#anyway. giving it a year. one more year to see how i do with the actual scaffolding under me

[kathaynesart]

Bit of a random question, but as a teen I'm curious, what would you want to say to kids of today? Any advice?

Hm... every person's life journey is different, but I don't mind giving a few tips based on my personal experiences! If they can help in anyway then I am glad for it!

Ted Talk below the cut.

Life will always change. YOU will change. You may feel stuck or trapped in some aspect of your life right now and are worried that things will never get better. But they do... it will take time, but you will get there so long as you keep moving forward.

Try not to stress too much. All those things that seem like such a big deal right now... most of them will be forgotten within a few years. So it helps when you feel overwhelmed to step back and not let these little (or even big) missteps take control of your life.

No really, go touch grass. I can not express how important it is to disconnect from social media and just be present in the moment. Going out to a cafe or a park to help you unwind and ground yourself. If life allows, try traveling! Even if it's just a road trip. Get out and see and experience different things because those will be the memories that will stick with you!

Change things up. Even if that's just taking a different path to school or trying a different snack. I find that stepping away from the mundane daily schedule helps bring so much more variety to my life and helps me be more present in the moment.

Be flexible. Especially in your goals and expectations. We're expected at such a young age to choose our destination in life, when it's the journey itself that we should be seeking. So while it's great to have goals, do not make them so rigid that you will deem yourself a failure should they not come to pass. Often times it's the things that surprise us in life that help lead us to opportunities we had never even considered.

Your worth does not come from what you produce, or how many milestones you hit, or how much money you make. It is something you give yourself as you relearn time and time again to love yourself.

Your health is important! It is something we often take for granted when we’re younger but it will mean so much as you age. Also should you feel that you’re ever in pain or unwell, speak up. There are so many instances of people coming to greater harm because they only listened to the first doctor who brushed them off. Seek a second opinion. Know that your body is worth proper care!

Just because you have to grow old does not mean you have to "grow up." Those things you loved that sparked joy in you as a kid? Hold onto them or find new ways to instill them into your life. Keep that passion and remember what fun is! Because you will need it just as much when you're older. It is a major ingredient in the spice of life.

Remember, you ARE special. You may not feel like it... but the fact that you exist is such a mind boggling feat in this vast universe of mostly empty space. While that may be difficult to grasp as we are, stuffed in this tiny jewelry box we call Earth, that does not make any one of us any less special in the grand scheme of things. And in this tiny but overflowing box of treasures, there is no gem that is quite like you. You managed against all odds to come into existence. That is AMAZING. Congratulations! Hard part is already done. Now go shine!

[pizzaapeteer]

Framed

Just a sweet wholesome - and a little goofy - scene where Theo see's you wear your glasses for the first time.

An: I myself wear glasses and went through the I can only assume universal years of feeling unconfident in them. I'm a happy glasses wearer now but my own bf helped my confidence and when i saw this quote from this Tumblr post here (I think last year honestly) I knew i wanted to write some sweet for the glasses pals 🥹🌟

Warnings: The picture provided does not represent the readers looks in anyway. Indicates f!reader from the quote, but don't think I specify gender. No other, just cute fluff. Word count: 1200

The last of the students file alongside you with haste as you make way towards your seat for charms. Sliding yourself onto the long bench, you settle, fixing your disarranged tie and carefully smoothing your hair down as you wait for class to begin. Flitwick announces his presence with the scrapes of chalk on the board and you lift your head, instantly squinting at the blurred vision before you.

A silent curse to yourself with the quick realisation sinking in that you had forgotten to insert your contacts and cannot make out Flitwick's cursive. Favourably, you always made sure to carry your glasses with you as an absolute backup, but a seeping dread and apprehension surges in your chest at the thought of needing to wear them.

Having no choice, you begrudgingly grab them from your bag and slide the frames onto your face, your vision correcting instantly. You pray no one pays enough attention to confidently point them out, leaning your head in your hand in extra effort to hide yourself, glad when your hair falls, creating more of a shield. But of course, the one person you wished wouldn’t notice does. 

Theo, often your desk neighbour who had also been running late, slides into the seat beside you, his head snapping down to the way you're sitting. His eyes trail over you as they usually do, before stopping to rest on the frames perched on your nose. His expression is nothing more than a mere eyebrow raise at the new accessory, though his gaze doesn’t falter despite the class beginning.

Sensing the lingering stares from Nott, you raise your head, glancing at him, reactively lifting your glasses to rest on your head in a moment of embarrassment. The once clear views of the handsome boy in front of you vanishes at your worsening site, and a deep chuckle leaves him when you squint instinctively.

“Huh, didn’t know you were blind as a bat.” His face resorts back to his signature resting face, a small smile peeking through his casual manner. “Cute bat nevertheless.” 

Scoffing lightly at his cheeky compliment, your hands lift, covering your face, trying to hide your obvious flustering. “Shut up Nott, and quit staring. It’s rude.” Lowering your gaze back to your notes and ignoring the rush of heat sweltering within your body, leaving you feeling nervous. 

Theo makes no endeavor to listen, deep eyes taking in every expression your face changes through. He feels lost, spiraling down a hypnotizing well as he drowns in your beauty. He’s drawn by the glasses that seem to enhance your elegance, watching you lower the specs. His lips curl wider. “Ah ha. This makes so much sense ya know.”

“What does?” Quirking your head in curiosity, your brows furrowing. 

His face shifts, exposing his adorable, charming toothy grin, one of your favourite features of him. “This is why you’ve never hit on me isn’t it. You haven’t been able to see how hot I am. Merlin, look at what you’ve been missing out on.” He whispers, emphasizing his face moving his hands in a circle before he runs a hand through his hair. His eyes meet yours with an impudent gleam, raising a brow in a sarcastic manner that he’s right. 

Rolling your eyes, attempting to hide the smile stretching onto your face, you snort. “Theo I wear contacts, you idiot.” You continue focusing on Flitwork's work, looking away from Theo momentarily, giving you time to breathe. “Stupid contacts,” you mutter under your breath, irritation laced in your tone. 

A quiet chuckle escapes him while he studies you, noticing the clear insecurity you're projecting about your eyewear and his heart softens. Here you were worried and anxious about how you looked in your cute glasses, while he thought you’d never looked more beautiful. He’s struggling to wrap his head around why you seem so bothered, asking his next question quietly with a genuine interest, “Why don’t you ever wear them?” 

Theo’s soft and calm tone surprises you, making you raise a brow, heartbeat speeding up, skin sweltering as he continues his wanderlust stare. “I don’t like them.” You mumble nervously, gazing back down, feeling your insecurity grow. A gentle caress brings your gaze back up to him, and he studies your features again, but closer. 

It’s a very intimate moment for the middle of class, your body becoming flustered staring into Theo’s ocean orbs. You always had a hard time giving him direct eye contact, finding yourself melting into a puddle. They held you captivated, saying so much with such little emotion.

Everyone is always comparing them to the ocean, and they were right, not even just for the colour but for how they always acted. His gaze could switch from calm to stormy in a matter of seconds, always so unpredictable, just like the weather. 

His gaze holds a truth to them, while you’re getting lost in his eyes he can’t help but mirror your actions. The colours and emotion swirling in them make it hard to look away, he feels trapped while he flickers between the contrast of your iris and the frames of your glasses.

“But you’ve got them framed now, like a piece of art. Nothing could be more beautiful.” 

Nothing could have prepared you for what he just said, your mouth parting in a state of awe, that the infamous Theodore nott could even hold such amazement for you. Gaping at him, you struggle to absorb his compliment.

Did he just compliment your glasses to art, something that should be marveled at? A piece of work that is admired by many. You can’t help the way your body flushes and the smile that creeps as you gaze at him appreciatively. No one has ever complimented you in such a way, and so casually. “Really?” 

He watches in sweet amusement, a swell of pride blooming in his chest, watching your face light up. A glow of pure happiness takes over your features, and he swears you’ve never looked prettier. He finds himself matching your smile, tucking a piece of hair behind your ear, keeping his voice quiet to not disturb the class. “I wouldn’t lie to an angel.”

You’ve never found yourself so flustered before, feeling the heat migrate over your body, looking away from him momentarily. He laughs, breaking the romantic moment and you relax, relishing in the natural manner between you two falling back in. He leans back into the booth, smirking, “you should wear them more often. I like the idea of sitting beside literal art.”

Rolling your eyes but grinning again at his compliments, the idea that he likes you for you is making your heart swell hopefully. “And I get to see you all flustered like this, it’s adorable. It’s just spec-tactular, don’t you think?”  

Snorting a little too loud at his glasses pun you draw the attention of your professor, and he decides now to call on you for a question. Your face flushes in embarrassment at the extreme awareness that now is looking at you and your alternative eyewear.

Theo chuckles quietly once you answer and shrink back in your seat, glaring at him. He can’t help but continue his annoying and starting-to-seem-endless supply of eye related puns. “Hey now, don’t lash out at me, don’t lose sight of what’s important. You're a real vision.” 

The rest of class speeds by in a blur, with Theo never shutting up and your eyes unable to stop rolling, but with a small grin that’s unable to leave your face. Your mind can’t stop replaying his original moment of sweetness and, surprisingly, you feel a new growth of confidence has spurred. You’re seeing a whole new perspective with him.

masterlist

@slytherinravebabe I promised I’d let you know when I finished it 🌟

[mxstellatayte]

hiiii ! could you write a part 2 for the charles and the vibe fic?

YIPPEE!!

i was gonna write it anyways but now i have an excuse to do it!

warnings: this is pure filth, threesome (mmf,) p in v sex, unprotected sex (DONT DO THAT,) mirror sex, carlos is an ass guy, charles is a boobs guy tho, kinda exhibitionism?, creampie, sex under the influence kinda?, it's all consensual though!

all you wanted to do was tease charles. all you wanted to do was see how much you could tempt his resolve before it would crumble. you had no idea it would result in getting eaten out in the bathroom and then promptly realizing that carlos had heard the whole thing and had covered for you and charles.

in exchange, carlos wanted to make even on a bet that he and charles had made at the start of the 2023 season.

monaco. february 10th, 2023.

"what do you think the odds are that one of us wins a race this year?"

charles looked up from the chessboard, his eyebrows furrowing. "what do you mean?"

"i was looking at the red bull and mclaren numbers and our car splits them. we have a fighting chance this year, so do you think one of us will get a win this year?" charles moves a rook, taking one of carlos' pawns.

"it depends. if my entire radio just sounds like 'we are checking, we are checking' and i have to make my own strategy and tyre calls, maybe. if xavi learns basic engineering and communicative skills or gets replaced altogether, i'd say yeah, there's a chance."

"you wanna bet?"

"what are we betting?"

carlos hesitates, then looks up when he hears the door opening. something clatters in the closet before you can be heard cursing quietly, then rearranging the fallen shoes onto the rack. eventually, you come through the doorway to the living room, and, when you see carlos, your face lights up.

"carlos! cómo estás?" (how are you?) you walk over and lean down, kissing his cheek in greeting.

"bien. un poco nervioso para bahrain, pero el carro maneja fantástico este año. y vos?" (good. a bit nervous for bahrain, but the car drives amazing this year. what about you?) you walk over to the kitchen while he's talking and pull out ingredients to make yourself a bowl of yogurt and berries- your favorite snack to have after work before you take your pit bull out for a walk.

