#but how can this plot work without the source material

[greater-than-the-sword]

If I could rediscover whatever kind of creative juice i was drinking when I wrote Earth's Champion and put just half of that energy into a published fiction I'd be happy forever

[dduane]

Had an idea you might be able to use for something: Klingon Soap Operas.

(sigh)

Thanks for the thought. I appreciate your kindness!

But unfortunately, because you've sent me the idea and I've read it, I can now not use it, ever. No matter how much I might like to.

This isn't about you, you understand. And in its way it probably seems like a cruel paradox. You were only trying to be helpful! But if I was working on something for Trek and this concept came up even in casual discussion, I would be honor-bound (and contractually required) to inform them that the idea had come to me from a reader or fan. And then—rightly, from their point of view—they would forbid me to use it, because the idea's originator might some day, despite all their friendly intentions now, sue them over it. And the evidence that I was at fault would be easy to obtain. Sending a DM on any major platform generates an electronic "paper trail" that will confirm its target has opened and read the message in question. And that electronic record can be subpoenaed and submitted as evidence, and would stand up in court.

"Oh, come on, who'd do a thing like that, what are the odds...?" people will say. But it's not generally known that I've already been involved in a high-stakes lawsuit in which someone tried to sue Mattel over material I wrote when developing the initial form of the "Barbie: Fairytopia" universe (and the first Fairytopia film) for them. I'd never so much as met or communicated with the person suing them, had never read even a word of their work... but they still went to great trouble and expense attempting to prove that I'd had access to their material and used it without permission.

Mattel won the suit (as I'd frankly been expecting: the attorney handling their defense was one of the most expert IP lawyers in the US). But it gave me the chills... and made it clear how very wrong things could go, and the kind of damage that could be done to my career and my personal life, if I even accidentally used ideas from unauthorized sources.

Seriously, folks. I know you all mean well! But please don't make me tap the sign. DO NOT SEND ME STORY IDEAS, no matter how vague or general or unformed they may be. To do so is to absolutely guarantee that they will never, ever happen.* (And in my own universes, your innocently-meant suggestion could mean that neither you or anyone else will ever see that particular Young Wizards or Middle Kingdoms plot, no matter how much you'd like to... because I take this stuff seriously.)

...Thanks, all.

*This is also why I don't read fanfic set in my universes. Which you also shouldn't send me: please and thank you.

ETA: I would really, really appreciate it if y'all would refrain from giving @eldritchcatpossumamalgam grief in the tags. They made an honest, well-intentioned mistake, that's all, and they don't deserve to be personally raked over the coals for it. (And any of you who think I would derive any kind of satisfaction from that happening plainly don't know me very well.) So thanks in advance for your cooperation.

[romor]

I'm starting to think people don't understand that adaptations have to be different. Did netflix have the same amount of time as Book 1 to work with? Technically yes, but 20 episodes is for sure more than 8 so they didn't.

If you are constantly comparing it to the original and upset about the changes. Then for sure the netflix adaptation is not for you.

I've seen some bad adaptations over the years, for example my favorite book is Inkheart. Even the 2010 Avatar movie is a better adaptation than Inkheart's.

Conclusion it's a pretty good series, if you like the original, if you can watch it without constantly comparing it to the original you will enjoy it more.

Editing to add to this since so many have said something.

Inkheart is not a horrible movie, but it is a bad adaptation. Fantastic cast, with no loyalty to the source material.

There is a difference between adapting a story, and remaking it. This is literally being referred to as the netflix adaptation, so clearly it's not a remake. Because it is an adaptation, changes are expected. It would be stupid to expect a copy and paste story.

The changes make sense, because if you want book 2, and only have 8 episodes to work, you have to make a lot happen. The original show has clear start and end points for the events that occur (aka you know that start of the episode and the end). That's fine, when you have 20 episodes to work with, each 20 minutes. That doesn't work with 8 episodes each 1 hour (or about an hour). It doesn't translate to smooth storytelling. A lot of important things occur in book 1, but let's not forget that book 1 is also more episodic vs the rest of the series. In fact don't we often say "it gets better," about the book 1? What I am saying, a lot has to happen in the first season to set up not just season 2, but season 3. They did really good making sure those events happened.

I don't mind the mixing of plot because they didn't have much of a choice if they wanted a cohesive plot. I would also like to add I'm so glad the removed the northern air temple episode's setting. Never felt right with me.

I'm not saying don't compare them because it's impossible not to. I'm saying that if you are constantly going to be thinking of everything they changed, if you think the original series is so perfect. So unflawed, that how dare they even try. If you are going to be watching it already offended that they decided to even touch it. This adaptation is not for you.

If you were like me and wished that fire did in fact burn everytime it touched someone. If you are like me and thought the original series was too light-hearted for its plot. Then you will enjoy it. It's a fun adaptation, that keeps as loyal to its source material as it can be.

Yes I have my issues with it, but that doesn't mean it wasn't a fun watch.

[tcfactory]

Since my brain has been full of SVSSS brainrot lately:

I want a fic where the transmigration mostly fails and Shen Jiu wakes up from his qi deviation as User002 with the goddamn System treating him like he is Shen Yuan. Trashy yellow book what??? No, he doesn't need stats on his fellow peak lords, if he is supposed to follow a plot then he wants to see the script! You wretched floating rectangle, how is he supposed to play along if he doesn't know the source material?!

The stress of having what feels like a very pushy curse or an insanely weird demon inflicted upon him makes him deviate from some minor plot points and he gets punished for being OOC a couple of times until the System takes pity on him and directs him to Airplane bro, with the very clear suggestion that if he can't remember the early arcs of the story - System understands, User! It's very long after all. UwU - he should go and discuss it with the author.

He basically kicks down Shang Qinghua's door in desperation for some clarity and maybe an explanation, right now before he works himself into a stress-induced qi deviation, Shang-shidi. Shang hamster looks at his miserable scum villain, takes a deep breath, brings out all of Shen Qingqiu's favorite snacks that nobody should know about, makes a pot of calming tea and tells him everything.

Shang Qinghua expects Shen Qingqiu to be angry, to rip into him for writing him into this wretched life. And Shen Jiu is angry, but not at Qinghua. His anxious, mousy little shidi who lives his entire life under the looming threat of a horrible, seemingly unchangeable future doesn't look like a god. Shang Qinghua, who does his best to run his peak well and look out for his disciples despite his admittance that in the story the original Qinghua did a shoddy job - he doesn't look like someone who would have put pen to paper and written a tragedy if he knew it would become someone's reality.

And how could Shen Jiu, who has seen people sell their bodies and their very dignity for a cup of stale water, judge someone for writing a very bad yellow book so he can eat? Please. Peak Lord Shen might have developed a very discerning taste in literature over the years, but you can't fill your stomach with artistic integrity, Shang-shidi. Shen Jiu understands.

So they sit and for that first evening, Shen Qingqiu listens to all the differences creeping into the story, Shang Qinghua's retelling of the drafts he abandoned due to peer pressure, the long rambling tangents of the research he's done, even if they never made it into the story. Qinghua is so caught up in having someone to talk to that he doesn't realize that Shen Qingqiu put everything that happened to Qi-ge together, somewhere between the musings about how a sword inspired by kintsugi would be so cool looking, shame that nobody ever sees the thing, and the griping about how much one of his patrons complained about Yue Qingyuan dying without ever drawing his sword.

