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theoryofweirdness · 2 days

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What if Dipper and Mabel Pines were in Super Smash Bros?

This is something I wrote several years ago and it's just been sitting on my drive. I posted it on Ao3, but recently became aware that Tumblr might be a better platform. So, here goes my first real post on this site.

Ever wondered what it would be like if Dipper and Mabel from Gravity Falls were playable characters in Super Smash Bros.? Well, wonder no longer, because here's my extensive idea for what their moveset would be like. Though sadly, I don't have art of this, since my digital art skills are... lacking, at best.

I also haven't 100% figured out all the nuances like how much damage every move does, so if anyone has any balancing-related suggestions (for that or anything else, really).

General Overview

Statistically speaking, the Mystery Twins would be fairly weak, with relatively low average damage and launch power, as well as being lightweight and not particularly fast. This makes sense as they are both (physically, at least) completely ordinary just-barely-teenagers with none of the inherent supernatural powers of most of the other child characters like Ness, Lucas, the Inklings, or the younger Links. Even though they are older than the younger Links (not sure about Ness/Lucas/Villager), the Links have the Triforce of Courage making them stronger and granting them the combat prowess of previous Links, Ness and Lucas have their supernatural PK abilities, etc.

The Mystery Twins make up for this statistical weakness with versatility due to their variable moveset. Many of their special moves are also able to temporarily either nerf opponents or buff themselves to even the odds. They are also significantly stronger when working together, since for most moves, they’ll attack at the same time, but even together, their raw damage wouldn’t be particularly excellent. The Mystery Twins would be a very difficult fighter to play effectively, but I’m hoping they’d also be a very fun one. I am aware that this fighter would be a nightmare to program and animate, but this is my imagination, so such paltry concerns as “budgets,” “programming,” and “animation time” mean NOTHING!

We'll start with their special gimmick, since that's key to understanding how this character works:

Gimmicks:

Mystery Twins Forever: This is basically the fact that they’re a two-part fighter, like the Ice Climbers, and work in much the same way, though with one notable difference. Using their D-Special when neither twin is KO’d will switch which twin is in front and under direct control (same as pressing [L] in Gnome Gemulets), changing most other moves.

Because of this, they essentially have two different movesets (similar to Zelda/Sheik from Melee and Brawl), meaning there’s a lot of versatility to this character, though of course it’s dependent on both twins being around. Though they are a single fighter, each twin is a separate entity and can be independently KO’d, just like the Ice Climbers. Try to avoid this, as it will both limit your move choices and make an already complex and statistically inferior fighter much weaker.

A KO’d twin respawns only after the other is also KO’d, or after using a Final Smash. If the current active twin is KO’d, you lose a stock (or point) and both respawn. KO'ing the non-active twin will not affect points or cause stock loss, but does replace the remaining twin's D-special with a different move.

On the fighter select screen, you can decide which twin will start as active, much like Pokémon Trainer can choose the starting Pokémon.

Special Moves

[B] Neutral Special (Dipper) - Growth Ray: Dipper turns the size-altering flashlight’s blue Growth Ray on himself, increasing his size for 10 seconds, with the same effect as the Super Mushroom item. Others very close to Dipper (such as Mabel) can also be affected. There is a 20% chance that Dipper fumbles the flashlight and points the growth ray forward (with the same hitbox as the normal shrink ray), not affecting him at all, but potentially growing other fighters who touch it.

Duration: 10 seconds

Backfire chance: 20% (1 in 5)

[B] Neutral Special (Mabel) - Shrink Ray: Mabel turns the size-altering flashlight’s pink Shrink Ray on enemies, creating a short-ranged cone in front of you that shrinks enemies hit by it, causing the same effect as the Poison Mushroom item for 10 seconds. There is a 10% chance that Mabel fumbles the flashlight and shrinks herself (and Dipper, if he's there) with the same hitbox as the normal Growth Ray.

Duration: 10 seconds

Backfire chance: 10% (1 in 10)

This move is of course based on the size-altering flashlight which Dipper created in s1e11: Little Dipper, though its function seemed both too powerful and too confusing to put into a single move, so I split its two options between the twins, on the grounds that Mabel also uses the flashlight in that episode, and it is her magic item in PinesQuest, in which case shrinking is the only thing it does.

Both rays have slight startup lag to take out the flashlight and aim it, so you can’t just surprise someone with a sudden growth. No other fighter can so easily buff themselves or nerf opponents, but overuse of this powerful move is inadvisable, as that gives enemies more chances to take advantage of it (though in team battles, you could also grow your teammates!), and also provides more chances for it to backfire. However, this is the main means by which the Mystery Twins’ low stats are directly compensated. The move can’t be used again (by either twin) until its current duration wears off (no matter what happened). Use it strategically!

[<B>] Side Special (Dipper) - Memory Gun: [EN] Dipper fires a short-ranged blue energy projectile (about the same range as Z-Suit Samus’s charged Stun Pistol N-Special) that deals small flinching damage. It also makes the target temporarily forget how to use their special moves, disabling them for 8 seconds. This can be reflected and also absorbed. The ray will have no effect on subsequent hits aside from the light damage until the disabling effect wears off. If the ray hits a fighter while they are performing a special move, it won't take effect until that move is over.

This move is based on Dipper’s use of the memory gun in s2e07: Society of the Blind Eye and s2e15: The Last Mabelcorn, and the fact that he evidently had it in his backpack all the way from s2e07 to s2e13: A Tale of Two Stans.

Damage: 2%

Duration: 8 seconds

[<B>] Side Special (Mabel) - Leaf Blower: [WI] Mabel uses a leaf blower to suck in objects and blow wind. Hold {B} to suck in air. The sucking grab box is visible, similar to King Dedede’s Inhale N-Special. She can’t suck in other fighters unless they've been shrunk down, but she can suck in projectiles and non-heavy items. If she sucks in a projectile, item, or shrunken fighter, the suction stops, and the object will shoot back out of the leaf blower when [B] is released, again similar to King Dedede’s Inhale, and with a similar sort of speed boost.

If Mabel doesn't suck in anything after 3 seconds or if you just tap {B}, she’ll blow wind in a cone straight out in front of her, causing a visible windbox similar to the Gust Bellows item, but smaller and weaker. Mabel can move left and right and jump once while holding the leaf blower. This move is based on Mabel shooting Jeff the gnome leader out of a leaf blower in s1e01: Tourist Trapped.

[^B] Up Special (Dipper) - Magnet Gun: Dipper fires a beam from Ford’s Magnet Gun (which he uses in s2e17: Dipper & Mabel vs. The Future) which can grapple onto ledges when used in the air. On the ground, it’s fired straight forward by default, but can be angled slightly up or down. In the air, it’s always fired at a 45° upward angle but will autocorrect toward ledges within a wide radius of the end of the beam. The magnet beam appears instantly at full length (though it will be interrupted by walls that can't be grappled onto) and can’t be reflected or blocked, but can be dodged.

If the beam hits an enemy, Dipper will either pull them toward himself as a command grab, or him towards them, depending on the difference in weight between Dipper and the target. If the enemy weighs more than him, he’s pulled toward them; if he weighs the same or more, the enemy is pulled toward him. When Mabel is present, she holds onto him and they collectively weigh twice as much for this move.

If Dipper is pulled toward another fighter, he'll automatically footstool jump off them upon contact, pushing the enemy down while gaining height himself. The same will happen if an enemy is pulled toward him while he is in the air.

If Dipper is on the ground and pulls another fighter toward himself, this special move can be canceled immediately into a grab when the enemy enters his reach, making this move potentially the longest grab in the game.

This move causes no damage.

[^B] Up Special (Mabel) - Grappling Hook!: [PH] Mabel fires her grapple gun upward, acting as a tether for recovery, which can also cause damage with decent launching ability. It’s a long tether that can grab onto ledges, basically the same as Joker’s default U-Special. On the ground, the hook is fired at a slight upward angle and has significant end lag as it retracts. In the air, it’s fired at a 60° angle by default but can be changed with directional input to 90° (straight up) or 45°. The area in which it will autocorrect to ledges is smaller than for Dipper's magnet gun. The hook can be reflected, but won’t bounce back at Mabel if it is; it just falls to the ground and must then be retracted.

Damage: 12%

Dipper’s Magnet Gun is better at horizontal recovery and can be very useful for combos, but doesn't actually deal any damage and its effects are very conditional. Mabel’s Grappling Hook is better for vertical recovery and actually deals damage, but has a lot less combo potential and more end lag. If both twins are present, they’ll hang onto each other and both be moved by either version of this move.

[vB] Down Special (both present and within reach of each other) - Tag Out: You switch which twin is under direct control. This can be used in the air (but only if the twins are within reach of each other) and is accomplished quite quickly, but does still leave you open for about a second. The newly active twin's Zodiac symbol (Dipper: blue Pine Tree, Mabel: pink Shooting Star, Stanford: red Six-Fingered Hand, Stanley: gold Mackerel) will appear on the damage counter, and will also flash in the air overhead when switching. If one twin is KO’d, this move changes (see below).

[vB] Down Special (Dipper alone) - Enter the Mindscape: [MA] Dipper casts the Mindscape projection spell from Journal 3 (seen in s1e19: Dreamscaperers, though in Smash it’s quicker, and he won’t say the words as that would give him away), causing his physical body to collapse, but entering the Mindscape as a ghostly, nearly invisible psychic avatar (inspired by what happened to him when Bill possessed his body in s2e04: Sock Opera). In this form, he can fly around freely with directional controls and pass through all parts of the stage, though speed is limited. The astral projection is intangible and immune to physical-, fire-, ice-, earth-, water-, sound-, toxic-, and wind-based damage, but not to magic-, electric-, or energy-based ones. However, Dipper’s real body is completely immobile and open to attack.

Pressing [B] again will immediately return Dipper to his real body. If you do so while overlapping an enemy fighter, that fighter will take heavy damage and become dizzy (like with a shield break; this is due to Dipper entering their mind and inflicting psychic damage). However, there is some end lag when you return, so don't get too cocky.

This attack cannot be blocked or countered. Fighters with higher damage will be stunned longer. If either Dipper’s real body or astral projection is hit, he’ll immediately return to normal (with end lag) though he’ll only be launched if the physical body is hit. You definitely need to keep an eye on Dipper’s real body when using this move, as well as watching out for attacks that can actually hit his astral projection, since they’ll deal 1.5x damage.

Dipper will be automatically returned to his real body after 12 seconds, but returning this way cannot affect enemies and will cause Dipper to become dizzy instead. If Dipper successfully hits someone or lets the move time out, there is a 20-second cooldown before he can use this move again.

If this seems a bit ruthless for Dipper, put it down to him seeking revenge for Mabel.

Duration: 12 seconds

Damage (non-launching): 25%

Immunity (x0 damage): PH, FI, WA, IC, EA, WI, SO, TO

Vulnerability (damage taken x1.5): EL, EN, MA

Cooldown: 20 seconds

[vB] Down Special (Mabel alone) - Attack Glitter: [WI] It’s pretty but it hurts! Mabel blows (or possibly coughs up?) a cloud of glitter into the air in front of her (based on the attack glitter used on Soos in s2e11: Not What He Seems). The glitter cloud floats in the air for 8 seconds, causing small, non-flinching tick damage over time and slowing down other fighters moving through it, similar to the Swirlix Pokéball summon (“I got glitter in my eye!”).

Hold {B} before releasing to gather more glitter and create a larger cloud. Though each cloud only lasts 8 seconds, there’s no cooldown (Mabel always has glitter), so she can make more than one at a time.

Damage (per tick): 1%

Normal Moves

If both twins are present, they will perform their neutral attacks at the same time, allowing you to set up “team” combos if positioned properly.

[A] Jab (Dipper): [PH, EN] A basic but quick 1-2-3 punch that can be used for jab-locking but is very weak until the third hit, which is enhanced with a glowing blast of power from the Gnome Battle Cuffs. Launches on the final hit.

This is Dipper's basic ground combo in Rumble’s Revenge, with the added power boost on the last hit being based on his charged-up attack from Gnome Gemulets.

Damage (1, 2):

Damage (3):

[A] Jab (Mabel): [PH] A one-two spammable swinging punch (similar to Villager’s Jab). It has slightly more reach than Dipper’s jab, as well as better damage per hit, but it's slower. Can launch on either hit at higher percentages. This is Mabel's basic ground combo in Rumble’s Revenge.

Damage (1, 2):

[>>, A] Dash Attack (Dipper): [PH] A fast side kick that launches diagonally upward at a slight angle. This is Dipper's dash attack in Rumble’s Revenge.

Damage:

[>>, A] Dash Attack (Mabel): [PH] A straight punch that's stronger than Dipper's kick, but launches at a lower angle and has more end lag. Same as her dash attack in Rumble's Revenge.

Damage:

Smash Attacks

When the twins are present and within reach of each other, they’ll perform a combined Smash Attack.

[<<A>>] Side Smash (Dipper): [SL] Dipper slashes downward with the Manotaurs’ bone spear (seen in s1e06: Dipper vs. Manliness, also his strength item in PinesQuest). Has less forward reach than Waddles, but a wider vertical hitbox, a sweet spot at the spear tip, and also less start and end lag. This is one of Dipper’s only moves that’s potentially stronger than Mabel’s corresponding one, if you land the sweet spot. Similar to Marth's S-smash.

Damage (min, sweetspot):

Damage (max, sweetspot):

Damage (min, normal):

Damage (max, normal):

[<<A>>] Side Smash (Mabel): [PH] Mabel sends her pet pig, Waddles, charging forward a short distance (based on Mabel's ground combo finisher in Rumble’s Revenge, which is itself based on her siccing Waddles on Robbie in s1e10: The Time Traveler’s Pig). Distance increases slightly with greater charge. Waddles moves the full distance whether you hit someone or not, before turning around and running back to Mabel for a hug. The run back is a sourspot that's much weaker. Waddles does not count as a projectile and cannot be reflected (he would never hurt Mabel).

The alternate costume of Stan (#8) uses Shanklin the Stab Possum from Lost Legends Part 4: Pines Bros. Mystery instead, to the same effect.

Damage (min, forward):

Damage (max, forward):

Damage (backward):

[<<A>>] Side Smash (Combined): Both twins perform their respective S-smash, with the active twin facing forward and the inactive twin facing backward.

[^^A] Up Smash (Dipper): [SO] Use awkwardness as a weapon! While charging, a lamb costume appears on Dipper and he performs the Lamby Dance. When released, he cuts to the end pose, causing a semicircular burst of music notes above and around himself that will damage and launch enemies. This is based on Dipper's ground combo finisher in Rumble’s Revenge, which is itself based on Dipper doing the Lamby Dance for the ghosts in s1e05: The Inconveniencing.

The hitbox is similar to Samus’s U-smash, but all at once instead of individually. Only the notes are a hitbox, but it’s pretty wide even on the sides, However, it's on the weaker side for a Smash attack.

Damage (min):

Damage (max):

[^^A] Up Smash (Mabel): [FI] Mabel fires a blast from a confetti cannon (used against zombies in s2e01: Scary-oke) directly overhead. Similar to Ivysaur’s U-smash, it can hit very slightly in front but is much better for anti-air. It’s stronger than Dipper’s embarrassing dance, but with a lot less reach.

Damage (min):

Damage (max):

[^^A] Up Smash (Combined): [FI] The twins perform both U-smashes at the same time, as Mabel gives an explosive confetti finish to Dipper's dance, combining the power of Mabel’s cannon blast with the reach of Dipper’s music notes.

[vvA] Down Smash (Dipper): [EA] Dipper casts a spell from the Journal that summons two zombie hands out of the ground on either side of himself, which can launch enemies directly upward. Similar to Megaman’s D-smash, though somewhat weaker. Based on Dipper summoning zombies during s2e01: Scary-Oke.

Damage (min):

Damage (max):

[vvA] Down Smash (Mabel): [BL] Swing a golf club in a wide-reaching attack that hits from back to front, covering nearly a complete circle around Mabel, with only directly overhead being uncovered. It doesn’t reach as far outward as Dipper’s zombie hands, but is faster and can actually launch enemies quite hard. This is one of Mabel’s only attacks that’s faster than Dipper’s corresponding one. It’s based on Mabel's mini-golf skills showcased in s2e03: The Golf War.

Damage (min):

Damage (max):

[vvA] Down Smash (Both): [EA, BL] Instead of causing damage, the zombie hands summoned by Dipper’s spell will hold enemies still, then Mabel swings her golf club to knock them out of the park, breaking the zombie hands and gaining a damage bonus as the trapped enemies can't defend themselves.

Tilts

If both twins are present, they will perform their tilts at the same time, similar to Ice Climbers.

[<A>] Side Tilt (Dipper): [PH] Two quick slices with a fireplace poker, based on Dipper's duel with Wax Sherlock Holmes in s1e03: Headhunters. This move is fast and has decent reach, but it’s not particularly strong. It’s useful in combos or as a “get off me” tool, but not for launching.

Damage (per hit):

[<A>] Side Tilt (Mabel): [PH] Swing a karaoke machine for a strong attack that can launch enemies quite well, but has both start and end lag. Based on her use of the karaoke machine as a “surprisingly good weapon” against zombies in s2e01: Scary-Oke.

Damage:

[^A] Up Tilt (Dipper): [PH, EN] Dipper jumps slightly forward with an uppercut. (This is a combination of the only time Dipper actually hits Rumble McSkirmish during their battle in s1e10: Fight Fighters, and his charged attack in Gnome Gemulets). It’s similar to Megaman’s U-tilt, having a sweet spot at the very start of the move (indicated by a flash of energy from the Gnome Battle Cuffs) and significant end lag. This is one of Dipper’s only moves with more end lag than Mabel's corresponding one. In fact, it's one of his only moves with significant end lag at all.

Damage (sweetspot):

Damage (sourspot):

[^A] Up Tilt (Mabel): [PH] Spin a stretchy sleeve overhead to multihit enemies, based on the charging-up animation for her charged attack in Gnome Gemulets.

Damage (per hit):

[vA] Down Tilt (Dipper): [PH] A very short and weak but fast and spammable kick that barely flinches enemies, much like Ness or Lucas’s D-tilt. It isn’t based on anything in particular, there’s just not that many actual times when Dipper fights things, so I’m pulling from other child characters.

Damage:

[vA] Down Tilt (Mabel): [PH] Mabel curls into a ball and rolls forward a short distance, similar to King Dedede’s D-tilt, though much weaker.

Damage:

Air Attacks

If both twins are present and within reach of each other, they’ll hold onto each other and use a combined air attack, improving both hitboxes and damage, though often at the cost of end lag.

[A] N-Air (Dipper): [BL] A basic aerial kick with a lingering whole-body hitbox, similar to Mario’s N-air (and many others). Based on the first hit of Dipper's aerial combo in Rumble’s Revenge.

Damage (initial kick):

Damage (lingering hotbox):

[A] N-Air (Mabel): [BL] A basic spinning move, similar to DK or Ness. She never does this in any medium I’m aware of, but it certainly seems like her style. Hits once but is stronger than Dipper's lingering kick.

Damage:

[A] N-Air (Combined): [BL] Mabel grabs Dipper’s arms from behind and spins him around right as he tries to use his normal kick attack, resulting in a spinning kick with greater than normal reach and a sweet spot on Dipper’s foot, though it does now have some landing lag (Dipper was not prepared for this).

Damage (middle):

Damage (sweet spot):

[A>] F-Air (Dipper): [BL] Dipper swings his hat in an arc from high to low, which somehow actually does damage. It's fast and has a wide hitbox, but is pretty weak. Based on the final hit of Dipper's air combo in Rumble’s Revenge. For alternate costumes without a hat (such as tuxedo and Gideon's suit), he’ll suddenly be holding his normal pine tree hat for this move. The Ford alts use an explorer-style pith helmet.

Damage:

[A>] F-Air (Mabel): [BL] A diagonal downward punch, similar to Little Mac’s F-air. Not as big as Dipper’s hat swing, but with more damage. Based on the first hit of Mabel's air combo in Rumble’s Revenge.

Damage:

[A>] F-air (Combined): [BL] Dipper’s hat swing carries enemies downward into Mabel’s slightly delayed punch, which becomes a sweet spot that can spike diagonally.

Each hit does the same damage as when performed individually.

[^A] U-Air (Dipper): [BL] Dipper swings the Journal overhead from front to back. It’s a wide attack, similar to some other fighters’ “headbutt” U-airs, and can be used for juggling, but isn’t very strong, at least in comparison to other U-airs with similar hitboxes like Ness's.

Damage:

[^A] U-Air (Mabel): [BL] A back-flipping kick, similar to Mario's U-air. The twins' U-airs aren't really all that different.

Damage:

[^A] U-Air (Combined): [BL] The respective air attacks collide in the center for a strong launching blow, similar to Sonic’s U-air.

Damage:

[<A] B-Air (Dipper): [BL] Dipper kicks backwards with both feet, similar to Mario’s B-air. Not based on anything, really.

Damage:

[<A] B-Air (Mabel): [BL] Whip a stretchy sleeve backward for a long, but somewhat weak attack, similar to her Z-air.

Damage:

[<A] B-Air (Combined): [BL] Dipper holds onto Mabel’s stretchy sleeve while she flings him back, creating a sweet spot as he kicks outward.

Damage (sourspot):

Damage (sweetspot):

[vA] D-Air (Dipper): [BL] A downward axe kick. Can spike enemies at the start of the move and has more reach than Mabel’s stomp, but isn’t as strong. This is the second hit of Dipper's air combo in Rumble's Revenge.

Damage:

[vA] D-Air (Mabel): [BL] Stomp downward with both feet, which has more startup lag than Dipper’s kick, but is also stronger and has a longer-lasting hitbox, kind of like a smaller version of Captain Falcon’s D-air. This is Mabel's aerial combo finisher in Rumble’s Revenge.

Damage:

[vA] D-Air (Combined): [BL] Similar to their combined F-air, Dipper performs his attack slightly ahead of Mabel and can hit foes into hers.

Damage:

[Grab] Z-Air (Mabel only): [BL] Mabel whips a stretchy sleeve forward for a decent-reaching, though weak attack. Unlike most Z-airs, this cannot grab ledges.

Damage:

Grabs and Throws

If both twins are present, the throws are changed; otherwise they are the same for either twin.

[Grab] Grab (Any): A basic short-ranged grab.

[Grab, A] Pummel (Both): Mabel ties up the enemy in her stretchy sleeves while Dipper punches them in the face (or whatever else is at his eye level).

[Grab, A] Pummel (Single): Holds the enemy with one hand and punches them in the face (or whatever) with the other. Easier to escape than most grabs. Based on grappling in Rumble’s Revenge.

[Grab, >] F-Throw (Both): [PH, EN] Mabel grips the foe with her sleeves and Dipper punches them outward (obviously making use of the Gnome Battle Cuffs), causing the foe to snap back into a second, stronger punch that knocks them out of Mabel's grip. This throw hits twice, but does take a while.

Damage (total):

[Grab, >] F-Throw (Single): [PH] Weakly toss the enemy forward. This is based on throwing enemies in Rumble’s Revenge; it's the least effective attack.

Damage:

[Grab, ^] U-Throw (Both): [PH, EN] Dipper uppercuts the tied-up enemy into the air, then Mabel whips them back into the ground. Hits twice.

Damage (total):

[Grab, ^] U-Throw (Single): [PH] A basic and weak upward toss.

Damage:

[Grab, <] B-Throw (Both): [PH, EN] Mabel spins the enemy around a full circle with her stretchy sleeves, which can hit other enemies, similar to Mario’s B-throw, while Dipper charges up the Gnome Battle Cuffs, then punches them out of Mabel’s grip and backwards over her head. This is the twins’ strongest throw in terms of launching.

Damage:

[Grab, <] B-Throw (Single): [PH] A basic and weak backward toss.

Damage:

[Grab, v] D-Throw (Both): [BL] Dipper curls into a ball on the ground, then Mabel shoves the enemy, causing them to trip over him. Leaves the enemy prone. Based on when Wendy does this to Ghost Eyes in s2e18: [Weirdmaggedon].

Damage:

[Grab, v] D-Throw (Single): [PH] A basic and weak toss onto the ground that pops the enemy upward.

Damage:

Movement

(Speed and jump height are stated as an approximate comparison to existing fighters.)

Walking, running, and jumping animations, as well as idle animations, are taken from Gnome Gemulets.

[<>] Walking: Despite being light, the Mystery Twins aren’t particularly fast. They're probably similar to Lucas and Ness.

