#I'm writing these down so I can get a basic understanding how this story would go

[lil-frenchfri77]

Begin Again

Summary: Ever since Bella came back to Forks things between y/n and her boys have been different. Embry and Quil stopped answering phone calls and texts, they’ve even been avoiding her everytime she shows up at their house. So y/n does the only thing she can think to do, she latches onto Jacob just like Bella, and when he starts acting like Embry and Quil did, she makes the decision to not put so much effort into a friendship that is clearly one sided. But what happens one day when Sam’s pack is in town at the same time as y/n and her new friends and two certain boys imprint on their former best friend? And what happens when a former best friend doesn’t feel the same way?

Author’s Note: Hello to everyone that is reading this! This is my first ever time writing a fanfic, so (if you’re reading this) go easy on me. I would love to hear any feedback anyone might have in the comments. Super excited to be writing this Twilight fic, I’ve been inspired by others authors on here to take my own spin with Stephaine Myers characters, none of which I have any ownership to. This doesn’t really follow the Eclipse movie timeline, I'm making things up and stretching the timeline. So this is basically my own story just using Stephanie’s characters and some of her themes. There are also some other characters in here that I don’t have any rights to, I just thought it would be fun to put them in this story. I don’t know how long or short this is going to be, I might be able to get my ideas across quickly or this might turn into a few chapters. If you’ve read this far I love you and I really hope you like this!

(Also not beta read cause I can’t afford that)(Dividers from @enchanthings here on Tumblr)

Y/n/n means your nickname 

Embry Call x Fem!Swan!Reader x Quil Ateara

Slight Stiles Stlinski x Reader

Chapter 1 | Master list | Chapter 2

Things had been weird lately, with Bella back in Forks, the Cullens, and your friends on the reservation. It seemed like everyday more and more of your friends were leaving to go hang out with Sam Uley and his pack of assholes. Now it was just down to you, Embry, Quil, and Jacob. It’s not like you’re not fine with that, Embry and Quil were your best friends ever. So you were fine with just the four of you hanging out all the time. But they got so hostile of you whenever Edward or one of his siblings came around to talk to you or Bella. 

It was getting absolutely exhausting trying to mediate things between them. You didn’t want to have to choose between your boys or Bella, but if it came down to it, your choice would always be your family and by extension, the Cullens. Although it seemed like you wouldn’t be getting a choice anyways when Embry and Quil stopped answering your texts and calls. They were never home when you came to visit and see what was happening to them. You had even tried asking Jacob if he knew anything but he swore up and down that he had no idea. 

You never expected to see them hanging out with Sam and his pack, jumping off that stupid cliff. You had never felt more betrayed. They could do whatever they wanted to but it hurt that they felt the need to drop you, without any kind of explanation and go hang out with the few people (at least you thought) you mutually disliked. It was obvious that they weren’t going to talk to you anymore so you did the only thing you could think of, you left them one last voicemail in hopes to get through to them. 

“Hey, it’s me. Um, I know we haven’t talked in a while, but I still miss you guys. I saw you the other day, hanging out with Sam and his boys. It’s fine, I guess. I just thought that we were better friends than that. I mean, we’ve been inseparable since we were 6 but that’s not really the point of why I called.” You took a deep breath, trying to stop yourself from rambling some more. “I don’t really understand why you started hanging out with Sam but you have free will so I can’t stop you. But I miss you guys, and I still want to be friends. I don’t want to permanently lose you both because I can’t get over this petty dislike I have. So, call me back. Please. I want to talk about everything, but if you truly want nothing to do with me anymore then I won’t bother you again. This is goodbye, then.” 

2 months later

Life wasn’t the easiest thing anymore. The boys never called you back, which you expected but it still stung. You still had Jacob, but it wasn’t the same. Jacob knew how much Embry and Quil’s choice had affected you, but there wasn’t much he could do to help you. He couldn’t just tell you that they were werewolves. So he did his best to try and raise your spirits. You were wholeheartedly grateful you had him during this time. 

Bella wasn’t much help either, she had just been broken up with and she was rotting away in her room. It appeared as though life was hating the Swan girls right now. As much as you wanted to wallow in your own pity you knew you had to be there for Bella. It’s not like the kids from school were going to help her, and honestly Bella wouldn’t want them to. So you spent months trying to help Bella, you didn’t want to lose your sister too. 

“Please, Bells. Just talk to me, tell me what’s going on in your head. I’ll do anything to help you, you just have to tell me. Tell me what I can do for you, I want to take all this pain away. I know this isn’t about me or dad but we’re so scared for you Bells. We love you so much.” You plead  with her. Tears welled up in your eyes when she turned away from you and went back to looking out of her window. You walked out of her room before she could see or hear you start to cry. 

“Whoa, slow down there kid. What’s happening?” Charlie stopped you in the hallway. His hands gripped your shoulders as they shook with silent sobs. 

“I can’t watch her wither away like that dad. She’s changing so much, and I don’t know how to help her. I hate Edward for what he’s putting her through and he’s not even here.” You spoke through your tears. Hiccuping in between every breath you took. 

“Y/n,” Charlie whispered, cupping your cheeks and making you look up at him, “We will get her through all of this okay kid? You and me will bring our Bella back. I know it.” He assured you as genuinely as he could. Truth be told, he had no idea if he would be able to get his daughters back to the girls they were before all this happened. He was grateful that you seemed to be okay so soon after the Embry and Quil situation. He didn’t know what he would do if both of his kids were nervous wrecks he couldn’t console. 

You nodded at him instead of answering back. You knew he was just trying to make you feel better. As much as you wanted to stay and keep trying with Bella you had to go to school. You couldn’t miss any more days this week or you would fall too far behind. 

After getting dressed you head downstairs where you say goodbye to your dad and meet Jacob who’s waiting for you outside. Lately he has taken to riding with you to school and then walking back to the reservation afterwards so you weren’t alone in the mornings. It was also a way for him to keep an eye on you and Bella. 

“You know, you don’t have to keep doing this Jake, I’m perfectly okay with getting to school by myself.” You told him today. It has been on your mind for a little while now. 

“I know,” he chuckles, “but I like to. Sometimes I don’t want to be alone in the morning so I make you suffer and force my presence on you. You’re going to have to get used to it.” Jacob simply shrugged. 

You get quiet after that and it worries him, but before he can ask you what’s wrong you beat him to it

“If you ever want to be friends with Sam and everyone else, please don’t cut me off too. I don’t think I could handle that.” Your hands grip the steering wheel tighter as you pull up to a red light. You can’t bring yourself to look over at him, as you not so patiently wait for his answer. 

“Y/n/n, I will never abandon you to be friends with Sam and his pack of douchebags. Okay? It's you and me against the world now.” He says in such a loving tone that it brings tears to your eyes for the second time that day. “Oh god, please don’t cry. I totally didn’t mean for that to happen.” 

Watching him panic while he tries to get you to stop crying does the trick, and you start to giggle at him. The rest of the drive to your school is silent with the occasional sing along moment to whatever is playing on the radio. When you finally arrive at school you're in a much better mood. 

You say goodbye to Jacob and head into the building, putting on your headphones and turning the volume all the way up. Someone knocks into you from the side sending your phone and headphones sliding across the floor. 

“Oh my god. I’m so freaking sorry!” Apologizes spill from the mystery boy's mouth as his friend, the one who pushed him into you, hurries to gather your things. He turns around to his friend on the floor and hisses out “Dude. What the hell??” 

It wasn’t surprising that you had to clue who these boys were. When you were friends with Embry and Quil you didn't really talk to the people you go to school with. “It’s fine.” You shrugged it off, not wanting to create a problem with these two. 

“No, its not fine. I totally didn't mean to smash into you. Scott’s just an asshole.” The boy throws his friend, Scott, under the bus. “I’m Stiles by the way.” 

“I didn't mean to push him into you miss, I didn't even see you there.” Scott pipes in, before quickly realizing what he said. “OH! I didn't mean I didn't see you at all, like you're just hard to see. Cause you’re not hard to miss. Not that you're always in the way! I've never seen you before so… I'm going to stop talking now.” Scott sheepishly tugs at the collar of his shirt. He seems to be sweating now. The incredulous look on your face seems to shut him up well enough for his friend, Stiles, to get a word in. 

“Wow dude, that was bad.” He’s trying to hold back his laughter now. “I think what he's trying to say is that he was so preoccupied with being an asshat that he wasn't paying attention to our surroundings.” Stiles says it a lot more eloquently than Scott had and it makes you giggle. 

They both stare at you like you've grown a second head. “That was the worst apology I have ever heard in my entire life.” You state after getting ahold of your laughter. “I’m y/n. I accept your terrible apology, and it's okay that you haven't seen me around before, because to be honest. I've never seen either of you around before either.” 

They let out a breath of relief and apologize one more time, sounding more coherent and sincere this go around. Scott proceeds to ask you what you have for the first period and surprisingly you have the same class as them, so you all walk to your class talking and getting to know each other. When you get to class you part ways to your seats with plans to meet after class. 

Your class schedules were pretty similar, especially yours and Stiles. In the classes you and Stiles shared you decided to move seats and sit next to each other, getting in trouble a few times for talking too much. You were getting along with him so well that he invited you to sit with him and his friends at lunch. And since you didn't have any other plans you took him up on his offer. 

When lunch time rolls around Stiles follows you to your locker where you get your food before heading to the cafeteria to meet up with his friends. The table quiets down when the two of you approach. “Y/n these are my friends: Lydia, Allison, Issac, Liam, Malia, Kira, and you've already met Scott.” One by one his friends say hello and introduce themselves to you. This wasn’t at all how you thought it was going to go. You assumed that they would only give you a cursory hi and go back to their conversations, but they seemed genuinely interested in getting to know you.

[cripplecharacters]

Futuristic Settings and the Erasure of Disabilities

The common theme in a lot of futuristic, sci-fi or not, settings, is the abundance of cure tropes that are thrown in there. Disabled people either don't exist, or aren't actually disabled - they get a magical device that undoes their injury, or get a mech suit that basically does the same thing.

Often the setting is treated like an excuse that can't be rebutted in any way: “but my story is set in the future where medicine is better!”

So: is that true? Does better medicine actually mean less disabled people?

Historical Accuracy

[large text: Historical Accuracy]

In 1900, the life expectancy of a person born with Down syndrome was 9 years. Try putting yourself there and imagining that 2024 is the Future - better medicine, basically sci-fi in comparison to what they had back there. In that future, what is true?

a) There's no people with Down syndrome.

b) People with Down syndrome live to be 60 years old on average.

Answer? B. The only countries with fewer people with Down syndromes are the ones engaging in widespread eugenics, which is a topic I will not be getting into in this post, but I'm mentioning because the only places without disabled people are eugenicist.

The “better medicine” of the future didn't make Down syndrome curable, it made people with it survive longer. 50% of people born with it today will live to be over 60 years old. In the future, there will be retirees with Down syndrome. In the past, 50% of them wouldn't have made it into their teens.

Why does that matter?

[large text: Why does that matter?]

Future medicine won't make disabilities disappear. It will make them more manageable. Less deadly. Easier to survive.

