#writing tips series

[callme-l]

I saw a lot of people happy with the 4 pearls, I decided to give a tip to non-readers

[theplotmage]

Principles and Laws of Magic for Fantasy Writers

Fundamental Laws

1. Law of Conservation of Magic- Magic cannot be created or destroyed, only transformed.

3. Law of Equivalent Exchange- To gain something, an equal value must be given.

5. Law of Magical Exhaustion- Using magic drains the user’s energy or life force.

Interaction and Interference

4. Law of Magical Interference- Magic can interfere with other magical effects.

6. Law of Magical Contamination- Magic can have unintended side effects.

8. Law of Magical Inertia- Magical effects continue until stopped by an equal or greater force.

Resonance and Conditions

7. Law of Magical Resonance- Magic resonates with certain materials, places, or times.

9. Law of Magical Secrecy- Magic must be kept secret from the non-magical world.

11. Law of Magical Hierarchy- Different types of magic have different levels of power and difficulty.

Balance and Consequences

10. Law of Magical Balance- Every positive magical effect has a negative consequence.

12. Law of Magical Limitation- Magic has limits and cannot solve every problem.

14. Law of Magical Rebound- Misused magic can backfire on the user.

Special Conditions

13. Law of Magical Conduits- Certain objects or beings can channel magic more effectively.

15. Law of Magical Cycles- Magic may be stronger or weaker depending on cycles (e.g., lunar phases).

17. Law of Magical Awareness- Some beings are more attuned to magic and can sense its presence.

Ethical and Moral Laws

16. Law of Magical Ethics- Magic should be used responsibly and ethically.

18. Law of Magical Consent- Magic should not be used on others without their consent.

20. Law of Magical Oaths- Magical promises or oaths are binding and have severe consequences if broken.

Advanced and Rare Laws

19. Law of Magical Evolution- Magic can evolve and change over time.

20. Law of Magical Singularities- Unique, one-of-a-kind magical phenomena exist and are unpredictable.

Unique and Imaginative Magical Laws

- Law of Temporal Magic- Magic can manipulate time, but with severe consequences. Altering the past can create paradoxes, and using time magic ages the caster rapidly.

- Law of Emotional Resonance- Magic is amplified or diminished by the caster’s emotions. Strong emotions like love or anger can make spells more powerful but harder to control.

- Law of Elemental Harmony- Magic is tied to natural elements (fire, water, earth, air). Using one element excessively can disrupt the balance and cause natural disasters.

- Law of Dream Magic- Magic can be accessed through dreams. Dreamwalkers can enter others’ dreams, but they risk getting trapped in the dream world.

- Law of Ancestral Magic- Magic is inherited through bloodlines. The strength and type of magic depend on the caster’s ancestry, and ancient family feuds can influence magical abilities.

- Law of Symbiotic Magic- Magic requires a symbiotic relationship with magical creatures. The caster and creature share power, but harming one affects the other.

- Law of Forgotten Magic- Ancient spells and rituals are lost to time. Discovering and using forgotten magic can yield great power but also unknown dangers.

- Law of Magical Echoes- Spells leave behind echoes that can be sensed or traced. Powerful spells create stronger echoes that linger longer.

- Law of Arcane Geometry- Magic follows geometric patterns. Spells must be cast within specific shapes or alignments to work correctly.

- Law of Celestial Magic- Magic is influenced by celestial bodies. Spells are stronger during certain astronomical events like eclipses or planetary alignments.

- Law of Sentient Magic- Magic has a will of its own. It can choose to aid or hinder the caster based on its own mysterious motives.

- Law of Shadow Magic- Magic can manipulate shadows and darkness. Shadowcasters can travel through shadows but are vulnerable to light.

- Law of Sympathetic Magic- Magic works through connections. A spell cast on a representation of a person (like a doll or portrait) affects the actual person.

- Law of Magical Artifacts- Certain objects hold immense magical power. These artifacts can only be used by those deemed worthy or who possess specific traits.

- Law of Arcane Paradoxes- Some spells create paradoxes that defy logic. These paradoxes can have unpredictable and often dangerous outcomes.

- Law of Elemental Fusion- Combining different elemental magics creates new, hybrid spells with unique properties and effects.

- Law of Ethereal Magic- Magic can interact with the spirit world. Ethereal mages can communicate with spirits, but prolonged contact can blur the line between life and death.

- Law of Arcane Symbiosis- Magic can bond with technology, creating magical machines or enchanted devices with extraordinary capabilities.

- Law of Dimensional Magic- Magic can open portals to other dimensions. Dimensional travelers can explore alternate realities but risk getting lost or encountering hostile beings.

- Law of Arcane Sacrifice- Powerful spells require a sacrifice, such as a cherished memory, a personal item, or even a part of the caster’s soul.

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✨ Hello, I'm Kali, The Plot Mage! ✨

I’m here to ignite your creativity and help you craft your next bestseller! Today is your lucky day, writer! 🪄 Whether you're battling writer's block or building an epic fantasy world, I've got just the tool you need to make your writing journey enjoyable and organized.

Introducing the all-in-one writer’s toolkit designed by a fellow fantasy writer. 🌟 This comprehensive resource includes:

- An in-depth worldbuilding worksheet (covering religion, lore, factions, currency, economics, and more)

- Character development worksheet

- Series roadmap

- Outlining and guided plot planning section

- Relationship dynamic worksheet

- Idea dump and a repository of helpful writing resources

- Task planner (from brainstorming to publishing and book marketing)

- Plus, free editable wanted posters and fantasy illustrations because you're special ❤️

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Happy writing, and let’s bring your fantasy world to life! 🌈📚

[thewriteadviceforwriters]

How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[narcissarina]

𝔊𝔬𝔩𝔡𝔢𝔫 ℭ𝔞𝔤𝔢, 𝔅𝔩𝔲𝔢 𝔅𝔬𝔫𝔡𝔰

જ⁀➴Previous chapter

Pairings: bodyguard!Leon × college billionaire!reader

Word count: 2,260

Tw: This chapter is just all smut🧍‍♂️ (hardcore, daddy kink, safe word but never used, call while fucking, crying, dom!leon, crying reader, pulling out method, creampie on the stomach—not inside, cry about it/j. imagine writing 2.2k words with only smut lmfao)

Summary: After the training, Leon made his moves and manhandles you in bed while in a call with your father. Be sure not to make any noises. 🧍‍♂️

𝚅.

You squirm to his touch, his weight on you as you whine for him to get off. “Leon…” his name left from your pretty little lips, “I’m here…” he spoke softly, his breath tickling against your skin. He place soft kisses from your neck, nibbling then biting hard.

You jolt, like the electricity went through your body. Soft choked moans got out, he growls—sucking your skin, his hands travel down to the curve of your waist, holding your hips down and drawing circle. He sharply inhales and switch to the right side of your neck, placing gentle kisses then to your jaw.

Arousal pool in your underwear, you try to squeeze your legs together but it’s his hips that’s been keeping them apart. His cock screaming from the confinement of his pants, his shirt and jeans felt a little too tight as he use one hand to unbutton two more of his polo and remove the belt from his jeans.

You could feel him as hard as a metal, you grind against his hardness to get some friction. “Please…” you choke, “hm, please what?” he teases, leaning back and pulling your legs to him, “come on, your daddy taught you words, no? Use them, baby.” He coos, leaning down again as his hands found its way to the hem of your sweater and lifts it slowly, finding consent if you wanted this. He easily took it off, you’re wearing lace blue bra, it matches the color of his eyes.

He chuckle at the color and grab your right left tits, “cute.” He mutter, you mewl and support yourself up by your elbow but quickly got pushed down by Leon. “Stay down, princess.” He warns.

He massage and circle around to your perked up nipple, “you like this?” he asked, his tone low and seducing as you desperately nod in response, he grins as he remove the strap and toss the fabric of your chests confinement somewhere in the room as he leans and kisses it first then suck on it.

You jolt and arch your back, softly moaning as you lift your hand and caress the back of his hair. He grins against your chest and gently nibble on your sensitive nipple, making you gasp and choke on your moan, “you still haven’t answer my question, sweetheart.” He hums against your chest, he looks up to see your lewd and pleasing expression.

You nodded but too embarrassed to say the exact words, “come on, baby. Use your fucking words.” He said and gave your ass a slap, then squeezing it. You yelp, “y-yes!” you stammer, he hums as he retreat his mouth from your chest—bruise and red.

He made his way, kissing down from your chest, stomach to your abdomen and your clothed cunt. He brought down your pants that’s been restricting your poor numb, he saw glints of your underwear.

You look down to see what is he eyeing and you feel more arouse when he’s admiring your soaked cunt, “Leon… Stop staring.” He chuckle at your remark, he hums and wrap his finger around the waistband and pulled it down, “hope you don’t mind.” You feel a cold air hit your naked cunt, your legs closing as Leon held it and keep them open.

“Don’t close,” he said, burying his face to your cunt without warning, you groan and let out a pornographic moan as he started to lick your sensitive bud and finger your hole. “oh, god, Leon!” you scream, his nose breathing against your clit, shaking his head lightly so he could give it some friction. Letting your arousal pool down as he tongue fuck and finger fuck you, he could feel you pulse around his tongue.

