#(a character trait that’s been consistent from the start)

[kaustic]

every time i think about how i miss being in an active discord server, i consider making my own only to realize i'd probably send the invites to like. the 3 people I've talked with enough privately because discord servers with more than 6 people are terrifying places :D

[beardedhandstoadshark]

You can save 1 fictional character who dies in their story from dying, changing the official plot forever. Who do you save?

Anon, this responsibility is too much to bear for a mere mortal. A pressure such as this can never temper a human soul, only crush it

…also all characters I can think of are either unimportant side characters, come back with a new shiny upgrade, or their deaths are the thing kicking off the heroes journey that starts the whole story to begin with so it kinda doesn’t work ;-;

So uhh… I guess Padme from Star Wars? I don’t even care about SW but confession: I kinda like the prequels, especially the third movie, and if I remember correctly her dying is what drove Darth Vader to the dark side for good, so that. Not happening would be interesting maybe. Also she dies from unidentified big sad or smth weird like that? Genuinely don’t know and they’ve been airing marathons often enough for me to see that end scene multiple times XD

[splonk-fox]

The flaws of Jax and Ragatha, and why they matter to Pomni's character arc.

Within the two episodes of The Amazing Digital Circus that have been released so far as of writing this post, there have been two characters who have been given the most attention and depth out of any of the cast (ignoring Pomni obviously), and those two characters are Ragatha and Jax.

The duo consisting of the kindhearted optimist and the meanspirited pessimist have without a doubt become some of the most interesting characters to analyze within this series so far thanks to how much meaningful screentime and character depth they have been given within the the two episodes that we viewers have been fortunate enough to witness with our very eyes.

But why is this? Why is it that these two have received special attention from the writers so far, and what role do they play in Pomni's character journey? Well I believe I may have found the answer, and it's unfortunately one that does not spell a good future for these characters. But to truly understand where I am coming from, we must first understand who these two characters are and how they relate to our main protagonist.

To start off with the kindest of the duo, we have already learned quite a lot about Ragatha thanks to the two episodes she has been featured in so far.

Her most prominent character trait is without a doubt her kindness. She is the first person to really be genuinely nice to Pomni upon her entrance to the circus and spends the rest of the episode showing her around the place and trying her best to help her get settled in.

She's also someone who doesn't like to be overly blunt with her responses, such is shown when Pomni asks how they leave the circus, to which Ragatha, instead of just saying that she couldn't, phrases it in a way that makes it sound as if they simply haven't found a way to leave yet, this was obviously done in an attempt to not freak Pomni out too much, though this doesn't really go anywhere thanks to Jax.

Now that's great and all, Ragatha's a nice person, you can easily observe that through casual watches of the show, looking deeper however, you can see that there is a lot more going on with Ragatha than she would like to make you believe.

Insecurity is another trait that Ragatha has that, while not shown off as prominently as her optimism, is still very important to Ragatha's character.

As we see in episode 2 of the series, one of Ragatha's biggest fears is not being liked. She vents to Kinger about how she feels like Pomni doesn't really like her that much, and that clearly scares her. And why wouldn't it? The end of episode 2 makes it clear that one of the most important things in this show when it comes to keeping the main cast mentally stable, is their sense of community.

They're all in this together, they have each other's backs and will do their best to be there for each other when it's needed. That is what is communicated to us within the second episode through Kaufmo's funeral.

This segment of the episode, while somber in its tone, is also one that instills hope within Pomni and the viewer. Because it shows that despite everything, the circus members do care about each other. That abstraction is something that affects everyone and it isn't something that is just brushed off immediately, which if you recall, was the crux of Pomni's fears as seen at the beginning of the second episode, the fear of being forgotten, the fear of no one caring.

"I don't even remember her name honestly" - Dream Jax.

So with how the importance of community has been firmly established within this show's messaging at this point, it should be no surprise that Ragatha's biggest fear is not having that community. Of people not liking you, of people hating you. So how does Ragatha solve this?

Repression, that's how. Of all of Ragatha's personality traits her tendency to not display her true feelings towards things are without a doubt the most damaging.

The best example of this is how she reacts to Pomni abandoning her for the exit. The pilot would lead you to believe that she was mad at Pomni for doing this, that she didn't trust her anymore because of this selfish act.

And yet, that's all brushed to the side in the following episode. Ragatha is back to her optimistic self and is saying that everything is fine! That it was completely understandable and that there was no bad blood between them. Yet you can tell that isn't the whole truth, that Ragatha really didn't get over what Pomni had done to her that easily.

Now do I think Ragatha hates Pomni or secretly resents her? No, not really. I do think she's being honest when she says that she doesn't hold anything against her for doing this. But that doesn't mean she wasn't hurt by it. We can see clear as day from the pilot that this did affect her, so why does she act like she doesn't?

Because, from her perspective, her feelings do not matter. The only thing that does is to make sure Pomni is able to adjust, to make sure that everyone is happy, that everyone is still somewhat sane within the circus, and so she compromises her emotions in order to do this. Gooseworx has even said it herself that Ragatha often says things she doesn't necessarily mean in order to ease tensions. She doesn't want to cause conflict, she doesn't want people to fight with each other because she understands how important community is to the members of the circus persisting.

Yet in the midst of all of this, what Ragatha fails to realize is that with how she currently handles things, she is paving the way for her own mental break.

Ragatha, in her attempts to be there for others, has walled herself off from others being there for her. By lying about how she really feels about things, by acting as if she is fine, she is not allowing herself the emotional vulnerability necessary for others to be there for her when she needs it.

The closest thing we have had to this so far is with Kinger, and while having someone she feels comfortable enough to lament her feelings around is a good thing, this is one person, one person who is... not exactly mentally stable, to put it lightly. Is not exactly an end all be all solution to her problems.

Kinger being the only person who Ragatha can rely on is only gonna work for a limited amount of time, the more she represses, the more she hides her true emotions and clear mental instability, the closer she is to meeting a cruel fate, one that no one would be able to save her from because no one even realized there was something wrong with her. For in her pursuit to make everyone else happy, she has sacrificed her own happiness, as a result.

And then there's Jax.

Jax, in a lot of ways, is pretty much the polar opposite of Ragatha. While her leading trait is kindness, Jax's leading trait is being a complete and utter asshole. And while Ragatha is all about answering things in a roundabout way to ease stress, Jax is all about the blunt answers.

This is best shown to us in the pilot when, in the same scene where Ragatha tries to answer Pomni's question of "how do I leave?" in a way that wouldn't stress her out too heavily, Jax goes straight in with the "you can't". Jax is a pessimist, he has accepted that there is no way out, and is simply riding things as they go by.

Jax's leading character trait is all about causing as much chaos as he can for the sake of his own satisfaction. He doesn't care about how others feel, the only thing he cares about is causing as much chaos as possible simply because he can.

Yet that isn't all that's going on with Jax, there's something deeper here, something more complex.

When it comes to the scenes everyone points to when saying that Jax has a lot more going on with him than meets the eye, the scene where he reacts to Kaufmo's funeral is the one everyone looks at with an analytical lens, and that's for a good reason.

For I think this little scene might just tell us a lot more about Jax than we think.

One thing that I've come to notice about Jax's brand of chaos is that it's very reliant on others' reactions. All of the chaos he causes, all of the absurd and awful things he does are for the sake of seeing how others react. From throwing Pomni over the side of a truck and attempting to use her as a human bridge, or literally everything that he does to Gangle, it's all reaction-based, and that made me realize that, despite how selfish and uncaring he acts towards everyone else, community is still the one thing that truly matters most.

He needs the others so that they can react to his hijinx, as they are what give said actions meaning. If he had no crowd to watch as he acts like a shitty person, then he has no reason to do anything. But that is also where Jax's true character flaw comes in, his selfishness.

With how Jax is constantly pushing others around for the sake of his own amusement, Jax is very clearly a self-centered person. He is someone who is in it for himself and no one else. Who cares if others don't like him? Who cares if others despise him? As long as he gets to see funny things happen to people, he is gonna be okay.

But what happens when that method is no longer effective? What happens when the others don't give him the reaction he wants? What happens when he can no longer use chaos as a way to distract from the pointlessness of his reality?

Well, as scary as this may be to think about, Jax won't really have much of anything to fall back on. His cruel actions have wrote him into a corner. No one likes him, that much is obvious. And while Jax seems content with this now? What happens when he is put in the position of needing someone else's help?

Well, then he'll have no one, and it's ironically for the exact opposite reason to Ragatha. Ragatha's problem is that she is constantly repressing her emotions, despite the fact that she has people who care about her, she doesn't open up to them because in her eyes, her feelings are secondary to others'.

Yet Jax is the opposite, he's honest, he is self-centered, and that's also why he is one of the members who are in this most danger.

In a show that seems to be about how important community is and how important it is to stay together and be there for each other? To have a character who is the complete opposite of that. To have someone who doesn't care about others, who won't be there when someone else is hurting. To have someone who is actively making things harder for everyone... that just spells out demise.

Jax's true weakness is that he does not have a community who will be there for him when he needs it, he was never there for others so why should they be there for him? Meaning that when Jax is at the end of his rope, crying out for help, no one will listen, because as cruel as it sounds, most of the members would probably be happy that he's gone.

While this does admittedly rely a bit on speculation, I think what I've stated above might be the true reason for why Jax looked sad for a moment when the other characters were talking about the funerals held for those who have abstracted. Because in that small moment, he realizes he might not get a funeral of his own when he "dies", or if he did, no one would really have anything nice to say about him.

And that fear, that knowing of how the way you've built yourself up by putting others down has lead to everyone hating you, to everyone not having a single good thing to say about you... that is terrifying. And yet he hides it, he walks away, he refuses to attend the funeral because then he will have to be confronted with the uncomfortable reality of the fact that he won't die as someone who was remembered for doing good things.

