#and their lore is way more extensive than this

[takemus]

(late but i saw your tags on one of the rbs, Please Go Off about your OCs-)

OASDHGKS now im kinda embarrassed to do this but ig i can give some super quick couple-liner gists of them under the cut

alex

ice phoenix and former prince of a destroyed kingdom meant to be a sanctuary for non-human entities (such as mythical and other supernatural beings) that wanted to also eventually welcome humans (long story short: shit happened and this never came to be)

outwardly cold and aloof; inwardly soft and cares quite a bit. gender af and has an air of melancholy to him. he was actually playful and mischievous as a kid...losing everything does that to you

cain

literally Just a Dude (at first). first human to enter the kingdom described above as a trial to see if other humans can be welcomed. winds up falling in love with alex. dies due to the Shit that Happened and becomes the next iteration of death (so not human anymore)

really bitter and cynical as a kid; comes to be a shitposting loser as death down the line. also really hot

leon

remember the part about cain dying? yeah he kinda does that again, sorry- (as for how death dies...that's a long story. dw he does come back in the end!!)

kinda-not-really cain's kid (sorta) and is the next iteration of death after the deities kill cain (time to be determined, as are all my oc-related things). has a...rough and difficult start, but is welcomed after things get settled!

very sweet, doesnt understand the world all that much, but is doing his best! very forgiving, probably hard to make angry (will probably cry over getting mad tbh). also doted on a lot (esp by his older brother figure)

btw if you want to see what they look like, i have a group photo of the oc gang (including a friend's oc and uh. goro akechi SDKGHDSKGSH [who is the older brother figure mentioned above with leon]) as my tumblr header (mobile)! alex is the blue haired boss bitch, cain's the sunglasses-wearing black haired dumb of ass (affectionate), and leon is the beaming baby boy sitting on the sofa arm

[n1ko-whoisdefinatelynotacat]

And we’re here this early because..?

To be perfectly honest with you, I woke up much earlier than this and they’ve got free tea in the mornings if you come before classes start.

Then why are we still here?

It’s warm. The dorms heating hasn’t been turned on yet but it’s starting to get really cold.

We… run warmer than everybody but [Redacted].

Doesn’t mean I don’t get cold. Plus it’s quiet, I’ve been really anxious, and this is helping.

Fair enough. I’m going to sleep again.

Have fun with that buddy.

[sparky-is-spiders]

So by the time they even meet Amaldyne will 1) have preconceived judgements (despises him) and 2) be in so deep with Eityr that neither of them have room for close relationships of any sort in their lives, but I think there’s an alternate universe where Leoshgon and Amaldyne date. It would HAVE to happen after her family dies and while Leo has the sword (aka when Amaldyne is enough of a control freak and Leo is at his most useful). But like. It definitely COULD.

I imagine it would be much like the Overseer’s relationship with Leo in terms of the dynamic, but the internal forces driving it would be different. The Overseer enjoys control and possession for its own sake. He likes that one of the most powerful forces currently at play belongs to him. Leoshgon is a tool and a possession, and a trophy, but the love goes beyond that. He’s a person who isn’t magically bound but chose to stay anyway, and the Overseer loves THAT most of all (I imagine some of that love fades after Leo loses the sword, which I think Leo would interpret as the Overseer seeing him as a tool, but is more the Overseer wanting a partner who chooses him). I think Amaldyne would lean less “posession” and mor “objectification.” Leoshgon would be, to her, an extension of herself and her values. Leo is in her corner. Leo is fighting her battles. For her cause. For HER. She loves that Leo never disagrees with her (or at least that he always sides with her in the end), that he’ll do anything for affection and validation. And even if parts of Leo want to be his own person (want to be a person) he loves having somewhere to belong and someone to love him, even if it means being a doormat for someone who’s love is very much conditional.

And I think that’s why, if Leo was in a relationship with Amaldyne instead of the Overseer when he gave up the godslayer sword, she would kill him for the betrayal when the Overseer would keep him for coming back at all.

[stllmnstr]

sacred monsters: part two

pairing: lee heeseung x f reader

genre: academic rivals to lovers, vampire au, slow burn

part two word count: 12.4k

part two warnings: swearing, more blood and other vampire-y things, me forcing you to read extensive vampire lore, the supernatural elements are ramped up a notch (or, like, eight notches), semi-graphic descriptions and depictions of violence

soundtrack: still monster / moonstruck / lucifer - enhypen / everybody wants to rule the world - tears for fears / immortal - marina / supermassive black hole - muse / saturn - sleeping at last / everybody’s watching me (uh oh) - the neighbourhood

note/disclaimer: and to absolutely no one’s surprise, I cannot stop talking about vampire heeseung, so this story will be more than two parts. this is not the end. I want to say it will be around 4-5. potentially more. (yay if you’re excited, and my apologies if you’re not.) again, I want to name the sources I used to help me create this: the dark moon webtoon is where lots of the lore comes from, and influences from twilight are also scattered throughout. okay I think that’s it. for now at least… as always, happy reading ♡

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

A literature student in your third year of university, you’ve been dreaming of having your writing published for as long as you can remember. With a perfect opportunity dangling at your fingertips, the only obstacle that stands in your way comes in the form of a ridiculously tall, stupidly handsome, and unfortunately, very talented writer by the name of Lee Heeseung. Unwilling to let your dream slip out of reach, you commit to being better than the aforementioned pain in your ass at absolutely everything.

But when a string of vampire attacks strikes close to your city for the first time in nearly two hundred years, publishing is suddenly the last thing on your mind. And, as you soon begin to discover, Heeseung may not quite be the person you thought he was.

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

Everything hurts. 

As your consciousness slowly begins to trickle back in, pain is the most prominent sensation. It comes in slow, steady waves. With a certain kind of deep ache. 

Eyes still screwed shut, your brow furrows. The movement only inspires anothing intense wave of throbbing pain that thuds against your temples. 

As senses begin to emerge, you can tell that you’re horizontal. Lying down. The surface beneath you is soft. It dips and curves, gives to the shape of your body. A bed, maybe. 

Delicately, you try moving your right arm. Wiggling your toes. Both are responsive, but there’s a profound soreness sitting deep within your muscle that makes you strain against a whimper from even the tiniest of movements. 

And your throat. It’s so dry. Scraped raw as if someone has taken sandpaper to it. As if you’ve been screaming. 

You inhale deeply, assessing the way air inflates the lungs beneath your ribs. Even there, deep within you, there’s a dull, muted ache. A pain that lingers. As the ensuing exhale leaves your body, you note another sensation. 

The emptiness of your stomach. The deep pangs of hunger that roll like nausea. 

With no small amount of reluctance, you begin the arduous task of opening your eyes. One slow blink that bleeds into another. 

At first, the only thing you see is a vast expanse of white. Blinding light makes you want to squint. Close your eyes again. But it’s nothing but a trick of your own senses. Causes by eyes that have gone unused for an extended period of time. 

Slowly, the space above you begins to take on its true tone. A soft, even light gray that coats the expanse of the ceiling. Turning your head to the side, you ignore the protest of pain from your neck. 

You let your eyes wander for a minute. But as the space around you begins to come into focus, you’re left with more questions than answers. 

Your earlier assertion had been correct. You are lying in a bed. But it’s not the one you’ve grown used to. This isn’t your apartment. 

No, the bedroom around you is an unfamiliar one. But that’s undoubtedly what it is: a bedroom. Threadbare maybe, but with small touches of life. Aside from your current resting place, there’s a desk on the opposite side of the room. A nightstand right next to you. A small lamp that emanate a warm, golden glow. 

Forcing your body into an upright position, you wince at the effort it takes just to sit upright, to maneuver every aching limb into place. 

More details of the room come into focus. A computer monitor and keyboard on the desk. The small stack of books next to it. A record player. A small dresser. Little trinkets of personality, but nothing that serves you now. 

Even through the haze in your sleep-addled mind, you’re sure you’ve never seen any of it before. Why are you here? Where is here?

And why does your body hurt so damn much, nerves under your skin singing like they’ve been wrung out to dry?

The fog in your mind refuses to clear. Soon, another emotion begins to emerge alongside the confusion as the reality of the situation sets in. 

You’re alone. In an unfamiliar room. Hungry as if it’s been days since you’ve eaten. 

Judging from the way your limbs respond to even the most minute of movements, you’re injured. Badly. 

Flexing your left leg again, you wince. Can you even walk right now? 

This is bad. This is very, very bad. 

The beginnings of panic begin to trace your mind. Again, you’re searching the room. This time, however, you focus on memorizing the layout. Finding anything that might be of any use to you, that might help you identify your location. That might help you craft an escape.

Your search turns up two doors, one to your left and one directly across from the foot of the bed. Both are unmarked. Both are pulled shut. 

It’s possible that your panic is premature. If you didn’t know any better, you’d think that this was nothing more than the bedroom of a rather minimalistic university student. But if that were the case why did you wake up here alone, head pounding, body aching?

That alone is definitive. Something is very wrong. 

Instinctively, you try to retrace your steps. You must have gotten here somehow. But the more you try to walk back through your memory, the hazier things become. The inside of your mind is like a murky labyrinth, dead ends at every corner. Rearranging and shifting the more you try to focus. 

It’s as if a dense fog has clouded over your ability to think, to recall. No matter how close you get to a memory, you can’t see anything. 

That alone is enough to send another fresh wave of panic straight to your bones. Alone, injured, and you can’t remember any of the events that led you to this strange place. 

Gingerly, you turn your body so that your legs hang off the side of the bed, bare feet resting lightly on the floor. That movement alone requires several of your deep inhales. 

Slowly, you try putting weight on your feet, your legs. It’s not pleasant by any means, but they hold steady. Or at the very least, they don’t buckle beneath you. Aside from the soreness, there’s a distinct fatigue in your extremities. One that gives them a slight shake the longer you try to stand. 

You doubt you can run, but at least you’re not completely immobile. Maybe, given enough adrenaline, you can walk. Crawl. 

But now you’re faced with another dilemma. Two doors. Two points of entry, two potential routes to escape. Or two paths to further danger. Trapped in a windowless room, you have no way of knowing which of your two choices, if any, is better. 

But you can’t just stay here. Backed into a corner, practically a sitting duck. Eyes darting between the two doors, you steel yourself for the inevitable flash of pain fully standing will inevitably cause. 

The door to the left of the bed. The door at the foot of the bed. 

Just as you’ve decided to veer to the right, muscles tensing in anticipation, a knock rings out. Your breath catches in your throat, panic reaching its peak as your heart beats a furious rhythm in your chest. There’s nowhere to hide. Nowhere to go.One rap against the door to your left. Two. Three. 

You won’t make it to the other door in time. Not on your legs. 

There’s a moment of suspended silence. And then, the door is opening. 

Instinctively, you push yourself backwards on the bed., trying to put as much space as physically possible between you and the stranger that enters. 

And a stranger he certainly is. With a tentative sort of slowness, a boy peers around the edge of the door, squinting in the low light. 

When he sees that you’re upright, he pushes into the room fully, closing the door quietly behind him. The glimpse you get over his shoulder doesn’t reveal much. Another room, maybe, but it’s gone too quickly to be certain. 

“You’re awake,” he nods, more to himself than anything. “I thought I heard your heartbeat pick up.”

Back pressed against the wall, you have nowhere left to go. Still hunched as if that will do anything to protect you, you stare at the boy in front of you. 

Maybe, you think. Maybe you could move fast enough to grab the lamp from the nightstand before he realizes what’s happening. Could use it as some sort of weapon, some meager means of self-defense. 

“Who are you?” Your throat is scraped raw. It hurts to speak, to think, to do much of anything. “Where am I?”

“Oh.” The boy pauses for a moment. For the first time since he entered, he stops to look at you. Really look at you. The extent of the terror that’s embedded in your features, written in the positioning of your body. 

Immediately, he stops in his tracks. Retreats a few steps until he’s back at the far edge of the room, just in front of the door he entered from. “Sorry, I guess it was probably quite the shock to wake up here. My name is Jake. You’re in our…” He trails off, searching for the right word. “Well, our home, I suppose.”

For a moment, you just look at him. Chest still rising and falling rapidly as you struggle to even your breathing. You can still feel your pulse in your neck. 

If the situation weren't so disorienting, so terrifyingly confusing, you might be mildly amused by the almost… sheepish look that crosses his features. Where he avoids eye contact with you from the doorframe, this boy certainly doesn’t look like a threat. 

If you had to guess, you’d say that he — Jake — is around your age. With dark hair that falls across his forehead and wide, dark eyes, he has a distinct sort of beauty that almost reminds you of… 

Suddenly, in the confines of your missing memories, you’re grasping at straws again. 

“Specifically,” Jake adds, realizing the information might be pertinent to you, “this is Heeseung’s room.”

Heeseung. You know that name. You think it’s the one you were searching for. 

Heeseung. 

It sparks something. A flicker of a memory. A ghost of the answers you seek. 

You feel like you’re on the verge of a revelation when you ask, “Where is he? Heeseung?”

Jake’s expression betrays no surprise. He’d expected you to ask him that, you realize. It does, however, suddenly appear a bit more guarded. “He’s recovering. That poison he got out of you really did a number on him.”

For a moment, his words do nothing but reverberate in your aching skull. And then—

“Poison?”

Jake just looks at you for a second, brow pulling down in confusion as if you’re the strange one in this situation. As if poison and Heeseung’s apparent removal of it should already be old news. Then, a flicker of realization crosses his features. His brow softens. 

“That’s right,” he mumbles. Again, it seems more for his benefit than yours. “I always forget that moonflower can cause memory loss in humans.”

Moonflower? In humans? 

“Memory loss?”

“It’s only temporary,” Jake says, as if that’s enough to make everything better. “Everything will start to come back soon, I’m sure.” He pauses, frowning. A flicker of sympathy enters his gaze. “I feel like I should warn you, though. Judging from the way you and Heeseung came in here a couple of nights ago, it might be a lot to take in all at once when they do.”

A couple of nights ago. Which means—

“How long have I been asleep?”

“Just over two days. It’s Friday night now. Almost midnight.” While the shock of that settles into your system, Jake continues, “Which reminds me, I brought you some things I thought you might need.”

He turns away from you, opening the door. When he closes it behind him again, he now has two bags in his hand. Carefully, like one might approach a wounded animal, he takes slow footsteps towards you. 

Setting the bags down next to the nightstand, he explains, “This one has water and food. I wasn’t sure what you would like, so feel free to have whatever, and let us know if there’s anything else you want.”

Looking at the second bag, he adds, “I also brought you some clothes. We didn’t really have anything for a girl here. I mean, Sunghoon had a couple of things, but I didn’t really think you’d want them. Sunoo and Niki went out and got some stuff. I’m sure they did their best, but, uh,” He scratches the back of his neck sheepishly. “No promises.”

Jake nods towards the dresser that sits by the desk. “If you hate everything, you can also look through whatever Heeseung has in there. I’m sure he wouldn't mind.”

That name again. Heeseung. There’s nothing solid in your memory, but heat finds itself on your cheekbones anyway. The thought of wearing his clothes just feels like something that should warrant that reaction, even if you’re not sure why. 

“There’s also a bathroom through that door.” Jake jerks his chin towards the door across from the foot of the bed. And maybe it’s a good thing you didn’t have enough time to craft an escape through there, you think. This conversation might have been significantly more awkward in a bathroom. “Feel free to use anything in there, including the shower, if you want. There should be clean towels in the bottom drawer.”

He takes another long look at you, that same sympathy from earlier coloring his gaze. It feels weighted, heavy. As if he’s forseen some great tragedy you’re not yet privy too. As if he knows something you don’t. “I’m sure you have a million questions, but I think you’ll feel better with some food and water in you.” He nods towards the bags he set close to you. “And a fresh change of clothes.” 

