#(but that's a whole other meta there)

[youryurigoddess]

Aziraphale is a keeper of the divine order who instinctively creates clutter and turmoil. Crowley is an agent of chaos who stress cleans like an addict. These two ineffable idiots really are perfect for each other.

[hermit-frog]

for me personally‚ the flashlight in the museum (that Armand had stolen from the guard) represented her hope/dream (to be seen, to belong, to find home)‚ happiness (Madeleine)‚ and Claudia herself.

[lifeismarvelous]

kris but with their eyes visible + doing susie expressions and poses

[breesperez139]

Dc x Dp Prompt #2

Danny loved his life. After his reveal to Jack and Maddie as a half ghost went right, everything started falling into place.

Vlad stopped his insane schemes once his parents were set loose on him. Sure he’s still mayor but he funds the town, keeps them protected from unwanted visitors, and is no longer trying to kidnap/adopt/clone Danny anymore.

Speaking of clones, Ellie was officially adopted into the family. She didn’t live with them full time with her obsession being freedom, but at least she has a home to return to now.

Dan was also adopted into the family. He is still on probation but turns out having their adopted family again (and as many ghost fruits as he wants) helped ease the rage. That’s not to mention Dan’s and Skulker’s bi-weekly figh- errr meetups.

Well at least there’s been no property destruction since he’s been crowned. After he and his rogues began scheduling their own meetups, his grades started going up again. So while he may never become an astronaut like he always dreamed of, he could still go up to space and see the stars whenever he wanted to.

Sure, being king wasn’t exactly what he wanted in life (or death) but he could protect his ghosts and liminals better this way. And considering his entire town is either ghost or liminal, it was just easier to protect them from the GIW and the government in general with a crown on his head.

Besides being king isn’t all bad either. He’s rich now meaning they won’t be racked up in college debt, he has cool artifacts that were gifted to the ghost king over the millennia that were left untouched but he’s not about to return them (they were gifts to the ghost king, practically funeral gifts like flowers but more rare and expensive), and he has crazy powerful Ancients as friends/family/mentors/protectors. He’s still a baby in ghost years and a minor in human years so he’s not expected to do much either way.

Life was going great, especially after Amity Park adopted ghost etiquette and ecto-infused food and beverages.

So why the Ancients are the Justice League of all people standing outside his front door with the Batman looking thoroughly freaked out the moment he opened the door? He hasn’t said anything yet either!! Stupid fucking government heroes.

[autisticrosewilson]

Every time I see a story, be it canon or fanfic, where Jason is like "wow my morals are kind of fucked up I should never kill again" I have to put it down, close the tab, ect. Because HE WOULD NOT FUCKING DO THAT. We're talking about Bruce's number one fan turned antagonist.

Do you not think he's maybe already considered such a thing?

The thing about Jason is that he's as devoted to his views and sense of justice as Bruce is, maybe with a little more flexibility (i.e. he's willing to temporarily stop killing if it's necessary for his overall goals where Bruce wouldn't be able to kill even if it would benefit everyone in the long run) and any run or story where he completely disregards his own moral compass and personal experience to follow Bruce's rules is just a disservice to his character.

His whole thing is that Batman's methods are ineffective and his unwillingness to either do what needs to be done or let someone else do so is a clear sign that he's not the hero Gotham needs. Jason genuinely believes everything he says about the system, and Bruce's ineffectiveness.

His crime lord era wasn't just a silly little thing he did to fuck with Bruce with the final confrontation as the REAL point of Under the Red Hood, he became a crime lord because he believed it was the best way he could help. The point of Red Hood is protecting Gotham, fucking with Bruce was just a bonus. Like the confrontation wasn't even initially planned, Jason haphazardly threw that at the end of his to-do list after he realized he couldn't just blow up the Batmobile.

Stop reducing Jason's motivations to "get Bruce's attention/make Bruce kill".

[wistfulwatcher]

2.05 The Aftermath | 5.01 Nameless, Faceless

[casscainmainly]

Cassandra Cain and Asian Stereotypes

So I've seen people debating whether Cass is a racist character or not because she falls into certain Asian stereotypes. While this discussion is valid and important, a lot of the conversation (on this website and beyond) is steered by White/non-Asian people, or people who haven't read a lot of Cass' stuff. This is my take on Cass and Asian stereotypes as a Chinese Cass fan. I do not speak for all Asians, or even all Chinese people, who are absolutely free to disagree with any of these arguments.

Stereotypes I will cover here: Silent Asian, Model Minority, and Hypersexuality.

The Silent Asian Stereotype

The most obvious stereotype Cass runs into is the Silent Asian. I would recommend reading the linked article for more information. Silent Asian characters are Asians who are part of a core cast, but rarely speak. Kimiko Miyashiro in The Boys, Lilly in Pitch Perfect, and Katana in Suicide Squad are all examples of this. The article also mentions Ben from Umbrella Academy, who can only communicate with one character, thus limiting his dialogue.

