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#i thought the acting was a bit average to start with
sidetongue · 2 years
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MY LOVE!!
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sleeplessdreamer14 · 2 months
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𝓌𝒽𝑒𝓃 𝓎𝑜𝓊 𝓀𝓃𝑜𝓌 𝓎𝑜𝓊 𝓀𝓃𝑜𝓌 (𝓅𝒶𝓇𝓉 𝐼𝐼)
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fandom: gravity falls
relationship: stanford pines x reader
summary: the moment Ford realized he loved you.
contains: fluff, pining, a few little references, no dialogue
some folks who loved part I: @thistrashisreadytobash @allies-diary @gravity-falls-fanatic89 @nelson-and-murdock
It had been a few months since Ford realized he liked you, and he was handling it… relatively well.
Upon fully registering the fact that he had a thing for you, Stanford decided to give it some time just to see if the crush would fade and things would go back to normal. But as weeks passed, it gradually became clear that these feelings weren’t going anywhere. Especially since a lot of cheesy love songs were starting to make a lot of sense to him all of a sudden.
That being said, he had found a way to make the best of the situation. Ford still spent time with you, fortunately still feeling comfortable in your company. 
Though he had to admit, even the littlest things you did, like looking in his direction with those soulful eyes and saying his name, had a habit of getting his train of thought lost for a good second, resulting in him having to catch himself before he could say something stupid. 
Now, strolling along the boardwalk, he found himself lost in thought. Whenever the two of you would part ways at the end of the day, even if you had just spent hours together, it always felt like he was leaving your side too soon. Like he always wanted just a few more minutes with you. 
If Ford were to be completely honest, it was a bit frustrating, liking you. He had only had a select few crushes in the past- all of which seemed to go awry in some way or another- and none of them measured up to what he felt for you. Whereas he would feel little bouts of giddy excitement at the thought of his previous objects of infatuation, his crush on you was a whole other ball park. The joy was still there, of course, but it was evenly accompanied by a tightness in his chest that would have him distracted during the day and restless at night.
And as if on cue, the sound of your voice pulled Ford out of his thoughts, prompting him to lift his gaze from the old wooden planks of the boardwalk so he could see you walking in his direction and the distant clouds suddenly make way for the afternoon sun. He walked with you across the dock, sharing how your days have been and other such whatever.
Despite its difficulties, Ford liked this part of spending time with you. Ultimately, conversation with you has always been as easy as breathing. You understood each other's idiosyncrasies, and even liked each other all the more for them, and you just passed the time together so well.
For most of his life, Stanford had been brought up to meet certain expectations set up by those around him, thanks to his higher-than-average academic smarts.
But standing at the edge of the pier, leaning against the railing, staring out at the plum tinted sea with you, all of those things were put on the back-burner, and he wasn’t the six-fingered freak or the de facto smartest kid in the room. He could just indulge in simple whimsy, like when you two would watch scary movies and judge the quality of the acting and the special effects, or get drinks together after school and hang out until it got dark.
It was rare for him to meet anyone who made him feel so comfortably… human. 
As the sun got lower, the skies grew darker, and the carnival lights came on, the full weight of the situation gradually dawned on Ford as he took a couple of small side steps to be closer to you, fumbling curtly with his hands. He loved to see you, to talk to you, hear you laugh, to be next to you. He just… loved you.
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bokettochild · 3 months
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Just saw the update!
So, first thoughts!
Gremlin Legend and Sky is something I am LIVING for. Sky's little look of approval as he stands between Wars and Legend after that little move is sending me!
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(Wild is not impressed)
I also really love that JoJo played with Warriors' cape/scarf being capable of doing that, which is a major risk btw, but I love that we see it's potential now!
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Like, Legend's timing is perfect (and I love that this confirms the Legend v. Wars dynamic we all love) especially considering Hyrule was literally talking about the same thing and you'd THINK Captain-War-Hero over here would be more cautious because of it (although the fact this implies Legend doesn't trigger Warriors danger sense is GREAT for the fluff fic writers like me!)
Time and Wars looking like disappointed parents though is brilliant
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(Warriors with messy hair is so funny to me, help)
The continued portrayal of Time being too harsh with the boys, all tense after what happened to Twilight, that's great. i'm glad the consequences of past events are following them, it really makes this all feel linear!
I also am ALL HERE for the boys finding their differences! Warriors and Wild both admitting to being new to dungeon crawling and the monsters involved is a great thing we've all been playing with in fics, but making it cannon feels like validation :)
Also, Warriors being defensive of that, and maybe a bit prickly about their judgement, I think it shows a lot of him. he's got his pride,a although he's learned to tame it. He's feeling a bit miffed to realize how different he is, but doesn't want them seeing him as lesser as well (although they never would). I can also hear him using a clipped military sort of tone when speaking here. It's just the way his words are selected and strung together that makes it seem he's being very to the point, direct, and cold in his tone, which really sells the whole difference between a soldier and the "average nobody" that the rest of them were (ironic, since he's trying to act like the difference isn't a big deal but only further accentuates it this way).
Twilight being pleased that Epona is fine and just enjoying a meal made me grin so big though. He's all worried for his girl but she is, quite literally, happy as a horse over there LOL
Also, this bit:
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recognition for Sky's right-handedness, my beloved! (JoJo is giving us all the easter eggs!)
The fact that the passage is too small to let them all fight though is a brilliant way of preventing some of our heavy hitters and more skilled heroes from being able to do anything though!
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I like how that gives us the chance to see Time one-shot the foe and also gives him the impression that the rest are maybe not skilled enough to do this alone. WE all know they are, but they're a handicap to each other right now, and it's only further cementing in his mind that they're not ready for all this, which will make his overbearing speech and the judgement he casts on them in combat all the more an issue.
I mean, we all know the hero's shade was like that, but JoJo has shown Time acting this way from the start
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(Deep Shadows P.2)
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(Likelike)
So I guess we're in for more of that now, and most likely someone (probably Legend, as it's usually him, or Wind, who is very aware of judgement from teh rest) is definitely going to have to call him on it soon, maybe in the dungeon. Will that lead to some bonding with Time where he has to admit he cares and worries about them as though they're his own? I hope so!
Anyways, all this to say, we really are seeing how much they struggle to work together, so hopefully this dungoen will teach them all how to do that better, as Time mentioned earlier
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(Dawn p.8)
Now, to finish it off!I would like to thank JoJo for giving us so many beautiful shots of Twi this time around. I'll admit it now, he's pretty darn fine <3
That said, I'm loving the Legend content too! i hope we get to see some more starring moments from him going forwards, what with him being the dungeon veteran and all! It's great seeing his childish/playful side these last few updates, but I'm really craving some veteran Legend right now >:)
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bethanydelleman · 3 months
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Edit: Turning off reblogs on this post since I've been told it contains misinformation. Also, someone reblogged it with a huge rant and blocked me (as far as I can tell), leaving me unable to reply and with only partial notes and that freaks me out.
So I was telling someone about my boy, Sejong the Great of Joeson, who deserves that title "great" since he was so concerned about illiteracy that he created the easy-to-learn Korean alphabet (Hangul) by himself, but then the nobility got mad about all these reading peasants and tried to ban it. And my friend says, "Oh, I thought illiterate poor people in the past were just lazy."
And I was like, "No, no, you don't want your indentured servants and peasants reading and figuring out how much you are screwing them over. The adapted Chinese characters that Korea had been using took years to learn so it was a natural gatekeeper of knowledge."
And then, because one must be fair, I went on to explain how Europeans locked up their knowledge behind Latin, especially the Bible, and how it was so important that Martin Luther translated it into everyday German, because once you can read the Bible yourself, you can challenge the almost absolute power of the church. Only the rich could afford to learn Latin, so only the rich could read the book that their entire society was allegedly based around.
I do think things are much better today, but why are most scientific papers paywalled and scientists sometimes act as if they should be treated like infallible priests...
Edit: I wanted to end this post on a happy note, but then I started thinking about paywalls and it made me a bit depressed. We still do make our best knowledge less accessible to the average person and I hope we can do more to change that.
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etherealily · 5 months
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𝙒𝙃𝙄𝙋𝙇𝘼𝙎𝙃 // Nate Jacobs.
Nate Jacobs + Fem!reader. Dark. SFW, but discretion advised.
Part 2 : 9 Lives
Part 3 : Blessed
Part 4 : Shards
Part 5 : Eighteen
Part 6 : Sin
You do NOT have permission to repost and/or translate any of my fics.
Desc.: You're needed. Now.
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It's not like you even knew Nate.
You knew of him, sure, quarterback and shit, but still, it was unlikely your paths would ever cross.
Until they did.
Until he started following you on Instagram.
That shit... was so unbelievably odd that you almost blocked him because you thought it was a fake account. But then you saw the mutuals. Holy shit. This was legit.
The fact that his account was private didn't surprise you. Yours was public because you had nothing to post and his was private because he had everything to hide.
You sent him a request. No biggie. I mean, he had to accept, right? He was the one who followed you first - it was only fair. And if it took too long, then you could always unsend it, yeah? Yeah.
It didn't take too long. It barely took three minutes.
Okay. Cool. Weird but cool.
The next day at school, it was normal. You didn't acknowledge him, and he didn't acknowledge you. An average social media interaction. Good.
--------
Come Friday evening, you decided that watching Maddy cheer was a little less important than your deadline and building your portfolio.
She absolutely supported you (rolled her eyes and said 'whatever, nerd. You still love me, right?') but was a little upset about it (pouted and called you a cunt).
Three hours went by, and you surprised yourself with the amount of work you were getting done. This is great. Friday evening well spent. Work a bit more, and then-
Nate Jacobs tagged you in a Close Friends story.
Close Friends? Tagged? NATE JACOBS?
Okay, one : no fucking way were you on his Close Friends.
Two : there were virtually zero pictures of the two of you, so tagging you was moot.
Three : there was supposed to be a game starting about fifteen minutes from now, Blackhawks versus whatever pretentious team they were going to beat, so why the fuck was he even online?
(Oh, yeah, the Blackhawks were absolutely fucking awesome.)
The story was only text. Text and nothing more.
Y/N, accept my message request. Now. I am not fucking around.
What message request? WHAT the fuck was going on?
You frowned, immediately scrolling over to messages. Shit. There was a request.
A picture, along with six other messages.
This was so strange. It was especially strange that he found the time to text you, when he was supposed to be practicing throwing the old pigskin around for the victory of his school. But text you he did. As if him following you wasn't enough to give you whiplash. "Yo."
"You're not here." No shit, Sherlock.
"You should be."
What the hell was that supposed to mean? This was the most excruciatingly awkward interaction you'd ever had.
"You should be here. Come."
Did he think he was super macho with all this mysterious, vague, one-word bullshit he was spewing? You know what, you'd actually bet your entire school tuition he did. But you wouldn't give him the satisfaction of asking why.
"U don't just send requests to random people. Don't act like you don't know me. Don't ignore my texts."
"I'm fucking losing it. Come now or else."
WHAT. THE. FUCK.
This was the most random thing to ever happen to you. Nate Jacobs, some random jock you never even said one word to, was texting you as if you had been best friends since two years old and you had always been all rah-rah-go-team for him.
You were almost scared to open the picture. Instagram asked you if you were sure. Once, twice. You should have listened. But you didn't, and you were about to face the consequences.
Red. That was the first thing you saw, and the first thing that had ever grossed you out enough to physically throw your phone away.
So much red.
Above the red, concealed almost cruelly, was a black box with white text in it. For a moment, your eyes were overwhelmed, so overwhelmed with the monstrosity in front of you that you couldn't even begin to comprehend what the words meant. You picked your phone back up, squinting your eyes and blocking out the rest.
He must have noticed you accepted his request, because you saw 'Typing...' pop up way too fast for him not to have been waiting.
"I'll cut deeper if you don't show up."
Nate Jacobs was a cruel and manipulative bastard of a man who you would happily let die.
But not like this.
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You glanced at the screen and then back at the road, from time to time. There was no indication that he was typing. The 'online' sign still stayed. Okay. So he either just threw his phone away while still on your chat or he was about to-
Nate Jacobs started an audio call.
Clearly tonight wasn't going to be the night you stayed in and finished all your assignments, like you'd decided.
"Pick up or I'll fucking kill you."
Yup, that sounded about right.
You laughed, incredulously. The genuine threat wasn't lost on you, but what else does one do in this situation besides laugh at the absurdity of it all?
Better safe than sorry. You swiped up.
"Y/N, please just come."
It felt so weird to hear him say your name. It felt even weirder to hear him say 'please'.
"Why?"
"You need to be here." His voice was unwavering.
"Look, Jacobs, I'm sorry, but I have projects and assignments to work on. Not to mention, my portfolio-"
You wanted to see how far you could take it. He couldn't hear your car's sounds, and he couldn't possibly track your location, so according to him, you were still sitting at home, petulantly.
If he was joking, he'd just cuss you out drunkenly. If he wasn't, he'd... keep begging.
"Jesus fuck, Y/N, just come!"
"I can't. I'm sorry."
Keeping your calm was the best thing you'd ever done for yourself, the greatest form of self-care you could give yourself, because Nate Jacobs sensing nervousness was like sharks smelling blood in the water. Quick and bad.
"I have important shit, too, you know? Scouts are here, Y/N, please!"
"Look-"
"Coach, I know, just five more minutes - FUCK, Y/N, you gotta come.", he pleaded, his tone becoming far too pathetic to brush off.
"Why?"
"Why? Whaddayamean why?", he huffed out, frustrated, as if you were supposed to know this already.
2 + 2. What galaxy we live in. The colour of the sky. Why you were needed at the game. According to this asshole, all these things were common knowledge.
"I will cut deeper."
"Stop bullshitting, Jacobs."
You hoped to god that your voice didn't betray your bewilderment. This better be a sick fucking joke.
"I'm cutting."
"Stop."
"Coach says the five minutes are up, but I won't play without you here."
A video. SHIT. FUCK.
"What the fuck is your problem?!"
Actually, no. This better not just be a joke, because if the entire school was in on this shit, you would end up cutting him.
The grunts of pain and sharp inhales from his side of the call got more and more grotesque as you pulled into the school parking lot.
The school had an unsettling vibrancy to it after hours, and this was only exacerbated by the fact that you were supposedly the cause for a boy to slice through his own skin. It shouldn't have seemed this vibrant, this overwhelming, this vivid, this.... bright, but it did. The world moved at an eerily quick pace, like a carnival ride on LSD.
As you ran across the parking lot and gripped the gate to the stadium and basically swung right past it, you finally realized how fucking loud a crowd could be.
It was like they knew that their QB might be bleeding out because of you, because they seemed to scream loud enough to torture you for eternity.
Immediately manhandled by Chris McKay -another jock you had absolutely no connection to, but who seemed to have a very personal grudge against you-, you were pushed out of the locker rooms as quickly as you came in. Fuck's sake.
"Let me go , McKay!"
"Coach is trying to calm him down, and if he sees you, we got no idea what he might do, okay? OKAY?", he ordered, sternly, through clenched teeth as he shook your shoulders.
He was earnestly trying to be calm and gentle, but his fingers gripping harder and harder into your arms did jackshit to help his case.
"Okay."
He nodded, sighing in some emotion that seemed oddly like relief.
What, did he expect more of a fight? Did he expect you to be all 'no, I gotta see him now?'
You had no clue who the hell this bastard was, let alone what he wanted. No way were you going to kick and shout for him.
"What the fuck is his problem?", you asked, sighing against McKay's chest, exhausted.
He shrugged, rubbing his forehead in exasperation. "He's stressed about the game."
"So he cuts himself in my name? We don't even know each other, dude!"
"Okay, he isn't exactly the one you go to for rationality, alright?"
"Yo, the fuck's going on, man? The game was supposed to start-"
The other team's captain.
"Yeah, we're just, uh, dealing with a situation over here.", assured McKay, biting the inside of his cheek to keep from going ballistic at Nate. Or you. Most likely Nate. But even more likely you. "Tell your coach we're so sorry, and we'll be out in a minute, tops."
The other guy scoffed, grumbling as he stomped away, glaring more at you than McKay. What, did everyone know now?
