#but how can this plot work without the source material

[greater-than-the-sword]

If I could rediscover whatever kind of creative juice i was drinking when I wrote Earth's Champion and put just half of that energy into a published fiction I'd be happy forever

[dduane]

We’ve been over this before

Folks, please pay attention to this.

Do not send me (in my inbox, or via message, or anywhere else) suggestions for things you’d like me to write. No matter how vague and nonspecific you think they are. By doing so, you are guaranteeing that they will never happen.

Such suggestions, even in the inbox, leave an electronic “paper trail” that the platform is required to preserve. People bent on making legal trouble for a writer can subpoena a platform for such data as proof that you got your idea from somebody else (like them) even if you genuinely previously came up with it by yourself.

“Oh, come on, who’d do a thing like that, what are the odds…?” people will say. But it’s not generally known that I’ve already been involved in a high-stakes lawsuit in which someone tried to sue Mattel over material I wrote when developing the initial form of the “Barbie: Fairytopia” universe (and the first Fairytopia film) for them. I’d never so much as met or communicated with the person suing them, had never read even a word of their work… but they still went to great trouble and expense attempting to prove that I’d had access to their material and used it without permission. 

Mattel won the suit—as I’d frankly been expecting: the attorney handling their defense was one of the most expert IP lawyers in the US. But it gave me the chills… and made it clear how very wrong things could go, and the kind of damage that could be done to my career and my personal life, if I even accidentally used ideas from unauthorized sources. 

Seriously, folks. I know you mean well! But please don’t make me tap the sign. 

I already have a list of things that can never happen. It’s already too damn long. Don’t make it longer.

DO NOT SEND ME STORY IDEAS (or “prompts” or anything of the kind) no matter how general or conjectural or unformed they may seem to you. To do so is to guarantee that they will never, ever happen. 

And in my own universes, your innocently-meant suggestion could mean that neither you or anyone else will ever see that particular Young Wizards or Middle Kingdoms plot, no matter how much you’d like to… because I take this stuff seriously.

Okay?

Thanks.

[novlr]

Any tips on how to describe indoor spaces so they feel real and match the vibe of the story without throwing in too much detail?

Getting interior scenes just right is all about finding the balance between setting the mood, showing the unique personality of your story world, and keeping the plot moving. There are lots of ways you can use senses, action, and background to set a scene, all of which can work seamlessly with the type of story you want to tell. Here are some tips on how you can achieve that:

How does it look?

Lighting: does your space contain the soft glow of lamps, harsh fluorescent lights, or natural light?

Use colour and textures like peeling paint, plush velvet, or sleek marble.

Size and scale: is it claustrophobically small or impressively grand?

Architectural features: does the space have high ceilings, crown mouldings, or exposed beams?

Furnishings: are they modern, sparse, antique, or cluttered?

Style and decor: what style is represented, and how does it affect the atmosphere?

State of repair: is the space well-kept, neglected, or under renovation?

Perspective and layout: how do spaces flow into each other?

Unique design features: describe sculptural elements, or things that stand out.

Spatial relationships: describe how objects are arranged—what’s next to, across from, or underneath something else?

How does it sound?

Describe echoes in large spaces or the muffled quality of sound in carpeted or furnished rooms.

Note background noises; is there a persistent hum of an air conditioner, or the tick of a clock?

Describe the sound of footsteps; do they click, scuff, or are they inaudible?

Include voices; are they loud and echoing or soft and absorbed?

Is there music? Is it piped in, coming from a live source, or perhaps drifting in from outside?

Capture the sounds of activity; typing, machinery, kitchen noises, etc.

Describe natural sounds; birds outside the window, or the rustle of trees.

Consider sound dynamics; is the space acoustically lively or deadened?

Include unexpected noises that might be unique to the building.

Consider silence as a sound quality. What does the absence of noise convey?

How does it smell?

Identify cleaning products or air fresheners. Do they create a sterile or inviting smell?

Describe cooking smells if near a kitchen; can you identify specific foods?

Mention natural scents; does the room smell of wood, plants, or stone?

Are there musty or stale smells in less ventilated spaces?

Note the smell of new materials; fresh paint, new carpet, or upholstery.

Point out if there’s an absence of smell, which can be as notable as a powerful scent.

Consider personal scents; perfume, sweat, or the hint of someone’s presence.

Include scents from outside that find their way in; ocean air, city smells, etc.

Use metaphors and similes to relate unfamiliar smells to common experiences.

Describe intensity and layering of scents; is there a primary scent supported by subtler ones?

What can you do there?

Describe people’s actions; are they relaxing, working, hurried, or leisurely?

Does the space have a traditional use? What do people come there to do?

Note mechanical activity; elevators moving, printers printing, etc.

Include interactions; are people talking, arguing, or collaborating?

Mention solitary activities; someone reading, writing, or involved in a hobby.

Capture movements; are there servers bustling about, or a janitor sweeping?

Observe routines and rituals; opening blinds in the morning, locking doors at night.

Include energetic activities; perhaps children playing or a bustling trade floor.

Note restful moments; spaces where people come to unwind or reflect.

Describe cultural or community activities that might be unique to the space.

How is it decorated?

Describe the overall style; is it minimalist, baroque, industrial, or something else?

Note period influences; does the decor reflect a specific era or design movement?

Include colour schemes and how they play with or against each other.

Mention patterns; on wallpaper, upholstery, or tiles.

Describe textural contrasts; rough against smooth, shiny against matte.

Observe symmetry or asymmetry in design.

Note the presence of signature pieces; a chandelier, an antique desk, or a modern art installation.

Mention thematic elements; nautical, floral, astronomical, etc.

Describe homemade or bespoke items that add character.

Include repetitive elements; motifs that appear throughout the space.

What is its history?

Mention historical usage; was the building repurposed, and does it keep its original function?

Describe architectural time periods; identify features that pinpoint the era of construction.

Note changes over time; upgrades, downgrades, or restorations.

Include historical events that took place within or affected the building.

Mention local or regional history that influenced the building’s design or function.

Describe preservation efforts; are there plaques, restored areas, or visible signs of aging?

Describing indoor spaces doesn’t have to feel like a chore. Focus on the details that matter most, tie them to the mood or characters, and let your readers fill in the blanks. A well-crafted space not only sets the scene but builds your character's relationship to it. Use sensory language, background, and action beats to tie it into your narrative, and don’t be afraid to play around with motifs and contradictions, depending on who is experiencing it!

[genericpuff]

in light of what i reblogged earlier re: expecting people to engage with the actual source material of fandoms before trying to participate - while Rekindled is on hiatus, y'know what you should do?

Go read Lore Olympus.

The Originals series, the pilot episodes, all of it - or, at least as much of it as you can.

Not because I think you should force yourself to read something that you don't like.

Not because I think it deserves all the accolades it still gets to this day.

But because that thing you don't like might have had some great ideas and concepts and it was with those ideas and concepts that I was able to create Rekindled.

Because that thing you don't like might actually have stuff you like in it but you never found out because you never engaged with it past the antiLO/ULO communities.

Because that thing you don't like is something I used to like so much that I was willing to spend the last 2+ years of my life creating something new out of it, and will probably spend 2+ more years continuing to do so.

I know that's a HOT TAKE coming from me of all people, but there's so much stuff that I see people commenting about Rekindled that deadass would not exist if it weren't for LO, and Rekindled itself has grown to a point that we've now taken on readers who've never even touched LO. Wilder still that I'm fairly certain we have a few readers who didn't even know LO existed. The longer Rekindled goes on, the more it deviates from the original work as the plot changes and moves away from what LO tried to do, subsequently the more disconnect will grow between those who understand its context and those who don't.

And I'm talking beyond the obvious stuff like the S1 plot tweaks and trying to mimic Rachel's older art style, I mean the real nitty gritty stuff that's meant for the fans and haters alike, the references, easter eggs, panel redraws, borrowed designs, and inside jokes that go as far back as the pilot episodes that you wouldn't be able to fully understand or appreciate without having read the source material-

(there are sooo much more than this but I'd hit the image limit before I even got through half of them LMAO and there's one in particular that hasn't happened yet but I'm really hoping people pick up on when it does because it's probably my favorite out of all the parallels I have planned ;0 and if you're someone who HAS read the original comic all the way through and knows all the references and detailse, I hope it's at least making for some fun easter egg hunting LOL)

None of this is to diminish our own efforts to create something unique out of Rekindled, both through its art and writing - there are a lot of original ideas and concepts that we've made for it that we're really proud of and frankly really grateful that we came up with before Rachel LOL (Gorgon Ramses is ours! Big boy Dionysus is ours because we beat Rachel to the punch in his debut! Charon is ours! Muahahahaha-) but some of you compliment things with Rekindled that I'm concerned you don't realize aren't original ideas on our part-💀

I'm all for dunking on LO, but I'm also all for free thinking and my free thought is that you should absolutely read LO so you can form your own opinion of it separate from that of my own. You don't have to pay for it, you don't have to give Rachel and Webtoons your hard-earned money, the DailyPass system might be annoying but it does let you read 2 free episodes a day, all the way up until the finale which some webtoons don't even let you do (some of them force you to pay for the final episodes). With AdPass you can read even more. Shit, if you really can't access it but you're tech savvy enough to understand how magnets work (cough cough), I'll help you out.