"i'm alright. the marketing team made a stupid mistake so i had to do some damage control that took way longer than it should have, but i know martin is going to give them absolute hell tomorrow for it, so at least it doesn't reflect badly on me." your bowl clinks on the countertop as you sit down at the island and take out your computer, your headphones that were previously resting around your neck being slipped over your ears. "i've got some emails to write for an upcoming content creator collab we're doing, so i'll be in my zone. you guys know the drill?"

charles nods. "hermit mode?"

you smile, slipping the second speaker over your ear. "hermit mode."

a few moments pass before carlos speaks again. "are you okay with betting her?"

charles' eyebrows raise. "what do you mean?"

carlos makes his move on the chessboard. "if i win more races than you this year, i get her for a night. if you win more races than me, you can use me for a night. however you want."

the thought of his teammate and closest friend getting to fuck you lights a fire inside of charles, and while he wants nothing more than to agree to the bet purely for the stakes of it, he needs to check in with you first. "can i run it by her and get back to you on that?"

carlos nods. "just get me an answer by bahrain so we can figure something else out if she doesn't want to do that."

italy. february 3rd, 2024.

you had forgotten about the bet. charles and carlos had not.

now, just minutes later, you find yourself with your back once again against the wall, but this time you're staring into carlos' eyes while he fingers you gently, your legs wrapped around his waist and charles leaning against the vanity facing both of you. your eyes unintentionally flick over carlos' shoulder to your boyfriend who is an absolute mess. he's palming himself over his slacks, and you can tell just from the flush in his face that creeps down to his neck and the way his eyebrows are pinched together that he likes what he sees. before you can eye-fuck him the way you know he likes, carlos pulls his fingers out of you and you whine, but he carries you over to the vanity and taps your ass to get you to let go. "spin around, amor. let me see that beautiful ass of yours."

this is a side of carlos that you've never seen before, and it would be a lie to say that it's not hot. without a second thought, you spin yourself around so that your back is resting against his chest and your ass rests against his crotch. "come on, hermosa. bend over." as slowly as you can, you lean forward, resting your hands on the vanity and grinding yourself against him and you swear you can feel his dick twitch inside of his own black slacks. as soon as your forearms are fully resting on the granite vanity, carlos runs his hands down your back and to the front of your legs where he pulls the scarlet fabric of your dress to gather on your left side, the slit opening so that your entire ass is exposed. "no panties?" oh. you forgot about that.

"i kept them for good measure," charles says, pulling them out of his pocket. "you want 'em? you might have to shut her up. she never stops moaning."

"i know. i heard everything. you two are lucky i was the one outside and not anyone else. now," carlos says, taking your panties from your boyfriend and shoving them in his pocket, "do you feel like returning the favor?"

the whiskey you'd downed earlier is taking its effect, and you can't help but bite your lip and nod. normally, you wouldn't be nearly as confident as you are now with someone other than your boyfriend having you in the position you're in right now, but you trust carlos and frankly, you're too turned on to care. charles is in the same room and you're both comfortable enough in your relationship that it's okay. "yes, carlos. i'll return the favor. whatever you want." as you're talking, you can hear carlos unbuckle his belt and unzip his slacks, and when there's finally one layer of fabric between the two of you, carlos reaches into his jacket packet and pulls out a condom. before he opens it, though, you pipe up, your voice embarrassingly breathy and high. "i'm clean and on the pill. don't waste it if getting me pregnant is your only concern."

"are you sure?" carlos says, glancing over at charles. your boyfriend only responds with a shrug and points his thumb at you.

"whatever she says. you're the one fucking her."

carlos doesn't waste a second setting the condom on the vanity, pulling his slacks and underwear down his thighs just enough so that it's comfortable, and pushing into you. you have to bite your lip and cover your own mouth to prevent yourself from moaning too loudly, the stretch from carlos being so different to the one you're accustomed to with charles.

when you look up, carlos' head is thrown back and his hands grip your hips so tight his knuckles are white. it might be the hottest sight you've ever seen. "carlos." your voice is whiny, and you're shocked you can even get his name out.

"hm?"

"fuck me, please."

"are you sure?" his voice lilts in the way you're used to hearing, but this time, there's something slightly different about it. maybe it's the fact that he's currently buried inside of you, his hips flush with your own, or maybe it's the fact that every time you move your head to look up at him, your cunt squeezes around him so perfectly he fears he might cum within three thrusts, but either way, you feel so, so perfect.

"positive. now please. fuck. me." slowly, carlos pulls his hips back before pushing into you, slowly increasing his pace until every time his body meets your ass, you're shoved forward slightly on the counter and your breasts bounce forward, almost falling out of the low neckline of your dress.

"mierda, amor, tienes un coño hecho para mi," (shit, love, you have a cunt made for me,) carlos groans out, pulling your arms back and holding them with one hand while the other goes to hold you up by your neck. the restriction to your windpipe makes your head spin and the new angle has carlos' entire cock running against your g-spot with every thrust. you're able to wiggle your hands free, your left hand reaching back to tug at carlos' hair and your right goes down to rub circles around your clit, making you tighten around carlos' dick, and the combination of the pain from his hair being pulled and your cunt spasming around him makes him tip over the edge.

the feeling of carlos filling you up in turn sends you into your own orgasm, and as you cum, you look to your left, where charles jerks himself off watching you. when you make eye contact with him, though, it's the last straw and he spills into his hand with a quiet groan and his head thrown back.

the three of you catch your breaths and carlos pulls out of you gently, then shoves his cum back inside of you. the forgotten egg vibrator in charles' coat pocket is reinserted into your cunt and you whine at the overstimulation, slightly anxious that charles might tease you again, but he whispers a quiet promise in your ear that you've been good tonight, he won't turn it on anymore.

eventually, carlos slips out of the bathroom and you follow shortly after, walking back down the large hallway to return to the event. later that night, after speeches have been made, hollow promises have been spoken, and many, many bottles of expensive champagne have been toasted with, you make your way back outside, your arm linked with charles' as he calls his car to be pulled with the valet service. carlos walks up and stands next to the two of you, his car already on its way up, and turns to you.

"i'd say the bet is settled, no?"

there you have it folks :D

[sgiandubh]

Last minute Swifties

Contrary to what many thought and some posted, I do think the OL cast's Taylor Swift experience was a last minute promo idea, very much monitored by *** and Tall Ships. I was wrong about minder/security guy (still, eerie...) and I never have a problem publicly admitting it. But quite unlikely I am wrong about this one. And sorry for the length, but you know how I am when I am looking for something, right?

Let's unpack: cast thanked the 'organizers' (and minders, really) in very specific terms, leaving NO much doubt:

Louisa McCulloch. Remember this name, we shall meet her in one hot minute. So thank you Louisa and Maril for organizing this: ask yourselves why did Maril, who (as far as I know) is based in the US, have to come to Edinburgh just for the gig. Damage control, perhaps?

And Sophie S., with a remarkable choice of words:

'Thank you ***, TS and her team for making it happen'. In my book, this means a strong, common effort to secure the box last minute. Because 'making it happen' means exactly that: 'need to do everything you can to facilitate it'.

Clearly Skelton, who is a Swiftie in her own right, was particularly appreciative of the efforts it took to ensure everyone could attend the concert. If that were a long planned event, her enthusiasm would have been more temperate, I think. 'Adding more Swifties to the clan' - LOL, Sophie, you mean S and C had no idea of the lyrics and were unable to sing along with you, John Bell, Izzy and Co (I keep forgetting their names and I like them a lot, in the show)? People of my generation are already too damn old for Taylor S. And this different sort of music might be more of S's real preference: otherwise why post it in his stories, as if to say ' TS is a different thing altogether'?

James. A Manchester rock band, formed in 1982, popular in the Nineties. I see no lies: he was clear 'JAMMF is a Swiftie'. And we are, after all, Children of the Nineties, not TS's crowd. And yes, I knew S was into the same kind of music as I was, in the Nineties (he seems to have stayed put, right there, unlike me, LOL):

Anyways, back to the mysterious woman up and front on three pictures in a row, that got many speculating. Nope, that was not Wendy, the MUA and S's bestie:

Once...

... Twice...

... Three times a lady:

Her name is Louisa McCulloch, née Radcliffe and she is the one S thanked, along with Maril (see above). It was a bit hard finding her, because her IG account is private. But I found her alright on Facebook, and then LinkedIn (of course):

Based in Lockerbie, Scotland. 20 years experience as a media publicist:

Worked with *** and Tall Ships since Season 3, after a short stint as Head of Publicity at the Paramount Pictures London Office. Got promoted from Unit Publicist to Publicist during COVID, for Season 6. So yes, she is the one who made it happen, locally, on what I think was a quite short notice.

Attention successfully diverted. Impeccable timing and giving a younger crowd what it wants. Trying to capitalize on TS's huge Instagram fan base: 283 million followers (wow! I had no fucking idea she was so huge). A win-win situation for just about everyone and an elegant way out from sordid waters:

And it worked. Lost among the hundred of thousands of likes and comments, look who's jumping on the bandwagon:

Sharon Stone. With a Blue Check and her 3.9 million Instagram fanbase. A Nineties deity, need I remind you (this blogger spotted her during the Berlinale 2007, while I was going out for drinks, blissfully unaware we were all staying at The Adlon, LOL)?

They mutually follow each other on Insta, by the way. I wonder why *urv did not pounce on that one. I feel robbed, for once, of a wonderful fanfic.

[Later edit] Several comments take on this person without a proper justification. I am editing this post to remind you she is only responsible for the implementation (in Scotland) of decisions taken elsewhere (in the United States of America). She is NOT a decision maker and as Publicist, was probably responsible for the local implementation of a hasty decision to attend an event (secure VIP box at Murrayfield, sell content to the local press). The direct contact with TS's team was, very likely, Maril and upwards, in the hierarchy. In all fairness, she has nothing to do with a billboard spotted in Los Angeles, USA - nothing of the sort in Europe. I am all for taxing, but let's tax people who are really RESPONSIBLE: she is just a very well paid underling. Thank you all, I am sure you understand fairness can only add to our credibility as a group.

[fairest-lily]

TWST - fragrances!

Disclaimer: I have not personally smelled most of these perfumes; I chose them based on their notes. Just because a brand has been added it does not mean I support it or align with their values; I am focusing on the products on their own. The majority of these perfumes are quite expensive anyways - if you like any, I suggest directly looking for a dupe. I picked these with the characters' preferences in mind rather than trying to encapsulate their scent/vibe. My explanations are added to each one! Due to the photo limit, only the main cast are present. I will make a future post with others :) As usual, I ask you to not repost any of the photos/the post itself outside of Tumblr or within it. My main sources have been Fragrantica and Wikiparfum (some images used are from their website), along with the brands' sites. The notes are mainly sorted from top (the ones you smell first) to bottom (the ones that linger last), though I have been unable to verify some's placements, thus they are presented in what I assume would be their order. HEARTSLABYUL

Notes: pink pepper, blackcurrant sorbet, pink rose, peony, salty vanilla, patchouli, cashmere wood I wanted Riddle's liking for sweets to be present, though not overwhelmingly, so opting for a floral scent was a better way to show it. I would have searched for an aldehyde-having perfume, but I feel like he already has that clean laundry smell from his clothes.

Notes: orange, elemi, star anise, lavandin, clary sage, petitgrain, fir balsam, cypress, pine needles I imagine Trey spends enough time surrounded by sweet gourmands to want something softer, though even if he hadn't been a baker, he still gives the vibe of enjoying herbals. I had also chosen Velvet Cypress, which matched beautifully with its greenness, but the scent profile wasn't my first bet... :(

Notes: jasmine (and sambac), ylang-ylang, watermelon, carambola, magnolia, blackcurrant, green mango My mind immediately went to fruity sweetness when it comes to Cater, though a toned down version with the involvement of florals. He'd want to match his bubbly image while not overwhelming his senses, right?

Notes: citrus, amber, cedarwood, tonka bean, vanilla, sandalwood Now, the fact that one of the most popular perfumes matches what I had in mind for Ace is genuinely coincidental. I do see him buying this as a treat for himself though, regardless of it being trendy. While he is pretty masculine, there is a freshness still present that would reflect in his perfume - he still lacks the maturity and taste of a man.

Notes: Sicilian bergamot, mandarin, green apple, cashmere wood, cedarwood, petitgrain, violet, pomarose (not pictured), oakmoss, musk, amberwood (not pictured) In contrast to Ace, I picture Deuce to enjoy fresher and sweeter scents, which is how this perfume made the cut. He seems more open to wear less traditionally masculine fragrances. SAVANACLAW

Notes: rosemary, sage, black pepper, star anise, plum, birch tar, cumin, Bulgarian rose, myrrh, tobacco, suede accord, leather accord, honey, oud, praline, frankincense Leona is what Ace still lacks, though more wild and carefree in comparison to an older man. I definitely see him using perfumes with leathery smells rather than herbals or fruits, unless they're toned down; a big part of it is his sensitive nose of course. Under the roughness, there is a sweetness to be found.

