#but I 100% believe he has one.

[pineapplefulfillseveryneed]

So I saw this post by @taintmansion:

Followed by these tags from @dinkydiamond:

...and I knew my time had come. Behold:

[thatonedudeinthecorner]

Sokka, trying to be more friendly to Zuko after becoming Aang’s firebending teacher: relax, guy, I like gay men

Zuko, sweating profusely: that’s nice but…I’m not gay

Sokka, who has been daydreaming about kissing him, KNOWING his fantasies were based off of some fact: [squinting] I don’t believe that

[suja-janee]

Can’t say I blame her

[spielzeugkaiser]

The ages in this show!! I have made some jokes about this before, but it gets me - with aging Ciri up and bringing her closer to Jaskiers age when they meet I can not help but draw parallels. Like Geralt bonded way differently with both of them (which makes sense because Ciri has been his Child surprise since birth and Jaskier just randomly turned up one day and followed him like a puppy) but it's so funny to me. also I'm 100% sure Jaskier was horny as fuck from the beginning so there was a whole different vibe from the get go

[doctorsiren]

some mp100 doodles from the last couple days

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[sneeb-canons]

Headcanon #500:

Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.

Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"

Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.

[jtl-fics]

Fluent Freshman - 41

PREV

Two and a half hours into the Banquet and FF had not moved from the chair he had sat in at the start of the banquet. He hadn’t gotten up for water. Hadn’t gotten up to go to the bathroom. Hadn’t gotten up to dance despite Nicky’s pleading. He hadn’t even gotten up when a Raven had come over and asked him to.

He was not leaving his seat.

The stadium could be on fire and he’d still try to be the last one out.

Until there was a time where he could slide out of this chair without a single eye on him and put on his winter jacket without it seeming strange he was going to remain seated.

The answer on why was under his precisely placed napkin.

It had all begun about an hour and fifteen minutes ago, not that FF was counting. Dinner had been wrapping up and people had started to get up and jostle about. Flirtations were flying across the table and generally over FF’s head. The team had been smiling, there’d been laughter, and it had seemed unlikely for anything to go wrong.

He relaxed and that’s where he made a mistake.

FF could not eat the meal served. He’d had his liquid dinner on the way over on the bus so it didn’t bother him much to have a decent looking meal in front of him and not being able to eat it. He wasn’t going to eat so he hadn’t even unwrapped his cutlery, wanting to save the clean up crew from at least his set of utensils. He hadn’t placed the napkin over his lap to protect himself, what danger could there possibly be when he was not going to be eating?

The danger came when a Trojan smacked the table hard as he laughed at something that he had taken as a joke but, knowing Kevin, was probably a serious suggestion.

Hit the table hard enough to jostle FF’s plate.

Hit the table hard enough to jostle FF’s plate and more specifically a meatball that was with the pasta served with the beef tenderloin.

Hit the table hard enough to jostle FF’s plate and more specifically a meatball that was with the pasta served with the beef tenderloin so that it fell off of his plate and onto his lap.

Fell right onto his unprotected lap.

FF had looked down at his gray pants now irreversibly blemished by the errant meatball. His mind flashing back to when Nicky had decided on these pants. Remembers how Nicky hadn’t wanted him to vanish in the lower lighting of the banquet.

FF had grabbed his cutlery and put the napkin over his lap, far too late to save his pants, but fast enough that no one would see that he had spaghetti pants.

After that the trajectory of his evening had changed dramatically.

He was going to sit here all night until they were getting into the bus and then he’d have his winter jacket on and it was a long jacket that would cover his mark of shame. You might think that FF could just slip under the radar and go try and clean off the stain or at least hide somewhere less conspicuous.

He would, he really would, except he can feel the eyes of Captain Jeremy on him regardless of how low his presence is. FF entered into Ultra Stealth but Captain Jeremy merely turned to him and asked a friendly question that had Nicky startle remembering that FF was next to him still. 

Captain Jeremy has x-ray vision and can see the wall behind the wallpaper. Captain Jeremy can see colors that mantis shrimp can only dream of. Captain Jeremy is standing in some secret government office pointing on the radar as CIA and Military officials look on going “What are you talking about he’s right here?” with a smile.

