#and really for a few of them it isnt even about that because its just about their skills not their memories
obviously. fgo dantes is bad for your mental health if youre looking for reprieve and soft comfort with sweet dreams, if youre looking to be told that what youve done is enough, you dont have to fight, its alright, just sleep, trust in me, call my name with a sigh when youve exhausted everything, you can just dream a sweet dream as you fall into the abyss. its okay, you can cry, you must feel, you must never let go of your emotions. the bonds you have will pull you up again and again because they existed and will continue to exist for as long as you remember them. we have Servants like kiara and oberon for that. but for dantes getting thrown into prison and being accused of treason broke him, losing everyone he loved in the process broke something inside him but also remade him anew- into a different person separate from edmond dantes the good sailor and mate of the pharaon. so ofc no doubt hes insane and would pull the same but different kind of crazy on you.
he can and will hurt you and himself if it means you get to move forward and achieve the future you want with your own hands. he will make sure and set things up that you grasp it yourself. even if its also at the cost of the blood of those you love (those people may not be real, but they were alive no matter how you look at it). but you CANNOT deny his sheer impact and capacity to be your greatest motivator, YOUR hypeman, your NUMBER ONE BEST supporter in MOVING FORWARD. dantes literally took up a janitor job and has been doing it for YEARS all because he cares about his accomplice and its a shitty job considering the sheer amount of vile things that get absorbed into guda's head that literally requires a few people to fight off.
so jalter is right he really isnt that far off from being the same malignant information plaguing guda, living in their head, fighting the same malignant information being absorbed into them throughout the lostbelts but its just that it was dantes who decided to protect and remain instead of disappearing outright post-prison tower. he still protects but his brand of care can come off as terrifying and also as usual even in the book he keeps certain info for himself so people like maximilien are left helpless and in the dark after valentine 'died' bringing the guy at his lowest and making him the happiest upon seeing her again in the ending. so, just like a flame, his love can definitely hurt but in the end he just wants those he cares about to be happy
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Bruce Wayne, who can't cook to save his life but can bake better than even Alfred. The catch? He can only do it in the night after being awoken by nightmares. No one knows about his extraordinary skills other than Alfred and Dick, because everyone assumes that the baked goods in the kitchen are made by Alfred. Dick knows because when he was younger and couldn't sleep because of nightmares, he used to join Bruce in the kitchen and watch him work.
Dick Grayson, who is an absolute disaster in the kitchen because he keeps getting distracted, but give him a microwave and a dream and he'll prepare a solid three course meal that actually tastes decent. He's also an excellent cocktail maker, which is funny since he prefers to have his alcohol straight without any mixers (he still puts the little umbrellas in his glass though, don't be mistaken)
Jason Todd, who is an ACE in the kitchen because he refused to ever be helpless with food again after getting off the streets. He was going to eat, and he was going to eat WELL. Especially since he finally had the resources to be able to actually experiment with what he likes and what he can do with different foods, instead of just what's cheapest or most easily found. The one thing he can't do? Crack an egg with only his hands without getting any of the eggshell pieces in the food. He needs to use one of those little egg cracking tools. The thing that pissed him off the most about this is that the one thing Dick can do brilliantly in the kitchen, is crack eggs with one (1!!!) hand only.
Tim Drake, who is definitely not michelin star level, but has learnt to sustain himself with instant meals and those little ramen packets. He somehow always makes them taste good though, adding toppings and making sure they are some form of nourishing, even if that just means adding a fried egg on top and calling it a day.
Cass Cain, who has no culinary abilities and does not want them either. Her skills in the kitchen start and end with making sandwiches. But whenever she goes out to eat, she always goes to a chinese restaurant and gets something that she hasn't tried before, because she was never introduced to any foods of her culture and wants to taste them all now. Oh, and she can do super complicated tricks with the knives, her and Dick have constant competitions about who can do the coolest thing.
Steph Brown, who lives off of takeaway for most meals, but can make better breakfast foods than most people in the house. Waffles, pancakes, bacon, eggs, toast, you name it and she can make it. Only if it is traditionally eaten before noon though. She also worked as a barista part time for a while, so she knows all the fancy coffee recipes.
