above all else a trans woman is a person. above all else a trans women is a woman who goes to the same grocery store as you and buys fruits in the same grocery cart as you and goes home and eats her dinner the same as you. above all else a trans woman is a woman who dresses like you do and talks the same way you do. above all else a trans woman is a woman who wants to be cared about the same way you want to be cared about and a trans woman is a woman who makes friends the same way you make friends. above all else you should care about trans women because they are people. treat her as such.
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I don't know who needs to hear this, but as a creator -
I am fine with "the audience" -
downloading my fics
printing my fics
copy/pasting or screenshotting my fics
sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3
making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss
doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc
I am not fine with "the audience"
doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity
feeding my work into ai for any reason whatsoever
Save the fandom things. Preserve the fandom things. Respect the fandom things.
Enjoy the fandom things.
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Clark is taking Kon and Jon out for a classic, super-style bonding flight. Just a quick jaunt around the US and back!
They don’t get far. Somewhere in Illinois airpace, they run across another family.
The three (a hulking man, a snarky teenage boy, and a cackling youngest girl, each a grayscale blur in the blue, blue sky) throw neon-lit beams of energy at one another, quips and insults flying almost as fast as they do. It looks like training. It looks like fun!
The boy of them looks like a younger version of the man. Exactly like, even. Clark is familiar with clones.
The youngest, a girl, looks like both of them, but not quite. Perhaps she will, age sharpening her childish features, but it’s hard to say. More likely, she’s the man’s daughter.
Interested, Clark introduces himself to Dan. He seems to be a hero in his own right, even if Superman’s yet to see him in action. And it’s not often Clark sees a family so like his own!
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Accommodations are not special, they’re not a leg up, they’re not a benefit. They’re not putting anyone ahead in the race, nor are they taking anything away from others.
They exist to put us on a level playing ground to everyone else, and nothing more.
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“Floyd, could you sing to me?”
The big brother looked up from where he was tucking the blanket under Branch’s feet. “Sure thing,” he said with a light smile. “What would you like to hear? A lullaby?”
“I don’t know,” Branch mumbled as he nestled his head into the pillow. “You choose.”
Floyd could still see a crease of worry between his baby brother’s brows. He softly brushed a thumb over it in a silent reassurance that everything was going to be okay before he turned around to reach for their dad’s old guitar.
I think Floyd would often sing to Branch to get him to fall asleep, usually the songs and lullabies their parents sang when the older four were still little.
I know in the movie it seemed like they all left right after their fight, but I like to imagine that they just stormed off to cool off and that they actually left in the following days. And that this was the last song Floyd sang for Branch that night. :')
Both Sides Now (specifically this cover by Voncken)
Rows and flows of angel hair
And ice cream castles in the air
And feather canyons everywhere
I've looked at clouds that way
But now they only block the sun
They snow and rain on everyone
So many things I would've done
But clouds got in the way
I've looked at clouds from both sides now
From up and down, and still somehow
It's clouds’ illusions, I recall
I really don't know clouds at all
Moons and Junes and Ferris wheels
The dizzy dancin' way you feel
When every fairy tale comes real
I've looked at love that way
But now it's just another show
You leave 'em laughin' as you go
And if you care, don't let them know
Don't give yourself away
I've looked at love from both sides now
From give and take, and still somehow
It's love's illusions, I recall
I really don't know love at all
Tears and fears and feeling proud
To say "I love you" right out loud
Dreams and schemes and circus crowds
I've looked at life that way
But now my friends, they’re acting strange
They shake their heads, and say I've changed
Well, something's lost, but something's gained
In living life each day
I've looked at life from both sides now
From up and down
And give and take
And win and lose, and still somehow
It's life's illusions, I recall
I really don't know life...
I really don't know life at all
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i literally cannot wrap my head around the notion that there’s been a “decline” in “real art.” that music is shitty now, that books aren’t what they used to be, etc etc etc.
art is more broadly accessible than ever. it’s unbelievable. it’s divine. there’s so much art on this planet right now that i could pile it all up on a plate and devour it for the rest of my life without making a dent. denigrating the “quality” of “today’s art” is like ordering a three course meal at your favorite restaurant and complaining about a food truck on the other side of town
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