#Online Screenwriting Classes

[cherrystaineddoll]

𝓽hings to do instead of scrolling ౨ৎ

summer is here, school is over and you have way too much free time on your hands. so unless you want to spend your whole days with your eyes locked on a screen, here's an in- depth guide on what to do this summer, or whenever!!

learn a new language - trust me, speaking more than one language is a skill that everyone should have, and it always comes in handy. you can watch tv shows, movies or youtube videos in your target language, read beginner books, use apps (not duolingo though.. ) and even just listen to music!! just expose yourself to the language as much as you can, even better if you know anyone you can have conversations with. you could also learn sign language!!

journal or scrapbook - writing down your feelings really helps understanding your own self more. you can try doing shadow work to really dive deep, or just write whatever you feel in that moment. it doesn't have to become a chore, and remember, write for yourself and not as if someone else was going to read!! as for scrapbooking, just print out some nice photos and decorate the pages with stickers, drawings, fun colored paper.. whatever you want, just be creative!!

make art - it doesn't have to look perfect, remember that all art is beautiful in its own way. even if you think you're not good at it, just create, it will help you feel better & you'll also get better with time!! you can draw, paint, sculpt, do pottery, etc. you don't have to follow any guidelines, just buy a random sketchbook, bring out your inner child and do whatever you feel like doing

learn how to play an instrument - this can be a bit expensive, but if you have any instrument in your house that you've never used, it might be a great time to start learning it!! you don't necessarily need to take classes, you can easily find tutorials on youtube, even though it might be harder to learn by yourself. but making music is a really fun activity & good for the soul

reading and writing - i will never recommend reading enough !! everyone should read. it helps you learn new things, understand different perspectives, expand your vocabulary, and so much more. i know books can be expensive, but you can always try to buy them at flea markets, or ask a friend/family member to lend you some. and just in case, there are always some sites where you can read books online for free, like zlibrary!! you can read before going to bed instead of staying on your phone (which is sooo bad for your sleep), at the beach while tanning or outside while getting some fresh air. and if reading books inspires you, you can try to write something!! i'm not saying you have to write a 600 page book, but you can try to write small stories, or poetry, and who knows, someday you might actually write a book! if you want to get published, there are some small literary magazines you can find on social media that publish the works of small writers, it can be a great way to start. you can also always post your works here on tumblr, substack, or any social media platform!! you could also try to write the story for a movie and start screenwriting, if you're into cinematography

research interesting topics - now that school isn't forcing you to study things that maybe you don't care about, you can study whatever you want !! remember, knowledge is power, and with the internet, you basically have the world in your hands. you can watch a youtube video, read a book, or simply research on websites (make sure they're reliable though). you can also take online courses!! i might make a post on ideas for what to research??

start a new hobby - your life can't only be made of school/work, sleep, and a screen. you need hobbies that you actually like and that make you feel good. some of these can be: baking and cooking, crocheting, knitting, embroidery, jewelry making, nail art, makeup, photography, editing, blogging/vlogging, coloring, candle making, soap making, perfume making, modeling, origami, sewing, making diy stuff, chess, puzzles, acting, singing, flower arranging, meditating, lego building, trying new hairstyles or outfits, doing animations, discovering new music, sudoku, the things i previously wrote, and probably a million other activities i can't think of right now

stay active - moving you body is good for both your physical and mental health, i'm sure we all know that. you can go on walks or runs in the nature with your headpones on, or do any sport that you like- some ideas: swimming, dancing (ballet, hip hop, modern, ecc) , tennis, martial arts (judo, karate, taekwondo, ecc), volleyball, basketball, athletics, gymnastics, football, archery, fencing, table tennis, boxing, surfing, rowing, hockey, horseback riding, softball, golf, biking, figure skating, rollerblading, skating.. you don't need to do it competitively (unless you want to), as long as you're having fun and moving your body. you can also do workouts, like yoga or pilates, at home or outdoors, or go hiking.

watch movies, tv shows, or documentaries - it can always be a good learning experience, or just something fun and relaxing that isn't mindlessly scrolling. a bonus: after you've watched something, write a very long, detailed and in-depth review in your journal. you can also post it wherever you want (like letterboxd, to fight all the one liners)

hang out - with friends, family, or even by yourself !! (i know, i know, it can be scary). you can do anything, as long as you're with the right people everything is fun, but here's some ideas: have a picnic, go to the beach, go to a water park, have a baking contest, do temporary tattoos, go to a concert, go out to eat, do a one day trip, go on a road trip, take a walk in the nature, go hiking, go to a trampoline park, go to an amusement park, visit a museum, go thrifting or shopping, have a board games night, try out a new cute cafe or bakery, do an escape room, have a karaoke night, have a movie marathon, and so much more!!

i hope this helped!! ♡

[sillymilly]

Since people want more episodes of Win Or Lose, here are the characters I think deserve an episode of their own.

