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#Probably the lowest I've been on the show so far
mario8th · 9 months
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You Can Try
(HxH 26-29) I'VE BEEN LIED TOO There IS a new intro song!
As soon as it started I realized it was a different version
But I heard the claim that HxH uses the "same intro song" throughout, but thta's just wrong! There's different lyrics and instrumentals, they only share the same melody.
I decided to watch this batch a bit early (potentially really early since Monday is Christmas and might not have an episode) because I just wanted to sit back and watch something for a bit, keep my brain turned off.
Anyway, after the episode recap, these episodes were once again… fun, I guess.
We're definitely getting into some more Anime moments. Some are cute, I liked how Gon and Killua copied new kid's shout.
And then there's the whole superpower thing or whatever. Like, it's fine, I guess. They had to explain it at some point. The kids had to learn it at some point. But like
Aside from the cute moments, seeing Gon being cheerful yet determined, seing Killua adore Gon while maybe being a bit too cocky himself, like what even happened in these episodes?
They rose through the ranks. Got a bunch of money. Learned about this skill. Rose more. Found Anime Joker. Learned the skill for real. Gon began his next fight.
If anything, I wanted to keep watching just to see if something happens in the next episode! And I don't even like fighting in these shows that much!
And maybe I missed it in the subtitles, but teacher's reason for not teaching them the first time, and then teaching them when they got to 200… didn't make sense?
Well, ending positively, I really enjoyed all the new music throughout. Many new fun themes during the show, and finally, Finally, they have a new end credits theme that is both so much better then the first, but actually just great in general.
Also, side note. Media Club Plus Plus, the patreon exclusive episode. I aint watching Dragon Ball. You aint gonna get me to watch Dragon Ball. I'm just gonna listen to the episode.
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soleminisanction · 6 months
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I got a bee in my bonnet and spent last night crunching these numbers to confirm a long-held suspicion of mine, and now I'm going to do something with them even if it's only interesting to me. So.
I went through and tallied up all of the fics AO3 currently (as of 3/27/24) has under the tags "Trans Tim Drake," "Nonbinary Tim Drake," "Genderfluid Tim Drake" and "Genderqueer Tim Drake," since I figured that cast a wide enough net without committing myself to reading every fic vaguely tagged Trans Character to figure out which character they were talking about.
I then did the same for Dick, Jason, Damian and Bruce and, after comparing those numbers against each other and against the total number of fics each character has under their general tag, followed up with Duke, Babs, Cass, Steph and Kate, and then Kon, Cassie, and Bart for good measure.
The results confirm the suspicions I was going into check and are really interesting, to me at least:
Despite having far fewer stories overall than Jason, Bruce or Dick, Tim has by far the most stories tagging him under the trans umbrella (653 out of 58,395) and is the only member of the Bats for whom at least one full percent of his stories fall under that category (1.12% to be exact.) He actually has more total trans stories than Jason and Damian combined (308 out of 71,120 and 255 out of 42,607, equaling 0.43% and 0.59%, respectively) and outstretches the 2nd place ranker, Dick, by over a hundred (who clocks in at 438 out of 79,057 -- 0.55%). Bruce amusingly has by far the most stories overall (90,305) but the fewest trans stories (185) for the lowest percentage among the boys (0.2%).
The only one who comes anywhere close to matching Tim percentage-wise is Bart, who has far fewer stories to his name but a ratio of 62 out of 5,717 for 1.08%. I was thinking maybe Young Justice might have a higher percentage than the Bats due to their strong queer fandom but that only really proved true for Bart, with both Cassie and Kon coming in at only 0.2% and 0.28% trans umbrella percentage respectively (actual count 6 out of 2,874 and 39 out of 13,746).
Cassie's numbers correspond with the fact that women just, do not get a lot of these stories, at all, even compared to the general lack of attention they're paid by fanfiction spheres in general. Steph and Kate both clocked in at falling 0.17% under the trans umbrella (29 out of 16,638 for Steph, 5 out of 2,897 for Kate); Cass got 0.13% (21 out of 15,769) and Babs only 0.07%, the lowest percentage out of anyone I calculated for (11 out of 15,785). Duke's showing was a respectable 0.55% (34 out of 6,166) which puts him about even with the rest of the boys.
All of which I just went through to confirm a gut instinct I've had for a while: even in light of the noticeable trend in fandom towards increased visibility for trans and other queer-gendered people over the last decade and a half or so, it's a notable Thing for the DC comics fandom to explore with Tim Drake in specific.
And that doesn't even take into account things like the over 200 "Tim Drake is Catlad | Stray" fics, which almost always have some element of queered gender or at least femme'd sexuality to them, far outstripping any of the other Robin boys' spins in that AU (those counts stand at, respectively: Damian - 11, Dick - 33, Jason - 79, Tim - 242). Or the 11 fics logged under the "Tim Drake is Batgirl" tag, a category that doesn't even exist for any of the other male Robins.
(What makes that last one extra hilarious to me that most people don't know one canonical version of Tim has been a member of the Batgirls.) Part of me wants to use that parenthetic detail as a segway to ramble about the various canon snippets I think probably contributed to this, from Tim being presented as "the pretty one" who most often gets the "looks like his mother" comments to the fact that he is the only male Robin who's ever cross-dressed for an undercover mission and even though it only happened once the Internet will never forget Caroline Hill.
But this post is long enough as it is and I don't really have a point beyond I think this is interesting and cool so I'm going to leave off here for now and put my numbers under a cut so people have the raw data to look at if they'd like to.
TL;DR - Based on the numbers, the internet believes Tim Drake is more likely to be trans than any other member of the Bat-family or Young Justice, and I think that has interesting implications about his character and fandom. It's neat.
Data Taken: 3/27/24
Tim Drake: 58,395 Trans Tim Drake: 513 Nonbinary Tim Drake: 46 Genderfluid Tim Drake: 89 Genderqueer Tim Drake: 5
Dick Grayson: 79,057 Trans Dick Grayson: 399 Nonbinary Dick Grayson: 15 Genderfluid Dick Grayson: 23 Genderqueer Dick Grayson: 1
Jason Todd: 71,120 Trans Jason Todd: 286 Nonbinary Jason Todd: 17 Genderqueer/Genderfluid Jason Todd: 5 (4 have both tags and are the only ones tagged Genderqueer Jason Todd)
Damian Wayne: 42,607 Trans Damian Wayne: 215  Nonbinary Damian Wayne: 37 Genderfluid Damian Wayne: 3 Genderqueer Damian Wayne: 0
Bruce Wayne: 90,305 Trans Bruce Wayne: 180 Nonbinary Bruce Wayne: 5 (2 also tagged Trans Bruce Wayne) Genderfluid Bruce Wayne: 1 Genderqueer Bruce Wayne: 1
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Total Trans Umbrella Tim Drake: 653 Total Trans Umbrella Dick Grayson: 438 Total Trans Umbrella Jason Todd: 308 (313 if you count the GQ tag separately) Total Trans Umbrella Damian Wayne: 255 Total Trans Umbrella Bruce Wayne: 185 (187)
Percentage Trans Umbrella Tim Drake: 1.12% (1.11825) Percentage Trans Umbrella Dick Grayson: 0.55% (0.55403) Percentage Trans Umbrella Jason Todd: 0.43% (0.43307 or 0.44010) Percentage Trans Umbrella Damian Wayne: 0.59% (0.59849) Percentage Trans Umbrella Bruce Wayne: 0.2% (0.20466)
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Duke Thomas: 6,166 Trans Duke Thomas: 20 Nonbinary Duke Thomas: 14 Genderfluid Duke Thomas: 0 Genderqueer Duke Thomas: 0
Barbara Gordon: 15,785 Trans Barbara Gordon: 11 Nonbinary Barbara Gordon: 0 Genderfluid Barbara Gordon: 0 Genderqueer Barbara Gordon: 0
Cassandra Cain: 15,769 Trans Cassandra Cain: 15 Nonbinary Cassandra Cain: 6 Genderfluid Cassandra Cain: 0 Genderqueer Cassandra Cain: 0
Stephanie Brown: 16,638 Trans Stephanie Brown: 27 Nonbinary Stephanie Brown: 2 Genderfluid Stephanie Brown: 0 Genderqueer Stephanie Brown: 0
Kate Kane (DCU): 2,897 Trans Kate Kane: 4 Nonbinary Kate Kane: 0 Genderfluid Kate Kane: 1 Genderqueer Kate Kane: 0
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Total Trans Umbrella Duke Thomas: 34 Total Trans Umbrella Barbara Gordon: 11 Total Trans Umbrella Cassandra Cain: 21 Total Trans Umbrella Stephanie Brown: 29 Total Trans Umbrella Kate Kane: 5
Percentage Trans Umbrella Duke Thomas: 0.55% (0.55141) Percentage Trans Umbrella Barbara Gordon: 0.07% (0.06968) Percentage Trans Umbrella Cassandra Cain: 0.13% (0.13317) Percentage Trans Umbrella Stephanie Brown: 0.17% (0.17429) Percentage Trans Umbrella Kate Kane: 0.17% (0.17259)
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Kon-El | Conner Kent: 13,746 Trans Kon-El | Conner Kent: 19 Nonbinary Kon-El | Conner Kent: 19 Genderfluid Kon-El | Conner Kent: 1 Genderqueer Kon-El | Conner Kent: 0
Bart Allen: 5,717 Trans Bart Allen: 40 Nonbinary Bart Allen: 20 Genderfluid Bart Allen: 1 Genderqueer Bart Allen: 1
Cassie Sandsmark: 2,874 Trans Cassie Sandsmark: 4 Nonbinary Cassie Sandsmark: 2 Genderfluid Cassie Sandsmark: 0 Genderqueer Cassie Sandsmark: 0
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Total Trans Umbrella Kon-El: 39 Total Trans Umbrella Bart Allen: 62 Total Trans Umbrella Cassie Sandsmark: 6
Percentage Trans Umbrella Kon-El: 0.28% (0.28371)  Percentage Trans Umbrella Bart Allen: 1.08% (1.08448) Percentage Trans Umbrella Cassie Sandsmark: 0.2% (0.20876)
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purpleserpents · 2 months
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insane ramblings
trying not to lose too much sleep over the latest leaks (and failing).
genuinely miserable thinking about alicent’s potential suicide attempt. the only thing that would make it even worse if she does it during some sort of random journey with criston outside of kings landing. there is speculation that this scene is somewhere in the crownlands. at the same time there is speculation that criston is not present in this scene because fabien wasn't on set with olivia.