Later, when the snacks are gone and the tea is replaced with something stronger, he tells Shen Qingqiu about the stories he really wanted to write. About how he shamefully sneaked his dream man into PIDW, just so he could have some small part to himself, and oh, Shen Qingqiu will have to remind him about demon courting practices when they are both sober again, because it sounds like that Mobei prince is down bad for him.

He leaves that night with a newfound determination. Shang Qinghua might be resigned to the whims of his System and the shackles of the Plot, but Shen Jiu didn't burn the Qiu manor down and break his chains to give up so easily. This is his world, his sect, his Qi-ge on the line, and he would sooner wrest control from the System and become custodian of the world himself than let something take away and ruin what is his. He is the strategist of Cang Qiong Sect, there is no situation he can't think a way out of and he has had enough of tragedies.

Before any of that, however, he needs to go and have a good yell at his Qi-ge, smack his stupid face and then curl up in his arms for a good night's sleep. It's long overdue.

[rejectedfables]

While the source material clearly intends Xue Yang to be read as an orphan (perhaps orphaned so young he has no memory of his parents), I think it’s underexplored in fandom that he never ACTUALLY SAYS that his parents DIED, but rather that he was a child without parents. 

"He had neither dad nor mom nor money" (via the official english translation)

I think there's something in here worth exploring about the possibility that Xue Yang was abandoned by his parents. 

Perhaps he remembers one or both of them and/or the event, perhaps he does not but just has a sense of it having happened, perhaps he has no memories of it at all but it still psychologically impacted his development. 

Just about every character in the story can be better understood by looking at how they were raised, and Xue Yang is CERTAINLY not an exception. 

There are myriad ways to interpret his childhood (though none of them stable, safe, or cared for), but I have been thinking a LOT lately about how being abandoned by his parents could have shaped him into who he later became.

His behavior in the Villainous Friends extra (wherein he, seemingly arbitrarily, breaks things and antagonizes people and then specifically challenges Jin Guangyao about paying for damages) COULD be interpreted as acting out in a way that's common for children and teens with a history of abandonment who are testing the waters of just how much their new guardian/s will tolerate. This sort of behavior can be a self fulfilling prophesy as well as an attempt to prove to themselves that their expectations of rejection or punishment are correct.

If Xue Yang has only ever known the world to be a painful place where people reject and abandon him, then that's how he expects the world to continue behaving. If suddenly someone defies this expectation, it is simultaneously a fascinating and wondrous thing, and also a threat to his worldview. After all, if THIS person can be kind and care for him, then why didn't anyone else?

If JGY, who at this point is essentially just his handler, can be unconditionally patient with him... then why couldn't others have been patient with him over much less? And why couldn't his own parents, who had considerably higher responsibility to him, be as patient as JGY?

It's much easier to push and push and push until you break the patience and prove your cynicism correct, than it is to grapple with those painful questions. And after all, Jin Guangyao had an exterior force (Jin Guangshan) requiring him to show patience. And once that force was removed, so was Xue Yang. This, perhaps, felt as much like validation as it did betrayal.

There might be a parallel to be made here, too, about how JGY was and felt betrayed/abandoned by his father. This in common might be something that they bonded over.

And of course, as always, there's Yi City.

Xue Yang expects Xiao Xingchen to abandon him, and his elaborate “revenge” was at least in part in preparation for that anticipated betrayal. He "knows" he will be betrayed and, perhaps unlike what happened with Jin Guangyao, he intends to be ready for it this time. Ready to punish Xiao Xingchen the MOMENT it happens, or ready to convince him not to betray him after all (what is "We're not so different, I'm not uniquely evil, you're ending our life together because you think you're better than me but look! Look! You and I are the same now" if not a deeply misguided and utterly desperate plea?).

At some point he starts hoping it just won't happen, and stops needing the “revenge” plot. When it starts unraveling before him, he tries for understanding first. What is "Hear my story, THEN decide--" if not begging to be understood?

Of course it doesn't work.

Xiao Xingchen doesn't even kill Xue Yang, either; he goes Away. Goes where Xue Yang can't. If Xue Yang is read as having this particular trigger, Xiao Xingchen's suicide may feel like abandonment all over again.

Perhaps Xiao Xingchen NOT killing Xue Yang becomes a parallel to Xue Yang's parents abandoning him to suffer alone instead of keeping him or killing him. Or else maybe Xue Yang's mother DID try to kill him (drown him or left him out in the cold) and he just managed to survive, in which case Xiao Xingchen NOT trying to kill Xue Yang puts him a cut above even Xue Yang's own mother/parents.

Final thought:

While I find Xue Yang's lack of familial connection to the rest of the cast compelling, I also find "what if" scenarios fascinating to explore, and "Xue Yang was abandoned by parents who might still be around during the story" does create some fascinating opportunities for fic.

Such as:

What if Xue Yang was yet another illegitimate son of Jin Guangshan? What if he knew but Jin Guangyao didn't? What if Jin Guangyao knew but Xue Yang didn't? What if Jin Guangshan himself knew? That would really put the insistent protections into a very weird light (is there a heart in there? Or did he think he could string Xue Yang along like he did Jin Guangyao? Or was Xue Yang blackmailing him?)

OR

What if Xue Yang was the illegitimate son of Chang Cian? It certainly puts a spin on that entire scenario. Little Xue Yang has another reason to want to please this man, and a further reason to feel betrayed by the abuse. Chang Cian not even recognizing him. Xue Yang taking revenge on the entire family because they ALL wronged him in a way he can't articulate. Because they got to live the life he could have if he'd been wanted.

Certainly none of this is canon, but it's not TERRIBLY far beyond the bounds of canon either, and makes for some juicy food for fic.

[worldweaveralicya]

Fics vs. Original Work

Hello there, keep reading if you want to know the main differences between writing fan fiction and writing completely original works!

First of all, fic writers are writers. There's not a single reason to look down on anyone who uses their words to create something new in this world.

That said, let's get to the main part of this post!

World-building

Of course, that can highly differ if you're writing a fan fic without utilizing the locations from the source material (cough cough AUs cough cough), but usually, you don't have to start at zero when writing a fic. The reader already knows a lot about your story's world and is therefore easily immersed in it.

In completely original works, you'll have to consider world-building way more. Even if your story doesn't take place in a fictional world, you'll have to introduce your readers to the locations/cultures in your story. They won't know what exactly to expect going into the story.

Characters

One of the main reasons for writing or reading fan fiction is to see more of our beloved characters. Therefore, here you don't have to start at zero either. Readers already bonded with the characters. That makes it more important to be consistent with writing the characters because readers already have expectations of them.

With original works, you'll have to introduce the reader to completely new characters - And make them interesting. But you'll have more freedom and won't have to worry about straying too far from the source material.

Plot

While writing fan fiction, part of the fun is exploring "what if" scenarios. But you'll always have the source material to fall back on if you're stuck. You'll know where the story starts and how it'll develop, you'll have an outline of sorts on which you can build.

If you're writing something completely original, you don't have that outline from the get-go. Heck, you'll probably discover new things about your story while you're writing it! Which is a pretty cool thing, but it can get disorienting quickly.

