#cartoons mean a lot to me especially my childhood cartoons

[wormspoodle]

as someone who has IMMENSE nostalgia for wild kratts,,, i love you

also, what other shows did/do you like besides word girl and wild kratts? for me it was martha speaks lol

GAH,, i have so many childhood shows i hold dear to my heart,, it is a very long list i enjoy animated shows a lot

[i love this topic immensely sorry]

i watched most of the well known pbs kids shows

(arthur, martha speaks, curious george, sesame st, sid the science kid, word world, cyperchase, fetch, dinosaur train, super why, cat in that hat, clifford, electric company)

i watched a lot of qubo tv shows (if anyone remembers that) and CW vortex shows, boomerang, and some disney and CN shows

[i'll list all the shows i watched as a kid under the cut if anyone wants to know lol]

but currently i enjoy lego monkie kid and over the garden wall alongside wordgirl and wild kratts

and some more popular(?) shows i've seen would be amphibia, the owl house, svtfoe, gravity falls, steven universe, rick and morty, bojack horseman, (theres more but my brain is blanking)

justice legue, a lot of batman cartoons (animated series, 2004, brave and the bold, etc), yugi oh and yugioh zexal, sonic x, MAD, regular show, lego ninjago, spectacular spiderman, TMNT 2003 specifically fast forward, phineas and ferb ofc, penn zero part time hero, wander over yonder, monster high, ever after high, mlp, looney tubes and tom and jerry ofc, johnny test, transformers, thunder cats, she ra and he man, gummi bears, care bears, fairly odd parents, the real ghostbusters, the mummy the animated series, dungeons and dragons, the last unicorn, flight of dragons, jacob two two, jane and the dragon, pecola, zula patrol, class of the titans, whinnie the pooh the series, scoobey doo ofc, bravestar, magic school bus ofc, babar, etc,,

i could go on but i'll stop here

[returquoise]

ATLALA, aka Avatar the Last Airbender Live Action

Sooooo, I finished the first season and had thoughts (just like everyone else lol). First context, non-spoilery thoughts, and then spoilers under the cut, yadda-yadda.

Why context? Because for a lot of people OG ATLA was their childhood, and they have super strong feelings about it and about any adaptation that exists. I'm not one of those people.

The first time I watched OG ATLA I was over 20 years old, which means I was an adult and had adult viewpoints about the story – worldbuilding, character writing, etc. It was never the hallowed most perfect show ever for me. It was and still is a fucking good show with some amazing writing and worldbuilding but I did have some gripes.

So when ATLALA was announced I remained neutral – I've seen the movie that shall not be named and din't really like it but shitty adaptations have always existed. When we started getting photos and trailers and news pieces, I was feeling pretty positive about the visuals, but neither news pieces or trailers actually tell you shit about what the writing or worldbuilding is like. However, I was about 70% optimistic.

Because what indications I did get about visuals, writing etc, were very reminiscent of another adaptation that had come out recently, about a series that was actually a bit more important to me on an emotional than ATLA. I'm talking about One Piece, and OPLA which came out last August. I've been a fan of that for 10 years longer than ATLA, and while they did a lot of changes, the spirit of the story was there.

So I copied my optimism and good feelings from that, going into ATLALA.

Now, the thoughts.

Visuals are pretty good. There are moments when I can tell they left some visuals out due to trickiness/budget (the "is Zuko's ship real?" review after the premiere). Some things look fake or plasticy, some stuff is too clean. Bending looks a lot better than in the movie that shall not be named.

Writing has issues. Some of it is very expositiony which makes it wooden and the shots uninteresting (there were so many badly framed shots with characters just awkwardly standing and talking). There are some lovely bits of dialogue that gave me feelings, but those moments were in the minority. And some writing choices were also quite childish, even for an adaptation of a kids' cartoon, so I'm a bit confused about the intended age demographic – except there are some really violent bits in there, which leave me even more confused.

Pacing was either frantic or okay-ish. The writers clearly had trouble paring down the OG series, and then ended up cramming stuff together. I could keep up with it (knowing what certain characters roughly meant for the plot, even if they were at a different place and time), but I'm not quite sure if someone uninitiated in the OG series could. The last 2 episodes had probably the best pacing and even then there were some things that made me go "hmmm."

Some actors have issues emoting – main and extras. I agree that the Gaang has lost some of their flaws compared to the OG series. Maybe some of them will make more of an appearance in season two when everyone's more experienced at acting? Especially considering that they'll likely have stuff more spaced out there – there are some episodes I'm pretty sure they'll outright skip, just based on the choices in this season. But we'll see. There were some fun and interesting bonding moments between different characters.

Sokka, Zuko, and Suki were the standouts from the younger cast. Suki is considerably different from the OG but it was acted and written well, and is an interesting choice. Sokka's quips, while not as numerous as in the OG, were fun. Physical comedy is obviously more toned down because real bodies can't do the same shit as cartoons. More about his arc choices later. Zuko was a bit toned down from the OG but IMO also the closest to it. And as someone who's almost finished with a Zuko AU fanfic, I was positively cackling due to the fact that some of the choices made for the character are similar to something I've done in my fic.

As for the rest of the main kids, there'll be more in the spoiler bits, BUT, they're different, and feel less experienced in acting. They're not bad but some choices were definitely different than in the show and they offer interesting opportunities. We'll see how they pan out, but be prepared for some speculation from me.

Fight scenes sometimes had IMO slow moments in the choreo, and they could have been better. Some were excellent, some a bit ehhh.

On the whole, I think this is about 7 out of 10. Some moments were 8 out of 10. It's a passable adaptation

Spoilery thoughts waaaay down.

Whoo boy. Where to start here?

Let's start with the cramming. As far as I can tell from my notes, the episodes are roughly divided like so:

EP1: 3,5 and bits (Boy in the Iceberg, Avatar Returns, Southern Air Temple, half of the Storm, bits of Avatar and the Fire Lord)

EP2: 1 and bits (Warriors of Kyoshi, part of Waterbending Scroll)

EP3: 3 halves (King of Omashu, Jet, Northern Air Temple)

EP4: 1, 4 halves and bits (King of Omashu, Jet, Northern Air Temple, Cave of Two Lovers, half of Winter Solstice P1, bits of the Avatar Day,)

EP5: 2 halves and pieces of 3 (half of Winter Solstice P1, half of Bato of the Water Tribe, part of Southern Raiders, part of the Library, part of Siege of the North) AND timeskip mention of the Great Divide and the pirates from Waterbending Scroll

EP6: 2, two halves and bits (Winter Solstice P2, Blue Spirit, half of Bato of the Water Tribe half of the Storm, part of Siege of the North)

EP7: 2 (Waterbending Master, Siege of the North)

EP8: 2 and pieces (Siege of the North, Return to Omashu, bits of Northern Air Temple, part of the Library)

Waterbending Scroll is a bit of throughline because you see moments of training in pretty much all of the episodes.

Episode 1 was very full, and felt rushed at times. There were a few places where they could have shortened some parts (like the earthbender spy scene at the start) to give more time for other stuff. Biggest gripes are the convenience of timing – Aang going off to clear his head only for everyone to die that very night. HOWEVER, me and my friends talked about it being likely Spirit shenanigans going "fuck, Air Nomads are gonna die now, we need to deepfreeze the Avatar for storage." We also concluded that the sudden current of Sokka and Katara finding Aang was either physics we don't understand, or Spirit shenanigans. Also the thing about all the Air Nomads coming over for the Great Comet festival? And then having so few of them on screen? Sorry, but I ain't buying it. Having such a sparse population in one temple I could have bought (with caveats) but adding in the gathering, nah.

Episode 2, Sokka-Suki was beautiful. I think it works even with the removed downplaying of girls capabilities (this change also brought some other stuff to Sokka I absolutely adored in later episodes but I'll talk about that when I start ranting about the characters). This was pretty close to the OG episode in many ways and I really don't have other problems with it, besides the somewhat childish end discussion about hope and shit with Aang and Suki's mom (Suki having a badass mom is fun). Manifesting Avatars and being able to talk to them only at their shrines will be an interesting take on stuff. Because that will affect some stuff on later seasons and I'm not sure how.

(And considering how scared Aang is of the Avatar State this early on, we might end up skipping the Avatar State in the next season. At least partially. Because we did get a lot of info now.)

That's a very full itinerary and it was hardest to follow at eps 3-4 because there were so many things going on. Jet's and the Mechanist's conflicting storylines made for an interesting drama (though, again, hard to follow) and gave Sokka and Katara something to do – which they didn't really have in the OG Omashu episode, which was what Aang was mostly dealing with here. In my opinion these two episodes didn't get a proper handling, because they're one of the few instances were we get people from the Earth Kingdom doing questionable shit, but we don't really discuss it. And while everyone know marketing is a mistake (it makes no one happy), considering that this series was trying to sell itself as a more mature take, that feeling is left kinda lacking in regards to Jet and the Mechanist. I do appreciate Bumi being fucking bitter, like Yass, you go king, as well as the bit with the Earth Kingdom soldiers speaking of grief and mistreating Iroh. That complexity is what was left lacking with Jet and the Mechanist, and how Katara and Sokka dealt with that emotionally. Also loved Zuko getting hit by a broom and Iroh taking the fall for him. The Zuko-Zhao alliance was an interesting angle to take (after messing it up pfft) and establishing early that Azula is a master infiltrator? I liked that move, also the fact that there are Fire Nation rebels. Although I fucking loved the quick fake marriage.

5 and 6, despite being about as full if not fuller, were weaven together really well in my opinion. My biggest gripe with that two episode storyline was how the Fire Sage Shyu-Aang team-up was done – not that it was any better in the OG to be fair but it is more jarring in live action. I just about died at the 41st twist because holy shit that's an amazing angst take and I appreciate it so much. And while we do get Aang planting an acorn, it feels like a really small moment and I think the Hei Bai issue should have got a bit more attention as the episode was resolved. Koh was fucking terrifying and the appearance of Wan Shi Tong – and in the last two episodes the appearance of the celestial objects calendar machine, as well as the fact that Zhao got his dirt on Tui and La from a Fire Sage – leads me to believe we won't be getting the Library episode next season.

(The only way I can see Return to Omashu happening is if it's remixed with Imprisoned which was totally left out of this season, or we get the important info aka neutral Jing info all from the Swamp, or from a letter Bumi sent. I personally think Return to Omashu-Imprisoned remix is more likely, just so we can prep Teo and the Mechanist for the Day of the Black Sun which we saw flashing by on the celestial objects machine just before we finally got the confirmation that Sozin's Comet is still a thing. Although The Avatar State could also be remixed into this in a sort of "yes, Earth Kingdom needs to free Bumi etc but I can't do it in Avatar State, we need to be smart.")

Episodes 7 and 8 were pretty chill in pacing issues. I thought Yue was a bit too quick in warming up to Sokka but considering how it was explained I can accept it. Also, the fact that Tui and La are intelligent enough to not be fish 24/7/365 is a change that makes sense although the whole Ice Moon (is it the local Halloween?) thing was very out of left field. Women joining the fight was a wild update and definitely more of a modern take than an early 2000s take. Do I have other thoughts? Sure, but I don't want to write bajillion essays and I just want a general overview in one post.

