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novlr · 3 months

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Hi I’m interested in writing, but idk how and where to start. Any advice?

Starting your writing adventure can seem daunting, but it’s actually the best time to have fun and discover what the craft means to you. And to get started with writing, I have a few basic concepts to consider.

Whether you’re writing poetry, a novel, short stories, nonfiction, or even screenwriting, the below concepts are versatile, and work as general steps on how to start.

Let’s dig in!

Start small, build a habit

The first thing to do to get started with writing is to actually start writing. Earth-shattering response, I know.

Start with finding a small routine that works best for your schedule and try it for about two weeks to gauge if changes are needed.

For example, you can spend five minutes during lunch every day to type whatever is on your mind. Then, once that becomes an instinctual habit, increase it to 10 minutes. You can also experiment with half-hour increments every other day, or, your routine becomes writing a few hours on the weekend because of your work schedule.

There’s no magical writing routine you should force yourself to do. Everyone has their own pace, and it’s up to you to find yours. There’s no wrong answer to this.

Experiment, adapt, and find your flow. Finding a routine can take a few tries, and that routine can also change after a significant life event (you can also have a different version of the routine for low energy days). So no need to be rigid with yourself. But once you find your flow, do it as consistently as possible.

As for what to write: write about your day, let out an emotion, tell a story from childhood, practice talking as a character; whatever fancies you at that moment. As long as you’re writing, whether it’s 5 or 5,000 words, you’re doing it right!

P.S. Looking for more on building a writing habit? Our course “Write to Play” helps you get started with writing and learn to enjoy it! Our Discord Community��also hosts weekly writing sprints and other activities, so you can connect with fellow writers and work on goals together. Both are free to join.

Ask why you want to write

Writing may look like a glamorous career or hobby, but as with many things, it takes effort. And your level of writing effort depends on why you write in the first place.

Some people get started with writing because they think publishing something will make quick bucks. But it should never be about the money (although money is a nice bonus). Writing is about community and entertainment via the oldest form of connecting with others: storytelling.

We write because we love to tell stories. We write because we want to share a message with others through written expression. We write because we are natural creators of worlds and characters that weave adventures.

So ask yourself why you really want to write. Do you want to connect with others through your personal experiences? Is there a message you want to share with the world? Do you want to entertain the masses with meaningful adventure? If the answer to any of those questions is yes, great news! You’re on the right track.

If you need a “why” example, I’ll give you my reason for writing poetry and fiction. It’s to advocate mental health and self-worth.

After going through a personal journey of discovering self-acceptance, I want people to follow their hearts and core desires, and to love themselves for who they are. Because that’s true happiness–valuing your core identity.

Genre and theme

Genre and theme are two vital things you need to get started with writing.

Genre is fairly straightforward. Most aspiring writers already have one in mind. However, if you’re not sure where to start, think about the genres that your favorite books, movies, or TV shows are, and go from there.

Do you like epic fantasy and adventure? Try the action genre. Do you enjoy dystopian settings questioning the ethics of society? Society and worldview are great for getting deep and philosophical. Or do you love a character rising to the top with a successful career or sports tournament? Look into performance and status.

Theme takes a little more effort, but if you spend time on your “why,” that will help significantly! Because the theme you write about, from a poem to a novel, typically derives from your “why.”

Take my own “why” again as an example. Since it’s about mental health, I spend my days on themes of self-discovery, societal influence on “success,” inner demons, acceptance–the list goes on. But they all come from my overarching goal to show how valuing your true self brings real happiness.

Here’s another example: say you have a personal experience of winning a sports tournament because you pushed yourself, even though you wanted to give up. Perhaps that’s inspiration for a project with the message, “with effort comes reward.” That theme opens all kinds of opportunities, from looking at the best-suited genre to what kind of story and character to write about.

Which leads to my next concept!

Characters and story basics

Genre and theme play right into your characters and story. This is where we dive into some mechanics of storytelling, starting with the concept of story and characters, and then how the theme and genre affect them to create a basic project outline.

To start, your story is the external sequence of obstacles your character faces, leading to learning the theme at the end. Your character is the one going through the story’s external events while internally processing them.

Your theme then determines the “what” in your story: what message the story shares to readers at the end, and what core events lead to the theme reveal. Meanwhile, the character(s) are the “who” being affected by the theme throughout the story.

With that, the theme determines the beginning and end of your story, as well as the path of growth for your character to experience. This is the bare minimum you need when writing a project, like a novel or short story. Even if you don’t use outlines.

For the end of the story, we already mentioned the theme reveal; and that’s typically portrayed through the character facing a final challenge–like a big boss fight. And through that challenge, the character grows from learning the theme. So the theme dictates the end of the story by what the final event and message are, and who the character becomes after growth (or lack of, for tragic ending).

From there, we can move backwards to the beginning of the story. In storytelling, the ending is the opposite of the beginning. So, if the story’s end has a character learning the theme through a final challenge, then the story’s beginning introduces that character with a major flaw to overcome by learning the theme; while starting the sequence of obstacles that eventually leads to the theme reveal at the end.

Just like that, you have the theme crafting the basics of your story with a dynamic character!

But let’s dive further with genre. Genre helps plot the “how,” as in, how your story and character’s journey are told (i.e. action, romance, etc). Each genre has specific conventions for a story to follow, thus acting as a great template to plot lengthier projects like novels.

For example, romance genres start the story with two characters meeting as potential love interests (the meet cute), and typically end with them falling in love. Thus, if you choose romance as your genre, then you work your theme, story, and character(s) into those parameters.

Once you do that, you’ll notice you’ll have a basic outline for a project. Shall we go through an exercise to see the magic?

Let’s go back to the theme example of “with effort comes reward,” and combine it with a character, story, and genre.

Based on that theme, the character needs a major flaw at the story’s beginning, one to overcome by learning the lesson. Also, the beginning starts a sequence of obstacles that must lead to the character getting rewarded from effort.

So let’s create a character who believes everything comes easily to them–someone born into a rich family and had everything handed to them at a young age. That’s the flaw. And for the sequence of obstacles to start their growth, we’ll have the character lose their inheritance, forced to figure out how to live on their own.

These obstacles become the hardships of living without wealth. That way, by the end of the story, the character comes face to face with the theme, realizing if they want “reward” (or perhaps fulfillment), they must put effort into what they do. The story thus ends with the character growing and understanding it’s worth working toward something.

Now add the romance parameters mentioned above for genre. After the character loses their inheritance, they meet someone at a local store; one who becomes friends and helps tackle the character’s personal dilemma. This also helps the character realize genuine happiness as they also fall in love. Therefore, they find their path through their own efforts, without inherited wealth, and live happily ever after.

Tackle that mindset

There’s only one mindset every writer needs to have before they get started with writing, and that’s this phrase:

Perfection is failure.

Trust me, as a healing perfectionist, that sounds wild. But here’s something crazier.

Not even your published work will be perfect.

You will always reread your work and think a word needs tweaking, or a character needs different reactions in dialogue. Some published books still have typos, too.

With projects like novels, most writers never finish their first draft because they spend time and energy editing the story as they write. To perfect it as they go.

But you don’t know how the novel goes until you write to the end of it.

Like creativity, your project will change and flow. Especially in the beginning, as your first draft is the discovery draft; the foundation of the project. That’s not the time for tweaking, but the time for building.

So allow your first draft to be messy. Get the whole concept out first. Then, you will have better knowledge on how to edit the entire project. Not just parts of it that might change anyway as you get closer to the end. Don’t waste your precious time and creativity like that.

This is the same for me with poetry. I always focus on the poem’s core message first, then I’ll play with pretty prose and rhyming.

So focus on the journey of writing the draft and getting the full idea down. Again, creativity is fluid. Allow your writing to be the same.

My favorite book coach discusses perfectionism with the analogy of baking a cake. You can’t put icing on a cake without letting it fully bake first. Finish baking your draft to the end, then add the icing edits.

And there you have it! Those are my five main concepts to remember to get started with writing. And those are merely the tip of the iceberg of what the craft has to offer you–but remember, this is the time to have fun and discover!

Are you ready to dive in and get started with writing? I can’t wait to see what you create.

Happy writing!

#writing tips #writeblr #writing #writing advice #writing resources #writers #creative writing #writing community #writers of tumblr #creative writers #writing inspiration #writerblr #writer #writer stuff #on writing #ask novlr #writers on tumblr #writing stuff

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winterandwords · 1 year

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Anyone who profits from your insecurity deserves your scrutiny

I am so fucking bored of "This is how to do plot structure the correct way. This is what should happen in this bit and this is what should happen in this other bit. It is correct and if you don't do exactly it like this, you're doing it wrong and that's why you hate your writing and probably every one else will hate it too. Because you're wrong and your story is wrong and no-one will like your story because of all it's wrongness. But luckily I have this thing for sale that will tell you how to make your story correct and then you will be a good writer with all the approval and validation of having bought something about it."

Listen.

I'm not saying there aren't valid and valuable recognised plot structures or patterns in story telling. Of course there are. They span books and films and TV shows and plays and whatever other ways humans create and share narratives, but they're not as universal as you probably think. There are multitudes of shapes of story from different places as well as from different times in history, and often the one true way or the 'best' way is really just the way that appeals to the most profitable market right now. That's fine if it's what you're aiming for and how you want to get there, so please don't take that as me saying that it's wrong to desire or achieve mainstream success - it isn't.

Quick aside! A lot of How To Do Story Structure stuff is based on after-the-fact analysis. The examples that are often presented weren't written following that advice, those rules, whatever. Someone came along afterwards and said, "Ah yes, that fits very neatly into the thing I'm trying to explain" and decided to use it as an example. This isn't a negative point at all. It's just easy to forget sometimes that all the people writing the cool shit you love aren't sitting down with the same roadmap and following it. OK, back to the point.

I'm also not saying that it's in any way bad, unimaginative, formulaic, or any other undesirable thing to study, learn from, or even adhere to the information in educational resources or other guidelines about when stuff happens in stories. There are reasons why some kinds of stories just work. They feel familiar. I'd argue that there's a lot of value in learning those structures and methods, the ones so common they feel like the natural order of things, and then doing them for as long as you want to. Forever, if they work for you.

But also. Sometimes you'll find yourself doing those things entirely by accident because you've spent your life absorbing stories and when you sit down and try to do them on purpose, it feels weird. Sometimes you'll find yourself not wanting to do those things at all because your story is determined to be a different shape. In this house we love experimental literature and we also support embracing storytelling techniques and traditions from every culture.

By all means, learn and explore and implement and experiment and be open and grow and progress by doing as well as by studying. There's a world of incredible resources out there. Try reading a craft book or taking an online course by an author whose work you enjoy, if you're craving something more formal and structured than internet writing advice. Hell, if someone whose work you get a kick out of offers internet writing advice and it's useful to you, devour it.

But if someone is insisting they can sell you a way to create something impressive, ask yourself if you're impressed with what they themselves are creating. Take a step back and consider what they might have to gain by presenting their absolutely essential knowledge that you couldn't possibly live without as HERE'S WHY YOU SUCK. It's not necessary to tear people down in order to inform or educate them. There's nothing wrong with making an income from teaching or from creating resources. Of course there isn't. But. But.

I'm going to say it again. Anyone who profits from your insecurity deserves your scrutiny (and probably doesn't deserve your money) 💜

#the shit in my head #writing advice #writing tips #writing resources #writers on tumblr #writeblr #writing community #writers #am writing #all the fucking tags but I'm so done with this shit

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topazadine · 1 month

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Defeating Protracted Writer's Block

Sometimes we get a little stuck on a few words; that's normal. Sometimes we just don't feel like doing anything today and would rather roll around on the ground pretending to be a slug or perhaps a snail. Also normal. Very normal.

However, what do you do if your writer's block has gone on for days, weeks, months, years?? Well, you've got to make a plan to defeat the Block. Here are some suggestions I have developed.

Resist the urge to start something new.

Sit with the discomfort.

Give yourself grace.

Assess your overall life circumstances.

Read outside of your comfort zone.

Try a new hobby or activity.

Start over completely (in a new document).

Cannibalize the piece.

And at the end, I'll share some action points to sum up.

As always, I am not the end-all be-all of writing advice, maybe I'm wrong, maybe you have other suggestions, take what you like and leave the rest. Let's go.

Resist the urge to start something new.

I have discussed in another post why you should not have a million WIPs, with citations as to why having a million WIPs is not conducive to good writing processes, so I will not belabor the point.

Basically, the brain really only focuses on one thing at a time. The more projects you have going, the more scattered your focus is, and the less likely you will be to finish any of them.

I get that you might be bored with your WIP, but if you start a new project, you are exponentially less likely to actually finish it. Maybe you've given up on it totally, and that's fine, but if you did intend to get it done, then stick with it.

Any ideas you have can be set aside for later exploration; write them down and you can be assured that they're not going anywhere.

Sit with the discomfort.

One of the best things I have learned over my life, both in writing and overall, is to be okay being uncomfortable. This mostly comes to me regarding getting feedback on my work, but it also refers to being okay with having writer's block.

There's a skill that comes from knowing when you need to push through a bit of writer's block (which is typically just being unmotivated) and when you need to sit back on your heels and breathe. If you have thrown all your tools at the writer's block, such as turning off your phone or using Stimuwrite, and you're still stuck, then you need to accept that right now is not for writing.

Personally, I always get very anxious when I have writer's block. What if I just give up on the story completely? What if I'm just a bad writer and my inspiration has run out? What if I'll never be able to write anything ever again?

Then I remind myself that I have been writing since I was 7 and I have always come back to it, no matter how bad things have gotten in my life. Experience has shown that even if I take a break, I am almost certainly going to return to it because it's my longest-held and most well-developed skill.

In many cases, just acknowledging that I'm more anxious about the future of my craft rather than this particular story is enough to get me to calm down, and by releasing that mental finger-trap, I start to feel inspired again.

Accept and acknowledge the writer's block. Recognize that it's there. Don't avoid it. Simply let it be there for the moment.

Give yourself grace.

Creatives can be really hard on themselves, especially in a world that is constantly pushing us to develop content as soon as possible. We think that if we don't put out a story every week, no one will care about us anymore and we'll be forgotten. Algorithms have started to infest our brains and change our self-image into a "content creator" instead of a writer, artist, musician, and so on.

But these algos were not created by creative people. They were developed by tech bros who do not understand the process of producing something unique.

Downtime is part of being creative, just like rest days are part of being an athlete. Your brain needs time to decompress, relax, and mull over story ideas. No one would force a marathon runner to set out on another cross-country trek just days after completing their last one because their muscles would explode.

If you don't have a looming deadline, relax. Be gentle to yourself. Let yourself loll around and pretend to be a snail. Freeing your mind of that anxiety can, paradoxically, make you want to work again.

Assess your overall life circumstances.