If you base your knowledge and perception of disability throughout the times on sci-fi novels by able-bodied writers, you're going to hate how it actually works in real life.

Have we magically- technologically gotten rid of diabetes? No, 11% of Americans have it. 103 years ago, diabetes were lethal. There aren't fewer diabetics compared to the past. They live longer. You probably know or heard of someone who has diabetes.

You need to expand your understanding on how disability and medicine work, because “future = no disability” is genuine nonsense. It doesn't work like that, and it really frustrates me how writers dead-set on “logic” in their setting fail to see this.

Are paralyzed people walking around in various mechs, or are they using better wheelchairs than those from 100 years ago? Wheelchairs that make it easier to be independent? That help with symptoms of their disabilities by preventing pressure sores, or providing alternative methods of maneuvering?

In the future, why would there suddenly be those futuristic transplant* spines instead of wheelchairs that can be used with one's brain or eyes, for those who can't move their hands, mouth, or head? Why wouldn't there be wheelbeds for those who are currently bed-bound because they can't manage being upright in any way?

*Also, how are all of these magic disability-fixing transplants never actual transplants? Receiving a transplant basically always ends up in being immunocompromised because of the very way the body works. If you're writing about humans, this isn't going to change?

Things like sign language or wheelchairs have been used for thousands of years, they're not going away anytime soon or not-so-soon.

Future = More Disabled People?

[large text: Future = More Disabled People?]

We already discussed that there are presently common disabilities that used to be lethal a century ago or even less. If we use this fact for a futuristic setting, you suddenly have a myriad of new possibilities.

There's vastly better medicine? A lot of people deal with post-rabies syndrome because it's finally survivable, but it leaves people with the effects of the meningitis that rabies cause. There's way more quadriplegic people because the survival rates are much higher. Cancer survivors are more common because people live longer. Physical therapy for people who had prion diseases because they aren't fatal anymore but cause severe disability. Head trauma is more treatable, so there's more people with TBIs and less people dying in vehicular accidents.

The technology is super advanced? People with locked-in syndrome can operate an AAC device with their eyes, fully customize its voice to their liking, and not have to worry about battery life of their powerchair because it has sonar panels. Canes that can fold themselves with the click of a button so that they can fit in one's pocket.

There could be so many more adapted sports! Tools and technology that can adapt a house exactly to one's needs! Wheelchairs that are actually affordable! A portable pocket sized device that makes ableds behave normally around disabled people!

The point of this post isn't to completely shit on sci-fi settings, but instead to urge abled writers to think a bit more and try to be creative in the way they go about speculative fiction. Write something new! There's one billion stories about how impossible it is for disabled people to exist in the future, and it's upsetting at best to read that constantly when you're disabled. As long as there are people, there will be disabled people.

mod Sasza

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[dollfacefantasy]

I saw you made a bimbo x toji and I started to wonder how DI or ID Leon would work out so if you have the time and want to do it would you make a short story or a headcannon?

hii so just to clarify i didn't write that bimbo reader x toji fic, that was just something i reblogged from another writer cause i liked it.

and i only really like bimbo reader in like a smut context (so basically an extension of dumbification lol) so that's what i'm gonna do <3

leon kennedy x fem!reader cw: nsfw (18+), smut, p in v, daddy kink

when you wanna turn your brain off, leon has no problem pulling you into his lap. his lips land on your neck first, kissing down your throat to the spot that makes your breath hitch without fail. his hands slide over your curves, teasing your body beneath those tight, pretty pink clothes you always wear.

when you wanna turn your brain off, leon is quick to rip said clothes from your body. he savors your whines and weak protests telling him that this top was your favorite or that they don't sell that skirt anymore so be gentle. but he drops them to the floor all the same. he's even more obsessed with the delicate baby pink panties you wear and the lacy bra that matches.

when you wanna turn your brain off, leon can't stop himself from teasing you. as soon as he gets your bra off, he's all over your tits. he's squeezing them, kissing them, sucking little marks onto them. "think these things are bigger than your brain, babydoll," he murmurs. he can't stifle the laugh that comes out of him when you kick your heel into his calve and huff "that's mean."

when you wanna turn your brain off, leon always over apologizes, his insincerity clear in his tone. "you're right, my smart girl," he coos as he lays you down on the surface of whatever you two are making out on. "but you know, you don't have to think when daddy's around to do it for you," he says as his hand slides between your legs and rubs your clit through the sticky fabric guarding it.

when you wanna turn your brain off, leon's other hand rises to your face. his thumb brushes over your bottom lip before pushing inside your mouth. he feels his dick wake up as you suck on the digit like it's instinct, letting it pacify any of your prior protests. your soft tongue presses against the pad, and he can already hear a little moan in the back of your mouth. "that's right. that's what that little mouth is best at," he murmurs.

when you wanna turn your brain off, leon plays with your pussy till you're a squirmy, needy mess under him. only when your brain is already all mushy will he slide those panties down your legs, planting a kiss on your ankle before discarding them with the other clothes. he slides his thumb out from your mouth too, rubbing some saliva down over your chin. the cute little strands of drool make you all the more endearing to him.

when you wanna turn your brain off, leon watches your eyes when he pulls his cock out, that glassy-eyed stare you get when he's got you like this. he speaks to you like every word is a challenge to understand. "is that what you want, baby?" he croons, slapping his hard shaft down on your tummy, a preview of how it will fit. you give a weak little nod and he continues, "yeah? you want a treat, princess? want daddy nice and deep in that cute cunt?"

when you wanna turn your brain off, leon doesn't make you wait too long before he buries himself nice and deep in your tight pussy. he grips your hips, not that you ever try to run when you're like this. he listens for all your nonsensical little babbles, humming along with "mhm" and "is that right?" he angles his hips to make you squeal and lifts his hands to the back of your kneecaps to get you folded in half so he can rail you even deeper. "my dumb little girl. so good for me even when i've fucked your brain out," he coos while pounding into you.

when you wanna turn your brain off, leon thinks his favorite part of the whole thing is the big, dopey smile that takes over your features. the way you giggle out moans. your limbs bounce around with his movement as you've gone limp. he knows for certain that there's not a thing going on in that head right now. in this moment, he's your whole world. "you havin' fun, pretty girl?" he grunts, and the answer is always "yeah, daddy" followed by laughter.

when you wanna turn your brain off, leon ALWAYS gives you a creampie. he shoots his load as deep as he can, making sure you get that warm, gooey feeling in your belly. he rocks his hips a few more times to get a good look at the messy sight of your connection, the mixture of the two of you that coats the base of his cock. you always whine and kick your legs from the light overstimulation. he hushes you with a kiss on the forehead and promises to clean you up. he just wants to enjoy this a little more. having a fresh supply of cum fucked into you always keeps that pretty little head nice and empty for a few hours.

[forever-rogue]

I have a Joel request 🥰 Maybe reader was pregnant when the beginning of the pandemic happened and they got separated until years later when they reunite and their kid is older?? Whether or not joel knows about the pregnancy is up to you 🫠

Fluffy and angsty if you wish, but please not too angsty cause my heart is still healing from that angst fic 😅💔

(I see someone has already brought up a similar idea, but I thought I'd request for your take on the story cause I can never get enough of your writing!!!)

AN | Don’t worry babe, I’ve got you! But really I love this concept!

Pairing | Joel Miller x Fem!Reader

Warnings | Language

Word Count | 2.7k

Masterlist | Joel, Main

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

"Joel?" your voice shook, and it was so painfully obvious that you were trying not to cry. Then again, a lot of people had been doing a lot of crying lately. You couldn't blame them; the world had basically ended.

And now it felt like yours was ending all over again. Fuck.

You padded into the living room of the apartment that now served as home for god knows how long. You found him sitting on the couch and staring out the window. He wasn't paying attention to what was going on out there, which happened to be very bleak at the moment. 

"Joel?" you called his name again, moving closer and hesitantly putting your hand on his shoulder. He startled easily lately; you didn't want to be the cause of it. He finally snapped back into attention and looked at you, all dark circles and empty eyes. It broke your heart, "I-I have something to tell you."

He remained quiet but looked raised an eyebrow in acknowledgement. You opened and closed your mouth a few times, suddenly at a loss for words.

How were you supposed to tell him that you were pregnant?

The world had come apart at the seams and he'd just lost his daughter. This was absolutely the worst in the world for all of this to happen.

You waved your hands for a moment, wishing the ground would open up and swallow you whole, "I-I'm-"

Before you could go any further, a loud knocking came at the door. Both of you startled as Joel jumped up and walked over to the door, opening it hurriedly, "what?"

"New horde of infected," a man's gruff voice reached your ears, "FEDRA wants everyone to pack up and go now."

"How far away?"

"Less than a mile."

You did not like the sound of that. A lump welled up in your throat as you looked at Joel helplessly. His face hardened into an unreadable expression before he gave the man, you were pretty sure his name was Nick, a hard nod, “we’ll be ready to go.”

“Good,” he was already moving along to the couple next door, “now go, there’s no time to lose.”

Joel slammed the door shut before letting out a long sigh. He was tired, so, so tired, but he couldn’t just give up. He had to keep going, he had to keep pushing. 

“Joel?”

“Pack a bag, whatever you want grab,” he motioned towards the bedroom, “it doesn’t really matter anymore, but get what you need.”

“What’s going to happen?” your mind was reeling with worry; about you, him, the baby, and whatever the hell was about to go down, “I-I’m scared.”

“I know baby,” he set his large hands on your shoulders, “but right now you can’t worry about that. Just focus on getting your stuff and leaving. Ten minutes, okay? Then we have to get over to the FEDRA station and leave. Yes?”

“Yes,” you agreed shakily, already padding back to your bedroom to get the few possessions you had felt in the world.

Joel nodded as he went to grab his stuff, knives and guns and other weapons, agreeing to meet at the door shortly.

Time seemed to move in a combination of incredibly fast and wickedly slow and before you knew it, Joel was calling for you to leave. You met him at the door the two of you looked at each other in silent understanding.

The trek over to the FEDRA outpost wasn’t far and the other people in the small community were already in a panic to get out, all scrambling around each other. You grew nervous, wondering if you’d be able to get out in time. 

Joel’s hand was on the small of your back as he led you closer to the vehicles designated for exactly this purpose. 

The rest of it all happened so fast. The first group of infected had come around and were making their way into what you had once believed to be a safe space. Chaos ensued as some people tried to get out as quickly as possible and others hung back to try and fight. 

“Go,” Joel shielded you as he walked you over to the one of the vehicles. You were trying to get him inside with you, holding onto his hand tightly and pulled him. 

“Joel-”

“Go,” he insisted firmly and for a moment, time stood still as he kissed you, “go. Get out to safety, okay?”

“What about you?” you hadn’t realized you’d started crying; you hated that he had to be such a good man, “please, come with me now. Please-”

“I’ll find you,” it was a promise both of you knew he might not be able to keep, “I swear it. I’ll find you.”

“Joel-”

“I love you,” he took a step back as the vehicle started up and a few stragglers tried to get on, “I’ll find you soon.”

“I love you,” you cried, “please. Please.”