Captain Jeremy was the kid that ate all the cheap fruit on a dessert table before he looked at the cake when he was a kid.

It’s the first time in his entire life that he’d been completely unable to slip below someone’s attention and if it were any other time he might feel good about that. Might enjoy the idea of being seen and having the attention of someone like Captain Jeremy on him.

Except FF has Spaghetti Pants.

FF cannot escape the man’s determination to ‘make it up’ to him after Aaron had let slip that FF had a restraining order against one of his brothers.

FF insisted that it was okay.

Captain Jeremy insisted on making sure he had a good time.

FF insisted that a good time for him would be to sit at this table all night by himself. He kept to himself that what would really make it would be for him to sit without anyone around to notice he had spaghetti pants.

Captain Jeremy seemed to think that it was due to the still healing stomach injury and insisted on at least keeping him company then, unaware of the unvoiced second part.

So Captain Jeremy of the USC Trojans had declared himself FF’s banquet buddy. A man that was friends or at least friendly with almost every single player here at the banquet.

He looks around the banquet and sees the various tense standoffs at the other tables. These were men and women who would find even the smallest thing and never let you forget it.

He doesn’t know what he’d do if they realize he had spaghetti pants.

How does one recover on the court when the person you’re up against can remember the cold December evening that you dumped a meatball on your pants? He can already hear the jeering nicknames.

He wants to sink into his seat but he’s afraid to shift at all, worried he’ll dislodge the napkin in some way and the newest person coming up to say ‘Hi’ to Jeremy Knox will notice the marinara stain on his pants.

While Jeremy was distracted he did try to wet Nicky’s disposed of napkin to perhaps clean himself off a bit except before he could a Raven came up to him, “Come with me.” a large Raven Backliner says, jerking his head towards the bathrooms.

“No thank you.” FF answers in return, “I don’t need to do that.” he says assuming that the Backliner had seen him shift in his seat and assume he needed to use the restroom.

The Raven Backliner stood for a few moments as if waiting for him to change his mind but then Captain Jeremy’s attention snapped back, “Can we help you with something?” Captain Jeremy asks and his friendly demeanor had vanished.

“I-” The Raven Backliner started to say before seemingly deciding that it wasn’t worth it and walked away.

Captain Jeremy and him continued to talk. They had somehow fallen onto the SAW movie franchise and FF could admit that he was surprised that the Trojan Captain had watched the series.

“You need to come with me.” A Raven Striker says coming up and interrupting the two of them as they talked about the ethics of SAW. FF believed that it was all well and good to learn to appreciate life but there had to be simpler ways to go about teaching that. Jeremy didn’t disagree, he just also thought that sometimes there were some people who Jigsaw never intended to redeem and those people may have deserved their fates.

FF tilts his head, “Do I?” he asks since it didn’t seem like the ERC had made any sort of announcement and she seems utterly and completely perplexed by his response.

The girl looks at him, looks over her shoulder, looks back at him, “Yes?” she responds sounding so unsure that even FF wouldn’t believe her.

“I don’t think he does.” Captain Jeremy interrupts gaze utterly cooled from the warm one he had been giving FF throughout their philosophical debate.

The Raven Striker looks cowed and FF almost feels bad for her but not bad enough to console her when he has spaghetti pants.

She leaves.

FF and Captain Jeremy’s conversation shifts to winter break plans. Captain Jeremy is going home to his family and he’s taking Jean Moreau with him. “I think my mom likes him more than she likes me sometimes.” Jeremy laughs heartily. “He deserves nice holidays though so I’m always happy to bring him up.” he says voice and features going soft as he looks to where Jean Moreau was standing with a raised eyebrow next to Andrew as Kevin and Neil were having some animated conversation.

FF talks about his own plans with the Foxes and how he’ll be spending the break with them. He thinks Captain Jeremy looks a little sad about that but whatever sadness there is Captain Jeremy moves past it quickly and starts to ask if he had plans to go anywhere specific in New York. He heartily recommends the LEGO store when FF says he’s never been.

