#fanfic: sending my love

[runicmagitek]

Sending My Love: Chapter 2 (Castti/Throné - Octopath Traveler 2)

I was able to sneak in some edits to post a bonus chapter this week! Enjoy and stay tuned Sunday for more~

[read more on AO3]

[sincerelybubbles]

Here's a dialogue prompt for Emily please! Try this out pls. Love you Kam sm sm. "So why are you here?" "To make a fool of myself." ok ty lysm

even though i watched u type this, the wording makes me giggle every time i look at it.

emily prentiss x tech analyst!reader <3

warnings: fem!reader, cannon typical violence, very brief allusions to sexual assault (nothing happens!), angst and fluff! mutual pining.

word count: 5.4k

Emily is the loveliest thing you've ever seen and you can't imagine how she could ever possibly like you back. She enjoys the game, though, and teasing you is her favorite hobby.

-

It’s a sunny day. Warmth trickles down with the scattered light through the leaves. Patterns trace your arms, throwing your skin into a collage of different shapes and shades. Leaning back on your elbows, you watch people mill about the park. You look back down at your arm after a few more minutes, this time focused on the small watch resting there. With a sigh, you stand up and dust off your pants before picking up the small blanket you laid out and tucking it into your bag. 

You walk back to work, enjoying the sounds of the people around you. You lingered too long at the park during your break and are hoping that nobody notices your slightly late return. Maybe the team will be in a meeting, gruesome pictures you never quite learned to stomach plastered on the board, entirely oblivious to your tardiness. 

Unlikely, but a welcome thought soothing your anxiety as you push the door open and scan your badge at the security desk. 

“Welcome back,” the security guard says, smiling at you over his paperback. He’s an old greying man and you vaguely recognize him. You think he’s new and send him a warm smile in return. 

“Thanks,” you glance at his name badge, “Martin!”

You walk past him and step into the elevator. “Wait!” A voice calls and you reach forward to hit the hold button instinctively before you register the voice as Emily’s. 

She jogs into the elevator with you, smiling gratefully. “Thanks, I’m already running a little behind.” She lifts a container and shakes it a little. The label is from the Italian bistro across the street, about a ten-minute walk away and always nearly triple that in wait time. 

“Brave of you to go there during your lunch,” you joke, returning her smile and pressing the button for your floor. 

You hope she can’t see how your hands shake as you reach forward.

“I know, I just love their Pasta Brado. Have you tried it?”

“Can’t say I have. I’m boring, I usually go for the parm.”

“You’re not boring,” she says so earnestly that you can’t help but blush. You cough as an excuse to raise your hand to your face and hopefully hide it some. “You do have to try it, though. Here,” she offers you the plastic box. 

“Oh, I couldn’t. And I already ate.” You ignore the way your chest hurts a little at how enthusiastic she is. The worst part? She doesn’t even know how endearing her simple kindness, her casual enthusiasm, is to you. 

“Tomorrow, then. We can go together.” The elevator doors open as she says it and she steps out with an affirmative nod to solidify it. “Don’t try to bail out on me either, I know where to find you.”

“Yeah, I'm okay,” you say, feeling lame as you step out behind her. “I would love to.” She’s too far to hear you, though, already heading to Spencer’s desk and jumping right into his conversation with Morgan. 

Someone says your last name and you turn on your heel to see Hotch and cringe slightly. “I was trying to find you.” It’s a kinder way of him reminding you that you’re nearly ten minutes late back from your lunch. 

“Sorry, sir.”

“It’s fine. Do you have the reports finished from last week's trip to Huston?”

“Yes, sir, they’re at my desk. One moment.”

-

You and Emily don’t go to the bistro the next day because she and the team are sent to a small town in Kansas that night. 

“I’ll owe you lunch,” she says, hand on the back of your desk chair and brushing your shoulder as the team rushes to the jet. 

“Don’t worry about it!” You reassure her.

“I’m taking you to lunch,” she calls over her shoulder, pretend-glaring, “you will try that Brado!”

And then she’s gone, leaving you giddy and breathless. 

You know she’s just being friendly – she treats Spencer, Morgan, and JJ all the same as you – but her efforts to spend one-on-one time with you outside of work still have you feeling like a schoolgirl passed a note from her crush in class. 

You try to remind your heart to stop singing because Emily probably isn’t even gay and definitely isn’t interested. Instead, Garcia scares the shit out of you when she interrupts your inner monologue. 

“Lunch with Emily? Things are getting serious in your work marriage.” You hadn’t seen her walk into the room and jump at her voice, hand jumping to your mouth to suppress a yelp. “Sorry! Sorry!”

“It’s okay, didn’t see you.”

“Your loss, I look fantastic today.”

“As always,” you smile up at her, nose wrinkling and genuine fondness filling your senses. 

“Careful, wouldn’t want a workplace affair,” she jokes, leaning against your desk and picking up the stress ball you keep handy. 

“Stop,” you moan in good nature. “Nobody else calls us work wives.”

“That’s just because they don’t have my brilliance and excellent observational skills.”

“Nor do they have the same privy to my more personal thoughts,” you say, glancing up at her before returning to your paperwork. With the team leaving so quickly to tend to a missing child's case, you’re not getting home in time to cook dinner but are hoping to leave early enough to grab food instead of resorting to your freezer stash. 

“I would hope not. You know I can’t be replaced, baby.”

“Does Morgan know you talk to all your work besties like this?”

“I most certainly do not. You’re a regular bestie, not a work bestie.” A wink and then her expression sobers. “I do have an actual reason for visiting your humble cubical, though.”

“Hm?”

“I’m going to need extra hands for this case. It’s time-sensitive, as usual, and seems like it will be particularly tricky.”

“Yes ma’am,” you say, dropping your pen and standing to follow her. 

Your position at the bureau is kind of a catch-all. Most of your time is spent logging data, building reports, and doing general research for the team. Occasionally, though, you jump in to help Garcia with real-time research. Nothing as high-stakes as her direct assignments, more background work. Calling offices to talk to managers, combing through more meticulous data, generic census material to rule out obvious dead ends. 

It’s stressful work that technically isn’t what you’re paid for but you never complain. Your team saves lives, consistently putting themselves in the line of danger. If you have to spend a few hours a month helping Garcia call a suspect's manager at McDonald's to see if he still works there, it’s literally the least you can do. 

“Yes, so, it looks like our unsub…”

You drown out Garcia’s brief about information you already have sitting in front of you and begin vetting possible suspects from the large pool her system created.

It’s going to be a long night. You think about future Brado to cheer you up. 

-

“Reid, Prentiss take the back,” Hotch’s voice fills your ears. You imagine the pair nodding and splitting off from the group. 

This is your least favorite part of helping the team with active investigations – listening in on the calls. It’s rare that you and Garcia join the line when they’re approaching the unsub but, with you helping her, it isn’t a risk to distract Garcia and a much quicker method of getting any new information the team needs. It’s a new system you’ve only tried thrice, unsure how having microphones on 24/7 will work, and it grants you and the team more fluid communication.

Still, adrenaline floods your veins as you listen to their coms, the sounds of Garcia typing a constant behind their voices, imagining every way this could go wrong. 

You suspect the girl is still alive, the uncle doesn’t seem to have any reason to kill her just yet, but your fear for her grows with every minute. 

“Clear!”

Your eyes fall to the receipts flooding your screen. Ammo. A new rifle and pistol. The team knows but the evidence of this unsubs ability to hurt any of your friends, your family, isn’t helping your nerves. 

“I think he’s going to the roof!” Morgan’s voice, clear in the comms. 

You click out of the documents. Two swift motions on the screen. The firm press of the button. 

“Morgan, you’re on foot. Prentiss, follow him. Everyone else in vans, go!”

“Garcia, map out possible escape routes from the roof,” you instruct. 

She nods, screens shifting immediately. She puts on her own headset with one hand and clicks on the call and starts to bark information to Hotch. 

“Got her!” Reid’s voice sounds and you deflate a little. He mutes as he begins to console the small girl. 

You know you can take off your headset now, leave the call, and go to your paperwork. There isn’t much more you can do to help – you’re sure that’s what you’re supposed to do – but you stay on anyway, listening. 

“Right on Elmore!” Morgan calls. You find the street on Garcia’s screen, eyes tracing the path you think they’re taking. 

“We’ll try to cut him off,” Rossi says and you can hear tires in the background of the call. The click of a steering wheel cutting to the side too quickly. Someone’s labored breathing – probably Morgan’s as he dead sprints. 

“Stop! Put your hands up!” Emily shouts. The firmness in her voice makes you sit up straighter in your chair. 

You hear something that sounds vaguely like, “bitch,” before a loud pop drowns anything else out. 

“Emily!” Morgan’s voice, more pops. 

Gunfire. That’s gunfire, your brain recognizes. 

Your blood has gone cold.

“We need a medic!” Morgan shouts. Hotch’s line blinks red, going dead as he calls the ambulance. “Emily, Emily.”