He’s probably right. With the urgency of your former panic subsiding, you still don’t feel at ease. But neither fight nor flight seem like appropriate responses to this situation. Which leaves you stuck with a third one: reluctant trust. 

As you make your peace with it, something begins to press at the fog in your mind. It swirls, collects as if being pressed against a glass window. Your memories are still evasive, but there’s something there, in that haze. Syllables stuck on a loop, a constant repetition that begs your attention. 

Heeseung. 

There’s a sudden urgency in your gut. The distinct feeling that things will start to make sense again if you can just see him, talk to him. Jake said that he’s recovering. From poison. But you don’t know what that means, don’t understand what kind of gravity it might hold. 

Vague sentiments conveyed through a messenger are hardly enough to satisfy the tugging in your mind. 

So you ask, “Can I see him? Heeseung?”

Something flickers across Jake’s gaze, too fast for you to catch it fully. Concern maybe. A premonition of fear. Still, he says, “He’s okay. I promise. You’ll be able to see him soon.” For a moment, Jake falls into silence, weighing words on his tongue like he can’t decide if he should share them or not. “But he’s not really in the best shape for visitors right now. Take care of you first, and then we can talk more if you want. And when you’re both ready, you can see Heeseung, too.”

It’s hardly a satisfying answer, but Jake holds the cards here. You have nothing to leverage, nothing to bargain. 

Before he leaves, he reiterates, “I’m sure that your memories will start to come back soon. Like I said, it might be a lot all at once. I’ll let you eat and get changed, if you want. The door locks.” He nods to the door handle. “So does the one on the bathroom door. And please, let me know if you need anything. I’ll be just outside.”

Gently, Jake opens the door, pulls it shut behind him. And then you’re alone again. 

Gone is the frantic terror you awoke with, and left in its wake is a gentler sort of fear. A deep sense of unease that refuses to fade. 

Pushing it aside for now, you attend to your baser needs. Heeding Jake’s advice, you retrieve the first bag he left for you, pulling it up onto the bed. 

The first thing you see is a bottle of water. You make quick work of pulling it out, removing the cap, and taking a long sip. It’s cool, refreshing. Soothes your aching throat before settling heavily at the bottom of your empty stomach. 

Taking another handful of gulps, you replace the cap before setting it on the nightstand. Opening the bag further, you reveal its other contents. 

It’s possibly the strangest assortment of food that you’ve ever seen. Frowning in confusion, you take stock of what you’ve been given. It just gets weirder the more you look at it. It’s as if Jake went to the grocery store and just grabbed the first thing he saw in every aisle with no regard for how they would fit together. As if he hasn’t made himself a meal since the day he was born. 

The first thing you pull out is a box of dry pasta, completely inedible without cooking utensils you currently have no access to. Jake did say you could ask him for anything, but even boiling water has a way of feeling like an insurmountable task in your current state. You move on. 

What follows is hardly better. There’s a singular, unripe avocado, an entire family sized bag of clementine oranges, three boxes of breakfast cereal, a loaf of bread, and — you pause a moment to count — eight different kinds of granola bars. 

Pushing past the strangeness, you figure you don’t need a Michelin star meal to ease the hunger. For now, you decide that one of the granola bars and a clementine look the most appetizing. 

After a few minutes, the blunt edges of hunger lose their sharpness. But even with a bit of food in your system, the nausea hold steady. 

Mind addled, you curse yourself for not asking him the most obvious question. What the hell happened to you? 

But he did say your memories should be coming back soon, and you decide you’ll just have to trust in that for now. 

Next, you reach for the bag of clothes. You didn’t think it was possible, but it somehow manages to be even stranger than the food. 

To your shoppers’ credit, they are girls’ clothes, yes, but it seems that was the only criteria for selection. It’s the dead of winter, and the first two things you pull out are a pair of denim shorts and a sundress. Frowning, you refold them both, placing them back in the bag. At least they still have their tags. Hopefully the two boys Jake mentioned kept their receipt. 

That leaves you with your other option. Glancing over at the dresser, his dresser, you’re at an impasse. 

Even with gaping holes in your memory, it feels invasive, far too intimate to look through his things. To go through his clothes until you find something that suits you. To wear it without his permission. 

Taking a sidelong glance at the pair of denim shorts, you decide you don’t have all that much pride left to barter, anyway. After all, you work up disoriented, weak, and missing all of your memories in the boy’s bed. What’s a spare change of clothes in comparison with that?

As you gingerly pad your way to the dresser, you decide it feels less like snooping if you only reach for what’s on top. Luck is on your side. The first thing you see when you open the top drawer is a sweatshirt and matching pair of sweatpants, both of which are ridiculously soft. 

Stolen goods in tow, you continue towards the bathroom door. Pulling it closed behind you, you see that Jake was telling the truth. The lock slides into place with a small click.  

Like his bedroom, Heeseung’s bathroom is fairly nondescript. Devoid of decor, it holds what he needs and little else. Opening the bottom drawer of the vanity, you find a clean towel and set it down on the counter, next to the clothes. 

Lifting your head, you catch your reflection in the mirror. It’s enough to have you double take. You almost don’t recognize yourself. The tangled mess of hair and dark circles of exhaustion beneath your eyes are things you could forgive. Two days of straight sleep is enough to wreak at least a little havoc on anyone. 

But that’s not what has your reflection freezing. 

Delicately, as if the truth will somehow be less awful if revealed slowly, you tilt your head to the side. Pull your hair away, tuck it behind your ear. Expose the dark, mottled assortment of discolored marks that extend all the way from your jaw to the base of your neck. 

Bruises. Deep, dark bruises. 

And on top of them, uneven, flaky patches of multicolored crimson. Dried blood, you realize as your stomach gives a sickening lurch. 

Is it yours? Heeseung’s? Someone else’s? 

The fog in your mind suddenly feels like an enclosure. Holding you hostage and dangling your forgotten memories just out of reach. Trapping you in the darkness and offering no way out, no way through. Just a dim candle against the vast, midnight darkness of terror. 

You’re too wrung out to cry, too confused to so much as gasp. As reality unfolds, devastation seems to be the norm, not the exception. Even if your throat weren’t raw, you’re not sure you’d scream. 

With trepidation, you raise a hand, watching the way your fingers tremble in your reflection. And then your run a gentle touch over the evidence of destruction, a war waged on your skin. Once it nears your jaw, you feel something. A small bump that has you hissing at the contact. 

Leaning forward, you examine it closer. It’s a tiny wound, barely perceptible. It reminds you of a vaccination at the doctor’s office. Neat, sterile. 

Enough to be confusing, yes. Arguably even concerning. But it’s not what has you reeling. 

Because around the tiny mark are two more puncture wounds. Perfectly circular still, but decidedly larger. Rougher. Deeper. They’re embedded into your skin on either side of the smaller wound. And if you didn’t know any better, if your mind had any more capacity for the impossible, you’d almost think they look like…

You’d almost think they look like bite marks. 

The longer you stare, the more sinister they appear. The more hopelessly horrified you feel. What happened to you? Why does the side of your neck look like a watercolor painting of violets? Why does it look like you’ve been bitten?

If this is what you look like, what kind of state is Heeseung in? Jake said it himself that he’s in no condition for visitors. 

What if he’s not recovering as well as Jake said? What if it’s your fault—?

No. You won’t let yourself spiral there. 

Memories, you just need your memories. 

Which means you just need a little more time. 

The shower, to your relief, has plenty of hot water to spare. For long minutes, you just stand there, letting it pour over you, your skin, your aching muscles. As water seeps through the drain, it carries some of your tension with it.

You watch as the water that circles the drain runs red before it clears again, blood washed away from your skin.

It’s instinct, mostly. The desire to confirm what you already know, that has you retracing the strange marks on your neck. 

A hiss of pain is the only thing that ensues in response at first. But then something else comes. 

A flicker of a memory. 

A strange place, a dark room. 

New Haven. The publishing house. Because you had gone there to meet Professor Kim, to show him your draft, to see the space you’d won an internship in. 

It’s coming back now, in fragments. 

There had been something strange, though. It was dark when you arrived. Dark and empty and quiet until—

Until suddenly it wasn’t. Until Heeseung was there with you.

Warm water traces steady lines on your skin. Your memory reappears in tangled, discombobulated jumbles. Things clicking into place as you do your best to sort them chronologically. 

Heeseung was there, but he wasn’t supposed to be. You had gone there to see Professor Kim. Why wasn’t he—?

The sudden flash of memory is sickening. Has another bout of nausea threatening the contents of your stomach. 

It all comes back, all at once. Replaying like a nightmare, like a scene plucked from a horror film. 

Blood dripping from your professor’s mouth. Clothes tattered on his body. Heeseung shielding you, protecting you. 

But Professor Kim wasn’t himself. He wasn’t right. He threw something at you. Something that hit you right where he intended. 

Without your permission, your fingers are back on the slippery skin of your neck. The blood is gone, but the wound remains just the same. The wound that Professor Kim gave to you. 

You remember the feeling of floating, of being distant from your body, removed from reality. Mind on some other plane of existence. 

You remember gentle, insistent, desperate hands on your waist. Your jaw. Your forehead. 

Heeseung, bent over you, consuming your limited plane of vision as your eyelids became too heavy to remain open. 

Pain in your neck. Sharp at first. Then dull, numbing. 

Heeseung. Heeseung bit you. Held you in his arms as consciousness drained from your body along with your blood. 

Poison, Jake had called it. ‘Poison he got out of you.’

It’s all so strange. They’re your memories, yes, and you’re sure of them, but why was there poison in your neck? Why was biting you the solution? How did his teeth leave such perfectly circular marks on—?

The final puzzle piece clicks into place. 

Vampire attacks. You had been worried about Heeseung, relieved to see him safe and sound at New Haven. Because you had just read about vampire attacks. 

Robotically, you turn the water off. Step out of the shower, wrap a towel around your body. 

His clothes are soft against your skin. 

Heeseung saved you. Of that, you’re sure. But what about the three people at the river? The three victims of a vampire attack?

It can’t be true. It can’t. You don’t know him, not really, but he’s just… Heeseung. 

An annoyingly competent poet and a massive pain in your ass. Someone that walks you home when you stay too late in the library. Someone that calls your writing awful when it is, when you need a cold, hard reality check. 

He’s… he’s just Heeseung. He’s not a—

You can’t even bring yourself to finish the thought. 

But your memories are back, and there’s a alertness to your mind that only sharpens as the fog clears. 

At the edge of your mind, Jake’s voice replays. Something you glossed over in your confusion, something you fixate on now. 

“I always forget that moonflower can cause memory loss in humans.”

“I thought I heard your heartbeat pick up.”

The strange assortment of food. Jake’s undeniable, uncanny beauty. The kind you’ve only ever seen in one other person. 

Jake was right. You do feel a bit better with food and water in your stomach. With the last three days of horror washed off of your skin. But your mind is alert now. The memories are coming back. Puzzle pieces rearranging and clicking into place with alarming accuracy. 

And as the dust settles, you’re suddenly very, very afraid of the reality that greets you. 

In your mind, the facts play on a loop. 

You don’t know where you are. You don’t know how to leave. Jake has been nothing but kind, but if he so wished, you’re sure he could overpower you easily. And he insinuated that he’s not the only one here. 

You need answers. You need to leave. But Heeseung…

You have to know. 

Is the boy you’ve been trying to outwrite for months, the boy you shared a moment under a moonlit sky with, is he a… a vampire?

Why was he at New Haven that day? Did he know about Professor Kim? Did he know about the deaths at the river? Was he complicit in them? Was he responsible for them?

Clothed in determination and a fleeting moment of bravery, you undo the lock on the bathroom door, passing through the bedroom, his bedroom, on furious footsteps. The second door opens just as easily as the bathroom had, and suddenly, you’re in the room you caught just a glimpse of before. A living room, of sorts. Some sort of common area. 

True to his earlier word, Jake sits nearby. Planted on a navy sofa, he looks up when you enter. “How are you feeling? Do you need any—”

Manners are the last thing on your mind when you interrupt him mid-sentence. “What are you?” Not ‘who are you.’ That won’t give you the answer you seek. The difference is subtle. The difference is cavernous. 

Jake’s mouth falls shut, presses into a line. Hesitation paints his features. “I don’t think this is the best—”

You won’t hear it. “What are you?”

Jake holds up his palms in surrender. “Your memories are starting to come back, I take it. Look, we can explain everything, just—”

On the far end of the room, another door opens. Another boy enters. Just like Heeseung, just like Jake, he’s beautiful. Moves with that same unnatural grace that you used to admire when you thought no one would notice. Now, it has another surge of nausea rolling in your stomach. 

Jake glances at the new arrival. He sighs. “This isn’t really a good time, Sunghoon. Why don’t you—”

The boy, Sunghoon, never hears Jake’s suggestion. Instead, he cuts him off. And once again, your world is spinning. 

“He’s back.”

…..

You are the last to enter the strange room. On the heels of Jake and Sunghoon, despite the former’s insistence that you wait and see him later, you take in your surroundings. 

Odd enough was the long, winding hallway that led you here, but this is even stranger. Instead of a proper door, the room is guarded by long, thick metal bars. They stand ajar now but bear a rather impressive lock. You have the distinct impression that this place was designed to keep people out. Or maybe rather to keep someone in. 

You hear him before you see him. Memories recovered, the sound of his voice is something you’re well attuned to, even if it flickers with a strong tone of annoyance. 

“Yes, I’m fine. I told you, it’s a ridiculously strong sedative at its core. We’ll react strangely, yes, but it’s not the same as bloodlust—”

“Still,” another voice argues. “We all saw how she looked when you brought her in. You had to have drank a considerable amount—”

“I told you I’m fine, Jungwon,” Heeseung counters. “Do I look out of control to you? Would I be sitting here having this conversation with you if I was?”

“Fine.” It’s the same voice. Jungwon. “If you’re alive and well, then maybe you can answer my question. What were you doing at New Haven? Do you know how long we’ve—”

It’s probably stupid, shoving past people in their own home. People that you suspect are dangerous, that might not really be people at all. But you have to see him. You have to know. 

Once you finally get around Sunghoon, your view of the room opens up. Sparsely decorated, dimly lit, and there are four other boys you don’t recognize. You pay them no attention. 

Because in the middle of it all stands Heeseung. Maybe, if you squint, you could argue that he looks a little worse for wear. There’s a pink flush under his eyes, a slight disarray to his usually perfect hair, but other than that, he paints the perfect, untouchable picture he always has. 

At the commotion of your sudden movement, all eyes in the room turn from Heeseung and land squarely on you. For a moment, seven gazes just look at you. All of them are blank. Lost. Out of depth. 

All except for the one you match. 

Where he stands, Heeseung stares at you with an intensity you’ve only seen once before. In a moment you wish you could forget. In a fragmented memory you already know you’re cursed to carry forever. 

Slowly, his eyes scan the length of your body, something in his jaw tightening when he notes the clothes you’re wearing. His clothes. 

Jungwon is still pressing him for answers. Heeseung doesn’t bother to provide any. 

Instead, he says, “Give us a minute.”

He’s still looking at you. Frozen in place, his eyes trace the line of your neck, ghosting over the array of bruises, the twin wounds he left there. His voice betrays no emotion, but his eyes flash with something that looks all too much like regret, shame. 

Jungwon balks for a moment. “No, I’m not giving you a minute. You could have jeopardized everything we’ve been working towards—”

Heeseung does break eye contact with you then. Turning to the boy that stands next to him, he says, “What’s done is done, Jungwon. A few more minutes won’t change that. You can shout at me some more in a minute.”