You grind against his face, chasing your high as you feel a warm and hot feeling from your abdomen—his strong hands keeping your legs apart as much as you want to close it as you come undone, he pulls his face and kept his fingers inside you—working his magic.

You spoke nonsense, a mix of curses and please, “you like that, hm? Naughty princess.” He chuckle and plunge his fingers knuckle deep inside, “fuck!” you curse as you grab a hold of his wrist, trying to push it away but you couldn’t. His hold is too strong and you felt too weak and aroused to even fight it.

“You close, sweetheart?” he asked, you nodded, desperately wanting to come to his fingers coated with your white stickiness. “Such a fucking good girl, you wouldn’t want your father to think that you’re such a whore hm? Panting on my fingers, fucking your bodyguard…” he teased, you feel so hot and bothered, tears starts flowing and coming down your cheeks.

Even if it’s just his fingers, it felt too much and how much you desperately want to finish on his fingers—the sound it makes is so loud as you finally felt near, “yes!” you yelp, but felt the sudden emptiness when Leon pulled his fingers out. “Fuck!” you choke and whined.

You sob at the lost of your release as you watch Leon unzip his pants, pulled it down just to his hip and release the built up frustration of his dick, painfully throbbing as if it was showing its gratitude to be freed from it’s tight confinement.

Your guess was fucking right, he is well-endowed. Fuck, you don’t think it’ll fit.

Leon pumps himself, his head back and softly moaning—gripping to his cock tightly and his hand moving with urgency, he place the tip to your slit. Teasing as he move his hips up and down, bumping to your clit—making you shudder and mewl. He fist his cock again, slap his dick and prepare to force it in, but you quickly grab a hold of his wrist. Swallowing your saliva and your breathing became heavy, you could almost hear your heart pounding.

“Scared?” he asked, you nodded, “I don’t think it’ll fi—” you shudder and screamed when Leon got his tip in and plunged deep into your cunt. Tears flow and drag down to your cheeks, your legs trembling and your insides pulsing and gripping to his cock.

“Sorry, didn’t quite catch that.” He tease, you spout random gibberish words—trying to take his cock in. Your cunt adjusting to his size, like it’s molding to his shape. “Fuck, so tight. Tight as a fucking virgin.” He hiss, “this your first time?” he raised a brow which you obviously nodded quickly in response.

“don’t worry, sweetheart. I’ll make sure you got the best cock of your life.” He remarks and slowly retreat, leaving his tip only inside. Then plunging it right in, you hiss with pain and pleasure as his tip is fucking kissing your cervix.

“Fuck, Leon!”

“That’s right, baby. Scream my name, you don’t know how long I wanted to do this so I could fuck the bratness out of you from a few days ago.” He grunts, snapping his hips against yours—knowing completely that it’s your first time and he’s being rough, “I forgot,” grin is spreading from his lips, “what’s your safe word, baby? Tell me…” he asked, you just moaned—too full of his cock hammering your insides.

You asked yourself where the fuck did he get a third leg, “r-r-r…!” you stammer your words, his dick obviously hitting you so good, “speak up!” he plunges deep, making you scream. Grabbing both of your legs and placing them of his shoulders—his hands pulling your wrist, he manhandles you like your pussy is some fleshlight.

Your eyes widens, back arch and toe curling—your gummy walls gripping to his length as you made out a word, “red!” you finally said, Leon hums and pulls to thrust back in gently. “Wasn’t so bad, hm?” he coos, he leans with your legs over his shoulder—your position in a mating press which got you choke and moan loudly, making his length reach deep inside you that you never knew.

“T-Too much…” you sob, “I know, but you can take it.” He encourage—his lips kissing your jaw, softly letting a groan slip from his lips as he thrust inside you, you think he’s giving you a breather after getting fucked like there’s no tomorrow. You close your eyes and mewl at each of his thrust.

His hips angle to certain direction to make you have a reaction, you feel that familiar release again. But he’s moving too slow that it pains you.

“L-Leon…”

“What’s that, sweetheart?”

“M-Move… please.” He grins to your words, “good girl.” He pulls, his hands at the back of your thigh. Your knees reach at each side of your cheeks as Leon starts to snap his hips against you, his balls hitting your anal hole and he’s deep inside. Making you mewl and cry, choking on your moans and sobbing to the pleasure he’s giving you.

“Been such a good girl for me…” he praises, “don’t be a brat again, hm?” he leans and kisses your lashes, you nod, “oh, god yes… Oh, daddy.” Your words made Leon stop, you just pant with sweat rolling down your forehead and how you whine at the sudden stop, “daddy?” he repeat.

“I never knew you’re into that, but I’ll play along.” He chuckles and flop down one of your leg while the other is still almost reaching your ear, “scream for daddy, doll.” He said and resume his brutal pace.

“you”—thrust— “hear”—thrust— “ that?”—thrust—

He asked while thrusting hard each and every word, you feel so sore and a white ring starts to draw from Leon’s length. You cry at the overstimulation that you’re starting to feel, “come on, baby. Come on my fucking dick.” He grit between his teeth, he feel your walls clamp into him tight, he let out a shudder and a soft curse, “oh, fuck…”

You came undone, but Leon is nowhere but finish.

Vrooo—

The sound of Leon’s phone vibrating, a call incoming. Leon took his phone and look at the number, you thought he’ll drop the call but he didn’t. He picked it up and put it beside his ear and resume drilling his length inside of you, making you gasp and choke back a moan. Refraining one word to come out from your lips.

The voice from the other side of the line was familiar since Leon put it on speaker, your heart drop when you learn that the voice is from your father.

“Yes, sir.” Leon hisses, groaning. “It’s nothing, I just bruised myself.” He made up an excuse, but he really is just drilling another hole inside your hole. You covered your mouth with both of your hands, muffling moans every hard thrust Leon makes.

“Your daughter?” Leon turn to you, “yeah, she’s with me.” He grins, you shake your head and begged him to not make you say something to your father, “oh, no. She’s sounds asleep, can’t wake her up or else she’ll kick me out.” He joke with your father, his pace slowing down as his free hand capture two of your wrist. Pulling you close and fucking you to oblivion with nothing to cover your mouth with.

You bit your lower lip, threw your head back and hope for the best that you wouldn’t moan a single thing—just tiny little grunts and sobs, Leon could hear it but it wasn’t loud enough to hear.

Leon put himself to mute and lean down to capture your lips, pulling you in a fiercely kiss. Desperation and lust as he devours your lips whole, you could hear your father venting.

“B-But what about…” Leon hushes you before you could continue, “don’t worry, I made sure to put myself in mute.” He assured and got back to making you come your orgasm the second time, you heard what your father is saying.

“She’s my only child, you know? I am so glad that she’s warming up to you, Leon.”

You moaned loudly when Leon flip you over and plunge deep.

“I know I did something that I shouldn’t have done that made her resent me, I know. I’m a bad husband, but I’m trying to be a better father.”

Your eyes rolling up, too much pleasure that Leon is giving you—you sob and whine at him to slow down and be gentle but he didn’t, he was addicted to what sound your cunt is making when getting fucked by his dick.

“I’m trying to be better… for her.”

There was a long pause, Leon listen to his words but very much focus on pushing you to your limit. “fuck, baby. Daddy’s near.” He hiss, he buried himself to the crook of your neck, making small but fast thrust, making your legs give out and numb. Your tears dry and your voice hoarse from all the screaming.

“Thank you for listening to me talk, Leon. Please, look after my little girl.”

The call ended.

Leon pulled out from your puffy red cunt and fist himself and release himself to your stomach, both covered in sweat and panting for air.

Your eyelids were heavy and you become sleepy, your whole body trembling from the pleasure and your hole clenching to over nothing—but you sure did heard what your father just confessed in a call.

“Sleep well, princess. I’ll take care of you.” Leon assured and kissed your temple.

You close your eyes and nod at Leon’s words, but you do know one thing before diving into your slumber.

That your father is a bad husband, but tries to be a good father.

Next Chapter>>>

[isalisewrites]

A Deep Dive into JKR's Terrible, Amateur Writing - Reflective Interlude

Hello and welcome to my ballsy series where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.

And when I say ‘poor writer,’ I’m talking about her prose, her sentence structure, and her scenes in the Harry Potter series. I am not going to discuss anything about the HP world nor the overall plot of the books. 

This is all about the nitty gritty in the craft of writing itself.

Part One Link.

Part Two Link.

However…

Hiya! *waves* I’m Isa, the author of this… Actually, I dunno what to call this series anymore. Anyway, thus far, you’ve heard a very satirical tone from me in the previous two posts, but that’s not my normal tone. I’m a rather laid back kind of gal with a side of sarcasm and deluge of emoji usage.

I have used quite a confident, even bombastically obnoxious tone in the effort to be entertaining and engaging with these posts. It was meant to be playful and sarcastic. It’s the internet, so I’m aware everyone’s attention is… kind of like a commodity, unfortunately. Look at TikTok or YouTube. How long does a 30s video hold your attention before you’re scrolling to the next? It depends for me, I’ll admit. People don’t have the attention span for long style posts such as these and that’s fair. Sometimes, I don’t either.

