#All about our company services

[mctreeleth]

They have this annual award at my work that is some corporate bullshit about recognising the employee who has made a significant contribution to the company and it's usually won by someone who is moving into a management role after being there for like a decade BUT while the winner is decided by the bosses the nominations are made by people working there and even though I have only been there 18 months and am decidedly not managing anything at all I found out today that apparently I got a half dozen different nominations so while I am almost certainly not going to win the actual award I have to imagine this means they will instead crown me Miss Congeniality and give me a tiara for being the friendliest most specialest girl in the factory.

[calamitys-child]

Local knowledge will always beat advertising for actual useful outcomes my colleague recommended a cobbler that's a tiny wee place down an alley across town but by god if they won't fix my boots just as well as the big brand name shoe repair place in the town centre faster and for half the price

[tvrningout-a]

i don’t wanna go to work tomorrow oooof

[tofupixel]

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

🔹 Do I need money?

NO!!! Pixel art is one of the most accessible mediums out there.

I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.

Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.

✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!

🔹 What software should I use?

Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐

💰 Paid options:

⭐⭐⭐ Aseprite (for PC) - $19.99

This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.

Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.

If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!

⭐ Photoshop (for PC) - Monthly $$

A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.

Animation is also much more tedious on PS which you may want to consider before investing time!

⭐⭐ ProMotion NG (for PC) - $19.00

An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.

⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)

Probably the best app available for iPad users, in active development, with new features added all the time.

Look! My buddy Jon recommends it highly, and uses it often.

One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.

⭐ Procreate (for iOS) - $12.99

If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.

⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly

ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!

🆓 Free options:

⭐⭐⭐ Libresprite (for PC)

Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.

⭐⭐ Pixilart (for PC and mobile)

A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.

⭐⭐ Dotpict (for mobile)

Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.

🔹 So I got my software, now what?

◽Nice! Now it's time for the basics of pixel art.

❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.

The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍

◽Phew! With that out of the way...

🔸"The Rules"

There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.

🔹Scaling method

There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.

Both are scaled up x10. See the difference?

On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 

(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)

🔹Mixels

Mixels are when there are different (mixed) pixel sizes in the same image.

Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!

As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!

Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.

Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.

🔹Saving Your Files

We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.

For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!

Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.

🔹Pixel Art Fundamentals - Techniques and Jargon

❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗

As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!

🔸How To Learn

Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.

⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.

⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.

⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.

⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.

⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!

🔸 How to choose a canvas size

When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.

What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.

Imagine I have characters in a scene like this:

I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.

If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.

It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.

🔸Where To Post

Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.

⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.

⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.

⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.

⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!

⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol

🔸 Where To Find Work

You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:

Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!

Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.

Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby

Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.

/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.

/r/GameDevClassifieds Same as above, but specifically for game-related projects.

Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.

VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.

The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...

🔸 Community

I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!

Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.

Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.

🔸 Other Helpful Websites

Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.

The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.

VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.

Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!

Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!

Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite

🔸 The End?

This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!

I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!

This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.

And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕

My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting

[sapphia]

USA please listen to me: the price of “teaching them a lesson” is too high. take it from New Zealand, who voted our Labour government out in the last election because they weren’t doing exactly what we wanted and got facism instead.

Trans rights are being attacked, public transport has been defunded, tax cuts issued for the wealthy, they've mass-defunded public services, cut and attacked the disability funding model, cut benefits, diverted transport funding to roads, cut all recent public transport subsidies, cancelled massive important infrastructure projects like damns and ferries (we are three ISLANDS), fast tracked mining, oil, and other massive environmentally detrimental projects and gave the power the to approve these projects singularly to three ministers who have been wined and dined by lobbyists of the companies that have put the bids in to approve them while one of the main minister infers he will not prioritise the protection of endangered species like the archeys frog over mining projects that do massive environmental harm. They have attacked indigenous rights in an attempt to negate the Treaty of Waitangi by “redefining it”; as a backup, they are also trying to remove all mentions of the treaty from legislation starting with our Child Protection laws no longer requiring social workers to consider the importance of Maori children’s culture when placing those children; when the Waitangi Tribunal who oversees indigenous matters sought to enquire about this, the Minister for Children blocked their enquiry in a breach of comity that was condemned in a ruling — too late to do anything — by our Supreme Court. They have repealed labour protections around pay and 90 day trials, reversed our smoking ban, cancelled our EV subsidy, cancelled our water infrastructure scheme that would have given Maori iwi a say in water asset management, cancelled our biggest city’s fuel tax, made our treasury and inland revenue departments less accountable, dispensed of our Productivity Commission, begun work on charter schools and military boot camps in an obvious push towards privatisation, cancelled grants for first home buyers, reduced access to emergency housing, allowed no cause evictions, cancelled our Maori health system that would have given Maori control over their own public medical care and funding, cut funding of services like budgeting advice and food banks, cancelled the consumer advocacy council, cancelled our medicine regulations, repealed free prescriptions, deferred multiple hospital builds, failed to deliver on pre-election medical promises, reversed a gun ban created in response to the mosque shootings, brought back three strikes = life sentence policy, increased minimum wage by half the recommended amount, cancelled fair pay for disabled workers, reduced wheelchair services, reversed our oil and gas exploration ban, cancelled our climate emergency fund, cut science research funding including climate research, removed limits on killing sea lions, cut funding for the climate change commission, weakened our methane targets, cancelled Significant National Areas protections, have begun reversing our ban on live exports. Much of this was passed under urgency.

It’s been six months.

[booksinmythorax]

"Don't use Libby because it costs libraries too much, pirate instead" is such a weird, anti-patron, anti-author take that somehow manages to also be anti-library, in my professional librarian-ass opinion.

It's well documented that pirating books negatively affects authors directly* in a way that pirating movies or TV shows doesn't affect actors or writers, so I will likely always be anti-book piracy unless there's absolutely, positively no other option (i.e. the book simply doesn't exist outside of online archives at all, or in a particular language).

Also, yeah, Libby and Hoopla licenses are really expensive, but libraries buy them SO THAT PATRONS CAN USE THEM. If you're gonna be pissed at anybody about this shitty state of affairs, be pissed at publishing companies and continue to use Libby or Hoopla at your library so we can continue to justify having it to our funding bodies.

One of the best ways to support your library having services you like is to USE THOSE SERVICES. Yes, even if they are expensive.

*Yes, this is a blog post, but it's a blog post filled with links to news articles. If you can click one link, you can click another.

