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#because that's how tragedys WORK. something happens to someone and some of the time it's the result of their own hubris!
greenerteacups · 1 year
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hello!!! i wanted to ask if Lionheart will mirror canon so there will be 7 books, or if you’ll extend the story to eighth year and their early careers!!! also, would you be ok with sharing if Lionheart will be a HEA or nah? 😭 i love you, i love your work 💖
Ah, thank you, you're so sweet! As of right now, my plan is to cover seven books, ending with the conclusion of the Second Wizarding War (whatever that looks like). The summary sort of tells you up front: Draco Malfoy meets a girl on a train, and then he ends a war. That's it, that's the story.
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osarina · 5 months
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ᡣ𐭩 I, CARRION
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FEATURING: beast dazai osamu
SUMMARY: the day of the event has arrived and dazai is second guessing everything, but it's too late for him to back out now.{wordcount: 12k; fem!reader; romance & tragedy}
AUTHOR'S NOTES: PART FOUR wow guys we're really getting into the meat of the fic now. HAHAH this is the chapter i had to split into two parts, initially it was going to be one big one but then it would've been a whopping 23k words and that's a bit much even for me. i didn't want to cross the 20k realm HAHAHH. anyway, this chapter really was a pleasure to write, the second scene was my favorite but the ending was SOOOO close to usurping it
GENERAL WARNINGS: again, i'll just leave this warning on every chapter - dazai struggles a lot with disassociation/derealization & losing himself in the pages of the book. as always please let me know if i forgot any warnings
SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A
“Gin-chan, I’m so nervous.” 
You pace around Dazai’s penthouse anxiously, twisting your fingers in front of your body. The event is taking place tomorrow night. You still don’t have an outfit for it—Dazai told you not to worry about it, you’re still worrying about it because what does that even mean? You don’t know what to expect from the event, and Gin is evasive when you ask her about what will happen, just keeps telling you that it’ll be fine as long as you stay with Dazai.
“There’s no reason to be nervous,” Gin says, as she always does, still tapping away at her laptop. Glasses hang off the bridge of her nose and there are dark circles beneath her eyes. You feel a bit ashamed about constantly going on about your nerves when you know damn well she, Dazai and all of the other executives of his company have been working nonstop the past few days trying to finish preparations. “Dazai-san will be with you the whole time, and if he has to talk business, someone will sit with you until he can get back so you’re not feeling awkward.”
Somehow, you think that might be even more awkward because you doubt a random person is going to want to babysit you while Dazai is busy, but you don’t voice your thoughts, instead just withering as you circle the large room for the sixth time in the past five minutes. 
You’ve hardly seen Dazai all week. You don’t really mind, you know he’s swamped with work and you’ve been keeping yourself busy going out cafe hopping and shopping. Gin comes with you when she can, but it’s usually Nakajima Atsushi or Tachihara Michizo that joins you—Gin had introduced you to the two security guards a week ago when she’d been too busy to come with you to a cafe downtown. You don’t mind the company but you can’t help but wonder why Dazai is so insistent that someone comes with you.
Well. You can’t help but wonder about a lot of things, really. You’re pretty certain that Dazai is still hiding something major from you. You don’t know a lot about business, and you especially don’t know anything about his business, but something isn’t right. You’re not stupid and everyone is not as slick as they think themselves to be, you see how tense and anxious people get when you mention him to them, more so than the average worker would be at the mere mention of their boss, and everyone in the entire damn building is armed, even though they clearly try to hide it whenever you’re in the area. 
You and your friends have joked about the uber wealthy before, and how no one above a certain tax bracket obtains their wealth without some sort of blood money; you’re about 99% sure that’s what’s taking place here too, and it would certainly explain all of the secrecy. More so than trade secrets at least, you feel a bit dumb for that to have even been an explanation in your mind. You just don’t know the specifics. You don’t know if you want to know the specifics, you think you’d prefer to remain ignorant because 1) you definitely don’t want to have any sort of culpability, not when you’re on path to graduate school and hopefully a very prestigious job with the government, and 2) … you don��t want to face the reality of what that would mean. 
You like Dazai. More than like him. You’ve been slowly coming to terms with the fact that you really, truly care for him, and if you end up learning the… specifics of his job, then you’re going to be forced into making a decision you don’t want to make: preserving your future and morals or risking them for him. And you’re not going to sit around and claim to be some upstanding, virtuous person. You’re not. But you are ambitious, and you’ve had your mind set on your future since you learned how to pick up a pen and write. You’ve worked your entire life to get where you are now, slaved your way through a prestigious undergraduate school in Japan and spent months preparing for the entrance exams for graduate school, only to what? Throw it all away for some man?
God, you almost feel sick. Distantly, you wonder how awful of a person you must be for the threat to your future success to be the main reason why you’re questioning yourself, and not the fact that it’s very likely that Dazai and his conglomerate have some sort of business with Japan’s underground, maybe even direct dealings with the mafia itself. 
You pause from where you’re pacing around the room, eyes widening a bit as another realization hits you. You had thought it was odd that Dazai and Gin and all of the executives of the conglomerate have been so stressed and anxious over an event that they’re not even hosting, but what if… Your throat spasms a bit as you swallow, wondering if Dazai is about to bring you not to an event hosted by their rival, but to an event hosted by the mafia. You don’t think he would put you in danger like that, you don’t want to think he would put you in danger like that and you wonder if you’re just sending yourself down a spiral of unnecessary paranoia. 
But it doesn’t make sense. Dazai is enamored by you, and you don’t think you’re being conceited by saying that because he has made it abundantly clear. There’s no way he would ever put you in danger like that. Not unless… you feel a bit green remembering his reaction to you saying that you’d go out on your own and stay with your friend the weekend of the event. You could feel the anxiety radiating off of him for a split second before he asked you to come with him. You also remember how he always makes sure someone is with you when you go out, and god, you swear you’re not a conspiracy theorist but nothing is making sense when you look at it through your rose-tinted lenses but looking at it through these lenses. The lenses of a man who is obviously smitten with you, and who might have dealings with the mafia—of course he wouldn’t want you to go out on your own because he’d be scared that you might be targeted as a means to get to him.
Oh, you feel dizzy. What have you gotten yourself into?
“Are you okay?” Gin is looking up at you, brows furrowed in concern. “You look a little sick.”
“I’m fine,” you say, but the words sound pathetic even to your own ears and you know Gin doesn’t believe you from the way she tilts her head to the side to study you.
Luckily, you’re saved by the bell. Literally. 
Your head snaps to the side as the elevator dings, and ordinarily, you would be ecstatic because who else would be coming up to the penthouse besides Dazai and while you’ve certainly missed him over the past week with how busy he’s been, you’re not sure if you’re ready to see him right now with the way your thoughts have just spiraled, because you think you might blurt something out that you can’t take back.
But, for better or for worse, it is not Dazai that enters the penthouse.
“Good morning, ladies,” a familiar voice croons as the elevator doors slide open. Your eyes light up as you whip around, eyes falling upon a face you haven’t seen in almost two weeks. “I come bearing gifts.”
“Albatross!” you say, excited, a smile splitting your face, because yes, even knowing about the possible affiliation with the mafia, you’re still excited to see the blonde—he’s never been anything but sweet to you, and he’s really the only one besides Gin and Chuuya who doesn’t treat you weirdly because of your relationship with Dazai. 
“D’aw, look at it, Lippmann, told you the doll would still remember me,” Albatross grins, dark glasses hanging on the bridge of his nose as he tosses you a wink and then looks back toward the elevator.
Your gaze follows his, and your eyes fall upon a vaguely familiar person stepping out of the elevator and into the penthouse, carrying a few boxes. Pale hair cut into a bob, a pretty, androgynous face, dressed to the nines in a light purple waistcoat and matching pants—where have you seen him before? Wait-
“You’re-!” you begin, eyes wide and lips parting in shock.
“Walter Lippmann,” the man greets you with a kind smile and soft eyes, you feel a bit flustered, you can hardly meet his gaze. “Everybody just calls me Lippmann though.”
You try to speak, but you’re a bit starstruck—the last thing you’d expected was for a movie star to step into the penthouse. You’re looking between Albatross and Gin and then hesitantly back at Lippmann as you try to figure out what’s going on. 
Albatross cackles. “Looks like she’s gotta crush, Lippmann. Better not let the boss find out, he’ll get jealous.”
“Albatross,” you complain, hands flying to cover your hot face. “Not true, I’m just surprised. Am I allowed to be surprised?”
“Yeah, sure, doll, that’s it,” Albatross says, clearly not believing you at all as he throws himself onto the couch next to Gin, looking up at you. “The boss asked us to pick up a dress for you. Go try it on, I’m going to raid his liquor cabinet while you do—if he asks, you better take the blame.”
You see Gin roll her eyes. “You will not raid his liquor cabinet, Albatross,” she says firmly, but the man only winks at her.
You turn your attention back to Lippmann, who’s carrying the dress in a garment bag, a shoe box tucked under his other arm. He gives you a small smile and then motions for you to follow him; you’re still starstruck as you follow him into Dazai’s bedroom, pointedly ignoring the way Albatross snickers. 
You watch as Lippmann hangs the garment bag up on the closet, placing the shoebox down on the bed. He turns toward you after and says, “Try it on and make sure it fits properly. And make sure you like it.”
You nod, lips parting to speak but no words leave your lips. You look up at the garment bag, down to the shoes, and back to Lippmann and then you ask, “How do you… how do you know Dazai?” 
Lippmann gives you another gentle smile, tucking a strand of hair behind his ear. You notice, a bit curiously, that he seems to take a moment before he speaks, as if choosing his words carefully. 
“I knew Dazai’s father,” he says after a few seconds. “I work with the Mori Corporation sometimes regarding press and political matters. Like a spokesperson when Dazai is unable to.”
Hm, you think to yourself before nodding, a movie star as a spokesperson for a corporation, that’s a bit odd, isn’t it?
Your brows furrow slightly as you try to fit the new knowledge in with all of the rest you’ve put together over the past few weeks but it’s just another jagged puzzle piece that’s not fitting in anywhere.
“I’m a huge fan of your movies,” you finally tell him, rubbing the back of your neck as you toss him a sheepish smile. “Like, no joke, almost cried when you had your discussion panel for The Good Society three months ago because it was two days before my entrance exam to grad school so I couldn’t go.”
Lippman laughs, pale cheeks flushing as he looks down at the ground before back up at you. “Honestly, you didn’t miss out. The whole panel was a mess, and the AC broke twenty minutes before, so it was ridiculously hot.”
You don’t really know what to say to that, cursing the fact that you are 1) still half dazed on top of 2) already being naturally awkward, but Walter Lippmann is Walter Lippmann, so of course he knows just what to say and do.
He nods to the dress that he hung up on the closet. “Try it on and then give us a show,” he says, winking at you before he makes his way out of Dazai’s bedroom back into the other room with Albatross and Gin.
You sigh when you’re alone again, tilting your head up to look at the ceiling for a moment, wondering what your life has become before you make your way over to the dress. You unzip the garment bag, curious to see what Dazai had picked for you, and your eyes shoot open when you see the red gown within the bag. Smooth and silky, off-the-shoulder, it’s probably the most expensive thing you’ve ever laid your eyes upon; you feel like you shouldn’t even touch it, much less put it on. 
But Lippmann and Albatross and Gin are out there waiting, you can hear them talking through the door, so you force yourself to gingerly pull it off of the hanger, careful to not be too rough with the material. It doesn’t take you too long to get your clothes off and the dress on, but when you do, you can hardly bring yourself to move away from the mirror. 
You look beautiful. You do. The dress is a perfect fit, it compliments your skin, it compliments your hair. You look beautiful, but you feel like a fraud, like a clown in a ball gown, hoping that the beauty of the dress would draw attention from the fact that it’s not meant for someone like you. 
You don’t know how long you stand there, staring at your reflection. Too long, evidently, because you hear a sharp knock at the door and Lippman’s concerned voice asking if you’ve gotten the dress on.
“Yeah,” you say quietly. “I’m dressed.”
You hear the door to Dazai’s bedroom creak open but you don’t turn to look.
“I think this costs more than my student loans,” you breathe out, staring at yourself in the mirror. You smooth your hands over the silky material, eyes catching the way it clings to you perfectly. “God, where the hell did he get something like this? It’s like it was made for me.”
“Probably was,” Lippmann says from where he’s leaning against the doorframe, lips quirked up into a half smile as he tosses you another wink. “Perks of dating one of the richest men in Japan.”
You let out a noise caught between a whimper and a laugh, suddenly feeling very, very out of place.
Lippmann clearly catches your sudden change in attitude and his brows furrow. “Do you not like it?” he asks curiously. “There’s plenty of time for him to send for something else.”
“No, no,” you hurry to say, voice catching. Although you’re unsure how twenty-hour hours constitutes ‘plenty of time’, but you digress. “It’s perfect. It is.”
“What’s the issue then?”
“I just…” you trail off, eyes lingering in the mirror. “I feel silly, I guess. How obvious is it that I’ve never worn anything like this before?” 
“Silly?” Lippmann asks, amused, peeling off the doorframe to make his way over to you. You swallow thickly as he straightens your posture and then uses two fingers to make you raise your chin. “You look stunning. Like a woman who belongs on the arm of the most influential man in Japan… Like a woman who doesn’t need to be on the arm of any man.”
Your face feels a bit hot as you let out a puff of laughter. “Now you’re exaggerating.”
“I certainly am not,” Lippmann says firmly, taking a step back. “You’re only getting in your head. From what Chuuya has told me about you, you’re more than suited to outwit and outclass anyone in attendance at that event.”
Your face feels hotter now, smiling as you roll your eyes. “Flatterer,” you say, but you feel a bit better, chest lighter as your gaze turns back to look at the mirror. “... Do you-”
A sharp whistle from the door draws your attention from Lippmann; there’s a lecherous smile on Albatross’s face as he leans against the frame and looks at you, glasses hanging off the bridge of his nose. “Damn, if you weren’t the boss’s girl…”
Gin slaps him hard on the back of his head, glaring at him before turning a small smile to you. “You look beautiful,” she says softly. “He’ll be speechless when he sees you tomorrow.”
Your throat feels tight as your lashes flutter, a smile on your lips as you look down at the ground. Even though the concerns of your realizations from before still weigh heavily in the back of your mind, you can’t help but feel a bit giddy at the thought of seeing Dazai tomorrow.
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The giddiness is long gone.
You still haven’t gotten dressed.
You’re sitting at the edge of Dazai’s bed in your bra and panties, staring at the wall with your knees pulled to your chest. Your dress is hanging on the closet on the far side of the room, heels sitting on the floor beneath it. You’ve done your makeup and you put your earrings on already—pretty, dangly diamonds that are the most expensive thing you own, the last thing your brother gifted you before he cut you off entirely. You need to be getting dressed, Dazai will be up here any second to pick you up to leave for the event, but you just can’t bring yourself to put the dress on, anxiety eating away at you.
It’s not even because of the realization you’d come to yesterday, it’s because you think you’re about to make a fool out of yourself. Even if you’re wrong about the theory that you might be heading into an event hosted by the mafia and their associates, you’re still heading into an event that’s going to be attended by people who are much wealthier than you, and you already feel out of place and you’re not even there. 
The dress is beautiful, but you think you’ll look like a clown in it, everyone will know that you’re not from the same sector of life as them with a single glance. Lippmann’s words from yesterday are in one ear out the other now that you’re closer to the actual time of the event.
You’re so lost in your thoughts that you don’t even hear the bing of the elevator arriving at the penthouse, and you don’t notice Dazai until he pushes open the cracked door to step into the bedroom. And you feel like you should be embarrassed sitting half naked on his bed, rather than being dressed and waiting for him, but you can’t muster it, eyes dragging up from the wall to land on his concerned expression. 
