#Visuals symbols and codes
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kentnaturaltribrid · 9 months ago
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Been kind of busy, finished these three. The yellow one, sorry if it’s slightly off kilter, but it too was supposed to be the same thing as the other two, with just the purple behind it. However, sorry if it’s not as visible and vibrant to some degree or looks only like a circle from far away. Wasn’t exactly going for that either, but with so little colors available nearby the yellow had to stick out the most. None of the piles had any silvery or grey colors on them, so had to go with the colorful and the black as part of the set. Sorry if they didn’t turn out the way they’re supposed to be. Also as for the non-color, didn’t exactly have a third option there nor a fourth.
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saedyne · 2 months ago
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the big blues
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closer-up(s), a.k.a. from the sea; of the sky
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beatcroc · 7 months ago
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hey mecha, do you think you could beat metal sonic in a 1v1
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amarald · 2 months ago
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OC Art! I had a slightly different idea for the storytelling in this piece but then I played with the color modes and got the wings to look like that and didn’t have the heart to take em away
Here’s the version more similar to what I had in my head
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respectthepetty · 2 years ago
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do you think color coding can be applied to real people?
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If you followed along with my Reading the (Visual) Rainbow posts in June, I wrote about colors for Lesson 2, and covered color theory, color psychology, and color symbolism.
Color psychology is the study of colors in connection to human's emotions and behaviors. It's not color-coding, but it is the study of how we code colors.
Make sense?
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People do not intentionally think about colors, but we have been trained to connect specific colors with certain thoughts, emotions, events, or groups. It is simply the way our brains work. We want to make connections between what we see and what it means. It's the way our brains process information and store it for later use.
In my first Reading the (Visual) Rainbow lesson, I mentioned the red stop sign. Even if it doesn't have words on it or the language of the word changes, once we see that red octagon, our brain, regardless of what the sign actually says, will dig into our previous knowledge and tell us to STOP!
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So if colors are just one of the ways our brains store and process information about our environments, wouldn't we also use that as one of the components to store and process information about the people we encounter?
If you were walking down the street and saw someone dressed in all black coming your way, you might be a bit nervous regardless of what the person's demeanor was. Why? Because they are dressed in all black! (ignore the horns)
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Now if you saw someone wearing all pink walking towards you, you might initially think, "oh, what a whimsical person" even if that person was a complete jerk.
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And this is why that dynamic works in the media we consume because we DO use this coding in real life. Color coding wouldn't makes sense in films and shows if we didn't already use it and apply it to our everyday lives.
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Nobody is a Black Brooder or a Pink Person in real life, but we do associate those colors with a previous learned experience and continue to recycle whatever feeling we tied to it each time we encounter it.
So think about what the color of your room, the color of your clothing, or the color of your makeup is saying to someone. Why would I prefer to wear a bold red lipstick over a soft pink one? What statement am I trying to make? Why am I wearing this black dress with black heels in 102 degree heat when I teach? Why does my room have so much yellow in it (because it is the best damn color, ever!)?
Basically, in real life, the colors aren't in all or nothing type concept. We aren't ONLY one color; we are a rainbow.
But the colors still mean things.
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inutaffy · 2 years ago
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dramatized pining ft. me
[ID: image 1 is a white background with a black square border. there's a door drawn at an angle with a doorknob that is meant to be moving. yellow "light" spills from the door even though it's closed. it reads, "Does he ever wait for me to walk through a door?"
image 2 is the same white background with a black square border. eyes looking to the left are drawn in black as well as eyebrows and the start of a nose slope. it reads, in blue, "like I do? like I wish I could stop doing?" /end ID]
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thecoochiefairy · 5 months ago
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nola. onyankopon.
𑄽𑄺 warnings 𑄽𑄺 18.0K word count. blackfem!character, college football coded! onyankopon, grumpy! onyankopon, sweet!onyankopon, third person omniscient, dominant!onyankopon, friends to lovers trope, sandbox love, black woman, vaginal penetration, lil bit of sweet talkin’, hair pulling, creaming, oral [f] [m], choking, praising, LOTS of dirty talk, squirting, riding, backshots, condomless sex, kissing, spanking, minors aren’t welcome!
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━━ 𝒄𝙤𝒐𝙘𝒉𝙞𝒆𝙛𝒂𝙞𝒓𝙮 𝙩𝒉𝙤𝒖𝙜𝒉𝙩𝒔 .ᐟ so, i know i was been supposed to give y’all an official onyankopon fic. i’m sorry it took so long. i changed the entire idea i had, and honestly? i enjoyed writing this one so much better. haven’t been able to dip my toe into strictly black characters since my actual book new salem, and i missed pure nigga-try! also, thank y’all for 3K followers. i love every single one of you. enjoy! 🫶🏽
visual. visual. visual.
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BENEATH THE LIGHTS WAS WHERE SHE BELONGED. The squeaking of her feet scuffled along the shined mahogany wood as she tuned out the many voices—from cheering, to the coach calling out plays, or pure enjoyment from the game. This was her element. 
Scrimmages were just as important to her, the bleachers filling with college students as if it were a regular game. Eyes watched the most valuable player move across the court with a choreography more beautiful than a dancer—their point guard.
The ball was like metal—a magnet in her fingers as she passed it to the next player, awaiting for it to somehow appear back in her palms. But she couldn’t stop her eyes from traveling up to the bleachers. She always searched for his figure to be seated in between his friend group, watching her just as much as she waited for him. 
Black leather varsity jacket with yellow embroidery, his name and number on the back like a symbol—‘ONYANKOPON.’ 
Golden grills shone beneath the light of his full goatee and dark pink lips, bone straight smile more flattering than the devils. His durag tied into a knot along the back of his head, his outfit more relaxed as he’d just come from practice—He’d never miss her games. 
He sat there amongst the many of his own teammates. His gaze was focused on her, following her movements as they were almost seductive. 
It never failed that she’d eventually look in his direction. It was always a battle between who would look away first—This time, it was her. Her eyes glanced over him every so often, her heart racing whenever their gazes met. But the game was as vital as the air that filled her nostrils, and no amount of admiring him could pull her from it.
Her fingers grip the basketball that’s thrown back into her palms, having to quickly regain control before it went straight into the opposing team’s hands. She was like the cherry on top, gliding through bodies along the court as she made her way closer to the edge, her low height more  powerful than the taller women as she tossed the ball towards the hoop.
The crowd was watching poetry in the making, the way her legs pushed against the floor and the ball leaving her fingers in an effortless arc that sailed through the basket. Flawless. 
The suppression of her smile finally shined through her bratz shaped lips, listening to the crowd cheer as her team had won the scrimmage. Her eyes move over as she watches that varsity jacket beginning to stand from the bleachers, following behind his group of friends as they begin exiting the building. Something in her feels dejected.
But as the swarm of her other teammates come crowding her in an excited hug, she’s pulled back into the reality of her win—she could deal with that later.
She stands in the locker room as she’d just gotten out of the shower, kneeling her body against the bench as she searches her pale pink NIKE bag for her sweatshirt. She can feel a presence appear next to her, eyes turning up to her teammate—who was also her cousin and roommate—Peanut, smirking down at her.
“If you’ coming over here to talk shit, please find somebody else to play with.”
“I didn’t even say anything,” Peanut hides her smirk, “What? You’ all mad that your man didn’t stay until the end of the game?”
“You know that’s not my man,” she mutters, “I’m good. Why you’ in my business right now?”
“I’m in your business ��cause I know you,” Peanut rolled her eyes, chocolate brown skin shining under the lights as she crossed her arms, “You wanna say that’s not your nigga while you’re over here moping cause he didn’t stay behind. Please.”
She begins pulling the black sweatshirt over her head, XAVIER UNIVERSITY OF LOUISIANA labeled in bold yellow beneath the material. Her curls are drenched from the shower, eyes tired as she looks to her cousin, “Are you done? Don’t you have somewhere else to be other than in my ass?”
“Not my fault you’re always so interesting,” Peanut teased, her body leaning against the locker next to her, “You’ve been playing basketball all day and still have the energy to be mean?”
“You’ right, I should be tired from carrying your plays. That’s why you have so much energy to come talk hot shit, none of that was focused on the court,” she zips up her bag, throwing it along her shoulder as she slips on her soft pink New Balances 9060 sneakers.
“I’d say that’s a little disrespectful,” Peanut grins, crossing her arms across her chest, “You only have the energy to play so well ‘cause I let you. Coach was paying attention to you, though. Did you see?”
She sighs, “I want her to pay enough attention that she has a scout come watch our games, Peanut. This shit is starting to feel like high school.”
Peanut scoffed, “I heard you got offers from LSU, Bama, and Howard, yet you chose to stay in New Orleans,” she said, “This? Ain’t high school.”
“I just wanted to be close to my mom,” she reminds her, “You know that.” 
“Or did you wanna be close to that childhood crush of yours?”
Her eyes narrow into a glare, closing her locker as she warns, “Don’t start again, Peanut.”
Yet, it was true. Her and Onyankopon had grown up together due to their families both being from 9th Ward. It was to her dismay that she was in love with him. 
Peanut put her hands up in surrender, “Chill. Chill,” she warns, “I’m just saying. Why’d he leave anyways? Doesn't he stay after?”
She could admit to herself that she wanted to hear how she looked on the court. Maybe she just wanted to hear it from someone’s opinion she always trusted—his.
She sighs, running her fingers through her hair as she replies, “I don’t know. Prolly’ still fuckin’ that big booty bitch on the Majorette team.”
“Oh girl, Ashleigh? Yeah—nah.” 
She raised an eyebrow, “You’ got tea?”
This childhood crush of hers was stereotypically wandering with his eyes, able to accept the advances of any woman that came his way. His current flavor of the month was a brown skinned, extremely curvaceous girl on the college's Majorette team, swinging her hips at all of his games. 
Peanut smirked, grabbing her own bag and began walking out of the locker room with her. A group of other girls on the team passed, waving goodbye to the two cousins. 
“Tea?” She echoed, “I got a whole story on that nigga. Apparently him and Ashleigh off again—he pissed her off, so she threatened to fuck one of his friends.”
That caused her to softly laugh, following beside Peanut as they began walking towards the dorms, “Whatever he did, he probably deserved to be threatened.”
“I love when I get you to actually laugh. You’re too serious these days.” 
They walked past the main library of the school which was always packed with students, the yellow and white building gleaming in the night. Their dorm was just past it. 
“Why don’t you wanna fuck him again? The boy is 90s fine.” 
“Cause I’m not big booty Ashleigh,” she retorts, “To deal with him and his flock of hoes? I’d kill that nigga before he ever played with me.”
“I’d kill him too, I ain’t judging,” Peanut said, “But I’ll tell you what, you’re not big booty Ashleigh—you’re just a big booty, and that’s why he actually looks at you. You know those flocks of hoes are just a front, right? Those girls don’t mean anything to him,”  She looked over at her again, “You do.”
“Here you go—talking again,” she mutters, “You’ watch too many of them’ K-Dramas.”
“This ain’t no K-Drama—it’s real life!” Peanut protested, her hand waving in the air, “You’re the only one he doesn’t treat like a passing phase. He’s been ‘round you for what? Fifteen years?”
“Because he knows our family, Peanut. My uncle—your father—would shoot his ass on sight if he played with me the way he plays with girls on campus. I’m good on that. I got WNBA to get into,” she shrugs, circling her body around, childishly throwing an air ball into the sky.
“Yeah, Yeah—All that is cool. Is that what’s holding you back from liking a nigga?”
“I’d fuck a ball before I fucked him,” she finalizes, “I wanna go ice my ankle. You’ cooking tonight?”
“Sorry, cousin. I’m actually going over to my niggas house,” she playfully mocks the air ball she threw, beginning to back her way towards the other dorms, “Gon’ head and order something for me, though!”
She frowns, a bit bummed since this was her cousin's third night being out of their dorm, leaving her to either study, or watch K-Dramas by herself. She could admit that she was a bit lonely. 
“You ain’t getting shit!” She called back, “Have your nigga feed you!”
“You have a nigga feed you, lonely ass!” She yelled back, causing a few students to glance towards them, “Don’t be mad ‘cause you don’t know what a relationship feels like!” 
Peanut continued to walk away, tossing a hand over her shoulder to wave, “Love you, Sweetpea!”
She’s suffocated by that nickname, following her from elementary school to college. This was her senior year, and she still couldn’t get away from it. Her shoulders fall a bit as she waves back to her, acrylic nails glittering under the streetlights hovered over the dorms, her tattooed fingers and emerald golden ring glinting with it.
 Her eyes turn as she sees a familiar figure walking towards the dorms with his friends—he was finer up close. The yellow embroidery on his varsity jacket went well with his brown skin, facial hair, grills partnering with his sharp jawline. The tattoos along his face should’ve been intimidating, but made him scarily more attractive. He was tall, always slouching to make her more comfortable. She tries to turn as if she didn’t see him, beginning to make her way towards the stairs of the dorm. 
“For real? You’ finna’ ignore a nigga?”
She tongues the inside of her cheek, turning back as she eyes him up and down. She then says, “Just tryna’ get inside and start on this homework.”
His eyes followed every movement of hers, the way the dim light of the evening casted a hazy hue across her caramel skin, her onyx hair swaying along her body as she turned towards him.
“Homework, huh?” He echoed, walking up the last of the stairs to meet her at the top, “I been waiting to see you all day, you ain’t even gon’ say wassup?” 
“Wrong,” she corrects, “If you wanted to see me, you would’ve waited until the game was over, Onyankopon.”
“My lil’ grumpy ass Sweetpea…” He chided, a smirk playing on his full lips as he stepped in front of her, “Don’t act like I wasn’t in the bleachers for the whole game. Coach called for a meeting.”
She narrows her eyes, “Uh-huh. Why don’t you go back to your friends?”
“Ain’t never see you so eager to get rid of me,” He said through a deep chuckle, “You mad for real?” 
She doesn’t want to admit why she’s actually upset. But if she doesn’t, he’s gonna pry it out of her anyways. Her voice is still rough around the edges as she states, “You didn’t tell me how I played today. That’s why I wanted you there after.”
“You played good as fuck like you always do,” He began, taking another step into her personal space, “Them’ other girls ain’t shit. You ain’t need me to tell you that, though.”
She tightens her fingers around her duffle as she releases a breath, “You mean that? Good enough for a scout?”
“Girl, ain’t no question about that,” He smacks his lips, “You’ so good they’d be stupid not to sign you. Them’ bitches were tryna’ play catch-up the whole time. WNBA can’t wait for your ass to drop.”
“Ony,” she warns his language as he refers to the other girls. She takes his words to heart as she always did—he was the one person that she valued in their opinion. 
“My fault. But you know I’d never bullshit you,” he murmured, his other hand coming forward to grab the nape of her neck, “You finna’ go far.”
A pressure in her chest appears at his large palm against her neck—it feels warm. Good. 
Sweetpea smacks her lips as she pulls his arm down, “Where yo’ lil’ girlfriend at, Onyankopon?”
He raises an eyebrow, “You keepin’ tabs on me now?” He questioned, a smirk forming, “Thought you were just focused on the court and your homework. Why you worried about who I got?”
“You’ think I’m worried about a hoe ass nigga? ‘Forget I asked,” she scrunches her nose, returning to making her way fully up the steps.
“Nah nah, you brought it up,” He followed a step behind her, “Why’ you even wanna know ‘bout me and whoever I’m talkin to?”
She pushes the entrance to her dorm, looking back to his group of friends that begin walking away as she changes the subject, “Your friends are leaving, Onyankopon. Can I go inside?”
“You got questions about me and other girls—now you tryna’ run inside,” He pointed out, “Can’t you just say that you missed me?”
“Girls?” She repeats, “Huh. I don’t need my question answered then.” 
The minute she passes by a couple of people with a polite wave, she’s unable to escape the large arm that traps her along the wall just before she can make it to her room door. He places it against the wall, stopping her from walking which makes her back press against it. His cologne hovers over her body as he leans down towards her, making Sweetpea somehow back herself into the wall she was already against.
“Why you always runnin’ away?” He asked, his voice deep, “You think you got a nigga all figured out?” 
He chuckled, the low noise filling her ears. He moved forward, the heat of his body close enough for her to feel it against his own, “Or you don’t like bein’ reminded that you care what I do?”
She can’t admit to him that she’s…the least bit curious for her own entertainment. It wasn’t because of anything else. 
….It wasn’t.
She blinks, “I actually don’t care. Peanut told me your lil’ big booty girl threatened to fuck one of your friends. What’d you do to piss her off?” She raises an eyebrow.
“Damn Peanut,” He muttered,, “I knew I shouldn’t’ve let her know I hooked up with Ashleigh.” 
He rolled his tongue out his mouth,“You wanna know why she was mad at me?”
“Answer the question or I go inside. I’m getting impatient,” she reminds, placing her weight along her feet as she prepares to move his arm, watching as he places his palm right beside her head now. She lets out a heavy sigh.
“She’ mad I’m not acting like her nigga,” He smirked at the way her face scrunched up slightly in frustration, “She’s too obsessed with me.”
“Oh? The world is still Onyankopon Land in that head of yours?” She raises an eyebrow, sarcastically smiling at him.
He looked down with a smile, finding her scowl endearing somehow. 
“I get it now. I know you don’t like me havin’ girlfriends'. My bad, Mama.”
That nickname. And that sentence. It makes a chill rush down her spine. But instead, she pushes out a laugh with her eyebrows raised, pushing past his arm as she begins unlocking her door, “Boy, go home. You’re playing bad as fuck right now.”
