#you can't be an agent because we kill people

[jewishvitya]

A pro-Palestine Jew on tiktok asked those of us who were raised pro-Israel, what got us to change our minds on Palestine. I made a video to answer (with my voice, not my face), and a few people watched it and found some value in it. I'm putting this here too. I communicate through text better than voice.

So I feel repetitive for saying this at this point, but I grew up in the West Bank settlements. I wrote this post to give an example of the extent to which Palestinians are dehumanized there.

Where I live now, I meet Palestinians in day to day life. Israeli Arab citizens living their lives. In the West Bank, it was nothing like that. Over there, I only saw them through the electric fence, and the hostility between us and Palestinians was tangible.

When you're a child being brought into the situation, you don't experience the context, you don't experience the history, you don't know why they're hostile to you. You just feel "these people hate me, they don't want me to exist." And that bubble was my reality. So when I was taught in school that everything we did was in self defense, that our military is special and uniquely ethical because it's the only defensive military in the world - that made sense to me. It slotted neatly into the reality I knew.

One of the first things to burst the bubble for me was when I spoke to an old Israeli man and he was talking about his trauma from battle. I don't remember what he said, but it hit me wrong. It conflicted with the history as I understood it. So I was a bit desperate to make it make sense again, and I said, "But everything we did was in self defense, right?"

He kinda looked at me, couldn't understand at all why I was upset, and he went, "We destroyed whole villages. Of course we did. It was war, that's what you do."

And that casual "of course" stuck with me. I had to look into it more.

I couldn't look at more accurate history, and not at accounts by Palestinians, I was too primed against these sources to trust them. The community I grew up in had an anti-intellectual element to it where scholars weren't trusted about things like this.

So what really solidified this for me, was seeing Palestinian culture.

Because part of the story that Israel tells us to justify everything, is that Palestinians are not a distinct group of people, they're just Arabs. They belong to the nations around us. They insist on being here because they want to deny us a homeland. The Palestinian identity exists to hurt us. This, because the idea of displacing them and taking over their lands doesn't sound like stealing, if this was never theirs and they're only pretending because they want to deprive us.

But then foods, dances, clothing, embroidery, the Palestinian dialect. These things are history. They don't pop into existence just because you hate Jews and they're trying to move here. How gorgeous is the Palestinian thobe? How stunning is tatreez in general? And when I saw specific patterns belonging to different regions of Palestine?

All of these painted for me a rich shared life of a group of people, and countered the narrative that the Palestininian identity was fabricated to hurt us. It taught me that, whatever we call them, whatever they call themselves, they have a history in this land, they have a right to it, they have a connection to it that we can't override with our own.

I started having conversations with leftist friends. Confronting the fact that the borders of the occupied territories are arbitrary and every Israeli city was taken from them. In one of those conversations, I was encouraged to rethink how I imagine peace.

This also goes back to schooling. Because they drilled into us, we're the ones who want peace, they're the ones who keep fighting, they're just so dedicated to death and killing and they won't leave us alone.

In high school, we had a stadium event with a speaker who was telling us about a person who defected from Hamas, converted to Christianity and became a Shin Bet agent. Pretty sure you can read this in the book "Son of Hamas." A lot of my friends read the book, I didn't read it, I only know what I was told in that lecture. I guess they couldn't risk us missing out on the indoctrination if we chose not to read it.

One of the things they told us was how he thought, we've been fighting with them for so long, Israelis must have a culture around the glorification of violence. And he looked for that in music. He looked for songs about war. And for a while he just couldn't find any, but when he did, he translated it more fully, and he found out the song was about an end to wars. And this, according to the story as I was told it, was one of the things that convinced him. If you know know the current trending Israeli "war anthem," you know this flimsy reasoning doesn't work.

Back then, my friend encouraged me to think more critically about how we as Israelis envision peace, as the absence of resistance. And how self-centered it is. They can be suffering under our occupation, but as long as it doesn't reach us, that's called peace. So of course we want it and they don't.

Unless we're willing to work to change the situation entirely, our calls for peace are just "please stop fighting back against the harm we cause you."

In this video, Shlomo Yitzchak shares how he changed his mind. His story is much more interesting than mine, and he's much more eloquent telling it. He mentions how he was taught to fear Palestinians. An automatic thought, "If I go with you, you'll kill me." I was taught this too. I was taught that, if I'm in a taxi, I should be looking at the driver's name. And if that name is Arab, I should watch the road and the route he's taking, to be prepared in case he wants to take me somewhere to kill me. Just a random person trying to work. For years it stayed a habit, I'd automatically look at the driver's name. Even after knowing that I want to align myself with liberation, justice, and equality. It was a process of unlearning.

On October, not long after the current escalation of violence, I had to take a taxi again. A Jewish driver stopped and told me he'll take me, "so an Arab doesn't get you." Israeli Jews are so comfortable saying things like this to each other. My neighbors discussed a Palestinian employee, with one saying "We should tell him not to come anymore, that we want to hire a Jew." The second answered, "No, he'll say it's discrimination," like it would be so ridiculous of him. And the first just shrugged, "So we don't have to tell him why." They didn't go through with it, but they were so casual about this conversation.

In the Torah, we're told to treat those who are foreign to us well, because we know what it's like to be the foreigner. Fighting back against oppression is the natural human thing to do. We know it because we lived it. And as soon as I looked at things from this angle, it wasn't really a choice of what to support.

[tyrantisterror]

There was a writer at io9 who I lowkey viewed as my nemesis despite never interacting with him in any way because whenever I encountered an article with an absolutely dogshit shallow take on pop culture 9 tiems out of 10 it was written by him, and generally in mindless praise of Star Wars. I bring this up because before I quit reading the site he posted an article called "I don't get why geeks don't like sports" or something like that, and the thesis of the article was that geeks who love sci-fi and fantasy fiction should LOVE sports because they're basically the same thing - that everything one loves about sci-fi and fantasy fiction can be found in sports. To which I say:

No the fuck it can't

You, a man who is paid to write about geek shit for geeks to read about because your editors inexplicably believe you know why geeks like what they like, clearly lied on your resume

The argument went that sports have everything sci-fi and fantasy fans like, which it specified were, like, stakes, and drama, and people to root for and against, which is basically all it takes to make a sci-fi story, right? Like Jesus Christ it was so stupid, like, Jeff Bezos described how easy it is to make a great TV show stupid.

BUT! It did give me an idea. See, one of the big appeals to me about sci-fi and fantasy stories is the fantastical shit that shows up in them, like monsters, for example. Another big appeal is to see a how our current world can be reflected in the fantastical one - whether we see a better world, or one that's worse in a very dramatic way.

So, here is my suggestion for making sports just like fantasy and sci fi fiction: we add a new position to every single sport called The Minotaur. The Minotaur wears heavy body armor as well as a big, intimidating horned helm, and brandishes an axe with deadly efficiency. The Minotaur is a free agent, allowed to wander in and out of the stadium/ice rink/golf course/what have you as he pleases, but he must attempt to kill one player per game. The players are not allowed to take weapons into the game to defend themselves - only through sheer athleticism can they either evade or disarm the Minotaur, and in doing so save themselves.

If they did this, then finally they'd have everything I love in my sci-fi and fantasy movies in sports.

[lis-likes-fics]

The Sound of His Voice

Pairings: Spencer Reid x agent!Reader Word Count: 3k words Warnings: Descriptions of crime scenes/vague gore, mentions of death and murder, standard Criminal Minds stuff, fluff otherwise... A/N: I started watching CM a while ago and now I can't stop so enjoy this. There will be more, I dunno when. (Should I be working on my months-in-progress-wips? Yes, I absolutely should. Am I? Mostly. I'm trying my best)

Morgan rubs his temple, digging his fingers into the side of his forehead as he shakes his head. Tapping his pen on the desk, he tosses down his file. “But here's what I don't get,” he says, drawing the attention of the rest of the team. “If the unsub thinks of his victims as prey, even going as far as to torture the victim, why go through all the trouble of tucking them into bed?”

Hotch looks back at the picture in his own hands, where he had been analyzing the scene for the hundredth time in search of something he missed the first hundred. He shrugs, “Tucking them in can usually indicate signs of remorse.”

JJ motions to the pictures. “Yeah, but look at this guy. Does this look remorseful to you?”

You lift a shoulder, leaning back in your seat and crossing your arms. “Could be a second unsub.”

You are a relatively new addition to the team. It was your fifth case with them, but they already treated you like part of the team, like family. It was easy to sink into the ebb and flow of everything, especially when they trust your skills and instincts and let you know when you're doing something wrong so you know not to do it again.

But this case was difficult. Your unsub had a strange profile: an organized, white male, with surgical experience and the MO reminiscent of a cat. He kills men and women alike, and the only connection between his victims have been their smaller statures.

The age range itself was too wide, though there was a slight reoccurrence of ages between 25 and 35. But it was still too wide, either way, not enough to work with.

He ties up and tortures them before finally ending their lives with strangulation. He uses his bare hands to get the job done, which makes him a sexual sadist. As if that wasn't enough, he carves out the victim’s heart after death and takes it as a trophy.

He shows plenty of psychopathic characteristics, but he also fits the profile of a sociopath, so it's hard to make anything stick. His MO suggests a lack of empathy and guilt, but the bed-tucking… You always lose him with the bed-tucking…

Morgan shakes his head a little, humming. “But we already ruled out multiple unsubs,” he says. You nod gently. “Besides, if this guy is mimicking the hunting habits of a cat, he would hunt alone, wouldn't he?”

Reid’s head perks up. He points a pen in Morgan's direction as he shakes his head. “Actually, no.” He licks his lips, and he's grabbed your attention like a siren to a sailor. “It's a very common misconception that cats are loners, but it's untrue. Cats prefer the companionship of others just as much as a human being would.”

You lean toward him a bit across the table, watching him as he speaks, his hands moving to illustrate his words as he does. “People often think, because of their aloof nature, that they like to be left alone or actually despise the presence of other people, including their owners or other cats—which is why people believe them to be low maintenance creatures. But they are just as social as, say, a dog. Actually, it's interesting, big cats like lions, or sometimes even cheetahs, hunt in packs to take down larger prey. Domestic cats–”

“Reid,” Morgan interrupts, making a cutting motion with his hand to his neck.

Your eyes turn back to Spencer, who seems to retreat in on himself a bit as he gives an apologetic smile and a small nod. “Sorry,” he says, pulling his lips in a wide smile.

You set a hand on the table, shaking your head. “No, keep going. That was interesting.”

Spencer looks at you with these eyes that seem to shine. Your heart feels fonder, warmer, at the sight of him.

“We really don't have time to go through all of this,” Hotch says, his tone final.

“I mean,” you continue. Since joining the team, you've grown a certain affinity toward Spencer and his genius mind. Every time he's gone on his tangents, you've become enchanted by the words coming out of his mouth like he's put some sort of spell over you. You lift a shoulder, gesturing toward him. “If this guy is basing his MO off the hunting patterns of cats, we should…know everything we need to know about them, right?”

Hotch looks at you, his face hard and unreadable. You're unsure if he's considering your proposal or just trying to intimidate you. But then he sighs, his crossed arms loosening a little as he turns to Spencer.

“Reid?”

Spencer looks between you and Hotch, relenting hesitantly as he starts off slow. “Well…I was going to say domestic cats are solitary hunters but sociable creatures.” He picks up his normal speed once more, “They can be very affectionate, especially toward their owners and other cats within their households. They're also one of the only types of cats who play with their prey before killing them, which could be a reason this unsub tortures his victims so extensively in his murders.”

“Wait…” Prentiss says, catching all of your attentions. “You said ‘affectionate toward their owners’.”

“Yeah,” Spencer nods.

She waves her hands gently, “How do cats show affection for their owners?”

Spencer shrugs, “Um, bunting, purring, some scratch, sometimes they leave offerings, like dead rodents, around the house–”

“Right there!” Prentiss exclaims. “They leave offerings.”

You sit up, “The hearts.”

Hotch’s dark brows furrow. “You're saying this unsub is taking the hearts as an offering to someone else?”

Spencer thinks over that, nodding. “It's possible.”

JJ sighs. “But that still doesn't explain why we wouldn't have identified a second unsub earlier.”

Spencer holds out a hand, pointing with his pen. “Actually, it could. You see, cats also have the tendency to mimic the people they hold affection for. We might not have noticed a second MO because the submissive unsub may be mimicking the dominant one.”

“Or learning from him,” Morgan says.

“Learning?” Hotch asks.

Morgan glances around, “Well, if we're sticking so close to this cat thing, older cats often nurture the young and teach them to hunt.” He shrugs, “We could be looking at…brothers? Older and younger?”

“Or lovers,” JJ suggests. She points to a picture, the image of a chest carefully carved open to reveal a missing heart. “If the hearts are offerings, it could be a Valentine.”

“And the bed-tucking?” you ask.

Hotch picks up the picture of one of the victims, “safely” and securely tucked into bed…put to sleep. “Well, if the hearts are offerings for a lover, this unsub is sentimental. He could feel some type of sympathy or guilt for the victim and want to ‘put them to sleep’ after the torture.” He studies the image, a flash of unease behind his eyes that you know all too well. He sets it down.

“Okay, so how do we find them?” Prentiss asks, clicking her pen before setting it down to begin a definitive course of action.

Spencer points to yet another picture. “Look at these injuries. These incisions are surgical,” he clarifies. “So the dominant is a doctor or a—a veterinarian, which can be implied through his intimate knowledge of cats’ behaviors.”

“And the submissive might work under him as a nurse or an assistant,” you continue, adding on to his clever insight. He glances over at you, smiling almost giddily at your understanding.

Hotch turns to Morgan. “Do you think that's enough to work with?”

Morgan thinks for a moment, his shrug melding into a nod as he turns back to Hotch. “To fit in with the rest of the profile,” he hums, “I'd say so.”

“Okay.” Hotch nods firmly. “We'll present the profile ASAP. Morgan, get Garcia to search for any vets in the area with any records of assault charges.” He says this all while taking long strides toward the door, his red tie bouncing slightly with his movements.

Prentiss follows him with her gaze as he exits. “You think the unsub is aggressive?”

He turns briefly. “Look at the bruising on the neck. The torture alone is an indicator of anger and frustration, but the way the victim was strangled suggests force. Much more than necessary just to crush a windpipe. He's an organized killer with a lot of rage. If he moves more along the lines of a sociopath, our best guess is he's had some kind of trouble with the law at some point in his life,” he concludes. Glancing aside, he speaks again, a little more firmly. “Morgan.”

“On it,” he says, his phone already ready to contact Garcia on speed dial.

“And Reid,” Hotch says, focusing his hard stare on the younger agent.

He stiffens, straightening his back and awaiting his response. “Yes?”

There's a pause as Hotch examines him silently. With a single nod, he says, “Good work.”

He glances at you. A nod.

You nod back.

Hotch leaves in a hurry, and your gaze immediately and instinctively flicks to Spencer. He smiles at you, turning away as though he was shyly hiding that same smile.

~

There were two unsubs: a surgical veterinarian and his nurse. You caught them just in time, just as that knife was gleaming in the golden light of the lamps swinging above the three bodies down in the basement of the submissive unsub’s house.

And now you soared 40,000 feet above the ground with another killer put away for good.

Everyone's in their own spirit, placing you across the aisle from JJ and Spencer in their own booths, a crochet set in your lap as you continue one of your projects. Emily's eyes linger on JJ, watching the crease of her brow as she studies case files.

“What are you thinking about?” she asks, setting her book to the side to shift her attention. Derek darts his eyes up from his own book, lifting his brow as he does it.

JJ looks up, breathing in and lifting her shoulder in a half shrug. “I don't know about you,” she says, “but I know that if I got an actual human heart on Valentine's Day, me and my alleged partner would have some serious issues.”

Snorts and chuckles lift from multiple places among the seats, heads shaking and attentions shifting back to their own activities.

But as soon as you hear the first lilt of Spencer's voice, like clockwork, you're a fish on a hook.

“Actually,” he begins, “if we were set back thousands of years, that would not be a very unusual occurrence.” He licks his lips quickly, “You see, Valentine's Day’s origins actually go back to a festival called Lupercal, or Lupercalia. The festival was in itself a very violent and sexually charged affair that lasted roughly three days—from the 13th to the 15th—set in Rome. Its traditions were carried out in two separate locations, firstly–”

“Alright,” JJ rises to her feet, her eyes wide in annoyance as she closes her case file in a large announcement to Spencer. “I'm getting coffee. Do you want anything?”

Spencer purses his lips, that same wide, apologetic grin covering his face as he leans back in his seat and shakes his head. “Uh, no. All good here.”

She nods, turning to walk away, “Great.”

You watch JJ leave, your eyes fall back upon Spencer, who's pulling his book back into his palms to turn his focus back on the pages. His eyes flit over the words at lightning speed, absorbing the information and moving to the next.

Taking your crochet set in your hands, you stand and plop down in JJ’s old spot. Spencer's eyes darts up to you, glancing between you and his book as you set your stuff down and readjust your yarn.

Beginning again, you nod toward him. “You were saying?”

Spencer, his eyes wide and confused and his lips parted in wonder and his cheeks a little pink, stares at you. After remembering he had to respond, he sputters in an attempt to.

“Uh, it's-it's really not that…interesting,” he mumbles, trailing off at the end as he sets his book down, his fingertips pressing against the edge of the desk between the both of you.

“Well,” you look up at him, setting your elbow on the table and tucking your first underneath your chin, “I was very interested.”

His Adam's apple bobs when he swallows. His lips form the word before it comes out of his mouth. “You were?”

You nod, “Mhm.”

Looking at him for a moment—just looking at him for a moment—you take in the pretty sight of his bewildered expression, fascination and confusion and excitement crossing his face in a flurry of emotion.

You move your elbow from the table and pick up your hook, nodding toward him before training your eyes on your work again as you await his words. “Firstly?” you prompt.

Scrambling to organize his thoughts, Spencer nods. As the words form in his brain, he smiles as he thrusts himself into another rant, speaking a little softer so as not to aggravate the rest of the team.

“Well, firstly, the uh— The-the first location was in a cave called Lupercus—named after the Roman fertility god that the celebration was dedicated to—and the second is a public meeting place called the Comitium.”

You tilt your head toward him, smiling a little. “Like the word ‘committee’.”

“Exactly like the word ‘committee’,” he beams.

Your attention, as hard as you tried to split it, becomes entirely caught up in Spencer as you forget about your project and focus your gaze entirely on him. You set your arms on the table separating you and watch as he speaks, your smile definitely too love-sick to be a hint anymore. He seems to lean in closer.

“So how did Lupercalia become Valentine's Day?” you wonder aloud.

“Well,” he starts, prompting a larger grin from you, “in the late 5th century A.D., Pope Gelasius I eliminated it and declared February 14th a day to celebrate the martyrdom of Saint Valentine instead—although it's highly unlikely he intended the day to commemorate love and passion as it is celebrated now. In fact, some modern biblical scholars warn Christians not to celebrate Valentine's Day at all, due to its Pagan roots and rituals.”

You hum, your eyes taking glances at the stretch of his skin over his fingers and the way they move when he speaks.

“Do you celebrate Valentine's Day?” you ask gently, speaking slowly.

His hands fall back down to his lap, and he shakes his head as he straightens his posture a bit. “Well…I don't usually have anyone to celebrate it with, so… No, not really.”

Feeling the shyness slipping into your veins, you set your hands on the table and let your fingers slowly inch toward him, staring at them inside of his eyes. You don't want to see the rejection if it lives there, in his eyes.

You speak slowly, emphasizing every syllable. “Would you like to have someone to celebrate it with?”

He swallows thickly, letting one hand lift onto the table, still close to him but building up courage to maybe meet you in the middle. “Like…” he clears his throat quietly. “Like you?”

You offer a right smile, finally flicking your eyes up to meet his and feeling giddy at the light blush on his cheeks, the nervous wideness of his gaze. “I promise no actual hearts.”

You watch him, and again…his eyes, his Adam's apple, his cheeks, his lips. “Uh…yeah,” he stutters. “Yeah, sure. I'll be your…your Valentine.”

You smile, a wide smile that splits your face in two. Spencer's own grin follows suit. Looking past you, he catches the eyes of Derek, who smirks and offers a cheesy thumbs up, proud of him for securing you as he did.

His gaze falls back to you when you begin to speak, your voice just as song-ish to him as his is to you. You're both equally as infatuated as the other. “You know,” you trail off slowly, “supposedly, Saint Valentine might be so commonly associated with our day of love because there are rumors that he used to perform secret weddings against the wishes of the authorities in the third century.”

He nods slowly, his brows furrowed slightly. “Yes, that's right…” Licking his bottom lip, he speaks again. “You already knew all that stuff about Lupercalia, didn't you?”

You smile, your face squished a bit as you raise your hands and close your thumb and forefinger close together. “Maybe a little,” you whisper. But then you shrug and just keep looking at him. “But I like listening to you talk.”

Spencer suddenly doesn't think you're real, but he isn't about to question it if you aren't. There's someone who enjoys his tangents. He isn't going to jeopardize that.

“Oh,” is all he says.

With your crocheting long forgotten, you lean forward on the table and give him every ounce of attention in your mind. With a fond smile on your lips and a twinkle in your eye, you rest your chin on your folded hands. “You should tell me about…” you pause, thinking, before you smile curls even more, “bees.”

His brows lift as he nods. “Okay, well,” he starts, “did you know the first civilization to practice widespread, organized beekeeping was the Ancient Egyptians, who began beekeeping around 2,500 BCE?”

Your brows lift in fascination. You shake your head, “No, I didn't.”

His smile grows. “Well…”

For the remainder of the flight, Spencer talks and talks and talks, his voice quiet and meant solely for you as he talks about whatever you want: bees and wine and marbles and Halloween. He keeps smiling at you, as you keep smiling at him. Somewhere along the way, he officially asks you on a date, and you both get off the jet together to get a cup of coffee.

You love the way he talks.

Criminal Minds taglist: ... Tag yourself here...

[brucewaynehater101]

Hear me out for something. So we agree that Tim definitely took a bunch of Ras ninjas when he blew up the place right? And they're *super* loyal to him and also very, very competent.

What if when Tim brings Bruce back from the Time Stream, once Bruce is healed up, he insists on taking over WE from Tim. Not because Tim is bad at it, but because he doesn't want to sit around doing nothing while he physically heals and isn't allowed to be Batman.

So Tim decides to use the money he made to revive Drake Industries. He'll need a bunch of very loyal workers who know how math works to fill out upper management to make sure there isn't any corruption and wouldn't you know it. He has a couple hundred of exactly what he needs stolen from ras who are getting antsy about not having anything to do.

It only takes a year, maybe two at the most, for Drake Industries to raise to rivaling Wayne Enterprises and Lex Corp like it used to before Tim's parents died. There are rumors though, that it's impossible to rise beyond a certain point in the company as all those positions are filled already and if a new one opens, it's given to someone that no one has ever heard of before (more defectors from Ras). All the people on the board are weirdly young (is that Olympic Gold Winner Cissie King Jones???) And one of them just had a big scandal go public about being Lex Luthor's illegitimate son that he kicked out for being gay?? This is not at all what happened with Kon, and Lex has been trying to calm the rumor mill around it but the gossip collums have taken this and ran with it.

You would think that with a board of directors so young and a company so new that's so big, corporate espionage on them would be *easy* but that's to the fact that every single member of upper management would die for Tim, none of it happens. His company is massive and air tight. People who try to bribe his workers into selling secrets often end up in strange accidents. After all, you can take the person out of the Ninja Death Cult, but you can't take the Ninja Death Cult out of the person.

Yes! There is a series not quite like this, but dear to me. "Where Bats and Birds Roost" by Mouse_in_this_house has BAMF Tim Drake with ex-LoA agent spy network that he hides via the Neon Knights initiative.

However, I love that your AU had Tim make it from the corpse of his parents' company. Instead of using Bruce's resources, Tim used the ones that only belong to him. I also like his rehabilitation plans for all the defectors and their loyalty to him because of it.

Tim should go around snatching up people from his enemies because he has better benefits, way less chance of the job killing its employees, and charisma. Maybe Bruce gets a little annoyed cause WE employees also prefer to work at Drake Industries (probably not, but it would be funny).

Also, YJ working for DI? Brilliant ^^

This type of chaos and the BAMF Tim are spices I need more of. Let Tim use his whacky ability to befriend his enemies for his benefit!

[lunamugetsu]

The CIA is trying to kill Danny

Now hear me out.

I stumbled upon this prompt idea where somebody wrote that they want to see a story where the CIA is trying to kill Clark Kent (not Superman, reporter Clark Kent), the reason is because that Clark Kent is a very good reporter. And everybody knows that a mark of a good reporter is that they die of natural causes, with bullets in their head. So that story would have centered around the CIA trying to kill Clark Kent and having no idea on how Clark Kent is still alive after the multiple attempts on his life.

Now this got me thinking.

In an AU where Danny is interning or working at the Daily Planet, probably under Clark or Lois.(you choose) And Danny is a really good reporter, his ghost powers help him gather information undetected. He's exposing corporations left and right, all ranging from either illegal animal experimentation, environmental pollution, horrible working conditions, toss in a couple of sleazy terrible rich people. So while all of his stuff is getting published and the govt is going, "we gotta stop that reporter." And proceed to constantly try to end this kid's life with no result. They try to poison food, Danny grew up eating radioactive food, if anything the poison is just added seasoning. They try to set up his place on fire, Danny's just conveniently not there. They try to have people tail him but they can't because Danny just disappears whenever he turns a corner.

And layers could be added to this, like Danny's just talking to Clark at work (y'know water cooler talk) and when Danny brings up all of these strange things happening to him like "people following him, the elevator at his place just conveniently broke down and crashed into the ground around the time he would have left for work, or how his usual food orders look a bit different than what they normally look like and they taste slightly different." And Clark is hearing all of this and is going "wait a minute!" and there's a scene of Clark walking with Danny as the kid is waiting for his uber and when the car pulls up. Clark uses his x-ray vision and spots the driver sporting guns, knives, poison gas (whatever CIA agents use for assassinations, I don't know) and just goes "Hey Danny did I ever take you to my favorite diner. No? GREAT! Let's go now!" and he just immediately drags Danny away from the murder car. And from that point on, Clark is taken it upon himself to stop all of the assassination attempts on Danny because he believes that Danny is a fragile young human being.

OR

This could be set in Gotham

And Danny is just exposing all of elites of Gotham, including Gotham's rogues and all of that song and dance. Which then leads him to be targeted by the Court of OWLS! Danny in this scenario would be friends with Tim, because they go to the same coffee shop and order the espresso on steroids drink. Danny tells him all of the stuff that's been happening to him and Tim goes "oh shit." In which he then tells the batsiblings. They all band together to protect Danny because he is a normal human being. (said nobody ever) So Danny becomes unofficially adopted by them. They don't tell Bruce about this because then they'll have to come to terms that they are just like him because they just took in a black haired blue eyed kid into their family.

[whetstonefires]

Man sometimes I still think about Alfred's Bandit Anecdote in The Dark Knight (2008).

So, the most straightforward reading of this sequence seems to have been the one Nolan intended, because he is not actually a subtle filmmaker, and the further we got into the series the more heavily he committed to making Alfred a mouthpiece. Old man provides words of wisdom that frame the correct understanding of the situation; you can tell it's meant to be correct because subsequent Joker appearances reinforce its thesis statement.

Intended takeaway: some men (like the Joker) don't have rational motivations, they just 'want to watch the world burn,' and you have to account for that when trying to counter them. Chaos agents, basically unstoppable by reasonable means.

But the thing is. This is not a story that stands up to even mild interrogation. The number of assumptions Nolan wants us to swallow without blinking is kind of stunning.

First of all the obvious timeline questions that arise: the Anglo-Burmese Wars and periods between and leading up to them where this kind of white man's burden 'delivering jewels to local elites In The Burmese Jungle to sway them toward British interests, but getting waylaid by bandits' scenario makes any sense all, happened in the 19th century.

The Burmese resistance in the 1930s was centered on university student protests and that sort of thing; it was reasonably successful in moving Myanmar toward independence by increments, though who knows what would have happened without WWII. But it did not provide anyone with reasons to be hand-carrying huge gemstones through forests.

Even if we assume this was somehow a 20th century event, it has to have been before WWII unless we want to postulate a complete alt-history setting, and since The Dark Knight leans heavily into being a modern 21st century story with like, cell phone networking as a major plot point, this still makes Alfred old as balls. Born no later than 1920, and probably earlier.

But that's whatever; comics time. Batman Begins did some fun stuff (possibly in imitation of Batman (1980)) with making it ambiguous what decade it was supposed to be set in, though the sequels dropped that conceit. And anyway, people can be 90 years old.

So that's basically fine, although good god Wayne hire some more servants, this man should be fully retired already.

More problematic is the unfettered colonialism of it all, the confident proclamation that since this guy's motive wasn't profit, since he didn't keep the jewels, he had no motive. Because 'inconveniencing the Raj and weakening their control over the locality' isn't a Real Person Motive that a real person could have had. During or soon after failed wars to resist colonial subjugation.

Like. Come on??

The place where this story utterly shoots itself in the foot, though, is the clever bit at the end, where Bruce asks how Alfred's military unit solved the 'bandit stealing jewels he didn't even want' problem and Alfred's like: 'we burned the forest to the ground.'

Because this is so punchy! In screenwriting technical terms, it's quite well done. It's useless advice that loops the story back to its themes; obviously Batman can't burn Gotham down to get the Joker. Even in a Batman movie that doesn't like Batman very much, this is still obvious.