Tom. There's definally something going on with that guy. He metioned that something happened to his brother which had caused him to start failing class, and not to mention the fact he said he wished Vanessa was his mom. Also, Tom, HAS ANYONE EVER TOLD YOU TO NOT GO IN CARS WITH STRANGERS!?! He didn't even know that Vanessa is Rochelle's mother despite being close to her!

2. Lena. The marketing team made her seem like an important character to Frank's story, but in reality, if you cut her scene out, Frank's story would barely change if not at all! What a waste of a character. According to Fandom Wiki, she has an interest of being a screenwriter, so it'd be interesting to see her struggle with getting people to engage with her ideas.

3. Laurie's older sister (Paula is her name). That girl went from confident with her driving to "I CANT DO ANYTHING RIGHT!" pretty quickly. She has self-esteem issues if I'm not mistaken.

4. Frank's online (ex) girlfriend. I'm really curious on exactly why she left her boyfriend, was he abusive? Was he unfaithful? Was he relying on her too much?

5. The Bleacher Creatures. Those guys have potential for a story of their own. If only one of them could have an episode, I want it to be Chicken Kev, the most mysterious one. That guy may be the funniest out of the three but he's also the most dangerous since he's the one who's willing to chase down a TWEEN in a car! And plus we never got to see his face.

[zepskies]

Hey! I just wanna start with saying that I read, I think, nearly every work you posted (all the Jensen’s ones at least) and I absolutely loved all of them. I mean the writing and the storylines are really amazing and I think you’re an incredible writer!! <3

Now I myself want, maybe not publish, but even just to write for myself a story. A Dean’s fanfic to be exact. I have an idea in my head of the story that I’ve slowly been building for the last year through imagining. I even wrote down a few bullet points ideas so I’ll have something to begin with, but I have no idea how to continue from here.

When it comes to verbal expressions, I have no idea what to do, or developing a plot, also clueless. Just the whole writing process no fucking idea, but I really want to learn.

So I was really hoping if you could give me some advices on how to write a story, how to develop the plot, how to write characters, original ones or ones that already exist in the media, without you know the story sounding like an AI wrote it or a 13 yo on wattpad.

Thank you very much ahead and have a lovely day!!<3 <3

Wow, thank you very much! I'm glad you enjoy my writing. It always makes me so happy when people give me feedback on my stories. 🥰🥰 And that's awesome that you want to start writing your own story with Dean!

You're on the right track with the bullet points -- it sounds like you're starting to create a loose outline. If you want to know a bit about my writing process, that's exactly where I start after creating the initial idea/paragraph synopsis of the story I want to write.

There are two kinds of writers, in my opinion:

Architects: writers who outline.

Adventurers: writers who freeform.

(More on this, my process, + some of my favorite creative writing resources and tips below the cut):

In most respects, I consider myself an Architect. My brain craves structure. So the way I beat writer's block while working on a project is by having a roadmap of what's going to happen next. That's thanks to my outline.

Even if you find yourself more of a freeformer, you can develop some kind of pre-writing plan, whether that's creating a list of character bios, starting with the basic 3-Act triangle, or writing out a handful of bullet points to get you going.

For my personal process, I'll go from creating the basic premise/summary, to some loose bullet points of the story structure, to then fleshing out into full outlining of each chapter and scene, and finally drafting (and editing).

While I'm outlining, I'm also doing research and fact-checking as needed to get me through to the next scene and the next, until the end. My "roadmap" tends to be very detailed, so when I get to the drafting part, all I should have to reference is my outline.

Now, this doesn't mean that plot points won't change, or get switched around, or get chucked entirely. But if I have the blueprints of the house, I can change a window or a door, or even a whole support beam here and there, so to speak.

As far as the actual development of plot, character arcs, and good dialogue, I would really recommend you take a creative writing class! There are probably free ones online, but there are also a lot of other great resources. Here are a few I can share with you:

On Storytelling:

Save the Cat - Blake Snyder's theory on storytelling is one of the most popular across screenwriting and novel writing, and you can apply it to your fanfic. Above all, story is story, no matter the medium. Pay special attention to Snyder's Beat Sheets. You can begin to figure out the plot of the story using that as a guide.

11 Plot Types to Build Your Novel - linked this earlier in the post, but putting it again here.

5 Tips for Beating Writer's Block - One of my posts that could help you get unstuck, if/when you do get stuck (we've ALL been there).

Joseph Campbell - The Hero's Journey - Very common in coming of age stories, origin stories (as in superheroes), and high fantasy.

Narratology - Mieke Bal - One of my favorite books on narrative elements and technique. Literally a study of narrative.

On Dialogue:

Good scenes are built with a balance of smart and necessary dialogue, and exposition (what's happening in the scene, description of the characters' actions and thoughts/inner monologues, and any atmospheric details).

Dialogue is about how the characters are interacting with each other. It's about creating a moment where subtext is important -- meaning that what isn't said is just as important as what is being said. A scene can shift in tone from humor, to angst, to hurt/comfort, to fluff, etc. For me, these shifts most often happen when I'm writing the characters' dialogue with each other.