[<<>>] Running: Still not particularly fast, but better. If both twins are present, they’ll hold hands while running.

[^] Jumps: 2, a bit below average in height.

Wall Jump: No

[v] Crouch: They kneel down.

[v, <>] Crawl: Yes

[Shield, v^] Spot dodge: There’s nothing approximating dodging in any of their games, so these will probably just have similar animations to those of the other Smash fighters that share their proportions (Ness, Lucas, Villager, Inkling).

[Shield, >] F-roll: See above

[Shield, <] B-roll: See above

[Shield, <>v in air] Air dodge: See above

Ledge roll: If both twins are present, they’ll pull each other up, though the animation takes the same amount of time no matter what.

Miscellaneous

If both twins are present, they will perform a different, unique taunt on the Up and Down Taunts. For the Side Taunt, if both are present, they’ll do both at the same time.

Up Taunt (Both): A simple high five. This is a double reference, first to their end-of-level victory high-five in Gnome Gemulets, and second to Stanley and Stanford’s “high six.”

Up Taunt (Dipper only): Pumps arms up and down in a victory celebration while saying “Yeah-ha-ha!”. This is Dipper's end-of-level victory screen in both Rumble’s Revenge and the Take Back the Falls mobile game.

Up Taunt (Mabel only): Jumps up and down in joy.

Down Taunt (Both): Awkward sibling hug (pat, pat). Seen in both s1e01: Tourist Trapped, and s2e19: Escape From Reality.

Down Taunt (Dipper only): Dipper pulls out a magnifying glass and inspects something on the ground. References both the theme song and Dipper’s general investigative nature.

Down Taunt (Mabel only): Mabel snuggles with Waddles, just like in the theme song (and plenty of other times throughout the show).

Side Taunt (Dipper): Dipper opens his journal and writes something in it. The first time this taunt is performed on [name of as-yet-undecided Gravity Falls stage], it starts a Journal Entry on whichever other player is both next after you in the player order and not on your team. These will be similar to the Palutena’s Guidance conversations, opening a text box that resembles a page from the Journal at the bottom of the screen, where Dipper reads his observations about that fighter, with commentary from Mabel and occasionally other characters as well. I’m not sure whether I’ll ever actually write these out (suggestions welcome).

Side Taunt (Mabel): Mabel takes out both a sock puppet of herself and a puppet of either another Gravity Falls character or a random other fighter currently on-screen and plays around with them. The second puppet can be any one of Dipper, Ford, Stan, Soos, Wendy, Gideon, Pacifica, Robbie, McGucket, or other fighters present on-screen. If a Pokémon Trainer is present, the puppet can be of them or any of their three Pokémon.

Idle Animation: Same as in Gnome Gemulets (I don't remember what it is).

Stage Entry: The twins fall out of a dimensional rift, like the one Mabel falls into in Lost Legends Part 3: Don't Dimension It.

Origin Symbol: The Zodiac Wheel (duh). No, it’s not too complicated. What are you, a cop?

Kirby Hat: Since there are two potential N-Specials here, there are also two Kirby hats, as Kirby only inhales the active twin.

Dipper: The Pine Tree hat (duh). (Growth Ray)

Mabel: Mabel's hairstyle, with a Shooting Star clip on the headband. (Shrink Ray)

Palette Swaps/Costumes

All of Dipper and Mabel's palette swaps are alternate outfits that they (or others) wear throughout the show.

1) Dipper and Mabel’s most iconic appearance.

Dipper: red t-shirt, dark blue vest, Pine Tree hat, gray shorts, black sneakers, holds Journal 3 (unless otherwise specified, he’s holding Journal 3 in all of these).

Mabel: purple skirt, pink headband, magenta Shooting Star sweater, black flats.

2) Fancy dress outfits from the ball in s2e10: Northwest Mansion Mystery.

Dipper: tuxedo, brown dress shoes, no hat

Mabel: fluffy pink dress (if Peach, Daisy, and Rosalina can fight in ball gowns, so can Mabel), weird hat thing, high heels, uses a feather boa instead of stretchy sleeves.

3) Mystery Shack employees/Anti Gravity AU inspired.

Dipper: Soos's dark green Question Mark t-shirt, cargo shorts, and cap.

Mabel: orange headband, white t-shirt, Wendy's green flannel jacket, boots, uses a rope lasso instead of stretchy sleeves.

4) Secondary antagonists inspired.

Dipper: Gideon's light blue suit and Pentagram cape, holds Journal 2.

Mabel: Pacifica's purple shirt, skirt, jacket, boots, and hairstyle, uses a purple scarf instead of stretchy sleeves.

5) Pool outfits from s1e15: The Deep End.

Dipper: red swim trunks, white t-shirt, whistle, sandals, red-and-white “Night Patrol” hat.

Mabel: pink one-piece swimsuit with a yellow star on the chest, flip-flops, uses a jump rope instead of stretchy sleeves.

6) Goodbyes, based on the series finale. Dipper: same as #1 but with Wendy’s trapper hat instead of his regular one, and holding the blue Pine Tree Journal.

Mabel: red birthday cupcake sweater, pink skirt and headband.

7) Outfits from s2e13: Dungeons, Dungeons, and More Dungeons; Dipper: elf costume consisting of a green tunic and cape, pointed ears, no hat, replaces S-Smash spear with a sword.

Mabel: orange Ducktective sweater and headband, blue skirt.

8) Original Mystery Twins/Relativity Falls AU. Stanley and Stanford as kids, with their appearance from s2e12: A Tale of Two Stans/Lost Legends Part 4: Pines Bros. Mystery. Ford takes Dipper’s place, Stan takes Mabel’s. They have different voice actors and lines than the younger twins (applies to #12 as well).

Ford: white t-shirt, brown jacket and shoes, dark green pants, holds Journal 1, replaces Dipper's hat with a light brown pith helmet.

Stan: red-and-white striped t-shirt, jeans, missing tooth, band-aid on face, brown shoes, uses a rope lasso instead of stretchy sleeves and Shanklin the Stab Possum replaces Waddles for the S-Smash.

Additional Alternate Costumes (just for fun)

9) Evil versions. They have different voice lines and facial expressions. Dipper: Dippy Fresh, the twisted, ‘90s-stereotype version of Dipper created by Mabeland in s2e19: Escape from Reality, has a different voice actor.

Mabel: Anti-Mabel from Lost Legends Part 3: Don't Dimension It, wearing a black sweater with an x-eyed cat face on it.

10) Outfits from Dipper vs. Manliness. Dipper: Manotaur loincloth and tattoos; Mabel: Yellow skirt and headband with black lightning bolt sweater.

11) Trick-or-treating costumes from s1e12: Summerween.

Dipper: peanut butter costume

Mabel: strawberry jelly costume, Waddles wears his brown business suit costume.

12) “Modern” Stan twins; same as #8 but wearing downsized versions of their “modern” attire.

Ford: red turtleneck, brown trench coat, black pants, shoulder bag, holds Journal 1.

Stan: black Mr. Mystery suit, red string tie, eyepatch, and Mackerel fez, uses a rope lasso instead of stretchy sleeves.

13) Outfits from the Woodstick Festival in s2e09: The Love God. Dipper: dark red v-neck shirt, vest, jeans, sunglasses on forehead, no hat, holds Journal 3.

Mabel: Rainbow-striped pride sweater, purple skirt.

14) Outfits from s1e13: Boss Mabel.

Dipper: Mystery Junior suit (similar to Stan's #12), combed hair, eyepatch, no hat.

Mabel: blue business suit and glasses, Stan’s Mackerel fez, uses a rope lasso instead of stretchy sleeves.

15) Campaign manager outfits from s2e14: The Stanchurian Candidate.

Dipper: red “Team Stan” t-shirt, no vest, yellow visor.

Mabel: red-and-white striped sweater and headband, blue star-spangled skirt.

16) Inspired by my Reunion Falls AU fanfiction One Day Reunited.

Dipper: dark brown jacket (same as #8 Ford), red t-shirt, hiking boots, cargo shorts, no hat, holds blue Pine Tree Journal

Mabel: purple “Love Yo’self” sweater, yellow skirt, purple headband.

17) Reverse Falls AU version #1. They have different facial expressions and voice lines.

Dipper: similar to #4 but also with an amulet, holds Journal 2.

Mabel: light blue dress, amulet on hair band.

18) Reverse Falls AU version #2. Dipper and Mabel are replaced with Reverse Gideon and Pacifica, respectively. They have different voice actors and lines.

Gideon: Similar to Dipper’s #1, but with a light blue shirt instead of red, plus white hair and freckles.

Pacifica: tie-dyed shirt, ripped jeans, hoop earrings, bracelets, uses a scarf instead of stretchy sleeves, replaces Waddles in S-Smash with a chicken.

19) Gravity Rises AU inspired. Dipper and Mabel switch roles, Zodiac symbols, and movesets. They have different voice lines.

Mabel: blue-and-white Pine Tree t-shirt, brown pants, orange hoodie, holds Journal 3.

Dipper: dark blue t-shirt with a yellow Star over yellow long-sleeve shirt, black shorts, no hat, band-aid on face, sleeves of his shirt stretch just like Mabel’s sweaters.

Victory 1: Lower down from the top of the screen on Mabel's grappling hook, just like when they destroyed Gideon's robot in s1e20: Gideon Rises.

Victory 2: Do the short victory dance that happens when you solve certain puzzles in Gnome Gemulets, finishing with a high five (or high six, as the case may be).

Victory 3: Awkward sibling hug (pat, pat), same as the D-taunt. Yes, even the Stan and Ford alts do this.

FINAL SMASH

Like most of their moveset, the Mystery Twins’ Final Smash changes depending on which of them is present when it’s activated, though after using any of these Final Smashes, a missing twin will respawn. This is the only way to cause a missing twin to respawn without being KO’d.

Dipper only - Quantum Destabilizer: Dipper fires a straight shot from Ford’s Quantum Destabilizer, the super weapon with which he unsuccessfully attempted to destroy Bill Cipher in s2e18: [Weirdmaggedon], though it will certainly prove effective against Smash fighters. This is very similar to Dark Pit’s Final Smash; the narrow beam travels the length of the screen and will heavily damage and launch anyone hit by it, resulting in an instant KO if it takes a fighter’s damage above 100%.

Damage:

Mabel only - Imagination Unleashed: While mounted upon the dolphin-man-hallucination-monster Aoshima and karaoke singing either “Don’t Start Unbelieving” or “Taking Over Midnight” backed up by the music of her totally-a-different-art-style dream boys Xyler and Craz, Mabel unleashes her disturbing extraordinary imagination in a glittery tidal wave of rainbows, waffle soldiers, cat faces, stickers, flying sweaters, random stuffed animals, and of course, shooting stars. This is very similar to Wii Fit Trainer’s Final Smash, and is based on Mabel’s Mystery Power attack in Rumble’s Revenge.

Damage (per hit):Both - Unite the Zodiac: A large image of the Zodiac Wheel, albeit missing the image of Bill Cipher in the center, appears around the twins. Any enemies it touches take Bill Cipher’s place in the center of the wheel. After a cinematic of the ten members of the Zodiac united around the wheel, a white pillar of cosmic energy erupts from its center, obliterating anyone inside. This is always an instant KO on anyone it catches… damage doesn't matter, no exceptions.

Since the Zodiac Wheel Prophecy was unsuccessful in the actual show, it’s unknown what would have happened had it worked, so I’m free to interpret it however I want for Smash. I don’t necessarily think this is what would have happened, but it works quite well for a Final Smash. The initial capture hitbox is a ring around the twins, and its limits are pretty obvious.

#gravity falls #dipper pines #mabel pines #stanford pines #stanley pines #super smash bros #moveset #what if they were in super smash bros?

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luxaofhesperides · 8 months

Note

For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?

He has no idea how his parents did it.

Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so.

Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.

That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that.

This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts.

So here they are. Standing in the empty living room of their new apartment in Gotham.

Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal.

Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.

It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?

Ellie smacks a small palm against his cheek and babbles lightly.

“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”

He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car.

“Can you be good for five minutes?” he asks Ellie.

She babbles again and smacks his shoulder.

“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”

Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it.

He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it.

This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny.

He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.

He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.

Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief.

“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.

It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around.

A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge.

It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food.

Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall.

Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly.

Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.

He’s finally feeling more settled, energized from sleep and food.

In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all.

. . .

Four months ago, Danny had hope. He was optimistic.

Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.

He had just gotten Ellie to sleep. She was actually peacefully taking a nap.

And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.

They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that.

“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.”

Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by.

“I know it was scary, but you’re alright. You’re always safe with me, El.”

Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.

The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down.

“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”

“Hey, you alright?”

Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him.

The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”

Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”

“I’m Duke, by the way. I don’t think I’ve seen you around here before.”

“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”

“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”

Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”

“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.

“I’m so sorry. That drive by woke her up and it’s really rattled her.”

“Hey, no need to apologize. I get it, Gotham is rough to kids.”

Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.

Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”

“Thanks. Um, actually, I might need help opening mine?”

Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment.

“If I could just get my keys,” he starts.

“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over.

Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her.

“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”

Ellie babbles lightly, and Duke turns his head to futilely hide his grin.

He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms.

“I can’t believe this. Betrayed by my own blood.”

Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”

“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”

“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”

“Family,” Danny says in a tired, fond tone.

“Family,” Duke agrees.

With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.

The key word being tries.

Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.

“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”

Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny.

She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers.

“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.

Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”

“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”

“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”

“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”

Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief.

As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead.

It should make him nervous, but Duke is calm and easy going and kind.

He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before.

Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.

All he needs to do is take that first step, reach his hand out, ask Duke to stick around.

He can do this.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #dc x dp fic #prompt fill #my writing #i really love writing about characters struggling to be parents v suddenly and thru unconventional means #so here's danny a year out of high school living on his own for the first time w baby ellie #and duke who needed some space and independence while he's in college. bruce pays for the apartment while duke works part time for grocerie #and ellie who had been fully developed but unstable is now a halfa baby who remembers stuff but is also. yknow. a baby.#she absolutely latched onto duke to force danny to have a life outside of her. but also she can sense that hes kind and calm #which danny needs bc he is Stressed (tm)#this leads to duke bringing over food for them and looking after ellie while danny goes shopping or naps #both of them ignoring how duke has to leave suddenly for Hero Related Reasons and how danny and ellie have Powers #it's a v delicate balance they keep for the sake of keeping ellie safe #yeah they're gonna co-parent and realize they're basically dating after MONTHS of pining #the bats have bets on who gives bruce a grandkid first and literally no one bet on duke but here he is lol :)#thanks for the prompt!!

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upperranktwo · 10 months

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Almost finished moving all my stuff! Just need to do my clothes and gaming things! It's kinda sad how I'm moving away from this place, having my own room for the first time was fun and I enjoyed having independence which is something I did need to experience! But I am NOT gonna miss my roommates holy fuck 😭 and I'll get to save a little money so that's good!

#and i mean it's my first time having independence in a sense it was my first time being alone #even in school or uni i wasnt really alone because I was always with my sister #my dad only wants £5 a week 😭 and I gave him 6 months money in advance #just praying and hoping that I find a job soon so i can be in my own place again before June #i have gotten used to sleeping in a bed again after not having one for 3 years 😭#however! at my dads!!! there is Mojo !!!!!! she is my baby!!!!!#and i can play guitar there!#sky rambles ♡#today i've been painting over the walls because apparently having posters does in fact ruin the walls 😭#and essay writing!#thats not fun

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peachinspiration · 6 months

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dunmeshi mithruncore (every day I can’t get up to make myself eat at all or get up to use the bathroom or fall asleep or actually do more to help myself unless im told to or someone physically Makes me do it or I finally manage to do so for the first time very very late in the day cuz I forced myself to out of fear)

#im in hell #that thing he said about not being able to sleep without magic or meds is so real #my sleep treatments even stopped working gradually #and if I don’t take any at all im laying awake until fuckinf 7 am #it takes me like an hour of holding it in to use the fuckinf bathroom #and the thing that makes me move is being terrified of kidney failure #it’s 6 pm and I still haven’t eaten my first meal of the day. tried ripping into a protein bar I had saved for moments like this but I can’t #make myself take more than 2 bites #the amount of times these past few years I’ve practically passed out from hunger cuz I just. cannot make myself get up to eat or make myself #something. omfgggggggff #I literally am a magic practitioner and have helped myself with spell work many times in the past yet I just can’t. make myself utilize it #more. yet I have all these books and supplies to use. and I’ve studied for hours and hours and know what to do #and it’s crazy cuz when im high off the sleep treatment THEN I actually do things but I don’t wanna use that more cuz im afraid of getting #addicted uhm. yeah idk what to even do anymore #my bf helps tremendously with leading me to do things but I don’t wanna take advantage of him too much and he’s long distance #but jesus fuck im literally on adderall now but its my emotional problems that keep it from working #it’s like wtf happened #I can’t fucking do anything unless someone’s there to guide me through it or keep me engaged as I work or they push me to in some way #and it’s like wow. cuz I want independence more than anything #it’s crazy cuz I related with his old self to the T especially with the desires and competitivity problems and trying to gain things he #doesn’t even actually want just for leverage and a sense of worth and the ‘if im not on the top on everything i dont have actual worth’thing #and other stuff I can’t remember off the top of my head. and I actually had friends and was more talkative #but now it’s like #🪿#yk what I mean #there’s a shitload of other things I relate too hard with but I can’t remember rn or I won’t mention cuz too much to go into #my bf said if he were around irl he’d cook for me and help with stuff when I go thru being like this nonstop which hey nice cuz obv id help #him with anything too #I mean there’s days where im better and can Do Things but it never lasts long and it sucks I can’t ever trust myself having a job or #I had all these things I wanted to do but I just feel nothing toward it and it drives me insane like can this maybe Not happen so often

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wolviensabes · 1 month

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Logan and pregnancy.

RQ: 'Logan taking care of his pregnant girlfriend perchance 🤔' -@wheezyth3dem0n

Warnings: F!reader, pregnancy themes, written in HC style.

A/N: I just wrote pregnancy hcs on my main blog so let's keep the theme going. Ignore grammar mistakes, not edited.

Logan knows you're pregnant instantly when the scent of your hormones change.

He looks to you and he isn't sure how to feel just yet. He hadn't planned on getting you pregnant, it wasn't something that he ever thought about. But it was his reality now, and he wasn't too sure on how to feel.

He was just a little wary jumping into something so permeant, considering your lifestyles. The dangers that are involved, all he thought about was how the baby would be in constant danger. Especially knowing it would most likely be mutant.

You were a little hurt, knowing he was a bit standoffish since the discovery, but after some thinking he had come around and explained what he was thinking about, and how he was just worried about its upbringing. It was reassuring that he comforted you in this sense, even if it initially hurt when he backed off.

"M'sorry, this is all...new to me. I never thought I'd be a dad...of all people." Logan grumbled to you, rubbing your back to try to reassure you that he was happy, it was just...a lot for him to take in.

When you begin to show, Logan's presence starts to become more and more. His missions are spread out a bit more, and he spends more time around you. At first, your pregnancy is mostly independent, besides him being around in the evening. You figure it's because he's still processing that you are carrying his kin, but as he starts to come around more often, you're surprised but decide not to mention it.

Logan starts to observe you closer, his hands often find your belly and rub it. He can hear the heartbeat, and he leans closer so he can rest by your belly. Most nights are like this when he's not holding you. He pays close attention to your habits, as well as schedule, memorizing everything you do day to day. When you get a little bigger, he notices daily tasks are a bit more difficult for you.

"Let me help," Logan insisted gruffly, watching you try to pick up clothes for laundry. He worded it more like a demand than offer, he didn't like how you were bending over so often.

"I got it, Logan, really," your stubbornness insisted you could handle it, but he had his doubts. He could see your clear struggle, he could sense you were tired but you were so stubborn.

"Enough." he demanded and gently pulled you away from the laundry, his arms strong around you and easily maneuvering you around. He sat you down and pointed at you. "Stay." he ordered.

Logan brings you food, he doesn't cook a lot but he still tries. He gets help from Jean or Storm. But he's always the one to bring it to you. He displays a lot of instinctual habits by now, especially since you're showing more now. Something inside him just...triggers when he sees your swollen belly. When you walk around the mansion for some exercise, he is right there with you, his eyes scanning the halls and every single person around you.

He growls at people who come close, he is so insanely protective over you now. It shocks you the first time he about lunges at Scott when he asked you how far along you were. "Logan!" you watched your feral boyfriend literally snarling at Scott.

"Get your eye off her, slim." he hissed, his voice was venomous and mean. Scott was just as surprised, even for Logan he was acting much more aggressive. You pulled Logan along, muttering an apology to Scott along the way.

"Logan what the hell! He was just asking how far I was," you muttered, your bristled boyfriend still had an irritated expression. His nostrils flared as he looked down at you. "Easy...it's fine. He's gone, just relax..." you rubbed your hands over his chest, soothing him from his protective mode.

He piles you into the shared room you have, he gets you all settled on the bed and cozy, there are so many blankets and pillows there and they act as excellent support for your large belly. He makes sure you're as comfy as possible, he fusses a lot by grumbling and making sure you have enough blankets. "Keep the baby warm." he grunts at you, covering you with a blanket as if your baby will get cold.

Logan likes to lay close to your belly, he can hear the baby and smell the change you emit because of all the hormones. He hears the baby moving around too, he enjoys listening to his little one in there.

You end up bound to the bed for a while, your ankles were so swollen and you were weak as the pregnancy progressed. You relied on him and he was more than happy to comply. He rubs your swollen ankles and feet, leaning forward and letting his facial hair tickle your belly.

When you feel your hormones flare, you get emotional and worried about labor and birth, all the normal worries for a mother to be. Logan sits with you and lets you vent your worries, but he is also the voice of reason during your emotional episodes. He always reassured you, telling you it would be alright, he was here with you, and he'd never let anything happen to you.

When your little one does arrive, it will be the most protected baby on the planet, not only the baby, but you too. Like hell anyone will get the chance to harm you with Logan by your side.

Thanks for reading.

