#but I have commitment problems

[theartingace]

Hello! I’ve seen your work over the years and every time I see it I always get a kick over it. I have a sociological question to ask you about centaurs. How do humans or other races fit into their lives? Both in a general sense of life, platonically, and romantically? Sorry if you’ve answered this before.

Thank you! It always blows my mind that I've been puttering away in my little corner of the internet with my horse people for this long!

I've covered a couple different specific situations in my cultures; re platonic and romantic? but for the most part is it boils down to that romantic would probably be rare and boil down to individual choices for how they approach it? But for platonic I have sort of covered a lot of platonic relationships just from the standpoint that basically all my centaur cultures have a deep societal tie to another race. At first it was a lot of convenience- a way to get around the difficulties of centaur bodies getting in the way of certain ways of life, but at this point I just do it cause it's lovely to me!

Like the merchants build their cities with the dwarves and they both benefit from the dwarves engineering and centaur's strength and mobility re:trade. The centaurs easily manage huge farms, trade networks, and logging infrastructure on their strength and speed but benefit from dwarves (and a small portion of other bipeds) being better set up for building (try to imagine a centaur making a roof, it's vexed me for a year now..) and generally engineering wizzes so it's a mutually beneficial relationship to entwine their cultures in the main Merchant City

Obviously my Riders are wholly entwined with their biped family as I've talked extensively about in.. too many posts probably haha

but then my very lightly covered Mountain folk have a different, almost religious relationship with the Forest Giants in which the relationship between their two cultures is separate other than the spiritual importance they hold with each other. The giants live approximately 300 years but are very slow, sedate creatures who prize a life of peace and telling stories over all else. So the centaurs almost view them as minor deities and the giants keep and love the stories their fiery little companions entrust to them.

As you can tell, I really love building all these races and cultures and then mashing them together and see what comes out! I find it makes the world feel more real and lived in when I'm not only thinking about how a culture would work and operate, but also how they interact with their neighbors! What's their main export and how does that shape their life and relations?? These are the questions I get LOST in so thank you for asking :D

[biggest-gaudiest-patronuses]

finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using

[fishyfishyfishtimes]

Hot take, I really don’t think we should assign human morals onto animals and call them bad or evil. Fishblr has internalised this idea really well with sharks, and I think that’s good! Sharks don’t deserve all the fearmongering they suffer from in media. But… can we please remember to extend this to other animals too? Even to intelligent animals like dolphins (most commonly bottlenose dolphins) and orcas. It seems to be a counter to pop culture’s tendency to show dolphins as complete angels when they partake in some messed up things, but like…. Dolphins are still animals? They may be able to recognize themselves in mirrors and they may have language and culture and know how to use tools but their intelligence is still on the level of a human child (and how empathetic are those!!??). I see people talk about how evil dolphins are but I never see people talking about other animals the same way, like, why aren’t sea otters and their “evilness” the topic of discussion? :/

[brucewaynehater101]

Alright. Willis Todd being an abusive father to Jason is a trope often utilized. Comparing this version of him to Bruce's reactions to Red Hood is fantastic. Lots to analyze there.

However, I raise you. There needs to be more fanwork addressing the classism behind Willis Todd being characterized as an abusive alcoholic. In some version of canon, Willis Todd was a good dad in a shitty situation. He was poor, his wife (Catherine) was sick, and he had a newborn baby he needed to provide for. In this horrid situation, where he has no family to fall back on and no higher education to obtain a decent well-paying job, he tries to get quick money. He's desperate to keep both his wife and son alive.

Catherine turns to drugs because it's easier and cheaper to buy drugs than healthcare. The pain she experiences is debilitating, and she'd do anything to not feel pain for one godsdamned second. Unfortunately, this turns into an addiction.

This ultimately shapes the way that Jason views crime. Bruce, while he may be sympathetic to individuals who resort to crime to pay their bills, will not understand huddling in Crime Alley in the dead of winter as he debates whether to buy food or pay for heating. He won't understand the bitterness, hatred, pain, and resignation of never having enough money to survive as you get chewed up again and again.