Characters should have distinct voices. When writing fanfiction, I'm always trying to make sure the canon characters sound like themselves in their dialogue and inner thoughts, as well as act like they would, based on their personality traits (including strengths, weaknesses, and insecurities).

How to Write Great Dialogue (Masterclass article)

Tips for Writing Dialogue

How to Write Dialogue in Fiction

How to Write Good Dialogue in a Novel

On Creating Compelling Character Arcs:

This goes hand-in-hand when you're developing the plot, because in my opinion, the best stories are character-driven. Meaning that their choices shape how the narrative moves. On the whole, things don't just happen to characters -- they made decisions that have either positive or negative consequences.

Characters have a goal that they're aiming for, and of course, there should be obstacles that try and prevent the main characters from getting that thing.

Torment Your Hero in 8 Steps

Joseph Campbell's Hero Journey (linked above) can also help to craft an epic character arc. Note: you don't need to include all those steps in a story.

The Structure of Romance - a basic structure of the genre (basically of romantic comedies), but not the end-all-be-all of writing romance stories. Reread or rewatch your favorite romances! Take a look at the structure and see what similarities you find and what aspects you want to include in your own story.

Basically, there's nothing new under the sun, but you can still create your own story with your own unique voice based on the aspects of relationships, character archetypes, worlds, genres, and tropes that bring you joy! 💜

Thanks for dropping into my inbox, hun! Let me know if any of this helps. 😉

[anhed-nia]

NEXT WEEK on 11/19, The Miskatonic Institute of Horror Studies has an online class I am especially pleased to host! Dr. Anne Young explores the largely unsung legacy of Daria Nicolodi, and discusses the negating effect of male auteur worship on women's creative work. For years there has been a sort of floating awareness that Nicolodi was much more than "Argento's muse" but it is still rare that anyone digs into this topic in serious detail. Don't miss your chance to learn about Daria Nicolodi's contributions to Italian horror cinema, the devaluation of women's labor in general, and the possibilities for reclamation.

[leighlew3]

Hello. I just started screenwriting. It was a bit difficult since all I've been writing was prose all my life but I got used to it in a bit once I finished watching all the Youtube tutorials and kept studying scripts, especially superhero ones since that's what I write. I started screenwriting because I realized I think more visually (especially with my ADHD) and I wasn't writing as much as I used to. Plus my writing style sucks. Peroid.

Can you share tips for beginner screenwriters? Like writing tv show and episodic stories if you can? It will be highly appreciated.

Also, how did you get into screenwriting?

Hi!

Welcome to the circus! We're all clowns here.

Nah, but real talk -- I'd be sure to check in on some free resources online that offer invaluable information and tips. Whether it's just random sites found via Google, or podcasts. Two of the only ones I personally really pay much attn to:

John August's Blog Scriptnotes Podcast (eps are free but there's Premium extras)

First things first, MY tip to you is to learn to love and embrace research. A huge part of the craft and job itself is researching. So if you learn to be good at it, even right off the bat in looking up tips on structure, formatting (Screenwriter's Bible is a great book for the technical basics), etc -- you'll be able to slowly learn the basics, and then how to evolve as a writer, and so on. Everything I ever knew of screenwriting before becoming a professional was self-taught, so don't think that one has to spend a fortune, take classes, etc to do this. If you have the determination, the drive, the work ethic, a smidgen of talent, and the delusion to not give up -- you never know how far you could actually go.

When it comes to the TV space, I will say it's... evolving. Drastically and quickly. 'Rules' and standards in the industry that were rules 20 years ago changed 10 years ago. And they're changing again now as we speak. That being said there's always going to be the core basics.

I think a good resource some for the basics at this point in time can be found here.

Beyond all that, a very helpful thing to do is to download and read as many scripts in the vein of what you hope to write as possible. Make a list of your favorite shows or ones in the genre and style and format you hope to work in -- and check around online. You're sure to find some pilots, maybe even some early pitches or show bibles for those series. Seeing how it's actually done on the page will always be the most valuable way of learning, above all else.

If you have more specific questions, I'm around and can try to help further. As for how I got into screenwriting? I realized very young I wanted to be involved in the industry in a creative capacity. I loved writing short stories and poetry as a kid and won some stuff in school but I never really thought about writing professionally. That being said, I was studying box office results like it was math homework and reading the trades while my friends were reading teen magazines on fashion and celeb couples, lol. At first I thought perhaps I would be a director since I'm a visual person, but then I wrote some fanfiction as a teen, and so many people would say "I wish you wrote for the show!" so I started to think maybe I could be a writer, but I didn't think I had my own stories to tell. And then... one day I did. I dove into some original ideas by thinking on what I wasn't seeing enough of from Hollywood (female lead action and thrillers, etc at the time) and off I went...