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my only sliver of hope is the rhaenicent end of season reunion, which i would say it's almost guaranteed. i'm guessing that they'll probably parallel the sept scene fairly heavily. i would love to see the inversion of roles taken to the fullest extent. in 2x03 alicent looks so regal in the sept, and rhaenyra meets her as a septa, dressed as a common servant of the realm. it would be crazy to now see dragonstone rhaenyra in her best dragon scale dress meeting alicent at her lowest point of the season, disheveled and suicidal, begging for some semblance of peace. i would probably cry but it would make for great storytelling.
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my fear is that they’ll take the parallel too far because they can’t write for shit and alicent will leave somewhere that will make the story worse. olivia has mentioned alicent finding freedom in the final arc of this season, and this is really what's eating at my brain. the places alicent could go longterm:
dragonstone: if the rhaenicent reunion happens, she will have to stop at dragonstone regardless. some possible theories: 1) alicent could be taken prisoner here, but the fandom consensus seems to be that it's too early for that. this would also be the complete opposite of alicent finding her freedom, as olivia has implied. so i think this one is unlikely. 2) alicent stays in dragonstone with some sort of agency. i think the best possible version of this would be a full alicent turncloak arc. this would obviously be another huge deviation from the books, but i've seen some really interesting speculation about how if alicent had switched sides, TB could have spun it as alicent being taken captive, which would look a lot less bad. this would be so good -- it would call into question the way that history has been written, which is the best space for the show to exist in imo. there is also the snippet of rhaenyra saying "history will paint you as a villain" in a teaser, with the word "villain" being possibly dubbed in another language in the feminine form (i haven't confirmed this myself). this line could be definitely be said to alicent during their reunion, and, in my wildest dreams, could be part of the turncloak arc. the main thing that stands in the way of alicent turncloak actually happening (besides bad writing and the centuries long oppression of lesbians) is helaena. i don't think alicent could leave helaena and jaehaera alone. one day i will write about alicent, helaena, and jaehaera flying to dragonstone with dreamfyre, because i am insane. (but, seriously, if you were to write a turncloak alicent arc, it would be genius for alicent to bring her clairvoyant daughter - the enemy queen - and aegon's only heir over to the other side). they will never write this because they hate me.
oldtown: it would be an insane amount of traveling, especially if she has to meet rhaenyra first, but the leaks suggest she's going to oldtown. on one hand, they might be able to do something cool with daeron (thought he hasn't been cast). on the other hand, i think it would take some really good writing to paint alicent going back to her shitty father in oldtown as her "finding her freedom." to me, alicent going to her home town to be lady hightower would be a major character set back. it would be a different scenery, she would be far from her royal sons, but she would still be stuck in duty, just in a new font. i honestly don't want them to add oldtown scenes to the show. it will be another location, another story thread to follow. hopefully they don't do that, but they might choose to for some new season 3 terrain
nowhere?: alicent is clearly starting some sort of spiritual journey in kings landing in the last episode alone. hitting her breaking point, even leaving kings landing for the suicide attempt + rhaenicent reunion could be a freedom arc for a while, even if she comes back. i think it is possible that she will just come back to kings landing, and that we are associating freedom too much with alicent's physical location.
no matter what happens, the leaks feel insane but fairly plausible. the most unrealistic thing i see is the amount of fast traveling. having alicent do a continental tour of westeros feels like a really dumb way to attract similar criticism to later seasons of got.
i have to laugh, i could be living my life like a normal person if i had never started this show
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notfreetoday · 1 year
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MPW Ep 5 Subtitle Corrections
Masterlist: EP 1 || EP 2 || EP 3 || EP 4
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Y: 釣り合うわけないじゃん Y: 相手はよりによって これだぞ これ Y: There's no way (I) can match up (to him) Y: To this (person), of all people, this!
Ep 5 is about Yoh struggling with his desire to "match up" to Segasaki, and the objective difference that he sees between the two of them. It's different from Ep 2's struggle - which arose chiefly because he felt insecure about where he stood with Segasaki. This time, Yoh's struggle is predominantly with himself - because now he has to face up to his worst fear confirmed - that maybe he really is incompetent. And this time, he has to do it without the aid of alcohol too.
I've seen a lot of people talk about how Segasaki shows Yoh his love in every way but in words, and that that's the reason for their miscommunication - but that's not true. He may not use the word "love" or "like", but culturally these words are not often used anyway. What Segasaki does say however, multiple times throughout the show in fact but most clearly in this episode, is essentially "I like it when you depend on me". It's as direct a reassurance as you can get to the fear of being hated because of his perceived incompetence - but that's just the thing - Yoh's perception is skewed by his self-judgement. So, it's not that Segasaki can't use his words - the problem is that Yoh isn't ready to listen yet. Despite this, Yoh's confidence in his relationship with Segasaki is growing every episode. He might not realize this consciously, but it's right after Segasaki comforts and cares for Yoh at his lowest, that Yoh also drops to what is arguably the most casual speech level he's ever gotten with Segasaki (thus far) - and in response, so does Segasaki.
So, same translation disclaimer applies, Ep 5, let's go! (no twitter space for EP 5 probably because of the fan meets).
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Y: 学生時代から不定期でもらってた単発の仕事も途切れて Y: 完全無職だ Y: あ、せめて、家事ぐらいはちゃんとやらないと Y: Now that the one-off jobs I've been receiving on an irregular basis since I was a student have been cut off Y: I'm completely jobless Y: Ah! At the very least, I have to do something as small as the housework properly.
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Y: だって そういうのがすきなんだよ、俺は Y: But, actually, that's what I like Yoh's explicit use of the personal pronoun "I" here again emphasizes that this is his own opinion. The way this sentence is phrased also gives the impression that Yoh feels a little aggrieved at the whole "your male characters are irritating to male readers because they're too perfect" explanation his editor gave him.
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Y: *そりゃ、ほっといたら描いちゃうよ Y: **お前のせいだ Y: お前みたいなのが ***近くにいるから Y: バーカ Y: *Well I mean, if I'm left to my own devices then I'll end up drawing (him) Y: It's all your** fault Y: It's because someone like you, is (always) around*** me Y: I~diot. *The "aggrieved" feeling is even stronger in this sentence - Yoh is basically saying that he doesn't set out to draw the characters that way - it just sort of happens, and well it's not his fault, because as long as no one (including he himself) is paying attention to what he's drawing, well then, the characters just turn out that way. ** This is the first time that Yoh has referred to Segasaki using the informal pronoun "お前 (omae)" for "you". Depending on the context, it could be considered a rude pronoun, but is mostly just seen as a marker of masculine speech, and thus leans more towards being simply "impolite". It's the same pronoun that Segasaki uses when he speaks to Yoh - but Yoh usually uses the slightly more polite "あんた(anta)" instead, both in his head as well as when he speaks aloud. The switch here emphasizes Yoh's accusation, that this is all Segasaki's fault. ***the phrase here is often used to say that someone is "by your side" or "here for you" and doesn't only refer to physical distance. So, although he's using "omae" and "blaming" Segasaki for his characters turning out looking perfect, these 4 lines actually still sound pretty intimate. Together with how he drags out the word "idiot", this is very clearly Yoh's amae, similar to what we saw in Ep 4. I... will probably write a post about amae as well, because it's so important to their relationship.
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Y: 洋服を着たまま海に溺れるように Y: 暗いものが染み込んで Y: 黒いものを吸い込んで Y: ブヨブヨになった体はずっしりと Y: 重く 重く。。。 Y: It feels as if I'm drowning in the ocean whilst fully dressed Y: The darkness seeping into (me) Y: The blackness pouring into (my mouth) Y: My body, now swollen, sinks heavily down Y: So heavy. So heavy.
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S: なんだ いるじゃねぇか S: 電気も付けねぇで 何やっ S: Oh so you are here S: Not even switching on the lights, what were-
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S: *あちゃ~ これやり直しだな S: *Ahchaa... This needs to be redone then..
*This is just a sound that you make similar to "oh man..." so I'm not sure why it was translated so forcefully as "it's no good"😅 This sentence is another example of soliloquy, or talking to oneself aloud, that is common in Japanese.
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Y: ご飯、ない Y: ごめんなさい Y: すぐ準備する S: *しょうがねぇなぁ ほら立て S: 行くぞ Y: Food... there isn't any Y: I'm sorry Y: I'll make it soon S: *What do I do with you... come on stand up S: We're going
Yoh is really down here because he loses practically all his words. His first sentence is literally "food, none", and when he says I'm sorry he uses the casual (but full) version "gomen nasai" instead of "suimasen" like he usually does. It makes him sound a lot younger than usual, and overall just adds to the kicked-puppy vibe really well. *しょうがねぇなぁ (shouganee naa) - this is a common phrase that literally translates to "there is no way (to deal with this)" or more commonly "(this situation) can't be helped". It's used to express a sort of acceptance, like in a "oh well, it can't be helped, so don't feel too bad" or "well there's no way this could've been avoided, so let's just get on with it" sorta way. Here, the way Segasaki adds "naa" at the end with a rising tone, actually makes it sound a little indulgent - like when you find your puppy made a mess but it's too cute for you to feel upset and you just love it more. (Also, this is a really common way to show affection between characters in dramas/anime - when one character is down in the dumps, another will be like "well what am I going to do with an idiot like you, I guess I have to help, right?")
