on omar's behalf so i can forward you his email linked to the gfm account.

tagging for more reach: @appsa @palms-upturned @malcriada

[toon-tales]

Hiya! Ok, so, I'm here to analyze, again. But! Not a scene. I'm here to analyze the evolution of the one and only #Broppy, from the first movie. I've been planning to include the three movies and the holiday specials, but I figured I can't add that many pics in one post. I can only add ten, soooo-

Let's take it from the beginning: the first appearance for Branch.

If you ask me, he was being rude, maybe even embarrassed Poppy in front of everyone. Yeah, I love Branch, and he's my baby and all, but dude, you shouldn't have done that, especially not in front of everyone. Like, yeah, we later know his backstory and his grandma and his brothers, but still, it's not Poppy's fault, he shouldn't have treated her like this. Sure, her believing life was all cupcakes and rainbows might have been provoking to Branch, but he's still at fault, and I think more people need to make peace with that.

Also, something I noticed, is that Branch and Poppy were close even before the events of the first movie, cause, literally everyone calls her 'Princess Poppy', except the snack pack. They just call her Poppy, and the fact that Branch also calls her Poppy just proves they were close.

Now, later, we see Branch holding Poppy's scrapbook, then staring at even more scrapbooks on the shelves. Like, cute, sure, but it's not what you feel, it's what you show, Branch.

Okay, now, this scene:

The fact that Poppy was knocking on the rock just means she never got into Branch's bunker before. But she knows the address, so that counts. Maybe he had given it to her when they first met in case she needed something after he'd found her hurt with a broken arm or something then they became friends- I'm totally drifting from the post. Sorry about that.

Now, there are two theories:

Annnywayyyy, let's focus on the scene after:

"Which is why I have to ask you..." she hesitated, before continuing, "will you go to Bergen town with me and save everyone?"

She hesitated! She freaking hesitated! Meaning? She probably never asked Branch to help her before. She surely had problems in her life, but she also had her friends, so I belive she always went to them whenever she was in trouble. But now those friends aren't here, which forces her to ask the person who she trusts the most after them. Branch. And, disappointedly, he refuses, because of the fear he's living in.

Moments later, Poppy surprisingly invites the entire village to Branch's bunker to keep them safe. Which was wrong of her. True, she was trying to protect everyone, but using Branch's house without his consent was wrong. Sorry. Sure, it was the safest place for now, but that still doesn't justify it. You can see he was clearly annoyed (which she loved). But I don't really blame her, just like I don't really blame Branch. They both did wrong.

Skip, skip, skip, skip, skip- hold... rightttt here:

Ah, yes. That scene. Now, look. He showed up, because he knew there was no way Poppy could do this by herself, and he wasn't wrong. Poppy, in return, also knew he would come, because it was the third hug time by then.

"I guess we were both right." That line. It speaks volumes for their relationship, yet no one talks about it! They both look at things from different perspectives, BUT, it doesn't mean either of them is wrong.

Like when they arrived at the troll tree: "The troll tree." "Bergen town."

Or when they found out the others were still alive: "They're alive?" "And on a silver platter too. We were both right."

Please writers and artists, we need more content with this line. Add it to your fanfics/art!

Skip, skip, another skip (yes, I skipped the part where Branch tries to avoid talking about his feelings cause it's kinda... i don't know, i just don't know what to say about it. It's sorta obvious), skiiiiiip, annnndddd, right here:

THEIR. FIRST. HUG.

My babies, oh my sweet precious babies. They've been through so much together, and finally, Branch has found it in himself to actually open up about his past (mostly).

I've spoken about this scene in more details in this post.

Now, we're going to talk about one of the most important scenes in the history of Broppy. This:

Branch is talking. He's always used to being in the shadows, never helping anyone, and here he was, helping a Bergen. If that's not a big change, I don't know what is.

And let me tell you, not only Branch was changing in this scene. See Poppy?

She's learning to look deeper into things, even persons. She's finally realizing that Branch, the grumpy, sarcastic troll, might not be as bad as she thought. They're both developing.

Until the rules are swapped.

Branch is the one to find the bright side, and Poppy is the one to cover it. And you can see how disappointed he is.

"I can't wait to see the look on your face when you realize the world isn't all cupcakes and rainbows." But when it happened, Branch realized that this wasn't what he wanted. He didn't want her to be like him, because this was him - a person who doesn't see the cupcakes and rainbows in life, not even in the slightest.

The way he was trying to cheer her up

And the way she actually smiled. Poppy was still there, her happiness was inside, not gone but hidden, and Branch was trying to find it again.