Rustling. Cars. Sirens. Morgan’s line goes dead after you hear a car door slam shut. Then Reid’s and Rossi’s. Emily’s is the last to stay green, blinking.

You and Garcia stare at each other as you listen to Emily be loaded into an ambulance. Listen to Morgan tell the team, voice far away and barely tangible, that the unsub only managed to fire out one shot before he downed him. 

Neither of you can hear where she was shot or how badly injured she is before Emily’s line goes red as well.

-

“Emily?” You call softly, rapping your knuckles softly on the frame of the cracked hospital door. 

Your name, faint, answers you and you take that as permission to nudge the door open. The room looked dark from the hallway but Emily has the small lamp embedded on the wall switched on, throwing her face into harsh shadow. 

“Hey, you,” you say, walking in, arms full. “I brought things.”

“You didn’t have to do that,” she says, trying to sit herself up further and wincing as the motion pulls on her stitches in her abdomen. 

“Wait, let me help you,” you say, setting your things down and reaching out a hand. 

You wait for her nod before touching her, letting her grasp your arm and looping your other arm around the back of her waist to take most of her weight yourself. 

“Thanks,” she mumbles. You can tell she hates feeling useless, hates needing help for something as simple as sitting up, so you drop the subject with a nod and kind smile. 

You turn around to the small rolling tray where you put your things down, pulling two black containers out from a plastic bag. You feel silly and very awkward as you turn around to show them to her. 

“I know it’s probably not quite what you meant but,” you set the containers down on her bed and pop one open. 

“The Pasta Brado! Oh man, I was going to treat you.” She’s pouting through a smile, attempting to put on an upset facade and failing miserably. 

It’s so cute that you struggle with what to say next. 

“Thank you, really. You can pull up that chair, if you’re hungry now.”

You grab the chair she’s motioned to and drag it to sit next to her. “I’m hungry if you are. It might be a little cold, though, it’s kind of a far walk.”

“You walked here?” Emily asks, tone appalled and face comically shocked. 

“Yeah, my car broke down last week. I’ve been walking to work – it’s actually really nice out right now – and I couldn’t find a cab from the bistro.” You busy yourself with the food while you talk, opening the second container, setting it on her legs, and unwrapping the plastic cutlery for her. 

“Jesus! You didn’t need to come and see me if you don’t have a car. You didn’t need to come at all, actually. I really appreciate it,” she amends, seeing how your bashful smile freezes on your face, reaching forward as if to touch your face and brushing your shoulder instead. “It’s really sweet of you but you didn’t need to walk all that way. Isn’t it like a twenty-minute walk from here?”

Over thirty, but you nod anyway, knowing it won’t help your case to correct her. “It’s not a big deal. You were shot in the stomach, of course I wanted to see you.”

“Ah, so you wouldn't want to see me otherwise,” she teases, nodding and pushing her pasta around with her fork. She doesn’t even try to conceal her grin. 

“Ha ha, very funny,” you mumble. You take a bite of your food and your eyes widen. “Oh my god.”

“I knew you would love it,” she beams, watching your expression as you taste the food. You you she meant to say it in a gloating way but you swear you can hear a sort of fondness behind the words. Something in you warms at her ability to know you so well. 

You tell yourself you’re overreacting about both thoughts. 

“You were right – Emily this is unfairly good.”

“Oh, I know,” she says, taking her own bite and letting out an exaggerated moan, complete with an eye roll. You giggle and she smiles at you. “Thank you, this is exactly what I needed.”

“You’re welcome,” you say, holding her eye contact. 

She's been in the hospital for three days, transferred back to Virginia last night; her hair is unwashed and unbrushed, and she’s wearing no makeup and a hospital gown. 

She’s still the prettiest girl you’ve ever seen. 

-

Your car is fixed by the time Emily is released from the hospital two days later and you offer to take her home. 

“Hi Sergio,” you greet the cat brushing against your legs as Emily disengages the alarm. 

You set her things down by the door before turning to offer her your arm. Emily doesn’t pretend that she doesn’t need the help when it’s just you two, something you’re grateful for after watching her struggle with the team around, and lets you guide her to her bedroom. 

You set about making her comfortable, turning down her sheets and propping the pillows up so she can sit. 

“I’ve got it,” she laughs, playfully pushing away your hands. 

You laugh along with her, raising your hands and backing away. “I’m going to go put the rest of your stuff away and get you a drink.”

“Perfect, I’ll take an old-fashioned. Don’t forget the cherry.”

You roll your eyes at her, scoffing and leaving her room. 

You throw her clothes and go-bag in her laundry room before making her a glass of water and another glass of juice. Once you’re sure she’s settled in her bed with her book, you return to the kitchen to make her a few dinners, ignoring her protests. 

-

Emily is back in the field much sooner than you would have liked. 

“I was cleared by the doctors,” she tells you, coat slung over her arm as she digs through her bag for her badge. 

You smile at Martin, sending him a mock exasperated look, before she finds her ID and shows it to him. 

“It still seems too soon, Em,” you persist, reaching forward to push the elevator button and turning so you can lean back to watch her face. 

“Em?” Emily asks, the hint of a smile pulling up the left corner of her mouth. 

You sort of feel like you could die in that moment, just from the heat that simple gesture surges through you. 

“It just sort of slipped out, sorry,” you say, thoroughly embarrassed. 

The elevator dings and the doors open, throwing you off balance for a second. This doesn’t help your already flared nerves as you stumble back and drop your bag. You reach down to gather it and the files scattered across the floor. 

You’re kneeling to stuff everything in your bag when Emily crosses your line of sight again, wide smile on her face – teeth fully on display and nose scrunched, you are in desperate need of help – holding out your notepad.

“I think the nickname’s sweet. I kind of like the idea of having a name only one person, only you, calls me.”

All of the air has left this godforsaken elevator, the heat must be on, you stare dumbly at her as she reaches forward to grab your bag and put the rest of your papers inside of it for you. 

And then, realizing you look like an absolute idiot, you snap back into your body and cough slightly. The doors ding and open again, you grab your bag from her and stand slowly. Smiling at her, still crouched on the floor and looking, amused, up at you through her eyelashes, you say, “Okay. Thanks, then, Emmy.”

You walk away after that brief flash of confidence, telling yourself you’re just imagining how you swear her face flushed bright at your comment. 

And if Morgan mentions a few minutes that Emily seems flusters, well, who can blame you for floating on that high for a few days?

Except she doesn’t let it go. 

She corners you on your break in the kitchenette. Literally. She catches you when you’re examining the coffee pot that has been making concerning gurgles for the past few days and leans on the counter behind you, effectively blocking your exit. 

Not that you really want to leave. 

She’s wearing a red tank top and dark jeans, her hair is loose around her shoulders, eyes steadily trained on your face as you work. 

“Hello,” you say, quiet in a way you’re not normally. 

“Hi.”

“What’re you doing?” You ask after a few more moments of her silently staring at you while you pretend to know what you’re doing with a screwdriver. 

“Enjoying the view.”

You drop your screwdriver and relish in the sound of her laugh. 

-

You’d love to say that you had some suave answer to return her charm but you think you spent it all that morning with your boldness. 

You’re not shy but confidence doesn’t run in your blood either. You’d say you’re pretty normal – average. You don’t find much wrong with that, you know you have other qualities that build you up into an interesting person. You love your friends and coworkers deeply, for one. And have an intense trust in them and their abilities. 

That trust is always tested in your day-to-day at work but never more than now as you feel the car around you make turns at highway speeds. You think you’re on some sort of back road but it’s hard to tell from the trunk given the obvious lack of windows. 

You’re calmer than you thought you would be if kidnapped. 

Groaning after one particularly rough turn that has you jostling against the sides of the trunk, you allow your head to thump back and stare at the inside of the dark car. Light breaks through the cracks of the hinges of the trunk and you wonder if water trickles through when it rains. 

You’ve been in here too long to consider if you’re focused on the wrong things. You’re scared shitless, of course, but the adrenaline faded about an hour into your drive and now you’re just bored. 

Imagine that – bored as fuck in the trunk of a stranger's car, wrists burning from the rope and jaw sore from where it’s been forced open too long by the fabric tied around the back of your head. 

You’re just allowing yourself to reimagine your morning with Emily when the car stops and the engine cuts. 

You snap back into the present, energy flooding your system again as your brain flicks into overdrive. You might spend your days paper-pushing behind a desk, but you passed your physical. You’re smart, you’ve heard the stories of how these victims survive captivity. 

When the trunk pops open, you squeeze your eyes shut to prevent pain from the sudden lack of light. You don’t want to be blinded and the action has the added benefit of pleasing your captor. He put a hood over your hood when he grabbed you, muttering in your ear in tense tones that you would do best to not even try to see him. 

Say what you will, you usually do a pretty good job at following directions. This one is easy and happens to be number one on your list right now – keep him happy so he keeps you alive. 

“Good girl,” a gruff voice says before a calloused hand gropes the back of your neck to yank you forward. Scratchy fabric envelops your head and your hot breath bounces back against you, trapped against the fabric of the hood. 