"He thinks we're trying to hook up before the game.", explained McKay, patiently, almost embarrassed. "It's a thing some athletes do, 'for luck'."
Jocks were the weirdest fucking aliens to ever exist.
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Crimson traced paths through the blinding white of the bandages wrapped tightly like dependent vines around his palm. Noticing the lack of uniformity of white, Coach tsked. "We need more. McKay!"
"Yes, Coach?"
"One more, then you can send her in."
"She came?" Nate's voice, though feeble and exhausted - and now, hopeful - was heard through the tiny gap in the door that McKay made sure would remain tiny as he passed the last bandage to him, and you didn't want to admit it, but it broke your heart.
Ew. Nate Jacobs was breaking your heart?
Coach finished wrapping Nate up, and McKay guided you in, with both measured aggression and protectiveness.
Nate's eyes lifted and brightened up immensely, a feat you'd only thought possible by a lone spark igniting and breaching every inch of a dry leaf.
"You came."
"Son, I don't know what the hell you were thinking-"
"No, no, Coach, she's here, we can play."
Everyone stopped breathing at that moment. What the hell did the self-wounding quarterback asshole just say?
"What'd you just say, Jacobs?"
"We can play. Y/N's here. This isn't my good palm, anyway, so it's fine. Let's go."
And just like that, Nate was back. The amount of theses that could be written on this sheer anomaly of a man, the amount of studies that could be conducted, the amount of shock anyone else in this situation would go through- all unheard of.
No one else could handle it, though, besides all the people right there in the room. The best friend : self-taught and well-versed in handling him, the Coach : the authority figure that could calm him down with a bunch of fatherly words and....
And you : no one knew what the fuck you brought to the table. But something told you no one else would have survived in your shoes.
"Alright... then...?" Even Coach was absolutely speechless.
Nate nodded briskly, shooting up with a sudden burst of energy as he smiled at you.
Smiled.
Ladies and gentlemen : Nate Jacobs was on crack, confirmed.
He drew you in against his chest with an extremely unprecedented jerk, and you locked eyes with McKay behind him as he did so.
Not crack. Probably fent.
Your questioning gaze- which obviously said 'what in the everloving fuck is he doing?' - was met with a shrug and a look which suggested he barely even recognized his best friend right now.
"Okay, let's go WIN this motherfucker!", shouted Nate, patting your shoulder and loudly clapping his hands together before sprinting out of the locker rooms into the cheering football field.
It was dressed entirely in Blackhawk colours and bathed in a fluorescent, sickeningly pale light that you had to now spend an hour and a half in. Ugh.
Whiplash or not, you were about to throw up.
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You know those moments after a surreal event? When you just... sit. Stare into space and... ruminate.
You were having one of those in your car. The game had ended, really well, too, with the Blackhawks winning by a landslide. Your windshield had never held such secrets before. You stared through it.
Knock. Knock. Knock. Bang.
You turned. Nate Jacobs' fist fell on your window more times than you thought was necessary. 'Unlock the door, Y/N.'
You shook your head. Not a fucking chance in hell.
"'Y/N, don't be difficult, unlock the fucking door."
Something in you told you that that would be the worst mistake of your entire life.
"I'm sorry, I just want to talk, yeah?"
You had no idea if he deliberately made it a point to rest his bandaged palm on the window in full display to manipulate you, or if it was just a coincidence.
Just a coincidence, right?
You sighed, nodding your head in the direction of the passenger's seat as you unlocked it. Stupid, stupid, stupid.
He slid in, grinning as he shut the door.
"You catch the touchdown?"
"Yeah. I did."
"What'd you think? Smoothest match yet?"
"Sure."
His grin gave way to a lour as he scoffed. "Why are you so cold? Our school won."
"Why am I so cold? Why am I so cold? You asshole, you just cut yourself to make me show up!"
"Because you didn't show up when I asked nicely!"
"You're a psychopath." The effect of this word on him was oddly intriguing. He seemed to both be offended by it and seemed to get off on it.
"Can I just explain?", he sighed, sucking on his teeth for a moment as he watched other students, cheering, whistling, hooting and drinking, through your windshield.
You gestured at him to continue. He wasn't worthy enough of your words.
"You know athletes have...", he trailed off, searching desperately for the right word of vindication.
"Small dicks?"
"Okay, deserved.", he muttered, rolling his eyes. "Look, we have, like... superstitions, sometimes. For luck."
"Like the hooking up thing."
"How do you know about that?"
"McKay told me."
He scoffed, shaking his head as if his friend had divulged the biggest secret, as if he had broken some moral code.
"Alright, fine, whatever. But, uh, I pretend like it's not something I do, but I kinda have them too."
If he was about to say what you thought he was going to, you were about to press into the wound just to watch him bleed again. How dare he.
"My, um, my first game, I bumped into you on my way to the locker rooms.", he admitted, clearing his throat as if to clear space for whatever he was going to say - because it was so obviously the solution to String Theory, like he was making it out to be.
But oh, shit. He actually was going to say it.
"And we won. The next game, I did the same again, by accident. Y'know, just, this time, I fist-bumped you."
"When the fuck did you-"
"You were drunk, and you were cheering all of us on with your friends. You went for McKay's fist, but I did it instead. Uh, yeah, anyway. So, from the... maybe fourth? Yeah, the fourth game, I made it a point to at least brush my arm past you. Haven't lost a game since."
Your touch was his good luck charm? Was he clinically insane? Or was he just a massive loser?
"What's next? Our rising signs are aligned?"
"It's not a fucking joke, Y/N!", he snapped, his fist clenching.
"Really? Because it's pretty fucking hilarious."
"You know how hard it was for me to even admit I had superstitions, let alone about some random nobody girl I've never even talked to?"
No, no, he was not trying to make you feel bad, no goddamn way.
"You know how hard it was for me to see some random nobody guy bleeding out because of me?"
"It wasn't that deep." The pun was intended. It was so evidently intended that you wanted to slap the smirk off his lips.
"Yeah, okay, get out."
"Okay. You better show up to the next one, babygirl, or I'll have to take more drastic measures."
The audacious son of a bitch ruffled your hair and winked before he left.
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"C'mon, Y/N, don't be a cunt. Just do it. High five me. Fist bump me. Hug me. Whatever. Just do it, I've got a game to get to. And... everyone's watching."
The very next weekend, there was another game. Last game of the season. And you were supposed to be there, of course, because Nate's 'entire life depended on it.' And what's worse? He'd dragged you there, from your internship.
That's right. He'd basically come to your place of work, interrupted a conversation with your boss, and tugged you along with him because of his borderline insane obsession with having to touch you for luck.
He could have gotten away with it, too, if his 'good luck charm' theory hadn't involved you having to make contact with him right before the game.
And now you were out there on the field. Backing away from him. Refusing.
"Y/N, please."
"Fine."
You slapped him across the face, as hard as you possibly could.
The entire football field gasped.
He'd fucked up your week with the picture of the blade carving into his skin, and now, he was fucking up your career by costing you your internship. And what's worse, he didn't even care.
"Go. Play now."
He clenched his jaw, closing his eyes to suppress his rage before he opened them again. "That's not how it works. It has to be mutual. Like a fist bump. Or bumping into each other."
"Oh, okay.", you shrugged, grabbing his wrist before using it to uppercut him. "NOW go. PLAY."
You didn't know if you were being 'whoo'd or 'boo'd by the crowd, but at this point, the only thing you could hear was the red hot fury in your boiling blood.
He bit his lip as you let go of his hand, and before he jogged out onto the field, you could have sworn he said something that, if you'd heard it right, could cut through your entire soul and ruin your self-perception for years - something absolutely, shatteringly degrading.
You hoped you'd heard wrong.
Taking your seat in the stands, you scrolled on your phone, ignoring the entire fucking game. As expected, text from your team leader.
Gone. Internship gone. LoR gone. Nate Jacobs? About to be gone.
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He won.
He. Fucking. Won.
And that smirk that he gave you before blowing you a kiss that immediately morphed into flipping you the bird made you want to genuinely ask him to recreate that video once again.
You hated yourself for it, but yes.
You wanted him dead.
All the trauma he'd given you the past week couldn't be left unpunished.
Oh, to knock him off his pedestal. OH, to be the one to make him scream in pain instead of arrogant mirth.
"Whoo! Nate FUCKING Jacobs, baby!", he cheered in your ear as you gritted your teeth, walking back to your car. "And, of course, you."
You threw your bags into your car, ignoring him as you get in, starting the engine. He thumped on the hood of the car. "Come on, you can't still be mad! Your boss was looking down your shirt, anyway!"
"Oh, and I'm supposed to believe you did this out of the goodness of your heart?", you scoffed.
"That's right, baby, chivalry ain't dead."
"No, but you're about to be. Get the fuck out of my way."
"Hey, I need a ride. Gimme a lift."
"No chance in hell, Jacobs."
"Stop wounding me. Let me in."
"Or what?"
"I'll break your window.", he shrugged, casually. Normal things. The sun will rise tomorrow. Seasons will change. He'll break your window.
"I wouldn't be letting you in if I didn't think you were psychotic enough to actually do that."
He chuckled, sitting as he rested his duffle bag on his lap. A couple moments later, he looked up at you. "What? What are you waiting for?"
"Tell me where to go."
"You don't know where I live?"
"Okay, let me explain this to you, slowly. I didn't know jackshit about you till, like, a week ago. I didn't know your age or what kind of car you drove, or even what classes we shared, much less where the hell you live!"
"All this shit just proves that you don't observe people around you. You only care about yourself."
"If I only cared about myself, you'd have bled out last week."
He sighed playfully, resting his feet on your dashboard because he very evidently knew you would have a neurotic breakdown. "I, for one, know your age, the kind of car you drive, all the classes you have, plus your favourite colour and food."
"The first two are moot.", you replied, ignoring his silent mockery of the word 'moot'. "Next, you know I'm in all of Maddy's classes. And the rest you can find on my account. Account stalker."
"Account stalker. God, sweetheart, you're such a child. You don't want your account stalked, don't have a public one."
"I barely even post anything!"
"Oh, yeah, what about last month?"
He was looking at your profile last month? "I'd gone to France. It was a photo dump."
"It was unnecessary."
"Okay, you know what this is?"
He raised a brow.
"This is post-game audacity, is what I call it. You won. You're Mr. Big Shot, so you think you can just-"
And that's when Nate Jacobs kissed you.
To call it the worst fucking moment of your life would be a massive understatement. "Drive."
"You did not just fucking kiss me."
"You want me to do it again?"
"NO."
"Then drive."
This motherfucking bastard of a man!
════════════════════ ⋆⋅🏈⋅⋆ ═══════════════════
"You wanna come in?"
No way in hell were you going into Nate Jacobs' house. Especially when there was a party going strong.
"I'm good."
He rolled his eyes, his arm leaning on the top of the window as he leaned in. "I don't bite. Initially."
"Ooh, you don't bite initially, oh, please let me come in right now! Shut up and get in, Jacobs."
"You've earned the right to call me Nate. Congrats. Begin using it."
"Why? We're never talking after this."
He scoff-snickered. "Oh. OH, so that's how it is.", he nodded, amused.
"Yeah, yeah, that's how it is."
He guffawed, banging on the hood of your car. "This ain't funny anymore. Come in."
"What? No."
"Is there really only one way to ask you to do something?"
"No, Jacobs, don't you dar-"
But he didn't listen. When did he ever? His fingers emerged from his pocket with his knife in tow. NOT AGAIN. This was the most cunning, calculating, manipulative, Machiavellian-
"I'm cutting. This time, my wrist."
"You're so fucking dumb, y'know that? You're psychopathic."
The grin on his face showed that you were wrong. He wasn't offended. He was 100% getting off on it.
Drops of blood reached the floor, and you realized you couldn't just drive off and leave this guy here - he'd probably still be cutting just to prove a point.
"I hope you die.", you mumbled, getting out of your car and slamming the door.
"I'm trying, dude!", he laughed, pointing at his wrist. Oh, this sick bastard.
"Not dressing that wound?"
"C'mon, blood is sexy. Badass."
Nate Jacobs was about to see how 'badass' blood could really get.
And when you were done beating the everloving shit out of him, you kissed him. Because he deserved to know how infuriating that shit was, too.
The next day at school, it was normal. You didn't acknowledge him, and he didn't acknowledge you.He didn't seem to care about the fact that you hit him so hard he almost had a concussion. An average social media interaction. Good.
How it should be.
But then he texted you.
Fuck.
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zep-zep-blog · 8 months
Text
If I had a nickel for each time I made a oneshot based off a prompt from @timeslugarts I would have two nickels, which isn't a lot, but it's weird it happened twice.🧍🏼‍♂️
Vox x gn!reader
Genre: Fluff, hurt/comfort
Cw: Talk of sex, mentions of feeling not good enough
The last red rose🌹
Reader feels like Vox is ashamed or embarrassed by their relationship and a drunk Valentino only solidifies those thoughts.
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You were Vox's prized diamond, a rose surrounded by thorns, the last unicorn in his eyes. You were kind, thoughtful, funny, tons of stuff the average sinner wasn't. He went to several lengths to make sure your beauty was safe and protected from the several news channels and overlords that were looking in. Unfortunately, his actions came off as him being ashamed of your relationship with you. It made you feel like you would never be enough to be seen with him in public.
Valentino had made another borderline porn film and Vox chose to go to the red carpet premiere with Velvette to support his friend and fellow overlord. You sat in your shared bed, wanting to stay in and not watch the smutty movie Val produced. The silk sheets rubbed comfortably against your skin as you settled into a more comfy position. Watching as the camera panned over other famous demons, hellborn, and overlords. The camera then focuses on Vox, bringing a subconscious smile to your face as you see him answer questions and look into the camera.
"Are you seeing anyone?" The journalist asks, shoving the mic into his face. Before he could answer a drunk Valentino takes it and giggles, "We are like rabbits." This made you sit up, shocked as he went on and on about different bedroom acts. This felt like a red, hot iron strike your heart. How dare he just let him speak like that when he knows you're watching. All for an image to sinners that he said were less important, less worthy of his time, less worthy of him.
His laugh was what broke you, that nonchalant chuckle he made when he tried to escape awkward situations. Warm tears started to roll, muffled sobs escaping your mouth as you covered it with your hand. You were angry. The man you loved, cherished, and planned on marrying one day just betrayed you after his actions made you think you were nothing more than some toy he could play house with.
When he comes home he's shit-faced drunk, removing his jacket and throwing it to the floor, expecting to cuddle with you. Unfortunately, he was only met with a cold bed and messy sheets, a clear sign you were here, but you were nowhere to be seen. This sobered him up a bit, he did everything to protect you, but he failed. That is until he found the note, at first he thought it was a ransom note or something, but it was your handwriting. He read the scribbled ink;
'I went somewhere else. As I know you're probably embarrassed by me, so I hope you're happy with Valentino'
This shook him to his core, he tried everything to keep you out of the public eye for your safety only to be the reason you left. He crumpled the note, cursing under his breath. He did this and now he has to fix it. He collected all the photos he had and wrote a script up for his nightly talk show.
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He addressed the journalist's question and Valentino's response. Stating that his relationship with Val was only friendly and platonic and that he was very much in love with someone else. Pictures of your first date, birthdays, holidays, even one of Vox sleeping faded in and out slowly on the screen as he talked about his genuine feelings and how he felt about your relationship, and his reasons to keep you hidden.
He talked about how your nose scrunched when you giggled and how you held his hand when you felt nervous.
"I fucked up. I tried so hard to keep you out of the camera that I pushed you away. I know words can't fix actions, but please come back to me so I can make things up to you. Please." He said while looking directly into the camera.
This was broadcasted all over hell, even on the radio in hopes you would hear it and hear it you did. You had went to Charlie for advice and help, sobbing on her couch when the broadcast came on. You were touched, hell genuinely thinking about fully forgiving him, but a small part of you was still angry. It took you to leave for him to wake up to address the rumors of his and Val's relationship that spread months ago and finally speak the truth about your role in his life. You ultimately decided to go back, apologizing for leaving. "Darling, don't apologize. If anyone should apologize, it should be me. I made you feel like nothing, but you're everything to me." He stated, hugging you tightly when you walked into his office.