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S: 葉 とりあえず 口開けろ S: Yoh. In any case, open your mouth first
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S: ごちそうさまでした (gochisousama deshita) S: Thank you for the food This is a standard phrase said at the end of a meal (it's counterpart is "itadakimasu - I gratefully partake" said at the beginning). It expresses gratitude to everyone involved in making the meal possible - from the farmers who grew the vegetables to the person who cooked the meal, and yes, even to the animals themselves. Usually, you would say this to the person who made the meal, or the one treating you to it, but it's Segasaki here who leads the saying of this phrase. This isn't weird at all, given the broad meaning of the word, but it is reminiscent of what a parent would do at home, or a teacher would do in school (Japanese teachers eat with their students in class).
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S: なんか落ち込んでんの? Y: 漫画が とてもだめです* S: You seem a little down about something? Y: My manga is... really bad.* *desu form is back, to give emphasis to this sentence. That said - and I'm really not trying to belittle Yoh here - but similar to the "food, none" phrase earlier, this sentence is just so short and simple that it just makes him sound, well, young. Imagine asking someone "you don't seem to like that person?", and they look at you all serious and say "they're a bad person" - it just sounds unexpectedly young and innocent, and the whole "desu" at the end just tops off the kicked puppy vibes for real. It's why Segasaki snorts a little and smiles.
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S: お前漫画がだめだと こうなんの? S: えっ そんだけ? Y: うん S: ふーん Y: そんだけってなんだよ Y: こっちは 今にも 死にそうな気分なのに
S: So when your manga is bad you become like this? S: Eh? That's all? Y: Mm. S: Hmm~ Y: What do you mean "that's all?" Y: When here I am feeling like I'm about to die soon In case you were wondering, "that's all?" in Japanese sounds exactly as it does in English, so no blaming Yoh here for being all 😟 about it.
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S: ほら* 早く来い S: Now, come here, quickly. *ほら (hora) - I last highlighted this word in Ep 3, but Segasaki actually uses it a lot more that just these 2 instances (not least because Yoh's always avoiding him). It's simply a word used to get the listener's attention, like, "look here" or "now" or "see" or "come on" etc.
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S: 今日はお前がされるがまま*で気分よかったわ S: もっと落ち込め S: Today you did exactly as you were told, so I felt really good S: Be dejected more often *されるがまま - this phrase means to passively go along with whatever the other person says or does to you, without any resistance (it can also refer to letting nature take its course). It's mostly used to describe a negative situation since it usually implies that the person has no free will of their own, but can also be fairly neutral as in "I followed the waiter's recommendations exactly". So, it's quite amusing that in these 2 sentences, negative sounding words are actually meant to be really sweet (just like how Yoh's "I hate you" sounds eh?).
Personally, I also appreciate how this is a callback to Yoh's monologue in Ep 3, when he talks about noticing the way Segasaki looks just that little bit happier when Yoh listens to him. Here, Segasaki confirms it for Yoh (and us), reinforcing to Yoh that he really doesn't mind Yoh depending on him one bit.
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Y: こんなの本物の恋人同士みたいだ Y: あんた* まるで本当に 俺のこと好きみたいじゃん Y: Like this... it feels like we're a real live couple Y: You*... it's as if you really do like me *We're back to Yoh's usual "anta" here for "you", instead of the "omae" he used earlier.
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S: しょうがねぇなぁ S: What do I do with you This is the same phrase as earlier, when Segasaki found Yoh by the laundry machine.
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Oh, the moon is beautiful isn't it? 🤭🤭
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Y: だって 俺の漫画は世間に求められてないわけですし Y: But, it seems like the world doesn't want my manga... The phrase "the world wants/doesn't want" is commonly used when talking about finding one's place in the world/society, and young adults often say this when trying to figure their life out. So yes, not so uncommon a phrase that this sentence sounds ridiculous, but it definitely does sound a little dramatic. Hence Man-san's response.
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M: *甘ったれんな 思い上がんな M: Don't be so *spoiled. Don't think so highly of yourself. *The is the same word, amae, that Man-san used in Ep 4 when she said Yoh was being affectionate with Segasaki. This is another meaning of amae, and it is used in a negative way here, which sort of shows you the complexity of this concept. Underlying it is the message that it's okay to be dependent on your loved ones for your emotional needs, but you still need to take responsibility for your own life.
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M: 衣食住の保障された環境でのんびり描いてて  M: 一回仕事が途切れたぐらいでうじうじ言ってんのか M: 本気で気に食わない Y: 万さん オーバーキルです M: Being able to draw freely without having to worry about your clothes, food or lodging M: and yet acting all wishy-washy the moment something as small as getting your work cut off just once happens M: I really can't stand that Y: Man-san, that's overkill The term Man-san uses to describe Yoh's current living arrangement is the same term that Segasaki used in his not-proposal, so this suggests that by now Yoh has told her everything about how they got together (and I love that Man-san totally does not judge). It's not explicitly talked about in the show, but despite their similar status as Segasaki Otakus, Man-san does often come across as something like a mentor figure to Yoh, or at least someone senior to him in the Manga world. For one, she speaks very casually to him (for a lady, she sounds as rough as Segasaki tbh 😅), even for someone from the Kansai region, and she often gives him advice. Yoh usually speaks to her informally, but in this whole conversation he does shift up to the desu/masu form often, in response to her scolding him, because she's really going at it (even after taking into account her usual speech pattern😅) and well, he's smarting a little at the moment 😂
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M: 世間がどうとかじゃなくて ダヨちゃんはどうしたいの? Y: え? M: ダヨちゃんにとって 漫画って そういうもんだったの? M: もうちょっと落ち着いて 考えな M: Rather than thinking about what the world wants, what do you, Dayo-chan, want to do? Y: Huh? M: Is that all that manga is to you, Dayo-chan? M: Calm down a little more and think about it yea?
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Y: かたじけのうございます Y: I am indebted to you! This is a very very archaic way to say thank you, think like samurai-level archaic. These two definitely live in the world of manga 😂😂
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S: もう体調は戻ったのか? Y: はい おかげさまで* S: また 崩してくれても**いいんだぞ Y: ええ? S: Have you recovered now? Y: Yes, thanks to you* S: It's okay to feel down again for me** too you know Y: Eh?? *Okagesamade - standard phrase you use when someone asks after your health, or when you want to express gratitude for someone else's role in your success/improvement/recovery etc ** 崩してくれて (kuzushite kurete)" - adding "kurete" at the end like this literally means that Yoh does the action of feeling down for Segasaki, rather than just "it's okay to feel down again", which is why Yoh responds in such a surprised manner. As he did before, Segasaki takes what normally is a bad thing and talks about it like it's something good instead. It's his way of emphasizing that Yoh depending on him isn't an inconvenience, in fact, it's something that Segasaki is happy to be on the receiving end of.
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Y: これから自分たちをモデルにした漫画を描きに行きますなんて言えないし Y: そもそも、万さんのところにしばらく通うことを許してくれるかどうか。。。 Y: なんとか説得しないと Y: It's not like I can just say "from now on I will be going (out) to draw a manga based on us!" or something like that and... Y: In the first place, (I don't know) whether or not he'll allow me to go to Man-san's place regularly during this period... Y: I have to find some way convince him.
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Argument breakdown time, things get intense~~
Y: あの。。。 S: ん? Y: 今日 編集部で打ち合わせをすることになった* Y: Um... S: Hm? Y: Today, I have a meeting at the editorial department* *Literally, "It has been decided that today (I) will be having a meeting at the editorial department" - this might sound like an indirect way to say "I am going to a meeting" but it's pretty par for the course when speaking politely. Except, Yoh doesn't use the polite form here like he did in Ep 4, nor does he phrase this sentence as an explanation that he's going to follow up on. Nope, by Yoh's usual standards, this is An Announcement, so it's no wonder Segasaki is immediately suspicious.
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S: はあ? 仕事切られたんじゃねえのかよ? Y: いや そ、その。。。新しいやつ Y: しばらく 忙しくて Y: 場合によっては編集部に泊まりもあるかも S: 昨日の今日で そんなことあるか? Y: たまたま連絡がきたんだよね S: お前 なんか 俺に嘘ついてない? Y: う、嘘じゃない S: いや おかしいだろ 泊りって S: お前 まさか変な仕事じゃねぇだろうな? Y: そんなこと。。。ないよ! S: Haa? Didn't they stop giving you work? [じゃねえのかよ - Segasaki slurs the end vowel here, and adds the end particle "かよ(ka yo)" at the end, which is a rough way to express doubt or surprise, and usually implies some irritation. This, combined with Segasaki's trademark annoyed "haa?" results immediately in a rather flustered Yoh, who stutters a little on the next sentence] Y: No, it-it's... this is a new one. Y: For a while, I'm going to be busy and Y: Depending on the situation, staying overnight at the editorial department... might... be... necessary... [No end particles here - this is still a statement, and would sound stronger if not for the fact that he's hesistating so much] S: And all that just happens today, on this day, just one day after yesterday? Y: ...It just so happened that they contacted me, you see... S: You... are lying to me, aren't you? Y: I-it's not a lie! S: No, it's weird isn't it, to stay overnight? S: You - don't tell me - you aren't doing some kind of shady job are you? Y: There's nothing... of that sort!
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S: 葉 Y: はい S: Yoh Y: Yes (hai)?
Yoh's been making a valiant effort to stick to his story throughout this whole conversation but his tone changes completely and he pretty much gives up once Segasaki points out he's lying. In response - and this is not easy to hear but if you want to, go back to about 19:56 or 19:57 of this episode - do you hear Segasaki's small "tsk", after his sigh and before he says Yoh's name? Clicking your tongue, or "tsk-ing" someone is a very very rude way to express frustration or anger in Japan. We're talking get-into-drunk-fights level of rude, if you do it to a stranger. Amongst close friends and family, you're more likely to draw shock first, since it shows the depth of your anger, but they might still get pissed with you afterward. Here at least, Yoh can tell both from the tsk and Segasaki's tone of voice, that he is Not Happy, so he answers Segasaki with a proper "hai" here too.