You weren’t even sure what you were asking for. Everything felt so surreal and left you in a daze; the next thing you knew, he was gone. 

You were leaving to get to the next safe space and he was just gone. 

You’d never felt more numb. 

But you never let go of the hope that one day he’d find you.

Joel Miller was a good man.

A good man that kept his promises.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

"Luca!" you sighed softly as you tried to find your son. You loved him dearly, but sometimes he just stressed out. He was just a kid though, and you couldn't be mad at him for that. 

He also happened to be extremely friendly and sociable, which made him popular among everyone. You walked down the street to one of his little friend's houses, sure they were just playing.

It was almost too quiet when you got there, and you were sure that they'd gone off somewhere else. You knocked on the door nonetheless and Lisa opened it, smiling when she saw it was you, "hey darlin', I'm afraid they're not here if you're looking for the little bundle of chaos they are."

"I had a feeling," crossing your arms over your chest you rolled your eyes playfully, "it's way too quiet and calm here."

"It's a nice change of pace if I do say so," she winked at you and the two of you exchanged smiles that only a single mother would understand, "do you want to come in for a bit?"

"Rain check?" You asked sheepishly, "I was going to go friend the kiddos….realistically I know they're fine but I'd rather see it with my own eyes."

"Definitely," she gave your shoulder a squeeze, "see you around."

It was a beautiful spring day, warm and breezy with small creatures scurrying about; it always felt like life was back to normal. Or what you had once known as normal…but this had been your reality for almost seven years now. Maybe this was your normal now. 

Nonetheless you decided to remain positive and decided instead to head down to the pond where the kids liked to play. Spring had brought around a bunch of ducklings and you were sure that the kids would be mesmerized by them. But, to be quite honest, so were you. The magic of such simple things was not lost on you. Now, more than ever, these sorts of things were so important. 

“Luca?” you saw a bunch of small figures around and screaming, and you finally relaxed. As you came into view, the boy grinned at you a big smile on his face, his curls roguish from the wind, “hey babe. You doin’ okay?”

“I’m okay,” he confirmed, his brown eyes sparkling as you ruffled his hair affectionately, “are you okay, mama?”

“Of course,” you crouched down so you were eye level with him, “all better now that I know you’re here. Remember when we talked about letting me know when you go out to play?”

“Yes,” he looked worried for a moment before you shook your head softly, “I’m sorry. I got excited about playing and forgot.”

“It’s okay,” you touched his cheek softly, “I’m not mad. Next time can you please remember to tell me?”

“Okay,” he wrapped his small arms around you, hugging you as best as he could. He was a sweetheart and of all the kids you could have ended up with, you were glad he choose you, “can I go back and play now?”

“Definitely,” tender kisses were pressed to his cheeks as you tickled his sides, “go and be good! I love you, kiddo.”

“I love you too, mama,” and off he was, running back to his friend as you watched him go. 

You slowly stood up before stretching and relishing in the popping of your joints. Having been reassured that he was going to be okay, you decided it was time to go back and start tending to the communal gardens. You never really had a green thumb before, but the last few years had really helped you grow. 

You were wrapped up in your own thoughts and almost didn’t notice the man in the middle of the sidewalk, clearly confused. You’d heard some newcomers might be headed your way, but you hadn’t come across any of them yet. Having new people around was something you’d come to love; it wasn’t common most of the time. 

“Hello there,” you were practically beaming as you bounced over to him. The man turned around at the sound of your voice, “you must be new…”

You stopped dead in your tracks as soon as you met his face, suddenly unsure if this was real life or just a wicked dream. You blinked a few times, trying to clear your vision and figure out if what you were looking at was real. There was no way…absolutely none. 

But he looked just like him, watching you with equally curious eyes. Your heart was beating so fast you were surprised it didn’t burst through your ribcage. Your mouth ran dry but you managed to get one singular, “Joel?”

After a moment of stunned silence he nodded before whispering your name in return. The tears were already welling up and threatening to run down your cheeks. Before you knew it, the man that once was your partner, lover - everything - took you in his arms and crushed you to his chest. You didn’t mind.

He was all too familiar, bringing back a rush of memories and emotions as you buried your face in his chest, breathing in his familiar scent. The two of you held onto each other tightly for some time; you were afraid that if you let him go he would disappear again and you would wake up to find it was all a horrible dream. 

When he pulled back, he took your face in his hands and gently brushed your tears away with his thumb. He drank you in, trying to understand every single thing that had happened since the day you lost each other, “hi.”

“Hi,” you grinned back with a teary smile, “you’re here. Really here.”

“I’m here,” he promised, leaning in to press a kiss to your forehead, “I’m here.”

“Joel, I-”

“Mama!” the small voice of your son reached your ears as he ran over to the two of you, “I found a little duckie and I don’t see the mom duck and it’s so small and can I keep him?”

“Whoa, bud, slow down there for a moment,” he tucked himself behind your legs, suddenly feeling shy when he realized Joel was there. You could see Joel’s eyes flick to the young boy as his brow furrowed in confusion. You put a hand on his shoulder and encouraged him to introduce himself, “can you say hi?”

“Hi,” he sounded so young as he looked at Joel; their eyes mirroring each other, “I’m Luca.”

“Hi Luca,” he held out his hand to shake the young boy’s much smaller one, his mind racing and reeling with questions. But he was a smart man and could put two and two together,  “I’m Joel.”

“My daddy’s name was Joel,” Luca mused as Joel turned his attention back to you, “that’s what mama said anyway. Can I go back to the ducks now?”

“Yeah babe, go ahead. Don’t touch them though and let the mama duck do her thing. I'm sure she'll be back,” he nodded in response before trekking away again, throwing a little wave at the two of you. You nervously turned your attention back to Joel. 

“A son?” he asked, his voice thick with emotion as you nodded softly, “we have a son?”

“Yes,�� it felt like a huge weight lifted off your shoulders as you finally got to tell him what you had wanted all those years ago, “we have a son. He looks just like you.”

“I never…I had no clue,” he ran a hand over his face in surprise, “I didn’t even know you were pregnant.”

“I found out that day,” also known as the day. When everything fell apart for a second time and you were separated from each other, “I was trying to tell you, right before Nick had come and knocked at our door. I realized that morning that I was…pregnant. And I never got the chance to tell you…when everything just started happening, it didn’t cross my mind again. And then…I lost you. I thought I’d lost you forever.”

“You had to go through all of that alone,” he looked at you in awe as you shrugged lightly, “you had to go through being pregnant alone and then raised our son alone.”

“I had a lot of help along the way,” you admitted softly, “turns out that times like these are good at bringing out the worst and the best of people. I told him about you; from when he was little. I always wanted him to know what a wonderful man his father was. And now…he got to meet you.”

“All this time,” he could cry thinking about it all. You, alone and scared, being pregnant in a world that was collapsing, and then having to raise a son alone. He’d lost Sarah, a loss that hurt still, and he knew always would, and he’d almost lost his son. But the universe, fate, or whatever was out there had given him a second chance. Not only to find you, but to be you and the son you shared, “baby.”

“It’s okay,” this time the tears running down your cheeks were happy, “it’s okay. You’re here now and that’s all that matters. And now you’ll get the opportunity to know Luca, and it’s…all I ever wanted.”

“We have a son,” he repeated as though he was in a daze, a happy blissful daze.

“You don’t have to…if you don’t want to spend time with him or anything I-I understand,” it would kill you, but you’d understand, “I don’t want you to feel obligated just because. O-or if there’s someone else.”

“No,” he shook his head fervently, “there’s never been anyway else. How could there ever be? It was always you for me; you’re still it.”

“Yeah,” you exhaled with a small laugh, relieved to hear his answer, “it’s always been you for me too.”

“I was just planning on passing through,” he touched your face, thumb gently brushing over your cheek, “but if it’s okay with you, I could stay a while.”

“How about forever?” you asked softly, “i-if you want to. I-I mean we can figure it out, but-”

“Forever sounds perfect.”

“Yeah?”

“Yes.”

[yelenasdiary]

Hey, i'm the same one with the idea.

So i was thinking, the Marvel universe.

Wanda had the boys, but they are Vision's kids. Yn is their bestfriend(Wanda and Nat) and played like cupid, you know, they were a couple thanks to her.

So well, I was thinking something about being reincarnated, i don't truly believe in it but in a history i like that type of things.

Wanda was pregnant again, with a baby girl, and in the time Wanda was suppose to gave birth, Yn was in a mission but it went wrong, she got shot and even if they try to "fix" everything, they couldn't and she died.

In the moment, the doctors were trying to do their things, Wanda has the labor contractions and finally gave birth.

So the thing is, the "soul" of Yn went to the baby, or something like that.(I don't know how to say those things, i try my best to write in english hahaha)

And Wanda and Nat found about it and named the baby after Yn.

While the little Yn was growing up, they saw how many things she did in the same way as Yn, and of course they talked about her with the little one.

And basically, you can change everything you want and need to write the story, if you want to write it, of course. Thank you. Have a good day, or night.

Watching Over You

Pairing: WandaNat x Fem! Avenger! Reader (Platonic), Mentions of Wanda x Vision. 

Summary: Somethings in this world are unexplainable but what if that one thing helped bring two people together to start a new life

Angst, Comfort

Warnings: Character Death, Mentions of guns, and Child Birth | 1.5K

Translations: Detka (baby),

AC: I love this idea, it’s something different! I hope you enjoy this, I do apologise if this isn’t as exciting as you hoped. Thank you for sending it! x 

The blue sky started to look dim, your body turning cold as Clint and Steve rushed you to the quinjet. Steve carrying you bridal style while Clint cleared the path, the soldier laid you down on one of the uncomfortable beds and strapped you down tightly. “It’ll be okay! We’ll get you home” you heard Steve’s faint voice before things went black. Clint wasting no time starting up the jet to rush you home to medical. 

Meanwhile, your best friends were preparing for the next chapter in their lives. You could say you were cupid in Wanda and Natasha’s love story. After Wanda and Vision got divorced, Wanda struggled to get out of the loveless slump she was in. You did everything you could think of to help her get over Vision, but it was hard when her two eldest children were fathered by him. But with some time and patience, Wanda opened herself up to dating again. Did she expect her next marriage to be with a woman? No, but she was so thankful that you helped her see just how much Natasha loved and cared for the mother of two. 

It wasn’t exactly easy for Nat either. Her feelings for Wanda started well before the brunette got divorced and watching Wanda have a little family with somebody else pushed Natasha’s hopes for a family of her own further and further to the back of her mind. But now? Now Natasha and Wanda were hours away from welcoming their first child together. 

Without you and setting up a cheeky few blind dates and listening for hours on end to your friends feelings for one another, you weren’t sure what the two would be doing now. But it’s been 2 years since they got married and a lot of happy tears on the way. 

“Something isn’t right!” Wanda said in a panic, “Nat, something isn’t right, I can feel it!” She added, rubbing her hand over her swollen stomach. Wanda’s water broke a couple of hours ago, but she wasn’t dilated enough to be taken to the delivery room. Natasha comforted her wife by taking her hand, “have some ice chips detka, everything is okay, I promise” she replied before offering Wanda a cup of ice chips. Wanda saw that Natasha didn’t quite understand her wife’s worries, she slowly shook her head, “it’s not the baby, something just doesn’t feel right” Wanda said, her eyes building with tears. 