Notes: salt, timur pepper, ginger, bergamot, black iris, saffron flower, violet leaf, blue cypress, suede, oud, mastic absolute, tobacco leaf Considering Leona's hand-me-downs to Ruggie, I feel like he would have included a perfume from his younger years too. The profile is similar to the current one, yet lighter thanks to the inclusion of more florals. I think it also matches Ruggie, having some parallelisms to Leona yet toned down.

Notes: amaretto, leather, wood, patchouli, musk Despite maintaining the leathery vibe, Jack strikes me as if he would enjoy sweetness, though in the form of flowers. This perfume only really has patchouli as a plant, but the amaretto, musk and wood make up for it with a deeper & warm sweetness. OCTAVINELLE

Notes: quince, grapefruit, hyacinth, jasmine, iris, musk, cedarwood, amber Azul is a synonym for powdery and light florals to me. I do see him using more classically masculine fragrances as well, though still a softer version. I had originally assigned him Jersey (Chanel) because of the lavender, but this one fit better.

Notes: pear, lily of the valley, aldehydes, iris, rose absolute, orange blossom, patchouli oil, ambrette seeds, white musk I think we can all agree Jade is the president of aldehydes; the cleanest linens you will ever experience. He'd incorporate florals too, especially those he finds during hikes - a deceiving softness.

Notes: mandarin, sea water, Egyptian geranium, clary sage, lavender, rosemary, oak moss, patchouli, vetiver, vanilla orchid People have said this smells like the holidays, which couldn't be more fitting. Floyd has the freshness of a fruity perfume without really having it in its profile (there is a citric note of course). He would also use less conventional scents, such as sea water. SCARABIA

Notes (most I have confirmed, but beware that some I'm doubtful on): bergamot, red berries, blackcurrant, florals, mandarin, honey, caramel, almond, patchouli, sandalwood, vanilla, chocolate I feel like Kalim is a gourmand person; he'd go for the caramels, vanillas, coconuts...I actually wanted to find a perfume with coconut and flowers for him, but I settled on this one since it also fits.

Notes (not 100% verified): mate, pink pepper, violet leaf, clary sage, patchouli, bergamot Albeit simple, Jamil's perfume is definitely a nice one. His choices would be influenced by aromatherapy; he'd definitely wear calming scents. A lot of herbals, but there are some richer fragrances in his collection for special occasions, like ambers. POMEFIORE

Notes: jasmine (sambac), orange, bergamot, mandarin, gardenia, orange blossom, sandalwood, white amber, cedarwood, white musk As soon as I got to Vil while brainstorming, I knew one of the Poison perfumes had to be in his hands. He definitely combines the softness of florals with the sharpness of citrics and the richness of ambers. His fragrances are a luxurious dessert that leaves you wishing for more.

Notes: thyme, tea, lily of the valley, saffron, rose, suede, musk, sandalwood, olibanum, amber Based on the description we got, I wanted Rook to have a perfume with amber and musk, though with other notes too. Originally I thought of Jo Malone's Midnight Musk & Amber, but since it is discontinued, this one took its place. I find the scent profile to match Rook better; he'd want something herbal to soften the warm richness.

Notes: aldehydes, rose centifolia, peony, violet, musk, sandalwood If I may be honest, I first assigned this to Vil (I know, the name), but since I wanted him to have a Poison perfume and eventually found a better scent profile, this one seemed more fitting for Epel. It's especially fitting post-VDC once he starts embracing his femininity, yet with the deepness of musk and sandalwood highlighting his strength. IGNIHYDE

Notes: aldehydes, citric, clary sage, ozonic notes, musk, ironwood (hornbeam)

Originally I imagined Idia would reach for a more metallic scent, though I couldn't find any I particularly liked (I don't even know what metal perfume smells like...), so I opted for my first thought: aldehydes and citrics. While Idia does enjoy his candies, I feel he'd want a very simple scent profile, and this perfume was perfect.

Notes: lemon, mandarin, orange, rose, jasmine, ylang-ylang, cedarwood, musk Like Idia, Ortho to me would reach for aldehydes (which this perfume has) and citrics, though his fragrances would be sweeter. I imagine he'd mask the metallic smell with it. DIASOMNIA

Notes: Italian lemon and mandarin, mint oil, candied apple, geranium flower, clary sage, ambermax, cedarwood, vetiver, patchouli, sandalwood, vanilla While still very masculine, I feel Malleus' choices would have a sweetness to them, wanting to lure you in with a sense of safety. I smelled this perfume years ago and still remember how much I loved it; it truly is fitting to him.

Notes: wild berries, blackcurrant buds, musk, blackberries Immediately, my mind went to berries. Lilia would heighten his cute image through sweet scents, especially fruits, though he could reach for gourmands.

Notes: fig milk, mandarin, sandalwood, violet, tonka bean, musk Silver is on the natural side; he'd reach out for florals and herbals instead of overwhelming scents. Though he reminds me of clean linens too, in a warmer way - like the creaminess of a lactonic without them. It comes through thanks to the notes in this perfume.

Notes: lavender, rosemary, petitgrain, clary sage, geranium, ambery wood Out of everyone in the Diasomnia quartet, Sebek feels like the one that embraces masculinity most, especially its sharpness. Though because of his age, it still has a softness present through floral hints. A relative of mine has owned this perfume, and it's a rather nice scent. I definitely see Sebek wearing it to strengthen his appearance.

[vivalas-vega]

unexpected / bradley 'rooster' bradshaw x reader

howdy y'all - we've got another rooster fic. i feel i've neglected this man too much on my blog and wanna start writing for him more so here we are with a fleet week fic inspired by my own journey onto a navy ship yesterday!!! (the similarities between my fic and the real deal start and end with waiting in line. my guide was cute but let's just say he was no bradley bradshaw). it was very cool and educational and if your city does fleet week i highly recommend checking it out! this fic will have maybe three parts total. anyways hope you enjoy :)

unexpected / bradley 'rooster' bradshaw x reader

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word count: 3.2k

warnings: slight language, naval inaccuracies!! (even tho I just did my own fleet week tour I still don't know shit, I'm just a girl)

The ocean breeze filtered through your hair as you stood off to the side, eyes fixated on the impressive carriers in front of you. The sun felt hot on your skin and excitement was buzzing through your veins as you listened to your best friend in your ear… well, half-listened.

“We’re brunching! Come on, meet us at Malibu Farm,” Maggie said and you sighed.

“I told you it’s Fleet Week, I’m already down here,” you replied and you could feel her eyes roll on the other side of the phone.

“I would be supportive if you were trying to bag one of those Navy hotties but come on… bottomless mimosas and all the dirt on Stephanie’s breakup are better than some boats,” she said.

“I will see you for drinks tonight,” was all you replied before hanging up. You’d tried (very unsuccessfully) to convince some of your friends to come with you, telling them about how cool these carriers were and how you only got the chance to see them up close and personal once a year but they had zero interest… you were the only one in your circle who found this sort of thing interesting, and you would have been bummed except for the fact that you were more than okay doing things by yourself.

It wasn’t uncommon for you to go to a concert or a museum solo, you actually enjoyed it… you loved hanging out with your friends but it was nice to not be tied to what the majority of the group wanted to do (or didn’t want to do), and as you waited in line you were actually a little glad none of them had taken you up on your offer. If Maggie were here she’d be ogling the cute officer who appeared to be getting ready to take your group on board, and she’d spend the whole tour trying to flirt with him instead of listening to what he had to say. 

You were content to wait in line as long as it took, taking in the beautiful ships to your left before switching to people watching, you knew this week drew all kinds of visitors and you found it entertaining to see such an eclectic mix of people all in one space… there were the obvious ex-Navy types, returning to their roots and reliving the glory days, there were couples who looked a little out of their element but excited for something new to do as a date, and families with kids… you even spotted an entire elementary class on a field trip. Spare your friend group, most people were more than interested in the opportunity to spend a day aboard multi-million dollar vessels and you were one of them.

Across the way Lieutenant Bradley Bradshaw was chatting with his teammates about how much they wanted today to be over… it wasn’t that he hated Fleet Week, because he did enjoy it for about the first hour, but after that it became tiresome to give the same spiel over and over and over. They’d all tried to get out of it, Natasha had even gone so far as trying to manifest a deployment, but according to the higher ups there was no excuse for the Navy’s best and brightest to not make an appearance at an event happening so close to their home base. 

But then he saw you and he couldn’t help but smile as he watched you seem so enamored by everything around you… you didn’t hold an ounce of annoyance over the fact you’d been standing in that same spot going on half an hour now, something he’d seen from other visitors a dozen times already, and when a gust of wind kicked up your hair and sent it fluttering around your face you gave a half hearted attempt to tame it, but really you were just enjoying the breeze and the sun on your skin and he knew he had to know your name. He watched Jake getting ready to take your group aboard and he had to know if you’d abandon the formal tour in favor of letting him take you up instead.

You were eavesdropping on a conversation between a sailor and a kid just ahead of you, a soft smile on your lips as you listened to just how excited both parties were to be talking about the ship in front of you and you were so focused on them that you didn’t notice a person approaching you, not until his shadow cast across your face and when you turned you saw a man who nearly knocked the wind out of you… he was tall and solid, arms straining against the short sleeves of his khaki uniform and you thought that no one should look good in that color yet here he was proving you wrong. His golden brown waves glistened in the direct sunlight and he had a slight smirk beneath a mustache that you really wanted to hate, but you really didn’t… he was handsome, potentially one of the most handsome men you’d ever seen, and here he was standing directly in front of you and you looked up at him expectantly, waiting for him to say something.

“Lieutenant Bradley Bradshaw, ma’am,” he introduced, extending his hand for you to shake which you did as you gave him your name and a smile. “What brings you out today?”

“A bizarre fascination with ships the size of planets,” you replied and he laughed. It was warm and a little rough around the edges, much like you’d appraised him to be in your short interaction, and you wanted to hear it again.

“Well, my day wrapped up not too long ago and I couldn’t help but notice you waiting for a tour…” he started, leaning in slightly with a mischievous look on his face as if he was about to tell you a secret, “and between you and me, your tour guide is a dud.” he finished and you looked towards the man, tall, blonde and oozing charisma and you had a feeling Bradley was lying to you as you watched him charm the entirety of your group with one sentence… but you weren’t feeling too keen on calling him out on his fib.

“Oh no, is that so?” you replied, disappointment lacing your tone.

“Mmhm,” he hummed. “I think you oughta let me take you up, make sure you get the tour you deserve,” he propositioned and you nodded, a smirk tugging at your lips.

“I think that might be for the best… for the sake of a thorough Navy education and all,” you said and he nodded, gesturing towards the ramp and he held out his hand for you to take as you pulled yourself onto the steep landing. His hand was warm in yours and all-encompassing as he held it and made sure you made it safely before letting it fall back to your side and you were almost a little disappointed when he did.

He led you into the cargo hold, a massive room filled with so many things your eyes had a hard time adjusting at first. You trailed alongside him as he explained everything to you, sparing no detail as he went and you were particularly fascinated by the boat that was rigged to be deployed at a moments notice, positioned right in front of a hatch door, and he told you it was primarily there for search and rescue missions as he rattled off information about how long it takes to get it down into the water and pointed out the crane used to move it around as needed.

You listened with rapt attention as you continued through, you added a quip or a question here and there but mostly you were hanging onto his every word as he pointed out things like their freezer and the gym, and you realized you might have been content to listen to this man read you his grocery list and you had to make a conscious effort to focus on the words themselves and not just the voice that was speaking them. As you made your way up a steep and narrow stairwell, so much so you might have described it closer to a ladder than stairs, he stayed right behind you where he could catch you if you fell and you tried to ignore the fact that his diligence almost made you want to fall.

“There’s a lot up here,” he said as he led you down a hallway lined with doors, “but it’s mostly just bunks and offices. We’re not technically supposed to show you this, but… I won’t tell if you won’t,” he added as he pushed one of the doors open and you pretended to lock your lips and throw away the key as you peeked inside, taking in the modest living quarters with multiple twin beds.

“So, this is where you sleep when you’re deployed?” you asked and he nodded, brow furrowing when you looked at him, clearly skeptical about something as your eyes trailed him top to bottom before returning to the beds in front of you, “how do you even fit?” you followed up and immediately you flushed, not meaning to ask that at all but it was the first thing that popped into your head and it flew out of your mouth before you could stop it.