“Ouch.” A boy that you don’t recognize winces. 

“Right?” another one of the strangers agrees. “A pretty human over five hundred years of brotherhood.” He shakes his head. “I’d expect that from Sunghoon, maybe, but—”

Behind you, Jake sighs. “Is this really the time, you two?”

“Yeah,” Sunghoon agrees, arms crossing his chest as he pouts. “And I take offense to that, you know. I would not put all of your hard work in danger for a human.” Sunghoon takes a sidelong glance at you. “No offense.”

“Just give us a minute,” Heeseung repeats again, more command in his voice this time as he slides a palm through his hair in frustration. “Please. All of you.”

There’s enough authority in his voice time. Or maybe enough pleading. Whatever it is, the rest of the room files out, one by one. Even Jungwon, although he does cast one final, warning look over his shoulder. 

It’s lost on Heeseung, who has already turned his attention back to you. “Are you okay?” 

An echo of the past, a reminder of why you’re here. Of why your throat threatens to close up now, just looking at him.  

Even if you wanted to, you have no idea how you’d answer him. Physically, you’re sore. Tired even though you’ve been sleeping for days. Temporary aches. Things that will heal with rest and time. 

Mentally, though… Your mind is spinning a million miles a minute. Even now, face to face with him, you can’t reconcile all of the pieces of Heeseung you’ve gathered. 

Indifferent student. Brilliant writer. Honest reviewer. Maybe even a friend. 

Vampire. 

You don’t know what to make of him. You don’t know how to piece him together. 

He’s here, standing in front of you. You used to stare at the back of his head during lectures. Used to fantasize about him giving you a minute of his time. 

And now, it’s just the two of you. Alone. His eyes search your face, his focus consumed by you. And he’s never felt further away. 

You don't answer his question. Instead, you ask one of your own. 

“What’s going on?” Your voice is small, holds none of the command you wish it could. “And don’t… don’t you dare lie to me.”

Across from you, Heeseung exhales. There’s a distinct sorrow in his eyes. “I won’t. But it’s a long story. And there are parts of it I’m not sure you’ll like.”

“I don’t care.” But you do, so much that it hurts. You almost wish you were still begging for scraps of his attention. At least then, you knew where you stood. “I want the truth.” That much, at least, is honest. 

Heeseung nods, as if any of this is simple. “Then you’ll have it.”

A beat of silence passes. You remember the question you had asked Jake less than an hour ago. What are you? You can’t quite bring yourself to ask it now. Not with everything that has passed between you. Not when it feels like more of an accusation than an inquiry. 

You wear his wounds on your skin. You don’t know why you still want to give him the benefit of the doubt.

Still, you ask, “Who are you?” The difference is subtle. The difference is cavernous. 

Heeseung doesn’t smile, but there’s a twitch at the corner of his lips. “I’m not undercover. My name is Heeseung.” The flicker of amusement dies. He knows what you’re really asking him. He knows it’s not an easy answer to give, not an easy truth to receive. “But I’m… different. I was born with a strange ability.”

You breathe. “What kind of ability?”

Heeseung looks down at his hands. Studies them for a moment before turning back to you. “It would be easier to show you, if you’ll let me.”

Instinctively, your hand finds the wound on your neck. 

A dark shadow crosses Heeseung’s features. “That’s not the ability I’m referring to.” 

There’s a chair in the room, just behind him. He walks to it and sits down at the edge, knees wide. “Come here.”

You shouldn’t. You should stay as far away as space allows. You shouldn’t let him do anything. In every sense of the word, he holds the advantage here. You’re in his home. He has knowledge you don’t. The only thing you have left to leverage is the distance between you and your decision to maintain it. 

But every inch between you was doomed to be a losing battle. Steady, slow footsteps erase the distance between you as you come to stand directly in front of him. 

At this angle, with your positioning, he’s forced to look up at you. Chin lifted, he whispers, “Hold out your hand.”

You could try to fight. You could question him. You don’t. Resistance was always going to be futile. In no time at all, your hand is outstretched. 

Once again, Heeseung studies his own fingers. A shudder traces the length of his spine. Hesitation spills from every minute movement, every microexpression you’re allowed. It’s straining him, you realize. This ability is not something he’s excited to share. 

You can’t decide if that eases your worry or increases it tenfold. 

But after another wasted moment, his right hand reaches out to encircle the skin of your left wrist. For a few stilted heartbeats, it’s just the two of you in a strange room, a cage of sorts, your wrist cradled in his loose grip. 

Then, your vision begins to flicker. At first, you think it’s a trick of the light. Something lingering side effect of a long sleep as everything begins to go out of focus. 

But as the room around you fades, something takes its place. It takes a moment to manifest completely, for your eyes to adjust. 

In front of you, Heeseung still sits in his chair, gaze trained on your wide eyes. But the two of you are no longer in the small, threadbare room. Instead, you stand in an open field, freckled with wildflowers and teeming with butterflies. Above you, the sky is blue and vast, the late summer sun casting a vibrant glow over everything. 

In your shock, you nearly wrench your arm out of Heeseung’s grip. He senses the movement, tightens his fingers around your wrist before you can pull away. 

“Sorry.” He glances at where you two are touching. “It’s better not to break contact once you’re in. It’s quite disorienting if you do. And it will give you awful motion sickness.”

Once you’re in where? Turning your head, you look for something, anything, that makes even the tiniest bit of sense. But all you see is grass. The vast expanse of an open field that only ends where it meets the sky. 

“Where are we?”

“Still in the same room,” Heeseung says. “Physically, at least.” He takes a deep breath. “This is the ability I referred to. It’s a bit difficult to describe, but I can… project my consciousness, I guess. As long as we maintain physical contact, I can show you things from my mind. Memories, visions, anything I dream up. What you see now is the field where I discovered my ability, actually. A friend and I were playing here. I was ten.” He pauses, looks at you. “The year was 1534.”

The full weight of his words barely has time to settle before the vision is morphing, the scene changing into another. 

“It’s difficult to know where to start, but I suppose the beginning is as good a place as any. In the Kingdom of Celedis,” he narrates, “there were eight noble families that had been feuding with each other for over a century. As a result of their petty infighting, the common people suffered. There was constant strife throughout the kingdom. Pains that caused immense suffering but left the nobles untouched. There were frequent blockades, limits on trading, restricted movement, and nasty skirmishes along the borders. Petty crime ran rampant, unchecked. People weren’t safe anywhere, not even in their homes.”

You see it just as he imagines it. Tired, hungry, exhausted people. Mistreated and left to the whims of whatever best suited the nobles’ current desires. 

And the rulers, the nobles themselves. Eight men, adorned in finery, showered with gifts and praise and fine wines while the people just outside the walls of their ornate homes suffered just to survive, starving to death while they gorged themselves on luxury. 

You wouldn’t consider yourself an expert in history, and it’s not like the scenario is exactly uncommon, but you still find it strange that you’ve never heard of this place, not even in passing. 

“Celedis?” You frown. 

“It’s been erased now,” is all Heeseung says. “From both existence and memory. But it was real, a long time ago. And it was where I was born.”

Again, the scene around you starts to take on that odd, unfocused quality. It’s changing again. By now, you almost feel accustomed to the way images and light start to distort as one vision bleeds into another. 

“Celedis was a strange kingdom,” Heeseung continues. “Full of old magic. Ancient rituals and rites that faded from most places but held true there. The land was, in many ways, just as alive as you and I. And it grew weary of seeing its people suffer.”

You see a man now, dressed in simple clothes, tucked in the back corner of what appears to be a shop. He’s surrounded by crystals, trinkets, and old, leather-bound books. 

“One night, the eight noble lords received a message from a seer, one that claimed to communicate with the land, to speak for Celedis as its messenger. The seer told them that the old magic of the land would grant them a single wish on one condition: There had to be peace in the kingdom by the night of the blood moon. A night that comes only once every hundred years. When the moon itself shines bright red.  

“Seven of the lords, eager to have a wish granted, did as the seer advised. They ceased their fighting, recalled their troops. Began to support and protect their people once again. The eighth lord, however, did not.”

After a moment, you’re plunged into darkness. Above you, the night sky of Heeseung’s mind twinkles with distant stars and a distinct, crimson red moon. Seven men, all dressed in finery, stand around an oak tree. The rules of Heeseung’s ability don’t seem to be governed by the laws of physics. You watch as an eighth man appears, seemingly out of thin air. The same man from the crystal shop. 

“The seven who heeded the seer’s advice gathered on the night of the blood moon to pass along their wish — they wanted their bloodlines to endure forever. 

“The seer passed this message along, but old magic is a fickle thing. You have to be precise with your words, or things will be lost in translation. Interpreted in strange ways.”

Now, you stand in a nursery. There’s a crib in the corner. A pregnant woman bends over it, singing a soft lullaby. 

“Within the year, each of the seven noble lords gave birth to a son. They took this with great joy, a sign that their wish had come true. Before the year reached its end, each of the seven had procured a strong, healthy heir to succeed them.”

Suddenly, you’re back in the endless field from before, watching two young boys play in the distance. 

“But these were no ordinary sons. And around the age of ten, each of them revealed a special ability, a supernatural gift.” 

The two boys are playing a game, you realize. You can’t decipher the rules, but you watch as they throw their heads back in a burst of carefree laughter. The first young boy grabs his friend by the wrist. A harmless gesture. A meaningless touch. 

The second boy recoils as if he’s been burned. Hand back at his side, he doubles over in pain, emptying the contents of his stomach. 

In front of you, Heeseung looks away. 

In the distance, another version of Heeseung apologizes profusely as the other child turns his back. 

He changes the scene before you can watch any further. 

You’re in a bedroom now, watching a young man put on a jacket. It’s startling, almost, how similar he looks. The two of you watch as Heeseung, because it is undoubtedly him, pulls the jacket over his back, slides his arms through the sleeves. 

The resemblance is so uncanny that the only thing that sets this Heeseung apart, really, is the style of his clothing. The coat that obviously belongs to another century, lost to time. 

“And once each son reached their twenty-first birthday,” Heesung says. “They stopped aging.”

Heeseung and his jacket dissolve, change into something else. The new scene you look out upon is somber. Heeseung is there again, this time dressed in all black. The clothes of a mourner. Aside from that, he looks exactly the same. 

Then you see the casket. The portrait standing next to it. It’s her, you realize. The woman from the nursery, the one who hummed the lullaby. Much, much older though. Fifty years older. Maybe sixty. 

You look at this vision’s Heeseung again. He hasn’t aged a day. Still the epitome of youth, even as he mourns the death of his mother. 

“This was the interpretation of the wish, how it was warped through old magic. The bloodline would endure forever, because each son that had been born in the year of the blood moon was born immortal. But by doing so, the seven lords’ wish had also effectively ended their bloodline. Their sons would never grow old, never bear children. And none were ever given a sibling. 

“The eighth lord, the one that did not agree to peace and therefore did not receive a wish, had not yet foreseen this tragedy. He didn’t understand the implications of immortality, the terrible burden it brings. All he saw was an opportunity that he had lost. In his eyes, it had been stolen.”

You watch as the eighth lord bangs on the door of the crystal shop, face red, fury obvious in every inch of his visage. 

“When he discovered the nature of the gift the other lords had been given, the eighth became enraged. He went to the seer and demanded that he pass along his wish to the old magic of the land. That his son, born as an ordinary human, would also be given the gift of immortality.”

In front of you, the lord lunges at the seer, rage in his eyes. The seer raises his hands in a pitiful attempt at self-defense. 

“The seer pleaded with the lord. He tried to explain that he had no way of passing his request along. That the ability to communicate with old magic was not something he could do whenever he so pleased.”

The scene changes, the seer and his shop disappearing. Again, you see the oak tree. This time, though, it is only the eighth lord that stands before it. His eyes are sunken, shaded with deep, dark shadows. A mad desperation is painted across his features. 

“After murdering the seer for his insolence, the eighth lord went to the oak tree, a place rumored to be full of old magic. He wished for his son to become like the other seven sons, and he gave the seer’s blood as an offering.” 

The scene morphs again, fading until you’re surrounded by the ghastliest thing you’ve seen yet. You and Heeseung are in a small room. In the center, there’s an ornate dining table adorned with expensive cutlery and fine china. Lined with a lacy white tablecloth. 

And blood. The room, the tablecloth, the plates, are covered in dark, red blood. 

“There was one last thing that the eighth lord did not yet understand about immortality. About the other seven sons.”

One by one, you watch as they appear. 

Jake. Sunghoon. Jungwon. The others whose names you do not yet know. Heeseung.

Their mouths, clothes, faces, are all covered in it, dripping with it. Blood. 

“The old magic, above all, favors balance. In exchange for eternal life, it deemed that the only thing capable of sustaining it would be the life of others. Their blood. Once a year, on the anniversary of the day the seven noble lords cast their selfish wish, their seven sons would need to feed. To consume blood. This would sustain them for the rest of the year. They did not need to eat, drink, or sleep on any other day.

“But that one day, every year, they would always need blood.”

The horror of the bloody dining room fades. Now, you see the eighth son. Your eyes widen in fear as the image continues to develop in front of you, one ghastly scene traded for another. He is in a throne room, back bent unnaturally, a predatory glint in his eyes. Blood covers his mouth, his jaw. And as he rises to his full height, the rest of the horror is unveiled. 

He stands above the pale, drained, lifeless body of his father. 

“As I said before, old magic is a fickle thing. It listened to the eighth lord’s request that his son ‘become like the other seven sons,’ but not everything was the same. He was granted immortality, yes, and he also needed to consume blood to sustain himself. Unlike the original seven, he needed to feed frequently. Consume blood often. If he didn’t, the urges would drive him mad. Send him into a frenzy. 

“It was in such a state that he killed his own father. Murdered the rest of his family and every other living soul he found in the castle.”

You now stand in the dim light of a castle corridor. Beams of moonlight cast a cool glow as a soft breeze rustles tree branches just outside the window. It’s quiet, eerily so. In front of you, a person lies motionless. The wound on their neck matches yours, but instead of bruising, it’s surrounded by fresh blood. 

You watch in silent horror as the eighth son’s victim begins to twitch. At first, it’s just the fingers of their left hand. A spasm that shakes their shoulder. And then their mouth opens, face contorted in agony as they let out a long, blood curdling scream. 

Heeseung spares you the burden of hearing it.

“One of his victims, however, he did not drain fully of blood. Lost to his instinct, he had gorged himself so full that he could drink no more. This human, nearly dead, began to transform. And after long hours of acute agony, turned into a vampire of the same nature as the eighth son. Uncontrollable. Frenzied. And full of bloodlust.”

It reminds you of a montage, the scene that plays next. Still standing in front of Heeseung, your wrist still between his fingers, you watch as villages appear and fade. Families, lovers, children running in fear as the domino effect begins to take place. As one vampire becomes ten. As they fall into bloodlust, leaving a bloody path in their wake. 

The image of a young woman, mouth agape and features frozen in terror, remains imprinted on the backs of your eyelids as the small, dark room of Heeseung’s home comes back into view. As the last of the illusion fades, he releases his grip, freeing you from his ability. 

Your arm falls limply to your side. 

“For years,” he tells you, and there’s no image to accompany his words now. Nowhere to look but his eyes. “We just existed. Tried to carve meaning into our lives, tried to find a reason to keep living once it became apparent that was never something we would need to fight for. 

“But terror continued to reign. Vampire populations continued to spread and after three hundred long years of acting only in our own self-interest, we decided to intervene. To help the human effort to eradicate vampirism and the blight it had become. 