His eyes move as she opens her door and steps in, preparing to close it as he then places a sneaker in between the opening before suddenly asking, “Your’ ankle hurt?”
She doesn’t expect the question as she frowns, “Is that your way of asking to come inside? I’m good,” she attempts to close the door.
“It’s a way of sayin’ a nigga worried ‘bout you,” he frowned back, “You can’t blame me after I saw you limp on that ankle during the game.”
She flutters her lashes up, searching around his face as she reads the more serious tone of his expression. Her ankle had been a little weak with all the practices and games, but it was nothing she worried too much about. 
She slides her fingers against the door as she repeats more softly, “I’m fine, Ony. For real.”
“Lemme look at it,” He said, “I can see how swollen it’s gettin’.”
The tone of his voice was soft, but there was also a sternness to it. This nigga was worried about her ankle, forreal.
She glances around her empty apartment before she exhales, opening the door wider to let him in. She places her bag against the kitchen island as she grabs her Hello Kitty ice packet, making her way towards the sofa to sit.
He follows her inside, hands stuffed into the pockets of his varsity jacket. He sits down on the sofa beside her, the soft cushion dipping under his large frame as he eyes her ankle.
“C’mon,” he gruffs, motioning for her to place her leg on his lap.
She places her leg against his lap, beginning to feel the curls of her hair drying up, blowing a tendril out of her face as she fully plopped down next to him. She says, “I think I was just moving too fast.”
He gently holds onto her ankle as she rests it across his lap, his large palm wrapping completely around it. His dark lashes lowered over his eyes as he examined the ankle, his expression neutral. 
“You been doin’ a lot lately,” he lightly touched certain areas on her foot, “The coach got you runnin’ too many drills or somethin’?”
“I just wanna be ready for the game coming up. Coach might bring scouts, you know?” She brings her eyes up to him, “I can take a lil’ pain in that case.”
“And if that pain turns into a damn injury ‘cause your dumbass wanna push too hard,” He challenged, “Then what?”
She gives him a deadpan look, “Now you sound like Peanut.” 
When he twists the ankle around, something in her body alarms itself in a sharp pain, which makes her inhale a breath, attempting to jerk her leg back from him as she piercingly inhales. 
“Nah, don’t do that,” he said with a grunt, his thumb and index finger feeling around for the source of her wince, “What’d ‘you just feel?”
“You’re making it hurt,” pushing his hand away, she tried to stop herself from panicking at the small pain.
He ignored her hand as he continued to hold her ankle, looking up at her face with a serious tone, “Chill out. I need you to tell me exactly where the pain is. You can’t just be playin’ with your fuckin’ ankle.”
As much as he clowned around, she wasn’t the one to bite when he got serious. She points towards the back of her ankle as she softly replies, “Here.”
“You know you gotta ice that more,” he scolded, “Bein’ stubborn all the time ain’t gonna’ get you ‘round the court faster.“
“I know,” she nods, relaxing more as she allows him to lightly massage the area. Her toes nearly curled as it felt so good, she had to dig her fingers in her thigh a bit not to react. 
She tries to bring up the subject again, “You’ really like Ashleigh?”
His fingers paused as she asked the question, his honey eyes looking up at her. 
“You still worried ‘bout that?” He shook his head before he began massaging the area again, “She a lil’ too extra.”
“Maybe you should be nicer to her. That way she isn’t always screaming at you,” Sweetpea suggests, “You’ be having them girls losing their minds. I too would crash out on you.”
Despite what she might think of him, he could tell she was actually being serious. He was used to all the jokes, the sarcasm, and the usual smartass replies she always fired back with. 
He rolled his tongue along his lower lip again with a smirk, “You’d crash out over me, huh?”
“I’m serious, Ony.”
She ignores the way her face goes warm, “You’ve had your attention on her for more than a month now—which is longer than your attentiveness with any girl. So don’t mess that up by…being you.”
A low chuckle slips from his full lips, “You tellin’ me to stop bein’ too cool for my own good? Since when you’ start liking Ashleigh?” 
“I ain’t saying I like her—I’m just saying.”
He leans back a little more on the sofa, his hands pausing their working on her ankle. He raises an eyebrow at her, a smile on his face, “You worried about me, huh?”
“You say me playing around on the court won’t get me anywhere but an injury, I could say the same for you. Quit playing with that girl's heart if you don’t actually like her. Somebody’s gonna come along that you might actually like, and when they pull a you on you,  it’s gonna hurt.”
He kept his eyes on her ankle, silently nodding as she lectured him. This would be the one time he didn’t want to fire back with a smart remark as the seriousness in her voice made him feel a bit scolded. 
“You ever think you were made for some sorta advice hotline?” he finally mumbled, “You tryna’ be my life coach now?”
She rolled her eyes, giving a soft giggle as she replied, “Being a good person is free as fuck.”
He let out another low chuckle, his expression softening a bit at the sound of her laugh. 
“You ain’t wrong,” he says quietly, his large fingers continuing to massage her ankle, “But she knew I didn’t want nothin’ serious with her from the jump. Not my fault if she got it twisted somewhere in the process. She just started saying I was her nigga.”
“Well, did you make her feel like you were?” She raises an eyebrow, “Did you say no when she called you that?”
He shrugged his shoulders indifferently, a nonchalant look on his face, “I don’t take it seriously when a girl calls me they’ boyfriend. Probably be fuckin’ them too good.”
She tilts her head, “Boy, bye. You ain’t giving bitches that type of dick—And maybe you should clarify you’re not their boyfriend? Don’t leave the door revolving, otherwise it causes miscommunication.”
“Shiiidd, I be havin’ them like—Oooohshit, Daddy,” he mockingly moans, tickling her ankle which makes her giggle again. 
She shakes her head, “I didn’t need to know all that. But I meant what I said—if  you don’t want them seriously, tell them that, Ony. That’s all.”
“You done preachin’ to me now?”
“No, I’m not. Since you’ so worried about my health, have you been going to physical therapy Mr. I almost tore my ACL last year? Is it giving you any issues on the field?” 
“It happened more than a year and a half ago,” he glares, “Why you’ bringing that up?”
“Cause I know how much it scares you to be without football,” she points out, “And if you can admit to loving something, football is that.”
He didn’t respond for a moment, his dark eyes staring down at her ankle as he massaged it. He didn’t realize that she had known him that well. 
He finally sighs, “I go to my physical therapy. I’ve been taking rest days and shit. Happy?”
She could tell he wanted to leave it there. So, she does. When she nods her head, that cocky grin appears back on his face as he asks, “You’ coming to my game tomorrow?”
“I’d never miss it. You know that.”
“Damn right you ain’t,” he responded, the smirk remaining on his lips, “You’ betta’ be in the stands cheerin’ like hell for me.”
“Let’s not say all that,” she laughs, “But I’ll be there.” 
His smile widened at the sound of her laugh, his eyes staring at the expression on her face—how her nose would scrunch up a bit when she giggled.
“Damn right you will,” he repeated, suddenly lifting her leg up and placing it back onto his lap, “You can get some special VIP access to my locker room after. I’ll need you to give me some physical therapy.”
“Onyankopon. I will kill you.”
“You’ already got my heart, Mama. Last time I checked, I’m dead.” 
“Onyankopon?”
“Huh?” 
“Get out.”
                                            𝓐ᥫ᭡
THE EXCITEMENT OF THE NEXT DAY ROLLED INTO THE NIGHT. The sun was beginning to set, lighting a fire amongst the entire campus as it was their favorite time—the football game. Everyone was geared up in their school's attire, or spun the colors within their own style, prideful in representing their HBCU’s team. The bleachers were filled with bodies, a sense of young adult spirit filling the entire stadium. Scents of nachos, pizza and beignets filled Sweetpea’s nostrils, almost more distracting than the thrum in her chest from the band performing loudly, the majorette team equally matching with their performance.
The team all stood in the locker room, many of them pacing while the coach gave his final speech about how he expected them to play. A few guys huddled together in the far corner as they discussed and strategized their plays.
All, except one. 
Onyankopon sat on a wooden bench in the corner, his dark eyes staring down at the floor. While everyone else was still gearing up for the game, he was fully dressed in his jersey—his muscular silhouette visible underneath. He always needed this time to himself. To pray, to run the plays within his mind, to think.
The crowd cheered as the team began running out onto the field, Sweetpea standing as she cheered next to Peanut, clapping as cleats sunk into the synthetic grass. Her eyes went straight to the last player that entered, the crowd somehow becoming louder at the entrance of the quarterback. 
His blacked out protective gear made him look even bigger, shadows of his tattoos beneath the material of the long-sleeve he wore under his jersey, holding his helmet beneath the bright yellow gloves on his large palms. A chill ran over her body as his teammates hyped themselves up, his arm raising to flex the muscles within, tongue sticking out arrogantly to symbolize his power. She didn’t think he’d actually notice her in the crowd—but she was hard to miss. 
Her dark hair was sprawled around her face in soft waves, sheer yellow and black top clinging to her waist, showing the midriff of her belly piercing and stomach. Dark grey wash shorts that showed the harsh poke of her hips and ass that created a Coke bottle silhouette, thin silver heels strapped against her ankles. Her fox eyes were slender with fluffy lashes, brown freckles sprucing along her caramel face, lips outlined with brown liner. 
He rarely saw her out of her basketball attire, but when he did, he couldn’t stop looking. She gave him a sweet wave, unaware of how impure she truly looked.
He couldn’t help the smirk that pulled through his full lips, raising his arm to give her a wink before bringing his focus back to the coach, running a few extra laps to warm up. 
The XULA football team always played as if they were in  the NFL, Onyankopon leading them in ways no one else could. He ran across the field like nothing, a similarity between him and Sweetpea as they had control of the ball at a constant. Touchdown after touchdown, they were whooping the opposing team effortlessly.
Onyankopon ran down the field, achieving another touchdown before making his way over to the sideline, pulling off his helmet as he reached the water table. He grabbed a towel with one hand, dumping water over the other and running it through his tatted face as he looked up, scanning the crowd. 
His dark eyes immediately found hers again.
Her cousin was too wrapped up in the attention of her boyfriend to see how they stared at one another. Sweetpea had been around Onyankopon enough to allow her school girl crush to falter, but each time he gave her that look, it’s like all of her emotions appeared again.
 The minute she tried to give him another wave, she brought her hand down as she saw his attention on none other than Ashleigh, who was performing within her majorette team on the field. She swung her hips with the choreography, blowing him a kiss as she bent down with her baton. She was every man’s fantasy on campus—silky dark hair, dark grey eyes, chocolate brown skin, body perfect in her yellow one piece, sparkly black headband against her forehead as she danced.
Of course he would be looking at her. 
Ashleigh gave him an exaggerated wink as she twirled around the field. It seemed like she made it her priority to give him the most attention whenever she saw him. 
Onyankopon finally looked away and brought the towel to his face as a grin tugged at his lips again, his mind drifting. Typical.
“You’ good?” Peanut noticed her cousins’ face, slowing down on the attention of her nachos.
“Yeah, I’m good,” Sweetpea murmured, leaving her thoughts to herself, focusing back on the game itself. She was fine.
Their football team had successfully won in their home field, cheering wildly at their additional victory. With their win, they celebrated as they usually did—a party within a frat house off campus.
 It was closer to downtown New Orleans, only blocks away from Bourbon street. It was a city that never slept, a thrive somewhere other than New York could produce. Music blared throughout the mansion—songs like Back That Azz Up by Juvenile, to BOP by Big Boogie— bodies moved to the beat, talking and laughing amongst each other in a happy radiance.
Onyankopon was right in the middle of it all, his team crowded around as they celebrated with him, all the girls at the party practically glued to their hips, Ashleigh being attached to him.
Sweetpea entered the party, clasping the hand of her cousin when she immediately found the eyes of Onyankopon. He had one arm wrapped around the waist of Ashleigh—who was currently wearing his varsity jacket—her hand gently caressing his broad chest as she whispered in his ear. His other hand was around a beer, taking a long drink as his dark eyes scanned the crowd. She pressed her lips together, giving a weak smile as she waved again, before being pulled towards her own group of friends.
He caught sight of her, his eyes glued on her frame as she moved through the crowded mansion. It made him clutch his beer as her hips twisted with each movement, ass shaking beneath her shorts. 
“Onyankopon?” Ashleigh whined, pouting her big lips as they curved downwards.
“Huh?” 
“You want another beer?” she asks, pulling his mouth down to meet hers.
“Fasho,” he murmurs against her lips, “‘Preciate it, Love.” 
Ashleigh wrapped herself tighter against his side, looking up at him as she tried to grab his attention. She then stood up, giving him one more kiss as she was making her way towards the table of drinks, seeing as Sweetpea stood there, trying to mix vanilla Coke with Crown for a richer taste.
Sweetpea glances at the girl, seeing her wearing a short skirt and crop top, body perfectly snug in her outfit under the jacket. Her hair was in curls now, and she looked as pretty as she always did. Pretty enough to always have Onyankopon’s attention. 
Ashleigh wasn’t a mean girl—that’d be too typical. However, she was a girl that did…notice the relationship between this girl and her man. She just wanted to check Sweetpea’s temperature. 
“Hey, Sweetpea!”
She has to pull back the roll in her eyes, giving her a smile as she greets, “Wassup, Ashleigh?”
“Not much,” Ashleigh makes a point to run a hand over Onyankopon’s jacket, “Grabbing a beer for my man, just saw you and figured I’d say hey!” 
Sweetpea instantly notices the movement, clearing her throat as she exhales, “Y’all just got here?”
“Nope. Been here a good twenty minutes,” she responded, watching her closely as she continued to rub her hand against the material. 
“Onyankopon is still pretty fired up from the game,” she giggles, “He’s all high and mighty after a win, can’t keep his damn hands off me. But I’m sure you know that.”
Sweetpea gives a small laugh to kill the awkwardness she feels, bringing the drink to her lips in hopes that would help this conversation, “Yeah…he’s uh—something else.”
“But girl, let’s talk about you! I never saw you outside of that basketball jersey. You’re actually passing for a bad bitch tonight!”
She could feel the passive aggression in her tone. She didn’t have to question it. One thing about that nickname of hers, it definitely was a representation of how she presented herself—sweet, not much to say. Just like now. 
Her attention is pulled by Onyankopon wrapping an arm over Ashleigh’s shoulders, teasing voice as he questions, “You’ bullying her?”
“Of course not, Daddy. I’m just having a chit chat with my friend,” she responds, giving a flutter of her eyelashes, “But speaking of, I’m finna’ go check on my girls!” 
She raises her lips up to give him a peck on the chin, giving Sweetpea another wave as she dismisses, “See you, girl! Watch my man for me!”
Sweetpea gives her an equally fake wave, waiting until she’s away from them before she glances back to Onyankopon, “She’s lovely, isn’t she?”
He shakes his head as he watches Ashleigh’s curvy figure walk over to her own friends. She always knew how to get under someone’s skin. 
“Ain’t you finna’ ask me all my stats for the game?” he mutters, smirking down at her as he crosses his arms, leaning over the table beside them.
She tilts her head a bit, the flow of her hair wafting his nose of jasmine and vanilla as she sighs, “Hmm, no. But I bet you’re gonna tell me.”
Her scent makes him want to growl like an animal, but he assumes it’s the beer. It has to be. 
“Two-hundred and forty passing yards, three-hundred and fifteen total yards. Four touchdowns, zero turnovers.”
She leans along the table as well, giving him a small smile as she corrects, “Five touchdowns—they tried to foul you, and you almost smacked the referee.”
He smiles like a giddy child, “So you’ was’ watching me.”
“If I say you’re the only reason I come to the games, your ego might put you in cardiac arrest,” she rolls her eyes, “I watch you just as much as you be on my ass during my games. Just returning the favor.”
“Mhm. You look good as fuck tonight.”
She feels her face become a bit warm, taking another sip of her drink, beginning to feel the buzz as she smacks her lips, “Save all that for Ms. Big Booty in your varsity jacket.”
“You’ just as thick,” he responds in a low tone, “Be makin’ the ground shake at every game. You’ can barely fit them shorts.”
That gets her to actually giggle, punching his arm as she says, “Shut the fuck up, and quit staring at my ass. You’ got a whole lil’ girlfriend to be diligent with.”
He chuckles as she hits him, “Who says I be starin’ at your ass? I was starin’ at them thighs, mothafucka’s is colossal.” 
“Only thing colossal is that big ass head of yours. If we put you under a satellite, the wifi cranking up in here!” She snaps back, “Yeah, that was good, huh?” She chuckles at his full on laugh. It was deep, genuine. Maybe even sexy.
“Yo’ ass so stupid,” he shakes his head, “Got the nerve to call me the comedian?”
He pauses, his eyes raking over her frame again. He was always looking at her. But this time, he sees her. Her brown freckles, the scrunch she made when she glanced around the room, the way she glowed beneath the dark purple lighting of the party. 
“Damn, you really are fine as hell when you don’t have an attitude.”
She rolls her eyes, trying to push away the feeling of her heart fluttering, “There you go talking again.”
“And there you go rolling them’ eyes…” He responds, raising his hand and using his thumb and index finger to tap her chin, “It’s cute.”
She pushes his hand away, “You want another reason for Ashleigh to burn that expensive ass varsity jacket of yours?”
“That girl will find a way to get mad at me even if I look at my shadow,” he smacks his lips, “Maybe I should’ve had you wearing it. You’ the one remembering all my plays.”