“Do you want me to get a nurse?” Natasha asked. Wanda shook her head, “please don’t leave me” Wanda replied, looking up at Natasha. Although Wanda’s current state of mind was confusing Nat a little, she sat down beside Wanda’s bed and quickly changed the topic to keep her wife distracted. 

“So, do you think is going to get jealous first? Tommy or Billy?” She joked, causing Wanda to playful slap her hand away from her. 

----

What seemed like forever had passed, Wanda was only seconds away from giving birth. Natasha by her side holding her hand has her wife almost broke her knuckles in pain and while the delivery room was full of excitement and happiness, another room was full of the exact opposite. 

Tony, Steve, Clint, Maria, Thor, Bucky and Pepper sat around the large table in one of the many conference rooms. Nothing but silence was shared, tissues in the center of the table that mainly Maria and Pepper reached for, the guys looking at one another, all wondering how to process the news. 

“We have to tell them” Steve broke the silence. 

“Last update I had was Wanda was taken into the delivery room. Nat said she’d keep me posted but I don’t think we tell them yet” Clint replied. 

“We can’t not tell them; they’re going to know. Especially Wanda” Maria chipped in, whipping her tears on a tissue. 

“How about we just deal with it when need too, right now, we should probably go to the hospital and be there for them” Pepper suggested, “nothing we do is going to change anything” she added. Tony nodded in agreement, “if anything, we tell Nat first. We shouldn’t tell Wanda right now” he inserted. 

The small team came to an agreement, it wasn’t easy, and they wished things were different, that they would have better news but the best thing they could all do right now was to be there for each other. 

Steve knocked softly on Wanda’s door in the hospital before slowly opening it, everybody had a soft smile on their faces and even through the news they had to keep to themselves for now, the excitement of meeting a new little family member helped make things feel a little better. 

“Hey guys!” Wanda smiled softly at her extended family. Natasha was gently rocking their new-born daughter in her arms as the others entered the room. Clint stepped close to Natasha, looking down at his friend’s little baby. “She’s beautiful” he whispered softly.  

“Do you want to hold her?” Nat offered with a sense of proudness in her voice, Clint nodded, “I’d love too” he added. 

“Hey, where’s Y/n?” Wanda asked, looking at everybody. Thor’s eyes dropped immediately to his feet which only made Wanda tilt her head slightly to the side, “Nat, uh, there’s something I need to run by you, do you mind if we step outside for a moment?” Steve quickly said before Wanda could question anything. Wanda watched as Steve and Natasha left the room, the others quickly turning the attention back to the baby in Clint’s arms. 

“Does she have a name yet?” Maria asked. 

“We have a couple of ideas, but nothing seems to feel right at the moment” Wanda said, smiling tiredly at her. 

“Steve, what is it?” Natasha asked, a sparkle in her eye that Steve hated to break. “We thought it would be best to tell you first” he started. 

“Tell me what?” Natasha frowned slightly, trying to read Steve for an answer. 

“Y/n is gone. There was a situation on the mission, and she was shot, she never made it off the table Nat” 

Natasha was in disbelief as she cocked a brow at her friend, “you know this is a really shitty time to play a joke like that. She’s never miss this” 

Steve stood in silence, allowing the news to sink in until it did, and Natasha’s eyes filled with tears. “When did Helen call time of death?” Natasha asked. “6:42pm” Steve answered, unaware that the little fact would cause Nat to break completely. He caught her in his arms, comforting her until she was able to gather herself once more. “I t-think you guys should go” she looked up at him, “I need to tell Wanda” 

“I understand” Steve replied before the two of them entered the room once again. “Alright guys, I know it’s exciting, but I think we should let Wanda get some rest and our little darling will need a feed soon” Natasha announced, any excuse to kindly ask them to leave. They understood the moment they looked at Steve, they all gave Wanda a hug before the room was just the three of them. 

----

It took a few long days for Wanda to process the news, every time she looked at her new baby, all she felt was happiness but in the short moments she was able to look into her daughter’s eyes, all she saw was you and that was the thing that troubled her a little. Not everybody believed in reincarnation, Wanda wasn’t sure she believed in it much herself but when it came to finalizing the birth certificate, it was time to give the new-born a name. 

“That can’t be right” Wanda frowned, the blue ballpoint pen hovering over the birth certificate. 

“What’s not right detka?” Natasha asked, placing her hand on Wanda’s knee under the dining room table. “Pumpkin’s time of birth, it has to be a mistake” she replied. Pumpkin being the nickname they gave their daughter until they were able to settle on a final name. 

“I was hoping that you wouldn’t notice that” Nat replied, watching as Wanda’s eyes filled with tears. She dropped the pen from her hold and ran her fingers through her hair, “our best friend died the exact same time our daughter was born” she looked to Nat, “call me crazy but this can’t be a coincidence. Every time I look into Pumpkin’s eyes, all I see is Y/n. Even her cheeky little smile makes me feel like Y/n is here” Wanda went on. 

Natasha didn’t think her wife was crazy, not for a second. “Me too” the red head admitted, bringing her hand to cup Wanda’s cheek, wiping her tears. “I know we’re stuck on a name but I can’t help but want to name her after Y/n” she added. Wanda smiled softly through her tears, “I wanted to suggest that. I would love to name her after Y/n, I think it’s a great idea” 

As time went on, little Y/n grew up knowing more and more about the Avenger she was named after, she leant about how you helped her mother’s get together, she learnt all about your favorite hobbies, likes and dislikes. There was plenty of little things that mini-Romanoff did that made everybody around her think of you, from her cheeky smile to her stubbornness and even her mischief behavior when playing with her brothers, she might be half Wanda and half Natasha but she was in many ways, a part of you.

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[donutz]

Hii I wanted to ask you if you can make a yandere smiling critters x shy female smiling critter cat reader?

I love how you write, good job! If you can't place the order, I will understand💕

Sorry if I wrote something wrong, English is not my first language.😭

I'll do your request, just might take a while! Also, thank you ^_^! Your English is just fine :)

Yandere Smiling Critters x shy female Smiling Critters cat reader

Honk shoooo..

Honk shoooooo……

Honk— “Kitty! It's time ta wake up!!” Kickin said, hey, you can't sleep for too long, you have to deal with the kids. You almost flinched from Kickin's loud approach. You were slowly waking up, fastly blinking and then looking like you'll go to sleep again. “C'mon!!” He put his wing on your face.

“Kickin, I'm awake. Please.” You whisper. Gently putting your paw on his wing. He raised his eyebrows a bit from that. He smiled, and took your paw with both of his wings, softly yanking you so you can get up quicker.

You were a little sloppy, so you stood up (while sitting) and lazily leaned on Kickin. “Oof– ... At least you're up…”

The other critters were all discussing today's activity while you were (kind of) cuddling with Kickin. 

Bobby Bearhug came up to you and started cuddling with you. Now having two Smiling Critters on both of your sides!

“So, whaddya think Kitty?!” Dogday said, catching your attention. You were still tired and not processing things, so you have no idea what he meant.

“... Huh?” The critters started laughing from your oblivious sound. Dogday was laughing too, “I mean— heh, I mean what do you think about t-today’s activity..?” You were much more awake for what he said, “Oh um. I— I think it’s nice…” You muttered.

“Great!”

The children were all awake, happy(most of them) and bright(mostly). You were stepping out of the critters’ room, while holding paws with Bobby as she was explaining the main activity.

“So, do you have it now?” She asked you, thankfully you were actually paying attention this time.

“Um. Yea..” You whispered. You weren’t much of a talkative one, but that’s okay.

Some would say you were like Craftycorn, but more shy. You try to ignore those comparisons. The kids were eating their breakfast, and Bobby was still next to you.

You had to watch the kids, because just in case a kid was choking, you needed to get them to not choke. The other critters would handle the other kids and calm them down. The other critters mostly being Dogday and Bobby.

While Bobby was sitting right next to you, holding your paw, just talking about what it was like dealing with the children's emotions, while her head was on your shoulder.

A few feet away, there were some jealous critters looking at you two. “I wanna hold Kitty’s paw…” Picky said. “Me too..” Kickin added.

Dogday saw their envious mood and went over to them. “It’s okay guys, there’s no need to be jealous!” He looked over at you two.

Yea he sees no reason to be jealous. This is because he is an adult! Well it was a headcanon, and to be honest with you, it seems like a really good headcanon. Basically he was an employee at Playtime co.

And to be honest with you, AGAIN, a grown adult being jealous over two kids being kids, is VERY strange ^_^. Anywho, back to the story (⌒‿⌒)

Dogday didn’t get it! He doesn’t understand. (NO SHAME FOR MY BABY!!!!!)

The kids were done eating, and now they all were doing the activity. If you were wondering what this mystery activity is, it’s about sleep and rest.

The kids thought it was going to be boring, who wants to talk about sleeping?? But the critters wanted to talk about how good it is to get some shut eye after a long day of being awake.

Maybe it could also help Catnap with the kids falling asleep.

All the Smiling Critters were grouped together, doing actions and spouting words on why sleep is good for you.

“See?! Kickin here is all tired and sleepy (he was doing an action to represent it), not able to really do anything!”

“It is also not good for your health!”

“But Catnap is all nice and rested! Being able to walk, talk, and color while being fully awake.”

“Not getting enough sleep isn’t good for anybody! Not adults, little kids like you guys, or even teens! If you get the sleep required, you’re able to get work done quicker, be able to color, and many activities can be done!”

“Even fun activities! Drawing, doing sports, playing games, all of those things can be done in a more fun way, just by getting a few hours of sleep!”

Bubba was able to communicate with the children in a more interesting way, not a lot of them were bored from his statements. 

“Any questions?” Bubba asked, some kids raised their hands, showing their curiosity about sleep.

“What happens if I don’t sleep?”

“Well… If you don’t sleep, your body can’t operate very well. It’s like your bed is the charger, and you need that charger in order to get through the day! Some say.. If you don’t get sleep for too long, your brain.. Can eat itself!!!” He said, getting the kids all hyped up.

“Well I guess I should get some sleep!!” One kid said.

“Yea! I don't want my brain to eat itself!!” Another wailed.

“Mhm! And so you can learn about it, if you want to, I have a word search!”

The children started grabbing the papers, wanting to know some words about sleep.

“I also have something you could decode! For the kids who want to challenge their brain!”

The kids were all doing something, word searches, talking to the critters to get more facts about rest, decoding, at least an activity that can distract them.

You and Catnap were walking around, helping any of the kids, and also calming them down if they got frustrated.

You two were just being cuddly kitties.

You were pretty sure the other critters(minus Dogday) were holding back from just cuddling up to you too.

Apparently they had to help with the kids….

[rinwritingcorner]

May I ask the software you use to write?

Congratulations on getting so much done!

Thank you so much. And, of course.

I use the Reedsy Book Editor for all of my writing projects, and I've been using it for about three years now. I also have experience with other amazing softwares, and I would love to create more tutorials on them if you need me to.

Here's a quick tutorial on how to use the Reedsy Book Editor.