But at the same time this totally takes the legs out from under Alfred's words of wisdom about human nature. Because if that bandit 'wanted' to 'watch the world burn' then what his unit did wasn't so bad, right; he was basically asking for it. Burning a forest down with all the inevitable collateral damage and economic and ecological cost, all for the sake of horribly killing a group of people in the name of government revenues was totally okay guys!

It transforms the whole thing into a pretty obvious post facto rationalization of colonial violence. Which makes the Insights Into Human Nature bit real questionable!

But the movie gives absolutely no sign of having noticed this.

[evilminji]

Speaking of Summoning?

We don't see people fuck it up enough. Or CAPTIVES deliberately fuck up their captor's work. Like? Yeah, you are hogtied so tight you look three parts chain to one part man, but you can still WIGGLE.

Aggressively wiggle over that rune until it's too blurry to function! Kick at it with your heel until you scrape the paint! Smear that shit around! You're not here because you WANT to be! Fuck being a polite hostage. Make their life difficult!!!

Or BETTER?

The "$4000 bucks for chalk" take!

It's not the MATERIALS that make John "fuck you" Constantine a force to reckoned with. It's the DECADES of time, training, mistakes, fuck ups, FIXING those mistakes and fuck ups, then surviving the resulting fires.

Any idiot with a voice and some poor impulse control, can use most of those books.

John is GOOD at what he does, because he SURVIVED it. Knows when to stop. What to fuck up on purpose. HOW to do it. And what the results will be.

You're not impressive because you can light your dick on fire with magic.

You're just an idiot.

And when some "you are held back by your FEAR~!" Delusions of grandure fucko, one AGAIN crawls out of the muck like he's something God damned special, and not on the quick bus to a gory unspeakable end? Plays fast and loose with things that SHOULD NOT be let free? Yeah, John exhausts himself keeping millions of people from learning what the inside of Hell looks like.

Wakes up here.

Honestly surprised he wakes up at all.

Most of Dark is here. And Every Single One looks UNSPEAKABLY pissed. Like they got chewed on by a tree thrasher. That was probably on fire, given half the burns he's seeing.

The bastards monologuing, probably thinks they're hanging off his every word. Arrogant prick. Mostly though it's just intense eye contact and eyebrow charades over gags. Head gestures. Seeing who has what and if anyone's concussed. Honestly? You get good at shit like this, after a few too many times bound and gagged.

First mistake always is and has been, not killing them when you had the chance.

But... Zatanna is looking way too pale. And when she sharply gestures with her head? He sees WHY.

Blood on the floor. Not random. Just shitty, shitty writing and no binding agents. Oh sweet merciful fuck. It's not even CHARGED. No grooves to HOLD the blood in a way to keep most of it away from the air. Just splatter painted with some cheap brush on the unscrubbed floor, mixing and contaminated by god knows what, IN LAYERS.

Because it keeps drying.

Because OF COURSE IT KEEPS DRYING, YOU FUCK.

You are DOING IT WRONG.

Is he using THEIR blood? Oh sweet fuck he is. Are you ser-!? One of them is a CHIMPANZEE! Blood's blood literally changes! John's is fucked up! This idiot really things you can just slap it down like PAINT and trot off on your merry lil way, doesn't he? Why don't you just throw "Chemicals" at it next! Big ol bag of whatevers on hand!

At least he has people to share his outrage and horror with.

Oh god, is he STILL talking? Really. REALLY? How long has he...?

Wait. WHAT.

Crazy pants has "found" (more likely was lead by the nose too) a way to True Name Summoning people?! As in "kidnap from literally anywhere and bind them to your will, because unlike normal Summoning Targets they can't fuck off back home under their own power, so it's either submit or stay trapped until you die"??! Oh fuck. Oh shit, oh fuck.

And, OF COURSE, he's going to TEST his new fun trick?

On the Justice League.

Fucker, turns and starts chanting. John is closet, but everyone throws themselves forward. Even though none of them can really move, they have too TRY. His eyes shoot around the shit writing. Trying desperately to make out familiar symbols. Anything. Something. THERE!

He never thought he'd be grateful for all those far too drunk nights and pounding morning hangovers. But he is FAST wiggling across the floor, scrunching and swinging himself around, too sharply scrape the heel of his boot at the concrete floor, just inside that omenious off color Summoning. The layers of blood, painted down again and again to keep the "fresh", stick together like paint chips. Are raised just enough, his shoe tred catches, and all but pops the rune he's aiming for clean off.

Power surges as the spell completes.

He yanks his foot back before he runs the risk of losing it.

The light flares. And between one moment and the next? There are white hazmat boot standing just on the other side of the writen line, from John's face. He looks up into a young, pallet swapped, face. Nightwing, younger then he should be, wrong colors, different uniform. Confused look on his face quickly melting to that familiar "someone's about to get their ass kicked" look as he assesses the situation.

John grins like the MEANEST lil shark. (And yes, he DID steal this look of an ex.)

It WORKED.

Because half the people behind the kid? Not THEIR League. Hero's, yeah, he left that rune alone. But the "civilian identity" that was tied up in the "of this reality" one? Whoops! Guess it was forced to grab any applicable version of the Hero, from the Multiverse, who WASN'T currently off duty. Sure hope your bindings work on THEM!

AND it didn't tip off every single hero OFF duty!

The kid steps over the binding line, bends down, and snaps the chains around John with his bare hands. Offers him a hand up. He takes it. Gets a front row view of alternate versions of his colleges testing to see who is and isn't able to step out. Quiet a few are. Oh dear~, oh dear~. All these Heros! What's a lad to do, huh chucklefuck?

They would like a word.

@nerdpoe @the-witchhunter @hypewinter @hdgnj @mutable-manifestation @lolottes @babbling-babull

[headspace-hotel]

It's easy to see how chemophobia became so widespread to the point that companies advertise their products as containing "only ingredients you can pronounce." It's wretched that this spawned the antivax movement and other similar movements, but there are incredibly good historical reasons behind WHY people are terrified of "chemicals."

Reasons like: Agent Orange, DDT, Superfund sites, any of a wide range of incidents where chemical companies—in many cases, knowingly—poisoned people and communities because Number Go Up. History has shown again and again that companies do not give a fuck about ruining people's lives exposing them to toxic substances.

Unfortunately these people live in a world where EVERYTHING around them contains ingredients they can't pronounce and there is very little knowledge of basic chemistry, and a person has no choice but to either develop life-altering paranoia about contamination, or just settle into a sense of (naive?) security about the Chemicals in the world around them.

So these powerful cultural memories (and totally rational distrust of Bayer, DuPont, and Monsanto) have been hijacked to Sell Product (No chemicals! Ingredients you can pronounce! All Natural! Organic!) and/or been channeled into some horrible and ultimately baseless movements that, these days, form a pipeline straight into fascism.

Alex Jones' anxiety about chemicals "turning the freakin' frogs gay" is part of The Anxiety about a world that is now made of ingredients we can't pronounce. Our world is now made of very different physical stuff than the world of our ancestors, and it makes total sense for panicky reactionaries to blame sexualities, genders, religions, and ways of existence they don't understand on the strange, unprecedented "chemicals" that have intruded into the material components of the world around them.

The material changes to our lives mesh quite nicely with the paranoia of fascism. People, without any scientific expertise that would inform them, decide that "natural" things are good and "artificial" things are bad, and this leads people to reject very simple, comprehensible, and well-understood processes like "heating something up, but not quite to boiling, and letting it cool down" (pasteurization) in favor of "contracting bovine tuberculosis."

But it's not that natural is good and artificial is bad, it's that natural is, at least in theory, understandable, and artificial is bound only to the laws that tell DuPont it must disclose what is in a product being sold and test the product for harms to human and animal life—and the power of those laws to actually control DuPont. Hemlock and nightshade can be recognized and avoided, but a Product emerges from an Amazon Prime box in a curiously sterile afterbirth of plastic and foam, stinking of acrid VOC's that some people enjoy in the form of the "new car smell."

And we know that nature has no shortage of things that kill us that we CAN'T readily detect with our senses, like lead and uranium, but before mining for coal and metals ripped open our Earth and pumped thousands upon thousands of tons of toxic waste up from its depths, any given creek or patch of dirt in Eastern Kentucky was at least less likely to be dangerously toxic and radioactive.

This definitely fuels the blind and often dangerous urge to go back to a time when things were "simpler." It lubricates the slide down into reactionary bigotry a little bit, this abundance of ways the world has gone Wrong and has been irreparably changed.

It gets harder and harder to say "No, natural is not always good/bad, no, unnatural is not always good/bad" and be listened to. Our world is far, far harder to understand now in some ways, but we have to try, and that's a hard sell.

[confused-pyramid]

Tell Me Some Things Last | s3

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 23.1k

warnings: canon!typical violence, mentions of abuse, mentions of death, specific episodes mentioned in this part are 3x01, 3x02, 3x03, 3x06, 3x08, 3x09, 3x14, 3x16, 3x17, 3x19, and 3x20

a/n: season 3! The slow burn continues:) This was really fun to write, so I hope you enjoy it! (and I promise the chapters won't keep getting longer, this one just got out of hand LMAO) Title is from Heal by Tom Odell

series masterlist

"Excuse me?"

Section Chief Strauss doesn't falter. "You can't expect me to believe you think Agent Hotchner has done an effective job leading this unit."

"You can't expect me to believe that you think I'd willing spy on my unit chief for you."

She sighs and you want to throttle her. "Agent L/N, I know you two share a history, but this is bigger than that. People have died on his watch."

You have been trying to remain neutral since you were called into her office, but every word that comes out of her mouth makes you see red. Yes, this past year has been tough, but none of it was in his control.

"I think you know my answer," you say coldly, straightening your back in her chair. "I have to go, we have a case in Arizona."

She holds your gaze for a second, before nodding and turning back to her computer. You stand up and leave her office without another word, hastening your pace to a light jog the moment you're out of her line of sight.

You want to talk to Hotch as soon as possible, but by the time you get back to the bullpen, the whole team and their go-bags are gone. Grabbing your own bag, you rush over to the airstrip where everyone is settled inside the jet.

He glances up with a thin smile when you take a seat across from him, and you return it, not wanting to raise his concern when everyone is around.

The Flagstaff police meet you at the airport when you land, and everyone jumps into the awaiting SUVs to get to the crime scene as soon as possible.

The victim is another brunette woman on the college campus, but luckily her body was found after curfew, so students aren't milling around.

You step closer to examine the woman's body as JJ glances down at her hand. "She had her Mace out, but she didn't use it?"

Morgan nods, looking around. "And it's well-lit. He's not afraid of being seen."

A bus stop sign catches your attention and you turn to Detective Griffith. "How often do the shuttles run?"

He answers immediately. "Every 10 minutes."

"Were all the other victims posed like this?" Reid asks, bending over to get a better look. "With their arms crossed."

Griffith frowns. "Yeah. Why?"

"It's a classic sign of remorse," Morgan responds, stepping in to take over the explanation. "The unsub kills the victim then immediately feels bad about it, so he poses them like this, so they'll rest in peace."

"You can tell that just by the arms?"

"It's why you called us here. To build a psychological profile of your killer."

After inspecting the crime scene, Gideon and Morgan leave to talk to the dean of the school, and JJ and Reid go to meet with the students living in the victim's dorm. Hotch is still back at the station, and you haven't gotten a chance to talk to him since meeting with Strauss, but you push it out of your mind as you accompany Emily to the coroner's office.

You're so lost in thought that the drive over is entirely silent, and it's not until you've parked that you realize she didn't say a word either.

When the coroner leads you to the victim's body, you notice how much clearer each of the markings and cuts are. Hotch doesn't assign you to speak with the coroners very often, usually sending Prentiss, because of her incredible attention to detail, but not that you're here, you appreciate the second chance to examine the victim.

"Did the other victims have this much overkill?" she asks, pulling out her camera as you flip open your notebook.

"Death was caused by a single, very forceful stab wound to the heart," the coroner confirms.

You lean in closer to see the insertion point and notice the lumpy discoloring on the victim's chest. "Yeah, it looks like he broke through the breastbone."

"And after that he just lashed out at random," he adds.

Emily hums in agreement before snapping a couple of photos. "Well, no defensive wounds. She didn't even hold her hands up to fight him off."

"The first two victims were the same."

A shudder runs through you as the two of you leave the cold room and emerge into the warm sunlight. "Why is it almost harder to look at the victims when they're cleaned up and no longer covered in blood?"

Emily considers your question for a moment. "Maybe it's because they look less human that way."

You remember Jeff's funeral, how lifeless he seemed in his casket, and how you could barely look at him during the proceedings. It was somehow worse than seeing him at the crime scene, blood everywhere. At least then, you could still see the warmth in his skin. Later, he just looked cold.

"I think you're right," you tell her just as her phone chirps with a call.

She stiffens imperceptibly when she sees the number, but you only notice because of how hyper-vigilant you have been about your own tells since speaking with Strauss. "I need to take this. Give me a second."

She walks away from you and answers the call, her tone hushed so that you can't hear her. You know it could easily just be a personal call about something private in her life, but there's something almost familiar about the look in her eyes when she saw the number.

"Everything okay?" you ask her when she returns, but she just sighs and starts walking to the SUV. "It's nothing."

You haven't known her for as long as the other members of the team, but it's not hard to tell that she's hiding something. She looks distracted as she avoids making eye contact, and when you remember how you did the same with Hotch on the plane, the pieces fall into place.

If Strauss gave her the same assignment she tried to give you, then you need to keep an eye on her. You don't believe that she would sell out the team, but you also know how terrifying you thought Strauss was when you first joined the bureau.

***

The profile leads you to take Nathan Tubbs, one of the campus security guards, into custody, and while Gideon interrogates him, you walk with Reid, JJ, and Emily through the quad to get back to the station.

"Everyone is so much younger than I remember being," JJ says, as you all pass through a crowded part of campus. Word must have spread that the team arrested someone, because you can't imagine why else there would be so many students hanging outside after dark.

"Yeah, it's a weird age," Emily chuckles. "You want to be treated like an adult, but you're still used to someone else solving your problems for you."

"All I remember is trying to figure out who I was."

That makes you laugh. "I had no idea what I wanted to do when I was in college."

"Didn't you go to college with Hotch?" JJ asks, her eyes twinkling. You expect she's hoping for an embarrassing, or at least interesting, story from those years, but your past with him feels almost like sacred territory: something you can't breach when he's not around.

"Not college," you correct, "just everything else before and after."

"What was he like then?" Emily asks, genuine curiosity in her tone. You still can't believe that she would spy for Strauss, but you also can't help your suspicions.

"He was completely different, but also the same." You smile as you think back to the early years of your friendship. "He was kind of a cool kid in high school, but he was just as focused and determined as he is now."

"Hotch was popular?" Reid asks in disbelief.

JJ snorts. "Why can't I imagine that at all."

"He was trustworthy," you shrug, "and kind. Even when people weren't kind to him."

The three of them go silent, and you suddenly feel extremely self-conscious, but you're saved when your phone rings with a call from Derek. "Hey."

"There's been another murder."

***

The case ends in a murder-suicide that a part of you believes Gideon should've seen coming. JJ calls the jet to take off at first light, and everyone looks exhausted when you arrive at the airport. You sleep most of the flight back, but when you step into the field office again, you know you can't ignore the talk you've been avoiding all day.

You go to his office in the hopes of having this conversation privately, but he isn't inside when you look through the open door. You turn back with a frown and are about to head down the stairs again when you see him leaving Strauss's office across the hall.

He spots you immediately, and before you can say anything, he says, "I just got suspended."

Your mouth falls open. "What?"

"Two weeks."

You blanche as you follow him into his office, where he immediately starts packing up his essentials into his briefcase. "Hotch...I have to tell you something. Something I should have mentioned yesterday."

"What is it?" he asks, his voice slightly distracted.

"StraussaskedmetospyonyouandIthinkshealsoaskedEmily!"

He blinks. "Can you say that again?"

You press your lips together, before trying again, slower this time. "Strauss asked me to spy on you, and I think she also asked Emily."

He closes his eyes for a beat, but it feels like years. You can feel the disappointment wafting off of him, but he doesn't say anything, giving you the time to explain in more detail.

"She asked me right before we flew to Arizona," you tell him, your chest aching at the defeated look on his face. "I told her I wouldn't do it, of course, and that you are the perfect leader for this team. But I was watching Emily the whole time we were there, and I think Strauss might have threatened her or made her some kind of offer."

His hands pause their packing and for a moment, you're worried that he's going to be angry you didn't come to him sooner, but then he just sighs, a deeply dejected sound. "I figured she would. It's basically in the FBI playbook."

"You knew?" you say, your voice almost like a gasp.

"I didn't know for sure," he amends, "but I believed so. And I'm usually right about these kinds of things. Anyway, it doesn't matter now. You guys will be fine without me."

You want to shake him; to reach forward and rattle his shoulders until he realizes that this is it. This is exactly why he makes such a great unit chief.

He doesn't get angry, even when he may have cause to be. He trusts his team so wholeheartedly that even under the suspicion of spying to the higher-ups, he still treats everyone the same. He puts the team above himself in almost every aspect, and the intermittent calls you get from Haley when you're in the middle of a long case prove that it may be to his own detriment, but he still does it. Because he cares so deeply, about each of you, and about each victim, and about catching each killer.

"We need you," you say, emphasizing your words as though that will make him understand you better.

"Morgan and Prentiss will be fine," he says pointedly, as though trying to prove a point. "I'm sure they'll even be better off. And Reid and JJ can look to you for guidance. It's practically what they do already."

"Fine," you sigh, throwing your hands up in exasperation. "They'll be okay. But what if I need you?"

He looks at you then, and there's a sadness behind the stern set of his eyes. "You'll be okay."

***

You have to drag yourself out of the house the next morning. The knowledge that Hotch (and most likely Gideon) won't be at the office sucks the motivation out of you, especially because you have no idea what will happen once the team is given another case. Will they assign you a new unit chief? Will they temporarily promote someone on the team?

You push your questions out of your mind as you mindlessly get through security and flop down at your desk. There's a palpable difference with half the team gone, especially since Emily doesn't seem to be anywhere in sight either, and the emptiness of the office somehow feels more claustrophobic.

You finished all of your paperwork the night before, because you couldn't sleep after hearing of Hotch's suspension, so sitting at your desk now, you have nothing to do until a new case arrives.

Reid and Morgan dive into their own paperwork the minute they sit down, and they don't look up except to grab a new pen or refill their mugs.

You can see the tension lining everyone's shoulders, the stress about the future of this team, with its two senior-most members gone.

When you can't take the lack of work anymore, you head over to JJ's office, where she is poring over a stack of case files so tall that you can't see her face until you step in front of her desk. "Hey, JJ."

"Oh, hey," she says, looking up at you. "It's been really quiet out there."

You nod, dropping onto the sofa across from her. "Half the team's gone. It doesn't feel the same."

"I wish I could come out there and sit with you guys, but I have so many new case files to look over."

"Need any help?"

She looks up in surprise. "Actually, that would be great. Can I leave you with a few of them? There's a checklist for what I need you to note down at the top of that stack."

"Of course," you say before she hands you a thick stack of files. "I'll get them back to you soon."

"Take your time," she says, waving you away. "I have like a billion more to go through anyway."

When you're back at your desk, you set down the stack with a small thud and open the first file. You're bombarded with gory images of men who have been brutally stabbed to death, and you read over the case history quickly before opening the next one. This time, the images are of live women, all of whom share a skin tone and hair color, and have been kidnapped in the last week.

You slam the file shut and close your eyes in an effort to keep your head from spinning. You don't understand how anyone could classify these cases. How they could decide that one of these unsubs is worse than another. But there aren't enough teams like yours to cover every case that comes through the door, so someone has to.

You glance up at Hotch's office again, a force of habit, and the darkness in his doorway reminds you of the emptiness in the office. It's the same with Gideon's office, and Emily's desk.

You miss them all.

***

The first week of Hotch's suspension is hell. Gideon still hasn't turned up, and you can see his absence clawing at Spencer, who hasn't gone more than an hour without glancing at his office since he left. Derek doesn't admit it, but you can tell he misses Hotch's leadership over the team.

Strauss has come by periodically to "check in" on your team's work, but with the other units available to take on any new cases, she hasn't assigned you anything. You know she doesn't trust your team, but you're surprised that even with Hotch gone, she's still treating all of you like extensions of him. Not that she's wrong about that.

Without getting called in, you stay at home for the first few days, and even get some use out of your Peloton for once. You've been missing him all week, but it's not until the following Monday that you decide to actually do something about it.

Grabbing the files JJ gave you to look over, you stuff them in your bag and drive up to his house. Both cars are in the driveway when you arrive, and you belatedly realize that you should have called first.

You knock on the door hesitantly, and are surprised to see Jack in Haley's arms when she opens the door. She looks excited to see you, but you still feel bad about just showing up. "I'm sorry, I should have called."

"Not at all," she says, opening the door wider for you to enter. "You know I love seeing you."

"Y/N's here," Haley announces as she leads you into the kitchen and sets Jack back into his high chair. She shoots you a pointed look. "And she's not here to talk about work."

"Of course not," you say with a laugh. "I just wanted to see how the suspension was going. The team really misses you."

He acknowledges you with a small nod, and you take a seat opposite him at the table, where he is feeding Jack his cereal.

"I miss everyone, too," he says, "but it's also been nice to have some extra time at home."

"This suspension has been a blessing in disguise," Haley jumps in, ruffling Jack's hair. You don't miss the way Hotch's jaw twitches.

You aren't sure what to say to that, but Haley just pulls Jack out of his chair and turns to the doorway. "I'm gonna put him down for his nap. It was nice seeing you, Y/N."

"You too, Hales," you say earnestly, before smiling at Jack. "Bye, buddy."

When she's out of the room, you shoot Hotch a look that makes him lean back with a frown. "What?"

"You miss work, don't you."

He huffs, and you take that as an admission. "I've loved being home," he says, his words slightly more emphasized than necessary.

You can hear the candor in his voice. You don't doubt that he loves spending time with his family, you just also know the pull of the job. The fulfillment of saving people from unimaginable horrors, and the desolate ache that comes when you know you aren't doing everything you can.

"You can feel both things," you whisper as he exasperatedly runs his hand through his hair. He got a haircut.

The thought pops into your head against your will, and you glance up at his hair as you realize this is the shortest it's been in a long time. It suits him, but it also emphasizes the hard furrow of his brow.

"Haley doesn't understand that," he says simply, no ill intention in his tone, "but I can't expect her to. I barely understand it, and it's what I'm feeling."

To the outside listener, his words could be construed as complaints, but there's nothing but deep empathy in his voice. He loves her so much, and even though they're having differences about his work life, she loves him too.

You spend the next half hour talking him through each of the cases that JJ left you with, and when Haley returns to the kitchen after putting Jack down for his nap, you pull out a chair for her and tuck the files away.

"We need to have you over for dinner sometime soon," she says as soon as she takes a seat. "I can't believe we haven't done it yet." She looks to Hotch with an earnest sigh. "I guess Jack has been kind of a handful, but I can't believe this is your first time coming to the house since he was born."

"It's been too long," he agrees, draping an arm over the back of her chair. The sight of their casual intimacy is a reminder of what you once had, but the usual mistiness doesn't come when you think about Jeff. Your chest just fills with a liquid-y warmth that feels like melted chocolate and syrup.

"Likewise," you smile, patting Haley's hand. "I don't know if I can handle another night out, even with the mid-evening interruption."

She laughs heartily, and you see Hotch's lips curve up involuntarily. "I think I'm partied out for the year."

His arm slips down to rest against her waist, but she doesn't lean into him like she usually does. You avert your eyes, glancing up at their kitchen wall clock and faking a gasp. "I've taken up too much of your family time. I should go."

"It's okay," Hotch assuages at the same time that Haley says, "I'll walk you out."

They share a small glance, and you suddenly feel intrusive in their home. "I'll see you in a week."

He nods and you follow Haley to the door, where she gives you a quick squeeze and another promise to have you over for dinner soon. The sun starts to set as you drive home, and before you can second guess yourself, you're turning into a local farmer's market that is about to shut down for the night.

You rush through the stalls and stop in front of the flower shop, where you buy a dozen pink carnations. The vendor ties the bouquet with a silky ribbon and you hold the flowers close to your heart as you walk back to your car and start driving.

This time, you're more aware of the direction you're headed. You don't stop your car until you're in the parking lot and you don't stop moving until you're past the front gates and up the grassy hill where Jeff's headstone sits stoically under the waning sunlight.

You take a deep breath as you sink down to your knees, blissfully unaware of the grass stains coloring your slacks. You set the flowers down in front of his headstone, which you haven't seen in months.

                                                 Jeff Adler

                               Beloved Son, Husband, Brother

                                        Until we meet again

The carnations look bright against the gray stone, and you arrange them neatly so that they don't get blown away.

He loved flowers. He knew they were impermanent and likely a waste of money, but he still loved all of the different emotions they symbolized, and how beautiful they could be for as long as they lasted.

He brought you a bouquet of heliotrope almost every week after you got married, and when you asked him what it meant, he insisted that it was something you had to find out in your own time. That time came a quick Google search later, and when the words 'eternal love' flashed on your screen, you knew you had picked the right man.

You brush your finger against the petals of the pink carnations you brought, remembering the rest of what the search yielded. Angelica for inspiration, calla lily for beauty, and pink carnation for gratitude.

You're so grateful you met him. So grateful he loved you as much as you loved him.

"I love you," you whisper, suddenly needing to say the words out loud. There's no one around, and the sun has set far enough that there's barely enough light to see, but your words feel strong as they come out of your mouth. "Thank you for coming into my life. Thank you for giving me 10 beautiful years."

You wipe away the tear that falls from the corner of your eye. "Goodbye."

***

He takes his time as he walks through the halls of the Virginia field office on Monday morning. He hasn't been inside in two weeks, and after he and Haley agreed that he should request a transfer, he likely won't be back again for a very long time.

When he walks past the glass doors of the bullpen, he spots you at your desk, pointing out something to Morgan in a case file. He hastens his pace so you don't see him. He still doesn't know how to tell you that he isn't coming back.

"Good morning, ma'am," he says when Strauss beckons him into her office.

"I was hoping you'd do the right thing," she says, her lips pressed into a thin line. "Have you given any thought to what department you'll request?"

He shakes his head. "I was under the impression that if I left the BAU, I'd have my choice of posts."

"Well, I'll consider it after I fully complete my investigation."

She pauses before looking at him again. "You were a prosecutor. What about heading up a white-collar crime task force? That'll get you home at night at a reasonable hour."

That sounds like exactly what Haley wants for them. They spent hours over the last week discussing what the best path forward would be post-suspension, and after countless late-night arguments, they finally agreed on a transfer. It would be best for the team, and best for his family. So why does he feel so guilty?

"Sorry to interrupt."

Prentiss barges into the office, as though she had an appointment. She glances over at him, and he can't read her expression. "Sir, I've decided to resign from the FBI, effective immediately."

"I don't understand," he frowns, taking in her rigid posture. He remembers your suspicions, as well as his own, but this can't be where it ends.

"I'm taking the foreign service exam. With my connections, I'd stand a good chance of landing in the State Department."

"Prentiss," he urges, trying to convey his understanding in his tone. "I think that's a mistake."

She shakes her head with a sigh. "Well, don't try to talk me out of it. Garcia saw my name on the list, and she already tried."

That makes him pause. "If she can't talk someone out of doing something, no one can."

"Sorry for the interruption, but, sir, it's good to see you back." She turns her gaze to Strauss, even as she continues speaking to him. "The team needs you."

She stalks out of the room after a quick "Ma'am", leaving him alone with Strauss, who looks like she's up to her last nerve. "I'll be overseeing this next case until I can assign your replacement."

"You don't have any field experience, do you?" He doesn't mean for the words to come out so critically, but his emotions are a jumbled mess that he can't decipher well enough to fix his mood right now.

"My job is to protect the Bureau. If I have to hold the team's hand for one case, so be it."

Hold the team's hand. He can't imagine that Strauss will be of much help in the field, but he keeps his mouth shut. He's been around enough authority figures to know when to keep his criticisms to himself.

"Ma'am," he says gently, hoping he can turn his thoughts into useful advice. "In order to function effectively, this team needs stability."

She clasps her hands together on her desk, and he knows it's done. There's nothing he can do to fix this for the team, at least not on this case. "The BAU has some very talented people, and they're Bureau assets, and I believe it's time that they were out from underneath the leadership of you and Jason Gideon."

***

Hotch was supposed to come back today. It's not until you're on the plane that Derek informs the team that he's requesting a transfer.

"What?" you burst out, unable to keep your composure even with Strauss seated a few rows behind you.

"He didn't tell you?"

You shake your head with a forlorn frown, and Derek jumps back in quickly to remediate the situation. "I only found out because I ran into him on the way to the jet. He didn't seem like he was in the mood for talking."

But he tells you everything. At least you thought he did.

"It's okay," you say, forcing your face into a neutral expression. "This isn't about me. I just can't believe he's leaving."

"Yeah," JJ grimaces, "and I can't believe we're stuck with her now. You know, from this angle, she looks almost human."

You all glance behind you, but thankfully, her face is still buried in the case file.

"Emily didn't come in today, either," you point out, turning to the empty seat next to you. "We're down two agents, and Gideon's MIA."

Reid blinks, and you curse yourself for being so cavalier. You know how hard Gideon's absence has been on him.

He recovers quickly and leans in to the center console with a raised eyebrow. "Has Strauss ever even been out of the-"

A chorus of shushes come from Derek and JJ and he shuts up as Strauss walks down the aisle and sits across from you all. "Correct me if I'm wrong, but I believe it's protocol to brief everyone before we arrive at the crime scene?"

JJ turns red and she nods hastily, opening her file. "Yes, ma'am."