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S: ちょっとここ座れ* Y: はい S: 早く S: Come sit here* Y: Yes S: Be quick. *Slurred "r" on the word "suware" - sit makes this sound very very rough. Segasaki doesn't normally do this, so again, this is him angry, and he's going to slur his r's quite a bit more.
S: お前さ 自分の立場わかってんの? S: 分かってねぇだろ 分かってねぇから 泊りで仕事とか言い出すんだろうが Y: え~っとだから 遊びに行くわけじゃないし。。。 S: そうじゃねぇだろ S: ああ~もう S: 金か?なんか欲���いもんがあるなら買ってやる Y: 違くて 少しはさ。。。 Y: 自分が稼がないとって S: 必要ない なんで分かんねぇかな S: お前は稼がなくていいんだよ S: Listen, you - do you even understand what position you're in? S: You don't do you? You don't understand and that's why you can just say things like you'll stay out to work overnight. [This is harsh. Not only is the speech rough, he's still slurring some of his "r"s here, and the ending particle だろうが emphasizes the forcefulness of this statement and Segasaki's frustration - and you can see the effect it has on Yoh.] Y: Umm well... it's not like I'm going for fun or something... [This is indignant, but also nervous - Yoh's speaking a lot faster than usual, and he has to drag the filler words at the beginning out before he can figure out what to say.] S: That's not what I'm talking about is it! [slurred r again] S: Argh I swear - S: Is it money? If there's something you want then I'll buy it for you [more slurred "r"s] Y: That's not it! Even just a little - [This is the first time Yoh uses the end particle "さ (sa)", and just like Segasaki, he's using it to draw attention to what he's saying, essentially the equivalent of "listen!". This whole line isn't rude, but it is direct and it's probably the most forceful Yoh has gotten with Segasaki so far, even compared to their argument in Ep 2 - Yoh might have physically pushed Segasaki then, but he mostly just sounded hurt. Here, he's very tense, but he's cut off by Segasaki biting his ear.] Y: - I should earn some money myself (at least, I thought so) [This is more like how Yoh usually voices his opinion - by "hedging" his sentences a little with "I think" and so on to sound less direct - though he's still using truncated forms here, so he's not quite back to his usual level yet] S: There's no need to. [To self:] Why don't you understand? S: It's fine even if you don't earn anything. [Similarly, Segasaki softens this sentence just a tiny bit by tacking on a よ(yo) at the end]
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Y: でも! S: あのな 俺はお前に漫画の仕事がなくなろうがどうでもいいんだ Y: But! S: Listen to me. I don't care at all whether you lose your manga work or not. [To be fair to Yoh, the phrase "どうでもいいんだ" literally means "it's fine either way" but it tends to feel like "I don't care because it doesn't matter/make a difference to me/doesn't really involve me", so you can see why it triggers him.]
It's interesting to contrast Yoh's reaction here with the above 2 times Segasaki says something with a negative connotation. Of course, Segasaki also sounded a lot sweeter then (though in his defence, he didn't have to worry about why Yoh might be trying to lie to him all of a sudden), but the biggest difference really is in Yoh's mindset.
Y: え? S: 当然だろ S: だから余計なこと*すんな Y: なんだよ どうでもいいって Y: 漫画のこと 分からないなりに 応援してくれてるもんだと思ってたのに Y: あんたにとってはくだらないことでも Y: 俺にとってはすごく Y: すごく大事な事なのに Y: 全然よくない Y: バカにすんなよ! Y: Huh? S: Isn't that obvious? S: So, don't do unnecessary* things [*余計なこと - This phrase is used to refer to the problems that arise from whatever thing/action is in excess, and so has a negative connotation. Yoh is too fixated on the previous line to notice though] Y: What's that (supposed to mean)... "I don't care" Y: I've always thought that manga was something you supported me in, despite not knowing much about it, and yet... Y: Even if to you, it's something trivial Y: To me, it's something that's extremely Y: It's something extremely important and yet... Y: This is definitely not ok Y: Don't look down on me! [word contraction - again, by Yoh's standards, at least when he talks out loud to Segasaki, this is a drop in speech levels]
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Y: 絶対あんたより稼げるようになってやる Y: 漫画で! Y: I'm definitely going to become someone who can earn more money than you! Y: With manga! I think difference between simply "earning more" and "becoming someone who can earn more" is important here - because it isn't about money - it's about competence. Yoh thinks his own worth is calculated in his ability to do things "well", be it in his work or at home. By that measure, Segasaki is worth everything and Yoh is sorely lacking, hence Yoh wants to "become" someone that is, in his mind, worth something. Because if he does not, then inevitably, Segasaki will one day come to disdain him.
There are so many times in this episode that Yoh hears things that should cement their relationship in his head, that he even recognizes as couple-like and accepts without protest - Man-san referring to Segasaki as Yoh's boyfriend, Segasaki losing his whole "man-of-a-few-words" thing and saying more to him in this episode than in any other, verbal confirmation that Yoh depending on him is something he welcomes etc. And yet, Yoh's fear filters all of that out and he hears only what sounds like his own self-judgement in Segasaki's voice. It's no wonder he lashes out at Segasaki like that, though really, who he's really attacking is himself. Afterall, sometimes when we hurt ourselves, we hurt the people who love us too, as we'll see in Ep 6.
(That was quite the arguement though, wasn't it!)
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olderthannetfic · 7 months
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A question a bit out of the usual ones, but do you have any free resources on sex ed and female pleasure?
Like, i try masturbating and i know the parts work, but I've never been able to Like, get anything more than a little stimulation. Never orgasmed, really want to
Lots of sex ed books I've seen recced are paid ( and I live in Europe and can't exactly hope to get them here) and everyone I've ever talked to is like " just wait for the right person, pleasure ks related to feeling" which, while not wrong, I don't want as my only option, especially since the same ppl told me to wait since sex isn't all that's cranked up to be
So, any advice/ resources you might know?
--
I don't have specific book recs since everything I read was on paper and from the 90s.
I also think women's masturbation isn't all that well covered even by otherwise great books. Men's habits are covered everywhere, up to and including hilarious websites like JackinWorld. Women? It's usually just advice about vibrators.
I had my first orgasm while doing math homework. It occurred to me that I'd never had one and that this was rather silly since I masturbated every day and had for as long as I could remember, so I tried a different technique.
Frankly, orgasm isn't the be all end all of sexual pleasure, especially for women, though I'm sure it depends on the person. But yes, it makes sense to figure out how to have one.
If you're on any heavy-duty medications, it's possible they're making it harder to come. In the absence of anything like that, it's probably just a lack of strong enough, lengthy enough, or a specific type of stimulation.
People telling you to wait are morons. Even a partner you really like will be better in bed if you can tell them what kinds of physical sensations you enjoy. And experimentation by yourself is one of the best and lowest stress ways to figure that out. There's no pressure to get a move on or to worry about another person's pleasure while trying to sort out your own frustrating body.
One thing that often works (though not very well for me personally) is a strong vibrator with a good variety of settings that pulse in different patterns. Even if you've tried a vibrator, if it was some namby pamby weak one or if it only provided one consistent stimulation and not a varying pattern, it may not have been enough. (There's a reason vibrator advice is so overrepresented in what little sex ed stuff there is about female masturbation.)
However, another problem I've seen is that it seems like people assume that all men masturbate basically one way and thus women must be similar. I suspect men are more varied than that stereotype, but women are much, much, much more varied. Vibrators get a relatively large amount of attention, as does using fingers on one's clit. Using a dildo shows up way more in pop culture than its actual frequency in the masturbation habits of women I've known. Some people use water (like from one of those flexible shower heads). There are many options. The one that is by far the most common among women I've talked to shows up basically never in pop culture. The only example I can think of is in Secretary. That method is grinding on the corner of a pillow or the heel of your own hand or similar.
If what you're doing currently just isn't working, try a totally different method.
It sounds like you just aren't getting enough stimulation, but it could also be the opposite: stimulation that's much too strong can just make you feel kind of numb.
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kelogsloops · 6 months
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putting this in the tumblr ask box bc idk where else to put it 🕺 does anyone even read these still
anyways i just woke up but i had a dream and you were a big part of it- i don’t want to say it was a nightmare or like a bad dream but like basically in the dream you announced that you would be quitting art and like retiring ig? it was for a few reasons but in that moment idk i just realized just how much you have had an influence on my life- you know that saying “you don’t know what you have until you lose it”? yeah…
honestly at first when i woke up i was so ready to call it a nightmare, like “oh my god?? you?? leaving?? forever?? noooo!” but as i’m sitting here awake now i realize eventually it’s probably gonna happen- maybe not in the way it was in my dream with you making a whole like announcement video and wiping your accs, but maybe quieter. i wonder if it’ll be that you stop making art, but i find that hard to imagine. i think it would happen slowly, less and less posts as the years go on. in my head even if you stop posting it, i’d think you’re still creating, making art for simply the sake of such. but then i think about how silly that thought is though, i don’t know you outside of your social media bubble. i don’t know your life and what happens there so to even assume something so quiet is pretentious of me. 
like i said, at first i thought it was a nightmare, i can’t bear the thought of you leaving one day- especially for the reasons you gave in my dream it was like “i gave up, arts getting too much for me, and things are so competitive now no one wants my art anymore…” blah blah blah. it was all my own stress as an artist manifesting onto you i think- but anyways i hope that should the day ever come where you do end up leaving your socials and whatnot, i can only hope that it’s out of your own accord and you do so because you want to, not out of pressure or anything like that. like i’m not saying i want you to quit or anything, but what i’m saying is if it happens i just hope it’s something that you chose on your own. i just don’t think i could ever stand that happening though without letting you know how much of an impact you’ve had on my life. 