Thus, I used repeated ‘catch phases’ to maintain a rhythm and a thematic style through the series with a controversial title meant to hook a reader. I repeat the opening, even in this post. I repeat ‘Class is in session’ to show the beginning of the major section of the post.

However, in this interlude, I’ve toned it all down because I wanted to give you a window into my heart, my purpose, and my intent in this series. It is a reflective post that ends with writing motivation to you, my dear reader, as well as links to writerly resources. 

I’ve had a lot to think about this week and I realized that many writers (and other creatives) have to battle against an enemy found within themselves. This enemy often torments many with cruel, destructive thoughts; they burrow their way into so many writers’ minds. It whispers: “Can you really do this? Are you really sure you’re any good? Aren’t you just fooling yourself? They’re going to find out you’re just a fraud. So… why bother?”

Whose voice is that?

Let’s talk about the destroyer of creation, Imposter Syndrome, why I refuse to let the bastard infect me anymore, and why my confident tone in previous posts has grated nerves.

Remember: take what resonates and leave what doesn’t.

(This means I write my posts with the honest acceptance and expectation that not everything will fit with your style, your vibes, or your personality. That’s okay.)

All right, let’s buckle up, my dear writing friends. Grab a snack. Hydrate. Let’s begin. And yes…

Class is in session on this little Tumblr post… should you wish to attend.

Having confidence or pride in one’s work seems to be taboo. Any brief moment in time where I tried to be proud about my writing or say, Hey, I’m a good writer, I was always told to be humble. “Don’t be prideful. Be humble.” It would often chip away at my self esteem. I could be a good writer, but I couldn’t allow myself to feel like a good writer.

But no more.

I have only given myself permission to be confident about my writing within the past month. This is why I started this series in the first place. I wanted to share knowledge and in an entertaining way. I make a bold claim that I’m a better writer than JKR; I analyze her writing to both improve my own understanding and to help others as well.

However, this does not mean I’ve ever been under the delusion I’m perfect. Absolutely not. God, that’s so fucking laughable! I am not perfect. I am not a perfect writer. I definitely don’t know everything. Someone once corrected me, informing me that snakes are venomous, not poisonous. Bless them, wasn’t aware of that. Immediately fixed that. One of the recent reblogs said geodes do not contain emeralds. God bless, I didn’t know that, though in the case of how it was used in TBG, I won’t be changing it since it’s within a character thought.

Sorry, Tom. I guess you need to take a geology class, too.

Ugh, and I have so many godforsaken typos. My soul withers when I catch a typo after I’ve posted a chapter. I miss things all the time. I repeat things because ‘that’s my thing’ and I don’t always catch them in my edits. I forget things all the time. Thank GOD for Dede, someone who loved TBG so much she spent countless hours archiving data from it, where she caught a number of inconsistencies and alerted me to them. I still haven’t been able to fix them yet, but I’m so grateful to her. I’ve noted them all down. Harry’s height often is incorrectly implied to be taller than it should be because my brain isn’t wired for imagery. My brain forgets TBG Harry is a short king at 5’4” while TBG Tom is 6’2” and I need to go back to fix all of those. 

I am not a perfect writer and I don’t claim to be.

My goals with this series are to study/learn for myself, teach/share knowledge with others, and learn some more from this experience. I love this kind of analysis. But there’s difference between my analysis of JKR’s writing and a number of those who have retaliated with an analysis of my writing. 

Instead of looking at my imperfections with the desire to learn from them, they were illuminated in the attempt to ‘take me down a notch.’ To those who put in the effort to make counterpoints, I do thank you for your contribution to this series. It is appreciated, even when given impolitely and with the intent to ‘put me in my place.’

Despite all of my errors and imperfections, I still stand by my statement: I am a better writer than J.K. Rowling.

Do you know who else is a better writer than her? I could list thousands of them. They’re fanfiction writers. They’re indie authors. They’re other traditional published authors. They are so many other writers that, yes, I do think are stronger writers than JKR. 

And you’re a better writer, too, so long as you wish it.

I sincerely want you to believe that.

Why? Because it’s clear within the Harry Potter series that JKR did not make attempts to grow as a writer. She just wrote. Perhaps she was under deadlines, but the lack of editing is pretty apparent to me. When you write a lot, you will inevitably get more skilled over time, but you have to actively be seeking improvement to see drastic change in your own skill. It is this lack of drive that I see within her work. She’s not making attempts to push the boundaries of her abilities and skills with each new book.

I’m not at the end of my journey of learning. I never will be. I love expanding my skills. I’m even learning during the process of writing these posts, too. I’m seeing more weaknesses in my own work and I’m now thinking on ways to strengthen my writing even further.

That’s the point of this series.

In the end, it’s not really about me. No, really, it’s not about me. I truly think it’s about the jealousy of seeing another writer be confident in their work. You see, I’m not supposed to be confident; I’m not supposed to act like I can help and teach others to write. How dare I. Posting anything about my work is an act of attention seeking. I’m supposed to be ‘humble.’ I’m supposed to be silent. I’m supposed to wave a shy, dismissive hand at compliments.

Why?

Why is being proud of one’s work and loving one’s own work such a controversial idea?

Imposter Syndrome often cripples creators. There’s already so much self doubt and anxiety in the world, but Imposter Syndrome can really wreck with a creator’s mind. It’s a poison. It stops you from creating what you love most. When you believe you aren’t good enough, then it becomes harder to try. Your belief becomes truth to you, whether or not it was true in reality in the first place. Perhaps, you sink into depression. You become anxious about sharing anything, for fear anyone might say even the slightest negative comment. The heart becomes fragile and brittle, and the muscle which builds skill atrophies over time. You see your work through a lens of self hate. You can only see flaws.

“I will never be good enough.”

When you’re in this state of mind, it’s hard to see the truth about your work.

But let me promise you something: your writing is far more beautiful than you realize.

In spirit, all creative writing is perfect to me with all of its typos and mistakes (yes, even all of the Harry Potter books!), but no single work is objectively perfect. There will always be room to improve your creation because you’re constantly growing. It’s why so many aspiring novelists fall into an endless cycle of editing their first few chapters. The more they write, the more they improve; thus, when they go back to their earlier chapters, they get stuck trying to update those chapters instead of pushing forward to the finish line.

Your work is valuable, no matter what. It’s beautiful. You’re allowed to love your work. You’re allowed to see the good in it and you’re allowed to have confidence in yourself. You’re allowed to say to yourself and to others, I’m a damn good writer.

You deserve to have love, for yourself and for your art.

I have often sincerely complimented other writers and, many times, after they respond with their thanks, it becomes clear to me they’re not confident in their work, yet they have still bravely shared it with us.

I’m so proud of them. Thank you for your bravery.

My heart breaks for them, too. They’re such good writers—such damn good writers. And I wish they knew and believed this.

I will always do everything in my power to encourage others.

How do you feel about your writing? Do you like your writing? You should. You really should because it is good. You created it, after all. There will always be space to grow and refine your craft, of course, but you are a good writer now. You’re going to be a better writer tomorrow and the next day, so long as you desire this growth in yourself. There’s no destination, though. There’s no magic level you have to reach before you’re allowed to have some confidence in yourself and your abilities. The only trap to avoid is remaining stagnant. Writing is a skill. Writing is a craft. This means it gets better through study and practice.

You can achieve that.

I know it’s hard, though. There are so many naysayers in life. There are so many people waiting to attack and bring others down, both on the internet and in our own families. How many precious fanfics have been lost because a writer received horrible, hateful comments? How many writers have disappeared from the internet because of this cruelty? We have lost many in all fandoms. That is unacceptable to me.

Uplift others. Spread love, not hate.

You’re allowed to be proud about your work, imperfect as it may be. Please, I beg you, don’t let the negative voices of others—including your own!—drag you down and steal the joy of creating. I know it’s so very, very hard to stand strong against such voices. Words have power, but you have more. Resist the naysayers.

What you have to offer the world is precious. Please lift your head and acknowledge that what you create is good. It’s great. It’s amazing. It’s fucking fantastic. You’re not an imposter nor a fraud. No one can offer what you can to the world. No one can write the stories you have in your head the way you can. Your style is unique to you. You’re allowed to love it as it is now and you’re allowed to love it whatever form it takes in the future.

Imposter Syndrome is a thief; toss it into jail and throw away the key.

My writing is not perfect and it never will be, but I’m a better writer today than I was ten years ago. I’m a seeker of my own growth. I’m often reading books on writing and watching YouTube videos on writing. I absorb it all because writing is my truest love and passion. My style has evolved from reading endless amount of novels and fanfics. I devour both. 

But I wasted a decade thinking I didn’t have what it takes.

And life is short. I can’t waste anymore time.

Don’t be like past Isa, please.

There’s a difference in refinement between an episodic fanfic posted over the course of years and a traditional novel published in whole, but I still stand by my work. I recognize my style will not be enjoyed by all those who read it. It’s okay if you don’t like my style. I’m eternally grateful for the many readers who do love my writing. I’m humbled and honored by the sheer volume of people who have commented, bookmarked, and have left kudos on my work. Thank you.

My style has evolved into what it is today due to a combination of two things.

I have ADHD. It’s why my style uses smaller paragraphs as a whole.