When you visit the website, the first thing you'll come across is this page. It's a completely free writing tool with a fantastic interface. All you need to do is sign up with your Google or Facebook account.

After you've completed the sign-up process and provided some information about yourself, you will be directed to this page. Please locate the "Books" option in the website's header.

Feel free to give your book/WIP (Work in progress) a title. Remember, it's okay if it's not your final title, as you can always change it in the settings of your book later.

Once you've created it, you can take your time and when you're ready, you can click "Write.”

Once you click "Write," you'll be directed to the next page. There, you'll find your chapters, the space to write your manuscript, and a sidebar with various helpful features provided by Reedsy.

Then, you can choose any name for your chapter that feels meaningful to you.

You can also track your writing goals for your specific manuscript or book. This feature provides insights into your writing habits, such as the days you've written and the number of words you've written. You can also set a target word count goal for the manuscript, and you also have the option to set manual writing goals. Additionally, you can check the word count in your current chapter from the bottom of the widget.

You have the option to set a deadline and choose the days that work best for you to write. This will help Reedsy estimate a realistic word count goal for you.

Remember that on Reedsy, there's a new beta feature that allows you to plan and outline your novel without having to leave the website. It offers note cards for you to jot down the plot and scenes from your novel, which can serve as a helpful guide and provide a simple outline to support your writing process.

Also, don’t forget the various features available to you when creating your book in Reedsy. For instance, you have the option to include preset formatted pages such as a dedication page and an epigraph that resonates with your story. These features can add a lot of value to your book, and I encourage you to explore them further.

Hopefully this can help you understand the basics of Reedsy Book Editor. One of my favorite writing softwares that is completely FREE!

Hey fellow writers! I'm super excited to share that I've launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[oneshotnewbie]

hi! how are you? i hope everything’s well and i was wondering if you’d be so kind to write an angsty emily prentiss x young teen daughter reader story when you are able?

basically reader feels that Emily isn’t giving her enough freedom, especially with her friends who want to do typical teenagery things (Emily’s a bit more protective because of her job and past and knows what kind of things could happen) and they get into an argument of sorts and reader refuses to listen to emily trying to explain and reason with her? thanks!! 🫶🏻🫶🏻

Authors note: Maybe I exaggerated Emily a little bit but since I had her whole past in mind, I thought it was appropriate.

ᕚ---ᕘ

The sun slowly sank over the horizon, turning day into night and making the shadows appear longer and deeper. In a well-kept suburb of Washington D.C., you sat on your bed and stared out the window, your head full of thoughts. The gentle breeze that blew through the open window brought no relief to the feeling of tightness that you felt in your heart.

"Y/n, can you please come down? Dinner is ready!" Emily's voice penetrated the half-open door. It was a friendly but also authoritative voice that often felt like a net that wrapped around you and held you tight.

"Coming soon, Mom!" you called back, even though you didn't feel ready to face your mother yet. You sighed and took one last look at your cell phone, where messages from your friends were flashing.

Maya: "Hey, are you coming over later, y/n? My parents are gone and we have the house to ourselves!"

Chloe: "Yeah, it'll be so cool! We have chips, popcorn and a few movies."

You bit your lip. You wanted nothing more than to spend a carefree night with your friends, but you knew your mother would never allow that. Emily Prentiss was not only a mother, but also a seasoned FBI agent who had seen the dark side of humanity up close. These experiences had made her overprotective, especially when it came to her only daughter. You.

Reluctantly, you got up and went into the kitchen. The smell of spaghetti and garlic bread filled the air, and Emily was already putting the plates on the table. She smiled when she saw you, but there was familiar concern in her eyes.

"Are you okay, sweetie?" she asked as she took the parmesan out of the fridge and transferred it to a small bowl. "Yeah, it's fine," you mumbled and sat down at the table. "Can I go to Maya and Chloe's after dinner? They want to have a movie night."

Emily froze for a moment before moving again and putting the cheese on the table. "A movie night, huh? Have you looked at the clock?"

You sighed inwardly. You knew the beginning of this conversation all too well. "Yes, mom," you said, clenching your hands into fists. "Then the answer is no," Emily said calmly but firmly. "You know I don't want you to be out this late. Even if I drove you."

"But mom, I'm not a little kid anymore! I'm 16 years old! Maya and Chloe are my best friends, we just want to watch a few movies!" your voice got louder, frustration and anger rising inside you.

"Y/n, I understand that you want to have fun, but I'm worried about your safety. You don't know who's hanging around the neighborhood, and I can't watch over you all the time."

"Exactly, you can't watch over me all the time! That's the problem!" you screamed, jumping up, tears of frustration burning in your eyes. "You just don't trust me!"

She looked at you, her own eyes full of pain and conflict. "My darling, it's not about trust. It's about me knowing what can happen out there. I just want to protect you."

"Sometimes you suffocate me with that," you said quietly, leaving the kitchen before the tears ran all the way down your cheeks.

Upstairs in your room, you threw yourself on the bed and grabbed your phone. Your fingers flew over the keys as you wrote a message to your friends: "Sorry, girls. My mom won't let me go. Maybe another time."

You put your phone on silent, threw the phone aside and stared at the ceiling. Your heart was heavy, not only because of the missed opportunity, but also because of the constant fights with your mother. You knew she loved you and only wanted the best for you, but it often felt like your life was limited by invisible shackles that pulled you tighter the older you got.

As you lay there, you heard soft footsteps approaching your bedroom door. Emily stood in the doorway, her head poking through the hinge, unsure whether she should enter. "Can I please come in?"

You turned to the side and nodded reluctantly. She sat on the edge of the bed and looked at you. "I know it's not easy being my daughter, especially with my job and my past. But I hope you understand that I'm just trying to protect you."

You swallowed and looked at your mother. "I understand that, Mom. But I also need a little freedom. I need to learn to take care of myself and you need to give me the chance to do that."

Your mother nodded slowly, wondering when you'd grown up so much and smiled weakly. "How about we find a compromise? I'll call Maya's parents and if they confirm that everything is OK, you can leave for a few hours."

Your eyes widened in surprise and joy. "Really? You would do that for me?"

"Yes," she said, putting a hand on your shoulder. "But under two conditions: You have to promise me to call JJ, Rossi or me immediately if anything is wrong and you have to have dinner with me first."

You nodded eagerly and reached over to your phone, ready to text your friends that you would come after all. "I promise, Mom. Thanks."

As Emily pulled out her phone, started dialing the number and retreated briefly from your room, you leaned back and felt a small piece of the burden fall from your shoulders. It was a small step, but it was a start.

Minutes felt like hours as you sat in your room, impatiently waiting for Emily to call your girlfriend's parents. Your mind was racing, and the hope of finally taking a step towards more freedom filled you with a small hint of optimism. But when you heard her come back, you immediately recognized the look in your mother's eyes.

"Y/n, I spoke to Maya's parents," she began slowly as she opened the door and stepped back into the room. "And?" you asked, your voice tense with anticipation.

"Her parents aren't home and don't mind you being alone. Did you know you would be alone? Because if so I..."

"No, Mom. Don't end that sentence!" You jumped up from the bed, fists clenched again. "You're going to forbid it again, aren't you? That's why I didn't say anything!"

Emily sighed deeply, wiping her furrowed brow with a hand. "I don't think it's safe for you to be in an empty house. I'm worried about you."

"What are you worried about? That I might have fun? That I might act like a normal teenager?" Your voice was shaking with anger, as was your body, and your heart was pounding wildly in your chest. "You're suffocating me with your constant control!"

"Sweetie, please try to understand," she began, but you immediately interrupted her. "No, Mom, you don't understand! You don't understand what it's like to be constantly monitored and patronized!“

Emily's patience began to dwindle the longer you took your frustration out on her. "That's enough. I've seen things you can't even imagine. I've seen people who got into serious danger from harmless situations. I can't let anything happen to you."

"Oh, come on, mom! You and your stories from work. Do you think I want to hear all the time how terrible the world is? I just want a little fun!"

The black-haired girl swallowed hard and fought to stay calm and matter-of-fact with you. "Y/n, I'm not telling you these things to annoy you. I want you to understand why I am like this. Why I have to protect you."

You snorted contemptuously. "Protect? Is that what you call it? It feels like imprisonment to me. I feel like you don't trust me to take care of myself at all."

"I'm happy to tell you one last time. It's not about not trusting you," she said, her voice now raised, bordering on screaming. "It's about knowing how quickly things can go wrong. One moment of carelessness and everything can change."

You crossed your arms in front of your chest and glared darkly at your mother. "You use your job as an excuse to control my life. You have no idea what it's like to be under your thumb all the time."

"And you have no idea what it's like to go to work every day knowing that there are monsters out there waiting to hurt or even kill innocent young people." Emily's eyes filled with tears that slowly made their way down her cheeks. "I've seen too many girls your age, y/n. I can't take the risk of you becoming one of them. I would never forgive myself."

You shook your head violently, tears of anger and frustration also running freely down your cheeks. "I don't want to be a victim, but I don't want to be a prisoner either! You have to learn to let me go! Should I sit here twiddling my thumbs until I'm 53?"

Emily stood still for a moment, trying to control her own tears. "Y/n, I love you more than anything else in this world. Everything I do, I do to protect you, damn it!"

"Sometimes I love you for that," you said quietly, "but often I hate you for that." With those words, you stormed out of your room, slamming the door behind you. Your mother was left alone, her hand pressed to her mouth to stifle sobs. She knew she couldn't protect you forever, but the thought of seeing you in danger was more than she could bear.

Meanwhile, in the living room, you grabbed your jacket and stormed to the front door. You needed fresh air, distance, anything to escape your mother's suffocating grip on surveillance. Without waiting to see if Emily ran after you, the door slammed shut and your mother sank onto your bed. She knew she had made a mistake, but she also knew she couldn't do anything else. The world was a dangerous place, and she could only hope that one day you would understand why she was the way she was.

[howtofightwrite]

Was reading through your torture tag and noticed a lot of stuff that was being said seemed to contradict things that were said on the scripttorture blog... do you have any suggestions on how to clear things up? Im not sure which things to trust

And you're asking us, because they've posted once in the last two years?

I'll admit, I have a fairly low opinion of them, and that's not directly their fault. For years, one of their fans, would regularly send some pretty incendiary asks our way. In fact, some of the less hostile ones were answered, and may be the posts you were looking at. Understandably, the ones simply accusing us of being torture apologists, demanding we redirect all our asks to their blog, or insisted that we should sit down and shut up, did not make the cut. With that in mind, please understand, I'm not going to go digging through their blog to refresh my memory, so some of this might be slightly skewed by the aforementioned deranged fan.

Look for the blog that does not constantly contradict or misrepresent their authoritative sources. Which is to say, if you actually pay attention to Shane O'Mara's work, it's basically what we've been saying all along.

If you're unfamiliar, O'Mara is a Neurologist who was (last I time I checked) working at Trinity College Dublin. He published a, frankly fascinating piece, called, Why Torture Doesn't Work, in which, he set about trying to answer why torture is an ineffective tool for intelligence gathering. O'Mara also had the misfortune of being the only expert who said anything close to the perspective Scripttorture wanted on torture.