I've worked in the industry in other capacities (social media, PR, marketing, etc) from afar (in TX) for many years but eventually really started to do everything I could to pursue the true dream and be a writer. Alas, I wanted to make it on my own without asking for favors nor hookups. I would avoid what I did, if I were you -- GO AHEAD AND ASK FOR HELP. Don't be afraid to. I stupidly took longer than needed b/c I didn't want to be that person that asked for help or yet another friend of a celebrity who needed / wanted something from them. That was dumb. I could've saved myself years of struggling and hustling alone -- alas, lesson learned. 😂

Anyway, I eventually landed a rep via cold email queries. The guy was awful. I've since upgraded to much better reps and have a lot of exciting things happening. Slowly. The pandemic and strikes sidelined a lot and made projects that would've happened 5+ years ago only now start to really happen, but hey -- better late than never.

So yeah, just know that it's a really really REALLY hard time in the industry right now, and the TV space is being hit the hardest. That being said -- somebody still has to write for television. And there's no saying it can't be you, or anyone else reading this. If you can learn the basics of formatting and structure, hone your craft, find your VOICE as a writer, and work really really hard and be patient as hell... you never know what you can accomplish.

[literaryvein-reblogs]

Any advice for those of us looking for supportive friends who also share our love for words and passion for writing? Perhaps online avenues/ (active) writing groups or ways to go about searching for local events or workshops in our communities? ♥️

(First off, love your writing!)

I did a bit of digging on this, and for the most part, it's online writing communities that seem to be frequently suggested. Other than going the university/local community route, which would vary depending on where we live.

Since I can't give you any good advice on this, here are a few tips I found online for finding a writing group:

Find a local writing group near you. Visit a nearby community center. They offer different types of gatherings and courses and might have a writing workshop or group that’s taking new members. Also, check the listings at your local library where people often gather for literary talks or groups. In general, writing groups have a set time and day that they meet. For example, some clubs might meet every second Tuesday of the month. Find a writers workshop that fits your schedule.

Go on a writing retreat. Unlike most other writing groups, going on a writer’s retreat will cost money and is usually a destination event. It’s a writing-intensive place where people go to dedicate all of their time to writing and to connect with other writers. If you have some time to get away, find a writing retreat where you can dedicate a week or more to just writing.

Join different writers’ associations. There are a variety of writer’s associations with local chapters. Connect with an association like National Novel Writing Month—NaNoWriMo—which has group meetups at local libraries. You can also find a writing group by genre, like Romance Writers of America or Mystery Writers of America. Whether you’re in New York City or Milwaukee, you can also find indie writing groups by location. For example, in Los Angeles, there is the Independent Writers of Southern California, which offers workshops, classes, lectures, and writing groups.

Look online. In this day and age, finding a writing group is as easy as searching online. Search for a meetup group near you with other area writers. Narrow your search by genre if you want to commune with writers who have a similar passion. There are groups for authors of every genre.

Find online writing groups. If you’d rather find a virtual group of writers to work with, look online. Here's a list of writing community websites recommended by Writer's Digest.

Start your own writer’s group. If you’re having a hard time finding a community, start your own creative writing group. Recruit other local writers by posting a note at a coffee shop or library, asking members of your book club to join, or posting on social media. One advantage of starting your own group is you can make it what you want. For example, you can start a general writing group that welcomes all writers, like screenwriters, sci-fi writers, fiction writers, and nonfiction writers, or you can keep it to a specific genre. Build your own community, pick a day, find a location, and start realizing the benefits of being a part of a writing group.

Sources: 1 2 3

Hope this helps. But I feel I'm the wrong person for this question. So if anyone has better suggestions, please let us know!

[boydahlia]

I'm so interested in what you do in film class ♡

sweet i love talking about it or anything film related really.. (below the cut cause i talk too much as always)

there's normal quizzes & stuff but for the second semester i mainly write scripts storyboard & film.. i'm in online school this year (transferring in person next year though) so i just film myself lol.. i think the last video i did was an about me type thing.. i'm currently working on a commercial for a (fake) product & a how-to video.. so nothing narrative or anything but it's definitely good practice / experience.. i'm not really great on camera but i power through it.. & i'm a horrible artist when it comes to drawing so my storyboards suck but it's never affected my grade lol.. i'm best at writing scripts i think which is good because i want to be a screenwriter & director & maybe work in costuming a little.. we learn about all jobs in the industry though on & off screen.. it's hard but if you wanna work in film i'd recommend taking film classes if your high school offers them (assuming you're in high school.. but that's just general advice for anyone who is)

editing to add i'd also really want to compose soundtracks for films.. i love music & along with working in film i plan to be a singer :)..

[writergeekrhw]

hi!! i'm sorry if you've gotten similar questions before, but i'm very curious. i've thought about going into writing for television but i don't know where to start, and i also don't want to cross picket lines/scab. do you have any advice?

Well, picket lines aren't a problem anymore, so...

Learn - Watch your favorite shows and movies. Break them down into structure. You can outline as you watch. Scene, Time of Day, Actions, Who Says What. Read great books, consider taking a class on TV writing at someplace reputable online (UCLA Extension is really good). Read about basic screenplay structure and format.

