#although it can be so much more than just books

[lilislegacy]

I feel like so many people understate how important Annabeth and Percy’s relationship to each other is. People tend to view it as just a romantic relationship but it’s not. Their each other’s best friend, life partners, war partners, family, and very literal soul mates. People rarely find a significant other with two of those aspects let alone all of them.

thanks for the ask @darkmist111!

i agree completely. that’s why i loved that line in HoH when annabeth said that ‘boyfriend’ wasn’t a good enough word for percy because he’s so much more than that to her. as she said herself, he’s part of her. and she’s part of him. they aren’t just boyfriend and girlfriend. although they do love each other romantically/sexually and have a ton of chemistry and attraction towards each other, they also are best friends in the whole world. percy says many times in pjo that annabeth is his best friend, even when they’re fighting. they have the best time together. they want to do everything together. they are besties. their friendship is incredibly strong.

i also feel like people underestimate what it means to be battle partners. they trust each other in life or death situations. they know each other’s moves. they know what the other can take. they’ve experienced so much fear and pain and stress together. they’ve carried the weight of the world on their shoulders together. multiple times. literally and figuratively. being battle partners means that they have a level of trust and admiration that can only come from that kind of partnership.

i love this line in BotL

she doesn’t even hesitate to ask him first to come with her, and he doesn’t even hesitate to say yes. but it’s also like that in every book. if they are going on an adventure, they are going together

the thing about percy and annabeth is that they aren’t just meant to be together. i mean they are, and if soulmates are real in rick’s world, then they are 100% soulmates. but it’s not just fate. its choice. they choose each other. every day. to be their best friend. to be their lover. to be their battle partner. to be their confidant. with the life they got handed, they don’t get a lot of choices. they don’t get to choose what their life looks like. or their future. the minute their godly parents gave them life, they lost the the ability to choose a lot of things for themselves. but percy and annabeth choose each other. every dam time. and that’s what i love about them

anyway sorry for rambling, but i completely agree. they are each other’s everything. words can’t explain how much they mean to each other

[sn00pism]

Reo’s such a cutie patootie, have any ideas for reo fluff? :))

Hi! omg I agree so much! I do believe he needs therapy though.. (tbh all of them need it, maybe except Isagi??)I don't know if you wanted headcannons or a full fic, but I'm happy to expand on this!

He's your biggest supporter!

He's also your hypeman!

TOTAL SIMP

He has to wake up early to train but sometimes ends up being late for wanting to spend five more minutes in bed with you

His styled hair ends up all disheveled

(Nagi teases him for it later, but who has a girlfriend? and who doesn't? aha, that's what he thought)

Makes breakfast before he leaves too

(really just buys you something cause homeboy doesn't really know how to cook. He's taking classes though, so sometimes you'll wake up to blueberry pancakes and a coffee (or tea))

Makes sure you're healthy and gets happy when you tag along to his trips to the gym or on walks.

Tries really HARD to make your parents or friends to get to like him.

(Goes overboard on the gifts and you have to hide his card from him to avoid that. If you can, that is.)

On that note, he spoils you as much as he can. He knows your love can't be bought and that your relationship isn't transactional but he just can't help buying you that plushie you told him you wanted the other day... or those earrings... or that book... Or the whole merch section of your favourite character.

Loves it when you wear his jersey to his games, his number on the back along with the big, bold letters spelling out 'MIKAGE'

He really hopes one day he'll get to pull out that ring that's been sitting on the pocket of one of his most expensive coats.

Mikage Reo loves you with all his heart because he knows you love him unconditionally. You've proved that much to him. Staying next to him even on his worst days.

"Reo? you leaving already?" Reo's heart shakes as he sees you slightly lift your head from the pillows, hair slightly disheveled and sleepy eyes, puffy from the sleep. A warm smile creeps up on his face.

"Yeah, big practice today, game's tomorrow, love" You nod sleepily, blinking up at him. "You'll be late today?" You ask as you yawn, hiding your face on the pillows.

He sighs, nodding, "Yeah... I'm sorry, pretty..." You smile at him, warm, understanding, "It's okay..." You reach to grasp his hand as he sits on the bed. "At least I get to see you play tomorrow" You raise his hand to kiss his hand, right on his ring finger. Reo melts.

"Mhm.." He checks his watch and makes a quick decision, motioning you to scoot over. You see right through him. "Oh no no, no, Reo, baby, no" You refuse to move but Reo is stronger, although his hold is gentle with you, and soon enough he's got you cuddled up, head on his chest, cologne invading your nose. A mix of jazmin and vanilla, not overpowering but nice, comforting. It's hard to not melt into his embrace.

"You'll be late, Reo.." You nudge him over but he doesn't budge.

"I've got.." He checks his watch again, "A few more minutes..." He hugs you tighter, kissing the top of your head "I jus' wanna have some more time with the love of my life, don't push me away, yeah?" You sigh into his chest and nod, "Few minutes, love, then off you go"

He nods, little did you know, he woke up an hour earlier than usual today, just to have a few more minutes with you. After all, you're what gets him through his rigorous training, you're the reason he gets up and faces his day with the goal of being the best. The best for you. Even if he already knows, you've told him so many times, that he is the best in your eyes.

You're the reason why, the next day, after finding you in the crowd, wearing his jersey, his number, his surname, he scores at least 3 out of the 5 goals that makes his team win.

After all, there is a shiny little thing stuffed away in his sweater that's laying near his bottle on the field. A little thing that will bound you guys together forever, as he's sure you're the one.

He just hopes you say yes.

I hope you liked this little blurb I pushed out of my tiny, university squished brain! I'm kind of getting back into writing so it may not make much sense and I'm also studying about script writing via Youtube so I'm sorry if it isn't the most coherent thing out there! I listened to 'A real hero' by College & Electric youth. The vibes were just immaculate if I'm honest.

[writing-for-life]

WHAT DO YOU MEAN DREAM'S HAIR USED TO BE WHITE!! oh my god. i just saw your post about killala and i have now perished. thanks for breaking my heart.

but also hi!! i'm relatively new to the fandom and it's a great place to be. i haven't finished reading all the comics yet but i'm curious to know:

what do you think are the main differences between TV!Dream and Comics!Dream? i've heard so many people claiming that he is incapable of changing, for instance, and though the show does convey his overall rigidity pretty well, i'm not getting the vibe that he's immutable.

also!! it's clear that he feels a lot. which is always funny to me when the corinthian is like yo, try this and maybe you'll feel something for a change but like. he does!!! or i get the impression that he does. he probably feels too much if anything?? all of it simmering just beneath the surface, barely contained. how would you personally analyze his relationship with his own emotions?

i hope all of this is coherent enough for you to answer lmao, i saw your post about enjoying being asked sandman questions two seconds after i woke up and barged into your inbox. hope you have a lovely day!