“Not comfortably, sweetheart,” he replied with a laugh and you smiled softly at the term of endearment as he shut the door and nodded for you to follow. He talked about the photos lining the walls, telling you who was who or what was what in the ones he recognized before you went up another stairwell and before you could walk through the door frame in front of you he placed his hands on your shoulders, stopping you in your tracks.

You turned your head to look at him, an unasked question on your face, and he gave you that addictive smirk of his, “now this is the really fun part that very few people get to see,” he prefaced and you felt anticipation brimming as he kept his hands on you and guided you forward.

“Just breaking all the rules today aren’t you, Lieutenant Bradshaw?” you replied and he wanted to tell you that you could just call him Bradley but one look at the mischief in your eyes told him you knew that… you just liked calling him Lieutenant and he liked hearing it too much to stop you. When you turned your attention forward you were faced with two beautiful jets right in front of you and you faltered for a moment, stunned by the sheer impressiveness of the aircrafts.

“Holy shit,” you muttered, careful of your step as you approached one of them and Bradley tried to commit that look of awe on your features to memory, his heart stuttering at the sight. You instinctively reached a hand out before snapping it back, realizing you probably shouldn’t be touching things with price tags you couldn’t comprehend.

He chuckled, “go ahead, it’s mine so do your worst.” 

He thought you might get whiplash with how quickly you turned to face him, “yours? How have we made it through this whole tour without you mentioning you’re a pilot?”

“Thought I’d keep you on your toes,” he replied as you returned your focus to his jet, hand trailing along the smooth metal as you walked around it.

“I never thought I’d get to see an F/A-18 in person… at least not one that’s active,” you sighed, and now he was certain his heart had stopped in his chest. “Tops out at what, twelve hundred?” you asked and he blinked in surprise, only able to nod in response because he didn’t quite trust his words right now. He knew he liked you as soon as he saw you, so much so he was taking you on his tenth tour of the day when all he’d wanted to do previously was go to the bar, but now he was worried he was in a little over his head as you appreciated his jet, having identified it immediately without any help from him. “God, this is incredible, Bradley,” you said, maybe a little breathless from how excited you were and before you knew it he was disappearing, leaving you standing at the nose with a confused expression.

You laughed when he returned, rolling a ladder to the side of his jet and beckoning you over. He hadn’t anticipated you to know anything about planes, or really have any interest beyond the first minute of being in front of it, but now that he knew otherwise he wanted to show you everything. He held onto your hand as you took each step, trailing right behind you just as he had in the stairwells and when you got to the landing he started pulling the canopy back and you let out another soft gasp.

“Can you get in trouble for this?” you asked, turning to look at him. You knew private tours with high ranking pilots were not standard for Fleet Week, and you also knew this wasn’t an area most people would be allowed in, and you worried for a brief moment what would happen to him if anyone caught you.

He shook his head, “you’re accompanied by a Lieutenant, we’re fine,” he answered, smiling as you leaned over slightly to look inside his cockpit and his heart was thudding in his chest at the sheer wonder in your eyes. He started pointing out all of the controls, telling you what they did and why, and he answered your every question just as he had with the rest of the ship. “Sweetheart, I’ve gotta be honest… I’ve never met anyone who gave a damn about these jets that didn't work in or around them already.” 

You pulled your attention back to him with an incredulous look, “how could they not?” you asked, and you wanted to keep your gaze on those pretty brown eyes that were locked on you, but the novelty hadn’t quite worn off yet and you looked back inside the jet. “I mean… this is next level engineering wrapped up in a pretty package, what’s better than that?” He thought you were beautiful when he saw you standing on your own with your hair blowing in the breeze and the sun kissing your skin, he thought you were beautiful when you laughed at his dumb jokes in the cargo hold, but right now he was certain he’d never seen anything more beautiful than you slightly bent over and leaning into his cockpit as you truly appreciated the one thing he loved most in this world.

“Please let me take you on a date,” he blurted out, unable to stop himself and you looked at him a little surprised. You’d been hoping since he approached you that he’d ask, but you couldn’t help but laugh a little at the unexpected timing.

“Ask me again after the tour,” you replied with a smirk and though it vaguely sounded like rejection he couldn’t help but smile. If you wanted to make him work for it then he absolutely would. You asked him a question about the gauges and he told you exactly what they measured, and when you finally made your way back down the ladder he even let you sit on the second to last step as he wheeled it back to its place.

“Bradley!” you squealed when he whipped it around, hands bracing on the poles on either side of you and you were a little breathless when you were suddenly facing him, looking up at him as his strong hands gripped just above your head as he continued pushing you through the open area.

“Just wanted a better view,” he replied and you flushed at the compliment. Even though it was only two steps he still offered you his hand as you got off and of course you still accepted it, lingering for a moment before dropping it. He took you back through the carrier a different way than you’d came so he could show you absolutely everything, still narrating as he went. Truthfully, there wasn’t much difference on this route than the other but it was longer and he wanted to drag this out. He knew as soon as you stepped off the ship he wouldn’t have any reason to keep you longer than he already had, and he wanted to postpone that moment as long as he could. 

When you entered the now familiar cargo hold you couldn’t help but feel a little disappointed, you didn’t want your time with Bradley to come to an end but it seemed it was inevitable as he led you down the ramp and back onto solid ground. Your eyes were bright when you turned to face him and you still had that smile on that hadn’t seemed to leave your face all day and it was another sight he wanted to commit to memory. You had surprised the hell out of him, turned his boring day around the second he saw you and he knew with certainty he couldn’t get enough of you… and you were in the exact same boat. You knew when you got here today you’d have a good time, that the other man Bradley insisted was a dud still would have given a good tour and you’d have gotten exactly what you came for but the man in front of you exceeded every one of your expectations and then some, and you weren’t looking forward to the moment you had to go back to your car and not have his eyes on you anymore.

“Bradley, that was…” you sighed, “that was incredible, I don’t really know how to thank you for that.”

“Let me take you out,” he replied easily and you flushed, the tour was over and he was wasting no time in asking you out again, and this time you let him. 

You nodded, “I’m free tonight.” His grin was wide as he fished his phone out of his pocket for you to input your number, and you couldn’t help but mirror him when he told you to put your address as well so he could pick you up… if this was anyone else, if you hadn’t just spent the afternoon with him catering to your every query and whim, you would have told him no. You would have said you could meet him somewhere, but you trusted him. The few hours spent together showed you that you could, and that wasn’t lost on Bradley. If you’d said no he wouldn’t have even blinked, he would have suggested something else that made you more comfortable, but you didn’t say no… and that caused his chest to tighten as he looked down at your beautiful smile.

“I’ll pick you up at seven,” he said, leaning in to press a chaste kiss to your cheek and you felt your skin tingling as he pulled away. “Wear something comfortable.”

You nodded, a little curious as to what he could have planned but you could just tell if you asked he wouldn’t say, and you were more than happy to let this man surprise you. “I’ll see you tonight, Bradley.”

“And I’ll be counting down every second.”

[am-i-the-asshole-official]

AITA for breaking up with a man to immediately date a woman?👩‍❤️‍👩

So a couple of years ago I (at the time 25F) identified as bisexual and ace. I had dated before, but it was all long distance relationships, and all men. At this point, I was single, and while in university, I met a guy (Jake, 26M) and he confessed he was into me. I only really thought of Jake as a friend, but I agreed we could date- because I've always confused platonic/romantic feelings, and foolishly thought I could probably "grow into" the relationship, like my previous ones. Jake is smart, friendly, very sweet and supportive, thoughtful, I didn't see why we couldn't date! But of course, as relationships do, suddenly he becomes more physical, more affectionate with me- which duh, we're dating, I should've expected this- but it blindsided me.

I would very frequently communicate to him what I was comfortable/uncomfortable with, and he'd be okay backing off and taking things more slowly, but would occasionally gently push my boundaries. I'd have to remind him that I wasn't comfortable, and he'd back off and would tell me it's okay- but I don't think he meant it. I think he was hoping I would "get over" these uncomfortable feelings and give him what he wants, eventually. It got to a point I was uncomfortable even being alone with him, because I knew he'd start acting this way. I was deeply appreciative of his patience, since I know I was being weird about our relationship.

While this is happening, I was venting to my dear friend Mary (25F) about how I felt terrible, how I felt stuck, and Mary would support me, hear me out, and comfort me. I had also met Mary in university, and Jake and Mary knew each other and were also friends. We were all a part of the same friend group- but I only would talk to Mary about what was going on between me and Jake.

A few months of this passes, and it occurs to me that I had a crush on Mary. A real, actual, true crush. One I'd never felt before in any of my other relationships- I had a connection with her, she and I understood each other. One night, we jokingly both kind of confessed to each other at the same time. It was then that it all clicked for me- I'm not bi… I'm a lesbian. It's why I've felt that I've had to "grow into" my previous relationships with men. I never truly was attracted to them, and just thought that was how all relationships were. Mary was the first person I actually felt like I could be myself.

Anyway- Mary knew about Jake obviously, and I told her up front that I'd need time to break up with him. She understood completely. I broke up with him the next day or so in person, quietly, in private. I didn't tell him about Mary, nor about me realizing that I'm a lesbian. I just said that I didn't think we could work out- that he wants more than I could give, and that I wasn't good for him, he deserved someone better. He understood, but he was very upset. And angry. He threatened me with a "If you date anybody in our group- we won't be friends anymore." and stormed off. I cried, but figured I deserved it. He truly cared about me, and I feel like I lied to him through our whole relationship- even if I didn't realize it.

Mary and I dated in secret shortly after, to prevent Jake from finding out and hating the both of us and causing turmoil in our group. He went around and told all of our male friends to leave me alone and not to touch me, so I'm pretty sure he never suspected Mary. I only found out about this because one of said other male friends approached me and told me what Jake had said- Jake never made this apparent to me.

But me and Mary? I've never been happier. We cuddle, we kiss- we do everything you'd expect in a relationship, and I'm never uncomfortable. And when I AM uncomfortable, Mary leaves it alone. She never pushes my boundaries unless I try something on my own terms or we talk about it first. She's a dream come true, and she's beautiful and I love her.

Cut to years later- me and Mary have been together for 10 years now. We've both graduated university, we live together, and we're soon to be married. We're still very close with our friend group- we regularly meet up for movie nights, dinner outings and dnd sessions. Jake's still one of our best friends, and he knows that we're dating, now. I've never addressed me and Mary to Jake directly, so I've never known how he's felt about us.

This is years after the fact, of course, and Jake is still a wonderful friend and (seemingly) has moved on/doesn't care about me and Mary. But I'm occasionally haunted by this mess that I caused, and I feel like I was terrible to Jake. So, Tumblr, I leave you all to judge me. Was I the asshole?

[ashfae]

Things I would like to happen/not happen in Good Omens Season 3

Small things in no particular order, just to put this out here, in a few years I'll come back and laugh: - More about the Fall - Never ever finding out what Crowley's angel name was. I genuinely don't want to know and especially don't want it to have been important. - Eric getting to be badass for once. - Muriel getting to be badass for once. - Eric and Muriel coming to a similar Aziraphale and Crowley "....look does anyone know what's going on? I don't think so. We are very small in comparison to these huge things how about we work together a bit trying to figure it out?" type of thing. - Finding out WTF is up with Crowley's spotty memory. Has he been made to forget things? I am curious. - The crux point of the season being Aziraphale needing finally once and for all to choose between Crowley and Heaven/recognizing that goodness is not something that can be mandated/all that jazz - More of Aziraphale's diaries - A hug. I'd like another kiss, I don't want smut (happy to keep that for fanfic and let them be platonic onscreen), I do absolutely want them to have a big "oh god I missed you so much" hug. - Crowley having left London. I strongly suspect he's gone abroad, feels like that was foreshadowed in the magician's wheel scene. I favour Sin City/Las Vegas for hilarity but the Spanish Riviera for the alcohol. - Much as I'd like to see all the human characters again (from s1 and s2) I doubt anyone except Muriel by proximity will have been in contact with any of them and I feel their part in the overall narrative arc is complete. We'll get new ones though. - Jesus Christ to show up for the Second Coming and promptly not do what anyone expects or wants him to do, and I sincerely hope I can't predict it either. Also man would I love it if he's called by Yeshua/Yeshoshua. - For Christ's actions and choices to be ultimately less important than Aziraphale's. Yes, I really want Aziraphale and his love for Crowley to be the primary mover of this season. - Crowley to say "Ngk". "Heigh ho" would give me the greatest joy but "Ngk" would be sufficient. - For God to NOT just show up and sort it all out and preferably to not appear at all though Francis McDormand narrating will always be a joy to me. - A return of Gabriel and Beelzebub. Actually this seems inevitable given everyone's entirely justified love of Jon Hamm. I have my own pet theories of what the plot of season three will be but I'll keep that to fanfic out of respect for Wait And See. Edit: I forgot to add, FOR THE LOVE OF SOMEONE DO NOT ASK NEIL ABOUT THIS OR LINK HIM. I don't want him to answer questions! Me wildly speculating is NOT the same as wanting answers, and besides, he wouldn't answer anyway, and rightly so!

