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the-one-and-only-elita · 14 hours

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One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

#transformers #tf #tfone #transformers one #orion pax #megatron #d-16 #optimus prime #maccadam #megop #megatron x optimus prime #kaysposts

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fckbatmanhiskidsareminenow · 1 day

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more Batfam headcanons please 🥺

okie

more batfam headcanons i think about but not enough to make a whole post

dick having a two bedroom apartment because damian comes to stay so often

damian only going to school fortnightly when he first moved to gotham because going to american school was overwhelming asf

whenever tim sleeps there’s a chance of him sleeping for like 20 hours in a row.

tim is baby bird and damian is baby bat.

everyone have been trying and failing to find duke a cute nickname (eg dickie, jay, cassie, timmy, stephy, dami) but his name is hard to work with

bruce has somehow collected at least one baby photo of all of them (cass’s were the hardest to track down)

jason is hilariously good at accents

over the years multiple concerned gothamites have tried to ask the robins if they’re being forced to be vigilantes by batman

they have a batfamily group chat that is either just them sending memes and tiktoks

steph is on hope core tiktok and sends them to the group chat so everyone can cry with her

guys what should the group chats name be?

#if you want any expansion on any of these send in an ask #batfam #dick grayson #jason todd #tim drake #damian wayne #duke thomas #cassandra cain #stephanie brown #headcanon #bat family #batman #batfamily headcanons

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solangelotus · 3 days

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she's thunderstorms

luke castellan x reader (MDNI!)

and sit a little closer

summary: expressing your frustrations to silena and clarisse after a fling leads someone to your bed

word count: 4k

warnings: zeus!reader, implied smut with a different character, making out scene, clarisse x silena, plus size reader, teensy bit of angst from loser luke

author’s note: we’re back! this is a prequel post to my original post here <3 if you take a peek at the masterlist, it will have a list of parts and when everything should be published!

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12

masterlist | series masterlist

skipping stones across the camp lake wasn’t how you imagined spending your friday evening. your stomach growls but it’s dull compared to the empty ache that fills your chest.

“why are you here alone?” you hear someone question. the voice was light, full of warmth, and melodic, and all signs pointed to it belonging to your best friend, silena beauregard. her rosy, cherub cheeks widen with a smile as you turn to look at her. her hand is enveloped by her girlfriend, clarisse la rue. you give them a half-hearted smile, and sit down on the edge of the dock, waiting for them to join them. “you skipped dinner. luke figured we would find you here.”

“i’m shocked he didn’t come with the both of you.”

“so, why are you out here alone?” clarisse questions, grabbing a stone from your hand and throwing it into the water. you give her an exasperated look and she grins in a way you can only describe as shit-eating. she always steals your rocks from you and purposefully fails at skipping them.

you look at them, their joined hands, and think of all their sneaked touches. of their love that everyone can see. it’s something that isn’t for you, something just as forbidden as your existence. you shrug and break your silence, “bad hookup.”

“again? seriously? you should really let me pick them out.”

“silena!” you scold, “the sex wasn’t the worst i have ever had. i just don’t want a relationship, and i thought i made that clear. that’s why i’m upset.”

“yeah, yeah,” she lets go of her girlfriend’s hand to wave you off. clarisse grabs her hand and pulls it down in between them. the daughter of aphrodite is always nothing but supportive, however, she does fail to understand your motivations. her whole existence is based on love, she was created out of the purest love and is full of it. she is full of beauty and often misses out on understanding that the less beautiful parts of life, like how intimacy without love, can be just as wonderful.

“lena, don’t be mean.”

“i’m not! i just don’t understand not wanting romance.”

“it was sherman yang,” you confess and stand to your feet. they both look horrified as you slowly walk backward from them, but you’re not sure you can blame them.

“my brother?!”

“sorry, clarisse,” you laugh and turn to go towards the campfire. you enjoyed your alone time, but you knew the two girls would enjoy it far more together on the dock. “i’ll see you both at the campfire?”

clarisse still looks as though she’s processing the information you dumped on her, meanwhile, silena bites her lip to hide a sheepish grin. “i think we might stay here for a bit.”

“i figured as much,” you say with a wink. clarisse wraps her arm around her girlfriend and leans in closer, but you begin your walk towards the campfire. voices bounce around the woods when you near it, and a grin plays at your lips as you see the campers dancing around and belting at the top of their lungs.

chris drones on about something clarisse did to him during combat lessons as luke stares at the tree line. your two friends went to talk to you, but deep down he hopes you will come join him at the fire. an uneaten s’more rests on a napkin in his hand. just as he decides that he could take it to your cabin later, he notices an outline at the base of the forest. chris punches his arm hard enough to throw the dessert from his palm to the dirt. “dude, you’re not even listening.”

“sorry,” luke mutters and rubs his arm. chris’s eyes search for what his brother had been staring at and when they land on you, he almost feels bad for the sweet food now on the ground. almost.

“i heard something about y/n today.”

“what?!”

“sherman was going on and on about how they hooked up and how he’s in love with them. it was annoying,” chris explains and luke’s sure he misheard. that or he was about to lose his own eaten s’more to the dirt in front of him too. “i just know you like them so i wanted you to hear about it.”

“i do not!”

“yes, you do.”

“no way,” luke tries to convince his brother but it’s a lost cause. chris knows all about the feelings he harbors for you, and his knowledge is only proven further when you approach luke from behind. you wrap your arms around his neck and lean in to rest your face beside his. “h-hi.”

“hey,” you whisper, and he feels his whole face heat up. your lips were so close they were practically brushing against his ear. a smirk plays on your lips as you turn your head to look at the other son of hermes. “hey, chris.”

“hey, y/n. luke had a s’more for you but i punched him and it ended up on the ground.”

“what?” you question in disbelief as you squeeze between the two boys. a grassy, charred marshmallow beside two chocolate-covered graham crackers catches your eyes and you glare at chris. “go make me a new one.”

“why?”

“i swear to the gods that i will interrupt lee’s beautiful song right now just to ask him to put a rhyming curse on you. again.”

“no, you won’t,” chris scoffs, but you stand and kick the pieces of the discarded s’more into the fire before making your way toward lee. when you open your mouth – presumably to yell – chris shoots up and yanks your arm back so you can’t keep walking. “i’ll make you one now!”

other campers take notice of chris’s yells and his sulking on his way to the table where the supplies lay. a chorus of giggles sounds throughout the large group, and you even catch a wide smile on lee’s face as he puts the pieces together. you return to your spot on the fallen tree log and rest your head on luke’s shoulder. “you feeling better, stormy?”

“i was fine, just a little off all day. i will be better once chris replaces my one chance at food for tonight.”

“why did you skip dinner?”

“just needed space to think,” you answer him in full honesty. hookups were fun for you. control was something you lacked in your life thanks to your divinity and parentage; control within yourself was so easy when it came to sex. your body was your own, your actions were calculated, and you could choose who and how someone could make you feel. pleasure was something entirely you, something mortals could attain too. it was something out of the fates and prophecies' control, which only made you love it more.

something you couldn’t control was the other person though. you tried your hardest to be open and honest about it; relationships aren't for you. they never would be. they never could be. yet, much like sherman, the other person always wanted more than you could give. you lift your head from luke’s shoulder and give him a small smile. the firelight dances beautifully on his deep, brown eyes. there was something about the color that you found easy to get lost in. a color that reminded you of the earth, of something so simple and yet vital to existing. you were sure luke was something vital to your existence. “i’ll be okay.”

he inspects your face and slowly rakes his eyes down your form. you put him in a trance. the curve of your jaw, your smaller hands, your thighs that press against him while you sit side by side, and the crinkles beside your eyes as you laugh at the song lee chooses to sing next – he fails to find something about you to focus on. dwindling you down to a singular feature feels pointless; you are anything but simple. he swears there’s nothing more ethereal than you, but especially today.

you had driven him crazy since he caught his first glimpse of you earlier in the day. your baggy, low-rise shorts, and cropped paramore tour shirt left little of your body to his imagination. he had seen you in bikinis many times before, even in less clothing than what you had on at the moment. but the shirt was from the first concert you went together to, and it ended just above your belly button. your belly hung slightly over the waist of your denim shorts as you sat; he thought he might start drooling. “do you want to talk about it?”

millions of thoughts run through your mind as you notice the way he blatantly stares at your chest. you look down at your chest to make sure there isn’t a stain on your shirt, and your brows furrow in confusion as you realize there’s not. what was he staring at? you look up at him and his eyes are looking directly into yours now, “are you okay?”

