#homework writing help

[assignmentwritingservicesblog]

[bmebookmyessay]

How to Overcome Writer's Block in Homework Writing?

Writer's block can be a frustrating hurdle, especially when it strikes during homework writing. However, fear not! With the right strategies and support, you can conquer writer's block and excel in your assignments. In this blog post, we'll explore effective ways to overcome this challenge with the assistance of BookMyEssay Homework Writing help.

Understanding the Challenge of Writer's Block:

Writer's block often stems from anxiety, lack of motivation, or uncertainty about the task at hand. Recognizing these factors is the first step in overcoming it.

Break Down the Task:

Tackle the assignment in smaller chunks. Break it into sections or even individual tasks, like creating an outline or brainstorming ideas. This approach makes the task less overwhelming.

Seek Homework Writing Assistance:

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Utilize Homework Writing Services:

BookMyEssay Homework Writing Services are designed to cater to your specific needs. Whether you're stuck on a particular section or need comprehensive support, their expert writers ensure your homework is well-researched and articulated.

Embrace a Change of Environment:

A change in surroundings can stimulate your creativity. Head to a library, park, or coffee shop to refresh your mind. New environments can help you see your homework from a different perspective.

Set Realistic Goals:

Set achievable goals for each writing session. Celebrate your progress, even if it's just completing a paragraph. This positive reinforcement keeps you motivated.

Eliminate Distractions:

Create a distraction-free workspace. Turn off notifications, put away your phone, and focus solely on your homework. This boosts your concentration and productivity.

Practice Freewriting:

Allow yourself to write without worrying about grammar or structure. Freewriting can help you overcome perfectionism and generate ideas that you can refine later.

Buy Homework Online as a Last Resort:

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Conclusion:

Writer's block is a challenge, but it's not insurmountable. By breaking down tasks, seeking assistance from Homework Writing Services, and implementing these strategies, you can overcome writer's block and excel in your homework assignments. With BookMyEssay by your side, the path to academic success becomes smoother and more achievable.

[spirited-splashes]

He is anything but okay

[luxaofhesperides]

Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke

Technically, Danny Fenton is innocent. Technically. 

Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries. 

It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham. 

So.

Danny Fenton is technically innocent.

Duke is trying to prove that he’s not. 

Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.

He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native. 

There’s a lot about Danny that doesn’t add up. 

Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.

He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.

Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras. 

But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them… 

It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.

A week of analysis in the Batcave and they still don’t know what it is. 

Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all. 

All these findings lead back to one person who may have answers: Danny Fenton.

According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything. 

And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own. 

He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort. 

It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking. 

Duke follows from above, bending the light around him to hide him from sight. 

He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds. 

He continues to follow Danny on the rooftops, walking along the edge to keep him in sight. 

Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—

Danny disappears.

Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground. 

The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.

He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading. 

It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes. 

The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924. 

The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom. 

He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds. 

Everything is still and silent. Danny’s nowhere to be found. 

Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?

But no, his ears pick up on the faint sound of clothes rustling. 

Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.

Then he moves along the wall, getting around the open door without bumping into anyone or anything. 

A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface. 

Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air. 

There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”

He steps back and bumps into Duke.

Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes. 

“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”

“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist. 

“I just have a few questions!”

“Well, I have a question: why?!”

“Will you hold still, we’re being too loud!”

Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.

“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.

“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”

“All the Bats?” Danny repeats, losing what little color he had in his face.

He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”

Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch. 

“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”

There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”

That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.

“I think you’re gonna have to explain a little more.”

“Ghosts are real, alright?”

“Yes.”

Danny stops. Squints at him. “What do you mean, ‘yes’?”

“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”

“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”

“And that’s why you’re stealing random things?”

“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”

Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”

“Yeah, those people were already dead.”

The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure. 

“They were…”

“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”

“Okay… What about the green stuff we’ve been finding?”

“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”

Oh. If Danny has ectoplasm, does that mean…

“Are you dead?” Duke asks, heart dropping. 

Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”

“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”

“Yeah. Basically. They asked for help man, of course I was going to help them.”

Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts. 

“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.

It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow. 

He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”

Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions. 

Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.

Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen. 

“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.

“I’m sure I’ll be able to find you again.”

“Cool. I gonna go now!” 

He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before. 

As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it. 

For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER. 

If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.

He can’t wait to see what other kind of trouble Danny can get it into.

[thedungeonbat]

another chaotic monday🌕

back in my role as a teachers assistant. exam season has started and I’ve been trying to catch up on my to-dos but it seems like every time I’m done with one thing another task gets added. by now I’ve started to skip everything that I don’t have to hand in because I simply don’t have the time to do all tasks, which bothers me a lot though. on top of that the depression brain fog is back which is making things a lot harder. things will get better again.

currently working on: essay about the relevance of the UN

[lemonisntreal]

BLINKY BLINKY BLINKY BLINKY BLINKY BLINKY BLINKY BLI

[sunsetsandsunshine]

~ 𝙸 𝚜𝚙𝚢 𝚠𝚒𝚝𝚑 𝚖𝚢 𝚕𝚒𝚝𝚝𝚕𝚎 𝚎𝚢𝚎… ~

❤️👻💜👻🧡👻❤️👻💜👻🧡

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝚃𝙸𝙲𝙺𝙻𝙴𝚃𝙾𝙱𝙴𝚁 𝙳𝙰𝚈 𝟷𝟹: 𝙲𝙰𝚁 𝚁𝙸𝙳𝙴˚*•✩•̩̩͙*＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙵𝚕𝚞𝚏𝚏