The only thing he'll be remembered for, is how much everyone hated him. And all of that brings us right back, to Pomni.

I said at the beginning of this post, as well as with the title itself, that Ragatha and Jax matter to Pomni's character arc, but why is this? Sure they're both main characters so obviously they're going to influence her journey going forward, but how exactly does any of this matter to Pomni? It's simple really.

Ragatha and Jax represent two extremes, they represent what happens when you lean too far in one direction. In one case, it is caring too much about others and not caring about yourself, and in the other, it's caring too much about yoursef and not caring about others.

Pomni has already shown traits of both Jax and Ragatha. She has shown an empathetic, kindhearted side as seen in her interactions with Gummigoo, and she has shown a selfish side, as seen when she abandoned Ragatha for the "exit" in the pilot.

Pomni has shown herself to be both selfish and selfless. But what part of her matters more? Simple answer, both. It is important to care about others while also taking time to take care of yourself. Ragatha and Jax show what happens when you forget to do one of these things.

By always taking care of others, you're forgetting to take care of yourself, and by always taking care of yourself, you fail to take care of others. To find a healthy balance is to do both. To be aware of your own mental health while also making sure that others are doing okay too. And this is something that Pomni will need to realize if she is going to make it in the circus.

And this is where Jax and Ragatha become important. I believe these two will show Pomni how important it is to keep a balance of things. To not lean too far in one direction, as if you do, it spells bad news for you either way. And how will this be communicated to her and the audience?

Abstraction.

Think about it. If Ragatha and Jax's harmful practices continue without change and they end up abstracing because of it, that will be a wakeup call to Pomni, it will show her the flaws of being too selfless, and too selfish. Is it an extreme way to communicate such message? Sure, but it's also one that can't be ignored.

We, the audience, and Pomni, would see first hand the consequences of leaning too far in either direction, that if you don't find a balance, you will end up like Jax and Ragatha did.

And that's why I think these two in particular have been given so much screentime and attention these past two episodes. Because they are meant to show us the most extreme versions of Pomni's most prominent character traits.

The ability to care about yourself, and the ability to care about others.

Of course, I might be wrong in this assessment. We are far too early in the show's runtime to truly predict any big events like this. But from a narrative standpoint, I believe this interpretation makes the most sense in the way of showing us the audience, and Pomni, what truly matters. It's not just about you, it's not just about others, it's about both.

Thank you for reading.

[eisforeidolon]

Question: You guys have been so close for so long, what would you say each other's greatest character trait is and why?

Jared: As people? And I have to say this in front of him?

[Jensen theatrically turns to Jared, crosses his leg, and props his chin on his hand to listen]

Jared: I mean, where do I start, honestly? But I'd say one of the things that has been abundantly obvious to me, and I relied on for almost the last twenty years? Is he doesn't give up. He doesn't give up - not on a project, not on a person. He just goes, like, alright, one step at a time, let's do it. Not that he doesn't get down, I mean, we're all humans, we have good days and bad days [Jensen nods]. But when the shit hits the fan, he's - I always said he'd be a good, like, Navy Seal or something. 'Cause he's just like, okay, what's next? I can't change that, what are we doing? Like, didn't you just hear, the camera broke, the stage is on fire. And he's like, alright, well, can we get something from tomorrow's work? Like, he's just sort of like, alright - he goes. And that, that - I don't want to say it's confidence, because it doesn't come from a place of arrogance, or some ego? It just comes from alright then what can we do? And so it's infectious to go like, well, that guy over there, Jensen, he's still ready to get after it, even though everything went wrong and everything broke and everything's on fire, he's still ready to carry on. To borrow the name of an episode. So I think that that permeates a lot of his life, whether things are great or things are not great? He just goes, like, okay, cool, what's next? I can't change that, so what can I do, what can we do? And he doesn't put - he's not one of those drill sergeant, hey, I'm ready to do it, you better do it. But you see him doing and well, if he can do it, then maybe I can, too. So it's a very hopeful attitude, that I really appreciated. [Jensen pats Jared's leg, Jared pats his back]

Jensen: There are many, so I will pick one. And one that I admire and I, you know, wish I had more of is his appetite for knowledge in the things he becomes even remotely interested in. He can take a subject, any topic, and wonder about it. And he doesn't continue to wonder very long. I just kind of sit in that wonderment for a while, oh, that's - I wish I knew more about that. Oh well. Jared dives deep. And almost in just an insatiable appetite way of wanting to know more and that zest for knowledge and life is - it's inspiring? But it's just so unique and powerful for somebody to have that and have that drive to wanna know so much more about so many different - I mean the guy is insanely intelligent in a way that - I always knew he was smart, I always knew he had a really great head on his shoulder, but. Shoulders. Two just stunningly muscular shoulders. But he gets an interest in something and he just digs in so, like, amazingly. And any subject - if it's academics, if it's wanting to know about - like I'm always like, hey Jared, what supplements should I be on? Because I know he knows all about it. Or hey man, I'm looking for a book right now, what are your recommendations? And he'll give me thirteen, fourteen recommendations. He just has - his brain works in just such a brilliant way that I've always been in awe of how he's able to do that and do it consistently. You know he doesn't burn out, he doesn't tire out with the zest that he has for wanting to know more about life, and it too is infectious. And I was it was more infectious, I wish I would be infected with it completely. But I get a little bit of it and it's inspiring for me to wanna just know more and learn more and have that desire for knowledge the way he does. It's really really impressive and I think it's had an amazing impact on his life and the way that he can relate to so many different - you put him in a room with anybody and he will have a researched knowledgeable way of communicating with just about anybody and everybody on almost any topic. And that to me is just incredible, so. And again, that's one of many things that I could say, but that one just popped to the front. [Jared squeezes Jensen's knee and then puts his hand on his back]

[cupids-diner]

hey! so I'm kind of obsessed with your writing ☠️ it's all soooo good, i was wondering if you could do a fic where the reader is a ballerina? (I'm also obsessed with your moodboard because I did ballet when I was a kid 😭) with Damian Wayne plsss, because I just LOVED how you write him nd I thought it would be cute.

Beneath the ballet’s shadow - Damian Wayne

A/n: I love getting requests for Damian and generally any of my favorite characters from shows/movies. Especially when I get to write for specific types of readers (ex: ballerina!reader) because I like looking up stuff to include in the story! I’ve also noticed how my formatting of my stories change with the stories, like there is some consistency but not a lot, Y’know?

Warnings: none

Rating: fluff

Damian Wayne wasn’t one for distractions. His life had been built on discipline, precision, and a resolve far beyond his years. Yet, for reasons he couldn’t quite pinpoint, he found himself regularly at Gotham City Ballet, watching you.

It had started innocently enough. He had accompanied you once, claiming he needed to ensure your safety as you walked through the dark streets of Gotham. But after that first time, something kept pulling him back. Maybe it was the grace in your movements, the way you seemed to defy gravity with every leap and pirouette, or perhaps it was the quiet contentment he felt in your presence, a rare feeling for someone like him.

You’d catch him sometimes, leaning against the doorframe of the practice room, arms crossed, expression unreadable. “You know, you don’t have to keep coming,” you’d tease, wiping the sweat from your brow.

“I’m simply ensuring you’re not slacking in your training,” he’d reply, the hint of a smirk tugging at the corner of his lips. But in truth, he admired your dedication, your focus—traits he valued in himself.

One day, after practice, you sat beside him on the worn wooden bench outside the studio. The sun was setting, casting a warm glow over the city, softening the harsh lines of the buildings. Damian was unusually quiet, even for him, staring out at the horizon as if deep in thought.

“You know,” you started, breaking the silence, “I appreciate you being here. It means a lot.”

He glanced at you, his sharp green eyes softening just a fraction. “It’s nothing,” he replied, but the words felt heavier than usual.

“No, it’s not nothing,” you insisted, a gentle smile on your lips. “You’re always here, watching. It’s like you care or something.”

Damian felt his heart skip—a rare, unfamiliar sensation. But he maintained his stoic demeanor, merely raising an eyebrow. “Don’t be ridiculous,” he muttered, but you could see the faintest hint of a blush creeping up his neck.

You laughed softly, the sound like music to his ears. “Okay, okay, tough guy. But seriously, I’m glad we’re friends.”

Friends. The word hung in the air between you. Damian had never had many of those, never allowed himself the luxury. Yet, with you, it felt different. There was no pressure, no expectations. Just… peace. He didn’t need to say anything more; you seemed to understand him without words.

As you leaned back on the bench, your shoulder brushing against his, Damian felt an odd warmth settle in his chest. He wasn’t sure what it meant, or why it felt so significant. But for now, he let it be, content to simply sit beside you, watching the sun dip below the skyline, the weight of the world momentarily lifting from his shoulders.

In that moment, he didn’t need to be the son of Batman, the heir to the League of Assassins. He was just Damian, a boy quietly, contentedly falling for his best friend. And that, he decided, was enough.

A/n: does anyone know where I can watch more Batman/batfam movies/slash shows? I have Netflix, Hulu, and Disney plus and like miscellaneous apps to watch movies on but they’re almost always unavailable on those platforms. I plan on creating like a schedule for when I post because I go back to school soon, I was supposed to go back yesterday but my mom forgot to register me so.

[keepmycandleburning]

Voldemort is someone who is consistently invested in other people's love lives. This was a big aspect of how I characterized him in Keep My Candle Burning, and it's not one I see explored that much.

We first see this in the Chamber of Secrets when Tom Riddle reveals he's been talking via the diary to Ginny about her crush on Harry:

Of course he says it was boring, yet he was doing this, seemingly in-depth and often, for what, the entire school year? Also, I think it's highly possible that the diary helped write Ginny's singing Valentine, due to the use of 'the Dark Lord,' a term virtually only Voldemort supporters use:

In the graveyard, Voldemort gets his body back and almost immediately starts monologuing about his parents' romantic relationship. It's so understandable that he's really tried to put all this together, but it strikes me how he says Merope 'fell in love with' Tom Riddle Sr. Canonically, he probably got this paragraph of information from his father, who believed that Merope 'hoodwinked' him (HBP Ch 10), not that she fell in love with him. Did Voldemort make this up? Why?