His skin equally glows beneath the lights, chains and grills shining against his black shirt, clung to his muscular frame in a way that compliments him, the colorful ink on his body, all of him—she sees him as well. There it was—those emotions returning to her. 
Maybe it was time to admit them. 
She swallows, holding her cup between her fingers as she whispers, “Ony—“
“Aye, fine shit.” 
Her eyes pull back to one of Onyankopon’s friends, a light skinned dreadhead all too familiar on campus. His bright pink lips, full goatee, brown eyes seemingly mischievous.
“Oh, um—hey, Rashaud,” she greets with a weak smile, pushing down everything she wanted to say.
“Come dance with me,” he tells her.
“Me?” She blinks.
Rashaud stands next to Sweetpea, his eyes roaming over her figure for a brief moment before he glances at his friend. 
“Yeah, you. You’ the only fine ass honey not on the floor with me,” he responds, his eyes lingering on the smooth tone of her thighs as she shifts them. He looks her up and down again, “Or you gon’ let a bunch of other niggas’ grind all over you?” 
Onyankopon’s eyes narrowed at him, a small frown pulling at his brow as he watched the interaction. He was irked.
She’s not used to having someone flirt with her like this. She blinks, “Um—“
“Girl, come dance! My song is on!”
Peanut comes swooping in as well, pulling her towards the crowd as Bring It Back by Travis Porter has everyone swarming towards the dance floor. Sweetpea gives Onyankopon an apologetic look as she’s being pulled away by her cousin and his friend. 
Even with Sweetpea’s shy demeanor at times, she knew how to have a good time. Bodies flood around her as she dances with Rashuad, ass pressed up against his hips as she grinds to the beat, eyes low, body intoxicated as he has a grip on her hair, tugging her down to meet his rhythm.
Onyankopon’s eyes narrowed even more, cooling his blood that warms beneath his skin as he takes a sip of his beer. 
…Why did he feel some type of way?  
His eyes locked onto her hair grasped between Rashaud’s large fingers, her body grinding against him slowly, looking him straight in the eye. Something in his jaw tightened, and maybe his dick jumped. 
His attention is pulled away as he feels arms wrap around his waist, Ashleigh interrupting him as she questions, “You’ gon give me some attention or keep watching Sweetpea bounce her ass on Rashaud?”
“I’m focused on you, girl. You’ the one I came with.” 
It wasn’t a whole lie, he did come with her. But a sudden  possession came over him when he thought about Sweetpea— and it was nothing like a brother, or a friend.
He’s back to glancing down as he hears Ashleigh smack her lips, pulling her arms back as she says, “Yeah, whatever nigga. I’m finna’ fuck around and find somebody else to dance with.”
She doesn’t give him the opportunity to respond as she left him, Onyankopon now actually irritated. But instead of doing anything, he takes another sip of his beer, preparing to grab for another one.
Sweetpea spent the rest of her night accompanied by Rashaud, although he was becoming a bit suffocating. She enjoyed the dance she’d given him, but that’s all she really wanted. 
When people begin making their way out the door, his dreads hover over her face as he questions, “You’ finna’ come to my dorm?” 
She gives him a light laugh, “Nah, I got a game tomorrow. Need all the rest I can get.”
A frown pulled at his lips, “Aww, really? You gon’ be up by yo’ self when you could be gettin’ company from me? Damn, Mami. You’ heartless.”
She laughs softly, “I’m sure you can find someone else to accompany you. Didn’t Onyankopon ride with you anyways?”
“He did. But I don’t know where that’ nigga at. If you see him, tell him I’m leaving. Otherwise a bitch finna’ be in the passenger,” he dismisses, Sweetpea chuckling, “Noted,” as he walks off.
She pushes her way through the bodies as she finds Ashleigh before Peanut, not wanting to speak to her, but her parental mode is beginning to switch on—where the hell was he? 
“Yo’, you’ seen Onyankopon?”
Ashleigh glances at Sweetpea, the irritation clearly present on her face as she answers, “I don’t know. He’ got me tight as hell, left me to talk to some other niggas and never answered my calls or texts when I was looking for him. I assumed he was with you,” she gives her an up and down, still glaring.
“Rashaud says he’s not getting a ride back to his car if he doesn’t leave now,” Sweetpea ignores Ashleigh’s attitude, “Are you taking him home?”
“Tuh! He got legs, he can make it,” she answers, rolling her eyes, “He chose to leave my ass, that’ nigga can find his way home. Matter of fact, you can take him, imma’ ask Rashaud to take me home.”
And with that, she’s already making her way to the exit, lightly bumping Sweetpea on the way out. She raises her eyebrows at the encounter, feeling her cousin come beside her as she mutters, “Ain’t she lovely?”
“Mhm,” Sweetpea murmurs, Peanut adding, “You gon’ be good to get Onyankopon home?” 
“If I find him.” 
“His ass’ too big to be lost,” Peanut says, shaking her head as she wasn’t surprised.
She spots several of his friends during her search, but no sign of him at all. She does one more search inside the fraternity as she goes upstairs, about to leave when she halts. 
She spots him leaned against one of the game rooms couches, snoring like a bear. She has to hold back her laugh—he was like an infant, sleeping anywhere he could. 
She sighs, leaning down as she smacks his forehead, “C’mon, boy. I’d like to go home.”
He groans loudly, his eyebrows furrowing as she interrupts his sleep. She’s pretty, even if his vision is blurry. 
“Damn, why you smackin’ me?”
“Cause you’ve somehow managed to piss off all the people who would’ve taken you back to your car tonight, and now I have to be a chauffeur for your drunk ass. Get up,” she tugs at his shirt, the action no effort to his weight.
“Ain’t nobody drunk, girl. I’m just sleepy.”
Another trait of his sleepiness—the grumpiness that also consumed it. She knows him.
 She exhales a bit as she then asks, “Want tacos?” 
He perks up, one eye opening fully as the word leaves her lips, “You buyin’?”
“Yes—“
He shoots up, leaning on her smaller frame to balance himself, almost toppling the both of them over that it causes Sweetpea to squeak. 
She places his arm over her shoulders as she helps him walk, “You’re a mess.”
“You’re tiny,” he responds, letting her bear the majority of his weight against her smaller frame, “I ain’t even that heavy—how they’ let your lil’ ass play ball?” 
It takes her ten minutes to make it to the taco stand, there to sober up drunk college students like the man sitting in her passenger seat. She could tell his headache was coming on as he covered his face with his hand, Sweetpea giving a kind smile to the worker as she took to-go boxes within her palms, climbing back into the car and placing the styrofoam on his lap.
“I got your birria tacos. And there’s someTylenol packets I grabbed from the corner store. Take those first,” she orders, reaching in her backseat for a bottle of water.
Once he managed to gain control of his headache, he opened his tacos up, the heavenly aroma of birria filling the car as he began eating them immediately. He’s already halfway finished while she hadn’t even pulled away from the stand. 
He was a greedy drunk.
She drives down the road back towards her dorm, holding back her giggle as she tells him, “Please don’t suffocate because you’re not swallowing your food.”
“If I die, know that these are good ass tacos.”
He’d practically eaten two, reaching in the container for another one before glancing at her, “How come you ain’t eat none?”
“I’ll eat later. I just didn’t want you to be hungover,” she glances at him, “Your lil’ Ashleigh didn’t seem to care where you ended up tonight. How’d you manage to piss her off again?”
“She got mad when me and Rashaud went to smoke. ‘Thought I was out there with some bitch, had a tantrum and started blowing my shit up, so I had to put my phone on DND.”
He stuffed another bite in his mouth before continuing to talk again.
“Girl gets on all my nerves.”
“You like her,” Sweetpea shrugs, “But next time, at least be nice to her before you gotta leave a party? You’ got my gas tank low because I have to go move your car to make sure you don’t get towed.”
“Aye— she was the one who got upset, not me. I wasn’t rude— just ignored that ass,” his head was still pounding, a reminder that he was still pretty wasted, “I can move my own car and fill up your tank. My bad, shawty.”
“You think I’m letting you drive? You’ve been drinking,” she shakes her head, “It’s fine.”
“Don’t act like you ain’t been drinkin’ too. I saw you, bouncing your ass all over Rashaud.”
She could hear the sharpness in his words, raising an eyebrow as she turned the corner, “It was just a dance.”
When he doesn’t respond and glances down at his phone, the both of them go quiet. Onyankopon’s tipsy ears began  hearing a familiar instrumental on the radio—Can We Talk by Tevin Campbell—turning up the song as he howled, “Oooh, that’s that shit!”
Sweetpea rolls her eyes, giggling softly as she watches him drunkenly sing along, swinging his arms, clutching her legs to the music.
 She smacks him away as she continues, “Anyways, Rashaud just wants somebody to hump on. I want a nigga who’s gonna sing outside my window. Some stupid, cheesy, romantic shit. Not some hookup after a party. However, some head would be nice at the moment,” she shrugs.
He eyes her for a moment, eyes darkening at her words, “You want a simp ass nigga,” he confirms, the word leaving his lips with a slight hint of disdain, “Who gon’ do all that corny, lame bullshit.”
To think that she wanted to confess her feelings to him earlier that night, his tone now irritates her. She parks in front of his shiny black Charger, turning towards him as she narrows her eyes, “Call it what you want. If I dealt with the bullshit you play with Ashleigh, I’d turn your ass every way fuckin’ loose on this campus. I’d never let a nigga play with me. You’ wanna keep fishin’ for pussy, that’s cool. You’ll feel empty later.”
She raises her hand, “Give me your keys.”
He’s silent for a moment, his brain slowly processing her words before he finally realizes what she’s actually upset about. But he couldn’t respond—didn’t really know how to. So instead, his hand reached in his pocket to fish out his keys, placing them in her palm in silence.
She hates that it’s now awkward, but she was annoyed with him. She didn’t need him to like her back. But with a mentality like that, it was telling her everything she needed to know before she got the chance to express herself. 
She parked his car in her lot, pulling her Coach purse over her shoulder as they began making their way into her dorm. She was quiet, pushing open the door as she knew Peanut wasn’t home. 
He feels guilty. He could try cracking a joke—but he knew her better than that. 
She tosses her keys as she makes her way to the sofa, now feeling the ache of her feet in these heels as she bends down to begin untying them. Her light groan fills the room as he soles throb by the second.
When he hears her groan of pain from her sore feet, he can’t help himself. He’s taking a seat on the other side of the sofa, reaching for her foot that she was struggling with. 
“C’mere.”
“I’m fine,” she murmurs, beginning to untie them faster, the ribbon becoming more tangled as she does this in frustration.
“Don’t start being stubborn now, shawty,” his large hand grabbing her ankle and tugging her towards him, “I said c’mere. Just lemme help you.”
She rolls her eyes, stopping the fight she wants to give as she allows him to help her. She leans herself on the elbow dug into the sofa’s material, blowing her hair out of her face as a habit. She was the one for silent treatment, but she didn’t have time for that at this moment. 
“You’ really meant what you said in the car?”
“What I said about you wantin’ a simp ass nigga?” 
He starts massaging the arch of her foot, working his thumb into the  tight muscle. The feeling makes her foot twitch, the alcohol in her system making this massage a little too good. She nods her head, adjusting herself as she feels her body throb in lower places.
“You deserve better than a nigga who’s gonna people-please his way into some pussy.” 
“I’m not asking for a doormat, Ony. I was just saying I don’t want that bullshit you play on all these girls. Arguing, miscommunication, confusion. It’s too much,” she admits with a shrug, “I don’t know how you do it.”
“I do it cause it’s fun,” he admits, watching his fingers work on massaging her foot, “Ain’t none of my relationships serious. You on the other hand…ain’t never been in a relationship. How you’ know you want all that?”
“How do you know what you’ve never experienced?” She turns the question on him, “Have you ever been in love with someone to know that something serious feels just as good as what you call fun?”
Now that was a question. 
“I have been in love with someone, yeah.”
She doesn’t expect that answer. She sighs a bit, leaning herself more on her hand as she says, “I think that being soft isn’t the worst thing in the world. I know I can be…a lil’ rough around the edges. Someone to remind me that it’s okay to be all girly, lovey, corny, wouldn’t be the worst thing in the world.” 
Her eyes fall to her lap, playing with her fingers at her admission.
“Don’t say that, man. Ain’t no nigga out here would see you as the rough type,” he shakes his head, “You’re the sweetest person I know. You just got’ no filter and you don’t take bullshit. That’s different.”
A soft laugh pulls from her at that, eyes closing as she hums from his hands loosening the tense muscles on her feet. She sighs, “You’re saying that to be nice. You’re a sweetie when you massage my feet.”
“I’m serious. You ain’t rough at all—just my pretty ass girl who plays ball.”
Her eyes come open a bit as she repeats, “My?”
He realizes his mistake, freezing in place before he quickly clarifies, “You know what I meant.”
Another air of silence between them. It’s like a tension is building, and she’s not sure where it’s coming from. They’d been alone many times before, but this was different. 
She pulls her leg back a bit as she groans, “Fuckin’ feet still hurt. Maybe I need a shower.”
She goes to stand, when she’s suddenly captured by large arms, cuffed under her ass as she’s lifted within the air. She shrieks, “Onyankopon!”, stifling out a shocked giggle as he travels into her bedroom, flopping them down onto the bed. 
“The only thing you need to be doing right now is laying down and lettin’ me take care of yo’ ass for once,” he responds, landing right on top of her, pinning her underneath his body in the process. 
She tilts her head a bit, the intoxication of the night's previous drink suddenly catching up to her. She’s floaty as she giggles, “You’re drunk, you can’t take care of me.”
“You think I can’t?” he smacks his lips, “Better than any simp ass nigga ever could.”
“So you wanna take place of my metaphorical nigga?” She blinks, giggling even more. 
“No, I’m gon’ be your very literal nigga.”
Fuck, here it was again. That tension she questioned earlier. Their eyes are pouring into another’s, and she can’t help herself at this point. 
Sweetpea does it before she thinks—she leans her head up as she gently presses her lips to his, kissing him.
Oh.
He’s caught off guard by this, his brain frozen from processing the small kiss—But the sweetness of her lips are intoxicating. Within seconds, his brain starts to function again and he’s kissing her back, lips moving with hers in a slow, passionate rhythm.
It was nothing like she’d expected. When she feels his tongue in her mouth, heavy, is when she realizes she kissed him. 
She pulls back, one hand against the side of his neck as she presses her other fingers to her mouth, warmth against her face as she says softly, “…I’m sorry.”
He’s still hovering over her, his head spinning from the intense kiss. When she pulled away, it was almost like a bucket of ice water was thrown on him, mind racing over what had just happened. 
“You don’t gotta—I ain’t mad you did that, Mama,” he responds, trying his best to keep his voice even, “You don’t gotta apologize.”
“I didn’t—“ she pulls herself up a bit, “I’m sorry. I just thought—fuck, I’m stupid. I’m sorry,” she can’t stop apologizing.
“Cut that out,” he grunts, moving one of his arms to take hold of her chin, making her look at him, “Talk to me. Why are you apologizing?”
“Kissing means a lot more to me than what it means to you, Onyankopon,” she narrows her eyes, “I need to go shower, and you’re still drunk.”
Those words sting. A lot. 
“You think that meant nothin’ to me?” The grip on her chin becoming tighter, “Like I’m some nigga for shits and giggles?”
She’s full on glaring at him now,  “That’s what you make yourself to be. I’m not tryna’ get in your crossfire.”
“You know that’s bullshit. I’m not that nigga I make myself out to be—Not with you.”
“That’s supposed to make me feel better? That everything’s suddenly so different with me? If you felt like that, why are you only saying it cause I kissed you?” 
She runs her fingers through her hair, sighing with a humorless laugh, “This is stupid.” 
“Why’d you do it, then? Huh? Why’d you kiss me if you didn’t want shit to change?”
“We’ve both been drinking.”
He smacks his lips, “I ain’t even drunk no more—be for real with me. I wouldn’t be mad if you felt something for me. If you want me.” 
“It doesn’t matter whether I want you—You don’t have to want me because that’s what I’m looking for.” 
She’s being deceptive, but it’s better than getting herself hurt.
“You think I don’t want you? You think that I don’t have feelings for you?”
She’s feeling her throat becoming tight, looking him up and down as her voice becomes soft, “…I don’t know.”
“You don’t know?” He’s leaning down so he’s eye level with her, “Damn near twenty years of knowin’ each other and you don’t know?”
She moves her face back a bit, arms crossed over her chest as she feels that pounding return in her ears. She knew there was a possibility of feelings being reciprocated, but to hear it out loud, it’s as if she’d gone deaf. 
Her breath comes out uneven as his mouth is closer to hers, pressing her hand against his chest as she repeats, “I don’t.” 
“Don’t fuckin’ play with me,” his jaw clenches at her response, leaning even closer as his breath hits her face.
She clutches the material of his shirt as she shudders, “Move, Onyankopon.”
He leans closer, close enough for his lips to almost touch hers. His voice is deep—she can’t think at this point.
 He grunts, “Let me have you. You’ being hardheaded.”
It’s as if she’d run a marathon. She clutches his shirt tighter, unsure if she wanted to pull him just a centimeter closer, or fully push him away. Her breathing is unsteady as her eyes falter shut. 
She nods her head as she begs, “…Kiss me, please.”
He doesn’t waste another second, bringing his hand to cup around the back of her neck as he roughly crushes his lips into hers.