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Cameras clicked as the limo rolled up, shouts of questions and excitement started up as the door opened and Vox got out, giving the cameras his signature smile before turning back and holding out his hand towards you. You grab his hand nervously, stepping out and giving a shy smile to the crowd. Finally, you both felt like you were his only thought.
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Carpal tunnel core <3 /j Hope yall enjoy (^^)
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chipedusk · 2 years
Text
Hey Deltarune Fandom
I know its 3am as I wright this but I think I found something online that might be important- or at least, be something to consider- food for thought and all that jazz-
you see, I was scrolling thought reddit when I came upon a particular post...
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it starts of seeming very normal, right? I mean, it's just your average detarune fan asking about equipment advice, right?
but.. somethings... off, to say the least......
Not only is the wording weird when talking about Spamton, (with the phrasing of "Spamton dude" being particularly odd, as to get to Spamton's shop, you need to get fairly familiar with him and his character, but this user seems to be acting like this is their first time meeting him.) But Spamton HIMSELF seems to look... Different than usual. Or, at lease, different than his usual shop sprite that is...
and I was not alone on this sentiment, as the comments noticed too!
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which leads to wonder....
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... yeah, that...
To which OP provided an... Interesting answer....
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D-.... Didn't have the money? But, deltarune is free game? Or, at least, Chapter's 1 and 2 are...
you see, a while back, Toby mention online that Chapters 3, 4, and 5 would all be released together, and, unlike the first two, cost money. (or as a certain salesman would phrase it, cost some [[Sweet, Sweet KROMER]]!!!)
Not only that, but its kinda ironic that this user pirated a copy of a free game, and have the one character who has a history with shady links (or in other words, [[Hyperlink Blocked]]) be the one who's changed... Almost as if this bootleg game has its own bootleg of Spamton... The one character who literally tries to be a bootleg of ANOTHER character in-universe. *Cough cough* Swatch- *Cough cough*
But this also leads to question... are there any other differences in the game? I mean, it is a pirated game, surely there has to be some other differences from the original game other than some seemingly random shop sprite of spamton, right?
luckily, I was not the only one who was curious about this and a user by the name of kuro50 ask OP to quote:
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To which OP responded:
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how... convenient.....
I mean- don't get me wrong- I get that feeling not having any program to record with (though than again OBS Studio exist)- but even still, all of this seems a little bit too, odd to just let off as something "normal"...
but, than again, its not like there's anything necessary wrong about it either, right? I mean, sure, it weird that someone pirated a free game, but, maybe they're just some gullible kid online?
...Except, a user by the name of ThePotatoPerson510 pointed out a few striking things...
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And then... it all stared to click...
I went to check the profile and, just as ThePotatoPerson510 had said,
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"u/ThatDudeTobias, Cake day December 27, 2022, made 12 hours ago..." the same hour as the spamton post was made... almost as if the account was made just so they could post this.... (Note: the previous image in this post of the spamton post says it was made 10 hours ago. This time gap is because I have been writing this post for 2 hours straight now- coming onto 3 hours- as such, I give you this screenshot showing both the post and the profile, and thus, showing they were in fact made in the same hour-)
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MID WRIGHTING UPDATE: It seems as if there WAS a time gap between the two post, as its 5:24am and I just took THIS screenshot showing the time gap. Take this how you will I suppose ¯\_(ツ)_/¯
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Now, about the name... It seem kinda... on the nose, to say the least. I mean, Toby, Tobias, seems a little to similar, right? But, at the same time, knowing Toby, he would be the type to use a seemingly obvious while still not TOO obvious name to fuck with us (he DOSE have a history with being a troll when it comes to his games ¬_¬||)
Also, looking back at the spamton image and comparing it to the name "Tobias", they both share one thing in common... They're both SIMILAR to their originals, to the point where you can tell what they're based off of, but, somewhat off...
As for the one other post on the account, well...
its..
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... A comment on MeIRL?
Well, what's the original post?
A..... Video of some guy walking up the stairs, only to keep looping up the same steps, unable to get to the end?
Well, that's... anticlimactic..... Sooo.... Is this just some random account then? Was all of this just for nothing? Was it all red hearings in the end? Well, that's what I thought..
For you see, I realized something....
Toby Fox is a well-known fan of anime, but, not just any anime.... specifically, JOJO'S BIZARRE ADVENTURE. How do we know this? Well, in undertale, there is an item in the game called a Punch Card
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When this card is used in battle, it says, "OOOORAAAAA!!! You rip up the punch card! Your hands are burning!" This increases your attack. "ORA" Is a common phrase screamed in JOJO' when one of the Jostar's are attacking.
Not only that, but in deltarune, main antagonist of chapter 2 is Queen.
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her battle theme? Attack of the Killer Queen
Killer Queen is the stand of Yoshikage Kira. The main antagonist of JOJO'S BIZARRE ADVENTURE: Diamond is Unbreakable. Which is the 4th Chapter of the series.
So, what dose ALL of this have to do with the video "Tobias" commented on? Well, you see, in JOJO'S BIZARRE ADVENTURE: Stardust Crusaders, when Polnareff, one of the main protagonist, tries to walk up the stairs to face DIO, the main antagonist, he finds himself in the same loop as the man in the video. Continuously walking up the same set of stares, unable to reach the end.
Meaning, the video that "Tobias", or, as we presume, Toby commented on was in fact...
A JOJO REFFERANCE, AND THUS, MAKES PERFICT SENCE AS TO WHY HE WOULD COMMENT ON IT
...... And so with that last tidbit out of the way, we are left with 3 conclusions that we can come to... 1. This "Tobias" is actually Toby Fox teasing us about Chapter 3 and or some other upcoming scheme of his he has up his sleaves.
2. This "Tobias" is actually Toby Fox just fucking with us
and 3. This is some third party not affiliated with Toby but still making something and teasing it (possibly and ARG or something of sorts) .... That or I've just spent over 3 hours of my life typing this up only for it to be a shitpost by Temmie or something :/
either way its 6:41am as I type this and I have not slept all night so I hope you liked this deep dive analysis into this possibly important reddit account that could hold significant lore for the upcoming chapters of deltarune and if you'll excuse me I'm going to go collapse on my couch for the rest of the day :) have a wonderful time zone <3
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back2bluesidex · 2 months
Text
Meanie - KSJ (18+)
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Pairing: Mean Boss! Seokjin X Fem employee! Reader
Theme: PWP, smut
Wordcount: 900+
Summary: Kim Seokjin is mean and incredibly hot.
Warnings: Blow job, oral, mean boss, not so appropriate sex, things are fully consented between them. NSFW!!
Minors are not allowed in this blog!!
A/N: here is the mean Jin I wanted to write since the moment these photos dropped <3
Masterlist | Patreon
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Two rough fingers land on your jaw, tightening around the angle harshly making your eyes tear up even more. 
“That’s all?” he asks, gritting his perfect set of teeth, “that’s all your smart mouth can do? Can’t even deep throat me? You whore!” 
If it was another time - if it was not this situation - as in you on your knees, sucking Kim Seokjin off, then he would have to pay for this degradation. 
You would have filed a defamation case for calling you derogatory names and would make sure that he sees the face of prison even if it’s only for a day. 
But the situation you are currently in… is kind of compromising. 
You had come to his cabin, slammed your resignation on his dark wood table, called him a selfish prick who wants nothing more than money and money. You threatened him that you would post about the company’s toxic work atmosphere in Linkedin and would give a one star review in Glassdoor but things turned around very quickly. 
Things accelerated from one argument to another (it’s only you who argued, he only replied calmly yet sharply), and now you are on your knees, mouth stuffed with his rock hard cock that you can’t even put in your mouth properly. 
You are but a woman and Kim Seokjin is way too handsome and tempting to turn down. 
He grabs the back of your neck and pushes your mouth more on his shaft. Your drool rolls down the back of his cock and your chin then drops on your shirt making it look darker than the original color. 
“Take me properly, Y/N!” Seokjin groans. 
It’s not your fault that you can’t take him. You are not inexperienced by any means but he is just so fucking big. 
You reel back to the time when you laughed at your co-worker for spreading the “Kim Seokjin has a giant dick” rumor. You thought he would be just average.
But oh boy! Were you wrong! 
Tears prickle at the corner of your eyes as you try to take him full. The tip nudges at the back of your throat and makes you gag instantly. 
Seokjin thrusts up and things become ten times harder. 
But who are you to complain? Especially because your panties are ruined already and you can only think of how good his cock would feel inside you. If you complain now, it will make you nothing but a hypocrite. 
You start bobbing your head matching the rhythm of your predator’s thrusts. Your free hand comes up to fondle his balls. 
Seokjin moans. And you feel a weird and useless sense of pride. 
Turning your bobs faster, you start sucking on him hard. You can feel him twitching inside the walls of your mouth. 
His breaths soon turn heavy, short-lived and ragged. 
You are not doing much better. 
It’s embarrassing to say but you feel the familiar coil in your abdomen regardless of not being touched. 
You rock your hips seeking for the tiny bit of friction that your own legs can provide you. 
But that catches Seokjin’s eyes. 
“Rutting against nothing huh? Such a desperate slut!” he degrades you more with a lopsided smile playing on his beautiful face. 
You don’t reply - of course he is right. 
He slams his pelvis on your face. Your nose collides with his pubic hair, making the intensity of your arousal wilder. 
Seokjin moans prettily again as his hip shudders and he cums inside your mouth. His hand on the back of your neck goes tiger, “swallow it!” he commands. 
You comply. You try to swallow his disposal without wasting a drop. And while doing so, you cum undone wetting your leggings. 
When he is satisfied with your act, he pulls himself out from your mouth. His cock is glistening with his arousal and your spit. 
The mixture of the same runs down your chin making you look even messier. 
“Get up.” he orders again. You do so without voicing any protest.  
“Oh ho!” his eyes are fixed on the apparent wet spot on your leggings, “you came in your pants? So pathetic of you,Y/N.” 
Now that you are coming down from your high, shame washes over you. 
You were here to resign from the job after he canceled your vacation application but you ended up doing things you never thought you would. 
“I will take my leave” you reply with downcast eyes, turning your heels already to pick up your bag and leave. 
“Did I say you can leave?” he stands up from his over-expensive chair. Walking towards where you are standing, he closes the gap between your bodies. 
“I just resig-”
“I don’t accept it.” he tugs a loose strand of hair behind your ears. 
“I am kind of mean, you see. I strive to keep the things that I like to myself and myself only.” he continues and gives you a sickeningly sweet smile. 
“Now come, let me fuck the brat out of you. So that you have more spice to add to that glassdoor review when I piss you off next time.” his finger traces the path of your shirt and lands on your chest. He circles his digit around your clothed nipple. You feel your arousal rushing back to you. 
Now if Kim Seokjin wants to fuck you, who are you to reject? But you are not as docile as he thinks you are. 
“Only if you accept the vacation application, Sir.”
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Permanent Taglist:
@phenomenalgirl9 @variety-is-the-joy-of-life @chimchimmarie @coffeedepressionsoup @meowstake @vonvi-blog @nochuel @chimmisbae @i-have-no-life-charlie @mikrokookiex @jjk174 @lallataegi
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onehundredwishesss · 16 days
Text
Why you can't get what you want
• You have a limited mindset: You think you have lack of money, lack of friends and lack of opportunities. Nothing is 'lack of', it's just the way you think. You don't have lack of money, maybe you just made the wrong financial decisions. You don't have lack of friends, maybe you just don't put yourself out there and meet new people. Change your limited mindset and start taking action.
• You don't believe you deserve it all: What makes you think you get the life you want if you don't believe in yourself? You don't even have self-confidence and you don't even plan and take actions to get the life you want? It takes a lot of mental strength to change your mindset but it's worth it. Find ways to boost your self-confidence and work on your inner self.
• You don't work on yourself: You don't identify your strength, your weaknesses and you don't work on them, what makes you think you will attract money, love or people if you haven't work on your mindset, character and appearance? Everything starts from within yourself, so work from that first and watch how your life will act accordingly.
• You are surrounded by toxic people: You are the average of 5 people you are surrounded with. Whether you realize it or not, the people are you surrounded with have an impact on your mental and your physical health. These people can easily project their insecurities and thoughts onto you
• You are not delulu enough: You need to be a little bit dululu in order to get what you want in this life. You need to dare to dream big, to say 'hey I can actually get that if I really want to' and work on it. You need to believe in yourself even though no one believes in you.
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night-raven-tattler · 9 months
Text
Love beyond spoken words - part 1
Summary: Everyone has a way of saying "I love you" without using those three words.
Characters: Ace, Jack, Azul × GN!Reader (separate, romantic)
Other parts of the series: Jamil, Rook, Idia, Sebek
Warnings: food mention (Jack's part)
By opening the document, you agree to Mx Tattly's terms of source confidentiality.
-ˋˏ’✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
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You had no idea how Ace was able to maintain an average of 80 for his grades, because it never seemed like he was paying attention in class
Even when he was hunched down over his notebook as if he was writing down notes, he still gave you the impression he was not listening to the lecture
...because he wasn't, really
A folded piece of paper fell on your textbook from the direction of the seat next to you, and if the red heart doodled on it was any hint towards who the sender was, you knew he wouldn't allow you to pay any more attention to the rest of the lecture
You unfolded the piece of paper, and the words written on it brought a small smile to your face
"Hey hot stuff, wanna ditch Deuce and Grim for a lunch date? □yes or □yes"
You decided to tease him a little, so you drew a third square with a "no" written next to it and crossed it, then you folded the piece of paper and tossed it in his direction
And watched how his confident smirk turned into an offended frown in less than a second
He scribbled down something and threw the piece of paper towards you once again, huffing just so he caught your attention enough to look at him and see how hard he was trying to act hurt
"Come on! I even called you 'hot stuff' and everything!"
You couldn't deny that the whole situation made your heart skip a few beats
Your banter was no secret to anyone: all of your friends knew you and Ace loved to push each other's buttons in an endless silly game of cat and mouse
Yet the written notes kind of made the whole situation have an intimate note to it
It was a game just for the two of you, only for your eyes to see, antitipation and excitement building up as both of you slowly added to your secret conversations
"So you call me 'hot stuff' only when you want me to do something?"
You scribbled back and threw the paper at him and watched how his eyes widened as they followed the words on the paper, and a bit of pink dusted his cheeks as well
He hesistated before he wrote down a reply, and he slid the unfolded piece of paper towards you
"I won't admit anything on paper so you have no physical proof you can show off to the others."
You turned towards him and rolled your eyes, showing him exactly what you thought of his reply
But then, he signed to you to turn the piece of paper around
And, as you did, you discovered another message from him
"I wouldn't mind telling you exactly what I think about your looks if you say yes to that lunch date."
You waited a few minutes before writing down on the piece of paper, letting Ace grow a bit anxious and impatient from your lack of response
He watched as you folded the piece of paper and placed it gently on his slightly open palm
And he had to hold himself back from fist bumping the air when he unfolded the piece of paper, revealing how you crossed out your previous "no" answer and marked the other two "yes"s instead
『••✎••』
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Jack had a hard time expressing his more sentimental feelings outwardly, and you assured him that you still knew he cared about you
While he was not a poet or a novelist, he still wanted to learn how to express his care for you better
And one day, an idea finally came to him as he watched a few students exchange notes during class...
It all started when he ran to you during P.E. and silently handed you a water bottle before going back to where he came from
On the water bottle, you noticed a small sticky note, slightly wet from the condensation on the cold bottle, and the note had a message written on it
"Remember to drink water. I don't want to see you dehydrated."
You quickly looked for Jack in the small crowd of students, and when you finally spotted him, you noticed how he was trying to look everywhere but at you, while rocking a cute blush on his face and neck
One day, you forgot your notebook in the library, but luckily your knight in fluffy armor retrieved it for you
As you took it from his hands, you noticed the sticky note on it, but before you could ask anything about it, he walked away
"We have a test next Wednesday. If you need help with studying, you can ask me for help."
