#got the basic sketches for all of them done

[ophelia-thinks]

fuches leading john back to barry while ignoring sally screaming for her son... so he could see barry one last time and then scuttle back into the dark, forever. breaking the cycle but in an evil way.

[dandelion-roots]

Ello there I cant draw Bram at all. Can you give me a tutorial how to draw him? Please?

hi! i haven't really drawn bram save for the back of his head in that one drawing (AKA i haven't really studied his design thoroughly myself), so i'm not really sure how i can help! you might be mistaking me for another artist- either way, i'd recommend starting from a very basic anime figure and adding the details like hair and scars on top; the good thing about bsd (while at the same time unfortunate for me as a lover of diverse characters lol) is that they all look pretty much the same vis-a-vis body shape and are almost entirely distinguished by their clothes and hairstyle, so as long as u include bram's details, he should be recognizable no matter the base you draw. good luck!

[punkitt-is-here]

How did you learn to draw fat bodies but still keep it cartoony? I love how you draw different types of bodies and make them all seem normal instead of certain body types sticking out like a sore thumb next to others. I struggle to draw fat bodies without it looking weird with the rest of my art. Do you have a specific tutorial you followed or something?

This is a really good question! I'm glad you like my depictions of different body types, i worked really hard to get better at that so im happy folks enjoy em!! I didn't actually learn from a book or tutorial, it was mostly looking at fat bodies IRL and learning to incorporate those features onto what I already drew. As it turns out, we're all human, so if you understand the anatomy enough to draw a skinny person, you have the tools to understand the anatomy of a fat person.

So, like, here, this is my sketch of someone with a very average build. If I were to draw a fat body, I would still use all the basic principles I use here. One mistake I think folks run into is "isolating" parts, which can lead to things like this

which isn't necessarily bad, but if its not what you're going for, the issue is pretty apparent. Weight affects ALL of the body, not just the stomach or the face or the limbs. If you think about how that weight affects everything in tandem then you can start drawing fat bodies that work more in your style.

for this, this is the same quick sketch using the same pose and principles as the first one. but! I allowed the weight to be distributed across the body. Notice how the legs, belly, arms, etc all got thicker? The key to drawing fat bodies and making them look like they fit is allowing that weight to affect everything. without it, it just looks like you're adding on features to someone rather than considering everything at once.

my other tip is: don't be scared! things like fat arms or chins or bellies or stretch lines are not something that's bad to depict. if you want to draw fat bodies, you gotta not be scared to draw things the way they are. someone having a fat body is not bad, and you drawing that fat body is not bad either. Experiment! To me, art is about representing ideas, and the only way to get better is to experiment with how you represent those ideas. I'm by no means an expert, and I think you can also get a ton done by looking for resources aside from me, but I hope this helps, and have fun!!

[zephyrchama]

You're in your room in the House of Lamentation, held down by the Avatar of Lust. He's got you secured in place just the way he wants you - back against the bed, face up towards the ceiling, eyes closed for the moment. He sits on your stomach with a brush in hand. Two heavy pouches are on your chest containing everything from basic moisturizer to specialized lip oils in a rainbow of colors.

"Just going to blend this a bit here," Asmodeus murmurs to himself. He adds another layer of eye shadow while returning to his story, recounting the time he watched a Little D try to rob a pastry shop. Absolutely hilarious, it was like a comedy sketch. You feel the gentle yet purposeful dab of the brush tugging at your skin and wonder if Asmodeus can see you blushing under the foundation he applied.

Every couple of minutes, he rakes his nails over your head as if moving hair aside. Powder is sprinkled on your face, making your nose tickle. You twitch and sniffle.

"Ah-ah! Patience!" he chides. The weight on your stomach shifts and the offending dust is blown off by a warm gust of Asmodeus' breath. It smells like berries. The sensation lingers on your mind more than the setting powder.

"Just leave everything to me. Your eyes are done now, so... Part your lips a little?"

His thumb is already on your lower lip, the rest of his fingers cupping your chin. You hear the clinking of glass as he roots around for something in the makeup bag. His pinky finger taps against your neck to the unmistakable rhythm of his favorite song. "That's my dear. Juuust like that."

His story now done, Asmodeus moves on to talking about his plans for the rest of the week. He's expecting a package from a new brand deal that's already been delayed twice and the company refuses to apologize. "Can you believe that?"

Your lips are wet and sticky from a fresh coat of... something artificially sweet. You don't respond, but his question was rhetorical anyway. On a whim, you flutter your eyes open. Asmodeus is leaning over you like a master craftsman lost in the trance of work. He's so close that the ceiling is totally obscured and you can almost make out your reflection in his pupils. It takes until he finishes swabbing something on your philtrum to notice that you're focused his way.

The instant he meets your gaze is obvious. He cracks a stunning smile, his face softens. He sets his tools aside, lining them up next to you. You feel his legs tighten around your ribs and he chokes back a giggle.

"Aah! I can't take this. You're so kissable, but that'd ruin all the work I just did! You're a sinful human, you know that?"

Asmodeus seems to be mulling over something in his head, but the way you smirk in response sends him over the edge. His lips are meeting yours. His palm hoists up the back of your head so he can make more skin contact without smearing your cheeks. The bags in his way prevent him from going overboard, but there's pressure on your chest as he pushes down to see just how far he can go.

With a final "mmph," he pulls away so you can breathe again, taking pleasure in the way your body moves to gasp down air. You wonder exactly what he's painting on your face, as his lips are a bright pink reminiscent of his sin color.

"There! Now we match."

[maddragon15]

Obscenely late hermitaday day #23 & 25! - Impulse & Tango

Was this meant to be a simple cel shaded drawing on the 30th? Yeah, yeah it was lmao but somehow the power of fire excels at overtaking the rendering capabilities.

But since it's late I'll use this as excuse to ramble below about well, the headcanons and the process down yonder. Also there's variations.

(Also just realized that the compression is high with this one, please click on it to see the details pretty pleasee)

So! Let's talk about that haircut shall we? First off Tango's haircut is basically just me slapping my very neglected oc's haircut onto him lol. There's no function usage or any other lore about it, literally just I wanted to use that haircut more. But Miners and Crafters that's not all! The intensity of the flame actually has meaning believe it or not.

Since Tango in the headcanons is already a nether born blaze hybrid the redstone kinda didn't have an effect on him. This is because blazes produce glowstone which is a power source onto itself. He gets minor effects instead which is a mild (there's literally no other word) high, a intensified hair flame and a brighter eye night shine. Negative effects include mild joint & jaw pain, and a small localized headache behind the left eye.