i found your art when at a very developmental part of my life, so your work wether consciously or not i think has just become like a part of my brain wether conscious or not haha. whenever i go to draw even if i don’t explicitly go to look to your work for inspiration, it’s still there i can see it. it’s like just unconsciously ingrained at this point. but more than that though the whole idea of like “brb chasing dreams” and whatever and the whole idea that i feel you impart every time you share pieces of your journey as an artist to just keep going, i kind of stole that mantra for myself and started to tell myself that as well. even at my lowests, i’m still trying to follow that dream, even lost and i don’t know what direction i’m going in there’ll always be that dream as an anchor almost.
thank you for all that you’ve shared and thank you for being the biggest inspiration in my life. i know that’s quite dramatic to say, but i mean it in full honesty. whatever the future holds for you, i hope it’s kind. i hope you live a long life chasing all your dreams where at the end of the day, you’re happy. thank you. 
waking up to find a message like this in my inbox has me feeling t e a r y. it's reading stories like these and hearing how my work has impacted people that makes this all feel so surreal sometimes. the fact that people would even care if i stopped making art one day or just disappeared is crazy... i'm very fortunate!
i've resigned myself to the fact that sure, one day (but hopefully never) i won't be able to pursue a professional career as an artist anymore, but if there's one thing that i can promise, it's that there is no reality in where i stop making art!
i don't know if i show it enough, but to each and every one of you who have been part of my journey so far, thank you from the bottom of my heart. it's messages like these that pinch me and remind me how it's all so worth it
forever #brbchasingdreams
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socialistexan · 8 months
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300. Hundred. Hours. Of. Doctor. Who.
Do I regret taking on this project? No. But it's a lot.
Also I have some Opinions now about this show now:
Anyone who says the 7th Doctor is bad can not be friend and probably didn't watch past the first couple stories. Seasons 25 and 26 are some of the best sci-fi, let alone Doctor Who, I've ever watched. Also Ace deserves be to be talked about in the top tier of companions.
The 13th Doctor is not that bad. I've only watched her first season so far, and beside from a flubbed ending, too many companions, and a couple bad episode, it's basically a mid-tier season (between 4's lasted season and 5's first)
The quality of the 4th varies greatly by era defined by the lead producer, Hinchcliffe, Graham or JNT.
The 11th Doctor is the most overrated. Maybe I was severely burned by the Tumblr Sexyman era, but I was incredibly harsh on his second season.
Bill could have been an all time great companion if she had been given another season. I think 12 and her deserved more time together.
Anyway, here's my top 30 stories and bottom 30 stories:
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And the stories I was highest or lowest on compared to the rest of the fandom:
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saltygilmores · 1 month
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Thoughts While Watching Gilmore Girls, Season 3, Episode 11- "I Solemnly Swear..." (That I Have No Memory Of Anything That Happens In This One Based On The Title)
The opening credits of this episode confirm we will finally be introduced to Alex (yay)! Alex stan here! Although quite honestly, I'm interested to see whether or not he lives up to the hype I've built up for him in my memory. .Stumbling almost totally blind into a mid-season episode is thrilling in a really pathetic way. I am being informed this is one of the lowest rated episodes of the entire series, but some low stakes mid season filler can still be good for the soul. Emily's former maid, Gerta from Germany, is suing Emily for wrongful termination after she was fired for being a Noisy Walker. Ah, rich people.
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Lorelai sits amongst the delicious looking fake food whilst observing Sookie and Jackson having a loud culinary-based argument.
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Lorelai puts Michel in charge while she and Sookie attend the seminar where Lorelai will meet her new totally fine and criminally under-rated B-Tier-Not-Luke Boyfriend, Alex, who shines bright but quickly burns out like a falling star, never to be seen or mentioned again. Presumably he is the second victim to be sucked in by the Male Gilmore Girls Character California Wormhole (Max was first, but eventually escapes). We learn Michel attended a fancy French hospitality college, while Lorelai has to attend a seminar at a Radisson called "How To Run an Inn". But then a witch put a curse on him so he ended up working for nickels at a tiny bed and breakfast in Nowherefuck USA. Tale as old as time. I made that last part up, but The Hollow is still where dreams go to die. Something had to go wrong in his life for him to fall so far. Michel: I predict it will be a total waste of time and money and I will be here to laugh at you when you return. So will I, Michel. So will I. Some more newspaper/Francie crap. Skip skip skip, skip to my loo... Maybe I'm missing something important, but it's a risk I'm always willing to take. The scene goes on forever (4 minutes). Lorelai recives an answering machine message from Emily's lawyer, who is voiced by...Seth MacFarlane. Peter, Brian, and Stewie Griffin and the guy who was bullying Lorelai at her college graduation. It's hard to unhear this dude as anyone but Brian Griffin. Anyway, Stewie is calling to request Lorelai give a deposition at German Gerta's trial to which Lorelai steadfastly refuses, but then a few seconds later changes her mind. Yawn. Lorelai and Sookie go to the boring seminar, then leave the boring seminar. They eat some free cookies in the hallway. ALEX, ALEX, ALEX...
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Wheee!
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He was just as hawt as I remember. Teehee! The first piece of Alex Lore we are blessed to recieve is that he is a business partner of some spazzy dude that Sookie used to party harty with back in the day, 14 hour booze and pot benders and what not, and the two fellas want to open a chain of coffee shops together. Well, at least they're not attending the Luke Danes School of Serving Folgers And Pretending it's Gourmet seminar. Alex, why are you so hot? Even his voice is hot! And funny too! Damn it Salty! You know what happens to him. Remember the cardinal rule you learned in Recapping 25 Year Old TV Shows School- Do not get attached to single-digit-episode guest stars! It's been less than a minute since he first appeared on screen, and I'm already enamored with their immediate and obvious chemistry. They tried to force that same type of chemistry/ dynamic with Jason through an entire season and it fell completely flat on its face. And I can tell you why (besides the fact that Jason and his storyline sucked eggs). In my humble opinion, JasonDiggerStiles was too similar to Lorelai. And it's never wise for Lorelai to date herself. It opens up a terrifying vortex, one which the world's premier Vortex Scientists have dubbed "Season 4".
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An incredible businessman and probably good in the sack, too. Uh, just a hunch.
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You two are going to break my heart. Until then I'll just try to enjoy the ride. More Francie crap. I am going to skip skip skip but I do want to observe what's on the lunch menu at the Chilton caf.
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Mashed potatoes with gravy, asparagus, an apple and a can of Redbull for Paris. Rory is having her favorite beverage, a Hansen's soda (Raspberry flavor); along with a bag of Doritos. Plus, some kind of sandwich, but it's not her usual Prison Cafeteria Special of two slices of white bread. It looks to be some kind of wheat or rye bread with unidentifable innards. Possibly a BLT or roast beef with tomato? And a book for some nourishing carbohydrates.
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A better view. We have deli meat.
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I'm still skipping past the Francie crap, but I have several important questions first. Since when does Chilton have a parking garage? A dimly lit, empty one at that? Are there enough students and faculty for a parking garage to make sense? Is this parking garage ever seen again? Is this somewhere off campus?
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Ahhh! There has been one Dimly Lit Confrontation per episode for the last 3 episodes. Dean vs. Jess on the dimly lit street. Dean vs.Jess in a dimly lit school hallway. Rory vs Ginger Spice in a dimly lit parking garage. But this one lacks the steamy sexual tension of the previous two. Pass. Back at the Inn, Michel admits to Lorelai he once...killed a dog? I think? Doggy annoyed Michel and doggy went bye bye? Wink wink? I don't want to think about this. Sookie's spazzy friend from the seminar shows up at the Inn sans Alex, which means he is irrelevant to me. Mr Irrelevant Joe doesn't know Sookie is married and admits he's had a decade long crush on her. Now she has to break his heart. Oh, sweet, sweet, pointless filler. Lorelai exclaims "That's some real Gatbsy pining." I mean, Luke came pretty close to Gatsby levels of pining. Where's his recognition?
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Worth a shot. Sookie tells the Joe guy that she's married. He understands. We will probably never see him again. The end.
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Embrace it, my Lesbian Whore friend. Rory and Lorelai rehearse sample questions for the upcoming court deposition. Yawn.
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The kid has a lot on his metaphorical plate these days, you know? Cut him a break. You know what fucking bothers me? I have this clear memory of Jess making a brief appearance in this scene where Luke berates him (in person) for screwing up the food order! Time to go full conspiracy theory mode. What are They hiding from us? Where is Jess? How deep does the rabbit hole go? Since when is Jess responsible for placing supply orders for the restaurant in addition to waiting and bussing tables for meager tips, working at Walmart, and going to school (sometimes)? That's your job, Uncle Luke. And if he screwed up the order, you're still his manager, why weren't you supervising him? Is he getting a raise for these additional responsbiltiies or is he still getting paid in acorns? Stop the madness! I KNOW HE WAS IN THIS SCENE! More Francie crap. This time its between Francie and Paris in a bathroom with a tampon dispenser serving as a lovely backdrop. LET'S WRAP IT UP, PEOPLE. Rory and Paris vent their (sexual) frustrations through a fencing match. Paris is mad at Rory for reasons I don't understand or care about. Emily is mad at Lorelai for being both too honest and too unserious at the deposition. Jackson is mad at Sookie because he thinks she cheated on him with Irrelevant Joe and blows up at her. Yawn. Then more Francie crap. There is way too much estrogen in this episode.
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But with less than a minute remaining, Alex calls and saves the day. He provides a much needed boost of testosterone to wrap up the episode. And I get to see his furnishings. Well, I was already informed of this, but if i didn't know, now I'd know...what I'm saying is there are fingerpainted pictures on the wall behind him. The dude has small kids. He's a confirmed DILF! Michel leaked Lorelai's phone number to Alex and we thank him for that. I'm still not going to overlook the whole erasing a dog thing.