Write - Write the following: 2 spec pilots, 1 episode of an established show that's currently on the air. Maybe a feature. (You probably should buy Final Draft at this point)

Apply for programs: There are studio writing programs that train writers. Getting into one of these can definitely help. Here's a list: Fellowship & Writing Programs for Screenwriters Masterlist — The Writers Guild Foundation (wgfoundation.org)

Keep writing. I had a teacher tell me it took 10 scripts to get good. Have you written 10 full scripts? If no, keep writing. If yes, keep writing.

Consider moving to Los Angeles. Los Angeles is where you can get work as a Writers P.A. or Assistant. That's how you'll get to know writers. It's much harder to do that if you're not in L.A. But also keep in mind that Los Angeles is a very expensive city and you'll probably have to work a civilian job to survive until you get a showbiz one and that it can cost $1500/month just for a room in a shared apartment. So... consider...

Network with peers. Network with fellow aspiring writers you meet in your classes/online/etc. Join a writers group. Be a great person. Help each other. Hopefully you and your peers will all rise together and you'll be able to help each other out once you start getting jobs.

Keep writing. Never stop writing new things.

Rise through the ranks. Hopefully you'll get a Writers P.A. job at some point. Be a good person. Work hard. Make a good impression. Get promoted to either Writers Room Assistant or Showrunner's Assistant. Have a show that goes multiple years. Have your boss (eventually, don't rush it) read your amazing sample which she'll hopefully love. Get a script assignment in a later season. Write an amazing script. Have show go ANOTHER season, get promoted to Staff Writer. CONGRATULATIONS! You've made it.

Keep going. You need to continue to get promoted and staffed for multiple seasons to have a stable career and even then, it'll never stop being a hustle.

ALTERNATIVE PATH: Write the most amazing novel/play/youtube thing/graphic novel/podcast ever and have that optioned into a series and insist on being on staff as a condition of sale.

WARNING: Results are not guaranteed. The odds are NOT in your favor. Try at own risk. Los Angeles is expensive and breaks people. It can take 5-10 years from first script to first job. Or never. Abandon Hope All Ye Who Enter Here. Objects in the Rearview Mirror are Farther Away Than They Appear. Read about Survivorship Bias before taking any showbiz advice from anyone.

[bupphaofficial]

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[johannestevans]

I’m so awed by your uncanny ability to critically analyze character and narrative. I wanted to ask- how did you hone that skill? Do you have a college degree?

I don't, in fact - like many Tumblr users I am a university drop out. I really started to struggle academically once I was about fourteen or fifteen, not because of lack of ability in terms of analysis and awareness or even desire to research, but because I really struggled with academic structure, discipline, and deadlines. I had to resit my A-levels to scrape in enough CAO points to get into NUIG, and then I ended up having to do some resits there as well before ultimately giving up after my second year because they changed my Film with Arts course out from under me, insisting I had to go and do a placement when previously it had been agreed I'd be able to pursue screenwriting modules in my third year.

I do still want to return to academia potentially at some point with a prescription for Vyanese or another ADHD med, as I think I'd be better able to cope with the structure then, but honestly, academia really punished out of me a lot of love I have for doing critical analysis, and has given me a lot of anxiety about pursuing a lot of essays I otherwise would write / have completed and published where other people can see them.

A lot of what I do really is just asking a lot of questions - why? how? when? - and trying to come up with answers for them. The more you do it, the better you get at it.

For me, the sort of character- and narrative-analysis I do was mostly something I did naturally as a very engaged child with fiction and television, and then was rewarded when I got online and was able to write up big bits of meta on Tumblr and in general online. I tend to notice a lot of details and enjoy interpreting them and stringing them together - it's the same way I write myself, so I get a lot of juice out of watching different shows or engaging with other texts - written fiction, radio shows, film, etc - and considering the different layers of interpretation.

In university and my A-levels, one of the regular set tasks was examining texts from a particular consideration of ideology, like thinking about how the author(s) are considering x topic, or from a feminist or Marxist perspective; what I do is generally consider character first, broader narrative second, and at the same time consider things like historical context, class, gender dynamics, and then how/why the work seems to have been made the way it has. When/if the writers' room has been changing, where you can see a budget change or a swap over in story direction, such as when a main producer has left, where they've lost their studio and had to change location, where the audience response / political backlash to an arc encouraged a change, where an actor has left, etc.

It makes me sound unbearable to be around - and it's not inaccurate to think that - but I'm also like this just in real life.

I do analyse other people's behaviours - friends and loved ones, strangers on the bus, animals, people on the news or the radio; I talk to interesting strangers; I eavesdrop eagerly when I hear interesting conversations in public; I walk off when I see a glimpse of something interesting and let myself explore; I search things that catch my eye. I ask a lot of questions and make a lot of inferences when I can't get the answers directly.

A lot of trauma survivors and people from high-risk backgrounds - the latter I'm particularly thinking of sex workers, sexual abuse survivors, and child athletes and actors because those are the most common in my social circle - learn very young to profile and analyse other people's behaviour around them as a way to look for and measure risk and to make an unpredictable world potentially a bit more predictable, especially a world wherein other people generally have more power than you do.