Thanks so much for the ask, and welcome if you’re new(ish) to the fandom! 🤗

I’m sorry I broke your heart—much more heartbreak to come I fear if you haven’t read the comics yet, so I’ll try to keep this as spoiler-free as possible.

I am one of those people who believes the differences between comics!Dream and show!Dream are actually not as big as they are made out to be where it matters, and you will definitely find people who disagree. At the end of the day, we all read it through our own lens and will never be fully objective about it.

The main difference I see is that they filed off the rough edges of the comics a bit to make a new audience sympathise more. It’s very hard to do that with a character who is basically in full arsehole mode for most of the first 40 issues or so, and even then only slowly begins to come out of it (although we can obviously see glimmers of what lies below the surface at the beginning of the comics, too, but it’s far more subtle than in the show). I’ve worked in musical theatre for a over decade of my life and understand a bit about bringing the written word to stage/screen, and some things simply don’t translate well from book to stage/screen, and you have to change it. So my personal opinion is we get a more sympathetic Morpheus and certain changes so the audience can do exactly that—sympathise off the bat. You will lose an audience pretty quickly if they don’t care about the protagonist and the universe he moves in, and you can’t be as nuanced about it as you can be in a written work. We’re talking about streaming services thinking about profits here, even if people don’t want to hear it.

Also: The more you sympathise with a character, the deeper the emotional investment and the more you feel, even if it hurts.

Having said this, I don’t think Morpheus is incapable of change, and I never got where that idea comes from. His biggest flaw is that he believes he cannot change (and even he has moments when he admits he might have). In the introduction to Endless Nights, Neil Gaiman says that he was once asked to describe The Sandman in twenty-five words or less, and famously, it was this (you might have heard it):

“The Lord of Dreams learns that one must change or die, and makes his decision.”

And I think some people might have wrongly taken that for an either/or thing. I don’t want to say too much at this point because I don’t know how much you know (if you’d like spoilers or already know how it ends, let me know, I’ll happily expand on it). Only so much:

He is capable of change, also in the comics. Very obviously so. But just like he denies he has his own story (which also isn’t true), he denies he can change. Or at least he thinks he perhaps cannot change enough (it’s actually hard to write about this without giving everything away, help! 🙈).

As for his feelings: He does feel, but again, it is something he pushes down and will deny himself. Until it bursts to the surface and breaks through, and when that happens, it’s usually with, well, let’s say varying results, and that’s putting it mildly. Personally, I’d say he has problems relating to his feelings, but that doesn’t mean he doesn’t feel. Quite the opposite in my view. He holds the collective unconscious—all unprocessed feelings and whatever else floats around in that collective mess, and it’s exactly what he says to the Corinthian in that famous scene: he needs to keep a lid on it and keep that lid firmly closed so all of it doesn’t consume him. But that also means denying himself the feelings that are linked to his own personhood (if you want to call it that). There’s Dream of the Endless, and then there’s Morpheus. And while they’re one and the same and inseparable, Morpheus is also the “point of view”. The character, the person, if you will. And deep down, he craves that personhood so badly. Out of all the Endless, he is the only one who basically collects names because they mean having something beyond his function, which is also mirrored in what he tells Death in “The Sound of her Wings”: he wants something more. He is the only one whose realm is populated with sentient beings (yes, I know Despair has rats, but I think you get my drift). He is desperately lonely and struggles with it. He seeks connection yet denies it to himself. That’s not someone who doesn’t feel.

I don’t know if this answers your questions at all—I was doing the wild “spoiler-free” dance 🤣 But please let me know if you want me to go a bit deeper, I love talking about this stuff.

You can also have a look at my metas if you haven’t already. The headers pretty much explain what they’re about and what spoiler-level to expect, but none of them are truly spoiler-free I guess:

Again, thanks so much for encroaching on my inbox, and feel free to follow up if anything was left unanswered.

@dreamaturgy ask answered

[paradoxcase]

Chapter 31 of Nona the Ninth

I feel like it's kind of significant that this is the second to last chapter of this book and I'm still doing these posts one chapter at a time. At this point in the other books I think I wound up doing the last few chapters all in one post, because I didn't want to wait to find out what was going to happen in them. This book is definitely much lower energy

This has to be confirmation that Nona is telepathic, doesn't it? Palamedes said earlier that he got the layout of the Ninth from Gideon/Kiriona, but Nona never saw that, she was asleep when that happened. It doesn't matter how accurate she is at driving the truck through the River if she doesn't know the layout of the place or where they're intending to wind up. The only way she could know this is if she read Paul's and/or Gideon's mind

I know they probably mean that Noodle will be moral support, but after everything else that happened in this story so far I momentarily thought Paul was saying that the necromancers were going to kill Noodle and use the resulting thanergy to heal people

The Ninth seems much darker and more dreary in this chapter than it did back at the beginning of Gideon the Ninth, but I don't know how much of that is because it is legitimately darker and more dreary now that it's being overrun by monsters and how much if it is just that it's Nona's POV

I went back and looked, and there is in fact this description in Gideon the Ninth:

This thing possessed Colum supposedly because Mayonnaise Uncle had siphoned him and his own soul was currently absent. Teacher told them there were monsters at Canaan House that could do this, but it was never explained why they were there. I don't know how accurate we can trust Teacher to be given that he was a construct and he didn't even tell anyone who Cytherea was, but I'm going to guess that these are not naturally occurring and probably resulted from necromancy experiments that were being done at Canaan House and I guess also at Antioch, and for some reason now on the Ninth. It doesn't sound like Gideon is realizing that Colum was possessed by one for the first time, so she already knew there was at least one place other than Antioch where they were present, right? And it doesn't sound like they are restricted only to possessing people who are being siphoned, if this is happening all over the Ninth right now, unless they are just possessing already dead bodies or something. Gideon said they were waiting for Crux to die so they could possess him more easily, right?

So three or four months ago supposedly not even John had seen one of these, and yet there was at least one just chilling at Canaan House this whole 10,000 years or so. Or maybe they just didn't come out in numbers at Canaan House due to a lack of dead/vacant bodies to possess? Although there certainly weren't a lack of dead bodies by the end of the book, and it sounds like they might be possessing living people on the Ninth. It sounds like they are saying that they need to wound people to infect them, so maybe to infect living people they need to do that and only Colum was vulnerable at Canaan House because his soul was temporarily MIA and there weren't any just wandering around in bodies and capable of wounding people?