Yet she didn't even notice her own colors returning. Maybe because she was focused on the change in Branch? She wasn't startled when he sang at first, she wasn't happy, just like he used to be. He didn't use to care, until later, when his feelings began to resurface again, because Poppy helped him. Just like he was doing now. Neither did he notice his colors coming back

Aaaaaand, I think the rest doesn't really need analyzing.

Feel free to add or comment on anything.

Part two

Part three

[elitadream]

Hi guys~! ⛅👋

Long time no see! Much longer than I ever intended, in fact. Truth be told, I wanted to make a public post sooner, but I've had a lot to catch up on in terms of notifications and messages since logging back in a few days ago. I've also made some changes that I will address shortly, but first of all I wanted to thank those of you who have reached out with so much care and understanding during my absence. Adjusting has been a slow and fragile process for me -still is-, and I sadly haven't responded directly to everyone yet because of it, but I wanted to say how much I appreciate your patience and support nonetheless. 🥹 🙏

Long story short, I was gone for five months due to a huge burnout, then progressively found my spark again somewhere along the way and have since mostly recovered. It was my wonderful friend @drones-of-innocence who reached out to me outside of Tumblr, and her sense of initiative is largely the reason why I managed to make this post in a somewhat reasonable delay. 😅💖 With that said however, I must also mention that I've deleted a lot of stuff from my page and have removed most of my work from the public eye as well. This may seem quite drastic and frankly a little unsettling, but I assure you that it was a thoroughly considered and reasoned decision! The thing is that I was still getting lots of notes on these drawings everyday and… To put it simply, I didn't want that anymore. 🙇‍♀️ Experiencing popularity was very detrimental to me in the long run and I needed to put an end to it for the sake of my own wellbeing; at least for now.

Which brings me to my next point.

After mulling it over for a while, I've decided that I would not be returning as an active creator in the Mario community this time around. 👐 Making fanart for this franchise (with such a high and continuously maintained degree of involvement) had a lot to do with my health's decline and I've come to realize that I wanted to direct my focus elsewhere going forward. For that reason, there are things which I know will never be repeated again in the future, both in regards to my art and online presence in general, but that's alright. Things change, as they do and should. I'm looking forward to reuniting with folks and would be very happy to stay in touch with those of you who wish to message me privately. Like my lovely pal @istadris said, what matters most about any fandom are the friends you make in it. ☺️

And speaking of which-

@ody-and-fanatu That's so sweet of you, thank you! 💗 I'm glad you've enjoyed my contribution to the fandom. It was fun while it lasted! 💫 My visual ideas may be gone from my page, but most of my written posts and replies are still there for anyone who wants to revisit those at least, so there's that! And I'd also like to answer some of the asks I still have in my inbox at some point. Knowing that you hold my art in such high regard makes really happy! 🥰 Unfortunately, the other account that I have is reserved for my professional work and I prefer to keep them separate from one other, but the good thing is that I intend to go back to this blog occasionally. Hoping to see you around! Cheers! 🥂

@heiressofdoodles Thanks, I appreciate that! ✨ I'm honestly doing much better than I was earlier this Spring. Back then, I was running on empty and on the verge of crashing without even knowing it. Being in constant physical pain was one thing, but feeling mentally and emotionally drained on a daily basis was another entirely, and something had to be done. It took me a moment to really figure out what was wrong, but thankfully I realized very quickly what was causing it and applied the breaks with all my might. One of my main priorities now is to be more alert and respect my own boundaries to make sure that this never happens again. 🥲

@keakruiser Thank you. 🙏💐 I'm just glad to have found my footing again. Feels good to be able to create freely.^^ Hope you're doing well too!

Special thanks also to @pianokantzart, @jelly-fish-wishes, @katlyntheartist, @triniji and @wahooitsamee for their kind words. 🫂 Your graciousness and consideration means a lot to me. 💝

As for all the nice people who sent me anon comments and well wishes, I tried to summarize my thoughts as best I could in this update, but if there's anything else you'd like to say or know, don't hesitate to ask me anytime! Now that I feel like myself again, I think I'm gonna hang out on Tumblr for a little bit. I'll be excited to see what you guys have been up to in the meantime! 🤗 Wishing you all a very good day and pleasant Fall. 🍂

-elita 🌸

[pseudowho]

Hiromi and Nemo

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Higuruma Hiromi has a black cat.

A series of drabbles.

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Higuruma Hiromi has a black cat. Or, the black cat has him; he is entirely uncertain as to whom the ownership falls.