His mouth feels heavy again, Sweetpea breathless against his lips as he tongues her down, eyes rolling back from something as simple as a kiss—She’s spinning. The strength of his lips travel as they drop down to her throat, her fingers sliding down his back with every movement, grazing her nails into the skin as she softly gasps, “…O—Ony…”
He’s leaving hickeys along her neck, biting and sucking the skin as he moves between each spot. Her nails in his flesh makes him groan. 
“You gotta stop digging in my shit like that,” he mutters in between each hickey, licking and soothing the mark he made before sucking another one, “Makes me wanna do sum’ you’ not ready for.”
“I’m—sorry,” she whispers, bringing her fingers to the nape of his neck, pressing him closer to her throat as she embarrassingly pleads, “I…like when you kiss me here…”
He groans again, latching his lips back onto her neck as he sucks on the sensitive skin, leaving hickey after hickey. 
“Yeah? Like that?” He can’t help but lowly chuckle, turning it into a grunt, “Where else you’ like me kissin’ you?”
She could feel a throb beginning to form between her legs. Her back shudders into an arch, Onyankopon’s lips catching her nipples nudging through the thin material of her top, roughly kissing at them as his mouth goes down lower, lower…
Her fingers are against his arm as her head comes up, her heart beating within her chest as her cheeks flush, “I—I don’t k—know,” jerking away from him each time he moves.
“You tellin’ me you don’t know where else you want me kissin’ you?” He’s now looking up at her under the shadows of his lashes, tongue running along his lips as if he were preparing for a meal.
His fingers are like Velcro against her skin, sliding beneath her top, clinging against her chest as his lips suck up pieces of her stomach, spreading her legs in between his body. Her ankles slide along his backside, legs dropping against his shoulders as he puts them there—she feels like her heart might start beating outside of her chest. 
She grips along his arm as she moves with him, trembling under his touch as she exhales, “I—Ony….” She can’t speak.
“You sound good as fuck sayin’ my name like that,” he huffs as he moves lower, “Like you ain’t never said it before…keep that shit up.”
She catches herself over thinking, knowing that she wasn’t nearly as experienced as him—she really didn’t know what she wanted. She hated how shy she felt, but this moment didn’t feel like it existed in her mind, it was like a hazy dream. Blame it on the alcohol. 
With that intoxicated courage, she presses her legs together as she raises her hips, beginning to peel her shorts off her body. Her embarrassment floods the river within her mind as she sees his jaw clench. Pulling him up into a distracting kiss, she closes her eyes to rid the self-consciousness. 
The kiss he returns feels impatient. He’s sucking against her tongue, losing to the temptation he’s holding back to devour her— he just can’t help himself. 
When her legs spread back open, the caramel skin disappears beneath the bubblegum pink of her pussy, glistening from her arousal. It makes him practically famished.
 He pulls himself back, “You’ pretty as fuck, don’t do all that…” placing her legs back over his shoulders, locking his eyes down with an almost awed expression. 
“Damn…”
He’s kissing her thighs, voice low into the crook of her inner skin as he compliments, “Pussy pretty as fuck, I gotta give her a kiss.” 
He lowers his mouth down to come in contact with how wet she already is, nudging his lips in between the folds. He welcomes the nub into his mouth as he gives it a french kiss, tongue tossing her clit that throbs as he makes contact with it. She whimpers, raising her hand onto his head, sliding against the softness of his braids, wanting to jump out of her skin at this very moment. Why did it already feel so good?
That whimper— It’s the most vulnerable he’s heard her. He grunts, “Ain’t never tasted some pussy like this,” swirling his tongue lower to have it sink in between her folds, the mixture of arousal and saliva beginning to collect in his beard. His jaw is dropping up and down in repetitions, opening his mouth wider to catch every single part of her—she’s like candy, a reward after a game, a prize no one else could receive. Her taste explodes across his senses, making him growl low in his throat.
Her lips part, an almost shocked look on her face as she gasps, chest arching up as she brings her eyes down to watch. It’s almost like a torturous tickle, another shuddering whimper plummeting from her mouth as she frowns, “Agh—Ony…” his tongue dragging every which way on her pussy, hovering over her opening to have another make out session with her clit.
This is his alcohol, his drug of choice. He's giving her slow licks, his hot breath causing her muscles to flutter in a way that has him moan, “Ooh shit, pussy gettin’ tight from my mouth…”
He’s smearing her wetness across her folds and inner thighs, hands gripping her ass firmly, kneading the plump cheeks as he gives the skin a spank, Sweetpea full on moaning in response. Onyankopon looks up at her with lust-filled eyes, "Yeah, I wanna hear that. Keep that the fuck up.”
Her head falls back against the bed as she releases tiny moans, hearing her own voice in her ears making her cheeks hot. He’s relentless, slurping her up so that it creates a loud sound within the room, head swiveling side to side, up and down, in circles, her arousal floods the sheets beneath her body. When his tongue drags down to meet her opening with a filthy kiss, it sinks in all at the same time, making her whine out, “Fuck,” trembling as she gasps, pressing her knees to her chest to hold her shaking legs.
Grunting in satisfaction at her reaction, Onyankopon takes it further, licking her entrance before pushing his tongue back inside, curling it up to stroke her inner walls. He pulls back, letting out a deep rumble, "Damn, you taste so fuckin’ good,” his own eyes nearly rolling back, “Fuck…” 
Slurp, slurp, the sounds fill the air in a nasty way, his nose pressed against her swollen lips. He's licking her up and down, from her clit to her entrance, going as deep as possible without pushing back inside, savoring her flavor. She’s clawing at his skin, shaking like a leaf in a way she didn’t expect herself to. He’d never been so fixated on a girl, so enthralled—he couldn't stop himself. 
Onyankopon leans up to capture her lips in a rough kiss, swallowing her cries under his tongue as he thrusts in and out, mimicking the act they both crave.
Her fingers go to touch him, palms trembling so much that she can barely get a grip along his skin, kissing him back in such a consuming muddle.
He chuckles darkly, "Look at you, all fucked up,” lips latching back down to her clit, his free hand reaching up to tangle in her hair, tugging her head back to add more pleasure, yanking her down to meet the aching wait of his mouth.
Pleasure wasn’t even the word at this point. She feels faint, spots within her vision as his other fingers press between her plump lips, pulling her by the bite of her teeth to watch him. 
She muffles in between her whimpers, “O—Ony—” she feels panicked, as if she doesn’t know how this could feel so good, pressing her hand to his arm to slow him down, “S—Stop, I’m gonna p—pee…”
A deep chuckle rumbles through his chest, vibrating against her flesh, “You ain’t finna’ pee, Mama,” he murmurs against her, tongue still flicking rapidly over her clit. He adds more pressure, watching her deep inhales, her exhale dragging out into a small sob, tears brimming her eyes as she finds his hair again.
Her ankles are in the air, the slurp of her pussy, his voice, it’s all too much for her. The tears in her eyes are in between harsh waves of pleasure and embarrassment, unable to stop the pressure of release as she unknowingly squirts in his mouth, her moans broken, whining, squealing as she gushes out. She trembles, “O—Oh my god…” the gasps pulling from her mouth are almost dangerous.
“Why you’ squirting like that,” he groans, never pulling away as he delves his mouth deeper, drinking in her essence as her orgasm hits, taste intensifying with each spasm of her pussy.
She whines, “Ony—stoppp,” crying like a baby, a mess at this point. She hiccups in between, trying to latch her legs closed, whimpering at the painful spank she gets in return, his growl almost evil. He just can’t stop.
“Got a nigga thirsty as fuck.” 
His tongue is interminable, lapping across her sensitive flesh, coaxing forth new surges of ecstasy. He enjoys the way her whole body vibrates beneath him. His face is drenched, beard shampooed as she’s coating him like a splash of water from the sink—she can’t stop cumming.
He’s in between her legs, pleasuring her in a way she’d never been catered to before. Her legs are shaking, her voice is hoarse as she cries for him, the most vulnerable she’d ever been. She practically begs him to stop, teary eyed and body vibrating from the countless releases as he pulls himself up to her, forehead pressing against her own, her heavy breathing gusting along his face like wind. Her tear stained cheeks are warm, eyes closed as she can’t bring herself to look at him.
He kisses her cheeks, gently brushing away the tears. He’s hovering over her, one hand planted by the side of her head, resting his weight on it as the other strokes the side of her face. 
“Open your eyes,” he instructs softly, “Lemme see you.”
After a moment, her wet lashes flutter open. She returns her hand to the back of his neck, noticing the look of amusement on his face. She closes her eyes again, hiding her face somehow as she whimpers, “Don’t laugh.”
There’s a look of almost tenderness on his face as he softly chuckles, taking her wrist to pull it away from her face. 
“I ain’t laughin’,” his voice is low, “I just like seein’ you like this…you look cute this way.”
She rolls her eyes, releasing her own small laugh. Her forehead is still pressed against his as she searches his face, seeing the vulnerability he carries in this moment. 
Her voice is small as she calls, “…Ony?”
“Yeah, Mama?” He’s got his fingers playing with the strands of her hair, eyes staring straight into hers, “What you need?”
“You don’t have to say you like me back if you really don’t…” her voice is soft, “I just—don’t want anything to feel forced…”
It’s almost painful how hesitant she looks in this moment, and he can’t help but narrow his eyes as if insulted. 
“You still deaf as fuck in one ear, huh?” His mouth is back to hovering over her face, lips inches from hers,  “I want you.”
She hears his voice—she listens. Nodding her head, she pulls him back into a gentle kiss, lowering her hand as she tugs at the belt on his jeans. Her mouth pulls back as she feels his fingers intertwine in her palms, pressing her hand back onto the bed.
“Hold up,” he murmurs as he pulls back, “I don’t want it like this—a nigga was just hungry and wanted to make you feel good. Couldn’t help but eat that pretty ass pussy. C’mon,” he gently smacks her ass, “You’ got a game tomorrow.”
She flinches a bit at his words, “Your mouth is bad,” ignoring the flush that returns in her face. She frowns a bit at his rejection, but she can also appreciate the wait. 
She hides the frown as she asks, “…Are you staying here?” 
“You need to ask if I’m stayin’ here? Where else am I gon’ go? A nigga ain’t finna’ leave after what we just did.”
Her vulnerability is still there. She glances around his face before she shakes her head, “Sorry.” 
She pulls him into another soft kiss, “You wanna come shower with me?”
“You gotta stop apologizin’ to me, Sweetpea. Shit is irritating.”
She scrunches her face up, “Okay, nigga. I’m just making sure. Actually, you ain’t gotta shower with me!” 
She stands from the bed with her arms crossed, unable to hide her giggle as he yanks her back towards him. 
“Stop playing,” he gruffly mutters, arms wrapping around her smaller frame, nudging a kiss on her throat, “C’mon. I’ll braid yo’ hair up for the game tomorrow.”
She had to surpass the embarrassment of bathing with him, already beneath the shower head as he removed his clothes. Her eyes trail down to his sculpted frame, the ink on his pelvic, glancing at the monster that slaps along his belly button, hanging between his legs. 
But even in this steamy environment—It’s sweet, a different Onyankopon that she’d never seen. He stands behind her as he sensually washes her body, trailing kisses against her skin, washing her hair in a way that feels loving. From sitting on the floor with him as he braids her hair back for her game the next day, to her face against his chest as he snored above her. She was in love with this man. 
When the next morning comes, her eyes open to find that she was by herself in the bed. She doesn’t know why she becomes a bit worried. But as her eyes find his chain against her dresser, a sticky note beside it reads—
‘COACH CALLED FOR A MEETING. LEFT MY CHAIN SO I HAD A REASON TO COME BACK.’ 
A small smile comes to her lips at that. Her attention is pulled as she hears her door open, her cousin Peanut leaning into the frame with a raised eyebrow. 
Sweetpea scratches her head as she gives an awkward smile, “Uh…hey.” 
“Hey. He’s gone I see,” Peanut crosses her arms over her chest, “You two finally did it, huh?”
“No, no. We didn’t. Um—“
She hesitates a bit, “We just…slept off the alcohol,” she shrugs.
“Right. So, is that why he left his chain on your dresser?”
She glances at the dresser before looking back to her cousin, “Girl, shut up. You’ wanna go hoop for a little?”
Peanut snickers, moving out of the door frame, “You know I do. Come on, it’ll be a fun way to blow off your hangover.”
Onyankopon was grown, but why was she so worried when the entire day almost went by, and she hadn’t heard from him? 
Her and Peanut practiced for a while, got food, even stopped at another teammate's dorm. Nothing. She’d called him twice with no answer, and hadn’t seen him on campus. She walks back towards her dorm with Peanut, sighing as she glances back down to her phone. 
“This nigga better come get his chain before I throw it out,” she mutters in irritation. 
Peanut chuckles, walking beside her as she says, “Clinging onto him already? It’s cute. Y’all my couple goals or whatever!” 
Sweetpea rolls her eyes, “What if everything last night was just in the moment, Peanut? He was just fuckin’ with Ashleigh not too long ago.”
“Ain’t no nigga leaving his chain at your place if he doesn’t like you. Y’all have known each other for years, Pea. He likes you.”
“Yeah, he likes a lot of bitches. Including Ms. Big Booty Hoe,” she reminds.
Peanut shoves her cousin in the shoulder 
as they reach the dorm, pushing her key into the knob as she says, “You really gon’ let your doubt ruin a good thing? Pussy.” 
Sweetpea raises an eyebrow, “Pussy? Rude—”
When she opens the door to their dorm, they both halt. It’s a nightmare if Sweetpea had a word for it. Their eyes come into focus on Onyankopon on the couch, Ashleigh along his lap, his varsity jacket on her shoulders as her lipstick smears against his cheek. The both of them have a look on their face as if they didn’t expect to be caught— but there’s not enough time to process anyone’s expression. 
Onyankopon was already standing to explain himself, while Sweetpea is lunging forward, her body being caught by her cousin who wraps an arm around her chest to stop her. She practically sees red.
His jaw tenses as he sees her ready to swing, “You’ finna hit me?”
She jerks in her cousins hold, “I’ll hit you and your hoe,  nigga! I never gave a fuck— Are you serious?” 
“Who are you calling a hoe?” Ashleigh frowns, stepping forward herself, Onyankopon pulling her back.
“Bitch, you!” 
It took a lot to get Sweetpea out of character. She’s not even listening to what he has to say, ready to throw hands with the girl on the couch, and him.  
“Chill the fuck out, Pea,” he warns,  “It’s not even like that.”
“Not like that? It looks like you was finna’ fuck a bitch in my dorm!” She exclaims, “How the fuck else does it look? I should really smack the shit out of you!”
"I said it ain’t even like that, Pea!” he defends, “I called her to get my jacket. That’s all.”
“So why the bitch on your lap?” She frowns, “You think I’m stupid as fuck? Fuckin’ lipstick on your face and shit,” she mushes his face with her palm, unfazed by his glare, “You got the bitch in my dorm—my dorm!”
She hates that there’s angry tears in her eyes, being held even tighter by her cousin, not even focused on the fact that Ashleigh still stands within the room.
"I swear to fuckin’ god bro—It ain’t what it looks like, but you also not finna’ hit me, Pea,” he warns with a step forward, “You need to calm your ass down and let me explain!”
“Nigga—fuck you!” She mushes his face again, “And this bitch! Y’all fuckin’ deserve each other! I hope you know that she was fuckin’ yo’ friend Rashaud last night after that party while you letting the bitch on your lap!” 
Her words are sharp, angry, but overall hurt. She’d never planned to admit her feelings to Onyankopon in fear that they’d get thrown back in her face—here it was. 
A look comes along his face, as if he was genuinely surprised to hear this information. He has no time to even process that, before he hears Ashleigh go off, “That ain’t your business to be telling, bitch!”
When Sweetpea goes to swing at this girl, Peanut is the one to dismiss the chaos within the room, fully pulling her cousin back to stop this from becoming worse. 
“Y’all need to chill the fuck out before the RA hears this bullshit. Onyankopon, you should’ve never brought Ashleigh to our dorm, no matter what the fuck was going on. And you need to get the fuck out. I don’t have any issue with jumping you in this hoe,” Peanut threatens Ashleigh.
Ashleigh sneers, “Fuck all of y’all,” throwing the jacket on the sofa—but she doesn’t leave before giving Sweetpea the finger, moving quick as the girl continues to struggle under her cousins hold.
When Sweetpea brings her eyes back to Onyankopon, there’s less anger in her face. She pushes out of Peanut’s hold as she shuts her emotions down in that exact moment.
“I have a game later—I don’t have time for this shit.” 
To see her go from that vulnerability he always chased, showing him a completely different side of her—to this. It was like nothing had changed between them. 
“Pea—“
She slams her door, leaving the both of them outside. That was the end of it. At least for now. 
                                        𝓐ᥫ᭡
TWO MINUTES LEFT IN THE GAME. The court was where she belonged, but her mind was elsewhere. Her eyes tried their best to pull away from him as he was in the bleachers, watching her every move like he always did. That would never change. But she wasn’t in her element tonight. She’d been missing plays, dropping the ball, foul after foul. 
It got to the point where seconds were in the last quarter, and as she took the opportunity to throw the ball into the hoop, she watched as it completely missed, her eyes trailing over to the audience that watched with expressionless faces. 
The game ends, her teammates looking at her, Peanut’s expression filled with worry—it was all wrong. As the other team jumped around and cheered for their win, Sweetpea walked over to the bench as she sat herself down, dropping her face into her jersey as she cried. Frustrated with herself, frustrated with this entire day.