Why does this happen? Removing Asian characters' dialogue reflects the Western conception of Asians as demure, rule-following, and meek, never speaking up or acting out. It also means writers don't have to spend as much time writing these Asian characters, who are secondary to White protagonists.

The problem with the Silent Asian, then, is not the silence itself, but the consequences of silence. Mute Asians exist, as do Asians who don't speak much; in media, Silent Asians are harmful because they indicate an unwillingness to focus on the Asian character.

This is why Cass, even before she learns to speak longer sentences, is not a Silent Asian. While her conception undoubtedly has unfortunate echoes of this trope, she defies it by being the protagonist of the story. A protagonist cannot be a Silent Asian, because a requirement of the trope is being a secondary character. Cass' feelings and actions are the center of Batgirl (2000), so allegations of this stereotype don't actually make sense.

Furthermore, the trope is about passivity and acquiescence to a White authority. From her introduction, Cass is neither passive nor acquiescent - her origin story is literally about defying David Cain, a White male authority figure. Beyond her not speaking much, she ticks none of the boxes for this stereotype. I think it's time for people to stop mentioning this stereotype in conjunction with Cass, who in every possible way subverts it.

The Model Minority Stereotype

The model minority myth is the belief that Asians are more successful and talented than others, particularly other minoritised groups. Like the Silent Asian, the model minority myth paints Asians as obedient and submissive. This is, in many ways, more insidious than the Silent Asian - there are still people who believe this stereotype (and jokes like 'of course you're good at math, you're Asian') is somehow not racist.

Though this myth seems positive, make no mistake that White people invented this tale for two reasons: to put down Black and Brown communities, and to prevent Asians from ever fully assimilating into White culture.

Cass plays on this myth very interestingly. I've discussed in this post how David Cain and Bruce's assertion that she's 'perfect' is a blatant reference to the model minority myth - by describing her as 'perfect' to them, they are centering their own desires, erasing Cass' individuality.

This is partially why I don't like 'Cass is Bruce's favourite' and 'Cass is an angel who can do no wrong' interpretations when people are just saying it without context. Cass being Bruce's favourite, or Bruce seeing her as an angel, is not a good thing - it is a representation of his biased attitude towards her. He is unable to accept her being a murderer because he is trapped within the model minority mindset. This is not saying Bruce is a full-on racist, but that his actions and perspectives are coloured by his Whiteness.

Cass' abrasive personality, willingness to defy Bruce and David, and very real flaws (her inability to see grey areas, communication difficulties, etc.) make her avoid this stereotype. Additionally, her close relationships with Black characters like Onyx and Duke are essential to combating the anti-Blackness at the core of the model minority myth. Her character evokes the stereotype (perfect martial arts silent fighter), but ultimately defies it through being the star of her own story (and also not being good at math. The fact she doesn't have anything to do with tech is actually one of my favourite aspects of her character, because I am TIRED of tech Asian characters).

The Hypersexual Asian Woman Stereotype

Asian women are often exoticised and fetishised as the ideal sexual partner; think of the term 'yellow fever', which describes men lusting after Asian women. The hypersexualisation of Asian women in media once again goes hand-in-hand with Asians being submissive. They are seen as innocent and child-like, while simultaneously being seductive and sexually experienced.

This stereotype is genuinely perpetuated in Batgirl (2000), mainly by the art in Horrocks' run. Where in Puckett's run there is refreshingly little sexualisation of Cass, once you hit Horrocks' run you get a LOT more shots of her lying down, sexually suggestive covers, etc. People have discussed this already, probably to more effect than I will do here.

However, as I wrote in my Gender and Sexuality posts, the writing is actually fairly defiant of this trope. Cass is vocally uncomfortable with hypersexualisation, and neither of her male love interests stick around. The problem with the Hypersexual Asian Woman is the focus on White sexual interests, where the woman is objectified for the White male gaze. Simply because Cass is the protagonist, the writing focuses on her sexual interests, and in the end it's about gaining control of her gender presentation and sexuality.

Cassandra Cain Vs. Asian Stereotypes

The through-line that connects all these Asian stereotypes is a lack of agency. There's a reason passiveness is the main trait for all of these tropes- the Asian body must be weaker than their White counterparts, in order to be tools or weapons against other minoritised groups.

Cassandra Cain, a character born from a choice that defies White male authority, rises above this passiveness with flying colours. The details of her character certainly fall into some of the above tropes, and the way her character is handled later (evil Cass, New 52), is certainly racist. However, the reason she means so much to me is because at its core, her story is a story of Asian agency. And that in itself is unstereotypical.

[meteortrails]

I think one of my favorite parts of nami’s character is like. she may not be as much of a powerhouse fighter as her crewmates, but she has a kind of fierce protective streak that rivals even luffy’s. there’s something to be said for the way she sees herself as specifically luffy’s protector, too. she looks at luffy and understands that he is trusting her to help him navigate which social rules he can keep ignoring and which ones he needs to obey and when; to know which way they need to go and what they need to do to keep the ship and crew safe. I’ve called her his replacement for pragmatism before, but it’s more than that! nami gets upset with him after Jaya and when she realizes he’s gonna make them wait 2 years bc in those moments he has made it impossible for her to protect him and she HATES that. I think it’s why she and zoro understand each other so well sometimes, especially when it comes to luffy; they’ve both built their sense of self and purpose on protection and a refusal to ever just accept a loss as inevitable, as differently as it presents in each of them.