[austenhowe]

HEAR ME OUT cressida hc and creloise persuasion brainrot

•cressida secretly plays violin (she's quite good at it; she learned during summers with a distant aunt; period-typical belief of violin played by women = lesbianism (something something about a violin resembling a woman's body and voice); she stopped playing a year or so before her debut when her distant aunt passes away (was caught by her parents playing the instrument once at their own home and the pressure to marry her off immediately increases due to this "queer" talent/inclination)

•angst, mutual pining, misunderstanding, resentment, and some unhinged bridgerton family shenanigans for levity

maybe slightly canon divergent or fully canon divergent idk and idc (I have never and will never read the books) where she pretends to be lady whistledown and whistledown outs her as an imposter and is somehow implied as a lesbian (implied that her relationship with eloise was purely for predatory reasons)

penelope is pissed about her claiming her mantle and also understandably does not have a very high opinion of cressida so a misunderstanding is perpetuated when eloise goes to penelope crying about their "friendship" break-up; maybe cressida tries to make a move and eloise, trying to make sense of what happened, somehow leads penelope to believe that cressida had nothing but predatory intentions (unfortunately, period-typical homophobia is up in here for the plot eugh)

cressida is ruined and forced out of polite society and somehow ends up being commissioned by the queen (queen charlotte is an ALLY, okay?) as a royal violinist ? (I'm making shit up, it's for plot and hc reasons, stay with me here)

ANYWAY, years pass and she makes a name for herself, gets her freedom and her bag (I imagine she branches out of the fashion of polite society and starts experimenting with her presentation 'cause fuck everybody else) and maybe gets an official title from the queen (idk how those work but let's suspend our disbelief here)

so she makes her return to polite society after having been given a formal rank/title and cue her reunion with the bridgertons; she, of course, keeps a wide berth from eloise (due to her self-loathing and her fear of being perceived as monstrous and predatory once again)

the whole bridgerton clan is in town for the season to show a united front and show support to one of the younger ones (either gregory's or hyacinth's turn I don't care which), they attend a concerto where the featured performer is one cressida cowper (this of course attracts a HUGE crowd eager to witness her return from having fallen into disgrace just over half a decade past)

the performance is of course stunning and one of the bridgertons approach (possibly, benedict or francesca) to give their compliments and get a re-introduction (for eloise's sake ofc, she's been angsting and pining for as long as cressida has) and also of course to give an invitation to their house for tea

cue eloise pining from afar while cressida resolutely avoids her gaze (she'll fold so fast if she sees the look eloise gives her; she doesn't blame her for her misfortune (eloise blames herself for that of course)

cressida still loves her but she's been burned once and maybe she IS slightly resentful (she won't entertain even the thought of once again imposing her suit on eloise)

eloise on the other hand is resigned to her solitude (she fumbled her love match and she thinks that cressida's regard cannot be regained after having been violently exiled from society as a result of her blindness and carelessness with her words/actions)

the entire bridgerton family, on the other hand, will be doing their absolute best at scheming to get these two pining idiots together (just imagine pure comedy and catharsis from all the angsting and pining! they deserve absolute happiness goddamnit!!)

they tentatively rekindle their friendship and work towards something more and of course at the end they get their happily ever after (they become wives, have an estate, and they THOROUGHLY and UNHINGEDLY make up for lost time)

--essentially, this is persuasion (1995) where cressida is a bit like captain wentworth and eloise will be a bit like anne elliot, still privileged but a bit more subdued and a bit more practical in her spinsterhood

some banger lines from persuasion (1995): "Miss Elliot, I can bear this no longer. You pierce my soul. I'm half agony, half hope. Unjust I may have been. Weak and resentful I have been, but never inconstant. I offer myself to you again with a heart even more your own than when you almost broke it eight years ago." // "I believe you capable of everything great and good. So long as, if I may, so long as the woman you love lives - and lives for you. All the privilege I claim for my own sex - and it is not very enviable one, you need not covet it - is that of loving longest when all hope is gone."

actually, throw in the whole letter captain wentworth wrote in here

they keep using jane austen's works as references these past two seasons so might as well give creloise persuasion (my beloved)

not a writer so I'm never gonna write this, it's just stuck in my brain so I had to get it out 😭, blame the show for getting me to listen to violin and piano covers for the past week; my imagination while listening to these covers ran away from me

p.s. in my head, it's the violin and piano cover of interstellar that gets the queen to basically bankroll cressida's violin career (images of the heaven and the earth along with all other space imagery that theme evokes and whatnot); also, piano and violin covers of lovely by billie eilish, such great heights by the postal service, and arcade by duncan laurence (my beloveds)

p.p.s. I know they won't be endgame but unfortunately my mind has latched on to this ship so please take this brain worm off my hands

[nyxshadowhawk]

A Retrospective on Harry Potter

Why did I like it in the first place? What about it worked? Where do I go from here?

I have decided to give up Harry Potter.

J.K. Rowling’s reputation now stinks to high heaven. At this point, she is quite indefensible. And even if that weren’t the case, she is not someone that I would want to associate with anyway. Meanwhile, the internet has not only turned against her, but against Harry Potter itself. An innocent question on Reddit, about which Hogwarts Houses the ATLA characters would be in, got downvoted to oblivion. Innumerable Tumblr threads insist that fantasy fans should get into literally anything else (suggestions include Discworld, Earthsea, The Wheel of Time, and Percy Jackson). And now that Harry Potter is no longer a sacred cow, there has been a recent slew of video essays that rip it to shreds, attacking it for its poor worldbuilding, unoriginality, and the problematic ideas baked into the original books (like the whole SPEW thing), etc. Those criticisms always existed, but now they’re getting thrown into the limelight.

It pains me to see such an ignoble downfall of Harry Potter’s reputation. If Rowling had just kept her damn mouth shut, Harry Potter would have aged gracefully, becoming a beloved children’s classic. I'd still plan to introduce it to my own kids one day (after Rowling dies and the dust settles). It’s not surprising that not all aspects of it have aged well, since it’s been more than twenty years since its original publishing date, and everything starts to show its age after that long. I acknowledge that most of the criticisms of the series that I’ve seen lately are valid, and I’ve read plenty of better books. And yet, when I return to the books themselves, even with the knowledge of who JKR really is inside my head, I still really enjoy reading them! There’s still a lot about them that I think works!

None of the other things I’ve read have had as collossal of an impact upon my identity, my values, and my own writing as Harry Potter. It’s hard to move on from it, not just because it’s something I enjoy, but because I have to literally extract my identity from it. I don’t know who I’d be without Harry Potter. I don’t know what my work would look like without Harry Potter. I don’t know how to carry it with me as just another piece of media that I like, as opposed to a filter for who I am as a person. So, with all that in mind, I have to ask myself why I liked Harry Potter so much in the first place. If I’m going to move on from it, then I have to be able to define and isolate the things about it that I want to keep with me. Something about it obviously worked, on a massive scale. So what was it?

It’s not the worldbuilding. The worldbuilding is objectively quite terrible, especially in comparison to that of other fantasy writers who knew what they were doing. At best, it’s inconsistent and poorly thought-out, and at worst it’s insensitive or even racist. Is it the characters? The characters are, in my opinion, one of the stronger parts of the story. But I felt very called-out by one of the many online commentators, who said that anyone who identifies with Harry is too cowardly to write self-insert fic. (I do not remember who said it or even which site it was on, but I distinctly remember the phrase, “Reject Harry Potter, embrace Y/N.”) The reason why people get so invested in Harry Potter’s characters is because they’re easy to project upon, and it’s possible that my love of Harry comes more from over a decade’s worth of projection than anything else. The incessant arguments over characters like Snape, Dumbledore, and James Potter ultimately stem from the fact that these characters do not always come across the way Rowling wanted them to. As for the writing itself, it’s decent, but not spectacular. Harry Potter is something of a sandbox world, with less substance than it appears to have and a crapton of missed opportunities, making it ripe for fanfic. For more than ten years, I’ve been doing precisely that — using Harry Potter as a jumping-off point to fill in the gaps and develop my own ideas, some of which became my original projects.

So what does Harry Potter actually have that sets it apart? Why are people so desperate to be part of Harry Potter’s world if the worldbuilding is bad? What, specifically, is so compelling about it? I think that there’s one answer, one thing that is at the center of Potter-mania, and that has been the underlying drive of my love of it for the past decade and a half: the vibe.

Harry Potter’s vibe is immaculate.

You know what I mean, right? It’s not actually a product of any specific trope, but rather a series of aesthetic elements: The wizarding school in a grand castle, with its pointed windows and torches and suits of armor, ghosts and talking portraits and moving staircases, its Great Hall with floating candles and a ceiling that looks like the night sky, its hundreds of magically-concealed secret doorways. Dumbledore’s Office, behind the gryphon statue, with armillary spheres in every single shot. Deliberate archaisms that evoke the Middle Ages without going as far as a Ren Faire: characters wearing heavy robes, writing with quills and ink on parchment instead of paper, drinking from goblets, decorating with tapestries. Owls, cats, toads. Cauldrons simmering in a dungeon laboratory. Shelves piled with dusty tomes, scrolls, glass vials, crystal balls, hourglasses. Magical candy shaped like insects and amphibians. A library with a restricted section. A forbidden forest full of unicorns and werewolves. That is the Vibe.

There are five armillary spheres just in this shot. They are unequivocally the most Wizard of tabletop decor.

There’s more to it than just the aesthetic, though. The vibe is present in something that writers call soft worldbuilding.

There’s a phrase that writers use to describe magic systems, coined by Brandon Sanderson: hard magic and soft magic. Sanderson’s first law of magic is, “An author’s ability to solve problems with magic is directly proportional to how well the reader understands said magic.” A hard magic system has clearly-defined rules — you know where magic comes from, how it works and under which conditions, how the characters can use it, and what its limitations are. Examples of really good hard magic systems include Avatar: The Last Airbender and Fullmetal Alchemist. If the audience doesn’t understand the conditions under which magic can work, then using magic to get out of any kind of scrape risks feeling like the writer pulled something out of their ass. It begs the question, “Well, if they could do that, then why didn’t they do that before?”

You may come away from that thinking that having clearly-defined rules is always better worldbuilding than not having them, but this isn’t the case. Soft magic isn’t fully explained to the audience, but that doesn’t matter, because it isn’t trying to solve problems — its purpose is to be evocative. Soft magic enhances the atmosphere of a world by creating a sense of wonder. If your everyman protagonist is constantly running into cool magical shit that they don’t understand, then the world feels like it teems with magic, magic that is greater and more powerful than they know, leaving lots of secrets to uncover. Harry Potter, at least in the early books, excels at this. The soft magic in Harry Potter is what got me hooked, and I think it’s what a lot of other people liked about it, too.

The essence of soft magic is best summed up by this scene in the fourth film, in which Harry enters the Weasleys’ tiny tent at the Quidditch World Cup, only to find that it’s much bigger on the inside. His reaction is to smile and say, “I love magic.”

That’s it. That’s the essence of it. You don’t need to know the exact spell that makes the tent bigger on the inside. You don’t need to know how Dumbledore can make the food appear on the table with a flick of a wand, or how he can make a bunch of poofy sleeping bags appear with another flick. You don’t need to know how and why the portraits or wizard cards move. You don’t need to know how wizards can appear and disappear on a whim, or what the Deluminator is, or where the Sword of Gryffindor came from. You don’t need to know how the Room of Requirement works. Knowing these things defeats the purpose. It kills the vibe, that vibe being that there is a large and wondrous magical world around you that will always have more to discover.