“Someone important wishes to speak with you.” An Offensive Dealer from the Ravens says and he looks like he’s about to shake apart as he stands in front of them.

“Who?” He asks, tilting his head and sipping his water.

The Dealer looks at him.

“Is it that hard of a question to answer?” Captain Jeremy asks voice stern once again.

“He’s…Master is-” The Dealer goes paler and Smith can’t help but pull out his handkerchief from his front suit pocket as he sees the Dealer break out into a cold sweat.

“You don’t look well, maybe you should sit down?” he asks with his handkerchief extended in offer. The man looks at him and then the handkerchief and then takes it. “Thank you.” he says 

“Wow a handkerchief? My pocket square is just a fake one sewed in.” Captain Jeremy laughs jovial once again as the Raven took a seat shakily.

“It’s something my dad used to always say.” Smith thinks about the additional handkerchiefs in his pockets. “A gentleman always has a handkerchief on hand to help.” He pulls out a second one, “A real gentleman has two.” he adds and folds the new handkerchief into shape for the pocket square again.

Captain Jeremy laughs, “Sounds like a great guy! He must be happy you took his advice to heart.” he says and it doesn’t hurt that bad when Captain Jeremy is saying it since he’s saying something so nice.

“I hope so.” he agrees and doesn’t feel like ruining the mood.

Captain Jeremy turns his attention back onto the Raven who has taken a seat and his eyes soften on the Raven, “Wow you really are pale. Not a lot of sunlight in the Nest?” he asks.

The Dealer swallows, now visibly the most nervous person at the table which is saying something considering that FF is at the table.”I-I’m just pale naturally.” he denies.

“Sit and talk with us until you feel better.” Captain Jeremy insists, “What’s your name by the way?” he asks.

“Michael.” He answers awkwardly.

“Great, my name is Jeremy,” Captain Jeremy points at himself, “and this is Smith. So, have you ever been to New York City before?” he asks

Captain Jeremy, FF, and Michael chat at length about Michael’s New York pizza recommendations. Captain Jeremy asks about some of the places he has been in New York and the longer Michael is there chatting the more color comes to his face and the more vehement he becomes that Captain Jeremy managed to pick all the worst places by accident.

“You’re kidding me! It was 10 bucks a slice, it has to be good!” Captain Jeremy exclaims looking as if Michael was telling him Santa and the Easter Bunny weren’t real.

“If you’re paying more than $2.50 it’s a rip.” Michael insists passionately. “If it’s more expensive than the subway ticket then it’s a racket!” he slams his fist down at the table.

“You mean to tell me that I was lied to by that person I followed on Twitter?” Captain Jeremy asks, appalled.

“Swindled.” Michael insists.

“Christ, I’ve given that recommendation to so many people.” Captain Jeremy and while gesturing he puts his elbow in his own remaining spaghetti, “Oh shit.” he says. Smith looks at the black suit jacket and thinks about a future one step to the left where he had on black pants and a black suit jacket.

“I’m sure it’s good.” FF tries to comfort offering Jeremy his third handkerchief, this one from his left pocket since the one in his breast pocket was a specific color for the ‘look’ that Nicky had wanted. “It’s just not representative of a New York slice,” he adds.

“Thanks Smith.” Captain Jeremy takes the handkerchief wetting it with the glass of water nearby and wiping away the excess of marinara and spaghetti. “I’m going to go wash this off and try to dry it for you.” he says holding the handkerchief up.

“You don’t have to do that.” FF says but Jeremy is waving him off as he stands.

“Sit tight, I’ll be right back.” he says and heads off.

FF turns to Michael, “So I shouldn’t trust anything more than $2.50?” he asks.

Michael shakes his head and turns to look at FF, “Absolutely not.” he says with a smile before FF can see his eyes flick away and he stiffens. “Hey, it’s…” he looks down and the handkerchief, “it’s been nice chatting with you but… is there anyway we can take this conversation somewhere else?” he asks.

FF blinks, “No, I’m not getting up until the party is over.” Smith declines because by this point the stain has set. There is no stealthily cleaning it now that Captain Jeremy has left.