Hiromi came to give this cat a home, by matter of a guilty conscience and poor circumstance. He had failed to secure another Not Guilty verdict, but his client would only walk to prison with his head held high on one condition;

"I've got a cat, Mr.Higuruma. A kitten, really. I have nobody else to give her a home and she's too soft to last as a stray." The client released his confiscated articles to Hiromi; Hiromi left court with nothing more than an address, a set of keys, and a profound sense of failure.

Hiromi arrived in a dank little street, clogged by steam, rattling gutters and the stale smells of closed restaurants. Hopping deftly up wet fire escape steps, Hiromi confirmed the door number to a set of water-stained flats, and let himself in. Hiromi's nose wrinkled against the wafting odour of damp and neglect, noting an overflowing litter tray. Stacks of condensation-moist letters pulped beneath Hiromi's feet, an empty cat food bowl revealed beneath them. Whoever had been attending to care for the home and the cat had long since abandoned their post.

"Come on, little one," Hiromi cooed, kneeling down and making gentle clicks and kisses of encouragement. The silence was too loud and deliberate for the absence of life. Hiromi pulled a bag of treats from his pocket, giving them an enthusiastic shake. A small, uncertain skitter of paws on floor responded from deep within the flat. Hiromi's eyebrows raised, coal-dark eyes glimmering with a warm smile.

A tiny black cat, thin and dull-furred, peeked her head around the corner ahead. Her yellow-eyed head dipped, bobbing up and down as she assessed Hiromi, perched between starvation and indecision. Hiromi's head dipped, too, his hooded eyes heavy as he inclined his chin in an act of surrender, hands open and visible as he shook treats onto the floor.

The cat darted, paws barely audible on the floor as she skidded to the treats, white teeth like needles as she scrabbled the food to her mouth. Almost immediately, she was on Hiromi, brushing against his hands and knees with urgent thanks, ducking her little furred head into his fingers, two tiny paws perched up on Hiromi's thighs as he cooed delighted relief at her.

Hesitantly, Hiromi scooped the cat, as light as a feather, into his arms. She purred a rattly little purr, eyes hopeful and nose dry and dull as she looked up to him, tiny claws kneading his suit jacket enthusiastically.

"Such a good girl, there we go, let's get you sorted, shall we?" The cat purred louder as if in answer, toes flexing and unflexing against Hiromi's forearm. Stepping out, sending the abandoned flat one last sorrowful glance, Hiromi locked the door, making his way down the staircase, thankful for having been adopted by this cat.

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Hiromi received many appreciative and confused glances in the pet shop, one hand pushing a haphazardly stacked trolley, and the other holding his new, very tame, furry companion. The cat batted at the end of Hiromi's tie as it fell forwards, Hiromi leaning down to scrutinise cat food brands with intense appraisal. Settling on a decision with a brisk click of his tongue, he headed to the cashiers, grabbing a pet insurance leaflet, and flea and parasite prevention medicine on the way.

Hiromi felt a profound sense of purpose, having finally staged a successful rescue attempt for the first time in years.

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Staggering through the doorway to his converted-factory penthouse, Hiromi shed bags and boxes at the door, his keys thrown somewhere which wasn't the key holder. He delicately protected the new little life in his arms like a concerned father. She gripped her claws into his suit jacket, little head urging outwards as her nose twitched, black whiskers flicking delicately against the scent of her new home.

"You'll like it," Hiromi insisted, scratching her softly behind the ears to an uncertain purr, "it's my home. Our home." He lowered her to the floor and she stalked forwards, apprehensive, flat to the ground and walls. Hiromi prepared her litter tray, bed, food and toys. By the time he had finished, the cat had completed her preliminary survey, and, satisfied with her findings, hopped promptly onto Hiromi's old leather sofa, claws pricking at the fabric to make it comfy. Hiromi let out a halted, exasperated breath, glancing between her bed and her-- "by all means, make yourself at home."

Hiromi sat beside the cat, stroking her little head with two lithe fingers, musing out loud to her: "No microchip on record. Never registered with a vets. Even the neighbours had no idea your old dad had a cat."

Hiromi allowed the cat to step into his lap again, purring. He ducked down so she could boop her nose to his, and Hiromi breathed a warm, hushed laugh; "A real nobody aren't you? A Nemo, hmm?" The cat purred louder, rubbing her face against Hiromi's aquiline nose.

From that day onwards, Nemo the cat and Hiromi the Lawyer and Sorcerer, were a family.