Jack was sweet enough for you to buy you lunch while you saved two seats for the two of you somewhere in a more secluded corner of the cafeteria
He returned to you with his lunch and your own - a whole grain bread sandwitch and a bag of assorted nuts
And the usual note you've started to get used to
"You look tired. Hope you regain some of your energy with this."
You looked up to him, who was trying to pick between looking at you and looking away from you
You smiled sweetly at him, unwrapping your lunch and starting to eat and chat, and Jack appreciated not bringing up his new habit right away
As much as he denied it, Jack liked to be admired and felt a sense of pride whenever you watched him outrun his track and field clubmates whenever you dropped by
His speed and stamina was something he obtained from his own efforts, but he couldn't help but wonder how much of the motivation he carried with himself daily was multiplied by your influence
Jack discovered he became more and more determined every day: to become stronger, to become a better student, to show you that you always have him to rely on in times of need
You waited until the club took a break to approach Jack; you handed him a towel and he mumbled a thanks before dabbing it on his sweaty face and neck
You also handed him a sports drink as you praised him for his hard work
The bottle was unexpected, but what surprised him more was the sticky note he noticed as he took the bottle from your hands
Even though the note was slightly wet from his sweaty palms and condensation, the message it sent was clear
"I'm very proud of you. Keep going! I believe in you!"
He shily reached his hand towards you and took a hold of your hand as his tail wagged happily, occasionally brushing your legs
『••✎••』
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The contract on the desk in the Lounge's VIP room was unlike any Azul has previously seen
The paper was slightly wrinkled, the whole thing was handwritten, and the hearts at the corner of the paper were not part of any contract etiquette he was familiar with
Amongst the sea (pun not intended) of probably misused legalese he didn't quite know himself and a bunch of sentences written in overly pompous formulations vaguely resembling formal speech, a certain phrase caught his attention
"The contractee will be able to exchange 10 minute break times with any desired act of affection from the contractor, as long as the contractee provides proof of fulfilling the required terms."
The contractee being him, and the contractor being you, of course
Azul's face turned pink, and a small smirk appeared on his face
Even when you were away from him, you still dedicated time to make sure he was taking care of himself in the silliest of ways
Your little unprompted attempt at playing his own game was amusing, and his mind raced with all the ways he could take advantage of the terms you presented him with...
That's why you were summoned to him VIP room a day later
"I'm quite interested in your offer. However, I think we should discuss the terms of the contract further before we sign it."
You were both amused and surprised by how professionally Azul was playing along your silly little game, but you remembered he was in Octavinelle for a reason: he liked being entertained
And you had fun while drafting the contract, so you supposed your idea was entertaining enough
Still, you were happy he was so eager to indulge you
Game or no game, you were still determined to sign a contract with favorable enough terms
"What did you have in mind?"
"Well, I'd like to propose a better way of defining the affection I'd be receiving, and I would also like to suggest offering different rewards for different timestamps."
Azul anticipated your stubbornness to influence you heavily in the negotiation, yet he didn't quite imagine the extent of your determination to have him rest
You did not even allow Azul to reduce the break time anywhere under 10 minutes
The terms you settled on were simple: 10 minutes for physical affection outside of kisses, 20 minutes for kisses anywhere outside the face, and 30 minutes for a kiss anywhere on his face
And when the piece of paper finally had both of your signatures on it, you stamped the paper with a kiss before handing it to Azul, whose face turned red at the gesture
You never expected Azul to take the contract as seriously as he did; you received at least one message a day of him telling you he was taking a break to drink some water and relax his hands
You didn't plan of breaching the contract either: you always did everything your greedy little octopus asked for
You got to spoil your boyfriend while he finally had a convincing enough reason to take a break: it was a win-win in your book
『••✎••』
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ri-writes-if · 6 months
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Chapter 2 is released
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LINK
It's here! Around 60K for the whole update, with an average of ~12K words for one playthrough.
I recommend replaying from the start because I edited a couple of variables in the first chapter and something could break if you use a save.
In this chapter
You call tell (or not) the demon of your choice about your curious vision from the first chapter.
Learn what the characters do for fun and have a small discussion about it.
Find new useful information about making most of your abilities and start training with some side help.
Visit the Abyss! Such a great experience.
First romantic choice. It's a light one, but it's a start 💛
Get princess carried if you want.
This chapter introduces the first “pushing away” choices. They will be counted and will affect how the characters react to some things you do or will add some flavor text now and then. These choices won’t lock you from the friendly/romantic routes. However, they do have some other side effects… At least in this chapter.
Small changes
Added ages to the characters’ profiles, including the MC.
Added the option to customize the characters’ gender.
Balanced the characters’ gender in the “both genders” option.
Updated the Codex with a bit more lore information.
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I hope you enjoy this update! If you do, I would love to hear your thoughts on it 💛
A bit of commentary on the "pushing away" choices and next plans under the line.
For the “pushing away” choice in this particular chapter, you will have a choice to apologize or change your mind about it in the next couple of chapters (tentatively) and speak about it with the affected character. I’m still on the fence whether it’ll decrease the overall “pushing” counter or not; I’ll probably decide that when I write these scenes.
This is an experimental feature (that I could delete or change at some point), but I hope I make it work in the story because I think it's a nice idea that negative choices won’t just decrease “relationship points” but also will be remembered by the characters and affect how they view some things you do or say or how they act around you the more you push them away. Especially if you want to smooch them at some point when you were cold to them just recently or for a while, lol.
It’s not perfect, but I’m satisfied with the chapter for now. It feels like I’ve been working on it a bit too long, and after rereading 10+ times to edit it, I’ve grown blind to weak places in it (and also kind of tired of it). I need to let it rest for a bit before returning to hone it, but I’ll probably do it only in the future when I have more chapters written or even after I finish the story since I want to keep moving forward and not stall in one place.
I'll continue planning details for the next chapter and then start drafting it. I've already thought of interesting things to include that could be very fun to write (and to read, hopefully, considering the main topic for the chapter is full of potential 🤭). I'm very excited to work on it, especially since I'm almost done with building the foundations in the story and soon will be able to get to the juicy parts of the plot. And there are also personal side stories of the cast, which will be starting in the next ~two chapters. Can’t wait to get to those too.
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mrsphillipgraves · 12 days
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Phillip Graves’ loyalty to his wife <3
(prepare for a ton of yapping from Mrs Phillip Graves…)
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starting off, it would take a lot for Phillip Graves to commit to somebody in the first place, considering his busy schedule and everything he has going on at Shadow Company, it’d take an extraordinary woman, a woman who he considers his ride or die, it’d take a woman he considers is everything he has ever wanted in life, to get him to commit, because if he’s putting all of that time and effort into a person, he has to know she is 100% worth it, once he determines that he’d never ever find a woman like her ever again, he wouldn’t let go of her even if the whole world was falling apart, it would quite literally be impossible to get rid of this man.
He’d only commit to a woman if he knows she is everything he has ever wanted in life, if he thinks she is worth all of the time, effort and emotional energy, if he thinks she’d be a wonderful mother to his children.
Most people say he’d cheat, but why would he ever risk losing the love of his life for a little bit of pleasure and relief? Graves is really really intelligent, very intelligent, I could go on and on about just how intelligent you’d have to be, to be the founder of a PMC, the CEO and the Commander all at once. He is way way waayyy smarter than the average man. Which also means he thinks and processes things in a very different way too.
He’d never put so much of his time, effort and emotional energy into a relationship/marriage if he hadn’t already determined that this woman is everything he has ever wanted, both, physically and emotionally, because otherwise, he knows it’s a waste of his time. Which also means, if he were to even think of being with other women while he is with his partner, he wouldn’t be with his partner in the first place. When this man loves, he loves, and when he commits, he commits in an extremely serious manner.
One more thing I’d like to note about him being an extraordinarily intelligent man is, he’d obviously have exceptional self control over his feelings and desires, he is not your average military man, he sees the world in a very very different manner, so even if he did have urges while his wife was away, he is way too smart to act on them in a way that’d harm his relationship with her. He thinks with his head, and is very much not driven by his desires. He’d never get with another woman while being committed, I doubt he would even think about that.
He is truly in love with his wife and loves her in the purest form of love. He thinks about her all the time, especially whenever he finds a quiet moment, he thinks about her pretty smile, how she blushes whenever he compliments her, he yearns for her physical affection, the intoxicating scent of her hair and her warmth. If his wife works alongside him in Shadow Company, he’d want her around all the time, never wanting to leave her side. I imagine they’d eat together, train together, sleep together and go on missions together, you name it.
If he gets drunk while his partner is away? he just starts yapping about how much he loves her and how much he misses her, the shadows definitely have a fun time with that, they keep asking him questions because they’re so taken aback by just how emotional their commander is about his wife. It’s definitely not a big surprise to them though, considering they already know just how emotionally vulnerable & comfortable Graves is when it comes to his partner, all because they notice how his body language changes whenever she is around.
He’d also get jealous pretty often, and very easily, even though he is very sure of himself, the slightest thought of another man thinking he has his wife’s attention, is enough to get his jealousy going, he is not overly possessive or overly jealous, but he definitely gets slightly jealous. He 100% is right next to his wife at all times whenever they go out together, he couldn’t be more smug about showing her of.
He is also not one to flirt with women if he is committed, he considers flirting cheating, and would expect the same from his partner.
A lot of people see him as this traitor, an asshole who cares about nobody but himself, but that is just how he behaves when it comes to business, in his personal life, he is a very different man, he is gentle, loving, caring and most importantly, loyal. He demands absolute loyalty from his wife, because he is absolutely loyal too. Loyalty means the absolute world to him when it comes to personal life.
Graves would ofcourse only commit if he saw a future with his partner, he wants a big family, 5 kids, he has always wanted a big family ever since he was young, and that is also one of the reasons why he wouldn’t ever risk what he has with his wife, he would want to build a home with her, he would want to raise the most healthy & happy kids alongside her, he’d be so committed to being a good father and teaching his sons how to treat women right, and to show his daughters how a man should be treating them.
Phillip Graves is a different man at home, a different man when he is in love, and that side of him not many will get to know of, and that is how he wants it to be. <3
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I have so much more to say, but I think I’ve already said too much LOL 😭, do let me know if y’all would want to hear more about this though, I love yapping about him. 🩷
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orcelito · 1 year
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ok, i cant resist the urge to make a post about it after all, especially since it's related to a post i made prior
one of my favorite moments in trimax is By Far this part in chapter 35
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[ID: Two pages from Trigun. The first starts with Wolfwood thinking, "Now that I think 'bout it, it may be one of the major differences between our species." That deep rooted dear I felt on the ship…" He thinks of Vash crying blood and, swearing, wonders, "Is he the one who can save humankind? That monster?" Wolfwood is briefly shown in resolution before someone calls, "Hey, Wolfwood!" and he looks up with surprise.
Vash sits with a smile at the edge of a rooftop, backed by the Fifth Moon and its prominent crater. Vash asks with a smile, "Just coming back now? You're a bit of a night owl, huh?" Wolfwood looks taken aback and wary. End ID]
Right Here. Vash is just sitting there, smiling like normal, but he's got the backdrop of the damage he caused on the moon set Perfectly behind him. it's a glaring reminder to Wolfwood of who exactly he's dealing with here, and that TERRIFIES him.
& the fact that Wolfwood still remembers that moment of crying blood as a moment of true fear. because for all the cheer Vash shows in the average moment, Wolfwood just recently saw him nearly lose control Again (at the Dragon's Nest). the second time he witnessed it, & the third time he would know about.
Vash is a walking atomic bomb with multiple charges. even with how cheerful & kind he is, he's shown Multiple Times that he does not have full control. he is decidedly something different, something Hazardous to humans, and Wolfwood knows this very very painfully.
for all that Wolfwood loves Vash, he is also terrified of him. and at this point in the story, that terror is potent enough to nearly eclipse his affection for Vash.
leading to some of the next most iconic pages:
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[ID: The next page starts with Wolfwood standing behind the sitting Vash, his expression hard and the moon bright behind him. Vash seems sad and has one eye open. A close-up focuses on Wolfwood looking down.
Wolfwood thinks, "So easy to pull the trigger. So easy to remove half the problem." Another close-up with bright lighting obscures his face but for one eye. Then Vash turns around curiously and asks, "What's up?" Wolfwood sits behind him and says "Nothin'. Come on. Let's go." Vash seems surprised as Wolfwood scolds, "Don't get yerself tangled up in every little skirmish ya see. It'll be pointless if ya get yerself killed before ya meet him." End ID]
the manga frames it like Vash doesn't know Wolfwood was pointing the gun at him, but I think he did know. he's freakishly perceptive over and over again throughout the story. he HAS to be in order to survive like he has. he'd hear the movement of the gun & sense Wolfwood behind him...
he'd know. i really think he knew.
but he doesn't do anything about it. there is zero fear in his face. he turns to look at Wolfwood curiously, a bit confused, but not afraid. he never once thought that Wolfwood would shoot him. there's full faith and trust there in that moment.
Wolfwood pretends that nothing happened, & Vash lets him. they both move on, not talking about it, because they never talk about Anything of substance like this (not until much, Much later).
overall, it's just such a great example of their relationship's development. Wolfwood's fear & Vash's trust that he won't act on it... it's just. Man.
(EDIT: people have made some good points about how Vash's expression when Wolfwood points the gun at him shows that he probably did know and YEAH that's a good point! & probably why I was so certain he knew lol, I just hadn't realized it myself)
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vixstarria · 11 months
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Admit that you love me
Connected with my other headcanon fics, but works as a standalone as well.
Astarion x Reader, Astarion x Tav, Astarion x Bard Tav, Astarion is bad at feelings, Gale is bad at everything
Bit of angst, bit of comfort, bit of fluff, love, banter, humour and all the other good things. Non-explicit. Early Act 2.
Approximately 2,000 words. 
AO3
You traversed the shadow-cursed lands. Earlier this week, Elminster had showed up, eaten all your cheese, essentially told Gale to kill himself and promptly went back to wherever he had come from. And you thought 200 year-old vampires were erratic... You hoped you would never come across a vampire wizard.  
It was an average evening in camp. You and your companions were passing time by the fire before calling it a day. 
You were sitting on the ground before the campfire, as Astarion sat on a fallen log behind you, trying to massage a crick out of your neck and shoulders. You weren’t even being obnoxious about it, your neck had genuinely been killing you and he was trying to alleviate the pain and discomfort.  
You’d closed your eyes and leaned forward a bit, trying to give him better access, when a remark from Gale caught your ear, and the hands stilled. 
“It’s truly heartwarming to see how well Astarion takes care of his livestock.” 
In the sudden silence that ensued, before you had even registered your own emotions for the insult, your immediate instinct was to seize the hand that was still on your shoulder, and say: 
“If you kill him, he’ll take us all with him.” 
It turned out to be the right call, as Astarion re-sheathed a dagger you hadn’t even noticed he had drawn (or had on him), and gave your hand a small squeeze.  
“I... I’m sorry, that was a poor joke.” Gale looked at the ground shaking his head. “If you can call it that. I don’t know what’s gotten into me.” He started to get up. “I better-” 
“Disrespect my lover or me again, and I will personally burn everything that you cherish, and rip out the throat of every person you hold dear.” Astarion’s voice was an icicle. “I won’t kill you… But I will fulfill my need to hear you scream.” 
Astarion gave your hand another squeeze and got up. He met your eyes as you turned back to look at him, and gave you a barely perceptible shake of the head before stalking off.  
Gale, who had stood silently through Astarion’s cold outburst, wordlessly turned and left in the opposite direction. 
You still sat on the ground, elbows on your knees, eyes shut, now rubbing your temples. Great. Perfectly normal (in accordance with your definition of ‘normal’, anyway) evening ruined. No Astarion, Gale at a new lowest low, awkward silence, you still with a crick in your neck, and now an unfolding headache. All while feeling like you’ve been spat on.  
“Is that what you all think?” you asked quietly, still rubbing your temples. “That I’m a stupid lamb offering myself to a wolf for slaughter?” 
To your surprise, it was Lae’zel who answered.  