Onyankopon watches her shoulders shake beneath her jersey. He wants nothing more than to comfort her, but he knows that will only drive the knife deeper. So he sits there, watching in silence as her teammates pat her on the back, offering their support as their coach talks to them, scolding Sweetpea for her performance. 
He had to fix this.
A couple of days had gone by. Sweetpea had trapped herself within her dorm for the weekend, just wanting to get her mind together for the next week. She wanted her mind to be blank— but all she could think about was how having a childhood crush got her into this entire situation. She sits against her bed with one of her textbooks open, body swallowed under her oversized graphic tee and hair sprawled around her face, just freshly showered from bed rotting. 
Her eyes glance up to her door peeking open as Peanut appears, “You’ gonna be good before I head out?”
“I’m good, Peanut,” she brushes off, “Where you’ going?”
“Just to a party,” she replies from the doorway, “You sure you don’t want to come? Might cheer you up, you know? Get your mind off everything.” 
Peanut's brown eyes move from her cousin towards the floor as she sighs, “…I’m worried about you, Pea.“
“I’m good,” she repeats, “I just…wanna take some time to myself. I got exams to study for—go have fun for me, okay? Send me pictures,” she gives a weak smile, dropping the pen in between her fingers.
She can tell that Sweetpea was lying, but she wasn’t going to force her to go.
“Okay,” she says softly, taking a few steps back, “Call me if you need anything.”
She gives her a wave as she shuts the door. She wasn’t necessarily lying, she did want time to herself— But that didn’t mean the solitude wasn’t lonely. 
Her TV was extremely low within its volume setting as she studied. But as she continued to highlight important sections, her attention was caught by the sound of music coming from outside. It’s a familiar song, loud enough that it’s coming from someone’s car, disturbing her studying. If it was bothering her, it definitely bothered others within the complex. 
She takes a breath as she pushes herself off the bed, fuzzy socks along the ground as she pulls the blinds of the window to peek outside. And when she does—she’s in for something. 
Her eyes watch as Onyankopon is standing on the grass across from her window below, Can We Talk by Tevin Campbell playing loudly with all the windows down on his car, his arms out as he serenades her. Her mouth drops open.
He’s never felt like more of a dumbass than in this moment. Yelling out a love song in the middle of the afternoon just to get a girl to talk to him again. He didn’t care that people were recording him, beginning to open their windows in shock—all he had on his mind was the window to Sweetpea’s dorm.  He just hoped it didn’t take her long to open it.
She panics as she pulls her blinds up, opening the actual window as she leans out, “Onyankopon, what the hell are you doing?!”
“The hell it look like?!” he calls out to her, “You’ been avoiding me! You said you wanted a nigga to serenade you!”
“Onyankopon,” her mouth drops open a bit, “You cannot be serious right now!”
“I’m dead serious!” he snaps back, “You won’t talk to me, won’t answer my texts, and don’t answer when I call!” He points his finger up at the dorm, “Get your ass down here before I start doing choreography like New Edition!”
He’s back to singing, people yelling out from their windows, irritated with the interruption he causes. Her mouth drops even lower at this, and to avoid her RA blaming her for this entire mess, she slips on her house shoes as she darts downstairs, opening the double doors of her dorm to see him now standing across from her.
“Can you stop?!” She throws her arm out, wanting him to cut the music playing out of his car, “If I get reported I’m turning your ass loose on this grass!”
“Now see? That’s all you had to do.” 
His arms lower as he moves around the front of the car, cutting the music off, “You was’ up there studying?”
She crosses her arms over her chest, “Make your point quick as fuck, Onyankopon. Otherwise I’m going back upstairs.”
“Aight, look—You’ been blowing me off because of a dumb ass fight—That ain’t right, Sweetpea. You can’t just ignore a nigga you care about.” 
“Good thing I don’t care, hm?” She raises an eyebrow, attempting to close the door, eyes narrowing as he locks his fingers against the handle.
"Bullshit. I know you better than that, Pea. You’ the type of girl to care.”
“And you the type of nigga to sweeten your way through anything,” she fires back, “Look, man. I gotta finish studying. Are you done?”
“Why you gotta shut me out, Pea? Why ‘you mad at me for caring about you? I know it was my fault, but you didn’t even let me talk to you about it.” 
He’s still gripping onto the door, not letting her close it on him. 
“Why you’ gotta make things difficult for me? Can’t I love your ass without you avoiding me on some bullshit?”
The word love echoes through her mind. She blinks as she’s thrown off a bit, searching his face through the black sweatshirt and Nike sweatpants he wears, his muscular frame silhouettes beneath it. 
Her eyes pull up as she hears a random person from their window, “Talk to that nigga so y’all can stop disturbing the entire complex, niggas is sleep and studying!” 
She brings her eyes back to him, contemplating for a moment. She sighs as she rolls her eyes, opening the door into the hallway of the dorms as she says, “Just hurry up and come in.”
He’s a bit relieved that she finally lets him in, shutting the door gently behind himself as soon as he steps into the girls’ dormitory. It’s weird to feel so awkward with her—he’s never felt so off with someone since he was in grade school.
She closes the door to her bedroom, turning towards him as she states, “You’ got five minutes, Onyankopon. Say what you need to say.”
She looks cute as hell in her fuzzy socks and oversized shirt, her hair sprawled around, falling past her shoulders. He has to make a conscious effort of looking into her eyes instead of staring at the way her shirt hides her curves.
He frowns, “Five minutes? That ain’t enough.”
“And now you have four.”
He takes a seat on the edge of her bed, looking around at the mess of textbooks and papers spread out along with her comforter. He’s quiet for a few seconds as he runs his hands over his face, finally looking up at her with a look of sincerity. 
“I’m sorry.”
“For?” 
“For hurting you.”
He can’t stand that she’s not looking at him as she moves things from the bed, so he stands back up, taking a few steps until he’s standing behind her.
“You ain’t even finna’ look at me?”
She sighs, halting herself as she gives him her undivided attention, “Yeah, okay. You hurt me, Onyankopon. The sky is also still blue. You’ saying shit I’m already aware of.”
“You’ still don’t have anything to say after ignoring me all week? I’d rather you be ready to swing.”
“Swing on you? I only wanted to do that because I was mad. I’m not a bitch who’s gonna keep playing around with you. I’ve known you for years, and you gave me the courage to feel like I could finally admit how I felt about you—How I’ve always felt. But you were too busy worrying about the next bitch, so it was easier to just be cool on you. You then say you feel the same, eat my pussy, and then I catch you with a bitch on your lap the very next day. Tell me, what would you have thought?” She questions, raising an eyebrow.
He can’t deny that she’s right about everything she said, but he never meant to hurt her this much. There was no excuse for what he did, and he’d rather have her scream than give him nothing. 
“You’ right,” he says after a few seconds of silence, “You’ completely right. But it wasn’t like that. I was on the way back to come see you—I asked Ashleigh to come bring my jacket back, and I was gonna end shit with her. She tried to make a move, and y’all walked in as I was tryna put her out.”
She searches his face, seeing that he looked to be telling the truth. He doesn’t add too many excuses or go into detail the way he would if he was lying. 
She then says, “Even if you were just tryna’ end shit with her, you know the bitch doesn't like me like that. You could’ve met her somewhere else on campus. Meet her at your dorm. It wasn’t cool to bring her here. And you’re grown as fuck, it should’ve never got far enough for her to be in your lap.”
“Yeah,” he replies, “Yeah, I know. I wasn’t thinking straight, and I wasn’t thinking about how it would look to you when you saw it. I can’t take it back, but I can apologize for it. For real—Alana, I love you.”
Hearing her government name fully throws her off. She’s visibly taken back as her arms fall from being crossed, pointing out, “You said you loved me earlier before you walked in. I figured you just meant that you liked me a lot.”
“Nah,” he says firmly, stepping even closer until he’s towering over her again, “I do love you. Hell—I think I have since the moment I met you. I was too busy being dumb and running through bitches because I couldn’t accept that I found someone that actually meant something to me. And I kept telling myself it was just a childhood crush that didn’t mean anything. But it ain’t.”
Sweetpea was unfortunately a softy. Her heart did in fact swell at his words, and something in her became extremely happy to confirm it had always been this way between them. She blinks for a couple of seconds, taking a step forward as she places a hand on his jaw, facial hair smooth beneath her fingers. 
“I’m…I’m sorry for overreacting. I just didn’t want to be hurt again. I’ve—loved you for a long time, and I don’t play about my feelings. I wanted them to mean something if I ever admitted them, and at that moment…they didn’t.”
His body visibly relaxes when he sees her softening—especially when he can feel the warmth of her palm against his face.
“Your feelings do mean something. Never think that they didn’t. I promise I’m never gonna hurt you again. I’m done running from you. I’m done being dumb as fuck. I’m yours.” 
The swell of her heart thumps against her chest at his words. It makes her gently tug at his jaw to pull him down, close enough for their lips to touch as she suppresses her smile, “Say it again.”
He can’t help the smirk that appears on his face when he hears her, pulling in even closer to where their noses brush against each other’s. 
“I’m yours, Sweetpea,” he repeats in a deep tone, “A nigga is in love with your mean ass.”
A soft giggle releases from her lips, her face warm at his words. She sighs a bit as his mouth is close, feeling her breath shuddering the same way it did the night before. 
She sighs, “I love you too, Onyankopon.”
His smirk grows even bigger when he hears her finally say the exact words he’d been dying to hear, the feeling of her hot breath against his mouth driving him crazy. He leans himself even closer as she grunts, “I’m missing your mouth bad as fuck.”
This felt like the right moment. 
“So kiss me,” her voice is small, but something equally stirs within her. She wants him just as bad. 
When he leans himself closer, he lets their lips just barely touch, pulling a breathy whimper from her mouth. She couldn’t hide the need she had for him anymore.
He’s tempted to go even slower and draw the moment out, but that sound against his mouth raises a grunt out of him, roughly locking their lips together. She has to bring her arms over his shoulders to balance herself, taking in a sharp breath as his tongue laps within her mouth, effortlessly lifting her feet off of the ground to travel towards the bed.
 When she makes contact with the comforter, her body kneels below him as he stands. She pulls her lips back as her low eyes travel, grazing her fingers down his torso, meeting with the strings of his sweatpants as she pulls at them.
 “…Can I?”
“Go ‘head,” his eyes are equally low, knocking down to watch her.
She can see his bulge from beneath the material as she pulls it down, being met with his dark pink tip, heavy as it slaps along his stomach. Her small fingers wrap around the base of him as her eyes flutter up, adjusting herself as she places her tongue along the tip, giving it a kiss. His spine tingles at that. She’s already wrapping her full lips around him, beginning to gently nudge her head back and forth, steadying her pace to become more comfortable. 
He groans, the sound rumbling deep in his chest as she takes him into her mouth, eyes rolling back slightly at the sensation of her warm, wet tongue gliding along his length. One of his hands comes up to thread through her hair, gripping it lightly as he guides her movements, “Suck that shit however you want to, baby. Just tryna’ help you.”
She feels nervous about her performance. Continuously adjusting her body in a way that makes her hips sway, her back arching as her curls fall around her face and forehead, Sweetpea opens her mouth wider as she drags her head back and forth, allowing his tip to rock against the back of her mouth. Saliva begins to collect at the sides of her reddening lips as she whines softly against him, twisting her head to take him even deeper.
His grip on her hair tightens, guiding her head further down as he thrusts upwards, hitting the back of her throat with a low growl, "Fuck...that's it, Mama." 
He watches her struggle a bit to breathe around him considering his hefty girth, the sight making his dick twitch. She becomes more comfortable by the second, folding her lips more inward as she tightens her mouth, beginning to suck him more towards her throat, creating a wet sound within the room. The walls of her cheeks clamp down against him, coaxing him in each time he pulls halfway out.
"Shit, baby. You’ tryna have me nut in that pretty ass mouth," he says, voice thick with lust. He starts fucking her face harder, holding her head still as he goes in and out, watching her throat constrict around him with each thrust. The wet sounds fill the room, accompanied by her muffled whimpers. 
He reaches forward as he smacks her ass, “Look at you, takin' every inch like a fuckin’ pro. All that fuckin’ mouth, let’s see if you taking dick like that.”
He pulls himself out until his tip hovers along her lips, saliva connected in between the two, her tongue flat against the top as her breath huffs out a sultry giggle. She drags her tongue on the outside of his dick, reaching down as she laps his balls from beneath, eyes still fluttering to stare up at him. She ached for him. 
Something in him becomes irritated at the sight— she looks ethereal, a haunting siren within his mind that dragged him in. He grunts, “You’ nasty as fuck.”
Sweetpea lightly gasps as he turns her the opposite way, pressing her stomach against the sheets while pulling her hands behind her back. Her body jolts as she feels him spank her again, hips arching up as his mouth lowers back down to meet with the entirety of her, sucking her clit in between his lips. She clutches his hand within the fingers he holds, face along the sheets of the bed as she moans softly, beginning to rub her pussy along his face.
He goes in between lapping at her folds while sucking on her clit, flicking it with his tongue as his beard scrapes her sensitive skin. He groans, feeling her juices coating his chin already.
“Needy ass fuckin’ girl,” he spanks her again, “Ride my face slow as fuck. I need a mess in my beard,” He commands, taking his palms against the cheeks of her ass, pacing a torturous rhythm to circle her hips in the air, his mouth catching her pussy back on his tongue.
 That slurping sound returns, her teeth digging into her lip, hair falling over her face as she softly moans and whines against him, arching her hips nonetheless.
His hands slide up her thighs, gripping her waist firmly as he tugs her down onto his face, tongue delving deeper inside as his nose buries into her ass. 
“Need you soakin’ before I go in,” His words are muffled against her flesh, the vibrations sending shivers through her body as he continues to eat her out recklessly. But she’s wet, so wet that she couldn’t have been more ready. He could tell she’s holding back, moans soft, tiny. He needed a symphony.
His tip is nudging in between her folds, feeling heavy even on the outside of her pussy. It makes her adjust her body as he holds her down with one palm, keeping her body arched to perfection. She then knocks her head to the side, eyes locked into his as she watches him—it was like all time had slowed. 
Her wet folds spread apart as her walls began molding around his tip, gripping the flesh and pulling him in inch by inch. Her walls feel swollen, aching as he goes in, fluttering before gripping back around the weight of his girth. She was entirely full, so full that she looked back at him with a pout, whimpering as her back arched through the discomfort, dragging herself forward to pull away. He somehow manages to catch a lock of her hair as he grunts, “Don’t do all that, you better take this fuckin’ dick like you was before,” which makes her deeply gasp, trembling out a whine as his balls slap along her clit, ass clapping along his hips as he’s fully inside. He pulls halfway out before he sinks back in again, a waft of air pushing out her pussy, making a loud squelching sound as her eyes roll to the back of her head, “Oh fuck, Ony…”
“Keep that fuckin’ arch,” he grunts, her inner walls squeezing him like a vice, “I’m stretching your shit, huh? I know, Mama," He taunts, pulling her back again, another gust of air spouting out, her pussy sobbing at this point. 
It’s dripping all against his balls, she’s wetter than she’s ever been. He begins dropping her down onto his dick slowly, but his thrusts are hard, each stroke hitting her g-spot dead-on as he pounds her mercilessly.
Her mouth is parted open yet nothing comes out for a while, just feeling the pained-pleasure that vibrates her entire body. It feels good, so fucking good that she’s practically paralyzed—and they’d only just started. 
She finally has enough oxygen within her chest to be vocal, her hair falling in front of her face with each stroke, pouting even more as she breathily pants, “All in my pussy, baby…” she doesn’t know where that sentence comes from, but it’s needy, as if she meant every word—She did. 
He keeps up that exact pace as her walls tighten second by second, slowly pounding as her needy plea hangs heavy in the air. 
“Yeah?" He coos, slapping her ass to gain her attention—even if he already had it, “You’ feeling that shit, huh?”
She tries to stop her eyes from rolling back each time her skin sticks to his, the sound in the room like a gunshot going off every few seconds. She sinks her teeth back into her lip as she nods her head, the agreement dragging itself in a prolonged harmony, turning into a chaotic moan of, “I feel you, Ony…I feel it…”
Onyankopon grins sexily like the bastard he is at her submission, seeing the raw vulnerability in her expression. He’s pulling almost all the way out before slamming back in, his balls smacking her clit with each brutal thrust. 
He can feel her walls becoming extremely tight, her whines growing louder—he’s starting to learn her body. He releases her hands which allows her to drop them onto the sheets, reaching around to clutch his fingers in between her throat and jaw. He’s picking up the rhythm of his hips, the comparison of gunshots sounding off as if he’d added more magazines, faster, harder.
“Open my pussy up,” he grunts, “You ain’t finna’ cum and be done. Better wait for me.”
But she can’t wait. Between the sound of his voice, the way her ass just drops, drops, drops to meet his dick, her tongue nearly lolls out, drooling as she can feel herself being fucked stupid. Her mind has never been so blank, which makes the words that come out so air-head like, she’s babbling.
“I’m cumming,” she whimpers with a gasp, still being dropped down all the while, turning her head back to face him, tears falling from her eyes in such a rush of pleasure. She has a death grip against the sheets, clawing with her nails as she whines, “I love you, Onyyy… I’m cumming…”
Her walls are fluttering like crazy—Onyankopon’s eyes drop down to see a beautiful coat of white being painted more and more on his dick each time he pulls back out, the arousal splatting against her skin with each stroke. 
“You love me, Mama?” He tightens his fingers on her throat, her orgasm spinning her in circles as she trembles, “Mhmmmm.”
“That’s why you creamin’ on my shit like that? Cause you love me?”