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"Yes, Mr.Nagashima. Yes. Yes. Tomorrow-- tomorrow morning, 9a.m. sharp-- would you stop that, you little pest? NO! No, not you Mr.Nagashima, my cat, she's a tinker--"

Hiromi performed an awkward tango around the room, trying to hook Nemo off his trouser leg with his opposite foot, and she clung on, thrilled by her little game. Her yellow eyes narrowed up at Hiromi and her tail flicked in challenge. With case files under his arm, and a mobile phone in his hand, Hiromi mouthed wordless reproach at Nemo as she meowed, meowed, meowed in response.

Ending his call and dumping his case notes on the sofa, Hiromi lifted Nemo eye to eye, glaring at her without venom. She stared into him, eyes gleaming and innocent. Hiromi opened his mouth to speak, and Nemo raised a paw, pressing it to his nose. Hiromi stopped, huffed.

The cat won this round.

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"Nemo? Nemo? Where are you?" Hiromi had returned from work, and was dismayed not to be greeted by the usual little chirps and meows from his unruly housemate. He wandered the flat at a crouch, clicking and kissing, trying to draw Nemo out, panic starting to set in that she had got out, his clicking and kissing noises increasing in urgency.

Reaching a quick resolve, Hiromi headed towards the door, hunting for his keys which were never on the hook. There was a quiet little meow from the armchair in the nook by the front door. Hiromi frowned, unable to see her. Another meow. Hiromi squinted. Momentarily, Nemo's eyes flicked open, and she melted out of yesterday's black suit jacket, abandoned on the armchair.

Hiromi clasped a hand to his chest, leaning back against the sideboard in dramatic relief.

"Don't scare me like that! I bet you were enjoying me worrying, weren't you, you little tart?"

A single mollified meow pipped from somewhere near Nemo's food bowl.

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Hiromi lay curled into his sofa. All the lights were switched off and Hiromi was cold, tired and hungry, downtrodden by his day. Humiliating memories of the day's court defeat, his struggles to adapt to the world of Jujutsu Sorcery and the weight of life rolled before his eyes, and he sunk his head into his hands with a low groan.

The tiny weight beside him on the sofa, shifted. It crawled over his shoulders to settle in the warm gap between Hiromi's chest and the back of the sofa. Rolling playfully, and pressing little pink toe-beans to his chin, Nemo purred at Hiromi, surveying him for injury.

With a resigned sniffle, Hiromi stroked her, glossy, smooth, and calming, an inky black puddle in the darkness of his flat. They stayed this way for hours, sharing the mutual therapy of company.

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Shhhck. Shhhhhck. Shhh--

Tap. Tap. Tap.

The unusual sparring match continued for hours-- Nemo, perched magnanimously on the kitchen counter, believed herself subtle as she slowly eked Hiromi's coffee mug towards the edge with one dainty paw.

Hiromi, refusing to sacrifice the comfortable nest he had made on the sofa, extended his gavel across the length of the kitchen, gently knocking his mug back away from the lip of the counter.

The match continued for some time. Hiromi and Nemo were both competitive.

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Hiromi's flat eventually looked like Nemo the cat had always lived there.

Bits of food which she didn't want in her food bowl, dotted the floor around it, until Hiromi cleared it up at the end of every day.

Nemo's bed, as new, never slept in, held her selection of toys (also unplayed with, sharing the space with one well-scratched black tie and a well-chewed shoelace).

The pillow beside Hiromi's in his bed, had a permanent Nemo-shaped dent in it.

Nemo plaited herself between Hiromi's ankles when her monthly food delivery arrived, as they danced around each other towards the kitchen.

She walked across his keyboard, greeting his delighted colleagues with chirps and meows during his Zoom calls.

"What would I do without you, Nims?" Hiromi asked her daily. She spared him a withering, mysterious glance, forcing his enquiry towards the rhetorical as she licked her paws in feigned disinterest.

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Higuruma Nemo has a Lawyer Daddy. Or, the Lawyer Daddy has her; both are uncertain and unbothered as to whom the ownership falls.

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For @silkspunweb, my little black cat.