You stand when his hands start to grab your waist, pulling yourself to your knees and allowing yourself to be lifted from the trunk.

You want to run but know now’s not the time. 

“Look at how well-behaved you are!” His breath is wet against your neck. He stands too close, hands clawing under the hem of your shirt to cling to your skin. 

He walks you forward like that, chest pressed against your back and breath slithering down the collar of your shirt to hang uncomfortably over your collarbones. 

It’s becoming increasingly more obvious what this sicko wants from you and your stomach is twisting at the thought. You urge the team to hurry up, knowing your absence would have been missed ages ago. They have to be looking for you by now. And, with how sloppy this dude seems to be, he must have left a plethora of clues waiting to be found. 

You have to repeat this to yourself as you hear a door lock click. 

“Took you long enough. This is the girl? She’s kind of … well,” the second man kisses his teeth with a sharp sound. You’re pushed forward again. “Whatever floats your boat man.” The door shuts and locks behind you. The second man's voice fades as he talks, disinterested. 

You wonder if it’s wrong to feel slightly insulted right now. 

“This way, doll.”

You listen. It’s saving your life to be complicit in his directions, so you listen. Still, you’re shoved harshly to the floor once you get to where he wants you, knees striking what feels like cement. Before you can recover, your cheek stings and your head is whipping to the side from a sudden slap. 

Then, there’s a kick to your ribs. You fall onto your side, too winded to even cry out, lips falling open in a silent scream. A boot in your belly. Your ribs again, your hip and back. 

“Why?” You manage to sob out. “Why, why?”

You don’t get an answer.

-

You’re not overly religious but you thank whatever heavens or universe exists that he leaves you alone once he’s done kicking the shit out of you. Your ribs are bruised but the worst you expected hasn’t happened. 

The boredom returns as you lay with throbbing ribs. At least one is broken and every breath hurts. You can’t imagine sitting up and, luckily, with your hands tied behind your back, it’s not really an option anyway. 

It must be near an hour later when you’re fading out of consciousness – a purposeful choice on your part to save your energy – when you hear the front door burst down. 

“FBI! Hands where I can see them!” Morgan. You nearly weep but think better when your stuttered gasp makes your side throb. “What the fuck?” You hear shouted in reply. “Robb, what the fuck man.”

There isn’t much of a resistance from the living room. The second man is shouting at what you can only assume is the first – your initial kidnapper – but there’s nothing else other than that. 

“Clear!” You hear Hotch call. Spencer replies and then you hear the door nearest you open. 

His voice calls out your name. You deflate against the floor. A second, you know he’s scanning the room with his gun before holstering it. “Clear! I need a medic!”

Hands, gentle, against your face, removing the hood. Swifter after that, removing your gag, and then hand binds. 

“Hey, Spence,” you say, trying to smile up at him. 

“Shh, you’re okay. We’ve got you.” He starts to support your weight behind your shoulders and the pain that brings is too intense to prevent your yelp. 

“Oh my god, is she okay?” You hear Emily ask seconds before you see her. She looks concerned, hair now in a tight ponytail and FBI vest strapped over her chest. She whispers your name once and then a second time, reaching forward to gently brush your hair out of your eyes. 

“Hey, pretty,” you say, words tumbling out of your mouth before you can catch them.

“Hi beautiful,” she answers, reply just as soft as your own. Earnest. 

It makes your heart ache and, for the first time since being yanked off the road walking to grab lunch, you start to cry. 

“Hey, hey, I’m sorry. I’m sorry, beautiful, it’s okay. You’re okay.” She repeats this as you’re lifted by the paramedics and cry harder. 

She repeats it when they stitch up where kicks burst the skin over your cheekbone open, repeats it as she trails a hand down your arm in gentle patterns while they examine your ribs and confirm that you’ve broken two, maybe three. 

She tries with you in the ambulance. 

You can’t help but think about being on the phone when you heard Emily be shot weeks earlier. You squeeze your eye shut as they insert the IV, beyond grateful that she’s there to hold your hand while they do it. The tear that falls down your cheek has nothing to do with the pain and everything to do with the thought that you couldn’t have been there for her in the same way. 

An odd thought, you realize, but it’s the one you’re stuck with as you drift away when the pain medicine enters your system. 

-

You’re sent home three days later. You insist on spending the night alone, afraid to admit you’re scared because, honestly, nothing much happened to you. 

Oh, of course, everyone tries to convince you otherwise but you know they’ve all had it worse. You were gone from the bureau for about eight hours and spent most of it bored. 

So you force yourself to spend the night alone. You don’t need help moving around or doing things for yourself so you convince yourself you don’t need help. 

You’re cooking dinner when the doorbell rings. You wipe your hands with a dish towel and take your time walking to the door to look through the peephole. You don’t know who took you yet, you haven’t asked and nobody has said, but you can imagine seeing him through the door. Waiting for you, waiting to kill you this time. 

Okay, yeah, maybe Spencer was right when he talked about PTSD and usual levels of anxiety, but you’re so tired of him being so right all of the time that you really want to prove him right.

There is no man standing on the other side of the door, though. Instead, you see Emily, holding a plate wrapped in tin foil and looking serene in your apartment hallway. 

You open the door quickly, unlatching it and turning off your alarm with a few clicks. “Emily?”

“Ah, man, I was getting used to Emmy,” she jokes, stepping inside with a smile in your direction and kicking off her shoes. 

You can’t think of an answer so you just smile at her, hoping she’ll take the lead. You’re tired and she must see it because she offers the plate in her hands to you once the door is closed and the alarm is reengaged. 

“Rossi sent me with it with explicit instructions to not let you share it.”

You giggle and take the plate. “I’ll have to tell him thank you. It’s kind of out of your way to come all this way, though, isn’t it?”

“Not out of my way at all,” she says, words dripping with meaning as she holds your eyes. “I would have come even if Rossi didn’t have food for you.”

“So why are you here?”

“To make a fool of myself,” she says, casually, like that’s something people say every day, “probably. You’ve just gotten back from the hospital and I know you said you wanted to be alone, but,” she swallows and her words are becoming more rushed as she speaks, “I said the same thing and you still stayed.”

“Emily?” You ask, setting the plate down on your hallway table and clearing your throat. “Ah, Emmy?” You amend when she cuts you a look. Your attempt to diffuse the tension doesn’t work and she steps closer so you’re toe to toe.

“That doesn’t really answer your question, though. You’re sweet enough that you would let it go, but,” she shrugs, reaching forward to gently loop her fingers around your wrists. “Stop me if this is awful timing. Please,” she says, leaning forward and staring into your eyes. 

You feel like you’re suffocating, but if this is death, you’ll greet it gladly in the irises of Emily Prentiss. You’re caught in the trap of the moment, heart hardly breathing, all aches and sores forgotten because Emily is leaning closer, breath fanning across your face. You feel intoxicated, ensnared. 

Everything that has ever been exists here, now, in this moment. Every breath used to blow out birthday candles and blow away eyelashes – breaths with purpose, with wishes, with intent – exists between the two of you as she leans closer and closer. Closer, still, and how can so much distance exist between you two when you’ve been standing so closely?

“Just, stop me, if you want,” she whispers against your lips, eyes falling shut. 

Time yawns again, freezing. Your eyes open, hers closed, beats of seconds pausing. Hesitating for you to hold this moment in your hands. You’re grateful to appreciate it because she really is so lovely. Her bangs are pushed back from her face with a headband – imagine that! Emily owns headbands! – and you can see every detail of her face. Her elegant nose, her slim eyebrows, her narrow, prominent, lips.

And then your heart finally catches up, beats loudly, cracks whatever fragile plane of glass holding the moment so perfectly still, and her lips are meeting yours. 

You gasp into her mouth, hands breaking out of her hold to grab her face. You’re afraid that she’s going to pull away before this kiss can be fully real. Before you can actually taste her – lemon cake and rain and warmth. Before you can memorize the feel of her lips pressed against your own before you can drag her closer and slip your hands into her hair. 

But she doesn’t pull away. She meets your enthusiasm with a sigh and then enthusiasm tenfold. You can feel relief in the kiss, feel how she relaxes into you. She takes a step forward and you take one back half the amount to account for it. 

A tilt of your head and it’s better, impossibly. She’s firm, sturdy, beautiful. Confident. Lovely, lovely, lovely. 

And then she reaches forward to hold you to her, hands brushing your ribs to wrap around your back and you can’t hold in the gasp of pain that causes you to stiffen. You want to take it back, want to ignore the pain, want to keep her near, but she won’t allow it.

“Oh, I’m so so sorry. Are you okay? I’m sorry.” You smush the apologies against her lips, removing one hand from her hand to guide her arms around your shoulders where they won’t hurt. “Okay! Okay,” she giggles, leaning back with several short kisses that do nothing to satiate you. “I need to know you’re okay.”

She can obviously tell she hasn’t hurt you too bad by your reaction, but the sweet caution in her voice has you melting further. 