[emergencyplumbingil]

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For those in Highwood, Hoffman Estates, or the quaint town of India Creek, our team guarantees prompt and efficient service.

Residents of Lincolnshire , Riverwoods , Inverness, Kildeer, Lake Bluff, and Lake Zurich can also rely on our plumbing expertise. We extend our plumbing services to Long Grove, Mettawa, Lincolnshire, Mount Prospect, Mundelein, Vernon Hills and Buffalo Grove.

Need a local plumber near me in Prospect Heights, Des Plaines, Rolling Meadows, Mt Prospect, Wauconda, Barrington? Look no further ! As a trusted plumbing contractor, we ensure that your plumbing issues are solved quickly and efficiently, keeping your home or business running smoothly.

[skylightdistraction]

-

[ketchuppee]

During the 2008 recession, my aunt lost her job. Her, her partner, and my three cousins moved across the country to stay with us while they got back on their feet. My house turned from a family of four to a family of nine overnight, complete with three dogs and five cats between us.

It took a few years for them to get a place of their own, but after a few rentals and apartments, they now own a split level ranch in a town nearby. I’ve lost track of how many coworkers and friends have stayed with them when they were in a tight spot. A mother and son getting out of an abusive relationship, a divorcee trying to stay local for his kids while they work out a custody agreement, you name it. My aunt and uncle knew first hand what that kindness meant, and always find space for someone who needed it, the way my parents had for them.

That same aunt and uncle visited me in [redacted] city last year. They are prolific drinkers, so we spent most of the day bar hopping. As we wandered the city, any time we passed a homeless person, my uncle would pull out a fresh cigarette and ask them if they had a light. Regardless of if they had a lighter on hand or not, he offered them a few bucks in exchange, which he explained to me after was because he felt it would be easier for them to accept in exchange for a service, no matter how small.

I work for a company that produces a lot of fabric waste. Every few weeks, I bring two big black trash bags full of discarded material over to a woman who works down the hall. She distributes them to local churches, quilting clubs, and teachers who can use them for crafts. She’s currently in the process of working with our building to set up a recycling program for the smaller pieces of fabric that are harder to find use for.

One of my best friends gives monthly donations to four or five local organizations. She’s fortunate enough to have a tech job that gives her a good salary, and she knows that a recurring donation is more valuable to a non-profit because they can rely on that money month after month, and can plan ways to stretch that dollar for maximum impact. One of those organizations is a native plant trust, and once she’s out of her apartment complex and in a home with a yard, she has plans to convert it into a haven of local flora.

My partner works for a company that is working to help regulate crypto and hold the current bad actors in the space accountable for their actions. We unfortunately live in a time where technology develops far too fast for bureaucracy to keep up with, but just because people use a technology for ill gain doesn’t mean the technology itself is bad. The blockchain is something that she finds fascinating and powerful, and she is using her degree and her expertise to turn it into a tool for good.

I knew someone who always had a bag of treats in their purse, on the odd chance they came across a stray cat or dog, they had something to offer them.

I follow artists who post about every local election they know of, because they know their platform gives them more reach than the average person, and that they can leverage that platform to encourage people to vote in elections that get less attention, but in many ways have more impact on the direction our country is going to go.

All of this to say, there’s more than one way to do good in the world. Social media leads us to believe that the loudest, the most vocal, the most prolific poster is the most virtuous, but they are only a piece of the puzzle. (And if virtue for virtues sake is your end goal, you’ve already lost, but that’s a different post). Community is built of people leveraging their privileges to help those without them. We need people doing all of those things and more, because no individual can or should do all of it. You would be stretched too thin, your efforts valiant, but less effective in your ambition.

None of this is to encourage inaction. Identify your unique strengths, skills, and privileges, and put them to use. Determine what causes are important to you, and commit to doing what you can to help them. Collective action is how change is made, but don’t forget that we need diversity in actions taken.

[mostlysignssomeportents]

Kickstarting a book to end enshittification, because Amazon will not carry it

My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.

That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:

https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10

[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]

I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]

The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.

How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.

So, if interop is so great, why isn’t it everywhere?

Well, it used to be. Interop is how Microsoft became the dominant operating system:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]

It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).

The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.

What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:

https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo

[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]

After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:

https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens

I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.

But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]

To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:

https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/

And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:

https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/

Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:

https://craphound.com/shop/

[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]

But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?

Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!

https://archive.org/details/cory_doctorow_internet_con_chapter_01

I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.

Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.

As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.

The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.

Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:

https://armadillocon.org/d45/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con

[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]

[s-4pphics]

candy crush. (e.w.)

SYNOPSIS: you’re too sweet, and ellie hates it. 

WORD COUNT: 4.3K

WARNINGS: recordshopmanager!ellie, crumblcookiebaker!oc, hurt/comfort, ellie’s a cunt, ocs too sweet, FLUFF?? FROM ME??? HUHHH, crushing, slight suggestive thoughts

A/N: idk where this came from lol

Ellie’s reorganizing the vinyl selection when a delicate hand lands on her shoulder. “I know your miserable ass doesn’t enjoy company,” Dina hisses in her ear, purposefully hushed, “But you got company.” 

Ellie’s eyebrow quirks with confusion, leaving the earplug that blasts Head like a Hole to dangle over her shoulder. Her eyes glaze over the semi-filled shop, narrowing in on every face until she locks eyes with you from behind the guitar displays. The eye contact only lasts about 1.5 seconds before Dina smacks her leg. 

“Don’t look. You’re gonna make it weird.” Dina quietly snaps from beside her, occupying her hands with some misplaced records. 

“You know her?” 

“I see her around sometimes. I think she works nearby,” Ellie catches her smirking from the corner of her eye, “… I think she likes you.” 

“Fuck off.” 

“I’m dead serious. She’s been staring for the past 10.” 

“At who.” 

“At you, dipshit.” 

Ellie can’t help herself. She takes one experimental glance in your direction; discovers you typing away at your device with a black mask pulled down under your chin, bottom lip trapped between your teeth with worry. Your apron and tiny name tag indicates you probably work somewhere close by, but she can’t pinpoint where. You’re too far and her vision is failing.

“Get her numbe—“

Ellie’s head whips to face Dina, “If you don’t shut up, you’re fired.” 

“Abuse of power,” She snarks in return, “C’mon! She seems so—“

“D-Do you guys have any acoustics for sale?” 