Strauss has only been here for ten minutes and you already want to strangle her. JJ explains the case details succinctly, and when the plane lands, you all head over to the crime scene to find Detective Wolynski, who called your team in when the murders got out of hand.

Within minutes of meeting them, Strauss manages to ruin your relationship with the local police by questioning their decision to wait so long to call in the BAU. JJ immediately takes matters into her own hands as she explains that we have to work with them if we want to be included in the investigation at all, but she doesn't seem to care.

You get a call from Penelope as you're heading back to the SUVs, and you step aside to get out of Strauss's earshot. "What's up, Pen?"

"I tried everything I could," she wails. You can hear the distinct clicking of her keyboard in the background. "I tried to convince him to stay, but he's so stubborn."

You sigh, glancing over at the scene, where Strauss looks positively nauseous. You can empathize with her emotions, because you know how hard it was for you to see your first crime scene in person, but this just further proves how unfit she is to understand what being on this team really means. "If he made up his mind, there's gonna be no changing it, unless he changes it himself."

She huffs, before audibly perking up. "I gave him the Milwaukee case file before he went home, and I also, uh, saw that his transfer hasn't passed through the system yet."

You're almost certain she had something to do with that, but your mind immediately starts going through the possibilities of what this could mean. If his transfer isn't in the system, then that means he technically still works on this team...which means him not being here is in dereliction of duty. If there's anything that can convince Hotch to show up, it's duty.

"You've been more help than you know," you tell her, before hanging up and hopping into the SUV.

***

When he arrived at his house with the case file Garcia gave him, he immediately stuffed it in his bag and tossed it onto the floor. He definitely didn't think about reading it the entire time he was changing out of his suit, and making a quick lunch for Haley and himself. When she went upstairs to put Jack down for his nap, he couldn't help himself any longer.

Reaching into his bag, he pulls out the file and flips it open slowly, being careful to angle the gruesome photos away from the stairs in case Haley came down without him noticing. Women taken in the afternoons and killed. Bodies dumped in the morning. Hearts cut out of their chests. The words pop out at him as he skims the page, and he's so engrossed in the material that he doesn't hear her until she's standing over him. "I thought this was over."

"It is," he sighs, closing the file. "I'm just curious." He doesn't know when he started lying to his wife, but he doesn't like it. The bitter taste of it in his mouth.

He can see her gearing up for a fight when their home phone rings. He picks it up and clicks the button to answer, but even after saying 'hello' a couple of times, no one responds. For a split second, his mind flashes back a year to the Fisher King and the secret message left on his home phone, but he pushes the thought away.

He clicks the phone off, looking up at Haley again, but then a shrill ringing sound starts again, this time from her purse across the living room.

An unfamiliar queasiness fills his stomach, and he maintains eye contact with her as her eyes flicker back and forth a couple of times. He promised himself he would never profile his family, but the analyses come before he can shut off that part of his brain. Shifting eyes. Rigid posture. All indications of lying and shame.

"What did the Section Chief say?" she asks, her hands going to her hips. Stance of power to overcompensate for-

He shakes the line of thinking from his head. "She suggested that I transfer to a white-collar-crime task force."

"Would you have to travel?"

"No, I'd have a nine-to-five life."

She nods, and he can see the finality in her stance. "Then, it's a no-brainer."

***

You haven't been able to focus as well as you'd like to with the knowledge that Hotch isn't coming back hanging over your head. When you get a spare moment at the station, you step out of the conference room where all of the evidence has been scattered around and press the first number on your speed dial.

"Hello?" It's Haley.

You stumble over your words as you say 'hello' back. You weren't expecting it to be her who answered. She clearly wasn't expecting you either, because she sighs dramatically when she hears your voice and you hear a quiet "It's Y/N" before the phone is handed over.

You can understand where she's coming from. When Jeff was about to start his undercover assignment, you were so angry at him for choosing to be away from you for so long. But then rationality won over, and you remembered why he was doing it...for the same reason you are.

"Hey."

He sounds guilty. You can imagine.

"Hey," you say simply, waiting for him to fill in the gaps. He owes you at least that much.

"I'm sorry," he says after a long pause, "but you knew this was coming. You know Haley hates what this job turns me into, and you know sometimes I hate it too."

That wasn't really the explanation you were expecting. Not willing to let him off the hook, you turn your face away from the conference room windows to hide your expression and lower your voice. "You should have told me, and you know it. That's why you're hiding behind this false justification...but I guess you know that too."

There's a small rustling sound over the receiver and you can imagine him running his hands through his newly cropped hair. "This doesn't change the fact that I'm leaving."

Sometimes you forget that he was once a young boy with an alarmingly developed moral compass that didn't always point in your direction. It's times like this that remind you.

"Fine." You feel like an irritable teenager again, but you can't contain yourself around him. Even when you want to hide a part of yourself, you can't.

"How's the case going?" he asks finally. His voice has gotten softer and you know he feels bad about how this call has been going, but with neither of you willing to concede, you decide to ignore it for now.

"Well, Strauss just offended the lead detective 45 seconds into her first crime scene."

He chuckles softly. "I'm not surprised."

"This isn't about to get any better, is it?" you ask, huffing out a forlorn sigh.

"I doubt it," he agrees. "I'll keep looking at the file from my end. Any idea how he's getting control of these women? Is he blitzing them or coercing them?"

"So far, we're coming up blank," you admit, glancing back at Morgan and Reid, who appear to be in a productive debate.

"All right. Keep me posted."

***

Another victim turns up and you're not any closer to figuring out who the unsub is. Derek steps away from the group a few minutes after you and you see him pacing the halls of the precinct, his phone pressed to his ear.

A break in the case comes when Garcia identifies school records of children who exhibit signs of perfectionism and co-dependence, leading you to a profile for the unsub. You're all listening to Garcia as she reads off the records when the door opens, with two figures standing in the entrance.

"Look who's here," Morgan grins, shaking Hotch's hand. Emily looks sheepish as she glances over at Strauss, who is downright fuming.

"How fast can you get us up to speed?" Hotch asks without another greeting.

Morgan scoffs. "How fast can you sit down?"

Strauss opens her mouth to say something, but Hotch beats her to it as he takes a seat next to you. You ignore the gesture. "We're only here to help."

She sighs. "We'll deal with this later."

With two more members back on the team, at least for the time being, the SUVs are split more evenly, and you join Emily, JJ, and Strauss in the first one as you head to the crime scene. Strauss is the first one to walk up to the scene, but the moment she sees the mangled body, she breaks down, her face contorting into a sob that she tries and fails to hold in.

You make a move to go and help her, but you're surprised when Hotch is the first to step in. "If you need a second, take a second. This is what it is. Just don't let the public see you break down."

He's so kind to her, even though she's the reason for all of his professional stress. You suppose she's not the only reason, but that isn't something you get to have an opinion on.

The devolution of the dump sites leads to an update of the profile, which gets you an address for a young boy who left school early with the nurse on duty. It doesn't take long to get to the house, and Derek and JJ coordinate some of the local police and SWAT as you strap on your kevlar vests.

After an initial argument about the probable cause of entering a house you don't know is dangerous, Emily pipes up with an idea. "Let me go in alone."

"Wait..." you start but she steamrolls over you, clearly needing to compensate for not being here before. "The boy's in the family room. He's looking for female authority figures. If he lets me in, I can signal as soon as I see anything that gives us cause."

"Technically, you're not even in the FBI," Reid points out.

She nods. "All the better."

Strauss steps in with a frown, to no one's surprise. "She's interfering with a federal investigation."

"Well, if I'm no longer in the FBI, then you have no authority over me." Emily shrugs and turns to Hotch for the approval she actually wants. "I'm just a civilian knocking on a little boy's door."

He nods and she pulls her hair back into a ponytail. Derek hands her his gun, and you suddenly remember that Hotch doesn't have his gun either. Reaching into your other side holster, you pull out your second firearm and hand it to him without a word. He doesn't lift his hand at first, but then he nods at you and takes the gun, his eyes filled with an earnest gratitude, and you know you've forgiven him.

Once she goes inside, you all wait in silence for the signal to breach the home. It takes almost too long, but eventually your earpieces fill with a loud beeping, and Derek yells "Go!"

You find her in a back room, where she's on the floor, her forehead bleeding from a thick gash. You enter just in time to see Hotch leap forward and take Emily's weapon from the little boy, before lifting him up and carrying him out of the house.

"I can't officially approve of how that transpired," Strauss says when you all come outside. You sit next to Emily and squeeze her hand as the paramedics patch up her forehead.

Hotch shakes his head, clearly done with the bureau politics. "The arrest was clean. It would be a mistake to break up this team."

She looks at him pointedly. "None of you will ever move up the chain of command, you know that."

"Why would I ever want to leave the BAU?"

You almost believe him. It's not that you don't think he wants to stay. You know he does. You just also know how much his family means to him, and how thin Haley's patience has worn.

Morgan asks if he means it, and he gives a vague answer that you expect, before turning to look at you.

"Here." He reaches into his waistband and pulls out your gun. "Thanks, I appreciate it."

His hand brushes yours when you take it back, and the warmth of his skin makes you shiver against the slight breeze. "You're welcome."

***

When he gets home, the lights are off.

"Haley?" he calls out into the empty silence. He tries to convince himself that he didn't see this coming, but after her last words to him before he left, it's a futile exercise.

"Make sure to give your son a kiss before you leave."

He left, even when she begged him not to. Now his wife has left, and she took their son with her, and once again, he is utterly alone.

***

Gideon's resignation comes through and you find yourself missing him more than you thought you would. If Hotch is the backbone of the team, he was the stoic foundation. He formed the roots of the BAU as a unit altogether, and you owe your life's work to his intelligence and foresight. But more than that, you can't help but remember the fact that out of all the members on the team, Gideon knew Jeff the best.

He attended countless lectures about past unsubs that Gideon put on at the academy, because he believed understanding why people do things was just as important as knowing how or what they were doing. He even went to Gideon's home for the occasional dinner, and he brought you along once after you got married.

You're not sure what the team will look like without his guiding hand, but you don't have to wait long to find out when JJ calls you with the notice that you're going to Portland.

Spencer is reading a piece of paper over and over again when you get to the office, and when you peek over his shoulder, you see the familiar scrawl of Gideon's handwriting.

Taking a deep breath, you reach forward to put your hand on his shoulder for a moment of comfort, but think better of it and pull back at the last second. Derek sees your indecision and cocks his head towards him.

You walk over to his desk and perch on its edge with a sigh. "I can't believe he would leave just like that."

"I can," Morgan shrugs, his eyes hard with contempt. When you shoot him a look, he softens. "I just mean that he's been showing signs of withdrawal for a while now. It still sucks for the kid, though."

You both look up at Reid across the aisle, where he is still scanning the letter. "At least he got a letter." You try to bring humor into your tone, but it doesn't work.

"It's not about us," Derek says gently, in a show of empathy for the older agent that is unfamiliar coming from him. "He did what he had to do to keep himself sane. We just have to let him."

You nod, just as JJ emerges from the hallway with Hotch on her heels. "We're starting the briefing."

***

"You must be the BAU."

A handsome man with a thick East Coast accent comes forward to introduce himself when you all enter the Portland field office. "Special Agent Bill Calvert."

"Hi, Jennifer Jareau," JJ smiles, extending her hand. "This is SSA Aaron Hotchner. This is Dr. Reid and Agents Morgan, Prentiss and L/N."

He smiles at each of you but his eyes linger on yours for a moment before he takes JJ's hand. "I appreciate your help on this case."

"You're from Boston?" you ask, trying to place his accent after having heard nothing like it since you landed. 

"The accent's kind of hard to miss in Oregon, right?" he grins, before reaching his hand out to you. "Agent L/N, was it?"

You shake his hand, shooting him a thin smile. You can already see Emily and JJ's smirks behind your back.

"We'd like to take a look around Jenny Wittman's apartment," Hotch steps in, moving forward to stand beside you.

Calvert nods. "I'd take you myself, but I'm waiting to meet her family, so I'll have another agent drive you."

"Thank you." Hotch rushes off with Reid and Morgan, and you stay back with JJ and Prentiss to work the victimology.

"Can we set up in here?" you ask Calvert as you start moving the boxes of case files and evidence onto the conference room table.

"Of course," he says, before leaving the three of you alone.

The first ten minutes of looking through the evidence is silent, and for a second, you nearly let yourself believe the other women won't bring up the elephant in the room, but then JJ lets out an involuntary giggle and they pounce.

"He's definitely into you," she says, making no effort to hide her gaze as she unabashedly stares at Calvert through the window. You want to retort immediately, but after seeing her check her phone about a dozen more times a day than she usually does, you suspect she may actually know what she's talking about when it comes to love these days.

Emily nods, biting her lip. "He couldn't stop looking at you."

"You're profilers," you argue, tossing the file in your hand onto the table. "You notice all kinds of insignificant stuff."

"So are you," JJ points out. "What do you think, then?"

They have you boxed in, and you can't think of any answer that would sufficiently appease them so you just groan.

"She's into it, too," JJ grins at Emily, who replies with, "I can't believe Y/N's gonna date someone from Portland."

Without thinking, you huff. "He's from Boston." All three pairs of eyes widen as you realize your slip in not denying her statement.

Emily laughs. "Ohh, it's so happening!"

***

When the men return from Jenny Wittman's apartment, Hotch instructs JJ to televise a statement warning possible future victims who fit the unsub's victimology. When Emily and Derek later find an ad hung up in a local laundromat that suggests he's been killing for longer than you'd previously thought, you decide to head back to the trail where the first bodies were found.

When you arrive on the scene, a dozen new bodies have been found further down the trail and near the water.

"How did we miss this before?" you think out loud, not realizing that Calvert has come up behind you.

"The trail's 40 miles long."

You jump when you hear his voice, and he apologizes after a small chuckle. "Didn't mean to scare you."

"Special Agent Calvert," you say, your voice slightly airy as you catch your breath. "No need to apologize."

"Okay," he smiles, turning to stand in front of you, "and you can call me Bill."

He's a good looking man, and you don't dislike the feeling of someone showing interest in you, especially as clearly intelligent and qualified as him.

"Sure," you say, returning the smile. "I'm Y/N, btw."

"That's a pretty name," he says, his eyes glinting with mischievousness, before he turns back to the scene before you. "They dug up eight new graves before you got here."

You frown. "So the unsub didn't stick to the pattern."

"Guy had a busy year."

You nod, pondering what this change in M.O. could mean, when Bill interrupts your thoughts. "I'm interested to hear more about how this profiling thing goes."

You give him a quizzical smile, and his lips quirk up. "I took a class in criminal psychology in college, but I don't remember enough to be useful in this area."

"We observe human behavior," you explain, ignoring the subtle smirk Emily is flashing you from behind his back. "Profiling is about making connections and predicting future actions based on history, victimology, and behavior."

He takes a moment to digest your words before huffing out a laugh. "Sounds to me like we called in the right team."

When another agent comes by to ask him about the crime scene procedure, you take your leave and walk up the hill of mulch by the open graves. You are nearly to the SUV when you spot Morgan beelining towards you.

"Not you too," you sigh, rolling your eyes dramatically as you stalk away from him.

He catches up to you easily and throws an arm over your shoulders with a grin. "I'm not gonna give you the giggly girl talk that JJ and Prentiss clearly have covered. I just wanted to say one thing."

You look at him expectantly and he brings you both to a stop by the cars. "You're a catch, L/N." You start to roll your eyes again, but he shakes his head. "You are, so if you want to have a little no-strings-fun, then I'll have your back through and through."

You have no idea what no-strings-fun would look like, but you glance back at Bill, who is speaking animatedly with another agent about the change in digging patterns of the graves.

"I don't know what I want," you admit as Derek drops his arm and turns to face you.

"That's okay," he says, before the corner of his mouth quirks up into a smirk. "But figuring that out can be just as much fun too."

***

He would be lying if he said he hasn't noticed you talking to the Special Agent on the case. Calvert, he remembers as he thinks back to the capture and subsequent suicide of the unsub from the roof of his old therapist office.

They were able to find the final victim before she died, so even with the unsub's death, the case feels like a victory, and the whole team looks light on the way back to the jet.

He has been trying to keep himself light too, but every time he gets a moment to himself, his mind reverts back to the silent darkness of his home after he returned from the last case. The reminder that he hasn't seen Haley or Jack in days.

When he reaches the tarmac, he spots you talking to Calvert again, but the conversation looks different than before. The special agent looks nervous, and he tries to gauge whether you seem comfortable, before realizing how relaxed you look.

When he gets closer, he catches the end of a question that likely started with "Can I have your number?" You smile at the man, and he turns away, trying not to eavesdrop.

He can't tell what he wants you to say. He knows it's been enough time since Jeff's death that real dating isn't out of the question, but he can't reconcile the protective instinct flickering in his gut.

Regardless of the distance he tried putting between you and himself, your voice carries over the tarmac, and he hears you say, "I'm sorry." before the rest of the sentence gets jumbled in the breeze. Something that feels alarmingly like relief settles in his chest and he frowns at the foreign feeling of it coursing through his veins.

He boards the plane and purposefully chooses a seat with an empty spot next to it, knowing you'll choose to sit beside him after he practically ignored you all day. He really wasn't trying to shut you out, he just doesn't know how to broach the topic of separation with anyone, let alone someone who had as stable a marriage as you did.

When you board the jet and take your seat next to him, he glances over at you sheepishly and murmurs, "I overheard the end."

He's surprised when you laugh lightly. "It's okay. Everyone was going to find out soon enough, especially with how excited Prentiss and JJ were about it."

He nods, glad that you aren't angry about his invasion of your privacy. Then, before he can stop himself, he looks at you and asks, "You didn't want to see him again?"

"I don't think I'm looking to just date for dating's sake anymore," you explain, your eyes flitting around the cabin at the sleeping forms of the rest of the team. "I had a true love...I don't want to settle down again for anything less."

He understands that completely, but he can tell there's something else bothering you, and not just because of the rhythmic bouncing of your knee that you don't seemed to have noticed. "What else?"

You shrug, not meeting his eye. "I used to have my usual excuse, but I can't really say it's too soon anymore, can I?"

He frowns as he notices the visible strain on you that this burden has caused. "You get to decide that for yourself."

"I know," you sigh, rubbing your eye with a loose fist. "I just worry sometimes that I use Jeff as an excuse to keep myself closed off." Your knee stills, and Hotch scoots closer, even with the armrest in the way.

"You don't seem closed off to me."

Your eyes crinkle with laughter. "I'm not sure if that means much coming from you. You're not exactly the picture of openness, Hotch."

He knows you're mostly joking, but your read punches him in the gut in a way he doesn't expect. You must see the shock on his face, because you immediately lean in closer. "What is it?"

He shakes his head, trying to delay for as long as he can. If he doesn't say it out loud, maybe he can pretend that he's still a happily married man. That he didn't fail his wife and son by being as absent as he had wished his father had been, early in his life.

"It's not about Gideon leaving, is it?" You scrutinize him for a moment before shaking your head. "No. Hotch, what's the matter?"

"We agreed not to profile each other," he sighs, gritting his teeth against the pain of having to vocalize one of the lowest moments in his life.

"Aaron," you whisper. Your voice is soft and gentle, and he breaks.

"Haley left."

Your mouth parts in surprise, and he looks down at his lap, taking a deep breath. "And I don't know if she's coming back."

***

You've been waiting in the arrivals lot of the airport for almost an hour. You're assuming his flight got delayed, and you're grateful for the time to get yourself ready to see him, but the wait hasn't made your jitters any better.

You haven't seen Hotch since you left for college last year, and with his pre-law internship that he somehow snagged as a first year, it was a lonely summer.

When he called you last week with profuse apologies for not staying more in touch and a somber tone that had to be about more than his regrettable phone habits, you had told him that you would love to see him, but your winter break doesn't start for another month. After a few hushed breaths and a second of thinking, he told you that he had bought a plane ticket out to California for the following weekend.

That's why it's Friday afternoon, and you're still waiting for his familiar mop of dark hair to appear through the exit doors. A boy walks out right then, with the same raven hair and fit stature, and your heart rate hastens for a split second, before you realize it's not him.

You look down at your car's radio and twist the dial to change the station. It's been playing the same Madonna song nonstop, and you shut off the volume when the other stations are no different. Your shift in focus takes your attention away from the airport exit, so you jump in your seat when a quiet knock sounds at your passenger side window.

He's here. Your lips curve up into a bright smile and you unlock the door, letting him get in.

"Hi," you say, your voice weaker than you'd like.

"Hey, Y//N," he replies, pushing his long hair back from his face. The simple motion sets off butterflies in your stomach and you turn back to your steering wheel to keep your emotions off your face. He could always read you so easily. "It's good to see you."

He grins at you and leans forward to give you a quick, awkward hug over the center console. You involuntarily inhale as he pulls back, and the scent of his natural musk mixed with whatever new cologne he's been wearing smells dreamy on him.

You said you were over it, you tell yourself in your head. He has a girlfriend who he's going to marry, and you are his best friend. At least you were.

You don't really know where things stand between you two now. A year is a long time to go without seeing someone, and you're sure college has changed him in similar ways that it has changed you.

"I have one more class today," you say quickly as you pull your car out of the lot. "It's criminal psychology, so I figured you wouldn't mind coming to the lecture with me."

"Sounds fun," he says, before leaning his cheek against the window to watch the scenery that zips by. "God, the weather here is crazy."

"It's definitely warmer than I'm used to," you agree, struggling not to glance over at him. "We never had 70 degree winters growing up."

"Which do you prefer?"

You grin. "Home, of course."

"Of course."

You look at him then, and his expression is one you don't understand. It's the same look he gets when he's in the library and he finds a book he's been looking for.

The drive doesn't take long, and you bring him to your lecture, where he proceeds to pay more attention to the information being presented than you do. The class usually feels too short for you, but today, the time ticks by, because you can't focus.

It's been so long since you've sat next to him in a class, and the sight of him jotting down notes on a scrap piece of paper takes you back to high school, when he was still the more attentive one.

After the lecture, you both grab a quick dinner in the dining hall and settle back into your double dorm room, which you painstakingly cleaned up before he arrived.

"So, how long have you guys been friends?" your roommate, Katy, asks him as he drops into your desk chair. You've been watching her ogle him since he arrived, and if he's still as perceptive as he was in high school, it hasn't escaped his notice either.

"Forever," he says, looking at you with a grin. "We met when we were eight. When she judged my taste in The Beatles, it was over for me."

You can't help the heat that flames in your cheeks, even though you know this story by heart. Katy keeps glancing over at you as he explains how you guys met, and eventually she gets up and flops down onto your bed next to you. "You're bringing him to the party tonight, right?"

Your eyes widen as you remember that was today. "Oh, I don't know. We might just stay in."

"You have to come!" she squeals, shaking your arm. She turns to him with a pointed look. "We already have outfits picked out."

"I guess we gotta go, then," he smiles at her, before looking at me with a small raise of his eyebrow. You okay with that?

You dip your chin into a nod, and he stands up. "I'll head out for a walk as you guys get ready."

"Sounds good!" Katy says, grabbing your hand and sliding off the bed. "We'll see you in an hour."

Once the door closes behind him, Katy turns to you, her mouth agape. "You never told me how cute he is."

"What?" you sputter, your cheeks turning a bright shade of pink.

"You also didn't tell me you're, like, in love with him."

You scoff involuntarily, your usual diversion technique when someone brings up a topic you want to evade. "What are you talking about?"

"Okay," she shrugs, reaching into your closet and tossing you the dress you were planning to wear. "If that's how you want to play it."

You go into your attached bathroom to change into your outfit, but after seeing Hotch, the mini sundress you picked out feels like too much. You hate how much you're overthinking something as stupid as an outfit for a party.

You turn away from the mirror and go back into your dorm, where Katy is applying her signature shade of red lipstick in her little mirror stand.

"He has a serious girlfriend," you whisper, almost too quiet for her to hear you. But she is more perceptive than you give her credit for. "Like eventual marriage-serious."

"Oh, honey," she coos, patting the bench seat next to her. You scoot in until you're side by side and she wraps an arm around your shoulders. "I'm sorry I brought it up."

"It's okay," you shake your head, leaning on her shoulder. "I just need to get over it. It's a stupid crush that I've had since high school, but it's time. Maybe this party will help."

"Yes, exactly!" she grins, turning her head to look at you. "Nothing that a little music and a few shots can't fix."

"A few shots?" you laugh.

She nods. "Each."

~

You down another shot of whiskey before tossing your cup onto the table and following Katy onto the dance floor. She grinds against her boyfriend as you dance beside them, moving your hips side to side with the rhythm of the music.

Being in Los Angeles, the temperature outside is already warmer than it should be in November, but inside the house, your dress is sticking to your skin from the sweat and body heat surrounding you.

You're feeling the alcohol enough to have a good time even in the sweaty throng of bodies around you, and you throw your head back as you close your eyes and feel the thump of the music vibrating the floor boards.

Meanwhile, Hotch can't find you anywhere. He's drunk enough already that he knows he won't be able to find you himself, but he doesn't know anyone else here, so he grabs a half empty bottle from the drinks table and makes his way to the dance floor, where the life of the party seems to be centered.

He's usually a lot more fun at parties, but lately he hasn't felt like himself. Ever since you left for school across the country, it has felt like something in his life was wrong, like he was missing a limb. Then, things started looking up with Haley, and he pushed you away in the hopes that he would forget about any of the doubts he had, but it didn't work. The more he missed you, the worse things got in his relationship, and suddenly he wasn't sure what his life was supposed to look like anymore.

He takes another swig from the bottle and leans back against the counter as he watches people dance against each other in the dim light of the house. His eyes flicker over the mess of bodies until they catch on someone he almost doesn't recognize.

Your eyes are closed and your hands are in the air as you move to the beat. It's not exactly graceful music, but you have managed to find some semblance of a rhythm as you slide your hands down your thin dress, which is sticking to your body in a way he can't take his eyes off of.

He doesn't realize he has lifted the bottle to his lips again until the liquid is burning his throat, and he tears his eyes away from you as his head starts to spin. Maybe he's had enough for tonight. He puts the bottle down just as your roommate spots him. Katy, he thinks, or is it Sadie?

"Aaron!" she calls, stumbling over to him as a man holds her up with an arm around her waist. "Where's Y/N?"

"Not sure," he lies easily, barely conscious of the way his words have started to slur together. "I may head out soon."

"Don't leave without her," she instructs, her voice suddenly getting serious. "I'm staying with him tonight." She pats the man's arm. "So I won't be going back with her."

He nods with a resigned sigh, and slumps down on a couch in the next room, leaning his head back to stop the room from spinning.

~

When you tire of dancing, you push to the back of the crowd and look around to find any familiar face. You can't see Katy or her boyfriend anywhere, but after exiting the room, you spot Hotch asleep on the couch.

You walk forward with a slanted smile and put your hand on his shoulder to shake him awake. "Hotch, get up."

He groans, peeling his eyes open slowly. "I'm awake. Just resting my eyes."

"Yeah, yeah," you tease, looping your arm through his to help him up. "How much did you drink?"

He shrugs and you wrap your arm around his waist to hold him upright as he stumbles forward. "Whoa there. Okay, let's get you back."

You manage to get him out of the house, and once the fresh air hits, he can almost stand up straight on his own. You keep your arm around him just in case, trying to ignore the way his tee shirt is slowly riding up around his waistband.

You make the walk back in silence, and he falls back onto your bed as you lock the door behind you.

"I'm sorry," he whispers when you perch on the edge of the bed next to him.

"It's okay," you say, huffing out a laugh. He looks so young with his hair falling onto his face, and you resist the urge to push it back off his forehead. "Happens to the best of us."

"No, not that." He rolls over with a groan, flopping onto his back and scooting back so he can lay on your pillow. "I'm sorry I stopped calling."

Your heart skips a beat and you tuck your hair behind your ear, needing to occupy your hands somehow as your mind races with a million questions. "It's my fault too."

"No, it's not."

He isn't slurring his words anymore, but you can still hear the earnestness that only comes when one's filter is completely shattered. He was never one to hide things from you, but you also know how truthful people can get when alcohol takes their mask away.

"Haley and I have been having problems for a while," he mutters, making you sigh. So that's why he flew here in the middle of the school year. "We haven't been seeing eye to eye on a lot of things, and we decided to take a break, but I haven't told anyone, because the only person I wanted to tell was you."

You can't look at him. His gaze is too much, his eyes too full of truth and intensity. "Hotch-"

"I miss you so much," he says, cutting you off. "You're the only person I've ever really been able to talk to, but you know that, don't you? It's the same for you, it has to be."

You don't say anything. The air feels thick with tension, and you're afraid that if you say something, the room will explode.

"She's the perfect girlfriend," he says wistfully, his voice tight with an emotion you can't decipher. "I know it's me who's fucking it up, and I hate myself for it, because she's trying so hard to make this work. But every time it feels perfect, and I think I've finally gotten what I wanted, I just remember-"

"Aaron."

You look at him and his eyes are already staring into yours. You have wanted him to love you the way you loved him for years, but not like this. Never like this.

"You can't fuck this up," you whisper, your voice stronger than you expect it to be. "Call Haley tomorrow morning. Tell her you're sorry, and that you love her, because you do. You know you do."

"I love her," he nods as sleep pulls his eyelids down. "Tomorrow..I'll call her."

You watch him as his limbs relax and his breathing evens out, but you don't fall asleep until the sun starts to rise and you physically can't keep your eyes open anymore.

***

"Happy All Hallow's Eve, folks."

Reid pulls his mask off as Derek looks at him with a frightened frown.

"Are you scared of Halloween?" you ask him, trying to keep the grin off your face.

"I didn't say I was scared," he corrects, glancing over at Reid, who drops his mask on his desk and pushes his hair back from his face, "I said I was creeped out."