𝚆𝚘𝚛𝚍𝚜: 𝟷,𝟾𝟺𝟻

𝙻𝚎𝚎: 𝚁𝚊𝚙𝚑 🐢❤️

𝙻𝚎𝚛’𝚜: 𝙳𝚘𝚗𝚗𝚒𝚎 🐢💜 𝚊𝚗𝚍 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝚁𝚊𝚙𝚑, 𝙳𝚘𝚗𝚗𝚒𝚎 𝚊𝚗𝚍 𝙼𝚒𝚔𝚎𝚢 𝚊𝚛𝚎 𝚘𝚞𝚝 𝚘𝚗 𝚊 𝚌𝚊𝚛 𝚛𝚒𝚍𝚎 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎𝚒𝚛 𝙳𝚊𝚍 𝚠𝚑𝚒𝚕𝚎 𝙻𝚎𝚘 𝚒𝚜 𝚜𝚝𝚞𝚍𝚢𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝙰𝚙𝚛𝚒𝚕 𝚋𝚊𝚌𝚔 𝚊𝚝 𝚑𝚎𝚛 𝚊𝚙𝚊𝚛𝚝𝚖𝚎𝚗𝚝…𝙸 𝚠𝚘𝚗𝚍𝚎𝚛 𝚠𝚑𝚊𝚝 𝚌𝚘𝚞𝚕𝚍 𝚑𝚊𝚙𝚙𝚎𝚗 𝚒𝚗 𝚝𝚑𝚊𝚝 𝚊𝚖𝚘𝚞𝚗𝚝 𝚘𝚏 𝚝𝚒𝚖𝚎…

(𝙰/𝙽: 𝙱𝚞𝚝 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚢: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝙲𝚞𝚜𝚜𝚒𝚗𝚐, 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐, 𝚊 𝚖𝚒𝚗𝚘𝚛 𝚖𝚎𝚗𝚝𝚒𝚘𝚗 𝚘𝚏 𝚜𝚕𝚒𝚐𝚑𝚝 𝚘𝚟𝚎𝚛𝚜𝚝𝚒𝚖𝚞𝚕𝚊𝚝𝚒𝚘𝚗 𝚊𝚗𝚍 𝚜𝚘𝚖𝚎 𝚓𝚘𝚔𝚎𝚜 𝚊𝚋𝚘𝚞𝚝 𝚍𝚛𝚞𝚐𝚜 👁️👄👁️…

＊*•̩̩͙✩•̩̩͙*˚𝚂𝚕𝚘𝚠𝚕𝚢 𝚋𝚞𝚝 𝚜𝚞𝚛𝚎𝚕𝚢 𝚙𝚘𝚜𝚝𝚒𝚗𝚐 𝚝𝚑𝚎𝚜𝚎 𝚖𝚍𝚗𝚍𝚑𝚜𝚓𝚓𝚜˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

“Are we there yet?” Mikey whined loudly. 

“Uh…no?” His immediate older brother said, sighing impatiently. 

“…Are we there yet now?” Mikey whined louder. 

“No, Mike.” Donnie huffed through his palm as he rested his cheek on his hand, effortlessly playing his Nintendo Switch as he started to drown out his younger brother’s consistent complaining and restlessness. 

Which…you would think he got used to by now. 

The orange cladded turtle let out a short grunt loudly and dramatically, dragging his hands down his face, “Are we there yet now—?”

“Mikey, I swear to God if you ask that question one more damn time I will not hesitate to open the car door and throw you into ongoing traffic.” Raph growled lowly at the youngest. 

“Boys…be nice to each other, please…” Splinter exclaimed from the front seat as he drove. 

“But Dad! Mikey’s being annoying!” The tallest turtle moaned and groaned as he sunk in the middle seat.

“When is he not?” Donatello mumbled under his breath. 

“Boys…” The rat said warningly. 

“…Sorry, Dad…” The teenager’s grumbled collectively as they glared at one another. 

The rodent father sighed, plugging his phone into the car unit as he stopped on a red light. “…Why don’t we listen to some Podcasts on the radio?” He offered, trying to find something that his boys would enjoy that didn’t involve ripping each of their tails off.

“Yohou listen to podcasts?” The purple banded teenager exclaimed curiously as he took off his headphones. 

“Of course!” Splinter announced proudly, “I’ve been listening to this one that Spy-itify recommended me…it’s really good and well thought out!”

“It’s…It’s…'Spotify', Dad…” The hazelnut eyed teen corrected. 

“That’s what I said; 'Spy-itify'.” The father said simply, causing Raph to facepalm and stuff his face right back into his phone.

“What’s the podcast about?” Michelangelo asked as he leaned his head on the closed window as Splinter started to drive again once more.  

“It’s about this man talking about nature…it’s extremely interesting; I think you three will enjoy it.” The charcoal eyed rat explained. 

“Huh…sounds cool enough.” Donnie snickered, “What’s the guy’s name? Like, the one who mainly talks in the podcast and stuff.”

“Zach Green.” The rat said. 

“He sounds like a drug dealer…” Raphael mumbled under his breath, earning some small snickers from his younger brother’s as their Dad started to play the podcast in the vehicle. 