Dividers by @/strangergraphics

#logan howlett #wolverine #logan howlett x reader #wolverine x reader #x men #wolverine xmen #deadpool and wolverine #logan howlett x you #wolverine x you #🎠my works

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moonastro · 7 months

Text

Juno persona chart

The sun in the houses

what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.

the sun represents the self, ego and personality. in juno persona chart the sun can determine how the overall vibe of the marriage will be. what shines and what is most acknowledged in your marriage.

reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.

sun in 1st house: marriage is a main theme in your life. you were meant to be married. as the 1st ruled the self, appearance, way of thinking, your marriage could be very lovey dovey. you admire each other very much. marriage will fit you very well, you may have always wanted to marry. marriage can make you find yourself and allow you to become your truest self. like it can make you do things that you have always wanted to do that you couldn't before. can make you more independent and allow you to take care of yourself and focus on yourself. marriage can be a whole new beginning for you and your approach to life will significantly change. this placement tends to really focus on marriage and really hyper focus on every aspect that comes with marriage life. your appearance may change and people may have a different perspective of you.

spouse can be mars or mercury ruled, have 1st house placements and have dominant aries placements.

sun in 2nd house: the 2nd house rules money, income, resources. marriage can be very financially abundant and can bring lots of income to you and your partner. there is a strong emphasis on shared resources. the couple may share the same values in life and may agree on similar ways of doing things. There will be tendencies to express your love to each other very creatively. your habits can change drastically through marriage or can mean that your spouse and you share similar habits. this placement screams shared finances and sharing income especially through a bank account. marriage is affectionate and has lots of intimacy involved, this may be the glue to marriage through affection and being grateful for each other. there can be strong physical bonds so there can be lots of hand holding, hugging, cuddling etc.

spouse can have taurus prominent placements. they can have dominant 2nd house placements as well. can be venus ruled.

sun in 3rd house: marriage is very communication based and can have you looking at intellectual pursuits. perhaps when you get married you finally decide to pursue knowledge based lifestyles such as learning new things academically. The marriage is very expressive through speech and expressing their thoughts to each other. this placement reminds me of a couple who are just constantly working on their laptops but they work together at home so they still spend time together. its that type of vibe. marriage can feel familiar and you having a sense of familiarity with your spouse. this can be like a sibling bond so very loving and playful and sometimes argumentative. your spouse and you will talk CONSTANTLYYY like i feel like if you are in the same room and don't talk for a few minutes it may feel strange or just out of place. this placement needs constant communication with each other.

spouse can be mercury or moon ruled, have significant gemini placements or have 3rd house dominance.

sun in 4th house: marriage for this placement is very family oriented, both parties take care of each other and are rather traditional with gender roles. marriage can be all about comfort and being there for each other emotionally. marriage can be full of traditions and sharing family roots with each other. heritage and ancestry may be a big theme for this placement and usually value privacy. this placement usually keeps their intimate and personal lives between themselves, this is to make it more meaningful for each other. the couples go to place to spend time with each other is most likely their home and maybe ordering in and watching some movies with each other.

spouse can be moon ruled, have prominent cancer placements or have dominant 4th house placements.

sun in 5th house: this placement will have a very fun and loving marriage. this reminds me of a childhood best friend, you just get each other and have this flicker of romance every time you are with them. this is a good fortune house, so lots of life and memories are going to be created in the marriage. marriage can be full of creativity and risk taking. there may be lots of things that you haven't done before and therefore can cause new beginnings. there can be lots of availability to self- expression, maybe you will have the chance to express yourself to the fullest.

spouse can be venus or sun ruled, can have significant leo placements.

sun in 6th house: your daily routines and your daily lives are significant in marriage. health and well being can be prioritised here as well. Their can be a connection between the sense of self and your daily life in marriage. this means that marriage can influence you to develop a personal daily routine or have a responsibility to provide for others. after marriage this placement can manifest work work work for both parties and frankly may not have time for each other. everything can act very fast paced and it may feel like your days just go by very fast.

spouse may be mars ruled, have important mercury aspects, and have dominant virgo placement.

sun in 7th house: marriage will be on and off. i feel like the 7th house is about balance and you cant have the positives without the negatives. there will be lots of highs and lows and the highs will be very precious. its like whenever there is a very good day for the couple it can feel like the best thing ever. marriage can bring lots of partnerships meaning that you can do lots of things together. and of course there is the romance side of the 7th house so marriage can have romanticised features to it. there can also be open enemies withing the marriage.

spouse may be venus ruled, have libra dominance or have 7th house influence.

sun in 8th house: marriage can be very transformative in terms of daily life, your routine, mannerisms just everything. it will be something very different than you are used to. it will physically and mentally transform you as an individual. marriage may be very awakening and it can act like a total turn around. it is something you have never experienced before. this also reminds me of the couple admiring each other and staring at each others soul, just overall feeling a deep deep connection for each other. spouse can buy lots of things for you or in general can spend lots of money on each other as this house rules over partners money. this couple is a POWERR dynamic and have strong sexual desires for one another. this placement can bond over each others changes and can have a never ending phase of their honeymoon.

spouse may have scorpio and 8th house dominant placements. can be mars or pluto ruled.

sun in 9th house: this placement makes the marriage very educational. either one of the parties will have influence on the other in terms of life lessons. marriage can offer higher education offers and having time to study whether its together or them teaching you. this is a spiritual placement as well so there can be rituals that you may like to do together in marriage or possibly just share the same values and religious beliefs and cooperate those practises in your everyday life. your spouse and you may meet each other minds and may relate to the way the other is thinking. omggg the conversations are longggg. literally this placement allows the marriage to talk for hours on end and usually its about the deeper stuff in the world.

spouse may be jupiter dominant, have sagittarius placements or plenty of 9 house placements.

sun in 10th house: your marriage is known by many people. perhaps you had a will have big wedding or people are invested in your marriage life. as the 10th house is all about public, you may show yourself more in front of others express and show off your relationship in public. this can be a business oriented couple who work in the same business or have a business of their own. marriage can create rules and restrictions and you may feel trapped. the couple values their reputation and may act differently in public than at home. marriage can make both parties realise that they have shared life plans and joint purposes so they work together to reach and accomplish them.

spouse can have 10th house placements or have saturn influence. may also have significant capricorn placements.

sun in 11th house: very social and outgoing placement for marriage. when married you can meet lots of new people and just be part in many groups. will probably meet lots of friends through marriage. may have network influence and elations and may develop a social media following through marriage. lots of eyes can be on you and your marriage, people are influenced by your aspirations of the marriage. of course this placement can feel like you became friends to lovers and that may feel like that throughout the marriage, like you may act like friends one day and the other fall in love all over again. it can feel quite refreshing. you and your spouse will share lots and lots of things together and possibly both parties have joint aspirations and goals which make it easier to achieve something as its done together. your friendship in the marriage is well known and your bond is very clear in public.

spouse may have 11th house placements or are Uranus and jupiter dominant

sun in 12th house: marriage will be quite personal and secretive. i feel like this placement is the type to travel off grid and live life together with no contact. marriage will be full of travel and can feel like a dream at times. marriage can develop hidden enemies perhaps from jealousy or judgement. marriage can be something completely different that you thought it would be, it could make you think a lot about the decisions that you made. marriage can bring endings to attachments or relationships. this relates to the isolation part. also as this house rules old age, this placement reminds me of staying married till your old, its that type of marriage that you stay with them no matter what, through thick and thin through hardships and easy ships. this marriage is most likely karmic as you may have known them in a past life and have met in this lifetime to finish some work together.

spouse can have pisces or 12th house placements. can be saturn or jupiter ruled.

thanks for reading😊🤍

#astro notes #astro observations #astrology #astrology community #astrology observations #astro placements #asteroid astrology #astrology degrees #celebrity astrology #astrology synastry #kpop astrology #astro community #astro tumblr #juno astrology

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vultbae · 3 months

Text

hot boy delivery ✩

college!art donaldson x female reader

↳ summary: Tashi's handsome alleged boyfriend knocks on your door and asks for her since she's your roommate. But she's not there, so you'll borrow him for tonight.

↳ warnings: smut (minors dni), tipsy sex, mentions of cheating but isn't, porn with plot, mean!reader at the beginning.

↳ notes: yall know the drill english is not my first language! so sorry if anything doesn’t make sense

word count: 5.7k

Stanford isn't what you would call a party school; there isn't an endless rage circuit or binge drinking regarding students –or at least the ones you know. So when you decided to enroll in college, you knew any unpleasant symptoms like headaches or fatigue would be caused by academic all-nighters and no hangovers as you believed years ago. It was a deal-breaker, but it was Stanford at the end of the day.

Your parents had enough funds to bring to the table independence privileges most college students don't have, for example, living off-campus."¿Why would I decline this unusual offer?" you thought at the time, giving in to the advantageous idea of complete autonomy and no supervision—you had seen places around the Palo Alto area, cozier and more stylish than any archaic-looking dorm room Stanford had to offer for a few thousand dollars a year —six to seven, to be exact.

Somehow, you had ended up on the shithole you had been attempting to dodge for so long. Your best friend, Diana, had gaslighted you into believing that coexisting in the same place with other young people is one of those stimulating aspects of attending college. Heck, rowdy dorm parties, popping Plan B's, snorting coke from someone's fake boobs!

Bullshit. Diana had gotten into Stanford, too, and all of your thrilling anticipations of rooming with her vanished when she had to rescind her offer due to the scarcity of financial aid. She ended up committing to Virginia State University. At the other fucking end of the United States.

You had promised Diana to go above and beyond to fulfill those wild ideas about college. Guess what? Now, you were forced to live in a rusty dorm without your extravagant Palo Alto apartment, your best friend, and rooming with a weirdo.

And, of course, you still hadn't snorted coke out of anyone's fake boobs.

"Oh my god," you breathe out with a sigh of annoyance. You let the back of your head fall over the headboard of your bed as your hands reach up to rub your tired-looking eyes; your laptop is lying on your lap, screening the article you have to read for some core course. It's almost seven o'clock, and you are about to surrender and take a twelve-hour nap.

You can't, though. Your eyes roam around and descend on your roommate's side: empty, noiseless, as if there wasn't someone there two hours ago. The apathy in your facial expression is prominent as you notice the cluttered desk, bed blankets hanging off, and wrinkled clothes over the floor. "How disgusting," you think, shaking your head and facing your laptop again, pushing it off your legs this time.

Your roommate was indeed something else. After swallowing against your will the miserable fact that you wouldn't room with Diana, your parents had already paid for Stanford on-campus housing, and it is what it is. A month before moving to California, you had seen the name of your designated roommate for the freshman year, Tashi Duncan.

You are not confident about the sort of woman Tashi is. Although you had been cordial and accommodating with her —even though you didn't want a roommate, she is not what you would call a friend. Tashi is a tennis player, apparently a very talented one, since many people around campus ridiculously fangirl over her —but you don't know if it's because of her model-like physical complexion or her sports talent. Well, it's not like you care. But despite sharing a dorm room, Tashi's interactions with you are minimal and curt, and conversations with her are typically one-sided. She rises early and evaporates for the rest of the day.

Doubtful, you pick up your Nokia from the nightstand and quickly text her, "Wya?" to feel responsible –she has never done it, though. Since you live in an on-campus residence, entry isn't monitored until eight p.m. during the week, and you already know she won't arrive by that time. She probably won't arrive at all.

The anxious chewing on the bottom of your lip ceases when your phone vibrates with the "I'm staying at Art's x" message popping on the screen. A mix of relief, bliss, and sovereignty surges from your body's core. You don't know who Art is, but you've heard Tashi talk about him a couple of times, so you assume he is her boyfriend, sneaky link, or whatever freaky shit she would be up to. You briefly contemplate the text, instantly replying, "take care :)" and waiting for her not to respond.

You sit there, stunned for a hot minute, considering the countless activities you could do now that you are —and will remain—all alone. Mild daylight peers through the opened curtains, although it's getting dark. Your head slightly turns to the two-lite slider window between both beds, revealing the distinctive greens of the trees that reach your view—a typical Stanford campus panorama.

The bedroom is ample; the floor is covered with cheap deep blue carpeting, and the walls have been sealed with a matte layer of pearl white. Your mural side is preciously decorated: polaroids, stickers, and decorative leds shimmering in a warm yellow tone adequate for winter, while Tashi's side is... three posters: two from random tennis players and a large Spider-man one. "What are we, ten-year-olds?" you murmur, eyes rolling back, exasperated as you sit in the sight of the oversized picture.

You really can't get what is so amusing about Tashi.

Your phone rings suddenly, and you sense your muscles twitch at the unexpected ringtone clashing against the lifeless four walls. A big "Diana" is written in black letters, blaring at you, which is a good sign of an enjoyable night. With no second thoughts, you pick up.

"¡Hey girl!" are the first words you hear from your best friend.

You haven't seen her since the summer break –four months ago–and time hasn't been your ally in terms of missing your friends. Diana and you always intended to attend college together; nevertheless, you can't predict anything about college. Now, she resided in Virginia, while you did in California.

"I've missed you so fucking much," you grin against the phone, talking with enthusiasm. You stand up to walk to the shared kitchen, "how's everything been in Virginia?"

Diana scoffs at your question. "Do you for real think I called you to talk about boring-ass Virginia?" she mockingly complains, sarcasm dripping out of her voice. "The real question is, how's everything been in Cali?" she adds, half screaming the last two words.

Your humorous facial expression morphs into a disgraceful one. "Well, mediocre if you take out the fact I live in this dorm. Otherwise, pretty shit."

"At least it's a Stanford dorm," Diana points out, giggling.

"Well, you are partly right," you answer, now supporting your arms over the kitchen table, "I just wish it was my dorm at least and not Tashi's, you know."

"Right, your roommate; what's the deal with her?" she asks.

¿What's your deal with her? If this were a frankness competition, you'd undoubtedly roast her without needing to lie. Sharing an apartment with an entitled asshole who thinks she owns the place makes it challenging.

"She's not my type," you let out, sighing. "I've been trying to talk to her for God knows how long, and she doesn't give a shit," you pause to breathe through your nose, trying to keep your cool. "Like, I can't understand. Do you know how many people would love to room with me?"

Diana's gasp nearly pierces your eardrum, "She's such a bitch!"

"Yes! She is," you interrupt her, squeaking out your words. "Also, she brings dudes or the same dude, I don't know, like at least twice a week. She doesn't even care if I'm sleeping; what if I throw water at them next time?" you inquire decisively, not caring if your words sound nonsensical.

"You do you, girl," your friend says, slightly chuckling, "I assume she is not there now, isn't she?"

You hum. "She isn't. She is at some dude's place. So that means I have the dorm for myself."

"Don't you care if she is safe or something?" Diana queries, almost instantly biting back a groan in response to your silence. "Yes, I know she's an asshole, but at least you should know. Some guys nowadays are creeps."

"I do, I do..." you hastily assure, your voice tone appeasing your friend's worries. "I do know the guy's name is something like Art, and I could find out his last name if I scroll through our chat. I'm pretty sure it's her current boyfriend. I've heard her talk about him."

"My God, that girl has some real action!" she hollers; a burst of mocking laughter spills out of her lips. "What about you, though? I miss hearing hookup stories from your side. Don't waste your time; Stanford has hot ass guys!"

And she was right. The amount of handsome guys around campus was not minor.

"You know what?" you say, pointing at the air as if you were talking to Diana in person, "I'm not even going to reply to that comment. I've been so focused on-"

Your words are cut off by urgent, loud knocks coming from the main door, "The fuck?" you think. Your jaw clenches but abruptly loosens as you realize Tashi can't be here after her presumptive schedule; you don't expect anyone.

And also, there's a rainstorm outside.

"Was that knocking on the door?" Diana asks, and your attention goes back to the call. You hum in response.

"Yeah, and I'm not expecting anyone." you reaffirm while your hand reaches out to your little notebook, where you keep all the emergency numbers. You sigh out a frustrated "fuck" when you realize you don't have the number of the security guard downstairs. "I should check through the peephole; it's probably a dumbass mistake anyway," you add, trying to sound unbothered.

¿Who the fuck would sneak into an all-student residence? For what, to steal? You haven't bought groceries for two weeks. It would be a shitty investment of skill.

And obviously, you curse yourself under your breath for being such an exaggerated bitch. But, seriously, who would visit you? Not even the wildest of your friends would wander across campus at night with this weather.

"Call me when you do it. I have to do some homework now," Diana demands, and you are snappy to obey and hang up the phone.

You stay still, eyes stuck on the main white door. A minute passes with absolute silence encircling you until you hear the identical frantic knocking again. Same tempo, everything.

"Goddamn, relax," you murmur to yourself.

It takes a couple of steps forward for you to approach the door and a single step to the front to see through the small peephole.

Your eyes wince slightly at the sight of a boy you've never seen in your life standing outside. You even feel the need to comically scratch your head as you notice a short-arm cast dressing up his right arm; how bizarre. "¿Is this mother-fucker trying to rob me?" you talk to yourself, making sure he doesn't hear you. Obviously, he'd predict any regular person to open the door without a doubt –"Poor boy, he's wearing a cast."

"He's too hot to be a thief," your mind suggests. And yes, he is. If you are one hundred percent honest, he seems like he would study at Stanford. He looks kind of familiar, even. You can't clearly analyze his features due to the lack of lighting in the hallway, but when his head tilts to the side, a sharp shadow forms under his jawline, and his blonde curls bounce along with his moves.

You text Diana again. "hot boy at my door x"

Although suspicion is gnawing at the back of your mind, you open the door. With a gentle twist of your wrist, you turn the knob clockwise and cautiously swing the door inward. The hinges creak softly, and the chilly air from the hallway rushes in, sending a shiver down your spine.

Your eyes narrow in recognition —and confusion—for a beat. A lightbulb suddenly flickers on in your mind.

"Hey..." the guy in front of you greets you softly and politely, his voice barely above a whisper.

You have seen his face around, but you can hardly remember his last name—Dawson, Davidson? Something like that.

"...Is Tashi around?" he asks, his voice carrying a note of desperation.

Your gaze rakes down his figure. He's wearing a Cardinal performance polo from Stanford and thin black polyester shorts, both soaked—presumably from the storm roaring outside. His chest rapidly rises and falls with each breath, and as if by carnal instinct, your eyes delineate the muscles of his abdomen tightening; the outline of his six-pack is visible through the soaking polo clinging to his torso. Tiny water beads accumulate along the strands of his blonde hair, glistening, growing heavier, and descending onto your doormat with soft plops.

He's hot as fuck, you think. Straight out of one of those cliché Teen People magazine covers. But it's not only his physique. Something about how he stands there, dripping wet, vulnerability mingling with his athletic build, piques your interest. It's sort of contradictory and sexy as fuck.

Your eyes drift down to your own outfit—pajama shorts and a crop top. It's not too practical, considering the chilliness from the residence hallway drives your nipples to react against the thin material of the top. His gaze falters for a second, lowering to your bare midriff, and you catch the way his cheeks redden. You hear how he chokes with his saliva.

But it’s bizarre, too. His functional—left—hand is grasping a large Smirnoff Ice bottle by its neck. Your features smooth out at the sight of the clear glass bottle containing one of your favorite low-alcohol cocktails.

It's a raw lure, just like the owner of the bottle.

But it's still bizarre. Because why is this hot-ass guy holding a delicious-ass drink standing outside of your dorm?

You pull your gaze away from the Smirnoff bottle. "Aren't you supposed to be hiding the booze?" you blurt out, raising a finger to point at the bottle.

Maybe your tone was too sardonic, or it was the uncaring disregard of the Tashi question because the blonde guy's face reddens in a deep shade of crimson —again—spreading rapidly from his cheeks to the tips of his ears. Aw, he's embarrassed. His eyesight shifts to the bottle, and he acts as if the bottle magically spawned in his left hand.

But you don't wanna spook the doll away.

You audibly clear your throat, trying to rectify your rudeness. "And no, Tashi's not here," you add, attempting to depict kindness and capture his attention again.

He stays silent. As the rosy hue of his cheeks vanishes, you can sense he's building up the courage to keep interrogating you. "Do you know where she is?" he timidly asks, gliding the bottle under his left arm as if trying to hide it now that his plans are ruined.

The guy's smoking hot but fricking awkward. It doesn't make sense. He's six feet tall, lean, handsome, and muscular; why is he acting all timid? He's standing past your doorframe, practically asking for clearance to trade words with you. It doesn't make sense.

"Yeah, she's staying with this Art guy. Maybe you know him," you say, gaze unconsciously disembarking again on the Smirnoff bottle.

The guy's eyebrows furrow and his blue eyes dart back and forth as if digging for an answer hidden in your dorm. His facial expression gradually shifts from puzzlement to realization and then to frustration.

"Son of a bitch..." he mutters under his breath, his voice laced with malice.

You raise an eyebrow, feigning amazement. "Sorry?"

It makes you wanna chuckle at the sudden, humorous switch in his expression.

He inhales sharply, his blue eyes scintillating with sadness and something deeper, perhaps a sense of betrayal? You don't know. "Are you sure Tashi's not here?" he questions again, the tone of his voice hardening. "I'm Art."

The prior flickering lightbulb turns into one illuminating your memory's dim corners. His facial features now have a name: Art Donaldson, another celebrated first-year tennis player. There aren't many Art's around, so the first time you heard his name —even before Tashi— falling out from one of your closest friends' lips on campus, you should've known it was him.

So if he’s Art, that means Tashi lied.

Shit. Tashi's cheating on this guy.

You hope he doesn't notice because you know a flicker of darkness is dancing across your eyes as the seed of an idea takes root in your mind.

A smirk curls your lips as you relish the scrumptious irony. "Oh, you're Art? The one Tashi talks about all the time?" you say, voice dribbling with mockery.

He doesn't respond; he just looks at you with those piercing blue eyes. But then he speaks, "Yeah, I guess..."

You seize the moment, reaching out and stealing the bottle of Smirnoff from beneath his arm. "Well, I guess I'll take this," you say, twisting the cap open and taking a long sip. "You won't need it, right?."

You know exactly what chord you want to strike.

Art's jaw tightens, his face a mix of irritation and helplessness, but he doesn't oppose. You can see his struggle and even sense how his mind races to make sense of the situation. He was expecting Tashi, who was not his girlfriend yet, but he had arranged this to get to know her better. Instead, he's faced with you—an unexpectedly attractive challenge.

And, of course, he wanted it. There was the initial shock at finding you instead of Tashi, but an undeniable attraction stirred something profound within him —a foreign sensation he hadn't felt before. And he's by no means a virgin or a "lame-ass," as Patrick would call him from time to time. Art knows how to have fun. But he's used to the upstarting idea that women must be salivating over merely hearing his name. That's why he obsessed over Tashi Duncan; she is dominant.

But of course, fucking Patrick had to take her tonight.

You lower the bottle, wiping your lips with the back of your hand. "Or maybe you shouldn't go back to the rain," you say with a shrug, "you could come inside in case Tashi comes back, and I'd think about sharing the Smirnoff with you."

He hesitates.

You step aside, holding the door open wider. "You don't wanna go back to the rain, don't you?" you add with a mischievous grin.

For a heartbeat, he stands there, his resolve wavering. Then, with a resigned sigh, he steps forward, crossing the threshold into your college dorm like a lost puppy.

You close the door behind him, drawn to let out a scream when he's not looking after how things were interestingly evolving. The room grows warmer for Art and you, the atmosphere thick with tension and unspoken intentions from both sides. You take another sip of the Smirnoff, savoring the lemony taste.

"Make yourself comfortable," you express, gesturing to the modest common area where the kitchen is. Art follows your lead, his movements stiff from the water and his arm cast.

He's about to push back the strap of his black Adidas duffel bag to roll it down his right arm —cause he was holding THAT and the Smirnoff bottle, when he turns to you and, contemplating his words, he speaks, "Do you think I can use your shower?"

"You would do it anyways if Tashi was here instead of me, so..."

Art takes that as a yes.

The bottle of Smirnoff sits nearly empty on the wooden night table beside your bed. Although you had explained earlier to Art that Smirnoff ice was "inoffensive alcohol," it hadn't failed to cultivate an effect of tipsiness in both of your warm bodies. Art's initial awkwardness had been disbanded by the bitterness of the alcohol coursing through his veins. And your mean facade had shifted into a more loquacious, sarcastic, and bold one.

The common area had grown colder. In one instance of exorbitant bravery, you offered to move to your room— Art had said yes way too fast. The space was cozier and filled with your personal touches.

Art is sitting on your bed, the back of his head supported against the wall, while you lie on your stomach beside him, propped up on your elbows, attentively hearing as he converses about another obscene anecdote of his. The dim yellow lighting from the led lights from your side of the wall casts a soft glow over both of you, making you equally horny and exhausted —the calming sound of the rainstorm outside didn't help.

Art had changed into a grey T-shirt with "Stanford Tennis" printed across the chest. His strawberry blonde hair is nearly dry and slightly tousled...

The rich, warm sound of Art laughing fills the room and clocks you out of the trance. "...I swear, I walk in and see Tashi doing some nasty, weird thing to him. The next morning was hell for him. I couldn't believe he was into that type of shit."

"God, was she pegging him?" you giggle, covering your eyes with the palms of your hands.

Art chuckles, shaking his head. "You don't want me to get more explicit."

You pout playfully. "Don't be an asshole. Tell me."

Art raises an eyebrow, intrigued, half-smirking. "Why are you so interested? Are you going through abstinence?"

The truth is yes but against your will. The bad thing is that you can't filter the information spilling out of your mouth whenever you drink.

"Depends. Are you gonna bully me if I say yes?" you ask, looking up at him with a teasing glint in your eyes.

The rhetorical question prompts Art to tilt his head, confused. "I'm not a playboy myself. And also..." he slightly lifts his right arm with the cast, alluding to it. "After my injury, I can't do much."

Your thoughts started tumbling over each other in a chaotic mess. You started picturing too many scenarios where Art would still be able to fuck with the arm cast on. The amount of vivid, fleeting mental scenarios internally summoning the attention you couldn't provide right now makes you feel physically ill and euphoric.

"That is not true."

He giggles again, a sound that causes your heart to flutter despite your mind warning you about potential word vomiting. "Well, I can't even jerk it off. Is that enough for you?"

"Not really. There's plenty of stuff you can still do. Ask someone to give you a blowjob or something," You suggest, way more convinced of your comment than you should.

Art’s natural smirk fades as he processes your sentence, his eyes squinting as if he's about to test something. He's holding back a chuckle, "That's a wild thing to say to someone you met two hours ago."

You roll your eyes in feigned annoyance, "Don't tell me you are one of those people who think sex is taboo."

"Hey, no, I'm not." He raises his left hand in front of you, palm open and facing outward. "Asking someone to suck my dick is just gonna give me a fat restraining order."

At this point, the notion of reality has altered for you. Not much, but to the extent things that would commonly make you pause and reconsider your life choices now seemed perfectly reasonable, even hilarious. "Asking this guy I just met to fuck me? Awesome!" You think. You feel an overwhelming sense of camaraderie, a genuine tie to Art, fueled by the shared silliness of the circumstances and nasty anecdotes of this so-called Patrick.