“It is true that the vampire is a predator, and there is hunger and lust in his eyes when he looks at you. But there is also love and yearning. You both carry it. My people are proficient in recognising it, for we are taught from a young age to quash such notions at their conception. Love and attachment make you weak. But you two, you have turned it into a source of resilience and strength. The wizard is as delusional as he is out of line.”  
You were completely taken aback by what you just heard. 
Firstly, by the fact it came from Lae’zel. But also... You hadn’t actually exchanged words of love with each other. Oh, there were the ‘my love’s, but that was more of a silly casual pet name that had started long ago. You both regularly addressed Karlach as ‘love’ as well. It didn’t mean much. 
But to have a githyanki set it out for you so candidly...  
“...I couldn’t have said it better myself, Lae’zel,” spoke Shadowheart.  
“Aw, none of us doubt you or fangs,” added Karlach. “Hells, sometimes I worry my heart will have a meltdown not from exertion, but from seeing you two.” 
You hoped no one could tell your face had coloured scarlet by the light of the fire. 
“Gale just hasn’t been himself lately. I’m sorry you and Astarion took the brunt of it. I’m sure he feels awful about this.” Wyll apologised as though he had anything to do with it. “I better go speak to him, make sure he knows we understand.”  
You excused yourself and went to your tent soon after as well.  
Astarion didn’t return that night. On checking his tent, you noted he did take his weapons with him, though. That’s all you really needed to know. He could take care of himself. After all, he was one of the horrors other people were scared to encounter in the shadows. Still, when you finally fell asleep, it was only due to sheer exhaustion. 
It was morning when he finally showed up at the entrance to your tent. Probably. You could barely tell night from day in this blasted place. You were sitting cross-legged on your bedroll, getting ready for the day ahead. You didn’t get up to greet him as you continued to fasten the belts and buckles of your equipment. 
“I was worried.” 
“I know,” he said simply. When you didn’t say anything, he sighed and added: “And I was angry. Furious, actually. Murderous. I didn’t want you to see it.” 
You bit back a swear. 
“I can-” 
“Before you say you can handle my anger, that’s not the point. I don’t want you, of all people, to be exposed to it to begin with.” You frowned and he continued: 
“When everyone keeps telling you you’re a monster, eventually you no longer want to prove them wrong – you want to show them just how much of a monster you can be. And you’re the only person who doesn’t think that about me. Why on earth would I do anything that might make you look at me the same as they do..?” 
It broke your heart a little to realise that that’s what he thought. 
“They don’t think you’re a monster, Star,” you said imploringly. “Gale said something stupid which he immediately regretted, yes, but the rest of them were on our side.” You made sure he was taking in what you were saying. “On your side.” 
“...They were?” Astarion’s eyes softened. 
“Yes. Lae’zel gave a whole speech, just about.” 
“Ugh,” Astarion curled his lip. “And I thought you were serious for a moment there.” 
“I am serious! She was quite poetic about it, actually.” 
Astarion suddenly took a step back out of your tent, looking up at the sky in alarm. 
“What is it?!” you reached for your bow. 
“Oh just checking for flying pigs...” he stepped back into the tent. “...So what did she say? I’m intrigued.” He still looked skeptical, but much less guarded than before.  
You paused your preparations, set down your weapons and met his gaze. 
“She said she sees the love in your eyes.” 
You weren’t about to tell him that she actually said she saw love in your eyes as well.  
“Oh...” Astarion seemed momentarily taken aback. “That is quite poetic for a githyanki.” 
You continued to study him without saying a word. 
“...Oh no. No no no.” He waved a finger at you. “I see EXACTLY what you’re doing, and I am NOT falling for it.” 
“What am I doing? I’m not doing anything.” 
“Exactly! You’re not saying anything, forcing me to fill the silence until I start stammering like a fool and admit that I love you!” He paused, turned away and huffed, before turning back to look at you, hand on his hip. “And that is NOT on the agenda!” 
“You’re not going to admit it?” 
Astarion looked away again, wrung his hands, opened his mouth as if to say something, closed it, and looked back at you, cocking his head to one side before finally saying:  
“...Not today..?” 
You burst into a laugh. How long had your heart been pounding? 
“Gaaaaaale! Old buddy, old pal!” you heard from Astarion. 
You lifted your head to see Gale approaching.  
Fucking Gale, you thought.  
You got up to face Gale at the entrance to your tent. 
“Morning! I would say ‘good morning’, only that would be a lie for all of us, in light of-” 
“Oh for the love of all that is unholy!” Astarion cut him off. “Spare me your words and drawn-out explanations, and I will spare you my daggers. We don’t need that. We can sort this out like two mature, adult men.” 
The next thing you knew, Gale was on the ground, looking in disbelief at the blood dripping onto his hand from a possibly broken nose.  
“There. Now, for all intents and purposes, this matter can be resolved, if you wish. As previously advised, in the event of any further disparagement of me, Tav, or the nature of our relationship, I WILL be committing arson and turning everyone you love and care for inside out, Tav being exempt, of course. Now that this has been explained to you, if you accept, the damage you just took to your face can serve as compensation, to the full and final satisfaction and discharge of the idiotic shit you said yesterday. Are we in agreement?” 
Astarion held out a hand 
You stood back observing Astarion, your arms crossed. Theatrics to cattiness to violence to legalese within the span of a minute. How flustered and giddy was this man? 
Gale was still on the ground, also looking at Astarion incredulously.  
“I sometimes forget that you used to be something far worse than a vampire.” 
Gale accepted the offered hand and got up. 
“And you, Tav? Would you like to break the spare lute over my head, perchance?”  
Astarion perked up at that, but you were quick to protest: 
“No, no, let bygones be bygones and all that...” 
“Then it is settled,” Astarion interjected. “Well then, off you go, friend.” 
“Actually,” you cut in. “I think Shadowheart needs to rest a while. Gale could come with us today instead, seeing as you’ve sorted everything out. Gale, are you up for it?” you asked as Astarion stared at you in disbelief. 
After the borderline sleepless night you’d had because of these two idiots, the least they could do was entertain you by suffering each other’s company.  
“...Sure, let me just ah... do something about the blood. I’ll only be a minute.” 
And just like that, you and Astarion were back on your usual bullshit, causing a loud ruckus as you headed out of camp, him on your heels.
“I object! It’s ME or HIM! And if it’s him, you can give me my ring back!” 
Wyll snapped his head in surprise to look at you two, as Karlach gasped and covered her mouth with her hands.  
Astarion paused as if to say something to them, then waved a dismissive hand and continued walking after you. 
“...Because I am NOT dying in camp like a sitting duck just because HE couldn’t keep you safe!” 
“It’s my ring now, and you’re both coming! And so is Lae’zel. Lae, are you ready?” 
“Always,” came an unperturbed answer from the githyanki, as she got up to follow you. 
“There. She can lecture you on poetry, between the fighting.” 
Astarion had finally caught up to you.  
“You cheeky pup,” he said only loud enough for you to hear, his red eyes narrowed and a wry grin on his face. “We’ll need to have a long talk about your behaviour.” 
“Is that on the agenda? For today?” 
Astarion swore under his breath, smiled to himself and fell back again. 
Yep, definitely flustered, you thought, fighting a stupid grin that was threatening to take over your face.  
Oh you were going to enjoy this day. 
~~~~~ 
Author’s note: 
Sorry bloodweave gang, my headcanon is Gale and Astarion are constantly beefing.  
I wanted to work in the “disrespect me again” line from Early Access – although I ended up altering it. A lot. 
~~~~~
Next in series - Confession
OR, chronologically appropriate smut - Seeing stars
Series master list
AO3
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asha-mage · 6 months
Text
WoT Meta: Feudalism, Class, And The Politics of The Wheel of Time
One of my long standing personal annoyances with the fantasy genre is that it often falls into the trap of simplifying feudal class systems, stripping out the interesting parts and the nuance to make something that’s either a lot more cardboard cut-out, or has our modern ideas about class imposed onto it.
Ironically the principal exception is also the series that set the bar for me. As is so often the case, Robert Jordan’s Wheel of Time is unique in how much it works to understand and convey a realistic approach to power, politics, government, rulership, and the world in general–colored neither by cynicism or idealism. How Jordan works the feudal system into his world building is no exception–weaving in the weaknesses, the strengths, and the banal realities of what it means to have a Lord or Lady, a sovereign Queen or King, and to exist in a state held together by interpersonal relationships between them–while still conveying themes and ideas that are, at their heart, relevant to our modern world.
So, I thought I’d talk a little bit about how he does that.
Defining the Structure
First, since we’re talking about feudal class systems, let's define what that means– what classes actually existed, how they related to each other, and how that is represented in Jordan’s world. 
But before that, a quick disclaimer. To avoid getting too deep into the historical weeds, I am going to be making some pretty wide generalizations. The phrases ‘most often’, ‘usually’, and ‘in general’ are going to be doing a lot of heavy lifting. While the strata I’m describing is broadly true across the majority medieval and early Renaissance feudal states these things were obviously heavily influenced by the culture, religion, geography, and economics of their country–all of which varied widely and could shift dramatically over a surprisingly small amount of time (sometimes less than a single generation). Almost nothing I am going to say is universally applicable to all feudal states, but all states will have large swathes of it true for them, and it will be widely applicable. The other thing I would ask you to keep in mind is that a lot of our conceptions of class have been heavily changed by industrialization. It’s impossible to overstate how completely the steam engine altered the landscape of socio-politics the world over, in ways both good and bad. This is already one of those things that Jordan is incredibly good at remembering, and that most fantasy authors are very good at forgetting. 
The disparity between your average medieval monarch’s standard of living and their peasants was pretty wide, but it was nothing compared to the distance between your average minimum wage worker and any billionaire; the monarch and the peasant had far more in common with each other than you or I do with Jeff Bezos or Mike Zuckerberg. The disparity between most people’s local country lord and their peasants was even smaller. It was only when the steam engine made the mass production of consumer goods possible that the wealth gap started to become a chasm–and that was in fact one of the forces that lead to the end of the feudal system and the collapse of many (though by no means all) of the ruling monarchies in Europe. I bring this up because the idea of a class system not predicated on the accumulation of capital seems pretty alien to our modern sensibilities, but it was the norm for most of history. Descent and birth mattered far more than the riches you could acquire–and the act of accumulating wealth was itself often seen as something vulgar and in many countries actively sinful. So with that in mind, what exactly were the classes of feudalism, and how do they connect to the Wheel of Time?
The Monarch and their immediate family unsurprisingly occupied the top of the societal pyramid (at least, in feudal states that had a monarch and royal family- which wasn’t all of them). The Monarch was head of the government and was responsible for administering the nation: collecting taxes, seeing them spent, enforcing law, defending the country’s borders and vassals in the event of war, etc. Contrary to popular belief, relatively few monarchs had absolute power during the medieval period. But how much power the monarch did have varied widely- some monarchs were little more than figureheads, others were able to centralize enough power on themselves to dictate the majority of state business- and that balance could shift back and forth over a single generation, or even a single reign depending on the competence of the monarch. 
The royal family usually held power in relation to their monarch, but also at the monarch’s discretion. The more power a monarch had, the more likely they were to delegate it to trusted family members in order to aid with the administration of the realm. This was in both official and unofficial capacities: princes were often required to do military service as a right of passage, and to act as diplomats or officials, and princesses (especially those married into foreign powers) were often used as spies for their home state, or played roles in managing court affairs and business on behalf of the ruler.
Beneath the monarch and their family you get the noble aristocracy, and I could write a whole separate essay just on the delineations and strata within this group, but suffice to say the aristocracy covers individuals and families with a wide range of power and wealth. Again, starting from that country lord whose power and wealth in the grand scheme of things is not much bigger than his peasants, all the way to people as powerful, or sometimes more powerful, than the monarch. 
Nobles in a feudal system ruled over sections of land (the size and quality usually related sharply to their power) setting taxes, enforcing laws, providing protection to the peasants, hearing petitions, etc. within their domains. These nobles were sometimes independent, but more often would swear fealty to more powerful nobles (or monarchs) in exchange for greater protection and membership in a nation state. Doing so meant agreeing to pay taxes, obey (and enforce) the laws of the kingdom, and to provide soldiers to their liege in the event of war. The amount of actual power and autonomy nobles had varied pretty widely, and the general rule of thumb is that the more powerful the monarch is, the less power and autonomy the nobles have, and vice versa. Nobles generally were expected to be well educated (or at least to be able to pretend they were) and usually provided the pool from which important government officials were drawn–generals, council members, envoys, etc–with some kingdoms having laws that prevented anyone not of noble descent from occupying these positions.
Beneath the nobles you get the wealthy financial class–major merchants, bankers, and the heads of large trade guilds. Those Marx referred to generally as the bourgeoisie because they either own means of production or manage capital. In a feudal system this class tended to have a good bit of soft power, since their fortunes could buy them access to circles of the powerful, but very little institutional power, since the accumulation and pursuit of riches, if anything, was seen to have negative moral worth. An underlying presumption of greediness was attached to this class, and with it the sense that they should be kept out of direct power.
That was possible, in part, because there weren't that many means of production to actually own, or that much capital to manage, in a pre-industrial society. Most goods were produced without the aid of equipment that required significant capital investment (a weaver owned their own loom, a blacksmith owned their own tools, etc), and most citizens did not have enough wealth to make use of banking services. This is the class of merchants who owned, but generally didn’t directly operate, multiple trading ships or caravans, guild leaders for craftsfolk who required large scale equipment to do their work (copper and iron foundries for the making of bells, for example), and bankers who mainly served the nobility and other wealthy individuals through the loaning and borrowing of money. This usually (but not always) represented the ceiling of what those not born aristocrats could achieve in society.
After that you get middling merchants, master craftsfolk and specialty artisans, in particular of luxury goods. Merchants in this class usually still directly manage their expeditions and operations, while the craftsfolk and artisans are those with specialty skill sets that can not be easily replicated without a lifetime of training. Master silversmiths, dressmakers, lacquer workers, hairdressers, and clockmakers are all found in this class. How much social clout individuals in this class have usually relates strongly to how much value is placed on their skill or product by their society (think how the Seanchan have an insatiable appetite for lacquer work and how Seanchan nobles make several Ebou Dari lacquer workers very rich) as well as the actual quality of the product. But even an unskilled artisan is still probably comfortable (as Thom says, even a bad clockmaker is still a wealthy man). Apprenticeships, where children are taught these crafts, are thus highly desired by those in lower classes,as it guaranteed at least some level of financial security in life.
Bellow that class you find minor merchants (single ship or wagon types), the owners of small businesses (inns, taverns, millers etc), some educated posts (clerks, scribes, accountants, tutors) and most craftsfolk (blacksmiths, carpenters, bootmakers, etc). These are people who can usually support themselves and their families through their own labor, or who, in the words of Jin Di, ‘work with their hands’. Most of those who occupy this class are found in cities and larger towns, where the flow of trade allows so many non-food producers to congregate and still (mostly) make ends meet. This is why there is only one inn, one miller, one blacksmith (with a single apprentice) in places like Emond’s Field: most smaller villages can not sustain more than a handful of non-food producers. This is also where you start to get the possibility of serious financial instability; in times of chaos it is people at this tier (and below) that are the first to be forced into poverty, flight, or other desperate actions to survive.
Finally, there is the group often collectively called ‘peasants’ (though that term is also sometimes used to mean anyone not noble born). Farmers, manual laborers, peddlers, fishers- anyone who is unlikely to be able to support more than themselves with their labor, and often had to depend on the combined labor of their spouse and families to get by. Servants also generally fit into this tier socially, but it’s important to understand that a servant in say, a palace, is going to be significantly better paid and respected than a maid in a merchant's house. This class is the largest, making up the majority of the population in a given country, and with a majority of its own number being food-producers specifically. Without the aid of the steam engine, most of a country’s populace needs to be producing food, and a great deal of it, in order to remain a functional nation. Most of the population as a result live in smaller spread out agrarian communities, loosely organized around single towns and villages. Since these communities will almost always lack access to certain goods or amenities (Emond’s Field has a bootmaker, but no candlemaker, for example) they depend on smalltime traders, called peddlers, to provide them with everyday things, who might travel from town to town with no more than a single wagon, or even just a large pack.