“I’m perfect.”

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[angelscovee]

𝐿𝑢𝑐𝑘𝑖𝑒𝑠𝑡 𝑔𝑗𝑟𝑙

🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮

ʀᴇǫᴜᴇsᴛ ☞ ᴄᴀɴ ʏᴏᴜ ᴡʀɪᴛᴇ sᴏᴍᴇ ꜰʟᴜꜰꜰ ᴡɪᴛʜ ᴘᴀɪɢᴇ x ʀᴇᴀᴅᴇʀ ᴘʟᴇᴀsᴇ? ᴍᴀʏʙᴇ ʏᴏᴜᴛᴜʙᴇʀ ʀᴇᴀᴅᴇʀ sʜᴇ ᴠʟᴏɢ ᴅᴀʏ ɪɴ ᴛʜᴇ ʟɪꜰᴇ

⇝ ᴘᴀɪɢᴇ ʙᴜᴇᴄᴋᴇʀᴇ x ʏᴏᴜᴛᴜʙᴇʀ!ʀᴇᴀᴅᴇʀ

⇝ ꜰʟᴜꜰꜰ

⇝ ᴍᴀsᴛᴇʀʟɪsᴛ

🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮🝮

"hey y'all!! so today i'm doing a day in my life cause its been a while since i did one of those." i set my camera down on my vanity as i sat down to do my makeup.

i started doing my makeup as i talked about the things i had to do today. i was blending my foundation when the door to my room opened. i smiled as i looked at the camera.

"we have a special guest today ya'll!!" i said as i turned my camera towards paige as she waved at it.

"today im gonna be having my girlfriend join me today in todays vlog for the first time ever." i said with an exaggerated gasp.

once i finished my makeup i changed into my outfit as i gave the camera a full look at it.

"im wearing a shirt that i got from hot topic, i thrifted these jorts, and i'm wearing some black converse." i spoke to the camera not noticing the way paige was blatantly staring at me.

as i walked back up to my camera to pick it up i could see paige looking at me through my mirror, i turned around with a smile as i stared at her.

"do i have something on my face?" i asked with a raised eyebrow knowing shes probably been looking at me like that for a while.

"nah you just look.. really beautiful." she said looking at me admiring how i looked as i shook my head with a smile looking away from her a blush rising to my face.

"okay anyway, today is gonna be a sort of chill day, i just have a few errands to run not to much like last time." i said talking to my camera as paige and i walked to her car.

i set down my camera in front of me as i got inside the car.

"alright ill see ya'll when we get to target bye!!" i said as i shut off the camera buckling in and storing the camera in my bag.

"when you're about to post the video tell me so i can be the first one to watch and like it." i turned my head towards paige with a smile on my face.

paige has always supported my youtube career since we started dating. everyday im thankful i have someone that actually supports me.

"don't worry i will, ill watch it with you too, i heard theres gonna be a cute blonde in the video." i said with a grin as i could see a smirk start to form on her face.

"oh yeah? guess we'll have to watch it then, heard that this really pretty girl is doing a day in the life vlog." she stated as she kept her eyes on the road.

my eyes were completely focused on her though, the way her eyes focus on the road, the way her eyebrows slightly furrow when shes concentrating.

gosh shes perfect. i don't know what i did to deserve someone like her but in glad i did it.

i really am the luckiest girl aren't i. i kept on staring at her as if shes the last thing i was ever gonna look at. after about five minutes i finally spoke up.

"i'm the luckiest girl, with a girl like you." i said catching paige off guard as i saw her blush.

i can't wait to spend the rest of my life with her. the love of my life.

[missviviii]

a/n: zayne my boo <3 im sobbing over the fact that the game killed off mc’s grandma and caleb 😭

.

ミ★ Love & Deep Space ミ★

pairing: zayne x fem!reader

warning(s): mentions of death, mentions of the explosion that killed mc’s grandma + childhood best friend (caleb) in game, spoilers(?)

Summary: Ever since that day, you’ve fallen in a deep, dark pit. Why did you have to be the one that they decide to destroy? Why did Caleb and Grandma have to die? Is it your fault they did? Zayne, as your primary care physician and a family friend, is concerned for your well-being.

“Sometimes, a small gesture is all it takes.”

The sound of the news on your TV, the thundering rain outside, the sound of the cars driving by your apartment—it all blurs out as you stared at the TV screen, eyes dead and unfocused on the news of the Wanderers attacking and the explosions. Some 22 casualties, two deaths. Grandma and Caleb. His necklace that you bought him as a goodbye gift when he left for the Aerospace Academy sits beside a picture of you, him, and Grandma on the coffee table, the cheerful smiles making you wished that you could revisit time.

Your apartment, once somewhat organized and clean, is now messy with things being knocked down and dirty dishes long discarded. You stare at the one last thing your Grandma left for you, some..tablet(?) with a final letter on it. You haven’t gotten the energy or the ability to open it. It pains you, seeing that you haven’t visited for so long yet when you do, this was the time her house had to explode right in front of you, flames engulfing the house and the only thing that remained was Caleb’s necklace.

“I miss you, Grandma..” You mumbled to nobody, rubbing the tears threatening to spill out your eyes as you glanced down at the item she left you with. Besides that, a small box of her old recipes of those notecards, and other small things that she had entrusted to you years before.

Around you was your laptop, papers and files on the latest Wanderer attacks around you. Yes, Captain Jenna dismissed you and said that you should take some days off to regain your energy, since you haven’t been getting the sleep or the energy you needed, but you just couldn’t.

Your door opened, yet you didn’t bother to look at who entered. “Still sitting in front of the TV?” A familiar voice spoke out, flipping the light switch on and shutting the door behind him. It was Zayne, a long time family friend and your primary care physician. “You haven’t eaten,” he bluntly says as he sets a bag of food on your table and walked into the kitchen. He bites back a sigh, knowing that you were going through a tough time, and people tended to discard everything and grieve and grieve their hearts out.

“Hello to you too, Zayne,” you replied as you shut off the news and got up off your sofa. You pile up all the papers and files you’ve scattered around and set them on the coffee table before you walk into the kitchen as Zayne is cleaning up your dirty dishes. He checks in on you whenever he’s free or when he’s off his shift. He looks back at you, only making a small hum of acknowledgment before cleaning up your dirty kitchen. You looked terrible—eyes red and puffy from crying, obvious eye bags, and the sparkles from your eyes were gone.

You yawn as you take out a bowl and some utensils for whatever food he brought in for you. You unpacked the bag as he cleaned up the dishes you couldn’t bother doing last week. Potatoes, avocado on the side, tuna salad, salmon and rice you said to yourself as you took out the food that he had carefully backed in those plastic containers for you. Then you took out the last thing. Cookie..dough? He remembered your favorite childhood snack. The kind of cookie dough you liked.

“Your grandma gave me a recipe for the cookie dough. She said that if she couldn’t make it, I should since it lightens your mood,” Zayne says as he puts your clean dishes back into the cabinet. He dries his hand off before walking over to you, watching how you stare at it like a piece of gold. Disbelief and shock were etched on your face.

Zayne puts his hand on your back, soothingly rubbing circles as you opened the container and took a bite. Your eyes almost brimmed with tears again. You could remember how your grandma used to bake in the kitchen and you’d always sneak a bite or two of the cookie dough, no care in the world if you could get salmonella.

“Thank..you, Zayne,” you finally said, turning around tightly hugging him. He was a bit hesitant at first, but he put his hand on your head, massaging your scalp as he looked down at you with a gentle look on his face.

“..You’re welcome. I miss her too.”

Zayne’s eyes looked away at the picture on the counter of your grandma. She didn’t have to go out this way.

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[thefrogdalorian]

A little love letter to Din Djarin writers... 🤍

I love that some of you write him as soft and gentle while others focus on the darker, harsher parts of his personality. I love that he can be both a quiet, kind man caring for his child or an intimidating, terrifying bounty hunter who is a lean, mean killing machine... depending on what the fic warrants.

I love how you write him with other characters from The Mandalorian or even with those who would never cross paths with him in canon, from Star Wars or elsewhere. I love how you write him interacting with yourselves and us, and some of you even create your own original characters to exist a long time ago in a galaxy far, far away alongside him.

I love that some of you ship him with that one other special person, while others recognise how desirable he is and ship alllllll the ships. Not forgetting those of you which are here for none of those ships and/or even headcanon him as ace. I love that any of those options allow you to explore your own identities and sexualities through him.

I love that you can write the most tooth-rotting fluff or filthiest smut, and all of those things in between. Whether it's for general audiences or explicit and strictly 18+ ... all of your fics have an audience and someone out there who appreciates your writing.

I love how differently you can interpret him, but there are also so many common themes and tropes running through your writing. I love that there is room for all of your Dins here.

I love that he means so much to you and that all of us here hold him in our hearts a little bit. I love that we can all watch the same episodes and come to entirely different conclusions about him. I love how much we love him.