I have to note that no one did this to Colum's body at Canaan House. Ianthe "killed" it by removing his head, but no one burned anything. And Colum's body was presumably sent back to the Eighth House... and it was also alone in John's morgue with the frozen bodies of the people John sent back to repopulate the Ninth... maybe that was the infection vector? Only I think all those bodies went back to the Eighth and Ninth like a year ago, and according to Crux this has only been going on for a day

The fact that Canace and Davith are gone certainly doesn't bode well

I guess if she told Aiglamene that she killed herself to save Harrow Aiglamene wouldn't believe her and might be even more pissed at Harrow, haha. It's interesting that Aiglamene doesn't seem to question or wonder about how she is still walking around while dead

Gideon was angry at Nona for being in Harrow's body without being Harrow and telling her to shut up and calling her a baby and stuff when they first met, but now she is protecting her from Aiglamene. And it's interesting that she said "don't be mad at her because she's not Harrow" instead of "don't be mad at her because Harrow did nothing wrong". I'm sure she's still mad that Harrow didn't want to consume her soul, but she knows quite well that Harrow had nothing to do with her death and could have told Aiglamene that, which would probably be a useful thing for her to know in the probable event that Harrow regains occupancy of her body at some point in the last chapter of this book

Well, I mean, there's Paul

So I guess Pyrrha is banking on Alecto bailing them all out once she gets back into her right body (or at any rate, the body that John originally made for her). At the end of the chapter, Nona tells her that she probably won't care about them anymore once that happens. I guess we'll find out who's right pretty shortly

I don't think Harrow ever mentioned believing she was someone else? I almost wonder if Alecto actually took over her body sometimes? But I don't think Harrow ever mentioned forgetting things that happened, the way that G1deon thought he just forgot things that he did because Pyrrha was actually using his body at the time

I mean, yeah, you can't take that away, but if Alecto turns out to really not care about fixing any of their problems next chapter, there's still some practical issues they'll have

It's interesting that G1deon liked Alecto, given that Mercy and Augustine both said that they hated her and asked John to kill her, so I have to wonder what kind of interactions Pyrrha and G1deon had with her

...I've seen pictures of this T-shirt on tumblr, and was like "what does this have to do with the Locked Tomb?"

Also, how on earth did Palamedes and Camilla combine into a person who approves of this T-shirt

I'm imagining the last chapter, now: Alecto and Harrow swap souls again, Pyrrha is like, Alecto can you please get rid of all the zombies, Alecto is like, just a sec I have to go get something, ten minutes later she is back wearing the free mustache rides shirt that she went all the way back to New Rho to get from under the sink

[avelanlorelay]

About Cardan and his mother

I was re-reading the comments on my fic Deniere Danse and most of them are against Lady Asha, which may be proof that she's just as hated by the fandom in the "parents" category as Madoc and Balekin (Or maybe it's bc of the plot I've created, sorry). So one unanimous question is: why does Cardan still allow her to stay in the brugh?

My pov: From Twk to Tpt we can see that Cardan is not as insensitive as he makes himself out to be, on the contrary, he has a lot of love to give (😭) (a side of him that probably only Nicasia had access to🙄). He's admitted to still liking his mother a little and if we look closely, that despite having a strong personality, Cardan is no longer a hateful person. After losing his entire family, he wouldn't throw out his mother, the second only person left of his blood, for bad things in the past. In Tpt we see how he's very happy with Jude and probably, thinks about the future instead of holding grudges about things from the past.

Okay, Cardan isn't the boy with the heart of stone, but why would he still like Lady Asha? Why didn't he lock her back up in the tower of oblivion like he did with Balekin? First of all it's obvious, she never committed any crime. But although the books say very little about their relationship (a shame because I've always been curious about it), I think there are some clues:

In the prologue to Tqn we see the discovery of Cardan's curse. It's said that Lady Asha doesn't seem to know how to hold a baby, but she hugs he when Eldred seems to be considering parting with the child and holds he tighter when she leaves. Perhaps she was just afraid of not having privileges, but it's the only gesture of affection we see from her.

Still in Tqn, Oriana tells Jude about Cardan's childhood:

"It wasn't as though she didn't dress him in velvets or furs; it's that she left them on until they grew ragged. Nor was it that she didn't feed him the most delectable cuts of meat and cake...."

Now, in Htkoelths, when he meets Aslog in the stables, despite being there because of her (bitch) Cardan thinks that if he called his mother she would beat Aslog up and throw her out. I found this passage strange bc Lady Asha is described as delicate and thin, yet Cardan knows that she would protect him from a much bigger and stronger woman. If he's so sure of this, has Lady Asha defended him before?

And finally, just a guess: when he travels to the mortal world in Tcp's time to save Balekin's mortal slave, Cardan travels on a giant moth owned by Lady Asha. It's said that the creature was personally tamed by her and he still remembers how, so he was probably there when it happened. Which means that perhaps Lady didn't leave him completely abandoned, there were moments that the two of them spent together, when she dressed him, fed him and perhaps took him for walks and played with him.

What does my monologue mean? That if we compare, Cardan seems to have more feelings for Lady Asha than for Eldred, because despite so many bad ones, he has good memories with her too. It's not just a blood bond.

It's sad and unfair, but Cardan has a much more forgiving heart than it seems.

There's probably something else too: guilt. If I'm not mistaken, in Twk's deleted scenes, when Lady Asha meets him to talk about Jude, it's said that Cardan didn't free her because he didn't think he had the power to, after all, Jude was the real High King.

Now, if we stop to think about it, Lady Asha had never committed a crime, (if we don't consider her to be the worst mother in the world), yet she probably spent about ten years trapped in the tower of oblivion, starving and cold, completely alone. Not even Balekin or Madoc suffered so much. Can we feel sorry for her for that? Idk, if you're a good person and can even like Madoc, that's fine, but I think it's well deserved. But not from Cardan's point of view, not least bc from his perspective it was his fault. Now, as High King, the best thing he can do to be fair is to reward her for all that time of suffering. So it's understandable that he lets her live in the palace and have everything she ever wanted.

Jude pov: I think that since she would like her mother to be alive and by her side and Cardan has that opportunity (which I would frankly pass up), she would never take it away from him, even for revenge. And like him, she's too happy to worry about the past and people who aren't worth it.

[sotwk]

Hi Naneth! Do you know and/or play D&D? So...I've recently started playing it and got addicted to the game (surprisingly for someone who's always been a bookworm than a gamer hehe), and now I can't help but be curious what would the Thranduillions (maybe bonus Thranduil and his wife?) be like as D&D characters (or what kind of characters would they create and play as during D&D sessions)? Ooooh, now I wonder what a Thranduillion D&D session would look like XD!

Omg it's amazing that you asked me this question, because literally just this morning I was chatting with my sister about her starting to play tabletop D&D with her old college buddies! I said to her, "Man I'm jealous and I wish I could join in, but I would just be so lost and confused and annoying because I'll need everything explained to me multiple times." XD My sister is also trying to get me to play BG3, and although it's really, really tempting, I'm afraid even venturing into that would take up what little free time I have left!

Anyway, going into your question that I LOVE so much, about what the Thranduilions would be like if they had a D&D session. Using my limited knowledge of the actual gameplay, it would go something like this:

The Royal House of Greenwood Plays Dungeons & Dragons

Characters Chosen

Everyone in the family prefers to play Elves but sometimes may choose a Half-Elf, Human, Dwarf, or Halfling. Legolas may dare to try controversial classes (i.e. dragonborn, half-orc), but only when their parents aren't playing.

