#SO SORRY THIS ONE GOT SO LONG

[deathfavor]

@yeonban​​​​​​ said: 10. for soma to request seiroku’s favorite meal from the chefs and bring it to him in an attempt at helping the doctor feel better after having noticed him looking a tad... off, in some sense of the word, earlier in the day.

comfort starters

   The aura that surrounds Seiroku is different than it usually is, and if the reactions he was getting were anything to go by, others were picking up on it. Not that it effected his work, Seiroku wouldn’t allow for that. His work was as flawless and efficient as it always was, and he didn’t slack off either. It was just that something in the air around him gave a distinct feeling to those witnessing it of a ship lost at sea in a vicious storm. It didn’t help when he could feel the worrying gazes on his back from some of the medical staff, or when some of the patients seemed especially intent to thank him for his help with bright eyes. Or delirious ones. Those ones were worse, because even in the haze of the pain they were trying to make sure he knew of their gratefulness.

  Part of him wanted to snap at them. Part of him wanted to destroy all of this, this warmth that tasted sweet like sugar on his tongue. The emotion in his chest feels like spikes under his skin, angry and sharp. Seiroku didn’t. Instead, he’d only offered a distant smile and gentle assurance he was just doing his job, and to let him know if they needed anything.

  He needs to remove this warmth like removing a tumor, to split himself open and rip it out and throw away the malformed mess. Self surgery - he could probably do it. How many bushi had he slaughtered? Seiroku moves through the busy streets, his gaze barely flicking over the bushi as he made his way back to his room. He’d long lost count of the number. He slaughtered everyone, indiscriminately so long as they were Bushi. He hated them. He hated them. Hated them like leeches. That’s right. He needed to crush them out.

  This wasn’t his door though, this was no creation of those black crystals. (He wasn’t even enchanted by them like some of the other members.) This was all real.

  Seiroku quickens his pace, paying little heed to his surroundings till he’s safe within his own room. At least his work was over and he wouldn’t need to face anyone if he didn’t want to. Everyone had off days, most would brush it off simply as that. He hoped. How would he know? He’d never had anyone care. 

  His three golden swords clatter to the ground as he sets them aside and he moves to stand by the window, head resting against the wooden frame as he watched colors bleed from the sky as the sun lowered. He could imagine what most were doing. Drinking, eating, laughing. Everything he’d wanted. Everything he’d been confident he’d never get. Sometimes he could coax members to drink or eat with him, but it wasn’t the same. It was always him reaching out, trying to catch the sunlight in jars. Of course, you can’t seal sunlight in jars. Of course no one in the eight would reach out to him like that outside of having something they needed him to do.  

  He presses his tongue against the top of his mouth, eyes closed as he swallows away the too-sweet warmth like a fire eater extinguishing the flames. He doesn’t need warmth. He needs smoke and ash and emptiness, or a heat of anger so intense that the nerves confuse it for cold. Except anger is a blinding force and hardly good for strategy. So smoke and ash it is.

  Seiroku snaps out of his thoughts when he hears the door slide open, knowing there’s really only one person who’d come find him. (At least without the frantic rhythm of running feet and his name already being called out because there’s some medical emergency happening). He also knows Soma will instantly notice something is amiss if he hasn’t already - but to what extent he’ll point it out is unknown.

   His stomach growls at the smell of food and his eyes shift to the tray in Soma’s hands.  “  You remembered.  “ His eyes widen in genuine disbelief. He’d only mentioned it in passing once, he hadn’t expected Soma to actually remember something so insignificant as his favorite meal. And somehow that hurts. Even as Seiroku’s expression softens, and there’s a faint glimpse of something melancholic lurking in his gaze before he shoves it down beneath the waves. 

   Why do you have to make this so hard? Please...Please stop...

   Please don’t stop.

   “  Thank you.  “  Seiroku pushes a smile to his lips as he moves away from the window and the dark outside to sit at the table. His mouth waters yet he only stares for a moment at the food.  “  ...I really mean that. I’m not just saying it. “ His head lifts to look at the captain. He didn’t need to do any of this. His gaze lingers before he turns his head back to take a bit of the food before it got cold. Warm..