I like to imagine that other blaze hybrids' hair flame aren't normally that intense, not white-hot heat but rather more red n orange hot similar to the flats. Mainly due to the fact that glowstone is not as powerful as redstone and it's also dependent on how strong a blaze is. Now imagine with me that blazes determine how strong each other are via the color they're emitting. Now remember the blaze boss Minecraft had a vote on to add or not to add? What if Tango is constantly mistaken as a high ranking blaze because of how intense his fire is and he doesn't get attacked a whole lot except for the few that want to challenge him. Meanwhile Tango is just highly infused with redstone like all the other redstoners and he doesn't know what's happening half time as seen by his terrified scream-laughs /hj

He's also semi modified with redstone for the pure purpose of comms just like the other redstoners minus mumbo. I also would've leaned into the steampunk aspect of this season but I figured I'd do a character sheet like etho for all of the redstoners and finalize the aspects on those.

Onto Impulse!

I like to imagine that Impulse was a regular human and over the course of redstone exposure he gained pointed ears and horns. For what reasons? I have no idea but redstone works in mysterious ways and mutates on whatever happens to be in their system. You may see that he has purple lines across his face but then red pupils, why is that? Well since he's cyperpunk themed this season he modified his redstone implants to be rgb. He can change everything else except his pupils because those are deeply affected by redstone and would require surgery to remove the build up of redstone. Will any of the redstoners ever actually get rid of it? No but you can beg all day.

You also might be wondering what's happening in their ears? Well those are the advanced comms that are actually used across all hermits except the ones who've opted out for glowstone variants. They kinda work like bluetooth except more hermit-magic way. I haven't had time to fully think of how it'd work down to the circuitry (that's my usual process for headcanons before I ship them out) but I'll post about it when I think of the full layout. Other design aspects on impulse are derived from his skin and the poster design by applestruda!

Process wise for this piece was kinda a rollercoaster heh. I had started this piece a while ago (can't remember the day on the dot) and then I got insanely busy during the last week of hermitaday. I had done sketch, refined sketch and flats in two days. Then events proceeded forth and we arrive on the 4th which I tried for an entire day to figure out how to render this piece. I then gave up and tried again the day after and pulled up references this round on Pinterest. Tango was surprisingly easy to paint with ref and went rather fast. I will admit the entire time I was rendering him I did say every minute or so "I love you man" because he was turning out so good. Halfway through I then realized I still had to render Impulse. That's when I pretty much ended that night because it was already 5 am working on Tango and demotivation was setting in fast. The next day I was able to continue with hesitancy on Impulse but I managed to keep on keeping on and in the early hours of today I finished up the piece. Where I'm now writing about it close to 2 pm in a restaurant. Man though it was kinda hard to make Impulse and Tango look like cohesive and as if they were painted together.

Enjoy!

(Side note I applied for inprint and if I am to be accepted this will be available along side the three different eefs I've drawn and doc.)

[sheisjoeschateau]

"Oh, so we DO love Steve..." | PART I

Steve Harrington x Bauman!fem!reader enemies to lovers, heavy angst, hurt/comfort, upside down mayhem, S2-S4, post S4 universe hot-take, end-of-the-world / dystopian setting, ugly fights turned smut (...but with hella plot). 18+

WHEN THE UNEXPECTED NIECE OF MURRAY BAUMAN GETS THROWN IN THE MIX, THE GANG HAS NO IDEA JUST WHAT THEY'RE IN FOR. SCRATCH THAT - STEVE DOESN'T KNOW. YOU GET ALONG WITH EVERYONE WELL. YOU BANTER WITH THE ADULTS, WHO APPRECIATE YOUR HELP. THE KIDS LOVE AND WORSHIP YOU. YOU'RE HELPFUL ALL AROUND. BUT AS FAR AS STEVE IS CONCERNED, YOU'RE JUST NUISANCE. AFTER ALL, YOU'RE THE REASON HE LOST THE LOVE OF HIS LIFE AND MISSED OUT ON A LIFE THAT "COULD'VE BEEN." IF YOU HAD JUST KEPT YOUR SORRY ASS OUT OF THE PICTURE... IF YOU HAD NEVER GONE WITH NANCY AND JONATHAN AFTER THEY LEFT YOUR WHACK-JOB UNCLE, MURRAY BAUMAN'S, BUNKER? HE WOULD BE HAPPY. SO F*CKING HAPPY. BUT HERE YOU WERE. YOU WERE BASICALLY THE COOLER (...AND SURE, MUCH MORE ATTRACTIVE) FEMALE VERSION OF MURRAY BAUMAN. YOU WERE SARCASTIC, QUICK-WITTED, TOO SMART FOR YOUR OWN GOOD, AND APPARENTLY BUILT FOR THE WAR. SURE, YOU WEREN'T AS BRASH AS YOUR UNCLE. BUT IN STEVE'S EYES, YOU WERE SOMEHOW FAR MORE OBNOXIOUS. HE DOWNRIGHT HATED YOU. HE WILL FOREVER HATE YOU... BUT WILL HE?

DISCLAIMER: I DO NOT GIVE PERMISSION FOR MY WORK TO BE COPIED AND/OR REPOSTED ON HERE OR ANY OTHER PLATFORM, OR PUT INTO ANY AI PROGRAMS. THIS IS AN 18+ BLOG, MDNI.

An original fanfiction series, written by Misha St. James.

⁺₊⋆ ☾⋆⁺₊⋆ SERIES MASTERLIST ⋆⁺₊⋆ ☾⋆⁺₊⋆

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I did not proof-read this after Tumblr gave me hell trying to share. So pls excuse possible typos. hehe

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Let's just get to the point, shall we?

Once upon a time, a young boy named Will Byers went missing. Later, he was found in an alternate dimension by the world's #1 mom and a cynical cop turned hero. A girl with a shaved head had telekinetic superpowers, befriend's Will's four loyal friends along the way and helping them track down their missing party member. Then, whatever the hell was on the other side - whatever was in this...upside down...took back Eleven. She'd been missing ever since that dreadful winter.

Fast forward to now: you're sitting in your uncle's bunker, looking at his wild display of efforts.  Papers, files, whiteboards covered in multiple words, arrows, sketches - all in different colored markers. Murray Bauman was on a mission, and he would be damned if that grumpy, cynical smart-ass known as Jim Hopper honestly thought that he could dismantle his efforts.  Nice try, chum. Game on. Thankfully, you'd gone to school with Barbara Holland. That's whose parents had assigned the task of searching for her to your uncle. Murray was asking you tons of questions, and you were glad to help. It meant spending time with the only family member you cared for, despite his wackiness. You guys got each other. Bantered well. Got shit done. Honestly, it was also a great way of drinking safely and not with a bunch of rowdy teenagers at some stupid party. You got along just fine with everyone at school. But damn, they could all be annoying.  ...especially Steve fucking Harrington, who was now the topic of conversation. You know, given that his house is where Barbara was last seen. "It just isn't making sense," your uncle huffed, raking his hands through his oily dark hair.  You sipped on the glass of vodka that your uncle had poured you, hissing at the strong taste. Leaning across the coffee table, seated on his couch, you tried to connect the dots with him. "I'm telling you, someone in that group of teens knows what's up. Or at least has an idea." Your uncle swigged at his vodka, defeated but ruthlessly trying to piece together his clusterfuck of scattered evidence across his wall. "Well then, guess we better grill 'em."

And that's how you come into the picture. When Nancy and Jonathan came to seek out Murray. And when they arrive, they're surprised to see you. They recognize you from school. Jonathan took several classes with you. In fact, the two of you got along well at Hawkins High. No, you weren't close. But you both were cool. Nancy, on the other hand, didn't know anything about you. Just that you took political science with Barbara, and got straight A's across the board. You could've been class valedictorian. But you were not looking for any sort of title that demanded pressure or attention. At least not in high school. Career wise? Sure. Not here, though. Not Hawkins. "Your timeline is wrong," Nancy is saying, making you and Bauman freeze.  Nancy is telling you that the girl with the buzzed hair is not Russian. She is, in fact, from Hawkins lab. And her name is...Eleven? So they do know something. And something turns out to be everything.

Jonathan sits you both down to relay everything to you both. And woof, does it give you guys a headache. Strangely, though... it makes a whole lot more sense than some mundane explanation of sorts. Obviously though, that puts you all in a tough spot where you'll all need to put your heads together. So the two classmates of yours stay, sharing in chilled Smirnoff and having to endure the hilarity that ensues between you and your uncle. You and Murray both banter well with the two of them. Jonathan finds you to be hilarious. Nancy finds you intimidating. Very intimidating. You’re quick witted, darkly humored and independent. But there is a reserved, mysterious sort of feminine energy to you, despite your more masculine strengths and bluntness. Over glasses of stiff vodka, you all come to the conclusion on how to go about exposing the truth about Barbara Holland's disappearance: water it down.

At the end of the night, you're all winding down -- you and your uncle having convinced the two lovebirds to stay. But when you're telling them they can take your uncle's guest room while you take the couch, Jonathan's asking if he can take the couch. You blink. Huh? ...surely Nancy is not still with --

"Okay, I'm confused," your uncle's saying. "What's going on here? Lovers quarrel?"

You cock an eyebrow, leaning back into the loveseat.

But Jonathan and Nancy are then talking over each other with weird, flustered excuses...saying they're just friends.

You and your uncle bust out laughing. And then you're shrinking back in your seat, knowing what's coming: one of your Uncle Murray's lovebird witchdoctor speeches that he barrels into anytime that two delusional people have convinced themselves that they aren't in love. Or at the very least, not into each other. 

Uncle Murray is breaking them down, one at a time. He's reading Jonathan like an angsty teen novel, seeing right through him and his brooding, mysterious energy.  Trust issues, thanks to daddy issues. Yikes, that makes you sip some more drink.

And then he's onto Nancy, saying that she's harder to read. But he manages anyway.  It's the Bauman way.

He's telling her that she's likely like everyone else, "afraid of what would happen if you accepted yourself for you who you really are." He looks at you. "Am I in the right ballpark?"

You nod, swallowing the last drop of vodka in your cup. "That...and afraid of that might happen if she didn't retreat back to the safety of someone familiar."

Nancy looks bewildered. But more than that, she looks caught. 

"Name?" your uncle is prodding, snapping his fingers.  "Name."

You and Jonathan both say it. "Steve."

Uncle Murray's face is priceless. He feigns adoration, putting on a baby voice as he repeats the name. "Dawh. Steve. We like Steve."

"Yes," Nancy laughs nervously.  Eek, you think.

"But we don't love Steve..." Your uncle's words floor Nancy.

And when Nancy's saying something about still being with Steve, insisting that she loves him, you roll your eyes. Even scoffing, getting her attention. Maybe if the vodka weren't in your system, you wouldn't be so bold. But Jonathan's mopey look just gives you more confidence.

"Boom, ladies and gents," you say with a grin. "Second lie of the evening." "The hell was the first one?" Jonathan asks, blinking. "You guys being just friends." You and your uncle say something along the same lines, simultaneously. You both laugh together, clinking glasses. The two not lovebirds just squirm awkwardly in their seats. Finally, you sigh. "Look. You guys don't wanna give up the ghost? Be my guest. I'll happily keep my bed." You stand up, ready to turn in. But not until casting them one last work, pointing a finger. "But if I were you two? I'd cut the bullshit and just share the damn bed." Murray snorts, rising to stand as well. He stretches. "Welllllp. I'm turning in for the night." You begin mounting the stairs, hollering: "Better act fast, kiddos. At least before this poison in my system knocks me out cold. Don't worry, Nancy, I don't snore. So if you do choose me, you're safe." "But that's so lame," Murray adds to that wryly, heading off to his room. You both tell each other goodnight, leaving the two angsty teens to decide their fate. All you know is that Nancy ends up walking out and not coming back, at one point in the night.  Yeah, thought so. Breakfast the next morning is even more hilarious. You and your uncle ask every single question that drips with innuendo that you ever possibly could. And it's worth every fucking minute.

Murray's gonna need to keep that couch cleaned. To your surprise, Murray sends you off with Nancy and Jonathan, but given that you want to go and see it all for yourself you don't mind. You’re basically his little spy.  Most uncles send off their nieces and nephews with some good advice, maybe a packed lunchbox or snacks, and a warm hug. 

Yours, however, sends you off with a full bottle of vodka, a thick wad of cash and some fun sarcastic banter. But he headlocks you in for a hug, and you cackle. He really is a nutcase, and man you can't help but love him. He is so not the parental type. Yet somehow, he's practically raised you. And in your opinion, you're pretty well-prepared for the world. More than most, in Murray's opinion. So off you go with Nancy Wheeler and Jonathan Buyers, and they both honestly enjoy your company. It helps them get past their umm...well...awkward new reality. That new reality that comes post-sex, after a long ass time of playing the tip-toe game. The sexual tension between them is hysterical to you. But you keep your thoughts to yourself for now. The vodka did most of the talking for you last night.

When you both arrive at wherever the hell your destination is, it's dark outside. And if you're being honest, it's pretty creepy. You're somewhere near the woods, and as you all walk closer you're beginning to see lights approaching you...along with a handful of shadowed figures. 

Fuck, you literally just got here.

But then, after a tense several moments... Nancy and Jonathan call out to them. You jump, startled at the fact that they do it so confidently. But the name that they call out suddenly makes it all make sense. "STEVE?" "NANCY...?" And that's how you became a crucial part of the most royal pain in the ass, King Steve's, life.

[raguiras]

SKETCH COMIC: Deuce/Yuu at the beach

Reblogging is highly appreciated! 🥹🙏

AAAAA finally another Spade of Storms post! Today is their 150 days anniversary, so I just HAD to post!! More coming soon ^^

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NOTE: My Yuu is named Allen and primarily uses he/him pronouns. However, I tend to change this in comics for general insert purposes.

Part 3 of the relationship timeline (= how they finally got together) below the cut!

More ship content

Previous parts of my Deuce x Allen ship introduction: 1 // 2 // 3

Deuce x Allen blog: @spade-of-storms

Event where you can draw this ship & get art of your own ship back :3

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Relationship timeline (pt. 3)

♠︎♤ POST BOOK 7 ♤♠︎

By now, pretty much everyone at NRC knew that Deuce and Allen had a thing for each other, and many people even assumed that they were a couple already.

Nobody could blame them, though: the two boys were not only inseparable and constantly smiling at each other, but also extremely touchy nowadays. Having built unparalleled levels of trust and being incredibly comfortable with each other, Allen and Deuce did more and more together, eventually even cuddling in public on the regular.

One day when Deuce had done incredibly well on a test, Allen gave him a cheek kiss out of sheer euphoria. This absolutely made Deuce bluescreen and he later rambled to Ace about it — it was his first ever kiss!!! Did Allen like him back?! Did this kiss mean anything?! Would it be okay for him to give Allen a kiss as well?!

When they were watching a movie together in Allen's room, Deuce decided to spontaneously kiss Allen's cheek, too. The blonde boy got incredibly nervous as he had not expected this in the slightest — after all, he was "disgusting and unlovable" — and simply laughed it off.

Another time, Deuce was comforting Allen during one of his low moments. As Allen went on about how much he hated his body, Deuce was basically rendered speechless and could reply with nothing but sincere compliments on Allen's appearance. This warmed the Ramshackle prefect's heart a ridiculous amount... did Deuce really mean it? Was Allen actually beautiful to him...? Why was Deuce not growing sick of complimenting him and instead always sounded genuine...? After a quick gaze was exchanged, Allen suddenly found every area of his face other than his lips being covered in gentle, soft kisses. "I'm here for you. You're so beautiful."

These happenings caused them to occasionally kiss the other in various places (except for the lips) — yes, including their necks — which shocked everybody due to the physical distance both held with other people. However, it was still strictly "platonic" as neither Allen nor Deuce dared to say a thing. Everyone around them was losing their minds in the meantime — how could they act this lovey-dovey with the constant cuddles, gazes and kisses and STILL not be a couple?!

Deuce was convinced that he was way too average for someone like Allen. Despite the Ramshackle prefect's many flaws, he was the embodiment of perfection in Deuce's eyes. Allen would definitely want someone prettier and smarter, right...? Deuce surely couldn't compare...

Allen, on the other hand, still firmly believed that he was not only ugly, but unlovable, undeserving, and easy to replace. In his opinion, he had to be absolutely perfect in every way to be a worthwhile partner, and his crushing fear of rejection held him back anyway.

Both boys were terrified of destroying their friendship through a love confession. While they strictly avoided the topic of the rumors and of them potentially getting together in each other's presence, both Allen and Deuce secretly rambled to their friends and were desperately searching for advice. No matter how often everyone told them that the other one definitely liked them back, neither of the two teenagers could/wanted to believe it.

Sometimes, Deuce and Allen even talked about their crushes together, describing them to each other's face in hopes of them realizing that the other one was their crush. However, this backfired A TON: neither could believe that the described positive traits applied to THEM, and instead, Allen firmly believed that Deuce was crushing on someone else (and vice versa).

Ace couldn't stand it anymore and forced Deuce to gift Allen a red rose to test the waters. While the Ramshackle prefect did want to believe that the gesture was of romantic nature, Allen instead decided that it was a platonic souvenir from Heartslabyul's gardens — after all, Deuce had described his crush as "beautiful, kind and the most perfect person he had ever seen", which SURELY couldn't have been Allen...

Deuce didn't know what other hints to drop (outside of the fact that he regularly gave Allen gifts, complimented him a ton, got touchy with him despite hating it with other people, was eager to hang out with him all day, and literally KISSED him). Allen simply appeared to be oblivious to absolutely everything.

One day when they were cuddling on Allen's bed while watching a movie, Deuce yet again planted little kisses on Allen's neck and spontaneously decided to be bold, asking Allen if they could finally kiss on the lips. The Ramshackle student blushed and was taken by surprise, but obviously agreed. Their first kiss was innocent, loving and downright PERFECT — both felt as if they were about to explode — until Allen brushed it off as "practice" with a sad chuckle. Deuce's heart was broken within a second.

Allen was so heavily traumatized and convinced that he was unlovable that he genuinely thought Deuce wanted to use him as practice for his future relationship with the aforementioned "perfect, kind and beautiful" crush. Deuce thought the same about Allen — so this wonderful kiss was only practice for the blonde boy's upcoming relationship with his crush, huh...?

Both yet again talked to their friends in search of help, but all they got was further reassurance that the other one DID like them and that there was simply a massive misunderstanding.

At some point, Deuce couldn't wait anymore. He loved Allen more than anything and he NEEDED him, but Deuce knew full well that he'd likely get too nervous and stumble over his own words if he confessed to Allen in person. Instead, he decided to gift the boy another Shiba plushie, place it in front of Allen's door, and attached a letter to it.

Unfortunately, this also backfired. Allen was convinced that the letter was a prank; he was convinced that someone was impersonating Deuce and recreating his handwriting with magic in order to give Allen wrong hopes and possibly destroy the friendship he had with Deuce (however, Allen did keep the letter and plush Shiba). When Deuce heard about this, he was even more saddened — what did he have to do for Allen to realize that he was not only worthy of love, but actively loved by Deuce? What did he have to do for Allen to realize... that Deuce wanted him more than anything else in life? There was only one way left...

Deuce planned the confession in detail and even practiced in front of his mirror. He bought twelve red roses, two matching gumball machine rings, and another plushie. Additionally, Deuce also wrote a second love letter.

He then invited Allen to a blastcycle tour, which the Ramshackle student obviously agreed to. When it was time for them to go, Deuce showed up at Allen's window and blasted "Baby" by Justin Bieber at full volume, and once inside Allen's room, Deuce gifted him the bouquet. But this time, Allen couldn't just mentally brush it off as a platonic gesture — he saw the desperation, sincerity and love in Deuce's eyes, and took the flowers with a bright blush while nervously thanking Deuce.

The two teenagers went off to the beach, with Allen holding onto Deuce tightly as they rode the blastcycle.

When they arrived at the beach, Deuce's heart was pretty much beating out of his chest. After a short walk, the blue-haired boy gathered all his courage, breathed in deeply one last time, took the gifts out of his bag, and went on one knee in front of Allen.

Allen's heart was beating out of his chest as well. He couldn't deny it any longer, his insecurities couldn't deny it any longer — this was indeed a confession.

Allen opened the letter and teared up immediately upon reading Deuce's sweet words. It was another sincere love confession, this time handed to him directly by Deuce. There was no excuse and it couldn't be mistaken for a prank. The Heartslabyul student kneeled in front of Allen, looking up to him with the most desperate, nervous puppy eyes — Deuce wanted nothing more than to date him.

Allen couldn't believe it yet and started crying. Deuce actually loved him... Deuce genuinely wanted to be with him. All his life, Allen had been told that something like this was impossible... but here he was now, being confessed to in the sweetest way by the sweetest person he had ever met. He was loved.

Deuce slowly got up to comfort Allen, but instead, the Ramshackle prefect initiated a kiss. This time, it wasn't "practice" — it was their first genuine kiss as a couple, and it became one of their most treasured memories for both of them.

They were officially together now... and little did Allen know that they'd stay lovers for the entirety of their lifes.

"I love you." — "I love you, too."

Deuce and Allen had fixed the mistakes of the past; Allen's previous incarnation had died before Deuce's got the chance to confess. And in their next lifes, they'd be together as well.

They were destined to find each other in every universe.

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Fun fact: There are 3 Spade of Storms days.

22th March: The day when I first decided that I want them to be together in an old rp server. It was likely the first official confirmation of the ship, and it was 150 days ago.

20th May: The day when they got together in the canon lore.

27th July: The day that's exactly in between of their birthdays (3rd June & 20th September).

Thank you very much for reading! 🥹🥹

[koolades-world]

Hey there! I'd Like to request something. So like, MC is an Artist (Style doesn't matter they just have to draw humanoid things) and then they draw the brothers+dateables in their style, what would the reaction be?

hello! sure thing :)

I myself am admittedly not a very good artist, which is my my preferred art form is writing. the only time I draw is usually during gartic phone games with friends, and thanks to my franticness under a time limit it's always very chaotic. but at this point I've just embraced it and it's always funny

enjoy!

Artist Mc

Lucifer

you draw him while he's seated at the dinner table on a saturday morning while he's reading the newspaper and enjoying a coffee

not that you didn't intend to show him, but suddenly he was leaning over your shoulder, staring, and it caught you off guard

as you scramble to explain, he just smiles and sits back down in his chair and goes back to what he was doing to keep being you model

once you're done, he asks if he can at least have a copy to keep, which in itself is a huge compliment, but it's so he can think of you every time he looks at it 🥺

Mammon

during class, he happened to look super cute as always while looking wistfully out a nearby window a few rows in front of you and the lesson was getting boring anyways. next to your notes, you begin to doodle him, using highlighters for color

you forget it's there and lend him that very notebook since he had tuned out that same lesson

once he opens it, he seems himself and doesn't know how to react. he's a babbling, red mess

once he regains motor functions, he shakily declares that it's very becoming of the Great Mammon and that you did a great job. success!

Levi

the two of you are hanging out in his room. he's playing a ruri game and you're lounging behind him, sketching on a bean bag

you're not drawing anything in particular and were searching for an idea when suddenly, the idea found you

levi wasn't paying attention to you, so you could easily look at him and ruri, and sketch them side by side in matching outfits

once he stops for a moment to get a snack, you happily show him the drawing and he does the demon equivalent of blue screening. give him a minute to reboot then try again haha

Satan

when you decided to draw him, the two of you were seating together, with you in his lap while he read a book so he saw the drawing from it's first line to it's last

made positive comments about it the entire time, like about how you captured the green of his eyes perfectly, or telling you his hair looked better in the picture than it did in real life

at some point, he stopped pretending to read the book and sat watching you with his chin on your shoulder

he added cute little notes around it once you were done with little hearts around them

Asmo

he's asked you to draw him jokingly a few times, but never expected you to actually do it the next time he asked

when you tell him if he wants, he can pick something else to wear, he almost strips down so you can draw him nude but you stop him as soon as he started to take his shirt off

he scurried away and was back quickly in a new outfit, and posed how he would for a picture

talks to you basically the entire time you draw, and once you're done, he squeezes you into a tight hug and asks if he can post it on his Devilgram

Beel

after joining him enough times for Fangol practice, you knew it well enough to begin making sketches of him as he practiced

drawing him in action was a little challenging since he never held still, but you were determined

you drew a few since his practice went on longer that day, and got to proudly show him the results

he was equally as proud of you since he thought you did a great job. he asks if he can have one, and if you give it to him, you'll find it hanging up next to his bed next to all his Fangol trophies <3

Belphie

he's an easy model to draw thanks to his lethargy, so you often find yourself sketching him

something about his peaceful nature and natural frosted tips was just so drawable, so you had at least a few pages full of him napping in various positions with different blankets

one time, he wakes up while you're next to him drawing, and is a little shocked in a good way. he didn't know you viewed him that highly

he's still half asleep, so he just compliments your artwork and moves to lay his head on your lap, then falls back asleep, ensuring you're the flustered one now

[erika-xero]

Thoughts on ai and Art

What has Ai really changed for me is the perception of my own art. Years back, I was extremely concerned of my work being imperfect: everything had to look "right", the anatomy had to be flawless, the lines - clean and refined. The pipe-line had to be flawless too: minimal amount of layers, one - for lines, one - for colors, and a few for lighting/shading.

Meanwhile I was yearning for chaos and the standard pipe-line felt too strict, too limiting. I finished the drawing and cried over the imperfections, but I could not let myself create a new layer and just paint it all over as I wanted to - that would "mess up my perfect psd". This was even harder because I started as a traditional artist and traditional art is basically the same as drawing on one layer or stacking the layers on top of each other whenever you wish to change anything. I was so obsessed with the anatomy/perspective looking right that my works started looking boring and stiff. If I was not sure that I would be able to draw a certain body part at a certain angle ANATOMICALLY PERFECT - I just refused to draw it at all. Drawing back then was HARD. I forced too much limitations upon myself, I was so scared of making any mistakes and thus did everything I could to avoid the risk to fail. It felts like an entire world would see me failing and everyone - literally everyone - will disapprove. And don't get me wrong - the art community in my country has always been astonishingly toxic. We had, like, a group of 20 THOUSANDS individuals hunting down children online and bullying them into oblivion for drawing anime and furry characters in their school textbooks. And pretty much everyone except a small group of people (which I was a part of) thought that it's absolutely fine and this is how the things should be. Even the industry professionals were absolutely sure that young artists have to suffer and be ashamed of everything they do unless it is absolutely flawless at an any aspect. I was ashamed of everything I did back then. I was ashamed of drawing and posting sketches because I felt like they are not good enough to be shown to anyone. And then the Ai-boom started. And I had mixed feelings because I was not THAT scared, but I was somewhat disappointed of people? General public praised the generated slop ignoring the mistakes far worse than what real artists got bullied for for DECADES. The synthetic artworks are shiny. They are overrendered. They are liveless, boring, they lack fundamentals and yet somehow people viewed them as some kind of a miracle. I decided to learn how does those little machines generated their slop out of morbid curiosity, just to make sure that I got it right and it is spitting out cadavers created from mutilated, dismembered works of real artists. Used by people who did not care enough to pick up a bloody pencils. And I thought: why would I care enough to look at something that no one bothered to create? And then I started seeing everything I do completely different. I suddenly stopped caring of being perfect. Every piece I have ever done, every work I was crying over for it being ugly, every messy sketch and unfinished doodle suddenly started to matter a lot. Not that I stopped caring of doing my best, no. I stopped wishing to disown my own mistakes. They are my own. I cared enough to try and fail and to try again, and fail so badly that I wanted to cry, scream and throw up. And I repeated the cycle for long enough that I started to enjoy my silly doodles and started loving every tiny imperfection because this is what made my art so human. I still suck at drawing hands and feet. My line-art is messy and I started doing it right on top of my colored sketch. My pipe-line is in chaos and my PSDs look like a total mess of three hundreds of layers. I draw sketches with huge-ass round brush only adding the details that really matters. My works are better than they could ever be because they feel alive and chaotic as we human had always been. This is a love letter to my art and write it while flipping off my middle finger to the cadavers generated by the machine. I will not be stopped by glorified autocomplete and I refuse to be outdone by people who confuse googling an image with the act of creation.

My worst drawing is better than any of the generative imagery out there, because I cared drawing it.

[72stars]

reposting the Red Hood redesign variations alongside other design variations sheets for other principal characters from Red Hood: Prometheus ‘cause I wasn’t really happy with my costume designs/redesigns for them either so decided to try other ideas (+ one extra doodle set of Batman with the 4th redesign for reasons I don’t remember, aside from some aspects of it being my favorite of the four)

as with before, most recent version is furthest to the right ‘cause I started with those and just scooted them over to make room for new ones. some have more or less than the others based mostly on how much room I had using the same file for all of them (thus Alan & Bruce have less variations mostly ‘cause of how much room them & their capes take up, lol). Jay is the only one with a unique pose because I was initially working on model sheets and decided to try more interesting base poses then got distracted doing variations, so the rest just use the basic forward-facing poses I had done under sketches for them.

top: Red Hood, 2nd row: Kieran (an oc) & Ratcatcher 2, 3rd row: Strike & “the Gotham Lantern” (Alan Scott), 4th: Nightwing & Robin (Damian), 5th: Batman (and more Batman)

[i-ship-everybody]

Leo Valdez headcannons - fluffy version

————————————————————

Gender neutral reader

When dating Leo Valdez you are 100% his favourite person and biggest priority

He’s always looking for you and wanting to be with you

Leo will look to share everything with you, new snack? He needs to share with you, someone says something funny? He needs to tell you about it.

When anything funny or weird will happen he will always look to you and you to him

He loves when you play with his hair

Leo will play with your fingers/hands

Instead of buying you flowers, he will make you flowers out of scrap metal. Every anniversary, birthday, Christmas,etc you get a different type of flower

Leo acts all confident but this man cannot take a compliment

Call him pretty or say he did something well and he will blush and tell you to stop, to shut up if he has too

If you are a reader, painter, collector, music lover, baker/cook, or have any hobbies that involve certain objects, Leo will go out of his way to find you a little something to go with that

Leo always looks shocked when you get him anything

He will be in absolute shock if you get him flowers, he’ll play it off but will definitely keep them forever

He will watch Disney movies (the old ones) with you and he loves them

Leo is a diehard fan of cheesy rom-coms

You will find him doing things that he’s seen in the movies

He’ll run and hide if you point it out

If you are someone that’s quick with comebacks or just witty comments he will have fun just bantering with you

He tells you all about his time in foster care

You comfort him and make him feel loved

He is your #1 defender at all times

Anyone says anything about you and smokes coming out of Leo’s ears

He will however make the worst jokes about you and find them absolutely hilarious when they land horribly and you stare at him like:😑

He is surprisingly good at drawing

In his workshop doodles and sketches of you are everywhere, on sticky notes on the walls, scratched into tables, the corner of blueprints, just about painted everywhere with ink

He will get grease all over his face and arms and forget about it

Leo will then shove himself into your arms getting you both dirty

Once you two get closer and further into the relationship he is the most comfortable person ever, I mean saying every thought he’s ever thought to you comfortable

Like he’s comfortable enough to wake you up in the middle of the night just to tell you about some weird dream he had

He 100% pursued you

Leo saw you, knew he wanted you and went after that

He was nervous but he got Annabeth to help him come up with a way to start a conversation

If he needed to he definitely chased you

He grovelled for you, begged for just one chance

You might’ve just been entertaining him at first, then you realize that Leo is the most dedicated person ever

He is the definition of dedication and devotion

Leo won’t even think of another person if he’s with you

He will be your best friend

One thing about Leo is that he will do anything, and I mean ANYTHING with you

You want to go out? He’s down, you want to go get a snack then walk around? He’s already there, you want to go see a movie? Leo already bough the tickets.

Even activities less suited for him, like museums, library dates or spa days. Basically, any calm activity, he will still put the effort in to stay still and silent

And you do the more crazy, energetic ones, even when your not 100% for it

If your having a bad day, he will come in and do one simple act of kindness that will give you the strength to continue the day

For example, during lunch you will accidentally drop your bite of food from your fork and then put your head in your hands done with the day. He will laugh a bit, then get a napkin to clean it up

You’ll do the same for him

Leo is always dropping kisses onto you

Not specifically your lips or even face, if he’s leaving a room he’ll drop a kiss onto your shoulder than leave

Neither of you are big on PDA, hate it actually

But he will find a way to do casual touches that portray such emoting

He will drag his nails over your back and just give you nice rental scratches everywhere

You guys will listen to each other talk about your interest even when you have no idea what the other is talking about

He steals all the blankets and you will absolutely turn over at night to see him on your pillow

Makes your tea/coffee/any drink the best way ever

Casually drops the most beautiful, thoughtful sentences ever then just leaves

Like words that will stay with you forever

He’s always tapping “I love you” onto you

You learn Morse code and now you communicate through it when you’re around others

He has finally found someone that will put him first and whom he can share an intense, loving connection with

Leo is no longer a 7th wheel and will never be again

———————————————————————————

Should I do a NSFW or angsty version? Let me know!

[m4lexxx67]

I did it, I'm done!!! I finished what is probably one the coolest projects I have ever done and it turned out SO COOL, I'm so excited!!! Everyone come look at it cause I made a fucking killjoys shirt collection!!!

Everyone of the Fab Four got their own type of shirt that I think fits them and they're all the same concept (logo on the back, name in the front, most of the design in their color plus some smaller detail in another color that's kind of in their pallet (taken from their ray guns), words associated with the character) but the font and placement of the writing changes and all that and I really love that they obviously belong together but still look so different!

Also fun fact it took fucking FOREVER to paint Ghoul cause it's sooo many lines and painting lines takes so much time cause you can't just carefully draw a sharp edge and then quickly fill in the rest (like for example Jet's logo) because basically everything is edge! And the design for Kobra's name? Such a pain in the ass, there's so many sketches that were all scrapped. Like in total it took me maybe one and a half to two hours to come up with all of the designs, except for Kobra's stupid fucking name, I kept going back to it for literal weeks!! But honestly so worth it, it turned out exactly as I wanted and just all in all feels very Kobra to me

(As for the different shades of blue/green on Jet's and Ghoul's shirts... The shirts have been done for a while and were lying around my room without being folded or anything, so that's just folds and light reflections, the colors are actually very even)

[neil-gaiman]

Hi Mr. Gaiman,

As an accomplished author with several books under his belt, how do you know that a story is a dud for lack of a better word? I have a million ideas bouncing around inside my head at all times, and while I consider them good ideas worth pursuing, how am I sure they will make a good story?

I ask this because I have been dwelling on something one of my professors said last semester. He held a seminar on poetry and got to the topic of fiction writing, where he stated that he had just recently finished a story he had rewritten several times over the course of multiple years. Now I myself write as a hobby with a faint imagining that someone might see it in the future, and I have written a dud or two, where the plot was poorly formed and the ideas behind it just had a flaw somewhere in the base concept. Perhaps this is my youth and amateurity speaking, but I was under the impression that given enough time and care, any story could recover from that stage so long as it had not been completed yet. Ideas would need to be reworked, concepts retooled, characters redrawn, but the very basic idea could still survive in a different format.

My professor disagreed, stating that he has destroyed 400-500 page novels that he has written before upon realizing said fatal flaw. He stated that the story was in a state that it could not recover from, and that many authors encounter ideas that seem good at the time, but stink later on to such a degree that the basic premise must be thrown out. This seems like a tremendous loss of work to me. As writing is an art form, it feels somewhat similar to destroying practice sketches and 'meh' oil paintings that showcase the artist's progress. An idea that stinks today might be able to work from a different angle later on in my opinion.

I suppose after rambling my question is now this: are some ideas and concepts just not worth pursuing? Are some story concepts flawed from the get-go and impossible to save, and is there a way to tell that before writing the whole thing? Is it even possible to waste that time as you're getting in practice for the next tale?This isn't something I ever really thought about before being told in sure tones that this is how things work by someone with a degree is this, so I figured I'd ask the professional author for a second opinion. Apologies for the length of the message, especially if this is one you've received before.

I have things that have stalled and a few stories that, when they were done, went to the box in the attic rather than to anyone who could publish them (there's a whole novel there I wrote when I was 21). But mostly because I was writing serial comics, failure was not an option, and if something did fail it had done it in public for everyone to see. And I learned that some things I thought were failures had actually worked really well.

Some people are afraid of failure. Some people are afraid of success, which can also be a good reason for junking books and never showing them to anyone. As long as you pronounce them irretrievably flawed and show them to nobody, you will never be judged for them or have to deal with either success or failure.

[deadbeat-motel]

ᑕᕼEᖇᖇIᗷOᗰᗷ ᗩᑎᗪ ᔕIᖇᑭEᑎTIOᑌᔕ ᖇEᗪEᔕIGᑎ

The last two designs for the main cast. With these two done, I can finally work on miscellaneous characters that I've been eyeing the most.

Again, thoughts below the cut:

My issues with their Original designs:

Sir Pentious:

I thought I would only have one thing to say about him (the unnecessary eyes) since he was my favorite in the entire original cast but having taken a closer look at him for this, I saw a lot of things that bothers me.

Too many eyes. specifically the lower half of his body has too many eyes and it seems detrimental to him. It's kind of painful to think about it since I do not think we ever see those eyes close. Is he just slithering on the ground with those exposed eyes? That's got to be irritating at best and damaged at worst as he continuously slithers on them.

There are eyes on the bowtie and the hat? There are already 4 extra eyes on his hood, so why have even more? I get that the original Pentious design was basically a monsterous amalgamation of eyes but the eye thing could have been scrapped altogether.

While his palette was the least red out of the cast (More so composed of yellows), it still blends in with the rest of the reds.

The claws are an unnecessary repeating design trait (Alastor and Vox notably have them too). I don't think it would've been too big of a difference to just keep his fingers fully black.

The stripes on his suit are too thick. It's called pinstripes for a reason.

I don't like how the hat is shaped to fit the head, It's awkward.

not a point, but I just wanted to say how the blue color palette works really well with him in that last episode.

CherriBomb:

She's not that bad of a design (She's sort of bland in my opinion) but it's the little small details about her that makes her so simple and also so complicated at the same time. There are so many batches of freckles scattered everywhere, little explosion lines on her skirt as well as the X on her chest, the tattoos are a jamble of random loops and bombs, and her tattering doesn't have an easy shape to consistently draw.

The thought process for these two:

Mx. Pentious:

Pentious goes by both Sir/Miss/Mx. but uses she/they pronouns.

Minimized the actual amount of eyes on her, I kept it only to her actual eyes and those on her hood.

Gave her a butterfly-shaped hood. It's nothing deep since it stems from the fact the notches in Sir Pentious' hood almost looked like one to my bad eyesight. I decided to play more into that idea.

I read some posts where people talk about how Sir Pentious should have a snout and while I understand why and fully support people giving him one, I really didn't want to add the snout to this design. It drove me crazy since I'm not a big fan of it. I tried a compromise where her head was shaped more like Phineas.

Kept the tophat but removed its eye and mouth. If I remember correctly, Viv took that from one of her co-workers from the pilot. I decided to just have it as a regular tophat.