In addition to my controversial beliefs about not starting a million WIPs, I also do not ascribe to the myth of the martyr artist. I covered that in more detail at the link, but basically, being depressed and stressed out does not actually make you more creative, no matter what you think. Not only does that post explain the science behind it, but it shows you some examples of my own writing done during different stages of bipolar disorder: manic, depressed, and stable.

I don't care what any starving artists say. As someone with a severe mental illness, I can confidently tell you that being unstable is not good for creativity. Your brain is under stress, and it doesn't have the metabolism necessary to produce great work.

But this does not just stand for having a severe mental illness like bipolar disorder; it can also refer to just overall shitty life circumstances, like being stuck in a bad job or having toxic people around you.

Sometimes a dip in productivity can actually be the sign you need that there's something awry elsewhere, something you may not even noticed was wrong. As such, when you're feeling The Block, sit down and think about your life circumstances. Are you happy? Are you financially stable? Are the people around you supportive and kind? Are you getting enough food to eat? Do you have regular healthcare?

Of course, sometimes you will face protracted life circumstances that are inconducive to creative activity, and there is nothing you can do about it. I'm not saying that if you're in a bad place, you should just stop writing - not at all. We'd be missing half the literary canon if that were the case.

But. If you are facing challenges, and you're feeling blocked, and you have the means to take care of those things, by all means do. Take care of your life stuff. The writing can wait. You as a person are much more important than what you produce. You deserve to be happy and healthy and well taken care of.

If you are facing challenges, and feeling blocked, and you can't take care of those things, then please give yourself grace. Be kind to yourself. Take it slow. Do just as much as you can and no more. Ask for grace from others if you need to. Again, you as a person are always, always more important than what you produce.

Read outside of your comfort zone.

In addition to writing The Eirenic Verses, I am a freelance SEO writer who mostly writes stuff about real estate and personal injury. You'd be surprised at how much inspiration I get from the boring stuff that I have to write for work! I'm serious - these obnoxiously dry statistics and such have helped me immensely in my creative fiction.

For example, there's a scene in one of the upcoming books where the MC falls down a cliff. I would not have even considered including that if it weren't for writing personal injury articles about construction accidents. I also got inspiration for the main theme of book 8 in the series, Perseity, after writing about real estate probate. I'm serious!

Sometimes, nonfiction like that can kickstart your creative process more than fiction because you won't just be copying the themes or ideas included in whatever you're currently reading. I recommend that you read fiction for things like dialogue, interesting words to use, and so on, but nonfiction for the actual story ideas. After all, life is frequently stranger than fiction. You never know what you'll find in there.

Try a new hobby or activity.

We, of course, use our brains to write, and our brains are always eager for new inputs. The more that you expose yourself to interesting things, whether that's going on a short daytrip or trying out a new skill, the more neurogenesis that occurs and the more metabolic activity going on up there. And we want neurogenesis and good metabolic activity.

If you're really struggling to write, step away from the computer and do something new. It could be anything, but at the bare minimum, it must make you feel like an idiot who does not know what they are doing. It must make you have to try new movements, or apply old knowledge in new ways, or go to somewhere you've never been before and don't know the layout of. This shakes you out of your old patterns of behavior and forces you to shift your understandings of how things work, which can give you new perspectives on your work.

Start over completely (in a new document).

I will only touch on this briefly because I don't use it, but I know other people have had success with it. Basically, you begin all the way over again, writing it as you would have from the beginning. Not copying and pasting, but typing it all over again.

Sometimes (or so I have been told), this helps you recognize where things are going wrong and workshop solutions as you go along. Many also use this for editing when they are done, as it helps you catch typos you wouldn't have noticed otherwise.

Cannibalize the piece.

If you are really stuck, fed-up, angry, and don't think you can bear to go on, then don't! Unless you've already promised this work to someone or you're doing this for pay, there's no rule that you have to finish everything you start.

But no writing is ever wasted. There is likely the seeds of something good in there that you can recycle. It may be really good phrases, ideas, characters, locations, dialogue, whatever. But there is something good in every single piece, no matter how down you are feeling about it right now.

I've given up on a ton of pieces, but I often find echoes of them in later works, even if I never copy-pasted anything. That's because it was still practice - I was still learning and growing as a writer. The only way to improve is to keep going forward, but that does not mean you have to beat a dead horse. Chop it up and feed it to your next piece so you have the strength to continue.

Action points for beating protracted writer's block

Don't start a new WIP unless you have completely given up on this one. If you get story ideas for something else, write them down but don't start them. Allow yourself to have writer's block: unless you have a deadline, the writing will still be there. Recognize that much of writer's block is about anxiety about your skills rather than a true creative stop. Remove the "content creator" curse that tells you that you must be working 24/7. Consider downtime to be part of the creative process, just like athletes need to rest. Remind yourself of how many other times you have have writer's block and the fact that you were able to get over it that time too. Assess your overall life circumstances and consider whether your writer's block is a symptom of something bigger. Prioritize self-care rather than attempting to be a martyr for your art. Read something you wouldn't usually in order to broaden your horizons. Consider reading nonfiction for story ideas and fiction for specific craft inspiration. Do a new hobby, especially one that is completely out of your comfort zone. Rewrite the entire piece in a new document. Take pieces from the old work and start something new if you have fully declared it dead.

If you enjoyed this, maybe you'll consider purchasing my gay fantasy romance, 9 Years Yearning. This coming-of-age story features two young soldiers in a world lightly inspired by the Mongolian steppes, infused with poetry magic and literary mythology.

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magicaldragons · 8 months

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writing.

things i've learned throughout the years

speaking from personal experience, writing, whether it's for a fic or an original work, is a process that comes to everyone very differently. which is also why it took me a WHILE to figure out what worked for me.

you've definitely heard this one before, but: 1. do not worry about making your first draft perfect. it will seem terrible, and that's ok.

it's the most common writing advice i've always heard as well, and i always understood what it meant, logically, but it was a piece of advice that was very hard to follow.

the second i gave myself permission to suck, though – the moment i said "i'm going to write trash," is when everything started flowing so much more easily.

it helps IMMENSELY to just push ahead and write whatever comes to you in the moment. do not start searching up synonyms. (yeah, i see you) and if you hate a word or phrase, put a *** next to it and come back later. chances are, you'll change your mind after seeing it from a new perspective, or be able to come up with something to replace it with.

it's always easier to edit than write from scratch, so give yourself material you can edit.

2. write for yourself. write what you love – what you would read.

it definitely draws people in more than any formula you think works or a piece you deliberately craft for a specific audience.

3. as long as your writing is comprehensible, grammar means little in front of the emotion your work conveys

i've read so many works that have left such a profound effect on me, solely because i could feel the amount of heart the author poured into it, it's always easy to look past minor mistakes, as long as what the writer says makes sense.

4. most importantly, when you're starting on that path of developing your writing skills, don't show your work to anybody. hear me out:

i've written about seven stories (for various fandoms) that will never see the light of day – not because i dislike them, but because i now realize, i had to write them for me.

and these stories (and the evident progress in my storytelling skils across all of them) are what give me the most confidence when i doubt my skills.

you can always share your works in the future, but the first couple of times you venture out with a vision in mind, make yourself your audience, it prevents you from diluting your ideas with expectations of other people's perceptions.

+ and finally, a bonus point:

a lot of the writing process, is just discovering yourself, in various ways

i always used to hear writers say:

"my characters did this on their own" or "the story just wrote itself like this"

and i never understood, because MY characters never did anything of their volition, in fact, they refused to do what i intended for them to and it would be a struggle to write a scene sometimes

and again recently i had that same problem, where i couldn't for the life of me, figure out how to describe a character performing a particular action. i waited for days for any sort of inspiration or logic to strike me, but it wasn't working.

i surprised even myself though, when i highlighted the whole section and deleted it.

but as soon as i let go of writing that one scene the way i'd planned it, a completely new option presented itself, and writing THAT scene was so much easier.

so no. my characters never tell me what to do, but they tell me what they don't want to do, and the realization that common experiences in writing will manifest differently in different people, really made me realize that writing is something you should follow your instincts in.

technicality-wise, you will always keep learning and improving. growth never stops.

so it's important to do what feels true to you, and do it in a way that makes YOU feel comfortable, whether that includes taking risks, being spontaneous, or starting small.

that's when some of the best things are created.

#for that one anon specifically #there's no failing when it comes to passion #there are only two options: success or growth #trust in yourself & your ability to grow #because it makes me go :( when people say “i love (writing/editing/art) but i wouldn't do a very good job”#writing #creative writing #fanfic #fanfiction

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sanversandfriends · 2 years

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And now for some send-off inspiration for our writers!

The Finish-the-Fic Interview with @kelinswriter, otherwise known as @worddancer21

As many of you already know, Kelinswriter is not only an amazing finisher of fics, but to loosely paraphrase Jackie Cooper in Superman('78), she can also spin gorgeous prose while crafting cinematic, edge-of-your-seat stories at near Kryptonian speed.

To start off the event, she's been gracious enough to share some advice and insights on the writing process, which we hope you'll find helpful as well as inspiring.

We certainly do.

Could you share a little bit about your process? How much of the ending do you have worked out when you start a story?

I can’t write the story without knowing the ending. I have to know where I’m headed to be able to really commit to it as a story. With fic it’s kind of a given that the ending is the pairing together and in a relatively good place, having grown from the experience. The tricky part – and the fun -- is figuring out how they can overcome the obstacles I’ve created for them so that they can reach that place.

What are some of your strategies for getting through the final stretch of a longform story? What are some stumbling blocks writers should avoid?

Well, I still haven’t finished Eclipse, so I may not be the best person to talk to about this. But just in general, it’s about self-discipline. For some people, that’s a weekly word count. For me, it’s about staying on a regular writing schedule. I devote most Saturdays to writing, from the time I get up until I’ve finished a reasonable amount of work for the day. I aim for 3000 words a day on a writing day, and the edit of a full chapter (or chapter section, if a long chapter), on an editing day. I try not to cross points of view on a given writing or editing day, as I think that makes it harder to stay in character. But sometimes, it’s unavoidable.

Just in general, I would say it’s important to not overthink it. Focus on writing the story you intended to write, as best you can write it at this point in time. Is it possible if you wait that the story will be better later? Sure. That’s called growth. But the only way that growth will happen is if you write, so you might as well write the story you’re writing now.

What are some elements you consider essential for a satisfying ending?

Have the characters grown in some way, and particularly, has the point of view character grown (if a single pov). How is that demonstrated? Also, the reader walking away with the feeling that they’ve been on a journey and grown from the experience, too. I want them to feel like the story both made sense within its internal logic and that it was worth their time. If I’ve done my job right, they should be able to imagine the characters continuing forward in their lives, without feeling like they haven’t seen enough of this particular journey. It should feel like a full meal.

What are some of your favorite endings in fics (alternately books or films or series)? What do you think makes those endings satisfying?

My favorite ending of all time was Buffy’s. Even though I wasn’t crazy about some things in the last season, that last shot of her standing with a smile of pure relief on her face brought the character’s arc full circle in a way I don’t think I’ve ever seen replicated. I actually liked the cut to black ending of The Sopranos, too, because it fit the chaos and uncertainty of that world.

As for what makes those endings satisfying – they’re true to the characters and the world. Readers/viewers know when an ending is false or is manipulated in a way that sacrifices character growth for a “gotcha” ending. The frustrations many viewers felt with how GoT wrapped, and particularly with how Cersei, Jaimie, and Dany’s arcs ended, is a good example of this.

What advice would you would give to people struggling with the endings of their stories?

A long work is exhausting, and by the end, it’s hard to see it clearly. Trust the characters and the world you built. If you need to take breaks, that’s okay, but try to do something to keep inching the story forward every week.

If on deadline, it’s also helpful to create a work map. Sit down with a calendar and determine how many writing sessions you have between now and deadline. Work out the story beats you need to hit to make that deadline and assign each one to a writing session. It’s important to allow time for editing and upload too. Assume that you’re going to be working on it almost every day for at least a few hours a day that last week or two.

What is your favorite ending to one of your own stories?

In my own work, I’m proudest of the flash forward at the end of “Deep in the Heart of the Storm.” It subverted the happy ever after of the end of the main story by showing that there were consequences to what the characters had experienced, while also assuring the reader that they’d done the work to earn their reunion. To make that feel real to me, I purposely did not write the flash-forward until the rest of the fic had been fully edited. That helped me create a sense of space from where they were when the main story ended, and where they were six months down the road.

Any last words of advice?

Stop thinking and start writing. Also, listen to the characters. They’ll tell you where they want to go.

Thank you for this @worddancer21-- and for your stories. If you haven't already, go check out her work on AO3!

#Sanvers #Supergirl #Fanfiction #Fic #Finish the Fic Challenge #Kelinswriter

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chaoxfix · 2 years

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🕯️🪄🌻 for the meme!

ty for the ask!! <3

🕯️how do you think engaging with each other through tumblr, twitter, comments, kudos, creates healthy fandom experiences? How do you deal with that if you're not a social person/experience social anxiety?

ahh... hmm. i like putting out the energy i want back. if i read something i try to comment, and if i dont like something or am not interested in the concept, i just dont react because it's so much worse to upset someone over something they worked hard on.

i really don't think kudos are a very good expression of appreciation, as it has almost no room for real connection. fics are free, you know? when something is free but gives you joy, you should probably meet it with love, and love in a way that really shows why you like it. thats why i think comments are much better. i get why it can cause anxiety, but there's really no wrong way to comment unless youre 1) being an honest to god jerk, 2) pointing out something you dislike / something that you think the author was "incorrect" about (especially if the commenter is the one whos wrong lmao. either way i really dont think free fanfiction is like. lol. the place to do public criticism. just saying.)

im a rather anxious person irl, so im not really sure exactly what every single other anxious person's obstacles are or how to bridge them. because of that, i won't try to give universal advice since it's something i cant be an expert on if my experience is so different.

but i will say, for myself -- i mitigate my anxiety by practicing gratitude. i weaponize my people-pleasing for good by trying to be someone who makes other people feel genuinely good. and there's nothing better than feeling appreciated and praised for things that have value. and that kind of thing usually comes back around.

🪄what is your post-writing/sharing aftercare? How do you take care of yourself or celebrate yourself when you've finished a fic?

ahh... hmmm...

if it's late at night (after midnight) when i post it, i go to sleep so i wont stay up refreshing the page to see what people say, or worse stay up editing all the typos that "suddenly appear" in ao3 formatting lol. that way even if no one reads it overnight or there are errors, it's okay because at least i can face the day with some sleep.

if it's not late at night when i post it, i try to go for a walk to again avoid constantly refreshing the page for feedback or immediately editing it. bc its not super healthy to spend even more time on it after whats probably been hours and hours, and i dont want my entire day fixated on something i should be done with.

i dont really celebrate much though, probably because i just kind of expect myself to make things of a quality i can stand behind. i didnt really grow up getting praised despite being an overachiever bc it made others around me feel bad when i got a lot . . . so i. have to really try and make something worthy of praise to feel like i deserve it. idk. haha. so anyways overall i try to lean more and more into 'i dont need validation' because id hate to put all my eggs in that basket -- not just because i dont want to be motivated by others' praise, but also because, i dont want to stop writing for the opposite reason, if someday i no longer feel like the quality of work i produced actually deserved the amount of feedback it got.