“But we never wanted to become judge, jury, or executioner. And playing god was never something we found pleasure in. We let many live. Vampires that demonstrated restraint, that chose to live far away from humans. Vampires that we came across on days we were tired of killing. Of being monsters.”

His words hang heavy between you. Was it a mistake, not finishing the job? Was it mercy?

“Professor Kim is what brought us here, actually. He has an unnaturally high level of control over his instincts. One we’ve never seen from a descendent of the eighth son.”

You inhale, more pieces beginning to fall into place. “So you enrolled in his course—”

“With the intention of winning the internship, yes,” he confirms. “Of getting a chance to study him up close.” 

Heeseung smiles wryly. “You were quite the pain at first, actually. After those first few days of class, I wasn’t so sure I could outwrite you.”

You have no idea what to say to that. An apology feels strange, but he’s just told you that you essentially foiled a grand plan to reduce the threat of vampires, to better understand their nature. “I…”

Heeseung pushes on, “It didn’t end up mattering, though.” He frowns. “The last day of the semester, the day I was late. I’d been following him. Trailing him from his house when he…” He trails off. “To be honest, I’m not entirely sure what happened. But I think he scented me. Or somehow realized I was on his tail.”

You frown. “Is that unusual?” You remember Jake’s words earlier. I thought I heard your heartbeat pick up. “I thought that vampires had heightened senses.”

“We do,” Heeseung clarifies. “But there are differences between us — the original seven — and all other vampires. Our senses are much stronger. They still have sharper senses than a human, yes, but I accounted for that. He shouldn’t have been able to detect me.”

“What are the other differences?”

“The seven of us are the only ones with any kind of additional abilities. We each have one, and they’re all different. We only need to feed once a year, and we have far more control over our instincts. We don’t experience bloodlust nearly as strong.” He passes you a meaningful glance. “Unless we’re feeding.”

Looking around, Heeseung confirms your suspicions.  “That’s what this room is, actually. A precautionary measure. It hasn’t happened in the last five hundred years, but we like knowing that there’s somewhere we won’t be able to escape, should the need for that ever arise.” 

“And you’re in here, because you… you drank my blood.”

Heeseung’s expression is unreadable. “Yes. The others thought it would be wise. It was precautionary. And ultimately unnecessary.” Again, he glances at your neck. “I didn’t experience any bloodlust. I was weak for a couple of days, but that wasn’t because of you. The dart that the professor shot you with had traces of moonflower in it. It’s poisonous for us.” 

As he looks at you, he explains, “Humans can ingest it safely in small doses, usually. Some brew it as a tea. You just have to be careful not to have too much, since it can cause temporary memory loss. But injected straight into the bloodstream, the effects are unknown.” His eyes flicker with a memory. You, crumpled in his arms, losing your grip on consciousness. “But it didn’t look good.”

So he had sucked it out of your neck. 

Your neck. Where he bit you.

Another piece of the vision he’s just shown you comes flashing back. 

“You bit me.” 

Heeseung meets your gaze. “I did.”

“Am I…” It’s hard to quell the panic once the realization starts to set in. Flashes of faces contorted in agony swim across your vision. “Am I going to change?”

“No,” Heeseung shakes his head. Leans forward, as if to reach for you. He thinks better of it, letting his hand fall back to his side. “No, that’s another difference. The seven of us can’t create new vampires.”

“Oh.” As the panic ebbs, you find yourself at a loss again. He saved you. Knowingly ingested a substance that could harm him to do so. Gratitude feels in order, but you can’t quite bring yourself to express it. 

The truth you want most to avoid dances on the tip of your tongue. “And you only… feed once a year.”

Again, Heeseung nods. “It doesn’t hurt us to ingest blood more frequently, but it’s not necessary. And like I said, we avoid it. We’re better at maintaining our inhibitions, but blood still has power over us. When we feed, it’s in a room like this. One we can’t get out of until we have complete control again.”

The questions that arise are morbid. How much blood is required to satisfy a year’s worth of thirst? How do they choose? Who lives, who dies for the hunger that binds them to this world? In the last five hundred years, how much blood has been washed from their hands, from his hands?

You can hardly ask him, but the truth still remains. “You’ve killed people.”

Heeseung’s gaze falls to the floor. “I won’t pretend to be innocent.” There’s a distinct edge of self-loathing when he says, “I won’t pretend that I’m not still… a monster. But the blood we ingest comes from animals, not humans.” 

He looks back to you, gaze searching as if he craves something from you. A flicker of trust. The reassurance that you’re not appalled by him, by everything he’s told you. 

You match his eye, and he hates the fear he finds reflected there. 

A moment of stilted silence passes. Another. The weight of a million revelations and a thousand unanswered questions rests heavily between you. It’s a lot to digest all at once. Too much. So much that your mind struggles to bear the weight of it all, to organize the information you’ve received into categories that give sense to the illogical, the impossible. 

Outside the barred door, you hear the whisper of a scuffle. 

“Stop that!”

“Move over. It’s been way more than a minute. I don’t care what he says. I’m going to—”

Heeseung sighs, rolling his eyes as he turns towards the door. “Just come in if you’re going to.”

Six boys tumble through the door in an excited heap. It reminds you a bit of overenthusiastic puppies. Again, you find the differences hard to reconcile. Killers. Monsters. Immortals beings with unnatural powers. 

And they look about as threatening as a gang of kittens. 

“So,” Jake starts, glancing between the two of you. “Did he tell you everything?”

You spare a look at Heeseung. The long fingers that rest at his side. “Showed me, actually.”

A flicker of surprise crosses Jake’s features. “Oh.” He tamps it quickly. “That is more efficient, I suppose.”

“Well,” another boy pipes up, one you don’t yet have a name for. “At least now you know why he’s been following you home like a lovesick puppy every night. You can rest assured he’s not just some crazy stalker, and he—”

“Jay,” Heeseung bites. “Would you shut up already?”

“You’ve been following me?”

“Oh.” Jay winces, realizing the misstep a moment too late. “Sorry, man.” 

Heeseung exhales again. “We were worried Professor Kim might do something,” he explains, looking at you. “It was a precautionary measure.” 

Behind you, you hear a snicker. “Precautionary measure, my ass.”

But you’re too caught up in a sudden realization. Your professor. “It was Professor Kim, then. Those bodies at the river…”

“No, actually.” Jake shakes his head. “We don’t think he was responsible for the bodies at the river.” He nods towards another boy. “Sunoo had eyes on him that night. He was home when the attacks occurred.” 

You frown. “So who was?”

“We don’t know.” Jungwon’s ire may not be directed at you, but you feel it all the same. “We have no idea, and your professor was our best shot at figuring it out.” He looks at Heeseung. “Thanks to the stunt you pulled, we have no way of getting closer to him now.”

Heeseung glares back. “If by stunt, you mean saving someone’s life, then yes, I pulled a stunt.”

“And now there have been three more attacks in the last two days!”

“Wait.” For a moment, your voice reverberates off the walls as all seven of them fall into silence, gazes turning to you. Your face heats at the sudden influx of attention. Finding your words again, you state the obvious oddity. “But it doesn’t make any sense that Professor Kim is a vampire. He hates vampires. Everything New Haven has published is essentially just anti-vampire propaganda.”

“That’s another mystery,” Heeseung says. “Something else we were trying to figure out. And honestly, Jungwon, I don’t think it would have mattered. I told you, he scented me that day, so I’m sure he already knew—”

“That’s impossible.” Jungwon scoffs. 

“And yet it happened.” Heeseung frowns. “There’s something strange about him.”

Jungwon’s lips pull into a thin line. “Something that we’re no closer to finding out. It will take months for another one of us to get any sort of trust from him. Never mind access to New Haven.”

With the urgency of an alarm bell, an idea starts to take form in your mind. Rough around the edges but solid in shape. “I think I can help with that.” Again, seven pairs of eyes fall on you, all in varying states of disbelief. “I’m interning with him. At New Haven.”

Heeseung is the first to break the silence. “Like hell you are. Or did you forget that the last time he saw you, he shot you with poison?”

Sunghoon nods. “It does seem like a pretty bad idea.”

“No, it doesn’t.” You shake your head. “Think about it. He shot me with something that’s poisonous to vampires. And I think it’s because he saw Heeseung. If he really did… scent you, then he knew you were a vampire. I think… I think he might have been trying to protect me.”

The room is quiet for a moment, your inference settling into the air. It’s a long shot maybe, but it’s starting to come together. 

After a minute, Sunoo says tentatively, “She might be right.” No one else speaks up, but you see a few heads nod in agreement. 

Heeseung is quick to shut them down. “No way. No fucking way. Those are terrible odds, and I’m not betting on them. None of you should be either.”

But the more you think about it, the more it makes sense to you. Why else would your professor shoot you full of something poisonous to vampires? 

You try to think of the scene from his eyes. He walked in on you and Heeseung alone in a dark room. You were frightened out of your mind, and in the split second he had to analyze things, he could have misjudged the source of your fear. One vampire for another. 

So you double down. “I’m serious. This could be the in we need.”

“There is no we,” Heeseung shakes his head. “You’re not a part of this.”

His dismissal makes you bristle. If what Jungwon said is true, the attacks are only increasing, leaving more victims in their wake. And your professor may have unusual amounts of control, but he certainly wasn’t demonstrating that two nights ago. 

“So what, I’m supposed to go home, pretend that everything is normal, and just let people keep dying?” Your gaze meets Jungwon’s. “That’s what will happen, isn’t it? You said there were three more attacks just in the time I was unconscious. How many people have died now?”

Jungwon’s lips are tight. “Eleven.”

“Eleven people,” you echo. “If I go to Professor Kim and tell him—”

“You’re not going anywhere near that man,” Heeseung counters. “We’ll take care of it. It’s what we do.”

But his excuses are wearing thin in your mind, turning flimsy the more you consider them. “How? If he can identify you as vampires, then there’s no way you’ll ever get close enough to figure out how he might be connected to all of this.” You turn, addressing all seven of them. “I, on the other hand, have a draft written about the intrinsic evil of vampirism. I have a bite mark healing on my neck. If I go to him and say that I hate vampires too, that I was attacked by Heeseung, and his poison was the only thing that saved me, then I’ll earn his trust.”

Heeseung just scoffs, shaking his head. “Are the rest of you hearing this?”

Sunghoon opens his mouth hesitantly. “I mean… she kind of has a point.”

Heeseung glares. “Besides you.”

Sunoo frowns for a moment, parts his lips. 

Heeseung doesn’t let him get a word out. “Don’t even try it.” He turns to the others, something pleading in his gaze. “Jungwon, Jay, Niki, Jake, you have to see how insane this is. She’s a human.”

Your lips pull tight. “A human that’s standing right here.”

Jungwon maintains an even tone when he restates the simple fact, “If this professor truly can scent us, we don’t have any way of investigating him further. Not without using force.” He turns to look at you, gaze assessing. “Do you really think he’ll believe that you’re on his side?”

Do you? Maybe Heeseung is right. Maybe you’re betting on ludicrous odds, wasting the last of your luck on a game that was rigged from the beginning. But why inject you with a substance poisonous to vampires? Why publish all of those anti-vampire stories?

You match Jungwon’s eye. “I do.”

“Okay.” Jungwon nods, mulling it over in his mind. “Okay.”

Heeseung watches the exchange with heated eyes. “Absolutely not—”

“You’ve been overruled,” Jay interjects. 

“Six to one,” Niki agrees. Glancing at you, he amends, “Make that seven to one.”

Heeseung is still seeing red. “This isn’t a fucking group vote. We’re not deciding which coffee table to put in the living room. This is a life.” Turning to you, his voice softens, an edge of pleading in his tone. “This is your life.”

“Exactly.” You’re begging too, for a bit of understanding. “It’s my life. A week ago, it was completely consumed by winning an internship, getting my writing published. And now there are vampire attacks ravaging my city. The professor I wanted to impress so badly might just be one of them. Even if I walk away from here and vow to never go near New Haven again, my life won’t go back to what it was. I won’t be safe. So I’m going to do what I can to get back to the things that are important to me.” Eyes heating, you add, “So yes, I am a part of this now, whether you like it or not. And I have the marks on my neck to prove it.”

“Damn,” Sunghoon whistles lowly. “That was kind of beautiful.”

“You have a way with words,” Sunoo agrees. 

“Of course she does,” Jay nods. “Remember how frustrated Heeseung was a few months ago after she presented her analysis or whatever in class? He was so stressed he’d lose out on the internship bec—”

Heeseung’s glare could freeze hellfire. “Do you ever stop talking?”

“It’s late,” Jungwon interrupts, sensing the response that builds on Jay’s tongue. Pouring water over the flames before they can escalate into a full blown argument. Again, he addresses you. “You’re welcome to stay here tonight.” He glances around the room, and you imagine he’s trying to see things from your perspective. “Or any one of us would be happy to take you back home, if that’s what you prefer.”

There are aspects of your apartment that appeal to you. Sleeping in your own bed comes to mind. As does getting some distance from all of this. From him. You’ve taken in far too much information in the span of a few hours, and the throbbing against your temple has yet to ease. 

But your apartment is also empty. Quiet, isolated. With recent events in mind, you’re not sure it would feel like such a safe haven. If you’re quite ready to be truly alone. 

Still, you’re tentative. “I don’t want to overstay my welcome.”

“You’re not,” Jake shakes his head. “It’s been a long few days. I’m sure you could use some rest.”

“Hasn’t she been asleep for, like, two days straight?” Sunghoon whispers to Jay. 

The only thing he gets in response is an elbow to the ribs. 

Jungwon ignores them. “You’re not overstaying anything. You can go home when you’re ready.”

“Ugh,” Niki grumbles. “Does that mean Heeseung’s gonna try and hang out in my room again? Because—”

He falls silent when at least three matching glares turn in his direction. 

Suddenly sheepish, you offer, “I can sleep somewhere else.” Glancing at Heeseung, you add, “I’m sure you want to sleep in your own bed again.” 

Heeseung just gives you a strange look. Niki bursts out laughing. 

“Damn,” Jay says. “Two hundred years really is a long time, I guess. Humans these days don’t remember anything about vampires.”

Cheeks heating with embarrassment, you realize your mistake. Of course. Not only are the boys in front of you blood-drinking immortal beings that have been alive since the early sixteenth century, but they also don’t sleep. 

Mollified, you feel the urge to defend yourself. “Why do you even have beds, then?”

This time, it’s Sunghoon that erupts in a fit of laughter. The other six avoid your gaze pointedly. 

You didn’t think it was possible, but once the realization sinks in, your cheeks heat even further. 

“Oh, cut the poor girl some slack,” Sunoo scolds. Turning to you, he’s kind when he explains, “We don’t sleep, but we do relax. An old force of habit, I suppose. It’s nice to just lay down sometimes.”

Jay can’t help himself. “Among other things, right Sunghoon?”

“Ignore them,” Jungwon advises. “Five hundred year old children.”

“Hey!” Sunghoon protests. “We’re not the ones that couldn’t handle a sex joke—”

Heeseung just sighs, a stray strand of hair falling over his eyes. For a moment, he looks like the boy you used to sit behind in class. Dreamy. Moody. Untouchable. So painfully out of reach that spite made you want to try anyway. 

He’s here now. Within your grasp. And when he looks at you, the quiet words he whispers are meant only for your ears. “I can walk you to my—er—your room, if you’re ready.”

You’re not ready. You don’t think you ever will be. But even a life spun on top of its head has a way of unfolding in predictable ways. Such is the nature of things, and so flows the progression of time. 

You don’t say anything, but you do nod. 

Trailing after him silently down the hallway you came from, you’re not sure if it feels more right to fall into step beside him or let him lead you. In the end, he makes the decision for you. Without breaking stride, Heeseung slows down until your shoulders are aligned, eyes facing forward. 

He doesn’t say anything as the two of you track a steady path to his bedroom. Mind leaden with the weight of the last five hundred years, you remain silent as well. Finally, you pass the common room again. 

He opens the door to his bedroom, steps to the side to let you walk in first. 

Unwittingly, your eyes land on the most conspicuous piece of furniture in the room. Your cheekbones are flaming again, and finding sleep in that bed suddenly feels like an arduous task. 

Heeseung follows your gaze. The golden glow of his skin remains the same, but his eyes flash with embarrassment. “You don't, uh…” He trails off. Even poets struggle with finding the right words at times. Finally, he settles on, “Not all of us live like Sunghoon.”

“He seems nice,” you say, desperate to draw your minds away from where they’ve wandered. 

“That’s one way of putting it.” But there’s affection in his voice when he says it. Brothers, you think. All of them. They seem like brothers. 

Heeseung’s eyes scan the expanse of his bedroom as if he’s looking at it for the first time. “There’s not much.” He seems almost apologetic for it. “But help yourself to whatever you like. The computer doesn’t have a password. And there’s books on the desk, too.”

“Thank you,” you tell him. And you mean it. He’s not someone you expected to be generous with their space, their belongings. Another aspect of him you had all wrong. 

“I’ll let you have some space then.” He pauses at the door. “Don’t be afraid to let me know if there's anything you need.”

“Okay,” you whisper. 

He hesitates a moment longer. You can see it in the curve of his lips, the arrangement of his features. There’s more he wants to say. Something else he wants to tell you. 

Instead, he closes the door behind him on his way out. Gently, so that it hardly makes a noise. 

His bed is comfortable when you lay down, even if your mind is still racing a million miles a minute. Distantly, you wonder if he can hear your heartbeat now. What he thinks of the way it picks up speed every time certain moments replay in your head. 

But despite yourself, despite him, despite everything, you manage to drift off after only a few long minutes. Tucked away in the corner of a strange home, the sleep that greets you is blissfully dreamless.

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

note: WHEW. This is the most info-dumpy we'll be getting, so I hope this made for an enjoyable follow up to the first part regardless. The relationship between our two leads will really start to take off in the next part, as will the remaining aspects of the ~mystery~ now that (most of) the lore/backstory is covered. as always, I love to know what you're thinking!

[o-sachi]

Dress to Impress Headcanons ‧₊˚ ⋅ Blue Lock Chars.

ଳ what's it like to play the roblox game dress to impress with the blue lock boys?

ଳ characters; isagi yoichi, bachira meguru, michael kaiser, alexis ness, shidou ryusei, nagi seishirou, reo mikage, Chigiri Hyoma

ଳ tags; crack, some profanity lol, gn reader, no y/n, can be established rs or not

[🐟]: Let me know if you want more characters to this hehe ~

ᯓ Isagi Yoichi

"How do you change the skin? Where's the hair? Why do the others have faces?"

He's so lost... poor baby. Expect a lot of questions (some of which get repeated) from him about how the game works. He's going to be overwhelmed with the buttons and stuff around his character.

You think 5 minutes is more than enough to put together an outfit, but somehow Isagi comes out of the runway without hair or with a bunch of clothes layered on top of each other.

He also asks how you do the poses on the runway.

"Hey, what's pose 28?"

HE RATES SUPER HIGH, so you're over there pouting 'cuz he's helping these 10 year old children win.

"This one's really nice. She's got a big bow on her head." / "But the theme is sad day, Yoichi..." / "And? Won't a big bow make it a happy one?"

Gets a bit sad 'cuz he gets rated low even if he rated all the others with 4 or 5 stars. Awww...

ᯓ Bachira Meguru

"I CAN MAKE MY SKIN GREEN? HOLY SHI-"

Expect that he will always use the most blinding colors known to man. He's gonna walk out on that runway looking like a traffic light.

He's so noisy when he plays. It's like he's commentating everything that's happening to him as if he has a whole stream going on. But in reality, it's just the two of you.

Spams pose 28 because all of the other cool ones aren't free.

Says "slay" every time he walks out because you said it once to him.

"HELL YEAH THAT'S A SLAAAY."

But if he's on a losing streak, he'll suddenly go quiet and focus more lol.

"Why are you quiet all of a sudden?" / "Shhh, don't interrupt my creative juices."

ᯓ Michael Kaiser

"What? Are you playing this game with your eyes closed or something?"

He said that. On voice chat. To a little girl. Who cried.

You had to reprimand him and tell him to apologize to the girl. But with his pride, he only allowed himself to rate her 5 stars the next round as his way of saying sorry.

"There. 5 stars... for the most clown outfit I've ever seen." / "Mihya!"

So mean to everyone else, but will always compliment your outfit even the ones you barely put effort in. You're starting to wonder whether or not it was condescending or heartfelt...

"That outfit looks great. We should duo in the next round." / "No, everyone in the server's mad at you and it'll affect my rating too."

He never makes it to the top 3 despite the good outfits he puts together because he talks shit on everyone in the server.

ᯓ Alexis Ness

"I got all the new codes; let me type them for you."

HE'S SUPER GOOD AT IT? It's to the point that you're jealous because his rank's way higher than yours.

"Just type M3RM4ID in that box." / "It's not working." / "Did you type the E as a 3 and the A as a 4?" / "What?" / "Never mind, gimme your Ipad."

He definitely knows all the codes that unlocks the hidden special items of the game. Plus, he's super into the lore as well. The nail technician? You bet he's going to talk about her extensive lore.

Super efficient when putting together an outfit. He's got a whole routine down to a T.

He actually rates outfits objectively—not too low and never too high.

ᯓ Shidou Ryusei

"HAHAHA WHAT'S UP WITH THAT WHACK ASS OUTFIT? #############"

He has also made a kid cry before. But unlike Kaiser, he doesn't listen to you and doubles down on it. Just an absolute menace all around.

He's definitely muted by the other people in the server because regardless of what he says, no one is responding to him. So there's only you left to talk to him.

Doesn't even try to put together a decent outfit. You're not even sure if he reads the theme at all because he walks out on the runway looking like the personification of a fever dream.

"Haha look. This pose makes it look like I'm thrusting in the air." / "Ryu! Oh my gosh..."

Definitely has been banned from Roblox before and he's using a new account to play with you.

Everything he types just shows up as hashtags at this point...

ᯓ Nagi Seishirou

"This theme is such a hassle... when is it going to be the pajama party theme?"

He already plays Roblox to begin with, but he needed extra convincing from you to play Dress to Impress because he didn't see the thrill in it.

He was only convinced when he saw you rage quitting after losing with such a fabulous outfit. He realized the competitive aspect of it and decided to play with you.

Nagi doesn't realize it but his rotation consists of the same tops and bottoms, so his outfits always come out looking the same. This leads him to losing all the time.

He definitely complains when the runway has too many players. Like... when is it going to end?

"Sei! Did you just tell the kids in the server to leave? What the hell?" / "Yah. They were making the line too long and I don't wanna wait."

Also complains when he doesn't show up in the top 3 even though he didn't really put any effort into his outfit.

ᯓ Reo Mikage

"Hey, babe, look. I bought the VIP. Want me to buy it for you too?"

HE'S SO PAY TO WIN. He's a VIP player, has all the pose packs, and literally everything you can buy in the game. He's not shy about flaunting it to the other players in the lobby.

He'll spend the first minute in the VIP area then walk all smug in the cOmMoNeR's area wearing the biggest fuck-you dress ever.

If the theme is anything normal, he'll still manage to make the outfit look high-end.

Trust that he'll spam all the expensive poses once he's on the runway. The little rascal would be smirking to himself as he presses the different poses.

Reo grumbles to himself when he loses. He can't help but be annoyed when he gets only a few stars while literally wearing a dress that costs thousands of robux.

"I was literally wearing the biggest ball gown and I still lost? What the fuck."

ᯓ Chigiri Hyoma

"Hm? Oh, yeah. I gave you 5 stars. Yeah, for sure... for sure."

SUPER COMPETITIVE! Not even you are safe from aggressive dressing and impressing.

You two will be in duos, but he'll always one up you.

"Hmm... interesting choice of colors." / "Is it that bad?" / "Bad? What do you mean? It's great. I promise."

He won't be talking shit on anyone, but you can tell what's running through his head with that smug look on his face.

"What's up with that look? / "Hm? Oh... haha. I'm just enjoying the game you know? / "..."

Will refuse to choose any other hair that doesn't resemble his own. It doesn't matter if the theme requires a different color. He will be using his red/pink hair and no one will stop him.

tag list; @meowkages , @shidousprincess

ε( ε ˙³˙)ɜ ｡° ⚬ ｡ likes and reblogs are appreciated

pls do not translate/copy/reupload my work on other platforms.

o-sachi © 2024

[mecachrome]

not sure whether excerpts from oscar's book have alr been posted here but i found some of the quotes from the author's exclusive interviews with j.sera & rené quite interesting and thought i'd gather them in one place ❓__❓

i always love hearing insights on his karting days and how his unique rc bg & transition from australian to european karting shaped his racecraft... also notable that Every Single person who ever speaks about oscar is just like "well more than anything... he was SMART" 😭 obsessed with baby oscar already learning to dispense his energy in understated / calculative / strategic ways... more below the cut:

another thing i find quite interesting is how because oscar started karting in a relatively smaller scene that wasn't quite as competitive or talent-heavy as in europe, he was always too young/small for the classes he competed in (as with rc racing). of course he was never quite as egregiously undersized as lando but it's kind of fun that they have very similar karting lore in that aspect. not from the book but self-provided visuals:

also love how much the seras talk about his style, from his smooth inputs and clean driving to how much open-wheel potential he exhibited from the very beginning T__T

as for rené's insights on oscar's time at prema, i also find them interesting because while they corroborate a lot of surface level details about his junior campaigns that we're alr familiar with it's cool to be reminded of his growth from f3 (zero front row starts, winning more off consistency and competitor error than any personal dominant performance) to putting it all together in the second half of f2 (consecutive run of poles/fr wins to end the season).

also interesting to hear that THE most angry rené ever saw him was after his f3 monza penalty, because oscar's demeanor & reactions to adversity get discussed a lot and while he's always been very level-headed and i'd argue his core personality has not changed much if at all over the past 5 years, you can still see how he was just that touch less filtered and more defensive during his junior days. oscar is definitely still someone who refuses to take blame if he knows he wasn't at fault and who will never give credit to others when the work was mostly done by him ("i was the one driving" re: mweb helping him) but there has been a fairly noticeable growth curve from the guy who said he felt Physically Weak at the fr finale because of how nervous he was, who said he was grateful to be in school because it distracted him from his "habit of overthinking" that he was trying to get rid of, who complained extensively at monza about the novalak / beckmann incidents and then said "seems to be quite a common theme with liam if i'm honest 😐" re: continued contact in the press conf, to the guy today who reacts to deleted laps with a dry 👍 and stealthily downplays racing incidents to the point of not even calling them "incidents" at all.

there's also a bit from rené about how close he is to chris piastri and how he traveled to melbourne from italy Solely to attend his 50th birthday party, and basically how the piastris are just Good People and that oscar's demeanor is what sets him apart. which i thought was sweet :')

also bonus interesting media quote from laurent rossi, which i've seen before but don't remember in its entirety — specifically the part saying that the other academy drivers "weren't as curious" and basically calling oscar the only smart one of the bunch.... 😭😭😭 this freaking guy

[m1d-45]

Lowkey thinking about. You know how when you finally get the character you've been saving up for, you start freaking out? Cheering, celebrating, stuff like that? Imagine the characters being able to hear you and being so damn happy they brought you such joy. -sibling anon

collision course

word count: ~500

-> warnings: minor spoilers for xiao lore, wink and a nod to neuvilette lore, minor spoilers for freminet lore, potentially ooc lyney(?)

-> gn reader (you/yours) and freminet, lyney, neuvillette, and xiao, in that order

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr

< masterlist >

freminet is tempted to reach for his diving helmet when he hears your cheers, wanting to hide from the blush that threatens to break out and the sudden wave of panic. had he kept you waiting? what if he didn’t meet your expectations? he wasn’t all that familiar with combat, less so on dry land… all of this flashed through his head at lightning speed, but he did his best to put it aside. he held pers against his chest, letting himself smile the longer your celebrations go on. just wait until lyney and lynette hear about this…

lyney is proud. it’s like the high he gets after a show well done, but instead of the deafening cheers of the audience, its the happy celebration of one. he knows you can’t see him—not entirely, anyway, your device blurring his features—so he doesn’t keep himself from smiling. his eyes close to block out everything else but you, welcoming the divinity in the air as it begins to seep into his skin. he’d been looking forward to this moment ever since he got his vision, even going so far as to plan out how he’d tell his siblings. he’d stop by the market for fresh fish—or maybe pick up a treat from Café Lucerne, or maybe both. today was a day of great celebration, and he was glad you were as happy as him.

neuvillette is surprised at first. on one hand, of course he’d return to you, and he didn’t like that doubt about that was ever present in your mind. when he’d received his constellation, he’d made a promise to both himself and you that he’d do his very best to answer the stars when—if, he reminded himself—you came looking for him. on the other… it was beautiful to hear your joy. your laughter echoed around him, and he committed every part of your celebration to memory. you were thanking him, funnily enough.. perhaps when you descended, he’d have the chance to thank you properly? for now, though, the best he could do was keep the skies of fontaine clear. whatever you wanted, you would have, and if you wanted him, then who was he to deny you?

xiao has very little visible reaction, not that you’d see it anyway what with the screen between your world and his. internally, he does worry for a moment about your happiness—had he missed you before? it felt excessive, to be so excited over him… should you call, he would always be there in an instant. it was even written into his contract with morax that he would defer his duties to liyue if you needed him. every part of him was an extension of your will, right down to the nature of his work; he worked day and night to protect his section of your world, keeping watch for any who tried to disturb it. if he had it his way, you wouldn’t have to use any more than one star for him to come, but your link to teyvat was a tentative one. he’d have to repay you for the trouble later.

[seraphdesire]

Regarding Donna Beneviento and her characterisation in the fandom, I think it's important to note that she really isn't the shy awkward adorable blushing mess that everyone depicts her as being.

This got long but I did a mildly extensive read on her character under the break! :)

Here are the notes I took a screencap of, written by Mother Miranda, which talks about the suitability of Donna being a vessel for Eva:

There's the evidence you need that she is severely mentally ill, so babying her just feels... wrong anyway, all things considered.

Note - "and has divided her Cadou among her dolls in order to control them from a distance." While I'm on my 3rd replay of re8 I still don't fully get how the Cadou works, but what I think is essentially happening is Donna is literally splitting off parts of herself and putting them in her dolls.

The main one being Angie, of course.

I always used to consider Angie a separate character entirely but she's linked deeply to Donna on a very personal level. Considering what she's like and what all the other dolls are like - loud, funny, sarcastic, rude, etc - and how Donna is literally the one directly controlling Angie (that's the only way she moves lol, because Donna is carrying her places. Which is also why, when you kill Angie, the illusion melts away to reveal that you've actually killed Donna), I think it's safe to say that's what her actual personality is like.

Also, her only spoken line of dialogue? Please listen to it. For those who are hard of hearing, like me, she says: "don't leave... I can't let you."

Bearing in mind the way she speaks? Her tone? She sounds confident imo. Determined. And perhaps even a little angry at Ethan for thinking he can escape her.

Just a last addition as well, can I say that her abilities as one of the Four Lourds is genuinely evil? Everyone else has physical intimidation - Alcina has her height and her claws and mutation, Heisenberg has his ability to control magnetic fields and metal, and Moreau can mutate into that huge fish-with-legs thing that vomits something akin to acid? Oh yeah and he can swallow you whole too.

Donna, on the other hand, doesn't have physical intimidation like that. She only has the threat of psychological damage (which makes sense considering she's severely mentally unwell). When Ethan goes through her gardens and has to solve the puzzles in the house, she makes him hallucinate about his wife whom he thinks is dead, and about his baby who is somewhere in this unknown country with a bunch of mutants who only have bad intentions.

It's even worse in the Shadows of Rose DLC imo. As Rose, Donna makes her hallucinate the bullies from back home, being called a freak and a weirdo, made to relive the worst moments of her life. And the puzzles too? Hell. Having to actually recreate the scenes of her bullying with wooden fucking dolls. I remember feeling really sorry for Rose while playing through that part.

And yet Donna is still "the uwu baby" because what? I don't know. People love to declaw female villains just because they're attractive (looking at Lady Dimitrescu here). They love to reduce the characters down to their looks and not consider their actual lore or background or the role they play in the franchise (looking at Leon especially...)

Which, ya know, of course people are allowed their headcanons for characters and Donna doesn't get enough screentime to really have her personality even thought of, let alone to be made canon. But I think it's fair to say that Angie and Donna are basically one and the same because they're literally the same Cadou.

This is a quick reminder that you are, of course, allowed to disagree with me. Everyone has their own opinions and that's fine. If you would like to politely debate about this in my comments or in my DMs, or even in my asks, then you're more than welcome to! Please remember debating and arguing are two different things though.

If it really irks you that bad then please scroll, it's not hard. If you don't want to do that then feel free to block me - the button is free of charge after all and should be used more to cultivate your feed to your liking.

[pixeltwix]

{The Disconnect & The Spiral}

(I realize this isn’t my usual content, but hear me out, the rekindled GF fixation is going hard rn)

- -As an avid fan of Gravity Falls and an even bigger fan of the tragic old man lore packed into the mystery trio, I honestly gotta say..

I refuse to believe this is the full story towards WHY Fiddleford and his wife had a whole blasted argument over…him forgetting to get her a Christmas present?? Upon reading this section, I can frankly say I had a similar reaction to Ford. The immediate sense of, ‘really? That’s it? Your family reunion was torn up over that?’

I mean- your husbands been gone for lord knows how long, your young son also hasn’t seen him in ages, and let’s be honest- with how much trauma the ole hillbilly is stacking up on a day to day through his adventuring with Ford, how often is he actually able to call home or write a letter with a sound mind?

It just doesn’t feel feasible that a man who started this journey so troubled and in yearning to return home to family would be so forgetful as to not scrimmage up not even a souvenir or postcard from Gravity Falls for his family. So what is it then? Perhaps he’s become so averse to everything in the small town he wouldn’t dare bring a trace of it home with him, or rather, he truly had forgotten some small one off promise he made. Perhaps he’s forgotten a lot by this point-

Because of lack of dates on a majority of his entries it’s a little difficult to put together a timeline of when Fiddleford finished his memory wipe gun and when he started using it. By all means he racked up a lot of memories he wished to forget in the beginning being as quote ‘weak minded’ as he is. But then of course we all know he becomes addicted to quite literally erasing every little inconvenience until of course the end result. The freedom of a clear mind outweighing all consequences for him.

Instead however I choose to believe these were the first persisting side effects of his machine. We know enough about it now to get the fair suggestion that even one use of the memory wipe gun can be more damaging than can truly be discerned, so seeing as he quite possibly has used it at least twice by now- both events he used them for being extensive (the shifty incident and the gremloblin incident cited in journal 3) I believe it only fair to assume this quoted argument he got into with Emma-May was hardly over one measly little present. True, we have no frame of this woman much less the rest of the family (minus what we get of Tate once he’s grown), but I am TRULY giving her the benefit of the doubt in believing her husbands mind has begun to scatter in ways he didn’t even realize. So much to the point that a fight possibly fueled by ‘it’s not just about the Christmas present, it’s about ————“ would truly confuse him

I say that in the kindest way, I love Fiddleford, truly he’s the most tragic character in my mind regarding this story, but the man’s self destruction and drift from his family had to have started somewhere. And just like any addiction that can tear a family apart, this one was definitely packing punches. I realize I don’t have much backing, and I’m really just rambling some nonsense, but Alex Hirsch just doesn’t feel like one to write a one off ‘oh by the way this silly reason is why Fidds is alone from his family for the holidays, something he clearly holds a deep fondness for’. Nah, that man is too cryptic for him to write something like that and for me to not overthink it <3

(But with all that said and done- dear god the snow globe cabin and the knitted six fingered gloves literally killed me- that hillbilly is such a damn sweetheart, it can almost make me ignore the doom that will befall him and the town <3!!)

[wriothesleysgf]

★ you're the one i want. — alhaitham.

you visit alhaitham in his office, just before he finishes his work for the day.

notes: fluff, love-struck alhaitham.

wc: 0.9k.

three gentle knocks on alhaitham's door snapped him out of his paperwork-ridden daze. he was utterly exhausted, and you could hear just as much in his voice as he mumbled a gruff 'come in'.

his stoicism soon fled when he lay gaze on you, bright eyed and harbouring the same loving demeanour that he'd fallen for. typically others struggled to fathom a reason for why you were with him, primarily due to your contrasting dispositions, yet neither of you payed such thinking too much attention. moments like this, where you bounded into his office with a beaming smile and some fresh fruits that you'd bought in the bazaar.

"hi, my darling," alhaitham's tone was always softer with you, "it looks like somebody's been busy," he chuckled, putting his pen back into its inkwell. he pushed his chair out more, motioning for you to come and rest on his lap.

you did exactly that, putting your bag onto his desk. "a little, i finished up early so i decided to stop by. plus, i thought that you might appreciate a snack," you pecked his cheek, a blush spreading across his face. instinctively, alhaitham looked away to avoid the embarrassment — you found it utterly adorable.

"thank you, my love," his stature meant he was taller than you, even when you were sat on his thighs. it allowed for him to return your gesture, shifting himself to kiss your forehead. "i'm almost done; though you're always welcome to keep me company, i understand if it would bore you. perhaps you can head home and we can go out for a meal tonight? i fear that kaveh's attempt to make even something as simple as butter chicken may have contaminated the kitchen for the week,"

you giggled, the banter between the two roommates never failed to amuse you. "i'll stay, if that's okay," you turned to face him, soft smile beaming up at him.

"always, my love,"

getting up from alhaitham's lap, you made your way towards the extensive library in his office — surely you could find something to keep you occupied. most of the spines indicated that they were anthologies of research papers, encyclopaedias on anything and everything you could imagine one would need, and... ah! you found at least one work of fiction. it was a collection of folklore from across teyvat, ranging from tales of inazuma's yo-kai to rumours from decarabian's city. it even included local lore, including passed-down stories from desert tribes.

you sat on the opposite side of alhaitham's desk, in one of the chairs that he kept should a scholar or somebody of importance need to meet with him. the two of you were content in the comfortable silence, both getting on with your respective activities, before you began to grow a tad bored. you peeked over the top of your book, trying to eye up something else to do. when your eyes landed on some paper scraps on the desk, you were instantly reminded of a silly little thing that you used to do as a child. surely you still remembered...

without any more thought, you snapped your book closed and reached for the paper. alhaitham's curiosity meant he tried to figure out what you were up to, though when he saw your face contort in concentration, he just resumed with the final project draft that he had to review so as not to disturb you.

you folded the small pieces of paper precisely, beginning to feel that sense of childish innocence stir within you. when you were finished with the first piece, you hid it from alhaitham's sight and made another in the same manner.

"sweetheart, i'm done," he announced as you were making your final few folds. "what are you doing there?"

instead of vocalising your reply, you simply took his hand into your own, and slid a paper ring onto his finger. the man drew his hand back to admire your handiwork, giving you ample chance to slip the matching ring onto your finger.

"how lovely," he spoke, though the regular sarcasm that accompanied such phrase was absent and replaced with a more caring tone. "thank you, my love. i always assume i'd be the first to present you with a ring,"

though alhaitham was joking, you couldn't help your heart from leaping at the mere thought of spending forever with him.

he had picked up your bag and his other hand reached out to help you from your chair. usually he'd be extremely stern regarding the cleanliness of his desk at the end of the day, but honestly he found himself desperate to head out of here with you.

as you walked through the rest of the akademiya hand in hand, alhaitham's mind couldn't help but drift to the paper ring he still proudly wore on his finger. it didn't matter what others thought of such a menial thing, what truly mattered is that he felt as though it truly consolidated his love for you. after all, the ring box hidden in the very back of his bedside drawer was eating away at him, waiting to be used.

[felassan]

one thing I wanna say is that 4 years ago after Tevinter Nights was released I wrote,

[Solas'] ritual site has surely gotta be somewhere the Veil is thin or weak. The Veil is almost certainly thinner/weaker in areas which have experienced or feature extensive bloodshed, death or use of magic. Callback implies that it is also thinner/weaker in areas which have born witness to many significant/important events in a general sense. Known places in the lore where it is thin or weak include the Brecilian Forest, where the bloodshed of many battles weakened it beyond repair, and Skyhold, which has seen more than its share of “ripples”. Both of these locations are in the south, and we’re heading north. [...] In Tevinter Nights we learn the Veil is thin in Arlathan Forest, and thinner in such a way as to be different to the way it is thin in other places. The Forest is wracked by ancient lingering elven magic, which is is slick, dangerous, heavy, leaping, and comes to mages easily and with little resistance. “Something else” also lurks at the edges of mages’ awareness there, sensing them pulling at threads of magic when they cast spells. You can hear the whispers and breaths of something huge just out of view. Since the Veil was made to imprison the Evanuris, maybe this is Evanuris lurking on the other side and the Forest is the site of their prison? [...] In any event, the Forest is in the north, and it would be easier to go unnoticed doing a long ritual deep in the woods. For one there is tree cover, for another not many people go in there, believing it to be haunted. Arlathan Forest therefore seems like a good candidate for the ritual site.

[viviennevermillion]

ᴀ ʜᴀᴘᴘʏ ʙᴇɢɪɴɴɪɴɢ ɴᴏᴡ ɪꜱ ᴏᴜʀꜱ...

❝ there's no storm we can't outrun, we will always find the sun, leave the past and all its scars [...] ; if we're facing endless night, take my hand and join the fight, past the clouds we'll find the stars... ❞ — cast of once upon a time

notes: these wedding headcanons are part of our @briarvalleyarchives wedding event! it was super fun brainstorming how weddings would be in the characters' homelands. used my own experience of german customs for vil's, for leona i checked out some kenyan wedding traditions and lion king lore! hope you guys like these ♡

contains: wedding headcanons, character x gn!reader

characters: malleus, vil, azul, leona

warnings: some blood in malleus's (pricking your finger)

You were a little nervous, when the day had finally come for Queen Maleficia to introduce you to her kingdom's people as Prince Malleus's fiance. News that the heir to the throne of Briar Valley was getting married travelled very far very quickly, and that despite the lack of modern technology. But contrary to your fears and extensive list of worst case scenarios, you were well-received as Malleus's beloved and your prince was more than excited about the upcoming wedding.

According to Briar Valley traditions, both of your wedding attire is going to be black, as it is the royal color of the Draconia family. Nevertheless, neither the queen nor the people will mind you having a little color on your otherwise black clothing, symbolizing how you were not native to your beloved's kingdom; yet your union made you a part of fae society nonetheless, regardless of your origins.

The wedding venue is deep in the forest and has been in preparation by the castle staff for months. Malleus and you are to be wed under a floral arbor, decorated with roses from Malleus's garden.

On the day of the ceremony, butterflies and fireflies surround the venue and rose petals are scattered across it.

You're waiting under the arbor as the queen leads Malleus down the aisle, guided by small forest fae who were chosen as the ring bearers. They carry a small wooden basket with local plants of Briar Valley and the rings are placed upon them. Halfway through, Queen Maleficia lets go of her grandson's arm and lets him walk the rest of the way to you on his own, symbolizing her trust in him to walk his own path from here on out and a new part of his life beginning. You can see a soft smile on her face that is only seen from the usually so serious and stern queen on rare occasions. The guests are assembled at the side of the venue, watching you unite under the arbor and giving you their blessings.

You and Malleus exchange your vows. He takes your hands into his as he speaks to you. "I have to confess that when I met you, I was inexperienced and still had so much to learn about this world. But sharing these experiences with you, exploring what lies beyond the borders of my home by your side, were some of the happiest moments of my life and I still have no doubt that they marked the beginning of something even more grand to come", Malleus's expression was so loving and soft, but you could also tell how giddy and excited he was feeling inside, "just by being there, you brought so much color and vibrance into my life and made me look at the world through different eyes. From the moment we met, I never wanted to lose you and now I promise to you to stay by your side forever, if you allow me. I love you dearly and with all my heart."

Malleus listens attentively to your vows and his heart beats faster when he hears them. He's definitely tearing up.

In remembrance of the Thorn Fairy, it is custom in Briar Valley to prick your finger on a thorn to sign the wedding certificate. Malleus heals the cut with his magic immediately, so there's no need to worry.

Next you shall be crowned as part of the royal family. Every member of the Draconia family receives a custom-made crown. You have a say in deciding how it looks and Malleus hasn't actually seen it until he gets to place it on top of your head at the ceremony. Before doing so, he kisses the dragon markings on your forehead or the skin where they should be, if you had them, and you do the same with him. Malleus smiles as he feels your lips on his markings, taking your hand into his once more and squeezing it gently. You know him too well not to be aware that he's basically itching to pull you into a kiss.

Malleus and you exchange rings and are pronounced newlyweds. "You may kiss-"

Malleus's lips are already on yours before that sentence is even finished. He kisses you deeply and lovingly and holds you tightly in his arms. He doesn't let go of you just yet even after the kiss has ended, hugging you closely and nuzzling your temple.

It is said that the marriage is sealed with true love's kiss.

The eldest fairies in the royal court bestow their magic blessings on you. How effective these actually are? You're not sure, but you're willing to be surprised.

The wedding reception is held in Malleus's rose garden and the guests are reduced to the royal court, both of your family members, friends and the closest noble associates to the Draconia family.

Bowls with flowers as well as twigs decorate the tables at the reception and fairy lights adorn the rose garden.

Traditional Briar Valley folk music plays as you and your guests dance the night away.

Vil and you ring in your wedding celebrations with a "Polterabend", as is typical in the area of the Shaftlands that Vil lives in. This custom is held on the night before the wedding. The guests bring porcelain, but also commonly flowerpots and ceramics to the party that are later smashed onto the ground, supposedly to bring good luck to the couple.

A barbecue is held to provide food for the guests. Vil made sure there's lots of salads and grilled vegetables as well to provide enough variety of foods. Lively chatter can be heard at the tables between your family members and friends as drinks are served.

This gathering is used as an opportunity to accept well-wishes from acquaintances, co-workers and people who aren't able to come to the actual wedding. They stop by for a while to give wedding cards and small gifts to you and Vil. This includes your former classmates from NRC.

"Epel, I swear to the Seven, this is your grandmother's antique tableware, don't you dare", Vil scolds his Pomefiore underclassman as the porcelain smashing ceremony is about to begin. "Are you kidding me, this is the literal point of this evening", Epel pouts. Vil also has to stop Ace from smashing a whole mirror. "Did you never hear about smashing a mirror meaning 7 years of bad luck?", Vil sighs. "Aw, come on, let them have their fun for the night", you chuckle. Vil raises his eyebrows at you. "If we end up cursed, it's your fault."

The actual wedding ceremony happens on the next day at the registry office. You greet your guests in front of the building and provide them with champagne and juice to toast to your marriage. The guests take their seats and eagerly await the beginning of the ceremony. You and Vil have decided to walk in together. One of your guests sings a love song with a piano accompaniment as you two enter and take your seats in front of the registrar's desk. Vil's dad is tearing up as he sees you walk in to the slow music.

You and Vil exchange vows. "Y/n... I have met plenty of people who have said that there's hardly one who understands beauty better than I do. But you proved to me that there were things I had yet to see and understand about the beauty surrounding me", Vil smiles at you and takes your hand into his, "your love made me see a new kind of beauty in this world and just like the radiance of the Beautiful Queen, our love, too, will shine on eternally. I cherish every day we spend together and I know that I can count on you to be there through the good times and the bad. And I promise that I will stay by your side and love you more with every year that passes. I will be there for you whenever you need me. I love you with all my heart."

You exchange rings (Vil's own design) and the registrar makes your marriage official. Vil seals his promise with a kiss. His kiss is soft and doesn't last very long, but you know he's saving the passionate kisses for later.

The guests congratulate you for your union and you leave the building, getting into the car that has been specifically rented for the occasion and decorated with flowers. With your guests behind you, you drive to the reception, hearing them honk their car horns in celebration of your wedding. "I just know we're interrupting some poor soul's afternoon nap", Vil sighs and chuckles.

A log has been placed in front of the entrance of your wedding reception, resembling the first obstacle you and Vil have to overcome as newlyweds. Vil's father hands you the saw to cut it as per tradition. "Hold on, I need to get my gloves", Vil gets his gloves from the car and you chuckle at how on brand this was for him. God forbid Vil Schoenheit breaks a nail on his wedding day. But since Vil is pretty physically strong, the two of you saw through the log rather quickly. "Magnifique!", Rook exclaims and starts clapping.

As the wedding reception you picked an elegant ballroom that reminds you a lot of Pomefiore during your school years. Carefully designed flower bouquets decorate the tables.

You and Vil sit down at the forefront of the tables where all your guests are able to see you. Before the buffet is opened, one of you holds a speech, thanking the guests for the gifts and their attendance and telling the story of how you met and fell in love. Vil's father and optionally, your closest family members, hold speeches as well to express their joy about your union.

After everyone has finished dinner, you share your first dance on the ballroom floor. Vil being Vil, has actually practiced this dance with you for a while before the wedding. Still, even if you'd step on his foot today, he's too happy to care. A slow song plays as you seem to only have eyes for each other for as long as your waltz lasts.

Once your dance concludes, you open the dancefloor to your guests as well to dance with their partners, friends and family. Vil and you hand-picked every song on your wedding playlist.

Sometime later during the evening, your guests have prepared some speeches and party games for you, including a slideshow of your most important memories together and a round of musical chairs which Vil happens to win.

Azul and you decide to hold two wedding celebrations, both under the sea and on land. You hire a wedding planner to help you set the whole thing up and you convince Azul not to charge the guests for the food.

Only your closest family members and friends attend the wedding ceremony under the sea, to make sure that Azul is able to provide enough potions for all of you to breathe underwater.

He's totally the nervous one out of the two of you. Kinda freaks out internally if anything doesn't go according to plan and during the time you spend planning your wedding, he sometimes needs you to take his mind off things and let him rest his head in your lap as you run your fingertips through your fiance's silver hair.

Since there's no real "wedding attire" for merfolk, Azul receives some traditional coral sea body paint which is temporary and luminous. You cup his cheeks before the ceremony. "You're so pretty", you gush quietly and Azul reminds you to save this for after the wedding with a blush on his face.

Azul's mother has to be the happiest guest. She sweeps her son up in a hug. "Awww my little Azul is getting married....they grow up so fast", she wipes her tears, "I remember when you were just 3 and you tried practicing your signature with ink on our living room walls." You giggle. "Mum...please", Azul groans and hides his expression behind his hand.

In remembrance of the mermaid princess's beautiful singing, the mermaids who have been invited to your wedding sing for you as you are united in front of the altar. Azul wraps an arm around your shoulder as the two of you listen to the siren song.

During your vows, you make sure to drive the point home about how beautiful you think Azul is inside and out, something that still gets him a little flustered even after all this time.

"My dearest y/n", Azul begins his own vows and can't resist pressing a kiss to your forehead before continuing with his speech, "when we met, my heart knew no rest nor satisfaction. I grasped for everything within my reach because I myself was unsure of what I was looking for. I know now, that what I really needed was closure and acceptance and love. You were there throughout my journey so far and I want you to be there for the rest of it. I have grown to love you from the bottom of my heart and I fall in love with you more and more every day. I want to share my future with you and I'll stand by your side, come what may, for as long as you'll let me be part of your world."

You seal your marriage with a soft and loving kiss and Azul can't repress the joyful "It's a deal!" that comes out of his mouth. "The only contract I'll be happy to sign with you", you joke.

You receive headpieces that are decorated with shells, featuring a golden shell reminiscent of the necklace the Sea Witch used to wear as the centerpiece.

After the ceremony you are given gifts by your guests. The merfolk typically give you items from land to accompany you on your journey beyond the sea, a tradition that originated from the collection of the mermaid princess and her union with the human prince.

Your celebration on land happens the day after at the beach. There's food and drinks and the atmosphere is as lively as you would expect from a beach wedding. There's sparklers and a bonfire as well.

As the sun sets, you and Azul are sent off in a boat to a ship you have rented where the celebration continues. Your closest friends accompany you with boats as well before the rest of your guests follow you. Your merfolk guests are watching from the surface of the sea.

The wedding celebration ends with a huge firework at midnight. "I love you", Azul whispers to remind you as the fireworks light up the night sky. He has his arms wrapped around you and presses a kiss to your cheek.

After the guests have left the ship, you and Azul are sent off to your honeymoon together.

Leona sees his family members gather around him and ask him a million questions about your upcoming wedding and everyone seems to have their own ideas for how to improve the festivities for the second prince. “You know”, he holds you in his arms on the evening before the wedding, “it’s not too late to ditch everyone and have a shotgun wedding in a neighboring country.” You chuckle and shake your head. “I think Farena would have a crisis if we did that.”

A couple of months before the wedding, the royal family invites your family and they get together over dinner to get to know each other better and discuss your wedding plans with you. Farena is really happy that Leona is getting married and that he’s seeing him actually put effort into something. 

The wedding ceremony is held at Pride Rock, just as recorded for every royal couple since the time of the King of Beasts. You, along with several guests, are wrapped in cloth and Leona has to guess which one is his betrothed. His senses never fail him though.

“You know, it would have been so embarrassing if you actually got it wrong. I would have never let you live this down”, you tease him. Leona shrugs. “Literally no one else here smells this much like herbivore”, he smirks and pokes your side affectionately. “I like to think this is a compliment”, you grin. “It is by now. I thought you were a pain back when I met you”, he whispers into your ear. You roll your eyes with a laugh. “What? I’m not allowed to say this during my vows, might as well do it now”, Leona pulls you close as your guests are busy talking to each other, “I don’t know what possessed you to stick around even through my obvious annoyance and terrible attitude but you crawled your way into my heart. I admit I wasn’t…the easiest person to love in the beginning. But I promise that I’ll never let you down again. Or… overblot. Actually I would appreciate it if we could just forget about the overblot.” Leona cringes. “Anyway, ‘suppose what I wanted to say is, thank you for stickin’ by me. I love you. A lot, actually. There was a long time where I didn’t really see a future for myself. But now I do. And I want to spend it with you.”

You are escorted to the wedding ceremony by your respective families. They shake hands before entering the venue together, accompanied by singing, dancing and drums. 

Leona’s official vows are very formal and something you knew Farena had beta-read. Nevertheless, you appreciate the gesture. You and Leona exchange rings and your families sign off on it as you are pronounced a married couple. Leona pulls you close and kisses you, wrapping his tail around your waist.

Your closest relatives and associates of the royal court assemble in a circle with you and Leona and your ceremony is concluded by the Royal Mjuzi giving his blessings for your marriage, just as it had already been done during the times where the King of Beasts roamed these lands. The Royal Mjuzi takes his bakora staff adorned with baobab fruits and shakes it in front of you. 

Leona and you light a unity candle before you ascend to the top of Pride Rock along with Farena and the queen. “I could lift you up and show you to the people like they did with Cheka when he was born”, Leona whispered with a smirk on his face. “I would prefer it if you do not do that”, you whisper back and shake your head. “Seriously don’t”, Farena warns his younger brother and Leona lets out a quiet laugh.

When you reach the top of Pride Rock, masses of people from Sunset Savannah have assembled below you, clapping and cheering as congratulations to your marriage. The royal family waves to the people and the live music reaches its climax.

As you descend from the large rock, the elders of the community give their wisdom and encouragement to you and Leona

The celebration after the ceremony happens on the palace grounds. Several emissaries from foreign countries as well as Sunset Savannah nobles have been invited and the celebration is also seen as an opportunity to improve Sunset Savannah’s ties with other nations. “Now we get to talk to stuck-up politicians, advocate for King Farena’s ideas and look pretty”, Leona whispers, never really having dropped the cynicism about his status as the second prince, “unless you’re open for suggestions…” “Leona, we’re not going to ditch the celebration, take a jeep out into the wilderness and kiss under the stars….okay maybe after the event we can do that.” “You know me too well”, your husband chuckles and wraps his arms around you from behind. 

“Do you think the great kings of the past give us their blessings as well?”, he asks, looking up at the stars. “I thought you said the stars were just giant balls of hot gas burning millions of miles away from us?”, you raise an eyebrow. “Eh, it’s a pick and choose thing for me, really”, Leona smiles and kisses your cheek, “I love you, herbivore.”

[strawberripine]

yet again emerging from the depths to post my last bits of fable art :,)

also throwing in a large sappy paragraph (slight cw for some discussions of family issues):

being a part of fable smp was such a privilege. when i first joined, it was just me and a couple of my irl blorbos deciding it would be a fun quirky idea to start an smp our own, and now it has become something truly impressive and heartfelt.

specifically from my perspective, playing c!momboo meant a lot to me. she’s similar to me in a lot of ways, obviously she is an extension of me, but i think she’s way more than that. c!momboo was based on another story that means a lot to me: Oneshot. if you’re familiar, her character is extremely influenced by not only the plant woman in act 2, but the world itself that communicates with you throughout the game. the idea of the world itself becoming so vulnerable and weak it becomes sentient really struck me, and I knew immediately that’s what I wanted c!momboo to be. what i didn’t expect was how much of a turn her character made early on, when jamie and swipn approached me half joking about her being their mom within lore. i think that’s what really ended up bringing her to life, and what overall became her main driving force: being a mother.

i’m gonna be kinda vulnerable for a second here: i never thought of exploring motherhood in any story i’ve been a part of, even before fable. the idea always scared me, since I don’t have the best relationship with my own mom, and i thought i would end up doing things wrong. but i think that’s kind of the point. there is no guidebook on how to be a good mom, you have to figure that out yourself, along with help from your kids. c!momboo wasn’t a perfect parent, far from it. she made some pretty intense mistakes, especially early on, and i’ll be the first to admit that playing her through those times was rough. there were moments where i felt i was leaning into the exact parent i would never want to be, and it was scary, but eventually c!momboo learned from those mistakes, making an effort to regain her kids’ trust over time.

c!momboo holds a special place in my heart because of all the things i stated, and while her story is over, i think she’ll always somehow end up in things i create. not by name, but her own courage and strength infused into what i do.

before i wrap this up, i want to mention the one story that really stands out to me from the process of working on fable: when the famous haleygar herself and i the night before the server released were scrambling to help sherbert figure out a title (not only that, but knowing this title would end up being the name of a certain major character later on lol) and eventually settling on Fable, not just because it sounded cool, but because that’s what this server was always meant to be: a story. a story filled with heart and soul poured not just from the cast, but from you guys. i think my favorite part of this project was always seeing what you all created, and how you guys ended up influencing us. our stories wouldn’t have been the same without you guys there, whether that be in chat, or even simply lurking. i’m grateful for all of you who were there, and i really hope you enjoyed the story <3

Until next time,

Momboo <3

[tojisun]

dunno where this came from bc i honestly just wanted a short ramble and not smthn long but here we are :'D this is an extension from my rambling yesterday about simon x reader but it's a dowry of blood au (brides of dracula retelling). i havent finished the book yet tbh but if ur planning on reading it, i do just wanna give a warning that it's dark and prose-heavy

cw: death/massacre; blood drinking; vampire-turning and stuff; inaccurate references to dracula lore

the village is gone. burnt. fire crackles amidst the broken hymns of the dead—they don't sing, not anymore of course, but their losses are catastrophic. you never realized how the apocalypse could be so loud.

you stand at the centre of the chaos, bloodied. bruised. ruined. the lone survivor.

the only one who was lucky enough to be saved.

brought out from the pyre, you were dragged into the shadowed corners and hidden from the pillagers who slaughtered everyone you loved and everyone you knew. you shook in your grief, screams erupting from the base of your throat, but all were silenced by an ice-cold palm over your mouth.

"shh, little one," he said. the first of his words; the first of his kindness. "you must be quiet."

your fury sputtered into anguish, the loss descending to you like the first drop of snow. tears spring from your strained eyes, staining even his hand; you did not know how to compress the bloating agony that was pressing into your lungs. your only comfort was that he seemed to favour you enough to keep you safe, even if just for a moment. 

rain had fallen by then—it seemed like it knew that tragedy had struck this little place. it extinguished enough of the fire, washing away the smell of ashes and leaving only the pungence of iron. blood.

with it, your adrenaline wore off, and you began to feel the extent of your pain. of course, you were not unscathed, but you didn’t expect your body to be so brittle. 

you fell, tumbling into the muddy ground and right before his feet. you croaked in pain, lungs constricting. it was becoming a lot more difficult to breathe, to speak. you wondered why death came to you slowly.

he knelt down by your side, cold hand brushing away at your dirty hair. he was speaking to you softly, words passing through his lips in soft lilts. you struggled to hear him, your ears ringing, numb, as your mind pulsed in your skull.

you groaned, begging him to stop. to go away. you had nothing to pay him back with, nothing to entertain him, so you told him just as much. you told him to let you die in silence because how else could he save you?

“that is troubling,” was all he said, his words were rumbled from the depths of his chest like he hadn't used his voice in eons. 

you peeled your eyes open, wondering what it must be that he was after, then you finally saw what he was—pale skin gleaming underneath the moonlight with eyes dark like wine. he was not a human. he couldn’t have been one.

your mother told you tales of the wicked. of those cursed and abandoned by the almighty father—she told you of their beauty, of their wealth, of their hunger.

(they do not know how to love, she said as she tucked you underneath your sheets. they only know how to deceive.)

your body locked, heart congested with fear—your body knew then, didn’t it? that this being that held you close was far more terrifying than the invaders. that your body survived the fire, the greed of humanity, only to be devoured by the devil.

“please,” you whimpered, the will to live burning inside you once again. you didn’t care about the pillagers, you didn’t want their mercy, but this being. this creature of the dark, oh how you craved his clemency.

“please, save me.”

“i cannot save you,” he said. 

his hand fell to your throat, grasping it gently, almost reverently. he swiped his thumb along the expanse of your skin to feel the way you swallowed. 

“but i can help.”

you tried to reply, to beg once more, but the words could not be sounded out, your throat having been too ruined for any prayer. you shook with your desperation, turning your eyes to him to express your ragged hope. you prayed that he may see your plea. you prayed that he may bless you with his curse.

he smiled, fangs glinting before your eyes. then, he murmured, “of course.”