I have aphantasia. I lack a mind that can visualize pictures. I literally cannot see anything in my mind. When people say, “I can picture it in my mind,” that’s not me. I cannot at all. When there’s a lack of description in prose, it feels blank and empty to me. This is why I use vivid descriptions in the way I do because otherwise I feel nothing from my work.

It’s okay if this style doesn’t work for you. I love my style because it caters to what I need. I also love other styles that don’t use as much description; however, I can’t always follow what’s happening because of the wiring of my brain. I can get lost sometimes, but I still appreciate their style because I can’t effectively do what they can.

If you find no value in my style and what I offer in this series here, then that’s okay. I’m not offended. This series is for those who benefit from it. For you, there are so many other writers out there from whom you can learn and I’m more than happy to send you in the direction that benefits you the most.

Here’s a list of YouTubers you might find interesting.

ShaelinWrites has been working on many unpublished projects through the years and has lots of great discussion videos on writing.

Abbie Emmons is a self published author with solid writing advice in all of her videos. 

Alexa Donne is a traditionally published author with great insider information into the traditional publishing world. 

Ellen Brock is a professional editor. She knows her stuff.

I hesitantly suggest Jenna Moreci and her content on YouTube because I think she has some major weaknesses in her writing. Many others have seen this about her books. However, she is a successful indie author and her YouTube content has a lot of value.

Brandon Sanderson has an entire college course in a playlist on his channel. It’s a fabulous free resource if you vibe with his style of writing. Highly recommend. 

Here’s a list of writing books I recommend.

Elements of Fiction Writing, a five book series. My TOP recommendation is Elements of Fiction Writing - Beginnings, Middles & Ends.

Sin and Syntax: How to Craft Wicked Good Prose

Let the Crazy Child Write!: Finding Your Creative Writing Voice

Novelist's Essential Guide to Crafting Scenes

All right then.

Thank you for sticking around. I hope you accept this post in the good faith it was given and was always given in the previous posts. Next post, I’ll be returning to my playful satirical tone. Hehe~!

Please do the world the greatest of favors and write. Create. Share your fanfiction. Become best selling authors, traditional or indie. I promise you’re far more capable and skilled than you realize.

Until next time.

Isa

[zepskies]

Hey Zepskies! I'm a small writer but I'm starting on my ficlet about an oc x ben (soldier boy). I've read so much of your work and just think you are a very talented writer. Do you have any tips on writing ben? it can be vague and I know you're busy so I don't expect a response. :)

Hey there!

First off, welcome and thank you for reading my stories (and for that lovely compliment). 💕

As for your question, writing Soldier Boy (Ben) can be very tricky. It took me a while to fully figure out how to write the character, and I will say, it's a challenge every time I do dive back into this (loveable) asshole.

😂 That said, here are 3 main tips I have for writing his character:

1. Comparable archetypes:

When I started trying to do a character analysis of this guy, I started with who he would've likely looked up to and tried to emulate: Frank Sinatra, Humphrey Bogart, Cary Grant, John Wayne, Indiana Jones, John Winchester, and even Dean Winchester to an extent -- the strong, stoic, man of action archetype.

AKA: The Big Swinging Dick™️ in the Room.

These men are leaders, a "man's man," show no pain, weakness, or vulnerability. (So shove those "soft" emotions down your gullet as much as humanly possible. Real men don't cry, amirite? 🙄)

But the fun thing I find about guys like this is, even though they have a hard shell, being able to pierce the armor somehow and get to the creamy center of their heart can be a very rewarding story indeed.

2. The balance of SB's personality:

Based on what we got in season 3 of The Boys, I find that Soldier Boy's personality is a delicate balance of a few key things:

Arrogant Narcissist: He's a massive ego, selfish with a conflated sense of his own importance. Especially before his capture, he's reached the pinnacle of fame. He's bought into his own hype and the backstory Vought created for him, and he assumes that everyone in his life loves him for it.

As Jensen said of his character in Supes Ain't Always Heroes (check out my review of the book here if you like):

“He’s so fragile and his ego is fragile. Just like Homelander. These bigger-than-life powerful heroes really have a glass jaw… “And everyone walks on eggshells around him [Soldier Boy], and they tell him that they love him, and it’s the same with Homelander. Then when all of a sudden he faces his old team and Crimson Countess says we never loved you, we hated you—that’s a gut punch for him. Because even though on some level he may have known that, he never thought he would hear it. “And he probably propped himself up around trying to believe otherwise, because how can you walk around knowing everyone you’ve ever cared about hates you? It’s too painful.” (191)

Womanizing Misogynist: That entire scene with SB and Grace in Nicaragua tells you all you need to know about how Soldier Boy talks, treats, and views women. 🙄 Again, he's a narcissist, so he assumes women are going to be into him because he's the world's biggest superhero, because he's handsome, because he's that guy.

The problem is, he is devastatingly handsome and impressive as a superhero. And my headcanon is he can be very charming when he wants to be. Again, using his skills as an actor and channelling that old-world debonair charm to get what he wants. (i.e. Cary Grant, etc.)

Violent and Indifferent to Collateral Damage: This is a key one, because this is part of what makes him different from Homelander. SB is not a psychopath. He doesn't necessarily enjoy hurting people. He just doesn't care about the collateral damage.

He also can't tolerate a perceived slight to his masculinity or status, like when Black Noir tried to rise up in the ranks and come into his own as a movie star. Soldier Boy, in his selfishness, saw that as Noir trying to come for his crown, in a sense, which is why he ultimately showed his mean streak through violence.

When he gets back to the U.S. after escaping Russia, he's on a warpath of vengeance against his team who sold him out, and anyone who gets in his way.

"If they have it coming," he tells Hughie.

3. Soldier Boy is both less and more than what he represents: (AKA: His insecurities)

As we know, Soldier Boy didn't really storm Normandy or fight the Nazis. He falls short of every definition of a hero. However, he's also not just a caricature of toxic masculinity.

Ben has deep-seated insecurities that he buries under all the bravado and the Soldier Boy persona. He was also emotionally abused by his father, who set exacting standards for what it meant to be a man.

It drives Ben to try and prove his worth to his father, though he’s never able to. It fosters the lack of self-worth he feels as he seeks validation through fame and what he believes power to be.

He won’t be one to easily admit he’s wrong, or need help, or express emotions he deems are “soft.” He doesn’t want to look weak or demean himself, let alone be genuinely vulnerable.

He uses coping mechanisms like drugs to mask and dull his PTSD, but even in his heyday, I think he drugs and parties hard just to pass the time, and to mask how actually empty he is inside. He has no real love in his life, and no family. It's why he admits to Hughie that he wanted kids. Deep down, he wants a family to fill that void that fame, booze, drugs, and meaningless sex can't fill in his life.

So with all of that flawed, internal mess that is Soldier Boy, the biggest challenge I find as a romance writer is trying to keep all of these aspects of his character, while trying to show the glimmers of the humanity in Ben -- the chink in his armor showing just enough softness to the one person who's brave enough to "try" with him.

That said, I hope all of this helps! 💚

[yandere-wishes]

Yandere superstar got me drooling. Just picturing him forcing darling in a director’s chair with a ridiculous feather boa

OMG, that was actually a plot point I was thinking of pursuing!! I wanted the yandere to ultimately decide that the reader should be the drictor and give her free range of the story, as another way of proving his devotion. Unltimatly I decided it gave off too much Neuvillaet x Furina vibes (my FAV ship BTW) and felt people might not like it.

But can you imagine the yandere prepping you to become the best director? Making you read and research all the greatest directors of the world and incorporate their artistic souls into yourself?? How he'd want you to micromanage each scene so you understand that sometimes he has no choice but to kiss his co-stars and flirt with them. Either to get into character or because the movie demands it!! I'm just imagining darling dressed to the 9s in glittery clothing and an over-the-top neon purple feather bae and one of those old hats with a feather in it XD

Have I ever told you guys my DREAM is to become a director or the lead writer for a movie? Like if I could write/direct something for Marvel, Star Wars/Transformers my life would be complete!!

[pharawee]

Oh wow. Spirit Reborn (the original teaser has since been deleted) aka Khemjira Must Survive completely changed production companies and has been revived as Khemjira the Series by Mandee starring Namping Napatsakorn as Khemjira and Keng Harit as Parun.

I've just recently read the novel it's based on and it's an incredibly detailed horror novel steeped in Isan and (Thai) Buddhist folklore with very little BL stuff happening until the bonus chapters - presumably because it's not right for someone like Parun (a very respected practitioner of Buddhist "white magic") to consider or even get distracted by thoughts of that nature.

The original production received a lot of criticism for not sticking to the novel but I guess Mandee gets the Domundi bonus. Then again, Domundi isn't exactly known for... not being spicy. And here they can't even leave the spiciness to the side couple because they're Parun's students and have to adhere to the precepts too. Unless they rewrite the whole story - which would be a pity because it's so very clearly Buddhist and I really liked that about it.

[fallstaticexit]

Hello hello hello! I have a question. You've posted the first half of The Art of Being Seen in a quick succession, and I've noticed that these are /long/ scenes that you're working with with A+ editing. I was wondering, were many of these scenes already completed before you posted them onto tumblr? 🤔If so, how did you manage to hold back from previewing them? I feel my biggest problem as a story teller is that I rush to get the content out due to my excitement.