And he’s a sight, you think. He’s so handsome. Absently, you think he might be more handsome than the last time you saw him but you think that’s a bit ridiculous because he hasn’t changed at all. He’s wearing the same long black coat and burgundy scarf, but the sleek, dark suit he wears beneath it is different, more expensive than all of the others that he’s donned the past few months you’ve known him. 
His lips are turned downward as he approaches you, placing a blue box down on his dresser, dark eye soft with concern, and you also can’t help but notice that he still wears the bandages around the upper left side of his face, covering his eye. You want to know what’s beneath them desperately, but you can’t bring yourself to ask, hoping that he’ll show you on his own terms.
He stands in front of you, and you rest your chin on your knees as you stare forward, staring at his abdomen instead of looking up at his face. But he doesn’t let your gaze linger there, bringing his right hand to cup your cheek so he can gently lift your face upward, forcing you to meet his eyes. You can feel the rough edges of his bandages scraping against your skin, and you instinctively lean into his touch. You try to remind yourself of all of the realizations you’d come to yesterday, tell yourself to not be as at ease with him, at least have some semblance of your guard up, but you fail.
“What’s wrong?” he asks you softly, letting you lean into his touch as he brings his other hand up to tuck a strand of hair behind your ear. “Are you okay?”
And you feel selfish, you realize, as you try to figure out what to tell him. You can’t even fathom the amount of money he spent on your dress and the shoes, and here you are being a baby because you’re self conscious. You don’t even want to reply to him, so you try to turn your face away but he doesn’t let you.
“Tell me,” he says quietly. “I’ll fix it, whatever it is.”
“It’s silly,” you finally breathe out, averting your gaze to the ground as you let your eyes flutter shut, turning your face in his hand to kiss his palm before leaning back into it. “I’m being a baby, I’m sorry.”
“It’s not silly if it has you upset,” Dazai tells you, and he kneels down in front of you to catch your gaze again and briefly, you think it’s absurd that you have such a powerful man at your whims like this, kneeling before you, willing to do anything to make sure that you’re content and happy. It makes your throat swell a bit, those inferior feelings rising back to your chest with a vengeance, because what the hell did you do to deserve this? There’s nothing special about you. “Tell me what’s wrong, let me help.”
“I just don’t understand.” 
Oh my god, your voice cracks, you can feel your eyes go a bit misty, and instantly, Dazai’s concerned gaze is narrowing, as if trying to calculate what exactly is the source of your distress so he can remove it, and it only makes you want to cry more because what did you do to deserve all of this? 
If you’re right about all of the assumptions you made the other day, and Dazai is bringing you to this event even though by all means he should not because there’s likely going to be a lot of shady business occurring that could incriminate him and all of the other people at this event, then why? Why would he risk that just for a girl he met a few months ago? You can’t fathom it.
God, you know better than anyone the effects imposter syndrome can have on a person in school, but the last thing you expected was to be dealing with it in love too.
Love, the word makes your stomach churn because you do love him, you realize, as he stares up at you desperately trying to figure out what’s wrong so he can fix it. And how scary is that, considering only twenty-four hours ago you came to the realization that he’s very likely involved in the underground, in some way or another, and you had to come to terms with the fact that you’d have to choose between your future and a man. But he’s not just a man, he’s a man that you love in spite of everything you’ve put together.
A tear spills over your cheek and Dazai’s gaze becomes alarmed as he instantly wipes it away with his thumb before caressing your cheek gently. 
“What don’t you understand?” he presses quietly. “Talk to me.”
Where do you fucking start?
You want to cry even more but you force yourself not to, you can’t afford to let your makeup get anymore messed up than it already is. Instead you sniffle a bit and try to blink away the tears. 
“This,” you finally say, and your voice cracks again, you take a wet breath. Dazai’s lips part a bit, as if he wants to speak but he’s not sure what to say, brows furrowing. “There’s nothing special about me, Dazai, and I don’t understand why you’ve gone to the lengths that you have for me. Meeting me at that club every Friday as if you’re not always swamped with work, indulging me whenever I want to do things. You gave me a place to stay after only knowing me for a few weeks, gave up your own room, your own bed, so I could be comfortable while you slept at your desk. You’ve made sure people are always with me so I never get bored or lonely. You’ve given me literally everything I could possibly ask for and I’ve just been freeloading off of you for two and a half weeks now. Now, I’m going to go with you to this event and end up embarrassing you because I’m going to stick out like a sore thumb compared to everyone else there. They’ll know I don’t belong there and I just-”
You cut yourself off, and you want to avert your gaze from Dazai’s but you can’t bring yourself to. Instead, you watch as something akin to amusement flashes through his eye. He takes one of your hands into his and brings it up to his lips, eye sliding shut for a moment as he kisses your knuckles. You let out a shaky puff of air as his lips linger for a moment before he looks up at you again through his lashes.
“Let me help you get dressed,” he murmurs, and you look down at the ground now as you nod, letting him help you to your feet and lead you over to where the dress is hanging up on the closet door.
He pulls it off the hanger and guides you into it, pulling it up and adjusting it so that it covers you properly. He steps behind you, and you realize that he also has you standing in front of the floor length mirror set up on his closet door. You sniffle a bit again as you look at yourself in the mirror. 
Your makeup looks a bit smudged beneath your eye from the tears gathering at your lash line, but somehow, you still look beautiful. You think it’s only because of the dress, the way it clings to your body so nicely and brightens all of your features. You take in another shuddered gulp of air when you feel Dazai begin to zip up the back of your dress slowly, each brush of his fingers against your skin lights your nerves on fire, and once he finally has it zipped to the top, he kisses the nape of your neck, hands falling to your hips to caress them gently. Your eyes flutter shut as you lean back against him, his comforting hold settling your turbulent emotions.
“I met you at the club every Friday because you were the only relief I had from reality,” he finally says, resting his forehead on your shoulder as he holds you. “I indulged your requests because I was indulging in you myself. Every moment I spent with you, I allowed myself to be Dazai Osamu, the person, and not the… Not what I’ve had to become to keep this organization running.”
Your breath catches, lips parting at his words but no sound escapes them. He kisses the nape of your neck one last time before he moves to stand in front of you, kneeling down again as he grabs one of your heels and undos the buckle. You watch with bated breath as he lifts your left foot from the ground to kiss your ankle before sliding the heel on, deft fingers fasting the clasp. 
“I gave you a place to stay because I was selfish and I wanted you around more,” he sighs, resting his forehead against your knee now as he lingers there for a moment before moving on to repeat the process with your other foot, kissing your ankle and slipping the heel on. He continues, “Likewise, I have kept you surrounded by people because I have been desperately afraid that you’re going to get bored and want to leave because work leaves me little time to be around. Unfortunately, I’m not the generous person you’re making me out to be, I’m horribly self-serving and greedy, especially when it comes to you.”
He looks up at you now from where he’s kneeling in front of you, gaze searching your face. You want to reach out and cup his cheek, so you do, and immediately, he’s turning his face to kiss your palm just as you’d done to him before letting his eye slide shut as he leans into your touch, as if basking in it.
“I would give you anything you want,” he admits softly, keeping his gaze shut as he holds your palm against his face. “Anything. And if it was something outside of my reach, I would make it in my reach. There’s nothing I wouldn’t do for you, no lengths I wouldn’t go to and no lines I wouldn’t cross.”
You think your lungs might be burning, you don’t think you can breathe as you stare down at him, heart thudding in your swelling chest, tears building in your eyes again but this time not out of insecurity. Dazai finally rises to his feet after placing one last kiss upon your knuckles, and he doesn’t say anything as he makes his way over to the dresser where he’d placed the blue box. 
You don’t move, watching as he opens it and pulls something out before making his way back over to you, standing behind you. He looks at you through the mirror as he lifts his hands to place a glittering diamond necklace upon your collarbone. You can’t breathe again, you realize, it’s cool against your skin and you think it might be the most expensive thing you’ve ever laid your eyes upon, dozens upon dozens of white diamonds shimmering in the mirror in front of you. Your skin feels like it’s on fire as his fingers brush the nape of your neck as he clasps it onto you. 
“You are beautiful,” he says, voice so raw that you almost shiver at the intensity of it. His fingers brush your hips as if he’s afraid to touch you. “You are beautiful, and intelligent, and everything I have ever wanted. You deserve so much more than me, more than you’ll ever be able to understand, and I’m sorry that I’m not a good enough man to do what’s right and let you go. The last thing you should ever be doubting is this.”
His eye slides shut again as he lets out a soft puff of air, the warmth fans across the back of your neck and you think you could spend forever in this moment with him, wishing that you could freeze time. 
“You said that you thought it was fate that brought us together,” he finally finishes, voice quiet as he references what you told him the first time you met. “Don’t ever doubt your place with me. Wherever I am, you belong, whether it’s a club, or an apartment, or an event.”
“I thought you hate the idea of fate,” you say, voice a bit choked as you try to force the tears back again.
“I do,” he affirms, “but if fate brought us together, then far be it from me to deny the one thing in this world that has ever made me happy.”
You love him.
You feel sick to your stomach—be it from butterflies or the implications of the realization. The words threaten to burst from your lips but you swallow them, instead, another tear trails down your face and he sees it through the mirror, lifting his hand to wipe it away before leaning a bit over your shoulder to press his lips to your jaw.
“I’m ruining my makeup,” you rasp, letting out another shaky breath.
He smiles against your skin.
“You’ll be beautiful still,” he murmurs before pulling back, admiring you for a moment before he asks: “Are you ready to go?”
You nod. “Yeah,” you say, a bit breathless. “I’m ready.”
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“Everyone is staring at us.”
You’re not wrong, exactly. As soon as the two of you had entered the room, all attention was sent your way, and though the music was loud enough to drown out most chatter (intentional, of course, so unsavory ears can’t overhear even more unsavory dealings), Dazai couldn’t help but notice the hush that spread through the room at the sight of you. The boss of the Port Mafia with a date on his arm was certainly a sight to behold to all of the rest of the occupants of the event hall,.
“Can you blame them? You look beautiful,” he says, voice laced with a teasing edge that is certainly not matched in his expression. Dazai knew people would be looking at you if he brought you here. Still, he wants to gouge their eyes out. 
His arm tightens around you as he tucks you into his side, cold gaze sweeping across the massive event hall. At least two hundred people are attending Nabokov’s event—an even mixture of pharmaceutical tycoons, technology barons, politicians and mafiosos. 
At first glance, he recognizes four different mafias in attendance. 
Mishima Yukio of the Sun and Steel stands by one of his associates, the president of Mitsubishi Chemical Group; the man’s dark eyes card over Dazai with lazy interest, before his head tilts to the side as he studies you.
Dazai thinks that the Sun and Steel might be the Port Mafia’s only allies in attendance, and even then, allies might be taking it too far. The extent of Dazai’s dealing with Mishima was a general agreement to not encroach the Sun and Steel’s monopoly over the narcotics industry—which Dazai never intended on doing anyway because the industry is far more trouble than it's worth—and an unspoken promise to protect Japan’s underground from foreign mafias. 
Dazai wonders if that unspoken promise still holds or if the Russians have cut a deal with him. 
Nabokov’s Pale Flame, obviously, is in attendance, along with the remnants of Leo Tolstoy’s Three Deaths. Tolstoy himself is sitting at the bar, a glass of whiskey in hand as he leans back on the stool, gaze focused on you. Nabokov is off to the left, making his way across the room to greet Dazai, a curious expression on his face. Dazai recognizes Cao Xueqin of the Red Chamber sitting near Kitazawa Michihiro of Fuji Electric, one of the Port Mafia’s closest associates; and Dazai thinks that might be a bit foreboding, both because of the presence of the Chinese and the company he’s keeping.
Dostoevsky’s House of the Dead is nowhere to be seen, but Dazai knows that they’re here. Somewhere. He just has to find him—and he will.
More eyes are on you than him, and although that was to be expected, Dazai can’t fight the doubt that suddenly swirls in his chest, wondering if he’d made the right decision. If you hadn’t been on people’s radar already, you definitely are now, and the thought makes him a bit sick to his stomach. He tries to console himself with the fact that this was the lesser of two evils—the mere chance of you being on the radar of any of the mafias in this room, no matter how slim it might be, was not something he could gamble with. There was no way he could let you go out alone and unprotected. People like them, people like him, would jump on the chance to take advantage of the weakness and he couldn’t let that happen. 
But is this really any better? 
He’s thrown you into a pit of snakes, and you’re ignorant to all of the threats around you. His gaze drifts back down to you, catching the way your brows are knit together slightly, the way your lips are pressed in a thin line. There’s an indecipherable look in your eyes as your gaze shifts over the room, and Dazai wonders if you know more than you’re letting on. That’s another scary thought, but he can at least find comfort in it for now because it’ll have you keeping your guard up around these people. He’ll just have to deal with the consequences later.
He dips his head down to your ear, speaking quietly before Nabokov finally reaches him: “Just follow my lead, you’ll be fine.”
The look you shoot at him is nothing short of withering, and Dazai can’t help the smile that curves at the corners of his lips as he lifts his head back up to subtly brush his lips against your temple. He catches sight of movement from the corner of his eye and any softness that might’ve been visible in his expression washes away instantly.
“Dazai,” Nabokov greets, beady eyes flickering between you and Dazai, partially curious about you and partially nervous about Dazai. Dazai tilts his head to the side, becoming increasingly more unamused the longer Nabokov’s gaze lingers on you. “I’m glad you came. I wanted to apologize for not being able to attend our planned meeting a few months ago.”
“So I heard.” Dazai’s voice is short and distant, more focused on the feeling of you tucked into his side than the conversation at hand. He has to force himself to keep his gaze steady on Nabokov, wanting to look down at you, but he contents himself with letting his hand slide down to your hip, rubbing absent circles against the silky material of your dress. 
Nabokov fumbles over Dazai’s clipped response, a bead of sweat gathering at the corner of his forehead. He wishes he could peer into your head and see what you’re thinking, about him, about this, about everything. He doesn’t know if he’ll be able to get through the night without you realizing who he is, what he is, and that thought scares him because he thinks that maybe he should have been the one to explain it to you, so he could at least try to paint himself in a better light. Although, he’s not sure what sort of light would make anything about him look better.
“Who is this?” Nabokov finally asks, turning his attention toward you. Dazai doesn’t like the way he looks at you, eyes raking over you like you’re a piece of meat.
“My partner.” To Dazai’s credit, his voice is much smoother than the turbulent emotions in his chest would suggest. “Where is your wife, Nabokov?” 
Nabokov doesn’t even respond to the question, laughing loudly. “Never thought I’d see the day you found yourself a lover, Dazai,” he chuckles and then holds his hand out to you. “Vladimir Nabokov.”
You shift a bit to take his hand, but Dazai is faster, lithe fingers wrapping around Nabokov’s wrist in an agonizingly tight grip. Nabokov winces, Dazai’s face is cold as he stares down at the man.
“Keep your hands to yourself,” he warns, keeping his voice low. 
Vladimir Nabokov. Invitation to a Beheading. An ability that grants its user to draw a target into an interdimensional space through physical touch—Dazai isn’t sure what the space entails because no one has ever left it alive.
Nabokov tries to laugh it off, weaker this time as he takes his hand back and shakes out his wrist. “My, Dazai, possessive, aren’t you?”
“Very,” Dazai agrees idly. “Be sure to remember that.”
Nabokov gives him another wavering smile, and Dazai can’t help but wonder how Dostoevsky could have possibly thought anyone would believe the man could head the tripartite alliance of the Pale Flame, Three Deaths, and the House of the Dead. Anyone with half of a brain would know that Dostoevsky is behind their union. Maybe that’s what he wanted, Dazai notes absently as he watches Nabokov’s gaze flicker to the upper left corner of the room. Dazai follows it to where a camera is positioned, encompassing most of the event hall. 
The smile on his lips is nearly as chilly as the air-conditioned room around him.
There you are. 
Dazai’s gaze cuts back to Kouyou, who’s standing a few feet behind you and Dazai with Chuuya, Ace and Piano Man. The woman inclines her head in recognition of his silent order as she fans her face lightly, taking a step away to make a call to Hirotsu, who should be stationed around the building with the rest of the Black Lizards by now, prepared to move in at the first sign of danger.