You’re a ninja, for sure. Both girls' heads snap around to face you — who stands a bit too close for Ellie’s liking — phone desperately clutched to your chest and eyes wide as a doe. Mainly locked with Ellie’s before they drop to your name tag.

Crumbl. 2 shops down. 

Fuck. 

“Why, yes!” Dina says excitedly when Ellie doesn’t reply, “Most of ours have been used, but they’re still in great condition. Are you interested in renting or purchasing?” 

“Purchasing… I think.” 

“No problem. I can show you some that we have on display, and if you don’t like those, we have some stocked in the back!” 

Ellie’s forehead creases. Dina has never been this active in making a sale, let alone interacting with any customers. Ellie is always the one who’s forced to pick up her and Riley’s slack in the shop. She catches the light traces of disappointment that overtakes your expression at Dina’s interjection, but eventually, you’re led over to the guitar displays.

Ellie sighs in relief. 

That brief exchange gave Ellie everything she needed to know. She doesn’t find gratification in denying proposals at work, but after months of being hit on by a multitude of customers — the men particularly piss her off— she’ll be as stern as she needs to be to get the point of denial across. Sure, it makes her look like a cunt to the general public, but she’ll take that over being chased after on the clock. No questions asked. 

Ellie assumes that you’ve found what you needed because on your way out, persistent stares are thrown in her direction up until your departure. She dodges them with mastery. 

She would hate to have to embarrass a strip neighbor. 

Three days later, you stumble upon the record shop once more. Dina isn’t here to save Ellie this time, and Riley’s passing time in the break room. Your uniform is lightly dusted with white, presumably flour, and your mask is down, phone clutched to your chest like it holds all your secrets.

Your mouth drops open around a small smile when you approach the service counter, but Ellie interrupts before you can greet her. 

“What can I help you with?” 

She assumed her annoyance would be guarded by professionalism, but your smile drops at its corners at her tone. A light flinch that Ellie prays is enough to deter you from spending your breaks here. 

It doesn’t. Your eyes still shine like the star that you aren’t. 

“I, um… I actually wanted to talk to you. If that’s okay—“

“Is it regarding the purchase you made a few days ago?” 

Dina slid Ellie a notice on the down payment you made for your used dreadnought since you weren’t able to pay in full. The scolding she received about “taking care of you” whenever you returned made her teeth grind together. 

“N-No. I just—“

“I’d appreciate it if we kept the conversation about that,” Ellie uses the scribbles on her notepad as a distraction, “Did you have any questions regarding the instrument? Or if you’re interested in taking part in the lessons we offer, I could redirect you to Riley. She’s in charge of—“

“I just wanted to see if you were… interested in sampling out some cookie flavors I came up with? I’m a baking and pastry student and—“

“Look,” The tip of Ellie’s tongue sharpens into her cheek, irritation evident when you two are eye-to-eye. “I’m not sure where this proposal is coming from, but frankly, I’m not interested.”

The drop in your expression doesn’t stop Ellie’s relentlessness. 

“I don’t know you, and I don’t know why you thought I’d be a good candidate for… taste-testing, but I’ll politely decline. No thanks.” 

Her declination doesn’t sound polite in the slightest; quite snippy and condescending from your perspective, and it forces your windpipe shut. Only for a second before a strangled gasp leaves your lips. You’re not sure if it’s out of shock or lack of breath, but it aches in your lungs all the same. 

Ellie’s glare sends holes through your back as you rush towards the exit, the small bell singing through the store and alarming your leave. 

All Ellie can hope is that you got the message. 

It’s a new week, and therefore, a new Crumbl cookie line-up. Dina won’t stop raving about the carrot-cake cookie which doesn’t resemble a cookie at all. It's tiered and way too soft and stacked with icing that’s sweet enough to rot teeth from the gum. 

It reminds Ellie of you, for some reason; Somehow still managing to be a nuisance without trying. 

Even more so now since Dina’s been using her 45 to walk down and see you. To talk to you. Dina has yet to cough up what about — not that Ellie cares. It’s just weird that you two suddenly have so much in common after knowing each other for all of two days maximum. Whenever Dina clocks back in, she tortures Ellie with dramatic retellings of your stories. 

It’s Thursday; a quiet day for the shop that Ellie uses to her advantage when the sun is at its peak. Searching through cheap magazines and playing Candy Crush on her phone. 

What a time for you to come barreling in. The formerly enjoyable shriek of guitar suddenly sounds like nails on a chalkboard at your appearance. No longer are you in all black. You’re in a sundress. An orange one. You look like a popsicle. 

And you bear gifts. Ellie’s mood turns even more sour when she sees two bright yellow gift bags with smiley faces on them and a tray filled with coffee stuffed in your hands. 

“Good morning!” 

You’re smiling, gleaming, and Ellie’s nose turns up. She plucks one of her earplugs out and closes her graphic novel. 

“How can I help you?” 

You set your bag down on the display case of her prized arch top, and she sighs in exasperation. Annoyance sparks when she notices one of the bags has her name on it, flowers and hearts and sparkles surrounding the tag. 

“Can you not put your belongings on the displays, please? I’d have to clean up after you since none of my employees will.” 

You’ve already moved your bags and exclaimed apologies before Ellie could finish her sentence. She’s seconds away from shoving her earplug back in to tune you out, but you’re fast. Persistent. She hates it.

“I’m really sorry about that,” You say gently, and Ellie shrugs you off, “I, um. I-I came to, uh…”

Ellie blinks rapidly, “If you’re here to apologize for last week, don’t bother. It’s not needed.” 

“Not at all! Well, I’m just… I wanted to drop by and—“

“You’ve gotten quite comfortable with just… dropping by. Have you realized that?” 

Ellie’s squint is harsh and scrutinizing, and sorrow overshadows the light in your pupils. 

“Since it’s obvious that you’re not understanding me, I’ll put it like this,” She leans a bit over the counter, front fully pressed against the glass and palms resting on the stainless steel, “I’m not interested in anything you have going on. Stop using your breaks as an excuse to come see me. I don’t wanna go out with you. And I don’t want to do a taste test. Drop it already.” 

Ellie watches your lip quiver with a harshness exclusive only for people like you, tears welting in your eyes and your fingers pinching at the hem of your sundress. Insecurity is practically seeping from your pores, and your gaze drops shamefully to the floor. 

Ellie’s just about to tell you to kick rocks when the STAFF ONLY door swings open and exposes Riley. Her break ended 20 minutes ago. 