If Jason's dad is just an abusive criminal, that not only perpetuates the notion that all criminals are evil, but it will shape how Jason views those who commit crime. Breaking the law doesn't make someone bad. There's plenty of reasons people commit crime, whether to survive, protect someone, or something else. The issue, especially in Gotham, is the system that perpetuates wealth inequality through bribes and unethical governmental practices.

Anyway, I think Jason's Red Hood is more fleshed out if it accounts for him acknowledging the desperation behind goons and small-time criminals because he grew up without other options.

[electoons]

I love the college of winterhold. everyone there is casually deranged and there's like an alarming number of students and staff who threaten you immediately when they meet you. it's always one of the first questlines I do. which makes it even funnier when you get made the arch-mage of the college. I'm level 12 and got through this questline knowing exactly 3 spells. what do you mean you want me to lead the college. this school CANNOT be an accredited institution

[autoraton]

same as it never was.

[catpriciousmarjara]

Woke up today to some wild jjk leaks and it turns out Gege is hitting that Hamlet type beat with some uncle-nephew drama with Sukuna and Yuuji? Like what?

By the gods Kenjaku really be messing with that family tree. And this still doesn't explain why Itadori Wasuke looks so much like Sukuna? Like with Jin and Yuuji it makes sense now...but what about grandpadori? Something must've been up with that family even before the Kenjaku and his shenanigans.

It truly is our Jujutsu Kaisen! Amen.

[sapphorror]

Y'know... A lot of ZaDr fics have them either gradually drifting into a less contentious status quo or establishing a deeply bizarre multilayered dynamic that is nonetheless very consistent and beholden to its own rules—which works, to be clear, because slavish adherence to the rhythm of their endless 'game' is already their canon baseline.

WITH THAT BEING SAID. I think it would be very funny to depict a ZaDr dynamic in which they're like, on-again off-again nemeses. As they get older theyre gradually forced to acknowledge the true depth of their mutual attachment, but instead of actually improving themselves in any lasting way or compromising the conflicting elements into an ill-definable state of contentious codependence, they just start oscillating wildly between periods of obscenely clingy allyship and devotedly murderous enmity. There's never an in between. They'll dedicate all their energy to trying to horrifically torture each other to death, until one of them gets uncomfortably close to actually dying or an external crisis pushes them together or they just get bored—at which point, they become obnoxiously glued at the hip until one of them relapses into anxiety about their ambitions or an argument escalates past the the point of no return or they just get bored. And every time they both Really Mean It, They're Not Gonna Do This Anymore, before naturally going ahead and doing it again

[psymachine]

i think it'd go like this lmao

whole version

[im-still-watching-anime]

kunikida: i don’t know how you deal with that

dazai: what?? atsushi and akutagawa’s sexual tension? we have bigger things to worry about

kunikida: they’re destroying a building right now

dazai: ….the other things are still more important…..probably….

[cryptocism]

I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.

whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.

ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.

but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.

like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.

classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.

but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.

they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention

anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)

[octochick]

Fitpac x Scott Pilgrim, or Pacs Seven Evil Exes

So Fit and Pac are starting to have a thing. It's slow as qsmp canon, but since there are not many horrors things are ok.

Mike decided to do something about this, and founds Pacs Seven Evil Exes, to protect Pac from Fit.

It's a complete mess. Only three are actually his exes, and one relationship lasted literal 30 seconds. There's two romance-repulsed aroaces. Tubbo decided to join to represent the morning crew. Pacs lesbian bestie also joined, for some reason. No one knows how Mike convinced Etoiles to join. One of them stabbed Pac in the knee and it had to be amputated. And someone may or may not be a cryptid.