Get through as much of it as you can, at the very least the first season and the pilot episodes. If you really can't stomach much more of it beyond that, then obviously don't force yourself to, but at least then you'll be able to form a more concrete opinion based on what you've actually read.

Lore Olympus absolutely sucks ass in more ways than I can count, none of what I'm saying here is a glowing recommendation of it as a piece of media. But Rekindled wouldn't be what it is - it wouldn't even be - without it. And that alone should make engaging with the source material worth something to anyone who enjoys Rekindled for what it is, and what it isn't. I hate what LO became - and what it ultimately always was as soon as the rose-colored glasses fell off - but I love what it used to mean to me still to this day and I love what it still provides for me through Rekindled.

There is, after all, a reason why it is called Lore Rekindled ♡( ◡‿◡ )

[raven-at-the-writing-desk]

What did you think of the eternity float story? I know you’ve said before you prefer events with strong storytelling/writing so I was wondering if this one hit the mark for you?

Any hometown event comes with the usual shortcomings of a hometown event. Low stakes, a lot of eating and souvenir shopping, etc. Eternity Float is no different from previous hometown events in that regard.

BUT!! ☝️🤓 Putting aside my J word and TLM bias (although I’m the type of person that evaluates media MORE harshly, not less, when the characters/media I like are involved), I do think Eternity Float is a step up from most other hometown events because it is slightly more ambitious. I’d argue that the highlight of this event’s story isn’t the wedding/Eternity Float, but instead the subtler secondary plot about how Jade has changed since his childhood + middle school days. Throughout the event, there are many details that feed into this recurring idea of Jade once not having interest in land or not having the belief that he could comfortably be on land. Then he becomes curious somewhere along the way and starts dreaming and working toward that dream. He decides to stop staring longingly at the land to become a part of it. And knowing just how competent he is in other areas now (such as being able to meet all of Vil’s demands; see: Jade Dorm Uniform vignettes)?? How much extra work did he have to put in to get to this point?? Jade isn’t a natural genius like Floyd is; Jade has actually had to put in tons of time and energy to develop all these skills, to learn the polite mannerisms of his mother, to present as pleasant, etc.

Jade genuinely expresses multiple times in Eternity Float that he is grateful to have made these memories with everyone. He also talks about how his past self would be amazed to see himself today more than once. We hear stories of him in the sea but also hear about how he’d visit Ultramarine City to actively learn about life on land. We meet his old land boot camp instructor. Just listening to him share about his experiences, you get the sense that he really worked hard to be able to walk and study on land as competently as he can today. It carries that wistful and hopeful and determined spirit of Ariel, and it harkens back to TLM source material without being outright stated.

We hear from Georgina, his mother, about how she frequently worries about Jade and is glad he has friends that support him and try to understand him. Now, this could also be said for the other family members we meet in hometowns, but the difference here is that Georgina’s worries actually help in scaffolding Jade’s growth. She is concerned about how Jade is faring on land because she may be aware her son is a literal fish out of water and may have lacked confidence before—but now she is put at ease after seeing that Jade does have a social circle and is having fun on land. (The only other parent whose worries about their kid has major story relevance is Dylla in White Rabbit Fest, as Deuce would later go on to honorably win the Rabbit Run against delinquents that had disrespected her. By the way, I also consider White Rabbit Fest to be one of the better written hometowns.)

This is especially important because we see in his book 7 dream that Jade, above all else, believes in himself. Eternity Float is the character growth Jade needed for book 7, it’s done sooo much better than his actual Draconia-induced dream BUT I DIGRESS— To imply that there was a point in time in which he did not have that confidence in regards to living on land is really fascinating and also implies previous growth. It manages to walk the line of keeping Jade mysterious—which is a large part of his appeal to a certain fanbase—while also demonstrating to us how his character has developed over time.

The event still has missed opportunities, of course. We could have gotten a better glimpse into Jade’s past if he actually knew the bride and groom instead of being complete strangers. Or maybe the land boot camp instructor we ran into in town could have been introduced sooner or stuck around for longer to drop more lore about kid!Jade. Still, I think it’s overall a bit stronger than the usual hometown event. Nowhere near the quality of Glorious Masquerade, mind you, but for sure one of my favorite hometown events.

[literaryvein-reblogs]

Tips for Critical Reading

You'll find many ways to read and understand a text, but keeping a journal as you read is one of the best ways of exploring a piece of writing. By integrating reading and writing, you can interact with the work more fully.

Begin each new novel, play or poem without predetermined bias. If you decide in advance that all good art uses realistic settings and promotes your personal moral values, you close out the possibility of new experiences. You do not have to, nor should you, enjoy every work of literature that you read, but you should be willing to recognize that the imagination is limitless.

Read slowly. This suggestion can't be stressed enough. If you roller-skate through an art museum you won't see the paintings.

Read with pen in hand. Underline key phrases, speeches by major figures, or important statements by the narrator. But don't limit yourself. Underline or highlight anything that seems important or striking. Take notes on ideas or questions (don't trust your memory). Write in the margins. Keep a list of the characters and/or major events on the inside of the front cover. Circle words used in special ways or repeated in significant patterns. Look up words that you don't know or words you think you know but seem to have a special weight or usage.

Look for those qualities that professional writers look for in real life: conflict, contrast, contradiction, and characterization.

Look for rhythm, repetition, and pattern. Successful works of literature incorporate such structural devices in the language, dialogue, plot, characterization, and elsewhere. Pattern is form, and form is the shaping the artist gives to his or her experience. If you can identify the pattern and relate it to the content, you'll be on your way to insight.

Ask silent questions of the material as you read. Don't read passively, waiting to be told the "meaning." Most authors will seldom pronounce a moral. Even if they do, a work of literature is always more than its theme. Use the questions devised by reporters: Who, What, When, Where. Why and How may take more study—such questions probe the inner levels of a text.

Keep a reading journal. Record your first impressions, explore relationships, ask questions, write down quotations, and copy whole passages that are difficult or aesthetically pleasing.

The Reading Journal

Christopher Thaiss in Write to the Limit (Chicago: Holt, 1991) notes that the word journal comes from the French word for day, which is jour.

The word indicates that a journal is kept daily.

Thaiss also suggests that journals are kept for many different reasons: to record events, to keep an ongoing public record, to record feelings, to make close observations for scientific purposes and, finally, to explore emotions, memories and images in order to think and learn about any subject.

Don't feel overwhelmed. Just relax; notice and feel things.

Associate ideas with other subjects, objects or feelings.

Try the following 3 steps:

First, write what you see in the text at the surface level.

Next, write what you feel about what you see.

Finally, write down what you think it means or why you think it is important.

Source ⚜ More: Writing Notes & References

[romor]

I'm starting to think people don't understand that adaptations have to be different. Did netflix have the same amount of time as Book 1 to work with? Technically yes, but 20 episodes is for sure more than 8 so they didn't.

If you are constantly comparing it to the original and upset about the changes. Then for sure the netflix adaptation is not for you.

I've seen some bad adaptations over the years, for example my favorite book is Inkheart. Even the 2010 Avatar movie is a better adaptation than Inkheart's.

Conclusion it's a pretty good series, if you like the original, if you can watch it without constantly comparing it to the original you will enjoy it more.

Editing to add to this since so many have said something.

Inkheart is not a horrible movie, but it is a bad adaptation. Fantastic cast, with no loyalty to the source material.

There is a difference between adapting a story, and remaking it. This is literally being referred to as the netflix adaptation, so clearly it's not a remake. Because it is an adaptation, changes are expected. It would be stupid to expect a copy and paste story.