🌻what makes you want to give up on writing? what makes you keep going?

low motivation for long stretches, and losing interest in the things others like best, make me want to stop writing. both with fandom and original. low motivation usually coincides with depressive stints for me, and it makes me feel awful. like i cant do the one thing i like best, because i just can't motivate myself. when i finally manage it, it's crap for the first thousand words, then it gets better.

for me though, what makes me keep going is getting others to see my vision. getting them to feel what i aim to make them feel; crafting stories that, maybe theyre not perfect, but the emotions they generate are enough. it really is hard without an audience. even though i'm not motivated as much by getting a ton of validation, i do need at least a little lol, even just someone to say "yes. i see you. i understand what you needed me to feel from this, and i felt it." which is why i have original writing friends as well, for original stuff.

buuut also, i also keep going because i like being able to jot down what im thinking/imagining so that i can revisit it later and go back to that feeling, that moment in time where i was absolutely positive of that scene

thank you again for asking!! ^^

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bookishpro · 4 months

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Tips for First-Time Authors: Lessons Learned on My Publishing Journey

📚✨ Tips for First-Time Authors: Lessons Learned on My Publishing Journey ✨📚

Hello, aspiring authors and book lovers! 🌟 Today, I want to share some valuable lessons I’ve learned on my journey to publishing my first book. If you're dreaming of seeing your name on the cover of a novel, these insights will help you navigate the exciting world of publishing. Let’s dive in! 🚀

1. Perfect Your Manuscript: Before you even think about publishing, make sure your manuscript is the best it can be. This means multiple drafts, feedback from beta readers, and possibly hiring a professional editor. Don’t rush this step – a polished manuscript is crucial.

2. Research Your Publishing Options: There are various routes to getting your book published – traditional publishing, self-publishing, or hybrid publishing. Each has its pros and cons. Traditional publishing can offer more resources and distribution, but self-publishing gives you full control and a higher percentage of royalties.

3. Build Your Author Platform: Start building your presence online early. Create an author website, and be active on social media platforms like Facebook, Twitter, and Instagram. Engage with potential readers and other writers. A strong online presence can make a big difference when it comes time to market your book.

4. Understand the Submission Process: If you’re going the traditional route, familiarize yourself with the submission process. This includes crafting a compelling query letter and synopsis. Research literary agents and publishers to find the best fit for your genre and style.

5. Invest in a Great Cover: Your book cover is the first thing readers will see, so make it count. Whether you’re self-publishing or working with a publisher, ensure your cover is professional and eye-catching. It should reflect the genre and tone of your book.

6. Learn About Book Marketing: Marketing your book is just as important as writing it. Learn about different marketing strategies, from social media campaigns to book tours. Consider running ads, organizing giveaways, and connecting with book bloggers and reviewers.

7. Network with Other Authors: Join writing groups, attend literary events, and participate in online forums. Networking with other authors can provide support, advice, and promotional opportunities. Writing might be a solitary activity, but publishing is a community effort.

8. Stay Patient and Persistent: Publishing can be a long and sometimes challenging process. Rejections are part of the journey. Stay persistent, keep refining your craft, and don’t give up. Your story deserves to be told.

9. Celebrate Every Milestone: From finishing your first draft to seeing your book in print, celebrate each milestone. Publishing a book is a significant achievement, and every step forward is worth acknowledging.

Ready to Take the Leap? Remember, every author started where you are now – with a story to tell and a dream to share it with the world. Believe in yourself and your writing. Your book could be the next big thing!

Feel free to share your own experiences or ask any questions in the comments below. Let’s support each other on this incredible journey! ❤️

#PublishingTips #FirstTimeAuthor #WritingCommunity #BookPublishing #AuthorAdvice #SelfPublishing #TraditionalPublishing #BookMarketing #AuthorJourney #AspiringWriters

I hope these tips inspire and guide you on your path to becoming a published author. Happy writing!

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hughhowey · 2 years

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Writing Insights -- Part One

I started writing my first novel when I was twelve years old. I was thirty-three when I completed my first rough draft. That’s twenty years of wanting to do something and not knowing how. Twenty years of failure and frustrations and giving up.

A big part of the problem is that I didn’t know what I didn’t know. I didn’t know which questions to ask, much less who might have the answers.

These days, people write to me as if I know what I’m doing. Or like I have a shortcut to success. I’m not sure either is true. One thing I’ve learned is that luck plays a massive role. But what I do have are some insights today that I wish I’d had twenty years ago, tips and pointers that might’ve saved me a lot of headache and heartache if I’d known them sooner. Maybe it’ll help some aspiring writer out there if I jot them all down now.

I’m going to share what insights I have in four parts. The first part is a list of all the things I wish I’d known about becoming a writer before I set out. The second part is tips and tricks for completing that first rough draft. In the third part, I discuss the important art of turning a rough draft into something worth reading. And finally, I share some tips on how to get your story out into the world.

These are my insights now that I’ve written over a dozen novels, sold a few million books, been published in over forty languages, and have seen all angles of this complex industry as a reader, bookseller, writer, editor, and publisher. My first novel was published traditionally through a small press; I’ve self-published many on my own; others are with some of the biggest publishers in the world. I give this advice knowing how much it would’ve been worth to me while understanding that it all might be worthless to you. I only have my own experiences and observations. I wish you all the best of luck.

Insight #1: Anyone can become a successful writer; the only person who can stop you is you.

I spent twenty years stopping myself from becoming a successful writer. The biggest obstacle I faced is thinking success meant selling a ton of books, which meant writing something that millions of readers would enjoy. As I began writing my first attempts at a novel, watching the sentences form on the screen, I knew the words weren’t good enough, and so I stopped in order to spare all those readers from what I was writing.

The problem is that I had the definition of “successful writer” all wrong. A successful writer is one who finishes what they start while striving to improve their craft. It’s as simple as that. And the only one who can stop you from doing this is you.

Imagine if NBA all-star Steph Curry attempted to learn to play basketball with a million people watching. Or if the first pickup game he ever played was his only chance to land an agent and get signed to an NBA team. This is the pressure writers put on themselves, and it makes no sense. Basketball players will put all the hustle and energy into a thousand practice games before they ever get a shot at turning pro. Most will spend a dozen years playing almost every day of their lives before they make it onto a high school or college team. Writers should have the same expectations. Perhaps you write a dozen novels before you write one that blows you away or becomes a bestseller. The point is to finish them all. Play all four quarters. Steph Curry played a thousand games to the end before he turned pro. Every game he finished was a success. He didn’t stop himself, and neither should you.

Insight #2: You can’t compare your rough draft to any of the books you’ve read.

If you’re just starting out as a writer, there’s a good chance that you’ve never read a rough draft in your life. So don’t compare what you’re working on to what you’ve read from your favorite authors. Their rough drafts were nowhere near as wonderful and polished as the final product that you loved as a reader and that made you want to become a writer. Just like you, they had to get the words down on the page first. And then they had to go back and rewrite much of what they wrote, several times. At this point, they probably gave it to their spouse or a friend to read, and that person saw lots of room for improvement. Which meant another revision. The same process took place again with their agent. And then their editor. Each time, the rough draft got better and better. So will yours.

The books that made you want to become a writer were rewritten and revised as much as a dozen times, with the input of several other people. You don’t get to see all of the mistakes and boring bits – all of that has been cut away. It’s just like when you take a thousand photos on an epic vacation and only share the thirty or forty very best ones. This is what it takes to be a successful writer: You have to learn how to write the good and the bad all the way until the finish. Trust the revision process. No one will have to see your rough draft but you. And you can’t revise a work to perfection until it already exists. So make it exist.

Insight #3: There is no special qualification required.

I used to think writers belonged to a special club that had all sorts of requirements for admittance. You had to graduate from a special school, or live in the right city, or own a turtleneck. Nothing could be further from the truth. The best writers have the most diverse backgrounds. They come in all ages, all genders, all races, all sexual persuasions. They all have unique things to say. Anyone can be a writer, if they put in the work. Like most things in life, it takes lots of practice. How much practice you get is entirely up to you.

I first started dreaming of being a writer after reading Ender’s Game. I was around twelve years old. This novel blew me away, because the heroes of the story were children my age. It made me think there were no limits to what I could do. At the end of the novel, there was a brief biography of the author, Orson Scott Card. I was shocked to read that he lived in my home state, North Carolina. I always thought writers lived far away in little shacks in the woods or tall glass towers. I always thought kids had to wait to be adults to do amazing things. This book got me thinking that both assumptions might be wrong.

Related to this insight is the idea that there are too many novels out there in the world. This is rubbish. There are always readers agonizing that they can’t find something great to read. Maybe your next book will fill that void for a reader. Or it’ll be the book that leads to the book that fills that void in many other readers. Either way, there should be joy in the act of creation. My mother started knitting for the pure joy, then grew her talents until she was giving away works, then having people pay for them, and then owning and running her own yarn shop. The lady at the farmers’ market you buy tomatoes from started gardening to see if she could. Steph Curry enjoyed shooting hoops with his dad and grew hooked on the sound a perfect swish makes. There is nothing wrong with starting something as a hobbyist and asking for compensation for your art. We can all turn pro whenever we like.

Let the readers decide if you’re worth supporting with their time and money, not the cycicism of other writers who don’t want you playing ball with them.

Insight #4: The best writers are the best readers.

There aren’t any shortcuts around this. Successful writers read. They read a lot. And the best writers read a wide variety of books. It’s impossible to stress the importance of this insight. When aspiring authors ask my advice on making it as a writer, this is my most common first response: Read.

Writing is a lot like singing. There’s a musicality to good writing, and I don’t mean florid writing like you might encounter in a literature course. I mean the simple flow and cadence of sentences, how they run together, how long paragraphs should be, how much dialog to sprinkle among the action (or action among the dialog). Every sentence in this blog post is an example. I listen for the rise and fall of stresses, the iambic pentameter, mixing short punchy sentences with long comma-filled breezy ones. It should come naturally. You don’t want to even be aware that you’re doing it. Eventually you won’t.

Of course, your style will be different than my style. This is called “voice,” and we’ll talk more about voice and constructing sentences in the next part of this series. For now, it’s important to know that you’ll have a very difficult time creating pleasant prose without absorbing years’ worth of it first. Books are like tuning forks. We hear the pleasant ring of words on key, and it helps us recognize when our own pitch is a little off. The avid reader will know when a sentence needs more tinkering.

It would be convenient if we could dismiss this advice and say, “I’m going to write my own way, rules and tuning forks be damned.” But it doesn’t work that way. There are millions of effective voices and styles, but all share a common framework. Just as there are an infinite number of songs in a single guitar, but that guitar needs to be properly tuned. The way we tune our writing instruments is to read, and to read as writers. Recognize sentences that make you smile, or think, or laugh, or cry. Pore over them. Ask yourself how this writer made you care about the protagonist, or feel revulsion for the antagonist, with so few words. Where is the conflict in the story? How are the characters different at the end of the novel? This is the craft that we’ll discuss in the next part of this series, and it’s what we should look for as readers.

It’s never too late to start. And it’s impossible to do too much of it. Above all, branch out. I wrote my first novel after months of reading and reviewing detective and crime fiction for a friend’s website. These were not my preferred genres, but I was reading and reviewing a book a day. I learned so much about intricate plotting, misdirection, tension, danger, and the crafting of horror. These elements now appear in my young adult novels, my science fiction, my romance. Every type of story has many elements of all other types of story. Study all the genres deeply. You may even uncover a new passion or write a completely different kind of novel.

It also helps to not be too deeply immersed in the types of stories you want to write. If you only read within your writing genre, one of two things will happen: You’ll write something derivative and unoriginal, or you’ll be so terrified of doing this that you’ll be closed off to exploring themes that your colleagues are also delving into. Both are terrible risks.

As a science fiction author, I’ve found it better to read non-fiction. Many of my story ideas come from newspaper articles and the latest works of science and philosophy. History books are a great inspiration, because they reveal the cultural patterns that forewarn the future. Satire is impossible without a deep understanding of history.

Romance novels benefit from books on psychology. A thriller featuring a tortured couple gets new layers by reading self-help books meant for those going through a divorce. Even fiction authors have to do research. Certainly read enough in your genre to understand what readers expect (even if your goal is to defy expectations). But don’t get trapped. The more adventurous you are with your reading, and the more avidly you read, the stronger your writing will become. There is no better writing advice than this. All writing advice, in fact, presupposes the truth of this: that we must be readers first and foremost.

Insight #5: This is a marathon, not a sprint.

Despite what appears to be exceptions to this rule, writing is not a get-rich-quick scheme. You don’t sit down, bang out a rough draft, and watch the money flow in. Your first novel will quite likely not be your best. When I was starting out, I gave myself ten years to see if I could make this work. Ten years! The plan was to write two novels a year, twenty novels in total, hoping that eventually one of them would be decent.

I get emails all the time from writers who have heard this advice from me and credit it for the success they eventually found. It helped them to not give up. It’s exactly what this philosophy did for me. It also allowed me to concentrate on the writing and not the promoting. Promotion is a waste of time until you have enough material out there for each one to feed on the other. It’s not like those books are going away or growing stale. Wait until you have five or six novels published before you start to spread the word. Pour every spare minute and every ounce of energy into the writing while you can.

This is one of those bits of advice you simply must trust and believe in. I was lucky to stumble upon the truth of this early on in my career. These last two insights truly distill what a writing career is all about, and the simplicity can blind us to the quality of the advice: Read and write. Just keep doing this and you will surprise yourself.

Insight #6: Whoever works the hardest will get ahead.

This insight is for those who measure their success as a writer by readership, sales, and the ability to make a full-time living from their craft. The biggest, most daunting, terrible, awful truth working against this type of success is this: There are only so many readers. It really is as simple as that. If there were twice as many books being consumed, there would be a lot more seats on the bus to successville. Ten times as much reading would be even better. You’d have ten times the chance of making it as a writer. There’s a lot we could do as a society to increase the number of readers, but that’s a blog post for a different time.

Because of the limited number of readers, and the ever-growing number of distractions and hobbies that aren’t reading, only a limited number of people can find an appreciable audience and make a living with their writing. But there’s good news as well: A larger share of the readers’ dollars are now going to writers, which means more writers today can make a living than at any time in the past. The other bit of good news is this: Not many writers are willing to do what it takes to make that living. Which opens the door for you.