"Oh, please..." You wave your hand carelessly as if waving away his absurd comment. "Who would put a restraining order over that?"

"What would you do if someone asked you to suck their dick?"

But, before replying, you push yourself up onto your knees. The bed creaks softly as you shift, and you slide your legs out from under you, moving to sit cross-legged on the bed.

"So?" he insists as you finish changing your position.

"Oh my god. Well, it depends on who's asking."

Your last words hang in the air between you and Art, electrifying and charged with suggestive tension. Predisposing yourself to Art's potential lack of boldness, you let the tipsiness strip away your remaining self-respect. "If you asked me, I wouldn't say no," you add.

Your words cut through the alcohol-induced haze like a sharp blade, leaving Art momentarily sober. It's difficult for him to think properly. It feels like a thick fog full of thoughts and bitter rememberings encircles him, but you cannot see it.

He helplessly daydreams about the scenario where this is Tashi instead of you, tossing salacious remarks at him and attending to whatever crap he chooses to say. But it isn't. He doesn't know you properly; he hasn't seen your serve or even how you hold a tennis racquet. And you haven't seen much from him either.

Patrick doesn't know about you either. His Patrick, with the captivating smile and the big-dick aura. The one that has been setting him up with women forever, as if he couldn't do it on his own.

That's how he realizes the attraction towards you —even if purely carnal, is authentic and unpretentious. It's not polluted with anything else. You aren't flirting with him because you eventually want to mess around with Patrick.

There's bone-deep curiousness humming through Art's veins, but he won't fuck up the first time a gorgeous girl wants to fuck him.

"Then I guess I should ask you," Art states, attempting to maintain his voice steady as his heart plummets.

You lean in closer, your faces now inches apart. The dim glow of the led lights casts a golden hue over your skin, making the moment feel even more surreal for Art. “Good, 'cause I have wanted to do you since you knocked on my door."

The familiar aching warmth starts to pool at the bottom of your abdomen as Art's lips attack yours, parting them with easiness; you kiss him fiercely, savoring a mixture of Smirnoff Ice and spearmint. Art kisses you like he's starved of it; he slips his tongue inside like he has been patiently deferring his devilish invasive thoughts. He is, damn, a wonderful kisser. Flawlessly proportional: immodest, licking into your mouth, so sexually arousing, at the same time so tender, holding you close with such courtesy it makes you want to scream.

With the strength of his left hand, he draws your body closer to his, deepening his mouth as much as possible on yours. The contact makes your stomach jolt, tardily falling into account you are blending Art's masculine scent with yours. Art's upper-body muscles harden at the ecstasy, and the subtle contour of the veins on his arm arises on his skin, popping out as he possessively grasps your waist.

Between wet kisses, his mouth quakes as he lets out a hushed chuckle, "Wait, is it true... what you said?" he mutters into your mouth and raises your chin, taking a pair of hot seconds to look at you straight in the eye.

You relish the sensation of his fingers racing down your waist and descending on your hips, gently squeezing; your hands are holding onto the nape of his neck, caressing his skin. You kiss him again and roll his bottom lip between your teeth, "I've never wanted to fuck anyone so bad," you husk into his ear, words purring as you teasingly lick his ear lobe, lowering the wet kisses until you end up licking down his throat. You trail soft, open-mouthed kisses down his skin; your nails scratch lightly over his back, folding at the sensation of his warmness capturing yours.

Art swears he's about to pass out.

You swing one leg over his lap, carefully straddling him. Art wastes no time, lining his hips with yours, pressing and grinding, compelling your body to feel small in his presence; the mean grip of his hand drops to the end of your back, slowly running down your sides to cup your ass over your pajama shorts, slowly plunging his fingers on your skin. Quick, discreet moans slip out of your mouth, each one driving Art to his edge. The hardness of his cock pushes against your pussy, making you gasp between kisses.

Your cheeks prick with heat as you hear a clap sound, a slap against someone's skin: your skin. Art spanked your ass rough, and you could anticipate the red handprint remaining in your butt for a couple of hours. His hand smacks again, grasping the over-sensitive plush of your ass at the end, making your muscle throb, "Art!" you whimper, squirming.

"Don't be too loud," he whispers against your neck, demanding.

Art's lips trail down your jawline; his breath catches in his throat every time the aroma of you transits to his chest. You tilt your head back to grant him better access, and your vision goes fuzzy as you discern Art's teeth sucking and biting on your neck, "...d-don't mark my neck," you add between whimpers, piercing his eardrum in the most sensual way imaginable.

"Can I mark this, then?" he snaps back, his right-hand cupping one of your tits over the material. The lustfulness creeping through your body evolves into dizziness, changing how your heart palpitates.

You overtake him and take your crop top swiftly without wanting to see him making extra effort. You audibly gasp when he determines to bury his face between your tits, his thumb and pointing finger skillfully rubbing and then rolling your nipples between his fingertips.

You are so fucking overwhelmed. Art realizes, and with a wicked smirk plastered on his face, he gives a low coo, "You are so sensitive-"

"Shut the fuck up," you cuss softly, thrusting your chest out, slightly arching your back at the filling sensation. A slimy coverage of saliva grows over your left nipple; Art's mouth works over your bud, flicking with his tongue, making you impossibly wet, "Art, please, I need-"

"Need what?" he glances up at you, neglecting your nipples coated in spit, the cool breeze clashing against your skin and prickling your dermis with goosebumps.

You pant under your breath as his fingers play with the waistband of your shorts. You grab his hand and put it away, "I'll take care of you."

Your gaze descends to admire the outline of his cock, pushing against the thin fabric of his shorts. "Let me taste you," you beg, tracing a finger down his chest and reaching the waistband of his shorts.

"Pretty convenient since I can't do much, huh?" Art suppresses a laugh.

You don't say much. You come off his lap to drag him to the end of the bed, feet touching the carpeted ground. As you sink lower, you unconsciously smile at the things you will tell Diana tomorrow.

You squat down on your feet, your hands positioned on Art's thighs, supporting your body in case you lose balance. You palm his clothed dick, rubbing your fingertips against the slim layer of clothing, anticipating how much you'll be able to fit in your mouth; you shoot Art an incredulous look, enjoying his heavy-lidded, lustful grimace.

Your fingers hook around the waistband of those goddamn shorts, sliding them down, along with his underwear. In one fluid motion, his cock springs free with his reddening, glistening tip slapping against his stomach.

You think this is the perfect situation to overpraise him. You assume these guys love it. Tennis players with a big ego —and a big dick.

"You are so big, Donaldson," you praise, prolonging the word so seductively and not breaking eye contact with the blonde guy. You admire him, captivated by how his Adam's apple twitches; he gulps.

Your fingers wrap around his length, gripping his base, starting to stroke, gingerly moving from base to tip, stopping to rub his swollen tip and spread pre-cum along his shaft, simulating lube. His muscles tremble at the touch, yanking at your hair. You dart your tongue out, flattening it, licking his cock up and down, kitten-licking his thick tip and sweeping your lips across it, loudly slurping the shiny, gooey substance leaking from his dick. Art's torso feels deficient in oxygen as you lock eyes with him, simultaneously stroking his cock mercilessly, sucking on his head; his lungs ache for air.

You bob your head slightly, and your mouth opens wide, taking him further and increasing your pace. Your mouth is warm and wet; he can't wait to stretch other holes if you feel exceptionally good like this.

"How does it feel?" you take a look at Art's journey, who has his head thrown back. You want him so bad to praise you back. When his head returns to its place, you meet eyes with him and give a tantalizing squeeze to his cock, eager for more reaction. His fingers jump to run through his hair, exasperated.

You don't —and can't know that Art is holding it back already. He's been holding it back since the moment you straddled him, and he could feel the warm wetness of your pussy over his throbbing dick.

In desperation, he pushes your head, positioning your lips straight over his dick, "Please, princess," you obey and put it inside your mouth again.

He lets out a groan when his tip hits the back of your throat, making you gag. You try to relax and breathe through your nose, allowing him to hit it constantly, deep-throating his length, drooling over his cock, swallowing around him. He strains his hips forward, tugs your hair, and essentially fucks your throat without requiring you to do anything but suck and be good for him.

His breathing becomes erratic, and you feel the muscles of his legs unconsciously twitching. He's close.

When his hand on your hair pushes you up, you resist and stay there for longer, anxiously waiting for his cum to hit your throat. With a rough jerk of his hips, you finally taste his sperm filling your mouth. You swallow it.

"Shit," Art mutters, hyperventilating and staring at you with heavy-lidded eyes. "You just made me reconsider if I'm still precocious."

You laugh, shaking your head. "Or maybe I give good head?"

After catching his breath, his eyes fall over your figure. There's something so amusing about you, and it's definitely not the remaining mix of cum and spit over the corners of your mouth.

It's just you.

The rain continues to fall outside, a steady rhythm that matches the pulse of his heartbeat. It wasn't the post-nut clarity that made him philosophical, but he can genuinely feel that the only thing that matters is how amazing he has felt around you.

Art breaks the silence. "Let me take you out tomorrow night."

#art donaldson #art donaldson x reader #challengers #challengers fanfic #challengers fic #fanfic #patrick zweig #tashi duncan #x reader #challengers x reader #female reader

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dyaz-stories · 23 days

Text

casual (1) || gojo satoru x reader

chapter 1: i like the way you kiss me

synopsis: Getting recruited for a double position as a teacher for Jujutsu High in Tokyo and a strategist, tasked with assigning missions to sorcerers in the region is the perfect situation for you. It pays well, it's well regarded, and it's as safe as possible — by sorcerer standards, anyway.

There is one problem though, and his name is Gojo Satoru. The one who's supposed to collaborate with you and answer to you.

The one you can't keep your hands off...

word count: 9.5k

genre: 18+, friends with benefits to lovers, coworkers to lovers, canon divergence, smut, emotional slow burn but they fuck like rabbits

warnings/tags (chapter): fem!reader (she/her pronouns, reader is afab), takes place ~5 years before jjk0, teacher!reader, sorcerer!reader, canon-typical violence, mild angst, smut (semi-public sex, fingering [fem receiving], vaginal sex, sorta dom!gojo, corruption kink if you squint), mentioned slut shaming (not the sexy kind), gojo satoru is a little shit

A/N: This is quite the Behemoth of a first chapter, I'm sorry to say. I love really long chapters, but I can only hope you all do too and this isn't too intimidating! This is a fic I've had in mind for ages and finally got around to start an outline for and actually write it. There are actually a couple of drabbles here and there on my blog for this couple already, happening at various points of their relationship.

I really hope you will enjoy this first chapter!

‘Make use of Satoru Gojo however you see fit.’

Such are the first words spoken to you by the higher-ups, at the end of an exhausting recruitment process. You nod sharply at the instruction.

“Duly noted.”

Truth be told, you don’t see why they need to specify it. You had assumed that went without saying from the very beginning.

The job offer had, at first glance, been for a strategist who would work directly under the higher-ups for the region of Tokyo. Devising teams, advising the council, and assigning missions were supposed to be the main tasks you would have to fulfill.

‘Supposed’ because, when you were one of only three candidates left, the higher-ups had revealed that there was, in fact, a second role you would be expected to perform. One that you had not imagined would be available for decades.

A new teaching position at the Tokyo Jujutsu High School was opening up, though you couldn’t understand why for the life of you. You had no connection to the establishment yourself, having left Japan as a child and trained abroad your whole life, never returning for more than a couple of months at a time, yet you knew, as did the entirety of the sorcerer world, that Satoru Gojo had been appointed there less than a year before. Well, rumor had it that he had appointed himself, and you had to wonder if that was why they were keen to have a more… traditional teacher by his side, since firing him was an option.

In that case, your lack of ties to Satoru Gojo, Masamichi Yaga and to the Jujutsu Headquarters could explain why your name ended up being the last one on the ballot. You were the best placed to be an independent monitor.

The distorted voice keeps going, bringing you back to the present.

“Unless stated otherwise, always send him to battle first.”

You school your face so you do not let any emotion appear, though the statement surprises you. You have to assume that they don’t mean for any mission you receive, because that would be catastrophically ineffective. Then again, sending him on Grade 1 missions, if he is available, makes some sense.

“Report to us if you encounter difficulties with him,” the voice adds before falling silent without elaborating.

You understand, from the finality of their tone, that you have been dismissed, and bow your head, your movements polite and sober.

“Thank you for the trust you are placing in me. I will not disappoint you.”

“We know you won’t,” another sepulchral voice answers.

In the dark, candle-lit room, it sounds sinister enough to chill you to the bone. You wait just a second longer, in case something needs to be added, before turning on your heels and walking away. No one calls you back, and you’re more relieved about leaving the room than you would like to admit.

Outside, the summer sun is high and bright. You tilt your head backwards and close your eyes to let its rays warm your face. It will take a while before the cold instilled in you in that meeting room dissipates.

You’re expected in Jujutsu Tech by the end of August. Being a teacher there is as close to the ideal position as it gets, for a sorcerer. The pay is excellent, the risks minimal, and it commends great respect from the society at large. You have no doubt that, had the offer been for that position in the first place, numerous sorcerers far more qualified for teaching than you are would have thrown their hats in the ring. You wouldn’t have made it past the first interview.

You got lucky. Just this once, you’re going in the right direction.

You inhale deeply. For the first time in a long time, you no longer envision your life as an endless successions of missions, countries, and houses that never become homes.

For the first time in the long time, you think you have a future.

There is a spring in your step when you make your way down the stairs, away from this freezing place and the ghouls that haunt it.

Behind you, the Headquarters; ahead, Jujutsu Tech.

Masamichi Yaga is a cautious man. His handshake is warm and firm when he greets you, and though his voice is calm and steady as he guides you through the hallways of Jujutsu Tech, he remains evasive. He provides all the information you might need, answers any question you have when you ask them without missing a beat, and yet you can tell he is guarded, keeping you at arm’s length.

You cannot determine why that is with certainty, though you have a handful of hypotheses. It could just be that he isn’t used to the presence of strangers. Dealing with a total stranger is a rarity within sorcerer society, even more so in Japan. You doubt that he would know anyone who could talk about you, let alone vouch for you. You understand why that would make you a suspicious character.

Another option is that you were forced onto him as a member of his staff by the higher-ups, though you haven’t heard anything about that. With you being a complete outsider, he would not have any valid reason to outright reject your presence, not when his only teacher is frequently gone for days at a time, but that would not mean that he’d be pleased with it — or view you as trustworthy, for that matter.

The third possibility, of course, is that he just finds you off-putting.

‘Cold’, that’s how you are often described by the people around you. You don’t do it intentionally, but you also cannot pinpoint what it is that you do ‘wrong’. Something about your tone, your expressions, or lack thereof, your cold eyes, the way your mouth naturally curves downwards.

That and, of course, the trail of bad omens that you bring with you everywhere you go.

These don’t tend to be active problems when it comes to sorcerers. With normal humans, now, it’s a different story. Oh, there are exceptions, who find that this all makes you intriguing, but it typically makes it hard to build actual connections with other people. You wouldn’t normally care, but in a situation where you have to collaborate with others, you could see that becoming an issue.

You had seen that coming, of course — it wasn’t like it was new information to you. As a result, you had made sure to be on your very best behavior from the moment you’d stepped foot within Jujutsu Tech grounds. You had nodded with interest, you had reminded yourself to smile, you had asked all the right questions, and yet you could feel that you had not once managed to turn yourself into a likeable person.

Ah, well. Not being likeable would not stop you from doing your job right.

“I’ll introduce you to the rest of teaching staff,” Yaga announces, his voice deep, as he reaches a new door. His hand is hovering over the doorknob when he stills, turning to look at you. “Are you ready for this just now? They were both students here, but I assume this can all be overwhelming for a newbie.”

That is a kind sentiment.

“I’m okay.” Then, because answering in monosyllables is not what likeable people are supposed to do, you add: “I read the files available to familiarize myself with the school grounds before coming here.”

His eyebrows jump up behind his glasses, but it’s followed by a hearty chuckle.

“You’ve come prepared.” He nods, appreciative. “Good. It will be nice to have someone who takes their job seriously around here.”

You don’t have the time to question the sentence before he opens the door.

The room is small and reeks of cigarette smoke. In the middle of it, a desk, and behind it, sprawled on an elegant black chair, a white-haired man that you recognize at first glance. You let your eyes slide over him. You wouldn’t want to look too, um, curious, just yet.

The brown-haired woman with the long white coat who is perched on a window sill, doing her very best to look inconspicuous, is the one responsible for the smell. You identify her as Shoko Ieiri, school doctor and reverse cursed technique prodigy. Next to you, Yaga sighs.

“Shoko,” he protests with a paternal disapproval, “I thought you’d quit smoking?”

“I did,” she answers, staring at him, her eyes dark and tired, “and then I had to regrow a lung. Do you have any idea how much of a pain it is to regrow internal organs?”

A light laugh comes from the man in the middle of the room, and you consider that this gives you permission to look at him without coming off like you’re gawking.

He has his feet propped up on the desk, and he’s using them to push himself backwards in a precarious balance. White hair spills on the dark leather, long arms hang on both sides of the chair, and he hasn’t bothered to so much as glance in your direction so far — or at least, you don’t think he has, because white bandages are wrapped around his head, covering his eyes.

Even without being able to spot their signature blue, you know who he is. There isn’t one sorcerer in Japan, nor in the whole world, who doesn’t know his name.

Satoru Gojo, in the flesh.

“Maybe if you hadn’t cheated your way through medical school, it would be easier, don’t ya think?” he asks Ieiri with fond familiarity.

“Don’t—” Yaga takes two steps into the room, kicks the legs from underneath the chair. “—sit at my desk, Satoru.”

Effortlessly, Gojo jumps off the chair before it hits the floor and lands on his feet, facing Yaga. He is just as tall as the Principal, and from the wide grin on his face, it’s obvious that he is thrilled to have gotten a rise out of him.

“Then get me my own office already, what are you waiting for?”

“We’ll see which one of you gets an office first,” Yaga sniffs, and it doesn’t sound like Gojo is at the top of his list. “First, there is someone you need to meet.”

Ieiri has been observing you since you’ve walked into the room, not looking away when you had met her eyes. Yaga’s words have Gojo finally directing his attention to you, though, and something in the room shifts. You can’t see them, yet you know his eyes are on you, dissecting you and your cursed energy, collecting every possible bit of information on you. He walks past Yaga, burying his hands in his pockets as he approaches you. He has an easy smile placated on his lips, but you know when you’re being judged.

Behind him, both Ieiri and Yaga are still, tense. Yaga’s jaw is set, and Ieiri fiddles with a pack of cigarettes in her pocket, clearly itching for a new one. Ah, so this is the real test.

You don’t back off, staying rooted in your spot. He towers over you easily, and you have to tilt your head back just to look at him. You’d heard he was a handsome man, but you hadn’t expected it to be so obvious, even with the bandages on. He studies you, sharp jaw clenching, before the dazzling smile returns.

“Right! You’re the substitute teacher, aren’t you?”

His voice is light and airy, the previous tension completely absent from it. You blink.

“She will be teaching instead of you when you’re away on missions,” Yaga intervenes, “but that doesn’t make her a substitute. C’mon, Satoru, we’ve had this conversation already.”

On that last sentence, his voice turns into a threatening rumble.

“Sure, sure,” Gojo dismisses him without looking back, “and you’re the one who will be giving me missions as well, right?”

He keeps his tone cheerful, makes it sound like he’s just trying to have a conversation, but there is an edge in his voice, a bite. You cannot tell what he is trying to achieve with the question, though, or why he is being hostile, so you choose not to engage.

“Indeed,” you answer, bowing your head politely. “It is an honor to be meeting you all.” You make quick work of giving your name and briefly mentioning that you hadn’t grown up in Japan.

You’re met with silence, Gojo’s lips pressed together as he tries to read you. You do your very best not to give him anything to sink his teeth into.

“Your family’s known for their precognition, aren’t they?” Ieiri asks from the other side of the room.

“Foresight, yes”, you reply. Your answer is rehearsed, polished. Your family has somewhat of a reputation within the sorcerer world, but fortune tellers are a dime a dozen, even among non-sorcerers, and the results vary greatly — it’s not an ability that inspires trust, even for a legitimate sorcerer like you. You don’t wish to reveal too much of yourself just yet. “I look forward to working with you.”

A smile finally forms on her lips.

“Well, don’t take this the wrong way, but I hope I won’t be seeing too much of you. Would be a shame if I had to patch you up. If you want to go out drinking though, just let me know. I know all the best bars in the city!”

“She does, and she’s banned from half of them,” Gojo chimes in. Now that his focus is back on her, his tone is softer; teasing, still, but no longer harsh. “She could use an actual designated driver instead of exploiting her kouhais though, don’t you think, Shoko?”

She laughs at that, sincerely, her eyes creasing.

“Fuck you, Gojo,” she answers fondly.

“I apologize for these two,” Yaga says, wincing at the coarse language. “We’re very happy to have you here. I’m sure it will do the kids some good, having someone serious to take after.”

“Hurtful,” Gojo protests, pouting. “They’re good kids,” he adds, directing his attention back to you. He sounds proud now, no trace of his earlier defiance left. “They’ll be great soon. They just need a little push to get there.”

At that, you nod.

“Of course. I’ll do my very best to help them on that path.”

There is a second, between the moment when you finish speaking and the moment when a wide smile splits his face. In that second, his lips part, and you feel his eyes plunge into you, digging into the very core of your being. He doesn’t look pleased. No, he is sizing you up, and you doubt you measure up to his expectations as well as you should. You’re the only one facing him, though, and when he smiles, just a little too late, it all vanishes like it never happened.

“Good to hear! As long as that’s the case, I’m sure everything will go smoothly.”

It’s said differently, but it’s as threatening as the higher-ups’ last words to you. Still, behind Gojo, Yaga heaves a relieved sigh and exchanges a look with Ieiri that tells you just how worried he’d been about your arrival. To him, it looks like the situation is resolved.

“Why don’t we all go and get a drink together to welcome you properly, if we’re done here?” he asks, walking over and slapping Gojo in the back.

“Sounds good to me,” Ieiri hums.

“As long as we go somewhere with good desserts, I’m in,” Gojo declares, intertwining his fingers at the back his head.

“You better be, Satoru,” Yaga grumbles, “you’re paying.”

“Not sure the Gojo clan has enough money for your appetite,” he sighs dramatically, “but I mean, I can try.” Then, eyeing you, “You coming or what?”

“Of course,” you say, swallowing around the unexpected knot in your throat. “Thank you for having me.”

You follow them cautiously, keeping quiet as the banter continues, hands held behind your back, observing. You had not expected to feel welcome here. You could have done without Gojo’s strange hostility, but with your track record, you had expected far worse.

“Let me know if Satoru makes your life harder, alright? I’ll talk some sense into him,” Ieiri tells you, placing a cigarette between her lips.

“And I’ll beat it into him if I have to,” Yaga adds, snatching it from Ieiri’s mouth and crumpling it between his fingers.

“I’d love to see you try,” Gojo grins.

“Noted,” you answer, “but I’m sure everything will be fine.”

This last part is a lie. Even as he’s joking around with everyone, you know he is still observing you, courtesy of the Six Eyes, watching your every move, waiting to find a fault somewhere so he can figure out what to do with you. You can’t blame him. You will be the one sending him into action, after all, even if the higher-ups would review missions assigned to grade 1 sorcerers and special grade sorcerers. Of course he’d need some time to figure out whether or not you’re trustworthy.

Not that his opinion on the subject matters to you. You’re not the type of person who needs other to like you. You don’t even need him to trust you. All he has to do is let you do your job.

Everything else is futile.

It is no surprise that the first few weeks at your job are slow. The end of summer and the beginning of fall are always quiet periods for sorcerers, and as a result, you don’t have many missions to hand out just yet. The few, low-level ones available in Tokyo are systematically claimed by Gojo before you can look into them, as training for his students.

“Kids gotta learn somehow, right?” he tells you with a grin the first time it happens.

He’s just waltzed into your classroom and he’s leaning over the desk, elbow conveniently resting on the mission files. You try not to think about how brazenly handsome he is right now, even when he is openly provoking you. You stare at his bandages, right where his eyes must be. He may be smiling at you, but there is no sincerity behind it, no joy, and that wasn’t really a question.

You shrug.

“Alright.”

The smile falters.

“Yeah? That’s alright with you?”

“Certainly. If you think these are good exercises for them, and if you plan on being there to supervise them, I don’t see any issue with it. Just return the files if there are any they can’t clear, and I’ll transfer them to the appropriate person.”