Zuko is, like I said, a standout. Absolutely love his conspiracy board, and as someone who writes a fic with a more scholarly inclined Zuko, I loved him being able to draw, being the foremost Avatar expert in the world (you can't tell me there can be more than one or two people out there who know more than Zuko at this point, look at his research), and having opinions about calligraphy brushes. Ugh, my heart. There's some absolutely wonderful acting happening and he does action really well. Is he a bit less explosive than in the OG? Sure, but one must remember, that adaptations are just licensed fanfics. His abuse background is in the performance, and my biggest question is the Agni Kai. There was a certain desperation in his face, so he must have wanted to make an impression on Ozai, and maybe felt a bit more like he had the right to it – as this show made it clear he had been invited in the War Council and did not needle his way in. Also the 41st twist oh holy smokes I just about screamed. His flaw is still anger and trouble thinking plans through.

Azula (her bangs in the flashback crack me up, was that her emo phase?) is more obviously affected by Ozai's games in this. I know OG Azula has loads of fans and there are loads of deep dives into her character and abuse and etc, but this is actually the first time her writing has made it obvious to me. She's still cold and calculating, but she's affected by more things and that makes her into a more approachable character for me. I know many fans got this from the OG portrayal so I know this is a me thing.

Sokka is another standout. I saw an interview where the actor was like "I tried to interject and ad lib humour where I could" and I appreciate it, because a lot of them made me cackle. There was some really good humour there. As for his arc and conflict; I think it's really interesting that he tries to live up to his dad's image of a warrior, and doing it very much out of duty. It isn't so much that he wants to be a warrior, but he wants to be good enough and I think that came through wonderfully. He can be a warrior, but it ain't his passion. It also offers very interesting bonding possibilities and parallels with Zuko. My heart broke at that ice-dodging scene in episode 5, as well as his heart-to-heart with Katara in episode 4 (fucking SIBLING LOVE TRIUMPHS). Also absolutely loved the fact that he supported Katara being a warrior in the North. His flaws in the OG are self-esteem issues (nailed here), and a certain level of arrogance, that affected his attitude towards girls at times. The latter has been removed but considering it only lasted until episode 4 in the OG series anyway, I don't see it as a terribly big deal. We can still get his "it'll totally work out this way" arrogant moment at pretty much any point in the story in the future.

Katara has trouble emoting. I don't know how much experience her actor has with acting, but I hope she gets better with practice. There are some very nice bonding moments she has with Sokka and Aang that bring emotion out, but she's very stone faced a lot of the time. One could read it as a symptom of seeing her mother being literally burned alive but that depends on how her arc is written in future seasons, and how it's acted. I really like the parallel with Sokka, of him trying to be a warrior out of duty, while Katara wants to be that and has trouble getting the opportunity to do so. This came out really well in episode 4. The fact that she was made a fucking commander of sorts at North was amazing moment of proving to her that she can be, that she is, a warrior. I'm kinda sad her temper has been left out of the writing, because with her being a self-taught water bender (which I'm okay with because we see her practising every fucking episode) there's a threat of her sliding into so-called Mary Sue territory. Hopefully Toph's inclusion brings her temper out next season. She's also missing some of her naiveté, although having a crush on the first good looking outsider (with fucking mirrored shots) just like her brother is hilarious.

Aang is... to mature. He gets a lot of really good and morally and ethically right speeches, and while he expresses that he's scared and doesn't know what he's doing, it still feels too mature. He also doesn't have that many dumbass child moments (what was that episode he just went "oops" in, that was funny and felt childlike, and then there was the water fight he had with Katara). It could be because we're going through stuff so fast but it'll be hard to fix later. I kinda like how his connection with Katara is being the last of their kind and loss – and then the small really good acting in ep7 when Katara says stewed sea prunes taste like home, and you can just see him go "oh, there's still someplace she can belong to, unlike me." I loved his calligraphy brush discussion with Zuko, because there was the beginnings of a bond there. As a friend said, it's nice they removed the Disney princess like love at first sight thing from the OG. If this turns into a romance (I have thoughts on that... later) I feel like it has a better chance to grow organically. No, I never shipped Kataang, please refer to the context part of this post.

Suki had a fun isolated, but curious, and socially awkward vibe to her. She's obviously different from the OG, but it's a fun and interesting difference, as the most characterisation we ever got for her was badass. Yue was interesting, more assertive and playful, which I liked. I also liked the fact that she had obvious duties and was expected to be the next chief. Even if the Northern Water Tribe sexism was kept, this felt like it added some dimension to it. June flirting with Iroh was hilarious, enough said. Mai and Ty Lee are blanks of wood. Their writing, and the direction they were given was horrible, and they're a prime example of that awkward standing and bad framing issue I mentioned way earlier. Ty Lee could have at least been bending herself into a pretzel, and Mai could have been using a knife to dig stuff from under her nails or something. I hope they get better writing and direction in the future.

Iroh was honestly pretty enjoyable. There were some moments of skilled evasive answering, but I was left missing him saying that Zuko was like a son to him. They do have really good chemistry though and you can see the care between the characters. I hated the long monologue at the end of episode 6, that felt very much beneath whatever target audience they were aiming for, and failed show not tell. Not perfect but can improve. Also, that one part where they played Leaves on the Vine, I almost died.

Ozai being a manipulative, abusive game addict is different but offers him some agency and motivation besides megalomania, which I appreciate. He had a peculiar expression when he burned Zuko, and that smells like hidden lore to me.

That's probably every character I feel like addressing at this point. However, I did mention romance in Aang's section, and I have to agree with the other whispers on the net. The fucking scarf scene. At this point, it's more likely for this show to be Zutara than Kataang IMO. BUT before people go and blow up about it, some points; cartoons offer more leeway in visual age differences, I feel like they would need to extend ATLALA plot line to last several years (instead of like, 9 months it's in the OG) to make it visually make sense. The Fortuneteller (as well as Katara's obsession with love?), and Aang's love at first sight have all been written out. Cave of Two Lovers was used for sibling love on the first season, and we ain't visiting that location again, not with how efficiently we did pretty much all of the Omashu stuff this season. Most of the Kataang iconic moments have been left out deliberately. Does this mean we'll get Zutara? Of course not, but due to the scarf scene, as well as that rivals thing they have going (we literally have two fights between Zuko and Katara this season, and the water sprout she used to thwart his fireball in episode one, and if that isn't a traditional beginning of a rivalry, nothing is), it's certainly more likely at this point than Kataang.

But we'll see, just like with everything else. It's an okay start, it's far from perfect, but it does offer new viewpoints that I find fascinating.

What's in the future.

I already explained my Return to Omashu-Imprisoned-Avatar State mash-up idea above, and that we'll likely miss the Library. I also think Avatar Day will be left out. I do however think, that we'll get the Deserter next season. We also need a way for Aang to learn about the Comet coming again and if Library is out (and probably also the Desert), best chances are IMO the Swamp or the Fortuneteller (remixing those two together is also possible). Or maybe Yeong Yeong has spies and they tell him about the Comet and he tells the Gaang. I also think they'll be foreshadowing/setting up White Lotus a bit more than we got in the OG.

I don't quite have my thought together enough to make any other guesses, but we will get Toph, Ba Sing Se, and Azula's Mean Girls Squad, but no clue yet how they'll be remixed. Season 2 has a much clearer timeline structure, whereas season 1 had a lot of episodic stuff that doesn't timeline wise offer too many roadblocks for remixes, as we saw with what they did with Omashu.

I think that's about everything I can think off. If you have comments, please be nice. This was mostly rambling, and tin foil hat baiting.

[cerisahh]

WHAT'S YOUR NICHE!

SYNOPSIS ꒱ fandoms that the saiki k characters would be in and what games/shows they enjoy.

REQUEST ꒱ what niche thing (fandom, shows etc.) would the saiki k characters like? - @hanjisungslag

CHARACTERS INCLUDED ꒱ saiki, kaidou, kuboyasu, nendou, hairo, teruhashi, aiura, yumehara

NOTE ꒱ hello j my dearest. enjoy your headcanons ♡

KUSOU SAIKI

• ok hear me out... minecraft.

• saiki likes the simplicity and how relaxing the game can be, he wears his germanium ring whilst playing so he can listen to the ingame music without being interrupted by voices in his vicinity.

• saiki managed to watch death note before he could get spoiled mentally. he guessed some of the plot before it happened but overall he really enjoyed it. his favourite character is L.

• very reluctantly watched attack on titan after kaidou found out he hadn't seen it (the entire plot got spoiled before he got a chance to watch it, why bother now?). despite knowing what would happen he actually enjoyed it. especially the animation. his favourite character is carla jeager because she reminds him of his mother.

• mindlessly watches documentaries. he's doing homework? there's a documentary playing in the background. cooking food? documentary playing on the tv. walking home from school? he's got headphones on and is listening to a documentary. NEVER nature documentaries though. he hates them.

SHUN KAIDOU

• no one on this earth could convince me that kaidou wouldn't be in a thousand and one fandoms.

• i'm talking warrior cats, undertale, my hero academia, five nights at freddy's, bottom of the barrel fandoms, THE cringiest fandoms and by proxy a cringe fanboy (he loves them though).

• he larps (live action role playing). probably founded a roleplay group in his area.

• plays overwatch and thinks he’s hot shit because he bought a diamond account.

• has an absolute temper tantrum when he actually plays on it and falls to bronze 2. tried to main reaper to further his jet black wings persona but got stuck on lucio when playing mystery heroes once and LOVED using him, so he decided to main him.

• AND HE CLIMBED TO SILVER 3!!! he’s getting out of the trenches.

AREN KUBOYASU

• aren would def play league of legends.

• and he gets TOXIC as hell. just says the most diabolical shit imaginable. he has multiple accounts because he gets banned all the time.

• aren is in a bunch of facebook groups about motorcycles. i think that’s the closest he’ll ever get to being in an actual fandom.

• i lied in the above text. he def plays final fantasy and keeps up with all the lore.

• oh and you just KNOW he’s into games like diablo 4, call of duty and gta. ESPECIALLY gta.

RIKI NENDOU

• nendou plays minecraft like as soon as he gets back from school.

• don't get me wrong nendou is a fucking moron -- but why can he build the most intricate builds ever??

• like actual mansions, castels, and manors... they're really good??????

• and yet at the same time he much prefers to create dirt huts and houses made out of pure diamond and gold blocks. whilst denying he went in creative.

• is a part of a lot of childrens cartoon fandoms. the amazing world of gumball, aspongebob sqaurepants, and my little pony (his favourite character is discord).

• still actively plays baldi's basics even though it died off years ago.

KINESHI HAIRO

• hairo isnt actually in many fandoms.

• i mean he's on the move all the time, he doesn't have time to be in fandoms.

• loved the first season of physical 100 so much that he applied to be on the second. (he got in?)

• plays fireboy and watergirl with nendou (hairo is wasd because nendou can only use the arrows).

• kind of still watches cartoons from his childhood (doraemon and wonderpets mostly)

• he does enjoy the occasional comedy movie from time to time - free guy, friday, deadpool, central intelligence, you get the picture.

• apart from that, yes not much.

KOKOMI TERUHASHI

• is one of those girls obsessed with the sims. spends more time in character creation and build mode then actually playing the game.

• has a THOUSAND mods installed, but she has a good pc (courtesy of her brother) so it still runs well.

• born to be a marvel girl, forced to play with barbie dolls.

• is really big on collecting monster high dolls. she scours bidding websites daily to check if a doll that she’s missing has been listed. also makes sure her profile is public on there, sometimes people recognise her and give it for a reduced price. or sometimes free! being the perfect pretty girl has its perks.

• owns all the monster high movies on dvd.

• her favourite character is cleo de nile. she wishes she could act like she does.

• plays love nikki religiously. owns a majority of the sets ingame and bases some of her irl outfits on clothes from it, it’s like her pinterest. she’s one of the richest players in her region.