"What creeps you out about it?" Emily asks, before grinning at you.

"I bet it's the candy," you joke. "Those muscles probably cower at the sight of anything that isn't meat or protein powder."

Emily snorts and Derek frowns at both of you. "It's the masks. I don't like people in disguises."

"That's the best thing about Halloween," Reid chimes in. "You can be anyone you want to be."

Derek grins. "No, I'm pretty good just being me."

You and Emily share a look. "Yeah, why is it that neither of those points of view surprise me?"

"Guys," Reid suddenly calls out, his voice hushed. "He's here."

You turn around to see Hotch walking down the stairs, accompanied by Agent David Rossi, who you've heard a lot about in your years at the bureau. He was one of the founding members of the BAU, and you can't help but wonder what made him want to come back.

JJ introduces him to everyone, before Reid starts spouting off a list of facts from one of the old cases he solved when he was the chief of the unit.

"Reid, slow down," Hotch says with an uncharacteristic smile. "He'll be here for a while. Catch up with him later."

He nods. "Right, sorry."

Agent Rossi doesn't seem fazed. "No problem, Doctor."

This pleasantly surprises you. It's all too often that new people who meet Spencer don't immediately treat him with the respect he deserves.

"Let's start the briefing."

***

The flight back from Texas is hushed. The case went about as well as you could hope, with them catching the unsub and saving the final victim, but the way Rossi went rogue over and over again has rubbed you the wrong way.

You watch him across the cabin as he pores over his little notebook, and you wish you could peek inside his head. You know that the team aspect of the BAU is a newer addition to the unit, but you don't understand how he can keep all of his thoughts to himself.

"What are you thinking about?"

"Gah," you fright, jumping in your seat. "When did you sit next to me?"

Hotch shrugs, his lip quirking up. "A few minutes ago."

"Well, you should really wear a bell or something, god."

"Y/N," he says, giving you a pointed look. He doesn't let you use your evasion tactics anymore. Given your penchant for aimless talking, you suppose that's a good thing.

"I was just thinking about Rossi," you sigh, glancing up at him again. "Lying to the press to get a reaction from the unsub? Taking over that phone call? I don't like how he works, Hotch."

"He's from a different time," he says, even though you can hear the agreement in his voice, "but he worked with Gideon, and if you remember, it took you a while to warm up to him too."

You heave out a breath but it's the only concession you're willing to give in this moment.

"He's used to an older way of doing things, but he's a great agent."

"He clearly has good ideas," you whisper, "but I just worry that you'll have to work over time to keep him under control."

Hotch ponders this, and you think that maybe he knows you're right. Your eyes shift up and you realize his hair has been shorter for a while now, but you're still not used to seeing so much of his forehead. Not that there's anything wrong with his forehead. It's a fine forehead.

"He was the team leader before he retired," Hotch says suddenly. "He may be tough as a subordinate now, but I'm still glad he's back. We needed someone to fill Gideon's spot, we were low on hands."

"Speaking of, why do you think he's back."

He looks at you with a quizzical frown. "Is it really so hard to believe that he may just want to help us out?"

You think for a second, before shrugging. He laughs.

"I don't know," you concede, with a small chuckle. "I think I'm just expecting things from him that aren't fair."

He turns his body to face you. "Like what?"

You press your lips together, trying to formulate your words properly, so you can clearly articulate the tornado of thoughts in your brain. "I know Gideon wasn't a father figure exactly, but he was someone that Reid and Elle latched onto."

Hotch exhales. "I don't know if Gideon is someone I'd want as a father."

You let out a surprised laugh. "Fair enough."

"How is your father doing, by the way?"

You blink in surprise. It's not that he doesn't talk about your family, it's just that the timing is uncanny. You haven't spoken to him in months. After your mom died, you two were almost inseparable, but then you left for school, and you realized how much bigger the world could be when you weren't always bogged down by your grief. "I haven't called him in a while."

"What did he say after Golconda?" he asks, his voice gentle. After Frank, he means.

You close your eyes, guilt flooding your body. "I never told him."

"What?" You don't look at him, but you can see the shock in the stiff line of his posture. "Did something happen between you two?"

You shake your head, your protectiveness over your family flaring up at the concern in his eyes. "Nothing happened. I just didn't want to worry him."

"That's his job," Hotch stresses, scooting his leg over so his knee bumps yours. "If something like that had happened to Jack, I wouldn't know what to do with myself."

"That's what I'm scared of," you tell him, your eyes flitting over to the window, where the clouds are dancing across the horizon. Sometimes, when you're on the jet, you like to pretend that the time up here isn't real. That as long as the world looks like a series of splotches and blinking lights, nothing can really hurt you. "My mom's death nearly killed him. I learned to cook when I was ten, because he couldn't leave his room for a month." Hotch knows all of this already, but he lets you vocalize your thoughts, obviously knowing how badly you need reassurance for the guilt you're feeling. "Then, when Jeff died, I stayed with him for a few weeks to have some company, but...but.. I was so glad when I left, because then I could finally let myself fall apart."

He reaches under the armrest and clasps your hand in his, extending the comfort you didn't know you needed.

"I've never told anyone that," you whisper, feeling your voice tighten with tears. "I love my dad, I love him so much, but I just needed the chance to recover on my own."

"He loves you too," Hotch says, finally breaking his silence. "You know he loves you. I still remember the themed sandwich baggies that he packed your lunch with all through middle school."

You choke out a laugh. "You would always steal the Spiderman ones."

He smiles, squeezing your hand once. "Maybe you just need to give him another chance to be who you want him to be. He might just surprise you."

You know he's right. Somehow, he's always right.

You nod, flashing him a small smile, and lean your head on his shoulder as the clouds float past your window.

***

He glances at his watch for the tenth time since he sat down in his office. The plane landed just over an hour ago, and he sent you home immediately with the instruction to get some rest. He probably should have gone home too, but ever since he got his new apartment, home hasn't felt the same.

He used to be able to look around any corner and see a memory: the couch where he and Haley made love on their first night at home, the soft carpet where Jack took his first steps, the doorframe where he measured his height on his first birthday as Haley held him up by the arms. He also remembers that he wasn't there to see Jack's first steps; he was in Pittsburgh, working a case and thanking his lucky stars that Haley had had the foresight to take a photo as his son stood upright all by himself.

He lifts the picture frame from the edge of his desk, running his fingers over the cool glass and looking at the blue drawing underneath. Jack had drawn his favorite cartoon character and left it for him on the kitchen table, a few nights before his suspension went into effect.

Putting it back down, he looks at the photograph of him holding onto Haley as she clutches newborn Jack to her chest in the hospital. He still has the photo of just him and her on their wedding, but he pushed it to the back, behind the pictures of Jack, and the one of you and him at law school graduation.

A knock sounds at his door and he looks up to see Dave standing in his doorway. "Can I come in?"

"Of course," he says, waving him in. He doesn't sit down, so Hotch stands up too, unsure of how he feels about the power imbalance in the room. "What can I do for you?"

"You said out there, 'The team shares everything.'"

He nods. "That's right."

"There is no 'I'?"

He nods again, not liking where this may be going.

Dave glances down at his desk, where his phone sits next to the picture frame of his family. "Seems a big thing to withhold. Separating from your wife, your child."

He freezes, unconsciously looking at the door to see if anyone heard. "What are you talking about?"

"You used to call Haley 10 times a day," Dave says, his voice not unkind. "We've been together 48 hours and I haven't seen you call her once. You haven't mentioned her, and you're not going home now."

He frowns, feeling his brow settle into place like it's a uniform he wears whenever he's at the office. "What's your point?"

"I guess you're just not used to sharing."

He doesn't say anything, but Rossi seems to interpret this the wrong way. "Or maybe it's something else." He looks out the window at the empty bullpen, but the implication is still clear. "Was it because of...?"

"What?" He doesn't know where this is coming from, but he can't stop the anger that rumbles through him at the connotation. Unable to help it, he looks down at your desk, and Dave tuts.

"I won't say anything."

"Dave," he shakes his head, trying to remain calm. "You have it all wrong. She's my best friend...since we were children. It isn't like that. It was never-"

It was never like that. That's what he's about to say, but that wouldn't be true. Rossi is a good enough profiler that he would be able to spot a lie from a mile away, so he shuts his mouth and shakes his head again. "It's not like that."

"Okay," he accepts, lifting his hands in surrender. "My mistake."

Hotch nods, and Dave leaves his office, but he can't get their conversation out of his head until later that night when his head hits his pillow and his eyes finally fall shut.

***

"Hey, Dad."

You called him when you got home from work that night, and he answered on the second ring. "Hi, sweetheart."

"How are you?" you ask, clutching the phone to your ear as you sink down onto the couch in your living room.

He doesn't answer for a moment, and you can hear him taking a breath. "I'm good, Y/N, how are you? Is work going well?"

"It's good," you tell him. "Really good. We were able to save a woman today, before the unsub could kill her."

"Unsub?"

"Unknown subject," you explain, quickly realizing just how long it's been since you've spoken to him. "It's what we call the bad guy before we know who he is."

"Right," he says, and you can practically see him rubbing a hand over his face, his nervous tic. "I knew that. Anyway, how is everything in your life? Do you still work with Aaron?"

"Yeah, I do," you say with a laugh. "He was actually asking about you earlier today."

"That's nice of him," your dad says, his voice brightening slightly. "He was always a good friend to you."

You tell him about your most recent case, and about Gideon and Elle leaving the team, but eventually you can't evade the topic you've been trying to avoid all night.

You're okay, you think to yourself. Frank can't hurt you anymore.

"Dad," you whisper, closing your eyes as you take a deep breath. In 1, 2, 3. Out 1, 2, 3. "I have something to tell you."

Then you tell him everything, and he just listens, exactly like you hoped he would.

***

"I met this guy." You didn't even see Penelope approach you, but here she is, looking at you like she's about to say something dirty.

"Hell yeah," you grin, trying to match her energy. "Where?"

"A coffee shop," she smirks. "He was having trouble with his computer, so I fixed it for him, and then he asked for my number."

"Look at you," you joke, giving her a side squeeze, "putting your technical analyst skills to good use."

"Thank you," she huffs, throwing an annoyed glance over her shoulder. "That's more of the response I was looking for."

"What do you mean?"

"Derek," she says simply, and you nod, already knowing where she's going with this. You know they have an uncommon relationship, so you're not surprised that he didn't react exactly how she hoped he would.

"He's an idiot," you tell her, patting her arm.

She laughs. "You don't even know what he did."

"Uh, yeah," you say, turning around to face the bullpen, "I definitely do."

***

The case takes the team to Florida, where an unsub has been feeding women their fingers, killing them, and then carving pentagrams in their skin.

The pentagrams suggest a religious element, so you go with JJ, Morgan, and Rossi to the local church to meet with the priest.

"Rossi, do me a favor," Morgan says just before you walk inside. "You talk to the priest, all right?"

You remember his agitation on the jet when Reid prodded him about his beliefs, and given the cruelty of his childhood, a crisis of faith wouldn't surprise you.

"Hi, Father Marks," JJ greets the priest when you enter the church. She introduces all of you to him, before shaking his hand. "We're sorry we have to be here under these circumstances."

"It's good of you to come," he says, greeting all of you. "Abbey's parents are upstairs in my office."

"We'll go up," Rossi says with a nod, "but Agent Morgan actually has some questions for you."

Your eyes flash to Rossi, but he doesn't return your gaze.

"I have some questions too," you offer, and Derek nods gratefully.

The priest answers the few questions Derek spits out at him, and you watch as his eyes wander around the hall, his shoulders raised with tension. You insert a few of your own questions before heading outside with him to wait for JJ and Rossi to finish up with the victim's parents.

"What happened in there?" you ask when he doesn't meet your eye. "Being rude to Father Marks? That wasn't like you."

"You know what happened to me, L/N," he says angrily, kicking his foot out at a loose stone on the pavement. "I went to church everyday, and I prayed for it to stop, but you know what God did? Nothing."

"I know what a crisis of faith looks like, Derek." You stand in front of him, forcing him to look at you. "But Father Marks doesn't know your story. He's not judging you, he's just showing his faith how he knows best."

His shoulders are still tense as his jaw twitches. "Who does Rossi think he is, throwing me under the bus like that?"

"He's an instigator," you shrug, letting the topic slide for the time being. You'll talk to him again later if he still needs it.

"I didn't love the way Gideon did things either," Derek says, his posture going from agitation to annoyance, "but Rossi might just take the cake. Even if he is better with the victim's families."

"I can't help you there," you almost laugh. "I had the same conversation with Hotch after the case in Texas, and he managed to convince me to give the guy a chance. So...if you can't bring yourself to trust him, just think of it as putting your trust in Hotch."

Derek hums, bumping your shoulder with his. "I guess I can do that."

***

The search party for Tracey Lambert only leads to the unsub taking another woman, and suddenly the ticking clock gets a lot louder. By the time you find his lair and the bodies he has been cannibalizing for years, you're already struggling to keep down even the water you've been drinking. When he reveals where Tracey actually is, you feel so sick, you can't breathe.

When the jet lands back in Virginia, you go home immediately, desperately needing some peace and quiet away from the team for the first time in a while. But that doesn't last long.

You're awoken by the shrill ringing of your home phone. Rubbing the sleep from your eyes, you check the number and answer the phone. "Is this payback for the last time I called you past midnight?"

"Y/N...it's Garcia."

You shoot up into a sitting position as Hotch explains what happened. "How bad is it?"

"I don't know."

"I'm on my way."

You change into a sweater and a pair of loose jeans before grabbing your keys and flying out the door.

"She's in surgery," JJ tells you when you find them in the waiting room. She pulls you into a hug before returning to her hunched position in an uncomfortable vinyl chair.

"There's no other word," Hotch adds, giving you a quick hug as well. With his cheek pressed against your temple, he whispers, "Police think it may have been a botched robbery."

"Where's Morgan?" Emily asks, standing up from her chair.

"He's not answering his cell."

Reid nods, stepping away. "I'll call him again."

He squeezes your hand before he exits the waiting area, and you glance down at JJ again. Her eyes are red from crying, and her chin is pressed into her palm as she stares at the floor. You watch as Emily sits next to her and pats her hand, before clasping it in hers.

You don't realize you've been staring at the same spot on the floor until Hotch stands next to you and nudges your shoulder. You okay?

"I will be," you say out loud, barely registering that he didn't actually ask you anything. "As soon as she's out of surgery." When you got the call that Penelope was shot, you had been hit by an intense feeling of deja vu. Only this time, the call didn't come from bureau leadership, because she wasn't killed at the scene. Because she's going to make it.

He doesn't seem fazed as he checks his watch again, his frown lines deepening. "It shouldn't take this long to get an update."

"Where have you been?" Reid asks suddenly. You look up to see Derek walking into the waiting room, his eyes wide with panic.

"I was in church. My phone was off."

"There's nothing you could have been doing here," Rossi assures him, before nodding at Hotch and pulling him aside to discuss something with the deputies outside. You use the momentary lull to approach Derek, putting your hand on his arm as an initial test. When he doesn't jerk back, you pull him into a hug that he returns gratefully.

The doctor walks in a few minutes later and explains that Penelope will be fine, but she needs to rest until the morning.

"David and I will go to the scene," Hotch informs, his eyes fixing each of you with an empathetic look. "I think the rest of you should be here when she wakes up. I don't care about protocol. I don't care whether we're working this officially, or not. We don't touch any new cases until we find out who did this."

When they leave, you pull Derek down into the chair next to you and lean your head onto his shoulder. After a beat, he relaxes in his seat, and lets out a long sigh. "She's okay."

***

Early the next morning, the doctor shakes you all awake with the notice that Penelope's up, so you rush into her room, trying not to crowd her as she blinks awake.

"Hi," she says softly, her voice small. She looks so innocent, laying in her hospital bed with her blonde hair a halo around her head. You can't imagine how anyone would want to hurt someone like her.

"No tears," she smiles as you swallow down your anger. "I'm afraid if I start crying, I'll come unstapled."

JJ presses a kiss to her cheek, before Derek and Emily start gently plying her with the usual questions. When it comes out that the man who shot her was the same man who asked her out at the coffee shop, your anger turns to anguish, and you reach forward to squeeze Penelope's hand in an effort to comfort her.

"I just thought he liked me," she whispers, the pain in her voice breaking your heart.

"We need a name," Emily asks abruptly. You can see her mentally kicking herself at how serious her words came out, but you know Penelope understands the gravity of this situation.

"James Colby Baylor."

She asks you and JJ to stay back for a second as the rest of the team leaves to investigate Baylor.

"What's up, honey?" you ask, smiling at her sweetly as she uses her other hand to take JJ's.

"I feel so stupid," she sighs, her breath turning into a gasp as tears fill her eyes. "Maybe Derek was right about all of it."

"No," JJ says sternly, reaching forward to brush some of her hair behind her ear. "None of this is on you."

"What she said," you echo, nodding at JJ, "and don't listen to Morgan. He loves you, and he's very protective over you, but he's also a man."

She sniffles out a laugh, before pressing her lips together. "One last thing."

JJ blinks. "Anything."

"Please don't talk about me like I'm a victim."

***

The case wraps up back at the office, where Baylor, whose real name is Deputy Battle, was shot in the head by JJ, who doesn't seem as plussed by the situation as you would expect. You tried to talk to her afterwards, but after telling you she was fine, she put all of her attention on Penelope, who has spent the last week recovering at home.

Now, you're sitting in the break room stirring your black coffee, just for something to do. Hotch finds you in there and walks inside, shutting the door behind him.

"It's been a long week," he grumbles, looking longingly at the spot next to you on the worn couch.

You lift your cup and nod your head at the full coffee pot. "That's what caffeine's for."

"We really should sleep at some point," he says, filling up a paper cup and carefully dropping into the spot beside you. The couch you chose is small enough that his thigh presses against yours when he spreads his legs even the slightest bit.

You snort. "Sleep's overrated."

You both sip your steaming coffees in silence as you watch the other agents shuffle back and forth across the bullpen, unaware of your watchful eyes. The break room is the one place in the office to go for a little bit of privacy, but the unobstructed view of everyone's desks isn't unpleasant either. You imagine this is how Hotch feels when he looks out his office window.

Your eye catches on the stapled wood planks that are currently replacing the broken glass door that leads into the bullpen. He must be looking at the same thing, because he breaks the silence and says, "I think we may need to get JJ out into the field more."

His tone catches you off guard and you crack a small smile. "She does seem remarkably well-adjusted, given that it was her first time."

He nods, turning his head to look at you. "Do you remember your first time?" Killing someone, is the part he doesn't say out loud.

"Of course." You take a deep breath and gulp back more coffee. "He was a serial rapist in Texas. One shot to the heart. I wasn't trying to kill him, he just ran at the last second."

"Serial killer in Florida," he responds simply. "Headshot. He died instantly."

"That was your first year at the BAU, right?" He nods and you sink back into the cushions. "I wasn't even in the field then."

He hums, a low sound that you feel as vibrations on your skin. "I worry that I brought you in here too early. Jeff had just died, and I assumed that getting you out of the house and in the field would take your mind off of things, but I wonder sometimes if I made the wrong call."

"You didn't," you assure him, turning your body to face his, even as he doesn't meet your eye. "First of all, you brought me in six months after he died, and by then, I definitely needed an excuse to leave my bedroom."

He sighs, a small concession, and you continue. "The first case I went into the field for after he died, I could barely hold my gun. Every time I pulled it on someone, I would imagine his body...with all of those bullet holes...and I would just freeze up. It took me months to pass my firearm certification again, but I still don't regret it."

"You sure?" he asks, his voice almost timid.

"Positive," you smile, nudging your thigh against his. "Besides, I didn't realize it until later, but it wasn't getting out into the field that helped me through my grief...it was meeting the team. These people became my family in the moment that I needed one most."

You turn back to your coffee and sip it again, though it's no longer as hot as you'd like it to be.

"How are you doing, by the way?" he asks suddenly. "With Garcia, I mean."

An involuntary shudder runs through you as you remember her pale face in her hospital bed last week, but the warmth of the coffee cup in your hands makes it pass quickly. "I'll never get used to it. But she's okay now, so hopefully it'll be easier this time."

***

You're jotting down notes in the margins of a new case file JJ asked you to look over when your cell phone rings. Hotch and Reid are at a nearby prison, interviewing a serial killer on death row for the Criminal Personality Research Project, so you're not expecting a call from either of them. The rest of the team, except for Rossi, is scattered around the bullpen, but you don't expect him to call you either.

After finishing the line you were writing, you check your phone and see a name you haven't spoken to in weeks.

"Haley," you answer after clicking open your cell. "Is everything okay?"

"I know you're busy," she sighs, her voice tight with what you can only decipher as irritation, "but I didn't know who else to call. Aaron hasn't been answering my phone calls."

You get up from your desk and step out into the hallway to get some privacy. "He and Dr. Reid are at a prison right now, interviewing a criminal for this research project. There likely isn't any cell service out there."

"It's not just today, Y/N," she says, her tone getting colder as she inadvertently directs her anger towards the only person she can get ahold of. "He hasn't been taking my calls for days."

"I can talk to him," you suggest, trying to keep your tone light in an effort to keep this conversation from derailing. "I'll tell him to give you a call."

"I appreciate that," she sighs, losing her steam. "I'm sorry for involving you, I just really need to speak with him about something."

"Is everything alright with you and Jack?" you ask her quickly, wanting to make sure that you aren't making the wrong assumptions about why she's calling.

"Oh!" she inhales sharply. "Yes, of course, we're doing great. Well, great maybe isn't the right word, I didn't mean- I just-" She sighs. "You know what I mean."

"I do," you assure her as your heart twists at the sound of her shallow breathing. You know how hard the separation has been on Hotch, but you know Haley too, and she has always been better at hiding her pain that she seems. "Where have you been staying?"

"With Jess," she says, her voice brightening considerably at the mention of her sister. "She's been a godsend. I feel terrible taking up so much of her space, but she doesn't seem to mind."

You smile, remembering the few times you met Jessica Brooks while Haley and Hotch were together. "She definitely doesn't mind. She always loved children. I bet she's already scheming on how to steal Jack from you."

Haley laughs, and the sound is like wind chimes twinkling in your ear. "She totally is."

Her laughter slowly fades, and you both stay on the line for a few moments in comfortable silence.

"I'll tell him to call you," you promise.

"I know," she sighs. "Thank you."

***

The prison was a bust, but Reid got a chance to use his intelligence to get them out of a tough spot without anyone getting hurt, so the day wasn't a total loss.

He is sitting in his office, drafting an email to the project coordinator, when you walk inside and take a seat in front of his desk.

"Thanks for knocking," he says sarcastically before finishing up the sentence he was working on. Once it's done, he saves the draft and turns off his computer. "How was Indianapolis?"

"Good," you say, leaning back in the chair. "Great, actually. Rossi got to close up the case that's been haunting him for a decade, and the three kids are finally safe."

"I'm surprised he wasn't more excited when he got back," he notes, watching your body language. You look wired, but not about this. Something else is bothering you.

"The unsub wasn't exactly the most gratifying arrest," you sigh, rubbing a hand over your temple. "We don't even think he committed the murders intentionally."

He frowns, shaking his head. "Those are the worst kind."

You're silent for a moment before you sit up straighter and look at him. "Haley called me this morning. While you were at the prison."

"Oh?" Something that feels like ice slithers down his spine even though he can probably guess exactly how the conversation went.

All week, he has felt an enormous weight on his chest in the form of a stack of divorce papers that Haley served him with. She had called him right after, with the explanation that they both should have seen this coming, but he really hadn't. He was a profiler, whose entire job was to notice and analyze human behavior, and he truly hadn't been able to let himself believe that this could be a possibility. That his marriage could actually be over.

"She said you've been ignoring her calls."

He had been ignoring them. He knew she would just tell him to sign the papers, and he couldn't bear to hear her say it again. Once was enough.

He reaches into his desk and pulls out the manila folder that he hasn't opened since his initial read-through. He suspects you already know what he's about to tell you, but he also knows that it won't feel real until he says it out loud. And it's about time he came to terms with what his life would be from now on. "Haley wants me to sign the divorce papers, uncontested."

"She doesn't want to involve a lawyer?" you ask, your voice delicate as you walk him through the explanation with clarifying questions. It's the technique they use when interviewing the families of victims, to help them feel comfortable as they talk about the hardest thing they've ever gone through. He's surprised at how reassuring it feels coming from you.

He shakes his head, running his fingers through his hair. It has grown out a bit since he last cut it, but he doesn't think he minds. Haley wanted him to cut it short when Jack was in his grabbing and teething phase, but now, he likes how he can push it back when he wants. "I don't want to sign, of course, but she's adamant that we get this done soon."

"You'll be okay," you say, and he looks up in surprise. "You're a good man, Aaron."

"I'm not," he whispers, heaving out a sigh. "I'm not doing anything right. At home, I was an awful husband and an absent father, and at work, Strauss would replace me if she had even the slightest bit more ammunition. I can't focus in either place. Maybe Haley's right, maybe I'm just selfish."

You lean forward and grab his hand, even as he doesn't look at you. "You're not selfish. You're the farthest thing from selfish. You don't want to sign, but you will. You're giving her what she wants, even though it's the last thing you want."

He nods, but his heart isn't in it. He glances down at the folder again and takes a deep breath as you give him a small smile and stand up.

"I'll see you tomorrow, boss?"

He nods again. "See you tomorrow."

When the door shuts behind you, he flips open the folder, faster than he meant to, but he's afraid if he doesn't do this quickly he'll lose his nerve. Grabbing a random pen from the mug on his desk, he uncaps it and scrawls out his initials on all of the earmarked lines throughout the stack.

When he finishes the last page, he shuts the folder and leans back in his chair, letting out a long exhale. He did it. He supposes he should feel some sort of severing away of his old life, maybe an audible snap as the ties to his marriage get cut, but there's just silence.

His office suddenly feels stifling, and he loosens his tie before reaching forward and lifting the picture frame with him and Haley on their wedding day. Her smile still looks beautiful to him, and his content expression as he gazes at her doesn't make him feel anything different. Their marriage may be over, but he still loved her.

He runs his thumb over the smooth edge of the frame, and then opens his desk drawer, before sticking it inside and pushing it closed.

***

"Thank you for watching him," Hotch says, his voice slightly muffled over the phone.

"Of course," you smile, sitting down on your couch with the pasta you made for dinner. "It was my pleasure. Jack's a total sweetheart."

Jess was out of town for a couple of days, so he had asked you to watch Jack while he and Haley met up to finalize the divorce in front of an attorney. She had been adamant about finishing the process over the phone, but he wanted to ensure that she and Jack would be taken care of after the papers went through.

"Did he eat lunch?"

"Kind of," you say, quickly swallowing the bite you took. "He didn't want a full meal, but I got him to eat some fruit and bread with cheese."

"I'll make him a snack soon," he says quietly, but you can tell he's just thinking out loud. "Alright, I'll see you at the office. Thanks again."

"Always," you tell him, genuinely. "See you."

The phone clicks off and you scarf down the rest of your pasta before doing your dirty dishes and cleaning up your kitchen. You're considering whether to change into your workout clothes so you can crank out a few miles on your Peloton, but then you hear a knock on your door.

You're not expecting anyone, and with Hotch watching Jack, it can't be him. You peek around the corner into your foyer to see who's at the door, and relax when you spot a familiar mop of brown hair.

"I'm sorry I didn't call first," Spencer says when you open the door, his fingers fidgeting with the edge of his book bag. "I just didn't know how to ask you this over the phone."

"Spence, what is it?" you ask, opening the door further to let him in. He doesn't step forward, and a pinprick of anxiety enters your system.

"If I come inside, I won't be able to do this," he says vaguely, before reaching into his bag and pulling out a flyer. He hands it to you and you read the title, the tension seeping from your body as the words sink in: Narcotics Anonymous for Law Enforcement.

"I know it's a lot to ask," he whispers, "but would you drive me to the meeting tonight?"

Your heart feels like it's about to crack open. Only a boy who was never looked after, never given the love and care he deserved, would think that something like this was too much to ask.

"It's not too much," you tell him, glancing down at the address. "I'll get my keys."

When he's settled in your passenger seat, you pull out of the driveway, not commenting on the fact that his car is parked on the street beside your sidewalk. You understand the need for company more than most people.

The drive to the rec center where the meeting is being held is mostly silent, but you don't press him. He stares down at his hands for most of the ride, and when you stop in front of the entrance, he unbuckles his seatbelt and turns to you. "Thank you."

"Of course," you smile. "I can wait, if you'd like."

He gives you a thin-lipped smile. "It's okay."

"You sure?"

He presses his lips together and looks at you, his eyes reflecting the question in yours.

"Go on," you say, patting his arm. "I'll be here."

He nods and steps out of your car, and you pull into a parking space to wait in while he's in the meeting. You turn on the radio and it's the same song they've been playing for the last week, so you turn the volume down low and close your eyes for a few peaceful moments.

You must have fallen asleep, because you're jarred awake by the chirping sound of your cell phone ringing. It's a bureau number, so you clear your throat and answer the call. "L/N."

"Hey, Y/N." It's JJ, and she sounds tired. "We have a case. It's urgent, so we're flying to Texas tonight."

You sigh louder than you meant to. "I can be there in 20."

"See you soon."

The line clicks off and you rub the sleep from your eyes. A quick check of your watch tells you that you were only asleep for about a half hour, but that's just half of the meeting time. You know Spencer will come back when he gets the call, so you turn the radio off and sit up in your seat.

A few minutes later, he returns to the car. You saw him just over 30 minutes ago, but he already looks lighter than he did when he got to your house.

"I'm proud of you, Spence," you tell him as you start the car.

He nods, a quick thanks. "This federal agent gave me his one year medallion after I left the meeting. I've only been clean for 10 months, but he still gave it to me."