Sooo, should you write fan fiction or original stories?

Eh, depends. I personally think writing fan fiction before writing completely original work might be good for some aspiring writers, because:

You don't have to focus on every single aspect of a story to make your writing functional, so you can improve your writing skills without getting overwhelmed.

There's less pressure to immediately succeed and publish a whole novel, and you can get feedback from fan fic communities online.

You and the reader are already familiar with aspects of your story, which can make writing feel more natural.

However, that's just how it works for me personally, and you might feel differently about writing fan fiction/original works. You can be a veteran writer and still mainly/only write fan fiction. You can be a beginner and write original works to practice. No matter the case, you should do what feels right to you and what you're passionate about.

Until next time, keep weaving words!

[niceonet]

TRAİLERDB - DEVASA+ (2)

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[crimsoncold]

WHAT IT FEELS LIKE IN THE HOTD FANDOM RIGHT now as someone who is disappointed in the show's handling of team green and really just critical the show's writing in general

Team Green Stans and/or HOTD critics:

"I know I'm going to get a barrage of criticism or even hate/harassment for saying this but...

HOTD's writing is rather biased and strays from the source material in ways that are frequently ridiculous, fails to actually improve the story, and totally ignores the anti-war and the general targ/ruling class critical tone of GRRM's writing.

Yes villain or dark character centric shows can be really good even when the purpose of the story isn't to condemn their actions- BUT purposefully changing an adaptation of a story so that it no longer contains the original message/themes that did criticize the characters and their actions is at the very least a questionable writing choice.

The characterization and the messages of the show are inconsistent in a way that doesn't feel intentional or in order to make a point- instead it just doesn't make sense. ALL characters suffer due to the choices of the writers/showrunners- including team black- but team green is obviously getting the worst of it (seriously its cartoonishly bad). It's all so nonsensical and frustrating that it's getting harder and harder to watch- really at this point its no longer even a fun bad! show that can still manage to be entertaining even when the story itself sucks.

Much like with d&d with the later seasons of GOT it's disappointing to see the poor quality of work coming from paid professional writers, this could have been a show about a tragic and dramatic conflict between characters who are mostly bad people yet are still compelling or sympathetic and instead we got ...well...this."

Some Team Black Stans:

"Come on people HoTD is an adaptation so of course things will differ from the books but the show still stays true to the heart of the book, the changes were not a big deal- in fact some were good choices by the showrunners making more disturbing and violent aspects of the book more palatable for the audience without lessening their emotional impact... B&C was toned down not to whitewash team black but because no one should want to see the multiple child homicides from the book take place on screen...and the violence here really isn't as important to the plot as it was for say GOT's red wedding... toning the violent or horrific nature of these deaths down and having it occur off screen is the right thing to do! It's still sad- and this way we didn't need to traumatize the actors OR the audience!

Really people just stop complaining... both sides of the conflict are presented as EQUALLY culpable and in the wrong as the other side, team green stans are just missing the subtle points being made in the show and are exaggerating when they criticize the writing or supposed inconsistent characterization and accuse the showrunner's of being biased.

These TG stans are just being so mean and should stop criticizing the writers/showrunners-who are just doing their job!- and even if they feel they have to criticize the writing it's really just so inappropriate to ever specifically name the writers/showrunners when doing so! It's one thing for fandom to anonymously criticize other fans- especially since TG Stan's takes are so misguided that they obviously need someone to explain to them how they are misinterpreting things- but criticizing the professional writers and showrunners through tumblr posts is out of line! Its not the writer's fault that Alicent and TG are hypocritical or less likable than TB- that may just be how they are in canon- to say that the storytellers are purposefully changing things to make TG less sympathetic or competent than they were in the books and to set them up as the unlikeable antagonistic opposite to the now more tragic and heroic TB is a ridiculous accusation!"

Other Team Black Stans:

"Daemyra is just the best ship, they have loved eachother since she was a teenager and now after years of pining and being kept apart they are finally free to be together, you never see supportive or healthy relationships like this in asoiaf, we stan a man who will do literally anything and kill anyone for his niece wife.

Lucerys was just an innocent baby when he sliced up Aemond's face, he was just protecting his big brother, it only happened because he was afraid for their lives! Viserys made the right choice not to punish anyone since the team black kids only attacked Aemond after he stole Rhaena's dragon and Lucerys was only using self defense when he used a knife on Aemond. Most especially Lucerys and his mother didn't deserve to be attacked by that bitch Alic*nt. And Rheanyra trying to have Aemond tortured for calling her sons bastards was just her being a rightfully protective mother! Team Green means her family harm and no way will a bamf like Rhaenyra let that slide... this is what a good mother does not like that terrible Alic*nt! Lucerys' death was so tragic can't wait to see a grieving mother get her revenge... TG believes in an eye for an eye don't they? Well how will they like a son for a son?

TG stans keep saying that Rhaenyra is just as violent entitled and problematic as anyone else on hotd! They are so wrong! They are just delusional haters that can't stand to see a woman have sexual freedom and be in a position of power! She is the better daughter/wife/mother and the only people she hates are the ones who deserve it!

See she isn't evil like the Hightowers- B&C was an accident and the book description was exaggerated to be used as propaganda against Rhaenyra- she didn't even know it was happening. It wasn't even team blacks intent to kill little Jaehaerys only to kill Aemond- but he's a kinslayer so them sending someone to assassinate their nephew/brother is totally in the right and not something any character in canon would judge them for!... Rhaenyra is just too good of a person to wish harm on any of her innocent family members. Everything that happened to Rhaenyra, Rhaenys, and Meleys is just so tragic... they are the only true queens in this series ...god i wish all of their pain was only experienced by team green lol.

You know what ...are TG stans children or something? Why do they keep complaining that team green is being unfairly villainized to make team black look better? Don't they know they can just watch a show where the characters are flawed/bad people without needing the story to spoon feed the audience the message that bad people need to be condemned? Why do they take things so seriously? Why is this their whole personality? Get a life and stop overthinking a book/tv show -not everything needs to be deep you know so just shut up and enjoy watching the dragons destroy things.

But for real how can you people stan misogynistic women haters like team green or a trad wife/women for trump like Alic*nt? Like yikes what does your fictional character preferences say about you as a person. Hey EVERYBODY look these weirdos are really out here defending and woobifying violent predatory and sexist characters like team green! This fandom is the worse i swear lmfao."

Meanwhile...

Showrunners/Writers:

"What if the civil war, brutal violence, and tragic kinslaying that happened in the dance of dragons was really just a series of accidents and misunderstandings?

What if Rhaenyra and Alicent were friends who never really hated one another, and Alicent was pining for Rhaenyra's friendship and acceptance for the last 20 years, what if neither of them even wanted to go to war?

Who cares about house stark or the pact of ice and fire, or Jace's interactions with Cregan or Sara? You know what Sara Snow doesn't even exist, Jon i mean Jace would never betray his betrothal/loyalty/vows to his dragonrider soulmate and future wife for some stark girl! This whole stark side plot isn't important lets just go back to the dragons!