He tilts his head. Watching. Assessing.

“You should join us!” he exclaims cheerfully, smile back in its place, clapping his hands together. “The more, the merrier, isn’t that right?”

Oookay. He is testing you. The infuriating part of that is, you have no idea what he is testing you for, what he wants you to display — or fail to display. Trying to see if you’re good enough of a teacher? You have nothing to prove here, certainly not to someone who has been on the job for such a short time. Then again, you don’t see any harm in humoring him.

“No problem. Just let me know when you intend to take care of them, and I’ll be there.”

His smile widens, but you’re not sure if it means you’ve succeeded or failed his test.

“Good,” he hums. “I’ll be taking that, then.”

In one swift movement, he retrieves the files from your desk, and he walks away with them before you can say anything.

You roll your eyes — this whole song and dance are so unnecessary — but you don’t see any reason to stop him, so you just watch him leave. You catch him stopping in the doorway, turning back to look at you. The smile is still dancing on his face, all edge and teeth.

“You’re not what I expected.”

You stare at him just a moment longer, brow furrowing, before he vanishes and you’re left with nothing to look at.

‘Not what he expected’. You turn the sentence over in your mind a couple of times, trying to conjure up an image, a personality that would fit better for the role you’re supposed to play, but nothing comes up. You have two roles: teaching the future generation of sorcerers, and assigning missions. If doing one task can facilitate the other, there is no reason not to do it — and you find it even harder to comprehend why he wouldn’t have expected you to do just that.

You shake your head, willing his words out of your mind. You’ve never felt the need to meet anyone’s expectations, so why should you start now?

Taking kids to a cemetery for a mission seems in poor taste, but that’s not what you tell Gojo when he announces it as his first choice.

“The mission is for a number of grade four curses and a couple grade three,” you state instead, “but considering the spot, it’s likely more powerful ones went unnoticed. Are you sure that’s appropriate for first-years?”

“Well,” he answers, hands casually in his pockets, towering over you with all his height, “it will be good to see how adaptable they are and their abilities in the face of danger. Plus, they’ll have two guardian angels looking after them, won’t they?”

There’s that toothy smile again.

You still don’t know what it means.

“As long as you’re here, it will be fine, I guess” is what you end up answering him with a shrug.

This time, he doesn’t say anything as he leaves, doesn’t stop to look at you.

You suspect that you said exactly what he was expecting from you.

Contrary to popular belief, cemeteries don’t typically harbor powerful curses. The smaller ones are numerous, born out of loss and grief, but the bodies of non-sorcerers don’t take the pain they endured with them in the grave. They leave it all over their houses, leaking through the walls and ceilings, seeping through the cracks in the floor, cursing their loved ones.

Cemeteries remain clean.

The exception to that rule is a notable one. In any place where cursed energy accumulates for long enough, there is a risk for it to congregate to the point where strong curses can emerge. This slow growth means they learn to better hide themselves, and it makes them harder to spot and eliminate. In an ideal world, there would be a sorcerer expedition every other decade to ensure nothing big can develop, but sorcerer numbers being what they are, that is impossible to ensure. There is also a high likelihood that it would be useless anyway, a waste of time and resources, far too much firepower for the bunch of fly heads sorcerers would find.

Still, you keep an eye on the three, baby-faced first years, and chew on the inside of your cheek as they start to make their way through the alleys.

You don’t like this.

“Don’t tell me you’re scared,” Gojo says lightly, next to you. “You’re a grade one sorcerer, aren’t you? There’s nothing more powerful than that here. I’d know it if there was.”

“My evaluation took place in Europe. I don’t know if I would have ranked that high, had I taken it here.”

“Aw, c’mon, if even you think you’re that weak, who’s going to believe you’re strong?”

The sentence surprises a chuckle out of you. A grade two sorcerer is nothing to turn your nose at, but you can’t say you’re shocked that the Satoru Gojo would equate that status to weakness. He is so far off the scale that he would break it altogether if it wasn’t for the convenient, murky ‘special grade’ title.

You look at him, find him already turned in your direction. His lips are parted in surprise. You don’t realize it, but you have somehow managed the feat of getting Gojo’s undivided attention. The Six Eyes are focused on you, dissecting you, taking you in. This is— new. People are predictable. It’s not always a bad thing, though it gets a little boring. You— you keep catching him off guard while doing things that seem completely natural to you.

For once, you’re the one who is smiling, and he’s stunned into silence.

“It doesn’t matter to me, whether or not people think I’m strong. All I care about is—”

Teeth reflected in a pupil. Muscles like lead. A hand raised in defense. Flesh that turns into mist, there one second, gone the next. Clicks like a laugh, coming from behind. ‘Morino Iori — 1954-2010’, splattered with blood. A curse with its head thrown back, an arm coming out of its open mouth, disappearing when it swallows. Tears dripping down from the chin to the ground, barely diluting the puddle of blood that has formed there.

The rest of your sentence is lost when you turn around and take off running.

There is a string of cursed energy pulling you in the right direction, one that found its way to you, one that the cursed technique engraved in your brain knew how to decode. You’re old enough not to question it, not to struggle with the vision, and following it comes as a second nature. Just as you get there, you see Sota rounding the corner slowly, looking around, squinting, searching for something he isn’t finding. Your fingers close around the weapon at your waist, withholding your cursed energy — for now.

To a non-sorcerer, you would appear to be holding nothing but a stick. A sorcerer would know it’s a cursed weapon, though most would not be able to figure out its use.

At least, not until the curse emerges from the fog, only two steps behind Sota. In a flash, you let cursed energy irrigate your weapon, and a blade of sheer energy appears. The stick is now a scythe.

It’s in poor taste, in a cemetery, but you don’t linger on that.

You’re between the boy and the curse before he can turn around. The curse’s abilities must allow it to hide its presence, would allow it to disappear back into nothingness a mere moment after the kill, but you don’t give it the opportunity to do that. The scythe cuts through it like butter, splitting it in two. The two halves haven’t yet hit the ground that you’ve already lowered your weapon, emptying it from cursed energy as soon as you’re done.

“Are you okay?” you ask Sota, turning around to face him as you anchor it back to your waist.

“Um,” he says. He doesn’t look scared, just mildly surprised. “Yes. I’m fine.”

“What happened to seeing his abilities in the face of danger?”

You bite your lip, glancing at Gojo. He is standing atop a headstone, balancing without any struggle and watching the two of you with unmistakable amusement.

“He freezes in the face of danger,” you answer.

Sota’s eyes go wide, and he turns away from you, shaking his head. He isn’t doing it for you, though, but for Gojo.

“That’s not true! I’ve exorcised curses before, you’ve seen me do it!”

He’s desperate to prove himself to his teacher, and something sinks within you. You don’t need a vision to tell you what will happen next.

“The kid’s got a point,” Gojo lets you know. “That precognition thing of yours, how accurate is it?”

There was a time when those words would have sent you reeling back. Even now, when you’re expecting them, you feel the blood withdrawing from your face as he speaks them. But you swallow, school your features. You know better now. Fighting now will only delay the inevitable. Gojo was standing next to you anyway. With the Six Eyes, he must know for certain that you hadn’t activated any sort of cursed technique when you took off running. That alone would be enough to make him suspicious, if he didn’t already doubt you.

Cassandra’s Bargain. Tell the truth, and save only those who believe you.

Unlike others, explaining the workings of your cursed technique doesn’t make it more effective — it makes it useless. If you try to tip the scale in your favor now, you will all pay a high price for it later.

You know what Gojo is implying, about your accuracy. Most people who have foresight see a number of futures. If he suspects you saw one in which Sota died, your actions must make sense to him.

“Enough to keep me safe,” you answer, tight-lipped.

“That’s what I thought. Let’s give the kid a fighting chance from now, what d’ya say?”

That’s not how it works, but it doesn’t matter. At least Sota gets to keep his arm — until next time.

What a waste.

“Of course,” you say with a nod.

You would do it again in a heartbeat if you had to, but you no longer feel threads of cursed energy, threads of fate, pulling you in one direction or the other. Oh, they’re all around you, and you’d know much more if you activated your cursed technique, but you know how it functions. That had to be the worst that could happen. Things should be fine now.

“Start running Sota, you’ve got some catching up to do!”

“Yes, Mr. Gojo, sir!” the kid replies, all but saluting. “I won’t disappoint you.”

Gojo’s laugh at that, as the kid takes off sprinting, couldn’t be more genuine.

You lean against the pristine Morino Iori headstone — it’s disrespectful, and you formulate a silent apology, but all you can do is hope they won’t mind. You’re exhausted, and yet the tension is keeping your body in hypervigilance, refusing to go away.

Gojo approaches you, hands in his pockets. The ghost of his usual smile is dancing on his lips. For once, though, it doesn’t feel mean-spirited.

“We have to save them if they need us,” he says, voice surprisingly soft, “but it’s as least as important that we teach them how to fend for themselves.

“I don’t disagree with that.”

This kind of reasoning just isn’t worth losing an arm over.

Gojo steps closer, leaning towards you, so close his nose is almost touching yours. You suck in a quick breath through your mouth. From up close, it’s much harder to ignore how handsome he is, even without seeing his eyes. You blame your accelerating heart rate on the fact that you’re in a high-stress kind of and you’re particularly pent-up at the moment. If your skin tingles when you feel his breath against it, it’s because of the cold. Must be. Whatever it is, you don’t let it show, and you hate that you’re finding it harder to breathe.

“You’re not what I expected.”

He’s said it before, but his voice is lower now, deeper, vibrating through your body, and something that you recognize all too well twists, deep in your abdomen.

Desire.

You don’t answer. You didn’t know what to say the first time, and you sure as fuck have no clue now — don’t know what he means, don’t know what you’ve done that you weren’t supposed to, don’t know if the interest in his voice betrays the same feelings rushing through you right now. So you glare at him until he laughs, light and airy, and takes a step back.

“If you need me, I’ll be on top of the temple, watching the kids.”

You wait for him to disappear between the tombs, keeping yourself still, too still, probably, to be inconspicuous, and it’s only once you’re sure he’s gone that you let yourself exhale very, very slowly. The urge to laugh at yourself bubbles inside you, because what the fuck is wrong with you? It’s not the right time, not the right place, and not even remotely the right person.

You’re fully aware of all of that, know it in the deepest parts of your soul, and yet your eyes still trail towards the temple. You could imagine that you’re seeing Gojo’s silhouette there, if you didn’t know better.

Except you do. You do.

When you look away, you know full well you’re doing it too pointedly.

You don’t get a chance to involve yourself in the Kyoto Goodwill Event. With the beginning of fall, files are starting to accumulate. Since you’re still getting your bearings in Tokyo and familiarizing yourself with the sorcerers you can send on missions, that is what you dedicate yourself to.

Or, well, that’s what you’re told.

You know that you’re more than capable of doing several things at once without botching any of them. Masamichi Yaga and Satoru Gojo are the ones who disagree. You’re called into Yaga’s office, and Gojo is already there, leaning against the wall behind him. For once, he isn’t wearing the bandages, but rectangular sunglasses. Even from behind them, you see the faint glow of his eyes, and it takes a lot — a lot more than it should — not to stare.

“The students taking part in this year’s event will be exclusively second and third-years. Satoru knows them well.”

“Yeah, and they’ve been training for a that for a while,” Gojo says without missing a beat. Where Yaga is stern and serious, his voice is relaxed and pleasant, lightening the mood without trying to. “The third-years have already won once, so they know what they’ve got to do for a repeat.”

That’s right. Tokyo won last year, under Gojo’s guidance, for the first time since… well, since he stopped competing himself, according to what you’ve heard.

“Satoru had already started putting this year’s strategy together by the time you joined Jujutsu Tech,” Yaga adds, trying his best to sound apologetic. “So there’s no need to concern yourself with that. It’s already well-oiled.”

As far as you’re concerned, the only thing that’s well-oiled here is this routine they’re performing, all for your sake. You click your tongue, not bothering to hide your annoyance, and watch as Yaga’s fingers curl, as Gojo’s chin lifts and the blueish glow focuses on you. There’s politics in the air, you can smell it, with a role you have to play. So they think, at least. Unfortunately, you lack knowledge when it comes to Japanese society, and you cannot quite identify what that role is.

To be fair, you also don’t care for it.

“Was it really necessary to waste all of our times with this charade?”

“I beg your pardon?” Yaga asks in response. His voice thunders dangerously. He’s warning you not to cross a line.

“If you don’t want me involved, you can just say so,” you answer with a shrug. “Now, if you’ll excuse me, I have missions to assign.”

You don’t wait for him to dismiss you to stand up, rolling your eyes once you have your back turned on them. How bland. You’ve never seen the point of engaging with this kind of theatrics when there are such greater things at play. Having you help the kids come up with a strategy of their own, going over the basics of planning, now that could have been interesting and helpful. It’s not that you doubt Gojo’s abilities in that domain, you don’t, but it is your specialty, and you’ve had to learn to survive with resources that are significantly more limited than his. Instead of doing that, in the name of whatever internal conflict is going on here, the kids have been deprived of that experience.

How boring.

Once the door has closed behind you, Gojo lowers his head, shoulders shaking. Yaga turns around, frowning, only to find him quietly laughing to himself.

“Told you she was a weird one,” he says once he’s caught his breath.

“Maybe,” Yaga mumbles, “but there must be a reason why she was placed here.”

Gojo hums. Outside the office, he follows your cursed energy. It has always been diffuse, fickle, fizzling out around you until it becomes hard to tell where it ends — even for him. Must have something to do with your cursed technique, but he hasn’t seen you use that yet. You go straight to your classroom, where you sit behind your desk to work, like you do every day until it’s late in the night.

Yaga is right, of course. There must be a reason. But you’re at least making it fun for him to figure out.

The Kyoto Goodwill Event does not go over well.

Maybe you should get some petty satisfaction from it, but there is none to be found, just a bitter taste in your mouth. Next to you, Utahime, the Kyoto school teacher, does not look up at the screens provided by Grade 1 sorcerer Mei Mei. She has her eyes on her hands, and she is nervously rubbing her fingers. In fact, while a few outsiders who have come to see the game for their own enjoyment exclaim at the students’ impressive moves, there is only one member of the schools who seems to be enjoying himself, and that is Principal Gakuganji.

Kyoto is methodical in their approach. On an individual level, you suspect that Kyoto is far ahead of them, but as a team, they have come up with the perfect strategy — at least against the Tokyo team. They have done their research, know everything there is to know about their adversaries. Then again, having one member of the Zen’in and one member of the Kamo family on their side, even if neither have access to their families’ historical techniques, must have been quite the help to gather that information.

You don’t see them doing anything revolutionary — if anything, a team such as theirs could have been composed hundreds of years ago — but they have no need for it, not with how brutal they are willing to be, leaving devastation in their wake. They’re prepared, efficient, collected. They’re also quick, having adapted to this modified version of capture the flag, one that involves curses, without hesitation.

Tokyo defends to the best of their abilities. They prove themselves especially capable when it comes to improvising on the spot, which means that Gojo’s teaching works on that front is working, at least. The match ends up closer than Kyoto must have been hoping for, but it doesn’t change the end result.

It’s a resounding victory for Kyoto.

“Well,” Gakuganji is the first to speak as it ends, “that was quite the beautiful display of sportsmanship, don’t you think, Satoru?”

You glance at Gojo, who is sitting next to you. There’s real anger in the way his jaw tenses at the question, but by the time you blink, he’s already relaxed it.

“That was really impressive!” he laughs, throwing his head back and clapping enthusiastically. “They’ve progressed so much since last year, haven’t they? I never imagined they would be able to come this far.”

You press your lips together at the barely veiled insult.

“Indeed, that is what realized potential looks like,” Gakuganji replies, stroking his beard. “Such a shame to see your promising pupils crashing and burning… Although that’s not the first time you’ve seen that happen, is it?”

That is the least charitable way of looking at what happened there, but it is impossible to argue with the facts: Kyoto bested Tokyo. You can’t say you appreciate the way he’s talking about your students, but you don’t think it’s your place to say anything.

Gojo’s smile thins.

“Well, I’ll be looking forward to the individual tournament tomorrow,” Gakuganji adds, standing up. “In the meantime, Yaga, I assume you have planned for accommodations, and all this action has given me quite the appetite.”

He leaves the room with an unmistakably pleased smile, Yaga getting up after him. He gestures at Gojo to join them, and he’s not hiding his scowl when he stands up, unfolding his long limbs slowly. The other sorcerers follow suit, Utahime included, though she is sporting a somber expression too. You’re the only one to linger in the room, in no rush to suffer through more of Gojo and Gakuganji’s quips.

When you do leave, you stop by the infirmary, where you find Ieiri cursing through her teeth as she works on the students. Even though several of them are fully healed, they’re keeping themselves huddled up together, shoulders hanging low, eyes on the ground.

Defeated.

“Professor Gojo has already come by,” one of them informs you without bothering to look at you. “We’re fine. We’ll do better tomorrow.”

“Yes, you will,” you confirm, and you see flashes of hope on their faces, mistaking your confidence for a prophecy. Truth be told, you haven’t seen anything for the next day, but this is often the best way of using the aura that surrounds you. “But you did well today. They saw a weak spot, and they exploited it. As long as you learn from it, there is no shame in this defeat.”

That deflates them, and Ieiri snickers, glancing at you with a grin.

“Quite the pep talk you’re giving here.’

She’s right. You’ve never been good at this.

“You’re all excellent sorcerers, but even you can be defeated by people who are not as good as you, provided they’ve prepared adequately. That is what you need to take away from today. Conversely, you will be able to defeat much stronger adversaries than you, with the right approach.”

Some look thoughtful at your words — most still look just as dejected as they were when you walked in.

“We’ll work on that once this tournament is over. For now, all you need to do is rest. You’ll prevail tomorrow.”

Smiles finally break on their faces, and you take that as your cue to leave, before you can say something that would ruin it again.

You’re in no rush to join the other sorcerers just yet, so you wander through the hallways, intending to go back to the classroom that’s become your refuge in the school. You’re one corner away from it, when the window that leads to the outside slides open, and Satoru Gojo jumps in, right in front of you. It is the second floor, yet you can’t muster surprise.

He shoots you a smirk that knocks the air out of you, but it’s nothing compared to what he does next. He looks back towards the window, looking displeased, and that’s when you notice voices calling for him — Kyoto students and low-level sorcerers. You’re about to look down when he catches you. He wraps a hand around your wrist to pull you away, presses the other on the wall, next to your head, and you freeze. He’s close, and everything you’ve been feeling for weeks at this point comes rushing back in.

“You know what’s a great way of getting people’s attention off you?” he asks, smirk even wider, if possible.

“Wh—”

Then his lips are on yours.

He tastes sweet, you’re surprised to find.

It’s playful, the way he kisses you, a press of his mouth against yours, stolen, daring. It’s also all you need to admit to yourself how badly you’ve been wanting this. That’s why you’re the one who wraps your arms around his neck, kissing him back harder. He lets out a surprised noise into you, maybe a chuckle, but he certainly doesn’t fight it, even if he wasn’t planning on it. In fact, it’s quite the contrary.

He reaches greedily for your hips, pulling you to him and keeping you pressed against his hard chest. When you part your lips, there is not a moment of hesitation on his part before he pushes his tongue in, swirling it against yours. You crane your neck to give him better access to your mouth, all while holding on tight to his neck to lower him towards you. Your back is against the wall, your body arched a way that would be uncomfortable if you weren’t so hot all over, set ablaze by his touch.

When he pushes his thigh between your legs, flexing it so it rubs against you just right, your knees buckle under you. It doesn’t help that, in this position, his semi-hard cock is pressed against your abdomen, and that awakens a very special kind of hunger within you.

There is no softness to the kiss or to the way your bodies move together, just pure lust. Wetness is pooling between your legs already, in anticipation for more, more of him, more of his body, more of his touch. He’s so tall, it’s like he’s everywhere, his scent surrounding you, his body caging you against the wall effortlessly, his mouth demanding more and more of you. You roll your hips against his, trapping his cock between your bodies, and he hisses into you, his grip turning bruising — not that you mind.

“Tease,” he manages to mumble as he takes a quick breath.

There’s no room for any more words before he reattaches his mouth to yours, almost biting into you, and fuck it feels good. His lips are soft, but that must be the only thing that is soft about this kiss. He moves your skirt out of the way, one hand coming to grab your thigh so he can lift it up, and that is when your eyes snap open, some reason coming back to your lust-filled brain at last.

“Wait,” you mumble, “not here.” Your eyes dart around the dark hallway — empty, but far too in the open for your liking. Problem is, your body is aching with how much you want him, and, even if it would be the smart thing to do, you can’t bring yourself to stop now. “Classroom,” you conclude, pulling him with you.

He lets out a breathless laugh, but follows. The second the door is closed, he has you against the wall again, this time with his chest pressed to your back while his lips find your neck, teeth pulling at the skin mercilessly before dragging his tongue on the sensitive area to soothe it. You let out a sigh, but it comes out much louder than you’d intended, almost a moan, and you have to lift a hand up to cover your mouth. He snickers, but doesn’t waste any more time on teasing you.

Instead, he snakes his hand into your skirt, and this time, you don’t stop him. Long fingers move past the hem of your panties to brush against your clit and you jump, biting your lower lip to keep quiet. His lips stretch into a smile on your neck.

“You’re so fucking wet already,” he comments by your ear, rubbing his fingers over your pussy lips, purposefully not entering you.

You groan in frustration, and push your ass against his now rock-hard cock. The low moan he lets out in surprise is delightful to hear.

“As if you’re one to talk,” you reply.

“Is that how you want to play it?”

Before you can answer him, he easily pushes two fingers inside you. They’re long and they fill you so well, you have to focus every fiber of you that’s not lost in pleasure on keeping quiet. Gojo’s free to take his fingers out, then plunge them into you once more, and you can’t help clenching needily around them.

“See,” he says, and oh his low voice, the way it makes his chest vibrate against your back, it all goes straight to your core, making you gush around his fingers some more, “that’s expected of me, ‘cause everyone knows I’m sorcerer society’s problem child. Aren’t you supposed to be the good girl?”

It’s no easy task to think with his fingers pumping in and out of you relentlessly, but even through the haze of pleasure, the words make you frown.

“Says— Ah— Says who?”

He uses the heel of his palm to press against your clit, and you’d conclude that he is actively trying to render you speechless if pleasure wasn’t shooting through you like electricity.

“Hmm, I don’t know, I’d say you’re being pretty good right now, wouldn’t you?”

“Would you— fuck— would you stop talking and just fuck me already?” you still manage to bite out.

He laughs again, delighted and maybe a little fond, but he stills his fingers inside you. You get some time to catch your breath, and use whatever self-control you have left not to try and fuck yourself on his hand.

“You sure?”

“As long as you’re clean, I’m safe,” you say — maybe not your smartest moment, but you can’t find it in yourself to care right now.

He pulls his fingers out, and you glance at him over your shoulder. He’s still wearing the bandages over his eyes, but his jaw is uncharacteristically taut, and his movements lack their usual fluidity. You grin. Good to see you’re having an effect on him too. It becomes even more obvious when he pulls out his cock, hard and veiny. You’re not surprised by how big he is, and you find yourself licking your lips, clenching around air at the prospect of what’s to come. Shit, you cannot wait to have it inside you, stretching you out.

“I’ve been wanting to mess up that skirt for weeks,” he mumbles, mostly to himself, as he pushes it out of the way and lowers your panties.

“Then what are you waiting for?” you ask with a click of your tongue. He is still talking way more than he should.

The smirk he gives you should concern you. He presses the tip of his cock to your entrance, and then, instead of penetrating you, as you’re frozen in anticipation, slides his length against your pussy lips, sending jolts of pleasure through you, but not giving you what you need right now. You whimper pleadingly, not catching yourself fast enough to keep yourself silent. You worry that he will keep teasing, but it appears he has reached his limits too, because soon he is pushing the tip of his cock inside you, and fuck, it’s even better than you’d imagined.

You hear him grunt behind you as he starts pushing himself inside you at a devilishly slow pace. You expected him to do it all at once, so you turn around once more, ready to throw another quip at him for his relentless teasing, but the words die on your lips when you see his face. His teeth are planted in his lower lip, and his face is contorted in a pleasure that he is clearly trying to reign in, his breathing quick and shallow, his chest heaving. The sight leaves you breathless, so you stay quiet.

“So fucking tight,” he all but whines as he keeps pushing himself inside you.

