OKAY BUT THE POLAR OPPOSITE REACTIONS OF
'we're friends of luke'
and
'i've met your dad'
G O L D E N
hermes instantly changes from flippant to guilt-ridden and there's so much pain in his eyes
and luke does a 180 at the mention of his dad. he was calm before, trying to recruit percy, but you can see the rage the second he hear 'dad'
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headcanon
damian is surprisingly good at playing a non traumatised ten year old. at first he doesn’t understand why he would need to ever play the part until he watches his family act at a gala. he now understands the mission to protect their identities.
he slips into the role easily. he acts shy around strangers and soft around his siblings. even going so far as to let them carry him around. if he notices someone is uncomfortable or not overwhelmed he will walk up to his father with puppy dog eyes taught to him by grayson and say “father i’m tired” the other members of gotham high society will coo at his formal words and father will scoop him up before collecting his other siblings.
he’s also unsurprisingly good at fake crying. (i mean look at the poor kid and all his trauma)
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“There is a childish juvenile level to us that comes to life in those moments. You saw Olivia Cooke bite her nails and become childlike as Alicent, you saw Rhaenyra become this brat at times…those are choices the actors made.”
— Dir. Geeta Patel
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actually I will say something about this:
setting up a romance line but waiting until one of the actors is a freshly legal adult before executing it is creepy, actually, especially when the co-star is 15 years older
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Imagine actually being so evil that you'd rather make sure your writers suffer financially instead of just paying them the pay they deserve.
Hell truly has some seats reserved already, holy shit.
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YOURE TELLING ME THEYRE GONNA HAVE 5’3 ANNABETH CHASE DEFENDING 5’10 PERCY JACKSON AND 6’5 TYSON??? OH CASTING DIRECTORS I OWE YOU MY LIFE
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Don't threaten me with a good time
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Bringing this back.
VINCENT PRICE introduces The Vincent Price collection of Fine Art for Sears and Roebuck (1962)
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