Mirion: Barbarian. Values Strength.

Turhir: Paladin. Values Constitution.

Arvellas: Wizard. Values Wisdom.

Gelir: Ranger. Values Dexterity.

Legolas: Druid. Values Wisdom.

Thranduil: Rogue. Values Dexterity.

Maereth: Bard. Values Charisma.

How They Would Play

The family likes to run the campaign as a group that quests together, rather than individuals, so they work together as a team.

Arvellas is the Dungeon Master mostly because he wrote the guide books and has by far the most organized brain among the brothers. He's also the calmest, most patient, and can keep his brothers in line in case things descend into chaos.

Legolas was the ringleader who initiated the idea to start/play this game in the first place. He begged and helped Arvellas to create the game books, with Arvellas wrangling Legolas's wild enthusiasm and all-over-the-place ideas into brilliant manuals. Legolas also crafted the dice, miniatures, and game boards himself, and he always has the most elaborately detailed character sheets.

Mirion is not much for this sort of game but is absolutely happy to humor Legolas and spend time with his family. Barely knows what is going on and essentially just follows what Legolas tells him he "has" to do. His character is often first to get injured or in trouble, but he laughs it off. Is eating an unholy amount of snacks the entire time.

Turhir is the tactical genius who thinks of creative ways to solve problems and defeat opponents. Mostly does his thing to keep the quest going and everyone alive, but also gives advice regarding combat tactics when asked. Is quietly the MVP of the campaign.

Gelir is just really annoyed by the concept of dice controlling his fate and blames lousy dice rolls a lot. Protests and argues against the "logic" of difficulty checks. Heckles any of his brothers who "mess up" (in his opinion). Chooses courses of action based on what's flashiest instead of what's wise. (He's much more strategic in real life, but this is a GAME. Plus he likes to mess with Legolas.)

Thranduil picks up on the game super quickly despite having the least experience. Frequently leaves the table to attend to crown business (or grab more wine). Assigns Turhir to play for him in his absence because they have the same mindset. Drinks a crazy amount of wine during the course of the game (it helps him relax) but still does not appear drunk, nor is his gameplay affected.

Maereth never gets into trouble (in the game) because literally everyone is half-focused on protecting her. Eventually she gently removes herself from the game so they can play for real without having to consider her. Helped Legolas make the dice, miniatures, and game boards.

I hope you (and all D&D/BG3 readers) enjoyed this as much as I enjoyed writing it! Thank you for this very fun Ask! <3

For more SotWK AU headcanons: SotWK HC Masterlist

Elves HC Tag List: @a-world-of-whimsy-5 @achromaticerebus @acornsandoaktrees @aduialel @asianbutnotjapanese @auttumnsayshi @blueberryrock @conversacomsmaug @elan-ho-detto-elan-15 @entishramblings @glassgulls @heilith @heranintomyknife23times @ladyweaslette @laneynoir @lathalea @quickslvxrr @spacecluster @stormchaser819 @talkdifferently6 @tamryniel @tamurilofrivendell @from-the-coffee-shop-in-edoras

Special Moots who are BG3 fans and might be interested tag: @ass-deep-in-demons @kylobith @tolkien-fantasy @creativity-of-death @missiemoosie (I probably missed some.)

Other useful links:

Introduction to SotWK

Fanfiction Masterlist

Fanfiction Request Guidelines

[discountsoysauce]

I don't understand the idea that Victor has no backstory. Like- yeah, his backstory isn't as horrifically tragic and detailed as Eli's is, but we do know a good bit about him from what he's said so far.

His parents are pretty successful, so we can assume he grew up rich. Victor states that they write all of these books about family but have never taken time out of their day for him, even saying something along the lines of the last time they put aside time for him was his birth (not exact quotes, I don't have the energy to look back through the books rn), so we can assume that they were incredibly neglectful, most likely leaving him at home for days, weeks, maybe months at a time and probably not paying much attention to him even in times when they were home. Whether they paid someone to take care of him in that time or he had to learn to be self-sufficient is debatable.

I personally don't think they were physically abusive, and there doesn't seem to be any evidence at present that supports that idea. Verbal abuse is more likely, but I still don't think it was the case. It doesn't seem like they were around him long enough to do either. I don't think those things really need to be a part of his backstory to make it interesting or compelling. His parents were neglectful, and it shaped pretty much everything about who he is.

The biggest and most obvious one is Victor's obsession with attention. There are multiple references throughout the books of Victor craving attention from those around him, namely Angie and Eli. More than anything, Victor wants to be seen. He wants to be a part of something. He wants to be remembered and acknowledged and thought about. He craves the attention his parents never gave him. He doesn't want to be left behind or forgotten.

Being left behind is another big fear for him (I'm mostly speaking about Lockland here, as he becomes a bit less dependent after he becomes an EO, though there can still be an argument made about him latching onto Mitch and Sydney and Dol and Dominic in a kind of makeshift family he never had). He hates seeing Eli succeed because it feels like he's being left behind. He wants to be so intertwined with another person that they can't possibly forget him. He wants to form a connection so deep that it's impossible to sever. To Victor, there's a connection between 'success' and being left behind. He doesn't want to just be an expendable sidekick or an accessory. He wants to be an integral part of someone. Victor's life revolving around Eli is a symptom of his upbringing.

His social skills and general demeanor are also something that can be analyzed. From the beginning, he's set up as the antithesis to Eli, from social class to backstory to appearance to demeanor. They're the same at their core, but opposites in nearly everything else. Compared to Eli, Victor is a total recluse. He hates being around people, he avoids parties, and we barely see him interact with or pay attention to anyone except the people he genuinely cares about unless he absolutely needs to. His demeanor is off-putting, and he doesn't really make an effort to hide that, although he does just enough to make sure he isn't a complete social outcast. Victor grew up in one home with no siblings and parents who were hardly around. Compared to Eli, who was carted from home to home, meeting new people and learning how to blend in all the time, Victor likely doesn't have much in the way of social experience. He didn't have to hide who he was nearly as much as Eli did because there was no one there to see it anyway.

This being said, he is described as being a good liar and able to fool those around him, although notably worse at it than Eli. This one is more of a longshot, but I don't think it's improbable. Victor's parents were successful published authors who garnered their success based on the books they wrote about family. It's possible that Victor had to make press appearances at some point when he was younger, and learned how to lie for the cameras, or he just spent so long out of the company of others that he started seeing other people as more objects to use and less real living people, making it easier to learn the motions of manipulating them. Either way, Victor learns how to do or say the right thing to get someone to believe him, but he states that Eli is much better at actually faking emotions than he is. This is because while Eli spent his life following his father's death surrounded by people and thus learned how to change his entire self to appear more presentable to the general public, Victor only learned how to manipulate people through speech or actions. He can tell you exactly what you want to hear, but he can't put on a fake persona the way Eli can because he never needed to.

