#wow… this all makes sense…..

[try-set-me-on-fire]

its work in progress wednesday thursday, its fuck it friday thursday, its Impatient Thursday (new game I’m making up right now where theres no themed tag game for the day but you’re writing and want to share, please consider yourself tagged if you are also in this situation)

Since the coma, waking up has been an uneasy thing for Buck. There’s always a few moments, a few minutes, where his own bed is unfamiliar and his own walls strange. It’s a lonely, lost little feeling, he thinks, to come aware and not know his place in the world.

Today he wakes up in Eddie’s arms and knows exactly where he is.

Well, not in Eddie’s arms, exactly. They’re not really embracing, or even wrapped up together particularly closely. Eddie is on his stomach, face turned away from Buck. Their arms are pressed together the entire length from shoulder to wrist, and Buck’s busted ankle is hooked over the back of Eddie’s leg. Probably helpful, elevating it is good, he’d meant to put a pillow under it before he fell asleep.

So they’re not holding each other but they’re here, in Eddie’s bed, and Buck doesn’t feel lost for even a second. He turns his hand and the angle is a little awkward but he’s able to thread a few of their fingers together. Eddie’s breath stutters a little but he doesn’t wake up just yet, so Buck takes the time alone to study him like there’s an exam coming up, as if knowing everything about Eddie Diaz is something he needs any practice for.

[shatouto]

両片思い

[lukellios]

What a difference six years makes

[candyje11yfish]

wip💖

[ingoodjesst]

have you put the pieces together yet, detective

[mcchi-ken]

fiddauthor galore featuring: another pmmm crossover, me getting the hang of drawing that wonky man (fiddleford), and a wip

the last one is a very obscure entirely italian reference but if you get it. i will give you a little kiss 😋 little hint: its a music video. you know this song. your dad loves it. there's the word gravity in it thats why i chose it

[stealingpotatoes]

hands you all this cal to announce i’ve FINALLY finished fallen order (by which i mean i finally picked it up again after those couple hours i played a few months ago and then finished the whole game in 2 days lol)

[alltimefail]

Can we take a second to talk about Niko's connection to the Principal?

Because I think we all moved on a little quickly from that!

General disclaimer before we begin: this is just my own theory and my personal interpretations. <3

As a refresher, The Principal is the Night Nurse's "Superior." We see her for the first time at the end of season 1, episode 8. In this theory, I will be analyzing the potential role The Principal plays in DBDA, especially where our beloved Niko Sasaki is concerned.

A connection between The Principal and Niko is undoubtable to me for two reasons: the first reason being that they intentionally focused the camera on The Principal zero-ing in on Niko's case card, and she has a visible emotional reaction to seeing Niko's name.

The second being that, before departing, she quotes what Tragic Mick told Niko before the face-off with Esther which ultimately resulted in her death.

One popular theory I saw floating around in the first few weeks after DBDA released was that The Principal is Niko herself, and while this is a fun concept I can't get behind it because, well, Niko is "alive" at the end of the season. Yuyu has confirmed that she's the one in the igloo with the sprites, and Steve has confirmed that Niko is not dead/off the show as well. While we have no clue where the igloo is for certain, or what state Niko is in, it's safe to say that Niko has not moved on to her afterlife, so she can't be the Night Nurses' superior in the Lost and Found Department.

My theory doesn't reinvent the wheel, but I personally think The Principal could be Niko's mother.

From a non-storyline standpoint, The Principal looks to be a perfectly appropriate age to have a 16 year old daughter. From a casting standpoint, Yuyu and Tamlyn also are a convincing mother/daughter pair. I think their mannerisms (body language and expressions) are even a bit similar:

But most importantly, from a writing and storyline standpoint, Niko's mother is mentioned multiple times throughout the season but we never actually see her or hear from her - not in a phone call, a voicemail, or even in a picture in Niko's meticulously decorated, aesthetic bedroom. This is what leads me to believe that the persistent mention of Niko's mom is an example of Chekhov's gun being fired.

Emphasis here on: "If it's not going to be fired, it shouldn't be hanging there."

From the persistent plotline surrounding...