"He believes in you," you say simply, glancing over at his confused expression.

"He doesn't even know me."

You shrug. "You don't have to really know someone to care about them, Spencer. You just have to see something of yourself in them."

"Is that what you see in me?" he asks, finally looking at you.

You consider this for a moment. Is that why you feel so protective over him?

"I don't know," you say eventually, not wanting to lie, even by accident. "I definitely wasn't as smart as you were, or as focused. I wasn't all that driven in high school at all, to be honest. I was lucky to have Hotch. He gave me the push I needed to get out there and focus on school."

He's silent for a minute and you worry you may have said something wrong. Then: "I didn't have anyone in school." He pauses for a beat, before speaking again, his voice quieter this time. "I was in the library one day, and this girl comes up to me, and she tells me that Alexa Isben wants to meet me behind the field house. Alexa Isben was, like...easily the prettiest girl in school."

You frown, already not liking where this story is going. "Did she not show up?"

"No, she was there." His voice sounds almost resigned, but there's a note of something darker underneath. Something raw and painful, that likely still hurts after all these years. "But so was the entire football team. They stripped me naked and tied me to a goal post. So many kids were there, you know, just watching."

"No one stopped them?" you ask, trying to keep your voice steady.

"I begged them to, but they just...they just watched. Then finally they got bored and they left." He clears his throat, and the sound is small, like a little boy's. "It was like midnight when I finally got home. And my mom didn't...Mom was having one of her episodes, so she didn't even realize I was late."

"You never told her what happened?"

He shakes his head. "I never told anybody. I thought it was one of those things that I thought if I didn't talk about it, I'd just forget. But I remember it like it was yesterday."

"You don't need an eidetic memory for that, Spence," you whisper, trying to stay focused on the road even as his words swirl into your memories and create an agonizing hurricane of emotions. "I was only ten years old when my mom was killed, but I can still remember every moment of her funeral."

The field office comes into view and you push forward as you scan your badge and slide into a parking spot below the upper garage. When the car is in park, you undo your seatbelt and turn to him. "I know how hard it can be to push away the painful memories, but there's something more important that I need you to remember."

"Remember what?"

He looks at you then, and you reach forward to squeeze his hand. "You're not alone anymore."

***

"Is it always this hot?" You look up at the beating sun through your shaded sunglasses and fan your face with both of your hands.

"Every day, all day," Emily huffs, running her fingers through her bangs to unstick them from her forehead.

Everyone is sweltering in the Miami heat, but then Derek gets off the plane with a wide grin, his skin glistening in the sun, and you resist the urge to throw your bag at him. "South Beach, baby."

He immediately shuts up when he spots the stunning Miami PD detective who called your team in for the recent string of murders. JJ shoots you a smirk before introducing her to the team. "Detective Lopez. We spoke on the phone."

"Tina," she corrects, before shaking her hand. "Thank you for coming down so quickly."

"Hey," Emily says from beside you, making you turn to see what she's looking at. "Isn't that..."

You spot the person she's referring to, and your face splits into a big smile. "Detective LaMontagne!"

"He's here to ID the cop they pulled from the bay last night," Tina explains.

You don't miss the flush in JJ's cheeks as she shakes his hand. "Detective, good to see you."

"How are you?" you ask, giving him a quick hug that he returns.

"Yeah, Charlie Luvet and I worked together for seven years."

Derek frowns. "Sorry for your loss, man."

Tina looks confused, and you don't blame her. "So, you all know each other?"

"Professionally," JJ is quick to add. Will whips around to look at her, and you turn to Emily with an eyebrow raise, feeling like you're intruding on a private moment. You aren't sure why she won't just admit that they've been together since New Orleans, but that's her business.

***

You join JJ and Will at the IDing of Officer Luvet, and you keep your distance as he glances down at the body and affirms the report.

"Yeah, that's him."

JJ looks like she wants to comfort him, but instead she sticks to the professional approach. "If you need help making arrangements, liaising with families is part of what I do."

Will nods, his voice choking up slightly. "I might just take you up on that. Excuse me, I'll be outside."

When he steps outside of the coroner's office, you can't help but notice the longing look on JJ's face as she watches him go.

"Let's go," she says to you softly, her eyes still on the door. You follow her outside, but by then Will is nowhere to be found.

"It's okay, you know," you blurt out. You weren't really planning on talking to her about this, but sometimes your mouth takes over before your brain can catch up. "I know you worry that being around a band of profilers all the time makes you vulnerable."

"I'm not sure what you're talking about," she says simply, not quite meeting your eye.

"JJ," you say seriously, trying to convey your pure intentions. "If you keep trying to hide it, you'll lose him."

She purses her lips, and you squeeze her forearm, hoping you aren't pushing past her boundaries. The whole team is sparing with details about their personal lives, but you like to think that you're someone people feel comfortable sharing things with.

"I know you, hon." You flash her a knowing smile, feeling a shot of satisfaction as her lip twitches. "I know that it's enough for you to know that you care about something, but it's not enough for everyone."

She exhales, tucking her hair behind her ears. "He's upset with me, but I don't know what to do. I'm still scared."

You sigh, understanding her predicament, but still wanting her to push past it. "You can let yourself be happy, JJ. You won't always get hurt."

She nods before glancing around the room again, searching for Will even though he's long gone. It's an instinct you recognize.

Later, when JJ finally acknowledges their relationship by pulling him in for a kiss at the police station, you can't help but take it as a win.

***

Your house feels emptier than usual when you get back from Miami. Seeing JJ and Will find each other again reminded you of how much you miss having someone to share your life with.

Deciding to take a night to yourself, you pop open a bottle of red, and pour yourself a glass, which you swirl around before taking a sip. It's drier than you tend to go for, and when you check the label, you realize that's because you didn't buy it.

How can you drink this stuff?

It makes me feel sophisticated.

Jeff would break out the fancy glassware every chance he got, because he didn't believe in special occasions. He used to say that people waste precious moments of their life waiting for the right occasion to come around.

The memory feels warm in the back of your mind, and you take another sip of wine before walking over to your cupboard and grabbing the fanciest wine glass you can find. You pour the rest of your wine into the new glass and place the other in the sink, before swirling it around again. No time like the present.

You bring the glass to the couch with you, where you turn on the television and skip through the first few channels. As the wine in your glass depletes, the loneliness sets back in. You're about to pour yourself another pity glass when your phone buzzes with a call from Hotch.

"Do your television channels suck as much as mine do?"

You smile, muting the television and pressing the phone to your ear. "Definitely not."

He chuffs. "I guess I'm not used to the new tv controls."

Right, his new apartment. After the papers were finalized, he gave the house to Haley and moved into a new place ten minutes away.

"We can share mine," you say, listening to the sounds of his breath over the receiver. "I also have wine."

That gets a laugh. "I'll be there in 15."

You hear a knock on your door exactly 14 minutes later. When you open it, you're greeted with the sight of Hotch in a tee shirt and jeans. "A little underdressed, aren't we?"

He snorts, taking the wine glasses from your hands and following you into the family room. "What are we watching?"

"You're the one with the broken tv," you grin, flopping down on the couch and taking your glass from him. "What do you want to watch?"

He thinks for a minute, before his eyes sparkle with an idea. You cut him off before he can suggest what you already know he will. "We are not watching Top Gun again, Hotch!"

"You asked," he shrugs, hiding his smile behind a sip of wine. "What do you want to watch, then?"

You can see him watching you over the rim of his glass, so you blurt out the first name that comes to your mind. "Footloose."

He looks at you blankly for a moment, before his brow twitches, and your jaw drops. "You haven't seen Footloose?!"

"It came out when we were in high school," he groans, taking one of the throw pillows off the couch and stuffing it behind his back. "Terminator and Dune came out that same year. I remember because you tried to get me to watch it then too."

"It's an amazing movie!" you exclaim, standing up to go dig through your movie cabinet. "We're watching it right now."

He groans and sinks back into the pillows as you find the DVD and start the movie. You've seen it at least a dozen times, mostly because it makes you nostalgic for your teenage years, but the opening still gets you excited.

As the movie plays, you keep glancing over at Hotch, trying to see if he's enjoying the scenes just as much as you did on your first watch. To his credit, he watches the movie faithfully, without checking his phone or straying from the television screen.

"Enough," he grumbles suddenly, startling you.

"What?" you question, whipping your head around to face the screen.

"I'm watching the movie," he huffs, fixing you with a pointed look. "You don't have to keep checking."

You frown, hugging a pillow to your chest. "I wasn't checking, I just like seeing people's reactions to my favorite movies."

"Either way."

You groan, reaching out to thwack his arm.

"Eyes on the screen," he berates you, pointing at the TV. "The dance scene is starting."

You sip your wine bitterly as you try to resist the urge to glance over at him. Eventually, the movie takes over your attention and soon it's the final town council scene where Kevin Bacon gives a speech to the whole town.

"'There was a time for this law'," you quote along with the movie, "'but not anymore.'"

The movie comes to an end, and you click the remote to turn off the television. When you turn to Hotch with an excited grin, you're surprised to see that he has fallen asleep.

His head has fallen to the side, resting on the armrest, and he looks so peaceful with his expression completely neutral. His characteristic frown is nowhere to be seen as he snores quietly through his nose.

Your lips curve into a smile as you stand up and grab a blanket from a basket beside the couch. You drape it over his body, being careful not to wake him, and take the wine glasses to the sink before heading up for bed.

***

"That's because you pick horses the same way you practice law."

You hold your breath as he glances into the crowd for a brief second.

"...by always taking the long shot."

Emily snickers under her breath, and you see even Reid crack a smile as the lawyer starts floundering. The rest of the day in court goes by quickly and you all wait for Hotch in the hallway of the courthouse as he finishes up inside.

"That was impressive," you grin, nudging his shoulder as he walks alongside you. "I can't believe that was my first time seeing you in full prosecutor mode."

"Hardly," he says, rolling his eyes lightly. "I was called to give testimony, it's very different."

"I'm just surprised that prosecutor is still walking after how hard you hit him." He shoots you a look and you raise your hands in surrender. "Metaphorically, of course."

"That was a straight knock out." Derek comes up behind you and throws an arm around your shoulder as he spins you both to face Hotch. "The crowd practically cheered when you cleaned the floor with him."

"Thank you," he concedes, flashing his eyes at you. "Now let's get back to work. We still have to get more evidence for the rest of the trial."

And just like that, everyone switches back into work mode. Derek drops his arm and jogs forward to catch up to Rossi and Spencer, while Emily calls Garcia to get the latest update.

Using the moment of solitude, you bump his shoulder again. "Do you ever wish you were still a prosecutor? Your life would certainly be a lot simpler."

He shakes his head, the answer coming quickly and firmly. "I couldn't do it then, and I still couldn't now. Seeing the murderers come in after they've finished killing...I needed to know I could stop them before they were done."

His sentiment sounds familiar. Your mind flashes back to the little boy who took matters into his own hands, because no one could stop the pain for him.

You blink and it's present day again. You loved your best friend who fought his own battles without asking for help, and, even though he's vastly different, you love your best friend as he is now.

***

"Five shootings in two weeks."

"It's about time we got the call."

The whole team, plus Garcia, flies up to New York, where an unsub has been shooting people around the city, seemingly at random.

"Kate Joyner heads up the New York field office," Hotch explains, glancing down at his cell phone. "She's running point on the case and called me directly."

You have heard of her, which isn't too surprising, but all you know is that she's British and seems to be very good at her job.

"You know her?" Morgan asks him, echoing your thoughts.

Hotch nods. "We liaised when she was still at Scotland Yard."

They liaised. You don't know what that implies, but you also know that he and Haley didn't take a single break during their relationship after graduating college, so it can't be anything too personal.

JJ and Emily share a look, but you don't engage with them, instead looking back at the case file and trying to focus on any of the words that aren't 'Kate Joyner'.

***

"Kate."

A pretty blonde woman approaches you all with a smile only for Hotch. "Aaron. How have you been?"

He nods. "Well, thank you. This is my team." He introduces each of you to her, but you don't miss how her eyes linger on you when he mentions your name.

"Thanks for being here," she says, before walking you all through the background of the case. Shootings in different precincts, seemingly random, FBI only brought in after the fourth murder.

After explaining the details and introducing you to the local detectives on the case, she pulls Hotch aside for a private word in her office. You turn back to the team, trying not to let your gaze linger on them as they walk away.

The NYPD doesn't seem happy that SSA Joyner has taken over their case, but even though she comes off as a bit brusque, you can tell she cares about catching this unsub just as much as they do.

"What's your partner's problem?" Reid asks Detective Cooper, the only local officer who has made an effort to meet any of you.

"We're glad the FBI was brought in," he explains with a heavy sigh, "but all of a sudden Joyner's taking meetings with the mayor and calling in you all without us knowing anything about it."

You can understand his hesitation, but you also need his cooperation if you're going to get anything done here.

"We're only here to help," Emily tells him as you turn around to find JJ.

"Has Garcia gotten settled in with the New York tech analyst?" you ask once you find her staring at a map of the various boroughs. She doesn't answer immediately, so you nudge her shoulder. "JJ?"

"Huh?" she startles. "Oh, sorry, yeah. She called a few minutes ago, she's all good."

JJ is usually the focused one who brings you back on track, so you're surprised by how distracted she seems. You nod in acknowledgement, scrutinizing her expression for another second, before heading back to the team. Your eyes involuntarily dart over to Kate's office, and you notice how close together she and Hotch are. You're about to avert your eyes when their body language becomes a bit clearer: each time she leans in to say something, he subtly pulls back.

The dynamic of their relationship is suddenly apparent, and you mentally kick yourself for daring to assume the worst when he first mentioned her. You can't say the same for your opinion of her, though. He's still wearing his ring, for God's sake. Based on how little you've heard about her from him (nothing, you mean), you doubt she even knows about the divorce yet.

Derek and JJ head out with the detectives to check out the last crime scene, while you stay back with Emily and Spencer to build the anti-geographical profile. When another victim is shot, you head to the new scene to see if you can build a working profile.

"It's a different borough again," you sigh after getting out of the SUV and joining Hotch, Kate, Derek, and JJ in front of the body. "Prentiss and Reid are back at the office still working the profile from a geographical angle. We're starting to think maybe we should get officers out onto the high-traffic intersections, and maybe even get some of us out there too."

"Uniforms are rounding up witnesses," Kate jumps in, ignoring you. "It doesn't seem like anyone got a clean look."

You see Derek glance at you out of the corner of your eye, but you don't entertain the look. If she has some issue with you that you aren't aware of, you won't give her the satisfaction of letting her get to you. "The unsub's probably gone before anyone even realizes it's happening,"

Hotch nods, turning to face Kate. "Is this what it felt like during the Son of Sam."

She returns his gaze. "First we realized that if the violence was truly random, there was almost no way of stopping it. Seems like these people have figured that out."

You look up, trying to see if there's anything in the vicinity you can use to ID the unsub. Your eyes catch on a security camera outside one of the delis directly behind you. "From the placement of that camera, odds are the only view they're going to get is the back of his head."

She frowns. "Let's not be too quick to decide what we do or don't have."

This time it's both Derek and JJ that glance at you, but you turn to Hotch, who is avoiding meeting your eyes. Kate steps away to speak with the detectives at the scene, so you grab his arm and pull him aside. "What is her problem?"

He exhales, rubbing a hand over his face. "FBI brass has made it clear to her that if she doesn't bring this case home, she's going to be reassigned. And you are at the top of the list to replace her."

"Replace her?" you echo, trying to process what he's saying. "I haven't even been in the BAU that long."

"It's not about field experience," he says, angling his body so that you're separated from the others. "You've been with the bureau longer than I have, and your work speaks for itself. It's not a surprise that they'd want to promote you."

You still can't wrap your head around the fact that you could be leading a unit yourself, or that you may have to leave the team you love, so you focus on what you do know. "I thought the bureau was proud of the fact that they stole her from Scotland Yard."

"I don't know," he shrugs, glancing back at her. "Politics here are different."

***

After finishing up at the crime scene, the whole team heads to the hotel to get some rest for the night. You feel more alert than you usually do after a long day of building a profile, and you adjust your bag strap on your shoulder as you dig around the side pockets for your room key. You don't plan on going to bed for at least a few more hours, and you might as well use the time to work on the case, but you need your key if you're going to get any sleep at all.

When your fingers finally catch on the thin plastic card, you look up to see a familiar face that you've been seeing more often than not, as of late. "Wait, isn't that..."

JJ looks up with a start, and she doesn't look distracted for the first time all day. "Will."

He gets up from the lobby chair he was lounging in and approaches her. "Hey, I took a shot and flew to D.C., but when it didn't work, I figured a train ride to New York was only a few more hours."

"Detective." Hotch reaches out and shakes his hand, before glancing at you with a frown that says, Did you know he was coming?

You shake your head imperceptibly and turn back to Will as he looks longingly at JJ. "Look, I'm sorry for showing up like this. I know you're working, but I can't stand you being on this case and me not being near." He pauses for a beat. "Not with what's going on."

That makes you frown too.

Hotch echoes your thoughts. "Is there a problem?"

JJ takes a deep breath and turns around to face all of you. "I'm pregnant."

Oh my God.

"Oh, my God," Emily exclaims, pulling her into a hug, the first of you to regain her bearings after hearing the news. "JJ, congratulations."

"That's amazing, JJ," you grin, hugging her next.

You don't miss how stiff Hotch is as Will shakes his hand. "I've asked JJ to marry me."

"Will," JJ says tightly, a warning in her voice.

He chuckles. "Well, we're working out some kinks."

"We'll give you both some privacy." Hotch turns away from them, his face falling the moment she can't see him anymore. You know he's hurt that she didn't trust him with this information, but you're surprised by just how downtrodden he seems.

JJ rushes after him. "Hotch-"

"JJ, you could have told me," he says softly, his voice both confused and stung.

She looks down. "I know."

"Because I understand if you need to take some time."

"No," she shakes her head, without a look back. "I want to be here."

"Okay," he nods, not looking at any of you. "7:00 AM."

You try to catch his arm as he walks off, but he either ignores it, or he doesn't feel you reaching for him. You choose to believe it's the latter.

***

You all deliver the working profile to the police officers first thing the next morning. While you're explaining an alternate possibility, Garcia calls with an update that a possible unsub was caught on camera shooting someone on a subway platform at one of the intersections you suggested that your team patrol yesterday.

"We could have had that guy," you say, your voice fuming with anger as you turn to Kate with a glare you haven't used in ages.

She doesn't falter. "Even if we were on that platform, odds are he would have moved onto someone isolated."

"Maybe, but it was worth taking a shot."

She fixes you with a stare. "I had every available man on the street."

"And I suggested to you that you use this team." You can't believe that her decision to ignore your advice yesterday might have just cost someone else their life. You can see the rest of the team looking at you with some blend of concern or indignation on your behalf, but you don't care. You just need Hotch to back you up.

Instead he just looks at you. "L/N, second-guessing doesn't do us any good right now."

You're so angry, you can barely see straight. Emily reaches for your arm, but you shake her off. "Hotch, how are we supposed to look these cops in the eye and tell them that we're actually here to help them, if she won't let us do our job?"

"We're here to present a profile," he says simply, not quite meeting your eye. "That's what we need to do."

You gape at him, your back straightening as you get ready to stand your ground. You don't disagree on things like this often, but when you do, it's usually a civil conversation that gets resolved quickly. You've never felt this angry about his handling of a case before, but then again, he's never not had your back before. "We've got seven bodies, Hotch."

He looks at you then, and you can't discern anything from his expression. It's a blank slate that sends a shiver down your spine. "It's not your place to have this discussion."

"Screw you."

You spin around, shoving away Derek and Emily as they try to talk you down. You stalk past them and out of the field office, where the cool evening air fills your sinuses and clears your head for a moment of silence. You stand on the sidewalk for a few seconds, waiting, and when he doesn't follow you out, you just manage to convince yourself that you're not disappointed, but relieved.

***

You're sitting at the hotel bar when Rossi finally finds you. You only ordered a lemon water, still feeling like you're on the clock, even if there's a good chance Hotch won't let you back into the investigation.

"I know," you huff when he takes a seat beside you. "I was out of line."

"You got too emotionally involved," he says, turning to face you. "I know you and Hotch are friends, but that doesn't mean you get to be unprofessional."

You sigh, your body deflating as all the fight leaves you. "I just felt like he was taking her side. Like he didn't have my back."

"There are no sides here."

You nod. "I know."

"And he does have your back." You look at him then, and he flashes you a small smile. "That man will always have your back. Right now, he's just worried about how Kate is holding up, with the word on the street."

That surprises you. "You know about the promotion?"

He nods. "People talk. But if she were to get fired, it would be because we didn't solve this case."

You frown, lifting your hand in defense. "Rossi, I hope you're not saying you think I want her to fail."

"Of course not," he shakes his head. "I just hope you know what you're doing."

"I lost my head for a second," you acknowledge, taking a sip of water. "I think I just needed a minute."

"And you got it," he says simply. "But right now, I see someone who wants to get back on the job. Or is there another reason why you ordered a glass of water at a bar?"

You set your glass down, letting out a surprised chuckle. "Where is everyone now?"

You both stand up, and he leads you out of the lobby. "Joyner took your advice. We're spreading out across the city."

***

"Emily, what happened?"

You rush forward to where she is standing over the dead body of a young man. Detective Cooper was taken in an ambulance to a nearby hospital after getting shot, and you only just arrived on the scene.

"He was strangely calm," she whispers as Derek and JJ come up behind her. "It's almost like suicide by cop."

"Why?" JJ thinks out loud. "Why would he do that?"

Derek looks at you. "We need to walk back through this profile."

Hundreds of thoughts are swirling through your brain, but based on the look on everyone's faces, you can tell they're thinking the same thing you are: terrorism.

After the crime scene officials arrive, you head over to your SUV to get back to the field office. Derek heads out to brief Homeland Security, and Reid leaves to talk to the Port Authority police, while Hotch and Kate call with the update that they will be going to speak with the mayor's office.

You start your SUV and pull out into the street when a loud explosion goes off a few streets behind you, the plume of smoke and fire large enough that you catch the high end of it in your rearview mirror.

You screech to a stop, just as your phone starts to ring.

TAGLIST: @citrusiove, @sanayikes, @yiiiikesmish, @mdanon027, @alice-w0rld, @beata1108, @bakugocanstompme, @raely-study, @himboelover, @hermionegalathynius, @rousethemouse, @calif0rniadreamin, @tolerateit13, @delusional-13s-blog (message me to be added!)

[14buddy22]

Hey if you're looking for Hotch requests, what about Hotch dealing with a crush on a non-bau sunshine reader when he's still sad after the divorce/Foyet but he's so confused by his feelings because it's been so long that he doesn't know what's going on??

Like if it's case related, maybe he thinks reader is a suspect because why else would he be so on edge around her and it's just so painfully obvious to everyone else. Idk if that makes sense but I just think Hotch being so out of touch with his emotions despite being a profiler would be funny lol

Feel free to adapt and make it your own!! Thanks!!

Thanks for your request! I hope it lives up to your expectation!

You were the best damn bartender in Quantico, Virginia. At least, that's what you thought to yourself. You made work fun. You worked in a club environment so if you wore something scandalous, flirted with the customers a bit, you were sure to bring in a hefty tip at the end of the night.

But, you loved the hustle and bustle of it. You loved the interactions, loved singing along to the bands or the good music. You loved having conversations with the locals, loved celebrating parties for kids turning 21, people getting married, or hell, people getting divorced.

Then you met who you swore is your soulmate. Something in you stilled when you were bartending. You never froze up at your job. You were good at what you do. But seeing him walk through that door, looking all handsome in a suit, he took your breath away. You watched how he interracted with the bouncer.

You watched him show his badge to your best friend. FBI. An average Joe wouldn't just waltz into your bar, you knew he was a sophisticated man.

But when he locked eyes with you, you felt like the bar had heated up 100 degrees. Making his way over to you, you were trying to calm down. What had you feeling like this?

"Hi, I'm Agent Hotchner with the Behavioral Analysis Unit for the FBI. It's my understanding from the gentleman at the front that you are the lead bartender?"

You finished making your drink for one of the locals and asked your partner to manage the bar. Luckily it was early evening and the college kids had about another hour before they started flooding in so you knew you'd be okay leaving her by herself.

"Yes, I'm Y/n Y/L/N. It's nice to meet you. How can I help you?"

You shook his hand, and you swore you both held it for longer than you both intended.

All I could think was that she was beautiful. No, no, I can't think like that. My wife, ex-wife was brutally murdered a little over a year ago. Something's different talking to her, to-Y/n. Something I haven't felt in a while but I don't know what it is.

She's a bartender. I hear she's a damn good one. Maybe that's why she's about to be the suspect in a string of murders. Men have been killed shortly after they leave this bar. Traces of posion have come back on the tox screen. Bartenders have access to the drinks and alcohol before they serve, y/n's the perfect suspect.

But she's beautiful, and I haven't seen her stop smiling at all. She has a gorgeous smile. She'd be the sunshine on the rainiest days for the men that have been murdered. Before I know it, my thoughts and feelings consumed me, I'm still holding her hand. I could feel Dave's eyes burning a hole into me.

"Have you heard about the three men murdered around town?"

"Yeah, I have. It's very unfortunate. They were great men. At least to me. They tipped well and always had friendly conversations. They also stood up for me if some men coming in here for the first time were getting a little handsy with me."

Oh how I wished I could be the one to make sure no one got handsy with her. Wait, what am I saying? She's a suspect, she doesn't know it, but she is.

"How were they killed?"

Agent Hotchner's partner spoke up to answer your question.

"They were poisoned."

Ugh, these poor men. Had to die a slow pain, they didn't deserve it. They deserved justice now.

"We just wanted to come in to see if anything unusual has happened lately."

"I've seen a lot of crime shows with my ex-boyfriends before. You're really trying to see if I did it. Which I didn't. I don't think I have the heart to kill anyone. I broke up with my last ex because he hunted and I couldn't bare the thought of killing animals."

Of course you broke up with your ex because of that. But I have a job to do and I have to investigate further. Plenty of killers have lied straight to my face before.

"We'll be in touch Ms. Y/l/n, thank you for your time."

You smiled and shook their hands one last time before you went back to working your shift. Something about Aaron caught my eye. Maybe it's the way he was blushing like a school boy. You're not sure, but he was handsome.

Just when Aaron walked into the bar, you smiled at him, offering him a drink.

"Agent Hotchner, it's good to see you again."

Your smile never waivered. Maybe you would shoot your shot with him.

I can't believe I have to do this. Arrest someone this pretty. Arrest this girl who Rossi thinks I have feelings for. What? Feelings? That's an intense word, but I have to arrest her.

"Unfortunately I'm here to place you under arrest."

I watched all the color drain from her face. I watched her smile fall so fast. But it had to be her. Rossi and the team wasn't so sure, but I have a gut feeling it's her. Of course with it being my team, they weren't going to stop me. I took her sunshine away.

"Agent Hotchner, I, I didn't do anything."

Your manager saw what was going on, he was like your work dad. He took care of you like his daughter, despite him having sons, he treated you like his princess. You heard him say say, "Y/n, I'm getting you a lawyer, do not speak. I know you didn't do this. But I'll meet you where they're taking you."

You smiled back at him, tears filling your eyes. You wanted to make everyone happy, you never wanted to hurt anyone. How are you being arrested? You didn't do anything wrong.

Your ride back in Aaron's SUV was silent. How could you think he was your soulmate? Your soulmate would never arrest you. But you were still feeling something, you couldn't explain it.

I keep looking in the rearview mirror at her. I had to trust my gut. She poisioned those men. But why do I feel so guilty arresting her. From the time we had met her, been surveillencing her, up until I placed the handcuffs on her, she had smiled. Everyone spoke highly of her. I took away her sunshine. I did that.

As you walked into an interrogation room, Aaron sat you down in the seat, then took off your hand cuffs, handcuffing one hand to the table instead.

"We'll wait for your lawyer, do you need anything?"

"No."

You couldn't even look at him. How could her. You told him you didn't do it.

As I walked out, I was greeted with Penelope. "Sir, she has nothing on her record, not even a speeding ticket. I've looked through her social media posts and everyone spoke so highly of her. Friends were making special post to thank her for being a great friend. She took care of everyone. Sir, I-I know I'm not an agent, but I just can't believe it's her."

Penelope was cut off by my phone ringing, picking it up after viewing the caller I.D.

Morgan said, "Hotch, we got the wrong girl. It's Y/n's bartending partner. I just watcher her slip something into this guy's drink. I'm bringing her in, we can cut Y/n loose. You can be happy now. Y/n's not a killer. What that gut feeling is, is your feelings that you like her Hotch. You haven't felt that since Haley. I know it's been 20 years, but trust me man. Y/n is something special, according to the track record she has. She's the opposite of a killer. She's just the type of sunshine that you and Jack need in your life."

Aaron walked in and said, "I'm sorry, there has been a huge mistake. You are free to go. It was the other bartender you worked with.

"What? There's no way. She's amazing at what she does."

Aaron shook her head and said, "One of my agents was in the bar watching the entire time, he was undercover. He watched her slip something in another man's drink."

"Oh. Well, I'm glad you got the right killer. If, if you don't mind, can one of your agents give me a ride home? I don't have my car, obviously."

You didn't know how to feel. You knew you didn't do anything, but was Agent Hotchner always going to have a doubt in his mind that you were a killer?

You got in his car, this time sitting in the front seat. A storm was coming in, you enjoyed the rain and thunder, it calmed you. You two rode in silence, when he dropped you of at your apartment, he walked you up.

When you opened your door, you turned around to thank him, instead that didn't come out.

"I told you I didn't do it, ya know?"