In conclusion, Victor does have a backstory, and it informs every aspect of his character, including his relationship to Eli.

[bloodybellycomb]

I really do think that it’s good for the soul to be unironically pretentious about something. Not in a gatekeeping kind of way but in a “yes, it really is that deep and I would love to enthusiastically and passionately explain why” kind of way.

[starpros-sunshine]

If I loved Wataei less I might be able to talk about them more....

[boysnberriespie]

Honestly sometimes I really hate how pigeon holed Good Representation has become because sometimes I want to write queer characters that just wouldn’t describe themselves with specific terms because it’s not how the character thinks and operates in the world

[lhrry]

my policeman the book or the film, discuss 🎤

[endwalkr]

weee

[luvmila444]

SWEET RELIEF - C.S

…………………………………………….. ☆ ★ ………………………………………………

Chris sturniolo x fmreader

summary: Chris can’t help but get a bit worked up while on a tutoring study call with you, when you realise what he’s doing, you only pushing him further to the edge.

content warning: male masturbtion; dirty thoughts; praise kink

word count: 2.8k

༶•┈┈୨♡୧┈┈•༶

Chris was a little embarrassed with how fast he had picked up the phone call from you, not to mention the blush that had spread across his cheeks and his quickly paced heartbeat when he heard your sweet voice ring through the speakers. 

“Hey, Chris!” You smiled as you spread your small pile of assessments and study papers across your desk to get yourself prepared. This had been a regular thing on Wednesdays and Saturdays for the past two months. You guys would set up a phone call together as you would help him study as Chris was falling behind in class…a lot. You guys had to do it over the phone as both houses were always so busy due to Chris’s brothers and your family always occupying your living spaces, making it difficult to have privacy and quiet to help him focus and bring his grades up. Therefore, you resulted in two easy phone calls across the week, which Chris always enjoyed a little too much. 

Chris loved that you could never see him and what he was doing at the sound of your voice over the phone. The sweet ring of it through the speakers. The way you ramble so passionately about the work. Yeah… he definitely liked having the privacy of his room for these calls more then he’d like to admit. Although he can never help but imagine what you looked like, what you were doing. Fuck… he’s been on the call for no more than ten second and he’s already getting himself worked up. 

“Chris…?” He heard you voice agin. Fuck that voice. 

“Yeah... I’m here, hey y/n.” He couldn’t help the smile that rose onto his lips hearing hear giggle at his slow usual response. 

“Okay well glad you're here,” you say readying the paper you had recently got giving by your teacher, on to the top of the pill of books you had been working on, “why don’t you fine the paper that mr Hudson gave us today and we will work through that one today, yeah?” You say cutely but trying not to talk so fast so Chris could take in the information. 

“Yeah, yeah sure…” he buries his way through his overflowing piles of unfinished homework to find the paper that was given to him today by his teacher “why did he give us the paper today, anyway?” Chris huffs, flipping to the first page that you wanted to start working on. 

“I have no idea, it’s not like we don’t already get enough work given to us on Mondays and Fridays, but now on Wednesdays too? It’s getting a bit intense at this point!”

Chris hums in agreement, loving the way you get worked up about things. However, once you were done with your small rant, you let out a sign that was so quiet only the most observant person would notice it, lucky for you, Chris was that person. As you made the noise Chris felt a familiar warm feeling in his lower stomach, just imagining you making that noise in a very different scenario…

“Did you see jenny today?” You interrupted his quickly drifting dirty thought, referring to girl who passes every class, not using her smarts but her body instead, fucking her way to good grades. 

“No, why? What was she doing this time?” Chris asked slowly, trying to calm his erratic heartbeat and suppress his dirty thought of you. 

“Woah I’m surprised you didn’t see her! She was practically pushing her tits out of her very tiny top to try and get out of this paper…. practically had all the guys drooling,” you huffed. You’d always been quite jealous of Jennifer. She could literally get any guy she wanted and could always get out of these stupid papers. It was irritating to people like you who tried their very hardest in their schoolwork and seem to go zero appreciation for it, when all jenny does is gossip, do her obnoxiously babyish laugh and pop a tit, therefore having the whole classroom wrapped around her finger. It was pathetic.

“Nah, guess i don’t really care that much about her,” Chris was very aware of Jenny’s usual inappropriate behaviour, yet he couldn’t pull his eyes away from you all through that class. He was sat near the back of the class, so he had a good view of his surroundings and could easily see you sat a few rows in-front of him, at the perfect angle so her couple see you left side perfectly. Chris simply couldn’t understand how anyone could pay attention in that class knowing that you were in there, not jenny but you. 

Your short denim mini shirt that accentuated you ass and hips so perfectly and highlighting your legs. However, to keep yourself warmer and seem more modest, you through a knitted sweater over the top, making Chris’s eager to rip it off and see what you hid beneath the layers of warm wear. God, if there was nobody else in that classroom, he would not hesitate you lift you up on the desk and kiss up your legs to your perfect thighs and up your body. He would make sure to take perfect care of you, bring his lips underneath your sweater and bring his hand to you perfectly round and covered tits. 

Full, he could barely take it anymore. He could feel his harder member quickly growing underneath his get sweats, but he didn’t want to stop. No… he couldn’t stop himself.

“Huh, thats surprising, i could’ve sworn that the guys next to me literally had dribble on his chin, it was crazy.” You laughed. 

Fuck that laugh. Chris brought his hand up to his crotch and felt where he had grown harder just thinking of you. He began to palm himself, trying to relieve the growing soreness between his legs. 

"We should get started now." You unintentionally break his train of thought, as he gulps, silently cursing at himself. "Because I you barely understood what was going on it that class."

"Uh, yeah." Chris coughed, forcing himself to focus. "What did you want to start with?" 

You voice begins to drift into an explanation of what was said at the beginning of the class, only worded in a simpler way, yet Chris could barely take in any of this information. You speak so innocently, brows furrowed, as Chris furrows his own for an entirely different reason. 

He continues to palm his dick through his pants while your voice was sending small electric jolts through him. All the way down to his dick, which has begun to strain painfully against his pants beneath his hand. Christ, i can’t actually be doing this right now-he thinks to himself. He licked his lips, quickly responding to what you were saying with a hum and an "ah, that makes makes more sense." 

Chris doesn't mean to drown out your words. Because he's listening. But more so to the hilt of your voice, and how it would sound much breathier, as you gazed up at him. One of his fantasies had you on your knees, teasingly licking at his cock, as your devious eyes held his. He had orgasmed extremely quickly, multiple times, when he found this imagine in his head. 

“So thats basically the first part,” you continued to explain, unaware and completely oblivious to Chris’s hand rubbing at himself on the other end of the line.  

He won’t do more. He can’t, this is just so wrong of him Just…relieve a hint of tension. You continued to speak, and your words began to sound like something he wished he could grab, as his hand tightened on his bulge, his rubbing growing messy. His breathing had grown heavier, but he covered it up by saying ‘yes’s and ‘no’s, answering your questions. 

“Sorry, I’m rambling. Did you have any questions?” You ask, feeling as if Chris wasn’t getting everything he needed out of your words. He had to spare a glance at his incomplete work, scanning to see if he’d written down any problems, trying to remember if he had any. Because the only problem he could think of right now is how his over-the-clothes rubbing was doing little to satisfy his need. 

His cock was now rock hard, it was torturous. His mind began to glaze over with lustful thought of you “I—I don’t think so.” He mutters out, his fingers reaching into the waistband of his sweats and briefs, pulling his cock, which was now leaking with drops of pre-cum and the tip was a bright rosy, red, much like his cheeks.

He imagined the way you would touch him. Would you be gentle and slow, or would you edge him and make sure he’s extremely overstimulated as you milk him dry. Chris’s breathing stutters as he strokes himself. The little hums you make when you think have begun to make his hips thrust up into his palm. His other hand had tightened around the sheet, praying that you can’t hear him jerking off to you. Chris becomes lost in your tone as his cock twitches. 

“Chris?” You slowly ask, making his hips jolt at the utterance of his name from your lips, but he tries to keep his voice of some composure. 

“Yeah?” He had to press his lips together after a needy whimper nearly falling. 

“Are you…okay?” 

Your question makes him halt, much to his cock’s dismay. “W-what?”

“You sound… i don’t know, out of breath?” You say, behind the line trying to think of why.

“Really, you think?” He hums with a small smirk on his face enjoying the uncertainty in your tone and how innocent you mind must have been.  You nod to yourself, but then you catch the smallest of sounds fall straight from Chris’s lips. You had to be mistaken, as it had almost sounded like one full of pleasure that could have only been as a result of one thing... 

Your mouth opened in shock as you realise. He’s out of breath because he’s…

“Chris.” You say again, hearing a stuttering whimper from him before he tries to cover it up by asking ‘yes?’ again.  

“What are you doing?” 

Chris curses himself because you sound suspicious. “I’m studying obviously. Being tutored s-so well... by you.” He says, really forcing down his cock’s wanting to just ask you to keep talking so he could reach his orgasm, attempting to stop himself from stuttering his words, but he just couldn’t help it. 

“You’re sure you’re good?” You asked unconvinced, as a small smirk rose to your lips.

“No. No, I’m all good, i swear.” He says, really forcing his words to sound normal, as he had slowly begun to stroke himself again, his cock angry. 

“Ah huh, yeah…okay,” you knew what you were going to do, this was going to be fun. “Did i tell you how good you looked today?”

Chris’s eyes opened, looking at his phone slightly trying to keep a steady pace of his raging cock but if you were going down this road of compliments, he probably wouldn’t be able to take it much longer.

“Uh, n-no,” he stutters pathetically, somehow unaware of the game you were playing. 

“Well, you did, your hair…wow. I could just run my hands through it! How do you always get it looking so soft?” You paused momentarily, hearing Chris’s surprised whimper. “Sorry thats kind of a goofy thing to say…sorry.” You were basically just teasing him now, the basic matters of the studying gone.

“I- no i don’t think its goofy. a-at all…” his words are broken up by that heaving panting.

“God. really? You’re so sweet chris…wow,” You hum, making Chris’s hips thrust up into his hand, his legs having widened as you spoke. 

“R-really?” His eyelids began to feel heavy again, wanted nothing more but to see the darkness and use it as a canvas to paint his dirty images of you in his mind. 

“Yeah, i mean you’re the literal sweetest” you hum lightly, “you always make sure i havea seat in class, you listen to me when i speak and when i help you i study, you defend me in-front of your friends! You’re so sweet! Such a sweet, good boy for me” you were practically grinning at this point.

Chris could have sworn that your words could have sent him spiralling over the edge.“I a-am?” He asked, almost to clarify that this was real, that you were actually saying this to him.

“Well of course, and you’re always so busy as well, yet you always make time for me in your busy schedule. You must be stressed a lot of the time. I could always help you…relax sometime, relieve some of your…tension.” You had lowered your voice now in order to have a more seductive tone to your voice now.

Chris chokes on a whimper as he places his hand over his mouth, still thinking you don’t know. “My tension…?”

“I mean, yeah… i could alway give you a massage, rub you down, you know I’ve been told I am very good at giving…massages.” It was becoming blatantly obvious what you were doing now but Chris must’ve been blinded and in a lustful haze because he still seemed to be completely oblivious to what you were doing. Continuously pumping his dick eagerly and chasing his release.

The thought of you sat on top of him, rubbing all down him in order to relax him was definitely doing the opposite effect and only working him up more. Fuck. He had almost come from the thought of you taking care of him. the tone you had dropped to makes his hand quicken as his hips had begun to grind into his palm.

“You’d do that for me?” Chris whined, only imaging what else you would do for him almost sent him over the edge.

“Of course, i would baby, you would tell me where it feels good before i drag my hands down your body…” Chris let out a pathetic whimper at not only the simple thought but at the nickname as well. Baby? Baby??! Oh, my lord he was going absolutely feral at this point, “however, through your clothes it mind be hard to properly get that tension out.” 

Chris moans through his teeth, as his hips pathetically thrust at your words. “No clothes?” 

“No clothes.” You confirm. “Would that be, okay? I wouldn’t want to make you uncomfortable— “

“Yes.” His answer was immediate, cutting you short. He coughs. “That would be fine.” 

You grin. “Good. Because that way I could really relieve some tension. I’d have to straddle you of course.” You pause to hear chris’s heavy breathing and the faint sound of his hand gliding along his cock. “You may even have to flip around, because I’ve heard that the most tension can be by your collarbones and neck.” 

Chris nearly orgasmed at the thought of you straddling him, as your hands wandered his body. “As in straddling..my front?” 

“Yeah, is that okay?” 

“Uh huh.” He hums, his cock twitching with a soon need to release. 

“I could give you that massage the next time we study.” You say, making chris’s breathing quicken at the possible reality of all that. “I could come over to yours.” 

At this point he couldn’t care how desperate he sounded. “Yes. Please, come anytime.” 

“Or maybe you should cum?” You ask, your innuendo strong, as pleasure began to rock through chris’s body. 

“W—what?” 

“Come to my place, i know yours is always super hectic.” You play it off, listening to the wet sounds his cock was making as you could hear how close he was to his orgasm. 

“Fuck…yeah that sounds good, i-if you’re happy then s-so am i…” he was no biting his own lip so hard he could’ve sworn he was drawing some blood. He now had his back so far arched up off of his bed and was practically fucking up into his own hand. 

“See, again, you are alway thinking…of me,” oh he was definitely thinking of you, thats for sure, “you are such a good boy.” And that did it. His orgasm wracked through him as quiet whimpers and moans left his lips his hips grinding into nothing. Wishing the air was you. He watched as the white strings of cum coated and stained his dark shirt. 

“Fuck” he let out a relieved groan, now not even hiding the action that he had just did. 

“Maybe next time we study i should just jerk you off instead,”

Chris’s eyes widened at what you had said, before realising how blatantly obvious what he was doing was. You giggled once again hearing Chris’s heavy breathes, pleased to know that it was you who had pushed him over the edge. 

“Fuck, you can do whatever you want to me,” Chris let out with a deep breathe. 

Oh, you certainly would…

༶•┈┈୨♡୧┈┈•༶

A/n : thank you so much for reading, this is literally my 3rd time trying to post this because I keep making mistakes 😭😭I really hope you enjoy and if there are any more mistakes pls lmk

ily my angels 💞 (especially @gamermattsgf)

[luvrxbunny]

so much

pairing: bf!Miguel O’Hara  x f!reader

summary: You give Miguel a handjob for the first time.

warnings: 18+ MDNI, handjob, lots of cum (lmk if i forgot anything)

wc: 2.1k

a/n: i blacked out again. 

Miguel stopped kissing you maybe fifteen minutes ago. He said he was getting too worked up and that you guys should stop, of course, you respected his wishes. You’re both now sitting in bed, he’s reading and you’re supposed to be doing some extra research but all you can focus on is the bulge in his pants. 

This happens a lot, you guys get heated and Miguel stops everything. It’s been six months and you’ve never seen him cum. You’ve told him you love him, he’s made you cum with his fingers and his mouth but you’ve never seen him cum. It doesn’t bother you too much, you just assumed he wasn’t a very sexual person, although you are and you love pleasuring your partner, you love him more. So you decided you could deal with it, but then you noticed that he would get hard, quite hard, and just not let you help him. You’ve offered many times and he always protests, saying “It’s fine, it’ll just go away.” 

Once he even went into your bathroom for it. He chose to get himself off instead of just letting you do it. You tried to ask Jess about it but she says that Miguel doesn't talk about that stuff, all she knows is that he’s definitely not a virgin. So your last option to understand is to just ask him. So you do. 

“Miggy?” His head comes up from his book to look over at you, peeking over his glasses like a librarian, making you chuckle. “Um… You- You’re—” You start the sentence but soon realize how awkward this conversation could be. You try and figure out ways to piece it together as Miguel sits up straight, closes his book, and takes his glasses off, giving you his full attention. Now that he’s straightened himself out he’s looming over you a bit, making you even more nervous. 

“You’re still… hard..?” It comes out as a question more than a statement and mumbles more than words but he understands you. He clears his throat awkwardly as you slowly close your laptop and cast it aside. “Y-yes, I am.” He’s looking around the room now, his eyes avoiding yours. 

“Okay. So do you not like handjobs or something? I just- I know that you’ve gotten something before I just don’t- I don’t know why you won’t let me.” You’re looking at him as you speak, he’s looking at the duvet, and from the corner of your eye, you swear you see his dick jump in his pants. 

“Cariño… I-” He takes a deep, slightly frustrated breath and looks up at the ceiling, trying to figure out how to explain himself. “I want to… Tan jodidamente mala but… you’re different.”

(“... So fucking bad but…”)

Insecurity spreads through your body at his words. Your mind is already racing, trying to decipher what he could mean.   

What the fuck? How am I different? Oh god, is he not even attracted to me sexually? Maybe I’m not his type. Is there something I’m missing? Maybe it’s something that he’s into, maybe I just need to get into whatever that is? Unless it really is just me that’s the problem…

“I love you so much…” The words instantly relax you. You believe him when he says it, but his tone implies that it’s a bad thing. “I’ve never felt the way I feel about you for anyone else. So-” He sighs again and runs his fingers through his hair. “So I’m- I’m more sensitive… when- when it comes to you.”

Arousal pools at the bottom of your stomach as you process his words. ‘More sensitive’

The thought that he hasn’t wanted you to touch him because it would feel too good has you leaking between your legs. 

He’s silent as you process, he’s waiting for you to laugh. But when he looks over at you you’re looking up at him with those eyes. The ones that always have him hardening in his pants before you have to say anything. The ones that he pictures on late nights when he can’t sleep. The ones that burn into his eyelids as your name falls from his lips and he cums all over his sheets… Those eyes. 

He huffs out a breath and shakes his head, denying you before you can even propose your suggestions. “No, cariño. I- It’s embarrassing.” He protests but his voice is getting breathy, arousal leaking its way in as he watches you seat yourself by his knees, facing him. Your hand is placed on his upper thigh which has begun to twitch under your touch. “We can’t, I can’t. Habría mucho también.”

“Mucho?” You question, only understanding some of what he said. “A lot, what?” You’re focused on his face, watching it contort as he whines at the Spanish that rolls off your tongue. Your hand has begun to massage his thigh, you can feel the fabric pull tighter with every pulse of his cock. Your hand slides up, closing in on where he wants you the most. His head falls back against the headrest as pleasure shoots through him. 

You can tell he’s being honest with his reasoning as you watch him. He’s letting out tiny moans, little whines like you’ve been teasing him all day but you’re just massaging his thigh. You keep it up, just groping his twitching leg as he tries to hold his moans in so he can answer you. “C-cum, habría tanto semen.” His hips start thrusting off the bed, barely noticeable.

(“C-cum. there would be so much cum.”)

“Yeah? You’d cum so much for me, Miggy?” You move from your spot, throwing your leg over him, straddling his thighs as you begin to palm his dick. His eyes roll back into his head as moans rip from his throat. He quickly grabs your wrist, roughly, stopping all your movements. His head raises to look at you. 

“I’m- I’m a bit… nervous, cariño. It would be a lot for me. I- No one has ever seen me like that. I’m only like this for you, I- can’t help it." His eyebrows furrow, and he huffs at a breath, like he's angry at himself. "I don’t want you to think it’s… extraño, anormal, or that I’m- I don’t know.” You can see the genuine concern on his face, and the fear in his voice as he anxiously rambles. 

("... strange, abnormal,")

“Miguel…” He whines at how you say his name, you smile brightly and fondly at the sound. “I love you. In a way I didn’t even know was possible. I’m never going to think you’re-  like, weird or something. At least not in a bad way. I-” You sigh gently and look into his eyes, you wrench your hand out of his grip and place it on his face, pulling him in for a soft kiss that he whimpers into. You pull away and give him the most serious look you can manage. “We don’t have to if you’re too nervous but if you’re worried about what I’ll think? Please don’t.”

He holds your gaze, considering your words for a moment. “But there’s mucho, cariño. No importa lo que yo haga. When- whenever I think of you, there’s… so much.” He tries to express his concern but you really don’t understand.

("No matter what I do.")

“Miguel.. That just- That just turns me on even more I- I don’t see why that’s a bad thing.” You speak honestly, watching his face shift into a mix of pleasure and confusion as his head falls back again. His hips press into the air, his legs spread, opening himself up for you as a pathetic “Por favor” falls from his lips. 

You spring into action immediately. You pull his pants low enough for his cock to fly out, instantly standing straight, hitting and staining his shirt. A hiss falls from his lips as you wrap your hand around him, and his head comes up to watch you. His eyes are watery as they stare at your little hand around his huge cock. You’re watching him, you don’t move yet, you can see him taking in every detail, committing the scene to memory before meeting your eyes. 

“Ready?” You ask him with a devious smile on your face. He nods vigorously, “Sí, estoy... estoy tan lista, cariño. Por favor.”

(“Yes, I'm... I'm so ready, honey. Please.”)

You run your hand up his cock, swirling around the head before meeting the base again. His reaction is instant and extreme. His hands leave your hips for the bed as his claws rip into the sheet. His body is already shaking as tense, short, and quick moans fall from his lips. All his muscles are pulled tight as you slowly run your hand over him. His eyes are wide, staring at your hands as they pleasure him. 

You’re mesmerized by his cock, red, hot, and pulsing in your hand as you stroke him. Pre-cum is spilling from his slit at a consistent pace, making him all wet and sloppy. You hear his head hit the headboard again as his moans grow more unrestrained, shouting out into the open air. “I- I-’m not- Can’t” He lets out a frustrated whine that morphs into a genuine moan before he tries to speak again. “No voy a durar. Joder, tus manos son el paraíso, cariño. No voy a durar mucho, no puedo-”

(“I’m not gonna last. Fuck, your hands are heaven, honey. I won't last long, I can't-”)

You can’t understand the words but based on how frantically he says them, the way his hips have started thrusting up into your hand gently and the way his legs are spreading themselves wider underneath you are good clues. “You’re gonna cum, Miggy?” You finally look away from his saturated cock to observe him. His face is flushed, as he nods at you desperately. He tries to moan your name at you but he can’t form the syllables. You love it. Seeing him like this, wet and aching for you. This is definitely going to become a daily thing. 

“Yeah? You promised me a lot, hermoso. I want it all. Give it to me, baby.” He fully shouts your name at the Spanish pet name. He grunts pathetically as he lifts his hand from the bed, willing his claws to retract so he can touch you. His hand squeezes your hip desperately, shaking as his moans quickly rise in pitch and volume. Your eyes are focused back on his erratically twitching cock, you don’t see his head lift to look at you.

He’s cumming the moment he can see your face. 

You stroke him as fast as you can, listening to his breathy sob as his cock shoots out heavy ropes of cum. He’s watching your face, trying to gauge your reaction through his cloudy eyes. You’re watching his cock in awe, his cum runs over your hand, coating your fist as you jerk him through it. He’s nothing but a bundle of gasps, moans, and sobs as his cock spurts out a whole new load. He watches your face as it morphs from disbelief to burning arousal, your breathing speeds up the longer he cums. He can hear whines start to slip out of you as his hips jerk into your hand. You tear your eyes away from the cum pooling around and coating his cock just in time to see his eyes shift from you to the back of his head. He lets out one last drawn-out wail before his hips rest back on the bed. His cock begins to soften, spurting out tiny ropes as you stroke him softly, helping him down. You try to get the raging fire in your stomach and the flood between your legs under control before getting up for a towel. He was right. There was so much.

You wipe him down as he whines and mumbles deliriously until you hear a little sob and he reaches out for you. You throw the towel to a corner of the room as he pulls you into his chest. He whispers what sounds like thanks and praise into your hair as you kiss his chest. 

“Gracias, cariño. Eso- eso se sintió tan bien, te sentiste tan bien. Te amo.” You giggle at him gently. “You’re welcome and I love you too, baby. You know I can’t understand most of what you said, right?” You feel his chest rumble with a chuckle before he speaks again. “I- I know, it's just… El inglés se me hace difícil. Yo olvido. I- I’m” He laughs at himself. “You get my head all mixed up, cariño.” 

(“Thank you love. That- that felt so good, you felt so good. I love you.”)

(“English is difficult for me. I forget”)

He presses a kiss to your forehead. “Oh really?” You say in a playful tone as he chuckles at you. You turn and pull him in, his lips just inches from yours. “Me encanta eso.” You had to pull all your Spanish I classes together to figure that sentence out but the reward is worth it. Miguel’s eyes widen and he gasps before smashing his face into yours, you can feel his wide smile against your lips as he kisses you and you’ve never felt happier. 

(‘I love that.”)

thank you so much for reading!! please please please give any feedback you may have! I want it all! also if you liked it please take a look at my masterlist!

[she-who-fights-and-writes]

“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation. 

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating. 

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut. 

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

[drchucktingle]

Hey Dr. Tingle, I understand where you're coming from, it sucks that people are so irony-poisoned that they don't understand that your work comes from a place of true passion.

But I am wondering - are your book premises meant to be taken entirely seriously? Because I always thought that the titles and images, while not *bad*, where meant to be read with a sort of lighthearted comedy, like the titles you pick and the contrastive style of your art seems like intentionally sort of amusing in tone and rhythm? Is that correct, or completely off base? Because I do feel like that's where people get primed to read more of a joke into some of these things than maybe was intended, and I think that it's true for the people who do take the writing seriously that they find the context a little amusing, also, and I don't know if that's on or off the intended track from your perspective.

Hope that makes sense! I don't want to come across as rude or anything

yes my books premises are meant to be taken entirely seriously.

i would say tinglers fall into genre of magical realism and erotica. i do not think of them as comedy although i understand that many, if not THE VAST MAJORITY of buckaroos see them that way. that said i often lean into comedy or have funny moments throughout, but honestly that is the way of almost ALL stories. funny things happen in every genre, but that does not make all stories comedy.

to my trot, what defines something as COMEDY is intent. the goal of comedy is to make you laugh. my main goal with tinglers in NOT to make you laugh, so i do not consider them comedy.

HOWEVER it is important to keep in mind that i am not the expert on my art just because i made it. if a buckaroo laughs at tinglers they are not wrong. it is just as much their art as it is mine, and my interpretation is not the END ALL BE ALL. just because i made a piece of art does not mean i know it better than you do, or that my opinion on it is more valid.

tinglers can be whatever you want, and i am not hurt or offended if you laugh at them. that difference in perception is whats so beautiful and powerful about art.

i think a good way to look at what i do is this: i am an absurdist PHILOSOPHICALLY, but absurdism is so often associated with comedy that sometimes buckaroos who do not know about the philosophy can think they are the same thing. something being absurd does not automatically mean it is meant to be funny. my art is also joyful, and i think joy and humor can also be confused sometimes.

all that is to say, laugh all you want buckaroo. you prove love is real in your own unique way