The changes make sense, because if you want book 2, and only have 8 episodes to work, you have to make a lot happen. The original show has clear start and end points for the events that occur (aka you know that start of the episode and the end). That's fine, when you have 20 episodes to work with, each 20 minutes. That doesn't work with 8 episodes each 1 hour (or about an hour). It doesn't translate to smooth storytelling. A lot of important things occur in book 1, but let's not forget that book 1 is also more episodic vs the rest of the series. In fact don't we often say "it gets better," about the book 1? What I am saying, a lot has to happen in the first season to set up not just season 2, but season 3. They did really good making sure those events happened.

I don't mind the mixing of plot because they didn't have much of a choice if they wanted a cohesive plot. I would also like to add I'm so glad the removed the northern air temple episode's setting. Never felt right with me.

I'm not saying don't compare them because it's impossible not to. I'm saying that if you are constantly going to be thinking of everything they changed, if you think the original series is so perfect. So unflawed, that how dare they even try. If you are going to be watching it already offended that they decided to even touch it. This adaptation is not for you.

If you were like me and wished that fire did in fact burn everytime it touched someone. If you are like me and thought the original series was too light-hearted for its plot. Then you will enjoy it. It's a fun adaptation, that keeps as loyal to its source material as it can be.

Yes I have my issues with it, but that doesn't mean it wasn't a fun watch.

[ouransisters]

Top Tier Danny Phantom/Batman crossover things (but from someone who doesn't care about either source material)

•Danny being the first hero

-gives a reason for why the justice league doesn't get involved

-his actions/struggles sets a precedence for the future heroes

-theres all of these well established and famous heroes who have been through hell and back; and then they suddenly melt because that's! their! hero! Holy shit it's him!!!!

•Danny is summoned and what he says sounds condescending and expected of a eldritch monster, but then it cuts to him just being outrageously casual and the translation just isn't working

-there's this really cool fic of Shazam finding out about that and ends up roasting this eldritch being about it

•Danny and Shazam are in a justice league meeting, they're both pretending to be ancient beings instead of literal teenagers, and upon realization they back each other up without any discussion needed

•Danny is the son of mad scientists and it shows

-he's not a rouge himself, but he has an intimate understanding of how their tech works at glance cause he grew up with this kind of crazy

-it's just a Tuesday afternoon

•Danny becomes an astronaut and his powers make him a very useful resource

-there's not nearly enough of this

-in a world where aliens are a thing and space monsters are am actual threat, having Danny on the ship makes him indispensable

•Danny's a retired vigilante and his skills make him seem suspicious

-He's out. He's not getting dragged back in. He accidentally freaks out the local heroes at every turn

•Danny becomes ghost king or whatever and realizes he can fuck over grandpa-al-ghul

-so technically I haven't read a fic where that's the main concept but i want it ok

-just batman being his dad? Doesn't matter. Damien being his twin? They were never on good terms or they're secretly communicating, but that's not relevant to the plot. What's important is that he can make his grandfather go cold turkey on the Lazarus Pits and secretly gut his entire league with no one knowing what the fuck happened

-Danny's plotting and slowly executing the plan to obliterate his grandfather's legacy, with dashes of outsiders pov of watching the ancient league of assassin's being dismantled by thin air

-a conversation in which Damian is on good terms with his secret twin and he overhears his family talk about the leagues destruction: "Ah, Daniel did that" "...who?" "My twin" "Your twin!!!" "Yes. He never liked grandfather's methods, so it is hardly a surprise he did this as a ghost" "....as a ghost" "Of course. Once he was made The King of the Infinite Realms he sent a letter stating his intentions towards taking down grandfather. Sentimental fool. He visits occasionally to complain about the council" and then just walks away whole scrolling through his phone, like a normal teenager. And THIS is how they find out about the anti-ecto act.

-bonus: Danny finds out after defeating Pariah Dark that he's the ghost king and has a hysterical fit of laughter. This is how his friends find out he was a child assassin

[lovely080222]

Arcane Season 2

Lately, I've seen a lot of content creators and people online reacting and talking about Arcane season 2 in a negative way, to the point where they say that the season was trash. And honestly it makes me mad. If the ending of the story, or the story itself wasn't your cup of tea, is okay. Media enjoyment and appreciation is subjective, however, we can all be objective when it comes to the actual content of said media...and that is what has me so disappointed on their takes, because their reviews (that I came across with) are flat out lacked on media literacy and did not entirely understand the source material they were reviewing.

Let's start with the character arcs...in my honest opinion. THEY WERE GOOD. ALL OF THEM. I feel like a lot of people are exaggerating when it came to the arcs (especially Vi, Jinx and Caitlyn's) saying that they were not developed enough like in the first season, but I disagree. Most of their arcs for season 2 were HEAVLY hinted and foreshadowed in season 1, mostly Jinx's and Cait's.

One of the arc that gets more hate is Vi's, and is because of the s3x scene of season 2 episode 8 and the finale of season 2 episode 9, and overall season 1. As well as her forgiveness towards Caitlyn and how she acted selfishly in that episode. However, they don't take into account 2 things: 1. Vi is heartbroken (for what it feels the 30th time in both seasons) because Jinx/Powder tears and rejects Vi's help and unconditional love (Vi's fatal flaw is not knowing when to drop the towel, and establishing boundaries for herself, believe me, I learned that THE HARD WAY ) .

2. Vi and Caitlyn might not have enough time to talk about their feelings as deeply as they would've liked (a literal WAR is coming) so, they did it in the most raw and truthful form of love language, touch and eyes. No words, they weren't needed either.

Don't blame her for doing what it felt right in the moment, also let's be real here. Jinx gave her consent, and decided to leave Vi (Vi doesn't know the context, we do), for her sibling's benefit and love for her, because it hurts to Jinx that Vi is not taking care of herself and not pursuing what she truly wants, which is Caitlyn.

Was it in the worst moment of Jinx deteriorating mind? Yes. Was it out of place?...Maybe. But, was it necessary for the plot? OBVIOUSLY.

The s3x scene holds and magnifies the arcs of the couple and their vulnerability (Vi taking the leap and show her feelings, and Caitlyn responding and being truthful of hers). There are videos that explain the importance and the weight that holds in the arcs of Caitlyn and Violet, way in depth and detailed. They all point out the symbols and meanings of their gestures, which are wonderful. And ties together their bond and their strengths. As a younger sibling, strangely enough, I connect with Vi more than Jinx. That is because of the parental and family expectations that they have on me. I had to take a role of being the caretaker since "I'm more mentally stable". So I understand why Vi is the way she is.

Therefore, I understand and relate to Vi wanting to be selfish for once, without feeling guilty about it later. Not having regrets.

I recently rewatched both seasons and I have to say, it all played out perfectly, including the finale. And it payed off to all the build up in season 1, because of the foreshadows and plot devices used in both seasons to tell the story. The plot points and story arcs were very good, especially since they all connected to the main theme, which is forgiveness. Where do you draw the line in where there is nothing left to forgive or how far are you willing to do so. The plots truly showcased what is Arcane (narratively and character) and how does storytelling (mostly subtext, non-verbal and visual ) actually work. The way the writers handled it was MAGNIFICENT and TRAGIC. Which serves right for the story they conveyed in the series.

I think, one of the reasons that this season was received poorly (compared to season 1) is due to the already constructed ending and story lines that we might have thought of. Which might have more things or less than the main series but it was something to cling on before the premiere of the last season. And because of it, they judge it extremely and harshly without actually taking into account what the story was actually about. Would it have benefited of more episodes? No. Would it have benefited of more runtime? in some things, yes but at the same time, i don't mind it and I believe that it is good. Would it have been better if there was another season to wrap up the story? Definitely not. That is due to the story being pretty much a solid story with a few strong undertones that have unfolded before its finale. I LOVE Arcane, and I would watch it again and again (both seasons). I think, it is one of the biggest series of all time and also the most compelling one in modern media). This final season brought me to tears and this hollow feeling in my chest yet satisfied by the way it ended the main journey of Runeterra, and opened to many more.

Also controversial opinion, but I like season 2 a lot more than season 1. And that is because, I love the development of it (the show of progression and how it embraces the themes showed on the series)

BTW, THE MUSIC SLAPS. BEST OST HANDS DOWN MIC DROP!!!!!!