Getting to be a part of this wonderful community and interact with so many people who love the space tin can man as much as I do has truly been one of the best things that happened to me recently. I'm so glad I made this little blog... It reminded me just how good fandom can be. I am blown away by the number of talented people here!

So, I just wanted to take a moment to express some gratitude towards all of you! Thank you for writing your Dins and please don't ever stop. Finally.... last, but not least:

I love Din Djarin!!!

[justaz]

need post magic reveal/ban repeal where magic is free and everyone grows in their knowledge of just what magic is and how it works etc, etc. merlin (isn't one for bragging about his powers) doesn't really mention much about his magic so people just assume he has enough to get by with like chores but not enough to catch the ire of uther EXCEPT for gauis, lancelot, and arthur bc gaius and lancelot have known about him for years and know what he's capable of and arthur sat merlin down and demanded all the stories so arthur knows he'd be a formidable opponent but he doesn't really get it yk? so he's like "yeah merlin has magic and he's capable of defending himself and camelot so he's probably on the more powerful end of the spectrum like every other sorcerer who is powerful"

and then i need merlin to be Different. like noticeably different. like idk a sorcerer is like trying out to be court sorcerer (bc merlin doesn't want another job dammit arthur give it morgana or someone-) and they perform this elaborate spell that captivates merlin and he starts asking all these questions and the sorcerer is like "yeah it's super difficult, it took me months to get it right and it takes years for some others-" and they cut themselves off bc merlin was just like "i wanna try" and does it perfectly first try. the sorcerer is seething.

camelot is hit with a heatwave and everyone is suffering and arthur is just like "morgana can you make it rain or something? it's too hot to breathe." and morgana is just like "no you idiot i can't just bend nature to my will. it doesn't like that." and merlin finally arrives with waterskins full of nice, cold, refreshing drink that the knights are frothing at the mouth to get. arthur complains again and morgana huffs and merlin is like "has he been like that this whole time?" and morgana nods with a groan and merlin laughs before going "i can try something" and leaves before anyone can say anything and arthur looks at morgana and is like "i thought you said nature doesn't like to be controlled?" and she's like "it doesn't" and then they all chase after merlin but he's chilling in the courtyard with his eyes closed, not even chanting, and then the sky starts to darken as black clouds roll in, the temperature plummets and then...snow begins to fall. in july. they all end up having a snowball fight.

a power hungry sorcerer comes along and is like "emrys....he's perfect....just what i need...teehee" and casts some spell over merlin and begins to siphon his magic and his power and merlin feels waves of his magic flood through the connection and into the sorcerer and like he's a mix of panic and concern bc yeah this mf is taking his magic but they're taking his magic. merlin tries to bargain or talk them down while the knights and arthur try to attack but the sorcerer keeps pushing them back and ignores merlin and is like "i want power, i want your power" blah blah blah monologue time and they swing another wave of magic out at the knights and knock many out while killing some and merlin is just like "ok no that's all folks thanks" and starts to push his own magic through the connection. the sorcerer has this wild gleam in their eyes and they feel more and more power fill them and it's like a high until it gets too much and they frantically try to sever the connection and their telling merlin to stop but merlin is just like "i thought you wanted my power? i'm giving it to you" and continues to flood the sorcerer with his magic until gold begins to trace their skin and they idk explode or smth and then all the magic flies back into merlin and he flexes his hands. unnamed knights 3, 6, 22, 53, and 55 still died so it's a tragedy.

a bunch of sorcerers are entertaining at a feast (kind of like the trickler) and they cast illusions all around the room that look real enough (unless you look too closely or touch it bc they are somewhat see through and your hand would pass right through them) and it's a fun and joyous night. later that week, the knights bring it up during their break while training and merlin is like "sure, what illusion should i cast?" and after some back and forth, he settles on the illusion of a dragon. it's around the size and age of aithusa bc that's all he has to go off of and it's gold since he took inspiration from the pendragon crest all around the area. it jumps around and flaps it's wings to get some air and it's all fine and dandy until elyan goes to poke his hand through it's ribs but meets physical scales and he jumps up into percival's arms. merlin looks closer and is like "oh. its real. whoops." and leon is like "whoops?? you make a real life dragon and all you have to say is whoops?" and merlin shrugs and is like "it was an accident" and leon about keels over from a heart attack "an accident? how do you accidentally-" the dragon is considered a gift from magic to camelot and helps further heal the wounds of uther's purge.

idk just like merlin being casually the most powerful sorcerer to walk the earth and unnerving people just by how little he seems to care about his shows of power but they're all like "well he's just doing all these small things that don't harm anyone and he doesn't even seem to realize just how powerful he is so what can ya do?" and they leave it be and make peace with merlin being Like That. and then camelot/arthur is attacked or smth idk and then everyone gets to see exactly how powerful and dangerous merlin is

[runicmagitek]

Sending My Love: Chapter 3 (Castti/Throné - Octopath Traveler 2)

(( ehehehe incoming pseudo-date shenanigans to be had >:3c ))

[read more on AO3]

[esteljune]

Just a little P x reader fluff

On a sleepless night, you decided to wander around the Hotel. You were hoping to get a few hours of sleep, so you looked for something to read in the library next to the piano.

As you were browsing the shelves, you heard footsteps behind you. You turned around, startled, ready with an excuse for anyone who had caught you snooping around. But instead, you saw P walking towards you calmly.

You smiled instinctively at his inscrutable expression.

"Sometimes it's hard to sleep." you explained as the boy approached you silently. You should have been intimidated, but by now you were used to his towering and reassuring presence.

Without a word, P reached over you with his Legion arm to grab a book from the shelf and handed it to you. The worn-out cover with gold letters read Pinocchio.

You realized that the boy wanted you to read it to him, so you took his hand and led him to the niche behind the library. You sat down on the floor, close together, your backs against the shelves.

In the silent room, lit only by an oil lamp, you started reading. Every now and then you glanced fleetingly at the boy's features, his young and achingly beautiful face, his blue eyes lost in the patterns of the marble floor. You even seem to hear a muffled and steady noise of gears and you feel an inexplicable tenderness for him.

Then, unexpectedly, you felt his head gently rest on your shoulder. Your heart skipped a beat as his soft brown hair tickled your neck, but you didn't stop reading. You stayed like that for a long time, until, as dawn was approaching, you fell asleep, giving yourself over to him.

[lillymakesart]

my new OC: cempaka!

she is based on the story/universe that my friend @haydardotjpg's OCs indra and yuwei exist in! pls go checkout haydar's art he is amazing!! his ocs can be found more easily on his ig but if you're lazy this is his oc indra (cempaka's one-sided love interest) and yuwei (indra's fated lover)

also, cempaka means "magnolia" in malay!! (she gets a flower name bc my name is lilly which is also flower c:)

bonus first iteration under the cut!

i accidentally had "poinsettia" flower in mind when i did this iteration instead of an actual magnolia, hence the color scheme. but yeah, this is as self-insert as it gets LOL like she's literally MEEEEEE but still very different and i love her as she is <3

[kittycatcorner]

shows up to give you the coffinchain challenge

Please be more careful when you cross the road You’re a perfect arrangement of rickety bones

Stray cats.

Peter had always likened the apprentices to a group of stray cats, in his mind.

At first it was out of distaste. They were a nuisance; a band of drifters slinking around the alleyways, catching their quarries unaware. The quick, sharp jab of a hypodermic needle might as well have been the efficient killing bite that a cat might deliver to the throat of its prey. They worked in the shadows, occupying all of those lonely abandoned buildings and reworking them for a new, twisted purpose. 

Then, begrudgingly, he’d found himself wrapped up in Mark Hoffman. Chasing him, hunting him, hellbent on bringing him to justice, then on killing him, then on understanding him, then…

Well, Peter didn’t know what he was doing now. 

All he knew was that sitting in his apartment, in varying states of composure, were three of Jigsaw’s disciples. 

Dr. Gordon sat on his couch, eyes trained down as his hands worked on bandaging a fresh wound on the arm of his younger accomplice. Stanheight sat quietly and allowed for the medical attention with little fight. Hoffman himself sat on the floor, back leaned against the couch close to the other two. 

Peter remained standing, trying not to buckle at the absurdity of his situation. In true stray-animal nature, he had made the mistake of allowing Hoffman into his home once, twice, thrice, and now he’d come back with friends. 

‘Don’t feed the strays’, indeed. 

Accept that he did know the other two, at this point. The polite Dr. Gordon was well-spoken and direct; Peter had found him infuriating in the beginning. He was a hard man to interrogate and an even harder man to intimidate, as level and unflinching as he was. Unlike Peter, he never seemed to let his anger get the best of him, and he seemed to know that. Dr. Gordon was a man who always seemed very aware of how much more control he had in the conversation. It was enviable. 

Then there was Adam Faulkner-Stanheight. Mouthful of a name. It was strange enough for Peter to wrap his head around the fact that the kid was alive, let alone working with Jigsaw. He was angry- had more rage in his scrawny little body than what felt possible. Stupid and impulsive, Peter had found him annoying. Just a petulant adolescent who had gotten himself into bigger trouble than he yet realized. 