He bottoms out at last, and he stills for a few seconds, all so you can adjust and not at all because he is going to come too fast if he can’t get used to how warm and welcoming you are around him first. The discreet groans he was letting out turn into a full moan when you move forward, pulling him out of you, then back, sheathing him inside you completely once more. You’d keep moving, but he grips your hips tightly, fingers digging into the flesh, to stop any movement you could make.

It doesn’t last long though, because after that, he starts moving himself, and the pace he sets it merciless. The slapping of skin on skin echoes obscenely in the empty room, but you can’t find it in yourself to care, not when you can barely think, not when your knees are failing you and his hands on hips are the only thing keeping you standing, not when tiny whimpers keep spilling past your lips, no matter how much you try to keep them in.

“Couldn’t be even just a little patient, hm?” he asks you. It’s undercut by the gasps that interrupt him, the pleasured moans that escape him too.

This time, you don’t find anything to answer. The angle, with you bent over, hands on the wall in a desperate attempt to stay on your feet, makes you feel so, so full that you can’t think straight. Pleasure is coursing through you with each time he hammers into you, and you clench around him helplessly each time he pulls out. He’s fast, relentless, but if the way his moans keep getting more-pitched is any indication, he’s close to reaching his climax. You’re not far yourself, you just— just need— just a little—

One of his hands abandons your hip, and you would stumble forward if he wasn’t holding you so firmly. His free hand finds its way to your clit, and pinches it expertly, just as he snaps his hips into you harder than he has so far, spilling himself inside you. The orgasm hits you like a thousand volts, and your hips jerk back uncontrollably, whole body shaking, as you ride the wave of it on his cock until it ends. Ah, you needed this so badly that, as it recedes, you can only feel content, the pleasure it gave you still tingling in your body.

For a while, the sounds of you and Gojo’s panting are all that fill the room. Finally, he pulls his sensitive, softening cock out a you with a hiss, and you ignore the squelching sound it makes. He tucks it back into his pants, and you finally find it in yourself to pull your panties back up, readjusting your skirt. Your hair is messy from the kissing earlier, but apart from that, you’re still rather presentable — you hope.

“Didn’t think you had that in you,” Gojo comments. He’s still catching his breath.

“At what point are you going to admit that you’ve just misjudged me?”

He laughs, but the smirk he shoots you, hands in his pockets, standing a few feet away from you, is proof that the distance between the two of you is back to what it was before. You don’t find yourself minding all that much. This is as good a way as any other to release tension, and you’re more relaxed than you have in weeks. The lightness of his voice tells you the same is true for him. Seems like you both got the same thing out of it, and that’s fine by you, even if it doesn’t bring you any closer.

“Once I know I was wrong,” he says. It sounds ominous, but, well, if he wants to keep clinging to that image he’s made of you, that is his problem. So far, you’d argue that it has rather worked in your favor.

You shrug.

“If you hadn’t felt that way, Tokyo would have won today,” you tell him matter-of-factly.

His smile widens.

“Guess we’ll have to see about that next year, hm?”

“I guess we will.”

Silence grows between the two of you. You normally wouldn’t mind. Now, you feel the need to say something.

“This should stay between us,” you finally manage to say. Sorcerer society can be— harsh, on women, to say the least. The last thing you need is for someone to know you’ve fucked your coworker. You’d be branded as a whore, and while you find this all horribly regressive, you’d still rather not have to deal with the fallout.

Gojo hums in agreement.

“I’m not really the type to want all my business out there either,” he tells you in a surprising display of sincerity. It’s ruined when he smirks and adds, “Next time, I think I should fuck you on your desk.”

You scoff, but you know you both hear your lack of denial loud and clear. You’re not opposed to there being a next time, provided this doesn’t get out. By the look of things, it would be mutually beneficial.

You don’t bother to answer him before you open the door, glancing outside. No one in sight. He would have known if that had been the case, of course, but you’re still relieved. You slip outside unceremoniously — it’s pretty clear you’re done here anyway — and he does nothing to hold you back.

Later, after you’ve taken a quick shower in the facilities available at the high school and you’re sat by Ieiri around the dinner table, Gakuganji can barely hide his smugness.

“Where you have been off to?” he asks Gojo, his tone making it clear just how pleased with himself he is. “Licking your wounds?”

“Something like that,” Gojo answers lightly, and you’re careful to keep your eyes on your food.

The conversation fades into the background. Your thoughts move to the upcoming solo tournament, the next day, to your students, to the missions you have to assign. And then, for the first time in forever, you find yourself distracted by something that isn’t work-related. You welcome the respite it gives you.

On your desk, next time, huh?

You could work with that.

thank you all for reading and getting all the way here! interactions are what keeps me writing, so please comment/reblog/send an ask to feed your author and have my eternal gratitude!

tagging people who expressed interest in the first chapter: @sapphiccloud @saccharine-nectarine @calypsothegoddess @aspiring-bookworm @aerismonia

#gojo x reader #gojo satoru x reader #satoru gojo #jujutsu kaisen #gojo x you #jjk x reader #jujutsu kaisen x reader #gojo smut #jjk smut #jujutsu kaisen smut #gojo angst #jjk angst #jujutsu kaisen angst #jjk fanfic #gojo satoru #my writing

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the-tarot-witch22 · 3 months

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First impression of your future spouse on you! - Pick a pile

Pile 1/ Pile 2

Pile 3

Hello everyone ! This is my another pick a pile or pac reading so please be kind and leave comment or reblog, and let me know if it resonated with you!

Note : This is a general reading or collective reading. It may or may not resonate with you. Please take what resonates and leave what doesn't. And it's totally okay if our energies aren't aligned!

How to pick : Take a deep breath and choose a pile which you feel most connected to! You can choose more than one pile, it just means both pile have messages for you!

I worked really hard on this pile please show some love by leaving comments, likes and reblogs!

Liked my blog or readings? Tip me!

Pile 1

The cards I got for you (8 of wands, 8 of swords, knight of cups, 4 of wands, Strength and the 7 of cups)

Love at first sight kind of scenario like you know it's them and no questions asked, that's the first thing i felt when i started your reading, You will think of your future spouse as someone who is seductive asf and very charming, like such tired eyes, or they may have some aura of mysteriousness about them, They will be very foreign to you btw, definitely not your usual type but not in a bad way, i feel some of you might also judge them based on their appearance, like some of you might say they have that player aura or their looks are like that, I see you and them talking to each other or taking steps towards each other since the attraction will be very mutual, They will be quick or have rapid movements they maybe very fast talker or quite chatty with you they like to be quick in the decisions of their life or even with small things they don't like to waste their time, for some of you it says they can be anxious or looking troubled which goes with them having tired eyes, at first, you will think of them as someone who can be very good people, or they know how to handle the crowd lol, opposite to you but in a good way, I also see them dancing with their friends or enjoying or talking loudly, and you will just see the real them and how adorable they are, They will make a quite a first impression on you, like keeping you interested vibes, they like you and they will make sure you know, some of you may fall their intense gaze their eyes plays very important role, for some of you your future spouse will have a impression of an optimistic or a very jolly person, they might also own something luxurious or can be you, you will see your future spouse as someone who takes stands for someone or defends people, for some of you your thoughts will change a lot when you get to know them, they can be misunderstood by a lot of people, I also feel they will smile a lot with you or stealing glances at you across the room, which will make your stomach flutter with butterflies, and you would just want to go and kiss the heck out of them. They will make you fall hard for them just like they have for you. They will be quite masculine or has the nice toned body, For some of you their eyes can be fiery which will turn you on. Your future spouse may come to you and offer you something to drink or eat with them, like offering you choices they won't know what you like so they will give you options lol. For some of you your future spouse will be someone who hesitates to make a decision like you see them and they will be confused on what to order not a bad thing lol, so cute.

Pile 2

The cards I got for you (7 of pentacles, Page of wands, 9 of pentacles, page of pentacles and the moon)

You will think of your future spouse as someone who is very hardworking and independent, like they will be a type of person who depict hardworking energy like the type of person who works a lot, you also might think they are workaholic and very focused and determined type of energy, but they are not spoiled brat whatever they have in terms of money its self made and by their hard work, some of you might like their dressing sense, they look very well dressed or have nice sense of fashion which you will love, They have very balanced masculine and divine energy, and they are very confident in their body which you will think is absolutely sexy, they will seem very creative and passionate person, they will seem very well put like stable financially they will exclude that ceo vibe might be their clothes, they have nice taste, they even make less priced clothes seem luxurious lol, i feel they can be average to tall height, wavy hairs for some of you, I also feel they will use some hair gel or something when you come across them, they have small or almond eyes, soft skin or nice skin texture, i feel some of you will enjoy how they will give you their attention, literally hot, for some of you your spouse will be very private about their life unless you get to know them, they have had people who have used them or taken advantage of them so they now are a bit cautious around people or who they let in, your future spouse will also show their emotions on their face, like if they are angry , jealous it will show on their face and body language even if they won't tell you, you and them will transform each other's lives, I feel when they see you they will first know you and then after years or sometime in your relationship together they will propose to you, they want you to give the love and time.

Pile 3

The cards I got for you (The tower, temperance, the moon, the fool, 6 of wands, 4 of pentacles and the empress)

Older aura, like they will look wise at first glance, they have had their fair share of past and which has made them very wise in their life, like father or mother figure, that's how you will see them. they can be quite older than you or more mature than you, they might have very slight wrinkles if they are older or got that forehead lines, Some of you your future spouse will look chaotic or has a chaotic energy at first when you meet them, I also feel your future spouse past has made them very balanced and they have grown very much as a person, they forgive and tend to be the bigger person, as i said they are quite mature, but they distance themselves from the person or people who are not serving them, They look new ways to earn money or be stable they and to be very stable in their life, they are quite ambitious and passionate too, just like pile two, this pile future spouse can be quite mysterious or private, they also might have intense face or intimidating face, but in reality they are sweet potato lol, In their life they have gone through so many transformations in their life, you will also think of your future spouse who is as very protective and possessive not in a toxic way, but they don't like to share what's their, They can look quite adventurous or someone who likes to take risks, an young at heart person, they might like animals or cats, you will admire your spouse at very first glance because of their charming beauty, they look quite attractive, your type, little by little you will see their caring and nurturing side, when you both meet it will be a very harmonious type of meeting, and you will start seeing signs, you will see your future spouse as your lucky charm and so will they, you both will help each other grow too.

Thank you for stopping by! Take care and remember you are loved <3

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ellecdc · 3 months

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ive been thinking about stone-faced unamused independent reader and how james and barty would absolutely love to baby her and treat her like a princess and she has none of it..until shes feeling sort of down and like she needs their love and support so she gives in and theyre both so shocked and excited theyre like little dogs wagging their tails spinning around her

hiii....I'm back to apologizing to everyone who sent me in requests 2.5+ months ago for me to hoard them until inspiration struck! hope I did it justice hahaha

poly!darksun x black cat!reader and Sirius who just doesn't Get It

CW: fem!reader, reader is maybe a little mean but obviously James and Barty are into that shit, Sirius' POV so a very unreliable narrator

Sirius Black believed himself to be a pretty open-minded person.

He believed that love was love, he staunchly disagreed with blood status and had a lot of respect for muggle-borns, and believed in the fair treatment of beasts and other magical creatures in the Wizarding World.

But no matter how open-minded Sirius believed himself to be, he could not for the life of him figure out how in the hells James Potter and Barty Crouch Junior found their way to you.

Sirius admittedly had a hard enough time finding out that his best friend was dating his semi-estranged little brother’s maniacal (read: bat-shit crazy) best friend, but this?

This made no sense to him.

At least when it came to the likes of Barty Crouch Junior, James had found someone who could rival him in energy and enthusiasm. James could run for seven hours straight at a gods-honest sprint and Barty was just about crazy enough to try as well. Barty never denied his more intrusive thoughts and James was morbidly curious enough to watch those thoughts play out.

And both of them seemed to love hard; even if Sirius didn’t approve of that love, even if he didn’t like that love, he could admit that it, at the very least, made sense for him.

But where James was all golden retriever energy and Barty was some kind deranged, rabid mutt straight from the depths of hell, you….

Well, Sirius wasn’t sure exactly what you were.

Where James was sweet and Barty was enthusiastic, you were utterly unimpressed.

Where James was excitable and Barty was chaotic, you were completely apathetic.

And where James and Barty could be…slightly codependent, you seemed wholly disinterested in having either of them (or anyone for that matter) near you.

“Sod off; I can carry my own damned books.” You had spat at Barty as he tried to take them from you.

And Sirius had to stand there and watch both Barty and James stare after you with a lovesick look adorning their faces as you stalked away from them.

“Well isn’t she just a ray of sunshine?” Sirius muttered derisively, earning him a threatening glare from Barty and a frustrated stare from James.

“You’re one to talk, Pads; I watched Remus actually growl at a first year who tried to take the last pumpkin pastie at dinner last night.” He grumbled before redirecting Barty away from Sirius’ jugular.

And that seemed to be your response to pretty much anything those two did; you elbowed James in the stomach when he held the door open for you like a ‘poncy chauffeur’, you stomped on Barty’s foot when he offered you his elbow on the moving staircase, and you never seemed particularly pleased should they wind up in your vicinity.

Yet…

Yet you never made any effort to actually remove them from your vicinity, nor did you make any effort to leave theirs.

In fact, if Sirius wasn’t mistaken, he was sure he saw your shoulders relax ever so slightly when you realised the people pulling out the chair across from you in the library were James and Barty.

They tensed right back up when Sirius and Peter accompanied them, but that's besides the point.

No, you didn’t converse with any of them. Yes, you completely ignored any attempts at conversation from James or Barty - save taking the opportunity to correct them in their debate about their potions homework. And just once, Sirius was certain he’d heard you whisper a quiet thank you to Barty when he helped you find the page number for the answer to number 47 of your Herbology homework.

It seemed to Sirius that no matter how staunchly you refused to allow either boy to fawn over you, you weren’t completely averse to their company. And though this amount of dedication didn’t exactly surprise Sirius coming from James, seeing as he spent four and half years of his school life pursuing a completely disinterested witch, he was confused that Barty hadn’t gotten bored yet.

It was all very peculiar, Sirius thought.

Even more peculiar was when Barty and James had been snuggling in James’ bed as James quizzed Moony for the upcoming Alchemy test when there was a tentative knock on the dormitory door.

Peter looked up from his Ancient Runes homework to look at Sirius, James and Barty lifted their heads to look at Sirius, and Remus turned in his desk chair to look at Sirius.

“What?” Sirius asked. “I didn’t knock.”

“You’re the only one not currently doing anything.” Remus countered.

Sirius paused in his throwing and catching of James’ pilfered snitch to look at him incredulously.

“I am too doing something.” He argued, holding the snitch between his thumb and forefinger and waving it at him. “Besides, Junior’s just laying there.”

“I’m a guest, Black. It’d be terribly improper for me to answer your dormitory door.”

“Answer the sodding door, Sirius.” Remus grumbled as he turned back towards James.

“A ray of sunshine.” James sing-songed for Sirius’ benefit, clearly still not over his passing comment of you from days ago.

Sirius let out a dramatically petulant sigh as he stood to open the door.

Your face pinched when you saw who had answered, though Sirius had to hand it to you how quickly you corrected your expression.

Before you had a chance to tell Sirius why you were here, he looked back over his shoulder at James’ bed.

“See, I don’t think I should have to open the door for your bird!”

All that was heard was a painful sounding thump and James muttering “Barty, my glasses” before Barty materialised at the door.

“Hi Treasure!” He greeted enthusiastically.

Sirius watched your eyes narrow as you seemingly debated whether or not to make a fuss over his nickname before ultimately deciding against it.

“Angel!” James cheered as he, too, rounded the corner and shoved Sirius out of the way. “To what do we owe this pleasure?”

Sirius sat back down on his bed where he could see you consider your options carefully.

Finally, after having the two sods stand there no doubt smothering you in smiles and soft eyes did you look shyly down at your shoes. “Can I…hang out with you guys for the afternoon?” You asked quietly.

Barty and James exchanged a - quite comical, in Sirius’ opinion - excited look before returning their gazes to you. “Of course!” They chorused; the volume startling you into lifting your head to look at them nervously.

James cleared his throat and moved out of the door frame, ushering you in. “Of course you can.” He offered quieter this time, guiding you towards his bed as he looked over his shoulder and mouthed “oh my gods” at Barty who was eagerly following behind you.

“What have you been up to today?” James asked then, clearly wondering what motivated this impromptu and voluntary visit but not wanting to chance whatever spell had been cast to get you here.

You sat down on the edge of the bed, anxiously picking at your nail beds as each boy sat tentatively beside you.

“I was studying in the library…” You offered, sounding horribly robotic and rehearsed in your response before you let out a shuddering sigh. Sirius watched as you visibly deflated and leaned slightly closer into Barty’s side. “I’ve had a bit of a headache all day.” You admit.

James and Barty both coo in unison as James cautiously rubs circles on your back; you let him.

“You have a headache?” Sirius deadpanned from across the room. “And you came here? To these two? Are they not the source?”

“Get out.” Barty spat, braving himself as he tightened his arm around you; once again, you let him.

“You can’t kick me out of my own dorm room, Junior!” Sirius argued. “Why don’t you go to your dorm room?”

“Oh, do you want to know what your baby brother and Rosier were up to before I left? Because I’ll happily scar you with that knowledge, Black.” Barty threatened.

Sirius, who was not ashamed to admit he was perhaps more than slightly immature, simply covered his ears and started singing to drown out the sound of Barty’s voice.

“That’s it, everyone out.” James barked then; tone taking on an air of Gryffindor quidditch captain.

Remus scoffed indignantly at that as Peter - clearly the wisest of the bunch - simply began packing up his homework. “You promised to help me pass this test!”

“Oh for Salazar’s sake, Lupin; the answers are A, D, B, B, A, C, D, A, A, true, true, false, Nicholas Flammel.” Barty barked at him, causing Remus to blink owlishly at him.

“Fine.” Remus finally said as he stood, shocking Sirius into silence at his quick acquiescence to such abhorrent demands. “Let’s go, Sirius.”

Sirius, feeling awfully petulant, hurled the snitch towards James’ head who quickly and calmly caught it before offering it to you as Remus hauled him off the bed by his wrist and all but dragged him towards the door.

“But it’s not fair, Moony!” Sirius pouted as he slammed on the breaks just outside the threshold of their dorm room.

“Sirius.” Remus started solemnly. “How many times did you try to convince me to snuggle with you at night before we started dating?”

“217.” Sirius answered readily, relishing in the soft smile Remus had clearly tried and failed at fighting off.

“Right, 217 times you tried to convince me to snuggle with you; and how many of those times did I deny you?”

“216.”

“Right.” Remus agreed. “And what had James done to ensure that I would relent that one time?”

Sirius let out a pained sigh as he looked to the heavens. “He charmed his, Pete’s, and your bed to the ceiling so there was only one option.”

“Right.” Remus agreed again, softer this time as he rested his hand at the juncture of Sirius’ neck and shoulder and rubbed his thumb along the column of his throat. “So don’t you think the least we could do right now is just let them have the room?”

Sirius looked back into the room in time to see you smiling softly at something James was saying as Barty placed what appeared to be a wet cloth to the back of your neck; your eyes closing and face relaxing in relief, leaning back into Barty as James massaged your calves and carried on in his story.

“What did I do to deserve this?” Sirius whined then, leaning his head into his boyfriend’s chest as he watched you curl up, not unlike a cat who had finally decided to sit on its person’s lap.

“Can you maybe try to remind yourself that James deserves this?” Remus whispered into Sirius’ hair.

“For Godric’s sake, Moony.” Sirius grumbled as he stood and began storming off in the direction of the common room. “Why d’you have to be so bloody reasonable all of the time!?”

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icyg4l · 5 months

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PAC: Your Future Partner's Love Language

Hello beautiful people, tonight marks the third post of the week regarding love! (meaning I kept my promise, yay!) I have a sale going on tomorrow, so be sure to tune into that. If you would look to book a reading, please read my guidelines and then dm me! If you have any inquiries, also dm me! Without further ado, please select your pile!

Top Left-to-Bottom Right: (1-4)

Pile 1: I feel like you’re the independent woman trope, Pile One. This person will be attracted to you because you have your own. But that doesn't mean that they won’t be giving. This isn’t a stingy lover at all. I get Cancer/Capricorn/Aquarius energy from this person. I see this person will be big on gift giving. They will also shower you with compliments. They don’t expect this in return, to be honest. They’re also really big on paying the tab every time at restaurants. I feel like this person is calm and collected. This person wants to follow in their family’s footsteps. They’re big on marriage and doing things the proper way. They would like to show you off, this is part of their love language as well. And lastly, this person really likes to see people stand on business. Part of their love language is helping you plan and put things into action. They’re going to be your number one fan. Expect roses and romance with this person, Pile One.

Cards Used: The Hierophant, The Hermit, 4 of Discs, Queen of Swords

extras: tacos. party pooper. mellow. skilla baby. carrie underwood. bartleby.

Pile 2: So when I was shuffling for this pile, I heard the term ‘yapper’. This person really likes to talk, even if it’s about nothing. I thought of this guy who I sit next to in my English class, and he says whatever comes to mind. I feel like this person just really wants a listening ear since they didn’t get that when they were younger. They could have been the type of kid to have “talks too much” on their report card. They have big Taurus, Gemini, Cancer, Virgo energy. This person just wants to be heard and valued for once, they feel taken for granted. This person has the tendency to go down memory lane as well. They also have a thing for tickling. They honestly seem like a big kid. They are really big on humor. Their sense of humor can be deadpan or they could say a lot of one-liner punchlines. Be prepared to laugh a lot. I think this person values one-on-one time a lot as well, Pile Two.

Cards Used: Judgment, Ace of Swords, Death (RX), Eight of Discs (RX), 7 of Discs (RX)

extras: bright teeth. nice style. black beanies. toby from this is us. “kiss the ring.” wrestlers.

Pile 3: Oh man, the chemistry is hot here. This person really likes PDA. They enjoy physical touch. They want you to find any reason to touch them & they want to do the same for you. This person wants everyone to know that y’all are together. They could be a little clingy, let them know if that’s too much for you. I get the feeling that this could be their first real relationship so please be gentle with them. I feel like this person is like a big teddy bear. They really enjoy hugs, sharing drinks with you, cuddling, hand-holding and sloppy kisses. It all makes their world go round. You guys will be engaging in a lot of sexual activity together so please protect yourselves! Overall, this person is not shy. This person is quite the flirt, very physical. They give big Leo, LIbra, Aries energy. You guys are going to be like that one couple in high school that got detention for kissing by the lockers. People might be uncomfortable by your dynamic because you’re so physical with one another, but fuck it!

Cards Used: Knight of Wands, The Chariot, Princess of Cups, The Lovers, Ace of Cups.

extras: sweet face. wink. “hold me.” soft hands. racy. lord farquaad. monochromatic. skin-to-skin.

Pile 4: Can we say dramaaaa? I feel like your person is really dramatic. They’re the epitome of go big, go home. They give off Pisces, Leo, Sagittarius energy. They’re the epitome of male R&B singers in the early 2000s. This person has the best intentions but it can be overwhelming for you at times. Know that this person is doing their best. This is a part of who they are, there’s no faking this personality. I think this person would literally do anything for you. If you were to ask for a cookie from the store, they would bring you the cookie, a sandwich, a drink, chips and flowers just to make your day. This person is really good at planning parties and spending money. If you were to have a birthday coming up, they would have a surprise party planned with all of your favorite people there and thoughtful gifts. This person wants to give you the world, honestly. Don’t feel embarrassed by the things that this person does because you deserve it. They do it out of purity, but you can tell them to tone it down if it’s really getting to you.

Cards Used: The Emperor, The Fool, Justice, 7 of Cups, Ace of Discs, Princess of Cups

extras: my way by usher. “It’s camp.” new edition. clown colors. teezo touchdown. rich uncle vibes.

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mianexil · 4 months

Text

◇ Things that make his heart melt ◇

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

⭕️ Warning: Spoilers ⭕️

💫 [ It wasn't in my plans before, but I really want to comfort these boys ]

💫 [ Cuties, I see your requests and don't forget about them. I'm going through a little stressful period right now, so it may take a little longer than I wanted, but I'm already working on it ]

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

ㅡ Suo, Sakura, Umemiya

Suo

Sincere care for him

Everyone knows that Suo is strong in every sense. He is also smart, restrained, independent and confident.

It is not uncommon for people to admit such thoughts in his direction as 《 He is strong/smart/hardy, he will cope 》, waving away unnecessary worries.