What if Rhaenyra wanted the throne because she knew that from her descendants the prophesied saviour/prince that was promised would be born? What if instead of her surviving son Aegon being so traumatized by the horrors of this meaningless war that he actually hated and feared dragons afterward- and supposedly was even responsible for killing the last one- it is Rhaenyra who was actually responsible for saving Daenerys' future dragon eggs- and thus she the one who ensured the return of dragons to Westeros! It will be Rhaenyra through her choices and her descendants that will be responsible for saving the entire realm and defeating the others with dragon fire!

What if Alicent pushing her son to be crowned was all because she was a fool who misunderstood the words of her dying husband NOT because she felt her son was unfairly robbed of his birthright by his father?

What happened with Daenerys in the later seasons of GOT was so unfair- just terrible writing -she NEVER should have been made out to be a mad queen and i bet Rhaenyra wasn't actually a cruel or violent ruler either! I bet it was the men who slandered her, and the men who were pushing for war and violence while all the women were actually trying to keep the peace.

Wait...wait.... What if everything in the book that criticized Rhaenyra was actually propaganda made by her enemies to ruin her reputation!?!!? Yeah B&C and team black arranging the horrific murder of a child? That story was TOTALLY team green exaggerating the violent murder of their child/grandchild. Daenerys I mean Rhaenyra deserved so much better... and all the injustices that happened to her will be the most impactful and tragic element of this show.

What if TG didnt actually have strong bonds with their dragon or spend much time riding them?... just more propaganda! Yes! CGI is expensive so this also means we dont really have to show their dragons unless they are fighting the blacks. Team Black's bond with their dragons is much more powerful and important though so we should still show them spending time together and riding them.

What if the book description of the respect and loyalty team green had to one another and the terrible grief they felt at the loss of their family members was ALSO just team green propaganda? What if Alicent only ever struggled as a mother and failed to connect with her kids and actually didn't even like or respect her children? How many kids did she have anyway? Three? Yeah that sounds right. Oh wait! Wait! What if none of TG got along with or trusted one other? No...no...What if they actually hated and betrayed each other? YESSSS!!!!!!!

Team black and their descendants are the true Targaryens, no one is really interested in the boring team green anyways so at least these changes will make them more interesting and better foils for team black! This type of story is exactly what people want I just know they are going to love it."

NOTE: (because i know idiots will be lurking in the anti tags to complain or harass people)

this is mostly meant to be very critical of the showrunners and somewhat critical of a specific type of stanning behaviour and the weird criticism or harassment that gets directed at people who like team green or who criticize hotd - sure i may be exaggerating slightly for effect but l'm STILL pulling from real posts/comments/opinions that I see from TB stans ...Like sure they aren't putting ALL of this in a single post but collectively this is definitely the type of attitude and language many TB stans have

Fandom is just about enjoying a special interest - I dont actually care about or want to police who you stan or ship. I DO care that some of you purposefully and directly harass real people because you disagree with their opinion on fictional characters and that some of you leave uncharitable, ignorant, critical, or unpleasant comments on properly tagged Team Green/anti or TB critical/or hotd critical posts.

Most of all i just find it really funny the juxtaposition there is between how underwhelming and juvenile the show's storytelling choices are compared to how eloquently, persistently, or vehemently fans will write up either criticism or defense pieces for these characters, this objectively bad show, and it's deeply unimpressive writing... like sure some fans put more effort into understanding the source material and comparing it to the show and some put more effort into criticizing or defending the show,the writing, or specific characters but collectively nearly all of us are putting in more time, effort, and thought into hotd than ANY of the showrunners/writers.

In conclusion Guys just like or dislike whatever show/characters you want...you don't have to justify the things you like by being willfully in denial about what canon sources say/the nature of certain characters/or the quality of the show's writing. You definitely don't need to be disrespectful or attack people on behalf of fictional characters or the well paid hbo showrunners/writers.

[renthony]

🏳️‍🌈 (queer media rec please !)

(Drop a 🏳️‍🌈 in my inbox and I’ll respond with a queer media recommendation!)

I've been sticking to indie or less-popular works for these recommendations, but the most recent Interview With the Vampire episode destroyed me and I need to get more people in on this sweet, sweet suffering.

AMC's television adaptation of Anne Rice's Interview With the Vampire is phenomenal. The season 2 finale airs next week, and I'm hoping very much for more. It's officially available via AMC+, and if you're at all into queer gothic horror, you have to check it out.

The basic premise is that an immortal Vampire named Louis tells his tragic story to a human reporter named Daniel. We learn all about Louis' life as a human, how he was turned into a vampire by his vampire lover Lestat, and how the two created a child vampire named Claudia to be their daughter. It's a messy domestic drama where every single narrator is unreliable, it's a horror show, it's tragic, it's queer as hell, and it's perfect for people who want to see mean, petty, mentally unwell, horny queer characters waging psychological warfare on each other.

Here's the trailer for season 1:

I was very, very nervous when the adaptation was first announced. I'm a huge Vampire Chronicles fan, I was absolutely obsessed with Lestat as a teenager (...and also now...), and I was pretty firmly on the side of folks who were thinking, "we did this already, Queen of the Damned was a horrible (albeit still pretty fun) movie, we can just let the books stand on their own after that one."

When the casting announcements for Lestat (Sam Reid) and Louis (Jacob Anderson) were made, I got even more nervous. In the book, Louis is a white slave owner born in the late 1700s, and I was worried that the showrunners would just make Louis a Black character without examining or unpacking any of the anti-Blackness in the source material. I'd enjoyed Jacob Anderson's performance in Game of Thrones, and I didn't have any ill will against him, but I was genuinely worried a Black Louis was going to be in poor taste at best.

Instead of presenting Louis as a Black slave owner, though, the show reworked his backstory to make him a Black businessman in 1910s New Orleans. We get to know his family and his situation, and the dynamics of a queer interracial romance in turn-of-the-Century New Orleans add quite a lot of new depth to the story. Jacob Anderson deserves basically every award ever, because his performance as Louis is just...goddamn. He is the definitive Louis for me.

The show feels like a love letter to both the book series and the 1994 film. In the show, the interview takes place in 2022, and is framed as a second, "do-over" interview. It makes meta-commentary on the film and the books, and it's a real treat as a fan of the prior works. The constant little book references and hints for future plots are fantastic. The show loves the source material just as much as the audience does, and it never tries to say, "the old version sucks, we're doing it better." It's a loving tribute to my favorite messy queer vampires, and I need everybody to go lavish attention on it so it gets more seasons.

Edit 6/27/24:

Season 3 has been confirmed, babes!!!

[genericpuff]

The trial arc was such a waste 😔

We have an entire play (the Oresteia) detailing how a quest for revenge lead to Athena helping create the modern judicial system.

We could have had Athena and the Furies act as judge and attorneys and it would have been a great moment for Persephone to see that people she looked up to (Athena) were against her and maybe made her think.

But no. 😒

Also talking about the furies… Persephone cosplaying as one just to go grrrr and make Hades horny its just soooo telling.

RS hear about furies and instead of thinking of a trio of vengeful/feared/thematically impactful godesses. She just assumed fury was a title and that any creature could have and ofc it all just means you can get to cosplay as a dominatrix to make your creepy 40 yo boyfriend horny.