Damian Al Ghul Wayne, who doesn't care to cook other cuisines, but taught himself how to make almost every middle eastern and south asian dish he could get his hands on, because it helped him feel closer to his home and his mother when he first moved in with his father. His fondest memories of his mother and of her feeding him his cultural foods and telling him about their origins. It was the only time they did not speak of work, or his training, but instead about what his father was like as a person, about the things his mother has seen on her travels over the years, about his maternal grandmother, about his interest in animals.
Duke Thomas, who can cook enough for a 15 year old but doesn't touch the kitchen of Wayne manor very often, not unless he's just sitting on the counter watching others or helping minorly. His memories are still fresh enough to bleed when touched and all his memories of him cooking in the kitchen have his parents happily dancing in the background on Sundays with loud music blaring through the walls as they teach him how to chop onions without crying or knead dough.
Alfred Pennyworth, who only had the most basic culinary skills when he began working for the Waynes, enough to keep him alive when he was in the military, but was forced to learn how to cook when he was unexpectedly given custody of an 8 year old. He can cook better than most professional chefs in the world now, but he still hoards Thomas Wayne's old cookbooks like they're the only tangible part left of the man who once filled the halls of the manor, even though he knows that's not true. He'll pass them down to his grandchildren one day...just not today. Today, they're still his.
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V, JoeNicky & Nile
V. An abandoned or empty place.
When Joe pulls the sheet off the couch it kicks up enough dust that it makes Nile sneeze. The couch underneath is old, wooden frame rotting, fabric stained and full of holes where moths have eaten away at it.
“Sorry,” Joe says to Nile when she finally manages to get the sneezing under control. “Didn’t realise it was that bad.” He puts his hands on his hips and looks down at the couch. Nile looks it over.
“There’s no saving that,” she says, wiping at her eyes. She can heal from falling over ten stories, but she can’t get away from allergies.
Joe frowns. “I liked that couch.”
The house is older than anywhere else they’ve brought her, and has been abandoned for long enough that it’s falling apart. But through some trick of posing as their own sons, or something, Joe and Nicky still own it, even if there’s a giant hole in the roof and all the windows are broken. Why they’d decided to come back here, Nile doesn’t know, but it’s a nice enough area, and a good distraction from, well. Everything. Growing back a leg, she’s discovered, is not fun.
From one of the other rooms – she thinks it’s the kitchen, she’s not actually sure where Nicky had wandered to – there’s the sound of something breaking and crashing to the ground, and a muffled curse.
Joe makes a questioning noise in the vague direction of the kitchen. A few moments later, Nicky appears in the doorway, covered in dust. “I am okay,” he says. “But I think we will need to go out to eat tonight.”
“Nothing?”
Nicky shakes his head. “Unless you want to start a fire and go hunt some rabbits.”
Joe grins. “Just like old times, right?”
Nile shakes her head firmly, which makes Nicky smile. She loves them, but there’s no way they’re doing that.
“We can probably clear out enough space in here,” Joe says, gesturing to the floor. “Get the sleeping bags out of the car. Probably have to start a fire anyway, but…”
Nile looks around again while Joe says something to Nicky in Arabic that makes him laugh. The house is falling apart, sure, but it’s structurally stable, and the bones are all there. It could be something. They’ve got time to make it something.
Nicky is the one who goes for pizza in the end – he doesn’t trust Nile and Joe to order it if left to their own devices – while they try to clear out a space in the living room. Eventually, though, after Nile has another sneezing fit, Joe suggests they just take the sleeping bags outside instead, which works out a lot better. He sets about starting a fire with practiced ease while Nile sets out the sleeping bags around it. They’re far enough away from civilisation that she can’t hear cars passing by, which is kind of surreal, and the stars are brighter than she’s ever seen them.
When Nicky gets back, two boxes balanced on one arm and a bottle of wine in the other, he looks over their makeshift camp and laughs. “Just like old times, then?” he asks.
Joe grins. “Except we have pizza.”
“And actual sleeping bags,” Nile says.
“Ah, these modern inventions could never quite match the comfort of a pile of furs,” Joe says wistfully. Nile gives him a look. She’s ninety percent sure that one’s bullshit, but she can never quite tell with him.