She softly cries, “Cause I love you,” her entire body shuddering, eyes white as they’re in the back of her head.
He tightens his hold on her throat further, cutting off some of her airflow. The pressure causes her climax to prolong, her pussy spasming wildly around his dick.
"Love me so much you drenchin' my dick?" He growls, watching the thick stream of her juices coating his shaft, "You gon’ milk my nut dry?”
“Yeah,” she sniffles, “Yes, baby…”
“Come bounce on this dick. That’s how you’ finna cum again.”
She could’ve collapsed at this moment, her body exhausted—he’s pulling her onto his lap, placing her feet flat against the bed, arching her hips up as he’s already sinking her back down. He intertwines their fingers together to hold her up, rocking his hips up for her to catch the rhythm he wants. She’s a whimpering mess as she complies, swirling her hips down, grinding herself in a sloppy choreography.
He takes advantage of her vulnerable state, gripping her hips tightly as he begins pounding up into her. Each thrust sends her breasts bouncing and her ass jiggling.
"You' cummin' again," He growls, his own release beginning to build, “Keep riding my shit like that.”
He's not wrong, her pussy is clamping down on him like a trap, and her entire body is in complete shambles.
She places her hands along his chest, running her fingers across his tattoos as she leans herself forward, rocking her hips down, bouncing just like he wanted—of course, her curls fall on her face, the annoying habit of having to blow them out the way pulls a low chuckle from Onyankopon.
 She whimpers to him, “Don’t laugh, Ony…”
His chuckle subsides as quickly as it came, his expression turning serious once more. He grips her hips tighter, his strokes becoming harder and faster. She’s louder, attempting to keep up with him. 
"Don't worry 'bout nothin', Mama. Just ride my dick," He commands, his breathing heavy and labored. Seeing her above him, hair cascaded along her freckled face, her soft sounds—she’s so pretty to him.
Onyankopon’s arms wrap along her lower back as he sits up beneath her, guiding her hips down to connect with his.  She pulls him into a kiss, holding his face to consume his affection, her face splashed with previous pleasured tears,  whispering to him in a tiny gasp, “I—I love you s—somuch, O—Ony…”
His entire body was sensitive to every one of her touches. Feeling like a teenager all over again while they make out, he grunts her name against their mouths, “Alana…” 
He feels how easily she moves her hips, rolling them in sync with his movements to send waves of pleasure through them, groaning between their hot kisses, “I love you…fuck…I do…”
She wraps her arms around his neck as she presses her face into his shoulder, nails digging against his skin as she gasps, “I’m—mmph, I—“ she’s gasping, unable to finish as pleasure raptures her entire body again, all the way down to her feet, muscles aching from the constriction.
She’s tight—he can feel every inch of her warmth as he groans in response to the arch of her back, “Goddamn…” 
His hands travel down her body until they’re both on her hips, guiding them as he bucks up into her, slowly moving her in the same motion, “…Take your time, baby. I’m finna’ bust…You’ cumming?”
She hiccups, nodding her head feverishly as she holds onto him, dragging her fingers up to his head as she grips there, moaning in a high pitched way as she warns, “I’m c—cumming,” closing her eyes as she brings her hips down faster, “O—oh my god—agh…”
Her voice makes his eyes roll back into his head as he holds onto her hips, bucking his own up more to help her reach the peak, “Shit, I ain’ never wanted be nowhere but right here with you. I’m finna’ bust, baby, I—ohhh…f-fuck, Pea…I love you...so much,” his words are broken into short moans as he holds onto her, pulling her as close as they both release together, a symphony of affection turning into an orchestra, filled with emotions they’d had for one another all along.
She keeps her face within his shoulder as she breathes heavily, still holding onto him as her orgasm subsides. The moment her eyes do come up, she can see the last thing she wanted to envision—that damn smirk on his mouth. 
She presses her face into his chest as she grumbles, “Don’t, Onyankopon. I swear to god.”
He grunts as her head presses against him, but a smirk appears all the same, chuckling under his breath as he reaches up to scratch at her scalp. 
“Pussy is good as fuck,” he huffs, Sweetpea jumping as she feels his palm slam down on her ass.
She brings her eyes up, “You could’ve said something romantic—yet that’s what you say.”
“I’ll let you hear them’ three words a thousand more times before the nights over, crybaby.”
She pulls herself off of him as she lays against the bed, pressing herself against the pillow as she feels her eyes becoming heavy. Her hair brushes over her face, uncaring of her body being bare under the night light as she sighs, “Mmm, shut up. Lemme’ sleep.” 
She can hear him shuffling before his weight comes off of the bed, her body not moving as she mutters, “You’ leaving me? Was all that a lie and you really don’t wanna be with me?”
He’s standing over her, watching the way her body just seems to fit against the sheets effortlessly, her curves like an invitation to come back onto the bed with her. 
“Damn, a nigga can’t move without you thinking I’m tryna’ leave? I’m hungry.”
She smacks her lips, turning her face over to meet the wall as she grumbles, “Whatever, lyin’ ass. Get out.”
“I guess that means you don’t want tacos then.”
Her eyes peek open at that. She turns her head a bit as she says, “Them’ birria tacos from the corner?”
“And horchata.”
“Nevermind—You’ cool…or whatever.”
“You gon’ have that ass tooted up for me when I get back?”
“Onyankopon?”
“Huh?”
“Get the fuck out.”
His smirk reappears before he shuts the door behind himself, “Love you too, Mama.”
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vulstare · 7 months ago
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fanart for @qoldenskies's caged lungs fic 💥💥
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it isn't based on any scene in particular, just my overall interpretation and visualization of things I felt. mostly bad things. but apparently human brains enjoy that. so let's go
I'm gonna ramble now, buckle up
Frankly that's the first personal piece I've drawn in months, and I'm grateful for it. I'm grateful that I was able to feel emotions and wanted to draw something again
I struggle a lot with empathy and understanding of other's feelings and displaying my own but. I hope people will feel something by looking at it, too
I've got inspired by the old tale that we used to read on literature lessons, altho I for the life of me can't remember the name of it, or anything else from the plot for that matter. There were a competition for retrieving the jug from the bottom of the river, where many men tried and failed, as they couldn't reach it. As you can already tell, it was a reflection of the jug that was hanged on a tree all along.
I liked the concept of something unreachable being seen as being very close to you :) hence the whole water situation
generally water is seen as a positive symbol in art but for me it's cold, slippery, you can't see shit in it, misleading and uncomfortable. go figure
and I really like how CL displays yellow as a color with negative connotation while it's classically being the The Most Happy Coded Color Ever.
while I'm at it I wanted to share a song I associate with caged lungs in particular
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just let it die!
I would have liked to talk more about how awesome the fic is and how invested I'm in the plot and characters and how noticing details and parallels makes my brain go brrrr but I'm shy and not really eloquent with my words. I hope you will get the idea anyway. I love it <3
& textless version :0
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If you spot any symbolism, it's probably there. or not. up to you really. that's how art works. have fun
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dead-end-draws · 1 year ago
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Tribe Banner concept art:
Folks seemed to enjoy my WOF WIPS, so here’s more concept art for y’all! My favorite thing about WOF is the potential for world building. I thought it’d be cool to see a tribe emblem represented on a banner/flag of sorts:
Read below for some of the thought process / headcannons behind the design choices: 👇
Skywing Banner:
Skywings pride themselves on 3 things; treasure, fire, & their enormous, soaring wingspan which steals the sky.
As such, portrayed on the banner, the fabric (often made with dyed cow or goat leathers) resembles draped dragon wings. Two Skywings embrace a goblet, which is spewing golden fire.
The banner is often held aloft with iron or gold poles, signifying to other tribes their wealth and pride.
Mudwing banner:
These banners are fashioned with leather hides from cow or crocodile skin, held aloft with bamboo, and painted with a Talon-print & Reed crest.
The talonprint symbolizes community and the strength of Mudwing sibling bonds. The reed border unifies all Mudwings regardless of their relationship to home; the swamp. Bigwings are often seen carrying these into battle, signifing their status and making it easier for a sib to locate them in the flurry of a fight.
Sandwing Banner:
Sandwing flags are made with camel skins and dyed cactus leather.
A crest shows a Sandwing coiled around a beaming sun, a reminder that despite the revered 3 moons, Sandwings are born to thrive in sunlight.
The fabric is cut in a way to mimic the swooping dunes of Sandwing territory. And the poles of the flags are equally intricate, with scorpion tails and golden ropes which frame the banner.
These flags make prominent appearances in parades, festivals, and markets, and even miniature version are often displayed in homes or as tapestries/carpets.
Seawing banner:
These banners are often seen displayed in royal quarters or councils, or above land to mark territory.
A nautilus shell crest on front echoes the swirl-pattern associated with royal Seawings: The banner’s borders resemble waves and a dragon swimming beneath their surface.
These are crafted with rich materials, strung with seashells, pearls, silver dollars, and deep oceanic color fabric. There is severe penalty for Seawings found plucking treasure from the banners, as they are a direct symbol of royalty.
Nightwing Banner:
These banners emphasize the Nightwings’ relationship to the moon, their source of power and praise. The material, a contrast of white stitching against purple velvet showcases moonlight and night, black scales against stars, magic and mystery.
They are seen decorated with 3 moons at the top and a centered dragon reaching up into the night sky.
These banners were often used during the war as secret code by spies to deliver to other tribes. Prophecy scrolls often came attached, delivering cryptic messages or secrets in the night. These banners all helped add to the secrecy of the Dragonet Prophecy, and kept tribes on their toes around Nightwings.
Rainwing banner:
Rainwing banners are not used for battle purposes like other tribes, most are mere decoration, location indicators, and have no unified design.
However, It is said back when Rainwings left the rainforest to trade pre-war, this particular banner design was often raised above Rainwing merchant tables, and showcases the coiled tail of a Rainwing with leaves, vines, and other sights from the rainforest adorning a bamboo pole. Bright color combinations accentuated the flag to entice curious customers.
Now, only one tattered version of the original Rainwing banner remains, displayed proudly in Queen Glory’s quarters, a reminder that building the Rainwings’ community is their most important goal.
Icewing Banner:
These banners reflect the same standards Icewings hold themselves to.
Like a visual of the rankings themselves, each banner is cut perfectly from an Icewing’s trained, serrated claws to resemble icicles, and crafted with fine blue stitching.
Flags are often held aloft with perfectly polished narwhal horn or bone, and can be inlaid with sapphires or diamond.
Icewing soldiers are often gifted these during ceremonies, and perform training exercises with the flags to test their stance/attentiveness. The crest showcases the swift sharpness of ice through a flying dragon, and a snowflake toward the bottom reminding Icewings that even minuscule snowflakes, small things, should be perfect in form.
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rabbiitte · 7 months ago
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Queer Coding in Media: Jayce and Viktor's Case.
Let's address what Christian Linke recently said about Jayce and Viktor's relationship because this is making some noise in the community:
According to the co-creator, Jayce and Viktor love each other like “brothers”.
Christian states that he doesn't understand why people see their relationship as a romantic one.
Linke also added, after the end of the series, that Viktor is canonically asexual and dismissed a possible romantic relationship with Jayce due to that reason.
We'll expand on these points next. But first, some context.
| About queer coding...
If Jayce and Viktor's relationship is seen as beyond brotherly, it's because it was portrayed that way. Their relationship is very queer coded.
Queer coding refers to the practice of subtly implying that a character in a piece of media is part of the LGBTQ+ community without explicitly stating or confirming it. This is often achieved through subtext, symbolism or specific character traits associated with queerness. This often arises due to societal restrictions, censorship or creators intentionally embedding queer elements into their work.
Queer coding for a couple in media involves using subtle visual, narrative or dialogue-based cues to suggest a romantic or deeply intimate connection between two characters without explicitly confirming their relationship as romantic or LGBTQ+. This type of queer coding focuses on the dynamic between the two characters rather than just one individual's traits.
When discussing queer coding in media, the examples can include both the content of the relationship itself (dialogues, interactions and dynamics) and visual and non-visual narrative (cinematographic techniques, narrative techniques and the use of music). Both aspects—content and narrative—are essential to queer coding because: a) Content provides the material that audiences can latch onto (dialogues, dynamics or gestures) and b) the narrative guides how the audience perceives this material (through visuals or music, for example).
Below are examples and methods used to queer code couples:
Relationship's Content (character's dynamics and dialogues):
These are the in-universe moments or dialogues that give romantic or emotionally intense undertones to the relationship. For Jayce and Viktor, this includes:
1. Use of subtext in dialogue or relationships:
Ambiguous or "more-than-friendship" dynamics: Characters have intense emotional bonds or interactions that go beyond typical friendships but stop short of being explicitly romantic. Jayce and Viktor’s connection, for example, is filled with vulnerability, admiration and devotion beyond brotherhood. Their willingness to risk everything to save each other in each timeline adds a tragic, almost romantic layer to their bond. Jayce’s comment calling Viktor “beautiful despite his imperfections” and their mutual sacrifices suggest a deep connection that goes beyond friendship or platonic relationships. Their bond, tied to time loops and destiny, feels more like a soul bond with a cosmic significance that transcends a typical brotherly dynamic. In other cases, this would be a romance.
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Loaded Dialogue: Lines of dialogue may carry double meanings or suggest emotional or physical intimacy without being overt (e.g., characters use ambiguous terms like partner, special or soulmate, which can suggest deeper feelings without explicitly labeling the relationship). For example, if one says, "I’d sacrifice everything for you," it resonates beyond platonic territory. Dialogue between Viktor and Jayce is filled with layered meanings that suggest a connection deeper than traditional friendship. Here are some examples:
When Viktor’s former mentor warns him about sacrificing love and legacy, Viktor instinctively replies "Jayce will understand," directly associating Jayce with love and signaling how central Jayce is to his emotional world. Similarly, Jayce’s decision to abandon politics to return to the lab is encapsulated in the line "my place was always here in the lab with you," which emphasizes that his devotion isn't just to their work but specifically to Viktor. The repeated use of "partner" by Jayce further blurs the lines between professional collaboration and emotional intimacy, as the word carries dual meanings, suggesting equality and closeness. The term is somewhere between friends, brothers and more than that. Hence, the term can be freely interpreted. Viktor later reflects on their bond by stating, "it was affection that held us together," acknowledging that their relationship transcended shared goals and was rooted in genuine emotional warmth. Finally, Jayce telling Viktor, "there is beauty in imperfections," as he admires Viktor’s struggles and physical challenges, conveys profound validation and care, elevating their bond to one of deep emotional resonance. These lines collectively demonstrate how their dialogue is charged with a sense of intimacy and mutual admiration, allowing the relationship to be interpreted as more than platonic, hinting at queer coding through its emotional depth and layered expressions.
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2. Body language and interactions:
Lingering gazes or physical proximity: Close, lingering touches, extended eye contact or standing too close for “just friends” —common romantic cues—are often used. For example, long hugs, holding hands or standing closely during emotional moments are subtle ways of suggesting attraction or intimacy. In Jayce and Viktor's case, Jayce is almost always the one who initiates the physical contact. Jayce's non-verbal language with Viktor is marked by gestures of reassurence with a hand on his shoulder, hugs without centimeters of distance and fast moves to help Viktor in the face of his weakening due to his illness. An important detail to take into account is Jayce's reaction to Viktor and Mel's return. When Viktor returns from the dead, Jayce surprises his friend with a hug that knocks him off balance by his strength. When Mel returns after no one knew of her whereabouts, Jayce doesn't even hug her, but instead complains about why she didn't save Viktor.
Protective gestures: Scenes of one character sacrificing for, protecting or expressing deep vulnerability to another can suggest more intimate feelings. Jayce and Viktor's relationship also has the presence of hundreds of moments in which they both profess for the safety and well-being of the other. In season one, after having sex with Mel, she wakes up in an empty bed. It turns out that Jayce was with Viktor, waiting on the side of the bed for him to wake up. This detail alone shows where Jayce's loyalty lies. But, overall, Jayce is very delicate and helpful towards Viktor. In turn, the only moment in which Viktor initiates physical contact is to reassure Jayce so that he doesn't feel pain on the astral plane. Both join their foreheads in a significant gesture of appreciation and affection and console each other at the end of their existences.
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3. Avoidance of heteronormativity:
Lack of romantic interest in the opposite sex: A queer-coded character may show no explicit attraction to the opposite sex while forming deep emotional bonds with same-sex characters. This is especially true for Viktor, who has had no interest in any character of the opposite gender during the two seasons. The guilt Viktor felt over Sky's death shouldn't be confused with sexual, romantic or aesthetic attraction. Viktor practically didn't even know Sky's name during the first season and, despite knowing each other since childhood, Viktor continues to call her "Miss Young" during the second season. As you may already know, Sky's presence in the second part of Arcane represents what Viktor has left of humanity. Jayce is a separate case, since he did have a sexual-affective relationship with Mel, despite not being officially a couple. However, he always put Viktor's well-being above his relationship with Mel.
Unconventional partnerships: Instead of marrying, having children, or living “normal” lives, queer-coded characters often follow nontraditional paths. The unconventional partnership between Jayce and Viktor lies in their shared path of devoting their lives to science and progress instead of following more traditional societal expectations. Their bond, rooted in their shared ambition and mutual understanding, creates a life partnership that revolves around innovation, discovery and reshaping the world. Together, they prioritize their intellectual and creative pursuits over conventional relationships, with their lab becoming the core of their connection and purpose. This can be seen, for example, in the moment when Jayce decides to resign from politics because he realizes that his place is next to Viktor in the lab. This partnership not only defines their lives but also strengthens their relationship, making it deeply meaningful and unique in its intimacy and shared vision.
