#i wrote a lot but look when i fucking.

[fumifooms]

I think you made me start shipping Marchil

Your posts got me thinking about their dynamic then I wrote a fic that was supposed to be platonic but midway through I realized it could actually be interpreted as romantic too and now I'm just sad about how little time they'll have together

First of all, you have a lovely icon, second, I’m so honored… I finally read Not a bad way to go and it was soo so good like. My god!!! Pre-canon is underused and you did so many interesting things with it.

It sounded like a cruel joke, that the one who needed her concern the most was also the one least interested in it.

^^^ go read it go read it

Chilchuck was drunk enough that he needed to hold onto the walls not to fall, but apparently still sober enough to remember emotional vulnerability was his worst enemy, as he made sure to avert her eyes and said: “Namari made me come talk to you ” to make it clear he wasn't being nice voluntarily.

Yeah.

“Of course I'm scared of dying.” He scoffed. Did she really think so little of him? “But if I could choose, I would want to die doing something I love, like drinking. Or maybe fucking,”

Maybe you wish you didn’t know but my new favorite HC because of this is that Chil dies yes prematurely not of liver failure though but during coitus. Especially if marchil, the thought of him busting a nut and his heart giving out makes me laugh so hard. My god. Lmao. Oh god. Lmfao. Worst day of her life

Marcille knew Chilchuck wasn't a kid, but she often struggled to take him seriously as an adult because he was just so adorable and small. In this moment, however, she saw them exactly for what they were, even if it was just a glimpse. A sheltered, naive little girl trying to tell a tired, much more experienced man how to live the rest of his life.

Standing ovation

She tried to find an explanation to give him, but she couldn't even find one for herself. Why would she miss him? He was just Chilchuck, her coworker, Chilchuck who was cold, aloof, sometimes crass, evasive, and even outright mean. He who was level headed, reliable, trustworthy, perceptive and clever. He who had the least time left, even in a best case scenario. “I guess that despite your best efforts, there's still a lot to like about you.”

This fic goes so hard, standing ovation pt 2

“I just think it's better if we don't get too close. Don't you agree?” “I… maybe” she said, uncertain as he didn't know how to feel about that. Caring about people would only hurt her in the wrong run, she knew that, but unfortunately she couldn't help it.

I looove how they can be read to be similar on this aspect. My hand clenching around my phone as I rear up to rant about Marcille and the way she does keep people at an arm’s length subconsciously again my god my goood. Obsessed with this obsessed with this, underused for marchil. Terrified of loss through death vs rejection duo I love youuu

Brilliant ending I’m in shambles. I’m not gonna spoil it

You get marchil so much you truly do. The way they mesh, the way their views on mortality clash and both soothe & bruise… He doesn’t have much time left even in best case scenario (which Mr I won’t eat well I’ll drink and smoke a lot I’ll stress all day every day is determined to not make happen) which makes it all the more meaningful for Marcille’s arc when she learns from him to finally enjoy the present moments… It’ll only be a fraction of her life, but to him he’s giving her the rest of his life. What are some decades of love worth? Worth it, surely, if nothing else

[edgelordtozier]

sorry but alicent hightower isn’t “ruined” this season. you people just never understood her in the first place and think of her as something she’s not lmao.

of course she’s a hypocrite, she has been the whole time. her holier than thou persona is a facade. she wants freedom of choice and, with that, sexual liberation. she gets that now with criston at the price of her own shame and guilt tied to her faith, which is real (criston’s faith, at least in the seven, is NOT, but yknow. for another time). her going for what rhaenyra got and what rhaenyra had the freedom to partake in is not character assassination lmao. It’s what’s been set up this whole time. she’s not this saint that she and her stans claim her to be. she’s variably flawed CLEARLY (which is what makes her a good character) but isn’t going to stray away from the exact thing she claims to hate.

“duty and sacrifice” and “honor and decency will prevail” are shown to the viewer to be hypocritical statements. fucking obviously. why did anyone take that at face value LMAO. All those things are what alicent herself has been forced to align with since she was a child made to marry viserys. she wants rhaenyra to ALSO fit that mould and to feel that misery that she’s felt, just as she wishes she had the freedom rhaenyra has. that doesn’t mean she believes in these ideas. she clearly goes against them; that’s her character. she believes that she believes them, but her desire to leave the mould outweighs that time and time again.

to say that she’s an outlandishly different character in s2 after seeing one singular episode is insane. she’s the same. she and criston is not a left field decision, nor is it a particularly bad one, even if it did feel abrupt (which is more a pacing issue). alicent and criston’s joint hypocrisy has been pointed out the entire time. to further highlight it is not bad writing or character ruination. you just didn’t understand them in the first place. Alicent isn’t a blushing nun. she’s a woman whose old decrepit husband is finally dead and now has the freedom she didn’t get at 17.