(P.S. As an english literature major, I might have more insight on this but don't be afraid to disagree/agree in the comments)

I want to know how y'all felt and if you want to ask me something or debate this, you're free to do so. I hope I can create a save space for all types of convos about this show.

love,

~lovely References:

https://youtu.be/dRvgb_CB9Ss?si=rQGmpPAYL5XrDR1u https://youtu.be/LZ6szm2fmB4?si=k7l-OuE018PpctjM https://youtu.be/0nhTS9-P7eQ?si=MkMntcyQZTHPzgYZ https://youtu.be/l0-We7fyCaQ?si=aP-fhcWxSspphBT-https://youtu.be/sIJEQjMqiNA?si=xF8rt77LKAG0Kpp6 https://youtu.be/NtDGwZxQyio?si=ZTKq1E2VetcXkyis https://youtu.be/30zVFfziBuk?si=AQpE6cntutdQvBfz https://youtu.be/9Lro6HmaWiA?si=PxPq4U8s138nlHw4. https://youtu.be/W3cNewkYB8o?si=LsyGnzC3iaMpr7K1 https://youtu.be/nD9cNowdBQg?si=jxqwX1tmuunnZpHi

[utilitycaster]

Following on the last answer you gave about Laura/Ashley.

What I'm stuck on is that this fear of making a mistake is not a new thing? They've been like this for all of this campaign, note Ashley not wanting to take the shard, Laura's constant fear of letting Imogen's mom stay on the moon, etc. And to a degree, I get it! Exandria is a pretty expensive and important source material - there's an Amazon series!!! - and it's scary to make any huge decisions in it. Additionally, I understand the feeling that there's something specific that the DM wants and you're just not getting it. But I keep wondering, how hard is it for Matt to sit them down and be like. Fuck around man, it's fine! (Or even the opposite! Give them some railroads, they're all over the place!) You know? It just feels to me that Matt can solve so many of these problems outside the stream with a quick convo and I'm so confused why that's not happening.

(I didn't watch this episode completely because the discussion at the end was giving me a very bad case of secondhand embarrassment due to how stupid it was. So if this happened and I missed it, feel free to ignore this.)

Yeah that is where I am at, and this is the MOST speculative I will get to the point that I'm making it nonrebloggable but my personal guess is that like. I watched a LOT of interviews at the start of C2, as a new viewer who was looking for more stuff (which...ultimately just resulted in a C1 binge) and the cast was at the time very cognizant of wanting to prove C1 wasn't a fluke and that they could tell another great story in the world with new characters. But they also prepped EXTENSIVELY for it; and also, in this case, I think a lot of the world was in a somewhat more nebulous state (ie, I think Matt probably had the concept of an ancient archmage plotting to release a god-eater possibly that far back...but I think Liam's concept for Caleb very much influenced the nature of the Assembly and gave Matt a place to put proto-Ludinus).

I think that with two campaigns under their belt, I don't want to say they rested on their laurels, because as I've said repeatedly the caliber of the vast majority of other things they've put out has remained high. But I think that because Campaigns 1 and 2 came together so well Matt might not have realized that Campaign 3, and his fairly specific intended plot, required more work and different work. Like, it required the level of planning and railroading you see for dimension 20 seasons. Campaign 2 could meander and focus on characters because the main goal it needed to achieve in a presumably 3 campaign story was worldbuilding, and I wonder if the fact that it diverged almost entirely from Matt's vision and still came out great obfuscated the fact that this wouldn't work for C3. Campaign 3 really needed to have realized and invested characters right out the gate with knowledge of the world. Like, I think it could have been solved with a conversation but I also think that there's been some sufficient "wtf" choices (bringing in Abu as the Arch Heart without any specific guidelines is one that comes to mind) that I wonder if the cast has entirely internalized how much this doesn't cohere narratively. And also, to be fair, I've played in D&D campaigns that didn't have a great plot or really any at all but I was having enough fun hanging out with my friends that I didn't really care, and since we weren't being filmed it didn't matter. It's a lot easier to see this stuff from the outside, is my thought. I don't think it's hard in terms of time and effort, but also, I know I kept thinking "oh HERE'S the course correction, finally!" pretty much up until the last ten or so episodes. I wouldn't be surprised if he kept thinking "surely this will pull together."

[rejectedfables]

While the source material clearly intends Xue Yang to be read as an orphan (perhaps orphaned so young he has no memory of his parents), I think it’s underexplored in fandom that he never ACTUALLY SAYS that his parents DIED, but rather that he was a child without parents. 

"He had neither dad nor mom nor money" (via the official english translation)

I think there's something in here worth exploring about the possibility that Xue Yang was abandoned by his parents. 

Perhaps he remembers one or both of them and/or the event, perhaps he does not but just has a sense of it having happened, perhaps he has no memories of it at all but it still psychologically impacted his development. 

Just about every character in the story can be better understood by looking at how they were raised, and Xue Yang is CERTAINLY not an exception. 

There are myriad ways to interpret his childhood (though none of them stable, safe, or cared for), but I have been thinking a LOT lately about how being abandoned by his parents could have shaped him into who he later became.

His behavior in the Villainous Friends extra (wherein he, seemingly arbitrarily, breaks things and antagonizes people and then specifically challenges Jin Guangyao about paying for damages) COULD be interpreted as acting out in a way that's common for children and teens with a history of abandonment who are testing the waters of just how much their new guardian/s will tolerate. This sort of behavior can be a self fulfilling prophesy as well as an attempt to prove to themselves that their expectations of rejection or punishment are correct.

If Xue Yang has only ever known the world to be a painful place where people reject and abandon him, then that's how he expects the world to continue behaving. If suddenly someone defies this expectation, it is simultaneously a fascinating and wondrous thing, and also a threat to his worldview. After all, if THIS person can be kind and care for him, then why didn't anyone else?

If JGY, who at this point is essentially just his handler, can be unconditionally patient with him... then why couldn't others have been patient with him over much less? And why couldn't his own parents, who had considerably higher responsibility to him, be as patient as JGY?

It's much easier to push and push and push until you break the patience and prove your cynicism correct, than it is to grapple with those painful questions. And after all, Jin Guangyao had an exterior force (Jin Guangshan) requiring him to show patience. And once that force was removed, so was Xue Yang. This, perhaps, felt as much like validation as it did betrayal.

There might be a parallel to be made here, too, about how JGY was and felt betrayed/abandoned by his father. This in common might be something that they bonded over.

And of course, as always, there's Yi City.

Xue Yang expects Xiao Xingchen to abandon him, and his elaborate “revenge” was at least in part in preparation for that anticipated betrayal. He "knows" he will be betrayed and, perhaps unlike what happened with Jin Guangyao, he intends to be ready for it this time. Ready to punish Xiao Xingchen the MOMENT it happens, or ready to convince him not to betray him after all (what is "We're not so different, I'm not uniquely evil, you're ending our life together because you think you're better than me but look! Look! You and I are the same now" if not a deeply misguided and utterly desperate plea?).

At some point he starts hoping it just won't happen, and stops needing the “revenge” plot. When it starts unraveling before him, he tries for understanding first. What is "Hear my story, THEN decide--" if not begging to be understood?

Of course it doesn't work.

Xiao Xingchen doesn't even kill Xue Yang, either; he goes Away. Goes where Xue Yang can't. If Xue Yang is read as having this particular trigger, Xiao Xingchen's suicide may feel like abandonment all over again.

Perhaps Xiao Xingchen NOT killing Xue Yang becomes a parallel to Xue Yang's parents abandoning him to suffer alone instead of keeping him or killing him. Or else maybe Xue Yang's mother DID try to kill him (drown him or left him out in the cold) and he just managed to survive, in which case Xiao Xingchen NOT trying to kill Xue Yang puts him a cut above even Xue Yang's own mother/parents.

Final thought:

While I find Xue Yang's lack of familial connection to the rest of the cast compelling, I also find "what if" scenarios fascinating to explore, and "Xue Yang was abandoned by parents who might still be around during the story" does create some fascinating opportunities for fic.

Such as:

What if Xue Yang was yet another illegitimate son of Jin Guangshan? What if he knew but Jin Guangyao didn't? What if Jin Guangyao knew but Xue Yang didn't? What if Jin Guangshan himself knew? That would really put the insistent protections into a very weird light (is there a heart in there? Or did he think he could string Xue Yang along like he did Jin Guangyao? Or was Xue Yang blackmailing him?)

OR

What if Xue Yang was the illegitimate son of Chang Cian? It certainly puts a spin on that entire scenario. Little Xue Yang has another reason to want to please this man, and a further reason to feel betrayed by the abuse. Chang Cian not even recognizing him. Xue Yang taking revenge on the entire family because they ALL wronged him in a way he can't articulate. Because they got to live the life he could have if he'd been wanted.