I know a lot of people who make a living with their writing. Many of my close personal friends are among those who do. And this isn’t a self-selected sample, where I end up meeting other writers at writing conventions, so all my friends are successful writers. What I’ve seen happen over and over is people who want to know how to get this done, and then go out and do it. What they all have in common, bar none, is a work ethic that borders on obsession.

This is true of all careers with more dreamers than open slots. Going back to sports, imagine the number of times Lionel Messi kicked a soccer ball off a brick wall, passing back and forth to himself, while his friends played Nintendo or watched TV. Successful people find a joy in the thing they do that allows them to do more of it than their peers. I guarantee I’ve read more books than 99.9% of aspiring writers. For many years of my life, I had a goal of reading a book a day. I did this throughout college and most of high school. And when I started writing, I carried the same obsession into my craft. I joined a writing group, read writing theory and advice, and wrote two to three novels a year, plus many shorter works.

This meant getting up at four in the morning to write before work. I wrote over my lunch break. I wrote all weekend. I revised my rough drafts a dozen times. I hired, traded, and begged for editing advice. And I’m not even a good example of proper work ethic. I have friends who write, revise, edit, and publish a novel a month. Year after year. I have friends who have published over fifty novels in their first handful of years of writing. Both of my friends who publish a book a month make millions of dollars a year, and they are among the best writers I know when it comes to craft. I can’t put their books down. They pass like Messi.

When I hear writers brag about how little they publish, or how long it takes them to finish a novel, I hear Steph Curry brag about how little he shoots hoops, or how he only practices once a year. I turn on the TV to watch athletes who obsess over their craft. I admire writers who have the same level of obsession. This is what anyone who wants to make a career at writing should expect from themselves. Stop listening to anyone who brags about how little they write and how much they procrastinate. Surround yourself with the Messis and Currys of the writing world.

Please note here again that making a career at writing is very different from being a successful writer. They’re two different goals. Successful writers are out there completing works and making those works available to readers. These writers might dream of making a living one day, but unless they are outworking everyone they know, their chances are slim. A dream is not a plan. There’s nothing wrong with writing for the pure joy of creation. There’s nothing wrong with shooting hoops with friends, or playing in a community basketball league and wanting to win every game without ever being paid one dime. Know your goals, and know what it takes to achieve them.

Insight #7: Competition is complicated

It might be true that there are a limited number of readers, and that you have to outwork your peers to turn writing into a career, but that doesn’t mean we’re all in competition with each other. We’re only competing to a certain degree, and then we’re in cahoots. Believe it or not, this is a team game.

Steph Curry played for Davidson College, not far from where I grew up. I watched him play college ball. Steph was competing with every player on his team, and every player in his division, for a spot in the NBA. But once he made it to the NBA, he was now reliant on not just his teammates but on his opposition to advance his career. The better Lebron James played, the more spectators and the more money Steph Curry enjoyed. And vice versa. Every NBA superstar grows the pool of viewers, hence advertising dollars, and so all NBA pros benefit.

I see a lot of writers get this wrong, claiming it’s a zero-sum game and we’re all competing with each other. This is nonsense. None of us can write fast enough, or a wide enough variety of material, to please all readers. We rely on our fellow pros to keep interest in the hobby high. JK Rowling did so much for all writers when she increased the number of young avid readers. I rely on my colleagues to keep people reading while I’m working on the next book. Just as Steph and Lebron both work to keep ratings high, advertising dollars flowing, and salary caps increasing.

The biggest fear NBA players, team owners, and executives should have is that viewers might change the channel. The real competition at this level is the NFL, MMA, CNN, the great outdoors, and so on. The paradox is this: You compete up to a point, and then you rely on each other. This means it’s never too early to foster great relationships with fellow writers. Which leads me to the next insight…

Insight #8: Be helpful and engaged

If there’s a shortcut to writing success, it’s here. Be helpful to other writers, and you’ll find your generosity will pay dividends. It’s not the reason you should try to be helpful, but it doesn’t hurt to know that being a good person will be rewarding. I’ve seen it over and over in this industry.

One author I know was a brilliant illustrator. While still working on his first novel, he started helping indie authors with their cover art. He did much of this work for free, and then for much cheaper than he should, all because something most of us find difficult came very easily for him. His generosity and kindness made him incredibly popular. When Jason Gurley finished his novel Eleanor, there was a long line of people eager to give it a read, offer blurbs, and promote the hell out of it. Your novel still has to be good, of course. But you won’t believe how difficult it is to get even family and friends to read your work. Writing good material is a necessity, but it isn’t enough.

Another friend of mine got her start by being a beta reader for other writers and later an editor. You could learn how to format ebooks and offer this service. Or start a blog reviewing and promoting new releases (I’ve watched several bloggers move into writing; it was my path as well). You could join a few writing forums and contribute as much as you can to the helpful discourse among writers. Be yourself. Be kind. Form relationships. Share your journey. Soon you’ll meet and get to know those who want this as badly as you do. And if you’re lucky, you’ll find yourselves on opposing teams one day, realizing that you are now both colleague and competitor, but that you only go as far as you can lift each other up.

Insight #9: Know your readers

My first reader was my cousin Lisa. Other people had read my rough drafts and manuscripts before her, but Lisa was the first person who – under no obligation to read my work – sought it out, loved it, and started asking for more. She also – crucially – began telling all her friends how much she loved my debut novel and asked me if she could send copies to them. At the time, my book was just a Word document. I told her to feel free to send it to anyone. By the time I received a book deal and had the novel ready for pre-order, Lisa had dozens of friends and family excited about the release and securing their copies.

When Lisa talked about what she loved in the book, I listened. As readers began leaving Amazon reviews, I read them closely. I started a Facebook page primarily to connect with readers. I’ll never forget the day I friended my 1,000th reader and realized I was reaching well beyond friends-of-friends. Now I was connecting with strangers from all over the globe. Cultivating these relationships, and giving back every ounce of the love and passion that was streaming toward me and my works, was profoundly satisfying and paid enormous personal and professional dividends.

Connecting and getting to know your readers is critical. Set up platforms that allow this as early on as you can. The important thing is to make it easy for readers to find and connect with you. Don’t waste time trying to win over new readers by spamming social media; this does not work in a sustainable manner. Instead, spend your creative energies writing more works. And use your downtime to connect with the readers you already have. Other readers will come. It all starts with one, like my cousin Lisa.

Insight #10: Know your industry

My last insight is a peek ahead at the final part of this series, but it’s one of the things I wish more aspiring writers thought about before they began honing their craft. The writing industry is a business. Whatever your goals and aspirations, you should learn as much as you can about how books are made, distributed, sold, published, edited, translated, purchased, read, shared, and recycled. Working as a bookseller gave me an advantage that I didn’t appreciate until many years later. When I realized how little most writers knew about their industry, I was shocked at first and then later dismayed. Dismayed, because I saw how many writers were taken advantage of or disappointed simply by not knowing very much about the field they’d devoted their creative lives to.

Most students who go into medicine have at least some idea of the work that will be involved, the hours, the expected pay, the time it will take to get through their residency, the fact that they’ll be working graveyard shifts before they ever catch a whiff of their own practice. Before they take on several hundred thousand dollars in student loans, they look into what an anesthesiologist might expect to make in the state of Indiana upon graduation.

Very few aspiring authors know how much they’ll earn from every paperback sale. Or that most works of fiction are now purchased as ebooks. Or that most physical books are now purchased online. If the goal is to sell enough books to raise a family, the dream should be to have a great online presence for one’s books, and to concentrate on ebooks. However, if the goal is to place books into bookstores and submit for awards in particular genres, the plan should be very different. Understanding these choices and managing expectations will be the subject of the fourth part of this series. For now, my advice is to start learning as much as possible. Read Publishers Weekly, The Passive Voice, Kristine Rusch, JA Konrath. Spend time in bookstores. Follow authors who blog about their experiences. Know what you’re getting yourself into.

Those are the top ten things I wish I’d known before I got started. Next up, I discuss what I wish I’d known about finishing my first rough draft. Maybe it’ll help you, however far along your own writing path you happen to find yourself.

Bonus Insight:

Many of the challenges and frustrations you’ll encounter along the way are the exact same as those felt by every other writer. The exact same. Writing requires long stretches of uninterrupted concentration. This sort of time has always been difficult to carve out. We have children, pets, and spouses who require our attention. We have day jobs to work around. We have the stress of bills, mortgages, student loans, rent, empty gas tanks, empty stomachs. We berate ourselves for not writing more. We judge ourselves when our works don’t sell. We watch as other writers get ahead, as markets change, as retailers come and go.

Every generation of writer thinks that their challenges are unique, and that every other cohort of writer had it easier in the past or will have it easier in the future. That’s because the past highlights those who succeeded there, and their success seems to have come all at once, without the failures, frustrations, and challenges that all writers feel in the moment. The present for a struggling writer is certainly suffering, but this never stops being true. It’s always been true.

The only thing that truly changes over time is the stories and rationalizations that we tell ourselves when we feel these universal pangs of self-doubt, envy, and exhaustion. We tell ourselves it’s because Barnes and Noble is killing indie bookstores. Or that it’s Amazon destroying B&N. Or that it’s Amazon introducing a new program. Or the Nook not doing enough to compete. Or James Patterson and his stable of co-authors. And so on and so on and so on.

The excuses and the stories we make up vary. The challenges don’t.

The fact is that the writing landscape today is as vibrant and viable as it’s ever been in the history of mankind. Authors have more power and control over their careers than ever before. They have more access to readers, to each other, to foreign markets, to the tools of publication, and to the infinite manufacture of goods at almost zero cost. Ten years ago, it was almost impossible to reach readers. Ten years from now is a complete unknown. Seize the day, my friends.

#writing #writing advice #amwriting #books #books and literature

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everythingthemoontouches · 3 years

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💙Hi there! , First of all i want to tell you that i love your blog! And i love how your posts are so accurate!💙 If its okay with you could you please do me a favor by describing how others see me,my appearance or more specifically the vibe I radiate to others! It would mean alot to me if you you do that💙I'm a cancer sun,leo rising,Lilith sextile asc, Pluto trine asc, Uranus opposition asc, Moon opposition asc, mars sextile venus, mars opposition neptune, asteroid lilith conjunct mc and jupiter in the 1st house!💙

Hola!

Thank you that's really kind of you 💛💕

You know that quote that says Cinderella never asked for a prince. All she wanted was a night out and a dress. You kind of exude a similar vibe but with respect to leadership positions. 'I never asked to be Queen/King, but the people have spoken' kind of an energy. You would be equally happy to be by yourself, learning about the subconscious mind, higher realms and other esoteric science.

For more on Jupiter in LEO I'd recommend watching Astrofinesse.

For jupiter in the first there's KRS.

🌻As a Leo rising you come across as someone outgoing, with a playful energy but you're also somehow someone people would expect to see in a position of authority. You're drawn to people who stimulate you intellectually and love to exchange ideas.

😬If you have an Aquarius saturn you could be having some challenges in your relationships since December 2020 as saturn transits your 7th house. I'd suggest practicing discernment in this area as well as signing contracts with people until it passes( early 2023) ..

😇12th house sun could take on other people's energy. I feel like you need some time away, by yourself, preferably at the beach / pool/ shower to declutter, clear your head and replenish your sense of Self. You could be highly intuitive. If this resonates, I'd urge you to look up empath drain and how to protect yourself from energy vampires.

Ruler of the ascendant in the 12th :

spirituality could be a huge part of your life. For some people this could show a father (figure) who was convicted or worked in a prison / asylum. They could also have a really remote job. Since the sun is also your own personal identity, you could profit off these themes. Working in a mental health facility, overseas, in esoteric crafts.

🌛With your moon in the 7th house, you probably attract a lot of older women, (queen of swords) nurturing energies . Your mom could have a major influence on any business partnerships that you enter.

In relationships you could have a here today gone tomorrow kind of a presence. This is because as the moon waxes and wanes so does your attraction / attachment to specific people?

♒Aquarius moon : it could be really hard for you to express your feelings. So Instead of asking for a hug there could be a tendency to say something like ' ew imagine asking for one?' you leave a place better than you found it. If you watch hindi movies, 3 Idiots could be a movie you really resonate with. ( I pretty much spent the day looking up the lead actor, who has major aquarius placements and his films have always been disruptive with a really nice social message that left people talking for years after they were released. I tell you this because he shares 2 of your big 3 - aquarius and cancer.)

Going off on this tangent you could be a well respected teacher / writer / entertainer. Jupiter in LEO could help with this.

I do feel like you need a certain amount of inventiveness in your relationships. The people you're with are people who introduce you to new hobbies / ideas / technologies. You need to feel like you guys learn something new or create something that matters together. This is enhanced by uranus in the 7th house. You could come across really cold because you always give people the naked honest truth when asked. You do this from a place of love. I'm reminded of the Queen of Swords card in the rider Waite tarot. Not everyone has the maturity to take it. Or maybe they've just had a bad day. It is what it is. Perhaps try to not be so incisive if this is something you struggle with.

In the same vein, if I asked you to write down how you were feeling how long would it take for you to identify the right emotion. How honest are you with yourself?

Moon and Uranus being in the same house could show that stagnation could really hurt your mental health / happiness / satisfaction levels.

With a saturn ruled moon I feel like I need to remind you to not be so hard on yourself. Like. The world won't crumble to dust if you allow yourself to take care of you once in a while.there's only so much you can do.

All those coffee mugs will catch up. There's no such thing as extra hours in the day. A lack of sleep manifests as early signs of aging. No hate for the elderly but arthritis is not a fun ailment to have. Do you wanna be 60 with 80 year old nervous system problems? I rest my case.

Uranus and moon aspect your ascendant so you could have a slightly plump look?

Jupiter in the first house people usually have prominent thighs. I had a friend with this placement and when we were growing up she used to complain of chafed thighs a lot?

Mars sextile venus you could be your own type? The way you act and the way you want your future partners to express love could be quite similar which is good for healthy relationships.

There could be a tendency to spend impulsively.

With Mars sextiling venus you could be someone who earns more the more active their lifestyle is? Like, you may need to be an agile learner to keep money flowing in .

Jupiter in LEO in a woman's chart usually shows they'd have a financially well off spouse so money may not be a huge concern. He could be a sailor or earn via exports/ navy. It's hard to say without knowing where your Saturn is.

The image you project to the world could be a lot more outgoing than how you actually feel. You're more private than people think.

With a fire rising, water sun and air moon you could either be a really balanced person or just have a number of clashing ideas on who to be, what to do and achieve.

Descendant : The people that hate on you could attack your need to stand out /try to dim your time in the spotlight. Think aquarius themes of standing out to improve community clashing with Leo's need to stand out solely because it helps their ego. Like your confidence could trigger the part if them that felt judged negatively for expressing their individuality.