It doesn't have all the colors, but her design does have the Neptunic flag.

I'm not sure if this even is a real snake but I based Mx. Pentious' design on this:

CherriBomb:

Scraped most of her features in exchange for a sukeban theme. I personally have zero knowledge about the punk scene in Australia.

A majority of the suggestions I received for her rough draft had something to do with the skirt. I elongated it and gave it a slit in which the magenta from the inside is able to pop out.

Thought it would be a cute detail to have her hair explode if she's angry.

----

Apologies this took too long to be posted, Life got in the way as well as the fact I was feeling shitty about Pentious' first draft. Her skin was an awkward and ugly shade of green and seeing some posts critical of Pentious' design got me to think a little bit more about what direction I'd like to move her redesign.

You could see this in the earlier rough sketches but this was how Pentious' first redesign looked like

[quibbs126]

So I’ve been making this

So basically last night, I was listening to some music, specifically Not Gonna Die by Skillet, more specifically a version on YouTube with the intro (because I’m not the biggest fan of Good to be Alive where the intro actually is). Anyways, when it’s night, my imagination tends to be more active and I tend to have more energy. While listening to the song, I eventually got this mental image in my mind of this scene with Dark Choco, and the more it crystallized the more I wanted to draw it. I was going to go to sleep and maybe do it in the morning, but I realized that I probably would forget the vibe and not have as much energy, so instead I decided to power through and draw the idea

It was a bit difficult since I had limited references for the pose I wanted, and I suppose I can admit the sword looks a bit off anatomically, but it looks good enough I think, and lets me keep the eyes revealed

I did eventually have to stop drawing, because my iPad had been worked all the way down to 4% (and it was at 30% when I started, the poor thing), not to mention it was around 11:30 already which is pretty late for me, and my earbuds had been running nonstop for over 2 hours (yes I was listening to the same song, it’s how I keep the vibe). I was at least able to get the pose, base colors and lineart done, and I’m still pretty proud of where I left things last night

Today was mostly just doing the background and lighting, which admittedly I may have fumbled. I’m not very good at backgrounds and I didn’t know how to draw lightning. I tried my best, but honestly I don’t think I got the image in my head. Didn’t help that my brain was playing the wrong Skillet song this morning

Oh yeah and by the way, the background is supposed to be from this. That’s what I used as reference

The lightning both feels like too much and too little. Like, it’s crowding the picture, and I can’t have more because it’d be way too crowded with it, but also at the same time, it doesn’t feel like enough, like there isn’t as much power as I wanted

Actually wait, maybe I can add some small particle effects to like, enhance the lightning feel. That was in the original sketch but I omitted it in the final. If you see one with that, you know I did that

Edit: I did indeed do that

To be fair though, I don’t think I have the art skill to properly convey the image in my head. Basically the scene is that Dark Choco is using absolutely every amount of his power for this final swing down, so much that it’s too powerful and the Strawberry Jam Sword completely shatters. But also it’s too powerful that Dark Choco’s body simply can’t handle it, and he basically ends up exploding. The scene depicted would be the wind up to that final swing that destroys the both of them

This isn’t necessarily the first time I’ve come up with this scenario, and the setup would basically be that he turned on the Cookies of Darkness slightly earlier, because he didn’t want to destroy his homeland again, and he tried to get rid of them while in the kingdom but not yet at the Citadel, but he ended up failing, so with nothing to lose, he chases after them and decides to put everything into destroying them, even if it likely ends in his death. After this he probably killed Pomegranate and crippled Licorice in some way (I don’t think he’d attack Poison Mushroom), so his final act did have some effect, but he’s still dead by the end of it. And he and his father never got the chance to properly reconcile because Dark Choco thought that could never be a possibility anymore and he had resigned himself to his fate

But yeah, I just don’t know how to convey that sheer overwhelming power and emotion that this scenario suggests. I tried my best though

I also want to submit this to the Dark Cacao Forever contest, but I’m not sure if it’s good enough for it. What do you think?

[nerdierholler]

IT'S DONE! I made a book! I never thought I'd ever be able to make a book. Sure mistakes were made but it was still a fun process and I learned so much from making this first one.

This a binding of The Wayhaven Chronicles IF but with my personal Detective's choices included and the resulting text smoothed out to read more like a novel.

Honestly, I thought something like this would be way beyond my skill set but it wasn't as scary as I thought once I got started. Definitely check out @renegadeguild for some book making and typesetting guides and their discord is super friendly and helpful as well.

If you want to learn from my mistakes I'll go into some trials and tribulations under the cut.

I'm not sure how well this book will hold up long term but that's ok! It was more about learning and I'll make some adjustments and try again with the same text probably.

Typsetting

Margins - need to make them bigger. I mostly read paperbacks so I was going for that format with narrower margins but then when I ran into paper problems, I didn't have a ton of room for trimming.

There was an option on the imposer to add dotted lines to the center fold and I clicked that but they're visible still even after binding. Could be that I needed to sew my signatures tighter and that would help but regardless I don't think I need them in the future so I'll be skipping that feature.

The font was intentionally small, along with the margins, because I was trying to minimize the number of signatures I was dealing with for a first project. I'll bump it up in the future.

Paper (so much wrong)

So the grain should run parallel to the spine but I couldn't find short grain paper. I read at some point that someone recommended using sketch books instead because that should be the right grain. It was not, at least not what I bought, so it still ended up going the wrong way.

The sketch note book I bought had perforated pages. It made them easy to get out but I didn't realize that the page widths were inconsistent until everything was printed out. The paper width varied by at least 1/8 of an inch. I wasn't planning on trimming my pages but my top was super uneven because of this so an attempt at trimming was made. It could have gone worse (there was no blood) but the trimming could have been a lot better too.

Should have just used printer paper. The results would have been the same.

Making Book Cloth

Used the Heat and Bond method with some spare fabric and it worked pretty well. The problem was when it came to adding backing. I'd read tissue paper or even plain paper so I grabbed some piecing paper that was close at hand. That was a mistake. It was good quality fabric so it was thicker already and the paper backing made it too thick. I could barely fold it over and it kept wanting to flip up. It's the spine fabric and I'm still concern it's going to do this in the future.

Used tissue paper for the marbled looking fabric and it was much easier to work with.

Book Board

Not measuring right was all on me. The rice box worked in a pinch but I think it will be prone to bending. Got me the experience I needed be wouldn't be my go-to material for a project of this size.

Glue

I used Elmer's All Purpose and it got the job done but, again, probably not going to hold up the best long term. However, I'm glad I didn't buy PVA and basically waste it on this project. Elmer's was good and cheap enough for practice. I'll be getting some PVA for future projects.