“Hey! You’re early!” 

Ellie scoffs, “No, you’re late—“

“Not you. Be quiet,” She waves her off and smiles at you, who’s smiling back at her with guised genuity. A complete 180 from the you seconds ago. Since when were you and Riley on speaking terms? Friends?

She jogs from behind the stand, “Dina told me you weren’t coming til 3!” Riley throws her arms around your shoulders, and your hands tremble where they rest on her forearms. “Are those the goods?” 

“Yeah!” Your voice sounds heavy. Like you’re guarding a breakdown, “I-I had some time so I stopped by a little early.” 

“I got some to spare til Dee gets here. Hang out with m—“

“Actually!” You intervene shakily, “I have some other drop-offs to make. I really appreciate you guys doing this for me.” 

“Are you sure you can’t stay? Watch me get my Food Network judge on?” Riley suddenly points in Ellie’s direction, “Who knows. Sourpuss might even pop a grin once she tries one.” Ellie’s cheeks run red-hot.

“Sorry, Riley. Maybe next time,” You’re already wobbling towards the exit, “But, please call and tell me what you think! Dina, too! Any feedback is appreciated!” 

“I’m sure they’re delicious, Monster!” Riley compliments playfully, “Text me when you’re home!” 

When the door shuts, Ellie sees Riley’s back stiffen at the sight of you frantically wiping your face through the glass. 

“What the fuck did you do.” 

“I didn’t do shit. She’s loitering.” 

“Lo— Oh my fucking god, you’re an embarrassmen—“

“No, she is. Taking up space for no fucking reason to come and see me. She’s loitering—“

“You’re blowing a fuse over fucking cookie samples?” Riley stares at her like she’s nuts, “And not to burst your self-centered bubble, but I told her to come. She’s been asking all the stores on the block if they’d like to taste ‘em.”

Ellie pauses, expression softening only slightly when Riley continues, 

“I told her you don’t like chocolate, so she made a peanut butter version for you.” Riley shakes Ellie's special, slightly smaller bag as a means to taunt her, and the freckled girl’s face burns red. Glows even harsher when her friend throws in, “You cunt. She’s a sweetheart. Not everyone is fucking obsessed with you.” 

Riley leaves Ellie to simmer in her discomfort, slamming the break door shut. The day seems to drag on longer than usual. 

-

-

-

Ellie’s organizing the break room when she comes across her small baggie that Riley left behind. She would’ve expected her friend to take them home after Ellie’s dramatic blow up, but there it sat on the counter, untouched and jeering. 

Tempting enough for her to rest the broom against the counter and inspect its contents. Wafts of cinnamon and peanut butter hit her through the small opening of the bag, and her heart gives a squeeze. The cookie is iced to perfection — an entire scenery on the light brown canvas. So many flowers and trees and the blue hues of the sky; almost too much detail. It looks printed on. 

You’re artistically talented and the cookie smells divine. 

One nibble wouldn’t hurt. She’s sure the damage she caused is already irreversible. 

But when she cradles the carefully swaddled cookie, a small note falls from beneath the bunched cling wrap. She knows she shouldn’t. She should really, really leave the neatly folded piece of paper where it lays. Down the cookie. Trash the bag. 

She takes the cookie and the note back to her seat at the table. The cookie isn’t what she unravels first. 

“thought I’d make you a separate batch. Riley gave me the heads up about your chocolate disdain. I’m too paranoid to ask for your number in person, so I thought I’d use bait instead. I hope it’s convincing enough. Please let me know if it’s decent. Thank you for tasting.”

Signed with your name and a smiling heart with wings. Ellie’s heart shatters, remaining shards dangling from the rim of her ribcage. She can already see her friends glaring through her chest when they visit the apartment to berate her tomorrow morning. She already knows what they’re going to demand from her, but she’s three steps ahead. 

She ate the entire cookie in two bites right where she sat. It was delicious. Almondy, not too sweet, gently spiced. Probably the best she’s ever had.

Ellie has never been to Crumbl before. 

The viral spot is always bustling — too crowded and filled with loud teenagers with a sugar rush for her taste. Plus, she’s already on the clock when they first open. But the record shop is closed on Fridays. 

She put an extra bit of care into her appearance. She doesn’t recall the last time she did her hair. Half of it is pinned up and her button-up is neatly pressed. Jitters rustle in the pit of her stomach and her forehead is a bit damp, mainly because she can see you through the goddamn window. 

In uniform, you stand at the register with the same beaming smile from last week, talking and giggling with your coworkers, and Ellie instantly feels guilty. Your day seems off to a great start, and here she is… About to ruin it. She almost turned around at the thought. 

But the small bell above the door blares loud, and your bright smile drops once you recognize her, and with that, her stomach. Ellie mentally notes the bags forming under your eyes and the tension in your shoulders. It looks like you haven’t rested for days. Her heart squeezes. 

Your movements turn robotic; stiffly perched on the sides of the iPad stand as your thumb works on the screen. You haven’t looked Ellie’s way since. She approaches the counter with her tail between her legs, fidgeting with her middle finger. 

“Um… hey.” Ellie’s quiet. Out of place. Afraid. 

“What can I get for you?” 

Even with the stiffness, you somehow still manage to sound as soft as a cotton ball, but Ellie’s body locks. The scenario hits her like a brick wall; she’s doing exactly what she accused you of doing to her last week. Bothering her at fucking work. She should’ve never come to your place of business to coddle her ego. She feels like a hypocrite. You certainly see her as one. 

“Um… A cookie?”

“… What flavor.” 

“Uh… peanut butter?” 

You swallow thickly, voice hollow, “That’s not on the menu for this week,” You point towards the display of cookies that were big enough to feed a family, “These are the six we’re serving until Sunday. You can also look at the menu on the screen.” 

Ellie follows your pointing finger. How the fuck does this place work? Weekly flavors? What the fuck does that mean? She quickly examines the names of cookies that flash across the screen: raspberry cheesecake, pink velvet… Mom’s recipe? Odd name for a dessert but she lets it slide. 

“W-What’s your favorite?” 

You’re a baker, for fucks sake. You’d have better taste than anyone, better than her, she’d painfully admit. 

She watches your fingers clench around the screen, tapping mindlessly. 

“Um… raspberry cheesecake.” 

“I’ll get a dozen.” 

“O-Of the same flavor?” 