The only groups lower than peasants on the social hierarchy are beggars, the destitute, and (in societies that practice slavery) slaves. People who can not (or are not allowed to) support themselves, and instead must either eke out a day to day existence from scraps, or must be supported by others. Slaves can perform labor of any kind, but they are regarded legally as a means of production rather than a laborer, and the value is awarded to their owner instead. 
It’s also worth noting that slavery has varied wildly across history in how exactly it was carried out and ran the gamut from the trans-Atlantic chattel slavery to more caste or punitive-based slavery systems where slaves could achieve freedom, social mobility, or even some degree of power within their societies. But those realities (as with servants) had more to do with who their owners were than the slave’s own merit, and the majority of slaves (who are almost always seen as less than a freedman even when they are doing the same work) were performing the same common labor as the ‘peasant’ class, and so viewed as inferior.
Viewing The Wheel of Time Through This Lens
So what does all this have to do with Robert Jordan’s Wheel of Time? A lot actually, especially compared to his contemporaries in fantasy writing. Whereas most fantasy taking place in feudal systems succumbs to the urge to simplify matters (sometimes as far down to their only being two classes, ‘peasant’ and ‘royalty’) Jordan much more closely models real feudalism in his world. 
The majority of the nations we encounter are feudal monarchies, and a majority of each of their populations are agrarian farming communities overseen by a local lord or other official. How large a nation’s other classes are is directly tied to how prosperous the kingdom is, which is strongly connected to how much food and how many goods the kingdom can produce on the available land within it. This in turn, is tightly interdependent on how stable the kingdom is and how effective its government is.
Andor is the prime example: a very large, very prosperous kingdom, which is both self-sufficient in feeding itself via its large swathes of farmland (so much so that they can afford to feed Cairhien through selling their surplus almost certainly at next to no profit) and rich in mineral wealth from mines in the west. It is capable of supporting several fairly large cities even on its outskirts, as well as the very well-developed and cosmopolitan Caemlyn as its capital. This allows Andor to maintain a pretty robust class of educated workers, craftsfolk, artisans, etc, which in turn furthers the realm’s prosperity. At the top of things, the Queen presides over the entire realm with largely centralized power to set laws and taxes. Beneath her are the ‘great houses’–the only Houses in Andor besides the royal house who are strong enough that other nobles ‘follow where they lead’ making them the equivalent of Duchesses and Dukes, with any minor nobles not sworn directly to the Queen being sworn to these ten.
And that ties into something very important about the feudal system and the impact it had on our world and the impact it has on Jordan's. To quote Youtuber Jack Rackham, feudalism is what those in the science biz would call an unstable equilibrium. The monarch and their vassals are constantly in conflict with each other; the vassals desiring more power and autonomy, as the monarch works to centralize power on themselves. In feudalism there isn’t really a state army. Instead the monarch and the nobles all have personal armies, and while the monarch’s might be stronger than anyone else’s army, it’s never going to be stronger than everybody else’s. 
To maintain peace and stability in this situation everyone has to essentially play Game of Thrones (or as Jordan called it years before Martin wrote GoT, Daes Dae’mar) using political maneuvering, alliances, and scheming in order to pursue their goals without the swords coming out, and depending on the relative skill of those involved, this can go on for centuries at a time….or break apart completely over the course of a single bad summer, and plunge the country into civil war.
Cairhien is a great example of this problem. After losing the Aiel War and being left in ruins, the monarch who ultimately secured the throne of Cairhien, Galldrian Riatin, started from a place of profound weakness. He inherited a bankrupt, war torn and starving country, parts of which were still actively on fire at the time. As Thom discusses in the Great Hunt, Galddrian's failure to resettle the farmers displaced by the war left Cairhien dependent on foreign powers to feed the populace (the grain exports from Tear and Andor) and in order to prevent riots in his own capital, Galldrian choose bread and circuses to keep the people pacified rather then trying to substantially improve their situation. Meanwhile, the nobles, with no effective check on them, began to flex their power, seeing how much strength they could take away from each other and the King, further limiting the throne’s options in how to deal with the crisis, and forcing the King to compete with his most powerful vassals in order to just stay on the throne. This state of affairs ultimately resulted, unsurprisingly, in one of Galladrin’s schemes backfiring, him ending up dead, and the country plunging into civil war, every aristocrat fighting to replace him and more concerned with securing their own power then with restoring the country that was now fully plunged into ruin.
When Dyelin is supporting Elayne in the Andoran Succession, it is this outcome (or one very much like it) that she is attempting to prevent. She says as much outright to Elayne in Knife of Dreams–a direct succession is more stable, and should only be prevented in a situation where the Daughter Heir is unfit–through either incompetence or malice–to become Queen. On the flip side, Arymilla and her lot are trying to push their own agendas, using the war as an excuse to further enrich their Houses or empower themselves and their allies. Rhavin’s machinations had very neatly destabilized Andor, emboldening nobles such as Arymilla (who normally would never dream of putting forward a serious claim for the throne) by making them believe Morgase and Trakand were weak and thus easy to take advantage of. 
We also see this conflict crop up as a central reason Murandy and Altara are in their current state as well. Both are countries where their noble classes have almost complete autonomy, and the monarch is a figurehead without significantly more power than their vassals (Tylin can only keep order in Ebou Dar and its immediate surrounding area, and from what she says her father started with an even worse deal,with parts of the capital more under the control of his vassals than him). Their main unifying force is that they wish to avoid invasion and domination by another larger power (Andor for Murandy, Illian and Amadica for Altara) and the threat of that is the only thing capable of bringing either country into anything close to unity.
Meanwhile a lack of centralization has its trade offs; people enjoy more relative freedoms and social mobility (both depend heavily on trade, which means more wealth flowing into their countries but not necessarily accumulating at the top, due to the lack of stability), and Altara specifically has a very robust ‘middle class’ (or as near as you can get pre-industrialization) of middling to minor merchants, business and craftsfolk, etc. Mat’s time in Ebou Dar (and his friendship with Satelle Anan) gets into a lot of this. Think of the many many guilds that call Altara home, and how the husband of an inn owner can do a successful enough business fishing that he comes to own several crafts by his own merit. 
On the flip side both countries have problems with violence and lawlessness due to the lack of any enforced uniformity in terms of justice. You might ride a day and end up in land ruled by a Lord or Lady with a completely different idea of what constitutes, say, a capital offense, than the Lord or Lady you were under yesterday. This is also probably why Altara has such an ingrained culture of duels to resolve disputes, among both nobles and common folk. Why appeal to a higher authority when that authority can barely keep the streets clean? Instead you and the person you are in conflict with, on anything from the last cup of wine to who cheated who in a business deal, can just settle it with your knives and not have to bother with a hearing or a petition. It’s not like you could trust it anyways; as Mat informs us, most of the magistrates in Altara do the bidding of whoever is paying their bribes.
But neither Altara nor Murandy represents the extreme of how much power and autonomy nobles can manage to wrangle for themselves. That honor goes to Tear, where the nobles have done away with the monarch entirely to instead establish what amounts to an aristocratic confederacy. Their ruling council (The High Lords of Tear) share power roughly equally among themselves, and rule via compromise and consensus. This approach also has its tradeoffs: unlike Murandy and Altara, Tear is still able to effectively administer the realm and create uniformity even without a monarch, and they are able to be remarkably flexible in terms of their politics and foreign policy, maintaining trade relationships even with bitter enemies like Tar Valon or Illian.  On the flipside, the interests of individual nobles are able to shape policy and law to a much greater extent, with no monarch to play arbiter or hold them accountable. This is the source of many of the social problems in Tear: a higher sense of justice, good, or even just plain fairness all take a back seat to the whims and interest of nobles. Tear is the only country where Jordan goes out of his way, repeatedly, to point out wealth inequality and injustice. They are present in other countries, but Jordan drives home that it is much worse in Tear, and much more obscene. 
This is at least in part because there is no one to serve as a check to the nobles, not even each other. A monarch is (at least in theory) beholden to the country as a whole, but each High Lord is beholden only to their specific people, house and interests, and there is no force present that can even attempt to keep the ambitions and desires of the High Lords from dictating everything. So while Satelle Anan's husband can work his way up from a single fishing boat to the owner of multiple vessels, most fisherman and farmers in Tear scrape by on subsistence, as taxes are used to siphon off their wealth and enrich the High Lords. While in Andor ‘even the Queen most obey the law she makes or there is no law’ (to quote Morgase), Tairen Lords can commit murder, rape, or theft without any expectation of consequences, because the law dosen’t treat those acts as crimes when done to their ‘lessers’, and any chance someone might get their own justice back (as they would in Altara) is quashed, since the common folk are not even allowed to own weapons in Tear. As we’re told in the Dragon Reborn, when an innkeeper is troubled by a Lord cheating at dice in the common room, the Civil Watch will do nothing about it and citizens in Tear are banned from owning weapons so there is nothing he can do about it. The best that can be hoped for is that he will ‘get bored and go away’.
On the opposite end, you have the very very centralized Seanchan Empire as a counter example to Tear, so centralized it’s almost (though not quite) managed to transcend feudalism. In Seanchan the aristocratic class has largely been neutered by the monarchy, their ambitions and plots kept in check by a secret police (the Seekers of Truth) and their private armies dwarfed by a state army that is rigorously kept and maintained. It’s likely that the levies of the noble houses, if they all united together, would still be enough to topple the Empress, but the Crystal Throne expends a great deal of effort to ensure that doesn't happen,playing the nobles against each other and taking advantage of natural divisions in order to keep them from uniting.
Again, this has pros and cons. The Seanchan Empire is unquestionably prosperous; able to support a ridiculous food surplus and the accompanying flow of wealth throughout its society, and it has a level of equity in its legal administration that we don’t see anywhere else in Randland. Mat spots the heads of at least two Seanchan nobles decorating the gates over Ebou Dar when he enters, their crimes being rape and theft, which is a far cry from the consequence-free lives of the Tairen nobles. Meanwhile a vast state-sponsored bureaucracy works to oversee the distribution of resources and effective governance in the Empress’s name. No one, Tuon tells us proudly, has to beg or go hungry in the Empire. But that is not without cost. 
Because for all its prosperity, Seanchan society is also incredibly rigid and controlling. One of the guiding philosophies of the Seanchan is ‘the pattern has a place for everything and everything’s place should be obvious on sight’. The classes are more distinct and more regimented than anywhere else we see in Randland. The freedoms and rights of everyone from High Lords to common folk are curtailed–and what you can say or do is sharply limited by both social convention and law. The Throne (and its proxies) are also permitted to deprive you of those rights on nothing more than suspicion. To paraphrase Egeanin from TSR: Disobeying a Seeker (and presumably any other proxy of the Empress) is a crime. Flight from a Seeker is a crime. Failure to cooperate fully with a Seeker is a crime. A Seeker could order a suspected criminal to go fetch the rope for their own binding, and the suspected criminal would be expected to do it–and likely would because failure to do anything else would make them a criminal anyway, whatever their guilt or innocence in any other matter.
Meanwhile that food surplus and the resulting wealth of the Empire is built on its imperialism and its caste-based slavery system, and both of those are inherently unsustainable engines. What social mobility there is, is tied to the Empire’s constant cycle of expand, consolidate, assimilate, repeat–Egeanin raises that very point early on, that the Corenne would mean ‘new names given and the chance to rise high’. But that cycle also creates an endless slew of problems and burning resentments, as conquered populations resist assimilation, the resistance explodes into violence that the Seanchan must constantly deal with–the ‘near constant rebellions since the Conquest finished’ that Mat mentions when musing on how the Seanchan army has stayed sharp.
The Seanchan also practice a form of punitive and caste-based slavery for non-channelers, and chattel slavery for channelers. As with the real-life Ottoman Empire, some da’covale enjoy incredible power and privilege in their society, but they (the Deathwatch Guard, the so’jhin, the Seekers) are the exception, not the rule. The majority of the slaves we encounter are nameless servants, laborers, or damane. While non-channelers have some enshrined legal protections in how they can be treated by their masters and society as a whole, we are told that emancipation is incredibly rare, and the slave status is inherited from parent to child as well as used as a legal punishment–which of course would have the natural effect of discouraging most da’covale from reproducing by choice until after (or if) they are emancipated–so the primary source for most of the laborers and servants in Seanchan society is going to be either people who are being punished or who choose to sell themselves into slavery rather then beg or face other desperate circumstances. 
This keeps the enslaved population in proportion with the rest of society only because of the Empire’s imperialism- that same cycle of expand, consolidate, assimilate, repeat, has the side effect of breeding instability, which breeds desperation and thus provides a wide pool to draw on of both those willing to go into slavery to avoid starvation, and those who are being punished with slavery for wronging the state in some manner. It’s likely the only reason the Empire’s production can keep pace with its constant war efforts: conquered nations (and subdued rebellions) eventually yield up not just the necessary resources, but also the necessary laborers to cultivate them in the name of the state, and if that engine stalls for any sustained length of time (like say a three hundred year peace enforced by a treaty), it would mean a labor collapse the likes of which the Empire has never seen before.
A note on damane here: the damane system is undoubtedly one of chattel slavery, where human beings are deprived of basic rights and person hood under the law for the enrichment of those that claim ownership over them. Like in real life this state of affairs is maintained by a set of ingrained cultural prejudices, carefully constructed lies, and simple ignorance of the truly horrific state of affairs that the masses enjoy. The longevity of channelers insulates the damane from some of the problems of how slavery can be unsustainable, but in the long run it also suffers from the same structural problem: when the endless expansion stops, so too will the flow of new damane, and the resulting cratering of power the Empire will face will put it in jeopardy like nothing has before. There is also the problem that, as with real life chattel slavery, if any one piece of the combination of ignorance, lies, and prejudice starts to fall apart, an abolition movement becomes inevitable–and several characters are setting the stage for just that via the careful spreading of the truth about the sul’dam. Even if the Seanchan successfully put down an abolition movement, doing so will profoundly weaken them in a way that will necessitate fundamental transformation, or ensure collapse.
How Jordan Depicts The Relationships Between Classes
As someone who is very conscious in how he depicts class in his works, it makes sense that Jordan frequently focuses on characters interacting through the barriers of their various classes in different ways. New Spring in particular is a gold mine for this kind of insight.
Take, for example, Moiraine and Siuan’s visit to the master seamstress. A lesser writer would not think more deeply on the matter than ‘Moiraine is nobly born so obviously she’s going to be snobby and demanding, while down-to-earth Siuan is likely to be build a natural rapport and have better relationship her fellow commoner, the seamstress Tamore Alkohima’. But Jordan correctly writes it as the reverse: Tamore Alkohima might not be nobly born, but she is not really a peasant either–rather she belongs to that class of speciality artisans, who via the value placed on her labor and skill, is able to live quite comfortably. Moiraine is much more adept at maneuvering this kind of possibly fraught relationship than Siuan is. Yes, she is at the top of the social structure (all the more so since becoming Aes Sedai) but that does not release her from a need to observe formalities and courtesies with someone who, afterall, is doing something for Moiraine that she can not do for herself, even with the Power. If Moiraine wants the services of a master dressmaker, the finest in Tar Valon, she must show respect for both Tamore Alkohima and her craft, which means submitting to her artistic decisions, as well as paying whatever price, without complaint.
Siuan, who comes from the poor Maule district in Tear, is not used to navigating this kind of situation. Most of those she has dealt with before coming to the Tower were either her equals or only slightly above her in terms of class. She tries to treat Tamore Alkohima initially like she most likely treated vendors in the Maule where everyone is concerned with price, since so many are constantly on the edge of poverty, and she wants to know exactly what she is buying and have complete say over the final product, which is the practical mentality of someone to whom those factors had a huge impact on her survival. Coin wasted on fish a day from going bad, or netting that isn’t the right kind, might have meant the difference between eating that week or not, for a young Siuan and her father. 