They’ve come a long way since then. Both apprentices had grown on him, maybe because they reminded him of himself in their amalgamate qualities. The cold, callous bluntness of the doctor. The white-hot temper of the kid. The way he had never seen the former so gentle nor the latter so complacent until now, as they patched themselves together on his bloodied furniture. 

Peter had been reluctant to welcome them all inside. It was bad enough to shelter one serial killer, but now three? It reminded him that everything he’s been doing as of late is against what he once stood for. Fuck, it would solve a hell of a lot of his own problems if he didn't care. If he’d let them all rot, make them regret thinking that Peter would risk his own hide just because he's been friendly with them. Dr. Gordon and Stanheight had seemed to understand this too. Their expressions had been apprehensive, looking ready to flee like the animals they were. Peter wonders how long ago he would have given chase. 

Hoffman had spoken, then. 

“I didn’t-” His voice was shot and exhausted. “I didn’t know where else to go, Strahm.” 

And just like that, Peter took them in. Those words were all it took. Hoffman limped inside on a bad leg and described some sort of police-raid, premature. John Kramer and Amanda Young hadn’t even been there, so it had just been the trio, and they were forced to flee. Unable to go far on foot in their current state, Hoffman had brought his injured companions here. To Peter. 

Why did that make something strange stir within him? 

The three of them were soaked to the bone from the rain. Peter watched Hoffman sluggishly attempt to remain alert, but every so often his head would lull and come to rest against the soft thigh of Dr. Gordon. If the doctor noticed it, he didn't say a word as he continued to diligently work. He looked tired. Stanheight was putting on the best brave face he could manage, but Peter’s keen eyes caught his shoulders trembling, only eased when Gordon’s hand came to rest on one and rubbed gently. They all looked so tired. 

Unable to watch any longer, Peter finally broke the silence. 

“So why are you still doing this?” It took everything in him to not fidget idly as he spoke, brows furrowed at the three men. 

All eyes were on him quite suddenly, sharp as they regarded him. Three clever pairs of observant eyes that all screamed out ‘I know more than I’m letting on' to Peter. He held their gazes, muscled arms crossed over his chest. 

“You know what I’m talking about.” He scoffed, lip curling. “What’s the point of doing the old man's dirty work when he just lets things like this happen to you?” 

Silence.

Hoffman broke first. He laughed, eyes closing as he rested more fully against the couch. It was good-natured but ultimately dismissive. 

Dr. Gordon frowned at Peter, one brow quirked as if he had asked them something incredibly naive. Like he expected Peter to know already. 

Stanheight didn't react. Not outwardly, anyways. He only stared, something new and strange glittering in his eyes that Peter couldn't place.

“What,” Peter grit his teeth, an edge to his voice. Less of a question and more of a prompt. 

“Nothing, nothing. Apologies, Mr. Strahm.” Gordon sighed, turning his attention back to his handiwork. He appeared to nearly be done with the worst of Stanheight’s injuries now. “It’s just… not that simple.”

“Not exactly the kinda job you can put your two weeks in for.” Hoffman corroborated, a smirk tugging at his full lips. 

Peter felt his face burn hot, and he huffed in frustration. “You fucking- Don’t play dumb. Don’t act like it’s a stupid question. I’ll throw you back out onto the fucking curb.” He jabbed a finger at Hoffman in particular, who for his part did indeed shut his mouth. “You listening? Good. What I’m saying is that John Kramer is one demented old man. What is actually stopping you?” 

This time, the quiet was punctuated by Hoffman and Gordon exchanging an uncomfortable glance. After a moment, Hoffman shrugged and ran one hand through his damp, messy hair. “I’m sure you’re familiar with the concept of, uh, checks ‘n balances.” 

Peter raised an eyebrow skeptically. Hoffman continued. 

“Information is power, etcetera. Kramer keeps basically everything on a need-to-know basis. Including, I dunno, who you’re workin’ with half the time. Hell,” He rolled his eyes, and lazily raised a hand behind his head to pat Gordon’s arm. The doctor made an annoyed noise in response, shifting away from him. “He only told me about these lovebirds when he needed help lookin’ after ‘em.” 

“I’m still mad about missing out on a trip to Mexico.” Stanheight quipped. His voice was softer than normal, but Peter supposed it was a good sign that he was speaking at all. He wasn’t used to the younger man being so quiet. 

Gordon straightened up a moment later, gently patting down the new bandages and brushing some of the hair from Stanheight’s face. “There you go.” He sighed. The warmth in his tone was so palpable that Peter had the distinct feeling it wasn’t meant for his ears. Despite being in his own apartment, he somehow felt he was intruding. “Get comfortable, alright?” 

Peter watched as Stanheight pulled himself to his feet, stopping short just a little ways away from him with an awkward shuffle. Gordon patted his thigh and spoke his next words like they took all of his energy to say. 

“Your turn.” He didn’t even bother to look at Hoffman. The detective grinned anyways, wasting no time in clamoring up into Gordon’s personal space and slinging his leg across the man’s lap. Gordon shook his head disdainfully, but carefully began rolling back Hoffman’s torn pant leg anyways. 

Peter guessed he wasn’t the only one that Hoffman lived to irritate.

“Christ, Mark.” Gordon sucked in a sharp breath, and Peter’s shoulders stiffened as he took a step forward to look. His stomach sank despite himself; from where he was standing Hoffman’s calf looked like a bloody mess. Peter’s a man who’s seen more gore in his line of work than anyone should hope to see in their lifetime, and yet here he is, staring in alarm. It was unlike him, and woefully he could only attribute his own uneasiness to the owner of the calf. 

As if he could read his mind, Hoffman looked up towards Peter. “Hey, it’s just-�� He winced, hissing in pain as Gordon began to clean the wound. “It’s no big deal- no bullet inside. Just grazed me.” 

“You were shot?” Peter balked.

“Grazed,” Hoffman corrected. 

Peter pinched the bridge of his nose in a quick-rising frustration. Hoffman was impossible. 

“Don’t be an idiot.” Gordon’s voice was little more than a growl as he spoke through gritted teeth. “You took an unnecessary risk. Do you think I enjoy patching you back together? Honestly, if I didn't know any better I’d assume you were trying to get your sorry self killed.” 

Dr. Gordon’s tone left the detective bristling. “Don’t tell me how to do my job.” He scoffed. “Hell, I don’t bother you when you’re workin’ in the sickbay. Why don't you just- fuck!” 

Hoffman yelped at the unceremonious splash of disinfectant. Gordon gave him the sort of well-practiced fake smile that only a doctor could.

“My bad,” he murmured, unapologetic. 

Peter decided he’d seen enough. He turned on his heel and walked into the kitchen, telling himself that he was just stepping aside to get ice in case the doctor needed some. He knew it wasn't the truth, though; he scolded himself quietly as he leaned against the wall and ran a hand through his graying hair. 

The truth was that he couldn't keep standing there, staring at Hoffman’s leg injury. 

It’s ironic, because it feels like not too long ago that Peter would have done anything to put a bullet in Hoffman. Now the thought makes him feel… queasy. And a bit confused. 

Peter found himself comparing the apprentices to strays again.

He couldn’t get the image of roadkill splattered on the side of the highway out of his head. 

From what he knew of John Kramer and his cult, the apprentices were expendable parts. It doesn't even sound like they can trust each other half the time. One wrong move or fatal mistake would be all it took. Peter wasn't even sure how long it would take him to know something had happened. 

His thoughts were interrupted by footsteps so quiet that he knew exactly who they belonged to before turning around. Stanheight stood at the entryway of his bare-bones kitchen, watching him. He’s probably spent the least amount of time alone with him. 

“What is it?” Peter’s frown deepened.

The kid didn't answer immediately, instead coming to lean against the wall beside him. He was quiet for a moment, and then shrugged. 

“Wanted to check on you, I guess.” He answered simply. 

“Check on me? In what way do I need checking on?” Raising a brow, Peter gestured towards the living room. “Look at you three, for fuck’s sake.” 

Stanheight held his hands up defensively. “Hey, hey, I just- I get it, alright?”

Peter didn't know what that meant. He stared down at the shorter man, scowl ever-present, silently prodding him to elaborate. Stanheight’s expression was… almost sympathetic, but his eyes had that same strange look from before: the one that Peter couldn't place. 

The kid was easy to underestimate, Peter knew it from his file and from his current involvement. He wasn't about to make that mistake with him. 

“Sucks, doesn't it?” Stanheight finally said. He was muttering now, glancing once over his shoulder to ensure they were still alone. “One thing to know what they're doing and another to see them come back with blood and bits of their skin hanging off.”

Peter felt his stomach turn. “No,” he lied. “If Hoffman’s gonna be reckless and get himself killed then so be it.” 

“No matter what you or anyone else thinks, I’m not stupid.” Stanheight laughed dryly. “You don't gotta lie to me, okay? I’m on team Peter here.” 