A guy, most likely 'Zach Green', started singing as there was a ukulele playing in the background…

…And he sang…

…And sang…

…And. SANG.

And the three teenager’s wouldn’t have minded if the dude sounded…y'know, good! 

But he didn’t sound good. 

At all. 

“Grass is green~! The green is the grass~! The grass is the green and the green itself is greeeen~!” The speaker’s sung as the three teenagers collectively sighed as the Podcast continued to play amongst them. 

“…How about we play 'I spy' instead of listening to Shaggy get high?” Mikey suggested as his Dad hummed along to the tune…

Poor soul probably knew this song from heart…

“Anything but this.” Donnie agreed. 

“Best idea I’ve heard all day.” The second oldest murmured, crossing his arms as he looked at the youngest expectantly, “Well? You gonna say 'I spy' or what?”

“Let a guy think for a moment!” Mikey shrieked, “Okay, okay, okay…I spy with my little eye—”

“—More like pink eye.” The turtle with glasses giggled under his breath, trying to cover it as a cough as he saw his younger brother side-eyeing him. “Y'know, Dee…we could really go.” The orange banded teenager glared.

“Bet. Catch me outside. 3:30 on the dot.” The purple cladded mutant threatened. 

“Bet.” The youngest repeated. 

Donatello raised an unamused brow, “I already said 'bet' you phrase snatcher!” 

“You don’t own the word 'bet', you four-eyed freak!”

“God— 'BET' YOURSELVES!” Raphael snapped, taking a deep breath as he pinched the bridge of his snout, “I swear to literally anything and everything holy I am completely envying the fact that Leo doesn’t have to suffer in this freaking hell-hole with me.”

The second oldest leaned forward and tapped his Dad’s shoulder, “Speaking of which…how come Leo got to study with April while I—”

“We.” Donnie corrected swiftly. 

“—I had to stay with these two excuses for mutants, Dad?” Raphael continued, frowning deeper as his Dad became unresponsive and became completely entranced by the radio, “Dad? Dad? Dad? Daddy? Father? Dad— aaaaand you have your 'I’m locked in to this music' face…gotchu...” The tallest turtle huffed as he sat back down in the middle seat.

“As I was saying before I was rudely interrupted.” The youngest huffed, “I spy something…grey/gray.”

“Grey/Gray? Grey/Gray as in ashy? Ashy as in you?” Donnie smirked, his smirk turning to a smug grin as the orange banded teen glared back at him with a mix of disdain and pure disgust.  

“Donnie, I swear—”

“Is it the car seat?” Raph muttered, dying in complete humiliation about the fact that this was his onlysource of entertainment. 

Michelangelo shook his head, crossing his arms as he leaned back on the seat, “Nope. Try again.” 

“Is it…Dad’s fur?” The turtle with glasses guessed.

“Nooooooope!” The smallest mutant dragged out, sticking his tongue out at the second youngest causing Raph to just sigh, slumping in the chair further.

This car ride was going to be his 13 Reasons Why…

“Okay…seriously, though. Raph-Taff, what’s up?” Mikey asked carefully, looking over his older brother’s stiff and utterly overall unhappy demeanor. 

The second oldest just grunted, glancing away and his frown drooping as he locked eyes with his immediate younger brother, “You can tell us anything.” Donnie assured.

“Well…not everything. Almost everything. Semi-everything.” The genius clarified, “Buuuut you get the point…”

“No, no Ihi really really dohon’t...” The red banded teen grimaced. 

“What Egghead Humpty Dumpty is trying to say is that you can tell us what’s bothering you. You haven’t been your usual…let’s just say 'Sarcastic Sappy Self'.” The hazel eyed teen confirmed, biting back a chuckle as he saw his purple themed brother gasp in offense. 

“I just needa get out of here…” Raphael emphasized, rubbing his temples like he’s seen centuries worth of knowledge, “School was rough. School is annoying. Kids are annoying. Y'all are annoying— no offense.”

“None taken.” The two youngest said in sync.

“And I just need to distress…” Said the older turtle, going on his phone only to be met with a completely pitch black screen, “And my phone is dead. Yip dee doo da fuckin' day…” He cursed. 

Mikey rubbed his chin in thought, leaning on the inside door hand rest, “I have an idea for that, actually. Just trust me.”

“'I have an idea' and 'just trust me'…two words I never want to hear come out of your mouth ever again.” Donatello insisted almost immediatelty. 

“Shut up.” The smallest mutant exclaimed to his immediate older brother, inhaling and exhaling loudly before continuing, “Okay…so I spy with my little eye—“

“Seriously?” The elder mutant deadpanned. 

“Trust me, I said!!!” The younger shouted once more to try and get his point across, “I spy something…black.” 

“…Black?” The second youngest asked, tilting his head. 

“Black.” Mikey confirmed.

“Ohooo…black.” Donatello snapped his fingers, nodding as he relaxed in his seat. 

“Black!” Michelangelo beamed as Raphael looked around in confusion, wondering if his younger brother’s were going to elaborate on this whole 'black' nonsense or if they were just going to communicate via gibberish. 

The red banded teen scratched his head in confusion, “…What is happening…?”

The youngest gave his red cladded older brother a knowing look, causing the red cladded mutant in question to just simply sigh longly, “Right riiiight…trust. I got it…”

“Uhhh…” Raphael hummed, looking around the car for something…well, black; as his little brother’s so veeeeery clearly stated. 