An open secret about torture is that it is completely worthless for getting accurate information. This has been widely understood for centuries, if not millennia. O'Mara's question was, “why?”

It turns out, that the neurochemical trauma associated with torture, seriously interferes with your ability to accurately access information. For example: If you're being tortured, you can't tell your torturer where you planted the ticking bomb, because your brain literally can't access those memories.

Torture is evil. Yeah. No shit.

And, this is where ScriptTorture stops. “Torture is bad,” and Jack Bauer is an incredibly unrealistic fantasy, end of story.

Except, this is not the end of this.

Now, generally speaking, I don't blame anyone who wants to get off the ride here. Torture is an unpleasant subject, and wanting to stop at, “oh, it's evil,” is entirely reasonable... unless you want to write on the subject, or if you do political analysis and need to understand why people break out the torture implements.

More than that, this is where my academic background in political science actually comes into play. I'm not saying this as an Eagle Scout who had a couple overly enthusiastic hand to hand instructors when I was a kid. This is (part of) what I studied in college, and I have kept an eye on it since then.

If torture didn't work, you wouldn't see state-sponsored torture pop up repeatedly throughout history. It would not be one of the favorite tools of dictators and despots. However, because it does, and it is, simply saying, “it doesn't work,” isn't instructive or meaningful because it's clearly untrue. Someone is finding value in this, so it becomes important to understand what they are doing, and why they are doing it.

When you torture someone, the information they provide is basically madlibs of whatever leaked through their brain. They want the pain and stress to stop, and they'll say anything they can to make that happen. That often takes the form of what they think their torturer wants to hear. O'Mara's research does explain why they don't simply cough up the truth.

So, why do it?

Torture is a very labor intensive process. You (as an individual) can't, realistically, torture multiple victims at a time, and it is a very drawn out process. Some elements can be automated, your torturer doesn't need to be present at every moment, but they're going to spend hours, if not days, working on one victim. Worse, this is actually a technical profession. It's not like you can just pull in anyone off the street and get the results you want. (Though, technically, this doesn't seem to be as true, however, amateurs do have a shocking capacity to screw up torture. So, the point remains valid.)

The value of torture has almost nothing to do with the victim. It's about the message it sends to everyone else.

Torture is about mass coercion of the population. When you are the state (meaning, the government), and you torture someone, you are telling your citizens that you are willing to do the same to them, if they oppose you.

State-sponsored torture is specifically a tool to suppress political engagement. It is, quite literally, state-sponsored, domestic terrorism.

This even holds true in cases where the state employs torture to extract confessions from criminal suspects. The message sent into the general population is that dissent of any kind will not be tolerated, and that the state has the willingness and power to turn these tools on you if you draw their ire.

I get that this is outside of ScriptTorture's area of expertise, and in fairness, I probably would not have studied this with any intensity, if I hadn't taken multiple classes on revolutionary theory.

Torture from private organizations (which is to say, organized crime, and religious institutions, though cults and some other groups might fit this description as well), follows roughly similar patterns. These tend to do the same things, discouraging dissent, and establishing the organization as having power over the population (or community.) (The technical term would be to “establish capacity.” Which is to say, the organization's capacity to enforce its will. The same term applies to states, though in those cases, the state's capacity is often overestimated by its population. It's only when it starts to falter, for example through military defeats or serious civil unrest, that they really need the capacity boosting part of this equation.)

Zealotry or stupidity can create situations where you have a torturer (or, more likely, someone in a position of power ordering the torture) who believes that it is effectively compelling the truth from the victim. This (or amateurs) can easily lead into a distinct problem, which is that all of this has diminishing returns. Torture one person, and you send a loud, clear message. Torture ten, and all you've added to it is that you're willing to keep going. However, as you start stacking up the victims, you do start sending a new message to your enemies, that being, you're going to get to them sooner or later so it's in their best interest to respond now, mobilize and retaliate proactively, before you get to them. This means that a state which leans heavily on torture can easily instigate the civil unrest that exposes their limited capacity leading to a political death spiral. Alternately, if the state does have the capacity to put down the resulting unrest, it further reinforces their position (which does happen with depressing frequency in the real world.)

You're also going to create new enemies in the friends, family, and loved ones, of the people you tortured. This means that any organization that relies on extensive use of torture will, eventually, start tying a noose around its own neck. (Granted, there are a lot of social dynamics that I'm skimming over here, so it's not exactly as simple as “if the state tortures lots of people, it will result in increasing unrest.”)

If you want a partial citation for the above, you can (ironically) find it in a podcast interview with Shane O'Mara, when he explained why torture has been employed repeatedly through history. (Specifically I think it was episode 15 of Your Welcome, by Michael Malice. Though, I'm not 100% sure off hand.) Though that doesn't cover some of the more in depth elements I just discussed. Some of this is coming from a textbook on revolutionary theory I can't locate (it disappeared in a move a few years back.) Though that was more interested in the general structure of a state destabilizing into internecine conflict. Ironically, my preferred citation on torture, Fear up Harsh by Tony Lagouranis is mostly uninformative in this case, because his experiences were on the ground, rather than from a structural understanding of what his job was really doing. However, he does illustrate my comment about amateurs making even more of a mess, both through personal experiences with a few, and also through the eventual trajectory of the invasion and occupation of Iraq.

But of course, torture is evil... again, no shit. Was that really a question? And, I'm apparently a torture apologist for having a structural understanding of why evil people do evil things. Cool. Evil people don't do evil things because they're evil, they do them because they gain some tangible benefit from those acts, and they do not care about the consequences to anyone else. If you ask someone, “why do people do this?” and their answer is, “it's simple; they're evil,” that person is lying. They may be lying to themselves, but they are lying to you.

Why do people use torture? It's a lot more complicated, and unpleasant, than you'd expect at a simple overview.

-Starke

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[cannellee]

May I request alpha! Baji hcs with an omega! Reader? (Sfw and nsfw?)

I just love it when I see omegaverse on tokyo revengers tumblr. There should be more of it.

And baji is best boy fr he's so protective its no wonder he's ranked best boyfriend

TOKYO REVENGERS OMEGAVERSE ★

୨୧ alpha! Baji x omega! Reader

— tokyo revengers a/b/o headcanons

my masterlist : ☆

tw : sex and possessive behaviour

(that's what I'm saying! baji's the best fr and I love that he's canonically a green flag. hope you like it 🫶🏼 btw I'm not so sure about my ability to write nsfw so I kept it short in case it's bad. I'm slowy trying to get better at it, hope you don't mind!)

alpha baji is a great lover.

he's respectful, attentive and loyal to a fault.

he knows what's wrong from one glance, but he just sometimes doesn't know how to act upon your reactions.

this is why baji is a huge fan of scenting. when he feels like you're upset and he struggles to comfort you, he'll softly release his pheromones.

his scent is really strong. a mix of red grapefruit and musk, which makes you feel soo at home.

baji is either really secretive about your relationship or is massively telling everyone you're his, there's no in between.

it's not that he doesn't want his friends or anyone to know you're his omega, it's just that he doesn't understand why he should tell anyone if they don't ask.

having your approval and assurance that you're doing perfectly well by his side is enough for him, he doesn't need people's reactions or opinions.

but on the other hand, his possessive side is so strong that it sometimes feels like he would carve his name on your skin if he could.

not that he wants to hurt you though, so he scents you and marks you and basically just claims you in every way possible.

surprisingly gets upset easily, but doesn't say a thing. though his frown gives him away and a small peck from you is all he needs.

not that comfortable with pda at the beginning of the relationship, it takes time for baji to actually open up fully.

but once he does it means you're his partner for life, there's no going back.

when you're doing anything he'll be rubbing his head up and down your back, putting his smell on you. it makes him proud and satisfied when you go past him and the only thing he can smell is his pheromones on you.

your nest is his nest! baji doesn't want to admit it but the way you build your nest, arrange it so it's cozy and warm and with so much familiar smells, all of that makes him feel so comfy.

at first he didn't get exactly what he should do, so he would watch you build your nest while standing on the side awkwardly.

now he's vigorously scenting everything, even the pieces of fabric which are already covered of so much pheromones.

baji during your heat is exactly what you would expect of him : dominant, possessive and restless. he's not stopping, doing it in any position possible while also making sure you're the most satisfied.

when you're asleep, he's cleaning you up and making a simple meal so you can restore your strength. when you're this vulnerable and unable to feed yourself correctly, baji does his best to make you know that he's got your back as your alpha and that he's ready and able to provide for you.

but when baji's in rut, that's a whole other story.

he will be tearing anybody's throat at any sign of a challenge and will keep you well guarded at his house inside the nest you made specifically for his rut.

when he's not biting you or man handling you, baji is blowing out your back in the most animalistic way possible, making it impossible for you to walk correctly after his rut ended.

but you're his sweet omega and you love to satisfy and help your alpha the way he needs it so you don't mind, besides, it always feels so good you find yourself waiting for his next rut.

since you started dating, you noticed a slight change in baji's personality.

he seems calmer and less hot headed. it's safe to say you have a part in his positive change of behaviour.

baji is now a responsible and mature alpha, it can't be any other way. showing up with bruises everywhere and smelling of burnt cars and cigarettes is no longer an option. he knows it makes you stressed and you constantly worry for him ; your concern moves him so much, he lives for that pouty look on your face everytime you lecture him for not knowing better... but baji isn't keen on your anxious smell and worried eyes so he's careful now.

in fact, he makes sure to not get any scratches on him when he goes out! he still burns cars when he's in a bad mood, but since you're there he's rarely feeling off.

but don't worry, nothing will ever stop him from driving away any threats that come into your direction!

baji, much like mikey, is the epitome of the dominating alpha and won't kneel in front of anyone. you're his omega and it's his job to keep you safe and protected.

baji doesn't care, he catches a look at your direction: it's a fight. someone tried and get a sniff of your scent: he's making sure he'll never be able to smell anything in his life. someone directly confronts him and challenges him for you? to the hospital they go, if not worse.

baji has a reputation and as soon as they learn that you're his omega, you can bet you're the safest.

especially since you guys are in the same school, so he can be your personal bodyguard. by the end of the first week, everyone got the memo that you're not to be messed with.

but the toman is also a huge fan of you. who could ever tame baji? it's unbelievable for most them to see baji so docile and careful around someone.

you might not notice since he's always been like this around you, but his friends can tell he treats you differently. his soft spot for you is so evident it's laughable.

they're just not used to him being so compliant and well behaved, gently scenting you and feeding you with the utmost attention, as if you were the most delicate being he's ever seen.

overall, baji and you are living the dream. he's now always hugging you and scenting you and playing with your hair inside your nest (his favourite place!) he loves you so much!

[what-eats-owls]

Show vs Tell, Or: Please Stop Making Things Difficult for Yourself

I said a while ago that I'd write a brief essay about the most misused craft advice in writing once I wrote 10k words, and for once I actually held myself to that! So now, I'm here to tell you about Show vs Tell, or why people make it more complicated than it needs to be.