Literally all this, it's so bizarre that Rachel is working with source material that's STILL REFERENCED TODAY when discussing the creation of our modern tenets of society (law, philosophy, science, etc.) and then NEVER USES IT. Why isn't Athena the one running the show in the trial arc? Why are the Furies only used ONCE during the tabloid arc (and so the plot can lift up Persephone for being "so much better" than Megaera because she "got" Hades and then showed sympathy for Meg's unrequited crush??) and then never again? IF THE FATES WERE WILLING TO GIVE HADES THE TAPE OF PERSEPHONE'S MEMORIES WITHOUT HER CONSENT, WHY WEREN'T THEY UTILIZED MORE FOR THE TRIAL ARC OR THE SA ARC TO PROVE PERSEPHONE'S INNOCENCE???

All of the "Greek" in this comic is so shallow it can't even be used consistently EVEN WHEN IT MAKES SENSE TO DO SO IN THE PLOT- 😭

[inkdemonapologist]

nobody asked but since I've seen a lil chatter on the DCTL Graphic Novel on tumblr too, here's the thread I posted on twitter, speaking as someone who's done a little freelance work as a comic artist, under the jump:

Main thought about the DCTL graphic novel preview is: yeah, I've made designs like that when I was being paid by the page and expected to just throw in extra design work for free and I have a deadline and no time to scour the source material or really put my heart into the design No shade to the artist; every complaint I have about the pages we've seen is that this looks like someone who was just working (quickly) from a script. The artist is likely not a Big Fan, so they only know the info and descriptions they're given. And the artist's portfolio shows they're capable of the kind of designs and dynamics this comic needed. its possible they phoned it in for no reason, but feels more likely to be "not enough time/not paid enough/not given enough info to give it that level of care." Which, don't get me wrong; an important level of craftsmanship and care is missing and im not gonna blame the artist but i AM gonna be a hater abt it lmao It's not just about designs; the convo with Joey is another good example. It's a literal illustration of the things Joey said and did in that scene, but it's missing the point -- that scene is our introduction to the way Joey throws Buddy off-balance. That energy is missing. And that's the sort of thing that needs the script to convey this purpose well to the artist, that needs the artist to have time & freedom to invest in portraying it, that needs time & investment & knowledge to ask for adjustments at early stages and get the page right one more note: begging batim fans 2 think abt the plot of DCTL and realise why "maybe we will not make the creepy guy who dies at the end a black man in this" is perhaps a reasonable choice. like im a fan of poc norman headcanons too but pls recognise this would be a tough call!! anyway, genuinely cannot wait to see how off sammy is gonna be in this lmao. will he be a mid non-design like norman or will he be conventionally handsome or will he get graphic novel dave miller vibes b/c hes an antagonist? will we get the fabled black hair sammy??? i cant wait

TL;DR I strongly suspect this was an issue of not enough time/not enough money. That design looks nothing like the description of Norman, right? Like, there's hundreds of different AU designs of all shapes, colours and sizes that you could create that would still look like Norman Polk, but somehow they managed to make a character that isnt ANY of them, lmao??? So... how could that happen, unless nobody gave the artist a description of Norman? Or if they did, how did that design make it past anyone else, unless there wasn't time for revisions or a system worked out for revisions, unless whoever was managing the comic project thought it was fine if the designs didn't fit with the descriptions in the book? If everyone is doing their job, then the artist is given the information they need without having to go do unpaid YA novel research before they can start drawing. That's why you have a writer adapting it!!

("they should hire fans, a fan would've done a better job" OK BUT THATS B/C FANS ARE MORE LIKELY TO ALLOW THEMSELVES TO BE EXPLOITED AND DO EXTRA UNPAID WORK B/C THEY CARE!! THATS NOT A SOLUTION!!!! THATS A JOEY DREW STRAT!!!!!!!)

Anyway I could yell about this for 15 years so I'm going to shush for now BUT I JUST FEEL VERY STRONGLY ABOUT IT LMAO.

[shihalyfie]

I've alluded to tri. having some very troubled production behind the scenes, and among everything that apparently went on back there, there seem to have been at least two major bottlenecks: 1) the fact that the director (who, based on his own statements about deliberately not consulting source material, most likely didn't even watch Adventure to begin with) kept asking everyone to make things more "mature" without being clear on what that actually meant, and 2) the fact they ran out of budget and had to rewrite the entire plot halfway into it. Even the most brilliant of creators probably wouldn't be able to work at their best under such conditions.

But conversely, this also means that there were some excellent people involved in production whose efforts probably haven't been as appreciated as they should be! So I want to take a moment to spotlight some people I want to give props to:

Ayana Yuniko and Nakanishi Yasuhiro: These two scriptwriters were childhood Digimon fans who were thrilled to be on the project, and their enthusiasm clearly shows in every interview they were in. Ayana even made keen observations like noticing that the Adventure kids aren't as super-tight as people tend to make them out to be (something I've pointed out myself, and something that generally only tends to crop up among fans who have studied the series closely), and Nakanishi stated that she would slip him detailed notes about the characters and their relationships.

Both of them stated they were trying to portray the Adventure characters in a character-accurate way but kept getting their scripts rejected for not being "mature" enough, leaving them unsure about what they were supposed to do. Their roles on the series were also limited; Ayana was on parts 1, 2, and 4 while Nakanishi was on part 4 only, and they were sharing the scriptwriter role with multiple others (even within a single movie). But if I were asked to pick who on the staff list I would want to see come back for another Digimon work, it would absolutely be these two.

Kakikara Yuuko: The one in charge of overall writing for the series. tri. had a total of five scriptwriters and could have up to four(!) on a given movie, so because of that, her statements on the series and its story direction have been a bit difficult to tell whether it was her idea personally or whether she was delivering the writing room's discussion result. But one of her final statements on the series basically amounted to "I'm grateful if you even came to watch it to the end at all," and she was quite humble about saying she felt things could have been done differently; considering it sounds like she had a hard time keeping everyone and everything in order, I can only imagine she went through a lot trying to make sure everything ended safely. Incidentally, her writing portfolio is also quite respectable (and even includes kids' shows).

Suzuki Takaaki: The person with the job of "setting researcher", i.e. the one with the job of looking into the lore. Sadly, it seems like most of his ideas didn't make it into the final series (possibly because of the budget loss-induced rewrite), but his one solo interview indicates that he put quite a bit of conscientious thought into how Digital World lore works, including the idea of an EMP weapon that would affect Digimon easily but not humans (an idea that doesn't pop up among fans as often as you'd think, and took up until last year to make it into actual Adventure material via Takeru's 02TB in-universe fanfic).

Sakabe Gou: The person in charge of the series BGM. We haven't heard a lot from him, but the little we have indicates that although he also had difficulty understanding what the director was asking for when he wanted "mature" music of some kind, he himself put some very thorough thought put into the composition. In particular, he went into detail regarding the music used at the beginning of part 4, which seems to be a fan-favorite track from what I've seen (it's also my favorite too!). Sakabe also has an extensive and respectable portfolio outside Digimon; in particular, he's very highly regarded in Kamen Rider circles, so if you have a friend who's a fan, it might be a good idea to ask them about it!

