#continuity of operations

[wellhealthhub]

Create an emergency preparedness plan

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[hellenhighwater]

I was doing research on the ArtPrize thing, because research is how I handle very nearly any issue, and I'm trying to set my expectations reasonably, given that it's one of the largest and most lucrative art competitions in North America. And I was reading up on the voting process, because some of the prizes are awarded based on popular vote. The first vote by an individual has to be placed on a smartphone in the geographic region of Grand Rapids, MI, but subsequent votes (one a day per entry) can be from anywhere, so long as the phone started in GR. There's $600,000 in awards and grants this year, so voting matters in determining who gets not-insignificant amounts of money.

You know how many votes were cast last year? 30,000. Thirty thousand. Across every category, not just for the winning art piece. That is not actually that many votes. I have more than that number of you right here, my poor captive audience.

Now, if I can just figure out how to get all of you into Grand Rapids during the month of September, I'd have this in the bag. It wouldn't have to be for long. Just a brief convention of fellow tunglr users, for just a moment, just a quiiiick....dash...c

[fuckmeyer]

the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.

if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.

choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.

if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.

even the "healthiest" option produces scars that will never quite heal.

Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.

[crescentfool]

judgement day 🌕

[midnight-the-goth-artist]

Guess who turns a year older today!

🥳💥🎂

But that also means…

A D U L T

[indigoire]

Do y'all ever think about how Stede didn't hesitate for one SECOND to make a mad dash to Ed/The Revenge? Like, he didn't even fully process the information. He heard "The Revenge" and fucking BOLTED. He didn't even try to go for a ladder to get off the ship or anything he literally jumped over the railing to get to Ed. No thought, head empty, gotta get back to my man. THAT'S devotion! THAT'S true love.

[cod-dump]

König: *minding his business in his office*

Soap, barging in: BOYFRIEND STEALER

König, snapping his pen in surprise: AH! Sergeant MacTavish?! What are you doing here?!

Soap, slamming his hands on König’s desk: YOU SEDUCED GHOST

König, confused: I did?

Soap: YES! WITH YOUR STUPID FACE

König, now even more confused: I don’t think I’ve ever shown Ghost my face-

Soap: AND YOUR BIG ARMS THAT GIVE PERFECT HUGS! YOU FUCKING CRUSHED HIS SPINE AND NOW I CAN’T HUG HIM

König: Wha-

(In the hallway)

Fender: You’re right. Letting the sergeant through was definitely a great idea

Roze: Of course I’m right! This shit is hilarious!

[ohnoitsz1m]

Uhh post canon Barney

Man who has not had a break since the rescas and refuses to start now. Alyx and Gordon are hiding his gear as we speak while Kleiner distracts him.

I was sposed to do Alyx too but I blinked and it was 3 am so. Next time

Oh also I forgot to make a note but he does carry a sidearm

[captain-price-unofficially]

A captured Soviet bouncy balloon examined by Finnish soldiers, 1941

[rh0mbus0fruin]

Vacation Exchange (page one)

[fishfingersandscarves]

more kai'ckul <3

[thepersonperson]

I can’t believe we got an infodump on simple domains AGAIN over a Sukuna backstory.

More complaining under the cut.

Usually I am one to give Gege the benefit of the doubt and will read heavily into what little information we are given. But I can't defend this chapter themes or character wise.

Even if this turns out to be a fakeout, going in painstaking detail over a show-not-tell battle in a way that lacks characterization and heartfelt emotion sucks to read. Even if the new shadow style and simple domain debacle goes somewhere, having it the main focus after an extremely traumatic battle instead of characters processing their emotions sucks to read. Even if Gojo is alive and that's why they're this chipper, everyone ignoring his sacrifice and efforts along with Choso's sucks to read.

I'm happy Yuta and Higuruma are alive but why was their revival off-screened? Yuta was so defensive over Gojo and everyone treating him like an object just 8 chapters ago. What happened to that? Why is everyone treating this battle like it was no big deal? (Also why the fudge did Kusakabe tell Yuji, a 15 year old, to his face he should've been killed while disparaging Gojo for protecting the life of a child???)

After the Shibuya Incident, there was a whole segment dedicated to how this affected the average person. The Culling Games ended and there are still bloodthirsty freaks running around. What happened to them? Is Angel hunting them down and that's why Hana is missing? Infodumping on anything except the battle would've been better.

I doubt we'll get any more info on Sukuna, Kenjaku, and Tengen at this point. We'll be lucky if there's a funeral for even Geto's body. Shoko was absent this entire chapter which makes me thing she's still trying to save Gojo or she's preparing their bodies for a funeral.

Anyways. This is the worst JJK chapter for me hands down. My hopes for the final 2 are mostly dashed. Crunch and poor working conditions really do ruin art my goodness.

[thevirgodoll]

one thing that stops me from overthinking is remembering that everything is never personal as it seems. everyone's behavior is an amalgamation of who they are and what they have experienced. it doesn't really have to do with you.

it FEELS unbelievably personal, especially when you are hurt. but remember we are only experiencing people. you have to stop thinking people will think and respond the way you would... everyone lives in their own understanding and reality.

and with you living in your own reality, you don't have to put up with this. let people's reality be their business.

[mayasaura]

I think if I were really going to insert Harrow into the Ace Attorney setting tho, she'd be a defense attorney. One with an even more extreme philosophy than any in the game so far. She specialises in sentencing trials and plea bargains, representing guilty clients.

She knows that the falsely accused aren't the only ones who need someone in their corner when it feels like the world has turned its back. She learned that a long time ago, from a childhood.... friend. Someone she owes more than she could ever possibly repay, who believed in her and forgave her even when they both knew she didn't deserve it.

[exceptionally-stupid]

[lenaellsi]

i've mentioned this before and it's a Hot Take maybe but. i don't think it's fair at all to characterize crowley's "you and me, what do you say?" speech from s2 as being equivalent to "fuck the earth run away with me to the stars right now" a la season 1

i guess i can see why it might come off that way, with gabriel and beelzebub having just left and crowley drawing the comparison to them, but a lot of people have sort of extrapolated from that this dichotomy where suddenly aziraphale is the one who cares about saving the world and crowley only cares about himself and aziraphale. and while i think crowley certainly prioritizes their mutual safety and is more likely to get spooked when faced with threats from heaven (i wonder why) crowley also loves earth?? he talks about it all the time.

the last time there was an apocalypse, crowley was the one who proposed saving the world, and he had to talk aziraphale into it. and like...he was planning breakfast at the ritz, wasn't he? he didn't want to leave. obviously "you can't leave this bookshop" meant "you can't leave me," but it also LITTLE bit meant the bookshop, and earth.

the circumstances of s1 were very different than the end of s2. crowley only wanted to run in s1 when 1) the end was about 4 hours away, 2) from his POV he and aziraphale had no idea where the antichrist was, so they wouldn't be able to stop anything even if they did stay to die with the humans, 3) aziraphale was about to Talk To Heaven the same way crowley tried to before the Fall, 4) demons were actively pursuing him for purposes of torture and annihilation. and in the end, he STILL stayed.

idk. if we're going to give aziraphale the benefit of the doubt for the Many Things he said in that convo, then i think we can afford to give crowley the benefit of the doubt that "we need to get away from them" and "go off together" might mean something more along the lines of "please don't go back to heaven, stay with me, it can be the two of us against them all." THAT was what crowley's emotional arc this season was leading to, with the flashbacks and his big revelation in ep 5, the same way aziraphale's was leading to leaving. every single one of the flashbacks had crowley choosing to help someone else at great personal risk--why would that lead to the conclusion that he actually wants to leave without trying to help? (of course, he did want to abandon gabriel. but I don't think that was even a little bit irrational after aziraphale's failed execution. walking away from the heavenly host who has done nothing but hurt both of them is not the same as walking away from earth. it's still a problem--ignoring heaven and hell will not, ultimately, fix anything--but again, it's not the same as abandoning humanity on a whim.)

TL;DR I don't think it's a fair reading to say that crowley's proposed solution to The Heaven And Hell Problem is "fuck humanity, let's give up." i think he was proposing working together against heaven and hell with the option of an exit strategy if everything went wrong, which is what he ALWAYS tries to do. (see: arrangement + holy water.) his need for an escape route and his tendency to prepare for the worst is something that is definitely hindering him in, for example, his relationship with aziraphale, but it also makes sense. because, you know. the last time he tried doing anything about heaven he got his wings lit on fire. so.