[genericpuff]

wait wait wait, regarding that Minthe post, you're telling me that Rachel literally wrote the character as having BPD.....and portrayed her as an abusive mean piece of shit??? WOW. fucking WOW. sorry for being so angry, but even if she "retconned" that - it's still so god damn disrespective. as someone who has BPD it hurts so much to see my mental illness villanised :(

ugh I'm so sorry pal. and I don't blame you for being angry about it, like I don't even have BPD and I'M fucking pissed LOL like I can understand why Rachel might have wanted to backtrack from that knowing fully well that Minthe's story wasn't gonna have a happy ending, but writing her with BPD in the first place and then BACKTRACKING from it as soon as she likely got heat for it (or just realized it wasn't a good look) isn't much better because it means now all she's done is written the stigmatized negative effects of BPD into her character without showing the more positive outlooks of healing and managing. Maybe that was doomed to happen considering Minthe is someone who doesn't get a happy ending in the myths, but it begs the question of why she'd write her with BPD to begin with because in hindsight it really does seem like she just wanted to use it as a way to make her "evil".

But like, when you read the actual episode, you can SEE the potential there for character growth, you can SEE that she's aware of her actions - but doesn't understand why she's "like that" which is a VERY common feeling among people with undiagnosed mental illnesses - but it was never meant to be.

Like jfc not only is it HEAVILY IMPLIED, but again, the episode is literally called "Splitting". And we see exactly that with Minthe, who can't seem to rationalize with herself that she messed up.

But... that leads me to another point that I failed to mention in that first ask response: she DIDN'T mess up. Like, yes, she messed up by escalating it to the point of slapping Hades, but it wasn't her fault that she didn't make it to her date with Hades. Whose fault was it?

Continuously throughout the first season we see Thetis being an awful influence who manipulates and gaslights Minthe. They're "friends", but it's clear Thetis does not have Minthe's best interests in mind. In this very scene we see Thetis manipulate Minthe and even attempt to get her so drunk that she won't be able to show up to her date. And then of course when that plan works and Minthe freaks out, Thetis spins it around on Minthe in a very passive-aggressive way.

But of course, the narrative has to find a way to turn this whole thing on Minthe being the bad guy. Hence we get the slap which shifts the focus entirely away from what led up to it back onto Hades who has, in a lot of ways, put her in a situation that she can't control. And of course, being in those kinds of situations does not help with mental health.

Like, sorry, I'm really going off here now, but... the slap happens in Episode 76.

When is it finally addressed again? Episode 103.

It took Rachel nearly THIRTY EPISODES to finally bring it back to Minthe, and in that time the reader has spent SEVERAL EPISODES reading about how sad and lonely Hades is, and about how cute and lovey he is with Persephone. The reader has not had ANY time to reflect on Minthe's circumstances, because it completely pivots away from her to focus on H x P as a sort of distraction from the fact that Minthe is a victim in her own right.

And when it DOES return to Minthe in 103, we get this harrowing reminder that her entire life is dependent on Hades-

And once again, here comes Thetis to the "rescue", reinforcing the negative feedback loop that Minthe is trapped in where she's put in unhealthy situations. She drags her to a bar and the whole time Minthe is not having fun because she's understandably still reeling from what happened.

Now we DO get some character development here, where Minthe realizes exactly what I've just finished explaining, that Thetis isn't her friend, that she'd rather not have Thetis as a friend than continue being talked down to and manipulated.

But then, as we know, because Rachel still needs Minthe to be the "bad guy", the breakup between Hades and Minthe winds up being all about Persephone from a POV that attempts to villainize Minthe for being "jealous" (rather than focusing on how shitty Hades actually is for having an emotional affair with Persephone to begin with) and then Minthe goes right back to hanging out with Thetis anyways for the sake of having the "evil other girl" who wants to "ruin" H x P's relationship.

It's not until Season 3 that we finally see Minthe tell Thetis to fuck off for good, but by then it's too little too late, and Minthe has lost an entire character arc. Rachel tries to go "see! Minthe's life is so much better now that she's taking care of children!" but that's an entirely different solution to a problem Minthe never had. She never got treatment for her BPD. She just got away from H x P which, while is a good thing, isn't actually analyzed as such. It's treated more as a "good thing" for H x P and the readers, because now they don't have to be subjected to Minthe's evil scheming anymore, something something "the evil is defeated". And don't even get me started on this comic's problem with constantly resolving female characters' story arcs through motherhood.

It bums me out so fucking much. Minthe deserved so much better. She's one of the many characters in LO who make it so painfully ironic when they're done dirty, because despite Rachel's attempts to write a "feminist retelling" that focuses on "moving on from trauma", she's inadvertently done more damage to feminism and the stigmas around mental health and trauma through her assassination of grounded and realistic and relatable characters like Minthe and Demeter who are shown ZERO empathy or understanding for their actions (unless it can be done so by making Persephone and Hades into the heroes). It happens so often throughout the comic it almost feels like how the comic markets itself as a "progressive feminist retelling" is some sick joke that I'm just not getting.