Niko's grief not just with her father's death but also with her mother who sent her to school across the world literally the day after her father's funeral to "escape the sadness,"

to the pile of letters from her mother that she couldn't bring herself to respond to,

to the response letter she finally writes to her mom but we don't learn the fate of,

to Niko telling Crystal that her mom would always say "A mother's intuition is very strong," (which could be why The Principal reacted to Niko's case card in the way she did...)

to even Jenny mentioning Niko's mom in the finale

... and so on, the writers seem to mention her as often as they can, even up to the very end. This makes Niko's mom a sort of looming figure in the narrative, a thought persistently brought back in a "Hey, remember this?" kind of way to the viewer, and that kind of intentional presence needs to serve a purpose or have some kind of payoff later. After all - if it's not going to be fired, it shouldn't be hanging there... if we aren't going to get some kind of closure regarding Niko's family, especially her mother who is still alive, it shouldn't be brought to the viewer's attention again and again.

Also, The Principal being Niko's mother would make Niko at least half supernatural being (we don't know much about her father, but considering the fact that he's dead we can assume he was likely fully human). Niko being half supernatural-being would explain a few allusive plotlines such as:

Why Angie the fish does not try to tempt Niko into the water.

Why Crystal tells Niko that she should stay behind and not fight Esther because Niko is "Just a human."

Why we don't see Niko's spirit separate from her body at any point, nor do we get Death's blue light.

How the Principal knows Tragic Mick's last words to Niko and why she quotes them to the boys who were not even present at the moment the sentiment was delivered the first time.

Starting with Angie, it's obvious why the boys are not affected by her call: Charles and Edwin are incorporeal spirits, they have no physical body and Angie's call is sent out with the goal of finding food to eat, plain and simple. Niko not hearing Angie's call, considering the fact that she's flesh and bone just like Crystal, is noteworthy to say the least. After all, we can safely assume Angie's call can beckon more than one person at a time because the group is worried about the populated kite festival becoming an all-you-can-eat buffet, essentially. They need to figure out the case and only have 24 hours to do so before area is filled with bodies for Angie to tempt into the water, that's the whole time-constraint conflict that adds pressure to an already delicate situation. The first time Crystal hears the call she is with Charles at the top of the lighthouse with Niko nowhere near Angie, but the second time Crystal hears Angie she and Niko are standing literally right next to each other. Niko then confirms that there's "No voice" coming from the water after they save Crystal, but considering how Niko's grief surrounding the death of her father is such a huge part of her characterization - in the same way Crystal not remembering her parents is critical to hers - it makes no sense that Angie wouldn't try to lure in Niko as well by using the voice of her deceased father.

But let's consider what we learn from the Night Nurse: trans-dimensional beings don't die when they're swallowed by a giant fish, so they do not satiate Angie's desire for food. This is why everyone assumes Kashi is not human because he, like The Night Nurse, is alive inside the stomach of a fish. So if Niko's mother is like The Night Nurse, a trans-dimensional being, that would explain why Angie's call would not effect Niko, because Angie just wants to eat... and ghosts and immortal beings (even if only semi-immortal) do not count as food.

As for Crystal telling Niko to stay behind because she's human: this line felt so... strange to me the first time I watched the series. After thinking about it though, I couldn't help but compare it to Charles' line in the pilot episode right before they enter Esther's house. He tells Crystal that "She still has a life to lose" and they want to "Protect it while they can," and while the sentiment is the same, the dialogue feels vastly more natural and understandable being delivered from the mouth of a ghost - a dead 16 year old boy - to an alive 16 year old girl. On the contrary, Crystal citing Niko being a human when she is also alive and very much a human just as capable of dying as Niko is, feels out of place. There's simply no need for Crystal to clarify that Niko is a human as the audience has already assumed that and been given no reason to believe otherwise. It's a small detail, but the only way for this line to make any sense is if it serves an ulterior motive - perhaps with the intention of getting the audience's gears turning and/or serving as the framework for a future plotline. Again, if Niko is related to The Principal, this would make her half supernatural at least... so, ironically, less human that Crystal is and less likely to face a typical human death...

which also might explain the "Outlook not so good" on the Magic 8-Ball. It's not the worst response you can get, it's not a critical failure or natural 1 in DnD so to speak... but it's also not great. Niko's not alive, but she's likely not as she once was either (but that's an entirely different can of worms).