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You mean like how Luke buys Folgers and disguises it as his own blend?
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Smooth as a fresh jar of Skippy.
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...Says the woman who doesn't know when she's being duped with supermarket coffee (even when its being scooped from the can 2 inches from her face) and puts coffee grounds in the freezer.
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Yayyyyy Alex and Lorelai! Yay! He is the only Luke Substitute I will accept for Lorelai. So I'm just going to go LA LA LA LA! for now while pretending this ship doesn't sink as quickly and spectacularly as the Titanic 2.0. Salty is quite pleased with this last-minute-of-the-episode, predictable turn of events. It will make up for the complete lack of Jess (and Luke) in this episode. Jess appeared in name only through The Great Lettuce Screwup of 2003, and in my hazy false memories. On the brighter side, it was also a Certified Dean-Free episode. This show is BORING without Rory's stupid boyfriends.
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I do not get why we are suddenly looking at Lorelai through a window like someone is stalking her from outside the house. Dean, is that you? This episode was so threadbare plotwise that it was my first one-shot recap in a LONG time (it still took me over 3 hours to write, though! So your comments, feedback and reblogs always brighten my day and make all the effort worth it). As is the new tradition, here's the (wimpy) End of Episode Bingo Card.
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shewhowas39 · 2 months
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get to know June (my durge)
so i've been working on Juniper & Starlight for a couple months now and idk just thought it'd be fun to do a little write up on June, my dark urge.
***
Name: Juniper Acadia (tho she currently only remembers her first name)
Pronouns: she/her
Age: about 26
Race: i mean, technically Bhaalspawn, but she appears to be a half-elf.
Class: Wizard, School of Divination subclass (tho she does multiclass later, but that's a spoiler)
Alignment: neutral good
Highest Stat: intelligence (closely followed by wisdom)
Lowest Stat: strength (she's more dexterous)
Love Interest: Astarion
Best Friend: Shadowheart (and Scratch)
Height: 5'11" (181cm)
Body Type: June is built like a runner, so slim but not skinny, and with long legs that are more toned than the rest of her body.
Skin: very pale. about as pale as Astarion but with pink undertones.
Hair: Dark, ashy blond and VERY curly, falling to about her mid-back. her hair is thick and there's a lot of it, so it's probablyt he feature most people notice about her first.
Eyes: her eyes are large and round, but what stands out about them is that they are set quite far apart on her face and are an unusually dark, vivid blue.
Face Claim: a young Michelle Pfeiffer, but with rounder, darker blue eyes, somewhat paler skin, and MUCH curlier hair.
Other Notable Appearance Details: her black eyeliner/mascara is almost always running from where she's been crying. she also has Ilmater's holy symbol tattooed on the back of her neck, though she currently has no memory of when, why, or how she got this.
Favorite Color: deep, vibrant purple (like amethyst) as well as sort of a magenta-y pink.
Greatest Passion: history! she loves all knowledge. she's a smart cookie who is very curious about everything, but her passion is history.
Biggest Fear: her own inner darkness/bloodlust. she's terrified of the things she is capable of.
Some Random Facts:
the way her urges and her divination magic manifests causes June to feel like she sometimes experiences time out of order. the present often feels like a dream, making it hard to tell her hallucinations and prophetic visions from reality. it's not fun.
prior to the amnesia, June worked as a sort of tour guide in Baldur's Gate, showing the city's visitors the most notable historical sites. her favorite was the cemetery. (this is also how she found victims.)
her accent would be the same as a norhern Louisiana accent in the real world. it stands out among most people on the Sword Coast, but it's from a small, rural town where she was raised by her adoptive family.
her adoptive family were also half-elves, both of wood elven descent. she had two siblings, both also named after types of trees: Willow and Ash.
June has two core beliefs that drive her: first, never lie to a friend. even if it's dangerous, even if it hurts, once someone is her friend, she feels she owes them the truth. second, everyone deserves a chance at redemption....except for her. (and also probably Cazador.)
she cries a lot. to the point where it's kind of a joke. sometimes it's out of fear, sometimes out of empathy, and sometimes just becaus she's so freaking overhwelmed by the constnat shifts in time and place and her inability to graps onto reality. thus the running mascara at all times.
so that's June. she's currently being a sweet, bloodthirsty, nerdy hot mess in my longfic as well as in a few smutty oneshots you can find on my Ao3.
this isn't a tag, exactly, but if anyone else wants to hop on and use this format, i highly encourage it! i love reading about other people's durges and tavs.
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purity-town · 9 months
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No update today...because I just graduated from college!!! It's been a wild weekend with my graduation ceremony and moving apartments and all that, but from here on out I'm officially free!
We're also just past the third anniversary of Purity Town! I had started working on the comic towards the end of my first semester at college, during one of the lowest points of my life -- so suffice to say, I'm so glad to see how far we've come since then, and many thanks to everyone for sticking around for so long and making this such a fun experience to work on!
And with all that, after ages, I've finally got ask responses all typed up under the cut!
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And thank you for reading!!!!! Seriously, it makes me so so so happy to see people enjoying this comic so much -- I'm getting to draw things and get excited about my lore ideas and present NPC interpretations and OCs and it's wonderful that other people are just as hyped about it. I adore Chris and Andrew a lot and I'm glad other people do too!
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Haha, yep! The Dryad gets to see That Guy again after 450 years, the townsfolk get to see the equivalent of a mythical fairy show up to bless their town, and Andrew has to deal with the Literal Actual Dryad in town and up in his business. Everyone will be happy about this and there's no way it will end messily!
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I've definitely thought about it! Particularly having her being Andrew's maternal grandmother, and then working elements reminiscent of that into Andrew's mother's design -- I even have a general idea for how she looks based on that, though I don't have anything to show for it as I haven't tried properly drawing her out.
I think there are several interesting hooks that could come of it, depending on how you spin it. Big problem with all of that being that, at least off the top of my head, there's hardly any in-game lore surrounding the nymph -- she's just someone (some creature? a type of creature? a unique being?) that exists.
I did see a note on the wiki pointing out the similarities between the Dryad and the Nymph's designs, but I'm not totally convinced that's intended; they just happen to both be showing a lot of skin. The definition of "Dryad" including the word "Nymph" nudges me towards them being related, but I'm still just...not sure. Maybe Nymphs (or Nymph, singular) are a handful of Dryads who were not outright killed in the war but instead mutated beyond recognition by the eldritch powers they fought against? Much to think about; I'm open to ideas if anyone has opinions on the matter!
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Here you go! And a sta.sh link again in case of Tumblr-image-quality-shenanigans.
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Thank you!!! The Aether is an incredibly fun location to draw in general; it's so strange and magical and gives me an excuse to add stars and sparkles everywhere. Add in the Shimmer and it's just- such a delight, haha. It's rainbows and starlight and it was really interesting translating the in-game side view we get of the Shimmer pond to the top view in the comic.
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Thank you :) This was quite the semester, and working around other folks' schedules for groupwork and sudden project requirements changes and so on and so forth left me with a busy and unpredictable schedule. But I was able to wrap up the semester with solid finals and a great GPA, so it worked out in the end -- and now I'll finally be settling into a more regular work schedule. No more all-nighters (hopefully)!!
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I’ll admit that I haven’t really thought about this much. If anything, I’ll probably handwave it a bit to be more general -- main reason being that there are plenty of reasons for someone to be on edge during a Blood Moon, and that can be an interesting thing to explore without making it into a “haha menstruation” joke.
(Also, considering the Zoologist transforms during a Blood Moon regardless of moon phase, I think the idea of the moon warping the mind and that being amplified during Blood Moons in general is a more interesting take. But even if you remove that element, Blood Moons are scary and characters being snappy or on-edge is reasonable given the circumstances.)
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I don’t have a good response to this bit, but please know that it made me laugh quite a lot.
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First off -- I’m so sorry for taking so long to answer this ask; I hope you’ve gotten good info elsewhere in the meantime but I’ll add what advice I can give! Here are some general tips below -- some may be more useful than others depending on your situation and approach to drawing, but I hope it helps in some way or another!
Start small. Purity Town started as a 2-page mini-comic, and then expanded into a 10-page chapter as I got used to the comic-making process and decided whether I wanted to stick with the project or not. Purity Town ended up snowballing into a larger narrative comic rather than the "small comic snippets accompanying a more typical fanfic" as I had originally been thinking of, but starting small helped me ease into it nonetheless. By the time that I had finished the first chapter, I had gained enough experience working with comics to feel comfortable/confident enough to continue on to chapter 2, and things just kept rolling from there.
Pace yourself. I'm quite slow at drawing, so I generally do my best to set aside time every Saturday just to work on the comic, as well as working on it whenever I feel like it over the week. This keeps me from burnout (and repetitive strain injuries). Importantly, having a set update schedule also helps me remember to actually work on updates, as leaving me to my own devices = never getting anything done (see: how long it took to answer this ask). However, many folks do just fine updating entirely on their own time, so take this one with a grain of salt and figure out what works best for you!
Plan ahead. This applies more to making longer, narrative-focused comics. Because comic-making is so time consuming, every page should count. You don't need to have the entire thing written out before you begin (see again: burnout; it's also nice to have some level of flexibility with the story to see it grow alongside your skills), but planning out at least the current story "segment" is a big help. I like to script out the current chapter, starting with a pile of out-of-context dialogue snippets and overarching chapter ideas and boiling it down to a proper dialogue script with notes for panel ideas. It helps a lot with figuring out how long the chapter will end up being and lets me freely move events around until I'm happy with how they fit together, rather than doing it all on the fly.
Do what you can to save time. If you're a digital artist especially, look into what tools your art program of choice has to help make your illustration process smoother, like paint filling tools or vector lines. If you want to re-use backgrounds or character art, then do so! It's okay! Do whatever makes you enjoy what you're doing and happy with the end result!