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[chloesimaginationthings]

FNAF movie Mike meets Jeremy Fitzgerald

[skyartworkzzz]

Like The Other Ones

HI YES IM FINALLY DONE HOLY SHIT

OKAY SO this was based off on my own gameplay of COTL, I noticed that everytime Id put food orders in, Narinder would usually be the one to prepare them And honestly? We love a malewife in this house so I dig that for him, ma guy is a skilled cook <3

As I wrote down the dialogue, it just got deeper than I expected SO HERE YALL GO WITH A FULL ASS COMIC ABOUT THEIR RELATIONSHIP, ENJOY!!!!

This shit took me weeks Ill go recharge my soul now brb-

[cowardlykrow]

Stop light shenanigans

Extra:

[dykealloy]

[demaparbat-hp]

Almost

[francy-sketches]

sorry I got posessed by the wattpad demon I'm normal now (lying)

+alt version that didnt fit the #aesthetic but it better represents my #vision of them ^_^ hashtag couplegoals

[xbomboi]

5 times Apple hugged Raven…

————————

…and the one time Raven hugged back.

(see my previous eah comic here)

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[utterdrip]

love this dialogue btw. his little “do..takecareofyourself” as an afterthought is so funny. this man is so unused to saying niceties and also. he really doesnt care

[gynii]

Gynii my beloved mutual gynii.. can I see the baby (Michael_B) please and you're the best.. <3

To make up for how late this is, a bonus tubbo with your michael_b <3 (also youre the best!!)

[w1shb0n3z]

Alright, so hear me out

(this is another long one. Like. Seriously. It has 2.6k words.)

*yes, I edited this like 5 mins after I posted it just to add some more, oops

Post cannon Labru where Laios tries to help Kabru regain weight

TW: ED, Body Dysmorphia, Fat-phobia, Gender Dysphoria

It turns out to he a huge body image thing. Like Kabru develops a bit of an ED after he gains his weight back and tries to stay "the perfect weight" and major body dysmorphia. But! It's very sweet because hand feeding, of course, and self-acceptance.

I imagine Kabru's blue eyes get brought up when Laios is like "oh, you don't like that about yourself? :( you're so wonderful! What else could you possibly not like! Surely not those eyes ^^" or something

Plus! I'm 98% sure that Laios gains some weight post cannon, so his wrestler build gets softer, which, yay! We love that here! But this comes with its positives and negatives. (Dont he scared by how big the negative paragraph is)

Positive: Kabru has an example of having a healthy relationship with yourself and your body

Negatives (and hold on) TW btw: at a certain point of Kabru's weight gain/ body acceptance journey, where he gets obsessed with keeping "the perfect body" and does everything in his power not to gain anymore, his own twisted view of himself spills over to Laios. He starts to view Laios as a sort of slob or careless person because he gained weight after the dungeon and gained an extra 5-ish pounds while helping Kabru gain. Because Laios can and will encourage Kabru to eat by eating with him with a smile on his face.

What if someone finds out about Kabru's purging?

Yes, Kabru has purged a few times while he was at his lowest. And no, Laios doesn't catch him in the act. He doesn't know until someone tells him about it. Kabru just keeps it to himself with a tinge of guilt. Someone else finds out. I can't decide who yet, but if it were:

Chilchuck - he'd be familiar with his topic because one of his daughters went through the same thing. He keeps secret as per Kabru's request but gives to Kabru straight. He tells him vomiting hat much rots your teeth and only has negative impacts in the future. With Chil being big and tall for his race's standards and him canonically watching his own weight, he talks Kabru through this whole body image thing. Maybe not in the exact way Kabru wants, but in the way he needs

Senshi - he's SO against this. He tries to father Kabru, but his own lack of understanding for why Labru feels this way gets in the way of progress. He urges Kabru to eat and tells Laios what's goin on in hopes of figuring out what all of this is about, accidentally spilling the beans and leading to conflict between Laios and Kabru

Marcille - she doesn't really get the ED thing, but she gets not liking your body (since she never fit in with her "age group" while growing up and wished she physically presented like them). She also tells Kabru that throwing up rots his teeth and says it's bad for your mana and junk. Shes very offput by this whole thing, but she tries. She doesn't tell Laios...on purpose. (Falin also finds out becuase the guilt Marcille has from telling that secret ears her alive)

Falin - my girl does NOT understand. But she's here to empathize. She ends up being huge in Kabru's healing journey. She tries to check in on bim every now and then and uses her own transformation to promote body acceptance

Izutsumi - she doesn't know what to do. She's 17 goddamn it. So when she hears Kabru throwing up she just assumes he's sick, but when she keeps hearing it she gets a little stressed about him. She goes "he's just weird" and mentions it in conversation to someone else, most likely Marcille (which probably led to Marcille finding out in the earlier paragraph)

Mickbell...somehow - is like "dude wtf" and tells Rin about it since he knows there close. He's worried, yeah, but he doesn't think its really his problem. Especially since the two fo them aren't close like that.