• i actually don’t think i’ve mentioned this yet, but she really likes monster high.

MIKOTO AIURA

• aiura, when not reading fortunes, tends to spend her time playing horror games.

• she's really invested in scp lore and even created her own scp original character when she was twelve.

• HUGELY into true crime youtubers. buys those 'solve an unsolved murder' packages and discusses theories on reddit.

• used to watch judge judy as a child after food and it’s still ingrained into her routine. she invites yumehara over one night for a sleepover and basically forces a watch session on her:

“hm?” yumehara watches as aiura fluffs up two pillows on the floor in front of the television, “oh! are we going to watch a movie?”

aiura looks at her incredulously, mid-fluff on the second pillow, “no, chiyopipi. now we will watch judge judy. since i was so busy with work and school im a whole two seasons behind!”

yumehara squints at the elderly woman on screen, not at all looking forward to this, “how long is it?”

“oh a couple of hours at least!”

she’s lucky she brought plenty of snacks.

• obsessed with vampires and any media that’s vampire related, she thinks they’re the most attractive mythical creature. (objectively wrong, btw)

CHIYO YUMEHARA

• similarly to teruhashi, spends a lot of her time playing the sims. she enjoys puppeteering the sims so they do her bidding though... it gets weird.

• YANDERE SIMULATOR. was an OG player for SURE.

• used to be really popular in the gacha life community before she just lost all interest.

• flits from fixation to fixation, she never stays in one fandom for too long. it scares her to be still.

• yumehara is absolutely an anime girl. especially romance, but she also likes action anime’s.

• when she heard saiki and kaidou talking about attack on titan in class she decided to make an anime editing account on tiktok (it got successful) and she almost FAINTED when she saw kaidou showing the edit to saiki during class (he doesn’t know it’s her).

• saiki does though, he actually thinks she’s got nice editing skills. he’d rather lick a foot than tell her that though.

© CERISAHH 2024 — all fics on this account belong to… ME! don’t steal my shit.

[hoshiumi78]

I’m gonna make a little happy “rant” here about Lloyd from Ninjago and just the cartoon in general.

I’ve always liked Lloyd. Ever since I was a kid, he was the one who I favorited over the others. Sure, Kai is awesome, Cole is super inspiring, Nya is an absolute baddie, Jay is funny, Zane is real cool, Pixal is an amazing robot girlfriend and samurai, Skylor is such a cool and strong female character to look up to, and etc. (Dareth, Nelson, Sensei Wu, Garmadon, Morro, Cyrus Borg…)

And yeah, a lot of people “like Lloyd” because he’s the “Green Ninja” or he’s “super cool”, but for me… that’s not it (I mean, a bit of it is, hehe. But not all of it). And as I become older in my teenage years, I’ve honestly been thinking about it a lot. I’ve been thinking about why I like this Lego character so much, and why this is the only “children’s” show I actually fan over where I can watch the show over and over throughout the years, write fanfics for hours on it, and spend my money on the sets and merch…

***Now I should probably say before I start, I’m not some crazy obsessive fan lmao. I just really like this character and show, and I want to shine some light on Lloyd (differently than he already receives, of course lol).***

Lloyd has been through a lot, yet he still came out as stable as he is (at least as much as the cartoon shows to the audience). One thing about Ninjago I like is how they make the characters realistic. I didn’t particularly realize this until I got older and I re-watched it, but all Ninja have a unique story before, during, or after they became Ninja. Though one thing that differs Lloyd from the rest is how young he was when he clearly knew his situation with his father, mother, “Ninja-acknowledgement”, family, etc. And I know what a lot of people are going to say, “But what about Kai and Nya? Cole? Possibly Skylor?” And I know, I agree. Unfortunately, all the ninja had to grow up with something traumatic in their childhood (the only one who didn’t was Jay; though later he had to find out he was adopted, which stinks finding out the way he did. I’m just glad Ed & Edna were as amazing as they were <3). The one thing that all the rest of the ninja have besides Lloyd within these situations, is they all still had *someone*. Kai had Nya, Nya had Kai. Cole still had his father, even under the circumstances. Skylor still had her father and etc with the rest. Lloyd had *no one* as a kid, and it makes me want to give his little baby-self in seasons 1-2 a massive hug.

I remember when I watched seasons 1-7 (especially 1-2) as a middle schooler, I thought little and early-teen Lloyd was so annoying (still do). But now, years later, it makes me really sad to think about his story. He’s the only ninja who had received *no* love from his parents or anyone around him until he met the ninja, and even then he later had to learn what *that* meant and how to have self-love… which he still has trouble doing a lot of the time throughout all the seasons. It makes me want to give him an even bigger hug!

And one thing about Lloyd I truly admire, is even through all of this crap, he *still* cares about his mother and forgives her so easily! The way his mother abandoned him as a child I completely disagree with, and how she just left him saying she was doing it for “him” (even though it *really* was for herself), and yet he STILL treats her kindly and respectfully, which is amazing of him. Now I’m not saying you shouldn’t forgive, it’s just how he accepted it like a champ is something that is completely admirable. Especially with how young he really was…. You have to remember Lloyd was only around 10-ish years old around seasons 1-2, yet he was able to accept his mother with opened arms. And sure, he probably was only doing this because he was attention-starved (explains why he wanted to become like his father as a kid), emotionally-starved, and starved for love, yet still as he got older and probably realized this more and more about his mother and their relationship, he still has *always* treated her with respect and kindness. And sure, people within this fandom get mad at how bitty Lloyd acted, yet we also have to remember how he was raised, which really wasn’t being “raised” at all.

Then we go into Garmadon and Lloyd’s relationship, which is a whole other can of worms. Yet unlike Misako, Lloyd’s mother, as a fan I 100% respect Garmadon as a parental figure than I ever will for her. Sure, he’s the biggest and baddest villain throughout the series. And sure, he too abandoned his son; yet unlike Lloyd’s mother, Garmadon made *up* for that time lost, and personally, I give him my upmost respect for that. He gave his son what he was lacking in receiving from his parents, and actually *cared* enough to do that for Lloyd. He showed his son what if felt like to actually be loved by your parent (in his own ways of course), he gave his son attention, and he showed what it was like to have an emotional connection with your child. GARMADON ACTUALLY SOMEWHAT HAD A REASON TO ACT THE WAY HE DID, HE WAS BITTEN BY A SNAKE THAT MESSED HIM UP FOR LIFE, YET UNLIKE MISAKO HE *STILL* TREATED LLOYD MORE AMAZING THAN SHE EVER COULD. Yet instead, throughout the 5 most healthy seasons of Garmadon and Lloyd’s relationship, especially seasons (3-5), SHE DIDN’T EVEN PUT IN THE EFFORT TO MAKE THIS A FAMILY RELATIONSHIP! Instead, she was hanging with Wu, Lloyd’s uncle. And I know for a fact we *all* know something’s going on there, which as a kid I even noticed, and I absolutely hated even then!!! Misako would pop in like everything was fine and dandy every-so-often, and yet Lloyd STILL treated her amazingly!!! That’s why Lloyd is my favorite! No matter what anyone does to him, says to him, or how he is treated, he still cares for them! He still wants them to have a happy ending, and he hasn’t even had his yet. It makes me really happy that he had the opportunity to meet the ninja, because without them as the loving family they are, I don’t think he would *at all* be the same kind-hearted character he is. The real loving people in his life are the team, and even though this is all fake and just a “silly” cartoon as some would call it, I’m GLAD he was given such a loving atmosphere.

Then we go into Seasons 8-16. Lloyd grew up, finally caught up mentally to his body (which I found terrible that he had to go thru that, yet he STILL acted like a champ when there were no expectations to!!!) and this is where I like his character even more. Still, even through all the darkness and pain he had to go through growing up (it gets worse as he gets closer to adult-hood), he still acts amazing! His father now isn’t his real father anymore, his mother is completely gone into oblivion (gone like she always has been, pfft), and he falls in love with someone who manipulates him because she herself is broken! (And yes, I probably should say now that I do ship Llorumi. Some of you may think I’m crazy, which I am lol, but I also have my reasons for supporting it, and I will most likely (someday) make a post like this explaining why I do, but right now we’re focusing on Lloyd. ;)) Yet Lloyd *still* forgives, accepts, and loves!!! After years of thinking about and watching this show, I’ve finally narrowed it down to those three attributes within him that I’ve seen consistently throughout the series. I believe we should all look up to Lloyd for this! Just being able to forgive and love the same people who had hurt and abused him, is truly a wonderful thing a person can achieve!

Plus, Lloyd is also funny, entertaining, and would be an amazing person if he were to be real. Sure, he has his own stuff he stores deep inside of himself, and he probably jokes as much as he does because he’s trying to make everything look okay, but ya know what? That is some amazing writing right there! Being able to make a LEGO “CHILDREN’S” show entertaining for kids to watch, but it also is able to make the older audiences feel recognized and noticed in attributes and personalities within some Lego Ninja? That’s some crazy awesome writing! It truly shows how if the right minds are put together, a show for “kids” can turn out to be fun and *emotional* for us older audiences to watch because we see these characters within ourselves.

So there it is, my rant as to why I do really love Lloyd as a character and not just some “Lego Ninja.” There’s some others, I mean his personality in-show and mine irl match up pretty well, so there’s that lol. I also like how he sits and listens to your problems and gives advice. He honestly is ✨the man✨ But there’s also multiple other things I didn’t even get around to mentioning in here that I like about his character too! There’s so much to unpack it feels within these characters. It’s almost as if this show *isn’t* for kids anymore, and it’s growing along with the viewers, yet still pertains to the “children” mindset.

Anyways, I’ve already spent two hours of my life writing this, so I’ll stop haha. But if you made it this far, feel free to comment and tell me your thoughts. I’d love to know. :)

P.S. HoW iS LlOyD, a PlAsTiC LiTtLe LeGo So GoOd LoOkInG <3333

[natlacentral]

The Actress Who Waited a Lifetime to Become Katara

Kiawentiio talks joining the cast of Avatar: The Last Airbender and playing a character that means so much to so many

The 17-year-old actress Kiawentiio (pronounced gya-wuhn-dee-yo) can’t remember a time when Avatar: The Last Airbenderwasn’t part of her childhood in some way. Growing up on the Akwesasne Mohawk reservation in Ontario known as Kawehno:ke (or Cornwall Island), Kiawentiio—who was born in 2006, a full year after the beloved animated series debuted on Nickelodeon—recalls having older siblings who would have the cartoon regularly playing in the background of their house. Years later, when all three seasons began streaming on Netflix, she revisited the series and developed a newfound appreciation for its narrative ambition.

So, when Netflix first announced that it was developing a live-action adaptation of Avatar in 2018, Kiawentiio told her team to get her an audition for Katara, the 14-year-old girl who is trying to fulfill her potential as the last Waterbender of the Southern Water Tribe after her mother was killed by the ruthless Fire Nation.

“By the time they actually did start casting, I got the call from my manager that was like, ‘Don't freak out, but we think we have the Avataraudition.’ And obviously, I freaked out,” Kiawentiio tells Harper’s Bazaarwith a laugh in a recent phone interview. Of all the roles she had auditioned for, this one was at the top of her bucket list, because she knew that it could have the same impact on the next generation of Indigenous children that it had on her. “Katara was one of the only people that I could really see myself in. With the role model that she is for young Indigenous women, it's hard not to be drawn to her, especially when the representation is so scarce.”

