#concept study

[doingartiguess]

Little bog creature on her way to a party in her decadent, not at all stolen bog jewels

I’m also on bluesky and have a webcomiiiiiiiic follow meeeee let’s be friends

[saaddy61]

CONCEPT STUDY: OC X LONGLEGS SCENE

[taddymason]

Crystals study

i'm so tired

[wishfulsketching]

hands hands hands

[messyoungie]

stop ignoring yourself, you’re meant to live.

[daftpatience]

tradesies

[kinky-cas]

cas is doing courtly love nonsense because that’s the framework for romantic/erotic love thats most compatible with his ideas of how angels are supposed to be. meanwhile dean is like hey lancelot can you cool it with the noble knight shtick for 10 minutes and just answer your damn texts?

[bethfuller]

formula 1 mecha pilots

[thebunnybutts]

Hey have you guys seen my daughter? Cause she's beautiful and perfect and amazing and I love her so much 🖤💀

[elby-ma]

Rook meeting Assan.

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[doingartiguess]

Merwitch of the Depths!!!

Inspired by this Oceanic Hand of Glory I drew a while ago, which has stayed with me ever since.

[tenowls]

rivals

[scribeofmorpheus]

Why Dragon Age Veilguard isn't a "Cathedral"

Concept art by Matt Rhodes

"To disinherit the storylines of past games goes directly against the notion of building cathedrals."

What is inherent with Veilguard that keeps bothering me is the fact that the world's choices truly didn't matter--and it doesn't simply bother me from a player perspective, it's not simply a grievance borne of frustration to what I (as a longtime fan) have lost. It's about the very culture of the arts under capitalism's new media habituation cycle [x][x].

Yes, I spent hours of my life playing and replaying each instalment of Dragon Age. Yes, I painstakingly curated a 'canon' world state by replaying what came before in preparation for Veilguard. Yes, I am even more unsatisfied with the end product--time hasn't helped, it's just widened the divide. But, and I can't stress this enough, these very personal gripes aren't what hit home the most. It's the inherent disregard of legacy. A legacy that the previous writers and game developers were building towards.

In the DAV artbook, "cathedral" is the word used to describe the process of making a game. Matt Rhodes' exact words are: "One artist can make a painting, but it takes a team to build a cathedral." Cathedrals took centuries to build. The architect who drafted the first blueprints would likely never see his work realised, he had to rely on those who came after him, like-minded and passionate, to see it through--for the culture, for the future, for legacy. Painters took on several apprentices for this reason too--giant frescoes were not completed by one man's hand, even if it is one man's name that immortalises them. Similarly, if you weave a narrative around choice, what good does it do to take it away at the final act if not to fall to caricature?

To disinherit the storylines of past games goes directly against the notion of building cathedrals.

Late-stage capitalism and profit-margin-obsessed game producers forcing developers to churn out meager content, to make a known brand into something it's not, to chase a fad or a popular trend... o, how reductive and cliche you've been forced to become Bioware. We have lost the cultural thought patterns relative to Cathedrals. We know only of barn-raised churches--done in a day but unlikely to last the turn of the seasons.

And don't even get me started on the music of Veilguard either. From Origins to World of Warcraft to Everquest to Baldur's Gate to Dungeon Siege, you can hear the intricate interconnected weave of sounds inspired by the Dungeons and Dragons-esque fantasy genre. You hear it in the repeated use of certain instruments, in the harmonic weeping notes of a bard-like singer or the foreboding echoes of drums as if of war. In tavern songs. But then, rather than hire someone who loves these worlds and this genre, who is a hungry artist looking to make a name, a legacy if you will, for themselves with a spectacular score, you hire any already sated composer, one well-into the encroaching years of career fatigue, whose notes repeat in countless projects, who feels less concise and more uninterested with each new project. One who has long since cemented his legacy. Someone in it for a paycheck and nothing else! And, to top it off, you let him compose something so minimalist? I am offended actually.

Cathedrals! We should have witnessed the final tile being placed on the Dragon Age cathedral. Instead, some architects walked up, tore down the interior and installed IKEA furniture and called it authentic before having to call the previous architects to come and fix the "load-bearing issues", forcing them to rush and add a coat of varnish and a few 'aged' details for authenticity.

[carsthatnevermadeitetc]

Cadillac XP-840 Eldorado Fastback, 1965. A V16 two-seater coupe designed under Chuck Jordan which was the culmination of Cadillac’s experiments with multi-cylinder concepts (12 and V16). There was no back window, instead a reversing camera replaced the interior rear-view mirror, 60 years later this is now used by Polestar and others.

[wolfsteax]

morning glow