Kuro - he finds out and tells Rin as well, he also tells Kabru that he looks fine. He mentions it to Mickbell, yeah, but in a "Will he be okay? :(" way

Rin - devastated. She initially gives Kabru a hard talk...which makes him worse, but hey! She tried. Rin then thinks its becuase of the shame of dying many times and tries to comfort Kabru again. Doesn't work. She tries to get him to eat the things he likes. He eats them, but she can sense the guilt from Kabru. They then have a heart to heart becuase Rin can't stand to see her best friend suffer like this and assures him that he looks fine as often as he needs

Holm - he takes a simular approach as Falin but gets a little more involved. He understands it on paper, but can't image what actually having these issues is like. Yes, he also informs Rin and is the one that told her to try to speak to Kabru in a less...prickly manner about this touchy subject

Daya - She doesnt realise what Kabru was trying to achieve by puking. So she just advises him not to do so and tells Rin about the strange behavior.

How does this affect non-platonic Labru?

Easy!

Well for starters! If they were boning before, they aren't now LMAO

Partly because of Kabru's own body image being trash and his attraction to Laios (temporarily) going to shit after Laios gained some weight to encourage Kabru. Damn that internalized fat-phobia. Neither one of them seems to have a clue what's going on. Let word, seems.

Kabru knows his view of Laios just isn't the same, but he doesn't let it be known that he's aware of this.

Does he feel bad? Yeah. But he only feels bad because he doesn't feel bad. He feels as though he's a shitty boyfriend for harboring such disgust for his partner's figure

Laios catches Kabru stealing glances at himself in the mirror. Staring just a little too long. Laios deduces that Kabru's feeling a little self-conscious after some hard thought.

So, of course, he makes sure to be extra careful about his words. He'd totally be like that one meme (which I can't find) that goes: "damn girl, that ass is wide" "what??" "I didn't want to say fat and trigger your eating disorders :/"

Plus, on the not boning thing, they're busy. You got a king and his advisor, they're not gonna be cranking it up every night! They simply sleep together, in a literal sense most nights anyways, so more sleep isn't anything bad

Additionally, I don't believe Laios has a high sex drive at all. (I personally think he's on the asexual spectrum, maybe because I'm ace, but still)

Kabru won't initiate a thing at the moment, it's up to Laio's sporadic desires to get things going. (It never gets going)

What if Laios discovers Kabru's feelings towards him and the purging?

He's hurt, simply put. He can't understand why Kabru dislikes his body, Laios can't understand why his own body would be such a turn off now.

In the non-platonic vers Laios tries to become "sexy" again. ....He fails horribly and ends up making a fool out if himself. At first he's like, "well monsters do this to attract mates" right after he feels as though he needs to inprove upon himself. Then he goes "no... Kabru isnt a monster, and im not either (unfortunately)"

He pushes that silly thought aside and tries to find out *why* Kabru is turned off by his looks now. His face? No.. His hair? Just got it cut. His figure? ...but why?

Laios goes right up to Kabru and confronts him about it. Kabru being the slippery bitch that he is denies it and goes "lol wtf haha! I luv u bae and there's nothing wrong with u!! ur so sexy and hot haha..."

This, inevitably, confused the shit out of Laios and he asks for honesty. Kabrus actions aren't exactly aligning with his words, and something needs to he done.

[Okay, let's be real here. If Kabru didn't want Laios to know how he felt, Laios' ass would NOT know lmao. This is just for the bit]

Now the purging? Laios is like "dude what? :(" he doesn't understand it. Nope. Not at all. He tires to he supportive, but he really doesn't know what to do with this. It's not like there's a bulimia monster, so he has no real frame of reference.

He's all "but you look fine how you are :(" and "I like the weight on you!" or even "did you know that [this species of monster] finds fat attractive? ,:D"

He means so so well, and Karbu knows it. Laios really is just a dog of a man.