Certainly none of this is canon, but it's not TERRIBLY far beyond the bounds of canon either, and makes for some juicy food for fic.

[homestuckreplay]

As somebody who’s nuerodivergent and has MDD (Major Depressive Disorder aka Clinical Depression), I find those points about John very interesting! Is there any other hints of this throughout the comic that we’ve seen?

hello!! sorry this took so long, I reread every John page so far and I now have a normal length answer to this question!! (2.9k words shhhh) I will broadly talk about neurodivergence first and then depression, but some of these points could apply to either or both.

I’m also neurodivergent, and I’ve had depression in the past, so this is based on my personal experiences + reading through the diagnostic criteria. if anyone else has different experiences I’d love to hear about it!

So my favorite academic article I’ve found this year is in a journal of disability studies by autistic writer David Preyde, and it’s just him listing all his special interests and how and why they became important to him. It reads like a blog post and I love that it was ‘officially’ published. It reminds me so much of how the Homestuck kids have been introduced, just more in depth.

John is hitting some common/stereotypical special interests, like computer programming and movie trivia, and some less common ones, like old comedians. I don’t think the fact of having interests makes John neurodivergent, but his approach to them might. John sees a Con Air reference and immediately starts explaining the plot of the movie (p.132); he also does recreations of Deep Impact (p.21), A Time to Kill (p.109) and Armageddon (p.223) He can list all the rare Gushers flavors (p.979). He thinks Colonel Sassacre will be able to tell him the ‘precise index of elevated hilarity’ of a joke (p.36). John treats things really methodically, he likes to list and sort and categorize. It’s why he likes programming computers but isn’t good at it – he knows it’s a great hobby for all that, but hasn’t quite mastered the rules yet.

This is also how he figured out punch card alchemy. Not only does he pick up a new skill much quicker when it relates to an existing special interest (stage magic), but he’s a super fast problem solver when the rules make sense and it works the same every time. He prefers familiarity, taking a while to adjust to changes, like taking time to warm up to the new MSPA adventure (p.112).

I would even argue that John’s sylladex could be a new special interest – it’s something he’s just found at the start of the comic (while his friends have all been into it for a while) and he’s deeply frustrated by the rules at first, when its behavior constantly changes due to different numbers of cards, lack of available cards, options to combine items, new modi, etc. But he still works at it for hours even though it’s hard, because it’s captivated him somehow. He picks up the language and techniques at a speed that’s only possible for someone very dedicated, and he’s super excited to get the control deck for his birthday, a very practical gift that other kids might be bored by. This is like the Homestuck equivalent of getting a backpack with a lot of pockets.

John is really proud of the computer wallpaper he made (p.25) and still gives his dad drawings to put on the fridge (p.253) – he’s very earnest about his interests. He also kind of has the fandom impulse to create his own canon that he likes better than the source material – upon seeing Harry Anderson: Wise Guy, he thinks that ‘Mike Caveney's glowing treatment of the man does him every bit of justice’ (p.253), but when he actually re-reads the book, Caveney’s ‘ambivalent attitude toward [John’s] favorite magician in these anecdotes always struck [him] as a little weird’. John is inventing Wise Guy fanfiction in his head which is incredible. It’s also an example of black and white thinking, and the quick switch from one extreme to the other in opinions without much room for nuance, that John often exhibits.

John also has a lot of specific object fixations, or comfort objects – the Con Air bunny has quickly become this. In the original movie the bunny is owned by a 7-year-old girl, while John presents as a 13-year-old boy, someone for who it’s far less socially acceptable to own a stuffed animal – but John isn’t concerned about that. The green slime ghost pogo ride is another object he returns to over and over – other people might see that as a dangerous knockoff piece of junk, but to John it carries a lot of meaning (p.105, 476). He’s always carrying things like a wizard’s hat (p.44) or shaving cream (p.488) in his sylladex that have no practical use, he just wants to have them.

John is really weird in social interactions, and often tries to avoid them altogether. The lengths John goes to to not run into his dad while exploring the house in the first 100 pages take more time and effort than actually talking to him, but John avoids him no matter the cost. On page 30 he’s also frustrated because Dave is texting him again, and John wants to be left in peace to look at his video games. Not play the games, just look at them. It’s very relatable to me to want to just enjoy my cool stuff even when not actively engaging in it, and to have a lot of ‘off time’ even from my close friends.

John responds to Rose’s genuine sentiments with ‘haha, oh jeez, that is silly!’ (p.256) and struggles with getting his dad to talk about his nanna’s death – on page 543 he considers asking her about it directly; I think some neurotypical people may see that as an unwritten social taboo. But John isn’t uncaring; he marks his friends’ birthdays on his calendar (p.999) and buys them all personalized gifts that they all end up loving, even if Rose interprets hers as a ‘subtle dig’ which John didn’t intend (p.442). John also says ‘ok, i guess i will take your word for it’ to Nanna (p.420) could come across as passive-aggressive, but John means it so genuinely.

John struggles to see beyond his own perspective, like when he’s surprised that it’s already dark in Rose’s house (p.174) despite knowing where she lives. He’s generally very preoccupied with his own concerns, but he eventually remembers to ask Rose ‘are you ok? hasn't your house been on fire for like... five hours now?’ He clearly cares about the people he’s close to, but doesn’t show it in the most obvious ways.

John is hilarious, but he doesn’t tell jokes in a standard format. He is straightforward in all social interactions, and doesn’t have the bantering instinct that Rose and Dave do. Some top tier examples of John humor: ‘it is understandable because you are really attractive. i am attracted to you... jk haha’ (p.35), ‘oh, btw... jk I was wearing a funny disguise this whole time. gotcha! hehehehe’ and Rose’s accompanying response of ‘I know, John.’ (p.63), and ‘yeah, more like the opposite of all those things is the thing that is true!’ (p.386). He clearly has the jokester’s spirit, but unusual execution.

John generally takes things at face value, thinking that Jade ‘seems like a pretty regular girl’ (p.652), and his dynamic with Dave is really fascinating. All their conversations read like Dave is doing a bit and John is taking him completely seriously, but Dave isn’t making fun of John, they’re both having a good time. So it’s not like when a so-called normal kid bullies a weird kid in school, it’s more like these two people who are both different flavors of neurodivergent bouncing off each other in a way that unexpectedly works. This also explains why John hates GameBro and Dave likes it – John takes it seriously while Dave is reading it as a satire of other gaming magazines. (I actually don’t know which is true).  

John has a bunch of rigid rules for the world that read like shortcuts – he doesn’t innately understand societal norms, but has figured out these approximations through careful observation. A kid’s yard must have a tire swing (p.27), a fireplace must have a fire (p.50), and a father must have a pipe (p.74) and by satisfying the checkboxes you can make a family. He’s hesitant to break rules he knows even when it’s a logical course of action, like when he doesn’t want to break the window of his dad’s car to get the Sburb disc and save Rose’s life (p.289).

But if he hasn’t added something to his List of Known Social Rules, it’s open season – he’s completely unconcerned when he accidentally throws one of Dad’s harlequin figurines into the abyss (p.266) even though he gets upset when the things he likes are defaced. The imps are ‘stupid lousy’ for ‘mucking up all [John’s] cool stuff’ (p.473) and have ‘fucking ruined’ his movie posters which ‘were like children to [him]’ (also another example of object fixation). John being overly cautious in some social situations but totally oblivious in others is SO neurodivergent to me, so obviously someone who wants to get it right, but doesn’t have the innate skill.

John clearly struggles with emotional regulation, I don’t think he’s good at masking in face-to-face interactions, and even online ones when he gets stressed enough. He also has very physical reactions to emotional distress (and excitement!), and that can’t be explained by the medium needing to show emotions visually, because he does this to a FAR greater extent than Rose and Dave. John does a victory dance when he wins in battle (p.405) but scrunches up his face and covers his ears when Nannasprite offers him cookies (p.429). Some panels where he’s having a meltdown are really evocative, and it’s so easy for me to imagine how he must be feeling – the chaos of page 517, where John is paralyzed and panicked from way too many stimuli both inside and outside his head, is my best example.

His panic is also evident in his pesterlogs with Dave and Jade shortly after arriving in the Medium. He’s pretty rude to Dave, saying ‘dude, i don't have time for your nerdy raps!’ (p.204) and his sudden use of lots of exclamation points make all his messages sound distressed. He pours the whole story of his meteor escape to Jade, seemingly unable to stop himself (p.293) where someone with more control over their emotional responses might bottle it up, or at least calm down before explaining the story to a friend.