Yet this this reads as an insult to Tamore Alkohima, who takes it as being treated with mockery, and leads to Moiraine needing to step in to try and smooth things over, and explain to Siuan-
“Listen to me, Siuan and do not argue.” she whispered in a rush. “We must not keep Tamore waiting long. Do not ask after prices: she will tell us after we make our selections. Nothing you buy here will be cheap, but the dresses Tamore sews for you will make you look Aes Sedai as much as the shawl does. And it is Tamore, not Mistress Alkohima. You must observe the properties or she will believe you are mocking her. But try thinking of her as a sister who stands just a little above you. A touch of deference is necessary. Just a touch, but she will tell you what to wear as much as she asks.” “And will the bloody shoe maker tell us what kind of slippers to buy and charge us enough to buy fifty new sets of nets?” “No.” Moiraine said impatiently. Tamore was only arching one eyebrow but her face may as well have been a thunderhead. The meaning of that eyebrow was clear as the finest crystal. They had already made the seamstress wait too long, and there was going to be a price for it. And that scowl! She hurried on, whispering as fast as she could. “The shoemaker will make us what we want and we will bargain the price with him, but not too hard if we want his best work. The same with the glovemaker, the stockingmaker, the shiftmaker, and all the rest. Just be glad neither of us needs a hairdresser. The best hairdressers are true tyrants, and nearly as bad as perfumers.”
-New Spring, Chapter 13: Business in the City.
Navigating the relationship between characters of a different class is something a of a running theme throughout New Spring–from Moiraine’s dealing with the discretion of her banker (‘Another woman who knew well her place in the world’ as Moiraine puts it), to having to meet with peasants during her search for the Dragon Reborn (and bungling several of those interactions), to wading through the roughest criminal parts of Chachin in search of an inn, and frequently needing to resort to the Power to avoid or resolve conflict. Moiraine’s ability to handle these situations is tightly tied to her experience with the people involved prior to her time as a Novice, but all hold up and give color to the class system Jordan presents. It also serves as set up so that when Moraine breaks the properties with a different seamstress near the end of the book, it can be a sign of the rising tension and the complex machinations she and Siuan find themselves in.
Notably, Moiraine and Siuan’s relative skill with working with people is strongly related to their backgrounds: the more Moiraine encounters people outside her lived experience as a noble daughter in Cairhien, the more she struggles to navigate those situations while Siuan is much more effective at dealing with the soldiers during the name-taking sequence (who are drawn mostly from the same class as her–common laborers, farmers, etc), and the people in Chachin, where she secures an lodging and local contacts to help in the search with relative ease.
Trying to navigate these waters is also something that frequently trips up characters in the main series as well, especially with the Two Rivers folk who are, ultimately, from a relatively classless society that does not subscribe to feudal norms (more on that below). All of them react to both moving through a society that does follow those norms, and later, being incorporated into its power structures in different, frequently disastrous ways.
Rand, who is not used to the complicated balance between vassal and monarch (which is all the more complicated as he is constantly adding more and more realms under his banner) finds imposing his will and leading the aristocrats who swear fealty to him incredibly difficult. While his reforms are undoubtedly good for the common folk and the general welfare of the nations he takes over, he is most often left to enforce them with threats and violence, which ultimately fuel resistance, rebellion, and more opposition to him throughout the nations he rules, and has down-the-line bad ripple effects on how he treats others, both noble and not, who disagree with him. 
Rand also struggles even with those who sincerely wish to serve and aid him in this context: he is awkward with servants, distant with the soldiers and warriors who swear their lives to him, and even struggles with many of his advisors and allies. Part of that is distrust that plagues him in general, but a big element to it is also his own outsider perspective. The Aiel frequently complain that Rand tries to lead them like a King, but that’s because they assume a wetlander King always leads by edict and command. Yet Rand’s efforts to do that with the Westland nations he takes over almost always backfire or have lasting consequences. Rand is frequently trying to frequently play act at what he thinks a King is and does–and when he succeeds it’s almost always a result of Moiraine or Elayne’s advice on the subject, not his own instincts or preconceptions.
Perrin, meanwhile, is unable to hide his contempt for aristocracy and those that willingly follow them, which leads to him both being frequently derelict in his duties as a Lord, and not treating his followers with a great deal of respect. Nynaeve has a similar problem, where she often tries to ‘instill backbone’ into those lower in the class system then her, then comes to regret it when that backbone ends up turned on her, and her leadership rejected or her position disrespected by those she had encouraged to reject leadership or not show respect to people in higher positions.
Interestingly, it’s Mat that most effectively manages to navigate various inter-class relationships, and who via the Band of the Red Hand builds a pretty equitable, merit-based army. He does this by following a simple rule: treating people how they wish to be treated. He accepts deference when it’s offered, but never demands it. He pushes back on the notion he’s a Lord often, but only makes it a serious bone with people who hold the aristocracy in contempt. He’s earnest in his dealings, fair minded, and good at reading social situations to adapt to how folks expect him to act, and when he breaches those expectations it’s usually a deliberate tactical choice. 
This lets him maintain strong friendships with people of all backgrounds and classes– from Princes like Beslan to horse thieves like Chel Vanin. More importantly, it makes everyone under his command feel included, respected, and valued for what they are. Mat has Strong Ideas About Class (and about most things really), but he’s the only Two Rivers character who doesn't seem to be working from an assumption that everyone else ought to live by his ideals. He thinks anyone that buys into the feudal system is mad, but he doesn't actually let that impact how he treats anyone–probably from the knowledge that they think he’s just as mad.
Getting Creative With the Structure
The other thing I want to dig into is the ways in which Jordan, via his understanding of the feudal system, is able to play with it in creative and interesting ways that match his world. Succession is the big one; who rules after the current monarch dies is a massively important matter since it determines the flow of power in a country from one leader to the next. The reason so many European monarchies had primogeniture (eldest child inherits all titles) succession is not because everyone just hated second children, it’s because primogeniture is remarkably stable. Being able to point to the eldest child of the monarch and say them, that one, and their younger sibling if they're not around, and so on is very good for the transition of power, since it establishes a framework that is both easy to understand and very very hard to subvert. Pretty much the only way, historically, to subvert a primogeniture succession is for either the heir’s blood relationship to the monarch or the legitimacy of their parent’s marriage to be called into question.
And yet despite that, few of the countries in Jordan's world actually use primogeniture succession. Andor does, as do some of the Borderlands, but the majority of  monarchies in Randland use elective succession, where the monarch is elected from among the aristocratic class by some kind of deliberative body. This is the way things are in Tarabon, Arad Doman,Ghealdan, Illian, and Malkier, who all elect the monarchs (or diarchs in the case of Tarabon- where two rulers, the Panarch and the King, share power) via either special council or some other assembly of aristocrats. 
There are three countries where we don’t know the succession type (Arafel, Murandy, and Amadicia) but also one we know for sure doesn't use primogeniture succession: Cairhien. We know this because Moiraine’s claim to the Sun Throne as a member of House Damodred is seen as as legitimate enough for the White Tower to view putting her on the Sun Throne as a viable possibility, despite the fact that she has two older sisters whose claims would be considered superior to her own under primogeniture succession. We never find out for sure in the books what the succession law actually is (the country never stabilizes for a long enough period that it becomes important), but if I had to guess I would guess that it’s designated,where the monarch chooses their successor prior to their death, and that the civil war that followed the Aiel War was the result of both Laman and his designated heir(s) dying at the Bloodsnows (we are told by Moiraine that Laman and both his brothers are killed; likely one of them was the next in line).
One country that we know for sure uses designated succession is Seanchan, where the prospective heir is still chosen from among the children of the Empress, but they are made to compete with each other (usually via murder and plotting) for the monarch’s favor, the ‘best’ being then chosen to become the heir. This very closely models how the Ottoman Empire did succession (state sanctioned fratricide) and while it has the potential to ensure competence (by certain metrics, anyways) it also sows the seeds of potential instability by ensuring that the monarch is surrounded by a whole lot of people with bad will to them and feelings of being cheated or snubbed in the succession, or else out for vengeance for their favored and felled candidate. Of course, from the Seanchan’s point of view this is a feature not a bug: if you can’t win a civil war or prevent yourself from being assassinated, then you shouldn’t have the throne anyways.
Succession is far from the only way that Jordan plays with the feudal structure either. Population is something else that is very present in the world building, even though it’s only drawn attention to a handful of times. In our world, the global population steadily and consistently rose throughout the middle ages and the Renaissance (with only small dips for things like the plague and the Mongol Invasion), then exploded with the Industrial Revolution and has seen been on a meteoric climb year over year (something that may just now be stabilizing into an equilibrium again, only time will tell). This is one of the pressures that led to the collapse of feudalism in the real world, as a growing aristocratic class was confronted with finite land and titles, while at the same time the growing (and increasingly powerful) wealthy financial class of various countries were beginning to challenge the traditions and laws that kept them out of direct power. If you’ve ever read a Jane Austen novel (or really anything from the Georgian/Regency/Victorian eras) this tension is on display. The aristocratic class had never been as secure as people think, but the potential to fall into poverty and ruin had never been a greater threat, which had ripple effects for the stability of a nation, and in particular a monarch who derived much of their power from the fealty of their now-destabilized vassals.
In Jordan’s world however, we are told as early as The Great Hunt that the global population is steadily falling, and has been since the Hundred Years’ War (at least). No kingdom is able to actually control all the territory it has on a map, the size of armies have in particular shrunk consistently (to the point where it’s repeatedly commented on that the armies Rand puts together, some of no more than a few thousand, are larger than any ‘since Artur Hawkwing's day’), large swathes of land lay ungoverned and even more uninhabited or settled. Entire kingdoms have collapsed due to the inability of their increasingly small populations to hold together. This is the fate of many of the kingdoms Ingtar talks about in the Great Hunt: Almoth, Gabon, Hardan, Moredo, Caralain, to name just a few. They came apart due to a combination of ineffective leadership, low population, and a lack of strong neighbors willing or able to extend their power and stability over the area.
All of this means that there is actually more land than there are aristocrats to govern it; so much so that in places like Baerlon power is held by a crown-appointed governor because no noble house has been able to effectively entrench in the area. This has several interesting effects on the society and politics of Randland: people in general are far more aware of the fragility of the nation state as a idea then they would be otherwise, and institutions (even the intractable and mysterious White Tower) are not viewed by even their biggest partisans as invulnerable or perpetual. Even the most powerful leaders are aware, gazing out constantly, as they do, at the ruins of the hundreds of kingdoms that have risen and fallen since the Breaking of the World (itself nothing more, to their understanding, then the death of the ultimate kingdom) that there are no guarantees, no promises that it all won’t fall apart. 
This conflict reflects on different characters in different ways, drawing out selfishness and cowardice from some, courage and strength from others. This is a factor in Andor’s surprisingly egalitarian social climate: Elayne and Morgase both boast that Andorans are able to speak their minds freely to their leaders about the state of things, and be listened to, and even the most selfish of leaders like Elenia Sarand are painfully aware that they stand on a tower built from ‘the bricks of the common folk’, and make a concentrated effort to ensure their followers feel included and heard. Conversely it also reflects on the extremely regimented culture of the Borderlands, were dereliction of duty can mean not just the loss of your life, but the loss of a village, a town, a city, to Trolloc raids (another pressure likely responsible for slow and steady decline of the global population). 
The Borderlanders value duty, honor, and responsibility above all else, because those are the cornerstones holding their various nations together against both the march of time and the Blight. All classes place a high value on the social contract; the idea that everyone must fulfill their duty to keep society safe is a lot less abstract when the stakes are made obvious every winter through monsters raiding your towns. This is most obvious in both Hurin and Ingtar’s behavior throughout The Great Hunt: Hurin (and the rest of the non-noble class) lean on the assurance that the noble class will be responsible for the greater scale problems and issues in order to endure otherwise unendurable realities, and that Rand, Ingtar, Aglemar, Lan (all of whom he believes to be nobly born) have been raised with the necessary training and tools to take charge and lead others through impossible situations and are giving over their entire lives in service to the people. In exchange Hurin pays in respect, obedience, and (presumably) taxes. This frees Hurin up to focus on the things that are decidedly within his ken: tracking, thief taking, sword breaking, etc, trusting that Ingtar, and later Rand, will take care of everything else.
When Hurin comes up against the feudal system in Cairhien, where the failures of everyone involved have lead to a culture of endless backstabbing and scheming, forced deference, entitlement, and mutual contempt between the parties, he at first attempts to show the Cairhienin ‘proper’ behavior through example, in the hopes of drawing out some shame in them. But upon realizing that no one in Cairhien truly believes in the system any longer after it has failed the country so thoroughly (hence the willingness of vassals to betray their masters, and nobles to abandon their oaths–something unthinkable in the Borderlands) he reverts to his more normal shows of deference to Rand and Ingtar, abandoning excessive courtesy in favor of true fealty.
Ingtar (and later Rand) feel the reverse side of this: the pressure to be the one with the answers, to hold it all together, to be as much icon and object as living person, a figure who people can believe in and draw strength from when they have none of their own remaining, and knowing at the same time that their choices will decide the fates and lives of others. It’s no mistake that Rand first meets Hurin and begins this arc in the remains of Hardan, one of those swept-away nations that Ingtar talks about having been left nothing more than ‘the greatest stone quarry for a hundred miles’. The stakes of what can happen if they fail in this duty are made painfully clear from the start, and for Rand the stakes will only grow ever higher throughout the course of the series, as number of those ‘under his charge’ slides to become ‘a nation’ then ‘several nations’ and finally ‘all the world’. And that leads into one of the problems at the heart of Rand’s character arc.
This emphasis on the feudal contract and duty helps the Borderlands survive the impossible, but almost all of them (with the exception of Saldaea) practice cultures of emotional repression and control,spurning displays of emotion as a lack of self-control, and viewing it as weakness to address the pains and psychological traumas of their day to day lives. ‘Duty is heavier than a mountain, death lighter than a feather’, ‘There will be time to sleep when you’re dead’, ‘You can care for the living or mourn the dead, you cannot do both’: all common sayings in the Borderlands. On the one hand, all of these emphasize the importance of fulfilling your duty and obligations…but on the other, all also  implicitly imply the only true release from the sorrows and wounds taken in the course of that duty is death. It is this, in part, that breaks Ingtar: the belief that only the Borderlands truly understand the existential threat, and that he and those like him are suffering and dying for ‘soft southlanders’ whose kingdoms are destined to go to ruin anyways. It’s also why he reveals his suffering to Rand only after he has decided to die in a last stand–he is putting down the mountain of his trauma at last. This is also one of those moments in the books that is a particular building block on the road to Rand’s own problems with not expressing his feelings or being willing to work through his trauma, that will swing back around to endanger the same world he is duty-bound to protect.
I also suspect strongly that this is the source of the otherwise baffling Saldean practice of….what we will call dedicated emotional release. One of the core cultural Saldean traits (and something that is constantly tripping up Perrin in his interactions with Faile) is that Saldeans are the only Borderlanders to reject the notion that showing emotion is weakness. In fact, Saldeans in general believe that shows of anger, passion, sorrow, ardor–you name it–are a sign of both strength and respect. Your feelings are strong and they matter, and being willing to inflict them on another person is not a burden or a betrayal of duty, it’s knowing that they will be strong enough to bear whatever you are feeling. I would hesitate to call even the Saldaens well-adjusted (I don’t know that there is a way to be well-adjusted in a society at constant war), but I do think there is merit to their apparent belief in catharsis, and their resistance to emotional repression as a sign of strength. Of course, that doesn't make their culture naturally better at communication (as Faile and Perrin’s relationship problems prove) but I do think it plays a part in why Bashere is such a good influence on Rand, helping push him away from a lot of the stoic restraint Rand has internalized from Lan, Ingtar, Moiraine, et al.
It also demonstrates that a functioning feudal society is not dependent on absolute emotional repression, or perfect obedience.  Only mutual respect and trust between the parties are necessary–trust that the noble (or monarch) will do their best in the execution of their duties, and trust that the common folk in society will in turn fulfill their roles to the best of their ability. Faile’s effectiveness as Perrin’s co-leader/second in command is never hindered or even implied to be hindered by her temperament or her refusal to hide/repress her emotions. She is arguably the one who is doing most of the actual work of governing the Two Rivers after she and Perrin are acclaimed their lord and lady: seeing to public works projects, settling disputes, maintaining relationships with various official groups of their subjects.