Visual and non-visual narrative (cinematographic techniques, narrative techniques and music):
These are the deliberate storytelling choices that imply deeper subtext or allow the audience to interpret a couple's bond as queer. Examples include:
1. Visual narrative:
Symbolism (in scenes): are visual and narrative moments intentionally designed to evoke ambiguity, emotional depth or hidden meanings in a relationship. These scenes often rely on subtext, metaphor or visual framing to suggest intimacy or connection between two characters, leaving their nature open to interpretation. For example, Jayce's campfire scene. Fire might symbolize Jayce's internal turmoil. Mel appearing first may reflect her role as a significant figure in Jayce's life, while Viktor appearing next could symbolize a deeper, enduring connection. The fire "burning away" Mel and transitioning to Viktor might suggest that, in this moment, Jayce's thoughts are consumed by Viktor, representing a priority or emotional focus shifting toward Viktor. So, Viktor isn't simply a colleague or friend but someone whose presence looms large in Jayce's thoughts, surpassing Mel's. While the scene might not explicitly state anything romantic, the visual choices align with tropes often used to convey profound emotional connections, making it easy to interpret the subtext as romantic or deeply personal.
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The decision to interweave Viktor’s scene with Jayce and Mel's scene while having sex is highly unusual too. If Jayce and Viktor are purely platonic friends, such a juxtaposition does feel strange. I understand, both Jayce and Viktor are "merging" with something beyond themselves, but can you imagine a similar scene with Jinx and Vi? If Jayce and Viktor's relationship were purely professional, friendly or brotherly, such imagery wouldn't normally feel warranted in storytelling.
Parallelism: In storytelling, parallelism refers to the use of comparable or mirrored elements—such as characters, themes or visuals—to draw connections or contrasts. It often involves showing two or more situations, characters or relationships side-by-side to highlight their similarities, differences or shared significance within the narrative. In Arcane, the creators align Viktor with Mel through parallels. Through this technique, creators seem to suggest that Viktor holds a similar or even equivalent place in Jayce’s life. Since Mel’s relationship with Jayce is explicitly romantic, this framing subtly implies that Viktor could also occupy a romantic or emotionally intimate role.
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2. Non-visual narrative:
Music and Lyrics: are powerful tools to subtly hint at romantic or emotional dynamics between characters without explicitly stating them. By selecting specific songs or using lyrics that carry layered meanings, creators can invoke emotions or associations that resonate with queer themes, intimacy or romantic undertones. Songs that have lyrics with open-ended or ambiguous lines, when placed over scenes with queer-coded characters, allow for multiple interpretations. This creates a sense of queerness without labeling it outright, allowing the audience to interpret the relationship as they see fit. As is the case of the song The Line by Twenty One Pilots. Through the line "pull the blanket tight now" you can interpret the song from Viktor's point of view and dedicated to Jayce (since Jayce was the one who gave the blanket to Viktor).
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Comparisons and mirroring: narrative parallels with romantic couples, either in character arcs, sacrifices or framing. For example, Jayce and Viktor share a significant bond across multiple timelines. Jinx and Ekko, meanwhile, also share a significant bond in another timeline. This could be interpreted as both couples choosing each other, even, in alternate universes. This is an idea that is commonly related to romantic relationships. Love across different universes is seen as something beyond fraternal and worthy of epic romantic love. In the same episode that Ekko meets Jinx in another timeline, Jayce meets Viktor in another timeline too. The same thing happens in episode three of season two. In the same episode where Vi and Caitlyn fight and part ways, Jayce and Viktor also fight and part ways. In this way, Jayce and Viktor follow a similar pattern and theme (albeit on a larger scale) to that of the other canonically romantic couples in the series.
Subtext in dialogue: refers to lines with double meanings that subtly suggest emotional or romantic undertones. The choice by the creators of lines that are commonly associated with romantic relationships such as "beautiful despite the imperfections", "in all timelines, in all possibilities, only you can show me this", "my place is in the laboratory, with you" or "it was affection that held us" convey an ambiguous message that leaves the possibility of multiple interpretations open. The use of the term "partner" was not accidental either. This word is commonly used by queer individuals to signify a romantic relationship while avoiding gendered language. Jayce and Viktor not calling each other “brothers” is significant because it leaves room for ambiguity, suggesting that the creators might not have wanted to firmly define the relationship. Jayce only called Viktor "brother" once and then insisted on the term "partners" until the end of the series.
As you noted, these aren’t accidental choices—they are purposeful creative decisions made by team members who do support the romantic interpretation of Jayce and Viktor's relationship. Animators, voice actors and designers contributed to shaping this relationship through subtle creative choices. For example, animators might have chosen specific expressions or gestures to convey deeper intimacy, even if this wasn’t explicitly stated in the script. Leaving their relationship ambiguous might have been seen as a “safe” route in the face of disagreements.
In collaborative works like Arcane, no single individual (not even Christian Linke) dictates the entirety of what's canon or not. Creative contributions from diverse team members with their own agenda and interpretations also shape meaning.
If the intention was to show a “brotherly” relationship but the execution led to widespread interpretation of a romantic one, it's failure in storytelling. If the intention was to show a "queer coded" relationship and the execution led to widespread interpretation of a romantic one, then it's success in storytelling.
Death of the author: Viewers also have their own interpretations and that's valid. Varied interpretations shouldn't be dismissed. Here the death of the author applies. This term refers to the fact that, after an author publishes a piece of work, that piece ceases to belong exclusively to the author. Once a work is released, it belongs to the audience as much as the creators. If significant parts of the fanbase interpret Viktor and Jayce as more than friends, that interpretation becomes part of the narrative’s cultural impact, regardless of authorial intent.
The interpretation in media of queer codes is deeply influenced by cultural cues. Although this changes from society to society, social cues are the same for everyone. If Viktor and Jayce’s interactions evoke a sense of romance, it’s because the storytelling taps into those cues, whether intentionally or not. The relationship between them two integrates cultural and social codes typical of queer relationships.
Cultural codes: are tied to traditions, beliefs and shared understandings within a specific culture or subculture. They include symbols (objects, gestures, or imagery that carry specific meanings within a culture —e.g., a wedding ring symbolizing commitment—), narrative patterns (storytelling conventions that audiences recognize, such as the "star-crossed lovers" trope or visual parallels that suggest a connection between characters), expressions and language (words, phrases, or metaphors that carry connotations shaped by cultural usage —e.g., the word "partner" often implying romance in contemporary Western culture—.
Social codes: are the behaviors and norms that define interactions and relationships between individuals or groups. These codes are often context-dependent and include: body language (physical gestures or proximity that suggest intimacy, power, or affection —e.g., lingering touches or intense eye contact indicating closeness—), relationship norms (expectations about how certain types of relationships—platonic, familial, romantic—are expressed in actions and language) and contextual cues (the way relationships are framed by their environment, such as a candlelit dinner indicating romance or playful banter suggesting friendship).
The way Viktor and Jayce interact is coded in a way that aligns more with romantic love than familial or platonic love. So, asking to associate Jayce and Viktor's relationship with a “brothers” type of relationship would mean having to disregard cultural and social codes.
| Romantic Undertones as "Canon Adjacent”.
As I previously said, the romantic undertone of Jayce and Viktor's relationship would result in a canonically established couple in any other series. So, what I see here is a double standard in romantic representation in the series. For example, many think that Ekko and Jinx are canon after (a conversation that wasn't added to the series and after...) Ekko gave his jacket to Jinx. Jayce and Viktor’s dynamic features more romantic subtext than that but they still are dismissed as "brothers". Is this homophobia? No, of course not. How could it be homophobia if Arcane shows an established lesbian couple? Well, let me tell you, lesbian representation is more socially accepted in male-dominated spaces due to fetishization, whereas romantic relationships between men are less embraced. The idea of two men in love can lead many people to question the masculinity of these men and the masculinity associated with characters like Jayce or Viktor is vital to League of Legends. Making a canonically gay male character is riskier for the franchise because, in lol, masculinity is an element that, many times, determines the election of one character over the other.
Unlike Vi and Cait, among whom (I understand) there was the belief of a romantic relationship, Jayce and Viktor were never associated in that way. So, I can see the risk.
If Linke intended to focus on male friendship, that’s fine, but dismissing other interpretations, especially in a story as emotionally charged as Jayce and Viktor’s, can come across as limiting or dismissive of queer readings, whether intentional or not. It would have been better for Christian Linke to shut up and let everyone have their own interpretation about Jayce and Viktor's bond. Instead of insisting on interpreting Jayce and Viktor’s bond as “brotherly”, it would be more inclusive and respectful to let viewers interpret their relationship freely. By insisting on framing Viktor and Jayce as just “brothers” or “friends,” the show risks falling into the “no-homo” trope, where creators deliberately steer clear of portraying characters as gay despite clear romantic subtext.
| Linke's arguments.
Arguments like "media lacks non-romantic platonic relationships" feel insincere because these type of relationships aren't underrepresented in media. That crisis never existed. Many popular shows and movies focus on deep, platonic male bonds (e.g., Sherlock Holmes, The Lord of the Rings, Supernatural). While it’s admirable to showcase strong male friendships, it’s not a groundbreaking theme. In such a case, there is a lack of representation of non-romantic platonic relationships between men and women. These type of relationships are equally rare and more deserving of advocacy, but we still have timebomb (Jinx and Ekko). In conclusion, media has no shortage of non-romantic male-male bonds, but LGBTQ+ male romantic relationships remain underrepresented. So, Christian Linke's dismissal about JayVik was even more noticeable after that argument.
Also, I would like to add that referring to a relationship as a "romantic" one doesn't diminish the importance or depth of a bond. Friendship isn’t erased by romance. In fact, many memorable romantic relationships in media are related to friendship (e.g., Anne and Gilbert from Anne with an E). But, to call it a brothers-like relationship would diminish the profound, cosmic depth of their connection because their bond is about recognition, unconditional support and shared purpose, even at the cost of the world. It’s poetic and tragic, resonating with themes of love, identity, and the human condition. The time loops, their repeated choice to find each other and their interconnected destinies make their relationship feel larger-than-life. For many viewers, this mythic quality resembles soulmate narratives rather than simple friendship or brotherhood.
Another argument that reveals Christian Linke's rejection of Jayce and Viktor as a possible romantic relationship, is the statement about Viktor being asexual. I would like to ask what is the point of revealing this information after the show ended? Representation works best when it's woven into the narrative, not dropped as an afterthought. Beyond that, I think Mr. Linke should educate himself. Experiencing little or no sexual attraction doesn't mean that romantic attraction cannot be experienced. Being asexual doesn't mean that a person can't be gay.
Asexuality: is a sexual orientation characterized by the lack of sexual attraction to others. This means that an asexual person typically doesn't experience the desire to engage in sexual activities with anyone, regardless of gender. However, asexuality exists on a spectrum. Asexuality as a spectrum refers to the understanding that asexuality encompasses a wide range of experiences and expressions of little to no sexual attraction. Rather than being a single, fixed identity, the asexual spectrum includes various orientations and preferences regarding sexual and romantic attraction.
Many asexual people form deep, meaningful romantic bonds and there's no inherent contradiction between being asexual and experiencing romantic feelings. To use Viktor’s supposed asexuality as a reason to dismiss any potential romantic undertones between him and Jayce feels reductive and dismissive—not just of their dynamic, but also of the diverse experiences of asexual individuals.
Let's end this post on a more positive note with Arcane team members who do support Jayvik.
Posts from animators + Jayce's voice actor with a JayVik fanart.
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Viktor's character designer + posts from animator.
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Moose is the creative director + AgentR is an animator + Mel's voice actress.
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moonsharky · 1 month ago
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idk man i just think it's interesting how in the same episode (817) we got two visuals of eddie and symbolic disruption.
by now i am sure we all know about how eddie grabs buck's right shoulder in their kitchen fight.
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as opposed to when every single other shoulder grab was on the left.
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across the first four shoulder grabs, eddies touch on buck's left shoulder becomes a quiet but consistent symbol—something ritualistic in its repetition. it's always the left, and it's always tied to connection, trust, and reassurance. it happens when:
eddie entrusts buck with chris after the tsunami—offering the deepest form of vulnerability.
buck returns to life after dying and then breaks up with his girlfriend who only ever wanted to talk about his death—eddie marks it not with grand gestures, but a grounding, physical welcome.
buck comes outs as bi—eddie affirms their bond with the same familiar touch.
they're drunk and ridiculous—chaos, but still safety, still them.
the left shoulder becomes more than anatomical. it's a symbolic place—the side of openness, the heart side, where eddie reaches when he's offering something: protection, belief, affection, belonging. his hand on buck's left shoulder says: i see you, i know you, i am still here with you.
the rest is under a cut because this got really long lmao
and then comes the fifth shoulder grab. they're grieving, they're angry, and they're not aligned. it's not a random change, it's a visual break in their emotional code.
spatially, it's off. it's the opposite side, the one that's never been used, a side that carries no memory between them.
emotionally, it signals distance. instead of grounding buck (or himself) or connecting with him, eddie's touch jars—like reaching for someone and missing.
narratively, it says: this is not comfort, this is not reassurance. this is a moment when their bond is under strain.
the right shoulder becomes the embodiment of their fractured state. it's still a touch—so the connection hasn't been severed entirely—but it's misaligned, like trying to play a familiar song in the wrong key. the gesture remains, but the meaning has shifted. it's a visual metaphor for grief disrupting even the deepest connections. for how pain can make us reach for someone the wrong way. and for how easy it is, even in love or friendship, to get turned around.
and then we have sleeping on the right side of the bed when he finds out what has happened to bobby.
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this one isn't as black and white as the shoulder grabs, there is a bit of nuance.
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throughout the series, eddie's position on the left side of the bed becomes an unspoken visual anchor—just like buck's left shoulder. it's not just a preference; it's a symbol. when eddie is on the left, he is grounded in his identity, even when alone, even when struggling. the left side becomes a quiet declaration: this is where i belong, even if it hurts.
first appearance: alone, on the left, near the edge. a man used to sleeping alone, leaving space—both physically and emotionally—for something he hasn't yet allowed himself to reach for. still, the left side is his side.
the three times in the montage building to his ptsd breakdown: again alone, again on the left. but now he's closer to the centre—edging inward, away from the edge of the bed, perhaps unconsciously craving connection. that space on the right side of the bed remains empty but present. these shots appear as he drifts deeper int a spiral—emotionally withdrawn, but still clinging to familiarity. the left side is his tether.
the left side holds continuity. whether in grief, repression, or monotony, it's where eddie returns. it's where he makes space—whether or not he knows for whom.
in scenes where he shares the bed—first with his ex-wife, later with his girlfriend— the staging becomes a little more complicated, reflecting the emotional confusion in those relationships
with shannon: they're upside down in the bed—eddie is technically on the right, but visually, with shannon beside him, it reads as the left. symbolically it reflects the chaos of their dynamic: a shared history that doesn't quite fit anymore. she's on the edge, physically and emotionally, and he's left in between—trying to hold onto a familiar position in an unfamiliar formation. she dies ten episodes later.
with marisol: another upside down shot, but this time they're physically closer to eddie's side. she's not on the edge like shannon—there's room behind her. but that visual closeness is deceptive: emotionally they're still mismatched. this is the scene we see her officially moved in, packing boxes around eddie's bedroom, but the symmetry is fragile. she moves out at the end of the episode.
in both cases eddie never fully gives up the visual space of the left, but the blocking suggests that when others share his bed, it doesn't feel like sharing—it feels like rearranging. he's physically there, but emotionally disoriented.
1. later flashback with shannon: they're not upside down this time. chronologically this would be after the first time we see them in bed together, and before the end of that episode where she shows up on christmas day. eddie is on the left, not at the edge, not at the centre—somewhere in between. its a quieter scene, more stable, and just before eddie decides to reopen emotional space between them—for her to see christopher again. there's a softness here, but the tragedy to come lingers just beyond the frame.
then there's the final scene of eddie in bed in the 817 flashback. texas. the middle of the night. the call comes. their captain has died. eddie wakes up on the right side of the bed.
this is not just a logistical change. its a rupture in the visual language. the right side, for eddie, is foreign. it doesn't hold history, safety, or selfhood.
he's not in la. he's not near buck. he's not near the life he built for himself.
he's in texas—the place of his past, but not his home
his parents and extended relatives may be in the same state, but his found family isn't
eddie being on the right side of the bed—alone, out of place, receiving devastating news—is symbolic dislocation. it says: this isn't where i'm meant to be. not in this house. not in this life. not even in this bed in this room.
where the left side is grounding, the right side is severance. eddie on the right side of the bed is eddie adrift. it's a quiet, visual confirmation that something isn't right, that he is far from home.
both symbolic disruptions—the right-side shoulder grab and the right-side bed placement—occur in the same episode where eddie returns to la, but the irony is that even here, in the city he calls home, he doesn't feel at home in himself. the bed in texas underscores his physical and emotional disturbance; it's a visual cue that he's been living a life out of alignment. but the shoulder grab happens in la—among his family, in the place where he should feel most like eddie. and yet, in that moment, his grief fractures the instinctual connection he shares with buck. by reaching for the right shoulder, he unconsciously echoes the misplacement we see in texas—showing that the dissonance isn't just about geography. it's inside him now. this convergence of visual breaks—sleeping on the wrong side of the bed and touching the wrong shoulder—signals eddie's internal compass is spinning. he's lost not just his captain, but his grounding, and the emotional fluency he once had with the people he loves. even in la, he's still off centre because he's hurting and his best friend won't talk about their shared grief.