John’s intrusive thoughts are part of the medium; hearing commands in his head is better explained by the story’s rules than by John’s mental state. However, studies have found that intrusive thoughts are very common among humans – they’re just easy to dismiss for most people, while a small minority find them distressing to the point that they affect daily life.

Rose posits that John’s reactions to WV’s commands could be ‘the early symptoms of an anxiety disorder, like post-traumatic stress’ but I read it a little differently; I think his distress at WV’s commands, as opposed to the background radiation of reader commands, kind of represents how a symptom that is manageable in one context becomes debilitating in another.

Related to commands, John likes having clear instructions to follow, and doesn’t respond well to uncertainty. When he has no idea how to use the alchemiter, he just stands on it (p.161) – but he also doesn’t uncritically accept authority. He defers to expertise and likes to ask specific questions and get clear instructions before acting, but that has to be earned. He sees Rose as smart and capable in general, so he follows her instructions within Sburb (for example, p.178) unless he has a better idea (for example, p.187). But the Wayward Vagabond hasn’t earned John’s trust or done anything besides shout and insult him, so John resists his commands (for example, p.264).

A few miscellaneous things I noticed are John just HAVING to complete high fives with his sprite’s raised arm (p.198, 880), John being clumsy and accidentally toppling his nanna’s urn (p.53), John having very strong preferences when it comes to food, as he loves Gushers enough to get them as a birthday gift (p.972) but pulls instinctive faces of disgust at the thought of eating cookies (p.430), and the line ‘there is apparently no crisis so imminent that will deter you from contemplating idiotic and frivolous actions’ (p.199). I think that someone whose brain processes things differently may appear idiotic and frivolous, and they might even internalize that perspective, but the logic actually makes sense. (In this case, John trying to eat a unit of build grist taught him more about how grist as a gaming abstraction works).

Most evidence for John’s depression is in early act 1, before the plot really kicks off. John is very depersonalized at the start of the story; it’s only on his thirteenth birthday that he gets given a name, and he’s associated with a regularly-changing disguise throughout the first hundred pages. There’s a broader theme of mistaken identity in his home – his dad might be a clown or might be a businessman, the figurines might be clowns or harlequins or mimes, the poster on the wall might be Michael Cera but isn’t, and both John’s dad’s room and his own room are not what he expected them to be.

I think this theme of disguise relates to how John doesn’t see himself as having a real identity, perhaps not even a recognizable personality outside of his interests. I also think John is much better at masking his depression than his neurodivergence in a way that’s pretty tragic. Both Rose (p.63) and Dad (p.89) see through John’s CLEVER DISGUISE immediately and think they know John for it, but there’s another part to the disguise that they never notice.

John puts himself down a lot in the early story, insulting his own taste in movies and skills at programming in his list of interests (p.4), thinking of himself as a pooplord (p.5), as neither a skilled magician nor cunning prankster (p.8), stupid (p.16), etc. The “sad clown paradox” (for sure one of my favorite Wikipedia article titles) refers to the correlation between comedians and depression, and while it’s not universal, I think it’s very true for John. Playing a prank on someone and seeing their reaction is a moment of predictable pleasure in an endless drudgery of whiling away the hours, and those tiny bursts of dopamine – and connection with another person, if they respond well – are what keeps John going.

John struggles to focus on reading – every book he owns, we’ve seen him contemplate reading and put off until later. He does this with Colonel Sassacre’s (p.32, 69, 885), Wise Guy (p.123, 253), Data Structures for Assholes (p.116), and the Shaving Almanac (p.544). When he does sit down to read, he’s easily distracted (p.391) – he has good reason here, but this struggle to focus could be a sign of depression. This could be why John has an interest, paranormal lore, that we don’t really see him engage in; it’s easy for depression to take the joy out of something that was once filled with it.

I actually think it’s really interesting how Homestuck’s version of Wise Guy presents Harry Anderson – John’s hero – as a clumsy, incompetent fool (p.629) while the real world Wise Guy describes him as charismatic and in control of the crowd. I say this with all the love in the world, but John has the charisma of the fake Harry Anderson and not the real, and he believes that of himself too. John picking a hero who is described in such a negative light speaks to the type of people he identifies with.

On page 82, which is both the Homestuck title card and the best evidence for John’s depression, he refers to the streets as ‘empty’, to the ‘voids keeping neighbors apart’, ‘hollow’, ‘Desolation’, to feeling something ‘missing’, ‘eluding’, a sense of ‘lack’, ‘Absence’, a ‘mystery dispersing’, a ‘black well’. All that imagery is packed into two paragraphs that do not describe a happy person. This sense of emptiness, distance, space and loss of something is what I most associate with depression, and it provides a real contrast to those autistic meltdown moments where John is feeling too much.

John explicitly says that he feels trapped in his room (p.30) but I think he’s actually trapped in a mindset, and the room or house is more like the physical manifestation of that. That’s not a criticism of him, as I think that can be equally hard to break out of. I have talked a lot about growing up in the suburbs being terrible for finding community, but there is another angle. The Egberts are comfortably middle class, Dad has a car, money, flexible enough work schedule to take John’s birthday off, and supports John’s interests. There are probably computer programming clubs or amateur magic classes in a nearby city, and if John said he wanted to join something like that, I bet Dad would support him. John’s depression makes it impossible for him to even imagine a better situation, much less take steps to grasp it – he needed to be seconds from death for his survival instincts to kick in and make him take action.

I hope that answers your question! Again, I’d love to hear other people’s thoughts on this if anyone has different experiences or picked up on different John moments.

[badperson-8]

Butting In: Horny Daredevil (Part 6)

After learning about the power of a magical fleshlight, MC decides to use it more creatively. This time the targets are a couple of demons, a human, and an angel. How far will MC go to sate their own desires? …Very far. Too far, actually.

amabMC x Barbatos

1.2k words | NSFW | Porn without plot | gn!pronouns MC | AO3 link

Content Warnings: Anal Sex, Fisting

A sequel to the Butting In series, now featuring other romanceable characters. Links to previous parts:

Part 1 (Lucifer, Mammon, Levi) Part 2 (Satan, Asmo) Part 3 (Beel, Belphie) Part 4 (Diavolo) Part 5 (Solomon)

“Barbatos, can you bring me some tea? With honey, please,” Diavolo mumbles without raising his gaze from the documents in his hands. The Future King was hunched over a pile of documents for several hours, and the work is still far from being done.

“Of course, Young Master,” Barbatos bows and swiftly teleports to the kitchen. When it comes to tea and sweet treats, it’s best to provide them to Lord Diavolo as fast as possible, especially on such busy days like this one.

The best tea is the one that brews for at least several minutes for extra flavor, but Barbatos doesn’t have that much time. Luckily, he predicted that Young Master would want tea in advance, so now all he needs to do is to pour the delicious-smelling drink into the cup and add some honey.

Barbatos takes the cup out of the cupboard and raises the teapot to…

“Oh!” The demon suddenly twitches and loses grip on the teapot, dropping it to the shiny floor of the kitchen. The hot fluid that spills right on his shoes doesn’t bother him as much as the sudden delay. Now he has to brew the tea all over again. All because he let that trickster make him lose his cool.

Barbatos lets out a deep breath, gripping the side of the perfectly clean counter, and puts the cup on it with too much force, almost shattering the fragile material. He is not mad, but MC tends to choose the most inconvenient times to play with their new toy.

It started several weeks ago. The first time Barbatos felt an embarrassing sensation deep inside his body, he immediately started an investigation to learn what could affect him this way. Once he uncovered that the culprit behind this prank was MC and their artifact, the demon was of two minds about how he should’ve proceeded with this information.

On the one hand, they deserve to be punished for such a disgraceful act and complete disregard of Barbatos’ consent. At no point did he agree to be used in such a humiliating manner. The only thing that saved MC from punishment that day was the fact that after brief, almost unobtrusive touches, they immediately stopped using the artifact.

On the other hand… Barbatos knew how this artifact functioned. MC had to be thinking about him in a sexually charged way. And the fact that they fantasize about him throughout the day was rather alluring. He didn’t want to discourage them from doing that by reacting too harshly.

Besides, he wouldn’t be the best steward of the Devildom if he allowed himself to be affected by such distractions. Barbatos could endure a bit of MC’s curiosity.

Except he couldn’t. Barbatos could never imagine that MC would develop an awful habit of using the artifact not for the satisfaction of their sexual desires but as a fidget toy.