First, a basic primer for anyone who hasn't heard this term before: "Show vs Tell"/"Showing vs Telling" refers to "showing" the audience information instead of "telling" it to them. You may be thinking, gosh, that sounds unspecific to the point of being readily misapplied, and you would certainly be right! Lots of folks throw it around without fully grasping what it means, how to use it, or when it doesn't actually apply. And I'd really like everyone to stop making it harder on themselves when there's a very straightforward way to conceptualize it.

So for starters, Chuck Palahniuk has an old but good essay about eliminating "thought" verbs from prose that holds the hell up. But I'm going to tell you an even simpler way to conceptualize the difference between showing and telling:

Eliminate the inner thoughts entirely.

Ask yourself, if my narrator's interior monologue was inaccessible to the audience, how would I convey the same information—literally showing it?

Forget for a moment that your medium is the word, and imagine you only have dialogue and visuals. If this was taking place on the screen or in a graphic novel, how would you convey that this character has a crush on someone in their class? That they're hotheaded? That they're struggling with a decision?

Here's a perfect example of this from the opening scene of Howl's Moving Castle.

Devoid of context, we have a girl trying on a hat in a mirror, and also trying on a fake smile. Then her expression sours and she pulls the hat down over her face until we can only see her frown. She's wearing a plain dress and the hat is simple, despite the elaborate hats and ornaments on display around her.

You don't have to know anything about this character to understand what's being conveyed in this moment: This girl is deeply uncomfortable with trying to be pretty and flirty, but in the safety of privacy she wants that, even though she feels inept and self-conscious about it. She's in this world, but she's not part of it. Even brushing up against it for a moment makes her shut down and reject it with hostility.

More importantly, it's all communicated with a simple gesture and design choices. Not by Sophie thinking to herself, I wish someone would take me dancing—no I don't! I work too hard to have time for dancing!

That's showing. And it's more resonant, because we've all felt silly trying something on in a mirror! Or, say, if you want to show a character has a crush, having them get flustered and laughing too loud. Or showing that they're a hothead by having them snap at a simple disagreement, etc. etc.

This also extends to worldbuilding, dialogue, and stakes.

Worldbuilding: If your story is set in a town run by a crooked sheriff, you could have the narrator say "everyone knows Sheriff Smith is squeezing the shops for bribes." Or the sheriff can stop the narrator for "smelling like weed" while the sheriff's drunken son speeds by, about to total his third BMW.

Dialogue: If your character is angry, they can say "I'm furious." Or they can slam dishes in the sink and insist "I'm not angry" while openly crying. They can snap "I'm not discussing this again." They can demand "What is he doing here?"

Stakes: You can have an all-seeing oracle say "If you do not return the Mystic Orb to the Sunlight Altar by the solstice, the world will plunge forever into darkness." (And as we'll get into it below, sometimes you actually need that.) You can also have intermittent but increasing periods of total darkness occurring as the party travels to the Sunlight Altar. You can have the Mystic Orb start cracking the longer it takes, and the sun getting a little dimmer with every fracture. You can have people's shadows growing bigger and bigger and acting autonomously.

But showing isn't the end-all-be-all; telling absolutely has a place. Sometimes it's better to quickly and plainly state information and move on, such as a little earlier in the scene, when the other hat shop girls have spotted Howl's castle:

"Look, it's Howl's castle!"

"I've never seen it so close!"

“Do you think Howl will go into town?”

“He’s gone!”

“No, he’s just hiding in the fog from those planes.”

“Did you hear what happened to that girl, Martha, in South Haven? They say Howl has torn her heart out.”

“Now I’m too scared to go out!”

“Don’t worry. He only preys on pretty girls.”

This tells us some stuff directly: Who owns the castle we see in the first few seconds, that he's hiding from soldiers, that he has a reputation for preying on beautiful girls. We can infer also that he's a bit of a coward, he stays away from civilization, and that his reputation for cruelty has spread over multiple regions.

This happens so quickly, and it's couched in enough character between the teasing and the gossip, that it doesn't stand out as capital-t-Telling. That's exactly what expository dialogue should do. "Showing" us all that information would take a lot of screen time that can be saved in ten seconds of dialogue.

It's also not just about saving time; it's setting up an image that Howl initially fulfills when he helps Sophie escape the soldiers... only to be punctured when she actually goes to his castle and sees the real Howl. Telling is good for setting expectations that you know will be subverted later.

So yeah, tl;dr: If you're tied up in knots about "am I showing?? am I telling??" just ask yourself how you'd convey the same information in a movie or graphic novel, without access to interior monologue, and evaluate if that'd be better. Most of the time the answer is yes, but not always!

[magewritesstories]

Hi i was just wondering if you could write something of James potter and Fem!reader (established relationship) where basically they are at a Gryfindor party and basically there is this guy who has a huge crush on her and is being low-key creepy about it and it’s just James being the protective bf he is.

If not don’t worry!!!! x

[ ᴊᴀᴍᴇꜱ ᴘᴏᴛᴛᴇʀ ] ᴊᴇᴀʟᴏᴜꜱʏ, ᴊᴇᴀʟᴏᴜꜱʏ

summary: James Potter doesn't share anything, especially not his girlfriend TW: underage drinking note: ngl, I don't see James as the jealous type, but he is super protective. Also idek if Amos was in their year, but for the sake of the story he is.

JAMES POTTER IS NOT A JEALOUS GUY.

Really, he isn't. But dear Godrick he's never wanted to bash someone's head in with a bottle of firewhiskey so badly—but that might just be the empty bottle talking.

He watched from a good ten feet away as Amos Diggory flirted with you with a wide smirk.

As mentioned before, James wasn't a jealous guy. He couldn't blame the stares you got whilst walking through the halls, or the way some eyes would linger when you laughed a little too loudly at one of his dumb jokes.

You were stunning, and James didn't blame people for seeing that. Hell, he was glad they did. Besides, he couldn't ignore the tiny ego boost he got from the fact that at the end of the day he was your boyfriend and not any of them.

Amos however didn't seem to understand that.

James's eyes narrowed as he slung his arm around you oh-so casually as he told a (probably stupid) joke. You gave him a small smile, a polite one—yep, definitly a stupid joke.

"You planning on murdering Diggory by glaring, mate?" Siruis asked, walking over to his best friend with a grin, "I'm afraid you're not one of those guys from Peter's superhero books—hey wormy, which one was it? With the laser eyes?"

Peter looks up from his drink in confusion, "Superman?"

"Yeah, that one," Sirius snapped his fingers, "So, is that your plan? Burning Diggory with you laser eyes?"

"The only thing burning in here is Prongs," Remus replied with a laugh. James rolled his eyes, "I don't know what you're talking about."

Lily decided to join in on the conversation and added in a teasing tone: "Really, 'cause you look a little uhm... green."

"I'm not jealous, I don't get jealous," He replied with a scoff, glancing in your direction again, "Especially not of guys like Amos Diggory."

His friends all gave him sceptical looks as he grabbed another bottle of fire whiskey. "Why would I be jealous. I have nothing to be jealous about," He insisted, staring intently as Amos dragged you and Dorcas towards the dance floor.

"What about the fact that he's already asked out Y/N like three times?" Peter replied casually. The entire friendgroup turned towards him, "What?"

He jsut shrugged, "Yeah, he just asked her out three times in the past two hours—watching him get rejected twice was awkward, the third time it was just sad."

"And you're mentioning this now?!"

"I thought you knew, I mean you've been staring at them the entire night."

James put down his bottle of firewhiskey and made his way over to the two of you.

"That's not fair—you're just Slughorn's favourite," You replied, smiling as you whirled the drink in your hand.

Amos grinned at you, "Yeah, well, maybe if you spent more time actually listening during class you'd be able to catch up with me. Maybe."

You rolled you eyes at the statement. "Oh, please, Diggory, if anything I'm doing you a favour. If I actually tried during classes I'd leave you in the dust."

"Oh, yeah?" The blond asked, raising a brow at you, "Maybe I should return the favour by taking you to Honeydukes this weekend."

"Hmm, no, I think I'm good," You reply as politely as you can, mustering a small smile.

This was the fourth time Amos had asked you out in the past two hours. And also the fourth time you'd rejected him.

How did he not know you had a boyfriend? You'd think that after that kiss (read: pretty much a make-out session) with James after Gryffindor beat (read: wiped the floor with) Hufflepuff last quidditch match, people would know the two of you were dating.

Apparantly not.

"Besides—" A loud, familiar voice sounded as James put his arm around you shoulder— "We've already got plans for this weekend."

The brunette give you a sloppy kiss and a satisfied grin, "Don't we, babe?"

You smile and nod. "Mhm, you promised me a drink at the Three Broomsticks."

Amos looked between you and James as you gave eachother lovesick stares.

Maybe you were laying it on extra thick just for Amos but they were lovesick stares nonetheless.

"Oh, uhm, well then..." He stuttered, trying to form a coherent sentence. James turned to him with a raised brow, "Well, maybe you should be heading towards the firewhiskey."

Amos seemed to take the hint. Finally. He quickly scurried away and out of your sight.

You let out a sigh, "Thank you—for someone so smart that guy really doesn't know how to take a hint."

"Well, good thing you got me then," James replied, grinning from ear to ear as he kissed you again, "Your own personal superman."

You swung your arms around his neck and smiled into the kiss, "Mhm, so lucky."

words → 813

[bonny-kookoo]

Hi Bonny

Would you be writing more for sweet tooth in the near future? I love that fic a lottt so was just curious

Sorry I actually don't have a specific ask/request in mind 🙈 I just like anything you write about the small family because I love their dynamic so much!

I love your writing and all your stories a lot!

Lots of love 💗

Let's look at what Sweet Tooth couple has been up to!

Jungkook has become pretty much a pro at handling you, especially now that he knows more about you, and your struggles.

You're not the same category as him- while he is standing at a standard 20 percent, which puts him in category 2, you're ranked at 25 percent- which puts you right in between category 2 and three.

Hybrids are categorized by a plethora of tests- every result being transformed into points, to be later calculated into a percentage on a universal scale. The higher the number, the less independent hybrids basically are- and with you being right in between, you're facing quite a few struggles, not only legally.

And Jungkook has been doing his best to make sure he knows how to make things just a bit easier for you- and most of all, he wants to understand you better.

The best anyone can, even.

Today, you're having one of those days again- not really sure if you want to laze around or do something. You're neither this or that, unsure, unclear, and it frustrates you. But today, you're realizing you're not alone with it anymore.

You don't have to hide away anymore.

"I don't know.. if I really wanna eat that.." You mumble, rolling around on the bed while Jungkook scrolls through the online takeout menu. "I wanna have something sweet.. but also something salty."

"Well, we can get both, and you'll just eat what you feel like once it's here." He shrugs, while you roll over again, facing him, tail accidentally smacking against the screen of the laptop, making him laugh as he gently pulls it away again.

"But what if I don't wanna eat any of it?" You whine, making him shrug.

"I'll buy a few things. and whatever you won't eat, I will. That way it's not wasted." He explains, and suddenly, he can hear you purr loudly. "What's up now, huh?" He laughs, and you just grin.

"you're just soooo nice to me!" you giggle happily, moving to crawl up next to him on the bed, laying down close to his side.