Kiawentiio got her wish in the spring of 2021. After undergoing an intensive audition process, complete with a seemingly never-ending number of Zooms and chemistry reads, she got the news that would change her life. “They sat me down for another Zoom call, and I was expecting them to tell me it might take a while, but [creator and showrunner] Albert Kim ended up telling me what the project was, who I was auditioning for, and then I landed the role, and I was crying,” she recalls.

Every diehard Avatar fan can recite the basic premise by heart: Long ago, the four nations—Water, Earth, Fire, Air—once lived in harmony, with the Avatar, the master of all four elements, keeping the peace between them. But everything changed when the Fire Nation attacked and wiped out the Air Nomads. A century later, Aang (Gordon Cormier), a 12-year-old Air Nomad who has been frozen and suspended in time in an iceberg, reawakens to take his place as the next Avatar. Feeling responsible for the destruction he was unable to prevent, Aang sets out on a quest with his newfound friends, Katara and her Water Tribe leader brother Sokka (Ian Ousley), to save the world from the onslaught of the power-hungry Fire Lord Ozai (Daniel Dae Kim), who is determined to place all the nations under his authoritarian rule.

Katara, as Kiawentiio puts it, is the heart of the Avatar crew tasked with using their bending powers to restore peace in the divided world. “I think the core factors that make Katara [who she is] are her hopefulness and her optimism, and she's the person in the group that can keep them moving forward in a positive direction, and I think without that, team Avatar wouldn't be able to see the light,” she says.

Below, Kiawentiio reflects on the defining moments of Katara’s arc in the first season (which was shot two years ago in Vancouver), how she has grown alongside her character, and why she feels a new day has come for Indigenous representation in Hollywood.

A lot of the dramatic tension of the first season boils down to Aang’s internal conflict: Does the Avatar need to act alone, or can they afford to have people who help them along the way? In Aang’s case, he doesn’t just want people in his life; he needsthem to help save the world. Why do you think Katara is immediately drawn to Aang and his mission? How do you think that relationship evolves over the course of the season?

I think the reason that she was drawn to him in the first place was this energy of bender to bender, honestly, and I feel like that type of energy [bonds them] not only physically, but just spiritually. It's really intertwined in who they are because Aang plays a huge part in Katara's growth physically with her bending, and I feel like it was just this calling of fate and where you're supposed to be. But in terms of how the relationship has grown, I think it really is just blossoming into a family. Team Avatar is a family in our show. They're not going to leave each other's side; they're always there for each other.

Midway through the season, Koh, the face stealer of the spirit world, temporarily imprisons Katara and her brother Sokka and traps them with some of their darkest memories, which allows us to see, rather than hear about, their backstories. In Katara’s case, she is forced to relive the day she lost her mother. How do you think that loss has affected her in the present day?

It's just painful and that is the point of Koh, right? It is to weaken his prey with their own pain and their own memories. The way I see it is she probably feels helpless. She can't do anything, and that's really what has held her back. What has stuck in her mind is the fact that she couldn't do anything [to save her mom], and to be stuck in that painful loop definitely puts a damper on her confidence that she's been working up this entire season.

That memory of the loss that she went through is a roadblock, and that's something that she has to try and overcome as we go through the series because it really is the main reason that she can't get to that next level [of waterbending]. In the episode with Jett, after he shifted her perspective on how she was thinking and how her memories were acting up, she really unlocks that good energy that her mom was trying to leave her with.

It's impressive how together Katara actually is, especially in our season, because the flashbacks and her memories are so brutal that it's like, "Wow, I can't believe you are still normal." [Laughs.] But that goes to show how resilient she is and how strong she is. I think that was one of the things I took away from her while playing her. I tried to implement her message in my life more to be more optimistic and to have that hope and strength.

When she arrives in the Northern Water Tribe, Katara realizes that the women of this tribe aren’t allowed to fight, which comes as a bit of a culture shock for her. But it’s moving to see how she is able to mobilize the women of all ages when the tribe is under siege by the Fire Nation. At the end of the day, they are the ones who helped defeat the enemy.

Arriving at the Northern Water Tribe was something that she was looking forward to all season, and I think in her mind she had this image of like, "I'm going to get there. I'm going to meet a master, and he's going to teach me everything I need to know, and I’ll finally be able to reach that next step [as a Waterbender]." And getting there and being told basically all your work is not going to be paid off [because you’re a woman] was, in my opinion, devastating. That devastation leads straight into anger, which I relate to. I feel like I get the same waves of emotions, and then that leads to wanting to prove them wrong, wanting to change things [like Katara does]. Honestly, that scene with the women [Waterbenders] is just so beautiful, and it was one of my favorites to film. But I think in her mind, she was just reality checking Master Paku: "We are literally in a war. We are not going to make it. Just use your resources." And not only was that the realistic thing that needed to happen, but the change that she's been fighting for [all season].

I read that you trained for six months ahead of production to commit Katara’s waterbending motions to muscle memory. You spent that time going over forms of tai chi and getting strong enough to handle the action sequences.

Boot camp was intense for me personally, just because I'd never really gone through that before and I don't have as much or any experience outside of the show with martial arts. But it was really helpful to be in the same boat as my character, training-wise. At the start of the show, she really doesn't know that much about bending. As we go along through the episodes, we could see her get more comfortable and more confident in her bending. As we watch Katara gain her confidence, I feel like off-screen I was also gaining confidence with those movements, getting stronger as we go and just getting more comfortable in general.

With the critical success of many Indigenous projects in recent years—Reservation Dogs, Rutherford Falls, Killers of the Flower Moon, The English, Dark Winds—it feels like we have reached an inflection point when it comes to accurate depictions of Native American communities. As someone who is part of this growing movement, what is your take on the state of diversity and inclusion for Indigenous communities? And what do you think is the next step that needs to be taken to move the needle even further?

I think we are making huge steps in the industry. I love being able to look around more and more and see more of our faces, and I do think that there's places that we could improve on for sure. But thinking of how far we've come, even from when I was younger, Katara was one of the only brown people that I saw on my TV, so it's really special to be a part of this generation that's being able to do these things.

I think the next step could be just normalizing things, like it doesn't always have to be an Indigenous story to have Indigenous actors, writers or directors. I think that's one of the things that can get touchy in this industry because we want to include everybody of course, but it doesn't have to be so specific. Why does the doctor have to be [only] the Indigenous doctor that came from [this tribe]? Why can't he just be a doctor that happens to be Indigenous?

Indigenous people or actors can be the main character. Obviously, our culture is always a part of who we are, but it doesn't have to be that the reason we are in this role is because we are Indigenous. We can tell our story as a person and still value and venerate our culture without that being the only reason that we're in the story to begin with.

With big blockbusters, I feel like it ends up being like, "Oh, the lead is white, the other lead is white, and then everybody else is a person of color." I feel like that's a theme that we end up seeing a lot. But another really good way to improve [on that] is supporting Indigenous storytellers. We have so many stories, and [telling them] is one of the things that is keeping our cultures alive, and there are so many stories that could be told from our perspective.

[givemewallywestorgivemedeath]

Logically I always feel like we're supposed to hate Rudy more but goddamn, Mary has always made my skin crawl. I mean there were a LOT of reasons why I could never get into the YJ cartoon but I specifically remember seeing the way it portrays Wally's parents and something about it just felt icky and wrong

Rudy on some level is just so cartoony of a villain.

Like, the fanon version of Rudy is this bumbling angry alcoholic who hits his son because he needs someone smaller than him to take out his aggression on and that version of Rudy is very real. I think that's why fanon tends to view him that way. Because it's a more realistic characterization and it's easier for them to understand and portray.

But the truth of the matter is that Rudy is cold, calm and calculating. He's smart. And he doesn't care. Not about Wally and definitely not about Mary. Rudy doesn't see them as a family, he sees them as a long con. A get rich scheme in the making. Wally is supposed to be powerful so Rudy tries to 'shape' him. The abuse isn't out of anger, it's Rudy's misguided attempts to make him stronger.

Rudy also tries to bond with Wally. He knows he needs a good relationship with Wally to keep Wally in line when he gets older. That's why you see things like Rudy poisoning the little league coach to let Wally play and letting the air out of the other team's tires so Wally's team wins.

He was really fucking bad at it but he was attempting to make Wally an ultimate weapon that only listened to him. What he did instead was push his son away and teach him what not to do.

But that kind of calculated, off-the-wall mentality is so foreign. It's bad and we can recognize it but it's like something out of Criminal Minds. It's hard to see any part of that in our daily lives.

But Mary? Mary is something else. Mary is little comments about Wally's outfits. Mary is guilt tripping her son into spending time with her. Mary is being confidently incorrect about her son's wants and needs. Mary is discouraging comments when you just need a hug. Mary is so real it hurts.

So yeah, I can absolutely agree with you. Rudy is on another fucking level and he objectively does worse things (like murder and child labor camps and cult stuff). But Mary is so real in her abuse. She genuinely horrifies me.

Also, yeah I can agree about the YJ thing. Rudy and Mary being terrible has been a central part of Wally's story since the beginning. (and before people say "but Walls, the Wests were so kind in their first appearance!" they were literally only in a few panels and Rudy didn't even have a name yet. Also it was a Titans comic and not the Flash comic, ofc the characterization would be off) It's definitely a disservice to the character to write the West's as good/normal parents in any capacity. Especially because the excuse was that all the other members of the team had bad home lives/childhoods so they wanted Wally to be 'normal'. Bruh. Hate to break it to you but the kids in suburbia with the white picket fences can also suffer abuse behind closed doors. It's unfortunately a very common and 'normal' thing.

[dreadnotau]

Happy three years everybody! As always, there’s a lot to say on the occasion, so pop in at the end of the post for the tl;dr if you don’t have time for my detailed diatribes, haha

Boy, time flies, huh? Feels like the second anniversary was just yesterday, but maybe that’s just the several long hiatuses getting to me. I’ve been scarce on uploading anything anywhere for a while now, even though I promised I’d actually pick up the slack this time around. What gives? Well…

For one, college hell, and for two, a lot of unfounded anxiety about putting my art out there. Allow me some theatrics for a moment and I’ll actually get back to the comic at hand… I’ve never had an exceptionally supportive environment for making art. It wasn’t suppressive, not in the slightest, but it also wasn’t… encouraging. It was always treated as a hobby or a distraction rather than something I was allowed to be fully proud of, especially because a lot of my art focused on more cartoon-y and fantasy ideas, rather than still life studies and painting (which people generally outside of the art sphere tend to value more, arbitrarily). Couple that with a childhood full of being bullied over minute shit you hadn’t even considered could be an issue before, and you get a teenager hellbent on never sharing his interests or ideas with anyone, mostly due to the fear of rejection.

I’ve grown, thankfully, but that paranoia and fear doesn’t go away overnight. As I’m sure you all know, Meowchela was the one who originally encouraged me to post this comic, and the only reason she succeeded was because she was the first person in a long time who listened and engaged with my interests and my art in a meaningful way. It’s kind of obvious her friendship had a profound impact on me, and I’d cite her as one of the reasons I was even hopeful enough to apply to an art college in the first place! This comic, and that bond with another person, proved that maybe these things I’m so passionate about weren’t duds, and weren’t something I had to keep to myself.

So, fast forward a few years. About three years, in fact.

