#and consuming art to see what it means for me / how i experience it

[bmpmp3]

I NEEED to go back to making art that makes it ABUNDANTLY clear that theres something wrong with my brain BUT NOT in a cool or stylishly interesting way. i need to do it in a way that makes people say "hm." and walk away

[cacodaemonia]

I've had this in my drafts for months, and I just saw a post complaining about fan artists (while having the nerve to start out with, "I love fan artists so much but...") who draw characters this way or don't draw them that way, so I figured it was about time to share this.

You know that unwritten rule in fandom that says you shouldn't demand that fic writers cater to your tastes? "Don't like, don't read"? Here's a reminder that the same goes for fanart.

Sometimes, I see complaints that fan artists don't draw character A exactly how they look in canon/in a particular slice of canon/according to someone's specific headcanons. Sometimes, I see complaints that character A is being depicted, say, without enough body hair, or with the wrong body type, or as a different age than they appear in canon.

If you find yourself getting upset with fan artists over things like this, I hope you'll take a moment to:

mind your own business

consider how fucking hard art is

I think a lot of people who haven't spent time in the art trenches have absolutely no clue how difficult it can be to draw a human, period—let alone human features you haven't already practiced a million times.

This can be especially true for artists who don't have a lot of drawing experience. When I was a kid, I mostly drew women, so learning to draw more typically masculine features was a challenge, and it took me many years to even get okay at it. It takes a lot of practice to figure out how to draw a variety of facial structures, body types, hair styles, ages, etc.

For a example, I have never known an artist who doesn't think drawing children is a bitch and a half, and wrinkle placement can mean the difference between drawing something that looks like an elderly human versus a shriveled apple.

Simply drawing body hair can be very time consuming. You also have to understand hair growth patterns and direction and take into account if the person's body hair is very curly or more straight, etc. If I just want to do a really quick sketch, maybe I don't feel like spending 10-20 minutes adding body hair. Maybe some people don't like body hair so they don't want to draw it. Maybe some people have carpal tunnel syndrome or medial epicondylitis and the extremely repetitive motion of adding body hair to characters is physically painful. You don't know. And it's not your place to tell them they're wrong.

Fanart, just like fanfiction, is about drawing the things we like—NOT catering to what other people want or think we should be making.

So feel free to talk about how much you love it when fan artists draw characters in ways you like! But don't be a jerk by demanding people draw what you want, and don't put down those who don't cater to you. You can have all the personal preferences you want in fanart, but it's rude and entitled to force those preferences on others fans or act like you're a better person because of your tastes in the appearances of fictional characters.

[theshitpostcalligrapher]

please tell me this manga/comic/show exists i do not wanna have to make it

okok I've posted about this before but I'm watching animation content on youtube again while getting work done and by GOD I WANNA TALK ABOUT THIS AGAIN

There's a specific concept I want to consume as content/art so badly but it came to me in a stupid dream. BUT. Sometimes, a dream means I DID see a hint of it somewhere and my brain accidentally plagiarized it which provides me with the teensiest sliver of hope that exists already and I don't have to work on it

It's a kind of a reverse isekai, right? But instead of an instant portal, it's time passing. And what I mean by that is that it's a Sun Wukong story, but the branch off is that after the main events of Journey to the West he gets either water temple'd or trapped in magic sleep again, not for a few hundred years but a few THOUSAND.

He wakes up to an incredibly far-flung China that remembers his myth and only his myth.

The art style that operated in this dream was sort of. Textured but 3D? Think nimona's buttery lighting but instead of emphasis on light and shapes to operate with the stained glass and solarpunk-medieval style the models are textured in a way that just invokes traditional brushwork and colour bleed even in a more cyberpunkish setting. Think like. Whenever there's a night scene the astigmatism glow of lamplight bleeds a little, like ink feathering on paper.

It's a little bit of a Steve Rogers treatment in a way, the world has moved past him, but also completely mythologized and capitalized on that mythology. Rather than treat that man out of time narrative as an aspect of backstory, it's the MAIN character narrative, because this ISN'T a world that needs him. This world is doing pretty okay, actually.

This a story about him.

Not about his feats or how cool his powers are or the 8 gajillion things the magic staff can do but just.

How ya doing, bud?

From the vaguely coherent notes that I could garner from my sleepily typed googledoc, it seems that I wanted this to be a love letter of sorts to the Asian diaspora experience? A specific sort of loneliness? Where the world you experience has a sort of disconnect in that it makes plain you belong there but you also don't, you never have, and there's no way to go "back" but going forward feels like groping blind through the muck. How much right to the past does he feel like he has? When it's been built into something he can't recognize and is clearly important to other people.

I want the pickup of the plot to gain him friends, family, maybe even a conflict or two but the stakes should never elevate vis a vis physical enemies to battle.

It'd be about 2/3 of this sort of narrative drawn story and the other 1/3 just hogwild worldbuilding and design

I've looked at a few other journey to the west adaptations but they mainly just use him as a funky lil action figure hero that's there to be cool as hell and save the day

99% likely this is just a thing my brain is made up and I'd need a several million budget and about 25 additional skills to start the ball rolling but hey, worth it to ask yall again

[the-one-who-lambs]

hi hey holy fuck i'm done with this. I tried to render for the first time following a "15 minute" tutorial and my noob ass turned it into a 3 hour learning experience. But now I have Narinder's reference for The Risen Lamb and the Fallen God! Rambles under readmore

SO I BARELY DRAW because I started learning how to draw like... May of last year, and then went bonkers over the summer making lots of progress and once the school year started in august I dropped it to focus on writing... and have drawn basically 1 thing in between then and now. Anyway. Last week I remembered, oh yeah, I used to draw sometimes. And suddenly had an all consuming urge to practice again.

And you know what? I forgot how fucking FUN drawing is. I take it much less seriously than I do my writing so my technique for now is pretty much "go ham and try a bunch of shit because you're getting practice and having fun with it anyway". and it IS fun until I try to do a specific thing and can't figure out how so thanks to those who tuned in to my stream tonight to see me push through the frustrating part of finishing this LMAO. uh according to the krita file this took me 13 and a half hours

If you didn't catch it a while back, the one thing I drew during my kinda-art-hiatus was my Lambert reference! Normal outfit, casual outfit (that they sometimes wear while off-duty, usually when visiting Ratau or just hanging out alone), and wedding outfit ^^

...Which means now that I have my narilamb references I can commission my friends. i have a few people who i already plan to open my wallet for.

"Ive already drawn you fanart for ur fic and now the outfits are very slightly wrong :<" ITS FINE I AM CHERISHING IT FOREVER PLS DONT CHANGE IT ITS PERFECT

"is it okay if i draw your designs" Why do yall think i would be mad about this i will eat that shit UP i would fucking LOVE that and I'm already foaming at the mouth because i'd been asked that a couple times while i was drawing narinder's reference lol

I'm still a beginner and constructive criticism is welcome! Will probably make less intensive references for the OCs in Risen/Fallen or at least draw them, Thenana and Juno for sure

[ash-says]

How to feel sexy instead of cute:

Before we dive into it I personally feel everyone is blessed with a set of attributes and you should not force yourself out of your way to change it. True essence blossoms when you accept yourself and add to it rather than subtracting things.