Hey hey hey ✨ I have to lock myself into a cage and toss the key across the room 😭😭😭

No seriously, the short answer is yes! I’ll have the next two to three parts already completed by the time I post the first. At least for this story.

I think I’ve done a good job since I started storytelling with not spoiling my own story or rushing through it (even though I really really want to all the time) bc I know the pay off will be better appreciated in the long run. I also want to quickly get content out which is why I work on my stories all the time.

The best way for me to work on my story is that I never really shoot scenes in order. I always take care of the big ones first or the main focus of the update first and I’ll fill in the smaller parts later on. I’m also always a day or two head of when I post vs working on them in real time. So let’s say I’ll post part one on Monday morning , Monday night im already working on part three or four because I started working on part one last Thursday and part two last Sunday. That makes sense? 😭

I also do very little editing which allows me to post quickly! It’s mostly gshade pulling the heavy lifting. I use alot of in game objects to help with scenes that maybe someone would edit in photoshop. Here’s a sneak peek of such a scene where I used these lights bc I don’t have the skills atm to create in PS.

I also owe my heart and soul to builders who create breathtaking lots, because if I had to make even a third of the builds I used I’d post once a year. I’m an awful builder, so downloading the lots I need cuts time between post down soooo much.

TL DR: a firm talk with myself to behave and be patient and have a fairly decent posting schedule that’s ahead of when I actually release them into the wild. 😭🥹

[icaruswithwingsofwater]

Enjoy this frazzled meme I made today while procrastinating 😵‍💫😅

Whether you’re writing drunk or high, remember to edit sober, my friends ✌🏻😌✨

[theplotmage]

50 Fantasy Prompts: Cultures and Societies. Writers Save this!

1. Luminae

- A society that worships light and revolves around bioluminescent creatures.

- Gesture: Raising both hands to the sky and opening palms to signify receiving light.

- View: Light is considered the purest form of energy and the ultimate source of life.

2. Mistral Nomads

- Wind travelers who harness the power of the breeze for navigation and communication.

- Gesture: Whispering into a small vial and releasing it into the wind, symbolizing sending a message.

- View: The wind carries the voices of ancestors and guides the living.

3. Veilwalkers

- Inhabitants of the mist who can see and manipulate spirits.

- Gesture: Drawing a veil across the face to communicate with spirits.

- View: The world of the living and the dead are separated by a thin veil that can be crossed.

4. Starforged

- People born under specific constellations with unique abilities tied to their birth star.

- Gesture: Touching a constellation tattoo to activate its power.

- View: Stars are the eyes of the gods, watching over and guiding them.

5. Shadecloaks

- Masters of shadow magic, living in perpetual twilight.

- Gesture: Merging fingers into the shadows, symbolizing blending into the darkness.

- View: Shadows are protective, hiding them from danger and giving them strength.

6. Seraphians

- Winged beings who consider themselves guardians of the skies.

- Gesture: Unfurling wings in a greeting, showing trust and openness.

- View: The skies are sacred, and flight is a divine gift.

7. Pyrosages

- Fire-wielders who live in harmony with volcanic landscapes.

- Gesture: Holding a flame in one hand while placing the other hand over the heart, symbolizing passion and life.

- View: Fire is a cleansing force, both destructive and renewing.

8. Aquafolk

- Ocean dwellers with the ability to breathe underwater and communicate with marine life.

- Gesture: Creating ripples in water with a fingertip to convey emotions.

- View: Water is a mirror of the soul, reflecting true feelings and intentions.

9. Silvan Elves

- Forest guardians who blend seamlessly with their environment.

- Gesture: Touching foreheads with a leaf, symbolizing unity with nature.

- View: All life is interconnected through the roots of the great tree.

10. Necrochanters

- A culture deeply connected to the afterlife, able to communicate with and summon spirits.

- Gesture: Drawing a circle with ashes to summon spirits.

- View: Death is not the end but a transformation to another state of being.

11. Stonekin

- Rock-like beings who can manipulate earth and stone.

- Gesture: Pressing a hand to the ground to communicate with the earth.

- View: The earth holds ancient wisdom and the memories of their ancestors.

12. Aetherians

- Masters of air magic, capable of floating and flying at will.

- Gesture: Raising arms and fingers to mimic the flow of air currents.

- View: The air is filled with invisible threads that connect all living beings.

13. Chronomancers

- Time-benders who can manipulate past, present, and future.

- Gesture: Tapping a timepiece rhythmically to alter time flow.

- View: Time is fluid and can be molded to fit the needs of the moment.

14. Dreamforgers

- People who can enter and manipulate dreams.

- Gesture: Weaving fingers in intricate patterns while in a trance.

- View: Dreams are a bridge between realities, holding power and prophecy.

15. Sunseekers

- Pilgrims who follow the path of the sun, gaining strength from its light.

- Gesture: Holding a hand above the heart to swear oaths under the sun’s gaze.

- View: The sun’s light is a witness to all promises, giving them sacred weight.

16. Frostborn

- Ice-dwellers with control over cold and frost.

- Gesture: Exhaling a cold breath to signify agreement or truth.

- View: Ice preserves and protects, holding the essence of life.

17. Songhearts

- A musical culture that uses songs and sound for magic.

- Gesture: Placing a hand over the throat and singing a single note to show sincerity.

- View: Music is the language of the heart and the most honest form of communication.

18. Runecarvers

- Inscribers of powerful runes that grant various abilities.

- Gesture: Tracing runes in the air or on surfaces to cast spells.

- View: Runes are the written words of the gods, containing immense power.

19. Stormcallers

- Masters of weather, able to summon and control storms.

- Gesture: Raising a staff to the sky to summon storms.

- View: Storms are the breath of the gods, bringing both fury and renewal.

20. Plainsriders

- Nomadic horsemen known for their speed and agility.

- Gesture: Drawing a circle in the dirt with a foot to mark territory or signal peace.

- View: The open plains are a vast, sacred expanse that must be respected.

21. Mycologians

- Mushroom-like beings who can communicate through spores.

- Gesture: Spreading spores by tapping a mushroom cap to communicate.

- View: Fungi are the bridge between life and decay, recycling energy.

22. Glimmerfolk

- Glittering, gem-encrusted people who can harness the power of precious stones.

- Gesture: Touching gemstones to channel their energy.

- View: Crystals are vessels of ancient power and knowledge.

23. Thornclad

- A warrior culture clad in thorny armor, known for their fierce combat skills.

- Gesture: Clasping hands with thorned gloves to signify a bond or agreement.

- View: Pain and resilience are intertwined, symbolizing strength.

24. Celestials

- Star-born beings with a deep connection to the cosmos.

- Gesture: Drawing constellations in the air with glowing fingers.

- View: The night sky is a map of destiny, guiding their every action.

25. Inkshapers

- People who can bring drawings and tattoos to life.

- Gesture: Drawing a symbol on their skin to activate a spell.

- View: Ink and art are extensions of the soul, capable of bringing thoughts to life.

26. Mirageweavers

- Desert dwellers who can create illusions and mirages.

- Gesture: Waving hands to create illusions and mirages.

- View: Reality is fluid and can be shaped by perception and will.

27. Echoers

- A culture that communicates and fights using echoes and soundwaves.

- Gesture: Clapping or snapping fingers to create soundwaves for communication.

- View: Sound is a powerful force that can shape the world around them.

28. Ironveins

- Metal manipulators who can shape and control metal at will.

- Gesture: Clenching fists to channel metal manipulation.

- View: Metal is a living force, constantly evolving and reacting.

29. Wyrmkin

- Dragon-like people with scales and the ability to breathe fire.

- Gesture: Exhaling a plume of smoke or fire to show respect or power.

- View: Dragons are the ultimate beings, embodying wisdom and might.

30. Duskborn

- Night-dwellers who gain strength from the moon.

- Gesture: Holding a candle to their chest, symbolizing the light within the darkness.

- View: Darkness is not to be feared, but embraced as a part of the natural cycle.

31. Crystalhearts

- A society with crystalline bodies that can refract light and energy.

- Gesture: Touching their heart crystal to show honesty and purity.

- View: Crystals are the heart of their being, reflecting their true selves.

32. Skyforgers

- Builders of floating cities and airships.

- Gesture: Hammering an invisible anvil to craft objects from thin air.

- View: The sky is a forge, and they are its smiths, creating wonders from the air.

33. Leafkin

- Plant-based beings who can photosynthesize and communicate with flora.

- Gesture: Placing a leaf in the palm to connect with nature.

- View: Leaves and trees are the lifeblood of the earth, nourishing all.

34. Sandshapers

- Desert people who can control and shape sand.

- Gesture: Drawing patterns in the sand to communicate or cast spells.

- View: Sand is a canvas for their magic, constantly shifting and changing.

35. Moonshadow Elves

- Elves who live in the shadows of the moon, skilled in stealth and night magic.

- Gesture: Casting moonlight on their face to invoke lunar power.

- View: The moon is a guide and protector, influencing their magic and lives.

36. Bloodrunes

- Warriors who use their own blood to inscribe powerful runes.