Stay organized. This was touched on in a number of the other points, but it's so important that I'm giving it its own slot. I make liberal use of folders and layers -- personally, I use three layers for lineart and every layer has at most two colors. Text gets its own folder and special effects have color-coded labels. My layers are always organized in the same way and I keep often-reused materials (like the lineart for Chris' staff) in separate files for easy access. Of course, the specifics are dependent on how you draw, but this has made a world of difference for me personally.
It's okay to experiment and change things. Figure out what works for you -- some folks do comics entirely as sketches or lineart without coloring, you'll see book-style vs. scrolling/vertical webcomics, and all that. It's okay to swap things up if you find that something isn't working out. Don't get too caught up in everything being "perfect," just experiment and see what makes you happy.
(Side note, but if anyone here specifically uses Clip Studio Paint and wants to talk about platform-specific details like brushes or using certain tools, feel free to send me a message on Tumblr/Discord about it. I am by no means a master of Clip Studio, but I am at least familiar with the particular tools I frequently use and can give info on them!)
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Based on personal experience, a random cave halfway down to Hell. 90% chance that it’s completely enclosed and filled with random monsters, haha. Luckily the Dryad was there to stop him!
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tmntkiseki · 8 months
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I'd say it's been probably... almost two months since I became an active participant in the TMNT 2003 fandom? And while there have been some ups and downs, overall I have been enjoying myself.
The biggest adjustment is the size. Most of my previous fandoms have been relatively niche JRPGs and while TMNT 2003 isn't the most popular animated TMNT iteration, the fanbase is still much, much larger than what I'm used to. More people talking, more fanart and fanfic being posted, and definitely a lot more, ah, discourse. Not that discourse wasn't a thing in my smaller fandoms, but I stumble across it quite a bit when browsing tags, and there's also a lot more variety to it as well. It really is weird what kind of stuff people will get their underwear up in a bunch about.
As far as interacting with other fans goes, I try to keep a relatively open mind when discussing the show and characters. I know some people can be very trigger happy with their block buttons, but I try not to block people simply because they disagree with me/I disagree with them. If I were to block someone on the grounds of their opinion being different from mine, it would be because they were being aggressive of how right they are while I'm completely wrong to the point of literal harassment over whatever is being discussed. Which, you know, fortunately I haven't had to do something like that yet. Most people have been very kind to me thus far, even when there were disagreements.
I am pretty happy with how things are turning out, even though it was a bit rough in the beginning when I didn't know anyone and felt like an outsider. A lot of people have expressed thanks for the fact I've been posting the official model sheets and concept art from the show, and as long as people still want them, I'll keep uploading them until I've run out because hey, I can personally confirm that the turtles are fucking hard to draw, and even the lowest quality reference can do wonders. This is also the fandom that inspired me to dabble in video editing and gif making; still not the best at either of them, but much like art, it's a learning process and the most important thing is that I'm having fun. My brain hasn't been this entertained learning new techniques for making things in a while, even if it can be frustrating at times. (Those damn shells are the worst to draw, man.)
So.... Yeah. All I can really say at this point is thank you to everyone for making this fanbase experience enjoyable so far. I'll probably be around for a while yet!
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mcflymemes · 1 year
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THE PARENT TRAP PROMPTS *  assorted dialogue from the 1998 film
what's going on?
i have class and you don't.
i'll tell you what i'm gonna do.
what was your mother like?
i agree. it totally sucks.
we actually did it!
still biting those nails, i see.
oh, don't do this to me. i'm already seeing double.
any of your pictures ruined?
it's time to break up this little love fest.
you're young, beautiful, sexy...
i may never be alone with you again.
what do you expect? to live happily ever after?
what did you call me?
yes. to all of the above.
ooh, let me help you with that.
you know, sometime if we're ever really alone maybe we could talk about what happened between us.
i'm sorry, it's just i've missed you so much.
get the picture?
it ended so fast.
wow, suddenly you're so interested in math!
have you seen your father?
i would pay big money to see that woman climb a mountain.
who are you, robert de niro? yes, i am talking to you.
you probably don't remember me...
if that's the way you want it, then let the games begin.
this arrangement really sucks.
come here, we have to talk.
i think there's something on your head.
i love oreos. at home, i eat them with peanut butter.
okay, sorry. got a little nervous!
the man went completely ashen like i was the bloody ghost of christmas past.
can one of you get something cold for my head?
this is so scary.
i promise i'll make your lives miserable.
i think it's an awesome idea. inspired. brilliant, really.
i know. it seems like it's been forever.
okay, on the count of three, we'll show them to each other.
this is beyond coincidence. this is beyond imagination!
i know she was really beautiful.
most people find that totally disgusting.
totally, it's like a dream come true.
will you stop thinking about your stomach at a time like this?
i'm really thirsty.
i think you're kind of missing the point.
hey, you sounded just like me!
i learned it at camp.
it's me or them.
let's discuss this calmly. calmly and rationally.
this is so scary.
i've never been so happy in my entire life.
i have a brilliant beyond brilliant idea!
excuse me?
may your life be far less complicated than mine.
that's where i have to go.
what are you doing here?
we were so young. we both had tempers, we said stupid things so i packed.
i made the mistake of not coming after you once. i'm not going to do that again no matter how brave you are.
what has gotten into you?
you didn't come after me.
that's perfectly... perfect. have fun.
you can't get married!
i'm not so hungry anymore.
that really doesn't matter anymore.
i suppose you just expect me to go weak at the knees, and fall into your arms, and cry hysterically.
don't shut your eyes!
i'm going to take the lead.
we have a butler?
we decided to switch places.
honey, you never looked better.
this is where we're eating?
that girl is without a doubt the lowest most awful creature to ever walk the planet.
can i hug her?
how exactly are we paying for this?
i'm supposed to, aren't i?
start unzipping.
go on, just do it.
i'm crawling back into bed, and sleeping 'til lunch.
i'll make you a little deal.
i didn't even know you spoke french.
nobody. forget i mentioned it.
i've loved you your whole life.
that does not sound like a possibility, babe.
it'll totally ruin completely everything!
you wanna know the real difference between us?
how did you know that?
that would be correct.
you have no idea.
mine's a pathetic little thing.
i just hope that one day you could love me as me.
thank you, thank you very much!
don't look at me. i don't know a thing.
you're g ood, but you're just not good enough.
what are you rummaging in your trunk for this time?
don't you realize what's happening?
this is so freaky.
if i didn't know any better, i'd say it's almost like you were... forget it. it's impossible.
i hope you're not mad because i love you so much.
loser jumps into the lake after the game.
i changed a lot over the summer.
i've never seen you and i've dreamt of meeting you my whole life.
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ttf46 · 1 year
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hmmm infinite's theme strangely goes well with nine
tallest of the mountains= boscage shard
Roughest of the waves= no place shard
Toughest of terror= new yoke shard
Darkest of the days= ghost hill shard
Im the last one standing don't try to stand in my way. Cuz I've been up against better just take a look at my face = implies what nine went through as a kid and how jaded and hardened he is.
And if you're messing with me? I am a dangerous weapon, I'm the sharpest of blades, I'll cut you down in a second. = this represents Nina's mechanical tails as we seen how he uses it as weapon in both season 1 and 2
Cuz I was born in this pain it only hurts if you let it. So of you think you can take me then you should go and forget it. = again, this can represents what nine went through as a kid and I think pain represents his extra tail because that's the main reason he went through that traumatic childhood.
and after all this time, you're back for more. I won't stop until they know my name. = 'you' in this probably means Sonic or Chaos Council idk 🤷‍♂️
So I'll take what's mine and start this war. I'm coming at you like a tidal wave. = what nine is taking are the shards because nine thought sonic agreed that he would come to grim with him to start a new home. You know because sonic in s1 ep6 said "it's great nine, but it's not going anywhere." Tidal wave probably means no place shard and how nine might use it against sonic because what we've seen so far, every shard has power(e.g. boscage=trees growing, no place= electric/thunder stuff?)
when everything you know has come and gone.(you're at your lowest, I am rising higher) only scars remain of who I was. (What I find in the ashes you lose in the fire) = this definitely represents how sonic is the first one to show kindness to him, first friend he ever had. And because of sonic's action of keep projecting Tails on nine and how much he left nine in the dust and at chaos council's mercy. And I don't know what the fire thing can represent. “What I find in the ashes” = Nine finding the Grim amongst the Shatterspaces as a clean slate to make the perfect home. “You lose in the fire” = Sonic losing the original Green Hill for these Shatterspaces to exist.
When there's no one left to carry on(this is an illusion open up your eyes and...) this pain persist, I can't resist. But that's what it takes to be infinite. = I think this line is very interesting because the echo 'this is an illusion open up your eyes and...' line might be from shadow! He kept telling sonic nine cannot be trusted and that he is not tails therefore he is not your real friend. And the pain part? Probably what nine went through AND what he is going through in the betrayal/collision scene (aka ending scene, cliff hanger)
The next lyrics goes
Yeah, so look around you And tell me what you really see I never end And that's the difference in you and me Cause when your time is up And everything is falling down, it's only me and you - who is gonna save you now? So look around you And tell me what you really see You live a lie And that's the difference in you and meI have the power, Let me show you what it's all about It's only me and you - who is gonna save you now? = alright so excluding lyrics saying stuff about infinite( like I never end or sth like that), it has to be nine telling sonic stuff in the grim. The 'tell me what you really see' is nine telling sonic that this is what WE could've had, 'when your time is up and everything is falling down, it's only me and you' = this might be something to do with how sonic keeps having collision, arguments between his friends' variants(e.g. pirates, dread, etc) or it might mean the shatter verses are starting to decay due to chaos council opening portal and not closing it or them decaying because they don't have a shard anymore. Who is gonna save you now.- this is the exact opposite of what tails in ghost hill is saying( as long as I'm around, you'll always have a wing man) because now tails doesn't exist anymore and now sonic's alone( he has shadow tho).
Alright so the only thing I'm gonna point out from lyrics after these are:
'I got the worlds on my shoulder,' , and 'I have the power'
Because they are mostly irrelevant or repeating.