“Are we forgetting that you’re one of ‘them’ too?” Peter steeled his gaze, unamused. 

Stanheight grimaced. “I mean- kind of. Not really.”

“‘Not really?’ What’s that mean?” 

“I- like- like I’m with them but I’m not one of them. Old Johnny-boy has never and will never give a shit about me. Not exactly in the running to be his heir or whatever the others think will happen.” Stanheight huffed, rolling his eyes as he explained. “Pretty sure he wouldn't even notice if I went missing if it weren't for the pictures ‘n schedules I go and get for him.”

Peter is quiet for a moment. 

“Why stick around?” He asked softly, already knowing the answer. 

The kid just snorted in lieu of answering, and the two fell into silence once more for a couple of seconds. 

“Glad that Mark has you.” Stanheight suddenly murmured, thoughtful. 

“He does not ‘have me’.” 

“Maybe you can knock some sense into him.” 

Peter scoffed, looking elsewhere. “You’re frustrating, you know that?”

“I’ve been told.” Stanheight laughed, “I’m not kidding, though. It always freaks me out how Mark gets when he’s like…” 

Raising a brow, Peter waited for him to sort out his thoughts. 

“Like, when he gets hurt, right? He just- just runs off. Or he’ll go and get hammered on the other side of town and when we find him he’s a mess.” 

At that, Peter’s shoulders went rigid. He was aware of Mark’s habits, his unhealthy coping mechanism. He hadn't thought about who else might know, how deeply it might run. He hadn't thought about how often Mark must be alone. 

When he looked back at Stanheight, he realized the kid was staring at him intently. There was concern in his expression, but also something fierce. 

“John’s really messed him up. Worse than he was before all of this.” His voice was low, almost cautious. “All of them. Lawrence, Mark, Mandy, none of them deserve this. You know that, right?”

Peter’s mouth felt dry. “I…” 

Straightening up again, Stanheight stepped closer to Peter. Before he could see it coming, a smaller hand took his own and held it, inspecting it. “I think Mark needs you.” He said, “maybe all of us do. So you gotta take care of yourself too.” 

Something confused seemed to bloom in his chest then, an uncertain warmth that he could feel rise up to his face. He opened his mouth to speak, but closed it again when he couldn't decide on anything to say. 

“Just think about it, ‘kay?” Stanheight let go of his hand again and started to leave the kitchen, pausing for just a moment to look back at him. “Oh, one more thing.” 

“What is it?” Peter’s voice was hoarse. 

Stanheight gave him a grin that didn't meet his eyes. “Welcome to the family.” 

Then he was gone, Peter’s protest to that statement dying on his lips, and Peter was left to think on everything he said. 

Hoffman needing him. Hoffman hiding himself away in dark corners to nurse his wounds. Improperly set bones and too much bandage. 

Stray cats.

Peter’s family used to have cats. His sister’s cat had been an old, white, raggedy thing that she named Alfredo. When Alfredo passed away, he had hidden under the bed and refused to come out. Peter thinks he remembers reading somewhere that pets do that on purpose, so their humans don't have to see them die, but it's been years and his animal knowledge is limited. 

Peter wondered how hard it is to socialize a stray cat. To reintroduce it to domesticity. 

He stepped out of the kitchen, lingering at the entryway, and watched the apprentices from where he stood. Gordon seemed to have finished with Hoffman’s leg, speaking to him in a quieter tone than before. To his surprise, Hoffman looked like he was listening. Stanheight was on the couch with them now, leaning his head onto Gordon’s shoulder. 

Peter found that he wished he could freeze this moment with the three of them in it. The bubble of safety that was his living room felt far away from everything Jigsaw. Maybe they were always meant to be here, on soft furniture, and not crouching amongst rusted pipes and jagged metal. 

Tamed. Domesticated. 

He sighed through his nose and walked around the couch, three sets of clever eyes on him again as he caught their attention. Now that he was there, he could see that Dr. Gordon had just begun to wrap up Hoffman’s leg and he silently motioned to ask for the gauze, kneeling down between them.

Understanding the gesture, Gordon handed it over, smiling at Peter warmly enough to raise his body temperature by a degree. 

“Strahm-” Hoffman started, bewildered, but Peter simply began wrapping his leg neatly. 

“Shut up.” He grunted. “Let me help you, stupid.”

[whohasthecards]

Top Gun AU Idea -- Jake is Mav's son and grew up in foster care.

Jake only has a beat up picture of his dad and that his name was "Pete". He didn't know his mother at all, not even his birth certificate. He was abandoned and whoever abandoned him made sure that his lineage would never be traced.

He figured out who his father was during his first time in Top Gun.

Pete "Maverick" Mitchell.

He also found out that his father was married to the COMPACFLT.

He didn't need a father anymore, right? And he wouldn't want to break up a family in his desperate attempt to maybe gain one. His father probably didn't know he existed. Hell, his father could even be the one that abandoned him (although why he would leave the picture makes that theory unlikely).

However, he did want to meet the one of the Navy's top pilots. It's all professional curiousity.

(He was in the same profession as his father, aviation is in his blood.)

He will become the best.

Maybe he'd meet Maverick once he's on top.

During his first air combat kill, Iceman was the one to shake his hand. The admiral gave him a clap on his shoulder and congratulated him.

The mission occured.

As a person, Maverick was not who he expected him to be.

As a pilot, Maverick was the best.

He was numb when Maverick and Rooster were shot down.

He never felt more alive and scared when he pushed his jet to save them.

He turned and walked away when he saw Rooster and Maverick hug it out, confirming his suspicions during training.

Rooster was Maverick's son, in every way that matters.

Blood doesn't matter, heck there isn't even a blood test that proves that Jake was his son. Only a battered photo with scripted handwriting.

Jake should let go.

After the mission, Dagger squad becomes a permanent squadron with Maverick as team leader.

Maverick got along with every single Dagger just fine, but there was an awkwardness between Hangman and himself that neither knew how to bridge. Mav never did know how to act around people who was just like himself.

Maverick acts paternal and caring to everybody, especially Bradley, and Jake had to swallow the growing jealousy (I don't need him, I don't need him, I don't need--). Why did everyone get a family and a Mav that would look their way for more than 10 seconds?

Why did Rooster get everything he ever wanted?

What did he do or not do that made him deserve this crippling feeling of jealousy and loneliness?

[skyward-floored]

Febuwhump collab alt day - “I love you”

And here’s the last febuwhump fic (...on the 27 of March lol. what can I say, I get easily distracted).

This one was suggested by @webhead3345, and it’s really more hurt/comfort then anything, but after the last one some comfort is probably nice XD I hope you enjoy it!

And thanks to everyone who suggested characters/prompts for these! I appreciate you all so much <3

Today’s lovely art

Ao3 link

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Having six kids could be a challenge sometimes, Malon was willing to admit.

It would be difficult enough normally, but with five of them having superpowers, two being adopted, and all of them rambunctious boys who sometimes forgot their house was on the small side... it could be a lot sometimes.

But Malon always did her best, and Time along with her. Even when it got overwhelming, even when they disagreed, even through the sleepless nights and stress and fear and countless other worries from essentially living underground, they both tried their hardest to raise their kids well, and keep them safe and happy. Malon could only hope they were succeeding.

Especially in regards to their two adopted boys.

Hyrule and Wild had both been through such awful things, both due to factors they couldn’t control. It wasn’t always obvious, and they were both so strong for their ages, but sometimes the scars that had been left on them both reared their ugly heads, and one or the both of them would fall apart for a bit.

Malon always tried to pay attention and help when one or the other of them was stuck in a bad period. She had plenty of practice with Wild, and usually knew how to comfort him, but Hyrule could be a bit of a mystery still. She was still figuring out what tended to set him off, how he acted when he was upset, how his reactions tended to differ from Wild’s, and most of all, how to help.

And at the moment, she was at a bit of a loss as to what to do.

Hyrule had been acting quieter then normal recently, fading to the background of the typical chaos his brothers brought with them. He mostly just nodded if someone asked him something, and seemed a little more distant, taking longer to respond to things, and keeping to himself.

Malon wouldn’t have worried too much about most of that, but then she noticed the shadowed circles appear under his eyes, ones that only seemed to get darker with every passing day. It soon became obvious Hyrule wasn’t getting nearly enough sleep with the way he began to stumble around, and Malon’s worry doubled.

And then Wild started to act in a similar way, unusually quiet and withdrawn, tired-looking and cranky, and that really got her worried.

Malon just wasn’t sure how to go about getting to the root of the problem. Wild and Hyrule were both tight-lipped when things bothered them, and got defensive if pushed, and Malon knew a direct confrontation could be disastrous. She’d tried some light prodding, but hadn’t been successful in the slightest.

She could guess what it was that was bothering the two of course, and had a pretty good idea of what it might be, but she also didn’t want to assume and end up making things worse. Time didn’t have any ideas either when she discussed the problem with him, but he’d been swamped at work lately, and was barely thinking straight.