Nabokov looks as if he’s going to speak again, which inclines Dazai to believe that he’s seeking something out in particular for Dostoevsky, and from the way he keeps glancing at you, Dazai assumes it has to do with you. So as the man's lips waver, eyes darting as he tries to formulate another conversation opener, Dazai speaks before he can get the words out.
“If you don’t mind,” he says, voice cold and clipped as he all but dismisses Nabokov, who flushes a bit, nodding and apologizing before stepping away. 
Dazai realizes that he probably has not prepped you enough for this event, but in his defense, he’s been swamped with his own preparations and how is he supposed to prepare you when he can’t even fully explain all of the dangers? But now, it’s making him anxious, because at some point tonight he’s going to have to step away from you to meet with Nabokov in one of the backrooms, likely with Tolstoy, Cao, and Mishima. Dazai’s executives will have to be there with him, and Tachihara is supposed to slip from the shadows to join you while you wait for his return, but there’s likely going to be at least a good two to three minutes where you’ll be alone until Tachihara can get to you. That’s assuming he doesn’t get caught up on the way over.
He needs to talk to you, at least warn you about the ability users attending the event so you don’t accidentally stumble into a potentially lethal situation without him around.
If he goes to the bar, Tolstoy will take advantage to try to sweep you into a conversation, picking up right where Nabokov left off. If he goes off to the left side of the room, Cao will make his way over to interrupt. If he goes off to the right side of the room, Mishima is there. The only place… Dazai inhales as his gaze focuses on the massive dance floor of the event hall, dozens of couples are spinning around already, and it will be loud enough there for the music to drown out his conversation with you from unwelcome listeners. 
He turns his attention to you, holding his palm up and tucking one arm behind his back as he asks lightly, “May I have this dance?” 
Your eyes widen a bit in surprise, seemingly hyper aware of all of the hungry, curious glances of the other attendants directed your way, but he’s only focused on you, and the way your eyes glitter beneath the chandelier’s lights, and the way your dress clings to your body, and the way a soft smile tugs at your lips. He thinks that even if you hadn’t entered the event on his arm, all of the room’s attention would be on you still, because you’re beautiful, and captivating, and Dazai doesn’t think he’ll ever understand how he managed to pull you in one lifetime, much less all of them. 
You place your hand in his and Dazai guides you across the floor, intent on finding the perfect space. It’s hardly obvious the way that the other people on the dance floor would inch away as the two of you passed by, intent on staying out of Dazai’s way and letting him have whatever space he wants, but you pick up on it, he thinks, seeing the curious look in your eyes as your gaze sweeps around the people around you. He bites back a sigh, because he’s sure that you’re tallying everything up in your head trying to put it all together, and once you get that final puzzle piece, everything will be over.
His chest sinks at the thought of losing you, but he forces it away. He has to focus on the situation at hand because even a single slip up could be fatal—not only for him, but for you too. As soon as he reaches a suitable spot on the dance floor, he tugs you a bit closer to him, hands sliding down to your waist. Your own arms instantly come up to loop around his neck as you look up at him through your lashes and Dazai suddenly feels breathless, vision tunneling and heartbeat stuttering at the way you look at him.
God, how is he supposed to focus with you around? He can hardly concentrate on anything but you. He’s flying too close to the sun. Has been since the moment he met you. Drawing you into his life and keeping you there, now bringing you here, so many gambles, too many gambles… the heat is scorching, and it’s only a matter of time before his wings burn. If he was smart, he’d let you go so that you don’t burn with him, but his fingers only bite deeper into your waist at the thought.
The music is slow, and the two of you sway in tune to it. The other couples give a wide berth, some casting wary looks at Dazai, ones that he’s sure you’re catching. He doesn’t know where to start, or how to start; what does he tell you that doesn’t condemn him? Luckily, he doesn’t have to start the conversation because you do, for better or for worse.
“Was that man the rival that Gin mentioned?” you ask curiously, and Dazai can’t help but notice there’s a strange look in your eyes as you ask it, one that he can’t place.
He hesitates, but then says, “No. He wasn’t. I haven’t seen him yet.”
You hum lightly, fingers toying with the hair at the nape of his neck in a way that makes him shiver. But his eyes narrow when he realizes that you don’t look the slightest bit surprised by his answer. 
“You knew that already,” he accuses lightly, and he forces himself to swallow the lump that suddenly forms in his throat because if you figured that out on your own already, what else have you figured out? God, he knew this was risky, you’ve always been ridiculously perceptive—he just needs to get through tonight without you putting everything together, then he’ll be fine.
“I suspected it,” you finally affirm his accusation, gaze searching his face. “He was nervous talking to you. If he was your rival, I’d expect him to be a bit more… assured. And he kept looking up toward a camera, like he knew someone was watching that he’d have to answer to.”
Oh, you did pick up on a lot more than he expected. He doesn’t think that the smile he gives you quite meets his eyes, if the way your brows furrow have anything to say about it, but he distracts you by bringing his hand up from your waist to cup your cheek, thumb brushing over your bottom lip as he murmurs, “That’s my girl, always so smart.”
Your lashes flutter as you avert your gaze, a tell tale sign of you being flustered. His lips quirk up into a more genuine smile, hand dropping back down to your waist. He can do this, he tells himself, he just has to be careful, tell you enough to make sure your guard is up and you know to at least some extent that the people in this room aren’t to be trusted.
“There are a lot of ability users in here,” he finally warns, careful to keep his voice low even with the music covering his words. “Do your best to keep your distance from people. I’ll stay with you as much as I can, but I’m going to get pulled away sooner or later. Chuuya or Piano Man will stay with you when they can, and if they’re pulled away, Tachihara is going to come down to stay with you.”
“... That’s why you didn’t let him shake my hand,” you say, realization flashing through your eyes, another puzzle piece fitting behind your eyes and Dazai has to be careful because it’s only a matter of time before you’re given that final piece and everything comes together. “What’s his ability?” 
“... Nothing good,” he answers after a few moments of silence, but you’re not content with that, brows furrowing. He sighs. “No confirmation on it, we only know it’s lethal. Many are in here.”
Your eyes widen and then you look a bit skeptical. “And you think they would use it here? In public?” you ask slowly.
To Dazai’s horror, it is not skepticism tainting your tone, but rather, you’re fishing for information, trying to put more pieces together, and he doesn’t have much choice but to give you answers because he can’t risk you setting your guard down even for a second.
He chooses his words carefully. “... There is little they wouldn’t do to get ahead in our business.”
“Hm,” is all you say in response, something akin to understanding flashing through your eyes and Dazai dreads to know what his answer has just told you. He feels distinctly like he’s playing chess against an opponent he did not anticipate and he’s at a disadvantage because the opponent is you. He can feel your shoulders slump suddenly, an unfamiliar expression crossing over your face; you look tired, as if you’d aged twenty years in a matter of seconds. “What did you get me involved with, Dazai?” 
You say it so softly that Dazai barely hears it himself, and he knows. He knows that you’ve figured something out, he doesn’t know what and he doesn’t want to know what. He wants to evade it as long as possible, because the moment he has to have this conversation with you, he knows he’ll lose you. He can’t think about that now, it’ll throw him off and this is the last place he can allow himself to be thrown off.
Instead, his grip on your waist tightens again, gaze averting down toward the ground. 
“I’m sorry,” he murmurs. The words weigh heavy on his tongue, not just an apology for tonight but an apology for accepting your offer for a drink two months ago, knowing he wouldn’t be strong enough to let it be a single night of indulgence; an apology for seeking you out again afterward, knowing that he would be sentencing you to death.
He feels sick. 
What is he doing?
Why are you here?
What has he done?
“Dazai.”
You say his name but Dazai hardly hears you. God, he can feel it happening, where his fingers are pressed against your body, the skin suddenly goes cold and stiff, his surroundings are blurring, the people fading into the background. This isn’t the place. Nabokov. Tolstoy. Mishima. Cao. He can’t lose himself, not now, but his grip on reality is starting to waver, the pages pile around him. 
“Dazai.”
What has he done?
Everything he’s planned for, seven years of careful calculations and planning gone down the drain. How does he even fix this? Can he fix this? His mind races, but he’s not even sure he’s thinking coherent thoughts, trying to ground himself to the present because he needs to stay here, he can figure out how to fix it later, when you’re not in danger but-
His vision swims. Not now. He can see it—he can see you. Still on the ground. Sometimes there’s blood, so much that he can hardly recognize you (but he can, of course, he can always recognize you, even when your body is littered with more gaping wounds than not). Sometimes it looks like you’re sleeping, so much so that Dazai kneels next to you, begging you to wake up (he knows in his heart that it’s futile. he can’t stop himself from trying). His head spins, he loses track of where he is and then-
“Osamu.”
His breath catches, gaze zeroing in on you. You. Alive. Your brows are furrowed in concern, searching his face to try to draw him back to reality. He thinks his grip on your waist must be painful but he can’t bring himself to loosen it at all. He stares at you, still desperately trying to keep himself grounded because although you’ve brought him back mostly, the corners of the pages still linger in the edge of his vision, threatening to consume him again.
“You can’t leave me,” you tell him quietly. “You brought me here. I need you here with me. Don’t go off somewhere I can’t follow.”
Oh.
He lets out a breath, slow and maybe a bit more shaky than he would’ve liked, but he tries to focus on the situation at hand. He loosens his grip on your waist, rubbing a gentle circle over your hip in an apology.
His gaze drifts around the room, Nabokov is in deep conversation with Cao, hardly paying attention to anything going on, but Cao’s sharp, dark eyes are pointed over Nabokov’s shoulder, scanning the dance floor. He’s looking for someone—not Dazai, which is a bit worrying, and he becomes all the more attentive to everyone in the vicinity, trying to make sure none of the Red Chamber’s assassins made it through the security. If any organization would be able to pull it off, it would be them. 
Once he’s decided the coast is clear, he turns his gaze back to the bar. Tolstoy is looking at him—blue eyes sharp, blonde hair hanging in them, a curious expression on his face as he sips at his drink and watches as Dazai dances with you. As soon as Tolstoy notices Dazai has caught him, his lips curl up into a smirk and he raises his drink. Dazai’s expression is cold as he looks away, seeking out Mishima only to find the man nowhere to be found.
Hm.
Chuuya and Kouyou are entertaining idle conversation with two executives of the Sun and Steel, both keeping a sharp eye on where you and Dazai sway on the dance floor. Piano Man is entertaining several politicians, doing a good job at ensuring that none of the other foreign executives get any chance to get their ears. Ace, Dazai notes, is in deep conversation in the shadows with one of the executives of the Three Deaths. 
Interesting.
He finally draws his attention back to you, a small smile on his lips as he recalls what you’d said to drag him from his spiral.
Osamu,
“You called me Osamu,” he murmurs, a warm feeling spreading through his chest as he focuses on that instead, trying to ease himself back into reality. Technically, he’s heard you say his given name before. Well. Not technically. It was never you and it was never him, rather it was vague memories of other yous and other hims, but it was nothing in comparison to hearing you actually say it.
You look embarrassed, averting your gaze. “I didn’t know how to get your attention, I’m s-”
“Say it again,” he whispers, lifting his hand back up to your chin to tilt your face back up, forcing you to look at him. His eyes search yours, watching the way you can hardly hold his gaze. You look hesitant, so he continues with, “Please.”
“... Osamu,” you say again, breathless, and god, Dazai wishes the two of you were anywhere but here. He wants to press you back against his bed, run his lips up and down your body, map out all of your curves with his hand. He wants to watch you come undone on his tongue and on his fingers—he wants you, he wants you more than anything else in the world. Every time he’s tried to take the next step with you the past few weeks, he either got interrupted by work or he ended up getting cold feet, nervous about making a mistake. 
Before his thoughts can spiral even more, the music picks up to a faster paced waltz. Your eyes widen, watching as all of the other couples shift into the respective dance. You look up at him, a bit panicked, clearly not sure what to do, and his lips curl up in amusement, beckoning you to lace your fingers with his to take the stance the other couples were taking.
“I don’t know this da-” you begin, voice hushed.
“Just follow my lead,” he repeats the same words he spoke to you when they entered the hall. “You’ll be fine. Trust me.”
You exhale, studying his face for a moment before sighing and mimicking the stance the other women took with their partners. He can feel your fingers wavering against his as he interlocks your fingers and he rubs his thumb over the back of your hand soothingly.
“Keep your eyes on me,” he tells you, just as the music finally picks up for the dance to start. 
He thinks you’re worried for nothing. You moved smoothly in line with him and in tune with the music, gliding across the dance floor as if you’ve danced with him hundreds of times before, your body so in sync with his that the two of you put all of the other couples to shame. Not that any of them matter, of course, you’re all that Dazai can focus on. Your eyes never leave his, not even for the sparest of moments, and Dazai feels like he’s caught in a trance, lost in your eyes and the feeling of your body so close to his, hyper aware of the way your your hand rests on his shoulder and the way your fingers are wrapped tight around his.
God, there’s something so otherworldly about you. Doesn’t know if it’s heavenly or supernatural, if you’re his angel sent to lead him to salvation or his very own siren singing a sweet melody to lead him to ruin. Doesn’t think he cares either way—salvation, damnation, none of it matters as long as he has you.
“Not so bad, hm?” he murmurs, sweeping you out into a spin before pulling you back to him, closer this time. He can feel your chest brush his and he prays you can’t feel the way he’s lost control of his heart, painfully cognizant of the erratic thumping. His hand slides from your hip to the small of your back, holding you close to him. He could stay in this moment forever, surroundings drowning out; all he can see is you, all that matters is you.
“Yeah,” you say softly. “Not so bad.”
His lips part to respond but he’s interrupted when he sees movement from the corner of his eye, freezing.
“Dazai.”
Dazai stiffens as a familiar voice speaks from behind him, shifting to stand partially in front of you as his gaze cuts to the side to see Mishima’s familiar figure standing a few feet away. Turning to face him, he asks, “Do you need something?”
“I’d like to speak to you before we meet with Tolstoy, Nabokov and Cao.”
Mishima’s voice leaves no room for argument, dark eyes absent of any emotion as he waits for Dazai to follow him. Dazai’s jaw tightens, eyes drifting back to you as he tries to figure out what to do. He can’t leave you here, not with Cao’s hawk-like gaze trained on the dancefloor and Tolstoy waiting for the opportunity to make a move. But he does need to talk to Mishima, have some idea of where he stands with the Sun and Steel before facing all of the foreigners. 
“May I have this dance?” 
Dazai hadn’t even heard Chuuya approach, turning to the side to watch as he holds a hand out toward you expectantly, quick to step in to take Dazai’s place so that you’re not alone. You shoot Dazai a concerned glance, brows furrowing a bit, before you place your hand in Chuuya’s.
Chuuya leads you back onto the dance floor, Dazai’s gaze lingers for a few moments, a bitter feeling spreads through his chest because that should be him, and it’s wholly unfair that he has to deal with all of this unsavory business when he should be spending time with you.
He should just kill them all here and be done with it.
The words ring through his head, echoing, tempting. He inhales and forces himself to look away as you loop your arms around Chuuya’s shoulders, swaying in tune to the slow song playing. He turns his attention back to Mishima, voice cool and expression void of emotion:
“Speak.”
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Dancing with Nakahara Chuuya is awkward. Awkward is even being generous. It’s not like he’s a bad dancer—in fact, it’s clear that he’s a very good one. He’s smooth on his feet as he spins you around the dance floor, but he’s so stiff. He’s careful to keep space between the two of you, hands never dipping lower than your sides, lips pressed together. He hardly even looks at you, his attention is more on where Dazai had stepped to the side to speak with the dark-haired man who’d interrupted the two of you, but you’re grateful for it, because it’s giving you a chance to gather your thoughts.