[chiaraanatra]

Perrito

∘₊✧────✧₊∘ ! 18+ MINORS DNI ! ∘₊✧───✧₊∘

Request: I apologize that I can't find the asks to save my life... but one asked for sub AJ and the other was for reader to be on top so I combined to two! Whoever asked for this I hope you enjoy! I had a wild time writing this one!

Warnings: SMUT! MINORS DNI! Porn without plot, Sub!AJ, Dom!reader, reader is a bit of a tease and AJ is desperate, p in v (w/out protection), AJ speaks Spanish, pet names (Spanish equivalent of puppy, princess, goddess, love), mentions of tattoos (on AJ not reader), no use of Y/N. (My Spanish is not great and that itself should be a warning, I apologize)

Word Count: 1.1k

AN: I dont know if this is what was expected from the request but I hope those of you who like AJ will enjoy. Thank you for the request and thanks to my boyfriend, Jay, for being my source material for all the smut I write. You are truly doing God's work.

HC: AJ is a dom-leaning switch, you cannot and will not change my mind! My man is also Hispanic because the idea of him talking dirty in Spanish kills me!

《 m.list || ao3 》

AJ couldn't recall how he ended up in this predicament; on the couch with you sitting on his lap, your hand holding his wrists above his head as you kissed up and down his exposed neck, grinding your clothed hips against his.

Your suggestion came out of nowhere, at least that's what it felt like to him. "How would you feel about me taking control? Like I was the dominant one?"

AJ turned to you with a skeptical smile, "And why would you want to do that, Princesa?"

"I don't know, just for something different? You always take care of me, maybe I want a turn taking care of you." The smile on your face was sweet, but AJ could see the lust in your eyes.

And now here he was, letting out soft groans as you continued to grind against his lap, hands still positioned above him. AJ could easily pull out of your grasp and take control, but he didn't. He allowed you to do as you please, torturing him with sweet kisses while he begged for more. "Por Dios, amor... I need to touch you..."

"Not yet, perrito." You smile at the soft whimpers that escaped his lips and the flush of pink that graced his cheeks. He couldn't tell if it was the name or the Spanish that set his body on fire, but he knew he needed more.

"Por qué no?" AJ could hardly recognize his voice, it sounded so needy and desperate, but he couldn't bring himself to care. "Please... Whatever you want, lo que sea... Just please take off these clothes and let me touch you..."

"So desperate...” your voice was sultry. “Sit up," Normally he was the one giving orders, but without hesitation, AJ did what he was told, leaning his back against the back of the couch. Still perched on his lap, your fingers teased down his chest, slowly unbuttoning his shirt. Once undone, your hands ran their way over each tattoo, admiring the art that was strewn across his toned body.

You leaned in pressing your lips to his. The kiss was far too soft and slow for his liking, but he didn't attempt anything for fear you would pull away. "Fuck..." AJ let out a soft moan as you bit his lower lip, pulling it slightly.

You leaned in close, licking the shell of his ear before whispering, "I'm going to ride you till I'm satisfied." You kissed down his sharp jaw to the other side of his face. "You are still not allowed to touch me. But if you're good, I'll let you do whatever you want."

He groaned at the idea of not touching you, but his voice filled with curiosity, "Whatever I want...?"

"Yes, perrito." He whimpered at the name. "Touch me... fuck me..." Each word you spoke was accentuated by open-mouthed kisses along his neck. "Whatever your heart desires, so long as you're a good boy for me. Can you do that?"

"I’ll be good, please... Prometo... I-I promise I'll be good..." This was downright embracing. AJ was at your mercy. His voice was shaky, sounding nothing like the unwavering, confident man that everyone knew. But he could care less if you saw this side of him.

You wasted little time removing your soaked panties and undoing his pants, revealing his already hardened cock. You couldn't help but tease him a little more, rubbing his tip against your wet folds. When even you couldn't take the teasing any longer, you slowly sank down on his length, feeling him stretch your silken walls.

Once you settle on his cock, you gaze down at AJ. You could swear his eyes rolled back. Regardless of how many times he had been inside you, each felt better than the last. He firmly believed that your pussy was made for him.

He took an unsteady breath before looking at you. You were perfect and he gazed upon you as if he was looking at God. He couldn't help but admire your beauty. Every curve, every breath, everything about you was enthralling. "Muévete..."

"Now, now," you tried to keep your voice as steady as possible, "Ask nicely."

"P-por favor, diosa...P-por favor muévete... Te necesito..." AJ's mind was gone. You almost felt sorry for teasing him so much, however, this was exactly where you wanted him.

You began to bounce up and down on his cock. You leaned forward, running your fingers through his hair, finally tossing that ridiculous hat to the floor, before nipping at the tattoos that littered his neck.

Whimpers and moans mixed with Spanish continued to fall from his lips. You both were unsure how much more of this either of you could take. Both close to falling off the edge and coming undone.

You took notice of AJ's hands, fiercely gripping the back of the couch, knuckles turning white. You paused for just a moment taking his hands and placing them on your skin, knowing both of you needed to feel one another.

His blue eyes widened, almost as if to ask permission. "Yes, perrito, you can touch me." Without hesitation, hands were all over you, pulling you closer to him as he rocked up into you. The slight adjustment in angle had his cock hitting against the soft spongy spot inside of you causing you to gasp in pleasure, legs feeling like they would give out any moment, "Fuck I'm close, AJ... so close...!"

AJ mumbled against your shoulder, "Tan cerca... tan cerca... tan jodidamente cerca...!" With a few more thrusts you were both falling into release. You were gripping onto one another for dear life as your orgasm washed over you and AJ painted your walls with his cum.

You fell forward into his arms, resting your head in the curve of his shoulder while your hot breath ghosted over his neck.

AJ was the first to speak, "Wow... that was... that was different..."

Your fingers danced along his chest, tracing his tattoos, "Different bad..?"

"No!" He said, a bit too eagerly for his liking. "No. Different good." He ran his fingers up and down your spine, soothing your damp skin. "Perrito was a nice touch, by the way."

"I was wondering how you would feel about that." You couldn't help but giggle.

"You know..." You looked up at AJ curious of his next words. However, he refused to meet your gaze, pink dusting across his cheeks. "Next time, you might have to tie me up if I'm not allowed to touch you. I don't know if I could have the same restraint." He bit his lip, trying to stop himself from enjoying the idea too much.

You kissed his lips, "I think that could be arranged."

As always, feedback, likes, comments, and reblogs are appreciated!

Hayden Taglist: @bimbo-baggins86 @espinathena-17

𝑊𝑎𝑛𝑛𝑎 𝑏𝑒 𝑡𝑎𝑔𝑔𝑒𝑑? 𝐿𝑒𝑡 𝑚𝑒 𝑘𝑛𝑜𝑤 ℎ𝑒𝑟𝑒 💜

[em-dash-press]

8 Tips for Writing Crime Fiction

People love a good whodunit. It’s why there are so many crime fiction subgenres: detective fiction, courtroom fiction, thrillers, cozy mysteries, historical mysteries, and more. 

If you want to try your hand at a story centralized around a crime, you might wonder if you need detective experience or a lifetime in the actual crime world to make a great short story or novel.

Check out these tips to find out what you need to get started.

Tips for Writing Crime Fiction Stories

1. Read Crime Novels or Short Stories

When someone wants to become great at sports, they find a coach. When they want to start a new career path, they go to school or find a mentor.