It sounds a bit cynical, but a lot of my enjoyment watching TV shows is pretty much an extension of that. I've just learned to extend what was, as a child, more of a trauma response, into something that gives me a lot of love and passion and excitement, and bolsters my interests.

Not sure if this is the explanation you wanted or expected, Anon, but hope it helps!

[dykeofmisfortune]

serious question guys what should i do with my life. feel free to throw ideas out there. my stats are:

english and media studies double major and i'm really good at school (i had a 4.0 until one A- because the grades in that class were all group projects and my groupmates brought me down)

i like film/art/literature/music

i sound design for theatre and i know audio/video editing

i like to archive and organize things (im an archivist for the radio station which is niche as hell but whatever literally top 3 extracurriculars idgaf)

i'm into community organizing and help with protests

i have considered law school because i'm really passionate about seeking justice for victims of sexual assault specifically especially in the entertainment industry and i am like rly knowledgable about PR firms and practices unfortunately (media studies major) and i'm also really good at reading and writing (english major)

i have tried journalism/blog/article writing (newspaper online blog/magazine, substack) but i didn't enjoy it as much as i thought i did and it became a lot of pressure to deliver articles on top of work and school. do you guys think i should try it again?

i theoretically like creative writing / playing music / creating art but i genuinely don't have the work ethic to follow through, it's lowkey more like a hobby. i have been good at it but i haven't produced anything new in a while

^ my "dream job" as a kid has been to be a screenwriter who works their way up and create their own TV show and i've taken a screenwriting class and found out i'm good at it. but again. my work ethic when it comes to being creative ����

[haggishlyhagging]

“Women rise to [feminist] fame not because they are lauded as leaders by other feminists ... but because the mainstream media sees in them a marketable image a newsworthy persona upon whom can be projected all sorts of anxieties, hopes, and responsibilities,” wrote Rachel Fudge in a 2003 essay on the struggle to reconcile activism and renown. This is important, both as it relates to feminism's past and to its improbable embrace by mainstream American pop culture. On one hand, social movements need the diplomacy and charisma of people who can speak and agitate on behalf of them. On the other, the need to distill complex ideas and goals down to their most simple and quotable talking points has unquestionably done harm to those movements, feminism included. Mainstream attention has oversimplifed complex issues the wage gap, the beauty myth, the debate over decriminalizing sex work and misrepresented goals. It has attributed collective successes to one person and minimized the plurality of feminist movements themselves. And it has turned countless would-be colleagues and compatriots into foes scrapping over crumbs of access and affirmation.

Jo Freeman's Ms. article "Trashing: The Dark Side of Sisterhood" still regularly makes its way from inbox to inbox because the anguish with which it articulates the process of being sidelined, gaslighted, and shunned—all in the name of sisterhood—is still so relevant. Freeman defined trashing as something that often masquerades as critique but is wholly different: "a particularly vicious form of character assassination" that "is not done to expose disagreements or resolve differences" but "to disparage and destroy." After its publication in 1976, the piece garnered more letters than any previous piece in Ms.—"all but a few," notes the essay's current preface, "relating [the writers'] own experience of being trashed." Formerly a member of the Chicago branch of radical feminists, Freeman left the movement completely after her deflating experiences. But two of her essays, "Trashing" and "The Tyranny of Structurelessness"—the latter an outline of the idealistic, leaderless context in which trashing often occurs—still put words to ongoing phenomena.

Individual feminists are used to being insulted and bullied by people who bear an inventory of beefs with feminists in general, especially these days, and inevitably online. Trashing or its contemporary cousin, "calling out," is different and usually a lot more painful because it comes from fellow feminists. Thanks in part to social media, trashings have become more public and more frequent with participants, as feminist sociologist Katherine Cross put it, "hyper-vigilant against sin, great or small, past or present." It's possible for trashings to start out with a core of completely valid critique but spiral outward into chaos as more people pile on and context is diffused. Some are way pettier: I was once informed that I was being trashed on an online bulletin board because I hadn't posed an apparently crucial question to a screenwriter I'd profiled. Trashings might be focused on an ideal of ideological purity: "careerist," for instance, is a sneer aimed at feminists who have the temerity to want to be known (or at least paid) for their work. Other trashings might result from an opinion that's unforgivably at odds with current feminist orthodoxy.

The competitiveness that leads to trashing obviously isn't unique to feminist movements, but as many people have pointed out over the years, it's likely to thrive within them because so many women, across ages and races and classes, are socialized to see themselves as connectors and uniters rather than experts and leaders; it's even more likely to fester because of the unmended rifts of past feminist movements. The incendiary tone of trashing is also heightened because the line between one's activism and identity is often as substantive as a vapor trail; trashing someone's work becomes indistinguishable from trashing the person themselves.

-Andi Zeisler, We Were Feminists Once

[gornackeaterofworlds]

❤️💛🩷🎧🔐🖇️⭐️ for the ask game!!!

❤️ how tall are you?