During one of my classes, right before this hellish two weeks of exams started, one of the class assistants talked me into showing my comic pages to one of my professors. He’s generally a pretty open guy when it comes to new mediums, but I’m always… apprehensive about showing my less “traditional art”-y things to professors, but, he ended up being genuinely proud of it. Specifically, I showed him pages 85-87 (because they’re my favourites) and, he didn’t read the text, just the visuals were enough for him to say “good job, keep it up” (which is HIGH praise from that guy). When I mentioned I’ve been meaning to simplify the visuals because I didn’t have time to work on the comic very often because of college and classes, he dismissed it on principle. I was honestly caught off guard. Heavily paraphrasing, he suggested that worsening the visuals for an arbitrary deadline was counterproductive to making something that’s Good™.

That’s kinda stuck with me. For a good few years now I was more focused on optimisation rather than visual improvement for the comic, and though it HAS contributed to better visuals in some ways (cutting corners sometimes makes for a less pointy and jagged end result), it’s kind of weird I’m treating an art project that way, isn’t it? I set a lot of… arbitrary deadlines and standards for myself, in the form of expectations and what I “should” or “shouldn’t” be doing at certain stages in my life. I’ve thought of Dread Not as a passion project second and a stepping stone first, if I’m being honest. As if it was too… fandom-y and derivative to be treated with more gravity than that, like it’s an immature project because I was still a child when I came up with it. As if it was something I’m making to Build Up to Something Else, something Bigger and Cooler and More Important, and… the more I think about the future of Dread Not, and even my future career options, the more I realised that’s, ironically, a really immature way to think about it.

If there’s one thing going to this art college has taught me, is that there’s no “right” way to make art, and there’s no “right” way to success as an artist. There’s no clear-cut paths, just more commonly treaded roads, but even those are heavily overgrown. Why should I try to box myself into thinking I have to make things from complete scratch to be taken seriously? What’s so bad about Dread Not as a story and as a comic that’s caused me to vaguely keep it under wraps when conversing with people in my day-to-day life? Why wouldn’t I put all these skills I’ve acquired to improve and expand this project that’s Right There, WAITING for me to finally get off my ass and get pages out there again?

I wish I could say I’ve used all this time away in a particularly clever way, but I really haven’t - at least, it feels like I haven’t. My art has undoubtedly improved over time (though admittedly the art for this post was Very rushed, fuckin exams), and while I’ve been working on projects in the background, chipping away at them in a VERY disorganised way, I haven’t been posting that progress anywhere, and I haven’t made any good progress on my biggest project, Dread Not, because of the other ones. And, honestly? Admitting that kinda stings. This comic means a lot to me, and I wish I actually gave it the time and attention it deserves instead of letting it sit out hiatus after hiatus because I keep failing at structuring my time.

So, my new plan is a little more abstract: find a way to work Dread Not into my school schedule, and slowly build a habit of working on it more often. No clue how long that’ll take, but I think it’ll be worth it to consider it as an option, and hopefully finally end these long, drawn out hiatuses with short bursts of uploads in-between. HOPEFULLY. Building habits was never my strong suit, so please bear with me while I figure this out in what will probably be the most hectic upload schedule in this comics history, which is: no schedule at all.

From now on (until the end of Act 1), I’ll upload pages when they’re ready, and depending on how the weeks go and how complex the page is, they could be weeks or days apart from one another. Hell, some might even take a month to finish if school stuff gets REALLY hectic (god knows Hellish Exam Week number 1 and number 2 won’t be giving me much time to work on the comic), but I’m determined to do this. I want to be able to put my all into this project again!!

(And hopefully finish Act 1 by the end of this semester…)

TL;DR: College is giving me life lessons I didn’t expect, and because of them I’ve decided to give myself a non-existent upload schedule for Dread Not: Pages will be posted when they’re ready, and the spacing between pages could wildly vary depending on circumstances and the actual complexity of the page itself.

As always, thank you for being here, thank you for reading, and thank you for being patient!

If all goes well, there will be new content very, very soon.

[saint-vagrant]

Oh I forgot to ask a question!

😂

Ok, here it is: Who’s your inspirations for your artistry?

Big question, I know.

^__^

hmmmm you're right, that is a big question! since you asked "who" i'm going to assume you mean other artists?

for painting i'm particularly inspired by Anthony Cudahy, Alex Beck, Sterling Hundley, Ashley Wood (all contemporary,) Euan Uglow, Joaquin Sorolla, Sargent, Arkady Plastov, Ivan Shishkin, Konstantin Yuon, Ferenc Pinter, and a number of names in the Brandywine school like Mead Schaeffer and NC Wyeth.

i reformatted my brain a little in 2021 by reading Fujimoto's Chainsaw Man. Other mangaka are Hirohiko Araki, Kosuke Fujishima, Otomo, Inoue, Urasawa, Miura. the 2S artist Brandon Hoax is a HUGE inspiration to me. same for Chase Conley, Peter Chung, Freddy Carrasco, Xia Gordon, Ron Wimberly, Chris Kindred, Mel Tow, Hiro Isono, mozame_mo, Yoshitake Yamane, @maxbanshees @potogawaryuiki @coshkunz @cparrisartand @fourcorneredgod @newjackcole @choodraws @doctop @hirosemaryhello @nocturnalwalkr @fanficciera @oak-n @purenonsens @juangeedraws @plaest2k @blackblobyellowcone @turndecassette2 many more friends and strangers whose work i'm delighted to spend time traveling thru (and whose names i'll add in once i publish this enormous reply lol. rn i'm afraid of tumblr eating it!!)

most importantly, my partner Anka @kingfisher-cove charmed and captivated me from day one. the personality and dynamism of their work, specificity of place, time, body, personal effects, there's always been so much life in their art. i have little to no interest in stories/characters without limits, where mobility is never a concern, especially featuring the wealthy. stories where people don't sweat or pee or have "bad" teeth or talk too loud. Anka's always portrayed peeling paint and rusted metal as a fact of life. you get a sense of dimension/volume in their art— the way material hangs off a body, and that body's form, how gravity and weight conform feet to the ground— and the same goes for the personalities and ideas populating it. the viewer too has a home here beyond "representation." it's not just window-dressing, nor ponderous hyperrealism. there's cartoon whimsy and cartoon stakes. i wish i could describe the extent it's meaningful to me. i feel lucky to see it! plus i really making them yell and art is a good way of accomplishing it.

so because this is veering into WHAT inspires me...

other than like, transness and communism and everything that entails, i'm inspired heavily by pornography and leather culture, and (mostly vintage) magazines like Honcho and Juggs, 70s italian erotica/nunsploitation. relatedly, the lush scenes of Pierre et Gilles and Tarsem and Christian Riese Lassen. i'm also deeply inspired by hyperlink/multimedia art, such as that by Olia Lialina of @oneterabyteofkilobyteage or projects like Ted's Cave. places and delights of my childhood like Myst/Riven, Fin Fin, rural river water, rocky beaches, soft glowing glades, sharks in coral outcrops. autonomy and dissociation, too.

with a lot of the artists i mentioned, there is a handiness, a presence in their work, a dedication to indulgence and/or experimentation, in subject, setting, medium, whatever. an interest not feigned. i also love maximalist colour and texture... in drawings, in textiles, anything! worldwide and through history. i'm inspired by golden age illustration and Iranian turquoise and carpets. miniatures. iconography. lotuses. magnolia.

you can fake sincerity of course. when it comes to making art that seems like a waste of precious effort. when i get a sense that the artist really loves People beyond serving up a telephone game of vibe-mood-aesthetic... that is cool to me. if the art isn't well-lived, then it's well-cared for. a lot of the nostalgia fodder is based on a memory of a memory that was sold for mass market consumers, so i'm a bit distrusting of it. which isn't to say that i don't love a tone poem (i do-- Legend is one of my favourite films) nor that it requires "realism" to accomplish either. i love being sold on the ridiculous. i respond well to like, an artist (in whatever respect) showing me something absurd with 100% unbridled earnestness and fearlessness about being silly. my top 3 favourite series are JoJo's Bizarre Adventure, Metal Gear Solid, and Ace Attorney. these are objectively as exaggerated in their drama as they are serious about their intent, and populated by straight freaks. one of my favourite directors is Michael Mann (Miami Vice, Manhunter, Heat, Thief, Collateral) who is known for his obsessive, even illustrative details but also, Audioslave plays during an emotional night drive. they don't let Audioslave play during an emotional night drive anymore. all these things are related lmao. let me go on a further tangent

there's an internal logic, right? and when it's flipped? that's the best. i don't mean a "twist," either. it's something else-- the author/artist revealing that, emotionally, things were always more complex than you were lead to believe, and it recontextualises the entire piece. if surprise is the best part of comedy then i think the same goes for melancholy. i love when the rug is pulled out from under me through something as simple as the reimagined N'doul episodes of the JJBA OVA. (YES! YES! I'LL TALK ABOUT IT FOREVER! I'M CRAZY! BUT I'M RIGHT!) is it a twist? nothing's actually changed about where the story is headed. you know where it's headed. but the meaning of that story has-- by creating an emotional trapdoor like that, it establishes a particular sense of suspense.

i'm mentioning these because i rewatched them recently-- films like Solaris and Sunshine and... you know what? Terminator are bigger to me than their subject matter because the emotional space they create is unnerving, where hope is fragile if it's present at all. something hard to accomplish... the bittersweet potency of ironic regret.

i'll keep adding to this. i could go on and on lol

[lpsotd]

hopefully this isn't too weird to say but - i read the tags on your last post, and you said you were on your last year of childhood – don't worry about that!

im currently 25 and im starting to collect lps again, and ill tell you, even though there's more responsibilities, you still get to be a kid! no one ever truly grows up! my 67 year old grandma keeps one of her ragdolls from when she was a kid and always sews it new dresses. one of her favorite hobbies is watching anime with me! my 46 year old mother loves tv too, but one of the things she's crazy about is boardgames! we have a big collection and we all always play together. (she's got crazy competitive spirit btw. i never win). my 28 year old sister goes out with her friends just to wander around town and eat fast food like she did back when she was a teenager. you're never too old to have fun :) you just gotta let yourself have it. <3

thank you for this !! tbh it's kinda hard to let myself be a teenager when i seemingly have so much to do kgjdnbkjgb, and it doesn't help that i have less-than-supportive around me (not friends. i mean family) who are quick to belittle me or dismiss the things i'm interested in. i just can't stop thinking about the time my aunt saw my lps collection and started laughing, it hurt a lot especially since she's (usually) the more understanding one, and it may have been a "woah??" kind of surprised laugh instead of a "i'm making fun of you" laugh, but it felt that way kjgsnbkjgsfbn

i did have friends who actively made fun of me for what i was into (i no longer associate with them, so phew), and they're one of the main reasons i'm always so hesitant to share and infodump about the stuff i like kjgnbkjdbnkdfgjb

i feel like kids shouldn't be pressured to grow up fast. like, once you reach a certain age, you shouldn't have to stop playing with dolls or watching cartoons. you can stop doing those things when you aren't interested in them anymore, not when people tell you that you should stop, because they don't know anything.

in february i'm gonna be 18 and it's a tough concept for me to grab. i've always been told that i am ""mature for my age"" (i am not, by the way.), and i think that also kinda warped my perception of myself, because i've always felt like i Had to act a certain way, or else people are gonna see me as childish instead of this serious and mature person, but i was only like, what, 14, 15 ?? i should not have felt that way !! i should've been doing what young teenagers usually do, not feeling the need to impress middle aged adults.

it's only now that i feel like i have a sense of self because i'm trying to distance myself from certain people (ahem. family) who made me feel that way, and i'm trying to embrace who i really am: i am not mature or serious at all. i'm 17 years old who enjoys toys, cartoons, coloring, and playing video games with my friends. but i'm also ready to embrace my up and coming adulthood, and i'm serious when i need to be. i'm me and i think that's good enough.

very sorry i went on a bit of a mini tangent there. your ask made me very happy, so thank you !!