If you want to write crime fiction and you’ve never tried it before, treat yourself to some new reading material. You can browse the latest crime novels or short story collections to see what readers can’t get enough of. As you read with the intention of studying the work through your writer’s eyes, you’ll learn how to pull a crime story together.

Pay attention to how the authors build tension, introduce new facts and pull characters together through the primary criminal act in the plot. Note whatever interests you or makes you excited to read the next page.

2. Pick Your Conflict

While you can have multiple types of conflict in a successful story, you should pick a primary conflict as your crime fiction plot device. The crime itself could kick off your story and push everything forward, or it could be what makes your story fall apart on purpose.

Will you write an interpersonal detective story or involve the criminals themselves? Maybe your narrative will center on a victim’s loved one who becomes your protagonist. Your primary conflict will shape your plot and help you create the best protagonist to carry your story.

3. Create Your Crime First

It’s not impossible to write a crime story without detailing the crime itself before you start writing—but it’s much easier. It’s especially important if you’re planning to write a novel because there are so many elements that rely on things like:

Who does the crime?

What is the crime?

When does it happen?

Why does it happen?

Where does it happen?

What’s the motivation for doing this crime (if any)?

What are the repercussions of this crime (for all of your involved characters and their world)?

You’ll spin everything out from the crime, so start by picking an illegal event you want to write about. If you need help, read newspaper articles or browse true crime documentary descriptions to make a list of possibilities.

4. Save Your Most Helpful Research Sources

The realism of crime fiction plays a significant role in interesting your readers. You’ll need to research so much when you know what your plot will hold and what crime it involves.

You might spend weeks, months, or even years reading about things like:

How your protagonist’s world works before the crime and how the crime changes it

How DNA profiling does and doesn’t work

How first responders and cops handle crime scenes

How people are treated by the media when they or their loved one are hurt in a crime

How the legal proceedings afterward work for your protagonist

Once you know how the framework of each element works, you can create plot twists by causing slight breaks in the systems. I highly recommend saving pictures, links, and detailed notes in digital documents like a Google Doc or spreadsheet. You can also use the resources listed here to find other ways to visually save your research.

5. Give Your Antagonist a Motivation

Many crimes happen because people plan them to their advantage. A robber steals money because they have overwhelming medical debt. A killer murders someone who hurt them in the past.

The motivations won’t always be morally right, but they have to exist. Make sure your antagonist has one before and after the crime occurs. How does the event change their motivations or goals? That’s essential to know to keep them grounded within their own realm of reasoning.

If you’re writing a crime that wasn’t intentional, there has to be a motivation carrying your antagonist forward in the aftermath. What’s making them make their decisions regarding how they cover up the crime or distance themselves from it?

Tips to Take Care of Yourself While Writing Crime Fiction

1. Check In With Yourself

It’s so easy to bury your emotional well-being while writing a dark story. You might want to finish it on time or get through a particularly gruesome part of the plot, but pushing your emotional state to the side will only lead to burnout or worse.

Check in with your emotions to see what you need throughout your writing process. Sit quietly by yourself and ask what emotions are present. Let them speak above your story’s needs or your other responsibilities. Then see if those emotions have been lingering for the last week or two. Journaling can help with this, but you can also record your thoughts in the Notes app on your phone or a spare piece of paper by your laptop.

You might need to step away from your work for a bit or write a more laid-back story to give your mind a break. Maybe a good cry will release the pent-up emotions from your hours of research into how cruel humans can become.

Writing about darkness doesn’t mean you have to be trapped in that darkness for however long it takes to write the story.

Take care of yourself first. You’re more important than any story.

If your mind ever starts to feel overwhelmed while you’re writing a story with heavy thematic elements or violent events, please get help. I highly recommend the sliding-scale therapy available through OpenPath (sessions can become as little as $30/hour). You can access licensed therapists in your area, arrange in-person or virtual appointments, and make each session fit within your budget.

2. Take Breaks

Pausing your creative writing for the day or even the week could be what your mind needs. Research shows regular breaks make people more productive because they utilize other areas of our minds and help us return with fresh energy.

It’s also important to take breaks for your emotional well-being. You may not feel as sucked into your antagonist’s (or protagonist’s) violent, dehumanized state of mind by walking away from your manuscript. Talk with someone you love, watch your favorite show, or go to that farmer’s market you’re always talking about.

It’s easier not to get caught up in negativity when you retain control over it through things like breaks.

3. Don’t Sweat Your Search History

Cops won’t show up at your door if you’re googling which artery pumps the most blood and how long it would take to bleed out if that artery opened. That’s not how the internet works.

There are very few odds that police will need your search history while trying to solve a crime one day. However, if it makes you uncomfortable, look into a VPN and use incognito mode (if you’re on Chrome. Firefox users can use Private Browsing.).

You can also avoid specific internet searches by watching true crime documentaries on a similar crime or reading books about similar cases. Do whatever makes you feel comfortable, especially if you’re writing a long-form manuscript that could take months or years to complete.

-----

If you’re interested in writing crime fiction, these are a few ways you can get started. Remember, you don’t have to write a perfect first draft. That’s impossible. All you need to do is start creating your world and use tips like these when you need help along the way.

[racefortheironthrone]

With how much focus she has received since the beginning of the Krakoa era, what are your thoughts on Storm ? And do you agree on the perception that she's becoming something of a Mary Sue?

I’m going to start with a mini-rant about the Mary Sue.

To the extent that there is any validity to the term at all, it is solely and exclusively within the realm of fanfiction. A Mary Sue is an OC (original character) whose supposed annoying omni-competence is really secondary to the main problem with the character, which is that they warp the narrative away from the main characters of the source material - Kirk and Spock or Picard and Data stop doing things that drive the plot, and instead just stand around asking "where's Poochie?"

Outside of fanfiction and in the realm of the media that gives rise to fanfiction, a prominent character who is incredibly talented and powerful and who makes the plot center around them is called a fucking protagonist - so no, Rey isn’t a Mary Sue, Carol Danvers isn’t a Mary Sue, Katniss Everdeen isn't a Mary Sue - none of them are Mary Sues and anyone who claims otherwise is showing that they have deep-seated Issues with female protagonists in their fiction.

Is Storm a Mary Sue?

Even if we weren't talking about the most prominent black woman character in fiction, I would consider this question pretty damn offensive, both because no one would ever ask this question about a male character and - in a franchise packed to the gills with hyper-powerful women who make the plots revolve around them and who even get the complementary Love Triangle - no one sends me asks about any of those (white) women.

But to answer your question: no, Storm is not a Mary Sue - she's the main character of the X-Men.

See, when Chris Claremont took over X-Men in 1975, he did so with a brand-new cast of characters, the so-called "All-New, All-Different X-Men." In no small part because they were far more diverse and more colorful than the O5 (suburban WASPs one and all), most of these characters would become break-out stars and the core of the X-Men from that day to this.

However, Claremont didn't vibe with all of the All-New X-Men equally: he had Sunfire quit the team (repeatedly), he killed off Thunderbird for shock value (a death that has only been reversed this last year), he would have killed off Wolverine if John Byrne hadn't stopped him (Claremont would later turn around on Logan once he worked out his voice), etc.