Laios also tries to get Kabru to promise to stop. We know how that went. Karbu agreeing just to do it behind Laios' back because he knows Laios won't find out. He'll cut back on it, yeah, but he has his weak moments.

Eventually, Laios makes sure to only have Kabru serve his favorite meals. That should keep him from puking it up! And Karbu stops after a while. But only because his health is on the decline.

What else?

Two words: hand. feeding.

Kabru throws up? He gets his favorite meals so he won't. Kabru keeps checking his figure? Less mirrors in the caslte and more compliments. Kabru not eating enough or skipping meals? Simple. Laios makes sure he eats.

And how? A little less of Laios sensually slipping a fork full of decedent chocolate cake past Kabru's lips and a little more than a simple "here comes the airplane"

It starts off as Laios seeing Kabru taking smaller bites and being like "oh! Let me show you how to fill your fork! ^^" and then him taking Kabru's fork, impaling a bunch of assorted foods onto said fork, then handing it back to Kabru.

Then it sort of devolved (...evolved?) Into Kabru begrudgingly letting Laios feed him like a toddler while no one else ot looking. My boy Kabru does NOT know how to say no to this autistic man properly.

Laios was like "would it help if I just fed you?" And karbu replied something like "haha! It just might!" And of course Laios did not pick up on that God level sarcasm and went "cool, Let's try it then" and Kabru, wanting to appease Laios said "cool!". Bro was punching air.

(Yes, Laios said stuff like "good job buddy!" "You're doing so well!" "Its tasty, right?" Almost every bite)

In the non-platonic world, Laios would have Karbu sit ever so close to him as he was fed, maybe even in his lap. And of course Karbu would get a peck on the cheek after every bite. And the whole process may or may not turn Laios on. Especially when they're dining on monster. Whoops.

....anything else?

This all ties in with the absurd standards that was set for Karbu and the insecurities he hides within himself.

The whole blue-eye-spawn-of-a-demon thing was already enough for him. But being raised by that moody ass elf was a whole nother thing.

Milsiril, his adoptive elf mom, raises children like she has a monopoly in daycares. She's a serial foster fr. All them damn kids. Raising them like pets becuase you want something to love and depend on you. (I love Milsiril btw)

Anyways.

Kabru was his mom's favorite since his features were unique. Im talkin big bright blue eyes contrasting with rich dark skin, in particular. Plus, he was so sociable! All of his siblings looked up to him in one way or another. He was the star child.

And, you know that thing about elves being twinks, right? When ever Milsiril would check up on Karbu's health, she would use this old elven chart depicting the "average/desirable/suggested" height, weight, and muscle tone for diffrent short-lived races at diffrent ages/stages of life.

Safe to say these charts and texts were based off of elven standards, so everyone was thought to be slimmer, lighter, and more toned than normal. Plus, they're old lol. Instead of updating her charts and buying some from the diffrent cultures and races, she keeps her old one becuase she legit just forgets to replace it and hasn't had any "major problems" while raising her kids with that information so she doesn't think to change it.

What in trying to say is!

Kabru was raised with unrealistic body goals, and when he used to deviate from those arbitrary statistics during childhood he'd be put on diets and stuff.

Also, What if Kabru was transmasc?

Especially when he was a teen, even gaining a little wait made him go nuts. He couldn't get the words "unhealthy" out of his head and started associating it with the word "fat". His mind likes to play tricks on him when he's in the mirror. Exaggerating his figure and making him panic.

So! When he was sick and tired after that weird ass dungeon trip that changed his whole world and he came back to find himself thin as a pin, he tweaked.

He logically hated it because it was unhealthy, but a part of him was satisfied. With the added stress of becoming a Kings advisor, he started to crack under the pressure, manifesting in an obsession with himself. When he started to gain weight back he was brought right back to those check ups he had with Milsiril and those 2, maybe 3 times he was put onto diets in his youth. He really feared he was getting fat and he would just stare into the mirror and feel his flesh beneath his fingertips, searching for some sort of confirmation. All he felt was a bit of a squish, a bit of a give, and that's all he needed.

It was too much for him. His body was wrecked in his eyes. He's supposed to he fit and lean and thin and perfect. How could that be perfect? He looks in the mirror in his private study, wasting the time he could've been spending planning new city infrastructure or working out the kinks in trade. But no. He's here, in his dimly lit room, looking at how imperfect he's become in his eyes. How unhealthy he is his mom's eyes. How disgusting he is in his birth mothers eyes.