You think Dazai might’ve inadvertently confirmed your suspicions from yesterday. You don’t know who these people are, but there’s no way any ordinary business event would be dangerous enough for Dazai to genuinely worry that someone might kill you in a room crowded with two hundred people. A part of you wonders if it’s just different for ability users, that they’re not scared of committing crimes in public because they have an ability that prevents them from getting caught, but you know you’re just trying to make excuses at this point.
Your gaze drifts back over to the older, light-haired man with dark eyes who’d approached you and Dazai when you walked in. He’s off to the side talking with a Chinese man dressed in a red suit—your gaze lingers, trying to piece together the puzzle in your head desperately, but all of the edges are jagged and confusing, you can’t seem to figure out where they each fit with each other. 
You’d thought maybe that Dazai and his business was somehow affiliated with the mafia, because no one with the amount of money and success that he has gets it cleanly, but now you can’t help but hesitate, reconsidering your original theory. Vladimir Nabokov had been scared of Dazai. And it’s not like you haven’t noticed the effect that Dazai has on people. Whenever you’re around people with him, they get tense and on edge, but it’s different seeing the effect he has on someone who doesn’t even work for him, a foreigner supposed to be one of Dazai’s associates if you understood what he meant about not showing up to a meeting. 
Who are you, Dazai?
You don’t even know if you want to know. You love Dazai. You do. You knew it earlier in the night. You know it now. It’s something you can no longer hide or deny. You remember the concerned look on his face when he saw how upset you were. You can feel the way his lips brushed the nape of your neck as he explained why he kept meeting you at the club, the way he kissed your ankles as he knelt in front of you and told you how he was selfish for keeping you around, how he kissed your palm and leaned into your touch as he promised you anything you want. God, you love him, you don’t think anyone has ever looked at you the way he does; no one has ever spoken to you the way he does. 
You love him, and it scares you because you’re realizing you still don’t know anything about him, not really, and you’re also realizing that there’s a high chance he’s been lying to you about what he does. It scares you even more that your first instinct isn’t to run. Because you should run. This should make you run. He brought you to an event with people so dangerous that he’s afraid they might try to hurt you, or worse, but you don’t want to run, because you’d be running from him and you don’t want to run from him. 
Could you sacrifice everything for him though?
Fuck your morals—everything you’ve worked for, all of the years slaving away to put yourself on the path to success. You’ve told yourself your entire life that it would be all you would focus on, that it would all be worth it in the end. You convinced yourself that maybe if you proved yourself enough, your brother would return to your life; he’d be proud of you and he’d come back to you. You know he’s still out there somewhere, you get letters with no return address every month—the only thing in the envelope is a check with a dubious amount of money, but it’s in his hand writing, so you know it’s him. 
A part of you wants to cry, frustration clawing at your chest: the future you’ve worked so hard for, or love? The question you’ve dreaded since your epiphany yesterday is finally thrown right in front of your face, and you need an answer. The two are mutually exclusive—you will not be able to pursue the career you want with Dazai Osamu, not in the way you want at least. And you don’t want to do all of this work to just end up being another shady politician.
“Penny for your thoughts?” 
Your gaze snaps up to Chuuya, who’s suddenly looking at you, and you don’t really know how to respond. 
I’m pretty sure you guys are part of the fucking Mafia and you’re all hiding it from me, but also I don’t want to know if you are because that’s going to force me to make a decision that I don’t want to make so I’d rather live in ignorance. 
“My thoughts are only worth a penny?” You deflect with a grin instead, hoping it meets your eyes.
It doesn’t, evidently, because Chuuya’s eyes narrow a bit, and then he tilts his head to the side and hits you with a more direct: “What’s wrong?”
“I’m just worried,” you finally say, not entirely lying but also not telling the truth. 
“About?” Chuuya presses and you sigh, exhaling a bit.
“He mentioned that there were dangerous people here,” you tell him quietly. “I’m just nervous for when you guys go to your meeting… I’m guessing it’s going to be soon.”
Chuuya’s brows furrow and you can see the thoughts racing behind his eyes before he speaks again. “You’ll be fine,” he tells you. “We have people all over the event hall, and Tachihara is going to sit with you until you Dazai can get back. Dazai shouldn’t have worried you with all of this. He shouldn’t have even-”
He cuts himself off, jaw tightening, but you know what he’s going to say: he shouldn’t have even brought you here.
“I don’t know what he’s thinking,” Chuuya says quietly, and you think he might be talking more to himself than anything else now, but you listen anyway. “He’s always been hard to read but this is…”
He stops speaking out loud, as if he’s realized that you’re there again, and instead he shakes his head. “You’ll be fine. Back at the headquarters before you know it.”
You aren’t so sure.
Your gaze drifts to the side as you watch Nabokov and the Chinese man make their way over to Dazai and the man he’s talking to. The blonde at the bar that Dazai kept looking at also stands up, drink in his hand as walks in the same direction. 
Chuuya spits out a curse under his breath and gives you an apologetic look. Your heart sinks and your throat feels a bit tight—he doesn’t abandon you right away though, pressing his hand to the middle of your back as he guides you across the dancefloor to the bar, all the while keeping a keen eye on what’s happening on the other side of the room.
He pulls the barstool out for you, eyes still trained on where Dazai is standing with Kouyou, two men that work for him you haven’t met yet, and the four men you assume are business associates of his. Dazai is looking at you, an indecipherable expression on his face. You’re looking at him, suddenly anxious at the thought of being left alone, a bad feeling sweeping over you. 
“Tachihara will be over here soon,” Chuuya finally says to you, tearing his gaze from his coworkers to look back down at you. He flags down the bartender to order a drink for you. “You’ll be fine. Knowing Dazai, the meeting won’t last long anyway.”
Your shoulders only slump a bit as you nod, thanking the bartender quietly for your drink as he hurries to bring it back to you, taking a sip of it. Chuuya doesn’t say much else—once you’re settled in your seat and have your drink, he squeezes your shoulder before making his way back over to the intimidating group of people standing on the opposite side of the room.
Your gaze meets Dazai’s conflicted one one last time before he’s forced to turn away and disappears down a side hall deeper into the building. You sigh as you twirl your drink around, the clear liquid sloshing dangerously close to the brim of your glass as your eyes twist around the event hall, seeking out Tachihara, or Atsushi, or anyone that works with Dazai because you’re feeling distinctly vulnerable alone. You find none of them. You can feel eyes on you—most you’re sure are harmless curiosity, wanting to know who exactly came in on the arm of Dazai Osamu, but you know some aren’t nearly as harmless, you can feel the hungry stares of vicious opportunists directed at your back and you don’t feel comfortable sitting alone.
You don’t even get five minutes to yourself.
“Is this seat taken?” 
You’re startled by the unfamiliar voice, head snapping to the side. Your gaze focuses on a pretty man with soft features, shoulder-length black hair and gentle purple eyes. Your lips part to speak, but no words leave them, caught off-guard by his sudden appearance. He looks harmless enough, but there’s something about him that has you on edge—something simmering beneath the surface of his deceptive eyes that you can’t quite place but you know you don’t like.
“I mean no harm,” he says smoothly, lips curving up into an amiable smile. “I’m an old friend of Dazai’s. I only want to talk.”
An old friend. You don’t buy it, but you don’t want to risk antagonizing him, Dazai’s warning about the many lethal ability users prowling the event ringing through your head. You just hope that Tachihara shows up sooner rather than later as you finally shake your head.
“It’s not taken,” you say quietly, motioning to the stool as you take another generous sip of your drink.
The dark-haired man smiles at you as he takes a seat at the bar next to you, teeth glimmering like knives beneath the lighting of the chandelier. Instantly, you feel like you’ve made a mistake, a chill running down your spine as your eyes meet purple ones that are not quite so gentle anymore. Sharp and shrewd instead. Calculating. Dangerous. 
“Fyodor Dostoevsky. A pleasure, truly.”
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ot3 · 1 year
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The Flower That Bloomed Nowhere
What is it, and why you should read it.
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(Art by purple)
The Flower That Bloomed Nowhere is a currently updating webserial by author Lurina. It's one of my favorite things I've read in a long while and I'd like to convince you all to give it a chance.
My elevator pitch is this: A time-loop murder mystery directly inspired by Umineko, with a lot of similar vibes to the Locked Tomb Trilogy - partially due to it's meditations on grief and mortality and partially due to it's far-future magical sci-fi world where we follow a fucked up lesbian necromancer on a task she is determined to see through to the end. A deeply complex, unique, and believable world that plays hosts to one of the best interpersonal dynamics I've read.
In a future so far-flung that it is past the heat death of the universe, humanity has constructed a new society that is post-scarcity but not post-stratification. Utsushikome of Fusai is one amongst a class of prodigious young medical arcanists (essentially grad students) who are invited to visit a recently legitimized conclave of top-of-the-line researchers studying immortality. Accompanying Su is her best friend Ran, a fellow arcanist. Over the course of the novel we begin to slowly unravel exactly what ulterior motives have brought them to this conclave and how events in their childhoods and years of working toward their shared goal has warped their relationship into what we now see. This relationship is the crown jewel of Flower's narrative, and getting to peel back the layers of it as you read is a delight.
Like Umineko, Flower is a murder mystery that prevents itself with in-universe Rules that dictate the murders' parameters, meaning there's a lot to chew on for anyone who likes solving mysteries. For those that don't, like myself, Flower offers instead a richly developed world and plenty of open questions about the sociopolitical and metaphysical implications of its own worldbuilding.
Below the cut, I'll go into more detail about the series (without spoilers!) for those of you whose interest has been piqued.
The Flower That Bloomed Nowhere is currently ongoing, updating every few weeks. It's several hundred thousand words, so if you're looking for something substantial to keep you entertained, you've got it. As you might expect from the length, the pacing is decently slow. I don't see this as a bad thing at all, because within this pacing Lurina dripfeeds the readers enough new and interesting information at a regular rate that it never feels like your time is being wasted. But if you can't handle slow burns, I wouldn't recommend this one for you.
If you enjoyed the Zero Escape series and liked that they stopped solving murder puzzles to infodump about fringe science, I think you'll get a lot out of Flower. Characters are frequently interrupting their life-or-death scenarios to have lofty, philosophical and political discussions. It's a ton of fun if you like reading characters argue.
'People have to sleep.' 'People have to work.' 'People have to die.' But those were just vague rules, phrasing I'd used because it had been easier in the context of that conversation. What really mattered, on the day-to-day level, was the idea that it was all for something. If someone invented a elixir that made people not to need to sleep, it would, in retrospect, recontextualize all nights everyone ever wasted sleeping as wastes of time. Not something that occurred for some inherent purpose, but whims of circumstance, a tragedy of when you happened to be born. If you accepted that all unfair things in the world could be removed, if only someone knew how - fatigue, labor, death - then to exist in the world we had now, with all its grotesque imperfections, was to know that you had been violated by fate.
Along those lines it's just got a sense of humor I really enjoy. Pretty dry and cavalier. It manages to keep the mood light without feeling like it's undermining it's own stakes. I'm particularly fond of Su's penchant for telling incredibly depressing suicide jokes that just Do Not Land.
The peer pressure cut into me like a hot knife. I hesitated a little, biting my lip. "Well, uh, okay. I'll just tell a quick one." I swallowed, my mind quickly scrambling. "Okay, so, there's a woman who runs a dispensary for second hand goods. She sees a man come in who's a regular customer. He's kind of a mess-- Has a big beard, a bad complexion. He buys a razor, and tells her he needs it to clean himself up, because he has a date." I could see that I now had Ophelia's attention and that Kam was looking pleased with herself, but Ran was watching me, too. I could see the look in her eyes. It screamed at me, with such vividity that it could be sold at an art gallery: You better not be telling a suicide joke right now, or we're going to have a talk. But it was too late. The wheels were already in motion.
As I mentioned up top, the relationship between Ran and Su is just one of my favorite interpersonal dynamics ever. Period. The author is playing some insanely complicated 5th dimensional yuri chess and I am absolutely here for it as someone who likes characters who are deeply devoted to each other in a way that is deeply deeply fraught. I cant emphasize enough how obsessed I am with what they have going on.
Additionally, as stated, the worldbuilding in Flower is top tier. The author clearly understands how every part of her world functions, which makes the moral quandaries and politics presented all the more impactful because they're very believable. It's hard to talk about Flower's world without spoiling too much of the specifics that get slowly revealed, but it doesn't fall back on any typical sci-fi standard fare and feels like a breath of fresh air amongst recycled and repetitive worldbuilding tropes.
A lot of really fun side characters. Strong voices for all of the supporting cast (♥♥Kamrusepa♥♥) and even though not every character gets their own arc, they all clearly have plenty of interiority. Once again, another thing that makes Flower feel very believable despite it's absurdities.
Autism
"Did you notice anything out of the ordinary with anyone?" She eyed him. "Anyone who seemed tense?" "Saoite, I'm not sure if you've noticed, but half of our class is so autistic that they constantly seem tense. You might as well ask me to find a specific turd in a sewer." "Just answer the question, please," she replied flatly.
Guys it's really good just trust me I don't want to spoil you for the more intricate plot beats but they're doing some crazy shit here. It's never a bad time to support an independent author's project. If you're sick of corporate mass-media and stuff needing to be marketable, getting into independent works owned and supported by individual creators is a great way to push back against that. I highly recommend it.
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kimberly-spirits13 · 1 year
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SFW Fluff Alphabet w/ Jason Todd
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A= How affectionate are they
he's like a teddy bear and wants to cuddle all the time
he always wants a kiss or a hug and wants you to know how much he loves you
Jason's affection knows no bounds- he makes sure that you feel great and are doing perfect and that everything in life is alright
Cold? He's got a hoodie and a blanket. Sad? He's a leather shoulder to cry on. Happy? He's happy too
he likes to be touching at any moment
On patrol you're rubbing shoulders and he's as close to you as possible without straight up hugging you, he's got a hang on your back, hand on your thigh, he's got both hands holding your hands, you two link pinkies, his hand is in your hair, his hand is on your cheek, any form of touch
B= Bond- What do you bond over
Jay really, really likes reading so if you're into reading, he wants to talk about it a lot
if you're not a reader, well surprise, you are now
hearing him talk so highly of his books makes you want to read, just so you can talk to him more about them
He likes to work on his bike and clean his weapons so if you're down to help him, he'd be so excited
if you also have a tragic backstory, get ready to trauma dump with each other
he's got a deep respect for those who have lived through terrible tragedies and are still functioning members of society (even if it's partial functioning)
C= Cuddles- How do they cuddle
Cuddle monster
like it's cheesy but it's how you describe him
he also loves sleeping on top of you with his head buried in your neck or using your chest as a pillow and he's got his arms wrapped tightly around you
he likes to be the big spoon since he finds it uncomfortable for someone his sized to be cuddled lol
he's a giant so just let him tuck you into his chest and snooze away
he likes to cuddle in minimal clothing sometimes, not in a sexy way but in a he really likes having you close to him at all times
plus, he's a space heater so it's not like you're going to get cold
D= Domestic- What are they like domestically 
he loves being domestic
you two have a nice medium sized apartment with a guest room or two and your bedroom and an office maybe with a big kitchen and living room and a washer and dryer room
He makes bank on that criminal mastermind gig
Plus, if you're working, it helps being dual income
He really likes cleaning around the house and you think it's a stress reliever for him
there are temporary dance breaks during cleaning and he likes to dip you down and kiss you to whatever song is playing- he secretly finds it adorable when you dance on his feet and he will not complain, but don't tell a soul deary
he really really really likes to cook too
Your place always smells like a master piece and Jason really likes going to William Sonoma
it's the fanciest place that he will willingly go to
E= Ego- How much do they think about themselves in a relationship
He's got boundaries like a normal human being, but the dude is really selfless
Jason just wants everything to be alright and he is able to make compromises where they need to be made
the one thing that he really, really cares about is making sure that his weapons, bike, helmet, and things are all in check
I wouldn't recommend going around and messing with anything unless you have to
Like he's not going to be mad at you, but Jason just prefers that that stuff gets left alone unless specifically told otherwise
F= Fights- How are they during and after fights
fights are few and in between but when they happen, they happen
it's not really ever over anything small because you can quickly just talk it out with Jason
if it's over something like a mission or safety or doing something reckless, it's a big fight
he doesn't yell, he hates yelling at you, but his eyes go dark and he's so angry
he's probably clenching his jaw and just has to take a minute to cool off at some points
"I'm not ignoring you, I just can't talk about this while I'm this angry about it."
and he'll go on a brisk walk to cool off
he comes back and sits down and talks about it less angry
Alfred once told him, "it's not you against Y/N, it's you and Y/N against the problem. Don't be upset with each other that you have differing views or wants, that's how humans work, we're all different. Anger only gets grown men into bat costumes Master Jason."