“peachy,” he says, turning his head to look at the fire. his mouth feels dry and he feels stupid. thoughts of sherman being able to press his lips and hands wherever he wanted on your body plague him. “sleepover tonight?”

“my place?” you question, even though that’s always where you host your secret sleepovers. you were the only one in cabin one, zeus’s cabin, and he was one of many in his own.

“of course.”

chris finally returns to the both of you and hands you a fresh s’more that you immediately indulge in. you did need time alone to think earlier, but you were heavily regretting losing track of time and missing dinner.

chocolate takes residence on the corner of your mouth while you eat and remains there well after you clean your hands on the napkin. luke notices it and nudges you to point it out. “you have chocolate there.”

“here?”

“no,” he shakes his head as you wipe at the opposite corner. you miss it again, wiping too close to your lip. he uses his thumb and wipes it off for you. “there.”

the melted goo rests on the pad of his thumb, and you retrieve the napkin to hand it to him. before he can take the cloth square, he dips his thumb into his mouth and sucks lightly on it. your mind swirls before you can even comprehend exactly what he’s done. a blush reaches your cheeks. he smirks to himself and thinks that that singular act is more than sherman ever could have given you.

when luke walks into your cabin after making sure all of his little siblings are tucked in, he certainly is not expecting to see you in a tank top and thin linen shorts. he feels like you are testing him, which he realizes is ridiculous when he sees the layer of sweat across your chest. there’s an active heatwave, of course, you’re wearing as little as possible. “hey, stormy.”

“hey, sorry, the heatwave came out of nowhere earlier and i forgot to turn on my air conditioning. it’s going to be hot for at least another hour.”

“it’s okay,” he says and his eyes drift to your bed. he feels insecure, and inadequate, as he thinks of anyone else sleeping in your bed. you had been best friends since your arrival, many sleepovers had occurred in both of your cabins and they had all truly been innocent. at least on your part.

he looks at the sheets and back at you, your full chest rising and falling as you take in deep breaths from the air of the fan. you turn your gaze to him and concern fills you. you notice the distant look in his eyes. “what’s going on, luke?”

“can i ask you a question?”

“of course, anything,” you say and pat the ground beside you. he sits in the spot beside you on the carpeted floor and fidgets with his fingers as you look at him. he’s nervous, that much you can tell.

“did he stay here last night?”

“he?”

“sherman,” luke states, and you think your heart stops at those two syllables. no one was supposed to know aside from silena and clarisse. the two boys never talked, which meant that sherman had told someone else who subsequently mentioned it to the boy in front of you. fear fills you; your sex life was supposed to be something no one knew, something that stays personal. the last thing you need is someone saying you have the same reputation as your father.

“how do you know about that?”

“chris told me,” he pauses and sighs, realizing the panic in your face, “apparently sherman said he was falling in love with you. i didn’t know you were dating.”

a cackle escapes your throat, “dating? absolutely not. he knows that.”

luke can’t help but grin at your distaste for the son of ares. “so, you two?”

“just hooked up,” you shrug, feeling bashful suddenly, “it was why i was weird all day.”

“he didn’t hurt you, did he?”

“no, slow your roll,” you rub your eyes with your palms, trying to think of what to say to your best friend. the two of you had never strayed to this topic before. “he just…”

“didn’t finish you off?” luke questions and your eyes go wide. this was the boy who had never been in a relationship, had his last kiss when he was sixteen, and had never had sex because he was too focused on running camp. you didn’t expect him to be so blunt. you feel the flush all over your body.

“luke!” you chastise, even though he wasn’t entirely wrong. “no! i mean, i was close but i guess you’re right. my complaint is that i told him i didn’t want to date him – don’t want to date anybody, actually – and he blatantly ignored that. he’s been bothering me all day, trying to ask me on a date. at least the others always understand.”

others. the only word luke finds himself focusing on. now that he knows sherman is out of the picture, all he can think about is who is in the picture still. “others?”

“um,” you pause, the heat in your body is from embarrassment now despite the cold air blowing heavily throughout your cabin now, “there’s no one else, now. there’s only been a few.”

“few.”

“i’m not naming them, luke,” you say, sternly. you dislike his interest in the topic. usually, your fear surrounding your sexuality stems from not wanting to seem promiscuous, and not wanting to be shamed. luke shows no interest in making you feel guilt or shame but instead seems hurt. “no one’s even supposed to know.”

“can i ask you one more personal question?” you sigh and nod at his request. you prepare yourself for the worst, most invasive thing that could have come to his mind. he surprised you just a few moments ago with his bluntness, but now you can see the pink at the tips of his cheeks and the purse of his lips. whatever he’s thinking of is making him bashful, and it’s almost a relief until he finally speaks again. “why have you never asked me?”

“what?!” you squeak in surprise.

“is sherman more attractive? or the others?”

“what? no! luke, this is crazy,” you tell him and reach for one of his hands in reassurance. “that’s not- i mean, ugh. luke, you are beautiful. it’s not about anyone being more attractive.”

“you think i’m beautiful?”

“this is an insane topic and i don’t want to talk about it anymore.”

“why not?” luke whines. his sudden change in demeanor in the evening makes sense now – he was jealous? or insecure, perhaps?

“why are you pushing it?”

“because i’m tired of being inexperienced! i want to have sex and learn all of these things that all my brothers tease me about, but i want it with someone that i trust. and i don’t have time for a relationship, which everyone else who has shown interest wants. we already hang out all the time too, so it’s not like we have to sneak off or carve out time for each other!”

“what if i don’t want to have sex with you?”

“that’s fine.”

“and what if it affects our friendship?”

“it won’t,” he shakes his head, and he feels pathetic. he’s practically begging, and you love it. “we can set rules and boundaries.”

“okay.”

“okay?” he asks, giddily. he scoots closer to you, and suddenly his face is too close. the act isn’t new territory, but with luke it is. you nod, however, letting him bring his face closer to yours. “can i kiss you?”

“no,” you whisper, your lips nearly brushing, “we’re going to sleep on it. then we can talk more tomorrow, and set some rules before anything happens.”

you pull away from him and go to settle yourself into bed while he grabs the light. the vents slowly allow a faint chill to settle in the air, so when he lays down, you pull the blanket over the both of you. his breathing is slow as you reach out and pull yourself into him so you are face to face. on a typical night, he always falls asleep before you since you are often stuck in your head. even now you assume he already fell asleep with his steady breathing and closed eyes. you run a hand through his hair and he sighs.

“i can feel you staring at me,” he mutters and you blush. you thank the gods that it is too dark for him to notice if he decides to open his eyes.

“i don’t know what you’re talking about,” you play dumb and close your eyes. you scoot down to rest your head on his chest. he toys with the ends of your tank top and reaches under it to rest a hand on the skin of your lower back. a shiver runs through you. this is new. he pushes against you lightly until you are flush against each other. you feel your heart race and your whole body feels warm. the warmth is overwhelming even with the air conditioning on full blast, yet you’re sure it’s going to get worse. you were sure you wouldn’t be able to sleep with this heat, but you couldn’t find it in yourself to push away from luke. there is something so intoxicating about feeling so close to him, about feeling the lines of his abdomen against yours.

“stormy, relax. go to sleep,” luke whispers, and kisses the top of your head. you take deep breaths to try to calm yourself and wrap your arm around him too. eventually, the sound of luke’s heartbeat and the faint sounds of the thunderstorms from your cabin walls lull you to sleep.

when the sunlight flows in from the windows and luke begins to wake, he fully believes the night before was a dream. you stir beside him; your hair splays over his arm that rests underneath you, and a small smile tugs at your lips when you realize the body beside yours is his. “morning.”

“good morning,” he grumbles. you laugh and suddenly he’s happy to be waking up so early. “what time is it?”

“dunno,” you answer and retrieve your watch from the nightstand beside you. it was your mother's, he thinks, and the engraved initials on the band that differ from your own confirm it as you slide it on. “almost time for breakfast. you need to go make sure your cabin hasn’t burnt down.”

“don’t i get a goodbye kiss?”

“no,” your answer wipes the smirk off his face and you laugh at his antics. you lean over to his side of the bed and press a chaste kiss to his forehead. “we will talk later.”

“how much later?” he pouts, and you almost lose your reservations for the future. truthfully, you could have jumped him then and there but he continues to make you nervous. you never sleep with friends, although sometimes your hookups infiltrate your friend group (one in particular). you never even allowed yourself to think of luke – your closest friend – in any way other than platonically. thoughts of his body plague you now; thoughts of his lips, his thighs, his hands.

“well, silena, clarisse, and i have beach plans this morning. lunch after that, and then i have archery lessons with lee. so i’m free after dinner and the campfire.”

“sounds like you’re really trying to postpone sex,” he jokes, and you punch him in the arm, “i’m kidding!”

“we’re not having sex tonight.”

“we’re not?”

“no, we’re taking this somewhat slow. you’re my best friend who i love very much, not some acquaintance i see occasionally throughout camp,” you explain. luke was telling the truth, he was very inexperienced. there was little to no doubt that he was truly ready, but you could never deprive him of everything that could lead up to a person’s first time. “tonight, we will talk and slowly progress towards more.”

he groans and rolls out of your bed dramatically. you stifle a laugh until he finds your hands and pulls you to the floor. the straps of your tank top fall off your shoulders, and luke’s lips find their way to your collarbones once you softly land on top of him. a gasp escapes your lips as he holds you tight, his fingers pressed hard against your spine. the warm heat from the kisses trails all the way to the tips of your shoulders, and you pant, thinking about how nice it would feel if he just used his teeth a little bit. “i just needed to do that finally.”

“finally, huh?” you question, lightly pulling the hair at the nape of his neck. he maneuvered you both until you straddled him with his back against the side of your bed. your closeness should be more than enough, yet luke wants nothing more than to pull you closer. nothing would ever be close enough. “how long you been thinking about it?”

a blush rises on his cheeks and settles on his neck. the confidence he had just seconds ago disappears in light of your question. “i think since that time you beat me and pinned me down during capture the flag.”

“we were like sixteen!”

“and it was hot! oh my god, you staring down at me drove me crazy.”

“you horny ass! is that why you let me beat you now?”

“oh, i don’t let you beat me,” he admits, and your eyebrows shoot up in surprise, “you just are that good with your sword.”

you always assume luke pulls his punches (or his strikes, you suppose) with you because you’re such close friends. it’s reassuring that you come as a close second to the best swordsman at camp – however, percy is learning fast.

the conch horn sounds throughout camp, and soon everyone would gather for breakfast. neither you nor luke moves from your position; he stares at you with those deep, brown eyes, and every decision you thought you made before wavers. laughter and shouts from outside start to fill the quietness of the cabin, and you decide it isn’t so bad to let the guard down sometimes.

luke’s body momentarily tenses up as you slam your lips into his. he quickly relaxes, moving his hands to your plush hips. the touching is vulgar, but the kiss is so soft. his thumbs dip into the very top of your linen shorts, tracing the curve of your stomach and hips. your hands grip his forearms in an attempt to keep them on you for as long as you can – yet he can’t even imagine letting go.

your lips move languidly, your tongue barely grazing his bottom lip as he pushes his face more into yours. he gasps when your core grinds against his subconsciously, needily, and you take the chance to slide your tongue against his.

although it’s the last thing you want at the moment, he pulls away whenever your stomach lets out a loud rumble. you rest your head against his shoulder as your bodies shake with laughter. “let’s go get some food.”

taglist of those who showed extra love on the first post 🫶: @kamaluhkhan @fubureaders @daisydark @wstcoastcoll3ctive @nina-isabelle

#tomi writes #luke castellan smut #luke castellan #luke castellan fanfic #luke castellan fic #luke castellan x reader #luke castellan imagine #pjo fanfic #luke castellan x zeus!reader #zeus!reader #zeus reader #luke fic recs #charlie bushnell fanfic #charlie bushnell x reader #ruegard

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itpemod · 2 days

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It's late September and that means #ITPE sign-ups are OPEN 🎉🎉🎉 Links will be at the end, so please read through the post as we have a lot of new information/procedures this year!

This is the FOURTEENTH year of the exchange, but the FIRST year we will be hosting it on Tumblr, which was far and away the winner in our platform move survey. Happily, this means we get to keep our acronym and branding!

What is #ITPE?

#ITPE is a low-pressure, no-minimums podfic exchange that originated on Twitter. We are now on Tumblr because of Twitter’s…everything, since it was bought by the Muskrat. Everything–sign-ups, communication, assignment/gift distribution–used to be run entirely on Twitter, but as the exchange has grown, we’ve incorporated other platforms to help make our lives as mods easier. Consequently, sign-ups will be on AO3 and submissions of your finished gifts (when it comes time for them) will be via Google form. Otherwise all communication, including announcements, questions, assignment and gift delivery, will be conducted over Tumblr and instant messaging.

Who are the mods?

Our mod line-up is @blackestglass (blackglass) & @knight-tracer, with flowersforgraves assisting on the backend with data management.

What is the schedule?

The dates for #ITPE 2024 are:

Sign-ups: SEPTEMBER 21 - SEPTEMBER 29

Assignments go out: No later than OCTOBER 8

Projects due: DECEMBER 17

Distribution: DECEMBER 24

So long as it's still September 29 somewhere in the world, you can still sign-up.

How do I sign up?

We are continuing to run sign-ups through AO3 (without a nominations process, so just write in your fandoms). We are asking for a minimum of 3 unique fandoms and if you want to sign-up to give or receive more than 20 fandoms, pick your TOP 20 for the AO3 and put the rest in your Dear Podficcer Letter. If you have less than 20 fandoms, we encourage you to list all of your primary and secondary fandoms in the sign up form so we have options for matching!

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starofaurnion · 2 days

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every time i replay this game (which has been a lot), i think about this scene (and zagi in general) a lot. i have a lot of thoughts and headcanons about zagi as a whole, but i think a lot of zagi's interactions with yuri did stem from wanting to have some form of companionship. it was at nordopolica that became clear, i think (after yuri commented on zagi's strength on ragou's ship, i believe).

that's really not to say he went about it the right way, or that yuri was ever obliged to reciprocate, though part of me wonders whether zagi even knew how to properly make friends/companions, and his only means of communication was through combat (a running comment between my friend group being zagi's love language is sparring) — looking into further interactions (tarqaron comes to mind, where zagi was desperate to be the most important thing for yuri to focus on, even if it meant dooming the entirety of humanity). i often wonder if, to zagi, he perceived their fighting as a sign of strengthening their bond, and thought that yuri reciprocated the enjoyment he got from it. that clearly wasn't the case, but i think it adds a layer of tragedy to it: a one sided friendship (or relationship, depending on how you interpret zagi's comments) that meant a lot more to zagi than it ever did to yuri.

then again, i think there's a lot of tragedy behind zagi's character as a whole. i can, and will, ramble about that later on, though. it's also fitting my first proper post is about this damn cute assassin that occupies my mind more than he should.

#tales of vesperia #tov #zagi tov #zagi #yuri lowell #tales of vesperia spoilers #zagi is one of my favourite characters of all time

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rivendell-poet · 3 days

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Good *time of the day at your country*

I would like to make a request now that you posted a list full of ideas.

Could you write from the Fluff/romance list 7 and 19 with Legolas and a human!reader?

Soo the idea is that reader have body image insecurities ( because she doesn't have flat belly or something idk) and.. since Elves are literally the image of Perfection, reader often feels that Legolas deserves better. Even for the humans reader isn't something special. She feels unworthy every time people look at them surprised about how they ended up together and that an elf deserved better. One night when she cries about it in her room Legolas happens to hear her when he comes back (you can't never be quiet enough to hide form an elf) So yea i think i gave too much information, I'll shut up and leave the rest up to you :) have a good day.

Hi anon! First of all, thank you so much for your request - and trusting me to write this! The greeting made me smile as well, so thank you for that. Secondly, (and more importantly), I'm so sorry for the extended wait. Hopefully you still enjoy it, although be mindful of the angst.

(also don't worry about the info - as long as you've not written how the fanfic should go line-by-line I welcome more detailed requests <3)

❝𝐈 𝐥𝐨𝐯𝐞 (𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐚𝐛𝐨𝐮𝐭) 𝐲𝐨𝐮❞ « one-shot »

Pairing : Legolas X Reader

Wordcount : 2.6k

Gender-neutral reader | TWs : Crying, the first half of this fic centres around negative body-image & reader disliking their body. Although this is countered, if it's something you're struggling with please don't force yourself to read <3

Summary : As a human, you sometimes struggle when comparing your body to Legolas. And sometimes it can get bad. Luckily, he is always there to reassure you that he loves you - no matter what.

A/N : Was feeling angst-y at the start, so if you want to read but skip to the comfort keeping going until you see the ✧ paragraph break (although this will skip some fluff/a good portion of the fic). Also sorry if this is somewhat disjointed. It has been edited, but was written over a longer period of time.

Looking at yourself in the mirror, you try not to wince as you eagerly let the fabric fall back down over you. You don't look like you've been a member of the Fellowship, like you've fought Sauron's forces directly, you look like you've sat around and done nothing. Even after days of running and taking part in battles, your stomach doesn't lie flat - let alone have defined muscles. And the parts of your body that are more curved don't have that extra weight in muscle.

Even the bits that are more elven, more lithe and made of muscle, are still marred. This time by scars, a few raised and rough but most simply discoloured. All are eyesores, drawing attention immediately to the imperfections on your skin. It's even more obvious when you stand next to Legolas, his skin glowing and youthful. Even from centuries with a bow, his fingers remain uncalloused and smooth like silk. He doesn't seem to mind the contrast when he holds your hand. The silkiness against the craters on your skin. He also doesn't seem to mind the stares you two get when you're together. When he's close to you, and you're so obviously in love.

There are two types of stares you notice when people see you two like that. The first starts off fawning and admiring, and then you enter their gaze as well as Legolas. Then the positivity changes to more of a sneer, looking at the flawed shape of you compared to his perfection. The second type of stare is confusion, when their eyes flicker back and forth between the two of you as they wonder how you managed to convince him to like you.

It's even worse when you and Legolas go to the more formal dinners, when folks have to be polite with their words - so show even more disdain with their actions. The ones who know of Legolas's social status are even worse; how could someone of his noble lineage marry a commoner? It's one of these dinners you're about to be forced to attend, and one of these dinners you're dreading.

A soft knock on the door breaks your eye contact with the mirror, and you step away just as Legolas enters your room. His eyes light up when he sees you, looking you up and down before smiling. "You look beautiful."

"You're only saying that because I'm dressed in your colours." You tease, trying not to let your worry - that that is the reason he said - seep into your voice. He looks gorgeous in your colours, of course, they only serve to compliment his natural colours, making him look even more gorgeous.

"Not at all." He offers you his hand, immediately holding you tightly when you put your hand in his. "I hope you will enjoy this ball, some of my kin will be here."

"Elves?"

"Yes, from as far as my home." He pauses for a second, then smiles, "From Eryn Lasgalen."

"That's great news. Do you know any yourself?" You ask, trying to put the conversation on him. He thinks for a second, before telling you of the first elleth - a captain of the guard. In the meantime, you attempt to listen while trying not to think about what elves being with you means. If humans judge you as being unworthy of an elf, how will elves judge you when they find out you are with their prince?

Eventually, you manage to listen to Legolas again - hoping you haven't missed any vital information. His stories, and genuine enthusiasm, soon manage to lift your spirits and distract you from your worries. It works so well you're able to walk into the ball, not even noticing the others as you get to your friends. Aragorn welcomes you with a smile, you can tell he's grateful when genuine friends come over, and looks at the two of you. "By Valar, with the two of you and my wife I think everyone on my council has outdressed me."

He's lying, of course, dressed in a beautiful robe of wine red and forest green that somehow does not clash on him, but the words warm your heart. Aragorn has reason to lie about your appearance, but not as much as Legolas does. You offer him a compliment as well, "Nonsense - you both look lovely tonight. If you were not King of Gondor I'm sure many would think you an elf."

"Except for the beard, of course." Aragorn points out, eyes briefly flickering to where you assume the elves are.

"Then we have found an advantage for you not to be an elf." Legolas smiles, "It suits you."

The three of you begin to talk, not quite flouncing etiquette with the time you're spending with him, but getting close. Arwen catches your eye, and you see her begin to move towards you - Legolas murmuring in your ear that he will be back soon, unless you need him. You wave him off, before offering a smile and small bow to Arwen. With a laugh that sounds like music, she returns your gestures. "There is no need to bow to me. Your actions have put your standing well beyond mine."

"And the scandal when I don't bow to the queen?" You respond, trying to keep the mood cheerful while anxiety begins to swirl in your stomach. Realistically, Arwen doesn't mean anything by it - but the dip where velvet sits on scar tissue instead of regular skin goes from unnoticeable to uncomfortable. The wound on your finger almost seems to catch on something, even though it is long healed, and you're reminded of the perception of elves. It is said that scars tell a story - does that mean your mistakes are imprinted on your body for any elf to read?

At exactly the wrong time, Legolas appears again with an elleth maiden. No - not a maiden, a captain of the guard; except you would be forgiven for mistaking her to be a noble, or a muse for some talented artist. You recognise the name when Legolas introduces her, and your mind connects her to stories he's told - stories of grave danger. Except they've made her glow while they would have made you bruise. What would have been a scar on your face is not even an imperfection on hers. Taking a deep breath, you bow before introducing yourself.

You can see recognition in her eyes before she bows back, eyes flickering from you to him as she stoops. The action only worsens your nausea, and not even the presence of your love can alleviate them. Surrounded by three elves (and a man who is so fair he may as well be one) you feel even worse, and you duck to excuse yourself from the conversation.

Lost in the ballroom, you try to judge where you should go based on the presence of people. There are very few people near the food, and you realise you've missed the window. Not that the nausea would help in keeping any food down. Instead, you gravitate to a place with a manageable amount of people - easing into making small talk with other humans. As the conversation ends, a shock greets you as your next companion appears. Another elf.

She's just as beautiful as Legolas' friend, and is wearing a tight-fitting robe of pure white. Keeping up conversation decently well, you manage to hide your nerves until Legolas suddenly appears by your shoulder, holding a plate of food. It's a mixture of proper meals and canapes, but nonetheless a gesture that warns your heart. Swallowing whatever he'd been eating, he holds the plate closer, "For you."

"Thank you." Going for whatever he's eating, you come away with only a small bite - a biscuit-type thing that's thinner than a coin with a patte that tastes like spring. Perfectly elvish food. He doesn’t need to eat as much either, yet another difference. Finishing it, you swallow and smile at him politely while somehow hoping for the elf to come back. To your surprise she does, and you take advantage of the opportunity.

Some architect in Gondor was looking out for you, and you’re soon able to slip away from the crowds. You almost bump into a few people, but you’re elegant enough to not cause too many difficulties. None of the servants running the place stop you either, although there are a few eyebrows at someone dressed in such finery being around there. In fact, you make it all the way to your room before the first ragged breath makes it way out of you - tears threatening to spill, while breathing heavily to stop them. Not that anyone could hear you in your chambers. More tears water your eyes, and you think about letting them escape when a servant knocks on your door.

“Prince Legolas has sent up food, if you would like it.” You can hear the awkwardness in the messenger's voice, “And he wishes to inform you that there is no pressure to rejoin the event. He shall be up with you soon.”

“There’s no need.” You go closer to the door, “Tell him he can be as long as he wants. And you can take the food, I’m not hungry.”

“I will inform him now.” The servant leaves, and you listen to their footprints slowly fade away until you're alone again. Which is when you feel ‘safe’ enough to begin to break down.

✧

It feels like only a second ago you were by his side, but when Legolas looks around the room he cannot see you anywhere. The plate of food he still has for the two of you feels heavy in his hand, but he keeps hold of it while scanning the ballroom and walking around it. The two of you need to eat, after all. On his second lap of the ballroom Legolas realises that you’ve left, properly, and goes to one of the servants - asking for them to deliver the food and inform you that he’ll come to you shortly, and that you should feel no pressure to attend this event.

He excuses himself as quickly as he can, citing the ball as becoming overwhelming to the few who ask and hurrying up the stairs. The turns to your shared chambers are becoming muscle memory to him, although normally the two of you make this trip together - sharing your thoughts on whatever you’d just done, or talking about nothing in particular to not focus on the stresses of the day. As he approaches your floor he realises he hears no movement, and the only sound is him opening the door.

Until Legolas keeps moving forward - and his ears begin to pick up the stifled sound of sobbing. Of your crying. It makes him hurry up, going towards you as fast as he can until he truly realises that something is seriously wrong. The steps are still quick, but not running, and his mind begins to pace through what could be happening so that he may try and comfort you.

When he sees the plate outside your door, untouched and discarded, an idea of what’s happened begins to come to him. He knows the food that he’s picked out is your favourite, and so it won’t be that that’s stopping you. Getting to the door he gently knocks on it, and hears your cries suddenly begin to halt. He can hear the constricted breaths, and rushes to reassure you, “You can cry, meleth nîn. And please, may I come in?”

There’s silence at first, and he adds to his statement. “If you truly don’t want me here you can say, but I cannot hear you cry and do nothing about it. I want to help.”

Although there’s still no verbal response from you, he can hear a slight shuffling - and there is no voice of protest. Legolas begins to open the door, just enough to slip in before letting it shut behind him. As soon as he’s in the room his eyes go to you, heart slightly breaking as he sees the red rim around your eyes - the way they are still glassy. He can see your light tremble, as you stop yourself from crying in front of him, and he instantly goes to your side. “Please, never be afraid to cry in front of me.”

Legolas begins to pull you into him, and that’s what finally breaks the dam as you feel yourself begin to sob as tears stream from your face. He still holds you close, pulling you into a warm hug - letting you hear his steady heartbeat. He doesn’t force you to stop crying, merely humming and gently tracing circles on your back. “You can let it out… I’m here… don’t worry, I’m not going to leave.”

He holds you in his arms for as long as you need, until you finally stop and begin to shuffle out of his grasp - realising you’ve wept all over his shirt. He begins to let you go, but doesn’t let you stray far. Watching and waiting for you to be ready to talk. “I’m here for you.”

“I know.” You try to give him a smile, but it comes out watery - and you can feel the puff around your eyes, the fact they must be red and horrible. Some of the thoughts must show on your face because he frowns slightly, pulling you closer again.

“You know you are beautiful, meleth nîn.” When Legolas says it to you he says it with such sincerity, gently kissing you on the forehead. “You are beautiful like this as well, and I love you like this.”

Although it makes you smile, you try to protest. “I’ve just been crying-”

“And?”

“And my eyes will be horrible and red-”

“They look perfect to me.” His interruptions are gentle, but you can tell he means them. “All this shows is emotion, emotions like sadness, or like love. If you stop your eyes from shining in happiness it will be a bad day for all.”

“I’m not crying in happiness.”

“I’d rather your eyes show all emotion than none.” He seeks out your eye contact, and now that he’s mentioned love being visible in your eyes you can see it in his. In the way they round slightly with care, but have a faint shine in them that gets larger as you begin to smile - a shine you can only interpret as love. It is steady, and ever present, but seems especially obvious now.

“I wish you could see yourself the way I see you.”

“When all my imperfections disappear?” You try to put on a teasing tone, but it falls slightly flat.

“Imperfections?” His head tilts in genuine confusion, eyes searching your body but never landing on a specific place, almost as if he cannot find them. “If even elven eyes cannot see them, I begin to doubt they are there.”

The gesture makes you laugh, but you still hold out your hand to him - palm up for him to see the callouses. When he sees them a hand instantly closes around them, his fingers joining and resting against yours in a familiar position. Simply, he says, “The callouses by which I know it is your hand I am holding? The ones that show the dedication you have, the time we’ve spent together?”

Eyes searching, he follows your gaze to the other parts that stick out to you, resting a hand there or giving it a small kiss - each time with only love in his gaze, and no disgust. Then you realise you’ve run out of places, and Legolas can look into your eyes again. “I don't think I've ever loved someone like I've loved you."

A/N : Hopefully you enjoyed, and the comfort at the end as worth it. Finally getting back into writing one-shots, so will be attempting more of my inbox. Thanks so much for reading to the end, and feedback is always welcome!

thank you for reading *･༓˚✧ Taglist : @starwars2222 / @xiaoseminence / @withasideofmeg / @ferns-fics / @chewgazellechew / @recordofragnarokfan2 / @stormchaser819 / @raikan624 ✧ wish to be tagged/update your taglist?

#legolas x reader #legolas x you #legolas one shot #lotr x reader #lotr x you #x reader #x gender neutral reader #gender neutral reader #oneshot #lotr oneshot

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twst-hottest-takes · 2 days

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Tweel Anatomy Discussion!

Part 2.

(Finally getting around to this! Link to part 1 here: https://www.tumblr.com/twst-hottest-takes/759029788153446400/tweel-anatomy-discussion?source=share )

And first off a big "Thank You" to everyone who encouraged me to write the first part and who seemed to have enjoyed it. I'm happy my pseudo-scientific ramblings about fantasy anatomy make you happy!

As always: The following post will be almost purely conjecture based off of a combination of reality and fiction. None of what I say should be taken as law, but rather a fun series of hypotheticals, as that is what the game gives us to work with.

Before getting to the promised screed on "throat teeth" I'll be addressing a couple of subjects people asked about in the comments of the first post! I'll be paraphrasing, but if the people who asked wish to be credited directly, let me know and I will tag you!

First: What does Floyd mean when he threatens to "squeeze" people?

As the comment pointed out, eels (moray or not) don't seem to constrict their prey. The word "constrict" is often associated with how many species of snakes trap and suffocate their prey before swallowing it whole. In this manner, morays do not constrict anything to speak of, BUT THEY DO TIE THEMSELVES INTO KNOTS!

Commonly this behavior is used when an eel has a piece of prey that is too big to swallow all at once, so they tie themselves into a knot to get a better "grip" on their prey and tear it into more manageable pieces! A knot can also be a defensive measure to hide or protect an eel's head from potential enemies. (Looking up "Moray Eel knots" should give you a much better idea of this behavior.) In the case of Floyd Leech, I think that the term "squeeze" is meant to reference Flotsam and Jetsam's behavior in The Little Mermaid. They "squeeze" Flounder and Sebastain to prevent them from stopping Ariel from making her deal with Ursula, and also wrap around Ariel's arms to restrain her later in the movie when the deal is up. These are pretty cartoonish behaviors that wouldn't be seen in real eels as they appear in the movie which seems to treat them a lot like "sea snakes" in this way. I think Floyd's "squeeze" is meant to be a serious threat when considering what eels do to things they tie up in their knots, but it does seem to evoke a mental image of a python rather than an eel.

Secondly, the user questions how Floyd would manage to build up his arm muscles so much.

Simply speaking, Floyd's bare arms are only a matter of fanservice. He's not really "buff."

The muscles are just very well-toned. While Floyd's "mercurial moods" don't allow him to commit to things like workout routines, he's still more active than not. Doing things like basketball, dancing, or parkour with any kind of regularity will give his arms that toned look, at least as far as his human form goes. In regards to his merman form, Floyd probably did similar things that shaped his muscles this way, but didn't build them up much past average.

Thirdly, another user asked me to touch on the boys' habitat as them being residents of the apparently cold and dark Coral Sea doesn't line up with the natural habitats of moray eels in real life that live in tropical waters.

Unfortunately, I don't have any particularly fun insights into this topic because I think that's just something added to better suit the part of the game based off of The Little Mermaid. Azul and the twins are meant to be intimidating and a little mysterious, so they come from a deep, dark, cold part of the ocean that holds scary and mysterious things. Bearing in mind that merfolk are fantasy creatures, I don't find the contradiction of where you would find eels versus where the twins are from to be especially bad in terms of world building. It may not be entirely thought through, but they are taking inspiration from the Disney movie, and keeping true to it's inspiration probably came first.

(Honestly, the thing that gets me is how they said they couldn't go home because the sea froze over. As if the mirror couldn't transport them directly into the ocean underneath all the ice! I swear the writing in this game sometimes.)

And now, the moment you've all been waiting for: LET'S TALK ABOUT PHARYNGEAL JAWS!

Quick explanation: Pharyngeal jaws are a second set of teeth in the back of a fish's throat. They are notable on moray eels, but they aren't the only fish that have them. The function of the throat teeth is for them to jut forward and grab onto whatever food the fish has bitten into and then retract and drag the food down the esophagus far enough for peristalsis to take over and continue the swallowing normally. (Yes, I used the first picture that showed up on the web search. It's from Wikipedia)

Do I think the Leech Twins have pharyngeal jaws?

The short answer is unfortunately: "NO."

The long answer involves more of our favorite subject: Discussing how realistic anatomy and fantasy physiology can coexist. (Spoiler alert: The long answer is still unfortunately: "NO.")

Logically and anatomically speaking it makes no sense for Floyd and Jade to have them. First and foremost, even if they did somehow have them in their merforms (which is far more plausible) they wouldn't have them in their every day human forms. The shortcoming of human anatomy is that we have a windpipe, and a second set of teeth back in our throats would suffocate us any time they would need to be used. Instead, we, like most of the animal kingdom, have tongues that push food back to be swallowed and have no need for extra jaws to crawl up and pull food down. Likewise, the twins clearly have tongues, and although they keep their primary teeth in tact between their two forms, have no need for a secondary set. Furthermore, I would posit that pharyngeal jaws in their human forms would be just plain dangerous as in the case of accidentally crushing your own windpipe. They breathe air, therefore they don't have gills, therefore they have lungs and a trachea for gas exchange, and therefore no room for throat teeth.

If the twins were to have pharyngeal jaws, it would make the most sense for them to have them exclusively in their aquatic forms. Because they breathe through gills around their ribs (see part 1) there would be much more room for a second set of teeth and the accompanying anatomical equipment. However, again, I am forced by my own logic to concede that they would still be unnecessary. Between all of the visual proof and the fact that the twins speak the common language fluently enough to have no communication issues with the land dwellers, we know for a fact that they have tongues--much like in their human forms--and that would negate the need or use for pharyngeal jaws. Moreover the humanoid head and neck structure on them in both forms would make the use of pharyngeal jaws pointless, if not explicitly dangerous (having a curved esophagus, as opposed to a straight line as in fish).

In conclusion; as much as this is a disappointment to admit, it would seem that the twins do in fact only require and as a result have a single set of teeth.

However, I will end this particular essay off with one sliver of hope.

It is implied in the text of the game that the twins were hatched from eggs. If their formation from egg to "adult" merman is anything similar to a fish's then it is possible that they once had a second set of jaws. Perhaps in an earlier stage of their development their bodies and mouths were positioned differently and they hadn't quite grown tongues yet, so a pair of extra jaws would have been particularly handy. As they became fully developed these jaws would have been lost, reabsorbed, or simply become vestigial remains as a result of no longer being of use. So while it's not logical to imagine that the twins currently have pharyngeal jaws, there's nothing that says we can't imagine that they did at some point.

(A small consolation to those of us who really would have liked that addition to their characters because we just think it would have been really really cool. Logic be darned, I still love to see fanart that depicts the two of them having throat teeth.)

Thank you for reading! I hope you enjoyed a bit more of my obsessive ramblings regarding fantasy anatomy!

This one took a while to put together because I wanted to make sure I had a visual representation of what I was talking about regarding the placement and effect of pharyngeal jaws in a humanoid form. . .so you guys get to see a very rough drawing of what I was talking about (along with a sample of my awful handwriting). I hope that was helpful and not too difficult to understand. I have been very tired lately and ended up putting a few ask responses on hold because I REALLY wanted to get this part out. A good number of people have apparently been looking forward to this, and I felt bad for making everyone wait for so long.

Will there be a third part?

Well as of right now I don't have one planned. But if some fun conversations start regarding what I've said here, there may end up being enough stuff to include in a third post. I didn't have much to say regarding things like warm or cold-bloodedness, or coloration and bioluminescence. However, if people want to talk about those kinds of things I will gladly delve more into them as long as there are people to talk to about it. But for now, that'll be all for this subject!

Now we can get back to the inbox!

(Once again going to sleep thinking about how awesome these mer-eel designs are and how I love all the sparkles!)

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max1461 · 3 days

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I guess my essential critique of everybody else, well. I've got like a handful. Obviously a big one is I think they believe too much stuff, which I've actually produced a clearer phrasing of recently but I've yet to post it. But another one is that they are too, uh, "discardatory", they view a lot of things as purely means-to-ends that can be discarded once the end is reached. And I'm always feeling like "wait, you discarded that shit too early, there's more in it than you thought there was!". I very often feel like that. Like @kata4a made a post a while ago saying something like this about people's attitude towards art or something, I don't remember. Not that you should never discard anything, but I think people are very ready to discard things, you know, and I think this represents a deficit in their value-seeing-abilities. I think I just have an easier time seeing value in things than most people do. Annie anemone @tsarina-anadyomene says I am "small-c conservative", which I think is true; maybe these two facts are related.

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nthspecialll · 5 hours

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Bill Williamson shaped by an army knife

(This post is a casual explanation(ish), not meant to defend but rather explore and discuss Bill Williamson's character and how it is shaped by the army, it has also been sensitivity and proof read by a native to ensure that I did not accidently word anything in a way that would hurt the native community)

As many knows, Bill Williamson was in the army, and if you look closer you can see the many different ways in which it formed him, the ways in which a constantly stressful envioment filled with death shaped the person he is.

I am going to mention the one thing that stood out to me first, racism. Now hang on when I say this, he isn't, he is not racist, but you know what he is? A parot who got fed words and repeats them. And why would I say that? Do I have evidence? Yes.

The two characters we see Bill go after is Javier and Lenny, he calls Lenny "boy" and says "come over here!" or "I don't like your attitude", meanwhile with Javier he straight up calls him a slur. But something to notice is that Bill praises both of those characters at other times. Bill calls Lenny "son" and yells to everyone about how amazing he is and the proud almost fatherly instrict is oozing. With Javier there is a similar interaction where he is drunk and he is yapping Sean's ear off about how amazing Javier is.

We do not see that with Micah (That I can find), the only possitive thing Micah says to either of them is "you aren't so bad, for a greaser". Another thing to point out is that Micah is constantly belittling both Lenny and Javier, saying things like "you can write and everything, unusual for one of you. Oh you know, hoodlums," Bill does not, he does not belittle them.

So why would he say such things? Because he was angry, and why would he say that because he is upset?

Bill was in the army, common knowledge, uncommon (or at least commonly forgotten) is the fact that he fought the American Indian War. He did not fight other white people, he fought the native americans, and they were scary. He tells that story himself in a camp interaction, talking about how scary it was, and I do think he was frightened and not just empty words as he at the end jumps at the sound of a neighing horse.

Bill saw people get murdered, he saw his friends get slaughtered and he was told by the army to turn that anger towards the natives. The army implimented racist ideologies to excuse the genocide they were making and to rile their armies.

I often think of the line between Bill and Dutch where Bill says "I saw things!" and Dutch says "I am sure you do! But I don't think you could understand it" and I think that is spot on. Bill saw his friends dying, he saw his comrades dying, people he was likely as close to as he was the VDL gang (I will return to that later) dying. All he saw were these people murdering his friends, not that those people were fighting for their right to exist, and for every body the army framed it all on the natives, that it was all their fault, without mentioning anything that the army was doing to the natives.

The only times Bill acts out in a racist manner is when he is angry and he is often angry at himself, but he has always been told that when he is angry he should direct it towards people of color by the army, so he does. He does not believe it, but he does it anyways. There are a few times, like in the camp interactions mentioned, where he is not angry, but that is simply the brainwash that the army put him under to justify killing. He is saying those things because he has been told to.

He says the words but they seem empty as his actions are more supportive of his friends than anything.

Another thing I noticed is how protective he is of the gang, not just of Dutch, but the gang, even though he is painted as lazy, many times he is not, especially when it comes to protection. I often see him standing at the edge of camp even when he is off guard, and in that one camp interaction where strangers find camp, he is there, he is watching over them, in the Valentine robbery he was also smart enough to know to bring backup, he knew that if things were to go wrong, he needed to have someone there, Arthur.

Now some people are going to come and say "Oh but he didn't realise the security job was a trick," no, he did not, do you know who also did not? Dutch, Lenny, Karen, characters whom it was mentioned in front of. The only ones who did realise were Arthur and Sean, and despite Bill trying to throw the blame off himself at first, he does blame himself, there are interactions of him saying he blames himself for Sean's death. Similarly when Angelo Bronte offers up money, he is not planning to take it, he is making sure no one else is, I got a whole post on that.

One of the other things about Bill, is that people say he did not care when Lenny died. I do think he did, he has so many camp interactions where he is calling Lenny son, being proud of him and so on, but I do think that the army got to him there too. When in battle people die, people die often and you cannot stop because they do, no matter how much you loved that person, if you are on an open battle field charging towards the enemy, you do not have time to stop.

When in the army you are expected to be a tough manly dude, in chapter six Arthur can ask if Bill is okay and he never gives a real answer, instead he shifts the convosation away. Bill believes he is not allowed to show weakness because doing so in the army was not allowed, anything unmanly was not allowed. I do also believe that is where he gets his fucked up realtionship with his sexuality (I am not even going to explain why I think of him as queer, I do believe others are able to see if, but also if anyone says "No he aint!" that is a fair opinion but the va does hc him to be queer), wanting to flirt (or at least befriend) Kieran but not knowing how to without coming off as unmanly.

Returning to how he would care for the army friends he made, is how he ended after he got thrown out. Bill says his biggest fear as a kid was to be an alcoholic and look at where he ended up. He even says he completely lost himself after the army, that Dutch "saved Bill Williamson."

Well even if it was not everyone whom he liked, there was at least one person. If we look at his letter from the army, he is thrown out for attempted murder and deviancy ("the fact or state of diverging from usual or accepted standards, especially in social or sexual behaviour." aka can be used for homosexuality). An interesting thing to note is that both of those alone is enough to throw someone out of the army, so why is both there unless they happened at the same time? I see it likely that Bill was discovered with a lover and either the person found them attacked Bill and lover or Bill attacked the person who found them to silence them. Either way, Bill did not succeed and instead he got thrown.

Tags: @cupidsbeartrap

#rdr2 #rdr2 community #red dead redemption 2 #arthur morgan #rdr2 arthur #red dead redemption community #red dead redemption two #john marston #red dead fandom #rdr john #rdr2 bill #bill williamson #nthspecialll #rdr2 lenny #lenny summers #rdr2 javier #javier escuella #rdr2 micah #micah bell

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tozettastone · 23 hours

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Hm, let me reword; are there characters from the series you love to write but have a comparatively different level of interest in how they're actually portrayed in the source material? I.e. the akatuski who were both introduced and killed early tend to be more of an echo of a character than something that reads as a person

Oh yeah, I see! Thank you for rephrasing this. Okay.

Well, characters like Kakuzu and Hidan (and actually a lot of the cast) are very flat¹ characters in canon. They are also very often flat characters in fanfiction, even when they are major characters — Kakuzu is the money guy, Hidan is the religion weirdo (often referred to as "the miser" and "the zealot," haha) and rarely is this expanded upon.

I write a bit about characters who are like this, and one of the things I like about it is the process of extrapolating a rounder character from the few characteristics of a one-dimensional villain, without just losing all of their villainy. They should still be bad guys. I like to write bad guys.

But, it's also hard for a character to be only a terrible horrible villain when you think a bit more about what they're like in their interpersonal relationships, what they care about, what their preferences are, and just... in regular situations. That's why my Kakuzu and Hidan tags on this blog (...and my kakuhida and hidakaku tags, too, which are interchangeable but somehow never consistent) are full of random comments about this kind of characterisation exercise.

I usually do this extrapolation by looking at characters' attitudes and behaviours in canon, inferring their motives, and then thinking about how those motives might be expanded on so they can be expressed in the broader setting! I have mixed success — sometimes people don't like my characterisation and, much more importantly, sometimes I look back on my characterisation and don't like it either (as one of my recent Deidara posts attests 💀).

In that vein, sometimes I do make villain characters like these seem a lot nicer than they are in canon, just by virtue of writing scenes where they, like, have to have a normal conversation...? But if you're trying to take a flat canon character and reverse engineer it into a rounder one, you have to kinda accept that they will be less, like, unalloyed one-note violence and evil, I guess. Like, at some point they are just going to have to eat lunch without having a little massacre first.

So... That's the comments I have about that process.

I think there are a lot of characters like this in Naruto because a lot of the broad cast can have pretty flat characters. I feel this way about everyone from Orochimaru to Tobirama to Hidan, hahaha. So I wouldn't necessarily single anyone out. I guess the least flat characters I write about would include characters like Sakura, who exhibit a more complex mix of personality traits, motives, desires, preferences, feelings, etc., in canon.

---

One footnote:

1. A quick comment on flatness vs roundness, for anyone who hasn't heard those terms used like this before. Characters, settings, "plot" events, and so on, are all elements of a story. A character is the element that delivers the impression of a "person" to the reader/viewer. They are usually successful to a greater or lesser degree.

One way of thinking about characters is that they can fall on a spectrum between "flat" and "round." When one calls a character "flat," it means that they don't have the depth of personality that makes them very good at being a "person." They are usually one-note and simple. "Round," characters, by contrast, are usually a bit deeper. They usually have complex motives and desires and give a more complete impression of personhood to the audience.

This doesn't mean flat characters are bad characters, it just means that they serve a purpose that doesn't require lingering over the complex mix of characteristics that depicting personhood might otherwise require.

#ask #hemlockein #kakuzu #hidan #deidara #fic writing #footnotes in my tumblr post #that's how you know you're pretentious #......I still like fucking around with Sakura's character though

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lizardsfromspace · 19 hours

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Okay, this is the conclusion to my posts about Sophia Stewart. I'll never do something like this again

Everything I've posted is from her own book or her web presence btw. That's all I'm drawing from and if anyone tells me any information about her they gained any other way I'll block them immediately so uh, don't

Towards the end she reveals some of her other pitches. By showing she copywrote sequels to the Matrix and Terminator

Lots of strange details here - she wrote The Matrix 4 in 2000? They didn't even start filming The Matrix 2 & 3 until 2001. Also, we can see in this book that her pitch has nothing to do with The Matrix or Terminator, but she claims she wrote direct sequels to both?