Being said that I also understand we all have occasions where we want to look sexy and honestly as girls we should play a little with our looks.

Next whatever I am saying here is not at all applicable to girls below 18. Darling go and study it's not your arena for now.

This post is completely based on personal experience so take it with a grain of salt.

1) Define your sexy.

No no I am not talking about manifestations and subliminal here. Clearing this before hand. What I am asking you to do is what you find sexy. What makes you tingle.

An example for me is being sexy translates to being dressed in off shoulders, wild curly hairs, adorned in jewellery, outfits that have a teasing touch, being a little mean, sassy comebacks, untouchable aura and obviously having a "I don't care what they say. I am in my own league." vibe.

2) Makeup

I am not a pro at this but I surely know the type of makeup that transforms my face into a sultry mess. Trial and error is the way here.

3) Outfits and jewellery

This is a no brainer that you should experiment in various outfits and pick those that make you look and feel sexy. A side note make sure you are comfortable in them. There's no point in wearing clothes that you have zero idea on how to carry. I have seen people wearing short dresses and being called vulgar because they had no idea on how to carry them and then another person wearing more revealing clothes still being called graceful and hot at the same time.

So it's kinda in the energy I guess.

4) Being comfortable in being sexy and a little bit objectified

Harsh truth here but if you are planning to be sexy you shouldn't quickly take offense in being objectified. I know it's wrong but then that's how the world works. Until and unless it's harmless do not react and accept the compliments graciously. If they overstep the boundaries and say something vulgar put them in their place until then it's fine. Be comfortable in getting side eyes and stares. You will get them alot!

5) Unwavering confidence

Know you are looking the part! Know you are that girl( if it makes sense)! No self doubts. I know everyone has it but in public concealment is the key. Move like you own the room and have a demeanor that speaks, " I know I am hot." Again people will try to bring you down so instead of letting it get to you either ignore or give a befitting reply depending on the situation.

6) Practice it alone so you shine in public

This helped me personally and still does. For every outfit I wear I have a personality curated and I practice it alone first in front of the mirror. Like an actor. I have a white sleeveless crop top with V neck I have attributed it to the graceful corporate babe personality and whenever I wear that I make sure to act like it. So I mix a little bit of hot and cold vibes to it. You get the point right?

7) Dance and music

The art forms you consume goes a long way to how you express yourself. Human beings are great at mimicking. After all we are monkeys at core. Invest your time in this and you will automatically see the result. It's a practical tip. Do it to find out.

8) Sensual touch

Even though I struggle with this at times because I don't have much sexual experience, I read somewhere that if you want to give a sensual and slutty vibe without coming off as vulgar softly and sensually touch the things around you. Pick up the glass slowly, slightly graze your fingers on the table or a cloth or whatever you feel okay with as if you are feeling the texture of it. Be present in your body and in tune with your senses. Slow down and don't be in a rush while doing mundane tasks. Trust me it works like hell. The amount of times I have been told I come off so graceful and classy by slowing down and doing things carefully and gracefully. Watch old barbie movies girls and see how they pick up things and move in routine works. You will get what I mean.

9) Standards

Nothing screams being sexy than having standards and knowing oneself. It's the key to it. Know you are not everyone's cup of tea and be comfortable with it. Be disgustingly educated and intelligent. Develop wit and sass because once you start working on this you will automatically start developing standards. Make sure to stick to them.

10) Untouchable

Gatekeep yourself. Don't try to impress people. Rather let them impress you (please note use this according to the situation. Don't do this in front of an HR or client or boss) Don't be swayed by people's money, success or looks. Know they are standing in their truth and you are standing in yours. Their light doesn't diminish yours. Be picky and choosy with who you associate yourself with. Have a life and don't be overly friendly. Network but don't people please. Be a person of substance not a doormat. Be private about your life and have a close knit circle with trustworthy people. It establishes influence and demand. Be open towards people but not so open that every other person knows your life history and problems.

That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.

[meowufff]

This is my first actual post on Tumblr ever so pls bear with me. Also, English is not my first language so pls excuse any mistakes I make :)

So, this whole thing here started just as a joke bc I was curious if anyone else was feeling constantly tired all day no matter how long I sleep. But it all somehow escalated a bit and I may have started hyperfixating on it so well, now it actually became a little survey.

I also wanted to mention that I only asked the artist in my little Tumblr bubble, which is mostly tmnt content, so my results are mostly referring to tmnt artists.

In total, I asked 143 people if they could remember the last time they woke up and just felt actually rested for more than half of the day.

I probably could have been more specific with my question but again, I did not actually planned to let it become so big. Personally, for me being rested means, having a clear head, no headache or foggy mind without consuming any caffeine.

So out of 143 people, 100 answered me and I tried my best to sort all of the answers after the criteria “good-sleep-schedule” and “bad-sleep-schedule” and also noted when exactly they last felt actually rested into either the last days, weeks, months, years or “???” when they couldn’t remember or didn’t mention anything specific.

And let’s just say… it does not really look good. Out of 100 people, only 18 have an actual good sleep schedule. Out of these 18 people, 13 felt really rested in the last days, 2 in the last weeks, only one person in the last months and 2 in the last years.

Out of the 82 of people who have a bad sleep schedule, 10% lastly felt rested in the last days, 11% in the last weeks, 11% in the last months, 30% in the last years, and 38% couldn’t remember or didn’t specify it.

While reading all your answers I came to realize being sleep deprived is not just bc any of them thought “Oh it would be really neat to stay up till 4 am!” or smth like that.

A lot of the artists who answered me mentioned that they have trouble falling asleep or staying asleep due to stuff like insomnia, chronic pain, other issues, or children (yeah, ok, there was just one who had a child but still).

While analyzing I mostly referred the situations to my own experience with going to sleep or rather not going to sleep...

I usually don’t have problems falling asleep but trouble actually putting my stuff away and going to bed bc I don’t want to end the day or just don’t want to go to sleep (don’t ask why, I have no idea why I am like this). While having these “episodes” I often doodle smth, binge reading some fanfics, or watch whatever I can find on the internet until I’m just falling asleep or can convince myself that it is 3 am and I really should go to bed now.

So, my personal theory about why sleep deprivation is so common among Tumblr artists is not bc they do art all night. My theory is that a lot of people who have trouble falling asleep due to insomnia, pain, or other issues are filling the time until they hopefully fall asleep with their art, doodles, writings, or whatever their creative minds can bring up, to help the time pass.

In total that would mean that not all artists are sleep deprived but more that a lot of people who have trouble falling asleep do a lot of art or creative stuff in general.