But not you. You've never neglected it and it came from the heart. You knew that Suo was far from weak and admitted it, but it never affected the level of your concern for him. Yes, he is, but this does not mean that you can take less care of him, referring to the fact that he can do it himself.

Strong people can take care of the difficulties outside and also take care of themselves. But if they can, it doesn't mean that it's easy for them.

You always paid attention to his comfort in one situation or another, did some small and inconspicuous things that actually made a big difference.

Starting from the way you imperceptibly put a cooling compress in his furin jacket pocket before patrolling on a hot day or a a small pocket warmer in winter, and ending with silent hugs at the right moment to maintain peace in his soul.

It wasn't just a superficial concern, it was about his feelings.

At first, he somehow automatically shielded himself from it, it was his defense mechanism. He didn't want to admit that he needed it in any way, he didn't want you to think that he had at least some weaknesses to know the truth.

However, time and your perseverance have done their job. Over time, Suo began to accept your truly deep concern, letting it into his heart and passing through it.

And believe me, it made his heart blossom.

Sakura

Listening and hearing

Sakura, as a person who has spent his whole life alone, is not used to conducting dialogues and generally having any long-term relationships with people.

That's why, when he first caught himself telling you about some hobby of his with a desire, and at that time you were really listening attentively to him, he felt this terribly strong and strange feeling in his chest.

Of course, at the same moment he fell into a stupor, and then he got angry because he was confused. You still don't understand why he abruptly stopped talking, flushed red in annoyance, and then abruptly said goodbye and ran away.

Poor boy, for him, these feelings seem especially strong. Because it was the first time for him.

You knew it was very difficult for Sakura to open up to people. That's why, when he started sharing his thoughts with you or telling you something, you immediately put all the worries in your head aside and focused on Sakura.

You wanted him to feel heard so that he would understand that you want to hear and listen to him

And it was at such moments that the young man's heart seemed to melt like ice under the warm rays of the spring sun.

God, you really make this boy happy.

Umemiya

Special intimate moments between you

When you are alone, he's lying on your lap, and you're stroking his head.

It is this moment that permeates Hajime's heart and soul with sparkling threads that touch his most sensitive and vulnerable points.

At this moment, he feels as if he is transported back to childhood, when he was still a carefree, happy, beloved little boy, surrounded by family love and a sense of childish lightness.

Once he had lost this happiness, these incredible sensations, but now he had found them again. In a different form, but the same happiness.

He is lying on your lap, and your fingers are tangled in his white hair while you stroke him and at this moment Umemiya feels this warmth again, he is sincerely loved again, he is again childishly carefree and happy, he is home again.

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

#wind breaker x reader #windbreaker #windbreaker (satoru nii)#hajime umemiya x reader #suo hayato x reader #haruka sakura x reader #wind breaker headcanons #wind breaker #wind breaker (satoru nii)#windbreaker x reader #hajime umemiya #sakura haruka #hayato suo #hayato suo x reader #umemiya hajime x reader #sakura haruka x reader #windbreaker headcanons

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bewitchingnymph · 1 month

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Lilith in Astrology ⚸ ˖ ࣪⭑𖤐

☆ Lilith, the mother of demons, she's one of the most famous and most controversial female figures in world of occultism, literature, horror, feminism etc

☆ In alot of ancient folklore, Lilith was the first wife of Adam but she didn't want to be submissive to him, she believed that both were made to be equal but Adam was opposed of that so lilith left the garden of eden, after that god sent three angels after her and they found her in a cave bearing children, since lilith refused to come back to the garden the angels threatened killing 100 of her children everyday and of course that's when she started to eat the mortals babies as a revenge, lilith tried to come back to the garden but saw that Adam already had a new wife Eve ( unlike Lilith who was created at the same time as Adam, Eve came from Adams ribs ) so she decided to steal the seed of Adam and use that seed to bear demons, replacing the children that the three angels murdered. Her name Lilith is translated to " night monster " because at night , she would take a female form and seduce the men just to take their seed to bear more demons. She was known as the succubus, the destroyer of innocent, the wild woman, the original witch etc

☆ Lilith is a very controversial figure in the world of mythology but in other aspects, she is also a symbol of feminism. In the modern world, she is associated with sexual empowerment, rebellion, knowledge, fighting against patriarchy, independence etc. She represents the dark feminism, taboo, sexuality, self love etc.

☆ In astrology, there is asteroids in the name of lilith, in your birth chart the houses and signs those asteroids will be placed is going to show you your shadow side, where you have been shamed from your early life, how you can rebel against the social norms, your rage, your dark feminine side that is shameful, unacceptable, forbidden in the society eyes. There is 4 asteroids ✳ :

☆ Asteroid lilith (1181)

☆ Black moon lilith / waldemath lilith (h58)

☆ true lilith (h13)

☆ mean lilith (h12)

☆ In my opinion i like to use all asteroids instead of just one. In my birth chart i have lilith ⚸ (1181) in my 1st house ♏, both true lilith (h13) and mean lilith (h12) in my 5th house ♓ and black moon lilith in my 12th house ♎.

☆ Lilith 1181 being in my first house indicates me having strong sense of independence and self expression, me being viewed as rebellious in my childhood which i was heavily, not wanting to be stuck in traditional and societal rules, being shamed for my personality, mannerism, just basically being myself without shame and since its in the first house basically my features are very dark ( i have pluto and ketu in the first house aswell ) i have been told that i have that witchy and mysterious look in my face. Since it's in scorpio ♏, im very secretive and tough but i can be heavily jealous, i struggle with letting go grudges and resentment, i take revenge very seriously even though it can take a tool on my mental health and also exposing myself in here, i used to use my sexuality to manipulate men online and it worked ( never did it in real life, im more comfortable doing it online )

( lilith 1181 whatever sign or house is in your chart can show you how you were demonized in some parts of your life and you can reclaim what was once yours by tapping into your lilith energy, take back that power )

☆ Waldemath lilith (h58) being in my 12th house it kinda indicates me struggling with my mental health and ive been shamed for it and i struggled with loneliness most of my childhood, im quite interest in spirituality, psychology but the darker side ( in astrology if the post isn't 18+ or about death, mental illness im not interested ) anything that is taboo im eating it up and yes since it's in 12th house the house of hidden, unknown and paranormal, ive seen stuff that i wasn't supposed to see. Since it's in libra ♎ i struggle alot with my love life especially the type of people i fall in love with ( they can struggle with mental illness or be extremely possessive) and one thing i saw about having this placement that its true is the fact like i can manifest demons or spirits in my life whenever i feel rage cause i went to this guru and basically i just had really heavy stuff stuck on me, it was a very weird experience

( waldemath lilith (h58) whatever sign or house is in your chart, it can show your dark shadow, hidden rage etc)

☆ true lilith (h13) and mean lilith (h12) both being in my 5th house i have always been the artistic kid, that one kid that believed in fairys, mermaids, elfs etc i had and still have a very vivid imagination, im interested in spirituality and magic, that one kid that was always in forest trying to find a rabbit hole to take me to wonderland and also fifth house being the house of children my kids will probably be high spiritual and very artistic. Since it's in pisces ♓ like i said mystical, unusual stuff that are out of this world is something that i have always been interested, i have been told that i hold to much empathy in my heart which it can lead to people using me and im also very sentimental ( im that person that cries when someone is crying ), being my own world but i struggle getting out of it, been quite shamed for my self expression and creativity because i love dark art, im really obsessed with manifesting and subliminals, and even though i don't have an addiction to drugs to escape reality or run away from my problems, i have an addiction to eating especially eating unhealthy food. Even though i was this creative in my childhood, i couldn't be myself in my household, i had to hold back being my own person which led me to have self identity issues in my whole life

( true lilith (h13) whatever sign and house is in can show you the area where you have been rejected from your life and mean lilith (h12) can show you your unique version, what you need to heal and its funny that both of them are in the same house and sign )

☆ One thing i love about this asteroids is how they tell the raw truth. They can help you claiming your power that was once yours, most believe that's what Lilith does but i have seen people saying that idolizing Lilith is not okay due to her reputation and that she's not the feminist icon that everyone made her to be and honestly which person can have a different opinion which is okay but don't start shaming.

☆ And i made my own research so if there's something i forgot to add or if i made a mistake, feel free to say it. And also i wanted to credit @d4rkpluto because their posts about each lilith asteroids it help me with my post so thank you so much ♡

#astrology #astrology placements #astro observations #lilith #asteroid #lilith astrology

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lauraneedstochill · 1 year

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Confess the longing you are dreaming of

summary: Aemond thinks the woman he has to marry is the most impudent and unsufferable he’s ever met. He’s also never wanted anyone so badly. pairing: Aemond Targaryen x Martell!reader (third person, no mention of Y/N) warnings: bantering and teasing, mentions of unpleasant sexual experience, praise kink (guess who’s got it), a dollop of softness, mild smut (... for starters ;) author’s note: couldn’t get the idea out of my head and spent a few sleepless nights writing this. I imagine her brothers as Pedro Pascal and Oscar Isaac ✨ words: ~8000 song inspo: Hozier — Better love

>>> Aemond isn’t present when the idea is voiced the first time — he has a hunch that his grandsire is to blame for that. No doubt, Otto was the one to plan it out, come up with arguments served with his persuasive tone. He’s always loved to make arrangements and strike deals, each one of them to play into his hands, and Aemond hates the thought of being just another pawn of his.

He is blindsided at the breakfast but it’s made sound carelessly mundane — as Otto puts down his cup, he throws him the proposal, the way one would leniently throw alms to the poor. And Aemond thinks he must’ve heard him wrong.

“Marry me to... Who?” the prince asks, hardly covering his surprise.

His grandsire directs his gaze at him, the old man’s mouth twitching into a condescending smile. Since Otto isn’t keen on idle talk, he tells him plainly:

“You’ve long been of age, Aemond, you know that,” his knife scratches the plate as he cuts the meat, his eyes not moving from the prince. “House Martell holds power, and we’ll be fortunate to have such allies. Besides,” he pauses to take a bite, and Aemond gets annoyed at waiting; Otto chews, then adds, “I’ve only heard good things about your bride-to-be. Wouldn’t you confirm, Ser Criston?”

The mention of the knight is unexpected to them both — Aemond turns his head to meet Ser Criston’s puzzled look. But the brunet effortlessly copes with his emotions:

“We met when she was just a kid. But I knew she’d grow into a fine lady,” he easily agrees. Mayhaps, too easily for Aemond’s liking so he makes a note to talk about it later on.

His grandsire only lets out a pleased hum. “Well, I’m under the impression she will make a good match for our prince,” and Aemond feels that Otto carefully picks each word, “She’s said to be both beautiful and smart, and known for being quite independent,” he’s usually so stingy with his praise, it’s worth its weight in gold.

But that is not what Aemond hears. The choice was made for him, and his rejection of it makes him paint a portrait less alluring — a pompous wayward woman raised in the traditions that are starkly different from his; and yet, it is expected of him to accept it freely. His wounded ego simmers at the thought.

“I’d add another word to that,” Aegon chimes in, half-drunk already, “Everyone knows the Martells to also be promisc—”

“Look who’s talking,” Otto glares at him, and Aegon shuts his mouth.

The word is left unsaid, only the meaning of it isn’t hard to guess, and Aemond feels embarrassment creeping up his cheeks and weighting down his chest. He deems himself an educated man, well-read and eager to put his knowledge to the test, but he has yet to learn of carnal pleasures. A memory is clawing out: him, ten-and-three and plied with wine, laid on a bed that smelled of sweat, a naked woman next to him. Despite her tireless attempts, he wanted none of it, and the repulsion made him sick — and then it made him hate the act itself.

He did go to the brothel through the years, tried watching, touching, looked at bodies of all sorts, only it felt like putting paint over a rotten wall. He felt constrained, and lacking in some way (perhaps, in many), and more so awfully incomplete. Not once he sensed a spark, a pleasure he would crave, and no amount of effort could help him fill the emptiness inside.

He quells the feeling, pushes in indifference instead, and glances briefly at his mother. She meets his eye but only grants him a faint smile, her own gaze lacking any protest.

“Her brothers wrote that they would visit in a fortnight,” Alicent peacefully explains. “It is our duty to ensure a royal welcome.”

“Brothers?” Helaena blithely chirps. “How many does she have?”

“Four but only two of them are coming,” Otto tells her softly, then looks at Aemond, adding in a voice more wily. “I am convinced they really want to see whom their dear sister is about to marry.”

He doesn’t spell it out but the implication can’t be clearer — Aemond must play the part and make a good impression. As if impressing just one stranger wasn’t tedious enough.

As if he isn’t vexed already by how unsuitable he finds her.

>>> Frustration grows in Aemond with each day, takes roots, and clogs up all his thoughts. Some other man would’ve been glad — he often heard that the Martells are quite the lovers. He can’t admit it to himself how much he’s bothered by his own misfortunes on the love field.

He bottles his emotions up and doesn’t utter any word of discontent, nor does he ever speak of the awaited visit. Although he makes just one exception.

“My grandsire mentioned that you knew her,” he reminds Ser Criston one day after training.

The knight nods. “I crossed paths with Quentyn, he’s the oldest. She used to come to watch us train.”

“What was she like?” Aemond carefully wonders.

Ser Criston ponders for a minute, polishing his sword. “She was a quiet little girl, kept to herself. A lot of boys were always chasing after her, and she paid them all no mind,” he smiles at the memory. “But I remember one of them who was... particularly pesky. His charms didn’t work on her so he got offended, rude, followed her around. She tolerated him for over a month. One morning, he was hassling her in the training yard, and she just took a spear laying nearby — and smacked him with no warning,” he shakes his head but it’s apparent that he isn’t judging. “She didn’t use the pointy end but she got him good. And then she told him that next time he would think twice about his actions. She was impressive for a ten-year-old,” he muses and puts the sword away, then turns to Aemond, giving him a wistful stare. “Frankly, I think that you will like her.”

He does, for just a second, as his mind rushes to paint the image of a fearless little girl; and then he mercilessly wipes that image off. Maybe in other circumstances, he could’ve found amusement in that story, but Aemond only huffs and thinks back to the list of all her traits he prematurely made up. He adds “rebellious” to that list, and his self-doubt is a venom that clouds his judgment. He’s in no rush to find a cure.

>>> Their ship arrives a few hours earlier than planned — and after the dock watchers break the news, the bustle begins. Maids, servants, guards all run and faff about the castle, the dining hall gets filled with smells and noises, plates and dishes clanking.

Aemond is not excited in the slightest.

He dresses up reluctantly, each piece of clothes only dampening his mood that’s been already sour for the past two weeks. He all but drags his feet into the dining hall and by the time he reaches it, he looks so grim that one may think the prince’s preparing for his death, no less.

The minutes fly too quickly for his liking — they barely have time to sit, his mother nervously toying with the tablecloth already, and then the guards rush to announce the guests. Surprisingly, she’s not among them. The prince thinks he should be relieved; deep down, there is a splash of worry fizzling in him.

Her brothers walk in calmly in a cloud of servants bearing gifts. Their kinship is immediately clear — both tall, broad-shouldered, and dark-haired, self-confidence subsisting in their every step. The oldest is distinguished by a touch of gray in his short beard, his gaze more focused, a slight smile plastered on his face. The other one shamelessly stares at every maid his eyes can catch.

“Your grace, it is a pleasure to finally meet you,” Quentyn reaches their table first, and Alicent walks down to greet them. He keeps his distance and his smile, his tone is measured. “We were so sad to learn that the King has fallen sick. But I can tell the Kingdom is in great hands. And —”

“Women’s hands do have a healing touch,” Oberyn smoothly interrupts, his accent a bit thicker, his voice honeyed. “I will prefer a Queen over a King at any given day. Unless, of course, your husband can compete with you in beauty... I somehow doubt that.”

A shade of disapproval grazes Quentyn’s face but Alicent is too amazed to notice. The compliment may come off as blunt but she still takes it well, her smile embarrassed yet sincere.

“I hope you will enjoy your stay,” she tells them humbly, then looks over the crowd. “But may I ask where is the lady we’ve been waiting for?”

“She made a stop on our way to catch up with an old friend,” Quentyn answers, ready to explain, “It’s been years since we’ve met Ser —”

“Still can’t believe he is the Lord Commander of the Kingsguard,” Oberyn chuckles. “I think it’s all the armor that makes it look like he poses a threat. But you may reconsider if you see him in the nude.”

This time, the older brother glares at him with warning, and there’s a lull in their conversation, while Aemond’s struggling to hear what made his mother’s cheeks so red, his mind nervously preoccupied with someone else —

her laughter enters first.

It’s bright and joyful, a sound so lovely it might be enough to crack up his restraint. But then he spots her, and it feels like his whole body flares up at the sight.

She’s walking with her hand under Ser Criston’s arm, and Aemond’s never seen a dress that covers so much but hides so little. It’s muted orange, floor-length, made of sumptuous silk, with two long slits along the sides, curves of her thighs beguilingly seen through. Her neck and arms aren’t covered, and the material is intricately stitched around her waist to show a few more glimpses of her sun-kissed skin. The waves of her long hair fall on her shoulders and frame her face, each feature of it striking but her lips stand out the most — full, plump, and reddish. Not once before Aemond found the thought of being kissed so tempting.

She doesn’t even turn her head to look at him. She’s talking to Ser Criston quietly, and he’s engaged in conversation, unusually relaxed. Their difference in age is obvious, and the knight seems like just another relative of hers, but an uneasy feeling still leaves a bite on Aemond’s chest. He can’t imagine her so carefree — so beaming and compliant — by his side. His jealousy tastes bitter like a stale wine.

He hears his brother let out a short laugh. “It’s not like they were fucking,” Aegon carelessly notes. “Please ease your outrage before she runs away.”

“I don’t remember asking for advice,” Aemond snarls.

“You do look like you need it,” the blond comments, then goes back to drinking.

She gracefully approaches them, her voice melodic like a murmur of a river. “Forgive me, your grace, for being late, I haven’t seen Ser Criston in some time,” she tells his mother. “He was once a dear friend of mine.”

“I only helped to shush away a few of your admirers,” the knight cackles, earning a smile from her.

“I hope you are making use of all his talents,” she says to the Queen, making her face flush right away.

She delicately moves on to another topic. “It is a pleasure to have you here, you must be tired from taking such a long trip.”

“We found it quite enjoyable,” Quentyn remarks politely. “The beautiful sights along the way are worth the journey, and your city has some great views too.”

“Can’t say I’ve heard great things about your food,” Oberyn grins. “Hence why we took the liberty to bring some of our own,” he signals to the nearest servant, who runs to open one of the trunks they carried. “The dornish fruits are also my sister’s weak spot.”

“As if you don’t gorge yourself on them!” she jests, letting go of Ser Criston’s arm at last. “My brother is a glutton, your grace, please excuse his manners in advance.”

“You can call me Alicent,” his mother corrects her warmly. “Only seems fair to continue this discussion at the table,” she slightly moves away to let the girl go first.

Aemond unintentionally stiffens and only when he stands up from his chair to greet her, she finally does look at him. In contrast to her countenance, her gaze is dark and piercing, and the prince is staggered by how unreadable it is. Her brothers glance at Aemond briefly — Quentyn is pensive, while Oberyn looks like he wants to bite his head off; neither says a word.

She’s seated to his right, and she leaves behind a trail of scent — apples and plums, and he can’t help but catch the movement of her hips under the flowing dress. The words all mash and fall apart, and he can’t pick a single one to strike up a conversation.

Aegon is sitting next to her, and his patience only lasts a minute. “Never knew Ser Criston was such a ladies' man.”

“I’m sure he succeeded on that front but we are merely good friends,” she answers calmly, keeping her eyes on servants bringing fruits — blood oranges and pomegranates, robust grapes, and ripened cherries.

“You two seemed more than friendly,” Aegon presses, his tone evidently taunting.

She picks a golden apricot and runs her thumb over its fragrant surface. “Maybe it’s the wine that makes you see things,” she rebuts and takes a bite out of the fruit, a drop of juice risking to escape her mouth but she wipes it swiftly with her finger. She catches Aemond looking, and his cheeks heat up.

“We’ve never seen him in the company of a woman,” the older prince points out, filling up his cup once more.

She takes out the kernel and eats up the fruit, her mouth glistens. “Aren’t the knights of the Kingsguard forbidden to marry?”

“Never stopped them from bedding whoever they like,” Aegon remarks crudely, and Aemond is thankful that their mother is too preoccupied with Oberyn’s tireless chatting.

“Maybe some men have the decency to follow orders,” she responds, unbothered, taking a cherry and clasping it with her lips. Aegon doesn’t seem to notice and only gulps the wine and rolls his eyes. Aemond can’t look away.

“Aren’t you Martells known for not following the rules? I thought unruly was in your house’s motto,” Aegon argues, a corner of his mouth curled in a smirk.

She takes another cherry, the third in a row, her lips already stained with juice. “I think you keep getting your facts wrong,” she brushes him off, and Aegon goes to object some more but spills the wine right on his shirt. The displeased cry brings Aemond out of his trance.

“He tends to do that when he’s drunk,” the one-eyed prince coolly interjects.

Her eyes flicker to him, then she fully turns her head. “So you can actually talk,” her teasing comes off soft but her gaze still burns. “It’s good to know.”

“You seemed preoccupied with someone else,” he musters an excuse.

“Do you expect your wife to never speak to other men?” her voice almost betrays her disenchantment.

“No,” Aemond quickly answers, caught unawares by how strained his thinking process is. “She— you are free to choose your friends, of course.”

“I’m flattered,” her tone suggesting otherwise, “Not that I would ask for anyone’s approval,” she reaches for a plum; he closes his eye with a sigh.

Aegon comes to stand in between them on the pretext of needing another carafe of wine: “I didn’t mean to interrupt your friendly bickering, please continue.”

“It seems like Aemond isn’t in the mood for talking,” she doesn’t look at him, the tip of her tongue darting to lick her finger. “And I am never in the mood for begging.”

“My brother’s hospitality leaves much to be desired,” Aegon takes a sip. “So I regret the disappointment you are soon to suffer,” his hand falls on her chair. “But if you ever wish to be... well satisfied, all you have to do is ask me”.

It’s hard to tell if Aegon’s actually that drunk or merely provoking (or if he’s got a death wish, Aemond wonders).

She replies without much thought. “Well, if I ever find myself in need of...,” she trails off with a smile but her gaze gets harsh — her words then follow, “My choice won’t fall on you,” the smirk falls off Aegon’s face, and she glances straight at Aemond, adding, “I like them taller.”

But her straightforwardness is met with his resistance, with the deep-rooted unacceptance of his lurking needs. He adds “indecent” to the list, and they speak no more.

>>> Her boldness doesn’t pose a problem to anyone but him. To his surprise (or more so to his shock), his mother gives in first.

The morning can’t come fast enough for Aemond after he spends the night tossing and turning. A few hours later he rushes to the garden for a walk, overwhelmed by restlessness his training didn’t help him cope with. That’s when he sees it — a spot of yellow shining through the trees. He somehow knows it’s her without further confirmation but still, his feet carry him on.

Her dress is vivid like a field of marigolds, her hair plaited, wrists adorned with golden bracelets. He slackens pace and peers into her — and he wants nothing more than to drink her up, her whole appearance is the sweetest nectar... Until he hears another sound and realizes she is not alone, and it’s his mother sitting by her side, wrapped in her favorite green and, unexpectedly, in glee. He can’t remember when he saw her laugh like this — out loud, giggling, tears at the corners of her eyes are not from sadness but from joy.

“My dear, that is so improper! Did he apologize at least?” Alicent inquires with a smile.

“Oberyn rarely does,” she tells her serenely. “His lover looked way more ashamed. I hope each of your rooms has locks, gods know I don’t want to walk in on him again.”

Unlike his mother who is covered by the shade of trees, she’s bathing in the sun, the soft light caressing her skin, and Aemond’s eye greedily follows every ray. In barely a minute he feels warm all over.

“I hope that Aemond’s chambers got locks too,” she adds all of a sudden, a bit louder, and his chest is splashed with cold.

His eye moves to her face, and she’s already looking at him, direct and daring. He knows he’s hidden by the trees but there’s no hiding from her gaze.

Aemond turns away and steps back in haste, his abashment mixed with grievance at her implication. He believes someone like her would never lust for him, and her jokes at his expense not only hurt but prompt his resentment to grow stronger. He adds “deceptive” to the portrait of her he is so adamantly set on painting.