And again here he then acts scornful of what he just willingly said, making an ironic/sarcastic (I think, though I took it literally in my fic) comment and then denying that they're even his family at all:

I think this trait of his is most noticeable in The Dark Lord Ascending, where he spends half the meeting talking about Lupin & Tonks's marriage and their hypothetical future pregnancy, and then says Professor Burbage wants them all to mate with Muggles and werewolves (side note, I love how he says 'us all' as if he's also going to do it HAHAHAHA). His mind immediately goes to bringing up someone's marriage to get his point across to Bellatrix:

Next, the locket goes mainly for humiliating Ron about his romantic life (or lack thereoff...) Horcrux pattern... being interested in its victims' love lives, and using them as a main point of manipulation:

And then finally the big one: the fact that Voldemort, canonically, has had not just one but multiple conversations with Snape about his feelings for Lily: Snape asking for Voldemort to spare her, and evidently saying something that led Voldemort to believed that Snape 'desired' her, and then a second conversation where they apparently both agreed that there are better romantic partners for Snape:

He then immediately proceeds to interpret Harry's statement "he loved her for nearly all of his life" to be about romantic love (which to be fair he already knew, but still, I think it's notable because I'm not sure that it's true):

For a character who really has such little time on-screen, this is definitely a repeated behavior we see from him. Voldemort is not averse to topics of romance or sex, which is a huge misconception about him. There is no evidence for that whatsoever—quite the contrary

[theminecraftbee]

actually while i’m on an analysis and also bigb train i want to talk a little about the bigb/cleo relationship because. it’s VERY EASY to just read it as “bigb betrayed cleo that one time three seasons ago and cleo has never forgiven him for this” but there’s way more to it than that and it’s so fascinating i want to shake them around like maracas.

like, okay, the initial betrayal is as much a failure to communicate as it is an actual betrayal. cleo says that if bigb had just TOLD HER she would have let him, and I believe this (loyalty is an extremely consistent cleo trait). however JUST EARLIER THAT SESSION she’d also been talking about how she wouldn’t trust someone with the boogeyman curse and can’t believe someone would betray their allies. bigb heard that, decided he couldn’t tell cleo (because she’d hate him for it), and panicked himself right into a corner where he ended up doing the thing that was WAY WORSE for that relationship. also left out is that part of why cleo got that mad wasn’t even bigb’s fault; she was ALSO mad because lizzie and ren sided with him over her, and she felt betrayed by everyone at once. which she then pinned on bigb. meanwhile, while bigb apologized, he never let go of the idea that he'd had no other choice, and never really addressed the unstated hurt of 'cleo also felt like her friends had been turned against her', so it never rang as sincere to cleo. so like, more going on there than just a betrayal!

but like, let’s talk about their relationship after that, shall we?

on cleo’s end, she’s a character who tends to hold on to relationships across seasons, for better and for worse. the widow’s alliance basically never ending; martyn and cleo and their inability to be normal about each other; cleo and etho’s quiet understanding; and, as one of these important tentpoles, bigb and cleo being unable to trust each other. she carried that hurt with her into the few interactions they had in double life, and that in turn helped to color everything else. see, cleo doesn't just hold on to relationships; she holds grudges, and bigb is the ultimate target of that. unlike some of her potential grudges, she's never had a scenario where she and bigb were on the same side in order to temper the grudge. she's also never gotten the boogey curse herself, making it even harder for her to temper it and understand.

so, even after things like limited life where she's started to be less Immediately Angry the moment she feels betrayed (thank you scar for being kind of a moron and getting cleo that lesson), she still holds on to the last life version of bigb in her head. also, because of that, it makes it easy for her to just... continue perpetuating that. she shuns bigb and assumes he has some reason she needs revenge again. that, in turn, pushes bigb to doing another thing she needs revenge for, so she tries to get it, so they keep spiraling downwards in a cycle of mistrust, because cleo has also made herself untrustworthy to bigb.

meanwhile, on bigb's end... he tried to apologize and she wouldn't take it! she sees all of this as an irrational grudge on cleo's part, and there's been very little to discount that. but also because bigb has a tendency to go off and do his own thing and hold himself apart from people, he has made very little effort to meaningfully fix this. in fact, because he assumes cleo will continue to hold a grudge, he continues to treat her a bit like an enemy, continuing to provoke her at multiple opportunities.

he can't make that relationship WORSE, after all, so there's no reason NOT TO continue to mess with her. she'll never trust him, so there aren't real consequences if he keeps burning her, because the only consequence is that she'll just continue to never trust him, right? it's a simple relationship! and in some ways it's comforting, even; cleo is someone he can never mess up with, because that bridge is already burnt.

and ironically? this makes their relationship surprisingly stable. they will KEEP ON sticking knives in each other, of course. even when they don't have a good reason for it, cleo will assume bigb must have done something and bigb will assume cleo will hate him anyway. but in turn, i think they VERY MUCH know where they stand with each other. and tragically, that means neither of them have an incentive to try to fix this. they're both very, very entrenched in how they see each other now, and either of them will see any attempted olive branches as another place for everything to go wrong. they're cleo and bigb, who don't trust each other because bigb killed her one time, forever. that's who they are. that's how they see each other. and it's not just because that happened; it's because they keep reinforcing it, over and over and over again, in a way that makes communicating that they could stop nearly impossible.

that and i think cc!bigb and cc!cleo out of character really enjoy continuing to have their cubitos have a stupid irrational grudge on each other because they think it's funny but that's unrelated to the character analysis,

[nullified-space]

The over-analysis of Orbo (and the little screen time we have of him)

Welcome to my over analysis of Orbo as a character because I love him dearly, I need to see more of him in season 2, and I’m tired of the evil Orbo trope. This is 7 pages long and reached 2k words yikes. UMM. I don't know how to do introduction so lets jut get right to it:

When we are first introduced to Orbo he falls from above and onto a pedestal. If the audience doesn’t already realize it from the symbolism of putting someone up on a pedestal- where he is angled ABOVE Scarab, the symbol thats etched into it which related to the wings on the phone they use to talk to the Boss we see later can explain to them that Orbo is in an authoritative position over Scarab. Even before mentioning it we can assume that Orbos his boss.

But before we get into their interaction let’s take a moment to observe Orbos design. It's a very simple and obvious silhouette- a circle with purple shades on his face. Usually in character designs to accentuate specific traits in a character, artists would choose one body shape over the other to express that to the viewer. So Orbo being a LITERAL circle, with no sharp pointed edges should already communicate to the audience that he’s not inherently evil or malicious. And often, circles are associated with unity, security, and divinity. In other words, he’s friend shaped.

If the artists wanted to paint Orbo to be a villain/ villain-leaning- wouldn’t they try to express that through his design by adding sharper edges? Giving him more striking colors like red, darker purples, or just a darker color palette in general?

Compared to Scarb who’s all sharp angles and consists of many triangles in his design, even being fully BRIGHT red to showcase that he’s dangerous (a walking red flag if you will)- it just doesn’t make sense for Orbo to be painted as a villain or immoral boss when his design doesn’t match up to that in the slightest.

Anyways. Moving onto the interactions that the two have.

Earlier when Scarab is waiting to have a meeting with Orbo I do want to note that he’s seen being agitated and fidgeting to himself. In the next scene the room Orbo brings him to is full of calming and colorful lights. It feels less intimidating and more casual. It almost seems like a place you would be meditating in.

The scene starts with Orbo spinning around Scarab while growing bigger. While he’s doing this he’s listing off the reasons why he was called into a meeting with him in the first place.

“Ignoring our calls, giving yourself missions, pursuing your own monomanias. I tell ya you’re really whiffing that ball lately.”

And yet despite listing off Scarabs transgression he says this all in a lighthearted tone and expression, if anything it’s barely the kind of scold a boss would give to a coworker who keeps going against orders. He still keeps a very lenient attitude that you wouldn’t normally expect a boss to give to a self-serving co worker like Scarab. He says it almost like he’s asking why Scarab is doing all this, giving him the floor to speak on it.

However, Scarab just completely dismisses what Orbo says so he can request for more time. This to which Orbo scoffs in return- being dismissive to Scarabs dismissiveness.

(analysis has been finished check qrts)

[successfulgoddess333]

VOID STATE THE SPONGEBOB METHOD

So I’ve been thinking about this

Maybe it’s because I’m currently obsessed with watching SpongeBob

But I was thinking

What if we use the void state or

Any “L.O.A” methods

As SpongeBob characters?

Here me out,

Let’s start here

The 3D is Squidward

Pessimistic, unhappy very cruel

Definitely the type to think that life is hard or isn’t fair

Then you have SpongeBob

Who’s optimistic hard working energetic and determined

We need to be like SpongeBob

The void state and our desires

Is the Krusty Krab

No I don’t think we have to work as hard but I definitely think we need that dedication and maybe even his delusion

He thinks Squidward is his friend

If we treat the 3D like it’s not against us but with us

As in the 3D isn’t the enemy it’s going by based on what YOU assume

Assume it’s kind to you that everything in your 4D that you WANT is already here

Think of it as this

He goes to work everyday

Never misses

He’s persistent

What we need to do

Is be persistent like him

Like SpongeBob

Squidwards negativity hasn’t stopped SpongeBob from meeting his goals from doing what he loves

So why should we let the 3D or any one or anything stop us from getting our desires??

Where would SpongeBob be if he procrastinated about working?

If he absorbed everyone’s toxic energy

While he is gullible and easily pressurized and manipulated

The only traits of his we’ll follow is his persistence, creativity,determination and delusion

Because Squidward(the 3D) doesn’t know what greatness our mind consists of

SpongeBob’s creative “imagination” helps him see and do things others cannot comprehend

The bubble buddy episode

When everyone was questioning why he was friends with a bubble(who turned out to be real in the end)

Or that episode with the box

Where him and Patrick were using their imagination to create digital sound effects and make it seem like they were in a movie

Stick to your delusions until they’re not fake anymore

Like when his bubble friend came to life in the end

If we use our imagination

We can create the life we want by acting as if we already have it

Fame? Pretend you’re doing a Jimmy Fallon interview while you’re in your room

Singer/rapper even if you aren’t good sing in the shower close your eyes act like your literally Beyoncé and sound just as good

Rich? Act like you’re the epitome of wealth

Beauty? Look in the mirror ignore those pimples look at yourself the same way you’d look at your favorite model

Or say you are a model

Naomi Campbell is shook when she sees me

The 3D is literally a book

If you don’t like the chapter you’re currently reading

Stop re reading it

What do you fear? What the next chapter is about? Life isn’t coming at you

It’s coming within you

If you don’t like how your book is going

Turn the page

Or better yet

Create a new book

Kick out a few characters if they don’t resonate with your current lifestyle and mindset

Create new characters

You can change your tomorrow

Or even right now stop wasting time

Your desires want you more

Just open your eyes

Open this new book and get to writing

Using your imagination

SpongeBob Style💕💕

I hope this reaches people

[zahri-melitor]

I know you've all been waiting for this one: Sum of Our Parts (yes I finally got to Meghan Fitzmartin).

The very first thing I'll say: yeah, I see why DC commissioned more stuff from her after getting this and seeing the response. It's a solid opening showing her ability to write Tim.

There were a lot of moving parts that needed to be re-established and tidied up in this story, and I can see the list being worked through:-

Name: being very clear Tim is currently Robin, because since Tynion's 'Tec run ended, his name and costume have been varying by who is writing him with very little consistency.

Tim not going to university: this probably did need a push back on, because Tynion just waved the door open on that again during Joker War.

The fact that Tim and Steph are broken up (sort of essential for the plot being told)

Playing with the themes of moving on from Robin (but in this case using it as a frame to actually be the bait and switch that it's coming out instead)

Bernard is clearly an OC from the ground up who shares a name and hair colour with his previous existence. Which, look, Bernard was a pretty thin character with basically two personality traits (conspiracy theorist/trying really hard to project cool), and it is of course fairly arguable that Bernard was projecting a front at 16 that he no longer needs now he's accepted his identity. But it would be nice to have that conveyed in the text, rather than something you infer to try and connect two characters who are otherwise unalike. Especially given how much of the story is Tim reflecting on himself.

Even a line or two more about how he doesn't feel the need for a front anymore to line up with Tim having revelations. "Tell Tim Drake...he helped me realise my true self. Who I am" is nice enough but it could still use some more acknowledgement of how that changed his personality. It's just this nice parallel that could have helped develop the themes more securely. There's a bunch of possible implications you can read into the story (particularly in terms of how the Dowd parents really ARE characterised lightly as Fanon Drakes, between the polite fronts and implications that Bernard was previously abused at home in this) and this is one of the things that while I don't mind how much of this story Fitzmartin was telling via implication, a few more concrete things confirmed would have helped.

If I were going to make a solid stab of a guess at what sections of Robin Fitzmartin liked/reread in the lead into writing this, I honestly think it was Fabian Nicieza's Robin run (and probably parts of Red Robin). It's just...a lot of the characterisation has some very similar notes to it. Tim's got the same sort of smug confident edge to his internal commentary, the ways his skills are portrayed, and Detective Williams even reminds me quite a bit of Officer Jamie Harper. (I don't think she actually looked back over Willingham).

It's also very much a coming out story, and I do appreciate in that Fitzmartin does try to be delicate about it and doesn't whack you over the head with the bluntest lines possible (I just suffered through that in Infinite Frontier #0 with Alan Scott and good god did I cringe the entire way through the 'yes while you are my biological children and I have indeed been married. to women. I am gay. Listen to me come out.'), the amount of implied themes she levels through it is still substantial. It could have used slightly more focus on the actual underlying mystery.

I can also see the start of the situation where the story needs to decide whether Bernard Knows or Doesn't Know. Because both states would allow for situations with a lot of drama (and potentially identity shenanigans which are the best shenanigans), but just having it as sort of vacillating in the middle as something that doesn't need to be investigated? It's leaving a lot of potential storytelling on the floor that could instead be used to send Tim through the wringer. (Also Tim wow half of that cult probably could have figured out your identity, you weren't subtle)

Look, I don't think this story contained the greatest Barbara Gordon characterisation ever written, but it was within the bounds of overly-interfering, self-righteous and pushy Babs, which is something that does pop up at times. It felt in conversation with her characterisation in Batgirl 2009, and while I don't LIKE the way Babs is written in it, especially in regards to Steph, it makes sense in terms of the direction DC was pivoting at this point in terms of leading into the whole Batgirls title.

Fitzmartin was also clearly using Steph characterisation from very late Robin/BFTC/start of Red Robin, when they were fighting, in terms of how she's trying to have Steph needle at Tim's sore points, and set up a dichotomy of 'Steph has it together/Tim does not'.

And yes, Belén Ortega's art is very, VERY pretty.

[loud-n]

What's up with Roshar's Money and Why is Sapphire so Valuable

I recently started my reread of Stormlight Archive to prepare for book 5, and coincidentally, this happened at roughly the same time the cosmere rpg started kickstarting. So, reading TWoK and the beta rules of the rpg at the same time, a few things happened to come together. For one, the rpg had this table:

I thought this was very interesting. I hadn't ever seen anything like this (though, checking coppermind, a similar chart has been available since an interview in 2018 that I wasn't aware of). It's a nice way for me to contextualize just how much money Shallan throws around at the beginning of TWoK (for example, based on remarks from Yalb in chapter 3, we know that a week's wages for a sailor is roughly one ruby mark/firemark, or 10 diamond marks/clearmarks), and while it seems like it might be simplified for gameplay purposes, it's also broadly consistent with the other sources.

So I kept reading until I got to this line:

"Emeralds were the most valuable, for they could be used by soulcasters to create food." (The Way of Kings ch. 3, pg. 72 on the trade paperback)

This line lays out explicitly that the soulcasting traits of a gem are the primary way (or at least a very significant one) that these values were assigned. This makes a lot of sense: the ability to soulcast food is the key component that allows Roshar the kind of military structures it has, and would provide an extremely valuable way to compensate for issues with harvests that might come with Roshar's 'temperamental' weather patterns.

(some major oathbringer spoilers below the cut)

I then wanted to know how this translates to the other types of gem. Many of these make a lot of sense: amethyst can be used to soulcast metal, which is important and difficult to obtain on roshar (coppermind notes that this may also be the only way to get aluminum on Roshar); ruby, smokestone, and zircon are all used as part of infrastructure for food preparation and waste management (and rubies seem especially common in the fabrials we've seen); garnet, heliodor, and topaz all provide less vital (though still useful) and less valuable materials; and diamond can be used to soulcast quartz, glass, and crystal, none of which are particularly valuable (especially given easy access to even light with stormlight and danger from highstorms making windows difficult and less valuable).

However, one gem caught my eye here.

Why is sapphire so valuable?

Sapphire's soulcasting can produce translucent gas or air, which seems a bit redundant with smokestone, a stone we know is regularly used. To my knowledge, we don't see any characters ever use soulcasting powered by a sapphire (please correct me if I'm wrong, I may be forgetting or confusing an instance with smokestone). So unless there's something we're missing or something to come, it doesn't seem like sapphire's value is because it is especially useful in soulcasting.

If this isn't the case, I can think of three possible explanations for why sapphire is worth so much:

Sapphire is less common. We know that obtaining emerald is a major part of the Rosharan economy and a significant reason for the continued occupation of the shattered plains at the start of the series. This might also be the case for sapphire: greatshells with sapphire gemhearts may be less common or more difficult to farm, making sapphire more scarce and thus more valuable.

Sapphire is especially useful in fabrials. So far, we've only seen one fabrial using sapphire that I can remember: the soul-harvesting dagger used to kill Jezrien (Oathbringer ch. 121). Even this may not be a specific trait of all sapphires, but rather due to the fact that sapphires are associated with Jezrien and the windrunners. I think it's possible and maybe even likely that sapphires are the gems used in half-shards, since none of the examples ever specify what gem is used and Taravangian states that the spren within could have graced a knight radiant (Oathbringer ch. 100) - possibly an honorspren trapped within a sapphire. This may also have been Taravangian lying, though.

The value is somehow associated with Jezrien and the Windrunners. This one seems the most far-fetched to me: at the start of the series, the knights radiant are not viewed especially fondly, and I doubt the Windrunners would have enough staying power to change the value of a gem. The idea that it may be association with Jezrien seems to me to have more merit; Jezrien seems to generally be elevated to a point beyond the other heralds.

Based on the information we have, I think that my second proposal has the highest chance of being at least partially correct. Association with Jezrien seems far-fetched, sapphire being especially scarce seems like something too far off course to get significant confirmation of in-text, and fabrials are one of the elements of the world still being developed in universe that we also don't have a lot of extra information about.

If any of this is going to be answered, I honestly think it might come through the rpg: the first wave of releases will include a world guide with canon information that might shed some light on these elements less important to the actual story, and the rules will also detail a lot of information about fabrials that could answer my questions about half-shards. Until then, though, I'm just going to have to sit here and wonder (and keep a special eye out for mentions of sapphire on my reread for anything I missed).

[starrysharks]

which reassassination character was the hardest to design?

kranken for sure. to me there are 2 phases of reassassination - the "purple and green" phase from around mid 2021 - early 2022, where the story was very underdeveloped, and the "black and red" phase (the current phase) where the story is fully developed and the project as a whole is edgier with a more defined aesthetic. octavia and kranken (then savory) were the only characters of the purple and green phase, and here are their very first designs -

as you can see octavia has barely changed while savory and kranken are like night and day! i think it's because it was hard to make a good recognisable silhouette for him, especially as i started adding more characters (i felt that onion specifically held way too much resemblance to savory at some point.)

as the years went by savory changed almost every time i drew him - he became more desaturated, his age changed from mid 20s to early 30s, he got taller, style changed, etc etc... meanwhile the most everyone else got was slightly different shapes and color palletes lol. i was really directionless at the time and of course my skill limitations stopped me from drawing him the way i'd truly want to.

eventually we got a somewhat consistent set of design traits in order - a freakishly tall man with a spiral motif. i think changing his hair was a big part in "finalising" his design and giving him a good contrasting silhouette with octavia - though he still needs a few tweaks to make him easier to draw - but i really couldn't decide whether i wanted him to be more formal or dishevelled, tho the scruffy look won in the end lol ^_^

it's funny, he was as hard of a character to design as he was to write! if you don't know much about kranken, some of his primary character traits are instability, overthinking and frequent moodswings, caused by trauma both physical and mental (DIY lobotomies, literally drilling a nail into his head, and other stuff i can't talk about cuz it's too spoilery). i had no clue how to write his personality properly and had to write through about 3 slightly different personas (one more serious, one more erratic, one more creepy/peverted) - his current persona is a bit of a mix of all three. he's been through a lot in every category :P

(also the easiest character to design and write was onion. probably because they fall into a pretty simple trope of a nerdy sidekick, which was easy to write off of and subvert a little lol)

[breached-containment-script]

Some arguments KA shippers make are valid and true. But that they don't necessarily do anything nearly enough to be valid anti-zutara arguments!

Stuff like, that quick burns probably wouldn't scar (Katara's hands) or that if she had gotten scarred, that Toph's feet should have gotten scarred too. This is valid.

That it's true that when Aang's negative aspects get developed to their final extreme forms in theories and fanfiction, it can feel weird and offputting to people who naturally gravitate towards staying approximately around canon vibes; that some descriptions of behaviour sound too strong to some people which results in pushing them away from zutara as a negative reaction to associated criticisms of Aang. But that also personal headcanon developments (even those with strong foundation in canon) are individual preferences and people are able to choose which headcanons to like, without using disliked ones to paint an entire show interpretation negative.

It'a true that most of Aang's bad behaviour in the show can be attributed to him being just a kid and not being self-aware enough yet. He's not intentionally malicious in most cases. His negative reaction towards Water Tribe culture and food is a depiction of a kid not knowing how to respect something that makes him uncomfortable, even if this kinda clashes with him having already had friends from all over the world. Unfortunatey, canon progression doesn't depict him learning as many lessons as he should nor does it show him outgrowing negative traits even though it should have. THIS is the source of headcanons which appreciate intentionally exploring main character developing in a negative light. His negative traits constantly repeat and have a common stay in his canon character. This is a fact, especially with his claim that he'd be in the Avatar state had it not been blocked, out of frustration that actors on a stage implied Katara doesn't feel the same way about him. This is a very bad thing, we've seen both him and others being afraid of it, it causing massive destruction and Katara having the burden of calming him down. How would she theoretically calm him down in the case he did enter the Avatar state because of this reason? Assuming she didn't have romantic feelings for him (which should always exist as a valid option for any character, to test if they have a healthy interaction) - she could pray he'd accept it and calm down on his own, or be under extreme pressure to lie that she likes him back. Even if she did like him back, having to admit under the threat of a destructive force being unleashed, IS NOT GOOD. Especially as the characters never addressed this later.

Yes, Zuko did a lot of bad things but not only are they overblown by KA-fans and Zuko-antis, they constantly purposefully ignore that he got punished repeatedly, suffered in canon for his actions and kept doing very risky and selfless things to make up for his past, they also forget that time flows FORWARD and that WHEN events happened on a timeline MATTERS. It's not an argument that Zuko burned Suki's village in book 1 when he helped rescue her and others by risking his life in book 3 and she forgave him. One thing is collateral damage in a cartoon filled with cartoon violence, and another when for example Long Feng kills Jet. Viewers should be able to discern the tone difference, because shows (or any creative work) especially with multiple writers, aren't homogenous, and aren't tonally or message-wise completely unified. Don't start your deduction argument from the idea that a show is fully consistent and is absolutely sending a singular message, start an inductive analysis from ideas about what a show's context is, what its goals are, what the tone feels like in each section, did it accomplish what it was aiming for, etc. Likewise Zuko could have been written even better in some areas and with more context!

However him hunting down heroes, knocking out Katara etc. isn't a gotcha argument some people think it is, because Katara knocked him out as well, twice even so badly he didn't wake up for quite some time; and he was struck, rejected, ignored, mocked and criticised by both Iroh, the gaang and Katara especially after he sided with Azula under Ba Sing Se, but then they forgave him as he actively worked to atone, and Katara herself forgave him for what he did. She then risked her life to save him back. The writing is very logical and consistent in this.

[redhoodinternaldialectical]

I don’t think Jason has ever hated Tim

I recently revived my Jason Todd hyperfixation from its torpor and realized I had... Means and Ways of reading as many comics as I want for free, so I made the transition from Fanon Only to having read Lost Days, Under the Red Hood, Teen Titans #29 (where Jason fights and beats the tar out of Tim), Hush, Red Hood and the Outlaws (the majority of both runs), Red Robin: The Grail, Batman and Robin: Streets Run Red, Green Arrow #70 - #73 (where Jason kidnaps Mia), Battle for the Cowl, and a smattering of other bits and bobs, all within the last month.

I have come to the conclusion that the idea that Jason hated Tim before slowly learning to be okay with him is completely backwards.

Jason starts respecting Tim as a fellow combatant after basically their first meeting, and was sympathizing with him even before. Fandom talks a lot about how Jason repeatedly tried to kill Tim, but I think there’s a good argument to be made that actually Jason has never tried to kill Tim, and there’s a better argument that Jason has never tried to hurt Tim out of a dislike for him.

Tim is the one who feels viciously betrayed by Jason, hates his guts, and depending on if you blend in the New 52 either learns to begrudgingly like him or just stays hatin.

Obviously I need some proof here, since this goes completely against the grain of every relationship interpretation I’ve ever seen for them, so approximately seven miles of character analysis under the cut lmao

I’m gonna try to go in chronological order of the characters’ history here, which means we’re starting with Lost Days, and Jason’s first reaction to finding out there’s a new Robin:

This does not look like anger to me.

Lost Days is only six issues long, and this is the entirety of the pages devoted to Jason’s feelings on Tim. Jason succeeds in a plan that would have almost certainly killed Batman if Jason had gone through with it. Jason undeniably has Joker dead to rights at one point, but lets him go. Jason at no point in this story attempts to harm Tim at all.

Now for Hush.

Context for fanon only folks: this is where the “throat slitting” bit happens.

Context for a lot of confusion: I don’t know if Jason is the one who holds Tim hostage or not.

In the original Hush plot line this is only Clayface; Jason isn’t here at all. It was later retconned in Under the Red Hood that Jason was actually in this fight for... some amount of time. It’s highly unclear to me when they swap out. Probably because originally, they didn’t swap out. Oh well! In either case, it’s now canon that Jason coached Clayface on his acting, so for the purposes of this essay, Imma hold Jason responsible for the throat damages and the words said regardless of who did what!

Right off the bat: this is a hostage taking, not a murder. Yes, Clayson Jayface does nick Tim’s neck and absolutely makes the threat of murdering him to Batman, but it’s clearly a threat. Like, look at this panel:

He is talking a lot. This isn’t an attempt to kill Tim, it’s an attempt to screw with Batman. No matter who this is, they have every reason to expect that Batman will stop them before they do any permanent damage. Can you see that little, blurry, half-hidden line of red? Lets look at what the damage was later on:

The bleeding was stopped by a bit of cloth, some pressure, and he’ll need stitches eventually, but they can clearly wait, and Tim doesn’t seem alarmed. That’s enough to scar, and enough that it is perfectly reasonable for Tim to assume that he would have died if he hadn’t been rescued.

However, Jason being deeply protective of kids is a reasonably consistent character trait. “You really think I’m gonna bring the pain to a ten year old?” Even at Jason’s most villainous, he is willing to put himself in danger in order to protect his own sidekick Scarlet. I think it would be very out of character for him to have gone through with it. Combined with Jason’s later actions and the general fact that a hostage is pretty useless dead, I come to the conclusion that Jason was bluffing.

It is ambiguous though, and I admit that this is probably the weakest link in the “Jason never tried to kill him” chain.

But enough of that, was he angry with him? Is the hate there?

I argue no, and that really there’s no emotional investment in Tim at all. In terms of hard numbers the pages Jalay Toddface spends holding Tim hostage is 3 and the number he spends fighting Batman is 13 and the number of times he even so much as LOOKS at Tim is ZERO, like actually, literally ZERO TIMES. He does not spare poor Timmy a SINGLE GLANCE.

Now make a special note here because those three pages of no eye contact from someone who might not even be Jason are the ONLY times that Tim is called Pretender or Imposter.

I’m relying on this research done by Kiragecko: https://kiragecko.tumblr.com/post/128411908944/bat-sibling-interaction It only goes up to Battle for the Cowl, (as does this essay it turns out, I just don’t know how to bridge between that and the New 52) so it isn’t every interaction ever, but it’s still excellent research, go leave a like.

According to them: “Comments: Tim thinks about Jason a lot while he’s first training. He imagines the former Robins giving him pep talks, and uses them to fight off fear gas. When Jason comes back, though, Tim’s really nasty, especially in his head. Jason, however, is somewhat respectful. He usually calls Tim ‘Tim’, and seems to kind of like him. ‘Pretender’ and ‘Imposter’ are things that CLAYFACE said, not Jason.“

How many times are those said? Once. Each. That’s it. As a comment under the Jason and Tim post done by Kiragecko points out, “Replacement” doesn’t even get used.

Under the Red Hood is basically THE Jason Todd comic. To my memory he doesn’t interact with Tim in it. However, it does contain that aforementioned reconning! So we get to see his reasoning during this encounter.

And it very very clearly isn’t at all about Tim.

Moving on to Titans Tower, which is indisputably focused on Tim: When he fights Tim, he is absolutely violent and over the line, but he’s NOT out of his head. Jason is clearly very lucid and careful about what he’s doing.

Is he angry? Of course! He’s angry at the Titans who in his mind cared about him way less than their other members, and accepted a replacement robin as though his life, his whole flesh and blood self, was something that could be so easily forgotten and swapped out.

But I think it would be a mistake to assume that Jason’s at all mad that he isn’t Robin anymore.

A very interesting direct parallel to this fight is when Jason kidnaps Mia, Green Arrow’s sidekick Speedy, fights her, appeals to their commonalities and encourages her to solve crime his way rather than Green Arrow’s way.

In both scenarios Jason engineers a way to isolate a sidekick and attempts to teach them something through combat. He makes a direct appeal to them against their mentors, and seems genuine about what he’s saying. He also lets both of them live, and with Mia is honestly pretty damned polite about it all. At least, as polite as a guy can be about kidnapping you and encouraging you to try to kill him in your high school gym that he definitely should not know about.

The plain fact of the matter is that Jason knocked Tim out, had time to paint his whole ass name way up high on a wall, and did not kill him. This is the same Jason who just prior to that took out all of Tim’s allies non-lethally. The same Jason who kept Mia’s protector’s busy non-lethally. The same Jason who cuts Mia free and gives her weapons back and starts slow in their fighting to make sure he doesn’t hurt her too badly. The same Jason who seems to feel very strongly that killing, trafficking, or selling drugs to kids is an unforgivable offense and very clearly sees Tim as a kid.

Quite frankly, this reads not like a murder, and not like a jealous beatdown, but an attempt to convince Tim that he’s going to get himself killed and needs to get out while he still can. In Jason’s mind before they meet, Tim is purely A Robin, a kid who deserves better than to be put into danger against the same monsters over and over again until he finally slips up and dies.

Is this a hairbrained and back asswards way of doing that? Yes! But it does track for someone who tries to do all of his talking through his actions, which do speak louder than words, but unfortunately C-4 loudness is not actually a significant boon to nuanced communication.

If you want to put it in a less charitable way (and maybe we should, this is a bonkers asshole move on Jason’s part no matter how you slice it) then we can say Jason is testing Tim, trying to see if this one has what it takes to be better than he was, to survive where he couldn’t. Personally I think it’s a mix of both, and for this end of that emotional mess: Tim passes the test.

Jason leaves while talking about Tim in present tense, showing that he has every expectation of Tim being alive, and praises him in the process:

Did you know that the fun panel of Tim kicking Jason in the nuts is actually from the same comic run, about twenty or so issues later?

Did you know that the argument they were having starts with Dick and Tim wrestling with Jason and accusing him of a murder he did not commit, and in fact tried to save the victim from?

Did I mention yet that the death in question was of Duela Dent, aka the JOKER’S DAUGHTER, whom Jason caught attempting to hold a young woman hostage for ransom? And that Jason repeatedly shot her getaway balloon instead of her and then tried to save her life immediately afterwards despite the fact that she was going to let the hostage plummet to their death? And it is implied that part of the reason he’s so easy on her is because of “Once a Titan always a Titan” loyalty, with this being our first clue that Jason isn’t the one shooting at her anymore?

Did I also mention that he comes to her funeral in part to be around Donna (the starry leotard lady whose statue he smashed) because it’s nice to be around people who understand being displaced by their own death? And that the one who sticks up for him in this scene is Donna?

At risk of negating my own thesus here, I’d say it’s reasonable to think that maybe Jason feels rage-hate for Tim in this “kicked in the dick while Dick grins smugly” moment.

Lets go now to Robin #177 at the tail end of the 1993 to 2003 run - Bruce has “died” and Tim hasn’t yet gone on his epic quest to find him. Tim finds Jason unifying street gangs with the intent to bring them under control and solve the current crisis. He appeals to Tim for help with this, in fact he comes off as almost puppy dog eager to work with him, and seems really sad when he says fuck no.

This is one of the first fights in which Tim really holds his own against Jason, and I am very proud of him, yes :3

This gets Jason arrested. Then Tim actually goes through with a heavily modified, less violent version of Jason’s plan that Jason didn’t think could work. A few issues later, when Tim decides that he’s going to try to honor what Bruce would have wanted by springing Jason out of jail, Jason makes note of that.

Jason is pretty damned civil at their next meeting, even though Tim makes it pretty damned clear he doesn’t want him around.

And now... we have to talk about Battle for the Cowl.

I’ve seen it described as a masterclass in how NOT to write Jason Todd, due to it portraying him as being an absolutely off his rocker anger murder violence man. I am inclined to agree.

In this three issue comic Jason Todd has been dRiVeN mAd (in the most bullshit comic sense of that word) by Bruce’s will... telling him to go to therapy. Yeah. So uh, he dons a Batman suit to shoot people in AND pretends to be Black Mask so he can enslave a bunch of villains Amanda Waller style, and like it gets weird from there. It is an extremely jarring transition from that last scene to GUNS BAT HATE MAN.

He still does not hate Tim in it. I really, seriously thought I was going to have to make a lot of excuses for this portion but then the more I read of it the more vindicated I was cause let me repeat: One of the most unhinged with Bat hate and crazy juice versions of Jason ever put to print does not hate Tim at all.

Hell, he likes Tim! He compliments him!

And on top of that, even though he is MUCH more lethal against his fellow robins when they attack him - Jason straight up shoots a ten year old Damian in the chest. It’s fucked. - There is still evidence to suggest that Jason deliberately didn’t kill Tim when he had ample opportunity.

Jason first of all never hunts Tim down. I’ve heard Battle for the Cowl described as Jason tracking Tim down or kidnapping him or going after him to force him to Be His Robin, but that’s just not how it goes.

Instead he waits for Tim to come find his Batcave, disorients him, and goes for a ton of surface cuts. He only actually goes for a real body blow after Tim picks up a crowbar and beats Jason across the face with it a few times.

(Again, proud of you Timmy)

After the stabbing, Jason doesn’t just leave Tim there; this isn’t a matter of hurrying on before he could check. He’s seen dragging Tim off. When Nightwing later comes to rescue him, Dick is downright certain Jason is lying to him about Tim being dead because Jason is refusing to show him the body and Dick figures it’s because he knows there’s no body to show (if in part because he can’t let himself believe Tim is dead without hard proof).

Tim himself wonders about this, noting that the batterang was rusted and shattered on his armor.

Sure, Tim used playing possum to make his pulse slow to a near stop for a while, maybe that fooled Jason, but keep in mind that BRUCE taught Tim that skill, and if there’s one thing these comics have established, it’s that Jason is dangerous precisely because he is so intimately familiar with the techniques of the Bat. Jason even makes specific note of the fact that Tim being trained like Bruce and fighting like Bruce would be his downfall at the beginning of their fight.

The whole comic leaves me wondering just how much of what happened went completely according to Jason’s plan. I really would not put it passed him to engineer a ‘death in the family’ recreation for the next Batman in line! As much as I agree that this is garbage characterization for him in many many ways, I do think Jason makes a fantastic villain. I love to see him run rings around the Bats in some places, and make lemonade out of getting his ass kicked in others.

No matter how we interpret the stabbing here though, what does seem very clear to me is that Jason makes the Be My Robin offer to Tim first and foremost because he thinks pretty highly of Tim! He’s been rejected by Tim at least three times over but keeps holding a hand out for him. This does not seem like Tim hater reaction hours here!

Also that whole thing about kids being dragged into this vigilante life irresponsibly? Yeah that’s still there!

I have TRIED to find evidence that Jason hates Tim at like literally any point here. I have gone through the shit people point to. I have looked at the context around those and dug up more obscure interactions for second and third views. Everywhere I look I just see more instances of Jason complimenting Tim!! It’s driving me nuts!

The only conclusion that I can come to is that people read this stuff and just trust that Tim is right about Jason. Tim’s internal view waaay more closely resembles fandom interpretation. Tim assumes that Clayson Toddface would absolutely have killed him in cold blood, that Jason beat the shit out of him purely to prove he was stronger, that he’s a brute, a moron, an active danger to society, and that every bit of leniency given to him will result in betrayal and death.

I don’t have clearer proof for it, but I also don’t think it’s a stretch to say that Tim probably believes Jason has it out for him and holds him responsible for his replacement.

So yeah. As a fascinating reversal of my expectations going in: I don’t think Jason has ever hated Tim, but boy fuckin howdy has Tim HATED Jason.

[respectthepetty]

PETTY HI OMG

I wanna ask, what do you mean when a character is a fake *insert colour*? Like you said wandee is a fake blue. What does that mean? And also, according to that logic, he's wearing that blue during that first kiss and I dunno how to feel about that...

@cryingoverweiying, what I mean when I state a character has a "fake color" is that I'm crazy, and I'm quickly losing my mind over fictional characters. But to give you some examples before I get into Wandee's fake blue, I will offer Vegas from KinnPorsche and Jae Young from Semantic Error.

Vegas looks green. He pretends to be a chill dude who is easy going and down-to-earth in front of the main family's bodyguards. Jae Young looks red. He pretends to be an aggressive rascal so he can work Sang Woo's nerves. But we know those are LIES!

Vegas is actually a red devil who has an affinity for torturing people, and Jae Young is really a chill green dude which is why he wasn't showing up for class in the first place. This is why I call their initial colors fake.

I've written a little bit about this in regards to characters changing their colors throughout a series.

So when I write that I believe Dee's blue is a fake color, I mean that I don't think it represents him as a character, and that Dee is pretending to be blue.

Blue Boys are calm, loyal, and passive aka all the things Dee was to Ter for eight years while being in love with him.

But I think Dee was faking it for love. I think the colors are telling us that Dee is actually a Purple Prince who is immature and emotional,

but also encouraging and compassionate.

Because the day after being rejected by Ter and sleeping with Yak, Dee showed up to work in purple.

And he just keeps getting more purple. Purpler? No that's not a word. You understand me though!

But it only happens the more he spends time with Yak.

Since Yak seems to have unleashed Dee's true nature of being childish and arrogant, which are things he never allowed Ter to see.

All these traits would seem negative (emotional, immature, arrogant, childish), but once again, this is only part of who Dee is, and he never actually showed that to the man he was in love with, for eight years! He hid parts of himself behind this fake blue to impress Ter, but with Yak, he can just be himself.

And it's because Yak was his yellow egotistical and energetic self around Dee from the start.

So his openness is contagious.

But this has caused a problem because I don't think Dee is the only one faking a color anymore in this fake relationship.

I wrote before that as much as Yak was picking up Ohm's style to impress Taem, Dee was actually the one to pick out the outfits and the color aligns with Dee's first love.

Brown Boys are wise, stable, and predictable. In fact, they are like the more solid version of Blue Boys.

So it makes sense for a Blue Boy to be with a Brown Boy.

They'd be super stable. They'd be totally truthful. They'd be really reliable. They'd be perfectly predictable. But does that sound like these two?

NO! THEY ARE CHAOTIC LYING TRASH PANDAS!

So I am praying that we see these two not only embrace their true colors once again like Vegas and Jae Young, but for them to embrace the other's color as well, and the only way to do that is through a good old fashion color exchange.

I don't want to see Yak in this fake ass blue or Dee in this light yellow or brown.

I want Yak in purple and Dee in bright yellow because even though I already know it's love since the pink keeps showing up,

I need the colors to tell me there's nothing fake about them or the love they have for each other.

*fingers crossed*

[darkcircles4lyfe]

Behind the locked door

In honor of Izuku’s mask disintegrating into rubble, I think it’s finally time for me to really dig deep into his character. I’ve been keeping this one in my back pocket for a while. Amid all the talk about Izuku’s fading narration, the “control your heart” subplot, I’ve been trying to find the words to articulate how I know exactly where this is going, at least on a certain level. Most recently, I read this meta from pika who brings up how the word “control” alone can be misconstrued (by us). And then I thought about how a while back I made a similar point, although I said Izuku was the one who got it wrong. At that time, I was holding back a huge piece of evidence because it was external to the story and I wasn’t sure it would be received well. As a result, my argument fell a little flat. Well, now—after 411, right before leaks for 412—it might be my last chance to play this card.

So about that external evidence. I struggle to bring it up because it’s gonna sound an awful lot like I’m projecting onto Izuku if I don’t do it justice. But… I look at the way his storyline has been going lately and I see a pattern emerging that I’m very familiar with. Fortunately, I don’t have to dump a bunch of personal junk on you in order to illustrate this pattern, because a certain personality typing system already has it all figured out: the Enneagram.

Now, hang on. I’m not one to put people in boxes. My trans ass? I managed to get a different result every time I retook the P0ttermore quiz. MBTI, zodiacs—not my thing. But the Enneagram comes the closest I’ve ever seen to covering all the bases and revealing actually meaningful insight, at least for myself. On top of that, I find it extremely useful for fleshing out fictional characters, hence this post will be taking advantage of that.

For those who aren’t familiar with it, here’s a quick overview: The Enneagram consists of 9 individual personality types, each arranged carefully in a sequential, circular manner. They are also simply named 1 through 9. While this might seem kinda basic, there is actually a surprising amount of nuance and fluidity involved. Typing is done largely through personal introspection (you don’t really have to take a test). Adjacent numbers share some core themes with each other, and according to a web of arrows between them, one type can take on either positive or negative traits associated with other types depending on how emotionally ‘healthy’ they are, causing a lengthy spectrum of different ways each type can manifest. That part gets kinda complicated to explain here, so for more info, the Enneagram Institute website is a decent place to start. I also highly recommend the Enneagram album by Sleeping At Last (and if you really want to dedicate some time, the accompanying podcast) to really get inside the heads of the types on a deeper level.

My interest in applying the Enneagram to Izuku comes from observing how differently one can interpret his character based on whether you read him as a 2 or a 9. And even though no one uses this language to talk about him, the distinction accounts for a bunch of different rifts in the fandom: whether you appreciate bkdk’s relationship, whether you can acknowledge Izuku’s flaws and weaknesses, the severity of his vigilante/rogue phase, and most importantly the gravity of his concealed heart, his rage, and what it all means—what he needs in order to grow and triumph.

Discussion of Enneagram types in the fandom is pretty scarce, but where it exists, I have only seen him labeled as a 2. Type 9 and type 2 can be similar at a glance in a lot of ways (actually, 9s can be mistaken for any type because they are like all of them combined). It’s easy to see Izuku as a 2 because he is the helping hero archetype. He puts others’ needs above his own and he is always ready and eager to help. If you listen to Sleeping At Last’s song for 2, you’ll notice that it’s all about care and noble sacrifice with the underlying theme of neglecting or even harming oneself: “I just want to build you up, until your good as new, and maybe one day I will get around to fixing myself too.” Sounds pretty obvious, right? Well, here’s the thing. You really get to know what your type is by how it hits you where it hurts, so I like to focus on each type’s basic fear and basic desire, first and foremost, as a tell. A 2′s basic fear is of being worthless and unloved. Consequently, their most basic desire is to be loved. And 2s have been taught through their negative experiences that love is conditional, something they have to earn from others. They need to be needed. So let’s say you think Izuku is a 2. This means you consider his heroic, self-sacrificing tendencies to be a result of his growing up quirkless and being told he is worthless and powerless because of it. Through this lens, he is trying to prove himself to the world by being useful. Along these lines, you may also assume he is trying to prove himself to Katsuki. Taking this train of thought even further, you may interpret Izuku’s relationship with Katsuki as an obsession of his, where he is either blind to Katsuki’s more negative traits in favor of gaining his love and praise, or else bitterly determined to prove him wrong. This is how a 2 might behave in an unhealthy relationship with an 8, which, yes, I do think Katsuki is an 8. That’s a tangent for another time, though.

But does Izuku ever “need to be needed?” It’s worth noting that while 2s’ search for validation might seem insincere, it is actually motivated by a deep, heartbreaking insecurity. They think they don’t even deserve love unless they are useful to someone, so they do everything they can to be worthy. Does Izuku show signs of this motivation?

If I stop to think about it, I can’t exactly see this in Izuku’s character. Yeah, his dream is to be a hero, and in his childhood, he was denied that dream. However I think we need to take a step back from that for a second if we want to dig deep. I mean, a lot of the other characters also behave heroically, act selflessly, and strive to help. Does that mean all of them are 2s as well? Of course not. So let’s instead turn to observe how Izuku acts with his loved ones, friends, and peers in other/adjacent contexts:

Inko: He is committed to protecting his mother from fearing for his safety. He wants to be good enough to not cause her to worry, rather than good enough to make her proud or make her love him. Idk about his father but at this point I think it’s safe to assume he is deeply unimportant.

All Might: I would describe their relationship as one of mutual responsibility. Izuku feels a responsibility to uphold All Might’s legacy, All Might feels a responsibility to teach him well. Because of this mutuality, I don’t think it quite makes sense to say Izuku deliberately seeks approval for its own sake. You know what I mean? They may be a mentor and a pupil but in practice they are almost more like co-conspirators. They don’t really have a power dynamic going on.

Shouto, Tenya, other friends: Izuku seems to take an interest in what makes his friends tick, and he sets himself aside in order to both analytically and intuitively determine what’s wrong and how to solve it. Examples include his fight against Shouto in the sports festival, and his stubborn concern for Tenya’s reaction to his brother’s forced retirement. He will put himself in the line of fire specifically when confronted with another person’s inner demons. This is not a labor that is asked of professional heroes, it’s just who Izuku is. You can also extend this observation to how he sees through Tomura to Tenko, but I’ll get to that later. Basically, while 2s seek to help in all kinds of ways, a 9’s strategy is always centered on the realm of the mind.

Kota: Adjacent to the paragraph above, before Izuku literally gets into a position where he needs to save Kota, he becomes interested in the boy’s point of view out of genuine curiosity. He doesn’t go “oh no, this kid doesn’t like heroes, I better get him to like heroes.” Instead he seeks out information as to why he thinks that way, and patiently listens. He’s sorry about what happened to Kota, and he understands. Twice (ch 71 and 72), he recognizes the fact that everyone has their own point of view on quirks, and he can’t really do anything about that.

Mirio: This might be one of the most telling examples. Mirio is the platonic ideal of an All Might successor. He’s “perfect.” He even looks the part. While this initially makes Izuku uncomfortable, he doesn’t become insecure and defensive over it. On the contrary, he easily comes to the conclusion that actually, Mirio should have One for All. Just like that (ch 172). If Mirio hadn’t dismissed the “hypothetical,” he probably would have gone through with giving it to him. That’s not how a 2 would respond. A 2 would double down and aim to be better than Mirio by trying to establish some relationship of need, fueled by the insecurity. Their shared subplot with Eri would have looked pretty different, I think.

Katsuki: I’ve mentioned before that I believe their rivalry only exists because Katsuki put it there. First of all, we can see that after the sludge villain incident, Izuku weirdly takes Katsuki’s dismissal of Izuku’s help as practical advice. Like, “oh yeah, I guess what I did was pretty stupid and dangerous, and I’m not cut out for this hero stuff. Now I can move on and find a realistic career.” Hello?? He accepted that so easily. So Izuku clearly isn’t motivated by a desire to prove himself to Katsuki. Even when he proclaims he’s going to surpass him, it’s like he’s happily mimicking Katsuki, not reacting based on insecurity or pride. Izuku is content to meet Katsuki wherever he is, and he’s satisfied with whatever kind of relationship they are able to have, including a rivalry, so he isn’t vying for his affection either. We can observe this when he gives up the role of reaching out a hand to save Katsuki to Kirishima, and also when he thinks about how “blessed” he is to even have a normal conversation with Katsuki. He doesn’t push things. It’s also stated in Deku vs. Kacchan 2 that Izuku doesn’t excuse or overlook Katsuki’s “bad side” but still admires him for his other traits. This is not at all characteristic of a toxic 2x8 relationship.

When 2s are at their very worst or pushed into unhealthy situations, they tend to become more needy and self-centered, even downright manipulative. But at Izuku’s worst, when he went rogue, he pushed everyone away to avoid being a burden. When the refugees at UA tried to prevent him from returning, he was like, “you’re right” and would have turned back immediately if not for his friends, loved ones, and other people who care about him telling him it was all okay. Meanwhile, Katsuki, in true 8 fashion, was pissed off at being rejected and having to deal with Izuku’s stubborn and evasive side (oh yeah, have I mentioned 9s are actually stubborn as hell?), but he made sure to establish that they are (he is) here to step in when Izuku can’t handle things by himself. Katsuki even opened up and admitted to his own weaknesses to show why mutual support is so important. Tbh, a lot of the above can be construed as just super healthy type 2 behavior, but not this. The way Izuku acts at his lowest, and his dynamic with Katsuki? Totally different. Dead giveaway for a 9.

Let’s get into the type 9 itself in more detail to show how it applies to Izuku more deeply—seriously, it’s beat for beat. One of the key differences is, while 2s seek validation, 9s are actually resigned to the belief that they aren’t important. Similar to 2s, a 9′s basic fear is of separation, but their basic desire is actually just peace or harmony rather than love. Notice how these motivations are just like a 2’s, except they have the “self” part taken out. With that in mind, they “achieve” their basic desire through selflessness in and of itself, without the need for recognition. That’s not to say that 9s are better than 2s. In fact, a 9 can be worse, in a way. If unhealthy, they will seek peace at almost any cost to themselves. In other words, they can be more self-destructive while still under the impression that they are doing just fine. “Peace” may refer to the expression of empathy, fulfilling the needs of others, sheltering someone, or mediating a fight—but also to repressing their own opinions and needs, not “rocking the boat,” ignoring negative emotions, or becoming a vessel for someone else to vent to.

What about inner peace? 9s value serenity, and thus they have a complicated relationship with the most tumultuous of emotions: anger. On the surface, 9s look like the type that is extremely slow to anger and highly tolerant. However, as much as they would like to believe this about themselves too, deep down, 9s are afraid of what might happen if they lose control. My phrase for it is this: I feel like a bottled tornado. Personally, I also think of anger as a basic desire to make others feel your pain—not necessarily sadistically, but in an effort to be known, to be understood. The difficult thing to grasp, especially for a 9, is that this is NOT inherently a bad thing. It isn’t wrong to seek sympathy. On the contrary, it is harmful to tell yourself that getting angry is wrong, because it’s like telling yourself that your pain is wrong, your pain doesn’t matter.

The problem is it doesn’t stop there. A 9, in shutting down their anger, ends up with such a low opinion of their own heart, their other emotions dull along with it. They cry less, laugh less, love less. It’s often said that they “fall asleep” to themselves. It all starts with anger. It’s interesting to note how different this whole mindset is from toxic masculinity—where men only feel allowed/able to express emotions through anger. This is sorta like the opposite. Anger becomes the dam rather than the river. For Izuku, I want us to consider that his suppression of anger carries with it the implication that he is hiding other things, too. It’s a given. There’s a whole sea of feelings out there, and we can only see the waves hitting the shore. This brings me to the whole “control your heart” thing. I do think it is worth mentioning that Banjou didn’t just tell Izuku to exercise control. He also told him that his anger could be useful if it is harnessed. With this added context, “control” here means “to master.” And Izuku seemed to grasp this concept… sorta. I think that if Izuku is like a 9, we can assume he has trouble understanding how anger could be a worthy source of strength. His emotions in relation to Katsuki feel more like a weakness to him, a character flaw in a hero, who is supposed to be detached and selfless. But he’s trying to understand, even though he’s afraid of it. He essentially applied the same strategy he used for mastering OFA itself: incremental strength training. Which, okay. Take a moment to absorb how odd that is, in relation to emotions, specifically. Does one learn to cry incrementally? Does one learn to use anger by bottling a fucking tornado?? Like, what, you think you’re gonna be able to let out juuust the right amount of air to avoid an explosion??? No, man… if you want to be the master of your emotions you have to be willing to sit with them. Confront them. Listen to them. Take them in completely and accept them as a part of yourself.

For someone like Izuku, though, it is very difficult to imagine how this is even possible. Tomura, as with every villain, can be used to reflect his hero counterpart’s greatest fear about himself. Tomura literally touches everyone and everything with his rage, and as a physical manifestation of that desire to pass his own pain onto others, destruction radiates from his fingertips. Thus, losing control in this manner must be Izuku’s worst nightmare, as if he would be completely unable to stop the collateral damage like an infinite line of dominoes. But his anger is not something he can overcome, as such.

An overarching theme in this heroes vs. villains conflict is that the villains are not merely obstacles to be overcome. Just think back to Himiko’s bitter rejection of the heroic sense of superiority. She demanded not to be pitied, condescended to, or lied to. Likewise, the answer cannot be that Izuku needs to restrain himself where Tomura doesn’t. What purpose would it serve to show that Izuku is better than him? Certainly not saving Tomura. If this was a battle against AFO, it might have been a different story. In that case, Izuku would have to overcome his emotional manipulation tactics. Tomura, on the other hand, is not so strategic. With his strangely childlike tendencies, he must relish making Izuku mad because it brings them closer to the same wavelength. It’s his own twisted way or seeking sympathy, or at least, the closest thing to sympathy he can get anymore, because he believes he is beyond saving. With that in mind, Izuku isn’t going to get anywhere unless he rises to meet him. Izuku has to match Tomura’s hatred with equally strong emotions of his own, whatever they may be, or else face the loss of OFA (as established in 305). This is not an easy thing to ask of a 9, once they have started to pull the blood from their extremities, become cold and numb. Bringing back circulation is painful and makes the skin crawl.

In case you’re worried about the focus on anger here, I want to reiterate that concealed anger in a 9 is just one sign of so much more. Back when everyone started fretting about Izuku’s habit of self-sacrifice, which would have been the only thing we need to worry about if he were a 2, I was freaking out because Izuku was also starting to look like a person who has too many secrets. You don’t even have to acknowledge the possibility that he lied about what triggered blackwhip. It’s written all over his face all the time these days. It’s especially noticeable when you contrast him with Katsuki after all his own growth. Katsuki confides in people. He acknowledges his weaknesses. He enjoys being himself. He asserts his place. He thinks about Izuku all the damn time and now he even lets himself be soft about it. All this warmth while Izuku is distant, muted, and blank. I know all too well what this state of mind is like. Man, I hate secrets. You get to the point where you don’t know how to talk about even the simplest most inconsequential shit. And the bigger things? They’re like a growing snowball of words in your throat that cannot possibly fit out of your mouth. The “easiest” way to cope is to simply fade into the rhythm of life. Go with the flow.

Since 9s have a natural curiosity about the interiority of other people, they may choose to focus on that in order to divert their own attention away from themselves. Taken to the extreme, they will lose track of their sense of self. Like I said, you can see Izuku doing this as he fights, analyzing the psyche of his opponent, and his match against Shouto in the sports festival was a fantastic early example. They became friends because of how observant Izuku is. His emotional intelligence and intuition are very strong, but gradually, as he has taken on greater responsibilities and experienced more trauma, he has gotten worse at applying these skills to himself. You know, we go on and on about how his narration has been reduced to nearly nothing, and it’s not just an absence of introspection, it’s an absence of self. It creates a lack of ownership over the narrative—what should be his narrative.

Right now, he’s focusing on trying to see Tomura as a person, figuring him out. I think it would be really satisfyingly ironic if in the process, he ends up uncovering insights about himself instead. It’s about time we learn what Izuku’s secrets are. I don’t actually think that Izuku mastering anger will constitute the emotion that is strong enough to keep Tomura from taking OFA. Moreover, he can’t expect to reach Tomura’s core, Tenko, unless he exposes his own. Rather, anger is the conduit for Izuku to unlock something else. Think of the way he described how Katsuki is his image of victory. The feeling manifests when he asserts a stronger sense of self (the urge to win) and he becomes more free with his words. I have no doubt that Tomura has the power to make unfiltered honesty spill out of him. He knows how to bring out his selfish needs, his pain, his pressure points, his fears, his insecurities. Hell, maybe Mt. Fuji erupting is a metaphor. I want to see Izuku explode while Tomura watches with mad glee. But then I want Izuku to Realize Things such that it finally sets him free. Then, instead of Tomura witnessing yet another person he touches fall apart, he gets to see someone become whole.

"I let the scale tip, feel all of it. It's uncomfortable but right. And we were born to try to see each other through. To know and love ourselves and others well is the most difficult and meaningful work we'll ever do." --Sleeping At Last, 'Nine'