[kaylinalexanderbooks]

OC Questionnaire

Thanks to @illarian-rambling here and here, @somethingclevermahogony here and here, @mk-writes-stuff here, @imsoveryveryconfusedatlife here,

Rules: answer the questions for your OCs, then ask three more questions to others!

Tagging @blind-the-winds @little-peril-stories @buffythevampirelover @eccaiia @dyrewrites @steh-lar-uh-nuhs @willtheweaver @chauceryfairytales @reininginthefirewriting + ANYONE

These accidentally built up. Since I got tagged multiple times this may be a little long. I will do one OC per set.

#1- Robbie

What's your favorite type of weather?

“I mean, I guess I like it when it's cloudy, maybe even a bit gray. It feels cozy, I guess. Especially if it's cold, because then you have an excuse to stay inside.”

Who was the last person you told a secret to?

“Probably Akash. He knows my secrets better than me.”

Have you ever broken a bone?

“There was a ramp up to the playground in kindergarten, and I slipped and broke my arm on the ramp. It was the day before the talent show, so I had to go on stage with a cast.

More Robbie: OC in fifteen, OC in three, two truths and a lie, picrew

#2- Gwen

What's a childhood fear you had?

“I think it was...that I would one day find an evil clone of myself. Or a dark version of me. I guess it was all the cartoons I watched! (Laughs) I suppose those things happen a lot less in real life.”

What's in your pockets?

“My drumsticks. I developed a habit of twirling them when anxious or bored. Thankfully I've gotten boy's pants for years so I can have better pockets.”

Ever considered therapy?

I'm assuming this is post-Pt2

“What? No, I-- *sigh* I don't need therapy. I'm needed elsewhere.”

More Gwen: OC in three, picrew

#3- Maddie

Salty, spicy, or sweet?

“Spicy. I enjoy the risk.”

What is your favorite game or sport?

“Hm. Anything Mario related. But I'm really good at Mario Kart.”

What was the last thing you threw away?

“The instructions for the LEGO set I just built. The Batmobile, for the record.”

More Maddie: OC in three, picrew, two truths and a lie, filled in Bingo

#4- Noelle

What’s your favourite food?

“Saying I have a favorite food is ridiculous. It's food - if it's good, it's good. I guess anything my mom made. And I like to think my cooking is good. I like doing it at least. I couldn't pick a favorite.”

What’s the worst joke you’ve ever heard?

“Any that comes out of Robbie's mouth. (Pause) I think that was a little rude. Parker - he thinks he's a lot funnier than he is.”

If you could go anywhere in the world to visit, where would it be?

“I'd like to go wherever my dad is. Talk to him. See why he and my mom aren't together anymore.”

More Noelle: OC in fifteen, OC in three, filled in Bingo

#5- Jedi

What do you do for work?

“Oh, I love my work. I have a doctorate in the power database. I run constant tests on DNA from different Alii to compare their genetic makeup so the database remains accurate and thorough. I make notes of trends among the abilities of different Levels, as well as noting the subpowers, and how those subpowers look on a genetic Level. I am currently working with my dear friend Carmen to study the long-term effects of Alii who grew up on Ceteri, and how their powers develop throughout their adolescence.”

How much sleep do you get?

(pause, rubs the back of his neck) “I do have insomnia, so I get a normal amount of sleep for that. I may take medication to fall asleep occasionally, but I am usually reading or running diagnostic tests.”

What’s your favourite animal?

“I am particularly fond of kitsunes and water foxes. I also always wanted a pet ferretsnake, as well.”

More Jedi: OC in three, Picrew, acearo smash or pass

#6- Kelsey

Who would you miss the most if they left?

“Maddie. She's been my best friend for years. I wouldn't know what to do without her.”

What is the funniest thing you have ever done?

“Not check the bathroom stall lock in second grade. It's how I met Maddie though, so I'm grateful I did that. I also put on a handmade puppet play for my cousins a few years ago. Improvised the whole thing.”

Who cares about you the most?

“Maddie. And Hye-Jin. They've never stopped caring about me, even though they show it completely differently.”

More Kelsey: OC in three, picrew (now inaccurate since I'm dying her hair black), filled in Bingo

TSP intro

TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites

Alright, you've made it this far. Here are the questions:

What is on your nightstand? If you don't have a nightstand, what would you put on it if you did?

What are some of your hobbies?

What is your system for organization?

[millimononym]

The french really decided to show up,make absolute bangers of cartoons that were dubbed to feed the balkan children having absolutely nothing to watch(me, and everyone else watching ultra tv as kids with no alternatives) and then left. Power move. They didn't have to go as hard as they did but did it anyway

I'm sure there's more im forgetting, sally bollywood was also a good one from what i remember but that was more for little kids. These shows got fucking dark sometimes,man. especially kaeloo as a comedy compared to the rest which are story driven. I cannot name how many times this show has gotten vulgar, violent or gone into dark humor. I should really make a video with a counter for the first season alone lol. it's also what makes it really funny and still hold up, though. It was funny to kids and it's still funny to teens and adults. I hear the french have less restrictions when it comes to kids shows, and i could clearly see kaeloo was a lot more risque,even as a kid. I'm relieved my parents never walked in during the many times the characters pulled out a noose lmao. Shame only season 1 ever got dubbed in serbian,the OG voices were great

There's also some similarities between Baskup and Galactik Football I'll probably make another post about (it has to do with the rival teams) though perhaps it just comes with the territory of being a sports show. Idk, you'll see what i mean. Also Mamba and the white boy (i forgot his name) from the rival team in Baskup were my first childhood crushes/gay awakenings i think. I really need to rewatch that show(can't speak on the quality compared to the rest though, I haven't watched it in a while and everyone loves the other cartoons so)

[moonlit-positivity]

I was asked by someone to talk about why it can be hard to enjoy things sometimes, like the element of guilt and shame around feeling happy, wanting things for recreational fun, even when times are tough and money might be tight.

And it can be more than just hard, it can be impossible at times. There is definitely the element of guilt in the concept of play, especially as an adult. To purposefully choose rest? To purposefully set aside the stress and pick something that soothes instead?

There is a type of vulnerability that comes with it. Like, "why am I not doing this or that right now? I cant afford to rest, i need to be working right now." There is a sense of survival to it all. The sacrifice to get it right, so you don't lose all that you have.

I think this is especially hard if our parents taught us to prioritize work, don't play around so much, grow up & accept responsibility, etc. To be put with such a burden as a child, is just the pavement for the burnout and depression you feel now.

These feelings are so valid, and something a lot of us struggle with. And I think probably the best thing you can do, is to reframe the concept of rest in itself.

Rest is necessary. Rest helps you stay alive, too. Rest is what helps your brain breathe. Rest helps you process on a deeper level. Rest is what gives you purpose.

Resting looks different for everyone. Those childhood hobbies you've wanted to revisit? The games you could never play as a kid? The anime or cartoons you used to watch, or never got to watch? The toys your parents took from you? The innocence and joy you had to sacrifice far too long before your time? You have the right to reclaim that.

Something that helped me a lot with this, was to understand that adults are allowed to have fun too. Just because you're old and grown up now, doesn't mean you gotta do the same old and grown up things your parents did. That's why they're so bitter. They never learned how to have fun. They never learned how to rest.

And maybe that's a hard concept to sit with, you know? Life sucks! It's not always happy fun times! Shit happens!

The concept of rest is what helps us find compassion for ourselves even while life sucks. You don't have to be happy right now, if you don't feel like it. You can be sad, mad, angry, depressed. You can be all of these things, and do nothing about it. You can be all of these things, and dwell in it if you need to.

But, you can also be all of these things and still find time to rest it out. You can enjoy that hobby and still be mad and angry at the end of the day. Be mad and angry while you do it. Do it because you're mad and angry.

My therapist loves it when I tell her, "i wanna take next week off." She says I'm one of the only clients who says that to her. She says, she likes it because I know when I need a break. You don't always have to be working so hard. You are allowed to set those burdens down and take a break.

Even if it's stressful, even if money is tight. You can and still deserve to enjoy yourself in the process.

And speaking of money, let's talk about how society frames poverty in this day and age. People will say shit like, "you're poor because you lack financial management."

Mm. Do yourself a favor and reframe the hell out of that. You're not poor by choice. You don't deserve to suffer just because finances are tight. There is never any moral judgement that should be placed on you just because you can't afford to live like the standard. That is ableist, classist rhetoric at its best.

If you're low on funds and still wanna enjoy your hobbies, consider ways you can get them for free. Oftentimes I've taken to watching let's plays of video games I wanna play, but can't afford. I live vicariously through the free entertainment the world has to offer. I've found refuge in DnD podcasts, gaming videos, art therapy, etc. Sometimes there are even local events in ur area that are hosted for free. You can even check out your local Facebook marketplace for freebies in ur area, too. You definitely don't need money to find a good time. You just need the mindset to know you're deserving of your freedom & autonomy, no matter how you gotta find it.

You deserve the comforts. You deserve the same joy and comfort and happiness of giving yourself the grace and compassion of knowing your situation does not define you.

Go out and find your own definitions of how you want to handle comfort, rest, and your right to feel whatever it is you need to feel about it.

Hope this helps 🌸

[stargirl092]

Behold, an unasked for, frankly concerning, painfully cringy and probably idiotic rant about Bojack horseman. read if you want lmao

first off, I am not that far into Bojack horseman, I am just now finishing up the second season. and even though I haven’t seen that much I am literally obsessed with it, and have consumed a very embarrassing amount of media about it I PROMISE I KNOW WHAT IM TALKING ABOUT I HAVE WATCHED A MILLION VIDEO ESSAYS. I am very passionate about this please bear with me Lmao.

As a mentally Ill person, Most media about mental illness and especially depression misses the mark. Books like “girl in pieces” and “my year of relaxation and rest” seem like they are laced with misery from the start to finish page, and seem like there is no actually depth and everything sits on the surface (I have read both of these books by the way). I believe they very commonly include controversial topics that can be sort of alienating instead of making people feel included, which doesn’t make a ton of sense but I feel it’s very possible to have actual depth without literally actively alienating the people that consume your content.

with BoJack Horseman, I genuinely assumed it was a stupid cartoon about a talking horse. Which it sort of is, but I heard good and bad things about it so I decided to try for myself and I was immediately compelled by how they introduce such serious topics with an on the surface almost stupidity, but also humor and ACTUAL ACCURATE DEPICTIONS OF DEPRESSION. as a person with depression and anxiety, I do not want to see a extremely attractive girl wearing makeup with perfect hair sitting in her bed in her spotless room while a singularly tear falls down her stupid but conventionally attractive face. I mean, not saying that’s not a valid experience of depression but depression/mental illness is messy. It’s disappointing, unbearable, and complicated. For most cases, it can negatively impact things like your character, social life, relationships with people you love, career, or ANYTHING in an awful way. And that doesn’t make you a bad person, but that is realistically The affects mental illness can/will have on you. Once again, not saying that mental illness has to ruin your life for it to be valid but a lot of the Time it can, or almost can.

take BoJack, for example. he is an alcoholic, has strangled a girl, sabotaged Todd’s career, backstabbed herb ETC ETC. So yea, he’s sort of a bad person and that’s a question the show sort of lets you answer for yourself. But he also had an awful childhood and absolutely hates himself. To alot of people, that makes him real because when you have the things that happen to BoJack happen to you, the things he does to people are things that THE CAUSE MAKES SENSE FOR THE AFFECT. despite all of this, BoJack tries to be a better person relentlessly, and fails every time. BoJack is painfully human (which is funny because he’s a horse) and that’s why he is an amazing character and a realistic character. It doesn’t make sense to have a traumatized mentally Ill character that is literally perfect and completely unscathed.