>>> She wins Helaena’s heart with ease. His sister fondly compliments her brooch — a little poppy made out of gold — and she gifts it to Helaena the same day. The silver-haired princess grabs at chance to show her own collection, and they spend the day looking through the jewels spread over the floor, sitting right there and equally amused.

And that’s how Aemond finds them. He only planned to see his nephews but hearing her voice coming from Helaena’s chambers makes him slow his step.

“... And this one he gave me for my latest name day,” Helaena babbles cheerfully.

“Aemond clearly spoils you,” she laughs without a shade of envy. “As he should!”

“He is very kind at heart,” Helaena eagerly assures her. “You will be happy with him, I am certain of it.”

There is a pause that makes him feel uneasy, makes him sneak up closer to the room.

“I do believe he’s not an evil man,” she finally says, “Maybe he just wasn’t made for marriage.”

Surely she can’t see him through the door but he can swear that he feels her gaze, like a silent challenge, a hidden mocking. He barges in without a knock.

Helaena beams. “We were just talking about you!”

His sister’s dress is milky blue, modestly pretty, and loosely fitted. It’s also treacherously pale compared to the liquid gold the Martell girl is dressed in. She’s sitting with her feet under her thighs, the bending of her back is bare and in plain sight. He should’ve walked away the second he heard the sound of her voice because not looking at her seems impossible.

“Oh, you came to see the twins? They are with Aegon but I can call— No, I will bring them back myself,” Helaena springs to her feet, rosy-cheeked and smiley, and leaves the room before Aemond can protest. And then it’s just the two of them.

He takes a breath and makes an effort, with his jaw tense and his blood rising, to drag his eye away from her. It feels as pointless as ignoring sunlight in an open field on a summer day. Only her beauty is more brazen — and so is her wit.

“I take it, gold isn’t your favorite color,” she speaks up with an impish tone. “Would be a bad idea to wear it on our wedding then.”

She never comes too close, always just a little out of reach, and yet he feels as if her presence grips him, weakening his will. He doesn’t want to be with her until he is — and then he has no wish to leave.

It scares Aemond as much as it spikes his anger.

“Why did you agree to come?” he bristles.

“You are not asking about your sister’s chambers, are you?” she clarifies, and he hears her smiling.

He tells himself he only needs to cast a glance to check.

He does — he meets her gaze — her earrings catch the sunlight and cast a trail of glares — the scattering of specks play on her skin, her neck and collarbones, sneak to her upper chest — his own is heaving. His struggle only lasts a moment but it leaves him short of breath. He isn’t looking anymore, his eye trying to discern the pattern on the drapes behind her.

“Our marriage, how do you benefit from it?” he hates how hard it is to control his voice.

And how she watches him intently without giving him a clue of what’s on her mind.

“I plan on visiting my family a couple of times a year. It will be easier to do on dragon back,” she doesn’t sound spiteful when she says it but her words still sting.

He can’t stop an image flashing through his mind: her on top of Vhagar, lungs full of air, pressed to him. It’s tempting — to have her in his hands, and yet the vision is too intangible to cling to. Instead, he thinks that in just three days she learned to play him like a harp, his years' worth of self-control is merely a sand castle against the tide of her sharp tongue.

He only snickers dryly at her reply, then they both hear the sound of running footsteps. Jaehaera and Jaehaerys rush to greet him — but almost instantly abandon, the kids' attention drawn to the shining golden dress.

He thinks “unruly” suits her better than does “pompous”. He comes up with a fake excuse to leave; the image of her stays with him.

>>> He picks more adjectives as the week goes on — she’s audacious, disobedient, wanton. She moves around the castle as if she owns every room she’s in. She wears less, and even on rare occasions when she doesn’t, her defiance more than compensates for it. She never shies away from a deep neckline, nor does she feel the need to hold back her resounding laughs. Her jewelry clinks, each of her dresses is brighter than the other, but it’s her wicked mouth his eye always falls on first.

More times than not, Aemond can’t tear his gaze away, each meal for him now both a torture and a feast.

He watches as she parts her lips, puts them around a luscious grape, a cherry, or a peach, she swipes her tongue to lick up every running drop, savoring its tang — and keeps eye contact with him. He barely can taste the food he’s eating, and no wine can quench his thirst, his body flooding with a feeling he can’t define, his heart adrift.

He tries to fight it off with all our strength. He scratches off “unruly” to write down “unabashed” instead.

But then the dinner comes, and even though he’s never had a taste for sweets, he thinks he’d eat them from her lips (deep down, he wants to). The lies he tells himself are brittle like the flesh of fruits under her teeth.

>>> He comes to think “insufferable” fits her the best. That thought rings in his head while he is standing in the stable, his eye on anything but her. He was informed she wished to pick a horse, and he begrudgingly agreed to come, only to keep up the pretense.

What turns out to be much harder is for him to keep restraint. The dress she’s wearing might as well be a chemise — it’s just as light and white, and much to his discomfort, it also tirelessly risks hiking up to expose more of her legs.

Discomfort, mayhaps, isn’t the right word for it.

He stays out of her way but, unsurprisingly, he ends up looking — at how she walks, spring in her step, swinging her hips. She gives each horse a piece of apple and feeds them by hand, strokes their muzzles, and then she mounts and rides them, one by one. She grabs the reins, her foot easily finds the stirrup, and as she swings her leg over the saddle, her dress slips up, showing a few inches of her skin.

He swallows thickly, glances more intently — over her dainty ankles, bending of her knees, he notes how smooth her skin is, soaking up the sun. Her dress then billows slightly, and his eye glides higher, hungry, follows up the contour of her thighs that bounce a little as the horse gallops.

He feels it blooming — a sensation with no name that travels from the lower chest down to his very navel, then spreads and tightens all that’s underneath.

He is so deep in his enthrallment, he doesn’t hear the steps approaching until there’s someone standing next to him. Quentyn stays silent for a minute, throwing him a sideways glance.

“My sister’s always been terribly picky,” the man says out of the blue, “And usually it’s hard to meet all of her demands,” — it doesn’t seem like it’s the horses he is talking of. The vagueness of it makes Aemond focus as he takes his eye off her but Quentyn doesn’t elaborate, giving him a smile instead. “I do admit, your patience is commendable. Some other man would’ve already interfered just to wrap the process up.”

“I was under the impression she doesn’t need anyone’s help,” Aemond replies evasively.

“You guessed it right,” Quentyn titters, his tone veiled with the same unclear meaning when he adds, “The only thing left for us all is to accept it,” and with that, he goes to join his sister.

When Aemond — tamely, almost yielding — takes a peek at her, his gaze collides with Oberyn’s who clearly watched them talk. Unlike his older brother, he prefers to stay away, but the mischief in him pairs really well with danger. He grants Aemond a nod, switching attention back to her, his threats unspoken for the meantime.

For just a second, it gives Aemond pause as he finds it odd that no one brings up their wedding, and no announcements have been made ever since she came. He doesn’t mull over it for long because her laughter interrupts his thoughts (or maybe he just yearns for any chance to look at her). She rides around the yard, her hair floating in the wind, a little breathless but breathtaking, her lips enticing and her curves making his throat dry.

He tries to ground himself, to look for explanations, for some reprieve from the entrancing spell he’s under — he’s never been so close to losing reason —

out of the corner of his eye, he sees a couple of guards dropping their gaze in poor attempts to stop themselves from gawking; it reins his passion, bringing back his jealousy instead. He’s way too used to seeing himself unworthy to even entertain the thought of having her, and his denial prickles. He wants to burn his feelings out, and anger helps with that — it breaks out and engulfs him fast, hardening both his heart and gaze.

“Quentyn is the friendliest of the two, and you couldn’t hold a conversation?” Aegon appears out of nowhere, seemingly displeased despite the bottle in his hand. “Must you always be so gruff? I stayed behind in hopes you’d make it work!” he waves at Oberyn then glares at Aemond, waiting for a reply. “Are you pretending to be deaf or...?”

“Must she test my patience?” Aemond mutters, his tone not jealous but exasperated, his eye boring into her, “Putting herself out like that for all the men to see.”

Aegon being speechless is a rare sight. He cannot fathom it at first, looking from Aemond back to her, confusion sobering him up. And then he grins, realization creeping up on him; there are some things he’s always quick to notice.

“It’s funny that you say that,” he leans in to tell him and catches Aemond’s gaze, “Since it’s just you who’s staring,” Aegon pats him on the back and leaves to greet her brothers.

Aemond tries to choke it down — his irritation and his shame combined, but it’s too much for him to handle, his head and heart clearly in conflict. He doesn’t wait for her to make a choice, retiring without sparing her a glance (a fear nibs at him that if he looks at her once more, he will stay rooted to the ground).

He doesn’t leave his chambers for the remainder of the day, dining all alone and fuming all the same. He’s usually good at curbing his emotions but he is having trouble understanding them, wanting nothing more than to erase all memories of her. But even in his solitude, he catches himself thinking — about her cunning smile and swaying hips, her eyes on him, his hands wanting to roam and touch and —

Aemond shoves unwanted thoughts away and goes to bed earlier than usual. He remains steadfast in his resolve to find some peace, he makes a conscious effort to shift his focus to all the boring, random things his mind can come up with until he is too tired to care.

But then he falls asleep, and his subconscious welcomes her. He sees her right before his eye in that obscenely short white dress, there are no people in the yard, her tantalizing moves all meant for him. She hops off her black horse and walks to him without a single word — anticipation makes him drop his guard and hold his breath — and then he feels her lips on his, her body pressing into him, his hunger for her ruining his self-control, the kiss is searing, suffocating, driving him insane, his fingers pulling up her dress —

he wakes up painfully aroused.

He lays in bed, his heartbeat rushing, his breathing ragged, and vision blurred. While he’s still grasping for the remnants of his dream, he sneaks his hand into his breeches, wishing he could rip her dress off and sheath himself inside her, spread her on his bed, and drink every salacious sound she makes... It only takes him a few strokes to spill over his fingers; he can’t remember if he’s ever reached his peak so fast.

And only then, as he comes down from his high, it hits him, like lightning in the dark — in spite of her remarks, her audacity, her dresses, and every cruel adjective he’s found for her, he’s never wanted anyone so badly. Aemond sits up abruptly, his sleep gone, giving way to stubbornness that comes hand in hand with reticence. He persuades himself that he’ll suppress this — the spark, the pleasure that he craves, and he won’t be a slave to his desires.

He’ll rid himself of feelings, of this lust. Inevitably it will wane.

>>> It doesn’t.

Desire is a guest that never leaves, unwanted but demanding space, attention, time. It slips into his thoughts the moment he wakes up, it whispers in his ears, never giving up, it’s layered in between his clothes and his skin. He hides it well from everyone; it lodges deeper into him.

Desire is a cherry in her mouth, each fruit she bites in, savors, drinks the juice from. He doesn’t want to watch — he can’t take his eye off her, caught in his fervor like in undertow, the flavor of her lips the only one he truly yearns for.

Desire bruises more than does a hit, cuts deeper than a blade, and there’s no weapon he can fight it off with. His training brings him no relief, and he can’t sweat it out or wash it off him, and even while he soaking in a bath, it feels like longing only rises back with steam.

Desire waits for him at night, stands by his bed, slides right under the covers with him. He dreams of her, and in those dreams, her body sings under his every touch, trembles from his praise, his hands and mouth paint her with marks and kisses. He wakes up with his chest aflame and out of breath, and then it takes all of his willpower not to crawl to her.

It staggering how much he really wants her, and he hates himself for it.

>>> It’s been three weeks and they have barely shared a word. He does his best to cut down their encounters and avoid her, he doesn’t argue and takes no offense, he hopes that if he pulls back just enough she will give up and let him be.

Aemond spends his evenings in the study, his table piled with books, and for a couple of hours, it does help to take his mind off things. The night already steals in while he’s searching through the shelves for scrolls, too caught up in the process to pick up the creaking of his door.

Her gaze nearly scalds him. He only looks up out of surprise — and then he freezes at the spot, his heart a stone that plummets to his stomach.

Out of everything she’s worn, this dress might be the one to bring him to his knees — the cutting out the front so low, his eye falls in the hollow between her breasts; he envies fervently the golden chain that rests there. He takes in her whole body, bare arms, and flaunting forms, all clad in deep dark green. He’s never seen her pick that color (and he can’t help but think she put it on for him).

He’s brought back from his stupor when their eyes meet — and startled by the determination in her gaze.

“Ser Criston told me that you missed your training,” she stately starts walking toward him, “Quite a few times this week.”

“I found myself preoccupied with other things,” he clears his throat and clasps his hands behind his back, the scrolls forgotten.

“With reading, I assume?” she almost sounds aggrieved (he wants to ask what else she’d rather have him do) but then her tone gets jaunty. “Would you mind if I join?”

“Actually, I would,” Aemond takes his eye off her, his coldness feigned. “I’d like to avoid distractions.”

And more than anything, he would like for her to leave; she’s not the one to give up so easily. “Maybe we can learn some things together?” she nonchalantly insists, and that ambiguity — deliberate or not — leaves his face suffused with pink.

“I highly doubt you take interest in the things I study,” he manages, his crudeness biting his own tongue.

She only sneers, already nearing his table. “You surely rush to judgment.”

“And I am never wrong.” (Although he’s been wrong once before.)

“That’s very humble of you.” (And she’s tenacious with her intent to prove him wrong again.)

“I am surprised you know that word,” he replies too hastily — and instantly regrets his outburst.

And his attempts to get away from her could’ve been valiant, but only left him feeling like a coward.

She’s got enough courage to spare. “Oh, my apologies, did I strike a nerve?” her hip grazes a stack of books. “You sound so displeased with my behavior,” she puts her hands right on his table, her cleavage in full view.

“You interrupted my studies,” he’s looking only at her face.

“Just this one time,” she clears up, her sly smile is a dare, “Sounds like you have quite a few complaints.”

Damned be her dress and the day he laid his eye on her. “It’s clear as day that we have nothing in common,” he hisses, her persistence molding his anger. “From your bawdy humor to your reckless behavior and your...,” he struggles to push the word through his mouth, “vulgar dresses — everything suggests that we will never make a good couple.”

He catches a gleam in her gaze but it’s not threatening nor hurt — and when the corners of her mouth curl up, her face expression actually looks amused. “I didn’t realize my presence tormented you that much,” she crosses arms over her chest, her hands under her breasts; he looks away that very instant. “So will it please you if I take my vulgar dresses and go back home and leave you be?”

He wants to say it will — he’s thought of it for days — but now he isn’t sure. The dreams he has of her will hardly be enough as every image he collected has got nothing on the real form.

“Is there anything that does?” she asks him suddenly and takes a step in his direction, and then another one.

Belatedly, he realizes that he’s backed against the wall. The air in the room heats up, and Aemond moves back to his table, fingers holding to its edge to find some balance. “...Does what?”

“Please you,” she swiftly clarifies, now standing at arm’s length.

“That isn’t any of your concern,” he wants to glance away and yet, his eye is drawn to her.

“I am inclined to disagree,” her lips stretch into a smile. “Shouldn’t a wife know how to make her husband feel good?”

“We are not married yet,” he tries to argue weakly.

“I’d like to learn beforehand,” but her assertiveness works quicker than his doubts.

The time is still, and seconds drag like hours. His heart leaps at the thought of being all alone with her, his concentration crumbling, his self-restraint already hanging by a thread.

“The way you look at me suggests you aren’t averse to the idea,” she tells him in a low voice, her eyes two glowing embers. Aemond gulps, she deftly rounds the table. “You act so cold and so collected,” she muses, coming closer, and he helplessly steps back. “But I am yet to meet a man who would deny himself the pleasure of laying with a woman,” her voice is warm and warming; his legs bump into the chair, prompting him to sit.

He hesitates for barely a moment but his quick reaction fails him because the next thing he knows, she’s standing next to him, her golden chain casting a blinding glint — he blinks — and then she’s straddling him, her thighs on either side of his.

Aemond’s mouth falls slack as he becomes aware: to lift her he will have to touch her. He glances down at her legs that sneaked out through the long slits of her dress, all bare to the very hips before him.

“I wonder if you are too spoiled by the attention of the ladies? Mayhaps you’ve got so satiated, the intimacy doesn’t bring you any joy,” she runs her fingers up his chest.

He only finds it in himself to shake his head. She isn’t satisfied with that reaction. “Or do you simply find it boring and have a taste for something else?”

Objection bubbles in his throat but he gets no chance to voice it — he barely registers a clinking sound before he feels cold steel pressed under his chin, her fingers wrapped around the hilt of his own dagger. He meant to leave it at the training yard but it completely slipped his mind.

“Does this work better? I’ve heard that you Targaryens have peculiar tastes,” her other hand lands on his shoulder, his chest is stirring with emotions he can’t read.

“That’s not— No,” he mumbles, his voice raw, the weight and feeling of her body overwhelming.

She cocks her brow at him in disbelief. “No? So it’s just plain old satiation then?” she makes no attempt to press the blade but her questions do get pushy. “Must be so hard when women throw themselves at you ever since you were... What was it, ten? Twelve years of age?”

He would expect her to sound teasing — instead, he hears disappointment. That’s the reaction he is used to getting.

“My brother took me to a pleasure house when I was ten-and-three. He said it’s time to get it wet,” he forces out, “And it was...,” awful and humiliating, something he wishes to forget, “...Not what you are describing.”

Her face expression changes — first surprised, then splashed with sadness, and her every feature softens. Aemond sees her opening her mouth to speak but he averts his gaze, abasement scrabbling at him. His eye falls closed, and he keeps thinking that now she will get up and leave, and there won’t be any wedding, and he’s got no reason to get so overly upset already, and —

she sheathes his dagger without a word, the unexpected movement making him breathe out.

And then she dips her head down, and her lips fall on his jaw. Aemond inhales sharply. Her mouth feels softer than it was in all his dreams, and she plants kisses down his throat, moving to the part of it the blade was pressed to. He doesn’t know where to put his hands while hers lock nimbly around his neck.

She pulls back slowly, and he dares to look at her again, trying to catch the merest shadow of pretense but there is none.

“I am truly sorry that you had to go through that,” she tells him quietly. “Have you tried some more since then?”

“I did,” his answer comes off hurried, blank, “I... I am aware of how the act is done.”

“How the act is done? Aemond, that doesn’t sound enjoyable at all,” she pouts, then gently caresses his face, her voice a tender whisper when she adds, “But it should be.”

He stiffens, waiting for the discomfort to wake up, for the aversion to coil his guts, to trigger the jarring need to move away. None of that happens. Instead, he feels her fingers running through his hair, a calming motion bringing only comfort, her every touch relieving tightness in his chest.

“You seem too tense... We have to work on that,” she joyfully murmurs. “Unless, of course, my worry causes you distress,” her fingers stop, “Do you want me to leave, my prince?”

“No,” he rasps, he almost pleads, “D-don’t.”

She hums with satisfaction, bringing her hands down to unclasp his leather doublet, knowing she won’t meet any resistance. He should resent her for this but he doesn’t (he didn’t and he won’t). The air lays cold over his shirt, and Aemond shivers; she moves her fingers down his firm chest with an unspoken admiration.

“Tell me how it usually goes,” she inquires, one of her hands finding its way back to his silver locks. “Do you find pleasure in undressing them?”

Her warmth envelopes him, scented with cinnamon and peaches. “They come without much clothes,” Aemond blurts out, earning another hum from her.

“And what about you?” she glances curiously at him.

“I don’t... I don’t like them touching me,” he timidly avows, and saying it to her does bring somewhat of a relief.

With both of her hands, she cradles his face, thumbs gently contouring his cheeks — he all but melts into her palms. “And yet you are so responsive to the touch,” her voice praises, “So pretty.”

She leans in again, leaving a kiss at the hollow of his throat — and then her mouth travels up, ardent and steady, and he squirms in place. Not out of discomfort.

“You are not supposed to rush it if you want it to feel good,” she whispers in his ear and moves back to catch his gaze. “You never rush into fighting so why love making should be any different?”

Astonishment brightens his face, and she chuckles lightly. “I must confess, I did enjoy watching you train, even though you never noticed. The way you move and twirl your sword,” she’s recollecting breathy, “You are so lithe and fast and so resistant... An infatuating sight.”

She holds his gaze and lifts her hand — he follows it, unblinking, until it finds one of the straps — she hooks it with her fingers. “Fairly soon it made me wonder how would your hands feel... on me,” his heart jolts at her words.

Slowly, she moves the strap aside, baring her breast for him; Aemond’s breathing hitches. She takes his hand in hers, planting a kiss over his knuckles — and then lets his fingers graze her naked skin.

“It was so cruel of you to rob me of my pleasure,” she laments, but he can barely hear a thing, his eye wide as he fixes on the soft swell of her breast, on how her nipple peaks so eagerly under his touch.

She guides his hand over her chest, down to her ribs and waist, letting him brush her every curve, placing his fingers firmly on her hip. And then she reaches for his other hand and lowers the other strap; his body trembles. The layers of his reticence are all peeled at once, leaving his desire raw and undisguised, unshackled. He’s drawn to fondle, clutch at her plump breasts but her grip is tight and taunting, not letting his fingers roam free.

Still, when both his hands sink into her hips, he realizes that he’s getting harder by the second.

It doesn’t go unnoticed by her. With a controlled, torturously slow move she drags her clothed core over his straining cock. His mouth stays closed but there’s a sound — a muffled moan caught in his throat.

“Doesn’t this feel good?” she teases, lightly tugging on his hair, her lips reaching the column of his neck. “With how much you read, I hoped you’d be more generous with words,” each of her kisses weightless like a drop of rain but then her mouth finds a spot below his ear and suckles at it, pulling a whimper from his chest.

He thinks he should... his mind goes blank after another movement of her hips, and she picks up the pace, merciless and sensuous. He tries biting down his moans but only hurts his mouth. She notices, her rapt eyes on him, and puts her finger on his lower lip:

“Please, don’t be shy with me,” she coos, her gentle touch soothing his bitten flesh, “Our desires coincide,” she earnestly affirms him — and the spark erupts and drags him into pure bliss.

He feels that his arousal leaks, his breeches way too tight to hide it, his fingers dig into her supple skin, but she gives no complaints. He watches breathlessly through his hooded eyelid as she grinds against him, then looks over her bouncing breasts, her nipples pebbled, and the pressure curls somewhere down his spine. She peppers him with kisses — the angles of his face, neck, everything that she can reach, except for his desirous mouth. And yet the softness of her lips and hands, her skin that’s draped with the redolent scent, the rhythm of her hips all bring him closer to the edge.

Her forehead is pressed to his, their lips an inch away but never fully touching. “Let go for me,” she says against his mouth, “My handsome, fierce dragon.”

That does it for him. He harshly presses her to him, then shudders with a strangled moan and comes undone, his eye squeezed shut as her name quivers in his mouth. The pleasure whirls him in and leaves him drained and stunned, a little bit light-headed.

It takes Aemond a minute to recover before he finds her gaze again — and in another minute he discerns her shallow breaths, her parted lips, brows slightly furrowed. He wants to ask her if she reached her peak, if he can help her with it —

but she pulls back.

She stands up and only briefly grabs his shoulder, steadying herself, then promptly puts the straps back on, fixing her dress. He wants to lend a hand but she moves it away, leaning in to lightly caress his face. “No, you don’t get to have me yet. I want you to admit it first, to say that you want me,” her words are laced with dignity but cooling to his mind.

She steps back, cruelly fast, the only consolation is her naughty tone. “Until then, I have to satisfy myself some other way. But I will think of you while doing it, my dear prince,” she promises, a ghost of a smile on her lips, and then walks out without looking back.

The silence feels unwelcome in the room and hangs over the ceiling like a cloud, but Aemond he is too dazed to move, spent and perplexed to wrap his head around it.

Desire, it seems, has come to stay.

But it’s not the only thing he’s feeling.

✧... YES, there will be a second part, it’s already in the works! ✧ and yes, I didn’t bother to rename Pedro’s character 'cause I adore Oberyn sue me

✧ just to clarify, I usually age Aemond up to 20 (or however old Ewan looks to you ;) ✧ I got inspired after watching the video for ROSALÍA’s “La Fama” (give it a watch, she is soooo 🥵) but I only found it because of this gorgeous gifset so shout-out to OP for giving me inspiration

✧ my recent fic (couples who kill together, stay together 🔥) ✧ my masterlist

thank you @amiraisgoingthruit for letting me tag you in every silly story of mine, hope you’ll like this one (if anyone else wants to be tagged, don’t be shy)

English is not my first language, so feel free to message me if you spot any major mistakes. reblogs and comments are very much appreciated!

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