- Gesture: Pricking a finger to draw blood and create runes.

- View: Blood is the essence of life, and through it, they gain power.

37. Dreambinders

- People who can link their dreams to reality.

- Gesture: Twining fingers together to weave dreams into reality.

- View: Dreams are powerful forces that can shape and change the world.

38. Thunderclans

- Tribes who worship and control thunder and lightning.

- Gesture: Stamping feet or clapping hands to summon thunder.

- View: Thunder is the voice of the gods, a call to action and power.

39. Feywilders

- Inhabitants of the fey realm with unpredictable and chaotic magic.

- Gesture: Dancing in a circle to invoke fey magic.

- View: The fey are mischievous yet powerful, their magic a blend of chaos and beauty.

40. Mirrorborn

- People who can step through and manipulate mirrors.

- Gesture: Touching mirrors to travel or communicate.

- View: Mirrors are portals to other realities, reflecting infinite possibilities.

41. Wispwalkers

- Ethereal beings who guide lost souls.

- Gesture: Holding a wisp of light to guide lost souls.

- View: Wisps are guides and protectors, leading them through darkness.

42. Frostweavers

- Ice artisans who create intricate and magical ice sculptures.

- Gesture: Weaving ice crystals into intricate patterns.

- View: Ice is a delicate and beautiful force, capable of great power.

43. Starwardens

- Celestial knights who protect the realms from cosmic threats.

- Gesture: Drawing star maps in the air to invoke celestial power.

- View: The stars are guardians, watching over and protecting them.

44. Emberkin

- Fire-dwellers with control over embers and ash.

- Gesture: Snapping fingers to produce sparks and embers.

- View: Embers hold the remnants of fire’s spirit, representing both the end and beginning of the flame.

45. Oceanborne

- Sea nomads who can control the tides and waves.

- Gesture: Drawing water symbols in the air to summon sea spirits.

- View: The sea is a vast, living entity, a source of mystery and power.

46. Windwhisperer

- Communicators with the wind, able to send messages across great distances.

- View: The sky is a living entity, responsive to the voices of those who respect it.

- Gesture: Moving gracefully to mimic the flow of the wind.

47. Etherseekers

- Gesture: Holding out their hands to draw ether into themselves.

- View: The ether is a vast reservoir of magic, accessible to those who seek it.

48. Twilight Guardians:

- Gesture: Holding a lantern to light the way through twilight.

- View: Twilight is a sacred time, a bridge between day and night.

49. Windwalkers

- Gesture: Moving gracefully to mimic the flow of the wind.

- View: The wind is a messenger of the gods, carrying whispers of destiny and change.

50. Eclipsewatchers

-Gesture: Covering one eye while the other remains open to signify balance

- View: Eclipses represent the merging of light and dark, a time of balance and reflection.

---

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[insipid-drivel]

Horses: Since There Seems To Be An Even Wider Knowledge Gap Than I Anticipated

...And actually find it really exciting that I have a reason to expand and address some comments and questions from my first post!

This is a sequel/addition to my original post, "Horses: Since There Seems To be A Knowledge Gap". I want to address more horse-related knowledge gaps, common misinformation and mistakes made by well-meaning and very skilled creators that wouldn't know otherwise unless they worked with horses directly. You should not have to work hands-on with horses to learn some of this stuff, but the fact remains that horse facts and riding knowledge is often underdiscussed and usually only shared by other people that work with/around horses. A lot of this information should be within easier reach for writers and artists, too!

Before I begin, I'd like to thank all of you that politely reached out in the comments, tags, and my DMs/asks with your thoughtful additions to details I forgot/left out/hadn't even considered, and your brave questions posed to me personally that I was more than happy to answer. I'm truly thankful to all of you who contributed with a positive energy, or that had the courage to reach out to me - the OP - with questions my first post didn't manage to help you with. I will never punish, shame, or otherwise mistreat anyone who comes to me with an earnest question or correction in good faith, anonymous or not. If you're polite to me, I will be polite to you. I will try my hardest to answer questions I may not have much experience with, but I will still do my best to research the answers so you don't have to, and tag/cite/refer you to people, books, or other knowledge sources that have more answers and experience than I do if I can't.

So, what more is there to know about writing and portraying horses? I'll just get started off the top of my head with some of the most frequent additions other tumblr horse folk have been hollerin' at me about, and with good reason, because you guys were right to point out what you did and really got me thinking!

-Spurs: My Second Take. In my original post, I voiced my personal distaste for the use of spurs in riding. Spurs, for those who don't know, were traditionally made as sharp metal pinwheels that attached to the back of riding boots for enhanced communication between the rider and the horse, much like how riding crops are used. I, personally, have had a lot of bad experiences seeing riders misuse spurs to hurt horses that I cared for as a stable hand and genuinely loved, and so I've been very shut down about the topic of spurs for many years.

Several people spoke up in defense of spurs as riding and communication tools, and I honestly believe that you guys were very on-point and made some great arguments: Spurs are only as harmful to horses as the intent the rider has in applying them, and I didn't have enough updated information about the different types of spurs that can be used nowadays that are not designed to be sharp or uncomfortable for the horse! I always grew up around traditional Cowboy-style spurs, which are sharp, stabby, star-shaped wheels, and can wound a horse and draw blood if used too aggressively. Tragically, most inexperienced and newer riders will use spurs too forcefully and wind up hurting the horse, and it's largely because new riders are inherently scared of riding, and over-rely on tools like spurs and crops rather than trust the horse to know what it's doing and be intelligent enough to know how to care for a human rider's safety.

Now, I've since learned that there are spurs with rubber wheels, blunted tips like those on the ends of safety-fencing foils, round metal bumpers instead of spurs at all, and even spurs that sport rotating metal balls that just feel (to the horse) like someone rolling a large ball-point pen over their sides, and more! So, to those of you that spoke up in tags and comments, thank you for doing so in a way that got me to open my own mind and check myself and my bad memories. You guys taught me something really cool and valuable that genuinely changed my perspective and opinions, and that's a really good thing!

-A Group Of Zombies/Unarmed Humans Can Take Down A Healthy Adult Horse. This is specifically aimed at The Walking Dead, but... yeah, you know the second episode when Rick rides a horse into the zombie-overrun Atlanta and the only way he's able to survive is when the zombies are distracted taking down and eating his obviously-jello-and-rubber horse?

Yeah, no. That is not how it would happen. At all. I think any biologists in the audience would back me up on that.

See, horses are prey animals, and they are herbivores. We're often used to thinking of herbivorous prey animals as shy, retiring, vulnerable animals that will simply keel over and die of fright when cornered by a predator. In reality, the opposite is often the case! Predatory animals tend to be much more shy, and much more cautious with their physical safety and wellbeing than prey animals tend to be, and that's usually because predators need to be able to remain uninjured and able-bodied enough to hunt again later, or else they and their babies may starve to death. Prey animals, especially herbivores, have evolved to deal with being hunted, and inherently don't need to be quite as healthy and able-bodied as a predator in order to avoid starving in the wild. Grass and leaves don't run away or try to fight back (unless it's like, poison oak or something), so an herbivore can generally recover from more environmental beatings than a predator typically can.

When cornered, horses very often only understand one thing: Murder. That's why you need horse whisperers and stable hands that know how to "gentle" a panicked horse as essential personnel at boarding and teaching ranches. While a horse can absolutely love and adore even the smallest of children and never harm them (at least intentionally - accidents happen), they can and absolutely will kill in order to defend themselves if running isn't an option. Horses can kick with up to 2,000lbs/907kg of force with their back legs. That's enough to break bones, shatter skulls, insta-kill grown men, and if you're kicked in the chest? Cause spontaneous cardiac arrest. Horses kick so hard and so fast they can literally make your heart stop from the speed and force of the impact alone: not from tissue damage. Horses will also paw and stomp with their front hooves until the Threatening Thing is effectively a mincemeat pancake, bite hard enough to take off fingers and hands, and can even cat-jump into the air off all four hooves in order to kick outward with all four legs at once. Spanish cavalry officers traditionally trained their horses to cat-jump on command in order to prevent them and their horse from being surrounded by footsoldiers in battle.

Horses will also use their body weight to roll, crush, scrape, and flatten anything or anyone that they don't want holding onto them. They will use environmental objects like trees, fences, or the corners of buildings to scrape unwanted hangers-on off into bloody smears (my mom's horse actually did this to a guy twice and he wound up in the ER with severe lacerations, bruises, splinters, and worse). Basically: a horse will use its entire body and the weight that comes with it as well as the entire world around it to fucking OBLITERATE anything they see as an unavoidable threat to their safety.

Without heavy-duty ropes, weapons, or tools, a group of adult, living, human men the size of football (the fake kind) linebackers wouldn't be able to successfully wrestle a fully-grown, panicked horse to the ground, much less a bunch of undead, mostly-decomposing zombies that only know how to bite and scratch. The horse Rick is riding on looks like it's probably a Quarterhorse, too. Quarterhorses are very sturdy, moderately-sized breeds that are also the iconic Cowboy Horse. They're tough, they're brave, they're hearty, and if they snap, they can and will kill both other animals and humans.