Do you feel like you thrive in chaos? I'm guessing you're atleast in your late 20s if not older, so you might have gotten better at dealing with people acting unexpectedly. Your mom could have been unpredictable. Really intelligent, but forgets to eat ..

🥤🦀As a cancer sun, you could be the friend your friends come to for advice. There could be a tendency to be a little too selfless. I think your aqua moon really serves as a shield to those who try to take advantage of your caring nature. Have you considered a career in psychic medium ship? Or any spiritual art/ past life regression / you get the drift..

Is there a family craft or hobby that you could monetize? Jupiter in LEO could signify ancestral gains.

Lilith and Pluto aspects to ascendant can make you come across really sexy / a bit unapproachable because people feel like you have some kind of power that places you above them?

Due to this, people with Pluto / Lilith aspects can feel some kind of hurt around people clearing up the path around them if that makes sense.

Jupiter opposite moon : there could be a clash between you want to do VS what you feel you should be doing.

Jupiter in the first house : you could have been born rich? Or people just perceive you that way. They also see you as someone wordly wise and lucky in general. You could know a lot about a wide variety of things. Specially on topics related to appearance, personal development, image consciousness etc. Since the ruler of the first is in the 12th I feel like some of your wisdom comes from a divine source. Like you're tapping into some kind of a collective reservoir of knowledge. In starseed terminology we would refer to this as downloads.

Jupiter rules the 8th house and 5th house.

So love, romance, games, early education may have been a bit of a breeze for you.

Jupiter is usually a bit of a celibate spiritual person. So, while it may make you really wise with respect to things like the occult / tarot / other 8th house themes, I'm not sure how it would impact your sex life with a spouse. Sex could be either a deeply spiritual experience for you or take on more neptunian traits. Addiction / alcoholism / drug use the works. Jupiter expands the themes of the house it rules so a word of caution there.

Travelling could bring you luck. Or even love.

Did I hear Mars opposite Neptune?

This could be a literal battlefield. You could feel like you need to work for love.if Neptune is unconditional love and Mars is your drive, then you could literally match to get to taht elusive unconditional sense of belonging /love / acceptance. But what are you marching towards really? A mirage? With this aspect I'd really be on the guard against addiction of any kind. Neptune is enticing, alluring, mocking Mars for its need to conquer. It could lend a really nice swagger to your walk. A runway model could benefit from thus placement. At uts best this aspect imbues you with creativity, inspiration, otherworldly imagination and the energy required to turn your abstract ideas of art into something tangible.

Here's a source for more on this placement. Sometimes I find that the comments really help me make sense of my own placements

Toodles

Before I sign off, I just have to say this :please try to restrict asks to 2-3 placements. You can send in multiple asks if you'd like, but answering them all in one ask can get a bit cluttered and I'd hate to miss out on something 😊

Hope this helped 💕as always, I'd really appreciate your feedback on this take on how these placements affect you.

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maddiviner · 4 years

Text

Could studyblogging jumpstart your personal grimoire?

A witch should be a lifelong learner. To practice effective magic, you must grow in new directions at a constant pace. A witch should approach magic with a sense of devotion to their own growth.

I’ve practiced magic and divination for two decades now. The most solid advice I can give? Start journaling. Start keeping a notebook. Start studying.

Witches who keep a notebook record their research and ideas about the Craft. This helps them build a wide repository of knowledge, right there when they need it.

The format and content of my notebooks changed a lot over the years. But they all helped me become the witch I am today. I devoted the bulk of these notebooks to my journey in magic, techniques to try, and lessons learned.

There are few people who haven’t studied. In school, we pore over geometry and classic literature in hot pursuit of elusive high marks. We spent time learning about our interests. Whether that’s witchcraft, philosophy, or astronomy, notes are helpful.

Everyone learns in a different fashion. Still, studying and learning about the world remains with us from our first breath, to the last. My Craft took leaps forward when this dawned on me. I’d always enjoyed school. I realized that I could apply the same study techniques to witchcraft and the occult.

What’s studyblogging?!

As a regular user of both Tumblr and Instagram, I soon came across the studyblogging trend.

Caitlyn Tiffany of The Verge describes the studyblogging phenomenon as “a beautiful, stressful wonderland.” An apt description! But what is a studyblog?

Studyblogging hashtags like #studyblr and #studygram are popular (on Tumblr and Instagram, respectively).

For someone just coming across the phenomenon, though? It can be difficult to penetrate this strange world. Expect calligraphic chaos, a plethora of highlighters, and fine-tuned aesthetics.

Studyblogging focuses on the quest for knowledge. In practice, studyblogs share tips and handwritten notes on various subjects. Studybloggers encourage each other to be the best learners they can be.

The photos of notes, assignments, and other tasks make up the bulk of the phenomenon. Studyblogs often feature photos of elaborate calligraphy and heavy illustration in note form.

Expect to see self-made diagrams of mitochondria. Essay outlines on postcolonial theory with nigh-perfect bubble lettering. Vast, illustrated mind-maps of Shakespearean themes. It's a big community, and there's room for a lot. Room for witches? I think so!

Studyblogging for Witches

In witchcraft, our grimoires function much like a non-magical student's study notes. The content, and some of the form, may differ, but the principles are the same.

The quest for an aesthetically-pleasing grimoire stymies many a beginner (and not-so-beginner) witch. The wise remind us that our grimoires needn’t be complex. Functionality is more important than aesthetics in most cases.

That said, there is something worthwhile about keeping a grimoire that suits you. A grimoire can speak to your soul, both by way of aesthetic appeal and your own abilities. For some of us, this might mean a lavishly-illustrated tome. Others might find minimalist styles more resonating. It varies.

The truth is that yes, your grimoire needn’t look a certain way or be perfect. Still, a level of aesthetic appeal can help with information retention. It can also boost your magical productivity. Humans respond in an intuitive fashion to that which they consider beautiful.

Aesthetics can help to put you into a liminal state. Liminality can be a powerful tool in self-improvement. This, in turn, is useful not only for normal studying, but also for the Craft itself.

If you see art as part of your life path, you might find that approaching your grimoire as a work of art helpful. Part of this means realizing that it won’t be perfect, but also always striving to learn and grow.

Studyblogging, as a community, showcases a lot of excellent notebook and journal-keeping techniques. Studybloggers often provide tutorials and guides to effective learning methods.

This is, of course, all while celebrating the joy of learning itself. Traditional studying methods can apply to magical topics. I have found that the techniques of the studyblogger can help with keeping a useful grimoire.

Ask your intuition if studyblogging is right for you!

Will studyblogging help you? For some students, lurking or keeping a studyblog inspires and motivates them. It also increases accountability. By posting their goals and progress, studybloggers have an impetus to progress.

In a way, it’s a bit like livestreaming a video game - it makes the experience more challenging, and also more exciting. The difference, of course, is that, in this case, your game is learning!

And the notes? Many find the calligraphy, fancy scripts, and illustration soothing. It can be a way of making otherwise impenetrable subjects more captivating.

Without a doubt, aesthetic presentation improves information retention for some people. Humans have a positive response to beautiful imagery.

Some folks find the gorgeous landscape of studygram and studyblr overwhelming and anxiety-inducing. Gorgeous calligraphy notes, after all, aren't easy for most people.

For some, posting about your studies on a blog might only increase worry. We're all different, and studyblog techniques are hardly universal in form.

You should use your intuition to decide whether to dip into this community. Ask yourself whether an audience will help your quest for deeper knowledge.

Will you feel empowered, or nervous about it? If you struggle with comparing yourself to others, you might find studyblogging discouraging.

I myself am somewhat of a perfectionist. For me, though, the artistic aspects of note taking and information illustration soothe me. Studyblogging suits me, but will it help you?

You should tailor your learning experience to your own strengths. If that means studyblogging won’t help you, be honest with yourself and don’t chase the anxiety of it all. Find another method of learning.

Browse some existing studyblogs - I recommend EmmaStudies and StudyQuill. Ask yourself how it makes you feel. Do the images and writing seems inspirational?

Would you enjoy sharing your work with the world? Studyblogging might become an ally on your magical path!

Taking the Plunge

So, how do you start a studyblog? How do you get involved in the community?

The most popular studyblogging platforms are Instagram and Tumblr. Instagram lends itself to posting tons of pictures and very short-form posts. Tumblr favors longer prose.

When I started studyblogging, I created both a studyblr and a studygram. I recommend starting a new account on the site of your preference for studyblogging.

Follow some existing studybloggers as a way of introducing yourself to the community! Also, follow the hashtags #studyblr and #studygram, to start.

What to study?

Studyblogging features students focused on all kinds of topics. I’ve been studyblogging for over a year. In case you’re wondering, it's rare for someone to complain about my witchy take on studyblogging.

You’ll find the studyblogging community very welcoming in most cases. But what will you study? I always recommend witches focus on only one or two things they’d most like to learn at a time.

Studyblogging lends itself well to in-depth topical research. This can mean learning the signs and language of astrology or the basics of gemstone magic.

Topics like shadow work or personal Tarot readings might be a bit too personal to blog about. Those might be better suited to normal, private journaling rather than a blog. My own studyblogging tends to focus on my writing preparation, astrology, and Tarot.

Though I’ve been reading for over twenty years, there is always something new to learn about Tarot. Astrology, like Tarot, is a lifelong discipline. Though I’ve only recently made my first steps into it, there is much to learn. My writing, especially the book I’m working on, has its own notebook.

Possible topics include, but are in no way limited to:

Crystals and gemstones

Astrology

Spellcraft

Mythology and legends

Magical history

Energy work techniques

Seasonal and Lunar cycles

Herbology

Tarot, Lenormand, or oracle deck divination!

It is important to choose topics that interest you in a personal way. At the same time, try not to get distracted. Witchcraft includes many paths of study. Try not to jump from topic to topic - finish what you start!

Supplies

If you’re in school, you may already have a lot of the tools necessary for studying. If not, you can get them for an affordable price in most cases.

Paper matters! You'll want a notebook or loose leaf binder paper. For hardbound notebooks, you can’t go wrong with a Leuchtturm 1917. That popular notebook boasts dot grid paper, includes page numbers and a place for an index.

Seeking something more aesthetic? Check out the Paperblanks series from Peter Pauper Press. You might also like the notebooks you can order from Citrus Bookbindery. For me, a binder (I use A5 size) works best, because I can add and remove pages as necessary.

You can find some great guides out there about organizing grimoires. Much of that advice applies here. Your notebooks will soon fill the role of a grimoire. They will contain your notes, research, and more.

It is usually best to have one notebook (or binder) for each subject you’re studying. As you move forward, you’ll have a collection of grimoire notebooks on different topics.

You’ll also need pens or pencils. Really, you only need one. If you feel like getting fancy, you can get multicolored fineliners. I prefer Sakura Micron pens. They use waterproof micropigments that don't bleed when you highlight over your writing.

Highlighters are fun! These add color to your notes and help emphasize the important things. If you want nice highlighters, I recommend Mildliners. Any highlighters will do, though - choose colors that appeal to you. I recommend several different colors, because that allows you to color-code your notes.

Plan!

Plan out, at least in a rough fashion, how you’d like to organize your notes. This can be rather freeform, or complex, depending on your preference.

When I began my astrology journey, I knew what sections I would include in my stars grimoire. I also created a rough map of the path I’d take in my research.

I began with the simple Zodiac signs. I then moved forward through the planets, houses, aspects and transits. My organization, loose though it was, benefited from my use of a binder which allowed me to add and remove pages.

No matter the notebook, it is important to have, somewhere, a rough idea of where you’re going.

You will also find it important to set attainable, realistic, and measurable goals. For me, this was things like memorizing the astrological house system. I set the goal of reading my astrology textbooks completely and summarizing them. This kind of goal leads to personal accountability.

I also created a set of astrological flashcards for my Tarot-related work. It can be motivational to post your goals on your studyblog in some form. Then, you can provide your followers with regular updates on your progress.

Start posting!

Once you feel ready, go ahead and introduce yourself to the studyblogging community! An introductory post, explaining who you are, your goals, and methods, will help others get to know you.

I recommend tagging your posts with studyblogging hashtags (mentioned above). Also include some witchcraft-related tags! This will help you connect with other witches who might be helpful on your journey.

Don’t be shy when it comes to posting photographs (taken with a phone or other camera) of your notes! You might not feel that your notes are as neat or pretty as other bloggers. Regardless, they’re unique and might resonate with others!

If you’re taking notes about a very personal topic, like shadow work, you might want to forgo the pictures. Some bloggers obfuscate or blur potentially sensitive parts of their notes. You’ll likely find nothing but encouragement for sharing your research topics, though!

Some studybloggers will also photograph their study space. Some of us even use photos of fun things like their breakfast or pets to illustrate their updates. If pictures don’t suit you, post regular bits about your life and your progress towards your goals.

Get to know other bloggers! This is important, whether they’re witches or from the studyblogging community. Both can be helpful!

Watch or read some of the tutorials you’ll find in the studyblogging community. These focus on things like calligraphy, organization, and memory techniques.

While your notes needn’t have fancy headings, calligraphy can be fun to learn. I don’t currently use calligraphy in my notes, but am learning it on the side, so to speak.

I find it relaxing, and you might enjoy it too. If not, don't feel bad - not everyone uses fancy handwriting, and that's okay!

Moving Forward

If, after a few weeks, you find yourself really vibing with studyblogging, stick with it! Most witches would agree that there’s no real wrong way to be a witch. To me, though, there are wrong (and right) ways for you yourself to learn and grow in your craft.

You need to find what works for you, what adheres to your soul and keeps you connected. If studyblogging ends up helping you, and I hope it will, keep going!

After a while you might find yourself ready to move onto another topic. We all end up “graduating” forward onto other subjects. You’ll quickly find that your grimoires will be an invaluable record.

They will contain not just your gathered information, but also your intuition, insight, and more. Cherish your notebooks - they will come to reflect your essence!

#magic #witchcraft #witchblr #witch #studyblr #occult #pagan #journal #book of shadows #grimoire #eliza.txt #eliza reads

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nobeliumoxygenoxygenmisc · 4 years

Text

amber/lumine HCs

because i adore them (also i know the traveler’s personality in general is ambiguous so reminder that this is just my personal take on lumine’s personality!!) pls enjoy and thank u for reading!

genshin impact, amber/lumine, fluff, very brief lines of angst, ~1k words

Literally the most adorable couple in Mondstadt

Lisa is their worst nightmare; she’s always gushing about how adorable they look and even before the two began dating she’d tease them about their crushes (individually, of course, until it got so painfully obvious that she dropped the act and didn’t care who else was in the room)

But she is also the person the two girls go to for advice - Lumine goes to her because she feels like the librarian is most qualified on Amber Knowledge and Amber goes to her because there’s very few other people to go to for Lumine Knowledge (other than Paimon but Paimon is with Lumine 24/7 and can’t keep a secret for her life so that’s an instant no)

(neither want to disturb Jean with such trivial and embarrassing matters as crushes and love and both Kaeya and Diluc are instant nos - Venti is considered but seeing the drunk bard usually has them leaving the tavern asap)

Paimon’s advice isn’t the best either…

Paimon: Paimon doesn’t understand why you can’t just tell her??