The chocolate eyed teen raised an uncertain eye ridge, pointing at his own black sweatshirt that he was wearing. 

The purple and orange duo nodded, “See? Black!” Donnie grinned, poking his older brother’s sides and causing his older brother in question to shriek loudly and try to cover his middles, wiggling his way over more to Michelangelo. 

Whiiiiiich…was a first. 

“Yeah! Black!” The smallest mutant smirked cheeringly, prodding the other side of the black sweatshirt wearing boy, “You got it?”

“Ihihi gohohot ihihat I-Ihi gahat ihat!!” Raph said immiediatley, kicking his legs on the car floor as he pushed on the other two’s shoulder’s. “Ehhhhh…I don’t think you do…” The young genius teased lightly. 

“Dohon’t a-act smahart with me yohou l-lihittle shIHIT NO!! Mihikey nonononohoh!” He said as he saw Mikey wiggling his fingers near his neck, causing him to try and hide his face in Donnie’s shoulder, swatting the youngest away. 

“D'aww~! Hey, big bro! Need a hug~?” The scientist said innocently, wrapping the taller in a hug as the shortest of the three skittered and scratched the red banded mutant’s shell lightly; almost barelytouching it. 

The red banded mutant in question wheezed loudly, banging his fists on the car seat whilst his legs stomped up and down, “Wohohoah! Mr. Deflating Balloon Man— yohou okay?” Mikey teased, making sure to trace the patterns on his elder brother’s shell in a very veeeery mean manner. 

“Are you boys alright back there?” Splinter asked, getting out of his trance as the podcast soon and finally ended. 

“We’re fine!” Donnie beamed, wiggling his fingers into the crooks of the chocolate eyed teen’s neck right beside him, “Right, Raph?”

Raph squealed loudly with laughter, not answering.

Well…not answering in word form, perhaps.

The Father rolled his eyes fondly at his son's, looking away from the rearview mirror and focusing back on the road. 

“See!? He agrees.” The youngest beamed, “We’re perfectly fine and dandy, Dadio.”

“'Fine and dandy?'” Donnie repeated in amusement, causing the orange banded teen to almost laugh as loudly as Raph currently was.

Key word: Almost. 

“Fine and dandy.” Michelangelo confirmed, kneading his hot-headed brother’s hips and sides as the taller leaped like a drunk frog, “STAHAHOP!! HIC LEHEHET HIC HIC GOHOHOH!!!” 

“People are gonna think we’re beating you up or something by the way you’re squirming, bud.” The purple banded turtle joked, letting go of the taller teenager as the smaller teenager spidered his fingers all over his tummy.

“MIHIHIHIKEY!!!” The older wailed, pushing the other’s hands away as they slowly but surely stopped. 

The two youngest’s giggled, fist bumping each other for successfully turning Raph’s frown upside down. 

Splinter drove into the O’Neil’s driveway as Leo walked out of the front door to the apartment, waving his goodbyes to April as he got into the car. 

The eldest sat in the front seat, buckling up as their Dad drove to their home.

The blue banded teenager let out a small snort, looking towards the back to see his immediate younger brother’s face the exact same shade as his own bandana, “Jeeheez..whahat dihid I miss?” 

“I daha— hic don’t wanna tahalk ahabohout it…” Raph grumbled, his beet red blush deepening on his face as Donnie and Mikey snickered slightly, giving each other one last fist bump of victory. 

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙ 

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)

[damthosefandoms]

Jumbled

(ao3 link)

Summary:

RIP Sodapop Curtis, you would’ve loved having an IEP/504 Plan.

(AKA, Soda struggles in school his whole life, and doesn’t understand why, because it’s the 1950s and 60s and getting a diagnosis for a learning disability isn’t exactly on the table. Neither is the scaffolding and support he really needs.)

Sodapop Curtis was the type of kid who sat at the kitchen table for hours on end crying over math homework until his dad got home from work and struggled to explain it to him. All that effort, and then he’d always inevitably lose it somewhere between the kitchen table that night and his teacher’s hand the next morning and all that effort would be for nothing.

Soda was five years old when he started kindergarten, at the tail-end of the summer of ‘56. He remembers his mom comforting him the night before, when he cried because he was going to miss Ponyboy who wasn’t old enough for school yet and because Darry was going into fourth grade and would be on the other side of the school all day, and Soda would never get to see him. He remembers pouting because Keith Mathews, his and his brothers’ collective best friend from down the street was going into first grade after promising Soda last year that he’d get in a lot of trouble so he could stay and do kindergarten with him (he lied).

And then Soda was just plain miserable, sitting there on the bus sandwiched between Keith and a boy a little younger than Sodapop named Johnny Cade (who lives two doors down from the Mathews’ house and Soda never sees because his parents are mean and keep him inside all day), because Darry decided he was “too cool” to sit with his horse-crazy kid brother in favor of the big kids whose mommies don’t make them wash their hair when it’s dirty and greasy and walk around with those little black switch-combs and pretend they’re the coolest kids on planet earth, ‘cause one day those combs will swap out for blades and they will be.