4'10 and three quarters, last I was measured

💛 what is your favorite feature on yourself?

Hmmmng. I hate sucking my own cock here.. My eyes, thick hair, or fat ass ☝️

🩷 dream job?

Doing my drawings and writing for a living. I wanna be a screenwriter or creative director !!!!!!!!! Sigh

🎧 last song you listened to

Done For from Epic, I've been listening to it all day bc it connects so well to a Butterfly Effect plot point in my head

🔐 something no one would guess about you

Idk what y'all think about me to begin with. When I know that I can answer ig. But otherwise, people seem to be surprised I draw on my phone? That's all I got unless I know people's opinions

🖇️ what are your favorite asks to answer

Any of them. Especially ur asks. I barely get asks. I crave asks about my work

⭐️ what is one of your biggest accomplishments? Why is it so important to you?

See, that's tough when ur a loser who hasn't done anything. I genuinely haven't done anything. I'm surprised I even graduated online class, that's how abysmal my life had been going. And it's still pretty bad, I'm unemployed with not even a bank card or license.

All I got, after a lot of thinking, is the fact I'd pulled myself out of my depression, albeit briefly. I was disgustingly struggling for years from lockdowns up until late 2022. Then I got my cats, and started growing tomatoes, and I actually had to pick my ass up out of bed and care for creatures. Up until last summer when we had to move and I am now homeless, I was getting better mentally. At least, in comparison to how I'd been. Found out a lot about myself, like how I need privacy and a lot of irl solitude to function and be productive, and I love waking up super early.

But actual achievements? Y'know I think the surprise question is answered with this: I'm fucking boring

[asordinaryppl]

A3! Main Story: Part 4 - Act 13: Budding Spring - Episode 15: Ketchuped Thoroughly

Employee A: I apologize for the inconvenience.

Employee A: We are doing relatively well in English-speaking countries and Asia, but this region is difficult and not a lot of people within the company can help…

Employee A: I’m considering out-sourcing, but I have yet to receive approval. Please at least correct the parts that don’t make sense through machine translation.

Chikage: I can do this much quickly, it’s alright.

Chikage: …

[Keyboard keys clicking]

Chikage: (Is this the last one?)

Chikage: — —

Chikage: (... Same last name? I’m starting to develop a bad habit of reacting on reflex.)

-

Tsumugi: It’s been a while since the voting period started, but the notifications for debut performances don’t seem to be letting up.

Kazunari: There are still a lot of announcements about new theater companies being formed and member recruitments~

Kumon: Oh yeah. A kid in my class also said they wanted to try acting.

Tsumugi: As more people are exposed to theater, more of them want to try it out.

Tenma: And because of the SNS voting, more and more companies are focused on online distribution.

Omi: While working on a photoshoot the other day, I met someone who works in the video industry, and they said they suddenly got a lot busier.

Yuki: There’s also comments from overseas on online reviews.

Tasuku: As they said in the press conference, the New Fleur Award is revitalizing the world of theater.

Azuma: That’s amazing, considering it’s only just begun.

Sakyo: Yukio-san’s the kind of person to be smack-dab in the eye of the storm when it comes to theater. 

Guy: He has gotten busier as the award gains more attention. He has been doing a lot of interviews together with Kamikizaka.

Sakyo: Well, I’m sure Reni-san’s handling that part just fine.

Yuki: The reviews on En.com are also increasingly rapidly, but there’s a lot of bad ones.

Yuki: Even plays by famous troupes and screenwriters have comments like, “They spoke too fast, and I didn’t understand a thing, the costumes were cute tho”.

Yuki: There’s also, “I didn’t understand why, but they suddenly broke into contemporary dance. It was interesting overall, however.”.

Azami: Honest but harsh, huh.

Sakyo: They probably don’t understand the artistic beauty of theater and are just sharing their first impressions of it.

Tsuzuru: They’re interesting to read, but it’s scary to think how that might be us next time.

Sakuya: I wonder what they’ll say about us…

Izumi: Don’t think about it so much and get discouraged. We’ll be fine if we do things as we usually do.

Itaru: Tru. If we worry about it too much and worry our fans, we’ll be putting the cart before the horse.

Yuki: It’d be a good idea to keep review checking in moderation.

-

Yuzo: Good morning.

Tsuzuru: Good morning.

Sakuya: Good morning! Thank you for today!

Izumi: Sorry for calling you here when you’re also busy with your own troupe.

Yuzo: I don’t mind.

Itaru: Have you thought of any strat for the New Fleur Award, Yuzo-san?

Yuzo: We’re just gonna do what we usually do. The pre-voting stung, though.

Izumi: MANKAI Company came up 70th.

Yuzo: We got 103rd.

Sakuya: Lower than us!?

Tsuzuru: Even though you sell out all your tickets and have a loyal following…

Yuzo: Most of our fans are pretty old.

Yuzo: There’s probably people who didn’t know about the pre-voting, or they just didn’t know how to participate.

Yuzo: It seems like it’ll be an uphill battle, but all we can do is be ourselves.