She shrugs like it’s obvious, “… Yup.” 

You give her one skeptic look before tapping at the screen. “It might be a little wait. About 15 minutes. Do you mind?” 

“No.” 

“Cash or card?” 

“Card, please.” 

More tapping, “That’ll be $41.65. Swipe or tap whenever you're ready.” 

A financial dent over a box of cookies was not on her bucket list. You hand her the receipt, and before you can rush to the kitchen, Ellie exclaims, “When’s your break?” 

“Excuse me?” 

“W— um, when’s your break?” 

Your coworkers are suddenly very interested in Ellie, all four of them eyeing her like venomous hawks. Her cheeks burst into flames. 

“Um… I don’t think that’s any of your concern.” 

And you’re right. Anything involving you is short on Ellie; it was never her business, but a burning in the pit of her stomach desires to learn. Needs to catch you at the right time to give you a proper apology even though she doesn’t deserve the time of day. She doesn’t know what to say. 

You use her floundering as a scapegoat and hustle behind the slamming doors. Just as Ellie rushes to leave empty-handed, one of your employees — Abigail reads across her name-tag, keeps professional, but Ellie’s skin burns with the fire in her eyes. 

“We’ll have those right out for you,” monotone, but gruff. It makes Ellie wonder if you told any of them about her — she doesn’t doubt it. 

“You can wait outside.” 

One stiff nod, and Ellie’s booking it until her feet plant on the packed sidewalk, nearly bumping into a couple with interlocked hands. It takes 25 minutes for the box of cookies to be rigidly placed on the lounge table by another employee. Ellie scurries into her truck with a boiling face and pulls out into the road. 

When she makes it to her apartment, she eats three mini cheesecakes in one sitting.

She sees why they’re your favorite. 

The following week was filled with glares and curses from Dina and Riley — your newfound friends, evidently. They have a way of making Ellie feel like a worthless dunce. They both have rubbed in the tales of you being a thrill to be around; the life of the party whenever they hang out. 

It makes her nauseous. And sad. 

But her sadness swiftly shifts to bewilderment when she catches you smoking near a lamppost after closing. Still in your uniform with a bag over your shoulder, pants dusted in white, proof of your labor. It’s dark out, the only illumination coming from the light stood tall above you and the orange gleam of your cigarette. The sight shocks her. You didn’t seem like the type. 

Maybe that’s where Ellie went wrong with you: constantly assuming… who you are. Your desires, your intentions with her, her friends. She’ll admit her wrongs, of course. 

But it has to be to you. 

Ellie scares you when she approaches, inhaling the nicotine a bit too roughly because you start heaving. Shoulders hunched and jumping with every cough. 

“Uh — fuck, I’m sorry! I-I thought you could see me coming! I didn’t mean — fuck —“

You’re still choking, but you hiss in between, “What the fuck do you want!” 

“I’m just — I’m sorry about —“

“You’re not — cough — you’re not sorry! You made your point clear. I don’t why you keep — cough cough — following me. I left you alone like you wanted!” 

“I DON’T WANT THAT!” Ellie shrieks in panic. 

It’s a heavy-handed admission. A weighted confession that was said too aggressively given your flinching away from her. She takes an instinctive step forward. 

“Your cookies… tasted fucking incredible. I’m also an asshole.” 

The drag you take from your cig while she rambles is almost comedic. Brows cinched at the middle of your forehead, gauging her. You’re not convinced, but you’re not fleeing like the first time. She takes a leap, and a large step towards you. 

“I feel really… really bad,” Ellie’s much quieter, eyes unwavering and the softest she’s ever shown you, “I shouldn’t have… said all that. To you. I’m just so used to being harassed at work. I’m sorry.” 

Maybe nicotine calms you. Your body language isn’t as taut compared to when Ellie first initiated conversation, and your eyes soften at her reasoning. 

The rasp from your timbre melts her skin like butter. “I didn’t know you went through that. That sucks.”

Ellie shrugs, “I didn’t know you were… nice.” 

She made the mistake of attempting playfulness, “Maybe ‘cuz you wouldn’t let me talk.” You snark while ashing. 

“I’m sorry.” Ellie implores. 

You take one last drag before stomping out the flame. “Me too. For bothering you.” 

Ellie cringes at your choice of words, but nods in acceptance. “Are we, uh… okay, now?”

A small smile grows on your face. It’s cute. Makes your cheeks puff out like a hungry squirrel. 

“We’re good.” You extend a fist out to her, and she connects her own at the knuckles. 

When they drop, Ellie nervously stares at her shoes, “Do you want a ride home?” 

“I’m alright, thanks.” 

“C’mon, I don’t want you waiting out here by yourself.”

You pause before asking, “What’s the catch?” Your brow arches mischievously.

Ellie doesn’t hesitate, “More of those cookies.” 

A giggle escapes you. Soft and airy like a feather. Ellie feels a tight clench in her chest. A thumping from her ribcage. Has your smile always been this vibrant? She mentally kicks herself for not noticing before. 

Ellie escorts you to the passenger's side of her passed down pick-up: opens the door for you and makes sure you’re buckled in before starting it up. She learns you’re a metalhead when she cranks the radio to the highest volume. 

… How quickly can crushes develop? 

Two months. Ellie’s spent two months finding every excuse to spend time with you. She welcomes your visits to the record shop and silently thanks the heavens above when you call after her shift to talk about your day. Listening to your rambles about customers and their weekly cookies has become the highlight of hers. 

She’s also found comfort in watching you fail at playing guitar. You’re adorable whenever you strike an incorrect chord or break a string. She’s more than willing to guide you through your trials: late-night invites to her apartment to practice. One of your goals was to learn how to play the entire Vanara soundtrack. 

Ellie assumed she simply enjoyed being in your space. She does, but something shifted between you during one specific session. It was past midnight, and Ellie could tell you were getting tired. She innocently suggested for you to spend the night so you wouldn’t have to Uber at such a late hour, and you graciously accepted her offer. When you started to get comfortable on the couch, she tuts in disapproval and invited you to share her bed because it was more comfortable. 

What a mistake. 

After showering and changing into comfortable clothes, you both crawled into bed and swiftly drifted off. When Ellie’s eyes opened the following morning, her heart immediately traveled up to sit in her throat. If anyone told her she’d wake up with you completely sprawled out on top of her with your warm breath hitting her neck and her arms wrapped around you, she wouldn’t have believed them. She was completely frozen beneath you, but not for the reason she’d assumed. 