A horse's skin is so thick and tough that it's virtually impossible for a human to successfully bite or scratch hard enough to puncture through their outer dermal layers. As stable hands, a regular tool we use for getting mud out of a horse's hair is a literal metal wire brush that can rip open our skin if we try to use them, but the horses lean into them without even a hint of damage to their skin from doing so. There may be some tiny welts and a little bit of blood if a human tries to claw and bite at a horse, but horses do far worse to each other when they're just playing! Our fingernails and jaw muscles just aren't strong enough to do much damage to a healthy horse's skin.

-Horses aren't domestic animals.

...Yes they are. But just like other domestic animals, there can be wild populations of them that have had little or no human contact or intervention. Genetically speaking, however, horses are indeed domesticated. They're large domestic animals , but they are very much domesticated. Humans have been working alongside horses for at least 6,000 years. Domestic cats have only been domesticated for about 10,000 years. Truly wild horses in herds today, sadly, are pretty much 100% descended from domesticated horses. The recently-reintroduced-to-the-wild Przewalski's Horse is probably the closest genetic link to the original wild horses native to what are now modern Mongolia and Kazakhstan. Even the revered American Mustang is the product of domestication and planned breeding practices by both white colonists and Indigenous Americans over thousands of years, but Indigenous Americans were capable of maintaining a healthy balance between their personal horses and the essential need for herds of wild horses for the environment, too. White colonists did not understand this and intentionally stripped the North American frontier of its herds of wild horses, and are the primary reason the Mustang is only recently reappearing in wild herds in North America.

Sheep are domestic animals. Cows are domestic animals. Goats are domestic animals. Just because an animal has hooves and doesn't usually live in your house with you does not mean it isn't domesticated: You've just never had to live in an environment where they're essential to daily life or considered welcome companions, so they seem more like wild animals than cats and dogs. Hundreds of years ago, before modern building techniques created houses that could stay sustainably warm year-round, it was very normal for families to bring in cattle as large as horses and cows into their homes and sleep in the same rooms together for security and warmth, dookie and all (horse and cow poop doesn't smell as rank as dog or cat poo; they're herbivores, so it just doesn't smell as foul, and happens to make very good fuel for the fire). We don't do that anymore for health and safety reasons, and so horses, among other farmyard and "rural" domestic animals have become increasingly alienated from most people's psyches as being animals just as capable of being pets as your dog or cat.

-You can calculate how long a horse can run or work every day. This one is largely in response to some well-meaning questions I got from anons that seemed to want me to give them precise hourly work rates and mileage horses can tolerate. I was frustrated by questions like this, because it's a really cool subject to discuss, but not an easy question to answer. Horses are not machines, and "horsepower" is a unit of measurement derived from horses - not applied to them. "Horsepower" is a term used in machinery like tractors and cars. The total horsepower of your average horse is... well, 1, because that's how many horses a single horse can be without getting into some Welcome To Night Vale shit, which I'd love to do, but is a bit too far off topic for this particular post.

A horse's capacity to work or travel is heavily determined by outside factors, as well as organic factors in regards to the individual horse. How old is the horse? How heavy is it? How heavy is the rider? Is it also carrying cargo, like armor and camping supplies? Is it working on a farm and pulling a plow? If so, what quality is the soil? Has it been plowed before? Does the farmer own more than one horse? Is it hot outside? Is the horse going up and downhill? Is it fly season? Is the ground rocky? Are there burrowing animals in the area? Is there clay in the soil? Did it rain recently? How well-kept are the roads? Are there roads to use? What time of year is it- Aaaaaaah!

Ultimately, the answer is: A horse can work as long as it's willing to, and as long as its owner/handler judges is safe for the horse. A horse may be able to pull an old-fashioned plow through well-tilled soil for most of a cool morning before needing a break to cool down, eat, and rehydrate. It takes the judgment of the person commanding the horse when to call for a break or a full-stop to working for that horse by observing how tired it is (is it panting? Sweating? Slowing down? Are there any signs of strain in the hooves or legs?) or if it's in any way injured or in pain. The same applies with traveling long distances: It's up to the rider's judgment and how forgiving the environment is on the horse's body. In some cases, a riding horse may not be able to be ridden safely if the road is too treacherous or uneven for the horse to handle balancing its own weight and the rider's. In those cases, it's better for the rider to get off the horse and gently lead them through the bad terrain until it smooths out.

Also... horses can just... choose to quit. Some are quite sassy or very clear about their boundaries, and if they don't feel motivated or get too bored, they won't cooperate at all. The only way to deal with this is by letting them go do their own thing in the paddock until they decide they wanna cooperate again. Abusive people my try to whip or spur a horse into working past its limits, but humane people just let the guys take a break.

-Two adult people can ride on the same horse for a long time. GOD NO. PLEASE GOD NO. DO NOT DO THIS. PLEASE DO NOT EVER, EVER DO THIS.

Horses can only safely carry a maximum of about 30% of their total body weight on their backs without risking severe spinal damage, if not a broken spine altogether. A Thoroughbred - the iconic racing horse - typically maxes out at about 1,000lbs total in weight as an adult. Thoroughbreds are fairly tall compared to other fast, hot-blooded horses, like Arabians. That means that, at best, a perfectly healthy, not-too-old, not-too-young Thoroughbred horse would not be able to carry a total weight of more than about 450lbs, including the weight of its saddle and other tack, supplies carried by the rider, armor or other gear worn by the rider, and the impacts of gravity and the shocks of the rider's weight on the horse's back when it's moving at any speed. In the vast majority of cases, two adults cannot safely ride on the same horse for more than a very short distance before the horse enters the danger-zone for suffering severe and permanent spinal damage that can result in euthanasia. An adult carrying a baby or toddler is different, but two adults? Please don't. Please. Even if you're getting married and the owner of the super-huge pretty draft horse you're renting to take a gallant shared ride with your spouse with for pictures that reassures you it's fine, do not do it. Please just rent a carriage or pay extra for two horses. Please.

-A paddock with grass is all a horse needs to meet its nutritional needs. If that were true, horses would still be kept as pets more commonly around the world than they actually are. Unfortunately, to really thrive in the wild, horses need hundreds, if not thousands, of hectares of territory they can freely travel around in, while most paddocks are rarely larger than 10-20 acres when you're not talking about generational wealth or land. One of the reasons domestically-raised horses are almost entirely dependent on humans for food is due to the restricted spaces they're kept in. Grass only produces nutrition when the soil itself is fertile, and we humans don't necessarily have the natural ability to sense when soil is too nutrient-deprived for the plant life growing from it to be enough to provide just one horse with the vitamins and minerals they need on a daily basis to be healthy.

Another fact largely lost to history is that, back when most families had to farm to survive, farmers would store green leaves from various healthy and tasty trees and bushes in the boughs of other trees within their cattle paddocks and fields. By doing this, it kept large amounts of pests like rats from infesting the leaves, and keeping the cut branches and leaves stored within other leafy trees actually kept the greens fresher much longer than if they were stored on the ground or in a storage room. Horses would then graze from the leaves in the trees above their heads as well as the grass.

Stable hands and private owners keep rigorous dietary routines tailored to the needs of each individual horse. We're usually up and feeding the horses by dawn at the latest. The horses are usually given a few scoops of oats (not too much, because oats bloat up when they absorb liquid, and too much of that can give a horse colic), carrots and other vegetables for extra vitamins, salt licks (which are infused with extra minerals like a giant multivitamin), and even vitamin tablets/powder that goes straight into their dinner hay or alfalfa. Vets are essential for evaluating a horse's specific nutritional needs, so horses can actually get "prescriptions" for specific ingredients in their regular meals given to us from licensed large animal veterinarians, and not just a wealthy owner's best guess.

-Horses can throw up. Nope! It's not even physically possible for a horse to spit up food! That's part of why stable hands and owners have to be so careful in maintaining a regular, stable, healthy diet for their horses and keep their pastures and paddocks checked for toxic substances like poisonous plants that a horse may not know is toxic, or notice in the grass it's munching on.

Because they have such long necks and tall legs, horses need special muscles in their upper GI tracts in order to graze and drink water without constantly choking and fighting gravity. By having an esophagus that's one-way-only, as well as a muscle that clamps their stomachs shut at the top called a French Tie, horses hold down anything they swallow, even if it's enough to kill them.

-Horses are the best farm animals for a pre-industrial setting. Goodness no! Not at all! In fact, horses didn't start really replacing oxen on farms until the dawn of Draft Horses in the Victorian Era in the West. While many Eastern countries still retain the use of oxen for farming, Western European farmers fell prey to what we all dread: Peer pressure.

When Draft Horses started to appear in the scene in formal horse fancier associations, they were readily advertised as being excellent replacements for oxen (neutered male cows; so, a bull that has no balls). Oxen can be very stubborn, yet affectionate animals, and newer farmers often struggle more with handling oxen compared to horses. The Victorian Era saw a small boom in private farms, and so there became an increasing demand for "easy" farm cattle for newbie farmers to employ.