Yuzo: Well, this round ain’t over. We’ll go at our own pace, with no rush.

Yuzo: Still, Yukio-san threw a curveball at us like he always does. I’m always amazed at what he can come up with.

Izumi: Haha… You can say that again.

Yuzo: Alright. If you’ve finished getting ready, let’s start.

Sakuya: Yes! Thank you very much!

-

Yuzo: …

Izumi: What do you think…?

Izumi: (It’s been a while since I last felt this nervous…)

Yuzo: Hah… As rough as ever.

Yuzo: Since it’s a sequel to your debut performance, your interpretation of your characters is good. What you’re lacking on is spirit.

Yuzo: And Tsuzuru, you’ve still got your doubts about the script, so you can’t concentrate on acting it out, yeah?

Tsuzuru: … Yes.

Yuzo: The rest of you guys are too caught up in wanting to put on a good show in order to produce good results for the ranking.

Yuzo: Having to put on a good performance is common sense. I’m sure you guys understand that by now.

Yuzo: So, you need to think about what you want to convey and achieve through this performance on top of that.

Yuzo: Do you want a better place in the rankings, or do you want to show how much you’ve grown…

Sakuya: — —

Yuzo: It’s not a bad thing to want the audience’s reception to be positive, obviously. But if that’s all you’re aiming for, then this is all just a way to earn points.

Yuzo: All your thoughts will be things like, “if we do this we’ll get more popular and get more points” and “if we do that we’ll get extra points”. But what we’re doing here is theater, not a competition.

Yuzo: What is you guys’, what is the Spring Troupe’s acting all about? Who are you doing it for? For what purpose?

Yuzo: You’re doing a sequel for your debut play. What did that debut mean to you guys?

Yuzo: If you’re going to go through with this, wouldn’t it be a good idea to discuss and re-evaluate your origins?

Yuzo: …Heh, but do so with some self-discipline, yeah?

Izumi: (I wonder if Yuzo-san also has various concerns regarding the New Fleur Award?)

Izumi: (No, I’m sure troupes other than Yuzo-san’s do too… It’s not just us.)

Izumi: (What role should our theater company have in this world of theater that is rapidly changing in front of our eyes…)

Izumi: (We may have to re-evaluate the direction we’re headed in.)

-

Citron: It’s been a while since he ketchuped us so thoroughly~

Masumi: Criticized us so thoroughly?

Itaru: But he’s upped his kindness levels recently.

Chikage: Doesn’t that mean he approves of us?

Masumi: But the parts that are no good have become much harder to fix.

Sakuya: That’s true… We can’t come up with an easy answer this time. Our acting… Our origin…

Tsuzuru: It’s surprisingly difficult to just be ourselves.

Chikage: Probably because we’re the ones who understand ourselves the least.

Izumi: We chose to make a sequel of our debut performance with the intention to go back to our roots and remember our beginning…

Izumi: So, what do you think was the best thing about the original RomiJuli?

Sakuya: Honestly, I think I was pretty bad at acting. All I had going for me was how badly I wanted to act.

Tsuzuru: Though those feelings of yours haven’t changed.

Sakuya: Yes! If anything, I love and treasure acting even more now.

Masumi: So, we have to find what our current selves are “lacking”.

Itaru: I do feel like my current self is more absorbed in acting than I was back then.

Chikage: Our bonds have deepened, and we’ve all leveled up.

Citron: I can not think of anything we’re lacking~....

Masumi: But I understand what Yuzo’s saying.

Tsuzuru: Right… He’s also right about me still doubting the script.

Chikage: A difference from our debut performance, huh… For better or worse, it’s no longer our “first time” acting.

Itaru: You mean, like our freshness has disappeared? I guess a writer’s debut work always has a certain kind of oomph to it.

Sakuya: A “beginning” only comes once, so it’s not something we can replicate…

Tsuzuru: So in a sense, we’ll never be able to surpass our debut performance…?

Itaru: Sad but true.

Masumi: Something that can’t be surpassed despite our growth…

Itaru: A “first time” and the image of innocently rushing forward both have a certain kind of impact.

Sakuya: Hmmm…

Izumi: …

Izumi: (Everyone’s mood dampened.)

Izumi: Let’s put this on hold, think about it individually, and then have another meeting.

Tsuzuru: ‘Kay.

Itaru: … Good idea.

[Phone vibrating]

Sakuya: Oh–

Izumi: The meeting’s over, so it’s okay if you go out.

Sakuya: I’m sorry, please excuse me.

[Sakuya walks out]

Sakuya: — —Hello, This is Sakuma speaking.

Sakuya: Ummm, I’m sorry. About that…

Iv: long af maint shiki: i’ve got a test tomorrow, so i might not be on much Iv: we start on thurs Kar: gl Iv: aren’t you also starting soon Kar: been at it since the day before ytd Iv: oh you already did shiki: you’re so chill about it momo has entered the chat Kar: sup shiki: you’re late today Iv: have your tests started too? momo: i ran away from home Kar: sudden mood shift lmao

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