Probably because they are, but Sodapop doesn’t know that yet—right now he doesn’t really know or care about grease or what side of town he lives on. He is six years old and the only thing on Soda’s radar right now is that Mama promised they’d save up for him to go to horseback riding camp next summer, and that’s his biggest dream. He wants to be a rodeo legend or win the Kentucky Derby or something. He hasn’t quite decided yet. He figures he has time to parse out the specifics—he just wants to ride a horse.

They get to school, and after a particularly pushy reminder that Mama told him at the bus stop this morning to make sure Soda gets to his classroom alright, Darry points his little brother toward the Kindergarten wing. Soda takes Johnny Cade’s hand in his because he found out on the bus that Johnny is going to have the same teacher as him, and they push through the hallway of their elementary school to find Mrs. Moran’s Room Four.

Soda very quickly learns that not every kid goes into kindergarten equally. Johnny is the smallest and the youngest kid in their grade, and Soda’s the second-youngest and it only takes a few weeks for Soda to think to himself that maybe that’s why he can’t read yet. He’ll be six soon, and that’s how old Evie is. Most of the kids who live on his side of town started kindergarten when they were six, he realizes. She sits next to Soda and she’s a good reader, but she’s one of the oldest kids in their grade and so of course she’s smarter than him. Then again, Sherri Valance, who is also in his class, isn’t going to be six until next spring—kind of like Johnny, and according to the birthday chart on the wall—he asked Mrs. Moran to read it to him one day when he couldn’t sleep during nap time and she very begrudgingly agreed, so he memorized everyone’s birthdays and how old they’d be turning because why not, right?—but Sodapop finds out that she went to preschool.

He didn’t go to preschool. He doesn’t know anyone who did. He remembers Mama talking to Dad about preschool for Ponyboy this year, but Dad said something about “expensive” and Soda stopped listening ‘cause they always get sad or angry when that word comes up.

Sherri Valance can read and she’s got pretty red hair and a backpack that’s not even a hand-me-down, and she went to preschool. So did all her friends in Room Three. Soda doesn’t know anybody in Room Three but he knows that the kids his friends know in there didn’t go to preschool. Timmy Shepard was in Room Three last year with Keith. He didn’t go to preschool either; heck, neither did Keith. But they can both read now, and they went to first grade, so Sodapop figures he didn’t miss out on too much.

Until it’s the end of the year and he still can’t read. Well, you don’t need to read to go to horse camp. Soda doesn’t nap a single time that year, either. He spends his precious kindergarten naptime not-reading the book Mrs. Moran gives him to keep him busy and picking at his cot when she snaps at him to be quiet. Mrs. Moran decided the day she read his first name off the attendance sheet that she didn’t like him, and Sodapop Curtis did not like her either.

First grade is so much better and yet so, so much worse.

Soda has a very hard time on his first day, because he misses his mom, and his dad, and Ponyboy, who begged to go to school too this year but he’s still too little at only four years old and Mama’s doing her best to get him reading now. Darry is in fifth grade and seems even farther away, and Soda doesn't have recess with Keith and Tim’s grade this year, and Johnny’s in Room Seven making new friends. Evie’s in Room Eight, and Soda’s trapped alone in Room Nine. Sherri’s still in his class. On the third day of school, Soda decides her hair reminds him of cherries. She laughs, and it sticks.

The best and brightest part of first grade is his teachers. He was put in Mrs. Larkin’s room, and she’s amazing; but when he gets there on the first day, there are two teachers in the room. Miss Luft, it’s explained, is a student teacher, which means she’s learning about first grade just like they are. She’s learning how to teach and they’re learning how to learn.

Sodapop still doesn’t even know the alphabet. He doesn’t know his sounds and he can’t keep his letters straight. Mrs. Larkin has him sit with Miss Luft when he tries to write a small moment story. She draws lines in marker on his paper for him to write each word on. Every line she has to make longer than the last because he can barely fit two letters on it, and he’s pretty sure she can’t read what he wrote any more than he can.

But Miss Luft always calls him capable. She has to explain to Sodapop once a week what that word means. He does his best to remember, but he has a lot of things to remember and it gets lost in the jumble somewhere.

He hears Mrs. Larkin and Miss Luft talking, sometimes. They hide their words behind stacks of paper and turned heads but he can hear them anyway.

Reversals. Attention span. Off the wall.

“And he’s low,” he hears Mrs. Larkin say one morning. “Mrs. Bolan’s got one that low too, but at least hers is quiet.”

He has no clue what any of it means. It’s all teacher talk, he isn’t supposed to get it, and he knows they aren’t trying to hurt his feelings, but hearing it makes him feel bad anyway because they don’t talk about other kids like they do him. They don’t get those sad looks on their faces about other kids, either.

“Does your brain get jumbled sometimes, Soda?” Miss Luft asks him one day when he’s sitting at his desk, eyes red and puffy from crying because he wasn’t allowed to go to gym class unless he finished his spelling worksheet. But he can’t. He’s been sitting here for forty-five minutes, ever since they got back from recess, and he can’t. Do. It. He tries to write his letters how his teachers have shown him but they just won’t appear in the place he wanted them to, like his pencil won’t obey him when he writes. He tries to start at the top line and somehow his pencil puts itself at the bottom.

He tries to write the letters anyway, but they don’t look like he thinks they’re supposed to, and he doesn’t even know what that means because every time he looks at a b or d, or m or n or h, or—god forbid someone tells him to write the letter k. It just looks like a stick.