Back to what I was saying, these two means that nine has the shards which are power.
Phew I was just listening to sonic music and this just came to my mind and I had nothing else to do, so I thought why not just write it?
Its not organized so I'm sorry for that T.T
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faithrainee · 6 months
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What really would have happened if Peter B hadn't been sent to Miles' dimension? Because as silly and Haha-I'm-Depressed Peter makes his life out to be in his introduction, he really did look like he was at the lowest point in his life. I also think it's interesting that Peter has, from what we see, no job at all. I don't think it's mentioned, though the Wikia's mention the Daily Bugle, I have no memory of that in ITSV.
But regardless of if my memory is right or not, most incarnations of Spider-Man that are meant to be of working age have some sort of job. Usually working at the Daily Bugle, doing a science position, or something else; unless they're being supported by Aunt May or, like the Homecoming Spider-Man, Tony Stark and SHIELD, for the most part.
It's interesting to me that we've never really seen a Spider-Man so depressed as this one, besides Far From Home's Spider-Man, though I feel it's not the same, as Peter in that movie is meant to be younger. Even Far From Home's Tobey and Andrew cameos don't seem to be doing that bad, just tired and melancholic.
I've read some fics discussing how Peter might have ended his own life if the Miles dimension situation hadn't happened to him, and I think that isn't too far-fetched to believe. However, I think an accident would probably be more likely, especially one from his Spiderman duties.
He was out of shape, he admits that, and he didn't really seem to have much to live for, being completely alone with no family at all. He wasn't inspired to talk to MJ by anyone, so she would have likely remarried to someone else after believing he wasn't interested in her anymore from his lack of initiative. People can't wait forever, and maybe she would have thought he wasn't going to change his mind about having children.
I do think his dimension might have had his narrative doomed from the start. I think he would be fighting a villain one day, with everyone surprised he was actually out fighting for once. Maybe he felt a little inspired to go touch grass that day as a civilian and a villain just happened to show up. He's fighting, slowly realizing that damn, this is harder than it used to be.
Maybe he gets thrown and injures his back again, leaving him paralyzed or somewhat disabled. That would likely, down the road, without any intervention from others in his life, leave him completely depressed. Not to mention New York City apartment + medical bills + single man = serious debt. Not sure how long he'd live if that happened, even if he dealt with his disability just fine, he was already hopeless in ITSV.
And the city finds out Spider-Man is just Some Guy. And they mourn that loss, because their hero for 20- hell, 30 something years at that point, was facing the same issues they were and he couldn't take it anymore and none of them knew before it was too late.
Or maybe it's less depressing than that. Maybe he gets crushed by rubble, the city shocked at the loss of their hero. And in revealing him to be some average Joe, they mourn a little, but move on. Someone probably replaces him after that, or the city just has higher crime rates than before.
Maybe he gets beaten to death by the villain, similar to Miles' dimension's Peter. Authorities find him, then, the city might have mixed feelings. He should've been stronger. How could he not have taken down that villain? He used to be at his prime, poor man had it coming. We didn't need him anymore anyways. Etc.
I'd just love to see more takes on Peter's existence without Miles intervention. His Spider-Man is so interesting to me because I feel we don't see a lot of older Spider-Men except in the comics. And we don't see a lot of older men struggling with mental health in media. Period.
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anthurak · 2 years
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So I just came across your Odin!Ruby theories and while I'm not 100% convinced I do like them. That being said, with next Volume's plot apparently revolving around a potentially Yggdrasil-like world tree, what's the over-under on us getting a version of the "self sacrifice for knowledge" thing and what form do you think it could take?
Glad you're liking them :)
I've mentioned this a couple times in other theory posts, but with the possible Norse Mythology allusions in this Volume, I imagine Ruby making some form of sacrifice in exchange for knowledge would probably take the form of her carving out one of her eyes, akin to how Odin offers one of his eyes to the well of Mimir.
Honestly I'd call this the most likely scenario for Ruby's propensity for self-sacrifice going down the darkest, yet still plausible, path. Just going by what the show has done in the past few volumes, Ruby carving out one of her eyes does not at all seem outside the realm of possibility. Not to mention that Ruby's eyes have been established as being VERY significant. They do apparently channel the power of the God of Light, so I think it's easy to imagine a scenario wherein one of Ruby's eyes is considered 'fair trade' for some forbidden knowledge or power.
(I mean just picture Ruby at first being hesitant when some entity first gestures to her eyes, but when the entity clarifies that 'just ONE will suffice...' Ruby goes for it almost immediately)
Finally it all just makes sense from a narrative and character perspective. It works very well as a 'lowest point' for Ruby, wherein we (and her teammates) are shown just far GONE Ruby is down this self-sacrificial/destructive path, and will have lasting consequences for Ruby. Plus it's always felt like it makes sense for Ruby to loose an eye at some point. Right now she's the only member of her team who hasn't suffered some dramatic injury that has left lasting physical scars of some kind (Yang losing her arm, Blake getting stabbed and Weiss's eye-scar), and the major focus the story has put on Ruby's eyes makes it seem likely it will involve one of those. Not to mention how we're pretty close to a trend of Silver Eyed Warriors losing at least one eye in some form or another.
Also I think we can all agree that Ruby sporting an eyepatch would look super fucking cool XD
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I think @kennyomegasweave tagged me in this OTP meme like...months ago? And I just found it half-finished in my drafts and decided to actually get it done.
1. What ship were you completely obsessed with when you were a teenager, but now you don't care anymore? 20s, not my teens, but I used to be utterly obsessed with Jack/Kent from Check Please and now, IDEK what happened. I still love them, but I have old fic I saved and never read and can't bring myself to care anymore. IDK it makes me sad.
2. Which ship would you consider your first one? Hmm probably Betsy/Joe from the Betsy Tacy series or Anne/Gilbert from Anne of Green Gables? My first ships when I actually got into fandom were Sawyer/Kate and Sara/Grissom from CSI.
3. Your first fanfic belonged to which couple? Magnus/Alec!!! I never thought I would write fic and then I watched season 1 of Shadowhunters and banged out (lol) 7 fics and almost 30k of porn in less than 2 months in 2016. They all have an insane number of hits (like. the highest has 54,878 hits and the lowest has 15,836 hits.........) and I still get kudos on them almost every day, it's wild.
4. Do you remember the first couple you saw a fanart over? Genuinely no idea, but the first one in my fan art tag is Katniss/Peeta from 2012 <3
5. Did you ever get into ship discourse? My first instinct whenever I see someone talk about something I don't like is to mute/block, so perhaps not actively, but I'm sure I have at some point.
6. Did you used to have any no-otp or have it currently? LOL. Yes. I still fucking HATE Jack/Kate from Lost and always will. Also Dan/Blair from Gossip Girl. Lately...I'm such a multi-shipper but I gotta say Kate/Anthony from Bridgerton bc I've genuinely had to restrain myself from bitching about how much I hate them SO many times since s3 came out lol.
7. Who were the couple in the last fanfic you read? I finished a rewatch of Beyond Evil last night so I've been rereading some of my old bookmarks bc I've read almost everything that's out there 😔. Shout out to the masterpiece simple & clean by whir.
8. Currently, do you have any OTPs? So many!!! Taemin/Kai is still my #1, but also Juwon/Dongsik from Beyond Evil, PatPran from Bad Buddy (it took me several episodes to actually get into the show but once I did I cried...so much over them and how much they love each other LOL), KunTen from WayV, Louis/Lestat...I feel kinda bad that I don't have a major current f/f OTP but I'm literally checking my kpop tags multiple times a week for rule 63 fic and most of my current WIPs are rule 63 f/f so there's that. (Two KunTen including what hopefully is gonna be a long one, plus a Jigyu I started yesterday for a fest that I'm hoping I'll be able to get done - not because of the length, but because I've never written Seventeen before)
9. Is there any couple that, to this day, you are extremely mad about not getting together? So many??? I feel like I have to say Dean/Cas.......Lee/Kara never really got together so them for sure. Sawyer/Kate from Lost even though I 100% choose to believe they got together post-canon pre-flash-sideways. Oh my god I'm looking through my "forever bitter" tag and it's a lot of Cooper/Audrey from Twin Peaks as I expected, but I forgot about Mini/Franky from Skins. and ABSOLUTELY THEM. Everything about series 5 was terrible but that especially.
10. Is there any ship you used to dislike but now you think they are kind of interesting? IDK I feel like I don't usually change my mind like that. I wouldn't go as far as saying "kind of interesting" but I guess I don't hate Bree/Roger from Outlander AS much on the show as I did in the books lol.
11. Do you have any ship that, in the past, was considered normal but now you would be cancelled over? Hmm...Cesare/Lucrezia maybe? If not them almost definitely Norma/Dylan from Bates Motel LOL.
12. What was your favorite crack ship? I was gonna say I couldn't remember any that truly fit this definition, but then I remembered the Kent Parson/Claude Giroux series #dirtbags and that was great. Actually no my real answer is Syd/Richie from The Bear. Now *I* don't think it's a crackship but they have that vibe.
13. Who is the couple you read more fanfics of? Here's a side by side view of my most bookmarked ships vs the tags I have saved rn on my front page. Unfortunately you can only have 20 but I think it's a pretty good representation. (Other than the ENHA ship, where I legit don't know anything about them or frankly even what they look like, but that tag produces so much incredible unhinged porn that I read canon-blind.)
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14. What most of your ships usually have in common? I feel like I have several different ~types, but: friends to lovers, I LOVE bicker-y couples, age gap relationships, especially when one of them is a mentor-ish figure, and power dynamics in general.
15. What do you absolutely hate in a ship? Nice Guy characters, whether they're a guy or a girl. The OG example is Xander (duh) and Chloe from Smallville but you also see it with characters like Sol on My Stand In...there's def more things I hate but that's one of most major ones for me.
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