The prologue from Lord of Chaos (a favorite scene of mine of the books) where Faile is holding public audience while Perrin is off sulking ‘again’ is a great great example of this; Faile is the quintessential Borderland noble heir, raised all her life in the skills necessary to run a feudal domain, and those skills are on prime display as she holds court. But that is not hindered by her willingness to show her true feelings, from contempt of those she thinks are wasting her time, to compassion and empathy to the Wisdoms who come to her for reassurance about the weather. This is one of those things that Perrin has to learn from her over the course of the series–that simply burying his emotions for fear they might hurt others is not a healthy way to go about life, and it isn’t necessary to rule or lead either. His prejudices about what constitutes a ‘good’ Lord (Lan, Agelmar, Ingtar) and a ‘bad’ one (literally everyone else) are blinding him, showing his lack of understanding of the system that his people are adopting, and his role in it.
Which is a nice dovetail with my next bit–
Outsiders And the Non-Feudal State
Another way Jordan effectively depicts the Feudal system is by having groups who decidedly do not practice it be prominent throughout the series–which is again accurate to real life history, where feudalism was the mode of government for much of (but by no means all) of Medieval and Renaissance Europe, but even in Europe their were always societies doing their own thing, and outside of it, different systems of government flourished in response to their environments and cultures; some with parallels to Feudalism, many completely distinct.
The obvious here are the Aiel who draw on several different non-feudal societies (the Scottish Highland Clans, the Iroquois Confederation, the Mongols, and the Zulu to name just a few) and the Seafolk (whose are a combination of the Maori and the Republic of Piracy of all things), but also firmly in these categories are groups like the communities in the Black Hills, Almoth Plain, and the Two Rivers.
Even though it’s an agrarian farming community made up primarily of small villages, the Two Rivers is not a feudal state or system. We tend to forget this because it looks a lot like our notion of a classic medieval European village, which our biases inherently equate to feudal, but Jordan is very good at remembering this is not the case, and that the Two Rivers folk are just as much outsiders to these systems as the Aiel, or the Seafolk. 
Consider how often the refrain of ‘don’t even know they’re part of the Kingdom of Andor’ is repeated in regards to the Two Rivers, and how much the knowledge of Our Heroes about how things like Kingdoms, courts, war, etc, are little more than fairy tales to the likes of those Two Rivers, while even places unaffected directly by things like the Trakand Succession or the Aiel War are still strongly culturally, economically, and politically impacted. 
Instead of deriving power and justice from a noble or even a code of law, power is maintained by two distinct groups of village elders (The Village Council and the Women’s Circle) who are awarded seats based on their standing within the community. These groups provide the day-to-day ordering of business and resolving of conflicts, aiding those in need and doing what they can for problems that impact the entire community. The Wisdom serves as the community physician, spiritual advisor, and judge (in a role that resembles what we know of pre-Christian celtic druids), and the Women’s Circle manages most social ceremonies from marriages to betrothals to funerals, as well as presiding over criminal trials (insofar as they even have them). The Mayor manages the village economics, maintaining relationships and arbitrating deals with outsider merchants and peddlers, collecting and spending public funds (through a volunteer collection when necessary, which is how we’re told the new sick house was built and presumably was how the village paid for things like fireworks and gleeman for public festivals), while the Council oversees civil matters like property disputes. 
On the surface this seems like an ideal community: idyllic, agrarian, decentralized, where everyone cares more about good food and good company and good harvests than matters of power, politics, or wealth, and without the need for any broader power-structure beyond the local town leaders. It’s the kind of place that luddites Tolkien and Thomas Jefferson envisioned as a utopia (and indeed the Two Rivers it the most Tolkien-y place in Randland after the Ogier stedding, of which we see relatively little), but I think Jordan does an excellent job of not romanticizing this way of life the way Tolkien often did. Because while the Two Rivers has many virtues and a great deal to recommend it, it also has many flaws.
The people in the Two Rivers are largely narrow minded and bigoted, especially to outsiders; The day after Moiraine saves the lives of the entire village from a Trolloc attack, a mob turns up to try and burn her out, driven by their own xenophobia and fear of that which they don’t understand. Their society is also heavily repressed and regressive in its sex norms and gender relations: the personal lives of everyone are considered public business, and anyone living in a fashion the Women’s Circle deems unsuitable (such as widower and single father Tam al’Thor) is subject to intense pressure to ‘correct’ their ways (remarry and find a mother for Rand). There is also no uniformity in terms of law or government, no codified legal code, and no real public infrastructure (largely the result of the region’s lack of taxes). This is made possible by the geographic isolation and food stability–two factors that insulate the Two Rivers from many of the problems that cause the formation or joining of a nation state. It’s only after the repeated emergence of problems that their existing systems can not handle (Trolloc raids, martial law under the White Cloaks, the Endless Summer, etc) that the Two Rivers folk begin adopting feudalism, and even then it’s not an instantaneous process, as everyone involved must navigate not just how they are going to adopt this alien form of government, but how they are going to make it match to their culture and history as well.
This plays neatly with the societies that, very pointedly, do not adopt feudalism over the course of the series. The Aiel reject the notion entirely, thinking it as barbaric and backward as the Westerlanders think their culture is–and Jordan is very good at showing neither as really right. The Aiel as a society have many strengths the fandom likes to focus on (a commitment to community care, a strong sense of collective responsibility, a flexible social order that is more capable of accounting for non-traditional platonic and romantic relationships, as well as a general lack of repressive sex norms) but this comes at a serious cost as well. The Aiel broadly share the Borderlander’s response of emotional suppression as a way of dealing with the violence of their daily life, as well as serious problems with institutionalized violence, xenophobia, and a lack of respect for individual rights and agency. Of these, the xenophobia is probably the most outright destructive, and is one of the major factors Rand has to account for when leading the Aiel into Cairhien, as well a huge motivating factor in the Shaido going renegade, and many Aiel breaking clan to join them–and even before Rand’s arrival it manifested as killing all outsiders who entered their land, except for Cairhienin, whom they sold as slaves in Shara.
And yet, despite these problems Jordan never really suggests that the Aiel would be better off as town-or-castle dwelling society, and several characters (most notably the Maidens) explicitly reject the idea that they should abandon their culture, values, and history as a response to the revelations at Rhuidean. Charting a unique course forward for the Aiel is one of the most persistent problems that weighs on the Wise Ones throughout the second half of the series, and Aviendha in particular. Unlike many of the feudal states faced with Tarmon Gai’don, the Aiel when confronted with the end of days and the sure knowledge of the destruction of their way of life are mostly disinterested in ignoring, running from, or rejecting that revelation (those that do, defect to the Shaido). Their unique government and cultural structure gives them the necessary flexibility to pivot quickly to facing the reality of the Last Battle, and to focus on both helping the world defeat the Shadow, and what will become of them afterwards. This ironically, leaves them in one of the best positions post-series, as the keepers of the Dragon’s Peace, which will allow them to hold on to many of their core cultural values even as they make the transition to a new way of life, without having to succumb to the pressures to either assimilate into Westlands, or return to their xenophobic isolationism.
The Seafolk provide the other contrast, being a maritime society where the majority of the people spend their time shipboard. Their culture is one of strong self-discipline and control, where rank, experience, and rules are valued heavily, agreements are considered the next thing to sacred, and material prosperity is valued. Though we don’t spend quite as much time with them as the Aiel, we get a good sense of their culture throughout the mid-series. They share the Aiel’s contempt for the feudal ‘shorebound’, but don’t share their xenophobia, instead maintaining strong trade relationships with every nation on navigable water, though outside of the context of those trade relationships, they are at best frosty to non-Seafolk. 
They are not society without problems–the implication of their strong anti-corruption and anti-nepotism policies is that it’s a serious issue in their culture, and their lack of a centralized power structure outside of their handful of island homes means that they suffer a similar problem to the likes of Murandy and Altara, where life on one ship might be radically different then life on another, in terms of the justice or treatment you might face, especially as an outsider. But the trade off is that they have more social mobility then basically any other society we see in Randland. Even the Aiel tend to have strongly entrenched and managed circles of power, with little mobility not managed by the Wise Ones or the chiefs. But anyone can rise high in Sea Folk society, to become a leader in their clan, or even Mistress of the Ships or Master of the Blades– and they can fall just as easily, for shows of incompetence, or failures to execute their duties. 
They are also another society who is able to adapt to circumstances of Tamon Gai’don relatively painlessly, having a very effective plan in place to deal with the fallout and realities of the Last Battle. The execution gets tripped up frequently by various factors, but again, I don’t think it’s a mistake that they are one of the groups that comes out the other side of the Last Battle in a strong position, especially given the need that will now exist to move supplies and personnel for rebuilding post-Last Battle. The Seafolk have already begun working out embassies in every nation on navigable water, an important step to modernizing national relationships.
How does all this relate to feudalism and class? It’s Jordan digging into a fundamental truth about the world and people–at no point in our own history have we ever found a truly ‘perfect’ model for society. That’s something he’s constantly trying to show with feudalism–it is neither an ideal nor an abomination, it just is. Conversely, the Two Rivers, Aiel, Seafolk, and Ogier (who I don’t get into to much here for space, but who also have their own big problems with suffrage and independence, and their virtues in terms of environmental stability and social harmony) all exist in largely classes societies, but that doesn't exempt them from having problems or make them a utopia, and it certainly doesn't make them lesser or backwards either–Jordan expends a lot of energy to show them as complex, nuanced and flawed, in the same way he does for his pseudo-Europe.
Conclusion
To restate my premise: one of Jordan’s profound gifts as a writer is his capacity to set aside his own biases and write anything from his villains to his world with an honest, empathetic cast that defies simplification. Feudalism and monarchy more generally have a bad rep in our society, for good reasons. But I think either whitewashing or vilifying the feudal system is a mistake, which Jordan’s writing naturally reflects. Jordan is good at asking complicating questions of simple premises. He presents you with the Kingdom of Andor, prosperous and vast and under the rule of a regal much loved Queen and he asks ‘where does its wealth come from? How does it maintain law and order? How does the Queen exert influence and maintain her rule even in far-flung corners of the realm? How did she come to power in the first place and does that have an impact on the politics surrounding her current reign?’. And he does this with every country, every corner of his world–shining interesting lights on familiar tropes, and exploring the humanity of these grand ideas in a way that feels very real as a result.
The question of, is this an inherently just system is never really raised because it’s a simplifying question, not a complicating one. Whatever you answer–yes or no–does not add to the depiction of these systems or the people within them, it takes away. You make someone flat–be it a glorious just revolutionary opposing a cackling wicked King, or a virtuous and dutiful King suppressing dangerous radical dissidents, and you make the world flatter as a result. 
I often think about how, when I began studying European history, I was shocked to learn that the majority of the royalists who rose up against the Jacobins were provincial peasants, marching against what they perceived to be disgruntled, greedy academic and financial elites. These were, after all, the same people that the Jacobins’ revolution claimed to serve and be doing the will of. Many of the French aristocrats were undeniably corrupt, indolent, and detached from their subjects, but when you look closer at the motives of many of the Jacobins you discover that motives were frequently more complex then history tends to remember or their propaganda tried to claim, and many were bitterly divided against each other on matters of tactics, or ideals, or simple personality difference. The simple version of the French Revolution assigns all the blame to the likes of Robespierre going mad with power, and losing sight of the revolutions’ higher ideals, but the truth was the Jacobins could never properly agree on many of their supposed core ideals, and Robespierre, while powerful, was still one voice in a Republic–and every person executed by guillotine was decreed guilty by a majority vote.
This is the sort of nuance lost so often in fantasy stories, but not in Jordan’s books. The story could be simpler–Morgase could just be a just and good high Queen archetype who is driven by love of her people, but Jordan depicts her from the beginning as human–with virtues and flaws, doing the best she can in the word she has found herself. Trying to be a just and good Queen and often succeeding, and sometimes falling short of the mark. The Tairen and Cairhienin nobility could just all be greedy, corrupt, out-of-touch monsters who cannot care for anything beyond their own pleasures–but for every Laman, Weairamon, or Colavaere, you have Dobraine, Moiraine, or Darlin. And that is one of the core tenets of Jordan’s storytelling: that there is no system wholly without merit or completely without flaw, and no group of people is ever wholly good or evil.
By taking this approach, Jordan’s story feels real. None of his characters or world come across like caricature or parody. The heinous acts are sharper and more distinct, the heroic choices more earned and powerful. Nothing is assumed–not the divine right of kings, or the glorious virtue of the common man. This, combined with a willingness to draw on the real complex histories of our own world, and work through how the unique quirks of fantasy impact them, is what renders The Wheel Of Time such a standout as a fantasy series, past even more classic seminal examples of the genre, and why its themes of class, duty, power, and politics resonate with its modern audiences.
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Uptight – Jim Halpert
This is just a little cutesy one-shot with our favorite golden retriever: Jim Halpert. I think he needs more writings done with readers or even Pam. Honestly, it would just be fun to read about him more. I kinda wanna do a part 2 on this... idk... I hope you like it!!
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Everyone knew Jim Halpert. Jim Halpert knew everyone well enough. He talked to people, smiled and laughed with them, and pranked stuck up asses.
Well… except you…
You were uptight, in a work way. You never slacked off, only took off when you were sick. Which was never.
You sat with Jim and Dwight, usually typing and helping clients set up their paper orders.
Jim thought you were beautiful. So average, so basic, so perfect. Sometimes, he would wonder to himself, as he glanced at you, how different would you act outside of work?
His small friendly crush was a secret to everyone, especially you. Jim knew I’d you found out, his life, with you, would be over. Forever.
Today was a normal day in the office— you working your ass off while Jim annoyed Dwight a little by talking louder than usual.
It annoyed you as well, but you didn’t say anything.
“Anyways” Jim said to nobody on the phone, “I cannot believe that that happened!” He half yelled, making you sigh.
Jim glanced at you, his face falling. You were annoyed. He could tell by the cute frown on your face and the face you were chewing your gum a bit harsher then normal.
“I have to get back to you,” he said quietly, glancing away, “bye,”
Although it was a fake call, he set the phone down.
Glancing over at you, seeing that you were already staring back at him, made his heart flutter softly.
“Thanks,” was all you said to him, the first thing you said to him since yesterday, and soon, the receiver was up to your ear from an incoming call.
Jim felt his heart warm at your cold statement. You were like a cat, he was like a dog. How funny.
——
The rest of the day went by smoothly, in your opinion. The room had finally been put at a comfortable temperature, since some people liked it colder than others.
You looked at the clock and hummed. Exactly five, so you got up and grabbed your old red leather purse and the cardigan you brought.
Without saying goodbye, you pushed in your chair and left the office, hearing scrapes from other people’s desk chairs as they left.
Leaving the reception, when you stepped out the rain that was forecasted earlier had come ten times harder than told in the weather news this morning.
Your umbrella was in your car, which was across the street.
“Oh my gosh…” you whispered angrily to yourself, watching the cloud.
Jim walked out a few seconds behind you, seeing that you were trying to drape your favorite cardigan over your head, now looking rather annoyed.
He could help but smile, seeing he could be the knight in shining armor.
“You want me to walk you?” Jim said to your right. You looked up slightly to see the sweet smile of Jim Halpert, holding a black umbrella in between the two of you.
You hummed, looking down to hide a smile. “Yes, please,” you whispered shamefully, “I didn’t know it was going to rain this hard…”
Jim laughed. “Nor did I. This is Michael’s umbrella,”
You gasped, your eyebrows furrowing. “Jim!” You said, about to tell him off.
With the happiest laugh you heard, Jim started chuckling, showing off his cute lopsided smile.
A warmth bubbled in your stomach, your heart beating ever so much faster.
“I’m just joking,” he said cheekily, “let’s go,”
The two walked in silence, you blushing like mad, Jim smiling like a goon. It was cute for the cameras to record.
Michael watched through the blinds with the cameras, sighing.
“Office romance: the sweetest kind of romance, in my opinion."
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