#entire life’

[maester-of-spreadsheets]

Me five seconds : oh hey there’s an eros and psyche retelling that’s actually set in a historical/mythological setting rather than a modern day update where eros is a billionaire or whatever! This seems relevant 2 me!

Me now: aaaaand it’s one of those retellings that’s like this is A Feminist Retelling because now psyche is a warrior princess wheeeeee fuck this shit I’m out

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[do-you-know-this-queer-character]

Do you know this queer character?

Castiel is Queer and Agender or Genderfluid, and uses varying pronouns based on presentation!

[plaguedocboi]

God I just fucking. I am so blown away when I watch any older movie. When they filmed on real sets and built elaborate props because cgi wasn’t an option. “Ohhh but you can tell it’s an animatronic it doesn’t even look reeaaallll” shut the hell your mouth. That is an actual physical thing that the actors could actually see and interact with. It is a billion times more “real” than the endless greenscreen bullshit you love so much.

[artkaninchenbau]

Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)

It seems like I have become possessed. By some sort of demon.

Bonus:

[suiheisen]

liberté, egalité, fraternité et yaoi

[aahsokaatano]

people love extolling the virtues of ball-and-socket joints and how it makes us more advanced and all that but I don't see any fucking octopuses in slings now do I. Bones are overrated and I want a refund.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[talisidekick]

If a transgender person asks you to deadname and misgender them in front of certain people. Misgender them and deadname them in front of those people. It doesn't matter how icky or gross it may feel, it doesn't matter you'd rather be honest. It doesn't matter if there's more of you there. Certain people aren't safe, and honesty IS NOT the best policy when honesty could put them at serious risk. It doesn't matter if there's a crowd, because when there isn't shit goes down.

Be an ally, do what they ask. Understand that the trans person knows more about their situation than you do, and this includes who's safe and who's not. Some one can be "trans friendly" to other people, but not to people they know or specific people. Do as the trans person asks, yes it's uncomfortable, but it's 10 times worse if the person we don't trust finds out. 100 times worse if they have access to us when you're not around.

Respect trans peoples safety. Misgender and deadname when asked.

[mydairpercabeth]

[deep-space-lines]

I know Gabriel is canonically really popular with Heaven’s residents but there’s bound to be some heavenly loser with pronoun envy

[archgabrielangel]

one day you become an official searcher and the next youre in a wedding dress about to be married to a 10 foot tall one eyed man

[bastardlybonkers]

so this is what it feels like

[alexcabotgf]

MESSI THE DOG at the 96th Academy Awards (March 10, 2024)

[gay-fae]

part of what made across the spiderverse so perfect was that it was largely centered on WHO spider-man is, in EVERY universe. not just Miles, or Peter, or Gwen, or Miguel. Spider-Man. it was about the ESSENCE of Spider-man. Spider-Man is love for humanity. Spider-Man is having to sacrifice and lose everything you love for the mask. Spider-Man is rebellion against the powers that be. Spider-Man is about trying to do both, in every universe. about not taking no for an answer or listening when everyone tells you your destiny. refusing to choose between the things and people you love. that’s why Spider-Man is so compelling: they want everything, even though everyone else tells them they can’t have it. that it’s not meant to be. and they just. keep. trying. keep getting back up. they just keep going, man.