"I know. I know. I'm sorry. I. There's something about you, y/n. I thought you were a suspect, but you should've never been one."

As your eyes were red and filled with tears, you looked at the man who you thought was your soulmate, instead, he had ruined you. Yes, you two didn't date, yes, you didn't hook up, but there was something there.

"Well then why the hell did you do this, Aaron? Why arrest me?"

"My ex-wife passed away a year ago. I haven't had feelings for anyone in nearly 20 years. My feelings for you confused me. I didn't know what I was feeling. I didn't know what these feelings were because I've been so out of touch with them. And it took me a minute to realize that these feelings are because I didn't think you were a killer, I thought you were beautiful. I think you're beautiful. But that gut feeling was that I think. I think I've found my soulmate."

As she stepped closer to me, I watched the sunshine fill her eyes again, her smile creeping up her face. God, was she beautiful and amazing, and from her friend's testimonies who I interviewed, she was a down right amazing person. Just the absolute sunshine to be around.

You were going to kiss Aaron. You were glad he figured out his feelings. This was going to be the start of something new. You didn't know what happened to his ex, you'd find out someday. You took the chance. You placed your hands on Aaron's hips and leaned in to kiss him. You were so happy that Aaron felt the same way. How did you know this? He placed his hands on your face and kissed you back like you were the only sunshine he'd ever see again.

[kayhi808]

Now & Then

Again, this all started with a request from @armystrong980 and I've run amok with it. I thought I'd wrap this up in 2 parts but now it may be 3...or 4. I hope you enjoy it. Thanks so much for the reblogs or comments. You all kept me motivated 😘😘😘

Then & Now

Natasha sits in the pilot seat, flying back to the Compound because Steve insisted on being beside the Cryo-chamber that they just recovered. The steady hum of the Quinjet engines doesn't soothe Steve's racing heart like it usually would. Tony received intel on an abandoned HYDRA base, which wasn't unusual. Tony, Natasha & Steve flew out thinking it was supposed to be a quick survey of the base. Nothing more.

To their surprise, they found heat signatures for a small group of people, less than 8, not a problem for the 3 most skilled Avengers. Once Tony breached the small lab, blasting through the doors, making an entry for Steve and Natasha. Quickly they noticed it contained mostly researchers.

They were expecting a fight and was taken aback by HYDRA Agents gunning down the staff. Once the lab had been compromised, they started tying up loose ends. Getting rid of evidence. Because of that small pause, Tony and his team were only able to save 1 technician, before killing the Hydra Agents.

As Natasha zip-tied the techs wrists behind her back, "You have to get the Asset!"

Steve's head whips around, "What did you say??"

"The Asset is still in Cryo. No one will be here to tend it."

Did HYDRA get Bucky back? Did he return to them after saving him & pulling him from the river? Was that why Sam hasn't been able to locate him? "Where is he?!"

"Through the doors there."

Steve races through the doors followed by Tony. Along one side of the wall, are the 3 cryo-chambers, but only one is filled. Steve rushes over but the Asset is definitely not who he was expecting. A pained moan comes from the back of Steve's throat. Tony looks between the Asset & Steve. Steve who has turned as white as a sheet, can only stare at the chamber in horror.

"Cap?"

"She's..." Clears his throat, moving closer to the chamber. "I know her. I grew up with her in Brooklyn." Runs his finger along the window, tracing the features of your face. "Her unit was ambushed during WWII, they said there were no sur...survivors."

"HYDRA had her."

*****

With extra special care, Steve & Tony get the Cryo-chamber transported onto the Quinjet and hooked up to a generator. Natasha was tasked with hacking into the system & retrieving any information she could get on the activities of the lab & you.

Y/N. Steve still can't wrap his brain around finding you. First Bucky & now you. All the people he's loved has been taken by HYDRA. Miraculously, you've also both returned to his life. The telegram he got all those decades ago said there were no survivors, but here you were. You looked exactly the same as you did when he said good bye to you at the train station. Now if he can only get you back to the Compound & see if Banner & Dr. Cho can safely revive you.

A thousand different questions flood Steve's brain. What happened in Germany? Would you remember him? Did HYDRA mess with your mind the way they did with Bucky?

Natasha places the Quin on autopilot & checks on Steve who hasn't left the side of the chamber since they boarded. They sit in companionable silence, Steve with his head in his hands, palms pressed against his eyelids. Quietly, Steve starts to speak. "Growing up, she was my best friend. Y/N. Even before Buck came along. When I was sick, she'd always visit me & kept me company. She'd tell me the most magical stories so I wouldn't get bored. From the age of 4 we were inseparable."

"She must have meant a lot to you."

"She'd always insist we were twins because our souls were the same. Soul Twins." Steve chuckles & Nat smiles. "She was a nurse and wanted to help, do her part in the war. She enlisted in the Army Nurse Corp. I had never seen Bucky so furious. They had a bad falling out. I wanted to support her, but I was so afraid something bad would happen to her." Looks as her asleep in the chamber. "We should have talked her out of it. I should have talked her out of it."

"She sounded like an intelligent woman who knew her own mind. I'm sure she helped so many soldier on the front lines. She did what she wanted to do." Steve silently nods.

"Losing her, motivated us to enlist as well. Definitely, Bucky. He requested to be sent to Germany. He wanted to look for her. He had trouble accepting she was gone."

"And now you have her back."

"But will she remember me? What if HYDRA made her forget me?"

******

1943, Germany

All you remember is your blood being on fire. It felt like you were being burned from the inside out. Battery acid flowing through your veins. Your wrist and ankles would be bloody wounds from you fighting against your metal restraints. Your screams would go unheeded. The screams that they tore from your throat prevented you from catching your breath. You'd always lose consciousness, welcoming the darkness.

Whatever HYDRA had hope to accomplish with you, failed. The only thing that you noticed was that you healed remarkably fast. Your regenerative abilities where much greater than a human should be. No super strength or speed which is what these people were hoping for. That didn't stop them from experimenting on you. They'd torture & wound you to see how quickly you'd recover or heal. Everyday was a nightmare. You wished you were dead.

When better & more interesting subjects caught their notice, they left you alone. They stuck you in the lab & med bays, patching up injured assets. They didn't trust you with their actual experiments because you tried to sabotage them one too many times. They could never fully control you because of your stubborn streak. Until that one evening they brought in their latest triumph.

You've heard this poor man's screams for days as the serum ran through his veins. As HYDRA burned him from the inside out. They finally brought him in for you to tend and heal. The first thing you notice is his metal prosthetic arm. The edges of flesh, red and raw, sealed to metal. It made you sick to see what they've done to him. Long dirty hair laying limply in his face. Gently, you brush it back off his forehead checking for fever. His face. His face has haunted your dreams. Your Jamie. Bucky.

Stumbling away from the bed, hands over your mouth to keep your scream in. Wide-eyed you stare at him lying there. With tears streaming down your face, you make your way back towards the bed. Kneeling down beside him, "What did they do to you?" Staring at his metal arm and the other scars that litter his body. "Oh Jamie." You rest you head next to his and cry.

Hoarse and raw from his screams, "Don't cry, doll." Quickly looking up, red & bloodshot doesn't detract from those blue eyes you used to get lost in. Glassy and unfocused, he stares at you and gives you a sad smile before losing consciousness.

"Bucky."

*****

HYDRA agents returned the next morning for Bucky and you fought to stay by his side. You weren't going to let those monsters hurt him again. You cry out as they hit you, waking Bucky from his drug induced slumber. He recognizes you immediately, yelling your name as he rushes to you, quickly snapping the necks of the agents and tossing them aside. He pulls you to him, wrapping his arms around you, chanting your name like a prayer. You feel his cold metal arm against your back. "I need to get you out of here, babe." You can only stare at him and nod your head. He drops a firm kiss to your lips while grabbing your hand in his. He takes the weapons off the dead mens bodies and pulls you after him.

You make it almost the end of the hallway before alarms start blaring and the sound of yelling and the stomping of boots can be heard headed in your direction. The hall is engulfed with Hydra agents. You're way out numbered but Bucky takes down as many men as he can before he is a overwhelmed and you're taken from him.

Grabbed from behind, an arm around your throat and used as a shield, you face Bucky. "Drop your weapon, Sargent Barnes." You shake your head at him until the arm tightens around your neck, choking your words off. "Do. It. Now." You hear the swish of a switch blade before you feel it embedded in you leg. You scream and you hear the clattering of guns as the guards tackle an unarmed Bucky to the ground.

"No! Leave him alone! Stop... Stop..." You scream in between sobs as they drag Bucky away. Your nightmare has gotten worse. HYDRA now knows that their super soldier has a weakness. You.

@severelykinky @panandinpain0 @elijahssuit @ordelixx @moonlovefairy @cjand10 @vicmc624 @marianastudiesart @k-marzolf @thefandomplace @snowkestrel @longlivedelusion @insomiaxx

[scarlethexelove]

If possible could you do a intersex kate bishop x Stark fem reader where Kate and reader are rivals with alot of tension towards each other and soon they begin to have a argument/fight that turns into a love confession with reader and Kate ending up sleeping together and reader becoming pregnant with Kate's child

I Love You, You Idiot

Pairing: Kate Bishop x Stark!Reader

Word Count: 4804

Warnings: Intersex Kate, Little bit of angst, Smut, Some fluff, being shot, being trapped, Kate's got a big dick (Yes that needs to be a warning in itself), unexpected pregnancy, throwing up, blood draw, soft protective Tony, Mentions of torture, mentions of kidnapping, mentions of being skinned, Scars, Kind of a frenemies vibe, P in V, unprotected sex, Little bit rough sex, Choking, Maybe more I can't think of

Pt 2

A/n: I loved writing this one. Sorry it took so long. I knew this one was going to get long and I hope you like it. I would definitely be up for adding some more to this in the future.

NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN

You grunt as you pull yourself off the floor. Pain coursing through your shoulder, arm, and head as you look around the room. Pallets of equipment covered in tarps surround the room. A dim light only lets you see the center of the room. You look towards the exit but it is covered in rubble leaving you with no way out. Kate had shot an explosive arrow which had went terribly wrong. 

“What the fuck is wrong with you!” Your eyes land on the raven haired girl who is dusting herself off. “What’s wrong with me? What is wrong with you? You pushed me.” Kate shoots back at you. Anger now taking over and making you forget about the pain you’re in. 

Your Dad Tony Stark sent you on this mission with Kate. You and her don’t get along, always bickering and trying to one up the other. Most of the Avengers know that you both can’t stand to be in the same room with one another so why did your father send you out with her of all people. It’s not that you don’t find the girl endearing but she just, you don’t know how to put your finger on it. This mission was supposed to be easy in and out but that all changed in a matter of moments. 

“I had to push you you idiot or did you want to fucking die?” You scoff as you jump and sit on one of the pallets. Grimacing when you poke at the bullet wound adorning your left arm not even being able to lift it to get a better look at the wound. Kate’s features soften for a moment as she sees your condition. You look up at her and see her shifting as she looks at you just causing you to scowl. “Oh so you had a death wish, got it. Next time leave me the fuck out of it.” Kate quickly snaps out of it. “If you hadn’t pushed me then we wouldn’t be in this mess.” Her arms cross over her chest as she huffs. You roll your eyes. “Kate, that agent would have shot you if I hadn’t pushed you out of the way.” You notice how Kate’s nostrils flare when she is angry. “I would have been fine. I would have gotten him.” 

Your patience is already wearing thin as your arm bleeds and you can now feel blood trickling down your face from your head. “He would have killed you, but I took the damn bullet.” You shake your head at the other girl and she shakes her head. “I could have gotten him.” You groan at her arrogance. “No you wouldn't, you didn’t even see him.” Kate just scoffed. She doesn’t want to admit she is wrong and that you are right. “Well if he was going to kill me why did you save me hmm? I thought you hated me.” Kate counters. You don't know what to say. You don’t hate her at all. Yes she annoys the hell out of you but she is a good person and someone that you can rival with. “Why did you do it Y/n?” She raises her voice. When you still stay quiet she yells. “Why the fuck did you save me if you hate me so much?” 

“Because I fucking love you you idiot!” You yell back before going quiet and looking down. You honestly didn’t expect for that to come out of you and neither did Kate. Her jaw dropped as the room was completely silent. It takes her a moment to comprehend what you said. “W-what.” That is when the panic starts to build in you. You just told Kate that you love her. You hadn’t even accepted the fact in your mind before your heart took over and made you yell it out. Kate couldn’t lie she has always found you attractive and hated to admit that she was falling for you even though you bicker all the time. She just thought nothing could ever happen since you obviously hated her but she knows that she was wrong now. 

You can’t bring yourself to look at her as you try to take part of your suit off. You need to check your wound and you want to forget that you just admitted feeling you haven’t fully grasped. “I-It’s nothing.” You mumble. You whimper when you can’t get your suit from off your shoulder. 

Kate snaps out of her stupor when she hears you whimper in pain. She quickly makes her way over to you. “I think your shoulder is dislocated.” You hadn’t noticed how close Kate had gotten until you looked up startled. You don’t say anything and just nod. “Let me help.” You want to push her away and deal with it yourself but you know you can’t so you just nod again. “Okay.” 

Kate looks over you to assess your injuries. When her explosive arrow went off it sent you flying into the wall. Your shoulder taking most of the impact and your head hitting against the wall. Blood drips down your face from the cut on your head. A sliver of it peaking through your hairline. All of the anger washes away as she sees the bullet wound adorning your arm. You were right and she might have been dead if you hadn’t pushed her out of the way. Your left side taking the brunt of all your injuries. Kate uses what Clint has taught her in order to treat you in the field. She helps get your suit down until it is sitting around your hips but you are wearing a long sleeve black shirt underneath. Kate hesitates before asking. “May I?” 

You’re worried about Kate seeing you without your shirt on. Some of your past is only known to a select few outside of your immediate family. Four people to be exact Fury, Steve, Natasha, and Wanda. But you know for her to be able to help you she needs more access so you nod once again. A lump forming in your throat as she carefully removes your shirt. If she sees the scars she isn’t letting on but you know she can see them and you're thankful that she isn’t bringing attention to them. 

It’s mostly silent other than your grunts and whimpers of pain as Kate pops your shoulder back in place and dresses your wounds. Leaving you thankful for the silence but the room is tense. Once Kate is done you look up at her and give her a soft smile. “Thank you.” It’s barely above a whisper but she hears it. Kate is about to speak before you cut her off. “I’m sorry.” Tears shine in your eyes not meeting her gaze. So many emotions are flooding you and you are struggling to hold onto one. “What for?” Kate asks you. “For everything. I was mean and spiteful to you for no reason. Well, more like I was scared.” Kate’s gaze softens. “Scared of what?” You struggle to find the right words to say. “Scared of what you would think of me. Scared of feelings that I don’t understand.” You look up at her and she sees the tears shining in your eyes. “I thought if I pushed you away and just was, I don’t know meaner to you I could just get rid of those feelings. I thought it would be better if you just hated me instead. But instead you made me fall for you more and I know that now. You don’t have to accept anything from me and you can hate me. I just wanted you to know that I’m sorry.” 

Kate takes the chance she cups your cheeks leaning in and kissing you. You're surprised but soon reciprocate the kiss. You don’t even realize how heated the kiss has gotten until Kate pulls away and you're breathing heavier. She leans her forehead against yours and whispers. “I love you too Y/n.” You look into her eyes for any hint of doubt but all you find is truth. Kate pulls back slightly her hands moving to your waist. Your legs wrapping around her waist and pulling her closer just wanting to feel closer to her. 

That is when you feel it. Her bulge in her pants and you can tell just from the short make out session that it definitely stirred something within her. Kate notices that you can tell and starts to pull away. “I-I’m sorry.” You wrap your legs around her tighter and shake your head. “I want you Kate, please.” You grind your hips lightly making the other girl groan. “R-right here?” You don’t know where some of this confidence has come from but with your good arm you cup her cheek in your hand and rub gently. “Katie we are kind of stuck here and I just want to feel you.” Your words flipping a switch in her grip on your waist tightening. “Fuck.” She groans. 

Kate is quick to help rid you of the rest of your suit. Tossing it to the side already sees a wet patch forming on your underwear. She bites her lip admiring your body. You normally would be self conscious of your body but the look in Kate’s eyes has that washing away. Letting yourself be vulnerable with her. She doesn’t seem to care about the scars that litter your body. She only sees the beauty in your strength. 

A finger hooks into the waistband of your underwear as Kate slides them down your thighs until they fall to the ground. Your body is now naked in front of the fully dressed woman but not for long. Kate eagerly strips down until she is only in a sports bra and boxers. You can see her cock straining against the fabric. You reach out for her, wanting her to come closer, but she takes her time. Finally pulling her boxers down and letting her cock spring free. She is much larger than you had expected. Kate notices your look of shock which makes her feel a little self conscious. She is about to step back when you reach for her again. “Katie.” She hesitates for a moment so you speak again. “I’ve never taken anything… anyone so big before.” Kate relaxes, finally stepping closer to you, slotting herself between your legs. “If at any point it becomes too much, let me know and I’ll stop.” She gets closer, the tip of her cock bumping your clit making you groan. 

“Please Katie.” Your need and want for her taking over. Kate just chuckles with one hand on her cock as she looks down slowly, swiping it through your folds. Coating it in your juices. She hasn’t even done anything yet and you're already a dripping mess. She is entranced by your dripping pussy as she keeps teasing you. You whine a little and buck your hips but that doesn’t stop her teasing. You start to grow frustrated. “Stop teasing and just fuck me already.” You're barely able to get the words out before Kate is thrusting her length into you. Her cock splitting you open and stretching your walls further than ever before. 

“O-oh fuck.” You gasp. Kate takes a minute with her hands going back to grip at your hips. “Shit so fucking tight.” Kate starts to ease out before pushing back in. A painfully delicious stretch as she picks up speed. Small breathy moans start tumbling from your lips as Kate pistons her hips into you. Kate looks from where you two are connected looking at your already blissed out face. Your mouth hangs slightly open as moans continue to fall from your lips. “Fuck so this is how I get you to shut up pretty girl. Fucking your tight little hole with by big cock.” You can’t help the blush that rises as you nod your head words escaping you. 

Kate tests the waters with you a little bit as one of her hands moves up to your neck wrapping around it loosely. Your eyes widen and with a particularly hard thrust from Kate you moan. She applies some pressure to your throat causing another moan to be caught in your throat. Your head falling back and your arm wrapping around Kate and digging your nails into her back causing her to moan. You like the sound of her moan so you scratch down her back and clench around her length. More moans tumbling from her lips. Your combined moans bouncing off the walls as Kate continues fucking herself into you. 

“Mmmm K-Kate.” Your words breathy as the knot grows tighter. Kate's hand is still firm around your neck as she drives her hips into yours. “Fuck you feel so good around me baby girl.” Kate leans in kissing you. You moan into her mouth giving her access, allowing her tongue to explore your mouth. Your legs pull her closer to you as your nails draw blood on her back. You're both so close. Kate’s thrust becomes sloppy as she draws near. You grind your hips into hers looking for your release. 

“Wanna cum baby girl?” Kate mumbles against your lips. Trying desperately to hold her own orgasm back wanting to see and feel you fall apart for her. “Mmm please.” You whimper. “Cum for me.” Kate demands. Your vision blurs and your legs shake around her hips. Your nails racking down her back leaving angry red lines cuming harder than you have ever cum before gushing around her cock which just sets Kate off. Her hips stutter as she paints your walls white. Her thrust slows as she continues to cum. Filling you so full there is a slightly large bulge on your lower abdomen and her cum leaking out around her cock. You have never felt this full in your life but it’s a feeling that you could get used to. 

When Kate stops her hands drop from your throat as she wraps her arms around you and buries her head in your neck pulling you as close as possible. Your head falls on her shoulder as you both hold one another panting. When you both have calmed down enough Kate pulls back and looks at your disheveled state finding you even more beautiful than before. “That was…” You breathe and Kate finishes. “Wow.” Which causes you both to giggle. 

Kate slowly pulls out of you which causes you to wince and whimper. “I’m sorry.” She says hating that she could have hurt you. “It’s ok Katie, just sensitive.” You say with a small smile. She smiles back at you before her attention is drawn down. She watches as a mix of both of your cums leak out of you. Wish she could just push back into you making sure that it all stays in but she doesn’t want to hurt you. So Kate does what she can to make you more comfortable. She wanders around setting up a small place for the both of you to lay down. Once she is done she picks you up but you stop her. “Kate, I can walk.” You slap at her arm lightly. She holds up her hands in defense. You get up but your legs wobble and your knees give out. You would have hit the ground if it weren’t for Kate’s strong arms catching you. “Don’t say it.” You warn the girl. She just chuckles. 

Soon you’re both laying on the ground, you on your side that isn’t injured cuddled up into Kate’s side. Your bummed arm draped lightly over her stomach. Her arms wrapped securely around you as her fingers dance across your skin lightly brushing the large scar adorning your side. You know that she is just absentmindedly just doing it but you feel safe with her. Your head that was laying on her chest now propped up on your chin looking at the raven haired girl. “Would you like to know?” You question her, your words soft. Kate smiles at you. “You don’t have to tell me if you don’t want to.” 

You lay your head back on her chest and let out a deep sigh. “When I was 13 a group of men kidnapped me. The daughter of the great Tony Stark should be able to get access to all the money and weapons they desire. I don’t know why they thought a 13 year old would have that but I guess they weren’t all that smart. When I couldn’t give them what they wanted they tortured me.” You have to pause for a second letting out a shaky breath. Kate is listening and holding you close for comfort. “I was there for a week with little food or water. Right before my Dad found me they took a large knife and literally skinned my side. They um, they sent it to my Dad which actually helped him find me. For as dumb as they were, they were also good at hiding. Not many people know outside of my Mom and Dad. Only Fury, Steve, Natasha, and Wanda and well I guess now you.” 

You nuzzle into Kate’s chest trying to stop the tears from falling. You can hear Kate sniffle causing you to look up at her and see the tears shining in her eyes. Her other hand moves up to cup your cheek. “I’m so sorry that happened to you Y/n/n.” You give her a reassuring smile. “It’s ok. I um still go to therapy for it and still have some nightmares but they have gotten better.” She leans in and kisses your forehead. The room grows silent as you both lay in each other's embrace. 

Your eyes flutter closed as you grow close to sleep but you're woken when you hear a voice and not of Kate’s. Your com is sitting on top of your clothes. You quickly crawl over to it and stick it in your ear. “Y/n/n are you there? Please be there.” You hear your Dads voice come through the com. “Dad?” You question hoping you're not just hearing things. “Thank god you’re alive. Are you hurt? Is Kate there with you?” He asks quickly. “Yes Dad, we are ok.” You tell him as Kate is behind you rubbing her hand up and down your back. “Y/n is injured but I patched her up the best I can.” You can’t help but look back at her and scowl which just causes her to smirk. “Shit, okay. We have your tackers and we are working to get you two out of there. I’ll have medical on standby.” You huff. “Dad, I'm fine.” Kate talks over you. “No, she was shot.” Your head shoots back to look at her again. “It was nothing.” Your Dad is silent for a moment. “Medical will be ready to look you over when we get you out. We should get to you in less than an hour.” You nod your head like your Dad can see you but you realize he can’t. “Okay see you soon.” 

You push Kate when you stop talking to your dad. “I just want to help you baby girl.” You can’t help but sigh knowing that she is right. Your cheeks are also heating up from hearing her call you that which just makes the girl smirk at you. So you push her playfully. You both quickly get dressed Kate helping you get dressed as you wait to be rescued. 

—---------

You’re sitting in the lab with your Dad as you work on upgrades for yours and Nat’s weapons. You even have some ideas for Kate which makes you smile to yourself. But the smile soon falls when the familiar feeling in your stomach has you stopping. The tools once in your hands clatter on the counter as you lung for the trashcan. With the trash can now grasped in your hands and propped on your lap the small amount of content in your stomach is thrown up. Tony is behind you in seconds rubbing his hand up and down your back.

Once you're done throwing up you set the trashcan back down and wipe your lips. “If I didn’t know any better I would think you were pregnant. You’ve been sick the last few days kiddo.” Tony says as he tries to comfort you. But his words spark something inside of you. You think back. It has been two months since the mission and you and Kate had sex. You’re just now realizing that you haven’t had your period either. 

You start to panic as you realize that your Dads words more than likely ring true. Tony watches your expression change. You get up and start to move around the lab. Tony grabs you and stops you in your tracks. “Hey kiddo calm down.” His hands are on your shoulder. You look up to him with tears in your eyes. “I-I need to go to the store.” He knows what you want and shakes your head. “We can do a blood test here in the lab. It is much more accurate than those tests.” You give your dad a small nod. He leads you over to his work area having you sit as he gets ready to draw your blood. You're both quiet as he sets up. As he starts taking your blood he speaks. “I didn’t even know you were seeing someone.” You sigh and look down. “It’s complicated Dad.” He is silent for a moment as he pulls the needle out and places a piece of gauze on the spot. You hold it there and pull your arm back. “Are you going to tell me who it is?” He asks you but you stay silent.

As Tony starts running the test you go and brush your teeth before coming back to the silent room and continuing your work. Trying everything to distract yourself from the gnawing feeling in your gut. You don’t know how much time has passed. It feels like it is going slow and fast at the same time. You're brought back to reality when the computer beeps. You watch as your Dad rolls over to the computer screen and pulls up the results. You can’t see through his head but you're scared to look. It’s not that you don’t want kids, it is the fact you didn’t expect to have any right now and you’re not even dating Kate. 

Tony rolls out of the way and angels the screen towards you. The screen shows pregnant. You can feel the tears welling in your eyes as they move to your Dad’s face. You can’t tell what he is feeling at the moment but all you do is start to cry. “I-I’m sorry Daddy. I didn’t… I didn’t mean to.” You don’t even know why you're crying but just as before Tony is to you in seconds this time wrapping his arms around you tightly as you cry into his chest. He reassures you as he holds you close. Once you start to calm down he speaks up again. “Do you want to keep it?” You nod as you pull back a little and look up at him. There is a small smile on his face. “Now are you going to tell me who fucked my daughter?” You push at him a little as he chuckles which just brings a smile to your face. You know you are going to have to tell him because you have to tell Kate but you're still a little scared and you know if you don’t do it now you won’t have the courage. 

“Promise you won’t get mad?” You look at Tony who is still holding you in his arms. “Was it an Avenger?” He questions you. You pull back from him and wipe some of the tears off your face. “Please don’t be mad.” You tell him. “You fucked another Avenger!” He exclaimed. “Dad, if you don’t promise me that you aren’t going to be mad and respectful, I'm not going to tell you.” Tony grumbles but agrees. You let out a sigh before speaking again. “F.R.I.D.A.Y.?” It is quiet for a moment. “Yes Miss. Stark?” A female voice is heard overhead. “Can you please ask Kate to please come down to the lab.” You don’t dare to look at your Dad as you talk. “Right away Miss. Stark.” 

When you finally meet your Dad’s gaze his mouth is hanging open in shock. Everyone knew that you and Kate didn’t get along so how could it be her. Though most have noticed that since your mission with her and being trapped together your dynamic has changed. You two wanted to keep things private and navigate these changes without the others knowing. So in front of the others you two were friendlier with one another but spent time together to get to know one another in private. Most just figured you two being trapped together changed things for you both but this wasn’t on their bingo cards for sure. 

The door creaks open bringing your attention to the Raven hair girl that walks through the door. Kate notices the tear stains on your face and her gaze softens. “Is everything okay? F.R.I.D.A.Y. said you were looking for me.” She looks between you and Tony and she can see the obvious scowl on his face. You give her a short nod before speaking up. “Dad, can you give us the room?” But he doesn’t move, still scowling at the other girl. “Dad you promised.” He grumbles and moves to leave. “Don’t try anything funny with my daughter, I'll be watching you.” He says to Kate as he walks by before heading out the door. He has always been protective over you and even more so of your sister so it is no surprise that he is acting like this. 

“Y/n/n what's wrong?” Kate asks you but you don’t say anything, just taking her hand and walking her over to the screen. You drop her hand as you turn the screen for her to read. You drop your head not wanting to see her reaction. Not wanting to see her upset with you. The room goes silent once again as the results of the screen sink in. “You.. You’re pregnant?” Kate questions. You finally look up at her as tears that you didn’t even know were there start slipping down your face. You nod. “I-I’m so sorry. I didn’t m-mean for-” Your cut off when Kate wraps her arms around you and picks you up spinning you around. 

You have to tell her to stop and put you down before you throw up all over her. She quickly puts you down but doesn’t let you go. “I’m sorry.” You mumble looking down. Kate removes one of her arms from around you and makes you look up at her. “Why are you sorry?” You can see genuine excitement in her eyes but also the concern she has for you. “Because I got pregnant.” You tell her feeling disappointed in yourself. She just shakes her head at you with a soft smile on her face. “You don’t need to be sorry for that. It takes two to make a baby and last time I checked I wasn’t the only one who came that day.” Her words make you blush a little and she chuckles. “I want kids more than anything baby girl and I would love to have them with you if that is what you wanted.” 

You can’t help the happy tears that fall. “More than anything.” You mumble. You were so scared before but now all you have is excitement for a new chapter. Kate leans in capturing your lips with hers. The kiss becomes heated quickly as Kate pulls you closer, but you're both broken apart when you hear banging on the glass. You pull back looking past Kate at your Dad who is banging on the glass walls of the lab. You wave him off knowing that he is grumbling to himself. You both laugh at the situation before Kate gives you another quick peck. 

Kate looks down at you love and desire in her eyes. She moves one of her hands onto your stomach with a smile, her gaze on your stomach before looking back up at you. “Y/n Stark will you be my girlfriend?” You shed some more tears as you smile and nod. “I would love nothing more than that.” You kiss Kate again before pressing your foreheads together basking in the moment and the excitement of what is to come next on this new journey.