Take Diane, for example. Diane is an example of an amazing complex character. some people don’t like Diane and think she is a hypocrite, WHICH IS LITERALLY BULLSHIT AND I COULD SPEND HOURS TALKING ABOUT WHY ITS BULLSHIT. BoJack and Diane had similar childhoods, where they were both told negative things by their family members/parents but the main difference is that BoJack believed them and Diane did not. Another point is that BoJack and all the other characters make you feel comfortable with being or feeling “broken” but Diane makes you feel uncomfortable about not doing anything about it. Diane does make a sort of recovery, by taking antidepressants, gaining weight, and divorcing Mr. Peanut butter. Diane is complex, realistic and an amazing character. Tbh I think most Diane haters are just misogynistic.

One last example is Todd. Todd is supposed to be the sort of comic relief, stupid character (ex. “Todd pick up your shit”) But he has depth!! He has trauma and issues and he’s asexual, which is pretty cool because I never see asexuals in tv shows. id say a time you get a little glimpse into Todd as a whole is when he tells Bojack; “it’s not the drugs, it’s not the alcohol, it’s not the shitty things that happened to you when you were a kid, you are all the things that are wrong with you. Fuck, Man what else is there to say?” which is an amazing line and a hard truth that Bojack kinda needed to hear. Also may I add the genius use of the word fuck in the entire series, only using it once per season to really put emphasis on something. It is not used casually in the show. The only time it is used in season one is when BoJack tries to apologize to Herb and he says “Now get the fuck out of my house.” Which is a very big deal for BoJack.

Overall, this is way too long and I think it takes actual talent to be able to portray depression so well and have lines like “before I jumped, I should have seen the view from halfway down” (which btw is gonna be my yearbook quote) and also be about talking animals and be animated. Genuinely very impressive.

edit: I CANT BELIEVE I FORGOT SARAH LYNN OH MY GOD

[istherewifiinhell]

okayyyy also. tagged by @joelletwo for 5 topics i could talk about for an hour with no prep.

now. two things. 1. i have infernal podcast dude energy and could say a lot about nothing. weird trait to have if u dont like talking to people? hard to say. 2. GESTURES AT BLOG. im ALREADY. talking at length abt my beloved shit. so im just ruling out turtles, alien robots, trek, etcetcetc all the shit thats been a main blog topic for the last past. 4 years?

I'm gonna say.... western voice actors? not that i could really. Give a lecture so much as. I'm way more familiar with them that than I am live action actors. And I'm kinda just CONSTANTLY like. Oh you know so and so from every cartoon youve ever fucking seen? And FEEL a real. gap. with people when they dont have a same reference point. probably like how ppl feel with me when i dont know their acting guys jhadbgjfga. Like u can name 5 VAs from ur childhood cartoons/animated movies right? And personal interest like, hey btw u know like the entire cast of tng was in disneys gargoyles? U know keith david can SING? And diego luna? Hey you know about Canadian actors who are in all the dubs and video games and yeah cheap shit? You know Scott McNeil right? You know Ian James Corlett? You know. THE IAN. of being Ian. Hello. is this thing still on?

I really like and care about the topics of education, children's rights and pedagogy? Not academically so much as, personal interest. What seeing very clearly that there was a lot of arbitrary rules that involved things like. The Government. and Systems. as a child does to a motherfucker I guess? I'm always INTERESTED in a discussion about it, is how i mean I guess. Like focuses of multiple intelligence and "applied knowledge" (and short comings there of). I mean long and short of it. Kids are full human beings and until u can grapple with that their feelings and opinions um. Actually matter. I hate you? jdhbgjhdb. And Naturally the world being good for kids has the prerequisite of it not sucking ass for adults too....

UHhhh guh. User design/civil engineering? You'll hear it from me until the day I die, crushed under the tires of a ford f1 giga truck with the LED 20million watt bulbs. PROTECTED BIKE LANES. for the love of god. I just know a lot of designers I guess and like engineering, conceptually. But like, u know that famous bridge everyone crashes into. If theres 80million warning signs and people are still crashing... maybe theres. other factors. Or you know ofc like, traffic planning, vehicle accidents, structural disasters. A lot of them are not just. Things happening. Tragedies. There's politics there. Usually a lot of Money stuff. and structural racism. The real reason your fridge is full is that there's a bunch of half empty condiment jars hiding all your forgotten left overs. And widening the roads isnt gonna do shit for traffic.

Jackass entry: Themes and motifs of anyyytthing ive watched with another person or saw, and like they also know it. I realllly like, visual theming and narrative shorthands. Anything that breaks like, maybe people in this setting dont have the same customs, but their gonna do something so you the audience can recognize it. Non literal/accurate use of colour and lighting, for mood and clarity. Breaking the physical shape and scale of things so they can appear and be readable on screen. COSTUMING COSTUMING COSTUMING. A well styled character can do soooo much for your understanding of a work, especially with large casts, and a poorly styled one can take me right out. Well. anyway. yes i love animation u all knew that.

uhhhhh Thatgamecompany/giantsquids studio. im giving myself a free space. lol technically I DO. blog about this. the music. at least. BUT beloved. games. Me and everyone else I guess. Hey speaking of u know its laura bailey and troy baker as the voices in the pathless? And you know how a lot of the games have themes of coming into being/growing/rebirth. And LOTS of environmentalism. And implied cultural world building, and wordless stories. and beautiful metaphor rich otherworldly visuals. and gameplay styles that really connect with the emotional story their going for. and ofc, the music. oh the leit motifs. well. there u go. sword of the sea when?

tagginggg. uh did anyone get @deadgrantaires or @army-of-bee-assassins yet? anyone elseeee who wants to regale me with things they knowww about. id love to know.

[cyberdragoninfinity]

ok it’s time for dana to hoot and holler about zexal

finished ygo zexal for the first time last week and i absolutely adored it and am STILL thinking so much about it (as i will be probably for. a While now if my relationships with the other ygo spinoffs ive seen are any indication).....time again for me to do my little personal rambly yugioh series retrospective post as the brainworms truly start to set in. kattobingu feel the flow high five the sky build the overlay network let’s goooo!!!

more under the cut. a lot more lol. spoilers for a decade old anime, naturally

GOD. YEAH. THIS ONE MIGHT BE MY FAVORITE YUGIOH SERIES IVE SEEN YET. HOLY SHIT. 2021 Dana was really out here thinking Zexal looked kind of annoying (based on mild DL characters/plot osmosis) and not terribly interesting and I want to go back in time and shake her shoulders and say NO. NO YOU DON’T UNDERSTAND. ZEXAL FUCKING ROCKS. every yugioh has some degree of Danabait to it (probably because. watching Duel Monsters as a child was the catalyst to what Danabait even is lol) but JESUS MARY AND JOSEPH Zexal is like being hit by one nuclear bomb of shit genetically engineered in a lab to make me insane after another.

THE ART STYLE. OF ZEXAL, FOR ONE. makes me absolutely rabid animal bonkers--I LOVE seeing the way the ygo art style has been honed and developed and evolved over time. YGO influenced my art style more than I can articulate, and then zexal comes in swinging with the ygo art style at its Most Zany. The EXPRESSIONS in this show!!!!!!!!! Fucking rule!!!!!!!!!!!!!! A MASSIVE CHUNK OF THE CAST DOESNT HAVE MOUTHS HALF THE TIME AND YET STILL ARE SOME OF THE MOST EXPRESSIVE YGO GUYS EVER!!!! Constantly making expressions I LOVE to draw!!!! and oh my god the COLOR DIRECTION OF YUGIOH ZEXAL?!?!? genuinely absolutely phenomenal and one of my all time favorites i’ve seen in any cartoon, western or anime. you mean to tell me we got a lighting and color budget now??? we get yugioh scenes looking like this??!??

THE BEST. THE BEST. THE BEST. OBSESSED WITH IT. ABSORBING ZEXAL’S COLOR AND EXPRESSION PROWESS. STEALING ITS POWER.

ANYWAY as usual with my ygo watching i was primarily watching the dub (absolutely thrilled to have a Completed Yugioh Dub to watch for the first time since DM, MAN.) but I did end up watching...over half of Zexal II’s sub; stuff just gets so absolutely insane with the Barian Emperors that I desperately wanted every possible inch of their lore so I ended up watching both (sometimes back and forth at the same type like an unhinged wild animal) for the full picture. I like Zexal’s dub a lot!! its comedic timing is ON POINT, EXTREMELY FUNNY DUB. and really like..all of the main dub VAs are so, SO good (as they usually are.) There are a lot of bizarre things they cut though, a lot of childhood flashbacks and little character moments and the like. It’s a shame! I can only imagine a lot of them were cut to leave more room for ad time which. Sucks a bit 🥴A lot of duels do whip a lot harder in the sub too, especially in the back half..... still though, enjoyed my time with the dub. there’s a remarkable amount of stuff i am SHOCKED they actually did keep in?!??! The car crash that killed Shark’s parents is just straight up presented as is with like one or two small cuts. A LITTLE GIRL’S DEAD BODY IS SHOWN?? ON SCREEN??? ZEXAL DUB!! KIDS LOVE IT SO!!! MY GOD!!!

ok enough on that. some breakdowns/specific points like I usually do with these roundups:

Stuff I Didn’t Like: always get this one outta the way first. There really wasnt a whole lot I straight up disliked with this one!! It’s extremely solid all around. It does, of course, have some...Choices, being made, like. Girag’s lips. and. Girag’s backstory. Love the guy but oh my god why did they do that to him 😭Yugioh Racially Questionable moments ride again!!! At this point it’s just par for the course, definitely not the first time a ygo has. Done stuff like that. Ah well. Worth mentioning though.

What’s really a shame is that Zexal has some of the COOLEST, MOST FUN GIRL CHARACTERS, and time and time again they just dont do anything with them!!!!!!!!!!!! IT’S SO FRUSTRATING. i LOVE rio but the poor girl is fridged for literally 2/3s of the series!! She’s in the hospital like five times!!!! Rio and Anna and Tori and Dextra and Kari are all like, some of my favorite ygo gals YET but they have maybe 5 duels between them. Konami let your girls DUEL CHALLENGE. PLEASE.

hm what else. I guess also the final showdown with the series “Big Bad” was. uh. kind of let down lmao. But to be fair I was positively spoiled last series with the Z-one duel lol. Can’t win ‘em all. As cool as the concept of “the protag and rival team up to duel the Big Bad” is, and as cool as Don Thousands Entire toxic manipulative dynamic with the Barian Emperors is for like the Entire Rest of Zexal II is, they just....don’t. Do much with him for that last Donny T duel?? Would have loved more backstory elaboration or just like. Anything. It was over so soon and I was like “...that was it??” HDFHGSDFG thankfully the last two duels of zexal whip like hell so we bounce back!!

i also kind of wish don thousand kept his sick as hell demon armor form but c’est la vie i suppose. sad! well there’s other guys.