One of the best “soft magic” moments in the books comes early in Philosopher’s Stone, when Harry is trying to navigate Hogwarts for the first time:

There were a hundred and forty-two staircases at Hogwarts: wide, sweeping ones; narrow, rickety ones; some that led somewhere different on a Friday; some with a vanishing step halfway up that you had to remember to jump. Then there were doors that wouldn't open unless you asked politely, or tickled them in exactly the right place, and doors that weren't really doors at all, but solid walls just pretending. It was also very hard to remember where anything was, because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk. —Philosopher’s Stone, Chapter 8

Many of these details don’t come back later in the series, which is a shame, because this one paragraph is super evocative! It establishes Hogwarts as an inherently magical place, in which the very architecture doesn’t conform to normal rules. Hogwarts seems like it would be exciting to explore (assuming you weren’t late for class), and it gets even better when you learn about all the secret rooms and passages. The games capitalized on this by building all the secret rooms behind bookcases, mirrors, illusory walls, etc. into the game world, and rewarding you for finding them. The utter fascination that produces is hard to overstate.

Another one of the most evocative moments in the first book is when Harry sees Diagon Alley for the first time, after passing through the magically sealed brick wall (the mechanics of which, again, are never explained). This is your first proper glimpse at the wizarding world and what it has to offer:

Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, “Dragon liver, seventeen Sickles an ounce, they're mad....” A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium — Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand — fastest ever —" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon.... —Philosopher’s Stone, Chapter 5

What works so well here is the magical weirdness of wizardishness juxtaposed against normalcy. Eeylops Owl Emporium is just a pet shop to wizards. A woman makes a very mundane complaint about the price of goods, but the goods happen to be dragon liver. Broomsticks are treated like cars. All of these small moments contribute to the feeling of the wizarding world being alive, inhabited, and also magical. It gets you to ask the question of what your life would be like if you were a wizard. What do wizards wear? What do they eat? What do they haggle over and complain about? What do they do for fun?

In Book 3, Harry enjoys Diagon Alley for a few weeks when he suddenly has free time, and we get to experience the wizarding world in a state of “normalcy,” when he isn’t trying to save the world. He gets free ice creams from Florean Fortescue, gazes longingly at the Firebolt, and engages with delightfully weird people. He’s a wizard, living a (briefly) normal wizard life among other wizards in wizard-land. And that is fun. It’s so fun, that people want that experience for themselves, enough for there to be several theme parks and other immersive experiences dedicated to recreating the world of Harry Potter.

One of the greatest things about Universal was its phenomenal attention to detail. You can hear Moaning Myrtle’s voice in the women’s bathroom, and only the women’s bathroom. The walls of the Three Broomsticks have shadows of a broom sweeping by itself and an owl flying projected against the wall, so convincingly that you’ll do a double take when you see it. Knockturn Alley is down a little secret tunnel off of the main street, and that’s where you have to go to buy Dark Arts-themed stuff. It’s really well done.

Another thing that contributes to the vibe, in my opinion, is that the wizarding world is slightly macabre. They eat candy shaped like frogs, flies, mice, and so forth, and they have gross-tasting jellybeans. In the film’s version of the Diagon Alley sequence above, there’s a random shot of a pet bat available for purchase. In the third film, when Harry is practicing the Patronus Charm with Lupin, the candles are shaped like human spines. In the first book, this is Petunia’s description of Lily’s behavior after she became a witch:

Oh, she got a letter just like that and disappeared off to that-that school, and came home every holiday with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was — a freak! —Philosopher’s Stone, Chapter 4

I remember reading this for the first time, and it just kind of made intuitive sense to me. I suppose it fits into the “eye of newt and toe of frog” association between magical people and gross things, but somehow it works. Unfortunately, this is retconned later with the knowledge that wizards can’t use magic outside school, but before that limitation gets imposed, the idea of Lily amusing herself by turning teacups into rats seems like an inherently witchy thing to do.

That association between magic and the macabre shows up elsewhere, as well. In The Owl House, Luz’s interest in gross things is one of the things that marks her as a “weirdo” in the real world. When she goes to the magical world of the Boiling Isles, weird and gross stuff is absolutely everywhere. That world’s vibe leans more towards the macabre than the whimsical, but it works because you sort of expect the gross stuff to exist alongside the concept of witches, and that they would be an intrinsic part of the world they inhabit. You don’t question it, because it’s part of the vibe.

(The Owl House is one of the few things I’ve encountered that has a similar vibe to Harry Potter, but it’s still not the same vibe. In fact, The Owl House outright mocks the expectation that magical worlds be whimsical, and directly mocks Harry Potter more than once. The overall vibe is much closer to Gravity Falls.)

The Harry Potter films utilize a lot of similar soft worldbuilding with the background details, especially in the early films that were still brightly-colored and whimsical. For example, the scene in Flourish and Blotts in the second film has impossibly-stacked piles of books and old-timey looking signs describing their subjects, which include things like “Celestial Studies” and “Unicorns.” When Harry arrives in the Burrow in the same film, one of the first things he sees is dishes washing themselves and knitting needles working by themselves, taking completely mundane things and instantly establishing them as magical. In that Patronus scene with Harry and Lupin, the spine-candles and a bunch of random orbs (and the obligatory giant armillary sphere) float around in the background. One small detail that I personally appreciate is the designs on the walls above the teacher’s table in the Great Hall, which are from an alchemical manuscript called the Ripley Scroll:

It’s all these little things that add up to produce The Vibe.

Obviously, much of the vibe is expressed very well in John Williams’ score for the first three Harry Potter films. The mystical minor key of the main theme, the tinkly glockenspiel, the strings, the rising and falling notes that mimic the fluttering of an owl, the flight of a broomstick, or the waving of a wand. That initial shot of the castle across the lake as the orchestra swells, as the children arrive at their wizarding school:

If you grew up with Harry Potter, just looking at this image gives you The Vibe. The nostalgia hit is definitely part of it, but The Vibe was already there, back when you were a child and you didn’t have nostalgia yet.

In my opinion, only Williams’ score captures this vibe — the later films, though their scores are very good, do not. But the soundtrack of the first two video games, by Jeremy Soule (the same person who did Skyrim) absolutely nails it. This, right here, is Harry Potter’s vibe, condensed and distilled:

This is why I feel invalidated by the common advice “just read another book.” I have read other books. I’ve read plenty of other books, many of which are wonderfully written and have left an impact on me. But there’s still only one Harry Potter. To date, there’s only other book that has filled me with a similarly intense longing for a fictional place, and that is The Night Circus by Erin Morgenstern. That book deliberately prioritized atmosphere over everything else in the story, and actually lampshades this in-universe. The Night Circus has a plot and it has characters, but it’s not about its plot or characters. It’s about the setting and its atmosphere. It swallows you up and transports you to a fictional place that is so evocative and so magical that you just have to be part of it or you’ll die. And even then, The Night Circus has a different kind of vibe from Harry Potter. In this particular capacity, there’s nothing else like Harry Potter.

The thing is, I don’t think Rowling was being as deliberate as Erin Morgenstern. (In fact, given many of Rowling’s recent statements, I question how many of her creative choices were deliberated at all.) She was throwing random magical stuff into the background without thinking too hard about it, which works when you’re writing a kids’ story, but stops working when you try to age it up. Actually, scratch that — soft worldbuilding is definitely not just for kids! The Lord of the Rings has a soft magic system, for crying out loud, and Tolkien is the original archmage of worldbuilding. Don’t listen to anyone who tells you that prioritizing atmosphere over meticulousness is bad worldbuilding. That is a valid way to worldbuild! Not everything needs to be clearly explained, not everything needs to make sense. The problem is that Harry Potter doesn’t balance it well. Certain things do have to be explained in order for the magic to play an active role in the story (and the setting of a magic school lends itself to that kind of explanation), but no rules are ever established for the kinds of magic that need rules. When you begin thinking about the rules, you’re no longer just enjoying the magic for what it is. At worst, you begin running up against the Willing Suspension of Disbelief.

It wasn’t actually the “aging up” of the story that did it in, per se, but rather, the introduction of realism. The early books were heavily stylized, and the later books were less so. A heavily stylized story can more easily maintain the Willing Suspension of Disbelief. That’s why, for example, you don’t ask why the characters are singing in a musical — you just sort of accept the story’s outlandish internal logic, and the inherent melodrama of it doesn’t take you out of the story. Stylized stories are more concerned with being emotionally consistent over being logically consistent. The later Harry Potter books changed their emotional tone, but without changing the worldbuilding style to compensate.

In addition to the more mature themes and darker tone, Harry Potter introduced more realism as it went, but Rowling did not have the worldbuilding chops to pull this off. There’s the basic magic system stuff: When you begin thinking about it too hard, something like a Time-Turner stops being a fun magical device, and starts threatening to break the entire story. Then there’s the characters: Dumbledore leaving Harry on the Dursleys’ doorstep in the first book is an age-old fairy tale trope that goes unquestioned, but with the introduction of realism in the later books, it suddenly becomes abandonment of a child to an abusive family. The exaggerated stereotypes of characters like the Dursleys become tone-deaf. The fun school rivalry of the House system is suddenly lacking in nuance. And then there’s the shift in tone: The wizarding world that we were introduced to as a marvellous place is revealed to be dystopian. You start thinking about how impractical things like owl messengers are, you start wondering if Slytherin is being unjustly punished, the bad history appears glaringly obvious, the quaint archaisms become dangerously regressive. Oh, and the grand feasts are made through slave labor! The wizarding world suddenly feels small and backward instead of grand and marvellous. J.K. Rowling’s bigotry throws it all into an even harsher light.

This is why I’ve always preferred the early books and films to the later ones. There’s a lot of things I like about the later ones, but they’re not as stylized — they don’t have The Vibe. Thinking about things too hard is just a necessary condition of adulthood, but it’s still possible to tell a dark, mature story that is highly stylized. I really think JKR could have better pulled off that shift if she was a more competent worldbuilder. But it is painfully obvious that she did not think things through, and probably didn’t understand why she had to. In her defense, she did not know that her story would end up being one of the most scrutinized of all time. As it stands, her strength in worldbuilding was in the softer, smaller, deliberately unexplained moments of magic that were there just to provide atmosphere. And there were less and less of those as the books went along.

Pretty much all the Harry Potter-related content released since the last film — including Cursed Child, Fantastic Beasts, Hogwarts Mystery, Hogwarts Legacy, Magic Awakened, and that short-lived Pokemon Go thing — have been unsuccessful attempts at recreating The Vibe. In fact, the only piece of supplemental Potter content that I think had that Vibe down pat was the original Pottermore, back when it was more of an interactive game. And of course that got axed. That was right around the time things started going downhill.

Some of the art from Pottermore’s original Sorting quiz.

So what now? Well, that’s the question.

I think I can safely say that The Vibe was the reason I liked Harry Potter. It’s the thing I still like the most about it. I’ve spent years chasing it, like an elusive Patronus through a dark wood. If I can capture and distill that Vibe, and use drops of it in my own work, then perhaps I won’t need Harry Potter anymore.

I'm gonna write the story that I wish Harry Potter was, and when I'm a famous author, I won't become a bigot. I'll see you on the other side.

[spotaus]

Everyone say hello to DreamEater AU's very own Dream! (And Fresh!) Otherwise known as Tulpa!

This AU is technically a Dream × Fresh ship story, but honestly it could be taken as Platonic because I view them both as aroace kings 👌. (This is alao Extremely self-indulgent lmao-) I'm gonna put more under the cut + close-ups but what is important is:

Dream is badly injured by Dust and ends up in a random AU after a messy retreat from battle. Fresh stumbles across him in need of a new host and attempts to take over Dream. Dream isn't a normal monster though, and he fights the hostile take-over. His soul doesn't decay like a normal monster's when Fresh feeds, so they end up coming to an agreement to share the body while Dream heals.

SO!!!

The DreamEater au comes from an idea I had years ago. Dream is injured, and it leaves him badly paralyzed while he recovers. In the old concept Fresh just nursed him back to health. In the DreamEater AU, Fresh is actively using Dream's unique vessel to his own advantage. It's like finding a body that fits him like a glove, and so he's content to just keep it. Until, of course, Dream becomes conscious again.