They were playing around with this thing all day long. The artifact looked simple enough for other people not to know about its real purpose. And it was just squishy and soft enough to be a great source of pleasant sensory input.

Which MC shamelessly exploited.

Barbatos was never safe. One second he changes the sheets in the master bedroom, and the next thing he knows, he’s lying on the bed, biting his lip and trying to suppress a moan. MC’s fingers slide slowly inside him, with no intention to satisfy him and bring sweet release. They are toying with his body, working on some homework, no doubt. Barbatos can only wince in frustration, not getting nearly enough stimulation to make him come.

Sometimes it happens during formal parties, where maintaining decorum is the most important thing of all. Barbatos can’t allow himself to utter a single sound as MC’s hands squish the pliable texture of the outer side of the hellish device. It feels like their ghostly hands slide along the demon’s backside, mercilessly playing with his tender skin.

Barbatos has to excuse himself the second their fingers thrust inside, continuing their unbearable poking and prodding. The demon’s breath hitches as MC adds more and more fingers, making him run for his dear life into the nearest empty room. Only when he shuts the door and covers his mouth with his palm does he allow himself to whimper from the feeling of overfullness.

MC’s hand pushes further, seeking the warmth and tight comfort of the artifact. It clenches around their hand; pleasant sensations help them calm down after Levi wiped the floor with them in a fighting game. The whole fist fits into the device, while Barbatos loses himself on the other side after being stretched to the limits his body has never reached before.

This was the first time when he submitted to the magic of the artifact, unzipping his pants and pleasuring himself with quick, desperate strokes. He couldn’t help but wonder how it would feel to have MC’s erection inside his body in addition to the overpowering pressure of their hand inside the device. This thought immediately sent him over the edge as he bit on his palm and rolled his eyes back. The realization of how disgraceful he must look only adds fuel to the fire, sending shivers across his trembling body.

It took him twice as much time to return himself to decent shape and face the other guests of the party with proper professionalism. But he never fully recovered from the experience.

He started to nervously anticipate the sudden appearance of MC’s fingers every time he was in public or had an important matter to attend to. MC never used the artifact to purposely sabotage him, but they were fully aware of how it would affect the person they were daydreaming about.

As much as it was exhausting, Barbatos seemed to become addicted to these twisted signs of affection. Every time the artifact activated, Barbatos knew that MC allowed their mind to wander. And no matter what they were doing, their lazy thoughts always involved him, Barbatos. This confirmation that he was constantly at the back of their mind was perhaps even more fulfilling than their fist inside his bottom.

Barbatos was too stubborn to acknowledge MC’s teasing, thinking that the lack of reaction would make them forget about this little game. But as the time went on, he found himself yearning for their attention, despite how frustrating it may be. He discovered cravings he never knew he had. And perhaps it is time to admit to both himself and MC that he wants more. MC woke up the monster, so they have to take responsibility.

Barbatos swiftly finishes preparing the second serving of tea with honey and carries it back to Lord Diavolo. The prince barely notices the delay, fully immersed in the documentation. But he instantly raises his shocked gaze when Barbatos asks him for permission to leave early. Lord Diavolo can only nod and blink in confusion as Barbatos disappears into thin air.

If Diavolo didn’t know any better, he would assume that Barbatos was going on a date. A slightly obsessed, feverish gaze certainly suggests so. The prince sighs and returns to work, silently wishing Barbatos luck in whatever he intends to do.

P.S. The art doesn't belong to me, it's an official art from Shall We Date: Obey Me! (Honey's Sweet Allure)

Part 1 (Lucifer, Mammon, Levi) Part 2 (Satan, Asmo) Part 3 (Beel, Belphie) Part 4 (Diavolo) Part 5 (Solomon) AO3 link

[queer-ragnelle]

All three! Apologies. I want to learn as much as I can about him.

You got it!

The first text that Galahad appears in is the Vulgate. His predecessors and legacy are first described in The History of the Grail; then he’s conceived, born, and raised during the Lancelot books; finally in Post-Vulgate he’s a knight on Grail Quest where he achieves his life’s purpose and passes away. Additionally, here’s A Companion to The Lancelot-Grail Cycle which may help you navigate the text.

Another book I suggest for your Galahad research is The Legend of the Grail by Nigel Bryant and Norris J. Lacy. It’s got a lengthy introduction about the history of the Grail story and touches on all the characters who’ve achieved it throughout Arthurian literary history including Perceval, Gawain, and of course, Galahad. Each chapter is taken from a different text and newly translated by Nigel Bryant for this publication. It’ll give you an idea of the progression of the Grail story which eventually led to Galahad and introduce you to some adjacent texts that may be of interest.

The next medieval text that includes Galahad is La Tavola Ritonda. It’s mostly a Prose Tristan story, but does cover the whole Grail Quest with a fun Italian Galahad named Galeazzo/Galasso. I enjoy this one a lot! Regarding Galasso specifically, it’s an interesting take on the character—he’s described as very gracious and he wields a cool named sword. Plus his purity grants him necromancy powers—at one point he convenes with the dead and doesn’t bat an eye. Just keeps on adventuring. Focused. In his lane. Pretty neat!

After that comes probably the best known Arthurian text, Le Morte d’Arthur by Sir Thomas Malory. I’ve attached the version of this story abridged by Keith Baines. It’s much easier to read with proper formatting to add quotation marks to dialogue and tighten up the prose. This one also comes with A Companion to Malory which I found exceedingly helpful in breaking down the sometimes convoluted plot threads and character dynamics present in Malory’s story. Many of the essays I’ve attached below relate to this text specifically.

Lastly I would be remiss to exclude The Arthurian Handbook by the goats Norris J. Lacy and Geoffrey Ashe. This volume not only covers medieval texts, but much of the art history that goes hand in hand with Arthurian literature too. There are many paintings, tapestries, stained glass windows, and murals featuring Galahad highlighted in this book. It also includes family trees, heraldry, and maps which can help you conceptualize things detailed in writing throughout the Vulgate.

Now I’m going to list essays without descriptions since there are so many and the titles are pretty self explanatory.

Absent Fathers, Unexpected Sons: Paternity in Malory’s Morte Darthur by Cory Rushton

Born-Again Virgins and Holy Bastards: Bors and Elyne and Lancelot and Galahad by Karen Cherwatuk

Constructing Spiritual Hierarchy through Mass Attendance in the Morte Darthur by David Eugene Clark

Disarming Lancelot by Elizabeth Scala

Galahad, Percival, and Bors: Grail Knights and the Quest for Spiritual Friendship by Richard Sévère

'A Mayde, and Last of Youre Blood': Galahad's Asexuality and its Significance in Le Morte Darthur by Megan Arkenberg

Gender and the Grail by Maureen Fries

Malory and Rape by Catherine Batt

Mothers in the Grail Quest: Desire, Pleasure, and Conception by Peggy McCracken

Seeing Is Believing and Achieving: Viewing the Eucharist in Malory's 'Sankgreal' by Sarah B. Rude

Wounded Masculinity: Injury and Gender in Sir Thomas Malory's "Le Morte Darthur" by Kenneth Hodges

And that about covers it! This should give you plenty to work with. Beyond these, we’re left with literature outside the medieval era, which is a different conversation. No doubt Alfred Lord Tennyson had a huge influence on how Galahad is perceived today, but that’s irrelevant to a discussion regarding medieval source material, and a topic for another time. Hope this helps you out and you learn all you want to about Galahad!

Take care!

[dark-lord-of-awesomeness]

…….you’re being FR FR? Writing an epilogue just for me????? I think you have chronic case of being magnificent and amazing. Knock it off because insurance doesn’t cover that

I think I’m in love with you

but honestly you write so well with such a good way of painting the picture. The voices feel so real and you can really dive into a story that’s almost completely removed from the source material (being honest your OCs feel like they are straight from the show and GOSH THEY ARE LIKE A PERSON without losing the humor and contradictory feelings that real humans have). You are genuinely really good at what you do. I can’t believe that Cat Stan is your first fic. Have you considered doing this professionally? Even if it wasn’t Gravity Falls I think I would be interested in what your incredible and amazing brain could come up with..

also putting your brain in a jar and shaking it vigorously

Ah! My brain! Its getting shook!

My poor shaken brain never lets me rest. I'm constantly assaulted all hours by various scenarios all the time, with little control of what I can focus on at any given time. The moment I posted Pay Phone Birthday Blues I sat there, grinning, worked on a few paragraphs of Princess Stan then whipped around and went 'YOU KNOW WHAT! FORD POV!' Then in the middle of Ford Pov my brain whispered 'epilogue epilogue epilogue' like an evil adviser.