(mama? how do you know when your prayers are answered?

well, sometimes it starts off painful.

painful?

yes, little star. but then, it becomes euphoric. freeing. good suffering.)

his teeth tore into your skin, ripping apart the muscles as it hunted for the blood. you screamed, throat scratching at the intensity of your pain; it was unbearable, burning unlike that of fire, scalding as it slithered down your very being. something was happening then. something unholy. 

you were being remade. reshaped. taken apart one bloodied fragment at a time.

you felt like you were at the precipice of death, so close to the edge and into eternal damnation, but he would not let you. chained to his hunger, your body writhed underneath the extent of his power; burning. burning. burning.

he was your new pyre. 

he was hell.

you begged for anything to subdue the pain; for a touch kinder, warmer; for the ceasing of it all. 

and it did.

his lips left the sensitive patch of your neck, pulling away with a hummed smile as though it were ambrosia he was sucking out of you. you stared at his lips, stained with your blood, and, within a fraction of a heartbeat, unrelenting hunger coursed through you.

you yowled, your mind heavy and your body sore. you felt lost; you felt like you were drained and left as nothing but a shell of what you once were.

“good. that’s good,” he crooned, his eyes wrinkled in his joy. “this hunger is proof of your new life.”

he brought his wrist to his lips and bit into his own skin. the first puncture oozed out with blood; you watched it pool, beading, before it trickled down the length of his arm. your throat constricted, tongue heavy all of a sudden in your mouth.

a taste. you craved for a taste.

he smiled as he pressed his wrist to your lips. “go on,” he murmured. “drink.”

you were delirious, or you must be, for you to have listened to him—your weak hands grasped at his wounded arm, pulling it closer to your maw.

you drank. 

that experience of having the first drop on your tongue was indescribable. it was like you have never eaten before; like you have never been fed. never been nourished.

it was like anything that sustained you before had been erased from your memories; you don’t remember the taste of your mother’s cooking anymore, nor the sweets that your grandmother brought home with her for you on occasions when her mistress remembered to reward her, nor the milk from your father’s cows. 

every sweet memory was washed away by the blood pouring down your throat; every gulp a sinister promise of what would be irreversible.

your body sang, skin mending itself, and bones healing underneath torn muscles. numbness filtered in—it had never felt like salvation before.

lost in your new paradise, you didn't notice as your saviour cupped your cheek once more. his touch was gentle. it was kind.

he leant forward and kissed your forehead—a reward for surviving.

“my name’s simon,” he whispered, nuzzling you. “and you will be my bride, won’t you, my dark miracle?”

your mouth left his arm, reluctant but necessary, because even before he said his name, you knew he was your master. you knew that in exchange for this new life he’s cursed you with, you were to be obedient to him no matter what. 

you nodded, breathless and ragged.

“yes, my lord.”

[genericpuff]

So I watched ChattyMia's Lore Olympus video which was great and everyone should watch it. It seems most people who do series reviews of the Lore Olympus don't like the comic for obvious reasons. Then I was reminded by the end that the comic is expecting a TV series which is in development hell. It made me think that Rachel might be better off not having a Lore Olympus TV show. Most praise for the series died awhile ago as the story became an utter mess. If it did get a TV show, people will see the early red flags like the age gap, the treatment of Minthe, trying to excuse cheating, Hades horrible behavior to workers, nymphs being discriminated with no pushback, etc. If some of them read the comic for spoilers they would later see the other big red flags of the series. Excusing slave labor, Persephone threatening the lower class, Hera getting with Echo a 'trash nypmh' as she once called Minthe, Apollo gets community service, the continued mistreatment of Demeter etc. Which I feel will cause everyone to go 'wtf is this series? 50 Shades of Grey mixed with Keeping Up with the Kardashians?'. Then you have to wonder if some of them will do a deep dive and find the stuff about Rachel's tie to Lolita. It would be especially bad if a bigger content creator talked about it. And we already know Rachel doesn't handle criticism the best (i.e. the struggle street tweet, the Minthe cosplay situation or even the merch). So I could only imagine how much worse it would be for her if Lore Olympus got a TV show and more eyes got drawn to it and her. It would no longer be just confided to the web comics fanbase but the much larger TV one. Unless Rachel seriously considered rewriting the TV script (or rekindling it lol) I don't see how a TV adaptation of her show would be good press for her.

Yess I've seen that video, it's great! She did a great job summarizing a lot of the biggest core issues with LO's story and art without getting too lost in the sauce (though god knows the rabbithole of LO's issues runs INCREDIBLY deep in an equally fascinating and "oh god what the fuck did I just read' kind of way), her video editing was very entertaining and her Persephone cosplay was a great touch 😎

That said, regarding the thought of "most people who do series reviews of LO don't like the comic", there is an amount of bias we have to acknowledge there - there's often a lot more to say in the negative rather than the positive. By extension, people who simply enjoy LO and don't participate much in the online discussion surrounding it or the discourse concerning it are less likely to make 2 hour videos analyzing it. So while the popular opinion of LO has shifted more towards a negative point of view, that doesn't mean that fans of the comic don't exist - it's just that most of those fans are blissfully enjoying the comic and can only sum it up as "it's very pretty and the plot is great", whereas many people who didn't enjoy it are more likely to voice their opinions as to why in far more explicit detail (though on the flipside of that, it also goes to show that there's a lot more to analyze in LO's flaws than its strengths - it's ironic that the fans often don't have much to say beyond "it's cute" or "I relate to Persephone" and anything further than that is relegated to pure headcanon pieced together by assumption and best guesses to make up for Rachel's lack of writing).

All that aside though, regarding the TV adaption, at this point it's less a matter of reception and more a matter of relevancy. The perfect time to release or at least show us proof of the LO TV show was years ago, when the comic was at its peak between 2020-2021. The second best time was at last year's NYCC when Rachel was a headlining guest. The fact they still had nothing to show for it at this year's NYCC, with Rachel nowhere to be seen and instead focusing more on the Freaking Romance adaption with Snailords filling the role as their featured guest (an equally if not even more problematic creator), is astounding, but unsurprising.

To me, LO feels like a real life case of "Tortoise and the Hare". Back at the start of it all, in 2017-2018, it was doing what no other comic on the platform was doing, presenting us a retelling of the Hades and Persephone story - which was very popular on Tumblr at the time - through a modern setting and with art that was incredibly unique for the platform. That, paired with WT's aggressive marketing, propelled it far ahead every other comic on the platform, creating a gap so massive that even the comics in second place on the trending tabs still weren't even close to LO's lead in terms of stats and money.

But then it got complacent. Quality of the comic's writing and art dropped, it was becoming increasingly obvious that LO had become no more than a marketing grift akin to the likes of Harry Potter - easily turned into books, t-shirts, socks, coloring books, figures, etc. - and that gave way to an increase of criticism towards it, criticism that had always somewhat existed even as far back as its days on Tumblr, but was now amplified by the existing ongoing proof that LO was never all it was cracked up to be.

Now, at best they shill $200+ figurine pre-orders, but the show is nowhere to be seen and, with the comic now finished and locked behind Daily Pass, its relevancy is dying out. "Rachel Smythe Presents" still has nothing to show for itself, Rachel's IG and Twitter seem to be purely for merch-pushing by the Inklore team, and Rachel has, at best, two new series that she suddenly announced but, in her words, don't even have anything written or planned for them yet beyond the taglines that were thrown together for her socials.

Meanwhile, the rest of the Greek myth retelling industry is in a renaissance. Hades is still a massively popular game, with its sequel now in early access; Epic: The Musical has been making waves on Spotify and TikTok far exceeding that of LO's in terms of audience reach, and even has more to show for itself in the way of official animations than LO ever has; and now Kaos has recently launched its first season after being in production since 2018 - yes, you read that right, it got commissioned around the exact same time LO became an Originals series which suggests the idea for it was already floating around and being pitched prior to LO - and, frankly, has beaten LO at its own game by achieving everything LO set out to do - weaving a Greek epic-style story in a modern setting, balancing romance with prophecies and world-ending stakes. It took a while, but Kaos made it past the finishing line, while LO has been dragging itself behind it, still making empty promises that a TV show is "still in the works" and "coming soon", with not a single thing to show for itself.

LO may have gotten a head start in being the "sleek, modern, sexy Greek myth retelling" by the virtue of being a weekly webtoon, but slow and steady wins the race - the productions that have taken their time cooking in the oven are now coming out as beautiful and delicious as we, the guests at the table, were told would be, while LO is simply the short-term gratification junk food that bombards us with gimmicks but sits like a rock in our stomachs and leaves us unfulfilled and wishing for a better meal.

Those better meals are here now and they were absolutely worth the wait.

[bubblybloob]

Whoop I finished my reverse Damsel idea. I briefly discussed her in two other posts but I’m going to go further into her here with a better grasp on what she’s about

Pretty long ramble below, so watch out.

Basically, instead of warning her/resisting the Narrator in chapter 1, you, thinking you can’t overpower him, attempt to slay yourself. The Princesses stares at you in horror as you cut into your own neck (this is the route where you don’t initially bring the knife so she’s the more sympathetic version).

She attempts to wrench the blade from you because she has no idea why you’re doing this and doesn’t want you to die. Whether or not she gets the knife though doesn’t matter, because it’s too late and you die.

(Still am stuck on what sort of voice I want. Had a lot of suggestions on stuff like a Martyr sort of voice or one similar to the old Meek voice but the problem mostly stems from characterizing them in a different way to the other voices, which is something I can’t figure out given the situation).

Chapter 2 is titled “The Fae”.

The main room is primarily made of stone, with many unidentifiable chiseled metals and rock, but you don’t stay here for long, nor get given the option of taking the blade, as choosing to approach the blade or the basement will activate a trapdoor that will send you falling to your death. Just as you’re about to meet your demise, something grabs your palm. Looking up, you see the princess, swinging from the ceiling with you in hand.

The Fae is strange, originally she was going to be similarly shallow in nature like the Damsel, but I would compare her uncanniness more to the Razor, with a constant smile, eerie stare, and maybe an off putting voice.

She’s pretty blunt on what she wants, the satisfaction of saving you from this awful cabin and leaving together! Despite her more than ginger attitude towards you (she acts like you are made of glass), she’s actually quite egotistical, with her occasionally praising herself and puffing up whenever she receives applause from you.

She makes unintentional jabs at your incompetency and reminds you “it’s not your fault you’re not cut out for this, really! I’ll get us out of here my handsome corvid!” and sort of talks down to you and always acts like she’s the smartest in the room (and she probably is depending on what voice I make up for the route). She’s also weirdly fixated on your safety and goes above and beyond to protect you from even the smallest splinter, she’d act like you were dying if you got so much as a scratch.

(All of her traits are exacerbated to a worse degree in chapter 3).

Edit: I forgot to mention all of her behavior is inspired by the fae. I forgot that some people aren’t as well versed in fae lore. Fae are, from what I have heard, pretty selfish, manipulative, and possessive all while being downright ethereal, so I gave her a dose of all of those traits and toned it down a smidge.

Her appearance is also meant to be slightly unnerving. She has long elf like ears and eyes that are surrounded by shadow, with large black pits in the center of her eye that are impossible to tell if they are part of her pupil or not. She also gives off a very faint, white light, it’s almost imperceptible but it’s there.

Her dress is more of a skirt than anything with a sash that has long ribbon like ends that are every length all at once at any given time. They easily wrap themselves around objects even if it shouldn’t be physically possible, and she uses them to swing from the ceiling (spider princesses). Her “crown” is made up of a few translucent butterflies that seem attracted to her like magnets, occasionally they flutter about but usually they sit on her head.

I like to think that there are hints to the fact her butterflies aren’t real, just extensions of herself. They might flicker in and out of existence if she’s upset with you or stressed about something.

Another thing of note, like with some other princesses like Nightmare or Thorn or something, she has no chain. (Maybe there’s some creepy dialogue option where she reveals she broke it with her teeth or something more crazy).

Anyway, the princesses states that everything is fine and that this time around she’s going to be the one to rescue you. She fully intends for both of you to escape, and for you to just follow her lead, because she’s going to make sure you’re alright and that nothing will hurt you.

If you follow along she will save you from the dangers ahead, the basement of the cabin has been increased in size and there are rooms with rolling boulders, pits of spikes, etc. These sections aren’t too long, there’s probably like five explore options along with two or three choices you can make per room and there’s only like three of said rooms.

At the end she literally carries you out of the cabin and swings you around all like “We did it! I’m out and you’re safe! Not even a scratch on you, didn’t I do a good job?” Before mentioning how cold it is and getting taken to Ohio by the Shifting Mound.

There is another way this can end however. There are two potential ways to get to this I think.

If you keep questioning her when shes says something’s wrong at some point you get killed by some random trap while you’re distracted. You get killed and probably end up with the Skeptic.

If you don’t let her do the work and instead try to do too many things yourself you also eventually get killed by a trap and probably end up with Stubborn or Contrarian depending on your actions.

There might be a different third chapter that you can get to from another princess but idk what it would be so I’m sticking with the more direct continuation chapter.

You still don’t get the knife here and fall through another trapdoor. This time she doesn’t catch you and instead has already prepared something beneath where you fall to catch you. It’s probably just a plush room, somewhat reminiscent of the Stranger route’s soft stairs, but less existentially horrifying.

Here the princess thinks that maybe leaving the cabin with her is why you keep dying and so tries to convince you staying is the only option and that something bigger is trying to kill you off when you try to leave with her (she’s not wrong that there’s something bigger at play but she isn’t exactly right either). She’s too selfish to just let you leave without her even if her weird logic states that you’d be fine as long as she doesn’t leave with you, so all protests are shut down and she tries to force you if you complain.

If you got Skeptic there is the option of actually convincing her and that no matter what you’ll listen to her every word and you’ll escape together. She’ll listen and similar events to last time will play out, only this time the traps are deadlier but are made much more traversable due to the fact that she gives no fucks and will destroy every obstacle with ease. This time you actually leave and once again Ohio comes and gets her (I like to imagine The Narrator pulls the locked basement door trick and here she just punches through it and stares expectantly at you to turn handle from the other side with the newly created hole).

If you have Stubborn you can attempt to fight her. It probably won’t work at first because she’s the literal fae. But the Narrator, knowing you’re trying to fight now, will make the blade magically fall from the same trapdoor you fell from. And its iron touch can sizzle faerie skin. She doesn’t necessarily want to fight you, but if she has to rough you up some to get you to see things her way, she’ll do it. If you fuck up you’ll probably break something that you need to move or attack with and lose the fight, and she gets taken. If you don’t fuck up and win, same result except she’s got a knife in her chest when the mound comes and nabs her.

With Contrarian you choose to stay with her because funny boy wants to mess with the Narrator. I think maybe one of the traps somehow ends up infiltrating whatever “safe room” you’re in (probably because you’re thoughts spiraling on the thought of not actually being safe and dying again because that’s all you’ve done so far, so your perception kills you. Not sure what trap would kill you, maybe the rolling boulder crashes through the roof or something idk) and ends up fatally wounding you, making it the third time she couldn’t protect you, she stands over your body because “I had this planned, you should’ve been safe, how could this happen???” Before Ohio comes.

Whatever ending you get, she will make for a courageous heart.

I like to think you can kill her with Contrarian and get stuck with her with Stubborn, it’s just that they’d prefer and encourage you to do the opposite. The Skeptic is the only one where you can actually try to leave with her, again you can do the other options but having him is the only path where you can try to escape in the 3rd chapter.

I do have a 3rd chapter design in mind, but I’ll probably need to work on it some.