"Well that's what boyfriends do." He just shrugs, and you purr even more now, clinging to his arm while he orders the food.

"Do you think Yoongi would make us barbecue again soon?" You wonder randomly. "Like, when it's summer." You mumble, leg moving to lay over his body, almost accidentally kicking off the laptop off his lap. "I like Yoongi's cooking."

"We could ask him, I'm sure he would." He responds. "And I'll tell him your compliment too." He chuckles.

"I should compliment him more.." You say, chin resting on his shoulder now. "He's really nice." You say, and Jungkook nods, moving an arm around you.

"He really is." He agrees, when you suddenly move to kiss his cheek.

"But not as nice as you are." You tease-

his tail wagging at the praise.

[daemon-in-my-head]

Ok I'm possibly boutta screw this one up, but, this is one for the writers and the visual artists. This one's gonna get up close and personal too.

Durge Asks - Creator Edition

What or who inspired your Durges design the most? A particular idea or vibe or perhaps another hottie or baddie?

How does their race play into the design? Was it a conscious choice because of the racial features or did you simply enjoy the playstyle or lore?

How do you prefer to portrait your Durge? Do you enjoy them in writing or their visuals more? If you're a writer or artist, would you/have you commissioned someone else before? Would you like to, in case you couldn't yet do it?

How did Durge come to be? Why them? Was it a vibe you tried to capture or a specific visual you wanted to represent? Did you borrow them from previous works or were they handcrafted for this story you have in mind?

Are they a plot device or the driving force? Do they exist to enhance Gortash or has Gortash developed to become the accessory wife? Do they compliment or foil each other?

Personality or looks, what came to you easier?

Is their personal story represented in their overall design? Do they carry any mental scars or physical alterations from the shit that happened to them?

Contradictory or easy to understand, which one applies more to your Durge? Is their design and personality a conundrum, or did you try to keep it as clear cut as possible?

How much did Bhaal influence their design or personality in the end? Did you research lore to purposefully get the resemblance or do you just go with the flow and what feels right for the story you want to tell?

How much of yourself can be found in your Durge? Do you share the same personality, taste, a specific feature? Are they who you want to be or who you used to be? Are they entirely removed from you as a person?

What's your go to medium for their portrayal? Google Docs, a niche notes app, perhaps one specific for writing, Procreate, Clip Studio, MediBang? Hit me with those recs. Do you sometimes mix em up?

OC Art/Stories or shipping content? What do you enjoy the most? What's ur little hidden passion?

Final and spiciest question. How down bad are you for your durge. Would you hit it even though you'd probably not make it out alive?

Ask prev when u reblog, be nice, this isn't strictly romantic, bla bla bla yk what I usually put here. Basically, have fun, go wild, save a fading fandom or smth (yes I copy pasted this, laziness is the great mother of all bad habits and good mothers should be honoured)

Also yes ik I said I'd get to answering asks and they are queued I just wanted to drop this one first so y'all have smth entertaining to do. Time to return to the shadows until I have ideas for these again, aka another temporary retirement lol.

[forsakenwitchery]

It's been a long time since I've really ranted about something on here but like.

HOTD is just… On another level of bad? At some point this season, I got so tired of getting angry with the writing I just straight up started laughing at almost every single scene. I managed to find a sliver of enjoyment in the shitshow what S2 turned out to be. Not anymore.

Small costest backstage at the end because I felt like looking at myself smiling after writing all this down lol

Having seen some and read about some E8 leaks I'm just… I guess I'm checking out. What they've done to the Greens and specifically Aemond this season is Merlin's 'Morgana suddenly full evil' level of shit writing. And I can't handle yet another favorite nuanced character of mine being stripped of any nuance by the shit writers. But at least with Morgana there was a lot of her, and with Aemond it's 2 minutes of peak character assassination per episode and it isn't cutting it.

I feel so bad for Ewan and the rest of the Green actors who gave it their all - and in some scenes you can clearly see Ewan giving his all trying to fight the shitty writing, but there's only so much an actor can do with a script so bad.

Like when in ep. 5 everyone kept referring to Aemond as if he's suddenly Satan incarnate (Alicent, Daemon ahhh pretty sure there was someone else this episode ‘cause I remember three characters) I knew they decided to flip the switch with Aemond suddenly going full caricature villain (and yeah he was no saint BUT LIKE BBQ-ING HIS BRO?) with no proper buildup for it but HOLY SHIT I didn’t think it would be ‘blink and he’s full on sociopathic villain’. And the way they really did try and hammer that point home with him yanking Helaena now is just… Fucking wild. But like, he wasn’t wrong with dismissing Alicent who turned out to be the biggest traitor on TG this season (RIP S1 Alicent). He’s not wrong in saying they need Dreamfyre. But the show sure did go about him technically not being wrong yet showing it in the worst way possible very... head-on and with lacking any nuance. It truly feels like Condal & Co just couldn’t handle how popular Aemond became in S1 and gave him as little screen time as possible while simultaneously trying to make him as unsympathetic and suddenly 180 as possible. Which just doesn’t work without the proper buildup if you stop to think for even one second.

Then we’ve got Alicent who drilled it into her sons’ heads they’ll be dead unless they fight Rhae and now she’s also 180 and doesn’t understand why they want to fight and turns out to be the biggest traitor basically surrendering her children, the city and her brother to the woman whose husband killed her grandchild. The fuck did S1 Alicent go? Can we see her? Is she in the room with us? You know, the one jumping Rhae with the knife for Aemond? By all means, she and Aemond should have had a dynamic akin to Cersei and Joffrey’s if they were dead-set on making Aemond pretty much THE (only) villain in the show (which should have been about everyone being a criminal lmao). But like… We came to THIS? THE FUCK. THE FUUUUCK. Like imagine for one second Cersei pretty much throwing her kids to their enemies. This is. I don’t know which level of bad writing is this. We’re so far past the rock bottom at this point, the bottom doesn’t exist, the depths this season has reached don’t even have a proper name.

Then we’ve got Helaena. All season I’ve been waiting to see more of her. All season. And I waited. And waited. Her being the Dreamer sounded cool on paper. And they just ended up using her as a device to show ‘Aemond bad’ again? And HELP DAEMON? And like... to spoil the end of the story for those unfamiliar? THE FUUUUUUUUUUUCK. THE FUUUUUUUUUUUUUUUUUUUUUCK.

Like damn, I knew they were baiting us with the promo and I knew it would be OOC for her to want to fight but at the same time I was kinda hoping at least she’d want to? Like she’s sane in the show. Her son was beheaded in front of her eyes. I kept hoping this show would have at least ONE female character actually willing to fight, but no. The balcony scene was good. But in spite, not thanks to what the writers clearly meant for this scene to be. Phia and Ewan really did give this scene their all and try to add nuance where they just once again tried to write Aemond off as a dick.

I haven’t seen the Aegon scene but apparently, they tried to make him look dumb again? And since there’s no rush to vacate KL in the show, why the hell didn’t he try to at least take his daughter with him? Like we get it, show, you hate the Greens and therefore all the Greens hate each other apparently (not buying it no matter how much you’re selling it tho), so him not bothering with Helaena is like okaaaay suuuure (not), but HIS KID? He was the hightlight of the first part of this season, and now we're... back at it again. Yay.

Also tbh I hated Daemyra as a concept in S1 as a ship but I LOVED their dynamic if it makes sense. It was truly interesting and both characters really shone in their shared scenes, so when Rhae’s arc this season started to feel like Groundhog Day I really missed Daemyra since at least their push and pull with Daemon made her feel more alive and interesting idk. But like. Their reunion scene looks like a grand meh? Daemon looks like he cares. Rhae came off to me like she doesn’t give a single fuck about him. Rhae in general was one of my fave characters in S1 and now it’s just. Huh? Them trying to saintify her absolutely ruined the character for me, she’s just so bland now which with her amount of screen time just… Doesn’t make for a very compelling show.

So. Yep. Those are my thoughts and feelings. tbh I don’t even know when I became so attached to the Greens. Like maybe it was in spite of the show trying to ruin and ignore them. Sort of like when you start rooting for the underdogs. But now I just feel really hollow and drained and sad for the actors. On both teams tbh, ‘cause like… What even is the point of this show anymore? There’s no war. Aemond is the only one who’s willing to wage it and the show villainizes him for it. Even in ep. 8 Rhae still says she doesn’t wanna fight the war. What did we spend 8 episodes, then, on aside from some character assassinations?

What’s the point if you don’t really feel anything towards most of the characters? Not even anger or apathy? ‘Cause like, I couldn’t care less when Rhaenys died. I’m sure when Jace kicks the bucket it would be the same. If the characters themselves can’t be bothered (where’s the aftermath for Blood and Cheese ffs?), why and HOW the hell should the viewers care? I’m sure they’ll find a way to make even Helaena’s death as meaningless as possible with giving her zero agenda in the matter.

I truly don’t think I’ll be watching S3. I don’t think I have it in me to witness how they screw up the Greens even more than they already did. It’s not even fun anymore how dumb the show is, it’s just draining. Motivations and relationships changing 180 between episodes or even during them (sometimes even during scenes), major events not phasing anyone and having no consequences. Characters the show chose as THE main characters living in Groundhog Day with nothing to do. We’re supposed to just believe the characters are suddenly completely different than they were weeks/months ago in show’s time just because the show says so. HOW ABOUT NO?

I’m only holding out hope for Daeron but at this point? I’m sure he’ll have a total o 1-2 minutes of screen time each episode as well and they’ll ruin him somehow, too. Still funny though how him and Aemond are both 16 which I’m sure is just another writing plot hole but on the off chance it isn’t… The only cool and redeemable thing the show can do at this point in my eyes is make Daeron and Aemond twins. You know, at the very least to give Ewan the screen time he deserves AND give him some better material to work with. But ah well.

At this point I’m choosing to more or less ignore everything that’s happened in S2, ‘cause the sure itself sure as hell ignored 2/3 of it, so why can’t I. Honestly, I want to do a full Helaena and Aemond cosplay, not a costest, if not for any other reason than to freaking forget S2 ever happend and maybe do some scenes which should have been in it, shippery or not. tbh I wasn't even shipping Helaemond until I saw Ewan and Phia's interviews about them and I was SO HYPED. And Tom's interviews. I was so hyped for siblings interecting in general and I feel like both the actors and the audience were done dirty in the worst way possible.

Also also the last thing I want to say is that it's super sad to see viewers turning on Aemond because it's so clear that's what the show wants everyone to do and neither Aemond nor Ewan deserve it. That's very telling of how badly he's written this season, he's not a villain you love to hate, he's just there for people to hate him. I hope at least Ewan doesn't get hate for his character, but we all know some people are braindead enough to project characters onto actors, so... :(

ALSO ALSO ALSO I don't really feel like fighting over this show because I don't think it deserves any more of my nerve cells, so should anyone decide to come at me for this post don't bother, I'll just reply with print screening this part. But it's kinda funny how tumblr seemed to have an actual war over this show when the show straight up refused to commit to anything.

To everyone who has read thus far – here, have some cute backstages from our costest. I’m sure we could all use a hug and a laugh. I know I could.