Lumine: we-well--it’s just too scary okay

Paimon: hm, then Paimon can tell her for you!! Paimon will be right back--

Lumine: no paiMON get back here right now or i will eat you

(the emergency food thing is a joke but in the moments between Paimon leaving and Lumine managing to successfully intercept the flying creature, a Paimon-feast is seriously considered)

Amber gets worried very easily for Lumine whenever Lumine’s out on her commissions or in Liyue - whenever Lumine’s set to come back you can bet Amber’s just internally begging for the day to hurry up and gunning it to the front gates when news that Mondstadt’s honorary knight has been spotted makes it to her

Archon forbid that Lumine were to come back injured in any form - that worry is amplified exponentially, Amber dragging her to Barbara unless Lumine can successfully convince her that she’s fine and that it’s just a scratch

Amber: you’re bleeding from five different places those are not just scratches!!

Lumine: i’ve had worse, Amber, i’m fine--

Amber: that does not make me feel better!!

Both Lumine and Paimon get a scolding - after Lumine’s recovered - Amber huffing that as a travel guide, Paimon should be more careful where she leads Lumine, and as a traveler Lumine should assess the situation carefully before diving headfirst into it

Amber: don’t lie, I know you do that!!

Of course if it’s Amber who’s hurt, she’s a little bashful about it especially since she knows how tacky she sounds after all her preaching

Lumine is less severe (to Amber’s eternal relief) but is a little protective the next few days weeks

Archon help her if the culprits were still running around somewhere - Lumine goes on a hunt for them no matter who it is (treasure hoarders, abyss mages, ruin guards...) and obliterates them to the best of her ability (which is a considerable amount)

She’s not losing anyone else

After her birthday, Lumine sleeps with the baron bunny plush every night - it’s like a lifeline whenever she’s away from Mondstadt or when things get a little too heavy late at night, thinking about her brother and everything that’s happened (the other lifeline is Paimon - Paimon who is a constant presence that all things considered, Lumine would also die for)

Whenever they’re apart, Lumine and Amber write so many letters to each other - some of them are short because it’s been a busy day exploring or doing outrider duties but each letter is treasure to them and each word is crafted with care and love

Amber loves talking about her duties to Lumine, especially whenever she’s done some achievement or a big mission and Lumine can’t help but smile fondly, thinking how excited and proud her girlfriend must have been

Contrastingly, Lumine loves describing the most mundane details like how many fish there are in the ponds at Liyue and how pretty the glaze lilies are, although she cuts back on some details like her missions - it’s not an entirely conscious thing though. Lumine does do it to lessen Amber’s worries (she’s not sure how anyone would like it if they knew how closely she’d been working with a fatui harbinger), but it’s more so that she genuinely likes talking about the small details in her travels and exploration and writing about it almost feels like she’s sharing those experiences with Amber

And Amber absolutely adores that but it simultaneously makes her so so envious and long to be with Lumine all the more - she’s always wanted to travel and hearing about Liyue almost makes her march to Jean’s office to tell her she’s joining Lumine

In the meantime though, she eats up every word of Lumine’s letters with love and happiness

Once, Lumine sent back a recipe for one of her favourite spicy Liyue dishes along with the ingredients and said Amber had to try it but with an extra note that she should definitely get someone else to make it since everyone knows just how ‘great’ (read: horrible) Amber’s cooking skills are

Amber, being a lot little stubborn, endeavored to make it herself only for it to burn and run out of the ingredients

Not wanting to disappoint Lumine, she raved on and on in her next letter about how much she loved it even as her heart was absolutely dying from how guilty she felt (Lumine had even sent the ingredients, Amber felt horrible wasting them like that but her pride did not allow her to admit her mistake - it had taken a lot of convincing and even some mora to get people to stop talking about that one time she burnt the steak for that one Knights of Favonius gathering, she didn’t need anymore hardproof evidence of her horrible cooking skills)

Only that backfired when Lumine came back with surprise gifts that, how wonderful, included that specific dish she had so enthusiastically talked about in their last letter

So she tries it for the first time and almost dies with how spicy it is - she swears not even spice lover Barbara can withstand it - whilst Lumine just suppresses a smug smile because she absolutely knew amber was lying in the letter and couldn’t help pranking her girlfriend

Amber promises to just ask for help cooking next time (which is honestly for her own good)

...but not before she starts devising her own revenge prank

#genshin impact #genshin impact amber #genshin impact lumine #amber x lumine #lumine x amber #genshin impact headcanons #genshin impact imagines #amber #lumine #my writing #my work #writing

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demonslayedher · 4 years

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Your content on Kny is interesting, being a Kny fan I would like to share a cusiority. During the final battle did you notice that the Hashira were passive about the death of some? When Shinobu died only Tanjiro had a reaction because of how busy he was; Mitsuri didn't seem sad and when Iguro remembered who died in the middle of the final battle he didn't even mention her. What did you think? It would have been nice if Gotouge had shown us what the Hashira's thought when the others died

[cont.] I'm the anonymous person who asked you the question about the Hashira who fell in the fight, Tumblr makes people write very little. Apart from Tanjiro they seemed cold to me, even for Tokito; the only one affected was Himejima; when always Iguro mentioned him during the clash with Muzan it was like he was thinking normally. There wasn't time to mourn for the dead but I was expecting a slightly deeper reaction. Anyway for Shinobu yes there was Inosuke and Kanao but the pillars are important too

Thank you for the Ask, time to get into it! This served as a good excuse to flip back through of a lot of the later volumes... or rather, a huge chunk of the series. Short Answer: I don’t think Mitsuri knew about Shinobu’s death. Longer Answer: A walk-through of the Pillars’ situations in the final showdown and a partial analysis of Kimetsu-style story pacing.

Disclaimer: I finished this around 2am. I chose to leave it rambling and unedited and typo-ridden. HAVE MY FEELS, I’M DISHING THEM.

(Disclaimer: This isn’t meant to be a plug for my own fics, but since they are born out of my emotional experience of canon, mentions will make their way in. U fu fu.) First, absolutely yes on there being no time to mourn. From the moment the Ubuyashiki Mansion blows up in volume 16 to the actual end of the fighting in volume 23, that is one hell of a night; this final arc(s) had NO CHILL. Like, wow. It’s been a long time since I followed another battle-driven manga, but that seems like a lot, especially for a relatively short series. And I was initially happy to dismiss all the lack of satisfying sadness as being due to the fact that they are in *PANIC MODE* and entirely focused on fighting, but that is also not necessarily the case; they do come off slightly cold. I want to touch a bit on what we want to see the characters mourn each other, but also why I think it works out a bit better that we didn’t; from a purely narrative standpoint. LET THEM BE SAD: Parasocial Needs Science says we form bonds with fictional characters that affect our brains in very similar and impactful ways, so our feelings are legit when they get killed off. It affects us like a breakup or other goodbye and makes us crave closure. As for my own assumptions, we look for proxy characters in-universe to give those characters we love the attention we wish to; their sadness validates our sadness, watching them get emotional can be super cathartic, and a good mourning arc can provide satisfying closure. This is something we got with Rengoku, canonically loved by like, everyone. Hell, even the guy who killed him was sad. Just to rub salt into it, the most recent fanbook that includes a section about how the Pillars see each other, and it drives home that even if we never saw much or any canon interaction between him and any other given character, they’re all like, “Oh yeah, Rengoku, he’s a great guy.” And, he’s the only character we really get space to mourn, pacing-wise. First, because of when it happens in the plot, this gives the story time to show us each and everyone one of the Pillars hearing the news; it gives them times to process it (which Tokitou clearly needed), and most of us, it takes us in depth through how it affects Tanjirou, our main character whose emotions that we, the readers, are most in touch with. Rengoku got star treatment in the way he was mourned, and we readers get to lap that up. So then when we don’t get that in-universe star mourning treatment, it does feel a bit jarring by comparison. Gotouge did say she was sorry to hurt everyone, but these are the conditions the little humans were up against all along and a point driven home again and again; even with power on par with demons through the attainment of a mark; even Pillars are just breakable humans who will never be able to regenerate like demons can, hence why their stakes are so much higher in every battle they go into. Furthermore, the Pillars are more ready for this than anyone else, they of all the characters would be the best at keeping their emotions in check in the heat of a battle. Which means they had to keep them in check for seven volumes of near constant battle, love it or hate it. KIMETSU LOGIC: The Writing Sins That Make This Manga What It Is I could go on and on and on and on about the writing sins this manga commits and how it shows that it’s Gotouge’s first time writing something of this length. In manga not all of it can be blamed on the author alone because the editors have a very significant influence, but yeah, this is not the most amazingly crafted story out there, by a long shot. Would I change any of it, though? Well, a few things, yes, of course, out of personal preference. But on the whole, no. It’s the collective errors that stamp KnY with its style and make it what it is, and I find it as endearing as all the randomly super goofy art. Now, when it comes to the lack of Pillars reacting to new of each others’ deaths, I wouldn’t necessarily classify that itself as a fault, and if I were Gotouge’s editor, I probably would have encouraged her to keep it to a minimum too. After all, I would be considered with selling a new shot of tension with every week’s installment to keep any readers from getting bored with the constant battle. And dang it, THAT TENSION WAS HIGH, those battles were remarkably emotional and tense through and through. The breaks in tension that we got were necessarily and not distracting, with the notable exception of Iguro’s past. That was clumsy placement. I’ll be honest, I didn’t bond with Iguro as much as a character because he lost his earlier chances to be appealing to me, and by the time the chapter with his flashback came out, I DIDN’T CARE, I waited anxiously all week to see what was happening to Tanjiro and was invested enough to have an appetite for the additional Sumiyoshi and Yoriichi bits, but dang it, Snake Pillar was getting in the way of what my emotions were primed for at that point. But, such is the way of fickle weekly readers; with THAT MUCH tension going on, readers crave a little breather here and there with a look at who else might taking in a breather in a flashback. We got bits and pieces of that mostly through flashback, like Tamayo’s memories of conversation with Shinobu experienced in real time through Muzan, as well as in-real-time moments with the characters having very slight chances to catch their breath (no pun intended). But, how well those breaths worked depending on each character, and how the readers’ emotions were getting slammed week to week. Just like how I as a weekly reader (by that point) had no appetite for an Iguro flashback while eager to move forward, there likewise would have been limited appetite for mourning, and we’re stuck with who we got as proxy characters to react through. ACTION, REACTION: The Rhythm of Basic Writing Advice It has often been said that in writing, something should happen in a scene, and the next scene should be a reaction to it. In the next scene something new happens, and likewise, there is a reaction. We could also thing of this as stages within the same scene, like the part when the music changes or the moment the battle has ended but we’re still on the battlefield. In Rengoku’s case, we got one big happening, and then a whole lot of reaction drizzled through the story after that. In the Infinity Fortress case, we get a big happening with the Ubuyashiki Mansion blowing up and then--a big happening!--a big happening!--a big happening--! A--uh oh, there’s a reactio---NEVERMIND, THINGS ARE STILL HAPPENING, GOTOUGE, PLEASE, THIS HURTS, OW, OW, HOW ARE YOU SO CRUEL, WE GET IT, THIS SITUATION IS AWFUL, PLEASE STOP HURTING THEM---

The reactions are there, scattered throughout. They’re short, but they sure make themselves count. While Tanjirou is our Empathy Personified hero, it’s natural that we get more of his reactions, but the lack of them in other characters is, I would say, a natural fault of having a huge cast to work with it. Once you start dragging too many other characters into the reactions, the actions have trouble moving forward, and with the level of seven volumes worth of tension it’s the actions that keep readers hooked and buying magazines. THEY’RE ONLY CORVIDS, OK: Now We’re Actually Looking At Canon Details Now that all being said, although it’s easy to dismiss a lot of Kimetsu Logic as amateurish at first, on further reflection, the little worldbuilding logic does excuse itself for not plunging each of the characters into a period of reaction to actions happening elsewhere. Not all the birds had Yushiro’s papers. Not all birds were created equal. It’s really hard to navigate that place. Ergo, communication was probably highly imperfect; not all the crows knew everything going on. We don’t feel that as readers because we’re seeing Kiriya and his sisters get all the available communications. In Iguro and Mitsuri’s case in particular, I suspect that might not even had been Mitsuri’s crow (as that one has a distinct personality and accessory) giving her orders to gather where Muzan is. It was probably any old down-to-business crow working with the information it had as clearly as it could in the battle that was most difficult to physically navigate. If Mitsuri’s crow (named Urara in the most recent fanbook) had been there, I imagine she’d have been having difficulty that whole time to even stay within a close range of that battle. Furthermore, a crow like that with a strong bond with Mitsuri might had also judged that telling her about Shinobu’s death was a dangerous distraction, and chosen to withhold information. The fanbook specifies that Iguro’s crow Yuuan was the one who told him about how Tokitou got a red blade (in fact, this is basically the only thing said of this crow besides its name and gender). To able to report in such detail that Iguro could analyze that Tokitou attained the red blade by the strength of his grip, that probably quite an accomplishment to have either witnessed that much, or to pass on crucial information that detailed and quickly. At that time, Iguro and Mitsuri were physically separated and she was distracted by the crow giving her orders to gather where Muzan was, so she might not even have overheard that Tokitou had died. As for Iguro, the second fanbook tells us that because Tokitou was young he had hoped he wouldn’t die. There was no opportunity to mourn him, and they weren’t close enough for that to throw him off much from battle, but on a Pillar to Pillar level, I think the amount of thought Iguro did dedicated to Tokitou showed a certain level of esteem for him and regret at this passing. What would have been nice? Maybe a little look over his shoulder to Mitsuri like “I hope she didn’t hear that.” That would have revealed a tender side of Iguro in a very short use of panels. I want to come back to analyzing Mitsuri’s reaction later, so let’s keep focusing on the loss of Tokitou. Once he attained more of his sense of self back, it seems he preferred the company of Corp Members closed to him in age (if we go by his little flashbacks, which in true Kimetsu Logic, are things we didn’t know about until they come up in flashbacks). Most of the Pillars weren’t especially close with him, even if they did care about his wellbeing, as they seemed particular aware of how young he was. Sanemi probably had never interacted much with Tokitou until that battle, and *OKAY, HERE IT IS, THE UPCOMING FANFIC SELF-PLUG* one of the things I really liked working with in my post-canon fic is that there’s a point at which thinking about Tokitou forces Sanemi to deal with all the trauma he’s buried from that battle. I figure it would hit him later; he had a good excuse of a distraction. Ugh. Man. My heart hurts again thinking of that chapter. Let’s also not forget, after Himejima showed his respects for Tokitou both quickly and sincerely, he couldn’t allow Sanemi to deal with Genya’s death until after everything was over. All the Pillars had to think like this. What would had been nice? I liked this reaction scene to two simultaneous and horrific deaths exactly as it was. Ow. Ahhhh. Owwwwww, it’s hurting again. This is catharsis exactly the way I like it. Let’s keep going with Himejima, the only one to have known to expect all this, and who stayed ready and likely hoped to bring down Muzan all by himself without any other sacrifices (welp, so much for that). There’s a scene in the novels that implies he had some idea that Shinobu wasn’t intending to make it out of the upcoming battle(s) alive, and I imagine he felt the same regret and bitter acceptance in advance that he also felt with Ubuyashiki. If we heard the news about Shinobu like Tanjirou and Giyuu did, I imagine he was hurt but it wouldn’t have been noticeable, and he probably would not be surprised even at how quickly it happened. What would had been nice? Anything. Just a “How pitiful” and some tears as he runs through the halls woulda’ been great. So since Giyuu did hear it loud and clear with Tanjirou, I first want to point out that whether that was Tanjirou’s crow or not (might not had been, because his crow was busy with a letter delivery from Senjurou at the time too), that crow must had loved to shared details; maybe even details that were not necessary. Like, would telling the lower level Corp members everything really help? Wouldn’t the loss of each Pillar make them lose their nerve? Was it because that crow was wearing one of Yushiro’s papers that it had to report extra detail for Ubuyashiki HQ? Whatever the case, Giyuu is initially shocked about Shinobu and then is like, “what is that paper the crow has? It sure is reporting things fast.” What would have been nice? ANYTHING MORE THAN ONE PANEL OF SHOCK. Come on, Giyuu, give the GiyuuShino shippers S O M E T H I N G. Granted, if Tanjirou had been killed in battle with Akaza, I believe Giyuu would have had an initial outburst of emotion, but then gotten himself under control real quick and stayed that way until it was safe to break down (which he did immediately later on, since the threat was gone--but he was just as soon picking up a sword and stabbing him, so again, Pillar-mode must come before experiencing emotions). I interpret canon as that even though Giyuu might had found it easily to address Shinobu in conversation due to frequency in how much they had conversed and the fact that she would usually talk to him first, he would never had considered himself especially close with her (since he never saw himself close with any of the Pillars). I feel their relationship had potential to grow closer if Giyuu had actually gone out of his way to communicate more with her, and he probably would had if they both survived, but at the time she died he probably still felt a distance, which is why it did him harder when Tanjirou--someone who Giyuu did actually get to a point of enjoying conversation with--was dead right in front of him. (Side not, oh man, OH MAN, being a weekly reader was so tough then. I still have so many emotions from that week. Oh man. Oof. Ouch.)