G= Growth- How does your relationship change them
Jason actually becomes more secure in himself
it's like you've taught him that he deserves to be loved, so it's easier for him to accept that he doesn't hate himself
he's more patient, more deliberate with the things that he does and says and because of this, he comes home from patrol less and less injured
H= Hugs-What are hugs like
big bear hugs
he likes to engulf you and make sure that you're not leaving for a little while
He likes all kinds of hugs because it means that he's close to you, but he prefers the ones that turn into cuddle sessions
he'll run his hands through your hair or scratch your back
sometimes when he's having a bad day, he just needs to burry his head in the crook of your neck and have you whisper that it's going to be alright
I= I love you- How fast did it take for them to say II love you
he doesn't say it too fast, but he also doesn't take forever to say it
It's maybe like a year or a bit less into dating and he has to leave for a mission
You were either not going to go because you're not a vigilante, or you needed to stay behind to make sure that some crime mob wasn't starting back up
He says "I love you" when he's about to leave
He doesn't want to leave you, but he knows he has to
He hugs you so tight when you say it back
it means the world to him that you care about him like that
it's a rib crushing soul and he thinks about it the entire mission
J= Jealousy- How jealous are they
I'd say he can be pretty jealous but also he's easily leveled off
if someone is taking your attention and he's not getting as much as usual, he inserts himself into conversations or situations like a Golden Retriever
he just kinds of sits there and stares at your or rubs circles on your hang until you give him attention
If it's someone flirting with you, he likes to make some sort of show out of it
If there's someone flirting with you at a gala (which happens a lot), he pulls you in for a dance and kissing you in the middle of the dance floor
You know what he's doing but you're not going to deny it are you
K= Kisses- How do they kiss/ where do they like to be kissed
He likes to be kissed everywhere
his shoulders, his abs, his collarbone, his neck, behind his ear, his cheek, the forehead, on the lips
you name it
he really prefers a real kiss though
that's his go to
L= Love language- What’s their love language 
quality time and physical touch
he just wants you
Jason would melt into you at any moment if it meant he got to be close to you
He wants to spend time with you, even if you're not doing the same thing, and he wants his body touching yours somehow
M= Mornings- What are mornings with them like-
he's the kind of guy that sets an early alarm if he has to get up so that he can cuddle
mornings are basically always slow and warm and cozy
he likes to cuddle in the morning and have himself wrapped around you
sometimes before bed, he turns the AC colder so that when you wake up, you have to be close together to keep warm
if he wakes up before you, he'll either go back to sleep, or he plays with your hair until you wake up
N= Nicknames- What are their nicknames for you
doll
babe
love
darling
hottie
hot stuff
angel
love
O= On Patrol- What’s it like being on patrol with them
He likes to keep a close eye on you
You have to learn that it's not because he doesn't trust you, it's because he's always worried about the people he loves getting hurt or dying
he wants to make sure that at any moment something goes South, he's there to protect you
he flirts a lot on patrol
He also likes cracking jokes while he's busting skulls
it's one of the more morbid things he does
he likes to team up on patrol and always wants to know what you're doing and how you're doing
the two of you will often be seen near the bank building eating fast food perched on the ledge
he'll totally take you to his favorite gargoyle don't worry
P= PDA- What’s their stand on PDA
loves PDA, loves touching you
he's not gross about it like he's never making out with you in front of a crowd but he's always got an arm around you or a hand on your thigh
There are plenty of pap pictures of him with his arm wrapped around your shoulder while talking to you or glaring at something/ someone
if you're also famous for something, the paparazzi are always there but ten fold the intensity if you weren't famous
articles are always being written about Gotham's favorite couple
America's favorite couple if you're big enough
Q= Quirks- What are their quirks
he really likes to keep things really, really clean
usually your house is spotless because he's cleaning up after himself and you do the same
sometimes partners just get comfy and leave their crap everywhere
not Jason, he's clean as can be, not because he's uncomfortable around you, but because it's comforting for him to be in a non chaotic space
you know that he's stressed when he starts leaving things everywhere
R= Remember- Do they remember the details or the big picture
Jason remembers everything down to the final detail
there's like an always open compartment in his brain that filters and sorts the information about you and your relationship
he knows what you like and dislike, who you're beefing with at all times, what flavor candies are your favorite, what food you don't like, if there's a spice you don't like, he knows how you prefer your clothes and what color metal for jewelry you prefer, he knows how you like the recoil on your guns if you have any, he remembers the washing detergent that you use and the dryer sheet scent and brand
man knows everything
it's like that one kid that just knows random, niche information that no one expects them to know
he knows it allll
S= Security- How do you two feel around each other
he feels so safe and free around you
he just knows that if there is a problem, you'd be able to handle it
If there was a moment when he was taken out, he knows you'd protect him somehow
he gets all soft around you and he feels comfortable letting his guard down
You can trust that he's always there for you and that no matter what, he's going to be there for you
Jason is loving and attentive and wants to take care of you in any way possible
T= Taste- what do they prefer in a partner 
he needs someone that can keep up with him
he's an intellectual, even if doesn't seem like it
he's an analytical person and needs someone that can have conversations with him and be on his level
Like you really don't have to be a straight A student because not all smart people are straight A students
I mean come on, Albert Einstein was reported to be a bad student and he's a genius
he also wants someone that puts some care into themselves
if you're running around without a care in the world, stepping into oncoming traffic because you don't care, it's going to stress him tf out
U= Understanding- How understanding of you are they
Jason is extremely understanding of life
I mean it's screwed him over a few times so he knows that it can get difficult
Jason also needs someone that is understanding of him
they understand why he maybe doesn't want to watch IT, or he sleeps a lot when he can, or he doesn't like loud noises and ticking sounds
Jason being understanding though doesn't mean that he's easy to use
Oh he understands alright
he understands that he hates the people that try and use him for gain
V= Value- What do they value most in a relationship
Jason values someone that will be just as enthusiastic about something as he is
He loves someone that wants to be around him and talk to him
he need someone that he can vent to without judgement
he needs someone that respects his personal boundaries (as any normal human is like)
he needs someone that can understand that even if sometimes he messes up, he's really, really trying to turn out better than he was told he would become
W= Work- Do they balance their work schedule well around your relationship 
he's pretty good at balancing work around your relationship
it helps if you're a vigilante too
sometimes things comes up and he has to skip a date or comes home extra late and he really, really hates it and feels so bad about it
he's sure to call and text you all the time to make sure that you never get stood up somewhere or that you know what he's doing and what his intentions are
He never wants you to feel like you're being left behind or put on the back burner
X= Xtra- Extra headcannons
He's got good taste when it comes to interior design
he got an apartment where he did to make sure that it would always have sunlight during the day
I'd say he's a handy person too
I mean he worked with Bruce his entire life and does mechanics, he can't be that bad at fixing a bad pipe or general maintenance
Y= Yearning- How much do they miss you when you’re apart
Jason hates LOATHS being without you
if you're out of town for a mission or something, he doesn't sleep well and he struggles to chill out
he's always on edge wondering if there's something wrong that needs fixing
whenever you're reunited, he's all over you
the "never leaving you again" mentality
he's not obsessive but he really, really misses you when you're gone
like his other half or one of his lungs is missing
Z) Zeal- How dedicated or enthusiastic about the relationship are they
when he's serious about something, he's all in it
he loves being around you and making leaps in your relationship
he values your company and everything that you have to offer and he just thinks that you're the greatest thing to exist since indoor plumbing
there's no cheating, no longing looks at someone else, there's nothing that indicates anything going on between him and someone else
He's just there for you and that's it
he is yours and yours only and that's how he prefers it to be
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tcfactory · 10 months
Text
Since my brain has been full of SVSSS brainrot lately:
I want a fic where the transmigration mostly fails and Shen Jiu wakes up from his qi deviation as User002 with the goddamn System treating him like he is Shen Yuan. Trashy yellow book what??? No, he doesn't need stats on his fellow peak lords, if he is supposed to follow a plot then he wants to see the script! You wretched floating rectangle, how is he supposed to play along if he doesn't know the source material?!
The stress of having what feels like a very pushy curse or an insanely weird demon inflicted upon him makes him deviate from some minor plot points and he gets punished for being OOC a couple of times until the System takes pity on him and directs him to Airplane bro, with the very clear suggestion that if he can't remember the early arcs of the story - System understands, User! It's very long after all. UwU - he should go and discuss it with the author.
He basically kicks down Shang Qinghua's door in desperation for some clarity and maybe an explanation, right now before he works himself into a stress-induced qi deviation, Shang-shidi. Shang hamster looks at his miserable scum villain, takes a deep breath, brings out all of Shen Qingqiu's favorite snacks that nobody should know about, makes a pot of calming tea and tells him everything.
Shang Qinghua expects Shen Qingqiu to be angry, to rip into him for writing him into this wretched life. And Shen Jiu is angry, but not at Qinghua. His anxious, mousy little shidi who lives his entire life under the looming threat of a horrible, seemingly unchangeable future doesn't look like a god. Shang Qinghua, who does his best to run his peak well and look out for his disciples despite his admittance that in the story the original Qinghua did a shoddy job - he doesn't look like someone who would have put pen to paper and written a tragedy if he knew it would become someone's reality.
And how could Shen Jiu, who has seen people sell their bodies and their very dignity for a cup of stale water, judge someone for writing a very bad yellow book so he can eat? Please. Peak Lord Shen might have developed a very discerning taste in literature over the years, but you can't fill your stomach with artistic integrity, Shang-shidi. Shen Jiu understands.
So they sit and for that first evening, Shen Qingqiu listens to all the differences creeping into the story, Shang Qinghua's retelling of the drafts he abandoned due to peer pressure, the long rambling tangents of the research he's done, even if they never made it into the story. Qinghua is so caught up in having someone to talk to that he doesn't realize that Shen Qingqiu put everything that happened to Qi-ge together, somewhere between the musings about how a sword inspired by kintsugi would be so cool looking, shame that nobody ever sees the thing, and the griping about how much one of his patrons complained about Yue Qingyuan dying without ever drawing his sword.
Later, when the snacks are gone and the tea is replaced with something stronger, he tells Shen Qingqiu about the stories he really wanted to write. About how he shamefully sneaked his dream man into PIDW, just so he could have some small part to himself, and oh, Shen Qingqiu will have to remind him about demon courting practices when they are both sober again, because it sounds like that Mobei prince is down bad for him.
He leaves that night with a newfound determination. Shang Qinghua might be resigned to the whims of his System and the shackles of the Plot, but Shen Jiu didn't burn the Qiu manor down and break his chains to give up so easily. This is his world, his sect, his Qi-ge on the line, and he would sooner wrest control from the System and become custodian of the world himself than let something take away and ruin what is his. He is the strategist of Cang Qiong Sect, there is no situation he can't think a way out of and he has had enough of tragedies.
Before any of that, however, he needs to go and have a good yell at his Qi-ge, smack his stupid face and then curl up in his arms for a good night's sleep. It's long overdue.
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dynamightmite · 4 months
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you seem optimistic so you think we’re still getting shigaraki back? :( i’m really sad the way hori has handled the izuku tenko plotline as of right now like i just can’t wrap my head around this
I mean, I definitely think it's a possibility. We still don't know exactly what happened to overhaul/decay, and how it may be used in the future. We saw Tenko and Deku touch fists; theoretically there could have been some kind of exchange there, or he could be existing as a vestige in some way.
Then again, (and this is going to piss a lot of people off :')) I kind of... get where Horikoshi is going with it?
BEFORE YOU START BOOING!
I think a lot of the discomfort and hurt from fans comes from the perception that Izuku failed to save Tenko. That, by allowing him to die, the narrative is in fact saying he didn't deserve to be save--that Horikoshi himself doesn't believe Tenko truly deserved it. I have also seen a lot of talk about how it doesn't fit in with the ongoing, overarching themes of the narrative, and (while I'm not saying these people are wrong) I would like to push back on that a little, because I think there is precedence in the story as to why Tenko's death holds up, despite it being terrible.
The culmination of Tenko's arc broaches a crossroad of two major concepts in the story: heroes, and saving, and what both of those ideas mean. And, I think, in Tenko's death, we get and answer to both, and more importantly, an answer to his overall purpose.
What does it mean to save? In BNHA, the concept is a little vague. I've often people ascribe the "total victory" mindset as one of protection, as preventing any tragedy or harm. Through that lens, Tenko's death therefore is an automatic failure--a nonstarter. HE's dead, so he wasn't saved. The end. However, while "saving" might seem like a simple, straight forward concept, I would like to dig a little deeper, because I think what Horikoshi's doing is much more interesting.
Saving (Deku's definition of it, anyway) is a lot closer to freeing than it is to protecting. Which sounds weird, but I'll do my best to explain. I think the two best examples of this particular nuance to his definition are actually in two characters people tend to forget he saved: Shoto and Gentle Criminal.
Because he did save both of them. Not in the really obvious, black-and-white way he saved Eri, no, but he did save them. And both times were... painful, to say the least.
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When Deku went after Shoto during the sport's festival, it wasn't, like, nice. He dug his little nerd fingers in where it hurt the worst and dragged out Shoto's biggest fears and insecurities, and then he said GET OVER THEM. Stop letting them control you. Stop letting your father control you. You're your own person, and you get to make your own choices.
He didn't punch Endeavor. He didn't even take pity on Shoto, or say he was sorry. But you know what he did do? Deku cut the leash. AND he damn near killed Shoto (and himself) making sure that Shoto understood that he was free. He gave Shoto back something that he'd been missing, something he was afraid to look in the face; something that Deku picked up, brushed off, and said, "please stop throwing this away, it's important. You're important".
And it works, goddamit.
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Gentle is both different and similar. In a similar vein, the way Deku saves Gentle is sort of... not obvious. But I think if you look here:
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Gentle isn't a bad person. He's ambitious and a little lax about the law, but he never set out to hurt anybody. But we see over the course of his arc how he gets so tangled up in his own pain and his desperation to be seen that he forgets his own ideals, his own morals. In the face of becoming someone, he loses sight of what matters most to him: just like Deku, Gentle wants to be a hero.
Which, in the end, he is. And Deku's the one who pushes him there.
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But what about Tenko? What about the crying child inside him? Why wasn't he saved?
When people talk about child Tenko, they often seem to see him as a symbol of the person that Deku's trying to save. But I think that, just maybe, that's wrong. I think maybe, actually, Deku is trying to save Tenko from that child.
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Child Tenko is, in many ways, a symbol of nothing but AFO's power. That is a child stripped of his name, of his original quirk, of his family, of his sense of self. That is a puppet controlled by AFO, without any autonomy of its own. That child is a wound that Tenko cannot escape for as long as AFO still holds any power over him.
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That's why this chapter All Might said that maybe Deku did save Tenko, if he no longer saw the child version of him in the vestige realm. Deku did save him. Because Tenko isn't a child anymore, and he isn't AFO's puppet; he's a free man, for the first time in his life.
A free man who chooses to be a hero.