Ellie was scared to wake you up. Ellie was scared you would move away from her. 

She was pulled between waking you up and pulling you even closer. You were soft and warm and you smelled like her cinnamon body wash. A literal human cookie. She caressed your back as delicately as she could, and you nuzzled into her shoulder with every swipe. She hoped the harsh thrashes from her heart wouldn’t disturb you. 

They didn’t. 

You took a piece of Ellie when you left her apartment that morning. She’s not sure which part you stole, but she hasn’t felt the same since then. A pull towards you that’s electric, sparks her to life, keeps her up at night. Whenever you’re away, at work, not next to her, she’s desperate to pull you close. To breathe in the natural scent of you. 

Evidently, crushes develop rather quickly. 

“I thought baking was supposed to be fun.” Ellie huffs from where she lays on her bed. 

“It is fun! My favorite past-time, actually,” She watches you pace around her bedroom, guitar still strapped securely around your shoulder, “It’s just stressful when you have chefs constantly breathing down your neck. It’s so hard to be creative because they nitpick everything.” 

Creating a menu is much harder than Ellie assumed. She’s become the person you’ve come to whenever you’re fired up from classes, ranting and raving about the apparent dickheads that judge your creations. After testing your recipes for as long as she has, how could anyone turn down a dessert from you? 

You’re such a hard-worker. Focused, determined… pretty when you’re brainstorming. Pretty when you’re talking… Pretty when you’re smiling. Standing. Staring off into the distance. 

“Hm.” 

It’s all Ellie can say. She’s been trying to mask her rampant stares at your bare thighs for the past… however the fuck long. They look so soft. So pliable. So easy to stretch and pry and yank at— 

Her guilty pleasure went from collecting Pokémon cards to gawking at your legs whenever you wear shorts. 

Ellie’s definitely crushing. 

Crushing very, very hard. 

[zooophagous]

So why do you hate the advertising industry?

Hokay so.

Let me preface this with some personal history. It's not relevant to the sins of the advertising industry perse but it illustrates how I started to grow to hate it.

I wanted to be a veterinarian growing up, but to be a vet you basically have to be good enough to get into medical school. I do not have the math chops or discipline to make it in medical school. I went into art instead, and in a desperate attempt to find some commercial viability that didn't involve moving to California, I went into graphic design.

I've been a graphic designer for about seven or eight years now and I've worn a lot of hats. One of them was working in a print shop. Now, the print shop had a lot of corporate customers who had various ad campaigns. One of them was Gate City Bank, which had a bigass stack of postcards ordered every couple months to mail to their customers.

Now, paper comes from Dakota Paper, and they make their paper the usual way. Somewhere far, far from our treeless plain there is a forest of tall trees. These trees are cut down and put on big fossil fuel burning trucks and hauled to a paper mill that turns them into pulp while spewing the most fowl odors imaginable over the neighboring town and loads the pulp up with bleach to give it a nice white color.

Then the paper is put on yet another big truck and hauled off to the local paper depot, then put on another big truck and delivered to my print shop, where I turned the paper into postcards telling people to go even deeper into debt to buy a boat because it's almost summer. The inks used are a type of nasty heat sensitive plastic that is melted to the surface of the paper with heat. Then the postcards are put on yet ANOTHER truck and sent to the bank, which puts them on ANOTHER truck and finally into the hands of their customers, who open their mail and take one look at the post card and immediately discard it.

Heaps and heaps and literal hundreds of pounds of literal garbage created at the whim of the marketing team several times a year. And thats just one bank in one city.

I came to realize very quickly that graphic design was the delicate art of turning trees into junk mail.

And wouldn't you know it there are a TON of companies that basically only do junk mail. Many of them operate under the guise of a "charity," sending you pictures of suffering children or animals and begging for handouts and when they get those handouts the executives take a nice fat cut, give some small token amount to whatever cause they pay lip service to, and then put the rest of the cash right back into making more mailers. "Direct mail marketing" they call it.

Oh but maybe it's not so bad, you can advertise online after all. Now that there's decent ad blocker out there and better anti-virus ads usually don't destroy your computer anymore just by existing.

Except now when I search for the exact business I want on Google it's buried under three or four different "promoted search items" tricking me into clicking on them only to shoot themselves in the foot because I searched for the specific result I wanted for a reason and couldn't use those other websites even if I felt like it.

And now we have advertising on YouTube and on every streaming service, forcing more and more eyes onto the ad for the brand new Buick Envision that parks itself because you're too stupid to do it on your own.

Oh thats ok maybe I'll get Spotify premium and go ad free and listen to some podcasts- SIKE we have the hosts of your show doing the song and dance now. Are you depressed and paranoid from listening to my true crime podcast about murdered and mutilated teenagers? That's ok, my sponsor Better Help can keep you sane enough to stay alive and spend more money.

It's gotten so terrible that now you have content farms, huge hubs of shell companies that crank out video after video to get more and more precious clicks. Which if the videos were innocuous maybe that wouldn't be so awful except now you have cooking hacks that can actually burn your house down and craft hacks that can electrocute you being flung into your eyes at the speed of mach fuck so some slimy internet clickbait jockey doesn't need to get a real job.

It of course goes without saying that animals are also relentlessly exploited by clickbait companies that will put them in compromising situations on purpose to create a fake fishing hack video or even just straight up killing them for sport by feeding small animals to a pufferfish that rips them apart for the camera.

And all of this, ALL of this doesn't even touch how adveritising is the death of art in general. Queer topics, any kind of interesting art, any kind of sex or substance use topics are scrubbed clean and hidden at the behest of advertisers.

Sex education, a nude statue, topics such as racism or sexism or bigotry in general have tags purged or hidden from search, even life saving information about SDTs or drug use, because if someone saw that and complained then Verizon might sell fewer tablets and we can't fucking have that.

Conservative talking heads often bitch and moan that they're being censored on social media. The stupid part is, they're right! They are being censored! But it's not by a woke mob, it's by ATT and Coca Cola not wanting their adspace sharing screen time with their stupid fucking opinions.

However, they won't ever figure that out, because the talking heads they get their marching orders from like Tucker and Jones ALSO rely on the sweet milk flowing from the sponsorship teat and they aren't about to turn on their meal ticket so they have to come up with even stupider shit to say for the train to continue rolling.