Ah! I've thought about it recently, someone suggested it and I've been tempted! I don't have any plans at this time though, as Gravity Falls has consumed my brain, but I might try and write something with my own full OC's with the Fantasy Land setting, but who knows! Its hard to believe but Cat Stan wasn't just my first fic, it was my first writing attempt ever, so I'm still living and learning, letting my brain stretch and figure out how to write out comprehensive plots and such.

But someday! Don't be surprised if it happens at some point!

[just-some-sorta-person]

Can I ask, who are your top 7 favorite romantic relationship's couples in books/ manga/ anime/movies/tv series/etc (can be canon or non-canon) and your top 10 favorite characters ever from any media? Why do you love them all? Thanks if you want to answer....

Sure!

Ships (in rough order)

Nagireo from Blue Lock

my current obsession, going on strong for like more than a year by now. Also the first ship where I actually interacted with fandom meaningfully for a prolonged people of time instead of mostly ghosting. They’re really special to me! I think something I like about them is how core their relationship is to their story, and exploring their characters. It makes fan content and AUs really interesting and fun. In my opinion, a lot of their issues would still exist without blue lock, and they’d have to work them out in any setting, and I think that’s neat.

Satosugu From Jujutsu Kaisen

my past obsession, I spent a great deal of time with them as well before moving on to nagireo. Something I think of when it comes to stsg is the idea of an unfulfilled love that’s not lesser or weaker by virtue of being unfulfilled. I really like the idea that Gojo’s last words to geto were “I love you”, said for the first time at the end for this reason. Well, I am an angst enjoyer. I also enjoy the concept of love not being enough. Gojo and Geto’s individual relationship to power and agency is pretty cool to dive into too, the roles they had to fill in society and such. Their diverging paths. A good ship can’t be made with bad/uninteresting characters after all and I like all the character study fics out there.

those're kinda the two big ones.

Yuudai X Taisei from Sakana

Read sakana here right this moment its very special to me

Ah yes the awkwardness of drunk kissing your coworkers bestie that you're certain is way too good for you. I love love love them so much. They're just very comforting to me. Anxious eel and silly octopus (all of the cast of characters have assigned aquatic organisms). The comic as a whole deals a lot with anxiety, which is really cathartic, but I think in general its really nice seeing Yuudai opening up to people. I also like Yuudai's pessimism and skittery abrasive personality being balanced out by Taisei's optimism and cheerfulness. They also just make for some funny interactions that I've really liked reading heheh

Vanoe from Vanitas no Carte-

It’s the great gatsby vibes, the sunshine character and the deeply traumatized character who doesn’t see themselves as lovable, etc. I really love them and may or may not have made a slide deck presentation on Vanitas no carte for powerpoint night with my friends and 1/3 of it was centered around them.

Ludovica X Luck from Tiger Tiger-

Since this isn't an anime/is probably more obscure, here's the link to Tiger Tiger! Independently published by the artist and free to read, though you can also buy the first book to read in bookstores and such. I genuinely recommend it so much.

Ludovica and Luck are just so funny together, I love them so much. It's an eldritch doomsday god and the hyperfixated-on-sea-sponges mad scientist said being wants to impress. what is there not to like? its chaos x chaos but 2 different flavors. Also the source material is great, and very queer. #stealing your brother's ship to study sea sponges and getting caught up in doomsday. Also him and his 2nd mate are in love but dont realize bc reasons. Its great.

Bachirin from Blue Lock-

grumpy x sunshine always gets me. Plus their parallels and the whole loneliness thing. It’s a great ship- though what really sold me was reading fics like The Sun Will Come up. They really have so much potential.

Kide X Coel from Project Novos

another comic free to read here except this one has.. been on hiatus since 2022.. cries. I think the author has mentioned getting back to it though. Project Novos fulfills my childhood friends to enemies that dont actually hate each other to lovers dreams. The plot follows a government conspiracy and uprising but the story centers around Coel and Kide's relationship, which I do expect to be carried out romantically despite not being explicit so far (in part because it is not a mainstream manga).

This too, also follows the more optimistic character x a more pessimistic traumatized character trope... I have a type ok

... the ship list kinda turned into a bit of a rec list, but with some exceptions, my enjoyment of a relationship tends to do a lot with my enjoyment of the story its in unless I get fixated so...

hmm other ships ive liked... narumi x hirotaka from wotakoi.. hualian from tgcf, bingqui from svsss.... wait actually, there's too many lets move on.

Characters

Let's limit it to one character per show/series/etc to make this easier and avoid me just being like "the whole cast of sakana" or "the whole cast of tiger tiger" or "These characters from Dungeonmeshi..." too many options...

this is in no particular order. Also you might notice a lot of these characters come from the ships above

Yuudai Tanaka from Sakana

I like seeing characters suffer from anxiety, especially in a more ugly way, because I suffer from anxiety, and while I'm a lot nicer than Yuudai, I get frustrated when anxiety is portrayed in a way that may seem "cute" because it really doesn't feel "cute" hahaha. I mean, being anxious can mean being shy sometimes, which I can understand finding cute, but it can also mean being avoidant, skittish, or less friendly.

Ludovica Bonnaire from Tiger Tiger

She's chaotic, she's sweet, she's adorable, she's remarkably intelligent, she's fixated on sea sponges and wants to learn more about them! I really love Ludovica. She feels really refreshing as a character- a woman of science who's bubbly, excitable, and chaotic. She's kind of naive, but not at all dumb or incompetent. She falls into the mad scientist category without it defining her character. She doesn't let anything stop her but isn't somehow perfect, and she's incredibly funny. She's just great!

Nagi Seishiro from Blue Lock

Just.. look at him. he has a cactus, that's like plus 20 points

I have a soft spot for characters that are more subtly lacking in life and struggling, but aren't conscious of it. Also characters that discover that there's more to life than they first thought. Nagi seems fine on the outside, but if you look at some of his habits, they're actually rather concerning - subsisting off jelly packets, thinking life is a pain, getting a cactus to practice talking to people because he hadn't TALKED in so long. One of the nicest/most meaningful things his parents said to him that made him happy being "Don't die".. I also enjoy his disconnect from other people, and how he doesn't really understand the world around him.

I also like the space he occupies within the blue lock canon as a “hidden path”, and the contrast he presents in comparison to the other characters. I think Nagi is made more interesting by being a side character to Blue Lock than if he was the true main character. Idk if that’s a controversial take to have about your fav haha but really I think being the main character of a spinoff is the best place he could be. His situationship with the most important person in his life that he met 6 months ago is great too.

Greed from Fullmetal Alchemist

I LOVE the concept of the friendship is magic character being greed itself. I like the idea of interpersonal love being related to greed. Greed is wanting things, and it is often villainized, but wanting things is the basis of so much more than what we usually associate with greed - and in fact, some of our deepest wants are related to love - in all the forms it takes. Anyways, Greed is very special to me.

Vanitas from Vanitas no Carte

I just love a character who hates themselves so much that they won't let themselves be loved, but they don't have a gloomy exterior to reflect that (making it harder to tell).

Geto Suguru from Jujutsu Kaisen

I think I just love a guy who put so much pressure on himself to torture himself doing the right thing that he crashed out and did all the bad things. I see it as kind of the downfalls of needing everything to be simple and solvable. Geto preserved his sense of control and the livability of his own life, at the expense of becoming a bad person. That's something to explore, to me.

Him being gay (for his bff) is also a plus

Hirotaka Nifuji from Wotakoi

I have a tendency to like characters I find relatable. I haven't watched Wotakoi in awhile but I remember really resonating with Hirotaka. Because I haven't rewatched in awhile it's kinda just a vibe rn tho haha I can't really explain it.. But maybe it has something to do with the muted/quieter way he tends to express himself, despite still having his own inner world.

Anya Forger from Spy Family

I don't really relate to Anya at all, and I don't have any complicated reasons for this. She's just a cutie patootie who deserves the world

Laios Touden from Dungeon meshi

I love Laios and its definitely because I find him relatable. His difficulty connecting with people, his fixation on monsters, his appreciation of food... And I really like how his difficulty connecting with people and him being a weirdo is paired with a genuine desire to connect with them, and do good, as well as leadership skill.

I wanna eat living armor too...

Mafuyu Sato from Given

Given actually got me through a really hard time at one point, so its really special to me. Mafuyu's journey in general is very special to me, especially as someone who has had trouble expressing/processing their feelings before too.