He had to fix it. The wound rubs deep, dar past the dermis. And, I guess, much like other wounds that cut a chasm into the skin, you don't really feel it once it severs your nerves. You don't really notice until you see the big, gaping, bleeding, notch where you used to be.

Lol anyways

Whoo boy. He is in hell. He feels like gaining weight makes him look "softer" and more feminine. He hates it, yes. But he tries his best not to let it effect his wardrobe. This whole weight journey really rehydrated his gender dysphoria.

He's used to looking a little androgynous, but with his new weight going to his stomach, hips, and thighs, he just feels as though his silhouette is becoming more girly.

Kabru is found training and working out more. Anything to get his body more boxy again.

He spends more time making sure he looks presentable. Even waking up a little earlier to ensure he vouge cover ready. (Well, I mean, as vouge ready as perpetual business casual can be)

And how does it end?

It takes some time, but Kabru heals. He's 10 pounds heavier than when we were first introduced to him, but he doesn't mind anymore.

It was a long journey full of all sorts of denail and shame, but he got there.

He's still the Light Yagami coded perfect chivalrous boy. He always has been. And Laios loves him all the same. Platonically or not.

Laios was essential in Karbu learning to let go of those impossible ideal and unreachable standards. Laios does not give a fuck afterall, he thinks all human bodies are unintresting beautiful! That dude does not judge. Rember him talking about the orc women in one of the monster tidbit sections? He's about body acceptance and neutrality.

Kabru grew to love his body, not just tolderate it or like it because someone else does. And if it tickles you, he liked the extra pounds Laios gained in the end, too. And if you're here for non-platonic Labru, then Laios may have became a bit of a feeder and has a tiiiiny food kink. Plus, Laios is a huge fan of the squish and Kabru likes how warm Laios is.

I just want to add this in here, also hecuase ive seen it before and i agree, but Laios seems like the type to give dutch ovens. He shows love like a big brother and its horrible (affectionate). This passes Karbu off SO BAD and it's hilarious. He has to sit down and have a very direct and serious talk about "getting too comfortable". And Laios would sit there the entire time like a sad dog and nod along.

Kabru and Laios also wrestle. No debate. They do it to spar, Laios does it for fun, Kabru does it to make Laios shut up. It's great!

Sorry this took so long lmao,, I legit just kept forgetting to write this

This was just word vomit. I've lost the plot somewhere along the way, I fear

[nyerusnova]

Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)

Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.

Which means it's very fun to dissect! ✨

There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.

At least, in my opinion.

Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.

So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.

Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2

"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."

"One day, I'll be as good as Jason. One day I'll wear the suit."

To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.

So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.

Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.

It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.

It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).

Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.

Batman vol. 1 #455 (Oct., 1990) -- Page 13

"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."

Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)

The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.

In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.

It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.

Batman vol. 1 #455 (Oct., 1990) -- Page 18

"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"

Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.

Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.

Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.

Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.

Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15

"Drop-outs don't make it. And dead heroes are no use to anyone!"

It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.

First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.

Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.

Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.

Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.

Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).

That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.

Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.

To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":

Batman vol. 1 #456 (Nov., 1990) -- Page 9

"The suit is magic."

That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.

I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.

Alright, back to the main course:

So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)

Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.

You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.

Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.

Batman vol. 1 #457 (Dec., 1990) -- Page 20

"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."

Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.

Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.

It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?

It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.

So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.

And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!

TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)

(image dialogue transcripts under cut ↓)

Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):

Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.

Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):

(Scene continued from previous page)

Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.

Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):

Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.

Bruce: There's more to it than that, son. Much more.

Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!

Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.

Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):

Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?

Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):

Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!

Vision Dick: Heroes never give up, Tim.

Vision Jason: You know that.

Tim: Dick--! Jason Todd!

Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.

Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.

Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):

(Scene continued from previous page)

Vision Dick: Think, Tim. Concentrate!

Vision Jason: You can do it.

Both: You can do it!

Tim, waking up: What--? Robin...?

Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.

Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):

Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!

Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):

Bruce: Are you afraid of it?

Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!

Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.

Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.

[fraserstanclub]

don't fade away never fade

happy birthday @eddiediaaz!

[ask-moon-and-pebbs]

Hello guys! Whats it like being giant supercomputer AI? Do you feel really big all the time?