Of note, Giyuu had the best opportunity for reflection on a comrade’s death since he had enough recovery time once he woke up to build a fire and treat wounds, and Tanjirou took that chance to read a letter.

What would have been nice? AGAIN, GIYUU, ANYTHING, but after that battle I think he deserved to disassociate a bit. Also of note, I don’t know that they had complete information either, because NO ONE (by “no one” I mean Tanjirou and Inosuke) seemed to hear anything about Zenitsu single-handedly killing Upper Moon Six and surviving it. What would had been nice: “Good for you, Zenitsu, I hope you’re okay” or “Six? Again? Didn’t we already do that? There was a third??” or “well I got Upper Moon Two SO THERE” or “..........are you sure?” or even way, way after all is said and done, off in epilogue times, “you fought WHO by YOURSELF???” but I digress. Now back to Shinobu, losing her so early on in this marathon of high-stakes battles made her death seem forever ago by the time we got to another Pillar death. It would had been nice for more of them to react both with “no, not Shinobu!” and “we are in deep trouble” sort of ways. That made the glimpses we got of her in flashback feel way, way more nostalgic, since for our experiences as readers, she had already been gone a very long time. I like that the battle with Douma got stretched over so long a span of the manga, they really showed the stakes in how difficult of a foe he was, even if that battle was itself was relatively shorter than others. And as stand-ins for the readers to mourn Shinobu, I love how we got that both through Kanao and through Inosuke. But yes, it sure would had been nice to get something from... Mitsuri. Now, if I had only read the events of canon, manga chapter to manga chapter, and even the Taisho Secrets, I still never would have guessed that Shinobu and Mitsuri had such a warm friendship. I know this purely from the fanbooks and novels, and that is something I find a writing error that detracts a lot from the work. Some of the most apt criticism I’ve heard of the Kimetsu pacing is that it could have stood to give us one of more arc to bond with the characters at least a little more, so we could really, really be emotional over loosing them. We get all our spare Pillar interactions in works outside of canon and after Tanjirou initially gets to know Shinobu, he has no more on-screen interactions with her; she mostly appears in Taisho Secrets. Pillar Training was fun and all, but maybe another arc with stakes in it that occurs closer to home and brings out some different sides of the Pillars in Tanjirou’s presence, instead of each of them getting one dance each with our protagonist. That would had been a chance to show Shinobu and Mitsuri’s friendship, in which case, we would had really, really wanted to see Mitsuri’s reaction. But, Mitsuri had a job to do in the very, very, very heavy tension and battles that ran in weekly magazines for months on end. She carried the very heavy weight of needing to provide brevity. Her silliness contrasted against all that tension was fresh air for readers who had been holding their breath (no pun intended! kinda) through so much. And man, our reliance on her for that made it hurt all the more when things suddenly got very serious for her. But, that means she was also unable to play a heavy emotional role too early on. There wasn’t room to give her a satisfyingly emotional reaction to Shinobu or Tokitou; when after all, this is the girl who was fretting about dearly beloved Oyakata-sama, was horrified to see the explosion, angirly attacked Muzan, but was saved from certain doom almost immediately after she was taken by surprise in the Infinity Fortress, and then she’s BACK TO 100% FANGIRL MODE. Like, giiiiiiiiiirl, Oyakata-sama just diiiiiiied, tone it down a notch. I feel like I had more to say. OH YEAH. WHERE DO WE GO FROM HERE?: To fanfic, duh. Going back to reaction and action and producing something with sellable pacing, again, I wouldn’t risk bogging down the tension-heavy final arc with too much open sadness (less is more definitely applies when the reaction scenes were often SO GOOD), but it clearly set up the desire for it. And, the length and intensity with which a work of fiction can live rent-free in audiences’ minds is a measure of its success. If we MUST turn to fanfiction to get that emotional closure (or force the Pillars to get theirs), then this is proof of a job well done in making us care. Herein lies the freedom with fanfiction: It doesn’t have to be good. It doesn’t have to sell. It doesn’t have to fit a regular serialized format. Fanfic is whatever it wants, all it has to do is indulgently scratch an itch. I have way more stomach for sappiness in fanfic than in original canon, because I have higher expectations of canon to honor writing conventions, and to make decisions that will serve the overall story, not necessarily cater to my tastes. But fanfic? Fanfic, you are here to serve me. Dive into those characters’ dry eyes with a jackhammer and gives me their tears. I don’t care how much you have to fry their brains to do it, give it to me. I mean, I don’t write fanfic like that, noooo. At least, not that I post publicly. Ssh. No one needs to know aaaaaall my particular canon itches I wish to have picked raw. But all the more power to people who DO post that publicly and provide a great service to all the other people with that same need. But, in the spirit of writing fic that tries to honor the spirit of canon, I try to sprinkle the juicy emotional potential canon could have had around as needed, to draw out what I feel canon just didn’t have the opportunity to give us. It’s ultimately self-servicing for what I wish canon would had done, but my style of published fic does try to stay widely appealing as a gen fic. Everybody’s got their own balances and tastes, and that’s cool. And that is freedom canon authors don’t have. I’ll conclude by saying that, although we as readers collectively earned it, the ending of Kimetsu no Yaiba was too bright and happy and specifically chose bittersweet moments that would be easy to swallow (pretty smart for a quick ending), but entirely skipped all the really heavy stuff in the immediate aftermath.

And yes, as difficult (and even dull) as it would be to slog through, there’s a part of me that wants to see all that, for the sake of closure.

And now I sleep byyyyezzzzzzzzz

#KnY fandom theories and meta #KnY Spoilers #tw death #KnY nerdery #kimetsu no yaiba #demon slayer

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royalcordelia · 3 years

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Hi Tessa! 💛 First of all, I wanted to say you’re one of my fave writers in this fandom, I love your fics so much and I’m so grateful for you! Thank you so much for everything you do ☺️💛

Secondly I wanted to ask, have you ever experienced burnt out from reading or writing fics? And if so how did you know you were experiencing it, and how did you handle it? I’m asking bc I’ve been reading a lot of Shirbert fics these last months, out of my fave ships they have the most IC fics, they have really helped in keeping me sane and making me feel better, so fic reading became a form of every day self-care to me, but recently my dear old friend anxiety (ofc lol) has been making me overthink everything a lot, and wonder if I had been reading too many fics, if I should stop or if I was burnt out, you get the idea 😅 and has also been making me struggle to focus on what I’m reading sometimes. As in, if I’m focusing on the fic alone, I can really enjoy it, but if I lose focus for any reason, anxiety pops up right away and I just spiral and can’t focus like before. I don’t think I’ve ever experienced burnt out from a piece of media before, I still love everything AWAE/AOGG related dearly, but precisely because I haven’t experienced it before, I can’t tell for sure if it’s burnt out or just my anxiety playing with me. I’ve also struggled a lot with insomnia lately, as a result of anxiety too, so I guess tiredness could be a third option… Thanks a lot in advance, and sorry if this ask is very weird 😣 Hope you’re well, healthy and safe 🙏🏻

Hi friend! First off, thank you for sharing your struggles with me. 💛 It sounds like you've been having a really tough time, but I hope you know that your experiences are probably more shared than you think. Hopefully when I post this, others can share their own advice.

(I'm going to preface this with the fact that although I do have a degree in psychology, one of the best things anyone can do for themselves is find a certified, licensed counselor that you trust. But I understand that mental health services are not always as accessible as they should be, so I'll offer the best advice I can.)

I think burnout from media absolutely does exist, and for most people, it's when the hyperfixation runs its course. I wouldn't doubt things like anxiety and insomnia can speed along that process. As @hecksinki once told me, ending a hyperfixation can make you feel unhappy and a little bit unsatisfied because nothing has that same effect that you're used to. I also think that burnout happens so no reason at all, either. it just happens. So if you're experiencing burnout, please know that you've done nothing wrong. It's just part of the natural course of liking media. For one reason or another, you might be leaving the "honeymoon" phase, and that's perfectly normal and okay.

You might need something new for your (what I call) "calming-time" before the Anne fics will have the same effect that they once did. The best advice I can offer you is to find things that still make you happy and still have the capacity to calm you down, and hold onto them. The things that make you happy can change with your circumstances, so I like have an arsenals of things ready.

For me, I bookmark every single fic I've ever enjoyed, so that if I feel like I need a break from a fandom, I can bounce back to another fandom for a day or two. I also try to make sure I have things that relax me in every sphere of my life. For instance, if I'm not in the right mindset to read fic (sometimes even I'm too anxious to focus on reading), I have a card game app on my phone, I have Stardew Valley on my switch, I have coloring pages I've printed out, a scrapbook, arts & crafts, etc. Even comic books can be helpful reading when you need something to take your mind off of anxiety, but you're having trouble focusing. It may even be a good time to start new media. You can ask recommendations from people who know you well, something like: "I need something new to watch/read, I'd like it to be kinda like xyz, but don't want it to have xyz. Do you have any recommendations?"

But overall, to the very best of your ability, try to be easy on yourself. And by that I mean, some things are not worth the effort of worrying over them (obviously, with anxiety I know sometimes you can't help it). If you think you're reading too much fic and it might do you better to stop, try it! See how you feel. If you think you need to go back to fanfic to help distract and calm you, then don't talk yourself out of it. Again, find the thing that makes you happy and cling to it. You hurt no one by leaving fic for a while, but you also don't hurt anyone by reading a lot of it. It might take some trial and error, but I'm hopeful you can discover a handful of things that can work as Plan B and Plan C whenever fic reading is tough.

I really hope this helps! Your feelings and experiences are valid, and my hope for you is that you can find some sleep and peace. If you, or anyone, needs help finding mental health resources in your area, you can always DM me and we can work through it together.

I think it's appropriate to end this message the way I've been ending my fics lately—If no one has told you that you're loved and valued as a person and a member of this world, then I love you very much. I'm so glad you're here. You aren't your struggles, and one day, things will get better. I promise :)

#asks and answered #the race that knows joseph #anxiety is NOT fun #and dealing with it is a constant battle #sending you all the love

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psycholojosh · 3 years

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Road to RPsy: A master's student's guide for Filipino psychology graduates in making a career headway in the Philippines - Part 1

Let's paint this picture for a moment...

You get into your psychology program (or any other program) in a Filipino college or university. You study hard. And then, you achieve your well-deserved bachelor's degree. While you shake hands and celebrate for about a month (just as you should), you sooner realize and ask, "Now what?" Then, you ponder on how to get your career in clinical psychology started. Possibly, you got anxious, confused, or maybe even determined.

If this is (or was) you, don't worry! You're perfectly okay. Trust me, I've been there before... and we shouldn't feel ashamed for this.

Which is why I'd like to take this time to write about my personal and professional experiences as a college graduate of psychology in the Philippines, and how I managed to craft my own headway into getting clinical training and graduate studies for clinical psychology. I sincerely hope that this little article would help a fellow psychology graduate craft their own headway into clinical psychology (or any other field of the sort). I'd also like to share some tips from my past and present mentors, colleagues, coworkers, and professors that I find useful to take note of.

I separated this into a series of articles to keep reading concise and organized. For this part, I start off with discussing...

What psychology careers in the Philippines looks like

How goals can be set in order to get an RPsy; and

Selecting the postgraduate school or program for you

Keep reading to find out more!

Key Points (TL;DR)

There are many myths and misconceptions that narrow one's view about psychology and its careers; but there are actually a lot of opportunities.

Keep yourself open to opportunities, be it for training or career, that will help propel you to snatching an RPsy license.

Clinical experience is key. But, do not discount non-clinical experiences as well.

Practice 'SMART' (specific, measurable, achievable, realistic, and time-bound) goal setting for your career.

Choosing a school is dependent on your preferred training, scholastic interests, career goals, personal motivations, and (financial) resources.

Before I begin...

I'd like to first disclose what my biases and limits are, and what potentially could be a matter that you, dear reader, should consider before taking any advice from me. So, here's a little bit about myself...