Nicky sets down the pizza boxes, and jogs back to the car to grab the pack of plastic wine glasses they’d bought before they got here.
“We should’ve bought marshmallows,” Nile says. “Could have made s’mores.”
“Well, we’ll have to go to the hardware store tomorrow anyway,” Joe points out. “And I think it’ll be a little while before we can actually sleep in there.”
“Tomorrow, then?”
“Tomorrow,” Nicky agrees.
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Just thinking about how heartbroken Reyna must have truly been when Jason came back to Camp Jupiter and barely remembered her.
Because she met Percy, she does know that even when Juno takes your memories away, if you truly truly love and care and need another person you will be able to remember her, even if not entirely perfectly, but the memory will be there with you the whole way. Like the memory of Annabeth was with Percy.
And then Reyna sees Jason arrive with Piper, and it's okay really, it doesn't even hurt that much, she's Praetor, she has got a job to do, she cannot be getting distracted with silly little sentimental things like that.
And, okay, sure, Reyna can say, maybe Jason and her weren't that close in that sense, it's okay, but they were still good friends, co-leaders of a grand city, he still mattered a lot to her.
And same thing right, Percy did remember Nico, not that vividly or anything, but he did immediately know Nico and him knew each other from somewhere before, because The Ambassador was important to him, in a different way but still, important to Percy.
And then, Jason tells her that he didn't remember her at all, no name, no blurry face, no dreams, no voice, no vague sense that he was missing somebody from somewhere.
That he only started sorta remembering her days after he had already finished his quest, for his new patron goddess, and his new friends, at his new camp, in his new life, with his new girlfriend.
But it's fine, really, Reyna is mature, she doesn't let little things bring her down. She's roman, truly roman, daughter of a fully only Roman Goddess. She's Praetor, she's strong, she will welcome these strange Greek people into her city and throw a feast in their honour, she won't even be salty or rude about it. Really, Reyna is fine, it doesn't even hurt.
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man. i wanna get back into multifandom stuff but at the same time i cannot feel anything for things that arent idkhow anymore :,)
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I honestly don't think I was capable of fully understanding how dangerous restricting was until after I had been in recovery for like 8 months already. And I sadly really mean that. I worry about you guys :((
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OK BRAIN WORM NUMB R ONE. WHAT WAS THE THING WITH NEIL N PIERRE ABOUT DYING AND COMING BACK THE SAVE VS LIVING WRONG
i went through. my entire got damn blog trying to figure out WHAT you were referring to where the hell i had said this. and then realized it was the 3rd most recent reblog. im so smart and organized guys
so in reference to this post
essentially you can read it as either neil or pierre, but the perspective of WHO is saying this definitely changes.
for neil, the dying and coming back refers to the cyborg process and the fact that neil has the very unique situation of... being used for intermittent testing for about a year. And then being shut off and kept in essentially storage for about 6-8 years after that. where he was unconcious and did not age at all. so when he gets out, its still just a teenage boy, but suddenly everyone is so much older and everything is different and not only is eveline older shes also. not her anymore. which is not new ground here ajdjdhfjf
but its also worth noting that neil does not get the near instantaneous reconciliation that he did with cherry in WTTW, because cherry is dead. for at least 10 months. so it spends that time not knowing why cherry came to RR or who they are now or anything of the sort. so like if i had to do a line by line breakdown itd look like:
-"i died but i came back exactly the same" neil has not significantly aged and is around the same age he was when eveline knew it
-"you though, i came back and you were wrong" neil is the same. eveline is very much not. it has been a much shorter time
-"did the fact of my dying really damage you this much?" neil doesnt know WHY evelines so different and wonders if them being ripped apart the way they were had anything to do with it
-"was bringing me back worth what it cost you?" neil thinking the reason any of this happened is because eveline came back for him, and it cost her her life. (also the fact that haha um neil is. Kind of the one who kills cherry. oopsie!)