Something I could also imagine is, that if they start doing art while waiting for sleep, they start to concentrate a lot on creating more and start procrastinating sleep even if they actually get tired bc they wanna do art and fuck up their non-existing sleep schedule even more but that could also just be me projecting here.

I know that is probably no kind of big revelation but for me it was kind of surprising to see how many people here are as sleep deprived as me and due to what reasons.

I’m not going to preach to any of you to get that problem solved or smth, I have no right to tell you what to do and would be a major hypocrite so instead I really which everyone to get some kind of good sleep schedule one day and the joy of waking up and feeling completely rested at least thrice per week.

I absolutely love all your art and thank you a thousand times for helping me with this spontaneous survey!

I would love to hear your opinions on my theory and conclusion so pls don’t be shy and feel free to point out any mistakes I may have made or tell me your own theories :D

Also, if my question is still sitting in your inbox, feel free to answer! I’m gonna keep ma big ass excel table so I can edit all the results anytime. And maybe, one day, I'm gonna continue this survey and go into more detail but for now I need to leave it like this.

Ok, that's all I got

BYE!

Thanks to all participants

@abbeyofcyn @angelpuns @beannary @bulbabutt @camilieroart @cementgeek @cheesyescapade @cokowiii @easterartist @frosteaart @gemini-forest @happyfoxx-art @heckitall @hellishgayliath @holy-sweetsour-milk @icepopcider @idiot-mushroom @iscreamkitty @kovalitics @laseralligator @lieutenantbiscute @matchstique @mightyanxiety @miiukkaa @mr-doodles @pezhead @probably-not-a-rutabaga @pumpkster @sad-leon @sassatello @sewercrocodileart @sheep-turtles-and-pizza @signanothername @spectra-bear @stephuart @tangledinink @tapakah0 @tasenwiththerobots @tblsomedoodles @thegunnsara @triona-tribblescore @turrondeluxe @valen-timez @vangh17a @wraenata @zinovi768 @debb987 @dianagj-art @goatedgreen @indieyuugure

[teaboot]

Your post about art vs content got me thinking about the differences between the two. To me there is no difference besides the mindsets. One is of creator and the enjoyer, the other is content and consumer it removes the personhood, the joy/emotion, from the equation. Like a writer or video creator may not see their work as art so content creator maybe a way to refer to themselves comfortably but it sounds so machine, emotionless and lifeless, like a cookie cutter recipe mass producing something verses people lovingly crafting something...then again Disney uses a cookie cutter recipe for the most part and it brings out bangers cause people lovingly make it their own so maybe I'm thinking too hard on this

Does my long-winded rant make sense?

see, I get what you mean, but I still feel like the willingness to entertain calling art of any kind "content" reduces it to the facet of consumption where in reality, the experience of consuming art is not the sole defining trait of it.

Reducing arts like music, writing, painting, dance, voice acting, theater, etc. to the role of "content"- a thing created to be consumed, measured and valued by how pleasant or easy it is to digest- I feel that it was our biggest red flag to herald the incoming tide of AI "art".

Because if art is "content", if arts are nothing but consumable matter, then obviously the key to success is to produce as much soft, tasty, edible paste as we possibly can at the lowest possible expense.

It's the same issue I have with "meal replacements", diet culture, nutrient slurries, twenty-step skincare routines, 24/7 body padding and shapewear and laxative teas and "grind culture". It's not a cause, but a symptom, of the disease that is late-stage capitalism.

Things must be produced at low cost and remain in high demand forever. Things must be perfect and palatable and the new hit trend forever. People must pay hand over fist to consume without asking anything in return, and if they start dropping like flies at the unending unrewarded thankless demand of it all, then that must be treated as a weakness. We should all take pride in how much we can spend, pay, give, produce, and think as little as possible about what we ask for ourselves.

So, who cares if, of two identical paintings, one was made by a person and one was made by a computer program? It's the same work, so what does it matter? What does it matter?

I am an artist. I make art. I ask a question, make a statement, declare something horrific or challenging or upsetting or wrong or grotesque, and when you respond, we are together experiencing a conversation. We are existing, two people living one life and reaching out and touching across time and space. No matter the work, you're at the barest minimum saying, "I'm alive, and you're alive, and at one time or another we shared this same world, and at the end of the day we aren't too terribly different. My heart is worth sharing, and your heart is worth the struggle of understanding."

An AI-generated piece, a computer-generated voice, a CGI puppet of someone long since dead and gone, they cannot speak. They have no voice. Ay best, they are the most chewable, consumable, landlord-beige common denominator possible that you can sit and listen to like the lone survivor of a shipwreck listening to the same three songs on a broken record, and at worst, they're the uncaring vomit of an empty, unloving, value-addled hack wearing the skin of someone I know over their own.

When you abandon art to say that you make content, that should not be a point of pride. That's an embarrassment. That's not sitting down for an intelligent discussion with an equal, that's kneeling at the feet of the crowd and saying, "what do you want to see me do? I can be anyone you've ever loved. I can be them, I can be anyone, as long as you love me."

I can make content. I can be consumed. What do you want to consume? I'll make myself consumable. I'll make myself just like anything you like. And I'll make so much of it that you'll never have to go anywhere else, because it'll all be right here, and under all the cut-and-paste schlock you've seen before I will sit alone in the dark and the silence and I will know that I am safe, because I am valued, because I am desired, and I need to be desired or else I am worthless like a factory that no longer churns out steel or a hen that no longer lays eggs or a cow that is too old to make milk.

Content, the most literal meaning, is something which is contained inside a container. What it is doesn't really matter, and the best it can hope to be is something worthy of being scooped out and used.

Art is an experience that transcends value. Art is something you can eat without paying for. You can make it out of anything and anyone can do it. It can be crude and vulgar and bad, and that's a strength because it means something. It always, always means something, and it doesn't matter if you like it or not. It's not content because it doesn't fill anything. It's a living, breathing thing, and whether you want to birth it or eat it, then you're going to have to be willing to put the fucking work in

[drconstellation]

The Cupperty Ceremony

Every bit of food and drink in both seasons has a metaphorical significance, even if you don't realize it.

Tea is no exception. Its one of the few times an eastern philosophy creeps into Good Omens, but it still meets with a western ideal. It's also intrinsically linked to Aziraphale and his affected British style.

Coffee gets more of a focus in S2, and has a specific meaning around freedom and liberty, whereas tea appears more in S1. But the metaphorical meanings around them are fairly consistent across both seasons, with stereotypes for the British drinking tea and the Americans only drinking coffee put aside.

Lets start with Muriel on the doorstep of the bookshop, at the beginning of S2E3, asking to come in, because its noisy outside.

Aziraphale, after a moment to take in who they are, is the epitome of politeness as he welcomes them inside.

You might think "well, isn't this just Aziraphale being typically Aziraphale?" in this moment, but soon we shall see its a relevant part of a ritual going on here.

The bookshop is noticeably quieter on the inside. There is just the two of them. Aziraphale offers Muriel tea in a fine china cup, with a blue pattern, and gold trim.