As far as explaining how The Principal would know what Tragic Mick told Niko, I feel like an infinite trans-dimensional being who works as a higher up in the afterlife's Lost and Found Department would have no issue accessing their own child's file. We know the Lost and Found Department is nothing if not rigid, specific, and detail-oriented, and the files they have include the details of every child's death - it isn't so far-fetched to believe that Niko's file (and all the files, really) would also include insight on what Niko's last day on Earth (interactions and such) were like. Not to mention the fact that The Principal tells the boys she can pretty much do "Whatever she likes..." so she's powerful, she has resources and abilities that might even surpass those of the Night Nurse (who can literally dig around in people's minds and choke people with a snap of her fingers). If she is Niko's mother and she just lost her child and husband in a short amount of time, it would make sense for her to allow Charles and Edwin to keep doing what they do because they are helping people like her daughter, and maybe they could help her daughter again.

Lastly, I can't help but acknowledge how there is some kind of recognition, spark, or tenderness on The Principal's end when she first appears before the boys. I've seen other people say they feel similarly, almost like she seems disappointed or a bit taken aback when they ask who she is. She especially lingers on Edwin for a beat, and we all know how important Edwin was to Niko! Again, this is all just my own theory, but if The Principal is Niko's mother, her sparing the boys of being taken by the Lost and Found Department with the tenderness she does - by using Tragic Mick's words, the ones offered alongside a good luck charm (the last kind act toward Niko before she died) at the boys who loved her daughter and saved her once and could very well save her again - feels tear-jerkingly poetic to me. The Principal seems choked up before she goes, almost as if she's repaying them a favor they didn't know they were owed - the boys saved Niko once, and now that good fortune is coming back around to them.

So what would that all mean for next season? Where might Niko be? Who knows for sure! Perhaps she is imbued with Dandelion Sprite magic, or is currently an "Undead," a zombie, like the kind mentioned in the Night Nurse's book in Episode 6... but whatever she is, I have a feeling the boys and Crystal will find her again.

But all this to say, whether The Principal is Niko's mother, a reincarnation of Niko's father, an estranged aunt or family member we haven't met yet, a complete rando with invested special interest in Niko's case, or shit - even Niko herself somehow - I can confidently say that episode 8 won't be the last time we see The Principal, and that we're meant to draw a connection between her and Niko.

Now we just need a season 2 so we can get some answers @netflix!!!!!

[justanotheryellowsoul]

Oh. Oh.

Siffrin isn't just missing the trap switch or keys because they suck at their assigned job. He doesn't. Or at least- didn't.

They miss them because they only have one eye now. Siffrin has bad depth perception. He can't tell if a space in a drawer or book is a bit bigger than it's supposed to be. They can't tell if something is sitting oddly-

He keeps hitting that one table, because he clearly hasn't adjusted to the new depth perception. It's not their fault.

It was never their fault.

[ruporas]

special operatives (silly interaction beneath read more)

[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]

[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]

[fuckyeah-bears]

y’all never fucking appreciate polar bear sunday and it always pisses me the actual fuck off

[crowskullls]

Thinking about Minute’s insane morals and how he doesn’t have a single genuinely bad bone in his body. He gets confused when he’s betrayed, he begs for explanations when people are cruel. He would rather make amends than hold onto grudges. He forgives and forgets. He teams with the same guy (Wemmbu) that’s betrayed him countless of times, and still trusts him anyways. Even if a bit reluctant at first. Even if he knows he’ll still end up betrayed.

Like this guy has PROBLEMS. He so morally… Good. He can stoop down to other people’s level, he can play dirty, he can be intimidating. He doesn’t really let himself get walked all over. But he’d MUCH rather just hang out and have peace. He gets upset when people are negative because he’s just SO optimistic. He always has to see the Good side of things, even when it’s a horrendous situation.

Even when he has reasons to be angry and upset and spiteful, he still chooses to hold his head high and STICK to his morals. He’s Stubborn. He tries so hard to see Why people are evil and hurtful, but he can’t personally understand. He needs to be the hero. He needs to save others. Because who else is going to do it? Who else has the resources, the strength, the backbone, the reputation? He gives items out to people with no expectation for reimbursement. He’s always saving other server members, even his enemies, from tricky situations.

He tries hard to remain all mysterious and brooding. He tries to seem calm and collected. But he wears his heart on his sleeve. You can hear every emotion in his voice, in the glint in his eyes. The way his smile upturns when he finds something amusing, or how his eyebrows furrow when he’s trying to piece something together. He’s an incredibly emotional guy, and he’s not good at hiding it. He’s notoriously a bad liar. He gives himself away every time he opens his mouth. It’s WHY he’s so genuine, so easy to trust.

It’s easy to get under his skin, but he still holds his ground. Because he has to. Because the world is cruel and brutal, and everyone is out to get him. Killing is second nature on most SMPs, especially on Lifesteal. But he can defend himself. Most other people can’t. He’s paranoid, and watches events from the sidelines (even if it annoys other players.) He always has extra food and fireworks to give out. Despite covering himself in dark colors, and hiding from large groups, he’s still looking out for others. He’s still the beacon of hope people need. He’s so annoyingly optimistic and cheerful that it’s sickening to most. He refuses to let himself become bitter and pessimistic.

Anyways bro thinks he’s Batman.

[madbard]

Dustplates concept where, after deciding to murder the Underground, Sans gives up his name. For reasons he doesn’t quite understand, he’s always loved his name, loved the idea of even having a name, so this is a form of self-punishment for him. He’s chosen to destroy everyone and everything he loves; he doesn’t exactly deserve to be referred to as a person anymore, does he? For a while, he tries to become entirely nameless, but it doesn’t quite work. He’ll think of something and his mind will slip. He’ll refer to himself, or Phantom will call him Sans. His mind won’t let him be completely nameless. So he settles for the next best thing.

A few years later, Nightmare visits Dusttale and recruits 1-S, a silent assassin with an unsettling grin. As names go it’s unusual, especially in a group with people named Killer, Horror and Cross, but the others generally accept it. After all, what’s in a name? He’s a skilled strategist and fighter with a past every bit as horrific as their own. Except.

Except every time they call him 1-S, he flinches. When you call someone’s name they should turn towards the sound; he recoils instead, vanishing into the shadows of his hood. In battle, everyone quickly learns not to use that name because when he hears it, he seems for a moment to forget how to fight, before pressing forward with the type of fear and anger that disintegrates strategy into chaos. As much as Nightmare feeds on the needles of negative energy summoned whenever 1-S hears his name, he is frustrated by this barrier that begins to form, the way that saying his newest recruit’s name abruptly halts communication, tearing at any sense of camaraderie. This can’t go on.

The first time Killer calls him Dusty, it’s an insult and a barbed joke. Looking for trouble, Killer makes a comment about 1-S’ scarf still being covered in his brother’s dust. 1-S launches himself at the other skeleton and the two have to be separated before they seriously harm each other. But even as Horror pulls 1-S off him, Killer sees the furious gleam in his eyes. So much better than the dull fear that rests there when he’s referred to as 1-S. So much more exciting.

Killer continues to call him Dusty. For the longest time, 1-S responds to this name with nothing but rage, but he doesn’t flinch. In day to day life, he looks up and glares at the speaker. In battle, it makes him grit his teeth at the most. So as time goes on, the others slowly begin to call him that as well. Not Dusty, no - that’s too infantile, too disrespectful. But Dust… that name works.

That name suits him well.

[milkweedman]

It is interesting how much math comes into even the most basic of like. Making things. Making almost anything. And often not numbers necessarily but proportions and geometry. I think all the time about how castles were built with geometry at the heart of it. And I use the same kind of proportional math to make socks fit. And none of my pieces are ever knit with a prime number of stitches--because you use factors to make neat colorwork and ribbing and different stitches. Idk ! I remember constantly thinking 'how the hell is THIS gonna come in useful ?' But it always does. Math is at the heart of everything, and knowing how to apply it is a tool of critical importance to Thinking Up A Shape And Making It.

[violent138]

One of my accepted HCs about Dick Grayson that sort of feeds into a bunch of my other accepted HCs of his is that he smokes:

Picked it up near the end of his Robin tenure because it's an appetite suppresant during patrol

His ADHD makes him crave the nicotine

Being a firefighter makes him want to smoke but also perpetually drives him to quit so he can preserve his lung function.

When he's stressed he smokes a lot more and slaps on too many patches.

Donna tried to get him to quit and dealt with him more than a few times during the process.

Jason will smoke a cigarette with Dick when they randomly meet up.

Damian tosses out many of Dick’s cigarettes while Bruce makes pointed (well meaning) comments about dependency and forwards him studies about the risks of smoking.

[garfield-milk]

strong alpha master katara and her little beta twink boyfreind the avatar