I managed to rant this far without even getting into the ads I see for the beauty industry. The other day a botox ad described wrinkles as "moderate to severe crows feet" as if wrinkles are a symptom of a fucking serious disease! Like having a flaw in your skin is a medical problem that you need thousands of dollars of literal botulism toxin to fix! I was incandescent with anger.

Advertising is a polluting, censoring, anti educational and anti art industry at it's very core. It destroys human connections, suppresses human thought and makes us hate our own bodies. It ads no value, actively detracts from value, and serves no real purpose and I believe it should be almost if not entirely banned.

[night-dragon937]

I'm going to commit unspeakable acts of violence

[noisilyscreechingsong]

Alfred knows Danny from long ago during his secret service days. He always found the other odd, but his company was enjoyable enough to overlook. They were friends for a short while. Danny even saved his life once or twice. However, despite their trust in each other, they didn’t keep in touch. It was like Danny disappeared and he never heard from the jolly man again. That is until Danny showed up at the Wayne manor decades later looking the same as when they parted ways carrying the daughter he talked so much about.

Danny stood on the front porch with a toddler Ellie in his arms. She’s been behaving wonderfully. The new environment gave her curious self something to look at and distract her from a tantrum.

He rings the doorbell awkwardly with her in one arm and a bag of supplies resting on his shoulder.

If things were any different he wouldn’t be here, but he’s got to do what he’s got to do even if it’s the last scenario.

Footsteps can be heard on the other side before it opens to reveal a boy in sweatpants and a hoodie. It’s a little warm for the summer and Danny expects they have an expensive electric bill for this large place.

The kid, Damian Wayne he remembers, scowls. He gives Danny a once over with narrowed eyes.

“How’d you get through the gate?” Damian demands.

Danny blinks and adjusts Ellie on his hip.

“I walked of course.” Damian grows even more suspicious and Danny decides to change the subject. “I’m Danny. Danny Fenton. And this little monster is Ellie. Want to say hello, Ells?”

Ellie looks at Damian for all of three seconds before losing interest.

“No.”

Danny sighs. Yea, he was expecting that answer. It’s her favorite word at the moment.

“Why are you here?” Damian asks.

Straight to the point then.

“I’m looking for Alfred Pennyworth. Is he around? It’s urgent.”

“What is it concerning?” Damian straightens his spine to appear taller but it doesn’t change the head difference.

Danny sets Ellie down on the brick when she won’t stop squirming to be let down. She doesn’t waste a moment wandering away to investigate her surroundings. Damian raises a brow while watching her.

“I’m cashing in that favor he owns me.”

That got the boy’s attention. He studies the adult for a moment before opening the door wider for the both of them to enter.

Danny manages to wrangle Ellie into the house with Damian’s judgmental gaze following them. The bag had slid down to his elbow when he bends down to hold Ellie’s hand to steady her.

It’s as Damian is closing the front door that a man comes around the corner in a butler uniform. The same man he was looking for.

Alfred freezes after registering who was in front of him. The older of the two sighs heavily. Shoulders back and chin high, as expected he approaches this situation with a level head and posh dignity.

“Daniel,” addresses Alfred. “I wasn’t expecting you.”

Danny cringes. He really should have called with a warning but there wasn’t time. He also always hated it when Alfred refused to use Danny’s preferred nickname, a sort of teasing that was consistent. If Alfred was anything, he’s stubborn enough to do what he wants and get away with it.

“Sorry, Alf. Next time for sure.” Danny sends a cheeky grin that doesn’t impress anyone. He glances over at his daughter to see her trying to touch the expensive looking vase on a side table.

“Ellie!” He dashes over to pull her away which immediately starts a struggle war and fussing. He knows if he lets this continue it will turn into a full blown tantrum.

“That’s not ours, we can’t touch it without permission.” She whines in frustration. “Do you want to ask if it’s okay to touch? Gently?”

Ellie thinks about it a second before looking up at him. Danny nods in understanding and turns her a bit to look at the two spectators.

“Toush?” She asks with an adorable chubby arm raised to point at the vase.

“Are you going to break it?” Damian asks with folded arms.

“Master Damian, I’m sure that’s not her intention.” Alfred turns with a smile back to Ellie. “That vase is fragile. Can you be very careful?”

Obviously her answer is a confident nod of the head and immediately trying to reach out again. Danny helps to lift her and hold her wrist steady.

She pets the vase like a kitten, feeling the raised edges of the design with her little hand. After a few long moments Danny pulls her away to set her on his hip like before, earning an annoyed huff in his direction for his efforts.

“Very good, Ellie. I knew you could do it.”

She hides her face in his shoulder and he takes the opportunity to send a look at Alfred. The older man understands immediately and inclines his head before turning to walk further into the house.

“It was nice meeting you,” Danny shoots Damian before following Alfred to what appears to be a parlor a few rooms away.

“I shall fetch some tea.”

Danny shakes his head as he sits.

“No time. I’m in a rush.”

Alfred eyes him up and down before gingerly sitting in the armchair across from him.

“Yes, so I have noticed.”

In other words, spill your guts for abruptly intruding like you have.

“Something…urgent has come up-“

“I assumed as much.”

“-and I know how good you are with kids-“

“Daniel, you cannot expect me to-“

“You owe me,” Danny says firmly. Alfred leans back at the reminder. He knows Danny would never hold that over his head without a good reason. “I have no one else to go to, to look after her. I normally would just take her with me, but I- it’s gotten dangerous. Too dangerous for her.”

He looks to Alfred with desperate eyes. Ellie tries to squirm out of his arms, which reflexively tighten securely around her middle. He can see the dark bags under the younger eyes.

Alfred sighs.

“How long?”

Danny sags and Ellie slips out of her father’s arms as soon as the chance presented itself. Alfred would need to keep a close eye on her in the future.

“A week, two, three tops.”

Alfred sends an unimpressed look and Danny cringes but doesn’t redact his statement.

“Anything I need to know?”

Danny looks down at the hastily packed diaper bag like it had all the answers.

“We’re kind of in the middle of potty training so I threw in some pull ups but those will go quick. She hates carrots. Won’t go to sleep without a bedtime story. Don’t give her any sugar after four or she’ll turn into a monster. Oh, and her powers are coming in so I packed a shield for at night.”

Alfred raises a single eyebrow.

“Could you be more specific?”

Danny waves it off like it was no big deal.

“Just the normal stuff. Invisibility, intangibility, and flight. It’s all very weak and sporadic right now. Keep calm until she figures it out on her own. She’s just learning.”