“So, you’ll get up once the banquet is over?” Michael asks leaning across the table and as he does that Smith can see a fairly ugly bruise on the Dealer’s forehead.

“I’ll have to won’t I?” he asks because despite the not-zero possibility that he’ll get left behind by the team again. His gaze shifts to Nicky who is leaning heavily against Matt as the two sway back and forth dancing and laughing. Probably about 50/50 at this point, depending on how quickly FF can make his way out of the stadium.

Michael looks at him and there’s something in his eyes that feels saddened, “Yeah, I guess that’s true.” he says before rising to his feet. “Thank you for this.” he says and hands the handkerchief back. FF can’t help but notice how there was a schmear of make-up on it.

The Dealer walks off and FF waves him off with the handkerchief before sliding it back into his right pocket, where he kept dirty handkerchiefs. He lets his eyes wander across the banquet. He sees Aaron and Katelyn slow dancing to a song that is not a slow dance. He sees Kevin and Jean now in the middle of a passionate conversation. Jack is pouting by the punch bowl with a few other Sophomores patting him on the back. Sheena is seemingly trying to flirt with the older bartender. Nicky and Matt have somehow only gotten sloppier in the 2 minutes between when he last looked at them and now. Captain Neil and Andrew are at the dessert table and he sees Andrew offering Captain Neil a chocolate covered strawberry. He sees a gaggle of his fellow freshmen huddled together all sipping their drinks nervously he moves to wave them over back to the table. Threat of the reveal of his spaghetti pants aside he’s not used to be alone anym-

“What the fuck did you just say?!” He hears behind him.

“I said what I said. She wasn’t even that hot! Get over it!” Another mocking voice.

“That’s it!” the sound of glass shattering and all hell breaks loose.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[kicktwine]

oh so alisaie’s exaggerated bully behavior is 80% fanon. saying this she casually picks up a large rock

[waitineedaname]

a while ago, I had been joking around with a friend about the idea of a shonen hero who's like all about the power of friendship and draws strength from their friend group, but their friend group is made up of minor antagonists, and now that I've watched it, I've realized the show I was looking for was mob psycho. That's literally just what mob's friend group is like.

[shima-draws]

THEY DON’T EVEN REMEMBER??? Luffy be walking out of this with LONG lasting trauma of watching all his friends nearly die and the others are just like. Man that was a nice nap! Luffy what are you doing on the ground sprawled out like that? Meanwhile Luffy’s internally having a breakdown because holy fucking SHIT what the hell did he just have to go through,

[dykedvonte]

@gecko-in-a-can THIS ABSOLUTELY

Resentment is such a big part of Benny’s motives towards House, feeling he’s underserving to rule and shouldn’t have the right to keep the title of Vegas just because he claimed it first long ago. Say what you will, Benny puts the effort in, through honest and dishonest work albeit, but he puts in the effort. Not saying House didn’t but House had the luxury of having a lot of that effort done before the war and subordinates to do so after. House is untouchable, something everyone wants in the Mojave, if not for the power, but because of the security. House takes that for granted seeing how easy he thinks it is to buy people. Benny, a Mojave native, has to be irate about that seeing how he has seen the heights and slums of both lives.

Also with the AIs it’s so telling because in a lot of ways, Yes Man has more autonomy than House’s major personality securitrons. Yeah, Yes Man has to be helpful but he’s aware and able to be snarky and coy. Benny has an issue with not being listened to but that’s the only perimeter Yes Man needs to act on. He can’t condescend but lord you can tell when he wants to. House’s AIs serves specific and highly detailed functions but are confined to act in accordance. They are subservient to a T and are extensions of House while Yes Man really is a creation that adapts further, hence his desire for the assertive upgrade. Benny made something, or at least was okay with a helper, that can progress for itself. House made things that replicate or facilitate an era of the past and don’t hold the power to contest it.

[random-human-being2311]

The Captain, Kitty and Robin are Alloace-Aroace-Aroallo solidarity. tO ME.

[squorttle-pox]

please. i need alastor with his hair up so we can see the side of his head. second set of ears or smooth flesh prairie?

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.