[nancywheeeler]

‘Eddie Munson should have died at the hands of the government instead of the Upside Down’ please expound on this your ideas are intriguing to me and I wish to subscribe to your newsletter.

okay, i am finally gonna release from the vault a text post i had drafted months ago about how reductive and bland i find eddie munson's "heroism" arc.

from a characterization standpoint, i totally understand why eddie declares himself a coward for running after witnessing chrissy (and later, patrick) die. his image of himself as a proud outcast willing to brandish a middle finger at societal norms, bolstered by playing a "satanic" game about misfits coming together to bravely face great evils, is completely shattered. however, from our viewpoint as an audience, eddie does what just about any of us would have done after watching someone die in a horrific, unexplainable manner and not knowing if what happened to them is about to happen to us.

...except the show then does this weird thing where it agrees with eddie's warped, guilty view of his actions. eddie is a coward for running. he should have...what? stayed, again not knowing if he would be killed next, tried to explain everything to hawkins pd, and gotten arrested? (which would have derailed the rest of the hawkins plot because, unless dustin & company staged a jailbreak, eddie then would have been in custody during fred and patrick's murders.) the plot demands he run, but to wring any sort of emotional catharsis out of his death, the writers want us to think "look! he's redeemed himself! this time he ran into the danger!" it equates self-preservation with selfishness and cowardice, which certainly isn't a new thing in media but it's boring and doesn't reflect reality.

and when you parallel eddie's death with billy's (and what i imagine steve's death would have been had they gone through with killing him in season one), it paints this uncomfortable picture that redemption can only be found through extreme self-sacrifice and ultimately death. boring! very boring! and again, why are we redeeming a character who doesn't need redemption?

i appreciate (and really like actually!) that the narrative dooms eddie from the beginning. there wouldn't have been a satisfying way to write him out of a triple homicide rap had he lived. that being said, i would have loved to see eddie survive the upside down, get arrested for the murders, and, while our intrepid heroes are expecting owens and his shadowy government contacts to swoop in, be killed by those same shadowy government contacts as a cover-up.

because that is all owens has been doing for the past three seasons: covering things up to save a fringe organization's ass. it's just been convenient for our gang that the cover-ups align with their interests, too, to the point they are over-reliant on owens stepping in with forged birth certificates and mall fires. only, in season four's case, eddie is the most convenient cover story. with owens left for dead in a bunker in the middle of the desert, what loyalty does the rest of this strange government operation have to the gang and to eddie that they would exert any additional effort concocting a more outlandish story than the easy one the town of hawkins has already bought into?

it would have been a great way to add additional stakes going into season five because the gang would have had absolutely no one to rely on or trust but themselves. no more clean-up crew to plant fake stories and file the paperwork. the government has never actually been on their side. it's hawkins against the upside down and the world, baby.

wow, this is so long and i am so sorry. i still have a lot of feelings about this apparently, even after all this time.

[moeblob]

I unfortunately picked up Bravely Default 2 again (I bought it back when it released) and then started over since I last played it in June 2021. And. You know what. I like these silly beans. And then I saw concept art for Dag's expressions and I am not the same. Why did they decide to give him huge fangs in it.

(also I'm trying so hard to avoid spoilers less for plot but more for characters so if you know anything that happens to characters shhhhh. also the expression concept is below the read more so you can see what I mean.)

[apple-spider-vinegar]

Many of us saw the Raimi trilogy as kids and so the main characters were just put in the mental category of "adults," but growing up and realizing Peter, Harry and MJ were all in their late teens/early 20s gives their behavior a lot of much needed context, actually.

Oh, they're indecisive and riddled with insecurity? Their love lives are a complete mess? They think one mistake or setback means their life is over? Well, no wonder! They haven't even beat the 25 allegations yet.

[grishaverse-chaos]

following up on my post from earlier, I'd like to remind all darkl!ng stans that Nikolai faced all the same problems as king (in the kos duology) that the darkl!ng did, as well as several other new problems (the demon, having to find a wife, etc) and committed ZERO mass murders. your fav could never