All he needs now is some booty shorts and a crop top and then he’s basically Lara Croft
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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Prompt:
Tim is the first to find out the Red Hood’s identity and from then on sticks to Jason during patrol like glue (much to Jason’s chagrin, dammit, it would feel wrong to beat up Robin when he’s that starry eyed…)
Cue: PANIC from the rest of the Batfamily, who still think Hood is a forty-something year old crime lord and now assume they’re dating.
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anime Mob not being as sassy as manga Mob was truly a loss
look at these
it even looks like he’s kind of grinning
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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he was shocked here. before, he could see his soul coming from miles away, had the time to prepare himself for his presence, to compose himself. this was a surprise.
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The last (4) Jedi time traveling to the Clone Wars era is just a comedic goldmine. Erza’s chasing after young and adorable Caleb Dune while Depa chases him to get him to leave her Padawan alone. Cal and Ahsoka and trying to make sure no one meets their younger selves, most of all themselves because they’d have questions for Big Soka and Cal. Luke’s just smiling like a sun in the middle of all the chaos, happy to see Yoda again.
alternatively, Cal and Ahsoka are trying to heal their childhood traumas through various means:
(commission info // kofi support!)
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