Firstly, I am a young adult and pretty much novice to the field of psychology. I have gone through two years (and counting) of clinical experience as a licensed psychometrician. I do not declare myself an expert yet, nor do I pride myself as the most reliable person in the field of psychology. This article is written purely in my personal perspective and experiences. That said, I will do my best to offer you up-to-date information and objectivity that may support or criticize my views.

Secondly, I come from a very middle-class family. My parents made just about enough for us to pay the bills, to feed, clothe, and shelter us, and to give us a decent education. I firmly think this disclosure is very important since not everyone has the same privileges in terms of education, opportunity, and resources. There are some career decisions that I have made or experienced because I had the capacity to make them so despite certain critical tradeoffs (like, getting less pay). As of writing, I would say that our status is still the same, even if I make my own profit with my college degree. I will do my best to be considerate about the differing backgrounds among people, especially when it comes to privilege offered by social class.

Lastly, I'd like to emphasize that my word is not gospel and should not be taken easily by those who seek importance or utility to what I will share. The tone I will use will be very personal - as this is my personal blog. Plus, I will be largely biased towards clinical psychology, as it is the field I am in. You may find that some pieces of advice will resonate more with you than others. Conversely, you might find that some pieces of advice may be unhelpful for you. Hence, I welcome any criticism to my personal views and open myself to a healthy discussion. (Feel free to reach me through my Ask page here on my blog.) I highly encourage you, dear reader, to look for more opinions from more seasoned professionals in the field.

Now, on to the article...

The current scene of psychology careers in the Philippines

As I was graduating, it was important for me to look for information about careers in psychology in the country. After all, as you will see later, getting an idea of psychology's zeitgiest (a term used by historians to refer to the salient "mood" or "spirit" of ideas or beliefs of, say, an academic field) this country will inform you in your career goal setting and considering options that will lead you to where you want to be.

Psychology in the Philippines has a lot of stereotypes, myths, and misconceptions brought about by pop psychology spread across the masses. Here are some of the popular ones (and my personal favorites) which you may have already heard from people around you:

"Sa HR mapupunta ang isang Psych grad." ("Psych grads end up in HR [work].")

"Psych ka? Magme-med/Maglo-law ka ba?" ("You study Psych? Are you pursuing med/law?")

"Wala naman masyadong pera/future sa Psych." ("There's no money/future in Psych.")

"Psych? So yung mga baliw yung trabaho mo?" ("Psych? So you work on crazy people?")

And there's plenty more where that came from. Funnily enough, my college friends and I used to do a game where we take a shot of liquor for each myth said to us. (Drink responsibly, kids!) But, as psychology graduates, we know that these aren't completely true.

Now, let's take a look at how we can argue in psychology's defense and dignity and accept what the common person has gotten correctly.

Psychology practice in the Philippines

It's important to note that the term 'psychologist' or 'psychology practitioner' has different meanings in various contexts. Often, we think about psychologists as those who does therapy and plays around with psychological instruments. While this is somewhat true, a more academic language would refer to a 'psychologist' or 'practitioner' as someone who earned their degree in psychology - regardless of specialty - and has built their career in praxis of psychology. As I go along in this section, I'll refer to the 'psychologist' as the latter definition.

Clinical and counselling. In a 2004 article by Cristina Montiel and Lota Teh published in the International Handbook of Psychology, the authors enumerated on and expounded the most popular fields and specializations that psychology practitioners work in. Clinical or counselling practitioners lead in this list, often delving into psychotherapy, interventions, and assessment in various settings -- of which I have had experience on. I think this appears to be only partially true today, which I'll explain in a bit. You would find most practitioners doing their clinical practice in private clinics, hospitals, and schools. It's important to note, however, that most practitioners of this subfield have postgraduate degrees, and - since the year 2014, when Republic Act No. 10029 was enacted - a board license from Philippine Professional Regulation Commission (PRC). These licensed professionals have the names: 'RPsy' for psychologists.

However, bachelor's degree holders were also permitted to practice with their own little license: an 'RPm' or 'registered psychometrician' - which I have. These licensed professionals, get to practice assessment and several other supportive clinical functions - but not psychotherapy. The catch? You legally and ethically need to be supervised by a licensed psychologist. I'd like to get into the nitty-gritty differences and nuances of these two licenses, but I'll save that for another article. In the meantime, you must understand that these two have disparities in terms of their education attainment, clinical skills, and professional autonomy.

During my oath-taking ceremony as a psychometrician in 2018, Dr. Regina Hechanova-Alampay, a known Filipina in the fields of industrial-organizational and community psychology (and the mom of one of my dear friends), stated in her keynote address that the approximate ratio of each RPsy to each Filipino citizen is 1 to 100,000. A 2018 study has pointed this approximation to be accurate. Similarly, my former clinical supervisor approximated that the ratio of RPsy supervisors to RPm supervisees is 1 to 2,000. These numbers are quite a lot! Needless to say, there is a shortage of supply of clinical practitioners for the demand and a large influx of RPm's that have less clinical autonomy. And with an ever-growing relevance and awareness to the field of mental health in the country, these numbers are concerning. But -- hold on. If there are a lot of RPm's being produced yearly, where do they go?

Industrial-organizational and human resources. Montiel and Teh accounted that the second most abundant field in the country is in industrial-organizational (I/O) psychology or human resources (HR). This is where I think most psychology graduates usually end up in after college these days. Daresay, this is the fastest way to earn money as a fresh college graduate. But does that mean that the stereotype is necessarily true? It really depends on the way an employer values the employee and how much one is capable of doing a job. Sometimes, you get paid more, just right, or less.

I/O psychologists or HR practitioners often deal in corporate or organizational settings, often concerned with their person-related matters. They have skills like recruiting talent or labor, assessing worker needs, evaluating individual performances, or developing workers of a company - just to name a few. Do they need a license like an RPsy or RPm? Not necessarily.

You would often find job postings for HR positions that would often "prefer" a psychology graduate with a license, but sometimes "require" it. Therein lies some grey areas about how the professional licenses' stipulations are interpreted. But, let's not get into that just yet. But in my opinion, if people saw the utility of getting a license (which has its own financial costs of acquiring) as a way to improve compensation or marketability in the workforce, then they should get it.

Not all industrial-organizational psychologists, however, delve into the office hours and paper works. Some others go into research - particularly on topics like employee behaviors, group dynamics, and so on. It's important to think that these types of practitioners are just as versatile as other subfields in psychology.

Academia and other niches of psychology. As per Montiel and Teh, another large chunk of practitioners often end up in the academe. They become educators in various levels, researchers, or expert consultants depending on their interest, skill, and reputation. For example, developmental psychologists (or those who specialize in child psychology) get hired in preschools or alternative modes of learning. It was also mentioned briefly that social psychologists often find themselves in the social development sector, like the National Economic Development Agency (NEDA) or the Department for Social Welfare and Development (DSWD). Other common settings for psychology graduates to work in includes government facilities and the military, where their knowledge about human behavior are often found useful.

Research skills are also found useful in areas like market research and analytics. Because psychology graduates have knowledge about fundamentals of statistics and psychological measurement, a lot of these businesses employ their help in order to understand their target market's consumer behaviors and make informed decisions to increase profit. Other information about making a career in business can come be read in a lot of psychoeducational websites, like in Verywell Mind.

Overall, there is a plethora of careers a psychology graduate can delve into, especially for a fresh graduate like yourself. Over time, you would find that certain subfields would resonate more with you than others. You may often wonder which one - or a combination of more - would lead you to your career or personal ambitions. Now that you know how vast a career in psychology can be, it's a matter of choice and planning ahead, which leads me to the next section.

Goal-setting: Which road to take and what to expect

Eyeing the precious RPsy license won't be an easy task. Then again, would the hardships matter if it's worth it anyway? It's important for you, dear reader, to think about how you want to get to that goal.

Should one want to take a straightforward path, she or he would have taken their master's or doctorate studies in clinical or counselling psychology for the following three to five years (with coursework, practicum, and perhaps thesis or dissertation), then take the board exam from the PRC. I have a couple of friends who have done so, and it works for them.

However, for the likes of many of us - myself included - we may not have the same luxury of time or resources to afford us this direct route. Because of many personal needs (ahem-- financial), we may need to find a way to secure these as we go along our road to the RPsy. And how could I forget the costs of postgraduate studies alone? Which is why we'll need to earn or find income.

The best job or experience that can afford you a good head start in clinical psychology is the one closest to it. As my former supervisor, Paula, once said, "Clinical experience is key." For example, you can find psychometricians assisting with psychological assessments in various settings. Others delved into social or community work -- sometimes as a volunteer. The likelihood for one to get accepted in clinical or counselling training programs, like a postgraduate degree or certification training, is increased when one has had a hand on a similar line of work. But this is not to say that any other job is unimportant -- no. There's growing research on the various applications of mental health practice on non-clinical settings, like schools, offices, and even micro-communities. The possibilities are actually numerous. That said, I cannot guarantee how abundant these opportunities are.

There are a few things to consider when looking for a job or a source of income:

In terms of career, what are your yes's, maybe's, and no's? Make individual lists of the occupations you can say these three answers to.

How soon are you planning to achieve an RPsy license? As soon as the next four years? Or, maybe you want to take it slow and say ten?

What job and/or study opportunities are available to you at the moment? How comfortable will the setup be for you?

How much resources and time are available to you for work, study, and personal matters? Which of these do you prioritize more?

How much are you willing or do you need to be compensated to afford such a lifestyle?

As you formulate answers to these questions (especially, the last two), keep in mind that a more effective goal setting follows a 'SMART' process. That is: it is specific, measurable, achievable, realistic, and time-bound. (More info about this process right here.) Patterning our goals to these dimensions helps us look at ourselves objectively and find an integrated way to live our lives productively.

In my personal experience, after graduating college, I took a two month break to enjoy the fruits of my hard-earned college degree with a "vacation" (which mostly staying home, if I'm being honest). In my mind, I knew that getting a master's degree is a must for me; a ladderized doctorate program was also amenable but I wanted to get that training abroad. But, I wanted to make myself more immersed in the field before I can enter a graduate program. I applied to different jobs - a psychological services consultant (which I primarily wanted), a personal development teacher in senior high, and a research analyst. Luckily, I got the job that I wanted and reaped clinical experience. (I'll write more about my first experiences in the clinic in another post.) A year later, I applied and got into the clinical program of the University of the Philippines. And now, I've been taking coursework on clinical psychology while working as a research associate of a particular office in the same university.

I understand, however, that not everybody could find the "perfect" balance or ideal solution to all of these concerns. In fact, I don't think anyone can -- unless you were blessed with such a life. Why? This is where I reflectively talk about my privilege (as I did at the beginning). Awareness of your own opportunities makes us think fully or subconsciously about our own status in the social system. Whether we like it or not, it affects many of the career - and more broadly, life - decisions depending on where we stand in our lives. Which is why I advocate for practicality. We may not always select the ideal -- but the principle of survival is important, especially in an underdeveloped country like the Philippines. As Montiel and Teh pointed out, poverty and economics have affected psychology practice and it opportunities in the country.

Can goals or plans change? Short answer is 'yes'. There are many reasons why our plans change. It may be because we find ourselves being presented by new or better opportunities. Or perhaps, we discover more personal insights and realizations about the career we want and how to get it. Life can be complex to influence our decisions within or without our control. Whatever the reason is, it is important for one to be able to evaluate one's strengths and weaknesses, limits and boundaries, and our emotions and motivation to keep us going.

Choosing your school: Which one should I go to?

It's very common for a psychology graduate to ask: Where should I get my clinical training? Again, this is dependent on your resources, time, and preferences. Coupled with these is the opportunities (or as Bandura would put it - chance encounters and fortuitous events).

Locally, there are about 60% of schools that offer master's degrees in clinical or counselling psychology as per Commission of Higher Education (CHED). A fewer percentage offers Ph.D. or doctorate equivalent degrees in clinical or counselling psychology, the three most famous being (as per Montiel and Teh): the Ateneo de Manila University, the University of the Philippines, and University of Santo Tomas. However, there is a growing number of urban and rural schools that offer postgraduate studies and attract local aspirants to enroll in their programs. At the top of my mind, St. Louis' University in Baguio City has been regarded as one of the best in developmental psychology (currently considered as a viable alternative to clinical psychology). Likewise, the De La Salle University in Manila, a member of the colloquially regarded "Big Four Universities," is gaining traction for their clinical program very recently.

Focusing on a school's reputation is not enough, however. What, us, clinical psychology hopefuls often look over is the training itself. Circling back to my guide questions on goal setting, preferences often come into play when deciding your training. For most, who prefer a general track in clinical psychology, many schools offer a flexible education to ensure you get the wide knowledge of the field, without undermining the core or essentials. Others may teach clinical psychology in a more specific way, favoring practical experiences like internships over theorizing in the classroom. Factors like faculty composition and expertise, paradigm, and school culture often influence how these training programs are developed. What I find helpful to attain this information is to ask these departments and institutions directly. Another approach is asking a friend taking up a program in that school. No harm in inquiry! Ask away.

Of course, like what I have also emphasized in this article, is the sensitive yet important issue of money. To be specific, your tuition. Clinical training in the Philippines ranges from ₱10,000 to ₱50,000.00 a year. The trend (as I've observed from applying in different schools) is that the more privatized and more "complex" the education, the higher the cost. Public schools often come cheaper than private schools. Consider your capacities for funding your education (including where it comes from) and weigh it with your preferences to make an optimal choice of school or program.

A popular notion among graduate students, or those heading into graduate school, is that public schools, like where I study, often take longer to finish a master's degree than others. Well, there are many factors to this. One is faculty size, for example. How many qualified teachers does the school have that supplies a smooth progression for a graduate student to complete their degrees? Another factor - which many often forget to attribute as well - is the student's motivation. It is not uncommon for a graduate student to fluctuate in wanting to accomplish their degrees. It really depends on how determined one is to see things through (which takes a lot of doing, if I do say so myself).

Overall, choosing a school is much less of an issue when it comes to time, but more so when it comes to practicality. In my opinion, any school that gives you basic competencies, regardless of reputation, is enough. In fact, most of my supervisors did not even settle for their graduate training alone. The field of clinical psychology (much like the other fields) is ever changing and adapting to the times. You often find a lot of trainings, seminars, and specialization programs that practitioners study or enroll in order to keep their practice up to date and ethical. Learning and personal growth, especially as clinicians, should not stop after we receive our degrees and licenses. Again, this calls back to the point of keeping an open eye and open mind on the opportunities that come our way.

Now that we discussed the first three tips, I plan to take a break here and let you, dear reader, reflect on things that will help you make your headway to that RPsy license. Do more reading. Ask questions. Seek answers. And explore yourself and the world to get a better sense of the pathway ahead.

I do hope that this discussion helps! See you on the next one.

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