The other factor that played into horses replacing oxen in Western farming was clout. Horses are more expensive than oxen and generally seen as more prestigious to own. So, farmers often wound up "upgrading" from oxen to horses when their financial means allowed them to. The problem was that, in order to do the same amount of farm work with horses, you need more horses to replace exhausted or injured horses throughout each working day compared to how many more oxen you need to swap out throughout a day of heavy labor. But, nonetheless, horses took over for being "more trainable" and "more intelligent" than oxen (admittedly, oxen can be trickier to work with, but that does NOT mean that horses do a better job at hard field labor), and the Western oxen training industry has almost completely gone extinct.

Really, oxen do a lot better at extremely heavy jobs like tilling and plowing soil for growing crops and hauling large, heavy weights. Because oxen have cloven (two) hooves, they're a lot better at gripping the terrain and avoiding injury to their feet when they're working hard at awkward angles or on rough terrain. Oxen also pack on a lot more muscle and fat around their entire bodies, and so they have fewer vulnerable zones that can become irreparably damaged from exerting a lot of muscle power. Horses, only having a single hoof, can be rendered completely incapable of working or even running just from fracturing a hoof or stepping on a sharp object, like a nail.

-Any leg injury means instant euthanasia. No! No, no, no! There are lots of ways to treat a variety of injuries and illnesses that present in a horse's leg or foot. Especially nowadays, thanks to advances in all forms of prosthetics and 3D printing, horses are euthanized less and less for increasingly severe leg injuries courtesy of prosthetics and mobility aids! Some advances have been made so far that a horse that loses the lower portion of its leg can live a healthy life with a prosthetic!

Don't believe me?

Even in history, there have been treatments for leg and foot ailments for horses used before any talk of euthanasia is brought up. Remember: horses are often beloved service animals to people, today and a thousand years ago! Would you jump straight to euthanizing not only your best friend, but your primary mode of transport, as well as your extraordinarily-expensive ESA?

It's only in cases of severe breaks in a leg bone that injury-related euthanasia is discussed for a horse. Smaller fractures and hoof damage can actually be treated and healed, especially with modern veterinary science, and some fractures can be so successfully treated that a horse can return to riding and competing after recovering!

-Bits are cruel.

Look. There's one person that raked me over the coals in the replies for being ignorant in espousing bits as essential parts of a horse's bridle. I know who you are, and honestly, I feel the compassion you have for the animals... but you're still sipping a little much from PETA's kool-aid and did not convince me over to your side.

Yes, there are bridles that do not require bits to control a horse's head and communicate with it. Yes, there are riders that prefer them, and there are horses that can only be ridden with them due to bad experiences with bit-training or past dental problems. No, it's not cool to tut your fucking finger at me and call me ignorant when I assert that it's a very normal, standard part of tacking up and riding a horse, and the worst a bit can do is pinch the corner of a horse's lip or tongue if you are a jerk with your rein-etiquette. There are bits, just like I observed with spurs, that are specifically designed not to hurt or cause any distress to the horse, so if the person that dumped on me in the last post reads this one: Calm the fuck down and go take yourself on a walk along with your horse. Have an apple. You've clearly been in your stall too long.

As I was saying: Yes, there are different kinds of bits that are specifically designed not to harm a horse. Sometimes horses with smaller mouths or wrinklier lips (it's a thing) can have a hard time with specific bits due many of them sporting hinges where they wrap around out of the horse's mouth and connect to the bridle. This can be easily addressed by switching to a different kind of bit that's less harsh and more flexible for the sake of a horse's comfort, or getting rid of a bit altogether and swapping to bitless bridles. Ironically, I've met horses that actually stim with their bridles; they play with the bits with their tongues when they're excited before an event, kinda like they're grinding their teeth.

And yes, some horses can still have bad sensory issues with bits, and can need bitless bridles, and that's okay! The important thing about bridles in general is that they're the primary way a rider can communicate with the horse's head and show them where they want to go. As with riding, horses tend to go in the direction their heads are facing; they don't usually walk while looking sideways, but rather stand still to look sideways before turning back to the direction they want to go in to walk or run. A lot of riders are taught the phrase, "Head like a princess, hips like a whore," as a reminder to keep their hips loose and moving with the horse, but their heads focusing on where they want the horse to go, rather than looking at the scenery. Most riders, even those that are very experienced, can get distracted and accidentally put a little too much pressure on the horse's bridle and side in the direction of where they're looking, and that causes the horse to go off course, too.

-Horseshoes are incredibly painful and must be replaced only when absolutely necessary. Not at all! A horse's hoof is basically like a gigantic fingernail. While the inner core of the hoof, which is typically concave with a V shape in the middle and needs cleaning by stable hands on a regular basis to keep gunk, debris, and dangerous stuff like nails out of their feet is vulnerable to pain and injury, the rest of the hoof is literally a giant fingernail! A ferrier specializes at grooming a horse's hooves and trimming them so they don't overgrow (which can happen if they spend a lot of time on soft surfaces like grass), and many ferriers also specialize at setting and replacing horseshoes. A horseshoe specifically sits around the outer edge of a horse's hoof - specifically where a hoof is least sensitive and most likely to split or become damaged while riding and lead to infection and pain later - where the horse has no nerve endings. The nails that go into the horseshoe to hold it in place are actually very short and narrow at the tips, and only go into the solid nail a couple of inches into that same nerveless outer edge. The shortest horseshoe nails I've seen used are only 1.5 inches, or 4cm, and the largest around 2 inches, or 5cm and the worst a horse feels when a shoe is being set or replaced is a dull thudding from the tapping of the small hammer used to set the nails. A horse can literally go right back to business after their shoes are fitted, although a ferrier may recommend having them spend some quiet time in their stall for a couple of hours to really make sure the shoes are set properly and the horse is comfortable if something like a trip caused the original shoe to come off (the technical term is "casting a shoe").

My evening meds are kicking in, so I'll stop this very, very long sequel here.

As before, feel free to send me asks with more questions. I'm sure there are even more things I'm too sleepy to remember right now, and this post is running incredibly long.

[xysidhequeen]

No idea who needs to hear this. Because I've been writing, professionaly as my job for over a year and this only just clicked for me.

Dialogue does not have to be followed with 'X Said/Told/Yelled etc etc.' You can just move on to an action. IE: "Can't believe you did that!" X dropped to the floor, narrowly avoiding a sword that flew through the air where her throat had been seconds before.

I know for many writers this isn't some grand revelation but maybe it'll cause an epiphany for someone else.

[rjalker]

A thing I keep noticing in stories about slavery that have been written by white people is that it can never just be "regular" oppression and slavery.

It always has to have some magical or scifi-tech componant to it that makes it work.

The Jaffa in Stargate are only enslaved because they're dependant upon the Goa'uld larva. As though it's impossible to oppress people without literally making them chemically dependant upon you.

Constructs (aka, anthroids) in The Murderbot Diaries are only enslaved because they have brain chips that will fry them if they disobey an order. As though it's impossible to force people to do things they don't want to unless you can literally kill them instantly if they don't.

These kinds of authors don't seem to fundamentally grasp that slavery is a real thing that happens in real life. Without any impossible outside help that only exists in fantasy or scifi. Real people are enslaved and they don't need to have killer brain chips in their heads to do it. They don't need to be surgically altered to rely on their slavers for their health.

It's the same with people who only write abusive relationships if there's some literal actual magical thing keeping the victim from leaving. As though real abusive tactics just don't exist.

It's just really fucking aggravating. I know I've seen tons more examples of this but I can't remember what they were from.

It's like these people just refuse to accept that real oppression exists without the aid of magical brain chips or parasitic aliens. You don't need to be able to literally fry someone's brain if they think bad thoughts about you if you physically or psychologically beat them down and enact real fucking control over their life.

I don't know. This kind of trope just seems like it's diminishing the affect of real slavery and abuse because it's pretty explicitly saying that "if XYZ magical control thing didn't exist, these people wouldn't be oppressed because they'd fight back".

As though real oppressed people don't fight back. As though the whole problem of being oppressed isn't that you lose every time because you lack the power that the people who oppress you use to keep you down.

I feel like it's because A)These people don't want to actually admit how horrible real life slavery and abuse is. B)they see themselves as the main character of the universe, so they think that if they were the one being enslaved, they'd instantly succeed at fighting back and winning, because they either can't, or refuse to aknowledge that when faced with systemic oppression, they'd be just as helpless as every other victim in history. They want to see themselves as all-powerful even in imaginary situations where they face oppression they've never actually dealt with, so they have to add some magical Impossible Barrier over top of the actual oppression to make it justified for why they haven't won already.

They think that if the roles were reversed and white people were systemically oppressed, they'd be the main character who magically leads the uprising with has no casualties. They think they'd magically never get hurt or watch their family or friends get hurt or be traumatized or actually opressed in any way.

It's definitely a form of victim blaming. It's definitely making light of real slavery and abuse. It's very fucking infuriating to have to keep reading in pretty much any scifi or fantasy series that deals with slavery that's written by white people.

so. Writing tip. How about learn how actual systemic oppression works instead of assuming the only way to enslave people is by literally being able to fry their brain?

Like. It's saying "these people have literal murder chips in their heads to enslave them, what's your excuse for not freeing yourself?"

[paranoia-art]

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[wildflowergirlie]

Violet Baudelaire knew what was up when she put her hair up to think. this is fr a life changing hack to actually getting writing done.