But one character that he vibed with right from the beginning was Ororo Monroe. From the very beginning, Claremont's Storm is the most powerful of the All-New X-Men, both in terms of her powers and in terms of her personality, being the only person who can face down Logan. At the same time, she's complicated by her struggles with crippling claustrophobia caused by the Suez Crisis-induced trauma of her childhood.

After a few years, Claremont tired of the African Nature Goddess routine and had Storm experience an almost total transformation that nonetheless was completely grounded in her character. Feeling overly limited by the total emotional control required of her powers, Ororo undergoes a subtextual lesbian awakening in Tokyo's underground punk scene and emerges out the other side a free spirit, leader of the X-Men, and Queen of the Morlocks.

In his most audacious move in LifeDeath I and II, Claremont had Storm lose her powers thanks to Forge's anti-mutant tech - and then defeat Cyclops in a duel for command of the X-Men without her powers - and then regain her powers in an epic cycle that saw the X-Men die and be reborn as outlaw heroes in the Australian Outback.

In sum, Storm was clearly Claremont's favorite character and, as a result had the most interesting character journey over his 16-year run on X-Men.

Storm in Krakoa

And then Storm basically lay fallow for almost thirty years. In no small part due to the pioneering work done by Claremont with this character, later writers were frankly too intimidated to touch the character and so starting in the 90s, Storm was increasingly sidelined in the comics in favor of the characters that were commercially "hot" at the time - Wolverine and Gambit, especially.

In the 2000s, the most significant thing to happen to Storm was her marriage to T'challa. While I think Reggie Hudlin had mostly good intentions with this decision - he wanted to create a black power couple at Marvel and thus put together Marvel's most prominent black man and black woman into a relationship - the result was to make Storm a supporting character in Black Panther comics, rather than a main character in X-Men comics.

I would argue that it is only recently with the advent of Al Ewing as a major writer in the X-office with S.W.O.R.D, X-Men Red, and Storm and the Brotherhood of Mutants that we've gotten a writer who's not afraid to write Storm as she deserves to be written - as the most powerful of the X-Men, the Regent of Arrako and the Voice of Sol, the standard-bearer of Magneto's legacy, and a woman trying to balance the demands of two planets and her own desires.

[swordfright]

https://www.tumblr.com/swordfright/756502816281018368/what-do-you-think-is-your-most-controversial-dsmp?source=share

I remember sending this to a bunch of dsmp blogs (starting with elmhat I think ?) bc I like when people share ideas/opinions who diverge from the main consensus because I find it the most efficient way for people to stick to canon and not fanon since people can have different interpretations of event

And it was super interesting to see the one about the experimentation being after prison rather than before (loved the two LN and Q ones too but as you said they were a bit more common. Would love to see your take on c!slime though now)

(And I wouldn't have a problem with you giving unpopular opinion about the fandom either but to be clear I was not trying to start anything with my first question, I just like seeing uncommon takes)

Don't worry lol I didn't assume you were trying to start shit. Ok, so c!Slime is pretty interesting in that he's the closest thing we have to an NPC in what is otherwise a roleplay, which implies certain things about how he can be used in the narrative.

A little bit of quick background: I spent a LOT of time as a kid doing RP online (it was an original story set in the Death Note universe and it happened on a website that went bankrupt in like 2017 and no longer exists lmfao don't worry about it) and idk what RP etiquette is like in other communities, but in the community I was a part of, it was sort of frowned upon for players to outsource heavy plot/character development material to NPCs. It was allowed and people did it, but it was seen as sort of a cop-out. The underlying idea being that if you're gonna bother to do RP, your character's most important interactions should be with other PCs, in part because it helps build/strengthen the RP community and in part because it better entrenches your character's storyline in the storylines of other PCs, which in turn encourages other players to keep RPing and keeps the story going. Again, creating NPCs was very common, but players were discouraged from having entire arcs or character trajectories be highly dependent on NPCs. It was seen as sort of a cheap, low-effort way of progressing your character's development without having to coordinate plot beats with other players, and doing it too often was seen as sort of antithetical to what RP is trying to achieve as a form of gaming-storytelling. To me, c!Slime is a classic example of when an RPer outsources a little too much narrative weight onto an NPC.

First of all, I wanna clarify that it's kinda difficult to define what an NPC is or isn't on this server, but I'd say c!Slime is more of an NPC because even though he's played by a CC with some degree of improv, we know that cc!Quackity specifically wrote c!Slime's character to fulfill a narrative role and asked cc!Slime to play that character - as opposed to alternate characters played by CCs of their own accord (Sam Nook, Dream XD, Sam Bucket, Mexican Dream, etc.) So, for example, I don't see Sam Bucket as an NPC but I do see c!Slime as an NPC. c!Slime wasn't an original creation on the part of the player, he's a narrative tool (which is fine, but it does mean that what he can and can't do in the story is limited to what cc!Q needed him to do.)

There are some things I think the addition of c!Slime did accomplish. For one, Q's interactions with him provide a platform for more introspective character work on Q's part. And while I that character work could've been done by having Q interact with a PC instead, I do think Slime is better positioned to act as an apprentice figure because he had almost no lore prior to Las Nevadas and didn't enter the story with baggage or ties to any other major characters. He's a blank slate, which makes him really easy to use as a narrative device. Q voices thoughts and ideas to Slime that he can't voice to other characters (usually because it would be OOC for him to do so, or wouldn't make sense in context), which means that Slime is sort of a vehicle for delivering Q characterization to the audience.

This is all fine and I think a lot of it was done fairly well. I like cc!Slime's acting and I think the character is a fun addition to the LN crew. That said, I don't think the payoff was great. Slime being an NPC really undermined what I assume cc!Q was going for with End of Las Nevadas, in large part because he doesn't have well-established relationships with other characters. Aside from Q, Slime basically only ever interacts with Tommy, Foolish and Ranboo, and even those interactions are limited to a really tiny handful of streams. Punz capturing and manipulating him, Slime helping c!Dream confront Quackity...all that stuff could have been a lot more interesting if it had more time to marinate. Like, I love the IDEA of Slime and c!Dream interacting, but we don't really get any meaningful interactions between them outside of Slime's function as a storytelling tool. He's there when he needs to be, and only ever when he needs to be.

For instance, I would've loved to see what Slime thinks about Q's slime army. It's really weird to model your mindlessly obedient slave army after your friend. That was a weird ass thing for Q to do, and it would've been cool to see Slime react to that. But because he's more NPC than PC, and because highly scripted lore like the LN series doesn't really encourage deviation, we never get to find that out. Slime doesn't ever really get to be his own character, which in the end kinda undermines a lot of the character development he triggers for c!Quackity because at the end of the day, it's really transparent that Slime only exists to be a prop. It's a kind of one-sided relationship that's unique to RP.

I think End of Las Nevadas was weak for other reasons too, but uhhhh yeah the Slime stuff bothered me a bit. Would've liked to see him do more. And he disappears after pushing Q off the ledge and, to my knowledge, we never see him again! If he had been more PC and less storytelling tool, presumably other characters would've had opportunities to react to Slime's role in the events of that stream, or notice that he's missing/back again/missing. But instead, he's able to just vanish from the story after he's fulfilled his role because that's all he was ever supposed to do.