[camelotluteguild]

Something i really like about Merlin is how they didn’t make love a redemptive force. Uther loves both his children very much -- doesn’t make him a good man or even necessarily a good father. Merlin and Arthur love each other so much, but it doesn’t save either of them, nor does it always makes them better --  oftentimes, it makes them worse. It makes the love no less compelling or meaningful -- in my opinion, it only makes it more so, and it’s a more realistic approach to love. Thoughts and feelings!

[orcelito]

everyone always talks about That One panel of Trigun: Multiple Bullets, but i havent seen anyone talk about how fucking BATSHIT INSANE the surrounding fight is

like

Vash & Wolfwood fighting back-to-back, both using the punisher as a shield

(the rest under a readmore bc this accidentally got LONG...)

Vash seeing the shots coming from behind & purposefully not moving bc he knows if he does, Wolfwood would get hit

Wolfwood getting injured too, but not moving from Vash's back. the way he's stanced, it looks Protective. he's doing what he can to keep Vash out of the direct line of fire.

even when he's getting shot up for it, he Doesn't Move. (this also seems to be the moment he got hurt, which leads into the panel later)

& throughout this whole scene, we are only seeing Wolfwood's reactions.

until the girls give them an opening, and they burst out with THIS:

Wolfwood injured, so he can't properly aim the punisher... and he gets around this by sticking one of the leather straps in his Mouth

and then we FINALLY get to see Vash's face again as he grabs the punisher (with a "GAN" sound effect, so he fuckin SLAPPED that metal hand on the punisher).

Wolfwood trusts him enough to just do what he says in the thick of battle, so we FINALLY get to the iconic panel:

which brings us to the aboslute insanity of what Vash is actually Doing.

"DON DON" -> two shots fired for two missiles launched. he literally manages to TURN THEM AROUND MID-FLIGHT (interesting to note that they seem to have internal propulsion, rather than simply being fired by Wolfwood. how many of these does Wolfwood have? they seem heavy.)

he manages to avert the third missile from hitting the dude directly, and instead makes it land Behind him. then the other two missiles, he rests his arm on Wolfwood's shoulders to hit them and direct them behind the other two enemies

Boom.

killing no-one, but showing an INSANE level of fine control AND teamwork.

and in the end, Wolfwood's arm is in a cast, Vash seems either unhurt or hurt but unbothered by it (typical Vash). And Life Goes On.

(forgot to mention before, but all panels are from @trigun-manga-overhaul! thank u for the beautiful pages)

[arcticclimes]

[post-it-notes7]

Hmm, wait, is Mir Falspar trying to get Dark to convince him NOT to take the job?

He thought it would go a little more smoothly than this

[thatswhatsushesaid]

i just think jin guangyao's expression while looking at nie mingjue's severed head in the jinlintai treasure room speaks volumes about the depth of his unhappiness regarding, well. everything about this situation. about the circumstances that brought them both to the point where it was nmj's life or jgy's; about the decade of deception required to hide the evidence of this crime; about what he knows this revelation would do to lan xichen, if he found out.

some points for context:

1) he believes he's unobserved, save for nmj's resentful spirit. qin su is incapacitated (which, yikes, but this post isn't about that), paper man wei wuxian is still hidden from view; he has no one to perform or pretend for;

2) this is not an expression of triumph or satisfaction. this is the expression of a man who is both sad and frightened;

in other words, this isn't cruel, heartless, self-satisfied villain behaviour. this isn't zhao jing from 'word of honor' pissing on the memorial plaques of all his murdered sworn brothers while laughing maniacally about outwitting them. this scene has the weight of a graveside visit, if that grave was maybe also a nuclear warhead.

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[youchangedmedestiel]

Friend: What are you doing right now?

Me: I have a lot of projects.

Friend: Oh so cool, what are those? New job, new business, new home, new relationship?

Me: Ok, I have a lot of SPN/Destiel projects.

[helena-thessaloniki]

In the shark hunting scene, it's beautifully subtle yet so starkly on display for us that Flint is the only one capable of committing real violence. It's Silver's idea, Silver hands him the harpoon, and certainly Silver is the one who holds onto the rope like his life depends on it. But Flint is the one who throws and spears the shark. Flint is the one who then knifes it dead.

Lest we forget that Flint's violence and Silver's scheming are the driving force of the narrative.

In case we didn't get the point made right beforehand when Silver failed as quartermaster to administer discipline over the stolen rations and Flint had to step in and do it for him, further straining his always tenuous captain-to-crew relations.

Before we delude ourselves into forgetting that Silver's aversion to real violence will inevitably put Flint directly into harm's way.

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