(Her explanation for how both very different films are ripping off her work - a 1:1 copy, she claims - is, hilariously, that The Terminator plagiarizes it front to back, while The Matrix plagiarizes it back to front. What?)

But also she didn't write it. She registered copyright on a synopsis for The Matrix 4. She has concepts of a plan for a Matrix 4.

The book ends with a pitch for another...she calls it a book, but it's a movie pitch? And this, too, is just a synopsis for some grand epic series, light on detail of character and plot and heavy with lore and rants (in this case, primarily about God and Adam & Eve). Of course her exhaustively long but barely sketched-out epic movie pitch has a prologue, which is also full of Christian-tinged Ancient Aliens pyramid power woo.

Sophia Stewart is unimportant, bc she represents a class of writer. Writers who have Ideas. Who have outlines and plot points but no real story, bc they never write it. But they think just having Really Good Ideas is enough - that you should get credit for coming up with a good idea for a story, regardless of if you make an actual story out of it. They're a "writer", but they never write. Despite this they often have a deep case of Dunning-Kruger, churning out outlines that leave out basic details like "what happens in the climactic battle" and the personalities of characters while insisting that an inability to author anything shouldn't keep you from being praised as a genius author

If that type of person is lucky enough to have money, they become a studio executive or tech guy, both professions awash in the uncreatively creative, or they hire ghostwriters. If they're not, they become the type of person to file spurious lawsuits under the misapprehension they own basic plot concepts. It's the "I coulda made the majors!" of writing, except, you know. Baseball players who didn't make the majors still actually played baseball at some point. I assume from now on all those types will just pump their outline into ChatGPT and try to sell the gunk it slops out and then claim they 'wrote' it so uh, uhhhhhhhhhhhh

The only reason I made these posts was discovering the conspiratorial angle to her work, bc who cares if a major studio has to deal with a spurious lawsuit? That was the part that actually sucks. But also, she does a lot of press: profiles on news websites, podcasts, that documentary was even made by other filmmakers, who actually make films. It's persisted from blogs and chain emails all the way to podcasts and TikToks. All of this uncritically spreads her story, but I also have to ask: how many actual African-American science fiction writers do those platforms profile? How many of them get documentaries made about their work? How much air is being sucked out of the room by the decades long misinformation about the "true" creator of The Matrix? And why is that misinformation so persistent when it takes a trivial amount of effort to find out it just isn't true? It feels good to support the underdog against the big studio, but in this case it just isn't true.

The sad truth is a lot more Hollywood plagiarism cases look like this than are real exposures of wrongdoing, but people tend to accept them at face value since they feel like a little guy taking on a corporation, though in reality it's just two writers suing each other. Take The Holdovers case, where people immediately turned on it, but if you look into it, the two scripts have very little in common, and the accusing writer makes odd claims like a human character in The Holdovers being a ripoff of a billboard in his script.

Or look at Groundhog Day, which was accused of plagiarism by Richard A. Lupoff, writer of the story "12:01 P.M.". The two stories have nothing in common besides a time loop; in Groundhog Day he's reliving a day, in 12:01 PM he's reliving an hour. Groundhog Day is a romcom, 12:01 P.M. plays it for horror. Groundhog Day never reveals the source of its lop but it's clearly fantastical in nature, 12:01 P.M. is explicitly science fiction. In Groundhog Day he escapes the loop, in 12:01 P.M. he never does. You can't deny Lupoff felt personally slighted, but at the end of the day, a world where a writer could own the concept of time loops would be a dystopia where creativity and art would die.

But even though they were wrong, The Holdovers & Groundhog Day cases were based on real works of writing that existed. They were based on a real, if misguided, sense of violation from the writers. But in this case, we have a mere outline of a story with not even basic similarities to the stories she's claiming are a 1:1 copy of her work, and decades of media appearances based on exploiting a community college media student's mistake in 2004. Anyway seems bad

#the matrix #writing #film #movies #long post #plagiarism #sophia stewart

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archivalofsins · 2 days

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Addendum (September 23, 2024 5:03pm )- It was brought to my attention by a concerned friend inquiring if something had happened yesterday that this post can come off as complaining about a fandom issue of some sort. Because of how often "Don't be like x" (in particularly Futa) has been used in regards to ongoing Milgram fandom incidents.

It was not my intention to invoke those sort of alarming past experiences for anyone that may have come across this post. My intentions when writing this were to interrogate the prevalence of that phrasing when it came to Futa as a character while including the prisoner paired with him known for bullying as well.

To put it in a plain and jovial way- These are my feelings in regards to this topic in a meme format,

Since I have now been informed of how emotionally disruptive this phrasing can be given the things it's been associated with in the past at least within the tumblr Milgram community I will be putting it under a cut with one more addendum further down that uses the same phrasing.

Once again saying to not be like Mu.

It's easy for individuals to understand why they shouldn't be like Futa. In a lot of ways, not many people would see their actions as being similar to his even when they are. This is why I stress not to be like Mu either.

Because it seems to me that a lot of people are comfortable with being bullies as long as they convince themselves they were the victim first.

A trait that's present throughout both Futa and Mu's narratives. Even if not many people recognize how emotionally manipulative, insidious, and abusive this sort of behavior is socially.

Because just like with these two, some will convince themselves it's the other parties fault for doing something wrong first.

That the person who did something wrong should just,

"You apologize if you do something wrong, you learn that even before words, don't you?"

Q.09 Do you want to apologise to the person you killed?

Mu: I think the person who did something wrong first should apologise first.

These two are simply not as different as some fans like to tell themselves. They are both reactionary bullies. Just because one goes on offense (attacks) and the other defense (cries/deflects) doesn't make one any better than the other. That's why they both got into codependent relationships with another prisoner over the first trial intermission.

Both Amane and Haruka provide them with something. Giving Futa and Mu hope and help in a difficult situation. Along with something to do with themselves to prove their own worth. They also both took on a naturing and protective role in Amane and Haruka's lives. Making the other their main priorities as of the second trial.

23/07/05 (Mu’s Birthday)

Futa: Oi, you. Is he ok? He’s not even left his room lately.

Mu: You mean Haruka-kun? Hmm. Yeah, probably. I’ve been bringing all his meals to him so he should be fine. Isn’t that great of me?

Futa: Hah? Who the hell says that sort of thing about themself. ……ah, no, well, right now I understand a bit. When you’re feeling down, it’s nice to have someone who relies on you and accepts you. The rest of us can’t really understand you from where we’re standing. But well, if you’re Haruka’s “salvation” then I guess it really is great.

Mu: Salvation……? I don’t know what you mean. Futa-kun, you don’t sound like yourself. Did you hit your head or something? Oh, wait, you actually did, didn’t you. Ahaha. Ah, putting that aside though, did you know it’s my birthday today?

Q.02 What do you think of Haruka?

Futa: I can’t afford to be worrying about other people at the moment. Anyway, he’s not a little kid.

This is also why one of my first posts discussed them together. They were both even abandoned by their groups,

"Everyone else was having fun, weren't they? What about them?! Why is it just me?!"

Q.18 Do you regret anything?

Mu: I think maybe I should have chosen my friends a bit more carefully.

Q.11 Who do you want to see right now?

Mu: I miss my friends too. But most of all, Papa and Mama.

Yeah, don't be like either of them, actually.

This is not a healthy thing to strive for. The only difference between them is that Futa takes the orders, and Mu gives them. Aptly portrayed in the relationships they've formed over the course of Milgram.

Also, a bully is a bully regardless of if they cry about it. Women have been weaponizing crying for decades. Stop pretending like this is a brand new undiscovered form of manipulation it's not.

Addendum (September 23, 2024 5:03pm ) continued: Also it was not intent to specifically call to attention Mu's characters flaws or take any digs at people who relate to her. Saying things like don't be like x character can be inconsiderate towards individuals who relate to that character a lot especially if it's something done on a consistent enough basis.

These are once again my feelings on that in meme format.

#milgram #gunsli rambles

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