Muriel is not sure what to do with it so they just hold it. Aziraphale makes a point of demonstrating what should be done: He tells Muriel the tea is "to drink," then looks at it, sips, and makes both an appreciative expression and sound.

Muriel seems repelled by this, and declares they are just going to look at theirs. Aziraphale patiently, still polite, lets them do so.

Up to this point, there are actually two levels of meta happening at the same time. The first one is a tea ceremony (which I had a go at once before, and got the wrong one!) and the other is about trying to get Muriel to take the first step in "going native."

A tea ceremony always starts with a courteous invitation. The tea is prepared, then served and offered to others. It should be taken in a tranquil, peaceful setting, perhaps in a harmonious natural environment (such as a Garden) and with only a few people at a time (two people is considered a "superior" experience.) The tea ware is important, as it should allow the fragrance of the tea to be appreciated (we have some fine china, Heavenly-coded.) Appreciation of the tea's qualities is undertaken, first with the eyes, then by smell, then tasting. It is considered an art, a process of spiritual enjoyment, a means of cultivating the moral character - and then Crowley bursts into the bookshop with his flirty comment about going by train and breaks the fragile connection Aziraphale had been trying to establish with Muriel.

*sigh* Timing, Crowley! Can't you see I'm in the middle of trying to subvert a fellow angel here?

I was recently reminded that tea and coffee have a connection in GO, in that that they are both linked to the American War of Independence. While the speech that gives us "Give me liberty, or give me death!" conjures the stormy winds of war sounding trouble approaching, the Boston Tea Party was the initial spark of the brewing conflict.

I realize there is a LOT of stuff written about this particular bit of history, and it can get quite political even in these modern times, so let me frame it in a Good Omens frame of reference if you aren't familiar with it - the colonists in the New World were upset at how they were being ruled from afar by the British and staged a small protest about some new laws imposed on them by dumping ship-loads of valuable tea leaves (a daily consumable pleasure people had become hooked on) into Boston Harbor on the night of 16th December 1773. To disguise themselves they dressed themselves as indigenous people, or "native Americans" as one might have said. This was just the beginning of further rebellion that led to war a few years later.

So here is another reason Aziraphale offers tea to Muriel, and not cocoa; he can see how fascinated they are with with everything Earthly around them, and he hopes to ignite a spark of rebellion in them, too, by introducing them to the more civilized pleasures (*ahem*) that he knows and enjoys so well.

While there is little tea to be seen in S2, there is plenty to be seen in S1. Perhaps the most prominent one for this discussion occurs right near the beginning, when Gabriel surprises Aziraphale in the sushi restaurant in S1E1.

Aziraphale offers to tea to Gabriel, and Gabriel shuns it. He, like most of the angels we meet, have no real interest in Earth. It's "gross." Ah, well. He gets to change his mind in S2.

So where else do we see tea in S1?

The Four Horsepeople: War orders four teas, one black, and a cheese sandwich in the diner where they all meet up together for the first time on Earth. We don't know who the sandwich is for, but I'm going to guess its for Famine. Reasons below, with Shadwell. (Cheese and tea make a nice savoury pair for a snack, if you haven't tried it. I'm partial to tea with cheese and crackers on the side from time to time.)

The Tibetan Tunnelers were on tea break from digging tunnels all over the Earth when we meet them, where they mention they were transported into the tunnels when they themselves stopped for tea back in their real lives on the surface.

Shadwell's infamously sweet tea, with either nine sugars or condensed milk, needs a mention as well, as it appears several times. Shadwell is an Aziraphale parallel-character, living on the fringes of society and starving for attention, even though he makes feeble swipes at Madam Tracey's attempts to care for him. The sugar represents the amount of care or "sweetening up" he needs.

When he first meets Newt he gets the young man to buy him a tea and a packet of cheese and onion crisps. Remember the cheese sandwich War ordered for Famine? A packet of cheese flavoured crisps is a parallel here. Newt has turned up and finally given someone Shadwell someone to sink his teeth into.

Finally, we need to return to Crowley - its coffee, as black as his soul for him, please, and extra strong (six shots is for the number of Hell.)

Because he's already "gone native," just like Aziraphale, and he wants to maintain his freedom. He's left the Garden, and Heaven, behind him, and he'll do anything to keep it that way, thank you.

I'd like to thank my mutual and other food meta writer @vidavalor for discussing some of this off-list some time ago. We mostly see things the same way, I believe, but one must tread one's own path sometimes. They have some different ideas around some of this, but I'll let them say it in their own words.

[fudgelling-away]

Dating Start!

The visual novel fan game.

I watched the gameplay on YouTube.

All possible choices...

The writing under the cut starts with exclamations of my distress, and ends with a coherent commentary on how experiencing such virtual scenarios can benefit the player.

I don't think there are spoilers... Other than the fact that you can go multiple ways through the game.

The genocide route plus the attempted pacifist route afterwards.

HORRIBLE.

OMG.

And when you try to do the pacifist route again? Did you see how it ends?

MY GOD, NO. No. no. no no no.

What a sickening turn of events. This is... Ugh, I am nauseaus even thinking back to it.

No. No.

Ewwww noooo what the f-

I have been upset for DAYS after watching it. And the pictures and the dialogue is still burned into my mind.

TERRIFYING.

DISGUSTING.

EVIL.

Congratulations to the creators - and I mean it.

That is... so well made. Just... perfect punch after punch after punch to your heart. The creators ripped me apart into pieces.

Great job - again, not ironically.

That is a very, very well made game.

They knew exactly what to do to make it as painful as possible. To get all tears out of the player and to traumatize them for some time.

It's not brutal or cruel in a mindless way, no. No, no. It's way more intelligent than that. It creates such a horrific scenario, paired with the horrific pictures, that I don't think I'll ever forget it. And I only saw a YouTube video.

In comparison to Dating Start!, the normal UT Sans fight is like a happy picnic in the park.

"But it's just a game, aren't you overreacting?", you could ask. Well, no. I am enjoying artwork like pictures, movies, games to get immersed into it and experience it all. If I keep my shield up and do not allow myself to feel what the characters are feeling... then what's the point?

What's the point of even approaching art if I refuse to feel any of it?

So Dating Start! is obviously a game, but if you imagine it being a reality, imagine yourself holding that knife, it gets so painful that I want to wail and scream my lungs out.

That being said, I appreciate artists who create these kinds of difficult works so much.

I believe we choose a variety of art for ourselves because we need different stimuli. If our life was 100% fluff, we'd drown in it and become numb.

So we consume angst, tragedies, horror and other unpleasant works.

We consider those scenarios.

We think of the possible choices.

We come to terms with our worldview, or challenge it.

We grow.

We process those real emotions and learn so many things about ourselves and problem solving.

We keep developing our sense of conscience.

--------

And, to sum up I will say something to make sure I am understood correctly:

Let people explore all sides of humanity within the safety of their fantasies.

It is NOT possible to judge a person by what they create and what art they enjoy. Human mind is not black and white.

Choosing to perceive it like that: "violent art = violent person" is INCREDIBLY IMMATURE. Ridiculously childlish and small-minded.

So I am absolutely NOT judging anyone who for one reason or another enjoys doing the genocide routes in games. I enjoy to be the "bad guy" in games as well.

No judgement from my side. That should be... obvious, but I think it's not, so I am making sure to include that in my post.

[taylorswiftstylequestions]

I'm not puke anon, but I will admit I had similar thoughts when she first announced TTPD / released the track list. With the huge caveat that I know nothing about their relationship or them personally, I'm in camp, "Joe is an okay guy and was good for her at that time in her life" and I was worried that any negativity on the album might be revisionist history.

BUT! I'm reserving judgment because I feel like she always surprises me. I was more of a casual fan when reputation came out and I remember scoffing at the track list because the titles really lean into the stereotyping she experienced at the time and I didn't realize that she was being tongue-in-cheek. I was so surprised when I listened to the songs and they were nothing like I expected. So hoping for good things with TTPD!

These are all such great points and I esp hear you on how reputation was absolutely an intentionally designed bait-and-switch album (one that you would think would be centered on All That Drama but in reality was a love album).

But the one thing I push back on a lot is the 'revisionist history' claim that I see because. Because. Well. It's her history to revise.

And what is the human experience if not continually filtering, learning, relearning, analyzing, reanalyzing, and holding our own personal experiences in our hands as we grow older and learn more and feel more feelings and do more things that we can look on our lives with more hindsight and perspective and ascribe new meaning to what we've been through. And your vision of this person being okay and good for her in her life (while absolutely still possible to be true) was only something you accepted because it was told to you (note by this i mean: one/general/us/royal we/collective) by her.

And I feel like the pre-discomfort people are experiencing w this tracklist (again based on the assumptions of things bc we don't know what these songs actually are) ("He was a good guy but this was also really hard" / "We were great together and I experienced a lot of strife at points of this relationship") is perhaps because of the common thing where admitting we're wrong or changing our minds once we learn new information is fucking hard!

But if you (again one/general/us/etc) feel that way being confronted by a person you thought you knew perhaps not being entirely the way you thought only as a bystander and consumer of her art - how do you think that entire unlearning curve felt for her who actually lived it.

[sparklecarehospital]

been reflecting on my year a bit, and i was thinking about something. i think i know what the best thing i did for myself this year was.

making cometcare public. making the ask blog.

ive had this AU stirring in my brain since 2019, ever since i got really attached to doomi during the haunted arc. one reason i went so long without revealing pollarrydoomi as a ship to readers was because doom's crush wasn't public information until late 2021.

i had kept his crush a mystery for 3 years, but revealed it after a fun experience where people figured out who it was through guessing. i'm pretty sure i did a poll about it? asking people to guess who they thought it was, and uni won the vote, meaning everyone had already figured it out.

after pollarrydoomi was revealed and i started drawing art for it and people made fanart for it, i still couldn't post any of my AU art because ally wasn't public and she and howie were in the AU. in july 2022, for the comic's birthday, i revealed ally as a character to the readers. others around the time had started to notice characters i had in pfps and i ended up telling everyone i did have pollarrydoomi ship kids, but i didn't make them public.

in november 2022, i revealed eve on toyhouse. after her reveal, i would soon reveal sly as well in december 2022 on my birthday (revealing sly as a birthday present to myself is such a funny gesture now that you guys know how important he is to me). over the next few weeks i revealed cream, frosty, and marco as well. all of the main cometkids except chem.

then one day someone out there suggested that i make an ask blog for the cometcare AU. it was such a spontaneous decision, and i didn't even really know what i was gonna do with it at first. i was just kinda messing around. but when i made the blog i realized that if i wanted this AU to be experienced in complete authenticity, i couldn't make uni cis.

so i revealed uni being trans through the blog, despite the fact i'd gone so many years without ever revealing her identity. why did i do it? there's a lot of reasons. not wanting to make her a "dad" in the AU contributed, but also i felt like it wouldn't be detrimental to the story to confirm a character being trans. it also made me (and the crew in general) a lot more comfortable being able to properly refer to uni with her actual pronouns.

making the ask blog really changed me, because finally i could share this little family and comfort story i'd built in my brain with the world and make it real and make content for it and let people consume it.

but what stopped me most of all?

i've said it many times before... but i felt like it was cringey.

i felt like making an AU with 93985893844 fankids in a ridiculous complicated polycule wasn't something a Serious content creator should do, and i was really worried the reception would be negative or people would think it was stupid or something. i did NOT expect it to become as popular as it is. the blog actually has more followers than the MAIN ASK BLOG for the canon comic. it was received SO POSITIVELY and the fact it was just kind of blows me away.

it means so much to me. being able to share the most special thing in my life with people and for people to actually like it and have fun with me and want to see it, and for me to be able to not have to follow strict professionalism about spoilers and chronological storytelling, and being able to change and add in things whenever i felt like it. it's such a freeing experience.

when i was a kid, i used to make stories and OCs and i didn't take them as seriously as i do the sparklecare reboot. this kind of turned into my entire life and career kinda, so i had to take it more seriously. but making this AU honestly just makes me feel like i'm a kid again, it makes me feel like i can have fun and literally do whatever the fuck i want without worrying what people think or if it's realistic or if it makes any sense.

i know though, that some people don't like pollarrydoomi. and i know why. whether it's because of being attached to barruni (of course, they're the canon ship and main characters, i get it) or just having discomfort with the idea of shipping doom with anyone when canonically he hasn't experienced a redemption arc... i get it. i know not everyone likes it.

and that's okay! people are entitled to having their own feelings about content. i understand it. and i've come to accept that's always going to be the case with anything i do with these characters.

but i'm still going to do this for myself. i do this because it makes me happy to just have fun and not worry about being serious all the time. it feels good, especially when it's with characters that are really really important to me.

cometcare is genuinely the most special and important thing i've ever made for myself, it's such a huge piece of my identity and it makes me who i am. and being able to make this story public and share it with people and share these things that have been in my brain for so long with others means so much to me.

that's why i think it was the best thing i've done this year. it's kind of literally changed my life to be able to talk about them. it's made me happier than i've ever been making content. i'm not just making it to entertain myself alone anymore, i'm making it to entertain others like i do with other stuff. and the fact people actually like it still is unbelievable to me.

so, i guess my outlook for next year as it comes is to continue to stop taking everything so seriously. i can tell my stories however i want to. i hope others can realize they can do this too.

please make whatever you want, whenever you what, as much as you want, even if it doesn't make sense or if it's "cringe". you will be so much happier when you realize as a creator you DON'T have to take all of this so seriously. the comic still exists and people read it even if i'm doing this. You Can Do Whatever You Want And Nobody Can Ever Stop You. the only person who can stop you is yourself when you let your inhibitions get in the way of your ability to create things for yourself.

have fun! life is too short to take everything you do seriously

[rana-tiddalik]

I have found myself stuck in a motel room, rereading the Murderbot books. I've been thinking about what we know about how Murderbot and Three acted after disabling their Governer Modules, the terrifying, paralysing freedom they suddenly experience, what they chose to do with it, and what that says about their trauma, and their experience as SecUnits.

Obviously, we primarily see what Murderbot does with this freedom. The whole series is about it answering the question of what it is that it wants, and wants to do now that it is a free agent. Its developing relationship and friendship with Mensah and the Preservation survey team. Its companionship with ART, and later ARTs crew. It finds a group who don't see it as just disposable (albeit expensive) equipment. They actually value it for itself, and are quite fond of it.

There is also the longest running joke in the series, that at any given time Murderbot would rather be watching its stories. But once we see what Three is up to in System Collapse, this got me thinking.

Three, we find out, spends its time poring over non-fiction and other educational material. I liked this as it reinforces that not all SecUnits are the same, and adds the bit of (horrifying) texture that all the Units have their own inner lives just like our favourite rogue unit.

I think looking at what they seek out when they are free also says something about what they missed while they were enslaved.

Three seeks education and technical information. Why would a construct want that? Well, think of one of my other favourite running jokes: Murderbot learns mostly everything through the media it consumes, because the Company never gave it any kind of education modules outside of things central to a SecUnits function as murder/surveillance machines, and those were low quality too. We know that most of the projects SecUnits are contracted to involve some kind of mining, terraforming or other technical engineering, science type activity. Imagine spending years standing around, watching humans do things that fascinate you, but there is something in your brain that will actively punish you if you try to access databases without authorisation. At worst, you might have your entire non neural tissue based memory completely wiped, or be scrapped for parts, if you try.

So when freed from the Governer Module, Three wants to learn.

When I thought of this, I thought about Murderbot's love of all kinds of visual media, and particularly in the context of the whole " Murderbot, ART-Drone and the gang make a documentary in a day" plot point in System Collapse.

In Exit Strategy, Mensah asks why it likes Sanctuary Moon. Murderbot's response is that it was the first piece of media it saw after hacking it's module. It let it watch humans, and kept it company without the need to interact, and the unspoken part was that it helped contextualise its own emotions. This makes a lot of sense. It doesn't have to act to save the stupid humans in the shows that it watches. It can see them save themselves.

I think there's also two further things here though. Firstly, we know that SecUnits usually have no idle time. They are not allowed to sit. Their only rest is when they are inoperative in their cubicles. They stand and they monitor. So when Murderbot gains control, it gains the ability to have leisure time. Standing around listening to two scientists argue about their xenosamples for hours at a time? Monitor the threat module in case it gets heated and one decides to break a conical flask over the others head, but otherwise, just fire up Sanctuary Moon.

The more fundamental one is a desire for art, for meaning. I love the bit where it describes how it had just hacked its module. It is able to pick up the entertainment feed for the first time, and there is this show. In its first glimpse of this trashy soap opera, it fundamentally gets art. How it is about communicating and exploring a thought, an emotion, an idea, and provoking a response in the viewer.

That's why the documentary plot in system collapse was unexpected and interesting to me. We see Murderbot really experiment for the first time with creating media and creating art. Maybe it has now discovered a freedom to create, and tell its own story.

In the end, seeing these things in Murderbot and Three make me think of all the other SecUnits. I imagine what the storage for them is like. The Company probably stores them in their cubicles. Stacked and ranked. They're kept dormant until they are activated and trotted out for the initial client meeting, like the one we see described where Mensah first meets Murderbot in the Company office. Maybe they dream as they rest. Maybe the Governer Module punishes them even for that.

Then I think of the as yet unnamed new B-E rogue unit, and what it wants to do with its freedom.

All we know is it wants to blend in for now. Maybe it has a plan, we don't know. But we do know it has a guide to hacking a Governer Module...

[nahoyasboyfriend]

nsfw alphabet — Seo moonjo

A/N: I'm still getting a feel for his character. Forgive me if these are ooc. I tried 😭

A = Aftercare (what they’re like after sex)

He is surprisingly doting. Wiping you down, pressing a kiss to your forehead, massaging places he knows will be sore later. I could see him brushing your teeth for you, and helping you into a change of clothes.

B = Body part (their favorite body part of theirs and also their partner’s)

He doesn't pay attention to his features for the most part but he likes his hands. They're key to his job and the creation his "art". His intelligence & poise is a good runner-up.

As for you, I think he'd like your face. Not only because he thinks you're pretty, but because he loves seeing how you react to things. Your cheeks streaked with tears, eyes all wide and glossy. It's mesmerizing to him.

Another favorite of his is your neck & your wrists. He likes to decorate them with jewelry.

C = Cum (anything to do with cum, basically)

It doesn't matter to him, but he does enjoy the visual of your skin glistening with his cum. But he equally likes the closeness of cumming inside.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Hard to choose between him stalking you and watching you sleep, or the sick gratification he gets from getting you to unknowingly try human meat.

if we move past the creepy stuff, it might be his deep dark fantasy of total loss of control. To be tied up and completely at your mercy. But that takes a lot of trust on his part. I don't even know if he'd acknowledge he wants that.

E = Experience (how experienced are they? do they know what they’re doing?)

he's not as experienced as he acts, but he's good enough to pretend he is. Like he's not a virgin, but he doesn't go out of his way to bed anyone. He doesn't watch porn because he doesn't get anything out of it. He prefers imagination.

F = Favorite position (this goes without saying)

Anything where he can see your face. He wants to be able to see how everything he's doing affects you in real time. Like how your eyes gloss over, or how your bottom lip quivers. He needs to see all of it.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

nope, he treats sex very seriously. However, if he's feeling mean he'll poke fun at you a bit with that creepy little smile on his face.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He definitely trims. He has a thing about good personal hygiene & maintaining upkeep.

I = Intimacy (how are they during the moment? the romantic aspect)

Sex with him is very intimate in the weirdest way. Sex with him isn't usually romantic, it's more obsessive. Very all-consuming, just like him as a person. Sex is very personal to him when it comes to you, and it's like he's trying to read your soul through touch. there's a sense of control in that to him. He wants to know everything about you.

His words can be very romantic though, murmuring about how beautiful you are, and how much he loves you.

J = Jack off (masturbation headcanon)

Not something he does often, but occasionally he partakes in a little self indulgence.

K = Kink (one or more of their kinks)

Intoxicated sex, but you're the one intoxicated. Not enough that you're not cognizant of what's happening, but drunk enough your words are slurred & you need his help to function. Honestly, he likes dubcon a lot.

Being in control all the time, and I don't mean that in the sense that he likes barking out orders (though he does enjoy it) he gets something out of being the one in control emotionally too. He loves casual dominance.

Choking is another big one. He almost always has a hand wrapped around your neck. He doesn't always squeeze, sometimes he just holds it there. He's not opposed to your hands around his neck. In fact, he encourages it. Actually violence is his kink. Threaten him, fight him, direct all your hurt at him and he's on his knees.

L = Location (favorite places to do the do)

He prefers to do it in the comfort of his or your home.

M = Motivation (what turns them on, gets them going)

Gets off on seeing you angry. Something about it goes down south immediately. Maybe it's the thought of you getting so angry you resort to violence, but he loves it. Especially if the anger is directed at him.

Another is seeing you cry. He thinks hopelessness looks amazing on you. If you cry when you get angry, he's never been more turned on in his life. Not pretty kind, the ugly blotchy face with red rimmed eyes... The type of sadness that you wouldn't want anyone to see.

N = No (something they wouldn’t do, turn offs)

Watersports, there's nothing sexual about that to him.

O = Oral (preference in giving or receiving, skill, etc.)

He seems like a giver to me. Watching you fall apart is deeply satisfying to him. He'd rather give than receive, but he loves your mouth. Unfortunately, he doesn't get all whimpery & pathetic when you suck him off.

P = Pace (are they fast and rough? slow and sensual? etc.)

He's not exactly fast but he's not slow. It's hard to explain but do not believe for a second that he won't fuck you stupid. if you ask nicely he can speed it up or slow it down.

Q = Quickies (their opinions on quickies, how often, etc)

Not a big fan. He would rather wait; he doesn't like to be in a rush.

R = Risk (are they game to experiment? do they take risks? etc.)

he's not gonna go out of his way to experiment. He does things he knows he likes. He's not against trying new things, but you'd have to suggest it and it's up in the air if he'll do it.

S = Stamina (how many rounds can they go for? how long do they last?)

He can last for an abnormally long amount of time. It's kinda scary.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He does not. He doesn't see the point when he can please himself & you just fine. It's not a jealousy thing either, he just truly doesn't think you'll ever need it.

U = Unfair (how much they like to tease)

He can be really mean. Continuously edging & overstimulating you. He loves pushing your limits until you can't take anymore.

V = Volume (how loud they are, what sounds they make, etc.)

He's not too loud. There are grunts and groans scattered throughout. He talks you through it. Praising you, or if he's feeling evil, he taunts you.

W = Wild card (a random headcanon for the character)

He does things to make sex slightly painful. Sucking a little too hard when he's giving hickeys, biting your lip too hard, fucking you without prepping you properly. He's an intense kisser, kinda suffocating. like I don't think kisses are soft and romantic with him ever. It always feels like he's trying to devour you. Pressing his lips against yours too hard, or using too much teeth. But he only has this problem when he kisses you on the mouth, gives you the softest cheek & forehead kisses.

X = X-ray (let’s see what’s going on under those clothes)

7 inches, it's long and pretty like him.

Y = Yearning (how high is their sex drive?)

He doesn't really care for people, finding most of them generally displeasing to be around, so it's hard for him to want to have sex with anyone. However in a relationship, it's definitely higher.

Z = Zzz (how quickly they fall asleep afterwards)

He usually doesn't go to sleep. he's a night owl, and he seemingly never gets tired. After he gets you situated, he might even take a smoke break. If you're like him, the two of you might go for a walk, or simply enjoy each other's company. Though if he has to work the next day, he goes to bed by your side after.

[choccy-milky]

1. your fic is absolutely amazing. Have been bingeing it and I’m literally obsessed. The way you write just itches my brain in such a good way, literally cannot contain my love and appreciation for your work👏🏻👏🏻👏🏻👏🏻👏🏻 cheers to you!!! Can’t wait to keep reading

2. As I was reading I found out you also deadass drawing the art to go w/ the fic?? Literally you’re living my dream 😭 plus your art is so so so well done!!!!! It’s added so much joy to my reading experience

Cannot wait to see what else you have in store!!’ Hope you have an amazing, AMAZING day, week, year, etc.!!!! 💞🙌🏻🫶🏻

OMG IM GONNA CRY 😭😭 BAHAHA U SENT THIS AT SUCH A CRAZY MOMENT cuz i just checked my ao3 comments and was down about a rude comment i got, and then i come to tumblr and like, a few mins later/literally AS i was venting about it, u send this BAHAHA your choccy senses were tingling. IM SO GLAD U LIKE IT THO AND THAT YOURE ENJOYING IT (and my drawings, even if youve defs seen spoilers by now BAHHA) hope u have a good day too, u defs brightened mine!! THANK UUUU💖💖💖

@kaviary-blog this looks so funny bc i censored u just to keep it (mostly) spoiler free BUT AW THANK U DAMN IM HONOURED THAT MY FANFIC WAS THE ONE TO MAKE YOU CRY?? IM SO HAPPY HOW INVESTED YOU ARE 😭😭💖💖 im also super happy with that chap and its so satisfying like you said to finally be able to tie of all those threads so IM GLAD IT WAS WORTH IT💖

@lovesicklovermia ONE DAY???? OMG. FIRST TWO DAYS NOW ONE?? ITS JUST GETTING SHORTER AND SHORTER. next thing i know someones gonna be like yeah so i took some highly experimental drug that lets me read at 1000% the pace of a normal person, and i finished ur fic in 2 hours 😍omg loved it!!!😍😍 BAHAHAHA but omg i totally see what u mean, they do HAHA. AND THANK U💖💖 IM GLAD UR LIKING IT💖

YEAH so in my fic fifth years are 16, and by the time things get....explicit....clora and seb are 17. im not against consuming media with teenagers depicted in sexual situations like euphoria or riverdale or w.e else bc i get that its fiction and these are just real things that happen so its fine to write about them, but their canonical ages of 15 was still too young for me and i wanted them to be 17 before it got the E rating (which is why clora and sebs birthdays end up being so close, bc i was RUSHING for them to turn 17 BAHAHHAA)

BAHAHA clora and seb secretly being together is like the most poorly kept secret in my fic, like im sure her parents technically KNOW, but due to old fashioned traditions and whatnot (and it being 1891) seb wants to be able to propose properly and with a proper ring, bc clive is intimidating and he doesnt wanna just be like "yeah so im dating your daughter and weve already fucked and i plan to marry her" LOOL he wants to do things properly and be with her with her dads permission(even tho its a bit late for that HAHA) BUT WE CAN JUST PRETEND. tldr its basically just out of some sense of chivalry on sebs side, a fear of her dad, and wanting to do things right LOL

ALSO WAIT OMG STOPPPPP I WAS LITERALLY JUST ABOUT TO POST THIS BUTI HAVE TO INCLUDE THIS NOW

YOU SAW MY POST AND IMMEDIATELY DREW THIS AS A RESPONSE WHILE IN CLASS?? BAHAHAHA IM ACTUALLY SO TOUCHED RN IM TEARING UP WTF THATS SO SWEET OF YOU WTFFFFFFFFF THANK YOU SO MUCH😭😭😭💖💖 (NOW PAY ATTENTION IN CLASS!!🤬🤬)

[bloggingboutburgers]

First of, I'm a big fan of your work. I love your comics and art and was happy to hear about the engagement 😁

As for my question, I love writing stories and creating OCs/characters. In your recent comic you called out that the only ace/aro rep always seems to be "the creator said so on Twitter" (a problem with a lot of rep. in media).

So I was curious, if I wanted to create an aroace character (and write a story with them), how could I naturally show them being aroace? Do you perhaps have any idea?

Thank you so much for the kind words!^^

Arguably my complaints are ironic because I myself haven't done proper aroace rep in my own fiction thus far – though I guess I'm compensating for that with my current comics, haha 🙈 But also, I've said it before and I'll say it again cus I'm annoying like that – Bojack Horseman did it, in my opinion, so that gives the rest of the media less excuses I guess.

So, again these are my personal views, and they're possibly demanding, but this would be my checklist for ideal aroace rep:

The aro/ace character needs to... BE a character. Actually have arcs, that matter within the story. Whether they're about being asexual or not doesn't really matter as long as THEY matter as a character.

...Ngl I feel they need to matter BEFORE they're revealed as aro/ace too, and obviously after. If they don't, they'll just feel like a placeholder who's just there to tick a box to me.

The fact that they're aro/ace needs to be addressed and not pushed under the rug or left up to interpretation. Leaving things up to interpretation will have so many people interpret them as allo for sure (just like in real life). And conversely, saying they're aro/ace may spark some curious questions and possibly awkward conversations (just like in real life). (...Again tbh Bojack Horseman was great at doing it naturally. The confusion from the ace character themself, the ace character's friend assuming they're gay because yeah that always happens, the MC having a friendly yet clueless "haha you're lucky that'd save me so many problems if I didn't have sexual attraction"... I could go on.)

By that I also mean... Actually NAMING the orientation at some point. If it's not named people who consume the media and don't know such an orientation exists will be none the wiser. (I'm guilty of that myself tbh. In one of my webcomics I had an alloaro character but never had the orientation mentioned within the story, I left it at showing he has sex and him having a conversation with his family explaining he doesn't have a favorite person because he just can't, but I feel like that's not enough, and I've been feeling a bit bad about it.) A good way of bringing that up fairly naturally would be to have the character figure out their orientation within the story, as a way to have the audience learn alongside them; but it could also be played for drama, which I don't think I've ever seen and would like to dabble with myself at some point – like, imagine you have a friend you hold dear who's key to your personal development and suddenly you find out they see you as sex / romance prospects and not as a friend like YOU do? That'd be crushing but that could definitely make for a good conflict. I should try writing that. I'm rambling anyway. Bleh.

Another thing that, to me, is key to the aro/ace experience is that the character may have some moments of questioning their place in the world. Our world is obsessed with sex and romance and fiction exacerbates that to the point where some characters barely even exist if they don't have romance. This could range from "Do I NEED to even identify myself as something" (again, Bojack Horseman did that great) to "Friendship is the most important relationship to me but not to my friends, what if they all abandon me once they find the one person they consider 'more important'". I dunno. I feel like there could be some interesting storylines there. I definitely would love to dabble into that myself a bit more, though I lack the time and talent – those concepts and the lack of things that are done with it live in my head rent-free.

...Actually I feel it could be good to show aro/ace characters as full of heart (if it fits their personality), having their own feelings and emotions outside of the usual romance spectrum, to show that they're just as human and compelling as the other characters. (...AGAIN Bojack Horseman did that great imo, I feel bad that I'm only ever quoting that show but that's still the best example I can ever think of.) Like – betrayal, loneliness, grief, kinship, literally ANY other form of love than romantic love... We feel all of those too, and those deserve to be addressed in stories just as much (if not more) than the pining or simping that's kinda everywhere.

Oh yeah and speaking of being human... Yeah, human. We need more human aro/ace characters. Making it so that only the aliens/gods/demons/robots/whatever are ever allowed to be aro/ace only serves to dehumanize these orientations.

...IIIII think that's it. I might be forgetting some things I'd wanna add on later but I think that covers everything that would make for ideal rep in my own opinion

[yuurivoice]

Hello Mr. Yuuri :) I hope you’re having a relaxing weekend!

here’s my question for today:

do you think the community you’ve created have become more in love with your characters and universes more than you do yourself?

if not do you think they will in the future? And how do you feel about it?

Thanks for your time and be sure to drink water and be safe ☺️

I think the question itself has a fundamental misunderstanding of how some creatives interact with their work and what it's like when that work achieves any sort of following.

Before I start yapping, I'm answering in the context of multiple recent questions that were asking for granular character details, fun facts, etc. and I'm assuming that the framework of the question is wondering if people who want to know such details "love" the characters in question more than I do.

The joy I get from writing a character that means something to me is much different from the way I enjoy a good character who means a lot to me. It's a very personal and sometimes magical experience, creating meaningful stories with these characters. The way that BitterSweet unfolded and continues to unfold has surprised and delighted me in ways I don't think you can actually fathom.

Learning about yourself and your world through art you create is something so significant that to boil it down to "loving" a character in the way that hyperfixated fans might want to know ever single shred of information about their favorite is not even an applicable comparison or experience. Both are valid, but are vastly different. Apples to oranges and so on.

Also, I have never engaged with any media the way that many fans have exhibited. I have never desperately wanted clarity, trivia, details, etc. for even my most precious characters I've fallen for. I am so confident in my interpretation and understanding of what I have consumed that I don't feel compelled to want to know more. I don't seek it out. I don't need it. It's not about how much I "love" a character, because that's not the unit of measurement I use.

I measure that with time a character lives in my head. How they rattle around in my daydreams, and inspire me to contemplate an explore. Why do they resonate with me? What themes strike a chord with me and why? Have I ever thought of telling a story with a character like this, but with my own twist? What would that be like?

I've rarely participated in fandom or get really obsessed with a singular character. Which is probably why I have a fundamental bit of friction with the obsession for details that don't matter.

Trying to get me to cook up facts or details about a character of mine is like telling someone to spoil the story for themselves. I am learning just as much about these characters as I write them. The details reveal themselves to me on the page. You are essentially telling me to ruin the exact thing I adore about creating when shaking me to see if I'll dispense goodies. They come when they're ready.

That's the secret sauce. That's why I've created characters people give a shit about and have such a deep connection to. It's also why I've gotten better and better at this over time.

I spend hours upon hours with these characters, not rummaging through their drawers to figure out what type of underwear and socks they prefer, but in their worlds. I'm learning about what makes them tick and how I can shake things up and craft with them. I'm building something meaningful.

I'm glad people enjoy the theme park I've made, and all the rides. Unironic "fan behavior" is great, that means it's working! Getting hooked means I did my job! But also, to attempt to compare the love of a creator with the love of fans is an exercise in futility. We're playing two different games.

Hope that offers some clarity on the subject!