Fresh successfully takes Dream's body for a week or so before Dream is lucid again as a soul, and he tries to reason with Fresh to give him back control. He explains what happened and why he needs to get back. Fresh explains that he's going to keep being a parasite and no way he's giving up the perfect body. It's a long back and forth before Fresh relents and let's Dream take control again, only for him to collapse. Dream can't feel anything from his neck down due to where he'd been injured.

Fresh takes over again, and Dream just kinda lingers along with Fresh, staying in the passenger's seat of the body. He is stressed and worried but knows now that it'll take ages for him to heal anyways. By letting Fresh roam he can see the state of the multiverse at least.

And as things go on, the balance keeps tipping. Farther and farther in Night's direction. It's palpable. Then one night Fresh talks with Dream. It's small-talk, but it turns out he thinks Dream's soul will keep going forever if he can be around happy people. Dream explains that without him to do guardian work there are less abd less of those positive people to feed him so Fresh can keep going.

So, Fresh agrees to help Dream return to his duty, but only minimally since he's extremely injured.

Dream returns most of his wardrobe, and Fresh controls his body while Dream directs him and takes over control of his skull. Any weird actions are chalked up to recovering from his injury. Blue and Ink are thrilled to see him again. All is well for a bit, and though Fresh holds Dream back sometimes, he ends up actually being really good for Dream's mental health by not letting him overwork or stress about things he doesn't need to. Dream teaches Fresh how to use a bow, how to fight with a staff, etc. They become... friends? At least while they help eachother. Having Fresh tag along doesn't hurt Dream at all, and Fresh loves his free buffet of Dream.

Blue is the first one to notice Fresh, but he's not actively hurting Dream so he says nothing.

It's hinted when m, during a fight with NM's gang, someone curses and It's censored. Everyone is on edge because many of them don't like Fresh, and the bttle dispurses quickly afterwards.

It's revealed on a day that Dream is ambushed on an errand and Fresh takes forceful control so he can Fresh-Poof out of the way. Dream's Soul is shown in the other eyelight that's normally dark, and Fresh takes full control just to skate around the gang, teasing and evading them. Dream wasn't happy, but he was grateful after the fact. Everyone knew after that, and Dream started to agree that without it being a secret, Fresh could change up the wardrobe.

Eventually Dream heals almost fully. At that point, Fresh tries not to get involved with NM's conflicts. He also swaps in and out of control with Dream seamlessly throughout an average day. They become actual friends, talking over eachother and playfully swapping control. And eventually that becomes an agreed partnership. Ink doesn't approve of having Fresh around all the time, but he's Dream's closest companion besides Blue, so he stays.

Point is, they care a lot about eachother, even when they started out so tense. They keep eachother safe for selfish reasons, and for their bond.

[legobiwan]

More thoughts because I apparently need to draft an entire backstory before I can write a "drabble" (which will definitely not be a drabble), aka, more lore ideas for a show that's already been picked over with a fine-tooth comb a million times, but here we are, years late, Starbucks in hand, as the old meme goes.

At the end of the whole Weirdmaggedon fiasco, Ford makes his hilariously inept proposition for him and Stan to go sailing the Arctic (Ford's heart was in the right place, but this is not how you want to introduce the possibility of fulfilling your childhood dream to your estranged and traumatized brother of 30+ years).

Anyway, Ford's lack of social skills aside, we know the general location of where they're heading from Ford's fancy-pants watch.

Now, they have a few options to get to the Spooky in the Arctic.

Take the Panama Canal

Take the Northwest Passage

Start their trip from the East Coast

Option 1: The Panama Canal, aka, a legitimate, if unlikely idea

While private vessels can cross the canal, it looks like the cost of doing so runs about $2500, maybe not an issue for the Pines twins by the end of the show, but in addition to this, crossing the Canal requires 4 linemen, who Stan and Ford would have to hire. My instinct says they wouldn't be so interested in this, at first. Maybe Ford's fixation on the Arctic was just an excuse, but given his canonical enthusiasm, I doubt he would want to deviate too far from that course. Likely the Stan twins come back later do the Canal, on their way back to Oregon. Maybe.

Option 2: The Northwest Passage, aka Death

A route through the Arctic has been the dream of many an explorer for centuries. In recent times, mostly due to global warming, the Northwest Passage has become a sliver of a option to get from West to East. Territorial and political disputes aside, it's still a wildly unsafe option, and one I imagine Ford would love to give a go at, considering all the lore surrounding the Franklin Expedition. Stan, however, would vote this down immediately. He'd like for him and his brother to live to see sixty. And not resort to cannibalism. At least not immediately.

Option 3: Setting Off From Jersey, aka, You Can Go Home Again (But Not For Too Long)

Our final option is for the Pines twins to set off on their adventure from the good old East Coast. Aside from the narrative symmetry, it's also the most practical option. This leaves us with some tantalizing loose ends. Do Stan and Ford build their boat in Oregon and then haul it cross-country? (And what a trip that would be). Or would they have it shipped and meet it later? (Realistic, but boring). Or maybe they go back East and build/order/buy the boat there. And by there, I do feel like there's no other place they could go through with this idea than Jersey. Now, they can't go from the major ports (the Port Authority Ports of New York and New Jersey, which are mainly located in Manhattan, Brooklyn, Newark, and...Bayonne). But! There are a bevy of slips and marinas up and down the Jersey coastline, perfect places to build/buy/refurbish a vessel (and a relationship). A place to leave a lifetime of ill-will behind and start anew.

This makes me think about Stan and Ford, back in Jersey after all that time, probably not too far from where they grew up. It would be a wonderful setting to explore some kind of character piece (especially if they go on some of bonkers road trip to get there) and narratively, it just fits too well.

There's no real thesis to this analysis, aside from the idea that Stan and Ford likely began their journey in the exact place they ended it so long ago. As I said, narrative symmetry and all that jazz.

[galvanizedfriend]

hii Yokan! i miss you!😭

how are you? how is work?? I hope everything is going well<3

rn there's a little Comic Con in my city, and it really did help my mood!! (even tho I throwed up 6 times and fainted during the morning of the first day due to the heat and lack of iron🥲) 2 days down, 2 more to go 🙏

ANYWAYS! I know you've been going through a writer's block lately, and I read a post that said something about asking/commenting about the fictions to help the "stucked" autor, SO!

I've been re-reading TW III (shocking, I know) and those little hints about married!kc are just 😭😭 my heart melts, really, although... I was never really sure you'd get them married, mostly due to Care's speech to Cami about how Klaus supposedly sees weddings, and because I remember you saying that you weren't planning on giving them an actual marriage, but rather the closest thing next to it. I checked to comments to see other thoughts, and I saw one of you reply saying that you were completely against married!kc at the start, but then you were slowing changing your mind about it...

so, what was it that made you say "fuck it, I'm gonna ring the bells"?? is it because many people asked you to do it, so you are throwing us a bone, or is it something else?? I'm really interest on hearing the process of your change of heart <3

have a good one, friend <3 love you xoxo

I don't know if I am eloquent enough or if my train of thought makes much sense, but I will try 😂

Also grab a chair because this will be a long one. Be careful what you ask me, I do not know how to shut the fuck up 🙃

Objectively, I still think Klaus is not the marrying kind (in canon context, at least). That man has been alive for a thousand years. He's the vampire of vampires, one who sees humans as a lower species. He's used to getting what he wants by conquering and subjugating because he can. Why would he ever submit himself to an inherently human institution that, throughout history, has served as a tool for various types of social, political and religious control? The ceremony itself doesn't mean anything to him. He probably thinks it's ridiculous and performative, not to mention extremely frail. You can just change your mind and get a divorce, or the good old spouse murder, and then what? What's even the point?

(Just to be clear: I'm not personally preaching against weddings and marriages here btw, it's just how I think Klaus might have seen it.)

If you look at it from the sentimental side, Klaus spent almost a thousand years saying that love is a sign of weakness, a character flaw. He carried his siblings, the only people he genuinely cared about, inside coffins because he didn't trust them enough not to leave him, betray him or end up captured and killed by one of his enemies. Now, why would he want to marry someone, thus exposing yet another vulnerability to be exploited?

Having said that 😂

When we first see Klaus in TVD he's trying to surround himself with a whole new OP supernatural species that will have no choice but to stand with him. They will protect him, they will go to war for him, do whatever he asks them to and they will never leave (or that's what he thought, anyway) because they don't have a choice. That is the only way Klaus knows how to trust people: by completely removing their capacity to challenge him. That's how paranoid he is.

But as the story progresses, and especially with The Wolf in particular because it takes their relationship much further than the show, Klaus realizes there is more than one way to earn people's trust. I feel like that's one of the pillars of his relationship with Caroline. He could've just compelled her (in TVD, not TW because she's a witch), but he never did because he wanted more from her than obedience. All of the things he liked about her - her personality, her honesty, her fire, her loyalty - would've been essentially erased or made meaningless if he'd compelled her. Which puts her in direct opposition to how he related to his hybrids, right? He pretends to be fine with people who have no choice but to follow him, but what he really craves is more real than that. He surrounds himself with people who will worship the ground he walks on after some forged "gratitude" for releasing them of their curse, but he is fascinated by how gutsy Caroline is to look him in the eye and tell him the things that no one else will dare to. What he really seeks but doesn't have the courage to admit is that he wants someone who will choose to be with him. And that's the difficult part, because it can't be conquered or taken, it has to be earned.

Klaus comes from a place of paranoia and extreme distrust of everything and everyone around him, especially after Mikael in New Orleans, and he feels very isolated and alone. He tells Stefan about that, right? The loneliness of immortality. When The Wolf starts, in spite of how he and Caroline were having a bit of a thing before it, he's not sure she would want to stay with him. Actually, he thinks the first chance she gets, she's gonna bail. It's why he's mad when he thinks she wants to terminate the pregnancy. It's not about the baby (it's never about the baby), he couldn't care less about the damn baby at that point, it's the fact that he thinks she's trying to get rid of him, as if that pregnancy is the one thing that is holding them together at that point and so if she's no longer pregnant, she doesn't have to be with him. What I'm very inarticulately trying to say is that his initial approach to Caroline being pregnant is the same he had with his hybrids, as if the baby is a version of a sire bond. It's crazy and dysfunctional, yes, but it's how Klaus rationalizes it, how he thinks he gets to keep people around him - either through daggering them or giving them no choice.

Slowly, Klaus internalizes the fact that Caroline is choosing him. She tells him that a few times throughout the story, and even when he's hallucinating her at the beginning of TW4, because that's something that she has said before and that has stuck with him for reason. She could've left him at any point, but she didn't because she wants to be with him. It's a choice that she has made not because he forced her to, but because she's in love with him. She protects him, she fights for him, she walks through hellfire for him because she wants to, not because she must. He has earned her trust and her love and her loyalty. And that is something that is new for Klaus in his one thousand years of life, at least at this magnitude and with this much clarity and certitude.

So I think when I started writing TW3, which was them in their domestic era, it started to feel like something Klaus might actually do. Not just because it obviously does mean something to Caroline and he would basically do anything for her (even though she never asks for it, which in itself is something, because Caroline comes from relationships that made her feel so insecure and unsafe that she would've held on to a ring like a lifeline, but with Klaus she simply does not need hard evidence to feel safe and reassured, she knows how Klaus feels about her, she's very comfortable in their relationship, she knows that what offers her means a lot more than a thousand weddings to other people ever would - even though she does still love a good wedding lol), but because it suddenly makes sense to him. Not the big party, or the tradition of it, or making it official or anything of the sort, but as a way to externalize what he feels. There is a symbolism to it that while not ideal, it might be the closest to thing to expressing just how devoted he is to her and how she is, pure and simple, eternity for him. When that comes from someone who has lived for as long he has, and who has been as cynical as he was for as long as he was, it does mean something, even if nothing else does.

There is a territorial factor to it as well, of course. 😌 He's a very possessive man and so he wants everyone to know Caroline is his, and it's why it first came to him during the thing with Jackson, but it's more than just that. If it was just about that, he wouldn't do it. He is at a point where he no longer has any doubts about how Caroline feels for him (although there will be a little something something on that front at the beginning of TW4, just because they've been apart for so long, but it will be quickly dispelled).