His numbers are just as bad. Someone’s always reminding him to put the one before the seven instead of the other way around, but he doesn’t remember writing seventy-one, he can’t even count that high!

“Jumbled?” He says in a shaky voice, still trying to calm down.

“Like mixed up. Like it’s hard to think ‘cause you got too much going on in there?” She taps his forehead and he half-heartedly giggles.

“Yeah, it gets real jumbled. All the time,” Soda says.

“I feel like that sometimes too,” Miss Luft says, and she sighs. “Like I can’t think at all some days. Like my brain shuts off without me tellin’ it to because there’s too much goin’ on and I can’t focus, and just answering one question gets overwhelming. It’s too much. But it’ll be okay, Soda, I know you got it in you. I believe in you, you hear? If I could do it, so can you.”

She doesn’t say much else, but Sodapop has never felt more seen. He cries and clings to her on her last day at their school, hating that she only got to stay for ten weeks. Mrs. Larkin is amazing and he loves being in her class, but the year just drags on and on, and towards the end of the year Soda can’t decide if school is getting harder or he’s getting dumber. Maybe it’s both.

He gets to go to horseback riding camp that summer, and he meets a kid named Dallas who he thinks was in Room Seven with Johnny. Dallas is mean. Soda finds out he’s a whole year older than him, which confuses him because Dallas is in his same grade at school.

“An’ how come I never seen you at recess or nothin’?” Soda says one day at lunch. He’s got a bologna sandwich, because his mom swears by cold cuts. Dally stole an apple out of their counselor’s lunch and doesn’t seem to have anything to eat otherwise.

“They don’t let me out much,” Dallas says. “S’what happens when you spend all your time in the principal’s office.”

“Why?”

“I dunno. Just feels good to get in trouble sometimes.”

Soda doesn’t get him, but he likes horses, and so they become friends anyway. He and Dally start getting into trouble together, and Soda kind of starts to feel like he belongs somewhere. It takes his mind off the upcoming school year, which is great, because whenever he thinks about school, he gets butterflies in his stomach.

Dallas is in Room Twelve with Johnny when they get to second grade. Usually Soda keeps track of what classes all his friends end up in, but this year, it doesn’t matter anymore. Because second grade changes everything.

Mrs. Foster is ancient. She taught Soda’s mom once upon a time, and she had Darry in her class a few years earlier. Soda thought she’d be a great teacher because Darry loved her, but Soda can’t bring himself to even pretend to like her. She asks him what his parents were on when they named him.

“On what?”

Mrs. Foster just rolls her eyes and tells him to take a seat in the back where he clearly belongs. She lets him know that she’ll be calling him by his middle name this year. At least “Patrick” is “dignified.” Whatever that means.

Later, Soda can’t keep his words from erupting out of his mouth like a volcano during morning meeting, and she sends him back to his seat with a glare.

Five minutes later Steve Randle gets sent back to his seat for shouting out, too. He sits next to Soda in the back. He’s hiding a little red toy car in his desk and they play together. Mrs. Foster doesn’t seem to notice or care. She doesn’t call on Soda a single time that year, even when he does know the answer.

She also doesn’t like that Sodapop writes with his left hand. By the time he gets to third grade, he flinches and corrects himself every time he goes to pick up his pencil. He hopes this’ll solve the problem, but it never does.

Soda struggles the whole year. Steve doesn’t, and when Soda asks when his birthday is—he always needs to know, he needs to be able to sing happy birthday to all of his friends—Steve tells him he was born in April, the same year as Soda. Soda tells him how he can’t find a single pattern proving why he’s dumb, ‘cause age doesn’t seem to matter. Sherri aka Cherry is younger than him but smarter. She went to preschool. Johnny’s younger too, but he didn’t. Steve’s older and smarter but he tells Soda that he didn’t do preschool either.

“I did kindergarten twice, though,” Steve tells him. “Well, the first couple weeks anyway. Mom and Dad wanted me to start school when I was five but then I had to not do the whole year ‘cause my mom got sick and we were too busy and then she died so I stayed home with Dad. I did kindergarten the next year when I was six. Now I got friends in third grade and in second grade.”

They agree that Soda’s going to be Steve’s best second-grade friend. They trade that little red car back and forth and Soda still can’t read very well but he’s better at it now—Mrs. Larkin worked extra hard with him after Miss Luft left to make sure he knew his letters and sounds.

Mrs. Foster doesn’t seem to care, because she pretends he doesn’t exist. It’s a miracle Sodapop gets to third grade.

But it doesn’t matter. School doesn’t matter. Over time Soda just starts to remind himself that he has Steve, and Steve is smart, he’ll help him. Soda will get through this. Sure, after third grade Johnny gets held back, and it’s only a matter of time until Sodapop has to repeat a grade too, but… but he’ll be okay. He will. Someday a switch will go off and his brain will work right and he’ll be able to do it. He hasn’t failed yet, that has to mean something, right?

He hasn’t failed yet but no one has noticed he struggles, not his teachers, not his friends, no one. Maybe Miss Luft, but he’ll never see her again. He hopes she still thinks he’s capable. He had written in the book their class made for her that his favorite thing about her was that she believed in him.

As he gets older, he wonders if she even remembers his name.