[ddejavvu]

hi i love your writing!! can i request hotch x reader where he did a press conference or something on the news (i just watched the halloween one in s10 he looked fiiiine) and then reader runs into him in public and recognises him ty in advance

Perhaps you should have taken his casual attire as a sign that he wasn't on duty, but you can't stop yourself from blanching at the sight of the man stepping up to the counter before you. Hotchner was his name? Agent Hotchner?

"You're the man from the news," You blurt, before he's even able to get his coffee order out. He looks somewhat taken aback, dark eyes widened slightly, and you're sure it's not often that he's ambushed by his baristas, and you clear your throat, "I- sorry, I just- I saw you last night on tv."

"Our press conference," He's skilled at overlooking your awkward interjection, nodding with the hint of a smile on his face, "I'm glad you were tuned in to the news and stayed safe."

"Did you catch him?" You ask, coffee long forgotten. You'd been a nervous wreck at the announcement of a serial killer in your town, a real serial killer killing real people like you, and you almost hadn't shown up for work today out of anxiety.

"We did," He nods, "He's safely locked away. And he will be for a long time, I promise."

"Thank you," You breathe, palpable relief in your tone, "Thank you, I- I can't even imagine how scary it must be to chase after people like that, but thank you for doing it."

His brows raise and his eyes flood with gratitude, something you hope is visible in your own gaze. Evidently, he doesn't get this very often.

"It's my job," He smiles fully now, settling into his place at the counter as customers come and go on either side of him, "There's no need to thank me."

"It's a job you chose," You counter, "I was really- it was scary, thinking that he was out there. That I might be next, that my friend might, that my mom might. I do need to thank you for that."

"You're safe now," He promises, and something about the honey-sweet tone of voice he uses makes you truly believe it.

"I'm sorry for holding you up," You apologize after a beat of comfortable silence, refocused on the screen in front of you, "What can I get for you, sir?"

"A medium coffee. Black, please." He recites, "And a cheese, egg, and ham sandwich, if you've still got any."

"That'll be all?" You verify, punching his order into the computer. He nods with a smile, already pulling out his wallet.

"Oh, no sir," You clear his total, pulling from your tip jar to cover the cost of his order, "I'd feel guilty for charging you. You helped a lot of people, your order is free."

"I insist-" He tries, moving his card towards the scanner, but you tug the appliance away.

"I insist," You stand your ground, "Please, I'm going to be able to get home safely tonight thanks to you, I have no problem giving you a free coffee."

"A sandwich, too." He reminds you, "You're very kind, but I can't take free food. Please, let me pay for one of the items?"

"My treat." You slide bills into the register, triumphant when his shoulders sag and a sheepish smile overtakes his face as he slides his card back into his wallet.

"Thank you," He returns your gratitude, eyes the color of his coffee somehow sweeter than sugar "I appreciate it. I meant it before, you're very kind."

You're happy that the breakfast sandwiches are stored behind you, because it gives you a chance to hide the way your face contorts into a bashful grin as you prepare his order. Now that the fear of being attacked is out of your head, you're able to marvel at the man's looks, something you'd tried tamping down to focus on bigger issues at hand. A smile suits him, and so does a t-shirt and jeans, and you're glad you got to see a side of him that isn't grim and grey.

"Thank you," He beams when you return with his order, simple enough that you'd made it while he stood at your register, "Have a great rest of your day."

"You too, sir." You nod, trying not to react when his fingertips brush your hand, and you applaud yourself for keeping your composure until he's safely out of the building.

That same composure breaks when you're emptying your tip jar for the day, counting out each bill to stuff them in your wallet and grocery shop for the week. A wad of them falls out that you're fairly certain you didn't see anyone drop off, and it's revealed to be three $20 bills with a stiff piece of cardstock in the middle.

You're momentarily horrified that someone dropped the wrong amount in, put in the contents of their wallet when they meant to leave a $5, but the name on the card hits you like a semi-truck.

SSA Aaron Hotchner.

Damn that man, he must have slipped the cash into your jar while your back was turned. You'd been trying to save him $7 for the coffee and the sandwich, and he treated you to a cart of groceries instead.

You flip the card to find his number, not sure if you're brave enough to call and give him a speech that's half thankful and half scolding. But there's pen scrawled on the back, and you squint to read the print.

'Don't try returning the tip, I won't take it back. Thank you for being so kind, and if you ever need a favor, you know who to call. - Agent Hotchner'

[hellfirecvnt]

Hard to Get

Prewar!Cooper Howard x Fem!Reader

Warnings: ****This is a COMPLETE fic. This post is LONG!! Unprotected sex, oral, lying, slight fluff ending, Idk what else.

Summary: It's been a new experience being cast in the lead of the latest Hollywood movie. What's even more nerve-wracking is your far-more-famous-than-you co-star. After you can't seem to sell the chemistry between you to the director, you're pushed to spend more quality time with your cohort.

Notes: Barb doesn't exist. Cooper has never been married. I know she's the "bad guy" but I love and support Barb just bc she's a beautiful woman. Thank you.

"Quiet on the set!" A stout, demanding man's voice cuts through the dull rumble of idle conversation across the set of the movie you're starring in. It's your first lead role in a Hollywood blockbuster. You're nearly a month into filming, much more comfortable than you were in those early days. The veteran actors used to give you the hardest time. Some in jest, others in spite or envy. That's just showbiz.

Not a day goes by that nearly every man on the set makes at least two inappropriate remarks to a woman co-star or doe-eyed extra. Nearly, because one man, the other lead, has yet to make your stomach churn with unsafe discomfort. Cooper Howard. He's a world-renowned actor, known best for his westerns, but just as popular in other genres. Of course, he did ask you out for drinks in your first two weeks on set. He said it was to get to know each other, seeing as the two of you will be spending so much time together while filming, but your 10-foot-high walls wouldn't waver. You turned him down. Since then, he's been nothing but a gentleman.

The movie you're making is about a burnt-out detective on his last case. Cooper plays Detective John Silvers and you play the villainous minx, Monae Lark. The plot is that Monae will give John the run around of his life, accumulating mutual respect for each other's skills and eventually, accumulating romantic tension. The only issue with that storyline is... You are seemingly terrible at faking chemistry. SO much so, in fact, that they canceled all your scenes for the day and sent you back to your trailer. You are horrified as you step through the door, having held a perfectly calm face until then.

"Whoa, what's wrong with you?" Your agent, a short, frail, older woman with silver hair and a smoker's voice perks up on your couch when she sees your distressed face. Her name is Verna, and she's represented you throughout your entire career.

"They've canceled my scenes for today..." You slump in the seat nearest to you.

"What? Why?"

"Apparently, Cooper Howard and I don't have any chemistry." You make a mocking gesture with your hands. "The director is pissed."

"Well, duh. That's people's livelihoods we're wasting with every reshoot." Her bluntness hits you like a kick in the gut. "How do you two not have chemistry? You've been spending time together, right?"

"Of course! We read lines for almost two hours every day!"

"No, honey. That's working. Do you two spend time together? Like, get dinner and get to know each other?" The nonchalant nature of your agent's question perplexes you.

"Well, no," you admit.

"So you've just been coming in here and greeting him like a fuckin' grocery clerk before barking prewritten lines at him for a few hours?"

"I- Well... Yeah. He asked to get drinks back when filming first started, but I didn't want to look like the woman who got one big break and started fucking any man in Hollywood I could get my hands on!" The desperation in your voice is becoming more and more apparent.

"Relax, babe. The PR training we're gonna put you through to promote this film is gonna kill you if you can't have a little dinner and survive a few baseless rumors. I'm about to call his agent right now." The silver-haired woman reaches for the mint telephone and dials a number into the rotary.

"He still has scenes to shoot today, he's gonna be busy-" Your sentence is cut off when Verna holds a finger up, signaling you to give her a moment of silence. As she chats away on the phone, talking as if she's known the guy for years, you step over to the window of your trailer. Hesitantly, you peek outside, and there he is. Your intimidatingly famous and peculiarly handsome co-star.

"Fabulous! Talk soon, darling," your agent chimes from across the trailer. Just then, you see a man in a suit approach Cooper and tell him something. Context clues tell you all you need to know about their conversation. He's merely alerting his client of a scheduled meeting with his horrifically embarrassed cohort. You nearly squeeze your eyes shut to avoid the humiliation of any sigh or eye-roll he expresses in response, but that's not the case. You can hear him through the thin walls of your tin sanctuary.

"Tonight? Perfect. Send her something nice from me." He gives his agent a friendly pat on the back, sending him off. You can't help but notice Cooper's lingering smile, a new pep in his step. You can't help but chuckle at the display, it's monumentally relieving.

Filming wraps up for the day and even though your workday was cut short, you remained on set for various screen tests and voice-over work. A sudden knock on your trailer door causes you to jump. You pull your robe over your silk slip dress and open the door to an intern holding a luxurious flower arrangement in a crystal vase. Coincidentally, your favorite flowers.

"Oh! Thank you." You take the gift with a smile and the young man announces that it's from Cooper Howard, though you'd already gathered that much. "I'll be sure to thank him properly, then." You smile as the intern nods and takes off to his next task. You can't help but grin as you proudly place your new bouquet front and center on the counter. The large studio lights finally cut on and you step onto the large, open floor. It's much busier and louder now that the director has left.

"Glad to hear you changed your mind," a smooth, deep voice captures your attention. You turn to see Cooper approaching you, adjusting the buttons of his sleeves.

"You must forgive my ignorance, Mr. Howard. I'm a Broadway girl. I didn't realize how different our worlds are until I got here," you laugh. "Being seen out with a costar on that side of the circuit will get you dubbed something tasteless if you're not careful."

"Ah, well. Seems like the tabloids should spend less time worrying about what women do with their free time. I promise not to give them anything to talk about." He smiles a bright, friendly smile, winking.

"I appreciate that," you say, walking beside him as you head toward the exit. If you were leaving the theatre with your co-star in this way, all eyes would be prying into you with jealousy and hoping for the opportunity to knock you off your pedestal once and for all.

"You do have to do me one little favor though." He stops walking as if his request will be heavy. A lump grows in your chest as you assume this is it, this is where he proves he's just like the others.

"You've gotta knock that 'Mr. Howard' shit out," he chuckles. "Cooper." He extends a hand as if to redo your meeting all those weeks ago.

"Y/N," you grin, shaking his hand firmly. He repeats you as if your name tastes sweet on his tongue. With that, the two of you make your way to his car. He opens the door for you and you can't help but chuckle at his chivalrous actions. Cooper takes you to the nicest restaurant in town. Pricey, even for your recently fattened wallet.

"So, what should I know about classy, mysterious Y/N?" The refined, older man grins at you from across the fine wood table.

"Classy and mysterious? You give me far too much credit." You make a dismissive motion with your hand. "I'm an open book once you get to know me."

"And how easy of a feat is that, exactly?" He intentionally tilts his chin up, looking down at you through his eyelashes. You're taken aback by the effect it has on you. Unwilling to be an easily swooned newbie on the scene, you regain control of your train of thought.

"Not at all." You smile wickedly. "I hope you're patient."

"Of course I am, I've hardly noticed it's taken 20 minutes for our wine to get here." The two of you share a quiet laugh in the dimly lit restaurant.

"What about you, Cooper Howard? What should I know about you that the tabloids haven't already covered?"

"I'm an open book, no effort necessary." He shrugs. You burst into a hard-to-stifle laugh.

"I hardly believe that. What do you do in your free time?" You ask, staring off small.

"I drink inside a big, empty home and I reminisce." He sighs.

"What on Earth are you on about?"

"Before I was The Cooper Howard, I was just a man with a farm in the middle of sunshine and fresh air: nowhere."

"I never would've guessed," you shrug, taking in the new information. The waiter continuously fills your glasses and you take small sips as you listen.

"What about you, Broadway? What were your early days like?"

"I've been training and performing since I can remember. But I know I used to love drawing when I was a kid. I still do it sometimes, when I have time."

"Are you any good?" He asks bluntly.

"I'll have you know I was better than kids three and four grades above me in the arts program," you brag unseriously.

"You'll have to draw me something someday."

"I'd love to," you grin. The two of you continue talking, sharing funny stories from your childhoods and early days in your careers. After a while, this man whose status and essence alone used to intimidate you somehow feels like a peer.

"What brings a star of the stage over here to the film industry?" Cooper asks smoothly.

"They sought me out, actually. Must've been my look or the way I sound like honey with a transatlantic accent," you wink. Cooper chuckles, enchanted by you. He reaches a sly hand across the table and watches you notice it. You glance at his awaiting palm, but you don't meet his touch. He raises an eyebrow as he slowly closes his hand, drawing his arm back in.

"This place is nice, but-"

"I'm not going to your place, Mr. Howard."

"I was going to say we should order another bottle of this wine." He laughs, drawing you in with his brilliant smile.

"Forgive me, Cooper. One of these days I'll let my guard down," you jest. The evening rolls on smoothly. Your table is a quiet haven of laughter and camaraderie. For the first time in your career, onstage or in front of the camera, you feel a genuine sense of friendship with your co-star. When you performed Chicago as Roxy Hart, your male cohorts made the air thick with discomfort, while the women did everything in their power to drag you down. It's not their fault, of course. The industry forced them to be that way.

As the hours pass like minutes, the night comes to an end. Cooper pays the bill and tips the waiter a generous amount, not unnoticed by you. He walks you to the car, opening the door for you to slip inside.

"And they say 'Chivalry is dead,'" you wink as Cooper closes the door. In the few seconds it takes for him to round the vehicle and open the driver's door, he lowers his guard. Truly taken aback by your suave nature compared to the nervous mess he's known you as. It must be the wine, though neither of you is drunk.

Undecided whether or not he's met his match, Cooper finally opens his door and takes his position in the driver's seat. He seems almost nervous, not moving as gracefully or speaking as cool as he's known for.

"Just right around this corner, here," you say, pointing to the turn that leads to the road you live on. Cooper can't help but steal curious glances at the enigma next to him. What was meant to be a business dinner/ PR move has turned into a challenge to him, and doesn't every cowboy love a challenge? Of course, he had no plans of overstepping any of your many firm boundaries, but he planned to melt you the same way he melts for you right now.

You arrive at your home and he unfastens his buckle as well, leaving the car on. You glance at him, assessing his intentions. He's quick to notice your ocular pat-down and volunteers to put your mind at ease.

"I'm walking you to your door, sweetheart."

"That's very kind of you, Cooper. Thank you," you smirk, entertained by his ability to read you so keenly. He escorts you safely to the large oak door of your humble, yet still high-end abode. The two of you stand in silence for a moment until you speak. "If you try to come inside, I'll have to sic my very large dog on you."

"A very large dog?" Cooper asks, feigning mild fear.

"She doesn't like men," you smile warmly, bantering playfully.

"Maybe one day, she can try warming up to me."

"Until then, Cooper Howard," you nod, disappearing inside your house. He's nearly shocked, but mostly he's giddy.

What a woman, he internally monologues. His walk back to the car packs that same pep as when he found out about their dinner in the first place. Maybe even more.

After just a couple weeks of running lines together and the occasional after-work bar hop, your days on set become a comfortable routine, rather than a journey into the lion's den. You can't help but feel like you have Cooper to thank for that. The scenes between you two are now known to make the interns blush.

"Action!" The director's firm voice slices through the air. You and Cooper are positioned at opposite sides of the "room," a set made to look like Detective Silvers's office. It's dark, and a dim street lamp's glow reaches through the barely opened blinds. You run a delicate finger along the windowpane before speaking your first line.

"You've impressed me, Detective Silvers. That's not an easy feat." You take two steps to the left, placing your foot perfectly on your mark.

"You're not so easy to fool, Ms. Lark. Not like they said, anyway." The tone in Cooper's voice when he plays this character sends a wave of involuntary goosebumps down your flesh.

"You can call me Monae, honey. Don't we know each other well enough by now?" You strut gracefully across the room, leaning teasingly over his desk, where he sits. "They always say I'm a fool, because I play it so well, don't I?" Slowly, Cooper straightens up in his seat, bringing his face closer to yours as you drape across the desk.

"You keep a hell of a poker face, darling," he whispers. Something in his eyes tells you it's Cooper speaking, not Detective Silvers.

"Cut! That's a wrap!" The director dismisses the crew. Everyone's shoulders relax in unison. It's undoubtedly been smooth sailing ever since you and Cooper started spending more time together.

"Hey, Y/N," Cooper calls out to you as you head back to wardrobe. You turn and meet his gaze with a smile. "You're not busy tonight, are you?"

"Of course not. I'm waiting for my coworker to tell me what our plans are," you chuckle.

"Coworker? Ice cold. We're friends." His grin is diabolically attractive. You thank the stars above for the layers and layers of makeup concealing the darkening blush on your cheeks.

"Of course we're friends, Cooper. What are we getting into tonight?" You ask with an excited grin.

"There's a new lounge opening downtown. I know the owner pretty well. And not to brag or anything, but it's a pretty nice place to get a table on opening night." He smiles, holding his arms out as if he's waiting for a yes or no from you.

"Your friend's club is opening?"

"Well, don't make it sound too exciting now," his sarcastic tone draws a laugh from your lips.

"I'm pulling your leg, Cooper. I'd love to go." The two of you split off to get out of costume and makeup. Once you're back in your own attire, you begin to feel a sense of panic.

"You gotta stop making that face, babe. You're gonna get a worry line." Verna appears in the common area of your dressing room.

"Verna, what do you know about the new lounge opening downtown?" You turn to her with narrow eyes.

"It's a pretty big deal. Bonnie Lewis was complaining about not getting a table until next weekend," Verna laughs. You begin to wonder what kind of strings Cooper had to pull or if his story about knowing the owner was true. Not that you think him a liar, it just seemed like banter at the time.

"I need to go home." You snatch your keys from the hook next to the trailer door and bolt to your car. Verna stands in confusion, hair blowing in the breeze of your speedy exit.

"No, no, no!" You groan as you tear through your closet. Nothing seems to fit the idea you've made up in your head of what a woman should wear to something like this. You can't decide which would be more horrifying, being overdressed or underdressed. You start thinking up excuses to give Cooper why you can't come out tonight when suddenly, there's a knock at the door.

"Delivery for a Ms. Y/L/N?" The bright-eyed delivery girl hands you a large, flatter box. You thank her and nod goodbye, taking the package inside to your room. You scan the outside for any indication of what it could be or who it's from. You get fan mail all the time, so it's nothing new.

You take a blade to the taped seams and uncover a note atop a few layers of tissue paper.

"For tonight, if you want. -C.H."

You furrow your brow as you reread the note a few more times. Curiously, you place the note aside and reach for the tissue paper, unfolding it to reveal a stunning mass of glistening fabric. With widened eyes, you reach into the box and lift the garment to see it's a long, crystal-stoned dress with a high slit up the side. It reminds you of something your character, Monae Lark, would wear. It's gorgeous and looks like it costs as much as your Hollywood home.

You hold the dress up to your body in the mirror next to your bed and it's perfect. You certainly didn't own anything of this caliber until now. You get dressed and ready, hoping your finest jewelry does the dress its due justice. For just a moment, you stare at yourself in the mirror. You take in this heavenly view, you can hardly believe it's you staring back at all.

A ring of the doorbell snaps you from your thoughts and you make your way to the door. Standing on the other side is Cooper. The moment his eyes meet yours, his face becomes illuminated with a big, marveling smile. He glances at you, up and down, taking in the way the dress drapes over you like water down a stream.

"You look magnificent," he speaks in awe.

"Thank you for the dress, Cooper. It's beautiful." Your eyes sparkle as you thank him for your gift.

"You're discrediting yourself. It just looked like a sparkly piece of fabric before I saw it like-" he places his hands daringly on your hips. "This." You gasp at his invasive action, taken aback by his boldness.

"Shall we get going, then?" You smirk, undeniably excited by his touch. He leads you to the car and opens the door for you like a gentleman. His chivalrous displays only make you yearn more and more. He's always like that, even on set. He prioritizes your comfort, especially in the sex scenes, which you've been reshooting a lot lately.

Cooper escorts you inside the lounge. They don't even check the list, everyone knows who you two are. Eyes and camera flashes all focus on you as any and every media outlet tries to get their hands on the latest spot to be seen in downtown Hollywood. You feel glamorous on his arm as he leads you to the table. Cocktails are promptly ordered and arrive at your table in impressive time.

You take in your foreign surroundings. It all looks so high above you, yet you're here. It's humbling. The ceilings are tall and dark while the rest of the room is dimly lit. A band plays smooth music to a crowd busy with multiple conversations. You're both sat in a large booth with seating that wraps all the way around. The low light bouncing off the crystals on your dress draws any and all attention to your table. To you. To Cooper sitting with you.

The night is fun and exciting, you nearly lose track of your drinks, but as always, you manage to remain only slightly buzzed. Careful not to sully your own name with drunken hijinks. And while you're not drunk per se, you are feeling much bolder than usual. You can't seem to pry your eyes off of your arm candy. Cooper is quick to notice, playing into your flirtatious behavior.

"Do I have something on my face?" He chuckles, brushing his hand against his cheek, tracing his jawline. You know right then that you've been caught gawking and your face turns bright red, hidden thankfully under the dim lighting.

"No, Cooper. I just happen to like what I'm looking at, is all." You bite your lip, surprised by your own words. You even think you can see him blushing.

"If I'm being honest, I really like what I'm lookin' at as well." His eyes burn into yours.

"Everyone's looking at us," you whisper, drawing closer and closer to him in the round booth.

"Let them watch," he mumbles, closing the gap between you two and drawing you into a passionate kiss. Your heart begins to race as his hands roughly grip onto you, pulling you closer to him in the booth. "Can we get out of here, darlin'?"

"Take me home, Cooper," you sigh as your eyes travel back and forth between his eyes and his lips. You don't know if it's the drinks or the rush of being the main attraction in this swanky club, but it's taking you over and you have no objections.

"Whatever you say," Cooper says with a sly smile, extending a hand to you to guide you out of the booth. The walk to the door seems endless, as you find yourself ravenous to get him alone again. It's no secret for either of you that tensions have only been growing ever since your first dinner together. He clings to you, not so much possessively, but protectively. Almost as if he doesn't keep you latched to his side as you make your exit, you might fall away and break like the delicate crystals adorning your flowing dress.

The brisk night air coats your flesh in a cloak of goosebumps. Anticipation accelerates your pulse to an unknowable pace. When you reach his car, you pull his collar to your chest, cueing him to pin your hips against his vehicle and kiss you deeply, ignoring the paparazzi flash. But only for a second, as the second blazing flash snaps you back into reality and you hastily make your way into the car, giggling. Cooper shoots a knowing look at the flashing cameras, smirking with pride as he struts to the driver-side door.

When he gets inside the car, you're both laughing at the prying cameras. A part of you feels worried about how the tabloids will make you look, and Cooper can see that fear on your face. He furrows his brow.

"Hey, you know it's all..." He trails off, staring at you intently. You can nearly see his gears turning behind his eyes.

"Are you okay?" You ask, confused by his mid-sentence shutdown.

"Forget about it, I gotta get you somewhere a little more private." He winks, pulling out of the lot and past the ever-flashing journalists. You've fantasized plenty of time about this moment, how it'd play out. It's your current favorite dream to have, no doubt. His hand on your thigh lightly digs his fingers into your flesh, growing more and more desperate the closer you two get to your home in the hills.

You emerge from the car after he parks haphazardly in your driveway. The two of you are apart for mere seconds before he's upon you, locking your lips with his, wrapping the full lengths of his arms around you. You're nearly, quite literally swept off your feet. You lead him to the door and he follows your every step, beguiled. You open the door and spring inside.

"Surely I get to come inside just this once?" Cooper leans in your doorway as the distance between you grows. You stare at him, scanning your eyes up and down teasingly. He looks like he's ready to fall on his knees and beg.

"You're quite the gentleman, Cooper Howard." You shift your weight to your hip.

"My mama didn't raise me to barge into a lady's home uninvited."

"What part of our trip to the door makes you think you're uninvited?" You tilt your head. The conversation seems almost reminiscent of the characters you both play.

"The part where you didn't invite me in," he grins.

"My God, are you a Vampire?" You jest. "Please come inside. Make yourself at home," you say sarcastically. "Do I need to tell you what I expect you to do next?" Your words are rushed, as he speeds toward you once he's received his invite. He wraps you in another firm embrace and plants kisses and light bites along the slope of your neck.

"I think I can take it from here, darlin'." He plants another kiss. "Unless you're feeling like bossing someone around." He winks, allowing his hands to wander freely up and down your body, grasping at your breasts and thighs.

"Keep kissing me," you demand, to your own surprise more than his. He does as he's told, only hesitant for a second to register what you said. You break the kiss momentarily to make another demand. "Take my dress off, carefully." You instruct. Cooper happily obliges, doing exactly as you ask, carefully. Once your dress is carefully placed aside, he takes in the breathtaking sight of you, nearly bare before him, just a room's length away.

Your undergarments suggest you had this plan in mind long before getting in the car this evening. Lace and silk with garters and corsetry. You're unreal, even to a Hollywood Star like Cooper. His mouth hangs agape as he drinks in the image laid out in front of him.

"Well?" He awaits his next instruction.

"Oh, please," you scoff. "Lose the jacket, loosen the tie." He does as he's told, taking your commands and unfastening a few of the top buttons of his shirt. As he draws closer to you, crossing the room from where he'd sat your dress out of harm's way, he rolls his unbuttoned sleeves up his arms. There's something primal and animalistic about him as he towers over you where you lie on the bed.

"Now, you tell me what to do." Your voice is almost shaking as you say this, excited and anxious to shift the power dynamic. Cooper's face spreads into a soft smile. It's almost eerie.

"Come here." He snaps his fingers softly, pointing to the edge of the bed in front of him. You giddily comply, taking your seat with a pretty posture. You're perfectly positioned at his waist. "Belt."

You waste no time, wrapping your hands delicately around the buckle of his belt, unfastening it and moving on to the button and zipper. Cooper's erection strains against his underwear, hard and throbbing against your palm. He sighs at your touch, eyes rolling back in his head as you toy with him through his boxers.

"Touch yourself," he commands with a quiet rumble of a voice. You do as you're told, locking eyes with him as you slip a hand past your panties. You moan under your own knowing hand, pouting your lips in an 'o' shape. Truly putting on a show for someone so deadset on maintaining a "pure" reputation.

"Cooper," you moan his name, earning a surprised smirk from him. He shakes his head in disbelief.

"So careful, so reserved, so... Mysterious," he chuckles, caressing your cheek in his palm as you continue to play with yourself. "I knew you must've had secrets, but my God, you filthy little thing." His words are like sugar and honey as he showers you with praise. "I'm going to make you feel so good, babydoll."

Cooper gently tugs your arm away from your drenched panties and replaces your hand with his own. He carefully pumps his middle finger in and out of you, earning sensual moans from deep in your chest.

"Oh, my God!" You chant to the heavens, riding an indescribable high. Cooper is far more skilled with his hands than you could've anticipated. After a few moments, you realize he was paying attention to the way you touch yourself, and is now attempting to mirror that. And he's doing well. The attention to detail is enough to bring you ecstasy all on its own.

He tugs his undergarments down, freeing his tumescent cock from its restraints, still fingering you all the while. His large size is jarring, but you've never been the type to turn away from a challenge. You take his shaft in your hand and pump up and down as you wrap your lips around his tip. His hand is quick to find the back of your head, carefully working you further and further down his length with each bob of your head.

"Jesus Christ, baby. Look at you," he groans, tugging your hair to make you go faster. You keep at it as long as possible, long after your neck is good and sore. Finally, he takes a sharp inhale and pulls your face away from his waist.

"Lay back on the bed, darlin'. I can't wait for this anymore." Cooper withdraws his hand and slides your panties down your legs, careful to leave the rest of your scandalous outfit in place. You're certain he's going to place himself in front of you and fuck the daylights out of you, but instead, he lowers his head to your dripping cunt and begins licking broad stripes up and down your slit.

You melt into his technique as his tongue explores every corner of you. The knot in your stomach tightens as you arch your back, desperate for more contact. A daring hand makes its way to his pushed-back hair, encouraging him. You can feel his lips curl into a grin against your delicate skin. In your pleasure-induced haze, you begin to wonder how you found yourself in your own bed, getting eaten out by Cooper Howard.

Suddenly, he pulls away. His actions are rushed now, almost desperate as he reaches for his waist, taking the base of his cock in his hand and positioning himself over you. You're anxious but excited. There's a fire in your blood as he slips inside of you. Both of you emit guttural moans, filling the room with the vulgar sounds of huffing breaths and wetness as he thrusts in and out.

"You look so pretty when you're getting fucked," he whispers in your ear before jerking you up from where you lie. He positions you on your hands and knees and you take it upon yourself to arch your back like a cat, dipping as far down as you can. The sight of it is enough to make Cooper faint. You're the prettiest putty he's ever had in his hands. He trails his soft, open palms down your sides, resting his hands on your ass.

Cooper gropes and smacks the supple flesh, earning coos of approval from you with each strike. He basks in your beauty for a while, taking the moment in. He bites down on his index knuckle, looking away from you for a moment. You glance over your shoulder to investigate the sudden hold-up, and he looks preoccupied.

"Cooper," you gain his attention back to you. "Now is a terrible time to have second thoughts..."

"I'm afraid all I'm thinking about right this second is this." Abruptly, you feel him slip back into you. A gasp invades your lungs as you push yourself backward, allowing him deeper inside. His pace is quick and steady, guiding you like an expert to your orgasm. He's at it for so long, your arms threaten to buckle. When he notices the slightest waver in your elbows, he shoves your face into the mattress. Your arms are instantly relieved and he picks up his vigorous pace.