“So you are leaving a child in my care for an unknown amount of time, a child that can disappear, walk through walls, and fly. Anything else?”

Danny rubs the back of his neck guiltily.

“Why do you always have to make everything sound so…” He sighs heavily, glancing over at Ellie who has managed to take every blanket out of the basket in the corner and crawled in to make a nest out of the materials. He smiles fondly.

“I’ve probably forgotten something, but I know you can handle it. You can take care of her.”

Danny then stands and pulls out a piece of paper, handing it over.

“My number is at the top in case of emergencies. Her favorite stuffy is in the bag, she won’t sleep without it. Her favorite word right now is ‘no’. I wrote down anything I could think of, which you probably can’t even read my chicken scratch…”

Alfred gently takes the paper from his hand and Danny slowly makes his way to the messy corner.

“Hey, Elles,” he says softly, far softer than anything Alfred has heard from him. Usually he was a rambunctious, jovial loudmouth, but right now he was hesitant. Prolonging the farewell they both know needs to happen with how urgent this mysterious problem was.

Ellie looks up for a moment before going back to maneuvering her fort.

“I gotta go away for a while. Alfred here will be watching over you while I’m gone, okay?”

That got her attention. For a child that young, she knew something was wrong, but didn’t know what. And now her dad, her protector, was leaving.

“No.”

Danny folds his lips together, expecting the response but still not ready to go through the hard part of leaving.

“I’m so sorry, baby girl. I am, but I have to go. I’ll be back when I’m finished.”

“No!”

Danny sighs and reaches in to pull her into his arms. She fights him valiantly, but he was stronger and bigger.

“I know. I know. I’m sorry. I’ll be back as soon as I can. I promise.”

They might as well have been empty words for the lack of effect it had on the struggling toddler. Danny sways with her for a few beats until he gets an idea.

“Danielle, look.”

He makes sure she’s watching as he creates a loop of ice, infused with his ectoplasm and therefore, his signature.

“Hold out your hand,” he coax.

She does so with a sniffle and he gently moves the glowing green ghost ice around her wrist to make an indestructible, unmeltable bracelet. He shrinks it until he’s sure it won’t fall off and won’t be too tight either.

“There. Now you have a piece of me wherever you go. Even when we’re far apart.”

She pointedly doesn’t look at him.

“I love you, Ellie. I’ll be back soon.”

He kisses her forehead, breathes in her soft scent, and turns to Alfred. The older man is watching carefully and makes his arms available for a new passenger.

With a deep breath Danny hands her over, Ellie immediately starts whining and tears fall from her eyes.

“Hey, you’ll be okay. Alfred here is a mighty warrior. He’ll keep you safe. I trust him.”

He does his best to wipe away her tears but he has to physically step away when she reaches for him. Instead he looks to Alfred.

Alfred holds her securely and nods in assurance.

“Not to worry. Danielle and I will be too busy to notice your absence.”

Danny smiles at the effort but it doesn’t reach his eyes. He can’t resist petting her head one last time, her pigtails in disarray, and wiping her tears from her cheeks.

“I’ll be back before you know it,” he promises, marking it with another kiss to her head before backing away again. He looks at Alfred sending his gratitude without words. Alfred accepts it with a slight incline of the head. Danny nods once and leaves before he can’t.

The door opens and the young boy from earlier stumbles back with a glare to hide his embarrassment.

“Master Damian-“

Danny holds up a hand to stop Alfred. Of course the boy would eavesdrop, what did either of them expect?

The young father leans down to get eye level with Damian, looking him straight in the eye with seriousness. Damian straightens at the attention.

“It’s very important Ellie is safe and occupied while I’m away. It would mean a lot to me if you would help Alfred do that.”

Damian folds his arms.

“What would I get out of that useless goal?”

“What would you want?”

“Daniel, Master Bruce would not-“

“A knife,” Damian interrupts. “Not just any knife though. It has to be special.”

Danny hums in thought, studying Damian for a moment, almost making the boy squirm.

“Deal.”

He holds out his hand and Damian shakes it after a second of hesitation. Danny nods to the boy, then nods to Alfred, and he’s finally out the door making a portal as he walks from the gentle breeze of outside to the chill of ectoplasm, transforming into his kingly attire as he crosses the threshold.

The GIW had a lot to answer for and he couldn’t hold his subjects back any longer. The United States had declared war against the Infinite Realms and he would be the one to answer.

[magz]

Note: If aren't going to participate in Pro-Palestine action, do not mention it!

For accountability:

This is how Magz plans support Palestine during Global Strike January 21 to 28.

Am going to put more Palestine posts in queue, with more focus.

Am going to not spend on anything during week, nor go out (rare anyway).

Am going to not publicly post our arts and promos (of art freelance work).

Am going to read and learn more on Palestine - as there still more can learn.

Am going to be even more visibly pro-Palestinian.

Am going to continue keeping up with what's happening in Gaza.

Am going to continue boycotting products and services on BDS' Boycott List, including not giving free social media promo and good impressions.

Am going to try learn Palestinian Arabic.

Am going to describe, transcribe, and alt text posts on Palestine when possible - to make it more accessible (Am Multiply Disabled).

Am going to share ways to help.

One of shorter checklist options:

Longer checklists:

But really just do *anything* that support and raise awareness *more*, learn, or contribute. Whatever can manage do n able sustain.

If wasn't able to prepare in time, can still participate for rest of week. Is not "all or nothing", don't have to give up. Keep Palestine in your thoughts and actions !

Some links:

https://samidoun.net/2023/12/calendar-of-resistance-for-palestine-2024/

Popular Palestine Accounts:

https://www.instagram.com/motaz_azaiza/

https://www.instagram.com/wizard_bisan1/

https://www.instagram.com/everydaypalestine/

https://www.instagram.com/letstalkpalestine/

(Has graphic footage) https://www.instagram.com/eye.on.palestine/

Some Useful Posts:

Hussyknee's Palestine Masterpost

PaliPunk's Palestine MasterList

SulfurCosmos' "Palestinian Owned Companies" List (for later)

Paradox_Punch's "Pro-Palestine Brands" Twitter Thread (for later)

SulfurCosmos' "Preserving Gaza's Universities"

LoveLetter2You's Learn Palestinian Arabic Masterpost

How To Archive For Palestine

(rest of Magz's #palestine tag)

(#AltTextPalestine on Twitter)