But then again, he spends every weeknight crying at the kitchen table, physically unable to get past the first question on his homework sheets. In fourth grade Mama starts clearing everything off the table to help him focus, but he picks at the crumbs left behind from last night’s dinner, peels up the dried finger-paint Pony splattered everywhere, sits and rocks back and forth with each tick of the clock.

And every day after about an hour of making up little songs and fiddling on his paper until it’s spotted with holes, he starts crying, because he can’t bring himself to do his homework. And then Pony’s in school, finishing his homework before him, and Pony is just as much of a daydreamer, so that kind of stings. Darry has seven different classes to do homework for, on top of football practice, but he gets all his work done before Soda’s even started. His mom tries to help but it makes him cry even harder, ‘cause she doesn’t get it, it’s not about the homework it’s about his brain. It’s about Soda’s brain not working like everyone thinks it should.

It’s about his big, dumb, broken brain.

Johnny can’t read either, but he can focus, he can control his emotions and not cry or scream or stomp his feet at every little sound or touch, or overreact to things that aren’t a big deal at all, he doesn’t start throwing throngs off his desk when he’s mad, and he always has a reason why he does things. Steve can’t control his mouth or pay attention, but he can read and always turns in his homework on time. Keith never does his homework ever but he’s practically a genius compared to Sodapop.

Ponyboy brings home his first-ever spelling test and their mom sticks it on the fridge with a magnet.

That bright-red 100% is going to haunt Soda’s dreams.

Every night Dad gets home at 6:00 to find Soda still sitting at the table, eyes red and puffy, and tears staining his homework and the table. He chides him for the new mark Soda’s left in the table’s surface from digging the eraser-end of his pencil into it. Soda deflates, he didn’t mean to do that, it’s just—what else is he supposed to do? He’s not allowed to get up until his homework’s done.

Darrel Curtis Sr. is a loving father and a very easy-going guy, until he’s standing there over Soda’s shoulder holding his hand—his left hand, which Soda’s grateful for but also it feels so wrong after his experience in third grade—forcing him to write in the answers because he just doesn’t get that writing it is only part of the problem. His dad loves him, he’s gentle with his touch but every inch of Soda’s skin feels like it’s on fire when his dad makes him write.

It’s not his dad’s fault, but Darrel Sr. is only human, and he hates yelling at his kids, but he has to raise his voice to try to get Sodapop to hear him above his scream-crying because it’s the only way to help him learn.

Sometime when Soda’s in seventh grade, Ponyboy asks him what his problem is. Homework’s not that bad.

“I don’t like it anymore than you do, Soda, but I just don’t think it’s worth crying over, you dig?”

Soda throws his pencil at his brother, slams his history book shut, and walks out the back door. Ponyboy watches in confusion. When their mom comes in to check on them, he tells her Sodapop’s overreacting again.

Dally, who had moved away after third grade to New York but came back just in time to start seventh grade with Soda, finds him at the Pershing Park playground sitting on the swings. It’s where Soda ends up when he’s hopelessly overwhelmed by homework, or when the thought of school looms over him like a cartoon anvil. Something about pumping his legs and willing the swing to take him higher and higher takes away the sick feeling that the idea of popcorn reading Shakespeare in his fifth period English class gives him. Dally asks him if he wants to find something better to do, and a few hours later they wind up back at the Curtis house with busted knuckles and the beginnings of black eyes and they pour grease into Soda’s hair and grin at each other.

When Sodapop is sixteen years old, a sophomore in high school, his father finds him sitting at that same kitchen table, staring down over an assignment that’s asking him to write a thousand-word essay and Soda turns to his dad wordlessly, his throat is closing up, and his dad tells him to breathe.

But he can’t. He can’t. He’s going to be sick, he might actually throw up. He feels like he’s being stabbed in the chest. One thousand words. Sodapop can’t even count that high. He can’t even read Dr. Seuss. He can’t do this anymore.

“Dad, I want to drop out.”

“Aw, Pepsi-Cola,” his dad says gently that night, brushing Soda’s hair back and then pulling him into a hug, “I know you do. I’ve been talkin’ to your mother about it. We got the paperwork from the school. But I think you should think about it a little longer, alright?”

Soda agrees to try and finish out the year. His dad gets it.

His dad spent ten years listening to Soda cry over homework. His dad never called him dumb. His mom did what she could. But the only person in all his years of school who Soda ever knew really believed in him was Miss Luft, and she never came back.

He thinks maybe if he had more teachers like her, who believed in him and gave him extra help and supported him along the way, if there was something—something that made it so they had to listen to him, had to help him, had to accept that it wasn’t his fault he couldn’t read right, couldn’t focus, couldn’t control his mood swings or emotions or his volcano of a mouth… maybe he could’ve done better. Maybe if Mrs. Foster had let him write with his left hand, he could’ve figured it out.

Soda hopes one day they figure out what makes kids like him tick. What makes them struggle. He hopes one day that their schools will decide to help.

A few months after he talks to his dad, Sodapop finds the signed paperwork in his dad’s desk drawer. His parents have just been buried, and Soda can’t stop crying at the drop of a pin. He’s been skipping all his classes, but none of his teachers seem to care. It’s fine. He’s dumb anyway, a lost cause. They’ll just keep passing him up to the next grade without batting an eye at the fact that he never gets higher than a D+, no matter how hard he tries.

Sodapop will always be that one student who slips through the cracks.