Heroes get talked about a lot in BNHA (duh), but what is the defining quality of a true hero? Someone who wins? Sure. Someone who saves? Yeah, of course. But the actual test of what differentiates a hero from everybody else is their willingness to sacrifice. To give up everything for the greater good. Even if it hurts. Sometimes especially if it hurts. I mean, this has come up a lot through the manga. Deku running in to attack the sludge villain, Mirio giving up his quirk, Eraserhead throwing himself in front of his students, Edgeshot shortening his lifespan to save Bakugo, All Might standing quirkless in front of the greatest evil of his time-- literally the constant refrain from the narrative has been that being willing to sacrifice it all is what makes a hero a hero.
Tenko's final wish from last chapter is gut wrenching, but: he wanted to be a hero for the Villains. The rest of the world can rot for all he cares, but his friends, those disenfranchised, hurt people that everyone else gave up on? Those people who have never been saved, those people who have never been protected... he wants to be their hero. In the face of danger, of certain doom, he is a free man, and he has a choice.
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So he makes a sacrifice. His final act is to become a hero. For them.
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Cue the sobbing tears.
Additionally, I think it's relevant to point out here how strongly the narrative has advocated for victimhood to be divorced from being a perpetual self-identity. It really emphasizes the power of choosing to rise above your situation and pain to help other people, while also suggesting that your pain does not excuse you from hurting people. You can be a victim and you can be a perpetrator; they are not mutually exclusive. And because of this, after Deku saves Tenko, he does not owe him. He saved Tenko, but he could not keep him alive, and... I don't think that it's about Tenko deserving or not deserving to die. It's just that Tenko had reached a point of no return where his only choices were to die a slave or die free and he broke his shackles. But he was always going to die. Doomed by the narrative, both literally and figuratively. We can argue all day as to what degree of responsibility he holds for his actions as a highly abused, traumatized, often shell of a person. But the point is that at every junction of the story, Tenko (and the story around him) escalated until he was trapped. There wasn't a way out, and it's heartbreaking, and maybe that's the point.
I'm not saying it's fair. I'm certainly not saying you have to like it. But... I don't know. I don't feel like this is some completely out of pocket, off-the-rails end that destroyed all its characters. And who knows! Maybe Tenko will be brought back later. Maybe the epilogue will get progressively worse and I'll hate it. Maybe I'll finally get some sleep and regret writing this at all. I have no idea. Really. But we're all in this together, so these are my thoughts right now :)
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091400 · 2 months
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UPGRADE.
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PAIRING: yang jeongin x fem!reader (ft han jisung)
CONTAINS: power play (?), face riding, masturbation, biting, lowkey sub/dom dynamics, voyeurism, exhibitionism, perv!jisung, switch!afab!reader, switch!jeongin.
WORD COUNT: 3.1k
AUTHORS NOTE: this is originally an old work of mine! i fixed a lot of mistakes because i wrote it two years ago 😭. i wrote this as a self birthday present for my 21 birthday and it’s based on a dream i had ;) went exactly like this and holy shit reading it back made me FEEL things.. so yeah! please enjoy and let me know what you think!
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A screaming match in the kitchen woke you up.
You sighed as you put on a shirt that wasn’t yours and went to see what was happening outside your very comfortable room. It was very common for you and your roommates to share clothes, after all, you washed them together and sometimes they got mixed up, so it wasn’t a problem at all to use someone else’s clothes.
The Han Jisung vs Yang Jeongin live-action was happening right in the middle of your kitchen.
Your classmate Kim Seungmin, who was also majoring in Photography like you, subtly mentioned that two of his close friends were looking for a place to live, so after some interrogation on your part, you found Jeongin and Jisung to be a good fit for the place you called home.
And here they were, a whole year later, fighting for their lives in the middle of the kitchen. Jeongin was holding Jisung’s arm against his back in some sort of wrestling position, the older struggling against the kitchen counter with Jeongin laughing as he held him effortlessly.
“When are you going to behave, Hyung?” Jisung groaned, getting more and more frustrated with every passing second. You watched it all from the door, snickering.
“Why are you bullying your hyung, Innie?” Both of them snapped their heads toward your voice, watching you lean against the door with a grin.
Jisung didn't waste a second, instantly freeing himself from Jeongin’s grasp when he was distracted by your presence, hopping away from him with a fighting stance. “Don’t ever do that to me again.”
“Then don’t steal my food when I have repeatedly asked you if you wanted some and you said no three times.” Jisung raised his eyebrows in annoyance, and then he turned his head towards you like he was expecting you to say something.
“What are you looking at, Jisungie? He was very clear.” Jeongin winked at you as he grabbed his food, and quickly disappeared into his room without saying anything else, brushing his arm with yours as he walked past you.
Jisung scoffed, begrudgingly starting to make some breakfast for himself after the whole tragedy he had just suffered. You walked to the refrigerator and got yourself some cereal and milk, watching how the man was fuming while making himself a sandwich.
“Stop frowning, you look ugly.” That was a lie.
His eye twitched at your words, “Shut up, you didn’t say anything to defend my honor.”
You scoffed at him, eating your cereal unbothered. “It was none of my business, chill out.” He rolled his eyes and took a seat in front of you on the kitchen table.
Both of you ate in silence for a few minutes, occasionally glancing over to watch the other, until you broke the silence.
“Do you want to watch a movie or something with me in my room?” Jisung choked on his sandwich, making you laugh, “Are you okay?”
“No thanks, I have other important things to do now.” He looked away, and your jaw dropped for a few seconds, then you quickly regained composure. Was he still mad about you not defending his honor?
“Sure, don't worry about it.” You stood up from the table looking at him one last time, leaving your plate in the kitchen sink. “Have fun then, I’ll ask Innie.”
Smirking on your way to Jeongin’s room your thoughts drifted to Jisung, he never rejected the chance to spend time with you, even to the point of canceling his own plans to hang out, you shrugged it off and knocked on Jeongin’s door.
“Come in.”
You opened the door to see him sitting with his legs crossed, still eating his food and watching some anime on his laptop. “Hi.”
He nodded at you, cheeks full of food, he paused the anime and put the bowl of food on his nightstand. “Hey, what’s up?”
Jeongin was wearing an oversized graphic tee, with a pair of shorts that left almost nothing to the imagination, his marked thighs from working out daily fighting against the fabric, showing off more because of the way he was seated on his bed.
“Hannie rejected my invitation to watch a movie, y'know, I have an actual TV.” You grinned wiggling your eyebrows, you were set on watching a movie with someone, it didn’t matter if it was Jisung or Jeongin.
“Is this an invitation to fuck?”
Huh?
You smirked, “I mean if we are in the middle of the movie and you get hard I’ll think about it.” Jeongin chuckled.
“That depends on the movie.” He raised his eyebrows with a playful smile.
“You think we are watching Fifty Shades or what?”
He shook his head as he stood up, getting closer to you. You noticed his wet hair and his bangs sticking to his forehead, he had showered before the breakfast incident probably. He smelled good, and he was looking extraordinarily handsome today.
“Well, are we going or not?”
You rolled your eyes as you followed him to your room. He quickly got himself comfortable on your bed and took the lead to pick the movie, you went to see if Jisung was still in the kitchen, but he wasn’t there, so on your way back to the room you clashed with him who was just leaving the bathroom.
“Ouch, sorry,” You glared at him, he looked at you weirdly and peeked at your open door, seeing Jeongin getting comfortable on your bed, covering himself with your blankets. “Oh… you went to him instead?”
You scoffed, getting annoyed, “Of course, I want to watch a movie, weren’t you busy?”
Jisung looked away, “Yes, sorry.”
“Then see you later, hm.” You entered your room and closed the door on him, leaving him speechless.
Jeongin looked amused by the whole situation, “I’m still winning after all.”
“Don’t.”
You jumped on the bed and took your spot beside him, who was looking very cozy with your blankets covering him. Jeongin had already put a movie on, it was a horror movie and you were happy.
“We’ll watch the movie adaptation of the book It by Stephen King,” Jeongin murmured, getting comfier and putting his head on your shoulder. You nodded and rested your head against his soft hair.
You could count with two hands the actual time the both of you watched the movie. The protagonist’s little brother was about to die to the ugly ass clown hiding in the sewer when Jeongin’s hand grazed your thigh, at first you shrugged it off but the second time you felt his fingers against your skin, you knew it wasn’t an accident.
“Are you truly getting horny with this scene?” You chucked, caressing Jeongin’s hair with your hand.
He grabbed your thigh and stroked it gently with his long and slender fingers. “To be honest, you’re not wearing pants.”
“I’m wearing underwear and a shirt, that’s how I sleep, that’s not an excuse.”
“You literally invited me here to fuck?” Your jaw dropped.
“I did not,” You pushed his head off your shoulder making him frown at you. “Bro, I just wanted to see a movie in peace but you horny gremlin and the other angry gremlin cannot do this to me.”
Jeongin smirked, quickly pausing the movie and looking back at you as he sat on your lap, trapping you between his thighs. “What are you-” He took off his shirt and looked down at you, a lazy grin plastered on his face.
“What the fuck Yang Jeongin.”
“At least are you thinking about it?” Of course you were thinking about it, he was literally shirtless in front of you, his toned chest from working out and his biceps at your mercy.
You traced your hand around his chest, playing with his nipples as he shivered, his grin faltering at your touch. He wrapped his arms around your neck as you played with his chest, scratching his pecs with your nails.
“You’re so thinking about it.”
You nodded, tilting your head to the side and watching him stare at your lips, his chest slowly expanding with each breath he took and licking his lips more times than he could count. You pouted, your doe eyes working hard and fast on him.
“So are you going to kiss me or not?” He grinned as he leaned on capturing your lips in a kiss. He was good, slowly sucking on your lower lip making it a hundred percent hotter than it should be.
Still sitting in your lap with his arms around your head, holding you up to keep you in place, kissing him. His hips started working against your lower belly, the bulge on his shorts growing hard with each thrust. “Oh?” He giggled like he got caught doing something bad.
“Was this your plan all along?” You asked, after a long kiss. Jeongin was breathless, so he just nodded sharply.
He was kissing you again, one hand caressing your cheek and the other holding your head. His tongue made expert movements inside your mouth, wanting more and more from you.
Your hands were still on his chest, making him tremble against you every time your hands caressed his torso. You could feel his already hard cock against your belly, taking the initiative, your hand wandered down to his shorts making him jump slightly, he smiled against your mouth when he realized what you were doing.
“Take them off?” He rolled his eyes as he struggled with letting your lips go.
He got up from your lap, quickly taking all of his remaining clothes off and smirking when your eyes went down to stare at his hard leaking cock shining with precum on the tip, he made a mocking sound.
“I mean, it’s a pretty dick, why are you laughing?” You clapped back, he shook his head as he got closer to you, kissing you deeply leaving no room between the both of you as he got on your lap again.
You wasted no time getting your hands and mouth on him, watching him gasp at the feeling of your hand wrapping around cock and the other playing gently with his ballsack. Your mouth attacking his neck while leaving crimson marks, the sounds he made encouraging you to continue, his hands traveled to your hair, pulling it as you jerked him off.
Between the sweet sounds of Jeongin’s moans on top of you, grinding his hips against your hand to gain more friction, you heard some shuffling on your door, it was now a little bit open but you didn’t pay it any attention, your lock was broken anyways.
Jeongin’s breath got erratic and your head snapped in his direction, feeling yourself getting wetter just by his looks, sweaty hair, and gaping mouth. “I’m going to-” He gasped, closing his eyes shut, his whole body shaking on top of you. He came hard in your hand, with a few last pumps he began to whine result of the overstimulation.
He moved himself to the side so you could step out of the bed and get yourself cleaned, you had fluids all over your arm and hand, and some on your shirt too.
But before you could go too far he spoke again.
“Come back here,” He muttered darkly, “You’re going to sit on my face.” As you were wiping your arm with a wet cloth Jeongin made himself comfortable again on your bed.
“Is that so?” He nodded sharply, sticking his tongue out teasingly.
You teased him back, slowly removing your underwear that was soaking wet after the exchange, and throwing it near the door. Jeongin licked his lips as you walked closer to him until you were towering over him only wearing your shirt.
“C’mon, sit.” He didn’t had to ask you twice, you got yourself on top of his head, getting yourself comfortable on the bed and with his head between your thighs. The moment you lowered yourself into his mouth he did a long lick on your folds, taking it all in.
You moaned loudly, damn he was good.
He traced his tongue all around your folds, alternating between your core and clit, making you jump when he pressed his tongue in the spot you liked so much. Your hand flew to his hair, pulling it hard to make him keep doing what he was doing perfectly fine under you.
Jeongin puffed air on your folds as he separated his mouth from your core, you exhaled shakily as you looked down to see him smirking at you. “You look so pretty on top of me,” He murmured, eyes glazed as you rolled your eyes.
“That’s why you stopped?” He quickly grabbed your thighs to pull you down on him, sucking harshly on your clit with a mission on his mind.
Jeongin was good with his mouth, in every way that could sound. He was an excellent singer, the best student in his university debate club, and of course, a god giving head.
Your hands on his hair, keeping him in place to continue his kitten licks on your cunt. Jeongin didn’t fight you and accepted it happily. His hands were gripping your thighs to keep you in place on his face, after a few seconds he started to move you the best he could to make you ride his face, and you were happy to comply with it.
The sounds coming out of your mouth were music to Jeongin’s ears, he speeded up his movements on your clit making you whine, riding his face harder. He was grateful if his death was between your legs, giving you head.
With a few last movements on your part, you came on his face with a loud whine, your legs quivering as he held you up in place to keep you from falling, licking all of the fluids that came from you gladly. When he finished, he slowly removed himself from under your body while you were still recuperating from the orgasm now laying on the bed.
“Round two?” He proposed from the other side of the bed, you exhaled deeply, preparing yourself mentally as you nodded.
“Get yourself hard, my hand is sore.” You joked, totally willing to suck him off and then fuck.
“Don’t worry, I’m ready if you are.” With a confused look you glanced at his cock, happily discovering he was rock hard, probably from eating you out.
Okay, that was hot.
“Do you have condoms here? or should I go to my room for one?” He teased you with a wink, and you suppressed a laugh.
“Maybe you should ask your hyung for one, hm?” He looked at you incredulously, you snickered and pointed to your bedside table. 
Jeongin got to work, and quickly got the condom from your drawer looking at you funny because you had a LOT of them in your drawer, you shrugged. Your mouth watered at the sight of his cock, ready to wreck you. You were still wearing just the shirt, you got ready on the bed as Jeongin jumped on you, accommodating himself between your legs with the condom on, as he should. 
He took his time teasing the head of his cock between your slick folds, grinning devilishly every time you complained, he played like that for at least a minute, between kissing you and putting just the tip inside of you, taunting.
“Such a big cock and no use for it?” You pouted mockingly, already wanting to get fucked dumb and stop being teased.
“Shut the fuck up.” It wasn’t just the tip now, it was the full package inside you.
“Shit, that’s it.” You whined.
He grinned as he pistoned his hips hard and fast, his hands went directly to hold your waist and the other to keep himself steady against the bed frame. It was impressive how he fucked you swiftly without losing balance, your cries made him go vigorously faster, it was like you were cheering him on to make you come again.
"Fuck, I’m close,” He panted, going absolutely feral while growling at your sounds and reactions from his cock.
He was pounding into you like there was no tomorrow, his face buried in your neck and not putting any of his weight on top of you so you could bounce on his cock freely. Your hand went to your swollen clit and the other to his hair, pulling it hard making him moan, it was obvious that he was into it.
The sound of skin slapping, your cries, and Jeongin’s grunts almost made you not notice the door opening a little, making your head turn that way. 
What you didn’t (or you did?) expect, was seeing Jisung jerking off with your soaked panties on the doorframe, the door was a few centimeters open but you could see him clearly as a day touching himself with your underwear standing there, gawking at Jeongin’s cock entering your pussy quickly.
Jisung hadn’t realized that you had caught him looking at you, he was stuck watching Jeongin fuck you. The hand movements on his cock were painfully slow, your panties probably burning his skin as he jerked off with them, his precum drenching your panties more than they were before.