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freshstitches · 8 months ago
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Bear Claws was designed to celebrate the 10th birthday of the stacked stitch technique and the Fox Paws pattern. This engaging striped colorwork project features a large scale flame stitch motif. The pattern is relatively simple, using only a few rows of shaping in combination with color to create a distinct claw motif.
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The wavy colorwork in Bear Claws is created using stacked increases and decreases. There are no loops on the wrong side and the wrap is very stretchy and drapey. The fabric is light and airy, not dense like stranded colorwork and mosaic knitting. If you're new to stacked stitches, check out my playlist on YouTube. You'll have an easier time with these stitches if you've tried increases, decreases and slipped stitches.
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This pattern can be recolored in many ways, the coloring page available to anyone who wants to download it. You can use any number of colors you like, as long as they have good contrast. I recommend picking a Main Color that is not too bright or flashy in comparison to the others.
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Written instructions are included in the pattern alongside a visual guide called a “stitch map.”  It's not the same as a traditional chart and is meant to be used with the written pattern. The rapidly fluctuating stitch count of the stacked stitches doesn’t fit nicely into a square grid. Instead, the map uses symbols and lines that bend and flow as the rows do, as they would in a crochet chart. The primary use of the stitch map is to show how each row relates to the last and to help you find mistakes and get back on track. 
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Finished Size: 14 (23.75)˝ x 82 (82)˝ / [36 (60) x 208 (208) cm] rectangular scarf including fringe.
Yarn: Rowan Felted Tweed DK; 191 yards (175 meters) per 50 gram skein, 50% Merino Wool, 25% Alpaca, 25% Viscose.
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Pink Scarf - 5 colors and 3 repeats wide
Main Color: Peony, 3 balls
Outer Color: Zinnia, 2 balls
Inner Color 1: Pink Bliss, 1 ball
Inner Color 2: French Mustard, 1 ball
Stripe Color: Barbara, 1 ball
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Brown Wrap - 7 colors and 5 repeats wide
Main Color: Ginger, 4 balls
Outer Color 1: French Mustard, 2 balls
Inner Color 1: Stone, 2 balls
Stripe Color 1: Zinnia, 1 ball
Outer Color 2: Duck Egg, 1 ball
Inner Color 2: Watery, 1 ball
Stripe Color 2: Canary, 1 ball
Needles: Size 6 (4mm) 32˝circular needles, or size needed to obtain gauge.
Gauge: 16 sts x 36 rows = 4 x 4” (10 x 10 cm) square in garter stitch.
Other Materials: Tapestry needle, stitch markers, pins, blocking wires, blocking surface.
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Get the pattern on my website and on Ravelry.
From now until the end of October, take 20% off all patterns, pins, books and stickers when you use the code "FoxyBday" on Ravelry or on my website.
Video Resources:
Bear Claws Playlist
Weave in tails as you knit
General Stacked Stitch Resource Videos
Yarn for this project was provided by Rowan
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astra-ravana · 4 months ago
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Combat Magick: The Art Of Mystical Warfare
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Combat magick is the practice of using metaphysical and energetic techniques for defense, offense, and strategic advantage in spiritual or psychic conflicts. It blends elements of protection, attack, and counterattack, often drawing upon personal will, energy manipulation, and ritual magick to influence outcomes in battles—whether physical, mental, emotional, or spiritual.
Principles of Combat Magick
• Energetic Warfare – Combat magick works by manipulating energy to shield, attack, or neutralize threats. Practitioners learn to harness their own energy and direct external forces to achieve victory.
• Intent and Willpower – A strong will is essential in combat magick. The practitioner's intent determines whether their spells are defensive, retaliatory, or aggressive.
• Cleverness and Intellect - When it comes right down to it, your mind is the single best weapon in your arsenal. The practitioner should possess a some level of mental prowess before attempting combat magick.
• Ethical Considerations – While some use combat magick for self-defense, others employ it for baneful purposes. Some witches mayfollow guidelines such as the Threefold Law or personal codes of conduct that forbid the use of such workings.
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Forms of Combat Magick
Defensive Magick (Shielding & Warding):
• Shielding: Creating energetic barriers around oneself or others to deflect attacks (psychic, emotional, spiritual).
• Warding: Placing protective symbols, sigils, or enchanted objects around spaces to prevent intrusion.
• Cleansing & Banishing: Removing negative influences through smoke cleansing, salt, sound, or sacred words.
Offensive Magick (Curses & Hexes):
• Curses & Hexes: Directing harmful energy toward an opponent to weaken, confuse, deter, or harm them.
• Energy Manipulation: Sending concentrated bursts of energy to disrupt an enemy’s balance.
• Elemental Combat: Calling upon fire, water, air, or earth to aid in magickal attacks.
Counterattacks & Reversal Magick:
• Mirror Spells (Return to Sender): Reflecting an attack back to it's source.
• Unbinding & Curse Breaking: Severing unwanted energetic ties or removing hostile spells.
• Reversal Magick: Redirecting negativity away from oneself and sending it elsewhere.
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Tools & Techniques Used in Combat Magick
• Sigils & Symbols – Used for protection, strength, or attack. Examples include Algiz (protection), Mars glyphs (aggression).
• Herbs & Crystals – Protective plants like blackthorn, vervain, or dragon’s blood; stones like obsidian, hematite, or black tourmaline. Baneful components include herbs like datura, calamus, belladonna or Spanish moss and stones like opal, sardonyx, and garnet.
• Blood & Personal Energy – Some warriors of the craft may infuse spells with personal essence or their own blood to strengthen the magick.
• Chanting & Incantations – Words of power can amplify intent and activate spells more effectively.
• Astral Combat – Fighting in the spiritual realm through visualization, dream work, or projection. This can help you catch your target in a vulnerable position and quickly gain the upper hand.
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Who Uses Combat Magick?
• Witches & Sorcerers – Those who practice both light and dark magick for protection or justice.
• Psychic Warriors & Energy Workers – Individuals who engage in spiritual defense against negative entities or forces.
• Shamans & Spirit Walkers – Practitioners who deal with hostile spirits or supernatural threats as well as those performing exorcisms.
• Chaos Magicians – Those who employ sigils, servitors, and energy constructs for their warfare.
Combat magick is not for the faint of heart—it requires discipline, mastery of energy work, and deep self-awareness. While it can be a powerful tool for protection and justice, it should always be wielded with wisdom and responsibility. Whether defending against psychic attacks or engaging in mystical battles, combat magick remains an essential part of the spiritual warrior’s arsenal.
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kapsloc7 · 1 year ago
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FINALLY POSTING THIS!!1! This was a huge project for me (literally, it is 3 feet tall!) based on Will Wood's 'The Normal Album' and my personal relationship with it. I threw a ton of references and symbolism in here, it was a ton of fun to create :)
Rambling about details under the cut.
Also: If you enjoy this, I have prints (and other things?) available here!
ALRIGHT BUCKLE UP BECAUSE I HAVE LOTS TO SAY
This painting is acrylic on a 24"x36" canvas, created as part of my portfolio focusing on human experiences and mental health. I wanted to make a painting about music because it's a very important thing to me, and was ultimately inspired by the song Memento Mori, The Most Important Thing. In the end I decided to base it off The Normal Album in its entirety.
The most obvious reference is the outfit, of course. I took all my own reference photos so it isn't an exact match, but is of course in spirit Will's outfit from the album cover. The only symbolism in this is the expression of masculinity in the suit, and a slight bit of femininity in the painted nails. Nothing too deep about it, I just wanted to throw in some gender fuckery because of my trans-ness.
The keyboard itself isn't a reference (I mean it's just my keyboard) nor are the books behind it (Just there for composition) but I put some stickers on the keyboard to throw in some extra references and symbolism. First, the "Give Me That Old Time Religion," both a Self-Ish reference and inspired by the sticker on Will's keyboard. Second, the pride flag being covered by an upside down American flag. This was something more personal I threw in for fun, about my distaste for the US and the oppression of queer people here. Also, I threw in the window from the album cover (but empty)
In the background, there are silly references to specific songs, (white picket fences, barbed wire and trenches, and the 222 for 2econd 2ight 2eer) and some more personal references as well (pill bottle ties into themes of the album as well as my own mental heath issues.) The potted plant has a bunch of symbolism thrown at it, and was inspired by lines in well better the alternative and Outliars and Hyppocrates, kinda a bit about feeling restricted by pressures from yourself or others causing you to uhhh. not be okay. and the pot design is based on the keys of Will Wood's keyboard as well as kinda an Everything Is a Lot reference.
Hand stuff: Bracelets are bracelets I made, mostly just for fun to provide more visual interest. Both kandi bracelets are inspired by Will Wood of course, the visible letters reading 'Memento Mori'. The grey bracelet doesn't have the letters visible, but it reads 'not afraid to die' The rings I wore were also personal fun. The white ring on the middle finger is a bit of queer code representing Aromanticism, and an engagement ring on my ring finger. Just representing the struggles I've had with sexuality and relationships and such.
Finally the chains, wallet chain was thrown in to represent financial pressure, and the one over the piano is the actually important one, representing how shitty it feels to turn creativity into a career, and feeling forced to create. There's more thrown in here probably but I'm tired and basically wrote an essay already so UH. GOODNIGHT IF YOU READ THIS FAR I LOVE YOU WAAAAA!!!! PLEASE LET ME KNOW YOUR THOUGHTS I LOVE TALKING TO PEOPLE
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yenhan · 2 months ago
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"Study session with the Lads"
Thoughts on TF141 & International student neighbor
Part One - Next - Masterlist
a/n: f!reader
Synopsis: You'll ace the next exam, hopefully.
C’mon over tomorrow, we’ll help you prep for that exam. P.S. You can’t refuse, Captain’s orders.
Most people would think Johnny gave you his number first, being the hopeless flirt he was. But no, it was Kyle. Unlike his fellow former sergeant, Gaz was subtler, able to hide his true intentions behind easy smiles and clever banter. No less effective, mind you.
Then again, the whole 'old men adopting a stranded student' relationship was weird. A detail for your therapist next session, surely. Were you supposed to be worried? Get your head checked? Probably. Creating a found family with three British men and a hyperactive Scot wasn’t exactly listed under “Common Expat Experiences.”
Back to the present: you left Kyle’s message on read for half a second before sending a slightly-too-eager—
Of course!
You imagined a light revision, a few exercises, a cup of tea brewed by Simon just the way you liked, perhaps Soap dramatically imitating phonetic symbols to distract you from spiraling over your performance anxiety.
Certainly not this.
At exactly 1700 hours, you knocked on their door clutching your battered copy of Teaching English as a Foreign Language for Dummies and a highlighter that had lost the will to live halfway through your last grammar workshop.
“Highlight only the important parts,” your brother used to say. Sure. But what if everything was important?
The living room looked like a war zone… but not a gross, sock-strewn bachelor disaster. No, this was tactical mayhem. Soap’s footprints crisscrossed the carpet in suspicious patterns.
Your study notes had been printed, laminated, and tacked onto a corkboard. Snacks were stacked on the coffee table like sandbags. A flipchart had been set up beside the telly. Someone had written across it in bold, underlined red: OPERATION: ACE THE PAST PERFECT.
Price looked up from the kitchen, a mug in hand. “No pressure, kiddo. Just your entire teaching career.”
Ghost, leaning against the wall, nodded solemnly. “We’ve got biscuits.” Was that supposed to help?
Gaz shuffled a stack of index cards, color-coded with terrifying precision. “Who’s quizzing her first on the difference between the present simple and the present perfect?”
“Define the unlawful killing of a human being without malice!” Soap barked like a drill sergeant. You gaped at him. Why was he wearing a peaked military cap? It was even worse than John's boonie hat.
“Wrong subject, Johnny,” Price called from the kitchen. “We’re not teaching criminal interrogation tactics, it’s English grammar.”
“Aye, but keeps her sharp, doesnae it?”
You sat gingerly on the couch between Gaz and a mountain of flashcards. “I... appreciate the effort, truly. But, uh, how did you get my notes?”
And was that your favorite set of pastel pens peeking out of John’s pocket?
“Found them last week. Binder fell down the stairs. Took the liberty of reorganizin’ ‘em by theme.” Ghost’s voice came from somewhere dark and ominous.
“You color-coded grammar topics?” You squeaked.
“Course I did. I’m not a monster. Stuck to your precious Pinterest palette, too.”
Well… You couldn’t exactly argue with that.
The first twenty minutes went smoothly.
Gaz walked you through the major language acquisition theories — Krashen, Vygotsky, yada yada — with flashcards that had doodles of confused stick-figure students on the back. Price explained different classroom management styles like he was giving a battlefield briefing: “Adapt to your environment. Don’t lose command of the room.”
You nodded dutifully, and sometimes got rewarded with a brief, proud head pat.
Then Soap made his move.
“Right! I’ve built a memory palace,” he announced.
“A what.”
“Memory technique! Visualization! Top-tier stuff!” He dragged you into the hallway, where he had drawn on the walls with dry-erase markers. You weren’t hallucinating.
“See here?” He pointed at a doodle of a dragon labeled ‘Past Tense Pete’.
“This beastie guards all irregular verbs. Ye’ve gotta slay him with correct conjugations!”
“What is happening?!” You shrieked, staring in horror at the doodle of an adverbial goblin. John, your knight in shining mutton chops, came to your rescue.
“She asked for help revising!” Soap protested.
“I asked for basic revision, not a full Dungeons and Dragons campaign!”
You pointed dramatically at Johnny, ready to throw him under the bus called ‘Captain Price.’
While Price and Soap bickered about the ethical limits of creative teaching aids, Gaz slipped a flashcard into your hand... CONDITIONALS: First vs. Second – Remember: If I win the lottery, I will freak out. If I won the lottery, I would freak out.
Genius? Madness? Hard to tell.
Then Ghost, quietly but ruthlessly, dragged a chair into the center of the room.
“Quiz time. No fluff. Answer fast, or you owe me a push-up.”
You narrowed your eyes. “I am not doing push-ups over auxiliary verbs.”
“Then don’t get them wrong.”
And he began rapid-firing questions: “What’s the communicative approach? How many types of conditional sentences? Example of a weak modal verb?”
You answered, getting most of them right. You were still terrified.
And then, from the kitchen: “QUIZ TIME’S OVER, I MADE A POWERPOINT!” The Scot roared.
At some point, you were cross-legged on the carpet, biscuit crumbs on your notes, explaining the importance of student talking time versus teacher talking time while they all nodded proudly like awkward but loving uncles.
“You’ll smash it,” The captain finally said, clapping a heavy hand on your shoulder.
“If not,” Soap winked, “we’ll sneak into the university database and ‘fix’ it.”
“Please don’t,” you whimpered.
As you packed your things, Ghost quietly handed you a neat stack of flashcards. “Keep these. I made extra copies.”
You flipped through them: clear, minimalist, perfect. You smiled. “Thanks, Batman.”
His eyes crinkled behind the mask. “You’re welcome, Robin.”
Your notes had never been clearer. Your brain, however, felt flash-banged by a PowerPoint titled “How to Conquer the Passive Voice Like a Spartan.”
You would never forget the dragon guarding irregular verbs.
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mollysunder · 11 months ago
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Arcane gives away the plot in incredibly unsubtle ways The most unsubtle hint is that Sevika's name can literally translate to "Servant of God". That's genuinely clever.
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The origin of nations are highly mythologized stories so it works that her role in the story and on a meta level is to assist larger than life characters with cults of personality that can make Zaun's story happen.
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The story isn't subtle about any of this! She worked for Silco, a man draped in anti-christ imagery with a cult clearly brewing in the background of Zaun, because he could make Zaun happen. Then when Silco's ability to put Zaun's independence above all else faltered in the face of his loyalty and love of his daughter he dies.
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In a bit of foreshadowing Sevika already revealed the trump cards she had in her deck in the face of Silco's absence, Jinx and Viktor. Two figures already set up for greater feats of grandeur and idolization than Silco had achieved alive.
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Jinx, whose been baptized and ressurected as often as Silco, is the character for without whom the plot could not exist (or keep going). Jinx's militancy against Piltover forced was the reason Zaun's independence into the Council's room. And throughout the show Jinx imagery has either absorbed or subverted Janna's symbolism.
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Janna is characterized by swirling blue winds, but in Zaun it's the blue of Jinx's cloud smoke that defines the land.
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Instead of Janna's blue bird meant to symbolize hope, Zaun is filled with Jinx's crows that call out Jinx's next act.
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Now Jinx has desecrated Janna's holy site in her own image by adorning the ruins with a shrine to her own life.
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Meanwhile we've seen Viktor in the Sump, shrouded like a prophet to heal those harmed from their long-term shimmer dependence. Viktor is not set to remain in rags though.
Half the time the Machine Herald is referenced it's always coded in power.
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In the first shots of Zaun post-time skip we see a well guarded building called "The Herald's Palace".
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In Sevika's playing cards Viktor's mask is given prongs to evoke the image of a crown. In both instances the Machine Herald's image is laced with Jinx's visual motif. First Jinx's blue swirls Frame The Herald's sign on his building, and her debut tag is centerd on his tarot card.
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It's only in past deeds is Jinx's presence unseen on Viktor's work. For example, the drains of the water treatment system Viktor is hinted at creating are decorated to resemble previous iterations of the Machine Herald's masks and are visually his alone.
It seems we're in for a double act next season!
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