He looks over the form to drop out. He figures the school will take it, if he pitches it to them as a last-will kind of situation. He doesn’t even need to ask Darry to give the okay, because Dad signed it months ago, like he had already known the decision Sodapop would make.

And he did. It’s dated that same night Soda sat at the kitchen table feeling like the world was ending and like he was dying because of a goddamn required word count.

But he knows Miss Luft believes in him, and he knows what his dad wanted, so he finishes out the school year—passes Gym and Auto Shop, too.

Soda hopes he made them proud. And now, he’ll never have to worry about explaining the dried tears on his spelling homework ever again.

[feelo-fick]

Headcanon: Chilchuck and his Bad Takes on Literature

i think chilchuck would be like my mom in the sense that he wouldnt like sad stories. dont get me wrong, cautionary tales? absolutely fine. they serve a purpose to him which is to tell people "dont be an idiot and do this or else something bad will happen"

generally sad or angsty stories though? no point to him, and in his perspective its really confusing how people just read things that make them sad. like whats the use of reading something if its just gonna make you sad. whats the lesson? its not even real so it doesnt help anyone.

whats the point in making yourself cry when you could just avoid that entirely by not reading it at all?

but the one of the biggest reasons why sad stories exist is to let you release all the built up grief in you. to send you something to let out all your emotions in a healthy way. catharsis. empathy.

even when i dont relate to the tragic experiences in some stories, several ones ive read have lead me to realize that im in a bad situation or that im following in the footsteps of the character suffering. its like a wake up call.

and making yourself cry isnt inherently a bad thing. if crying allows you to let go of building pressure and tension in you then thats good!

but chil wouldnt see that. of course he wouldnt, hes avoidant of most situations that would allow him to release emotion, and fearful of letting his mature (read: repressed) persona slip.

hes someone that runs away to quick comforts and distractions at the earliest sign of issue. hes already been in too many horrifying situations, dealing with another is a pain. and he knows denying everything and refusing to look at the situation doesnt help, but it definitely provides a quick and easy happiness in the comfort of ignorance.

because of this, reading something made to make one empathize with and confront these bad emotions is defeating the point of his cowering. if he faces his issues, even if only through the perspective of a story, he'd have to deal with acknowledging that things are bad and need fixing, and he'd feel terrible and guilty in the moment - which of course is the worst thing that could happen to a person (his thought, not mine).

which is why i find the concept of him being/becoming a tragedy himself at the same time as this headcanon soooo interesting. imagine the irony of him bashing on the protagonists of tragic stories for acting on emotion and impulse rather than logic, when he himself has fallen victim to irrational thinking while in grief.

cause... thats what people do when they grieve. they lash out, make bad decisions, ruin themselves, ruin others.

for a tragedy to be prevented, the protagonists would have to change fundamental parts of themselves, and act perfectly rational when under extreme stress. and chilchuck holds himself to these kinds of unrealistic standards because he unwittingly believes he can handle it all.

he cant, obviously. we see it for ourselves in his relationship with his wife. they were doomed from the beginning by chils already-established avoidance and lack of emotional vulnerabiltiy (and whatever else his wife had going on).

this is all just to say that if you told him about orpheus and eurydice, he'd probably be one of those idiots trying to point out the "plot hole" that he couldve "just not looked back" and "just trusted her"

i dont understand. whats the point in reading tragedies? the protagonist is stupid, anyways. why would you take bitter medicine? why subject yourself to that?

i think its just a bad story.

[anna-scribbles]

adrien and marinette😭❤️‼️

[kate0305-blog2]

Commissions Open

Need someone to write that story you’re imagining? What about that essay that you put off? You’ve come to the right place!

How much? Good question:

short stories (less than 1000 words) $5

one shot (between 1000-3000 words) $8

long ass book (talking chapters here) $whatcha willing to pay?

essays (middle school to college level) $10-50

I do have a masters degree so expect quality…. And I'm an English teacher so you’ll get that A!

Off Limit Topics:

Disgusting things with minors (DON’T EVEN ASK)

Disgusting things with animals (unless it’s hybrids or A/B/O)

Not listed? Then it should be all good!

For examples, check out my Wattpad (OT7oramI)

Cash App payments accepted: $KatieViles

[faynthearted]

school is back in session. free time is 100% gone. 😀

[thedungeonbat]

Quiet Saturday

Currently working on my essay for Latin class. The topic is quite unspecific, which is both a blessing and a curse. I have to write one page and hand it in by Thursday so let’s see how far I’ll get today. Took a day off yesterday and didn’t pick up my report card; sleeping properly two nights in a row gave me neither my energy nor my concentration back but I am at least not feeling dizzy anymore…Still waiting for my new schedule to be released. Finished the essay I was reading - I loved it!

[ssaalexblake]

knowing that some teenagers aren't even bothering to learn the wonderful art of bullshitting an essay is really giving me a complex about people not bothering to think in fandom... I've been here for years, i know full well how idiotic and incompetent fandom's always been at analysing whatever media it is, it's just the existence of that demon ai crap has really started haunting me.

[after-witch]

I took a day off next week just so I can write I am aching for that day to get here!

[xiaq]

I'm still a work in progress when it comes to outlining books. Sometimes, I start writing a new chapter and I have a nice tidy breakdown of all the major narrative beats/character growth moments and maybe even some bits of dialogue or description that occur in said chapter. And sometimes I just have this: