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#he's literally a background character why am i so sad ?????
pinkvaquita · 3 days
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hey u know class of 09 right? whatd you think of the flip side (came out today, jeckas pov)
Just make a post saying that it wasn't that much good-, but guess I can make a longer one because that other one was literally just those words.
Soooo... Oh god it had so much potential. It had so much wasted potential.
Going in order of routes. Spoilers Ahead
1° Jecka Suicide.
Again... Why foot fetish!?
Like I get that maybe using other options could not be possible because is 2009 and there is no only fans. But it could have been any other thing!
Like, in the last game they show us the whole myspace prostitution circle. They could have used that to make her sell swimsuit photos or questionable poses!
If they necessary wanted to use Jeffrey, maybe they could make Jecka do shitty cosplay or voice acting manga scenes!
And even if the foot fetish was totally necessary, they didn't needed the scenes to last that long! They could have done the whole "screen goes black" timeskip thing like when Nicole attempts suicide!
And now with the whole Nicole fucked her dad thing...
That was the only part I am not complaining.
Nicole is a sociopath, and as much (Wich is literally just the bare minimum) as she appreciates Jecka, this is in character for her.
She herself said in the first game she doesn't care enough for Jecka to try to see her after graduation. She was more than fine with leaving her alone with her pedophile brother. And only cared about it untill Jecka wanted to leave her.
And honestly, she only cares about Jecka when she tries to leave her. Like in the jail ending and the dating Ari ending.
And is only in those two! Like literally, we see her witness Jecka die and go to jail in the racist endings and she doesn't care!
Even when people hate her or love her, Nicole doesn't give a fuck, and would backstab for the most simple reasons.
She literally make a whole scheme to steal Megan's boyfriend and embarrass her about it In front of anyone, just because Megan was bossy.
She abused Ari, even if she didn't do anything wrong to her. Just out of fun.
Are we really that surprised she did this to Jecka? She has done worst for less!
And also, Jecka leaved a sorry message when Nicole killed herself. Nicole didn't.
And the monologue... Oh, that was depressing. Jecka's words were so sad. Although I have one problem with this. The pic.
Why is she in her bra!? Why is she in a pose like if it is a body pillow!?
Is this some weird metaphor I am not getting????? Because this thing looks to me like another weird thing going on in the developing.
2° Jeffrey dies ending.
Same situation with the foot fetish. Why????
Now going with the end... Damn that monlogu was also good. I do appreciate the showing how the different circumstances Jecka and Nicole had growling up affect their behavior. And also, Nicole voice at the end genuinely scared me. For a whole second I thought she was gonna use Jecka's abusive background against her and talk to her like an abusive parent would.
Other than that it was... Good? I guess. I mean, Jeffrey is a total creep so I don't really care if he died.
3° FYE
What the fuck was that?????????
Seriously, that was the most out of place and boring route. It felt like it was a total different game!
The dialogue, the scenes, the ENDING????
I mean, yeah I don't find that insane that maybe there is a whole warehouse filled with illegal porn and the FBI finding it and not telling anyone.
What I do find insane is a guy giving the place information I'm a riddle, two teen girls finding it, and that somehow ending in one dead and the other being victim of human trafficking.
And the dialogue of the counselor was so weird. Like, wtf?????
The only mildly good thing is that Kelly got some screen time. But that wasn't even enough because she had zero character explanation. She is the true bimbo, give her an actual exploratory arch like Emily or Ari. Or at least make her be worth to watch like with Megan! Give my girl something to be iconic about!
4° Ari dies ending.
Jecka turning emo was not on my bingo card. Honestly I like this route more than the Jeffrey one, even if involves Ari's death and Jecka still living with his dad (Wich by the way, I was also scared everytime he was on screen.)
The party scenes felt so real. Emily acting out an calling Jecka and Nicole possers was in character. The hat man scene was unnecessary but good enough to ignore it was out of place. Jecka with black hair was EVERYTHING. OMG I feel so bad for how damaged her blonde hair got.
Now story wise, I remember seeing a YouTube comment calling this a route were Jecka becomes slowly as bad as Nicole. Literally she killed someone and instead of the regret she would normally show, it was: "That was low-key funny" and "I'm so pretty when I cry"
Good route. I can live with this one. Live, laugh, love emotionally empty Jecka.
5° Jecka's version of Nicole suicide route
This was so heartbreaking.
First. I was not expecting this from Mister Kaz. He literally was the only teacher in the whole game that seemed to not be a pedophile or racist or both. I should have seen it comming.
Jecka's scene in therapy was tugging my heart so badly. Specially because of her desperately rambling and breaking down in tears. I almost forgot that Miss Ames was racist just because she was trying to help.(although I still hate her. And even more with how she acted in the foot fetish route.)
Second, seeing that scene from the first game word by word was terrifying because that was the signal of: "you know how this is gonna end"
The intervention scene was also realistic. The break trust. The attempt to get police involved. The fear. Even more when Jecka got home and was received by her dad screaming at her. I even though he was gonna kill her.
And all that tension and horror builds and builds untill we reach the scene. We know is gonna happen. And it still hurts like hell.
Seeing Jecka standing right besides Nicole's corpse (Wich again, why Nicole got such a cinematic picture for her suicide end but Jecka instead got THAT????) while reading the suicide note was so sad.
And the final dialogue was good. I feel kinda disappointed that there wasn't a final monologue. But that scene replaces it enough.
Conclusion. This was... Meh? The only memorable and well develop ending is the fifth one. The Ari one is good but is not that much good. The suicide one has too many weird things going on to be as iconic. The Jeffrey one is both things combined. And the FYE one is bad.
And even if there is some good things.the game feels so... Bland and soulless? There is no longer the social commentary or the routes were there is some sort of fucked up justice. Neither the humor. It could be because of Jecka not being as sociopathic as Nicole. But even when Nicole got bad endings, there was still some reflection about society in those.
It could have been so better. It wasn't worth the hype.
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apricusapollo · 2 years
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paper rings fabian "august" prewett
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On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):
Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?
Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?
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Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.
But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.
So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).
I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.
Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?
Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?
THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.
It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.
So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭
This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).
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As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).
I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")
"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)
Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.
Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.
Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words
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sidsinning · 6 months
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#1 thing I am the most curious about/eager for the series to explore is 1000% the Morningstar family, especially Lilith
Bc who even is Lilith in reality besides what we have seen her as in the eyes of the other characters
Clearest image we get of her is in their family portraits
We usually see her as the menacing mystery figure working in the background, but in these photos she's clearly a normal happy mom who genuinely loves her family as any mother/wife would. She's not just a smirking dominant figure with a hidden agenda. All she's doing is having fun with her family and has no qualms about showing a range of emotion.
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Charlie sees her as the role model she takes after and wants to make her proud. It turns out she sees Lucifer in pretty much the same light, but with the addition of having an awkward relationship bc of the distance they've had. With Lilith she never speaks about her with any lingering awkwardness, so we can assume she's been a good mom raising Charlie this whole time.
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(For those who are saying "Lilith is a bad mom bc who leaves their kid alone for 7 years???"- she is literally thousands of years old while Charlie is well into adulthood before those 7 years. It's like a business trip to them. She wasn't an absentee parent for leaving for 7 years out of Charlie's 200+. The thing that's weird is that she's not communicating with Charlie. Our girl deadass owns property with a job and employees. Just bc she's not great at it and is having Lucifer step in to help recently, doesn't make Lucifer the superior parent suddenly. He's confirmed to be a kind of shitty dad despite how much he cares for her by the creators themselves. Kind of the point of his introduction ep guys. The 7 years are a mystery to unpack. Chill tf out.)
In this flashback people are blaming Lilith for separating Lucifer and Charlie on purpose, seemingly as the cause of their distant relationship. But it feels more complicated than that, based off Lucifer's reaction.
He's sad reaching out to Charlie by the end of the flashback, but when Lilith first appears he's smiling all the same and not deterred in giving Charlie to Lilith to carry away for what reason we don't know. A normal, standard occurrence he's used to. It seems both parents have agreed it's best for Lilith to take Charlie at this age now, for whatever reason.
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Was his mental health affecting his parenting too much so they decided Lilith would shoulder the bulk of the task? Maybe Lilith really did separate the two somehow for her own reasons and convinced Lucifer with it? Another mystery reason each parent agree on?
When exactly did both of them separate? When Charlie was already an adult or around the time of the flashback when Lilith was her primary caretaker as a kid? (I'm assuming adulthood since Lucifer and Lilith seemed to still be getting along in the flashback despite her emotionless face.) Why did they separate when Lucifer seems to clearly love and yearn for her all the same, still wearing his wedding ring? 😭😭😭
And ofc what is this deal she made with Adam to stay chillin on a beach in heaven, and why did Adam, a reckless narcissist who likes yappin to whoever is gonna listen, not ever reveal this fact to her family to the very end?
There is just so much to unpack with their family and Lilith is the key ingredient rn to unlocking it
Like ofc I'm looking forward to Sir Pentious in heaven, Alastor's deal, the future of the rebuilt hotel, Lucifer now being a seemingly main character in season 2, etc.
But the Morningstars,,,different level
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wekiaam · 6 months
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2D NEWSIES: What I would change
I just realised I've been making fake concept art for a nonexistent animated Newsies adaptation for four years now. Over time, I've been getting so many ideas for this adaptation if it ever became real, I thought I would share them with you guys! This includes story changes, cut and additional songs and ideas for characters and style. I would love to know your thoughts on these!
When I started making concept art for "2dsies" as I came to be called, I intended for it to be based on the Broadway version and the Broadway version only. However, stories on stage differ a lot from stories told on screen, it just doesn't work the same way. I do still prefer the storyline of Broadway Newsies, but I think the best version would be a combination of the best parts of all different versions, plus some necessary changes. I would want Newsies to be a love letter to every production we've had, to everyone who made happen and every theatre kid who's been geeking out over it since 1992, while also being its own standalone movie that can be enjoyed by anybody. I am in no way an adequate screenwriter, these are just a few suggestions I have for a better story!
Story
Like I said, the story will be based mainly on the Broadway storyline, meaning we still have Artist Jack, Katherine, and most elements from the show that aren't in the movie. It will, however, be quite different from the show and the movie, and maybe add some more of the real events from the newsboy strike. There are still some details and scenes I would like to add and some I would remove completely.
- I like the history lesson opening from the movie, it gives people just enough background information on the real historical events the story is based on. I don't know if it should be Racetrack or Jack narrating, though.
- In Santa Fe (prologue), Crutchie mentions he's afraid the other boys will find out about his bad leg, even though they all literally know him as Crutchie, and it seems to be the first time Jack tells him about his dream of going to Santa Fe, even though they've clearly been best friends for a long time. It feels off, UNLESS they only just met, which is why I love @raggedy-albert 's theory so much. I would have the scene start off with them as kids, and have them grow up throughout the song.
- I want to add a scene in the beginning of Katherine at the New York Sun to establish her character and motivations, and possibly a little foreshadowing. Just an idea for a scene; she goes to the editor to let him read her story covering the trolley strike, but he reminds her of "her place" and that she's lucky enough to be in the position she's in and that she should go review a vaudeville or something. This would not only give her a similar motivation to the newsies, but also, if we're gonna bring the women's rights movement into the story let's do it right!
- Of course I'd also like to add more romantic interactions between Jack and Katherine, to make their relationship more believable. However, I don't think they should be a couple immediately after the finale, I was more thinking of an open ending to their relationship where Jack takes his first step to staying in New York by finally asking her out.
- Maybe add the actual scene where Jack and Davey visit Brooklyn instead of having them tell the other newsies what Spot said right before Seize the Day. Show don't tell, you know?
- A scene where Jack visits Crutchie at the refuge, similar to the one in the movie, but with the sadness Jack describes it with in the show. Again, show, don't tell. Show me how Jack visits the place of his nightmares again only to find his best friend in a worse state than ever and being unable to save him.
- Katherine punches Jack after the rally. Give it to me.
- Additional scene after Jack and Katherine's song after the rally where Jack formally apologizes to the newsies. Because in the show it just cuts from "omg he's a sellout *spits on the floor*" to "yay captain Jack is back" and it just doesn't sit right with me.
Songs
- There should be an entirely new Pulitzer song. The Bottom Line is good but by far the most skippable song on the cast recording, and The News Is Getting Better (the off broadway cut song) is a little Better but not quite the evil capitalist song we need.
- Swap Something to Believe In for When I See You Again. It's such a sweet song and I think it suits Jack and Katherine a lot better. It's much more "Neither of us know what tomorrow brings but when I'm with you I know we can change things for the better, even if it's scary but for now let's be here together and forget the world for a bit" instead of "I love you but I'm still gonna chase my cowboy dreams"
- Cut Letter From The Refuge, since my idea was to have this be a scene instead.
- Some lyric changes!
In Santa Fe: "Crutchie's callin' me, he's fine, just too damn slow"
In Once And For All: add this lyric from the movie, "Better to die than to crawl".
In Seize the Day: "Friends of the friendless seize the day, raise up the torch and light the way", not in the song but in the reprise where all the working children of the city gather before the finale.
Additional: "Still it seems like the dream of a boy, not a man", from The Truth About The Moon, a cut song from the movie that was supposed to be sung by Sarah. I don't know where I would put this lyric, but it could be said or sung by Jack as he realises what he's really looking for is not actually Santa Fe.
Characters:
- I want to add more girls to the background newsies, first of all.
- Sarah still won't do anything for the plot, but Davey and Les could mention that they have a sister. She's still canon to me.
- Speaking of Les, let's make him more likeable and also more helpful.
- Snyder has two scary dogs with him at all times.
- Just and idea, maybe Denton could still be a character if we replace Darcy with him, or maybe combine the two. Have him be Katherine's chaperone and friend formally, but also her reporter bestie. They could be a fun journalist duo!
Style
- The movie will still include the iconic choreography, which means it couldn't be fully 2D, but rather a mix between hand drawn and CGI.
-I would love for the backgrounds in the movie to be similar to impressionist and romantic art styles from the 19th century, to really sell how it's a story told from Jack's perspective. Especially his dream-like imaginations of Santa Fe would be brilliant in this style.
- I want to include a lot of weather foreshadowing. Rain right before Seize The Day and the sun breaking through when Davey starts singing. Mist surrounding Snyder and sudden darkness whenever he's near. A beautiful sunset when Jack and Katherine are alone on the rooftop. And of course, partly cloudy, clear by evening. It's such a cool way of visual storytelling when you have a plot that has no magic involved, like in most Disney movies.
- The real people characters' designs (Pulitzer, Hearst, Roosevelt) can be based on political cartoon caricature versions of themselves.
And lastly, quotes from the movie I liked that could be inspiring for the animated movie:
-"When I created the World..." "🙄" and "Where was I?" "You created the World, chief?"
- "No, we'll be just a bunch of angry kids with no money"
-"What, you couldn't stay away?" "Well I guess I can't be something I ain't." "A scab?" "No, smart."
Many of these ideas are still in development. Some might work, some may not, but I will be basing any future work I'll post on here on these ideas. I would love to see you guys  discuss and add on to these!
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starry-bi-sky · 1 month
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Just so you know, I've reread your answer to my ask about how you'd rewrite "Double Cross My Heart" in your Danyal Al Ghul au several times over. And I'll just say, your whole breakdown and revision of that trainwreck of a Sam centered episode is the very reason why when it comes to the phandom, both alone and in dpxdc crossovers I tend to lean more towards fanon Sam instead of canon.
Because the people that like her yet acknowledge her glaring flaws do a far better job of bringing her to task when she's being unreasonable or hypocritical in a way that's fair than the supposedly professional storyboard writers.
Anyway, you mentioned that you don't like amethyst ocean and prefer gray ghost. Same here. (though I also like pink astronaut) Since then, I can't stop imagining Danyal/Danny with the "Damian experiencing his first crush" headcanon applied to him. The idea of him treating Valerie with suspicion under the assumption she somehow poisoned or hit him with some kind of hidden anti ghost tech that affects both his human and ghost side, when in reality it's simply him developing feelings for her is just absolute hilarity. To me if no one else.
FIRST OFF YOU ARE SO SWEET <33 the fact that you've read my post about Double Cross My Heart SEVERAL TIMES means I'm now morally obligated to die for you. I'll admit! I was a bit harsh on Sam a little in my original response, because I was irritated by some depictions of her in fanon painting her as someone who could do no wrong and had the only braincell in the group. So I was kinda picking on her a little bit. Would I change a thing? No, I love her character, I just love dissecting her flaws even more.
AND ALSO YOU'RE SO RIGHT ABOUT THE DANYAL THING. That's so cute and so funny, effective immediately it is now canon🧑‍⚖️ . He fought Red Huntress earlier that day and she got a lucky good hit on him, and it's literally that one Marina reaction image where the first panel she looks shocked, the next she looks into it. At least part of it. That's literally what happened, and the next time Danny runs into Valerie at school his heart flutters.
Danny puts up this whole conspiracy board because Valerie smiled at him and his heart went all flippy-floppy and what is this FEELING. He shows it to Sam and Tucker and they both are doing that hands folded prayer-style pressed against their mouths in concern thing, and they don't know whether they should laugh or cry.
Because on one hand: oh my GOD, Danny. But on the OTHER: on my god, Danny. He's never gonna live this one down but that's because if they don't tease him about it, they're gonna get all mopey and sad about it. Just another reminder of their best friend's tragic, mysterious background.
aaa. There are some headcanons I wanna go over (like how when they go on a date, Danny and Valerie have this cute heart to heart where Danny admits that he's not used to being open with people, but he wants to try to be with Valerie because she makes him really happy. He's so shy and almost flustered, and Valerie is so charmed by this side of Danyal Fenton that she's not used to.) but I REALLY wanna think about this in terms of episodic because it was super fun doing it last time, and I really enjoyed it.
If you remember (and you prolly do since you mentioned you read the last ask you sent me several times) I said in the Gregory post that I deleted a (frankly good chunk) of writing that included how i would change the Valerie episodes leading up to the Gregory one, but I deleted it because it was kinda irrelevant to the ask, and admittedly I was getting myself all twisted in knots about it.
But I kinda wanna do that now.
So. If you don't mind I am. Gonna do that. And luckily for me! I found the website I can do. that for free, and have it pulled up! It's the same one I used for the last post to chart out the gregory episode.
So, Shades of Gray! I lowkey want this episode to be like, subtly hinting at the idea that Valerie might develop a crush on Danny first. But ultimately it gets the two of them properly introduced and established with each other, and Red Huntress going.
The episode starts out with Danny being chased by Dash because he got a bad grade in a spelling, obviously if he tried that with Danyal he's gonna get his shit wiped. So! Change! It's Danny heading to his next class, he's texting Sam and Tucker, expertly maneuvering around people in a combination of teen-texting-habit and assassin training awareness. Kinda aware of what's around him, but also not and just trusting instinct.
We meet Valerie when she's showing off a (frankly unflattering) purple polo shirt that costs, AND I QUOTE: "$579, and worth every one of my dad's pennies." to Paulina and Kwan. Girl, this shirt is a few shades off from that NEON "error, image not found" magenta. It looks incredibly unflattering on her considering it's neon-y-ness and the orange skirt and headband she's wearing. Sweetheart, get your damn money back, or at least pick a different pair of pants.
I'm telling you this because I can't resist changing the design. So instead of. that.
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She is INSTEAD wearing like, this cute, ruffled, soft pastel purple crop top and some cute jean shorts. Her hair is in like, passion twist braids with little gold cuffs in them. She looks SO cute guys, so cute.
Of course maybe they made it look ugly on purpose because in the show she gets coffee dumped on her 30 seconds later from Danny crashing into Paulina while running from Dash.
I've thought of three different ways this could go, and can't pick which so I'm just gonna write them out and see which one I'm drawn to more.
Kwan, Paulina, and Valerie are standing in the hallway. Not next to a corner but close to one. Danny turns the corner, does not run into them. He briefly looks up from his phone when he hears, they kinda stare at each other, and Danny idly, disinterestedly looks at Valeria, then compliments her with a single; "Nice shirt." Pretty anticlimatic ngl, but it startles the trio a little bit because Danny doesn't often talk to other people outside his circle unless he's in some kind of group project or has to. So for him to compliment Valerie unprompted is startling. This could or could not end with one of them snarkily saying "thanks its worth more than your entire wardrobe" which Danny would take offense to because, lets not kid ourselves, Danyal and Damian Al Ghul were raised as pseudo-princes in the League. Without missing a beat he shoots back: "at least i have a personality beyond being rich." and then disappears down the hallway.
The trio begin walking down the hallway, crash into Danny. HE gets coffee splattered all over him and he immediately reels back, instinctively reverting back to his mother tongue and hissing out arabian curses as coffee drips down the front of his red hoodie and shirt. It's even in his hair. Thankfully the coffee is not as hot as it started out, but it's still uncomfortably warm. He wipes the drink from his eyes, flicks it onto the ground, and hisses out; "watch where you're going!". The trio? Kinda unsure of how to react at first; Danny is unpopular, but not unpopular enough to be worth bullying -- besides, everyone knows he wouldn't tolerate it. But then I think Paulina finds her tongue and says "what did you say?". Danny turns to her and says; "I said; watch where you're going. Need me to say it in Spanish? Mira por donde vas!" He flicks off his hoodie, grumbling in arabic about how he's going to smell like coffee all day, and stalks off. I'm pretty partial to this idea.
Valerie still gets coffee dumped on her. But instead of sic'ing Kwan on him (because she knows that won't work), she just says a few choice words to Danny and stalks off with Paulina and Kwan to go find somewhere to clean off the coffee. Danny approaches her later and gives her a list of cleaning stuff that can get coffee stains out of her shirt. And when she tells him it's made of like, this super specific fabric that needs this really specific stuff to clean, Danny raises his eyebrow at her and says that he knows, and it is a list of stuff that can clean out the stain without damaging the shirt. He says he's not an idiot, and he knows how to recognize X-Fabric when he sees it. Just because I'm fond of pseudo-prince Al Ghul here being a bit of a snob and has an extensive care and hygiene routine. He uses this moisturizer or cologne that makes him smell faintly like sandalwood and vanilla because that is my favorite scent. Tucker jokingly handed him a 13-in-1 once while they were doing a quick supply run with Sam, and Danny literally dropped it like it burned him.
I'm really partial to two and three. So i'm going to get a second opinion. [...] Second one wins! Thank you, Naviii~ <3.
Danny could just intangible the stuff off him, but that would raise questions and also I want him to go the rest of the day stained with coffee. So it stays, and he's in a sour mood for a good chunk of the day. He runs into Cujo when he disappears down an empty hallway, and gets even more irritated when his ghost sense goes off - but hey! If it's Skulker, he can at least pulverize the dude and let off some steam. But nope! It's a puppy!
And Danyal Al Ghul, local ex-member of the world's most deadliest "we speak for the trees, the trees say fuck you" group of environmentalists ever, immediately feels his troubles melt away, and he croons at Cujo. "Oh hello, habibi. Who do you belong to?" And drops down to the ground to let Cujo sniff his hand. Cujo does so, and then starts vying for his attention, and Danny is grinning very wide and very genuinely and is more than happy to give it. "You are a much better surprise than that wretched poacher. Do you have a name, pretty thing?"
Cujo has a collar on, so Danny touches it, lifts the tag, and sees the Axion labs "A" symbol on it. He hums, narrows his eyes, and murmurs "Where have I seen this before?" But before he can flip it around, Cujo then turns monstrous. We cut to the title screen!
I want to say, the next scene is in Axion labs. The way that Damon (Val's dad), Valerie, those two guards, and his boss reacts, it heavily implies that the existence of ghosts have not reached the whole of Amity Park, and that the city itself is still largely unaware of their existence. Considering that Damon's security system doesn't allocate for ghosts, and when Danny crashes at their feet, Valerie literally asks him; "What are you!?" and she seems surprised when tucker later tells her its ghosts, and is even unaware that Danny's parents are ghost hunters.
When Valerie gets coated in dog ecto-slobber, Danny does grin a little under his little half-face balaclava. Because yes, karma! He is petty, and he can't help but flip to his feet and snarkily, smugly say; "I know what I'm not," and as he says this, he leans forward and plucks some of it out of her hair, "Covered in dog slobber." and then he flicks it away.
Before Valerie can retort, Cujo breaks into the lab, and Danyal mutters curses and bounds after him. The lab gets destroyed as per canon, and Damon gets fired.
The garage sale scene happens pretty normally, when Valerie says her little "oh great, word has already oozed down to the bottom of the social grapevine." Danny's response is snarkier than in canon.
"And here Tucker was just offering some simple help to you, you looked like you needed it." He says icily, and Tucker pipes up and says "we all just want to help!" because I don't fully see Danyal being that generous especially to someone being rude to his friends.
Sam dryly says "I don't." and Danny just stays silent, neither confirming nor denying anything. He just raises an eyebrow and turns his eyes to Tucker, who is laughing nervously.
"Well, Danny hasn't said no. So most of us want to help! That's two thirds." And he gestures awkwardly to Danny, who is wearing a red muscle tee hoodie, showing that he's rather lean. "And Danny's the strongest between the three of us, so he could be a big help! There could get a lot more work done."
Valerie is not convinced, as in canon. Although for my Gray Ghost heart she does check out Danny a little bit -- but quickly shakes it off because she's still very deeply entrenched in the status quo. "Thanks, but I'll pass."
Before Danny's ghost sense goes off, I do want him to wander around the yard sale for a moment just to see what's to offer -- collector of trinkets and pretty things, he is. Projecting, I am. Slightly GNC Danny ftw, it is. There's a table of jewelry up for sale that he's drawn over to -- and almost immediately disappointed by. It's pretty, and extravagant and very obviously expensive, that's for sure, but that's not the problem. Valerie sees him looking and marches over to him, still upset that he and his friends are still there.
"Put that down, that stuff is worth more than your own wardrobe." She snaps at him, and tries to snatch an expensive, luxury sapphire necklace from his hands, and is immediately met with an icy glare from Danny as he yanks it away from her fingers.
"Who says I can't afford it?" He says -- and he can't, not really, not with the allowance he gets from the Fentons and not with their funds. However, despite their limited contact, Danny still does meet with his beloved mother. One word from him to her, and she'd ensure he got a hundred of the very same necklace. "You? You can't either, Gray. Not anymore."
Valerie looks embarrassed and furious, but Danny continues, and tosses the necklace to her. She fumbles, but manages to catch it. "I don't want this junk anyways. It's gaudy and too western. I look better in gold."
Now his ghost sense goes off, and he turns away from Valerie. He doesn't run off immediately, lingers long enough to see who the ghost is and what the danger is. And when the ground begins to shake, he grabs onto the table and reaches out on protective instinct to hold onto Valerie before she can fall over.
As you can tell, this is for my gray ghost heart. Although valerie's clothes do still get destroyed by the street water, unfortunately. And Cujo shrinks down to size by the time Valerie makes it over to her dresser to try and grab it.
Danny audibly mutters, "Its that dog again." and hurries over to scruff the thing before it can wander off. Cujo is wagging his tail and immediately, enthusiastically licks his face once he's got him up to eye level. Danny cracks a little smile, "Hello habibi, you're a little troublemaker, aren't you?"
"you know this dog?" Valerie demands, and stomps over as Danny gets Cujo settled into his arms. Sam and Tucker hurry over as well, looking mildly frazzled.
Danny scoffs at her; "Don't be ridiculous. I met him a few days ago-- wait;" and he pauses to check to see if Cujo is a boy, "--ah, yep. Him. -- I met him a few days ago in the hallway after Sanchez dumped her coffee all over me. He was rather friendly, but he ran off before I could see who he belonged to."
Sam leans over to look at Cujo, and wiggles her finger at him; "He's kinda cute, and he likes you."
Dannny has a moment where he wants to boast, of course he does, I'm fantastic with animals. But instead he keeps mum. His smile just kinda softens proudly, and he hoists Cujo into his arms a little better.
The moment is shattered by Valerie, who points accusingly at Cujo. "Whatever it is, get it out of here before it ruins anymore of my stuff!"
Annnd before Danny can do just that, Cujo begins wiggling to get out of his arms and run around. He manages to, with his ghostly strength drag Danny across the lawn before yanking himself out of his arms and knocking them both onto the sidewalk -- scraping Danny's arm in the process -- and running around.
Rather than his leg, Cujo bites Danny's arm -- and has a strong enough grip on it that he unintentionally pierces flesh and causes him to start bleeding -- and begins dragging him. But before they can reach the moving van, Danny gets his fingers wrapped around Cujo's collar, finds some purchase -- even if it means his bare arm is being dragged against the sidewalk, and yanks hard on Cujo's collar with a harsh; "HEEL."
Cujo immediately stops, and sits. Danny honestly wasn't expecting that to work immediately, but it does! And with Cujo still, he keeps one firm hand on the collar and uses his other arm -- which is now painfully road rash'd and bleeding -- to help sit up.
Sam and tucker and Valerie rush over to help. "Oh my god, Danny, are you okay?" only for Danny to hold his bad arm up to stop them from getting closer, and whirling on Cujo to scold him. He's upset enough that he reverts back to Arabic, but Cujo seems to get the point across and wilts.
Danny feels bad, but can't show Cujo any affection unless he wants to accidentally reinforce the behavior. He points to his side, and Cujo obediently goes to sit but his feet. Now he turns to the other three.
"To answer your question." He looks down to his arm and very gently brushes his fingers against the road rash, brushing out the little pebbles stuck in his skin. it stings like a bitch, and he faintly grimaces. Then he inspects the dog bite on his wrist "I'll be fine."
Even Valerie looks worried; "That looks really bad, Fenton. I think you should go to the hospital--"
"No." Danny immediately cuts her off, "No hospital. Mr. and Mrs. Fenton keep a first aid kit at home, I'll just use that."
"And what about the dog?"
"I'll figure something out."
And then they scoot off.
Cafeteria scene goes as canon, nothing much to change there other than the fact that when Valerie sees Danny, his arm is all bandaged up and he's wearing a batman merch t-shirt rather than a muscle tee, she feels a little guilty. A small part of her kinda wants to ask how he is, but the larger part that's still big on the status quo and is still humiliated by being shunned by her friends, just wants to go eat in peace. So she doesn't say anything.
(although i am thinking that if she runs into him again later after the cafeteria scene, she asks him what he did with the ghost dog, and he lies and says Phantom swooped in and took Cujo from him.)
The park scene goes relatively the same as well, at least in the beginning. But instead of Sam and Phantom being all "he's an untrained dog" they're instead all "let's see what training he does have. Maybe it can be refined."
"You're good with animals Danny, and you're the only ghost in the area. You handle it." and then she tosses the dog obedience book at him and wanders off.
Danny doesn't need the dog obedience book, so he tucks it into a pocket dimension in his cape and whistles for Cujo. There's that whole tumble down the hill, that whole chase scene happens.
I do wanna say, I actually really like how inexperienced Valerie is here. Idk maybe it's because I haven't watched a tv show in a long while, but it's nice to see that she's not immediately good at it. She wobbles on the hoverboard, two out of the three disks she threw at Danny missed, and the third only hit him by chance. She's amateurish, and I really appreciate that.
"Let me guess, first day on the job, isn't it?" and he still gets cut by the third disk like in canon. He's not impressed or convinced when she says she's going to take him down -- it's one quick once over that tells him enough.
Wobbly feet, unsteady balance on the board. -- Her first time using it, she's unconfident and doesn't trust her own tech, as if she didn't even make it herself. She's unused to the board.
Improper trigger discipline, and shaky hands on her gun. She's holding it with one hand and far away from her like she's afraid of it going off, despite the fact that she's the one on the other end of it.
Tense all the way up to her shoulders, her voice is full of false bravado. She has no idea what she's doing. Danny's thoroughly unimpressed. At least the Drs. Fenton and Walker (maddie got her doctorate with her maiden name) trust their tech wholeheartedly and treat them as an extension of themself, just as Danny does with his blades. Just as this new ghost hunter does not.
And, of course, the way she goes flying off her board the moment she fires her bazooka. Although Cujo does still come to the rescue, although like in canon, he grabs Danny by the foot. Danny manages to recollect himself though and hoist himself over Cujo's back like he's riding a horse.
This is the biggest scene change and possibly my favorite change. The fakeout makeout scene. Now, let me preface this by saying that I love the fakeout makeout concept. I think it's hilarious, and I think it's even funnier if Danny is actually rather down with the concept because the assassin-undercover part of his brain thinks it's a simple-in-a-clever way in order to brush off suspicion. I think Sam and Tucker both are very down to kiss their very attractive best friend, and whenever it comes up there have been arguments over whose turn it is to kiss Danny.
BUT. I have an image in mind for this scene, so I want Danny to be alone for this. So Cujo takes him to a cluster of trees and bushes where Sam isn't at, and Danny sends him off with a ball as per canon, but rather than get tackled by Sam, he dives up into a tree and transforms back to Al Ghul before Valerie can reach him.
He is reading the Dog Obedience book, and scares the absolute shit out of Valerie. And it's never a bad day to hurt Danny, so little miss firstie over here fires into the trees, and juuuust about skims Danny's arm. The same one that has the road rash and dog bite on it, that he's forcibly prevented himself from rapidly healing because that would arouse suspicion.
"ماذا بحق الجحيم كان ذلك!؟" ("What the hell was that!?")
Valerie knows that voice, and instantly turns ashen. "Oh no." She flies up the tree and finds Danyal sitting snug amongst the larger limbs, the dog obedience book in his lap, and he's hunched slightly and holding onto his burned arm tightly.
"Oh my god, I-- I am so sorry--" she doesn't have the time to be upset (or snarky or mean) about why he's there, considering she just shot him. Danny snaps his head up and glowers furiously at her.
"Wh- why did you do that!?" He stammers over himself, trying to find his english. Part of it is an act, part of it is genuine anger because she could've killed him with that thing. He loathes incompetence, and she has it in buckets. "Watch where you're aiming that, Trigger Finger, you could've killed me!"
Valerie is all flustered and mortified, can't even find it to get angry back. "i- I am so sorry, Fenton. I thought you were something else--"
"Something else!?" Danny yells, "So you blindly shoot?! What is wrong with you!? Don't you know any trigger discipline!?"
Iiit's. a mess? Valerie offers him a lift to the hospital, or at least out of the tree, and Danny snarls at her not to touch him, and that he's not going anywhere with her on that hunk of sheet metal. He tosses the book at her and says to make herself useful and hold that while he gets down. Valerie feels really guilty -- too guilty to protest or be mad about how angry he is with her.
When he gets down from the tree he takes the book back from her, and then asks her how she even knows his name anyways. They've never met before. "Actually, now that I think about it," he narrows his eyes at her, "you sound like someone I know."
And then he reaches for her mask.
Valerie flies back, stammering over herself and briefly forgets to feel guilty in order to feel panicked and indignant, and then just goes "What are you doing!? You're crazy, we've never met before!" And then flies off.
And, before I continue, I will say right now. Danny, as himself, forever and always from then on refers to Red Huntress (or Scarlett Hunt, as I'm thinking of as an alternative) as "Trigger" or "Trigger Finger" respectively. Whenever they run into each other as Scarlett and Danny, he always calls her Trigger and asks if she's killed anyone yet. Valerie feels really bad from then on about hitting him, because where she hit him ends up scarring.
When she's gone, Danny mutters to himself that that sounded like Valerie, and goes ghost to go find Sam and tell her what happened.
Hallway scene stays the same, and -- actually, I was gonna make fun of the fact that Valerie didn't know the Fentons were ghost hunters when it's the whole reason the family is ostracized. But you know what? I can believe it. Kids will follow the crowds' lead. Witch hunts and all that.
"So, Tucker tells me your parents are ghost hunters!"
"Yeah? What else has he told you?"
Before Cujo shows up, they do actually manage to hold some kind of conversation. However, Danny uses the time to go: "Look, if you're planning on getting into ghost hunting, try not being like the hack I met yesterday."
Valerie laughs nervously, "Ah-hah, no of course not! But uh, hack?"
Danny scowls, and twists towards her with his arms crossed -- he's wearing a red hoodie today, and a band tee. -- "Yeah! I met some chick yesterday while at the park, and Little Miss Trigger Finger shot me." He says, "Your weapon should be like an extension of yourself, not something you just use! Trigger Finger was flailing that gun in her hands like it was a ribbon, and incompetence like that will get someone killed. Your weapon -- whether it be a blade or a firearm or a blunt object -- should be as easy to move as curling your fingers, and just as easy to trust. It should not be a stranger, but a part of you. A weapon must know how to use itself if it wants to be of any use to anyone else."
Sam cuts him off with a high pitched, nervous giggle, and wraps her fingers lightly around his shoulders and tugs him back, sliding her arms around the front of his chest like an anchor. "Danny." she hisses at him quietly, and Danny snaps his jaw shut and looks away.
Tucker also laughs uneasily, "Sorry," he says, leaning around Valerie to get her attention, "Dan here uh, gets really passionate about improper weapon handling. It's one of his quirks."
Danny looks away and mutters something under his breath in arabic.
(You know this already, but Sam and Tucker still don't know about Danny's past. But they've heard him talk about weapon mishandling enough times -- and have seen him fight -- to know that the way he talks is more than just theory. He has personal experience with weapons, and has unintentionally before referred to himself as one. But whenever they ask about it, he clams up and denies any sort of involvement.)
Valerie doesn't really know what to say to that, but Danny seems to know a lot about proper weapon discipline. So she might try her chances with getting to know more about it from him later, if she can catch him. She also silently makes note to get herself acquainted to her own tools like Danny was implying.
And then Cujo shows up, and things happen as canon. Oh but wait Tucker lands on Valerie while she's trying to figure out how to open the thermos, and I want to say that she hears him say "I can help you. valerie!" before he lands on her. So her confronting him after she gets out of the basketball hoop, and practically beegs him not to tell Danny about being the same girl who shot him. She really does think his help could be valuable in the long run because of his knowledge on ghosts and weapons.
Lovestruck Tuck of course, agrees. Not without some tentative hemming and going; "I don't know Val, Danny's really clever. He'll figure it out eventually if you don't do something to hide your voice, it's pretty recognizable."
For this episode, her voice stays the same but in the future she'll be working on a voice mod, and until then refuses to speak around Danny if she knows he's present. If she has to talk, then she forcibly tries deepening it.
Anyways things proceed as canon, Danny overhears the boss with Damon say "I know we should've never gotten rid of those guard dogs."
He mutters to himself "Guard dogs? Wait..." and he holds up Cujo, peering at his collar, and finally realizing where he recognizes the symbol on the tag. Immediately his expression darkens, "Oh fuck no, they did not."
Things go as canon, although Danny sneaks in not only to find what Cujo is looking for, but to hack in and get records of their guard dogs to confirm his theory and to steal them -- plus confirmation of termination of said dogs. So he can blackmail the shit out of Axion Labs later. He stays invisible and uses his league training to sneak around, and actually gets the guard dog records and confirmation before he runs into Valerie and they fight. Danny purposely keeps his distance and focuses more on dodging.
"you're a pretty lousy shot" Valerie says when he blasts above her a metal support beam above her.
Danny retorts sharply, "I could say the same." And although she can't see it, he bares his fangs at her. "Or have you forgotten about what you did to the ghost hunters' boy a few days ago?"
(He can be VERY petty)
Which, of course, infuriates and embarrasses Val. Things remain as is, Danny finds the squeaky toy, he tells Valerie he doesn't own the dog -- although he also says that he belongs to the very same Lab that fired her dad -- she refuses his apology, Tucker pretends to get caught by the Axion security lab. Etc etc.
Danny later reveals that he also stole the records about the guard dogs and how Axion Lab wrongfully euthanized all of them in favor of a security system they didn't even end up using, and was planning on anonymously releasing it online so that Axion could face the consequences for their abuse. Tucker has to beg him not to, because then that would reveal that someone else had gotten into the lab that night and would put Valerie's dad in hot water again.
Danny... reluctantly agrees. For now. But he'll be holding onto it, and keeping his eye on Axion Labs. This sort of cruelty will not go unpunished forever, he'll make sure of it.
ending goes as ending does. They go to the dumpty humpty concert, they speculate where Valerie got her suit. Etc etc. At the lunch table I think Valerie stops by Tucker and co's table to talk to Tucker -- they seemed to end on a good note that night -- and she asks Danny how his arm is.
Danny eyes her quietly, and turns his head away. "It'll heal, so long as Trigger Finger stays away from me." and he does see Valerie wilt a little, and kinda feels bad. But also, she fucking shot him. He's lowkey less angry about that tho and more angry about her total weapon incompetence
-------
When its just Tucker -- and ykw, Sam too, who Valerie would know knows she's Red since she was yk, right there next to Tucker when he fell on Valerie -- and Valerie, he tries to reassure her about Danny's apparently grudge against Scarlett Hunt.
"Aw, chin up Val, I'm sure Danny will come around to your alter ego eventually! He just.. needs some time to heal! Literally, because you... shot him."
and when Valerie realizes Sam knows too, Sam points her pen at her and goes: "The only reason I haven't told Danny is because Tucker is also my best friend," she leans into Valerie's space; "But so help me Moses, if you shoot Danny again, I will not hesitate to tell him. And i will, in a heartbeat."
She leans back, crossing her arms; "So you better learn to control your finger, Trigger."
-
Danny having beef with Red Huntress in his civilian form was not actually in the original cards for this episode, but it came to me as I was writing and I could not pass it up. I think it'd be hilarious and also like, a real point of idk conflict for Valerie. Just one more reason she wants to be abetter ghost hunter because otherwise she'll hurt people -- shooting Danny left a mark on her, and she feels really really guilty about it. Especially after finding out it scarred.
And also it's like, objectively hilarious? It's like the Love Square from MLB but its more like a Hate Square instead. Granted Val and Danny don't hate each other but my point still stands! It's there if you squint.
Every single time Danny runs into Scarlett he calls her Trigger and asks her how her aim is, and whether she knows how to use that weapon of hers. Valerie is both very frustrated by his unwillingness to forgive her and very ashamed by the fact that she's frustrated by it. He has every right to be mad at her, she could've seriously hurt him -- and she did -- but still, his animosity is grating sometimes.
Danny does eventually get over her shooting him in his civilian form -- considering she shoots him all the time as a ghost. But what he refuses to get over is the fact that it happened at all and her lack of proper discipline before she decided to jump into the fray.
No no no, that he is still burning furious about. Tucker wasn't kidding when he said that Danny was passionate about proper weapon handling. The fact that Valerie didn't even acquaint herself with her weapons and learn how to use them properly before deciding to hunt down Cujo and Phantom is the thing that keeps his burning "hatred" against Scarlett as Fenton going.
Idk if it's ever actually confirmed that Valerie and Tucker are dating, its kinda implied that they started. But I'm gonna say that they were only in a talking stage (one that Valerie only initiated for her own needs) and after this episode it doesn't go anywhere, but they remain kinda friends. That way, Valerie can show up a few more times prior to Flirting With Disaster and lowkey hang with the gang without Tucker and Valerie actually dating.
So i was actually going to share a few more headcanons too with Gray Ghost, and delve into the "Flirting with Disaster" episode, but this got... really long, and took me all evening to write (curse adhd) so I am. not going to go into that jadlfh. Plus I have to think more about them and come up with more cute headcanons.
Like how Danny calls her affectionate petnames when they're dating/sorta-dating the moment he settles into the relationship and becomes comfortable with it. One morning when he walked into a class that they shared, he smiled at her all warm and fondly said "Good morning, beloved."
And normally that might sound too strong in the fledgling beginning of a relationship, but Danny somehow manages to make it sound super natural and not at all too-much-too-soon.
Literally everyone's jaw dropped in that room. They've never seen Danny act that way, and Valerie somehow manages to invent a new shade of maroon on her dark skin. She does this cute little giggle-snort and waves her hand at him bashfully. Danny looks very endeared.
Paulina turns to Dash and angrily demands to know why he doesn't call her any cute petnames that aren't babe.
Oh and before I forget: As Phantom, Danny calls Scarlett Hunt either "Scar" or "Little Red Riding Hood" (or some variant). It pisses her off, which he does really like doing. Also, compared to how he fights ghosts, he goes remarkably easy on her. He doesn't even unsheathe his sword for her -- which she does eventually notice and gets angry about. She thinks he's doing it to look down on her.
When it's not. She is Squishy Fragile Living Human In A Meat Shell. He is Immortal Ghost With Powers. And A Sword. And A Decade Of Assassin Training. He could kill her a dozen different ways if he didn't hold back like he is, and he doesn't want her dead.
okay okay that's all I've got for now BUT, as a bonus, while I was making those three different scenes for the coffee splash scene, I stopped midway because I got art bunnies for danny for the first time in forever, and went ahead and drew him. So!! Things in Threes Danyal doodle be Upon Ye!
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sliipppy · 2 months
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I keep thinking about how modern comics feel like a setback in terms of progression even though they paint themselves to he progressive.
I'm convinced modern Batman writers don't know anything about the Batgirls and include them just to include them. (Ahem Tom Taylor, but it's not just him. He's just the most glaring.)
Nobody who read Birds of Prey prefers Barbara as Batgirl rather than Oracle. I can GUARENTEE it. I don't think people realize quite how influential she is.
For Cass and Steph. Idk it's like they're just...not remembered who they actually were. I wish we got to see more of the Steph Jason parallels thar War Games and Under the Red Hood set up. I wish she was treated like a serious character rather than just quirky and silly. I wish Cass could be like Cass, lol. It's so crazy. Remember when she was "The One Who is All" that title is way too hard for writers to just fucking forget hello?! I wish we could see more of her and Shiva and her relationship with Babs too. Like the Batgirls are there as background characters in modern runs. They'll have one or two lines if we're lucky, but they're never really dived into. This was my problem with Batgirls. I remember someone saying that it felt like filler for Tom Taylor Nightwing, and it sorta hurts how accurate that was. I felt like the Becky Cloonan didn't really bother to go back and read Birds of Prey and Steph and Cass' Batgirl runs. Like, idk I feel like those are "required readings" for those characters, right? Like why are we forgetting all the characterization already laid in front of us.
Random rambling. Mainly, I am sad about modern Batman comics. Which is why I don't read them, but then it's like, "Yay! Misogyny!" In old comics too, so it's kinda a lose-lose. I get annoyed at fans for always pushing 'batboys' and straight up ignoring the girls, but it's partially DCs fault for literally either forgetting they exist or boiling them down to one personality trait and/or a love interest.
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ourflagmeansgayrights · 3 months
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ok so like i get where ppl are coming from with the “the crew loves izzy” takes but also like. ok. i think that take involves a certain amount of reading very deeply into the text to a degree that is almost reading against the text at some points. it’s like when ppl pour all this energy into an underdeveloped and unportant side character—none of those layers ppl add to the character are strictly contradicted by the text, but it clearly wasn’t what the writer intended for anyone to really focus on. and yeah, death of the author, just bc the writers didn’t intend for ppl to think abt something that hard or care about it that much doesn’t mean we’re not allowed to do whatever the fuck we want. but bc i love analyzing the shit out of this show i do want to talk about WHY i think the textual support for this headcanon isn’t rlly there.
first of all. when archie is like “why are we trying so hard to save this guy, he’s kinda a dick” and jim’s like “yeah but he’s our dick.” rather than elaborate on what makes izzy special to them they’re like “it used to be that the crew all had each other’s backs no matter what and things were better back then” while reminiscing fondly about 1. olu and 2. that shot from season 1 where the whole crew is hanging out except for izzy who’s sulking in the background hating everyone. if this was supposed to be an “izzy’s a dick but we love him anyway” moment i would expect jim to talk about. yknow. izzy. instead to me ot comes across more like an “izzy’s a dick but crew is crew, we stick up for each other even if we don’t particularly like each other bc it’s us against the world” which isn’t as impactful from an izzy stanning perspective but i think makes for, like, an interesting allegory abt the queer community. we all gotta defend the rights of ppl in our community even if those specific ppl are dicks and we don’t get along with them.
second of all. after they save izzy’s life and get caught by ed they all leave the room and then a few minutes later a gun goes off. maybe someone saw ed leave the room before the shot was fired, but either way they think either ed just killed izzy or izzy just killed himself. and then they DO NOTHING ABOUT THIS. nobody checks on the body. they put all this effort into saving izzy’s life and then when their efforts are foiled they do not seem that bummed out about it. the next scene with any crew member in it is frenchie talking to ed on deck, and ed is like “go take the day off” and frenchie is like “oh nice!” and he’s like, confused and a little concerned about ed suddenly steering the ship rlly erratically, but he also seems pretty excited about getting some time off (after so many raids in a row i would be too lol). and THEN!!! in the next scene where we get the whole crew, they’re crowded in the hallway that leads out to the deck and the conversation they have isn’t “oh my god i can’t believe ed killed izzy after we cut off izzy’s leg” it’s “maybe ed’s better now? maybe killing izzy was all it took? he seems pretty cheerful for the first time in ages, maybe ed’s okay?” like literally they think ed just killed izzy and they are more worried about ed’s emotional state than they are grieving a beloved shipmate
then in 2.04 the crew B plot is so blatantly “the crew struggles to trust each other again but after seeing izzy be incredibly sad and pathetic they remember that a good crew has each other’s backs no matter what and so they extend izzy some unearned kindness and make him a new leg” that i’m amazed that other interpretations even exist. like literally they’re all drawn away from screaming at each other with weapons drawn by izzy making some dramatic announcement and then falling and then drunkenly crawling away and refusing their help rambling “youre born alone you die alone” over and over again or whatever melodramatic bullshit he said. like he’s muttering abt being miserable and alone and there’s a WHOLE ROOM OF PEOPLE!!! standing RIGHT THERE!!!! like “oh hey man do you need help standing up? no? no ur just gonna crawl away? um. ok.” and then they all go “well at least we’re not as fucked up as that guy. maybe we should do something nice for him?” like they are literally almost explicitly motivated by pity, not fondness. which yeah, it’s probably fucked up the way they use izzy’s new disability to sort of emphasize how pathetic he’s being, but i think the intention there is not that izzy’s pathetic bc he’s disabled, he’s pathetic bc he’s refusing to accept help. like the crew doesn’t go “yikes 😬 at least we don’t have his issues” abt izzy falling down when his makeshift prosthetic breaks, they go “yikes 😬” when he bats away their hands and goes on a weird mumbling tirade. definitely not the most sensitive way to depict izzy in this mental state, but that’s a different post probably. for the sake of THIS post tho: the takeaway i got from this scene is that the crew is remembering how to be there for each other again. it’s easier for them to let go of their paranoia and stop being so defensive and distrustful when izzy is there as an example of what happens when you’re TOO defensive and distrustful. “the crew makes a leg for izzy bc they care about him on a personal level” did not seem to be the focus of that story arc. to me.
in 2.05 we get our first ever instance of a character expressing appreciation for something izzy said or did or some trait he expressed (except for stede that time in 1.06 when izzy backed stede up on wanting to do a fuckery, which he only did specifically bc he wanted stede to fucking die and ed was taking too long), and it’s lucius saying he loves the shark izzy whittled. but during the entire episode leading up to that scene izzy is either in syede’s storyline where he’s not engaging with the crew or he’s getting snarked at by lucius, and not in a fun teasing way. like during that whole bit where izzy steals his cigarettes and calls him “twatty” lucius just looks so fucking annoyed and then uncomfortable. and then at the end of the episode izzy is sort of offering him advice and lucius is just sarcastically like “that sounds healthy.” and within this storyline, the point of these scenes isn’t rlly abt the developing and deepening relationship btwn izzy and lucius, it’s abt lucius individually coping w his trauma. izzy in this episode kinda exists in a weird place in the narrative, where he plays a supporting role in two different characters’ (lucius’s and stede’s) storylines without getting a central arc for himself. and both of those two storylines are only really about lucius and stede respectively, izzy is just there as this a static character who imparts wise advice. which is a very weird role for him to take, imo, but on top of that it doesn’t rlly contribute any sense of like, actual bonding btwn izzy and the other two.
and in 2.06 they just enjoy the show izzy puts on. they like listening to him sing. it’s all very cute! but also. i would not say that it shows the crew really cares about izzy?? i was in pit orchestra in high school and all the lead theater kids were always fucking assholes but they were also rlly good singers and it was fun to listen to them. i would mouth along to the words being sung by bitches who seemed to be trying to be sharpay evans irl for some bizarre fucking reason. like, cartoonishly mean girls. so like, the crew listening and dancing to izzy’s song doesn’t rlly sell “the crew loves izzy” to me. if anything, i would say that actually a stronger indicator of the crew loving izzy would be wee john sharing his makeup, and it’s a shame that we don’t get to see this happen. i mean that genuinely, i think that would’ve been a great moment to rlly strengthen izzy’s arc and it just. doesn’t exist on screen. and this isn’t like the finale where we know for a fact that they had to force a 40-minute episode into 30 minutes, Calypso’s Birthday has a runtime WELL under 30 minutes. it would’ve been SO easy to add another like 45 seconds of izzy and wee john getting ready together, but the only moment they show us is izzy walking in and discovering drag for the first time. it feels like the focus of this scene is less about a moment of connection between two characters and more about izzy individually having a gender breakthrough—and that carries on with the rest of the performance, too. bc it’s a performance, it’s everyone looking at izzy, it’s izzy a half step away from the crew as he puts on a show. the narrative framing of all this puts the focus entirely on izzy as a solo act, not on izzy as part of the crew. they like his performance, but we aren’t rlly shown evidence of the crew liking him as a person.
and that’s kinda it for izzy and the crew! up until he’s actively dying in ed’s arms and they’re all in the background silently weeping, at least (and btw, speaking from experience but uhhhh it’s pretty normal to cry when u watch someone die even if u have literally no connection to the person dying). even when they’re helping him back to the ship, ed is the one who notices he’s injured, nobody notices until he’s already giving izzy support. and i fully believe roach flips off izzy’s grave marker with fondness, but that’s also like. the only little personal moment any of them aside from ed has during the funeral. they do all laugh at his pinocchio joke earlier in the ep but idk if that one line can carry the entire weight of “the crew loves izzy” on its own. apparently there’s some shots during the zheng v stede fight where izzy can be seen in the background close to jim and archie??? but like, you can’t tell me a background shot of izzy standing near some crew members is strong textual support for the crew loving him. and i don’t think i need to argue abt any scenes in s1 bc literally every single crew member who was on that boat, ivan and fang included, was about to fucking drown him in the fucking ocean.
there is one single scene that gives actual strong evidence that anyone other than ed likes or cares about izzy. it’s the part at the end of impossible birds when fang is crying after ed shot izzy. so maybe fang specifically loves izzy, even tho izzy used to pull fang’s beard a lot and fang didn’t like it bc it hurt. idk.
here’s the thing tho. in 2.01 the writers use dialogue very effectively to tell us about the kraken era. the crew doesn’t say much, but what the do say tells us a lot: we know that archie thinks the kraken era is all normal pirating stuff, jim felt like the wedding raid (which seems like their only raid on a civilian ship and not a military one) was a step too far, frenchie is Not Okay but he’s doing a fantastic job repressing everything, izzy looks tired but the specific thing echoing in his head right before he starts crying in front of the crew is ed telling him “if you can’t do the job, someone else will.”
and we know fang, who’s known ed for decades, has never seen ed like this. and the specific thing he mentions as something he’s never seen from ed before is not batting an eye when ivan died. meaning that even before meeting stede, fang would’ve expected ed to have some sort of reaction to ivan dying.
and the thing about ivan is that we know next to nothing about him. he has very little dialogue in season one. we don’t even know how long he’s been working with ed—long enough to have at least heard about fang having to put his dog down bc “the love of a pet makes a man weak” when fang joined ed’s ship years ago, even if ivan wasn’t actually there yet at the time—but we do know that watching ed tell ghost stories was apparently the most open and available he’d ever seen ed get. so it doesn’t sound like ivan and ed were especially close. ivan was almost certainly less close to ed than izzy was.
if fang expected to see ed have some sort of reaction to the death of an ordinary crew member (who mightve been working for ed for decades, might’ve been working for him for months, we really can’t say) who wasn’t even that close to ed, seeing ed casually and unflinchingly inflict a life-threatening gunshot to his first mate must’ve been fucking earth-shattering. and interpretation is also supported by what fang actually says while he’s crying at the end of 2.01—it’s not “i can’t stop crying, izzy’s hurt” or “i can’t stop crying, izzy’s going to die.” its “i can’t stop crying, ed shot izzy.” more than the imminent demise of a crew member, fang is shaking and sobbing and traumatized because he can’t believe ed would do that.
and if that feels like a reach, just remember what happens after the leg is cut off, after the crew most likely believes ed shot izzy again, this time 100% fatally: the whole crew is crowded in the hallway, and fang asks “do we think he’s… better?”
fang is not sad about izzy. or if he is, it’s dwarfed by how much more sad fang is about ed.
in conclusion: have fun with ur headcanons i am not the boss of you but also there is less canonical textual evidence of the crew loving izzy than some of y’all seem to think k byeeeee
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yuri-is-online · 1 year
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Hi hope you have a nice day.
I’d like to request prompt 9 with azul , ace and epel
Please feel free to ignore this
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9. You weren't technically invited to this event but it's a Masquerade! It's not like anyone will notice or care if you sneak in, so you do just that and find a really depressed friend of yours lamenting they won't get to dance with their crush.
My dear friend there is no need to be so shy, I asked for requests. You have no need to ask me to ignore you! Hold your head high, you are more than welcome here ⊂(・ヮ・⊂)
As a note I got a separate request for this prompt from Azul's pov which I still intend to write and post in addition to this, but if said requester wishes for an additional character they are more than welcome to send a message, there is no time limit on that.
notes: they/them used for Yuu, I could not for the fucking life of me find any of the music I wanted to use for Azul. No piano cover for the first song and then no instrumental version of "Part of Your World" from Dreamlight Valley; why that isn't on youtube when it is my literal favorite arrangement of the song I couldn't tell you smh. I did manage to find something close to it though... The rest of the event requests can be found on my masterlist.
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Azul
Magic shmagic, you have got to be some sort of wizard with just how well you managed to weasel your way into this stupid party. No one had been checking invitations, probably assuming that no one without magic would bother taking time to make an elaborate ensemble just to get their hands on some prime snacks. Clearly they underestimated the great responsibility bestowed upon the owner of a set of tupperware. You would have added "and a cat monster" but you are not stupid enough to think you own Grim.
Or humiliated enough to suggest that he owns you, but the less chances you take at making him sneeze and wake up to a suspiciously empty dorm the better. You didn't need him storming the castle crying about how he woke up all alone and was scared wasn't invited. Not that you hadn't considered that plan together before Crewel had made it extra clear just what the consequences would be for that. The food tables are positioned close to a balcony you had spotted earlier, empty save for a piano that you swear has to be desperately out of tune.
Or at least that had been what you thought on your way in. That clearly isn't true from the song that's snapped your attention away from your mission towards it. You know the song that's being played, or at least you think you do. It causes some strange cognitive dissonance in you, you try to tell yourself that it simply can't be real, even as the words bubble up in your throat trying to make up for the missing instruments. The person playing it somehow makes the dissonance worse.
Azul, because it has to be him, no one else has eyes quite as lovely even if they seem strangely sad behind his mask, clearly is not expecting to be observed. He is far too relaxed, too caught up in some strange thought playing a jazz song so hauntingly out of place against the classical background of the Masquerade. If you were yourself tonight, you would think about reaching out to close the gap, but to do that would be to give yourself away, put you firmly in the tight grasp of his debt that you will likely be powerless to repay.
And yet, he looks to see you anyway, the edges of his lips flickering into business as he surprisingly does not stop playing. Instead he moves the piece into one he thinks "you" will recognize before finishing with a flourish.
It is all you can do to clap politely so as not to drop all pretense. "I am sorry for interrupting you." You try, but you know as well as he that disguised or not, Azul will not let you off this easily.
"Oh it's no trouble really." He stands up from the bench with a flourish. "I was just helping myself, really what were the hosts thinking leaving such a lovely piano out here all alone? It's practically begging to be played."
"Of course." You hope, not with much optimism, Azul doesn't notice you looking for an exit. The last thing you want is a reason to be more awkward around your handsome classmate than you already are. "You chose such a unique song for it too, I couldn't help but be distracted." He falters, fingers dropping back to the keys gently running over them in a strange show of emotion.
"it is isn't it." He states it, more to himself than you as you beat away the unhelpful desire to describe his playing as "out of this world," not wanting to deal with any judgment later. The look Azul has on his face can almost be described as... fond as he continues to speak more to himself than you. "A... friend of mine taught it to me. I have been practicing it for them. For tonight." You almost ask who he is referring to, afraid he might mention some other poor lost soul from another world because you certainly do not remember teaching him any music let alone that song. You have a vague memory of playing something at Floyd's request, but that had been ages ago, and Azul had certainly not been there.
At least not in your line of sight.
"I should let you get back to them then." You say lamely, hopefully Azul will pass that off as disinterest in his personal affairs and let you go. This is starting to get bad for your heart.
"They're not here sadly. No thanks to me, if only they had thought to ask for my help..." He returns to the piano, so genuinely disappointed you are almost angry at yourself for not thinking to ask this poor man who certainly only would have asked for your last dance and not your soul or first born. "It's got to be an important song to them if they remembered how to play it... right?"
Or maybe he would, just in a more romantic way. He certainly seems more focused on the phantom of you than anything else and that has to be some sort of accomplishment. It is all you can do to swallow your guilty conscious enough to leave with your disguise in tact.
Ace
"Yuu! Oi why are you running I knew you would-" Ace's hand stops just in front of you, his smile and optimism completely gone with his brain cells apparently as he retreats. "Ha, sorry." His places his hand behind his head casually, voice dropping to that similar serious tone as it had earlier in the night when he had asked for you to tell him he looked good. "Thought you were somebody else."
"Sorry." You really mean it, as much as you just want to shake off the disguise and let him know he was right that would be way too dangerous. Everyone knows you were not invited, and everyone knows his behavior around you. No matter how much your heart sings that he saw through you, it would get him into so much trouble if he was suspected of helping you in this little adventure.
"Nah it's not your fault, I'm just annoyed." Ace has apparently decided that you are his new old friend for the evening anyway, bracing himself against the pillar with a huff as you give into temptation to stay with him just a bit longer. "Seriously it is going to be such a pain later! Deuce is all like 'we should enjoy ourselves the prefect will be mad if we let them ruin it for us.' Please like I would want my friends to be celebrating when I'm not there."
"You're not your friend though." You try to not laugh as you say it because of course that's what Ace would say. You can easily picture him sulking if it had just been Deuce and you who were off to a Masquerade all while acting like he is truly not bothered as soon as you pay him any attention. "It's not like it's your fault they're not here."
"Ha, sure feels like it." He is back to being oddly serious, you can't decide if you just think the attitude doesn't suit him or are angry he is spilling his guts to a masked stranger and not the real you. He has to know you would listen, but then maybe that's the problem. "You have to have that one friend who never sticks up for themselves right? Everybody does. Just don't make the mistake of- well they're stupid difficult to look after but someone's gotta do it right? No shame if you end up liking them."
"Oh yeah of course." Ace is going to never speak to you again if he figures out this is you. Or if he knows you were thinking about him when he started complaining about having a "friend" that's hard to look after. "No shame at all, really it's annoying how much cuter it makes them."
"You get it." He nods then remembers he is supposed to be the laid back guy in your friend group and returning to his "normal" attitude. "I mean who doesn't understand that? Seriously how tropey can things get sometime, like who still falls for their best friend anymore? How stupid does life think I am- look," he claps you on the back before steeling himself to head off back to where you assume Deuce and the other members of the Heartslabyul crew are, "you see any out of place, magicless prefects you bring them right to me yeah? They owe me a dance for all the headaches they've caused me this past year. And you had best bet I intend to collect." And just like that he's gone. Off to his friends, probably to poke Riddle some to ignore just how vulnerable he decided to be tonight.
And leaving you silently screaming into the night.
Epel
"SHHHHH!" Epel's a deceptively strong guy, it's something he would probably be bragging about right now if he knew you were thinking it. Well maybe not just right now, he has his hand roughly over your mouth as his eyes dart from side to side begging that it's just Vil that's on his tail and not Rook.
Something you are equally begging god for because there is no way that freak of nature is going to not recognize you immediately. Not that you are 100% certain he would turn you in, but there is something extremely uncomfortable about being known to begin with let alone when you are supposed to be disguised. Finally, the specter of the Queen passes by your little nook and Epel lets you go with a sigh.
"M'sorry." Epel is looking up at you like a kicked puppy, you can't tell if it's intentional or he really is just that remorseful. The two of you float towards the tempting fresh air of the balcony, Epel pouting up at the sky as if he is a princess about to break into song about how boring his life is and how if he could just run away into the great yonder he would. "I just really don't want to deal with my Housewarden right now. He keeps say'n I should make the most of the night or else I'll shame Pomefiore, but I just don't care." Well that's not exactly news but still, maybe you can help him snap out of it so he doesn't get into a heap of trouble he'll be complaining about later.
"Aren't you having fun with your friends?" It's a simple first option, safe enough for you to say even though you are supposed to be a stranger. Epel lets out a somewhat predictable sigh, though the sheer force of longing hidden in the eyes you swear are almost shining is not something you expected.
"Well yeah, but a Masquerade like this is super fancy right? There's all these costumes, music fit for slow dancing, perfect thing ta' do with someone special." Epel relaxes, completely comfortable with what he's saying to a supposed stranger in supposed anonymity as if he isn't sending you spiraling with that little admission. "I was really countin' on Yuu bein here." He closes his eyes, almost as if he is imagining what he would be doing if you had been invited and weren't... sneaking around hearing him admit something he definitely did not intend to do like this.
"D-don't you want to dance?" You say it more to distract yourself than Epel, honestly you would love nothing more than to hear him talk about all the fancy things he wants to do with this allegedly special person, but you need an out before he figures things out. Before Vil figures out that Epel's really shirking things and sends Rook. Before-
"Aw yer mighty charmin' but I got my eye on someone already." before Epel makes it super clear just what it is he feels and leaves you no room for denial. You almost feel sorry for the hypothetical stranger you are, Epel looks so... happy when he talks about you. You're almost jealous of yourself. "Say, you got an eye for fancy things? It's gotta suck bein left out of the party so I wanna bring my friend somethin' special but I ain't gotta clue what to do."
"Yourself." You say softly, feather twitching just out of the corner of your eye signalling your que to leave. "If you want to bring your friend something special you should just bring yourself."
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mallas28 · 25 days
Text
Why Mechanical suit makes no sense in MHA ending? I will try to explain.
Many in fandom can't get over messed up ending of MHA. I got messages from people who are upset. And i can get their feeling. In this post i will try to explain why Mechanical suit given by All Might in the end doesn't make sense at all. Lets get started.
1. Ruined message of all manga. During all manga narration show us that hero could be everybody and id doesn't matter what quirk you have or your status. All you need is ure hard and hardworking. 430 chapter totally ruined that. Telling us that unless you have strong quirk or millionare friends you will be a loser with no friends and job where you unhappy (remember how in 430 chapter Izuku still have sad face and look unhappy). More interesting is that Izuku doesn't do anything to be a hero without a quirk ( Hello spinoff with a better plot). He just walks with sad face with no friends no goal in life. Until SUDDENLY All Might appears and give him a suit out of nowhere. Do you get what i am trying to say? OFA Izuku earned and it was shown in manga. Mechanical suit Izuku doesn't earn at all. He doesn't even try to be a hero without quirk.
Also, Izuku looks like a big hypocrite to that boy Dai(i forgot his name). He just tells Dai he can be a hero with a weak quirk in order to get a millionare suit, immediately abandon his job neing teacher and join his friends....Wow. Izuku...you hate your job so much? Dai, sweetie, i am sorry for all that. You could be a hero, if Horikoshi has a better writing skills or better and strong editor.
2. Horikoshi makes all looks like his favorite comics DC and Marvel and doesn't aknowledge the writing background.
So many people see that Izuku become new Iron man of MHA. Horikoshi several times stated that he loves Marvel Spiderman and Tony Stark. He wants to make MHA just like Marvel and DC and thats the major problem. He doesn't want to analyze writing background his favorite characters has in Marvel. He just copied and added without questions.
The same thing with Mechanical suit. Horikoshi just thinks that it would be a good thing to make Izuku new Tony Stark. Now let me explain why it doesn't work. What writing background Tony Stark has
1. Tony Stark is a billionaire with high Intelligence. No Fairy GodMother appear out of nowhere and give him suit. Tony Stark literally make his first suit out of trash by his own hands!!!! He literally make himself a hero by using his brain. It works in narrative.
Izuku on the other hand as i mentioned above, just has a Fairly Godmother aka All Might who give him suit.
2. Tony Stark has a several breaking points. I saw in fandom that many people were craving for Izuku has a breakdown moment. Izuku doesn't have that. He just walks with sad face, pretending to be happy. But nothing....
Tony Stark was fighting with alcoholism!!! Because of stress being Iron Man and his inner demons!!
3. Most Important detail. Mechanical suit given by Izuku was inventing by 8 f%%$ years! One suit!!! Do you see a problem here?
Lets imagine that Izuku faces villain who can control technology. What could he do in that moment? Or lets imagine that Izuku faces villain like AFO (with strong quirk i mean) and his suit is crushed. What he is gonna do next? Walking with gloomy face again waiting for another 8 years for All Might to appear? Do you see problem? Mechanical suit doesn't make sense. Even All Might example proves that..because his Mechanical suit handle 1 fight!!! 1 fight Carl. And was total crushed!!!
Add to this Izukus self-destructive behavior and you will understand that this Mechanical suit will have a very short life. These billions dollars could be given to poor ill children instead it would be more heroic than this
Tony Stark on the other hand has 100500 suit that were crashed!!! Yes! Tony Stark has several versions of suits. Many were crushed! But as i mentioned before Tony Stark is highly intelligent character by himself he is independent and him wearing suit is a logical thing. Unlike Izuku...
To summarize, i am very disappointed by ending and by Izuku getting that damn suit. Horikoshi is a terrible writer. But smth tells me that he planned totally different ending but Jump forbidded and he was forced to make a different ending. Because 430 chapter so wrong written, whith ZERO edition, with no sense at all. That i feel it was written in one week literally or one day. But original ending was thrown out of windows. Thank to Jump.
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ben-the-hyena · 6 months
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What are your thoughts on Kung-Fu Panda 4?
Kind of like Wish (still liked it better tho, Wish was just "okay")
In itself, a good movie I liked, I was surprised to love Zheng (is that how it's spelled ?) when I was sure I'd hate how she was shoehorned in the franchise but no she was touching and fun, the humor held up, even if she were not deep I liked the Chameleon (I guess a franchise does need at least one villain who hss no trauma and is jist evil because, she was still likable and charismatic and not exagerated), Mr Ping and Li Shan were amazing and hilarious together (you can't tell me they are not married at this point), I thought I would hate how the Furious Five were not there but they were given a satisfying explanation why that truly made it feel like Po's own journey this time and it felt like all was forgiven when they appear at the very end, Tai Lung was there and even if I was disappointed we were actually clickbaited and lied to (HE DOESN'T BECOME GOOD OR APPEAR MUCH !?!?! FUCK YOU !!!!!), he still finally found solace and a form of redemption or at least a path closer to it by finally being at peace with Po and accepting him as the dragon warrior and grow respect for him which was enough for my 10 years old soul to have found inner peace and feel feels about him. My baby, he finally healed...
But as the way it was advertised... a fucking joke. We were lied to for Tai Lung, Shifu was useless to the plot and made into a joke, Po's new status was super simplified as a magical power, I don't like the different style for the new characters they don't feel like belonging to the KFP universe, the Dragon Warrior is supposed to be known all across China but now only the Valley knows about him, not enough serious moments for too much comedy (it was good sure, but really not the balance the first 2 movies had), speaking of which SO many retcons (LORD SHEN NEVER WAS A KUNG FU MASTER !?! NOR WENT TO THE SPIRITS REALM, HE LITERALLY FUCKING DIED !?!?! ANF KAI WASN'T A MASTER EITHER ?!?!) and oversimplification (magic used to be subtle in the mortal world in the franchise. Now suddenly a DBZ/final boss type of fight really ?), and ALL THE FUCKING WASTED POTENTIAL WHEN YOU READ ALL THAT WAS GIVEN UP ON BY THE SHITTY DIRECTOR WHO DARED CALLING THE ONE OF THE FIRST MOVIES A NOBODY (Then I am told *I* disrespect her for shipping a ship she sees as friends !?!) AND IN FACT PLANNED WORSE (LIVE ACTION !? HUMANS ?! NO FURIOUS FIVE AT ALL ?! NO BACKGROUND STORIES FOR THE CHAMELEON AND ZHENG AT ALL SO THEY HAD TO CRAM THEM LAST MINUTE ?! *HE* IS A NOBODY) AND WE WILL NEVER HAVE HER AMAZING IDEAS I'D HABE FUCKING KILLED AS A 10 YEARS TO EVER SEE BUT NEVER EVER WILL BECAUSE OF HIM AND THE MOVIE IS DONE !?!? (Tai Lung truly being part of the plot and redeeming and having closure with Shifu, I fucking would have loved and cried)
ALL WASTED FOREVER BECAUSE IN ANIMATION THERE NEVER IS ANY SNYDER CUT BECAUSE IT'S SEEN AS A SUBART FOR CHILDREN BY EXECS ?!?
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*pants*
*inhales*
So I'll say I liked it, as much as the 3rd in fact, but knowing how much better it could have been if it were not given to an egocentric manchild who understood nothing about the heart and soul of tge first trilogy and how much better the concepts are 10 years old me had been wishing for and would have finally found closure in but I will never, *ever* have this closure about Tai Lung and I wilm never ever see them animated and voiced because his return was wasted because of HIM, it makes me mad and sad...
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three--rings · 4 months
Text
I can't believe how much I secretly believed in Dragon Age 4. I can't believe I was rooting for Bioware to actually pull this out despite all the bad signs. How much I believed in Patrick Weekes.
And they give us this. Literally I saw the trailer in the background of a stream and thought it was Sea of Thieves.
I am STUNNED by how terrible it looks. Literally the only hope this game has at this point is that this was a totally CG trailer created by a marketing team with nothing to do with the game.
I've gone from cautiously hopeful to unsure if I'll even play it.
The comments on the trailer are a fucking BLOODBATH.
I can't believe they took ten years to make a game and then put out THIS trailer.
I am glad they changed the name. This isn't Dreadwolf. This is some other fucking game.
WHY ARE THEY CARTOONS WTF. Why do the graphics look worse than DA2? I can't even be excited about fucking VERRIC the most beloved character in the franchise because he doesn't look like himself or sound like himself because the writing is so bland.
I'm so fucking sad right now.
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ailendolin · 9 months
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Here are my first thoughts after finally having watched the 2023 Christmas Special for the first time:
Positive:
Baby Mia is absolutely adorable and Alison and Mike are wonderful parents. They've grown and matured so much throughout the series and it's lovely to see that in the way they are with Mia and take care of her
and speaking of growth: I think it's lovely that in the end, the ghosts are ready to let Alison and Mike go. They've really come full circle from trying to get them to leave in the beginning to begging them to stay in series 5 and finally, to encouraging them to leave because that's what's best for Alison and Mike's family
I love that Alison looks like the tired, exhausted mum she is. These days, characters often look picture perfect in film and TV, no matter the situation, and Ghosts has always felt like a breath of fresh air because people are allowed to look normal. It's little things like Alison's yellow coat that she's worn throughout the show hanging by the door, her wearing Mike's flannels or having bags under her eyes that make it feel beautifully real down to Earth, and I'm glad the downsides of having a child didn't get glossed over
one of my favourite moments was the shrug Humphrey's body gave when everyone was looking for its head. That genuinely made me laugh because of course the body would not care whether the head would get exorcised or not
and omg, the exorcism scene was so well done! I love the music in the background (I so hope we'll get a soundtrack one day), the panic on Mike's face when he quite literally runs to warn Alison, the panic on Alison's face when she's faced with the possibility of losing the ghosts, the fear when she can't find them (which parallels 5x01) and finally the relief and smile when she hears their voices. That whole sequence was just perfect
I love that it's Thomas who says, "Because they just can't help being who they are," because it's not an excuse for his behaviour but an explanation - and a recurring theme for him. Right in the beginning of the show, he said, "We stay how we die," and I think for him, those words have proven to be true. He is heartbroken and he'll stay that way. He can't help that. He does not want Alison to go ("Why did I vote for this? I hate it.") but in the end he knows it's what's best for her and for himself, even if it breaks his broken heart a little more.
seeing Button House in all its glory in the end. It still being called Button House. Fanny and Humphrey's portraits on the wall (and the third one might be Kitty's?). Higham Suite (which was the thing that made me tear up because my first thought was that it's meant to honour Isabelle and I love that (although I realise it's probably meant to honour Kitty but I'm choosing to ignore that)). Thomas still complimenting Alison even though she's grown old and thus making a point that his affections for her were never just about her looks
Neutral:
I would have preferred if Alison and Mike had stayed at Button House because for me, the show has always been about family and I don't think they had to leave the ghosts behind to find their own way. BUT the way the Idiots wrote and executed it - with the ghosts encouraging them to leave, establishing that Alison and Mike regularly come back to the house and with details like Higham Suite that clearly show that Alison and Mike had the ghosts in mind when they made the contract for sale - makes it okay for me.
I'm a bit sad we did not get to see more of the ghosts interacting with baby Mia but what we saw - Pat and Cap especially - was very sweet
Negative:
the pacing. I am so sorry but I think they crammed too much into the episode. They either should have cut the exorcism storyline (as much as I loved it) or gone for a 60 minute special. There's just too much going on for 30 minutes, and too many time jumps (I wasn't a fan of them in the 2021 Christmas Special either) that sadly make the whole episode feel very rushed
and because it felt so rushed a lot of plots did not have the impact they were meant to have, at least not on me. Robin's feelings about Christmas for example.
also what was going on with Kitty and the baby at the beginning? Her being jealous is obviously not a new thing but the issue did not really get resolved, did it?
the latter also goes for Thomas's feelings for Alison which brings me to my biggest criticism of the whole show: he never got the character development he deserved (and, to an extent, neither did Fanny). The whole baby storyline would have been the perfect set up for him to move on from Alison (including discussions about different types of love and him realising that Alison does love him platonically and that that's enough) but it never happened. I feel like he was done dirty in that regard because every other character except him got to grow
I have probably missed a ton of moments - and I will rewatch the episode once I've rewatched series 5 - and likely repeated things here that others have said before. Since I had blocked all tags blocked when the Special aired I have no idea how the fandom's reaction to it was but if anyone still wants to talk about it, my asks are open.
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mrfartpowered · 14 days
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Hi random question but do you have any favorite side/background characters in rc9gn?
YEAS :DD YES I DO !!!!! Side and background characters r my JAM lol
here, lemme just list a bunch & why
DEBBIE: a representative of tiny passionate Asian women everywhere. (I myself am passionate in a different direction but STILL.) she’s funny and interesting and imo she’s handled pretty well. I am always so so sad we didn’t get to see more of her
VICEROY: more! evil! gay! scientists! NOW!!!!! he’s witty he’s creative he’s a geek he’s well-mannered he’s classy he’s messy he’s sentimental. he doesn’t have time for your shit. No one is doing it like him
ACCORDION DAVE: idk man he’s just some guy. His design is SO weird and tbh I love him more for it. I think he’s way underrated, esp as a member of the klub, and he deserves more fandom love. Take my hand….let’s invent a personality for Dave together
JULIAN: I’m not immune to weird little goth guys!! what can i say!! I do think I differ from popular opinion tho in that I think it’s way more fun to lean into his negative traits (creepy, entitled, pathetic, etc) than to baby boy-ify him. he’s so compelling as a character who went from Rather Unremarkable to a literal crazed villain. There’s just so much to unpack there
THERESA: i only recently started having Fully Developed Opinions on her, largely because she’s so underdeveloped in the show. Every day I wonder what they had planned for her in future seasons. bonafide weird girl they could never make me hate you <33 except for in Shloomp! There It Is but I have an entire other post talking abt that
and I also find myself drawn to Heidi, Rachel, Marci, Sundown, Flute Girl, Mort…..but I don’t have much to say abt any of them (yet)
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egophiliac · 2 years
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Hello!! I'm in love with your artstyle (especially the way you did the signature spells??? I've been looking at them for a while adsgfdfsf, they look like movie posters tbh and that's fricking cool to me. anyway!! I'm a player on the NA server (btw, I've already seen spoilers of chap 7 due to tumblr/reddit/pinterest, so yeah it's not the most spoiled I've ever been so yea) and yeah. I'm getting through the story okay but do you have any advice for people trying to get through certain events with a more limited life schedule??? Also, what are some of the differences that you notice between the english (if you see a lot of it??) and Japanese versions of the game? sorry if this was a longer ask, i tried to be simple but i wanted to tell you that I loved your art and everything just spiraled AAAAAAH
thank you! ❤️❤️❤️ I've been surprised by how many people really like my posters -- it's kind of a weird style to do fanart in, I guess, but I'm glad other people think it's cool too! :D
(gonna answer out of order because the event stuff turned into a huge block of text, sorry!)
I've seen a few of the localizations, but I don't know a lot about the Eng version, so I can't speak too much about differences. (I do think "housewarden" has a better sound to it than "dorm leader" though...they need a fancy little word to match their fancy little outfits.) I did look up the unique magic/signature spells to see if they were able to somehow work in the glossing -- I'm not even sure how you would localize that without it being super weird, so I don't blame them, but I was a little sad anyway! :( in Japanese, they're all written as Japanese phrases with the English as ruby text, and sometimes they're given a little extra meaning. like -- this is where the episode 7 spoilers I'm tagging are) the words that Mal says are "Fae of Maleficence":
Tumblr media
but the meaning of the Japanese is "Blessing", which is a nice little "ooooh" moment given the context of it!
there isn't always an extra meaning, sometimes it's just. super literal. but my other favorite is Jack's, where what he means is "✨howl that pierces the moonlit night✨", but what he actually yells is "UNLEASH BEAST" before turning into a giant dog. what a good boy.
as for event advice (under the cut, because this was already getting long)...
speaking as someone who is 100% F2P and therefore also tends to get kind of burnt by some of these events -- the #1 most important thing is to just...make peace with not getting everyone. :') I am a collector-type person, so it definitely gets grating when I can't have all the fancy PNGs my little packrat heart desires. generally though: never do random pulls, always be saving your keys and gems between events. (once a month you can buy a 10-set from Sam for a 50 gem discount, and logging in on a character's birthday will give you a 10-set for free, so make sure to do those!). when the event info starts coming out, pick one or two cards that you really want and work specifically towards those, focusing on grinding out the items and/or using your saved-up pulls on their specific banner. and in the end, accept that it might just not be meant to be, even if you hit the 100-pull pity SSR no I'm not still bitter over fairy gala Ortho why do you ask. if the event doesn't have any cards that you really want, take it as an opportunity to save for the next one!
hoard your star fragments (the things that restore AP) -- if you're going for a card that requires grinding event items to permanently unlock, and the item is one you get from lessons, you can use star fragments to bump your AP up to 30 at a time (10 is the limit that will restore over time, but 30 is the max you can have at once). that makes for a looong lesson loop, but I usually get about 50-60 items per 30 lessons, and I just let it run in the background while doing other stuff. (usually these items are what also unlock the event story, so I'll do a huge amount of lessons first thing and then have enough to get the whole story at once. 👍) it can get really grindy, but events go on for a while so it's not usually that bad if you space it out a bit, instead of waiting until the last minute to try and get those last 600 items (cough) (cough).
if it's one of the ones where you get the item from doing a rhythmic, you get the same amount of items no matter how well you do, even if you miss every note. so you can just...tap occasionally to restart it and get the same effect. if it's a battle one, you do have to actually win to get the item, but once you figure out the sweet spot of a team setup + highest battle level where you win every time, it becomes basically the same deal.
so...yeah, tl;dr you can get away with a lot just by setting things up to run in the background and paying just enough attention to tap through some of the menus. it does require a certain amount of time to just leave your phone while still sorta-kinda paying attention to it, so it might not work for everyone, but that's the best way I've found to get through most events!
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curvedspace · 12 days
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Lo-li-ta
So. I read Lolita.
Oddly enough, despite the numerous warnings about the sheer deviancy of the book, I found myself completely enthralled by it. I mean this in the most normal, morally-sound, anti-paedophilia manner. The fact that i have to add these assurances before jumping into my tirade is part of the reason i wrote this tirade, so.
Somehow, without a single sexually explicit paragraph (in the modern sense, of course), and without gratuitous usage (or, in some cases, any usage at all) of vocabulary that would aim to objectify and demean, the picture painted of Humbert, a pervert and scum of society, hidden behind the charming mask of a handsome, intellectual man, and Lolita, rash and abrasive and altogether a panicked child, painted from his perspective as not only an equal, as a lover, but also as a wanting party, was an absolute delight to read.
AND. I would end there. I would express my utter admiration of this book and go, BUT, it seems, my admiration for this book has been taken to mean, time and time again, as approval for Humbert's actions (insanity bc. why), so i will be expressing my rage here.
Breaking it down, Lolita is more than just a book. It's been written on paedophilia, on grooming and child sexual abuse and a wide array of horrifying topics, the sort polite society would wrinkle their noses at. And while a number of books discussing these topics do exist, none of them exist, as beautifully, from the abuser's perspective. Lolita is more than just a book, it is the psychological study of an offender.
Humbert is, without a doubt, an abhorrent, abhorrent man. and Lolita is, without a doubt, simply a child, awkward in her existence, growing into her body still, fumbling through adolescence and the venom of her mother in whatever way she knows best. She seeks respite in Humbert, a caring, paternal figure, and he simply takes advantage of her.
However, the real kick, the twist, the reason I worship this book on a daily basis mentally, is because of the fact that it expresses its duality gorgeously. There is Lolita, victim. There is Humbert, abuser. These are facts that remain constant throughout the book. But, since this book is from his perspective, there is Humbert, the sad, lonely, intellectual man, handsome and charming and an adolescent fantasy, and there is Lolita, temptress and nymph and magnetic.
While the common thread of criticism seems to be about a lack of condemnation of his actions, the fact that the book is from his perspective explains that well enough. He is, in his eyes, perfectly right in his stance. He is a bewitched sailor at sea, and she the siren.
She is painted as such, too, when seen from his eyes, but when analyzed rationally, for even a minute, her suffering comes into full-view. This is what's simply so addictive about the book, to me. This constant interplay of condemnation and approval.
In the background, Dolores sits, trying her best to escape the constant horrors of her life. In the background, Humbert, literal monster in the body of a man, preys on the little girl. In the foreground, however, his thoughts, his biases, blend into the narration. Beneath the elegantly crafted narrative, the flowery language and shimmering descriptions and multiple self-appraisals and, on the rare, horrifying occasion for the reader, moments of genuine appreciation of the character, for his wit or his wiles, before realizing who he is and what he's done and snapping out of the trance he's managed to put everybody under, lies a maggot-infested corpse, Dolores' innocence decaying at the bare bones of the book.
To expect a man to write a book from his perspective, justifying his crimes, and yet be shocked when he does not condemn himself would be idiocy. but to write a book of this sort, and simultaneously condemn and appraise him, to put him upon a pedestal and crush him beneath the (unfortunately) metaphorical heel would be GENIUS. there, i said it. nabokov is a genius.
BUT. i am not done. i will never be done. i need to personally thank vladimir nabokov (somehow) for having created this magnificent masterpiece, and i need to personally smack everyone whose selective hearing has allowed them to completely disregard his orders for the cover designs. Dolores, his child, being painted on the front cover was not what he wanted.
AND THE MOVIE. The infernal rage that fills me at its existence would be enough to fuel a continent's electricity through sheer combustion heat alone. but. a topic for another day.
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