Favorite Season: I actually have no idea how Zexal is split up into seasons, so I guess Fav Arc would be a better term? Anyway I loved the World Duel Carnival Arc, I’m one of like 5 people who actually enjoy tournament arcs but i think theyre FUN and this one is a blast. There’s Arclight Family Agonies coming from every direction and there’s the INSANE DUEL ROLLER COASTER and Vetrix is bouncing around being a little freak, it’s GREAT

anyway and then Zexal II came in and grabbed me by the head and threw me into the drywall

LIKE. MY GOD. ZEXAL HAS THE FUCKING EMOTIONAL PACING OF MORAL OREL. YOU HIT Z2 AND SHIT STARTS GETTING REAL AND GOING HARD AS HELL AND IM OUT HERE GETTING MY BRAIN SCRAMBLED. I love like. All of the arcs of zexal II it’s hard to pick a favorite but I DO really like just that first third or so where the Barians are just starting to show up and the horrors haven’t quite begun and everything’s so silly and Ray Shadows is Very There. gives me gx season 1 vibes a little bit. it’s a delight.

Favorite Characters: oh right I should. talk about that. pained smile.

i joke about this a lot but usually every ygo series has like. A Character That’s My Actual Favorite, and A Character That Makes Me Absolutely Insane (syrus vs. zane, leo vs. aporia, etc.) but, uh. this time I GUESS THAT’S JUST. THE SAME CHARACTER!!!!!!!!!!!!!!!!!!!!!!!

SORRY. TO BE BASIC. BUT WHY DID THEY DO THAT TO ME. WHY DID THEY PUT A CHARACTER IN ZEXAL WHO ALREADY LOOKS LIKE MY ART STYLE. ALREADY LOOKS LIKE I DREW HIM. AND THEN MAKE HIM FUCKED UP AND SILLY AND A SAD LITTLE JACKASS!!!!!!!!!!!!!!!!!!!!!!!!!!!! ABSOLUTELY NEFARIOUS!!!!!!!!! 2021 dana had no CLUE they were hiding this fucker in the back of one of the ygo spinoffs. never could have predicted it. vector’s genuinely one of the best ygo characters of all time to me. what if a yugioh character had the most absolutely bonkers expressions youve ever seen and he was constantly doing little bits and acting like a little funnyman and then the devil fucking Kills Him. he’s perfect. the madness has only just begun to infect me i fear.

ANYWAY other than The Carrot in Question, I fucking love like...all of Zexal’s cast; I think this is the first time for any ygo where a series just didnt really have any characters I straight up Did Not Like. it’s such a solid, colorful cast that just checks so many boxes for my fav kinds of characters. I didn’t think I was gonna like Yuma but I ended up LOVING HIM!!!! I LOVE SEEING A YGO PROTAG THATS LIKE..ACTUALLY BAD AT THE GAME, THAT GROWS BETTER AND STRONGER OVER TIME BUT STAYS SO SILLY. I love what Zexal does to “traditional” yugioh character archetypes--Shark and Kite are both such cool rival characters and the shit they do with Shark especially?!?! NEVER COULD HAVE IMAGINED THEM DOING THAT. WITH A YUGIOH RIVAL. KAIBA COULD NEVER.

Narrowing down a top five fav Zexal guys is so hard, they really came in swinging with Catostrophic Families AND insane alien guys, but after pondering I think I’d have to say rn it’s Vector, Shark, Nistro (my fuckin  MAN!!!!!!!), Trey, and Alito. Immediate runnerup also being Tori. I fucking love Tori, new favorite main ygo girl. She bore witness to All That Shit and never folded. SHe’s Yuma’s FRIEND his CONFIDANT his EMOTIONAL SUPPORT!!!!! Absolute boss. Yuma would be dead in a ditch somewhere by episode 20 without her around.

Favorite Duel: BEEN GOING BACK AND FORTH ON THIS A LOT but I think my favorite duel was and still is the Trey vs. Yuma duel in zexal I, it’s just fantastic. The COLORS AND LIGHTING!!!!! The stakes!!! The SICK DUEL ARMOR!! Trey literally threatens a world-ending murder-suicide because he wants his family to be proud of him and well i’ll just explode into bits all up and down the road about it. Goes hard as hell. Trey and Yuma’s dynamic is one of my favs in Zexal but that’s it’s own post.

I also love all of Alito’s duels (especially the tag duel with Nistro, which is one of the most atrociously danabait duels ever (slash pos) and his last duel against yuma, which ALSO has some of the fucking coolest shots and lighting of any yugioh duel to me) and the last duel between Shark and Yuma. Shit rocks.

Zexal is also pretty unique to me in that it’s the first time i can really concretely say ive had favorite EPISODES as opposed to just favorite duels. There are so many episodes left and right that just make my fucking head explode. The BASEBALL DUEL FRIENDSHIP GAMES EPISODE. The EPISODE WHERE YUMA AND SHARK ARE IN THE HOSPITAL. The “VECTOR GETS STRAPPED INTO THE ALIEN GOD THRONE AND MR. HEARTLAND IS BEING INSANE AND THE ARCLIGHTS ARE IN A SUBMARINE AND ERAZOR IS GOING TO FUCKING KILL YUMA’S FRIENDS” episode. THE. UM. THE EPISODE WHERE THIS HAPPENS

^BROKE MY WHOLE DAMN BRAIN IN HALF. I AM STILL RECOVERING FROM THE DAMAGE zexal II comes in swinging with episodes that just knock your tits clean off and you LOVE to see it!!!!

Miscellaneous Other Zexal Gushing: IT’S JUST FUCKING GOOD!!!! THERE’S SO MUCH TO LOVE!!!!! I love the cast, I love Yuma and Astral’s dynamic and just how much love is there. I LOVE yuma’s friend group, they are SUCH perfect dweeby little middle schooler weird kids. I love the ways Zexal parallels Duel Monsters (and imo takes a lot of elements from DM and does them even better), I love Yuma’s grandma and Kari, ABSOLUTE REAL ONES!!! I fucking love Orbital 7. I love the Number cards and how theyre just completely thematically not related to each other at ALL (sometimes it’s a bug! sometimes it’s a guy! sometimes it’s an entire floating civilization!!!) I love the ABSOLUTELY BONKERS RELIGIOUS MOTIFS AND SYMBOLISM FLYING AROUND IN ANY AND ALL DIRECTIONS. THEY DID THAT FOR ME!!!!!!!!!!!!! ASTRAL CHRIST ALLEGORY!!!!!!!!!!!!!!!!!!!

And I just...adore how fundamentally Zexal is about kindness and hope and love, and also about how it’s so important to not lose yourself or your sense of fun as you grow up!! That theme absolutely EVISCERATED ME when gx came out swinging with it in its last season, and it’s GETTIN ME AGAIN HERE!!! IT’S ABOUT HAVING FUN!! IT’S ABOUT THE BONDS WE MAKE WITH OTHERS!!! IT’S ABOUT HOW CEASELESS KINDNESS CAN BE AN UNSTOPPABLE FORCE THAT MAKES EVEN THE IMMOVEABLE MOVEABLE. yuma has SO much joy and love and forgiveness in his body and it makes me WAIL.

Duel Monsters really ends on this note of “goodbye” with Atem leaving, and it works well for that story’s themes of grief. Meanwhile I think it’s very special that while Zexal also ends on a goodbye with Astral leaving, it feels so much more like a “see you later.”  That hanging note of “we’ll meet again.” It’s so sweet. The themes of past and future at play really just make you root for these kids and hope they grow up into the best versions of themselves.

Also it’s so fucking funny that like All of the Cast That Died and Went to Hell Came Back Except Mr. Heartland Who Definitely Died For Real. gay WRONGS.

God. what else. I’m sure I’ll think of 8352389 more things I love about Zexal immediately after I post this. It’s just that good. So thrilled I gave it a go. I love you Xyz Monsters I love you Dyson Sphere I love you Vector’s dub and sub voices I love you Duel Monster Based Off of the Titantic I love you Dr. Faker’s absolutely insane character design I love you Barian World I love you Arclight family I love you Zexal II Dub Opening Song That’s Sung By Bruno 5D’s VA I love you YUMA AND FRIENDS!!!!!!!!!!! ZEXAL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

cant wait to port all these kids to the college AU. it’s already happening. I love them so much

[invisibleraven]

Haunted Holidays

December 7: Miracle <-AO3 link!

Happy first night of Channukah to all who celebrate!

Julie grabbed a box from the attic, handing it down to Reggie. “I think that’s the last of it.”

“Thank goodness, how much more Christmas does one need?” Reggie teased, waving at the multitude of boxes surrounding him.

“Wait,” Julie said, pulling a box towards her that was labeled Reggie’s Holiday Stuff.

“You have a box too!”

“Oh, um, we don’t need to take that one down,” Reggie said, oddly shy.

“Well now I definitely am,” Julie said, taking it down with her and shutting the attic ladder behind her. She laid the box down and opened it, stopping at what was inside. “It’s a candelabra?”

“It’s a menorah,” Reggie replied. “For Channukah.”

For all their time together, Julie and Reggie tended to leave religion alone. He respected her Catholic faith and she respected the fact that he didn’t seem to have any. At least that’s what she thought.

“You wanna tell me about it?” Julie asked. “Or why you never said anything?”

Reggie sighed, maneuvering them around the boxes until they were sat side by side on the couch. “My mom is Jewish, and my dad is half, so that’s how I was raised,” he explained. “Odd thing in Georgia, but MeeMaw and Pops brought me to Temple every week, made sure I kept kosher and all that. My parents cared a little less, but they always have.”

“So why did you stop going?” Julie asked.

“When we moved here, we found a place to go at first, but with my folks working and arguing more and more, it was soon a Channukah and Passover kind of thing. Then not at all. I tried going by myself, but…” At this Reggie slumped. “I liked having my weekends free, and bacon. I really liked bacon.”

“I know,” Julie snorted.

“Anyways, MeeMaw tried to get me to do the Bar Mitzvah, but by then my faith was more skewed than anything. So I didn’t bother, which I think kind of broke her heart.” Reggie looked at Julie then, playing with the ring on her finger, the one he had put there the night they first moved into their house. “She made me promise to get married under a canopy though.”

“We can do that,” Julie promised him. “So tell me about Channukah. All I really know comes from cartoons.”

So Reggie explained the miracle of lights, the reasoning behind all the oil, fond memories of his childhood enjoying latkes and games of dreidel. How even after all this time, he could recall Pops’ voice saying the prayers as they lit each candle. He had forgotten a lot of Hebrew, but those would always stick with him.

“Do you want to celebrate it again this year?” Julie asked. “I wouldn’t mind-we do Christmas every year for me.”

“I don’t know if that would be allowed,” Reggie admitted. “I don’t consider myself as Jewish very much anymore. I’m okay with that really.”

“I’m not saying you get Bar Mitzvahed or start going back to Temple if you don’t want to,” Julie reasoned. “But if you want to do the odd high holy day, we can. And if we ever have kids, well shouldn’t they learn a little about their heritage?”

“We’re having kids now?” Reggie teased.

“One day,” Julie replied with a shrug.

Reggie paused at that. Picturing a little girl with Julie’s curls and his eyes lighting the menorah and stuffing their face with gelt. Sitting with MeeMaw as she prepared latkes and matzo ball soup. Saying the prayers over a loaf of challah in a tiny voice.

He wanted that so bad he ached.

“Yeah, let’s do it.” Reggie checked his phone. “We have a few days before the first night-plenty of time to prepare.”

“Means we have time to decorate first,” Julie said, placing the menorah on the side table, the place that usually housed her ceramic village. She supposed she’d find somewhere else for it to go from here on out.

She was okay with that-especially when Reggie kissed her temple in thanks. And wondered how hard it would be to make latkes.