You were in a trance watching how Jisung enjoyed the situation just like you, and how probably he was standing there for a long time before you realized. As his movements were getting faster, his sight flew to your face and you saw how the blood left his face just as fast his hand was pumping his cock.
“Hi, Jisungie,” You said cheerfully as you could while getting fucked. Jeongin raised his head and turned it towards the door while continuing to fuck you, smiling wickedly when he saw the situation his hyung was caught in.
“I told you hyung was a pervert.” Jeongin said groaning, psyching himself up to continue without being interrupted again.
“I-” Jisung stuttered, frozen in site.
You threw your head back, getting yourself back in the mood with Jeongin biting your neck. Ignoring how Jisung tried to explain himself as you enjoyed your second flawless orgasm of the day, your whole body shaking with Jeongin holding you tight seeking his own release.
“Fill me up, please.” At your words he came with a cry, falling on top of you breathless.
Jeongin snuggled into your neck, hugging you with his cock still inside you getting softer with every passing second. You embraced him back ruffling his hair and chuckling.
“You’re wearing hyung’s shirt, you know that right?” Jeongin whispered, caressing your arm softly.
“Tsk, do you think I’m dumb, baby?” You looked back at the door, which was now closed and Jisung nowhere to be seen.
You met Jeongin’s gaze and snickered alongside him.
091400 © do not copy / plagiarize / repost or translate my work on any other platforms.
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littlefankingdom · 2 months
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I do not understand fics and posts where Jason time-travels and tries/succeeds to stop himself from being adopted by Bruce or being Robin.
Jason was hurt because he was "replaced" as Bruce's son and as Robin. Why he was mad at Bruce was not for not saving him, not for making him Robin, BUT not killing the Joker. What Jason wanted was a sign that Bruce cares for him AS MUCH AS Jason cares for Bruce. Hurting Tim is not about proving that having kids doing vigilante bs is bad and dangerous, it's about making Tim pays for stealing Jason's dad, it's about making Bruce suffers for not caring enough about Jason's death (in his eyes. Jason doesn't have the full story). And the whole "we are just soldiers to Bruce" is not about how Robin shouldn't exist, it's about how hurt Jason is by Bruce, how he thinks Bruce discarded him like an army does with a soldier when Jason is his son.
But also, and that's a part of the tragedy that makes Jason Todd, his time as Robin and being adopted by Bruce, they are some of the best moments of his life. There are memories that hurts for him to look at because of how happy he was. He would probably not be able to take that away from himself, because that would be so awful. Yes, he suffered from losing it, but is it better to never have lived it? Jason LOVED being Robin, and as much as it hurts, he still loves that he was able to be Robin.
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~ Red Hood and the Outlaws (2011) - Jason's happiest memory is when he was sick and couldn't go out as Robin, and Bruce stayed in with him
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~ Red Hood & Arsenal - Jason hugging an amnesic Bruce, thanking him for "everything" with the implication about making him Robin with their shadows
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~ Robin War - Jason punching a random guy because he believes being Robin helped him
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~ Robin War - Jason talking about being Robin and how it hurts to lose Robin with Tim
Finally, Jason was always someone that values justice. He finds Batman again to explain to him what is happening in Ma Gunn's school because he wants justice. When he thinks Batman doesn't believe him, he decides to work on his own to bring justice. I must laugh if you think Mister "You kill the Joker or I kill the Joker but he must die" would sit back and not become a vigilante while his family is crime fighting. Hell no, he is like all of them, he needs to do something about it. And Bruce will not stop him, whatever age he is. Or the moment Batman is taking too long to come back the the manor, he is sneaking out to find him and kick the ass of anyone who touched his dad (which is what he did in Batman: The Cult. Batman went missing and Jason went to Jim on his own to know about what was going on in the city, and did the detective stuffs alone to find his dad and bring him back.)
Jason may find a way to stop himself from looking for Sheila Haywood, his bio-mother, but he would not stop himself from becoming Robin. He knows being Robin or Bruce's kid isn't what killed him.
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shigarakisslutbag · 5 months
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Here are some "romance" tropes I feel would fit shigarakis love style if he were in a relationship or liked someone:
Grumpy and sunshine
Like actual grumpy/sunshine. Not bully x sunshine/sweet reader lol.
Idc what anyone says I firmly believe tomura would have a soft spot for his love interest. It would probably take a long time to build these sort of feelings, but once he does, he does his best to hide it
One: scared of ruining his reputation
Two: doesn't want any hero to use those feelings against him. This is a huge reason it takes him a while to admit any feelings to even himself, he doesn't one the one good thing he has, to disappear.
It kind of plays into the next one
Opposites attract
This isn't always the case of course. And in some aspects tomura would obviously want someone similar to him (hobbies, valuing alone time ((probably)), loyal, etc)
However
This sounds a bit cheesy lol but bare with me. You're like the one thing that keeps him afloat. He can't grow and mature if it's always raining (so to speak), so he needs "sunshine" to remind him that he has supporters. He needs someone to keep him in check and remind him of the things he has going for him when he can only see the cons of a situation.
The Wonderful thing about you, is that you don't just tolerate him, you actively want to see him succeed and want to help further his cause.
He'll fs act like your bubbly personality is inconvenient though, but if you have even a slight change in your attitude, he notices. And will ask you what's going on (in his own way lol. He's trying give him a break. If he didn't care he'd definitely just tell you to get over yourself)
Soul mates
Okay listen. Listennn. This may not sound very realistic at face value. But in a scenario in which you aren't affiliated with the league at all, he'd probably meet you out in public. Likely out to steal some new game or snack/drink he wanted (from a chain store ofc. If it's a chain it's free reign)
That said, he'd either see you on his walk there or in the actual store. Either way, he's burdened by some hero on their first job not knowing, well, how to do their job.
This hero in particular has some sort of "cupid"- like quirk.
Shigaraki, to his dismay, gets hit lol. No one could recognize him with a face mask and hoodie on though. But the first person he looked at was, you guessed it, you. You locked eyes with each other and he felt something he hadn't felt before. It made his stomach turn. He hated and loved it. Was it butterflies? Wasps?? Either way he feels like he just touched wet food in the sink but also wonders how he got so lucky to see eyes like yours- god, he hated being in public .
Tomura, after being hit, fell down from the force of what hit him. Literally fell for you. And you said something he'd never heard before. Something no one has ever really asked besides his mom
"are you okay?" And it's all down and uphill from there .
First love mixed with childhood friends trope
Last one, promise lol. Unless someone asks for a continuation.
I mention these two tropes mixed together, because honestly I see this as one of the most likely tropes. Tomura, as an adult has probably only a vague memory of you due to all the trauma. He blocked out quite a lot.
You were probably one of his closest friends. Granted, you two only knew each other for a brief time as you were both around 5 years old when the tragedy happened. You two probably met in elementary school if his parents sent him (elementary is not mandatory in Japan from what I read. They start first grade after they turn 6 is though). If it wasn't that, you two were likely neighbors or something. Regardless, you two were inseparable at the time.
As kids, you both had a pretty innocent view on how the world worked. Little you at one point may have even asked him why he scratches his face all the time. He'd say he doesn't know, but it feels worse when he's at home. Youre tiny little heart couldn't handle seeing the sad look on your friend's face. Almost immediately you took him to your bathroom and got the "tube with medicine stuffs" that your parents used when you got scratches to help itching or pain (which was probably calamine lotion or cortisone), and put some little bandaids on his face (he said the all might ones would make his father mad. That made you more sad, but you kept those feelings to yourself)
He'd even come back to your place when he felt itchy at home. One night though, you ran out of the topical treatment. You were both sad but went on about your time playing pretend and talking about whatever you two could think of. Time went by and he realized he wasnt itchy. Not with you. Never with you. From that moment forward he considered you his "bestest friend".
As an adult, he probably only memorized you from a feeling of loss, and missing something that he couldn't pinpoint why. This probably made him itch more. It wasn't until he had his transformation arc and his voice matured, that he realized what was making him itch so much. It was the loss of you. At least he doesn't itch anymore.
A/N: OP tries not the make themselves cry challenge (fails miserably). Anyways if there's any typos I apologize. It's 3 am and I wrote this out on a whim. Ikik I got too carried away writing, but oh well. Some of these I felt like writing a whole fic for tbh lol. That said, feel free to tell me what your favorite trope is and which one of these you loved the most:)
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neptunes-sol-angel · 8 months
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Pick the picture(s) that you're drawn to the most, then scroll down for its corresponding message for insight on what's next for you in love.
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Pile One ♡
I strongly feel that most people in this pile would be considered as someone who is inexperienced in love, maybe you guys are bookworms, maladaptive daydreamers, and writers yourselves when it comes to visualizing your future, different settings for how the world could be, and breathing life into the people that you haven’t gotten the chance or time to get to know yet. What’s next for you in love, is practice. You’re upgrading from being Bambi by becoming the Great Prince of the Forest by taking risks before you are able to know and find what is right for you. Some of you may believe in holding yourself tightly before you meet “the one” but the message is that you are being unfair to yourself by putting your life on hold to revolve it around someone who is also learning too, but isn’t waiting like you are doing. This doesn’t mean to be reckless or to feel coerced into going along with people you don’t have a good feeling about just for the sake of finally being in a relationship. This stage is about exploration and enjoying yourself before you meet your life partner. If you resonate with being a bookworm, you could be the type to read romantic fictional stories on a platform like wattpad, and while it serves its purpose which is to make you feel good, it could create an irregular perception of love for you, like subconsciously romanticizing traits that are toxic or wouldn’t be something that you would actually like if you were to actually experience it. For some, it could be re-evaluating your attraction to individuals, like when you crush on someone, you could find that they really look good, but do you yearn for more from them? Your path in love could be redirecting you to pay attention to how a person makes you feel than what you get from them on a surface level of interaction.
Pile Two ♡
There was someone in your life that you once felt like you couldn’t live without or took something from you that seemed irretrievable, but you’re being blessed in a way that’s shutting all of those lies down. You’re getting you back, in whichever way that it applies. This could be your motivation to take care of yourself, to do things that made you feel happy and at peace before this dwindle ending happened, like going to the gym, arts & craft, writing, solo trips or going out with friends, and even something simple as such as looking good for yourself, but it’s not limited to what was mentioned. This could even look like getting closer to who your deity or deities and spiritual maintenance. The best way that I can describe this, is that this phase in love is like this big circle of energy, stuff that was taken or borrowed from you, that’s being marinated before it is returned because it isn’t just aspects from the past, it’s also the time for creation. This whole entire time, your rain of tears that were collected from this heartbreak were observed yet not ignored, but transmuted into this empire that you’re building off of the corpses of failures that you’ve experienced with not just people but life circumstances, maybe when that break up happened it just seemed that more tragedies kept following you after that and it drove you into insanity like when does this pain ever end? Although you can’t forget about it, you’re learning how to soften from these things that stung you in the past, so that you can keep moving and consolidate your wishes. For some, this is personal, and an era that you’d like to be selfish with in order to see what else you can create, like developing a strong daily routine, starting that business, or maybe even working on yourself so that you can heal others, while the other side of this collective will open their hearts again to a new love which can be romance, friendship, or even adoption that is just as equally healing.
Pile Three ♡
The next thing in love for you is learning how to stop trying to win. I’m picking up multiple scenarios for this but the premise is that people in this pile are in love situations where there is no winner, and if there is, let the other person be the one to have it so that you can walk away and stop blocking yourself from better to come in. Some of you are in a long battle with a person by competing with them on who has the upperhand in the situationship, this involves the runner and chaser dynamic constantly reversing and both of you keeping tabs on each other when you’re supposed to be in no contact. The second scenario is sticking beside someone who has a wandering eye but trying relentlessly to get this person to choose you the way that you choose them. The third scenario is in general, trying to prove yourself in order to gain love from others by manipulating yourself and even them to win their affection. There is this storm brewing, you can even call this a tower moment, that could happen to finally get you to see the many ways that you are downplaying yourself with people who have stayed in your space and energy for far too long. You’re going to surrender from these situations to know what it means to pick yourself up and see how beautiful and worthy you are to the extent where you’ll be baffled by how much you’ve been settling for people who don’t deserve you. This phase will come with new connections, but what makes it different is realizing your authority in this by realizing how possible and freeing it is to choose people that choose you. Once you realize that you’re the prize in this game, let the winner take pride in being the fumbler, and be proud of yourself for not being the one to fumble you.
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ispelexists · 7 months
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SHADOW MILK COOKIE AND 'THEATRUM MUNDI'
"The world's a stage, and the actors are playing their roles in it"
The idea of Theatrum Mundi dumbed down. It's a simple concept, that concludes that the life itself is a show, being directed by some supernatural force like for example god etc.
(If I'm wrong correct me, I'm not that much into literature and this kind of stuff)
This idea caused me to write down a few prompts for you pookies <3
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🎭
The thing is, is that you have so many options with this, like... AHHH
English isn't my first language, I apologize for any confusion I might've caused by these
Here's some ideas/prompts for you guys:
💙 1. 💙
🎭) AU where Shadow Milk's corruption begun not because of the overwhelming power he had, but because he, as the 'Virtue of Knowledge' knew everyone's script after looking at them, and being distraught by that fact, or the fact that almost every Common Folks life ended with a tragedy, a murder (by the hands of the beasts, but he doesn't know that) which terrifies him.
He, being the only one who knew about it, would try to figure out what this tragedy was, or to change the fate, not knowing the cause of it, was himself and those he considered him the closest.
🎭) In the end he got so focused on that task, he didn't see his own slow fall, and when he noticed it in his comrades, it was to late. The only thing he could do was to accept his end, and join the other Beasts in wrecking chaos, and ending the whole ACT.
🎭 (In this AU, he can only see the key moments in everyone's life, like for example marriage, death, and other important things, he can't see everyday life of anyone)
🎭 (Also the only one's he doesn't know his script, that's why he doesn't know he would fall to corruption, you can say that he also can't see other Beasts since they're equal in power, but I think it works either way)
💙 2. 💙
🎭) A concept where Shadow Milk Cookie, freshly after his corruption, goes around either in a physical form or hidden withing the shadows, observing random cookies life, and having a great time laughing at the absurdity of the fact he can basically knows what's gonna happen next.
🎭) For example seeing a cookie buy something at the store, and him being able to predict they would trip in a moment, which they do. After observing, he would start to act out, to see if his actions can change the events that would happen next (Example: Making person A fall on someone else's garden, and the other cookie getting angry at them, which would change not only Cookies A script, but also Cookie's B) (basically 'Butterfly Effect')
🎭) This prompt would allow to explore how he might've acted freshly after becoming fully corrupted. Reason being I think, he wouldn't jump straight into seeking chaos, but testing the waters to see how far he can go before anyone (witches) try to stop him
🎭) (As an Ex 'Virtue of Knowledge' in this AU he knows every detail of everyone's scrip/life)
💙 3. 💙
🎭) This one is a prompt for an 'x Reader', 'x Canon' or 'x OC'. Basically Shadow Milk Cookie after he got released from the tree (of right after he got corrupted) and meets Insert/Name and Gingerbrave gang.
🎭)Here it could go 2 different ways (or more, but I just don't feel like writing them all):
a) He knew of I/N because of being able to see through Pure Vanilla's staff and falling for them in that way, but after seeing that I/N either has no love interest planned in the whole thing, or has some else, he's getting angry
(if you're doing pre-corruption Shadow Milk, then he can get just sad, and attempting to change the fate by simply spending more time with I/N, but after it hasn't worked, he just watches from the sidelines, as their beloved live in their fairytale, and get their happy ending with someone else (ANGSTSSS YESS))
anyways, coming back to Corrupted Shadow Milk Cookie. He would attempt changing the fate in more drastic way, and getting really pissed that it won't change no matter what. Feel free to interpret it as you will.
b) Also after getting free from that tree, while he knew of I/N from Pure Vanilla, after meeting them, he learns that in their story HE is their love interest, and being like 'Omg, my star, where have you been all my life 😩' or something idk, be creative lmao.