-"would it have been better to just leave me?" neil sees all the new people in their life that they dont know and feels guilty over the idea that He was (as far as he knows. because no one ever tells the kids anything except for vallen but shhh) the reason eveline went back, died, and left all of her friends to clean up the aftermath of it all. tldr neil blames himself for everything bad that happened to cherry and it fucks him up bc i cannot give that boy a moment of peace
pierre is a lot more straightforward. imagine some visage of eveline saying this shit to him. "bringing me back" is less about being brought from the dead and more about, like. taking someone by force and bringing them back home.
pierre sees the moment "eveline" escaped left as the big turning point of his life, when everything having to do with his future life became a lot less clear and what was left of his morals went down the drain in pursuit of Maybe Having Her Back One Day and as such he DOES wonder what may have happened had he just... let her be. so he lives in guilt over what happened because it went So So Wrong and because shes gone with next to no chance of seeing her again and not. the obvious reason he should feel guilt over eveline.
the more things change etc etc
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ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.
the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,
but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.
It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.
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see the reality is i post on my rps usually when nobodys been there a bit and nobody is probably online, but the mental illness in me keeps saying its bc everyone secretly hates me and i dont deserve love, and when i tell a gov doctor that, they basically just say ‘take your antidepressant’s and shut up’ which is also funny when said gov doctor wont refill my fucking antidepressants in the first place
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im so tired of literally everything being a reboot or a remake or revival or sequel or whatever nowadays. i dont always hate that sort of thing i can name some adaptations and reboots and stuff that i like but so many of these things arent even GOOD adaptations and the companies making them either wont make anything else or wont bother to promote any of their original shows or movies and to top it all off so many original and unique things get cancelled while the endless pool of disney live action remakes and shitty adaptations continues to grow. i cannot do this anymore velma was the final straw it looks so bad
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i think the whole "miles is ALSO spider man" debate becomes worthless when you realize miles is in fact referred to as spider man in every single rendition of him..... except for the ones aimed at 4-8 year olds. which at that point makes your argument mean nothing
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whatevers going on with vsynth twitter right now i feel like staying away from it ! i'm just excited for my utaus to be in a couple upcoming medleys... that's all...
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i find it very frustrating how after youre yelled at or scolded really harshly and you go on about your day feeling really bad about it then the person who yelled at you sees that and tells you to "stop moping around, nobody feels sorry for you" like youre trying to guilt trip people when youre not?? is crazy to me?? like. am i not allowed to feel this way after i get yelled at? even when i get in trouble/mess up in something am i not allowed to feel bad about it?? how tf am i supposed to go on about my day (at least) neutrally after that? how tf do people switch up so fast after something like that???
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gyuri leaving fromis 9 is sad, but of all the ways for a member to leave a group, this is really the best possible one. she's leaving to follow other passions, after being with fromis for a long time through a lot of hardships. this is better than a scandal in every possible way. like, she's not leaving because she did anything wrong, or because the company did... she's leaving because she feels it's the right thing for her to do.
and the company is supporting that! imagine if you were an idol but you really wanted to quit, for whatever reason, and your company DIDNT let you? that would be awful! so really, this is a very good thing. it's sad, but it's good. you know?
so seriously, i wish her the best. she’s been with fromis from the beginning, to when they had a year-and-a-half long hiatus, to when they finally were successful and now regularly achieve at least a few music show wins during every promotion. the only time she was absent from fromis before now was when she was competing on produce 48, and like i’m not totally sure exactly why she did that, but the reason she stated on the show was that she felt like she needed to improve faster in order to keep up with her members (im sure part of the reason was her company wanting to promote fromis via her appearance on the show, too. which is kinda iffy, but gyuri suffered through that like a champ. she did so much for fromis). i think she’s earned this departure. she didnt leave when things got tough, she’s leaving when things finally seem stable, and she feels like it’s the right time to pursue this other passion of hers (i’m assuming she’s gonna be focusing on acting).
and so... yeah. i guess my point is just that like... as far as departures go... this is like the ideal way to do it. a few groups i really like have lost members recently, and each situation is very very very different from the others, but this one is the only one where i’m like “dang... but good for her though <3″
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A friendo fmine put me on to a game called "24 Killers"
Inspired by the games the chibi-robo people did before they made chibi-robo. I feel like the aesthetic would be up your alley
oh yeah i saw the trailer for 24 Killers just yesterday! it definitely looks a lot like Moon RPG, and i absolutely love it's clay-esque artstyle a whole lot! absolutely want to look take a full look into it whenever i have the chance!
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