So Malon was left to try and figure out the problem mostly by herself, her worry growing by the day.

It finally reached the point where it was affecting her own sleep, and Malon found herself startled awake late one night after a week had gone by from the start of her sons’ odd behavior, and found herself completely unable to fall back asleep.

Time was snoring softly beside her, and Malon laid there for a while, trying to let the sound lull her back to sleep. She didn’t have any luck though, her brain too full, her mind too awake. She finally sighed, getting nowhere, and carefully slipped out of bed and pulled on her bathrobe. She made sure not to disturb Time at all, then walked down to the kitchen to try making herself a cup of tea.

The kettle didn’t take long to heat, and Malon yawned as she set her tea to steeping, walking into the living room with it to sit and wait for it to finish.

Then stopped in her tracks, realizing she wasn’t alone.

Malon hadn’t noticed on her way in, but there were two odd lumps huddled on the couch, both quiet and still. She stepped closer to study them, and realized one was Hyrule, wrapped tight in a blanket and staring silently at the ground.

He wasn’t the only there either, but whoever it was beside him was bundled up so tightly that Malon had no idea who it even was.

She could certainly guess though.

Worry crested over her, and she set down her cup, walking forward and shuffling her feet just a little to make sure Hyrule heard her coming. He startled a little anyway when he noticed her, but didn’t shield or run, just went back to staring at the floor.

The lump next to him shifted a little, and Malon saw a strand of long blond hair fall free of the blanket.

“Hyrule? Wild?” she asked gently, and Hyrule swallowed, wiping his sleeve across his eyes. Wild didn’t move. “It’s awful late you two, what are you doing down here?”

Hyrule didn’t look at her.

“Sorry, it’s nothing,” he whispered.

“If it was nothing, you both wouldn’t be out here and not in your beds,” Malon gently pointed out, sitting down on the couch beside them both. “What’s eatin’ you?”

Hyrule kept looking at his feet, a few sniffles escaping him.

“I-I, we just can’t sleep,” he whispered, not meeting her eyes. “That’s all.”

“That’s all?” Malon asked gently. Hyrule gave her a tiny shrug. “Well... is there a particular reason you two can’t sleep?”

Hyrule went silent.

The lump at his side shifted, and Wild poked his head out, Hyrule moving so he was more tucked against his side then before.

“...bad dreams,” Wild whispered after a few minutes, voice shaky. “‘Rulie too.”

Malon’s heart sank.

“Both of you?” she asked worriedly, and Wild nodded, rubbing at the shadows under his eyes.

“Sorry,” Hyrule whispered even more quietly.

“Honey, you don’t need to apologize,” Malon said, and turned so she could meet his eyes. “Neither of you do, it’s okay. Do you want to talk about them?” she asked in a softer voice.

Wild shook his head, and Hyrule shrank down in his blanket.

“No.”

Worry prickled at her, but Malon nodded, and didn’t say anything for a moment, Hyrule still letting out an occasional sniffle. Wild shifted where he was curled up again, and somehow he and Hyrule ended up snuggled against Malon, Wild’s head in her lap, Hyrule’s resting on her arm.

A shuddering sigh escaped Wild, and Malon ran a hand over his head, fingers ghosting past his scars.

She let out a quiet sigh of her own, looking at them both. She’d finally gotten the answer to what was bothering them (and had been bothering them), but she felt no better knowing the reason.

The nightmares must have been especially bad as of late.

Malon adjusted Hyrule’s blanket, continuing to run her hand over Wild’s head. She dearly wished she she could take away what was troubling them both, and let them get a full night’s sleep for once, but unfortunately that wasn’t a power she possessed.

Malon wished it all the same though.

Hyrule sniffled again, and Malon shifted her arm so it was resting around him, loose enough he wouldn’t be nervous, but tight enough to offer comfort. He leaned into it, and Malon ran her hand over his hair as well.

“Mom?” Wild whispered after a bit, and Malon hummed questioningly. “Why’re you awake too?”

“Did we wake you up?” Hyrule asked worriedly, and Malon shook her head.

“No sweetie, you didn’t. I just couldn’t sleep either,” she admitted, and Wild peered up at her, worry shining in his eyes.

“...was it cause of nightmares?” he asked softly, and Malon ran her hand over his head again.

“No, not tonight. But... sometimes I have them.”

“...What about?”

Malon sighed, thinking for a moment before she spoke. Wild and Hyrule certainly didn’t need to know everything about nightmares she’d had, especially the worst ones, but maybe a few details would help them feel better.

“Well... I worry about you boys, and your father. All sorts of things, really. And sometimes my dreams take my worries and just twist them up and make them worse then they really are. It’s hard,” she said gently, “to remember they’re not real sometimes.”

Her boys seemed to think about that for a minute, both staying quiet.

“...Mine’re like that,” Hyrule whispered. “With the mostly real things.”

“I never remember mine,” Wild admitted, voice still shaky. “Just... just how bad they were.”

“Oh boys,” Malon said softly, and Hyrule sniffled again, hiding his face in her arm.

She’d thought the ache in her chest couldn’t get any worse, but apparently it could, and Malon held both of them tighter, running a soothing hand across both their heads. Hyrule and Wild relaxed at the motion, and Malon kept it up, beginning to softly hum.

She couldn’t take her sons’ bad dreams away. And she couldn’t take away the memories that brought them on, and continued to plague them even afterwards. But she could comfort them now, let them know everything was okay and that they weren’t alone, no matter what their nightmares tried to tell them.

Not on my watch, she thought as she continued to hold them tight.

Wild and Hyrule’s eyes began to droop as she hummed her family’s song, and Malon watched as they both slowly nodded off, still snuggled tight against her.

After several minutes, both were soundly asleep, faces relaxed from the tension that had been there before. A part of Malon wanted to just stay here with them all night, but she knew her back wouldn’t like it if she slept upright on a couch, and they’d all be more comfortable in their own beds. So once she was sure they were both asleep, she shifted Wild and Hyrule around, careful not to wake them. Then Malon pulled them both up into her arms, standing and walking back to their rooms.

Despite her efforts not to jostle them, both Hyrule and Wild’s eyes blinked open as she moved, and they watched her walk up the stairs, barely awake.

“You can carry us both?” Wild murmured doubtfully, and Malon smiled as she easily reached the top of the stairs.

“Darlin’ I’ve lifted cows twice your size before, this is nothing.”

Hyrule giggled. “Really?”

“Really.”

Hyrule and Wild both let out sleepy giggles at that, and Hyrule set his head back against her shoulder, eyes slipping closed.

Malon dropped Wild off first, setting him down in his bed and attempting to fix his blankets. Somehow they’d gotten all tangled around and folded in on themselves, and it took her a moment to straighten them out enough to tuck Wild in.

“Goodnight hon. Sleep well,” she said softly.

“You too,” Wild mumbled sleepily, and curled up under his blankets.

Malon gave him a kiss, and noticed a furry head poking up from Twilight’s bed, blue eyes shining at her. She put a finger to her lips, then carried Hyrule out of the room, hearing pawsteps cross the floor after she was gone.

She brought Hyrule to the room he shared with Four and Wind, stepping lightly so as not to wake anyone. Malon set him down once she crossed the room to his end, and tucked him in like she’d done for Wild, adjusting his blankets around him, and fetching the stuffed rabbit he usually slept with that had fallen halfway under the bed.

Hyrule watched her sleepily the whole time, still clinging stubbornly to consciousness. Malon lingered a moment even after she finished getting him settled, running a hand over his head, and Hyrule relaxed into the touch.

“Goodnight honey,” she said softly as his eyes finally drifted shut, and she stood and began to walk out the door.

“...Mom?”

The whisper made her pause, and she looked back at Hyrule, his eyes open again.

“Yes sweetheart?”

Hyrule blinked sleepily, barely hanging on to wakefulness, but Malon heard his next whisper loud and clear.

“...Love you.”

Malon looked at him in astonishment, warmth blooming in her middle at the sound of the words from her son. She blinked back a bit of a sting in her eyes, then walked back over to Hyrule, smiling at him.

“I love you too honey,” she said softly, and kissed the top of his head. “Sleep well.”

Hyrule smiled back at her, and his eyes closed again, Malon knowing he was truly asleep this time.

She adjusted his blankets just a little more, then straightened and crept out of the room, back to her own bed. The anxiety and tightness that had been keeping her awake had finally settled, and her eyes felt heavy as she slipped back to where she and Time slept.

“...Everything alright?” Time whispered as she got back into bed, looking at her sleepily. “You’ve been gone a while, I was about to come looking for you."

Malon smiled as she got under the covers, and nestled up to Time with a sleepy sigh.

“Yes. Everything’s fine,” she replied, setting her head under his. “Nothing to worry about.”

And something to celebrate, she thought as she closed her eyes, Hyrule’s whisper still warming her heart.

[never-ending-fanfic]

I wish all authors to have That One AO3 Profile™, who comments every single chapter of their work and the comments are like, a few paragraphs long

They're the gems of the fandom and I love them so much