🎭
The art without the text 😘
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physalian · 7 months
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Writing Tone #2: Avoiding Manufactured Sincerity
There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.
It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.
I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.
Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.
Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.
This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.
This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.
It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.
It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.
This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.
So how does this happen?
1. The author *really* wants this scene, but writes it too early into the story
Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.
But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.
2. The author cannot fluidly change tone and characters explode, instead of simmer
An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.
These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.
3. The characters involved are underdeveloped
As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).
You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.
4. The tonal jump is just too extreme from the established rules of the story
Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.
Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.
Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.
Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.
My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.
Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.
Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.
Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.
So some things to keep in mind are:
Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.
Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.
Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.
TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.
So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.
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vaguelyaperson · 2 months
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as much as i understand shigaraki's death, narratively speaking, i'm also so goddamn tired of society needing martyrs.
what made me fall in love with shigaraki is that he's an excellent villain. all his character development built towards him becoming a more competent, driven, effective villain. he became an incredible symbol of fear just as deku became an incredible symbol of peace. this is who he was, in entirety. there is nothing else shigaraki could be.
when shigaraki told izuku, in his final moments, to pass on the message to spinner that "shigaraki fought to destroy until the very end," it really emphasized how it would have dishonored him to be vegeta'd, as it were.
shigaraki made it his mission to tear down hero society. this was his noble mission. this is what made him a hero to the league of villains. because he saw the systemic evils, he saw the evils that hurt his friends, and sought to destroy it all.
there's something to be said about trying to change someone who doesn't want to change, but for shigaraki, it was more than just trying to rehabilitate him from mass murdering. because to him, and the league of villains, what he was doing WAS the right thing. to tell shigaraki not to destroy would be akin to telling deku not to save. "you may not understand, but that's what makes me the villain."
there was a binary choice here: either he'd be left free to complete his mission and destroy everything, or he'd be stopped, permanently.
Izuku, by reaching tenko's heart, but ultimately stopping shigaraki, was choosing the only third option he had: declaring that he would not let all of society be destroyed, but not without promising that he'd do everything he can to reform it here on out.
shigaraki destroys. deku saves.
that's it. that's the bnha narrative in its most basic foundation. horikoshi did not fail to tell that story.
I think what ultimately fucking sucks about this ending is that it's too realistic. society often DOES need a martyr - or often martyrs - to realize that they fucked up, that they let an evil persist too long. they need a shocking enough tragedy to point to and swear they'll never let it happen again. society needs to be rocked to its very core before people can be motivated to get their heads out of their asses and work together towards reforms.
and that in itself is an evil, that people can't see how much harm they're causing or condoning without some horrific tragedy.
i think we're all mad at horikoshi for failing to follow through on the story because we didn't WANT the realistic ending. we wanted the hopeful one. the against all odds one. we didn't want another story about society using the image of martyrs to get its shit together. because we already know that story. and we're so so so tired of it.
especially when we know it only leads to a temporary peace.
because people forget. they put in enough reforms to feel good, and then get comfortable and ignorant again. when does that cycle end? when can we finally notice the evil in time to PREVENT it? so that everyone, 'heroes and villains,' get a happy ending?
I think our anger with the bnha ending is good. we want different - not just in fiction, but in real life. we're willing to hope for different. we should hold onto hope and fight for different.
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girlietips · 1 month
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Boundaries I have 🤍🦢🩰
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Hey cuties here are some of my personal boundaries that I use on a daily basis🤍
If anyone last minute cancels plans with me I don’t make more plans with them.
Obviously within reason if something happens that the person had genuinely no control over this does not apply.
But if the person just decides to not come or wants to move back our meeting time by anymore than 30 minutes I cancel it and no longer make plans with just that person (if someone else is going then I will make exceptions).
When people don’t value your time it is very clear and especially because I like to have my whole day planned out someone else not wanting to show up is not something I am going to deal with.
I don’t tolerate any mean jokes
Whether they are towards me or towards another person just because it is said in a joking manner does not make it any kinder.
Listen I have two very very good close friends. One that I’ve known for around 13 years and the other who I’ve known for about 7 years. Never once in all of those years have they ever said anything mean to me. They have definitely called me out when I am in the wrong but we have never had the kind of relationship where we are just mean to each other and call it jokes.
If you are one of those people that says your relationship is perfectly healthy even though you are constantly “making fun” of each other. I invite you to truly ask yourself these questions. “If it was someone else saying this would it hurt my feelings?” and “if the joking tone was taken away would it still be funny?”
I don’t tolerate any violent or graphic jokes. (“Dark humor”)
It is never funny, it is never going to make you seem more edgy, and it’s never gonna make you look cool to make fun of suffering. You lacking basic empathy is very apparent when you make fun of tragedies and half the time there is not even a punch line.
It’s just very immature and I also find the people who tell these jokes don’t really care about “time and place”. Often times they use the “stop being so sensitive” retort to cover up that they don’t have a funny bone in their body and can’t read a room to save their life.
Save them for Reddit babes!
No one (not even myself) will get in the way of my self care and sleep schedules!!
I find that I feel best going to bed really early and rising early as well so generally I don’t make plans after 6-7pm (exceptions for big life events, birthdays, weddings, holidays) any friend who is a true friend knows this about me and will not try and force me to go out late.
Same thing with myself no matter how important work or school is to me it never will trump taking care of myself so I feel the best.
These are the main ones I follow let me know if you want me to explain how I set my boundaries or if you just want more of mine because I definitely have more but I’ve been slow at posting lately and wanted to get this out of my drafts🤍
Bye cuties🩰🦢
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kjwaikiki · 2 months
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House of the Dragon only showed them for 5 minutes but Cregan and Jace have there hooks in me. Here is a fic idea:
Jace and Cregan dated for a while either in college or just out of college. Jace was away from his family at the time and he didn’t tell anyone about Cregan. Jace wasn’t ashamed but it felt nice to have something that was solely for himself.
They were in love. Approaching the altar and getting married kind of in love but something happened that ended their relationship. Maybe there was a tragedy on Jace’s side of the family that compelled him home or maybe it was Cregan’s side of the family that needed him. The point is that they were torn apart but still really love each other.
Jace goes back home and is around his family. I imagine Jace is someone who suppresses a lot of his emotions. He feels pressure to be perfect so he puts on a facade and struggles to get through the day. Part of this is that Jace doesn’t really share about his life with anyone, there is just this huge gap for a couple years where all the family got were sporadic phone calls and gifts on important holidays.
The family is worried about Jace. They see him struggling but he won’t let anyone in so they don’t know how to help him. In the midsts of this Cregan comes back into Jace’s life.
I imagine Cregan is trying to do a deal with the Targaryen company or the family hired him for something. The culmination is that Cregan sees Jace while with the family and neither man takes it well. Jace is visibly distraught which freaks the family out because if they can see it on his face it must be bad. Cregan is not any better. Cregan is trying to keep a stoic face on but is not succeeding. He keeps looking at Jace and making aborted moves to comfort him.
The meeting eventually ends when Jace can no longer stand it and runs out of the room. For a split second Cregan’s mask falls completely and he looks devastated. The meeting wraps up but all the family agrees to interrogate Jace together after which does not go well.
Jace is not having a good time. He still loves Cregan, still wants a life with Cregan, but still sees no way over the obstacles of their obligations to their families and trying to fit their lives together in a way that ensures that no one is giving something up. Jace is unsuccessfully trying to stave off a breakdown when the family converges on him. All Jace’s loved ones have the best intentions but their questions about Cregan are too much too soon and Jace starts crying and hyperventilating.
No one knows how to help him and everyone freaks out. Everyone is trying to get Jace to breathe or tell them how to help him. Jace is finally able to choke out that he wants Cregan. Someone calls Cregan and puts him on the phone with Jace. Cregan is able to talk Jace down off of his panic attack.
After the phone call the family is still there but are noticeably shyer about asking Jace anything. Jace sees them squirming keeping their questions in and signs. He grabs him laptop and a thumb drive. On said thumb drive is all the pictures and videos he and Cregan took together when they are dating. There are shots of Cregan when he is just waking up, close ups of hands, and cutesy photos where one of them is kissing/cuddling/leaning on the other. There are videos of them making breakfast together, making silly faces at each other, and just in general being a couple that is clearly in love.
The family is in shock after Jace shows them everything and explains how he and Cregan were seriously dating for a while. More than not knowing about the relationship the family hasn’t seen Jace that carefree and happy in a while. In fact none of them think they have ever seen Jace that happy, in all the videos and photos he practically glowed.
I’m not entirely sure what comes next. I think Jace and the rest of the family have some issues to work out. Mainly I think they need to realize that while Jace is good at helping his mother and managing a company he isn’t necessarily happy doing it. I think Jace was told by the adults from a young age that he would inherit the company after his mom. I don’t think anyone did this maliciously but I think everyone assumed that Jace would follow in Rhaenyra’s path without ever asking him what he wanted.
I think a huge part of this fic will be Jace figuring out that he can have wants if his own and that it isn’t selfish to pursue them. I think something that needs to be touched on is that Jace’s relationship with Cregan was something that he did and had for himself completely outside of the family. I think the major catalyst for Jace and Cregan’s relationship was the fact that Jace had to pick between his relationship with Cregan and what he viewed as his duty to his family.
A huge part of the fic should be the family coming to realize that Cregan is the love of Jace’s life and that while the relationship might be ended Jace’s feelings are still there and will likely always be there. I don’t think Jace would ever doubt this, I think he always knew that Cregan was it even as the relationship ended and that he would probably never want anyone else.
The reason the relationship ended wasn’t a lack of love but life getting in the way. Jace had been told for so long that he would be this one thing and he always felt this massive ball of expectations. Jace always felt he needed to act and be a certain way, to fulfill a role for his family. With Cregan Jace was able to really find out who he was and explore what he wanted.
Jace discovered that he really likes wearing Cregan’s shirts that are way too big for him, that he would rather spend the day cuddling on the sofa than with a group of people, that he actually really likes corny romance books, does not like shellfish, would rather drink beer than wine, and that he has never felt more alive and happy than when he is with Cregan. But when his family needed him it was easier to leave than to stay.
Jace has spent so many years acting a certain way and doing whatever he needed to do to help his family that when he realized that if it came to a choice between Cregan and his duty to his family he wanted to choose Cregan, he got scared. He worked so hard to be what everyone else needed him to be. He was the perfect son, the reliable brother, the good kid but with Cregan he didn’t have to be any of that. Jace had been shoving down his own wants for so long that when the choice came it was easier, simpler to just do what he had always done and do what everyone else needed him to do.
I think on some level Cregan understood but I do think it made him incredibly sad. One thing I want to make clear is that Jace never denied he loved Cregan. He never saw their relationship as less than something else. Jace was scared and guilty and conflicted. He fell back into old habits and in a way started to just go through the motions as he had programmed himself to.
I think in the midst of all these issues and histories being dug up there are a lot of fights and tears between everyone. Between Jace and Cregan in particular there is a lot of tension, kissing, and maybe even some confrontations and yelling. This is a drawn out smack down tragic romance full of heat and gut wrenching emotion and it should be evident whenever Jace and Cregan lock eyes.
I think in the end the family realizes they messed up and Cregan and Jace get back together. I think there should be a big dramatic scene between Jace and Cregan with questions, kisses, crying, and breakdowns. In the end Jace chooses Cregan and steps back from the role he forced himself to fill within the family.
Cregan and Jace ride off into the sunset to live a happy life together after a tragic, emotional journey. They get a happy ending.
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damianbugs · 1 year
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If you r still doing the fic recs, what are some good Bruce and Jason ones? I'm going insane
HELLO. oh my gosh. you know, since exam month has officially begun, i should be studying, but like, why would i do that when i could be doing this instead? this is like. so much more productive for my happiness.
it's no secret i am not normal absolutely totally insane about bruce and jason and OF COURSE i will rec you fics of them. i have 150+ bookmarks of fics just centred around them so i really tried to narrow it down to a few of my favourites. if you ever need anymore please ask again!
what a truly disastrous tragedy they are. the blueprint i fear. no fictional father and son has impacted me more. jason and bruce fic writers lace their works in crack because once you read one, you are stuck forever. there is no escape. trust me. anyways!
BRUCE AND JASON FIC RECS
don't take your guns to town by kreestar
batman comes home from a night patrolling to find a 10 year old jason todd waiting for him in his kitchen. across gotham, at the same time, red hood is stopped by a 25 year old bruce wayne.
MY NOTES: no one is surprised at all that the first fic on this list is time travel. the characterisation in this was insanely good especially between young bruce and jason i loved their parts. so bittersweet and the ending was lovely!
I Will Always Be There For You by squashflower
There's a closet in the manor that locks you inside. It has no lighting or heating or air conditioning of any kind, and Jason, safe to say, wishes he could burn it to the ground. Or shoot it. One of the two.
MY NOTES: there is just something so good about stories where it switches from robin jason to an experience mirrored by red hood jason and this is the perfect example. so so good.
all the small weights by sparkycap
When Batman gets hit with fear toxin, he worries about his Robins. His Robins think it's their job to deal with it. Jason wasn't aware anyone still included him in that group, but according to Tim, he's the only one available.
MY NOTES: fear toxin the trope that keeps on giving. best thing about this though is that the actual fear toxin is not the main part of the story, and i think it was handled so beautifully and maturely in a way i haven't seen before. i cried (twice).
-> just an aside, but i think you should read the other bruce and jason work by this specific writer. they're all insanely good.
Mermaid Tears by minnow_doodle_doo
And if real mermaid tears were what Jason wanted the world to have, Bruce would make Aquaman cry glass.
MY NOTES: teehee sorry for recommending ur own fic in ur ask minnow but this fic is just so sweet and special i need everyone to read it. a wonderful look into that all encompassing love bruce had for jason when things were much simpler for them.
Aftermath by ivy_and_ivory
Now: Batman is in Paris, pulled there by a case that extends beyond Gotham’s borders, when circumstances lead him to a badly injured Red Hood – who might hold the key to Batman’s investigation.
Then: The Red Hood storms into Gotham, begins to stake his claim on the criminal underground, then abruptly disappears – but only after he breaks into Arkham Asylum and leaves the Joker dead in his own cell.
Or: A study of why Bruce couldn’t kill the Joker, what would happen if someone else could – and how you move on from the aftermath.
MY NOTES: you know when you find a fic and you're just like. oh my god. this is it. this is exactly what i wanted. this is all that matters. yeah. that's this fic to me. im sort of obsessed with the idea of batman bonding with red hood without making the direct connection that it's jason.
A Straight Blade by Sparkypants
"What happened to your face?" Bruce asks, reaching his hand for Jason's jaw. "You're bleeding." Jason bristles, cheeks turning pink. "I cut myself shaving." He says, and wipes at the cut with the cuff of his hoody. Damian makes a clicking noise with his tongue, "I'm amazed you haven't taken your own head off." He snarks. Jason shoves his chair away from the table, temper flaring. "Well it's not like anyone ever taught me, is it." He hisses. He's five years late, but Bruce finally teaches Jason how to shave.
MY NOTES: i am so okay so normal about this fic. such a sweet little happy story but i was literally looking down at my screen squinting through my blurry vision because i was tearing up. the unknowing domestic simplicities of being father and son (hysterical sobbing)
Stargazer by LemonadeGarden
Jason Todd is seriously injured during patrol one night, and is forced to stay at the manor to recuperate until his injuries are healed. To pass the time, he makes a list of things he never got to do before he died. Except there's one small problem: most of them involve Bruce, and Jason doesn't really think Bruce cares all that much about him anymore. This is a story about how wrong he is, but I made it sad anyway.
MY NOTES: okay so i think the best way to end this post is with the first ever bruce and jason centric work i ever read that changed the chemicals in my brain forever. THIS is the fic that made me really latch onto their relationship and want to see that reconciliation and recovery. THE roadtrip fic ever.
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