The most sacred thing for Klaus was the vow he took with his siblings when they fled Viking Falls. They stuck together through everything because of that. He knows the value of a vow and a promise. And he wants a version of that with Caroline. It's the first time in his life when he contemplates genuinely offering that to someone other than his family. There are a million ways he could go about it, probably, but he knows asking her to marry him is the one that will be most representative to her, because of the age where she was born and how she grew up, etc.

And so that is why I decided that Klaus was going to buy a ring even though I crossed my heart and hoped to die a million times for years when people asked me about that. 😂 I just think it's the natural course this story has taken. It's long enough that it eventually made sense to me that he might do it.

Does any of that make sense???? I don't know! I just typed my stream of thought and hoped for the best and now I'm afraid to read it again, so apologies if it's just crazy words.

Now if only I can get back to writing and actually get to that part. 🥲 Pray for me 🙏

THANKS FOR COMING TO MY TED TALK! 🙃 Here have a pretty married Klaroline gif.

[viloxity]

I thought of something more fanciful, like for example, a reader girl almost a baby who entered a dungeon forgotten by everyone and there she found Jinwoo, in my delusions he can transform into a kind of chimera dragon (You know with a human body even the torso and the dragon torso hahaha) At first Jinwoo doesn't pay attention to this girl, but she keeps coming to see him, so Jinwoo tells her that if anything she doesn't have anything better to do in this abandoned world.

She tells him "I don't have parents, nor a family, much less does anyone care about my existence... Are you like that too, sir?" And although she only sees her human half hidden in the shadows, she does not see her dragon half (Let's be clear that obviously Jinwoo can transform at will but for me he is a bit lazy for that hahaha. Returning to the topic, she frequents him a lot and he He lets her be, bored more than anything since he doesn't bother leaving his territory, he usually listens to this girl's ramblings and over time he takes a liking to her (although he doesn't say it openly) Then on another day he tells her that Why don't you just stop coming to see him? If you know it's dangerous, but she doesn't care and responds with another question: "Why don't you ever let me see you? I only see your eyes, which are beautiful and changing."

Jinwoo would sigh and would take a while to respond with "Humans don't understand my existence, much less would you, but you're strange... maybe one day I'll let you see me in full."

And everything would stay there but with the passage of time she stops being a girl and at some point she is a teenager, at this point she is the only one who knows this eternal and forgotten dungeon (not so much because she is the only one who remembers and always goes to see him) In the end Jinwoo is seen for the first time when she tells him that she may not come to see him anymore because the way here is dangerous for a civilian, although he is bothered by that and blames the few police in the place.

Laughing without grace, Jinwoo finally agrees to show himself after years in darkness, she would be surprised but she would only tell him how great she looks and that would be enough to make him sigh at how strange she is but not make him love her less. Neither of them knew that Jin-Woo would become obsessed with her when she gradually stopped visiting him because she was busy in her adult life trying to survive in the remains of humanity, which would upset him and make him go out for the first time (I forgot to say it). but it's a strange AU hahaha, it occurred to me, Jinwoo is also a shadow monarch, obviously his physical form is different)

I hope you liked my delusions, anyway, thanks for reading! Another fellow novice fanfic writer greets you (Cough! I've been writing for 7 years, I'm sorry! Hahaha)

MY FIRST ASK WOOHOO!!! and an amazing one at that, I really love your mind! I wanted to wait until I got the second part out but I don’t wanna ignore this since it’s passionate and lovely so here I goooo

exploring AUs involving Jinwoo is great bc there’s soooo much to do with him—especially bc of his power as a shadow monarch. It’s one of the reasons why I decided to do a ‘bad ending’ story in relation to the main story; like what if jinwoo did not want to side with humanity? it’s like the same idea here except he’s a more neutral figure and is unbothered by the world around him, therefore he plays no hand in it…. Except you come barreling into his life. It’ll start a domino effect the moment you speak to him, which he might realize later but it’s too late then. Perhaps he might do subtle things that display his dragon like nature—hoarding—and humanity. If he has a hoard of sorts, he would give you gifts from his prized possession. Normally, he would be angered at the idea of some pathetic lowly human touching his treasure but he feels warm at the idea of providing you with something he cherishes. You would initially protest—probably because it looked expensive—but his growls that nearly ripped the cave apart would zip your lips immediately. Your departure that day would be filled with immense amounts of ‘thank yous’ and he would just give you a begrudging ‘yeah, whatever; get out of my sight.’

After some visits, and when you say the final visit will be your last, there is a new feeling that bristles within him. The way that his claws get sharper, his teeth begin to bare, and his expression contorts confused him—never before in his mundane life did he act in such a way. It was different, deviant, and new—a sensation that excited him more than anything. He would recognize, then, in his own little world how he gave you a comfortable little place in it—a place that is always, always by his side. If he was quick enough, hearing your footsteps echo as you trekked down the mountain, he would give chase whether that be through his dragon form or his shadows. If you had already left as he sorted his thoughts, he would fly to your village himself and find you. You were a priority now; someone who deserved everything and he knew he would be the one to give you the world. No matter the cost, he would have you, and he would keep you.

I hope this did your story justice? Thank you for sharing !!

[1perplexed1]

More ranting but its the protags now

Danganronpa, despite its out of pocket comments and shitty development sometimes, is actually still great with presenting how characters deal with trauma. This is mostly gonna be about the 3 main protags but yk (p.s. I haven’t watched the gameplays in over a year or two, so correct me if I’m wrong😓)

Makoto, being a cheery guy, still came to forgive everyone for their misdeeds. He didn’t yell at Kyoko for getting mad at him, he kept Sakura’s secret, he still got along with everyone, and he didn’t hold a grudge despite being sent off to the execution. He never held a grudge (apart from Junko but that’s cause she’s a bitch!!). He obviously went through a lot, watching people he actually knew for 3 years die right in front of him while he thought he didn’t know anyone, as well as nearly dying from the execution. But even so, he still kept his optimistic self and continued encouraging everyone despite knowing what the cycle would be, never giving up. In the Dr3 anime, in the scene where he’s driven insane, you can actually see that a lot of his trauma is internalized. Meaning he still holds regret in his heart, but chose the healthy way out and continued to work on it, despite having to go through 2 different killing games. His trauma had a heavy impact on him, which was the reason why he could be driven to despair, but even so, he’s a strong character, which allowed him to keep his mindset and still fight for the best

Now onto Hajime. Hajime is a whole different story. We don’t know much about his backstory or family, apart from a few glimpses into his Reserve Course life. We can easily tell that he truly dreams of becoming talented because Ultimates were a big deal in the world, but the Reserve Course was deemed as being desperate for that (they were lmao). So dealing with obvious self-esteem issues and somewhat implied self-loathing, he sold his damn body to scientists to experiment on.

What you believe is entirely on you. You can believe that Hajime and Izuru are two seperate identities, sharing the same body and brain, as a split personality, or you can believe that Hajime and Izuru are one in the same, with his brain just getting a few modifications. And there is no humane way for him to be able to accommodate all of those talents without obvious body modification, so imagine that, some parts of him aren’t even his at that point. Anyways, Hajime deals with trauma a bit differently. He gets agitated and deals with it like any average person: panicked and desperate. Constantly seeing his friends die, it gave an impact on his brain where he had slowly, but unknowingly grown used to it, with still being obviously impacted, but each time less and less, though it’s really faint. By chapter 6, Hajime let those bottled up feelings out, since he never lets his guard down and is always tense, and is obviously upset and angry because he had no reason to be there, again his self-loathing. In the anime, we can see him getting better, accepting his past (via the symbolism of Chiaki fading out, though he still keeps her dear in his heart), and moving on by going back t his friends. So he most likely also ends up dealing with it healthily!

Shuichi? Oh fuck he’s a mess…

Shuichi obviously also struggles with a self-esteem problem, but it’s not severe. He generally doesn’t believe he’s worth his Ultimate, because he only solved one case the police couldn’t, and is quite shy or introverted on his own. Throughout the gameplay, he obviously builds up confidence, which could also play as tiredness and anger, because of continuously doing these class trials and losing people he tried to make a genuine connection with. Even so, he tries to stay strong, but again, he never truly built true confidence, which is why he’s so easily knocked down in chapter 5, where his feelings are exposed, revealing that he did in fact become/was already depressed. He gave up with everything, because knowing there was no point in killing, everyone’s deaths were a waste, and everything that happened was pointless, gives a pretty big impact. He even comes to a point of giving up on his own life. But with a bit of support from Maki and his friends, he gets back up on his feet again and continues on, making everyone’s deaths important because they never lost their value. Though in chapter 6, you can see his confidence waver again, but he still stands his ground, proving that he actually grew to accept everything, and built actual confidence, which I think is a nice touch to his character.

So truth be told, Danganronpa, despite still being shitty, is still good at character development when they actually put work into them. But of course, sometimes you just can’t get that

[sstardustt3]

Johnny cade headcannonsss

Authors notes- um so my writers block is gone (yipeee) and I decided that from now on this is just going to be a general writing account instead of something focused exclusively on one fandom (I'm still gonna do creepypasta stuff dw) but I didn't realize how much writing for one singular thing burns the fuck out of you so I'm doing this because it's much more easier and I'm gonna upload more because I'm on summer break. Anyways I'm on an outsiders kick rn so this is the result of it

tags/ warnings- mentions of abuse, johnny being a gossip whore, angst, fluff, johnny thinking negatively about himself, brief mention of romance, someone please give him a hug-

-Johnny is really fucking strong despite looking kinda scrawny but he believes no one when they tell him this (he thinks they're just trying to make him more confidant)

-If he did have a s/o then nine times out of then they've asked him to carry them everywhere

-he hates physical contact he can't stand it especially if he's not ready for it like if you hug him from behind. mostly because everytime someone touches him it's to hurt him but also another is because he just hates being surprised

-his body is so unbelievably cold all the time that even if there was a heat wave in the area at like 120*f he would still feel like he's on the brink of dying from hypothermia

-something he picked up from Dally is being rude to people for like no reason he doesn't even do it intentionally he just kinda says the most outlandish rude shit about people and does not even realize it

-adding onto things he's picked up from hanging with dally is how to talk to girls, contrary to popular belief he's actually not (completely) clueless with girls and he can sweet talk if he really wants to (he starts off stumbling like an idiot though)

-he's failling a good percentage of his classes for half the year because he figured that he wasn't gonna go far in life even if his he didn't end up dead by 18 and his parents don't care about him enough to check his report cards

-at the end of the year the week before you can't do any more retakes and turn in late work he'll just do everything in one go because he doesn't really wanna be held back (he ends up passing with b's and c's)

-he's actually really good at making shit he has a drawer full of small little trinkets he's made in his spare time

-he learned how to make things to pass the time because before the gang he really didn't have friends and he didn't have a good excuse to go out anyway so he just locked himself in his room and began making things out of paper and rearranging action figures he stole from the junkyard or from second-hand stores

-more than half of his creations look like the shit Sid from toy story made

-he's so oblivous when people like him it's ridiculous and when he does realize they like him he just kinda is like "oh...oh...OH?!!!"

-even when he does like them back his first instance is to distance himself from them he thinks it's something that'll like pass

-he's dyslexic which is why he always makes Ponyboy do his English homework and read his homework to him in general

-adding onto the headcanon about him being cold all the time, for that very reason you'll never catch him out of him dead out of his jacket (well I guess that's not true bc he died without it but wtv)

-another reason is that he has a lot of scarring and bruises from his parents that he hates seeing

-dally was the first person to meet Johnny and he was kinda like "damn look at that little possum...it's coming home with me" and when he asked Johnny his name he had mumbled it so when he said it it sounded like Johnny cakes so for like half a year dally called him that before randomly correcting him

"yeah, so johnny cakes here-"

"Johnny Cade."

"huh? What you say, little man?"

"My name's Johnny Cade, not Johnny Cakes."

"..."

"..."

"are you serious-"

-Johnny's a gossip whore whether he admits it or not. the perks of being quiet and going unnoticed is that people will say there business loud and proud in front of you because they have forgotten you were even there.

-he will without a doubt tell Ponyboy after.

-and since Ponyboy has little to no understanding of the meaning of keeping things to himself he will in fact tell the rest of the gang

*requests for hcs/ or fics are always welcome*