"Oh, god!" Your wails echo off the walls of your large bedroom, stroking his ego with every moan.

"Come on, baby... Cum for me..." He huffs, talking you through the growing knot in your stomach. He withdraws for mere seconds to shift your positions. He plants his feet on the floor and returns you to your back, tossing one of your legs over his shoulder as he picks up where he left off. His thrusts become sloppy, though they still maintain that toe-curling speed.

"Oh, wait!" You cry out, but his hips refuse to relent. He shushes you sweetly, fucking you until your climax renders you breathless. You moan loudly and sensually, it's like music to Cooper's ears. You're well and fucked out as he continues chasing his own high. After only a few more moments of overstimulation, he pulls out and pumps his cock until he finishes on your lace-clad chest. You watch him through fluttering eyelashes as he throws his head back in ecstasy.

"You're... Something else," he huffs between heavy breaths. You create room for him to collapse next to you on the bed and he happily obliges. The two of you, sweaty and breathless, lie in comfortable silence for a short while. "Hey, when do I get to meet your big, dangerous dog? She's awfully quiet."

"I don't have a dog." You state flatly, admitting your lie.

"I had a feeling that threat wasn't so serious."

"Oh, it's plenty serious. It's just not true. You can stay the night if you want," you offer with a smile as you rise from the bed and make your way to the bathroom to shower.

"Stay the night, huh?" He repeats you.

"Yes. I'd like it if you did," you wink, disappearing to clean yourself up before bed. Just as you're about to reach for the handle to turn the water off, you're joined in the shower.

Cooper buries his face in the crook of your neck, holding you close to his naked body from behind. You share a passionate kiss under the warm running water before you step out and let him take over. The two of you sleep in each other's arms, completely naked, bundled in your expensive bedclothes.

In the following days, news breaks of your visit to the lounge with Cooper. The photo of the kiss by the car is plastered on every magazine faster than you can blink. At first, you're terrified of what this could mean for your stage career, should you never get another role in film, but Cooper continuously reassures you. Weeks go by and you can't remember the last time you left the set without him by your side. He makes you feel safe and beautiful. You trust him in ways you didn't think you could trust men in the industry. You don't care if the two of you never label what you have, you're just happy to have it.

It all seems to be a little too perfect until the day the film debuts. You and Cooper are a sight to behold on the red carpet at the premiere. The cameras can't seem to keep their blinding flashes off the two of you. Cooper seems in high spirits, wrapping you in tight hugs and kissing your forehead sweetly. You're a sap for his PDA ways.

The movie receives a standing ovation and you've never felt more pride in your life. For yourself, your co-stars, and the crew. Riding a high so strong it feels like glitter in your blood, you can't wait to get your man back home and show him how proud you really are.

"Cooper, hey!" You call out to him at the exclusive after-party. When he turns to face you, he smiles wide, pulling you in for a kiss while damn near dipping you like a dance partner. "Whoa, I need to call your name more often."

"Screaming it works for me too," he winks, eliciting a red-faced chuckle from you.

"Are you coming back to my place, or do I have to beg?" You ask, staring up at him with large, sparkling eyes.

"Well," he looks at you and then glances around the room, seemingly lost in thought for only a moment once again. "Of course, darlin'."

After arriving at your home and promptly tearing each other's clothes off, you lie leisurely on the bed next to Cooper. All of a sudden, he's sitting up and getting out of your bed. You're hardly aware of what he's doing until you realize he's getting dressed.

"Where are you off to?" You sit up, perplexed by his out-of-character quickness to leave.

"Unfortunately, I'm a busy man after a film premieres." He's staring at his cuffs, fastening the button as he talks to you.

"Of course, of course. It's just... So late."

"You're telling me, honey," he quips, planting a quick kiss on your lips and disappearing out the door. You hear him exit out the front and start up his car, pulling off into the night. You sit in silent shock. Surely that didn't just happen. Cooper Howard didn't just come over, fuck you, and leave after your film premiere after weeks and weeks of an ongoing intensely sexual relationship.

You decide to remain calm, after all, what else can you do? He's not yours to worry about, but worry, you do. You climb out of bed and shower as usual after a night with the beautiful man you thought you trusted until moments ago. What reason did he have to lie to you? To leave? You're a white-hot ball of smoke and fire when you emerge from the bathroom.

A lot of things can be used to describe you, most of them, very good. One thing, for you, stands out. Anger. You're slow to anger in nearly any situation, but when it happens, it happens. You're someone else entirely when you're angry. You get dressed, somewhat casual, somewhat flashy. Something to blend in wherever you may find him because that's where you're going.

After perfecting your hair and makeup- not one to get caught slacking- you slip into your car and make your way to the first few places you can assume he'd be. You check the restaurant where you had your first outing, in case he'd already romanced another co-star on another set. Not there. You check the lounge his friend owns. Not there.

"Hey there, handsome. The owner in?" You ask the bouncer.

"He's in the back, you're welcome to come in, Ms. Y/L/N."

"Thank you, darling. You're my favorite part of this place, you know that?" Your praise causes him to blush slightly and you make your way to the back office.

"Whoa! You can't just waltz in here!" A man wails angrily behind a shabby desk.

"I can. I definitely can. Where is Cooper tonight?" You tilt your head, scanning the man's face for any inconsistencies in his expression.

"Oh, shit! Y/N, we don't really get a lot of customers before we open," the man jokes, hoping to avoid the question. Not because he knows anything, but simply because he's not a snitch. You respect him for it... or not.

"Where is Cooper?" You repeat.

"I don't know. Wouldn't tell ya if I did." The man shrugs shamelessly.

"I'll be seeing you, Vince." You smile warmly and depart. From behind you, you can hear him yelling after you, asking how you know his real name. You're a different person when you're angry, an observant person.

You leave the lounge and check a few more places with no success. Finally, you drive toward his house. The car is completely silent save for the sound of your angry, shuddered breaths. What it all comes down to is you never expected Cooper to owe you anything, but he was going to call it quits to your face like a man or you'll do it for him. When you pull down the long, private driveway, you're shocked and appalled by what you see.

There's a party going on. A real classy rager, it would seem. Your perfectly lined and lipsticked upper lip is pulled into a disgusted sneer as you exit the vehicle and calmly strut toward the door. You don't bother knocking, who'd hear it? You walk right in the door and resume the endless search for Cooper. You circle like a vulture to a carrion, eyes narrow with anticipation.

"My God, Y/N, is that you?" A familiar voice booms behind you. Sebastian. He plays a part in the movie that just dropped.

"Sebastian, you look stunning in yellow," you gush, latching onto his arm. This outgoing, charismatic behavior is foreign on you, but he's too drunk to notice your near-blind rage.

"Does Cooper know you're here? Come with me, darling." Sebastian guides you to the backdoor down several sets of porch and deck stairs. You can already see Cooper before he sees you. He looks drained.

"Sebastian, is he okay?"

"You ought to know, shouldn't you?" He winks, nudging you with the arm you're clinging to.

"What does that-" your question is cut off.

"Cooper! You won't believe who I've found," Sebastian announces, stepping out of the way to reveal you. Cooper's eyes widen.

"Ohh... Sea Bass, you gotta get out of here..." Cooper whispers, not breaking eye contact with you.

"What? Why? I thought you-"

"Go inside, Sebastian." You intrude, staring tangible daggers into Cooper. Sebastian finally vacates the premises and you wait for Cooper to start talking. The two of you share a long moment of staring before he finally stands from the patio chair.

"Y/N, I can-"

"Explain? You can explain. This is incredibly hurtful and confusing, but thank God you can explain." You hiss. He's taken aback by your venomous tone, but he knows he has it coming. "You don't owe me anything, I get that. But I was so clear that I didn't want to be treated like this." Your words sound heartbroken, but your tone is steady and harsh.

"I would've told you- I wanted to tell you, but your agent-"

"About the party? I don't care about the party, Cooper! I'm talking about all this fucking time we've spent together. You really put on a show for those paps, I remember that. Why go public when we won't even put a name on it?"

"Y/N, are you talking about the PR stunt? By the car? I thought that you..." He motions vaguely with his hands to symbolize his confusion.

"A- A PR stunt?" You repeat, mouth hanging open.

"Wasn't that why you kissed me?" Cooper asks, clearly as confused as you are.

"No, Cooper." You nearly laugh in disbelief. "That's not why. Why did you come to my house and do all that in front of no cameras? Huh? Was that a PR stunt? Did that feel like I knew it was a PR stunt?"

"I hesitated! I was wondering the same when you-"

"Well, thank God you hesitated. Hallelujah, amen, I'm going home. Sorry if I messed up your ruse. I hope I didn't ruin the illusion of nothing." You grit your teeth to stop you from speaking anymore. The walk back up all those steps and past everyone inside feels a thousand miles long. Cooper just stands there, silent, watching you walk away. Your emphasis on your last word holds all the hurt you were trying to hold back.

"What just happened?" Sebastian appears behind you like the busybody he is.

"Exactly what everyone thought: nothing." Your words are meant to sound hateful and angry, but they just sound sad now. You speed out the front door, away from the party and everything it entails. Once you're in the car, tears pour down your face. Your worst fear comes true. Humiliation, heartbreak, hubris. You begin to understand what they mean when they say "too good to be true."

At your agent's request, you're staying at home for now. Minimizing going out unless it's for press. And God, there is so much press. So many large rooms that feel hopelessly cramped as you find yourself shoved into Cooper at every turn. You maintain perfect composure for the cameras, even Verna is impressed as she watches from the sidelines. She's heard your woes time and time again, but even she sympathizes with you this time. You worked so hard to avoid this situation for so long in your career.

"Do you think we could talk later?" He mumbles in your ear with a big, fake smile and you giggle as if he's whispered sweet nothings.

"Fuck you." You reply with a playful faux grin. He sighs, but neither of you let up from the act.

"You really are Monae Lark, huh?" Cooper chuckles nervously.

"Please let me just get through this in peace." Your voice carries hurt. So much so, that he can feel it in his chest when you speak.

"Alright, I'm sorry." It's the last words shared between you two for the entire rest of the evening. You're ice cold, surrounding yourself with walls much, much higher than before. Cooper notices, but no one else, save for Verna and maybe even Sebastian, can tell a difference. Your ability to mask this pain only adds to his endless guilt.

You're being interviewed with another actress, finally tied up in a conversation you want to be in. You're glowing in comparison to your moments next to Cooper. Meanwhile, he and Sebastian sit off to the side, having just finished their interview with the same host.

"I think you should just accept your loss. Maybe you two can rekindle something in ten years," Sebastian shrugs. Cooper looks at him in disbelief of what he's just suggested.

"I don't want to 'rekindle something in ten years,' I want her now. I want her back." He pinches the bridge of his nose between his thumb and index finger, stressed.

"I thought you weren't putting a label on it," Sebastian chuckles.

"That was before I found out that she had no idea we were doing PR, fucker."

"Oh, calm down. It was a misunderstanding," he looks at Cooper. "So make it understood."

In the days following that event, Cooper tries his hardest to take Sebastian's advice, but you won't let him speak when you answer your house phone and realize it's him. Weeks go by and you demand Verna find a way to schedule you and Cooper at opposing time windows for every press event here on out. You appease the crowd with a lot of "We just missed each other, but I'll see him at home," with a stupid wink. Everything feels so fake. It feels like you're constantly acting now, it's exhausting.

"Look doll, I can't help you out of seeing him at the award show in a few weeks," Verna warns. It's now been a month since you and Cooper last saw each other, longer than that since you've spoken. You're both so busy, your minds haven't had time to ruminate on each other like when you had to see each other all the time. The pain has softened and even the paps stopped asking about where the other one is when you go out.

"It's fine, Verna. But I want you to hire the stylist from my press tour in Italy last year. When I was in Aida."

"On it, boss," she salutes, already holding a phone to her ear.

Verna gets you some face time with the stylist and you discuss what you're looking for in the look. You describe something sparkling and demanding attention, something Monae Lark would wear. As you watch the designer sketch, you realize you've described the dress Cooper gifted you. You're just now piecing together that it was meant to look like your character, it wasn't meant to be a sentimental gesture. You become furious all over again, demanding that the woman scrap that sketch.

"I want it form-fitting, black, silk." You begin listing adjectives that feel right.

"Tulle gloves? Fingerless?" The designer introjects.

"Yes, I love it. Not fingerless. Past the elbow. I want villainess, I want revenge."

"A revenge dress on the red carpet? I love my job." The artist begins sketching like mad and you watch your vision come to life on paper. It's perfect.

"You have two and a half weeks to get me fitted for this dress, is that okay? I'm sorry for the short notice." Your kindness goes a long way with this woman. She ensures you'll see your dress long before the deadline and you do, having a fitting only a few days over one and a half weeks later. The dress is everything you could've hoped for and after the alterations you're dressed to kill.

The night of the award show, your dress is perfectly fitted and your hair is styled intricately to match. A makeup artist finishes off your look and you stand to check yourself in the mirror. You look like your character stepped right out of the screen. A cold, heartless, murderous vixen, scorned too many times.

"Have you decided who you're walking with?" Your agent asks, concerned.

"I can't show up alone?"

"I'm afraid only the men can get away with that one unless you want prying eyes," she shrugs. You opt for calling Sebastian. You don't want to look like you're attempting to make Cooper jealous or hurt his feelings and you know all your actress co-stars already have dates and escorts. He graciously agrees, happy to know his two pals have opted for the high road.

"Well, let's get you on that carpet," Verna escorts you to your limo where Sebastian waits. The ride to the event makes you nauseous with anxiety, but you're not sure why. It's not like this is new to you anymore.

You make a grand entrance, on your co-star's arm, causing you to be bombarded with inaudible questions and blinding camera flashes. Sebastian separates from you for his own photo op. You give them various sultry poses, looking over your shoulder, and placing your hands on your hips. Your face remains stone, emotionless. Your sharp makeup and flat expression make you look like a piece of art. You're melting into your character for the cameras when you hear someone yell that Cooper Howard just walked in.

A decent amount of the cameras that were shoved in your face migrate over to him. Time seems to slow down for one whole minute as the two of you lock eyes. Every emotion neither of you had any time to feel has come rushing back. You reach out to Sebastian for some sort of grounding. Cooper notices that you're on his best friend's arm and he knows it's to show no malice. He sees it for what it is, an olive branch.

"Wow, you really mastered that empty, yearning, hopeless, doomed-love expression!" A man behind a camera shouts at you. You'd thank him, only you weren't trying to make that expression, regardless of how on theme it is for Monae.

"Let's see Cooper and Y/N together again!" Another pap yells, prompting Cooper to join you where you stand against the backdrop. Sebastian reminds you that the show must go on, leaving your side so your ex-fling can replace him. Cooper pulls you into his embrace, keeping his eyes on the audience. After several flashes, they demand to "see the love." You pull Cooper into a tight hug, smooching him on the cheek, leaving a large lipstick mark. He's smart enough to know that while you didn't show up with intentional arm candy, this isn't his real welcome. It's all for the cameras.

Without much thought, Cooper, to keep up the charade, catches you off guard by planting an unsuspecting kiss on your lips. It shouldn't have affected you the way it did, but the moment he pulls away, you two finally get a look at each other. Sebastian and Verna seem to be locked into the slow motion of the moment as well as their eyes bulge out of their heads while they watch your face shift through emotions.

"You're the meanest man I know," you whisper, heartbroken, before running off the red carpet and into the nearest empty area. You do your best to find privacy before you let your tears ruin your makeup.

Back in the carpet, Cooper and Sebastian stare at each other in horror before Sebas finally speaks up.

"Oh, no! A wardrobe malfunction at an event like this is dreadful. I'm glad she was able to catch that," he announces, patting Cooper on the back. That story seems to sell just fine as the cameras move on to the next arriving star.

"What the fuck were you thinking, kid?" Verna appears before Cooper the second he gets inside the building.

"I wasn't! I thought a kiss would shut them up, I was trying to speed this whole thing up for her," he sighs.

"Where did she go?" Sebastian asks the raspy old woman.

"We don't know. She took off so quickly, I couldn't see where she went." The old woman mumbles something angry under her breath and returns to looking for you.

You're in a room not intended to be accessed during this event, but it wasn't locked, so who cares? You find the nearest seat and allow yourself to cry quietly into your gloves.

"What did I do to deserve this? My career is so fucked when this gets out, and what is he?" You rant aloud to no one.

"He's looking for you," Cooper answers your rhetorical question.

"No, he's fine. His career is fine. Everything for him is fine."

"What makes you think that? That I'm fine?" He sounds offended, frustrated.

"Well it was all just an act to you, wasn't it? I fell hard and it was just overtime for you."

"You have no idea what you're talking about," he makes a sharp motion with his hand, angry and precise.

"I thought you felt the same and I'm utterly embarrassed now. I'm so embarrassed, I can only be angry. And I'm so heartbroken, I can only cry. It's unproductive." You pull a compact mirror from your clutch purse and begin fixing your makeup to the best of your ability. "I didn't want to be your on-set floozy."

"I didn't mean to embarrass you, Y/N. I'm sorry. I'm sorry I didn't communicate what that night at the lounge was. I'm sorry I let you invite me inside your house. I swear, I thought you knew what we were doing. I thought the self-preservation thing was a shtick you were just really good at." Cooper takes a few steps closer to you. "I thought it was just fooling around, so I didn't want to get attached, but-"

"But what? Because this is all just kind of hurting my feelings again."

"But I did get attached. I did catch feelings. The night of that party, I was outside spilling my guts to Sebastian because he was the only person who would hear it."

"Cooper..."

"I'm not done." He puts a hand up. "I miss you. I've been pissed off every single day just because I can't talk to you. The minute I forget about you, it's like the wind blows a different way and I'm reminded of the way your hair catches in the breeze when you're in my car with the windows down."

"Cooper."

"I think about you every single day and I'm fucking livid with you for making me wait this long to get to say this to you." He inhales deeply. "I think I- I'm in love with you."

"That's... A little sappy, Cooper."

"Oh, come on." He drops his shoulders, defeated until he hears you start to chuckle.

"I guess I'm in love with you too," you admit.

"You guess?" He raises a brow, feigning offense.

"Would it have hurt this bad if I wasn't?" By now, Cooper's crossed the room. He answers your question by closing the gap between you and locking his lips with yours. It feels like breathing for the first time in months. You wrap your arms around his neck, pulling him in closer. You both missed this.

When you both finally rejoin the party, you're inseparable. Nothing in the world can knock the cheesy grins off your faces. Sebastian looks on proudly, standing next to Verna.

"Well, looks like I've lost my date," Sebastian laughs. "Shall we?" He offers Verna his arm and she laughs loudly before accepting.

You and Cooper quickly find yourselves in the position of Hollywood's favorite couple. It not only skyrockets your career, but his as well, seeing as your fan base from the theatre followed you over to film, and eventually, they found and adored Cooper. The next time either of you comes to a misunderstanding, you take Sebastian's advice. Make it understood.

[reve-writes]

—if i'm dead to you [1]; leon kennedy.

ʚ leon kennedy x reader | resident evil | 1,5k words. ʚ chapter two. | you betrayed him before, resulting in a failed mission and a preventable death. years later, you cross paths. ʚ angst. profanity; violence; non-canon lore; reader murdered someone; very loosely set in re4. ʚ a/n this will have a second part! i don't write for leon a lot so he may be ooc, sorry for that. i just wanted to write some lovers-to-enemies angst while being knee-deep in leon brainrot.

"I should kill you," he theeatens. You feel the hard muzzle of his pistol on the small of your back, almost feel the coldness of the metal against your skin despite the jacket you're clad in.

God, you missed him.

"Leon," you greet casually, even as you put your hands up in a surrendering manner. He presses the gun harder—a warning. One you're choosing to ignore. "Come on, puppy. We both know you're not going to shoot."

His voice is cold when he responds, venom lacing every syllable. "Do we?"

Your heart clenches, but then again you deserve every bit of anger he throws your way. His icy tone feels so much worse than any wound you've ever had in your line of work. Each words lodging deep inside you, like a bullet without an exit wound.

“Leon,” you try again. His name flows smoothly out of your lips as if you've been saying it your whole life. Even now, as he's threatening you, your body seems to remember him anyway—gravitate towards the pads of his fingers, the warmth of his torso. You thrum with the yearning to feel his skin on yours again as much as you don't deserve to. “We can talk like civilised people.”

“We're past civilised for a while now,” he retorts, but the pressure loosens. You take your chances and slowly spin on your heels to face him. A mistake on your part. Your heart swells at the sight of him. His blond hair, sweeping over his ears. The blue in his eyes, hardened from years of experience as an agent. The set of his jaw. Your hand twitches with the desire to touch him, feel his lips against yours once more.

What do you even say?

Apologising seems like a callous move. You didn't bother to apologise five years ago. It changes nothing even if you do apologise now, because you'll do it all over again. Instead of spinning more lies or desperately trying to bury the elephant in the room, you opt for the truth.

“I'm glad you're well, Leon.” You swallow, trying to clear the scratchiness of your voice from the lump forming in your throat.

His brows furrow. His gun is still aimed towards you, but his hand is trembling ever-so-slightly. “Don't do that.”

Your head tilts to the side. “Do what?”

“Try and act as if you're not the biggest fucking liar I've ever met,” he snarls. “Fuck this. Fuck you.”

It stings. Every word acts like lacerations on the fickle little thing beating inside your chest. Your hand shakes, but you flash him a tight-lipped smile instead.

“I suppose I deserve that.”

“And a whole lot more.”

A beat passes, and then two. It doesn't seem like he's going to serve you your retribution.

You're taking in his appearance and he looks at you, so many thoughts racing in his head. Too many to pick out just one. He takes a deep breath, trying to calm the roiling anger in his veins—to keep the red at the edge of his vision instead of blinding him.

“What are you doing here?”

“You know I can't answer that.”

“The least you can do is answer my questions.” He grits his teeth. “Then again, whatever you say is most likely a lie.”

“I'll take my leave, then.” I'm glad I get to see you.

He kisses his teeth in annoyance. “Goddammit, ___. Are you really not going to say anything?”

You clench your fists, nails digging into your palms. “We don't need to do this. I'll stay out of your way.”

“What about Tracy?”

The name brings up a clear picture. Pig-tailed brunette. Fifteen years old. Freckles dusting her cheeks. The gap between her front teeth when she smiled.

Tracy Miller.

That was the name printed on your mission file five years ago. Your mission partner was Leon Kennedy. Both of you were newbies in the field, recently recruited after what went down in Raccoon City. It was supposed to be an easy mission, anyway. You were starry-eyed, excited to spend a little more time with him, giddy for experience in this godforsaken field.

Your mission was simple. The fifteen-year-old prodigy created a strain of virus. You were supposed to bring her in for questioning. They were planning to confiscate the research.

Until you were approached by your current employer—a group of self-righteous assholes whom you've caught the attention of. You were presented with an offer, but it was never much of a choice. Kill Tracy, get rid of the possibility that the virus could ever soread. You would never say yes. Never in a million years would you have aimed your gun at a helpless child.

Until they mentioned him.

It didn't take much for you to throw your morals to the backburner when it came to Leon. He was their leverage. If you didn't work for them and dispose of Tracy, then he would die. Their words over the static of your phone are the start of this nightmare.

How sure are you that you can protect him from us?

The name Tracy brings up an image. A loud ringing in your ears. The thud of her body hitting the ground. The click of your gun as it fell to the floor, a bullet missing from its magazine, lodged in the girl's skull.

You steel yourself, echoing empty words you don't quite believe in. “I did what needed to be done.”

You walked away from him. Your shoes knocking against the docks of the lake. As soon as he's out of sight, your knees buckle and you fall. Blinking your eyes, you realise that you're crying.

You don't have time for this.

Not in the middle of an infected village where its residents can appear anytime, hurling an axe at your skull or brandishing a pitchfork, fully intending to kill. There's a mission to accomplish.

Dammit.

You're filled with contradictions. Even as you curse to yourself, standing in front of him like a deer caught in the headlights, there's a part of you that lights up when you bump into him again. It overshadows the rational part—the one that dreads another confrontation, risking the exchange of words as sharp as daggers into each other's hearts.

He immediately levels his handgun at your chest. You drop yours.

“Shit. I didn't know you were here, Leon.” This is one truth that you can offer to him.

“Am I supposed to believe that?”

You sigh, spotting a hostile in your periphery ready to lob a machete at you. “Duck.”

Even if you're the one who cried wolf, the one who once served a lie so grave on a platter without batting an eye, his body responds, immediately falling to a crouch before he can even think about it. It's how the two of you operate in Raccoon City and the countless missions that follow after that. Complete trust. That's why your betrayal feels like a thousand cuts to him.

You curse under your breath, side-stepping the machete. You swoop down for your dropped gun, shooting the infected resident three times before he falls to the ground. Your gunshot is loud, drawing everyone and their mothers out of their houses.

“Great,” Leon complains under his breath.

It's a dance you remember. The way your body so naturally presses up against him to cover each other's backs. The familiar little commands the two of you exchange as you take down enemy after enemy.

“She's just eating my bullets!” He quips, dropping an empty magazine out with one hand, the other already pulling out a new one out to reload. “Shit.”

You chuckle. Suddenly, you're back in Raccoon City again. Two naive twenty-something-year-olds keeping each other alive. Leon and his quirky comments. You and your light-hearted laughs.

The last shot rings and the two of you let out a relieved sigh.

“Great work,” he says before he can stop himself, falling into old habits.

You smile—that million dollar smile that does unhealthy things to his heart. Do it again. A voice in his head says. He frowns, clenching and unclenching his fists, trying to shake off the stupor that remains after the fight.

Tracy Miller. He'll never forget the day he failed the young girl. The day you broke his trust. He swears he hates you. He wants you dead for what you did.

“You're not half bad yourself, Kennedy,” you answer.

He turns around, going to sow his rewards after all the shooting. “Stay out of my way. I won't hesitate the next time.”

The coldness returns to him. You tighten your jacket as if it can help shield you from the chill, but this is a small price you have to pay for his life. You prefer to have him absolutely loathe you than buried dead six feet underground.

You wince, walking away. “Take care, puppy.”

The nickname slips out of you and his step falters for a second. You notice—you notice every fucking thing he does bevause his presence alone heightens all your senses.

It gives you hope, a small one—one you don't deserve. Maybe. Just maybe. He'll forgive you someday.

[ ]

[erikiara80]

The mean green

I was thinking about the parallel between the Are you real? in 2x07 and 4x09

And these screenshots in one of kaypeace21's posts. The dialogue in the elevator, when Erica says that she will drink the green goo, because you can survive for a while without food, but not without water, raises the question of how Will was able to survive for a week in the UD. But we only realize that in S4, when we see that there is no water in the lake. Imo, not a random location, for many reasons.

All this green is connected to gates/Mind Flayer/One. Then there's Kali's nickname, K, a street name for ketamine. Another one, that was used in the late 60s, was mean green. Even the name of the man Kali wants to kill, Ray Carroll, can be associated with drugs (Alice as a slang for LSD) Same for Kali's power. Making people see or not see what she chooses, reminds of what drugs and mind control do.

"LSD mind control experiments" (Powell in 1x03) "...elaborate experimentations in perusal of mind control" (1x08 newspaper). And Richard Brenner was head of the Narcotic Enforcement Division from 1954-1971, so from the year Henry vanished in Dimension X to the year Will and El were born.

In the article that El reads in the cabin, the line about Brenner's experiments is slightly different, more specific about what they did.

"extensive... into physiology... perception." So, they used drugs to alter people's perception of reality.

There's a lot of green in K's scenes. Even her mask is green.

Kali, "K" (ketamine) and the green toy (mean green) in Terry's memory, one of the many hints that we can't trust what we see (more about that scene here)

Just like we can't trust what we see in Nina. They show both the green toy and the Magic 8 Ball a few times, the massacre happens on September 8, Kali's name is in the crossword in 4x01, and Henry mentions her and Terry, so that memory is probably not what really happened.

Henry asks El to join him. In 3x03, before she looks for Heather in the void, we see more green liquid and Join Us.

Like the green Join Us on the bulletin board behind Will

In 3x06, we see this green bottle, after the conversation about the keys and the gate.

Speaking of keys, there's a big green key at Melvald's, because Will and El are the keys, and getting to Mike is the key, too.

At the end of S3, connection between the lab and "chemical leaks"

EDIT: In @threemanoperation 's post about the mentions of caves and holes, I noticed something:

in this shot, we see Will and El while Hopper mentions being stuck in one place, in a cave, imo a hint that, because of experiments/ drugs/mind control, they're all stuck in a time loop. Interestingly, Lucas' shirt is green. Maybe just a coincidence. Maybe not.

In 2x01, Bob points to a green Halloween bucket. On Halloween, Will almost gets possessed by the Mind Flayer. It's also interesting that Bob's very first line is that he's not a big fan of orange. Orange is associated with Hopper, because of Agent Orange, but orange barrels, cubes, haze are also street names for LSD. I'll make a post about that, too.

The song that plays when El arrives at Terry's house is Green green grass of home. An interesting choice for a mother-daughter reunion. The song is about a man who returns home, to his mama and papa. "It's good to touch the green green grass of home", but then the man wakes up and realizes that it was just a dream (Becky says that Terry is stuck in a dream). He's actually in prison, his parents are dead and he's about to be executed. So, touching the green grass and dreaming that you're home= being drugged and believing/seeing things that are not real?

And you know what? I'm starting to think that even the color of Joyce's car could be a hint. There's a green car in Terry's suspicious memory... It's all connected. They've all been manipulated.

Also, this green soap in Nancy's vision of Henry and Brenner.

And there are probably other things I didn't notice.

@chirpsythismorning