[ganondoodle]

in all honesty, im feeling a bit burned out on totk, the more i think about it the more i dislike its story and lore, i dont know what to make of it it being so loved by everyone else makes me feel like theres something wrong about me :/ gonna try and take a step back from it all

[aro-culture-is]

quick note - this blog is gonna be sparse again for at least this week. trying new medications and tbh initial side effects are not super pleasant + actual effects build up. as a result: currently as if unmedicated for mental health, with anxiety+ side effect, extra fatigue, dizziness, and fatigue. it's uh, sure something.

totally recognize that most of y'all know we're absent at times due to health things, just wanted to give a heads up that this one is at least anticipated.

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[tariah23]

im back to say after reading your tags/ramblings on this new jjk chapter yeah everyone shitting on shoko and yuta for this are like? how.

especially with shoko (as you know i think about her a lot) i'm not surprised she reacted this way considering she has seen all of her friends die basically and she definitely deals with dead sorcerers on the daily that she probably knew in life considering she's the main healer. in my headcanons she recognizes a lot of the people who eventually end up dead on her exam table.

plus as you mentioned her reaction to geto's mass murder is super chill. she was never going to have a breakdown over fucked up shit? at least not outwardly, unfortunately we don't really get a look in her head. also god forbid a woman have interest in dead/macabre things and/or not give 110% emotionally at all times.

personally i enjoy satosugu (insert multishipper nuance here) but the fandom surrounding the ship is very...... can you think about any other character? please??? can you also see satoru and suguru as individuals???? PLEASE?

the manga is not your satosugu fanfiction there are other characters here that matter...

IT’S SO BAD!!! THEY ARE ACTING LIKE HIS STUDENTS AND FRIENDS WANTED THIS!?!! And are refusing to look at the story from a narrative standpoint outside of shipper/fanon shit… They do this literally every time something huge and awful happens. They always end up making it about a damn ship, completely glossing over the characters themselves and their intentions. It’s so frustrating. The Gojo and Getou they talk about is barely even them… those are OC’s!!!

And the only reason why they’re talking so negatively about Shoko is because they hate women 🗣️🗣️🗣️!!! It’s crazy, she’s literally a doctor who specializes in the dead. She’s a mortician!!! Like, you’ve stated, she’s been burying her colleagues and friends since she was a teenager. I’m sure she’s used to the business now. Even if it’s hard, if you’re in this line of work, people who work with the dead tend to not find it as torturous and haunting as any normal person would because death is an extension of life. They don’t view death as this big, scary, horrible thing they way people who don’t work with the dead/aren’t used to dealing with death, are. That’s why in rl, morticians and doctors might come off as extremely fickle and end uncomfortably nonchalant regarding death. They don’t view dying and the dead in the same way we would. They find comfort in knowing that they can help the grieving pass on the best way that they can by taking care of their bodies in their most vulnerable moments on earth. It would’ve been nice to see more of Shoko’s reactions and knowing about more of her feelings regarding Gojo’s passing because like I’ve stated before, Gege really fumbled her character and because of the way he wrote her, it makes it easier for fans who already don’t care about her, to mischaracterize and misunderstand her intentions, labeling them as “callous,” and “inconsiderate,” despite her having always been this way since the very beginning. She didn’t even so much as flinch when Getou had confirmed to her that he’d committed a massacre, killing over 100 people in the process. They were talking so casually as if they were talking about the weather. She had to fix up Haibara, probably one of their very first friends who she’d most likely ever had to work on… it’s just, I hate how the people bashing her really DON’T understand her character at all and have never once tried to and they’re constantly proving my point. They expected her to be sobbing in every panel, grabbing onto Gojo’s tight…, Sexy ass, black t-shirt, holding on for dear life and screaming at him to wake up and they absolutely HATE that a female character wouldn’t give that to them 🚶🏾‍♀️. I’m so sorry Shoko… they’re acting like Getou would’ve been the only one to feel bad about all of this simply because they ship them and forgot all about canon.

As for Yuuta… oh brother. The fact that all of Gojo’s students do care about him and have always admired him… Yuuta didn’t want this at all… but he knew that he HAD to do it in the end and so did the others. Knowing the kind of trauma that he’d suffered himself. The pain and isolation that he had to deal with because he was too afraid of hurting people so he pushed them away and purposely isolated himself. He’s canonically tried to take his own life on multiple occasions. After meeting Gojo, he learned that he had just as much as a right to live as anyone else and that he mattered. He chose life. Gojo, alongside the friends he’d made, made a huge impression on him and it makes me happy whenever I think about it. He used his strength to protect others and learned to see his strength as a good thing instead of a curse that separated him from society. Gojo already knows what it’s like to be lonely and lived with that till the very end. But he made sure to let his students know that they all were worth living. This is literally why he wanted to become a teacher in the first place!!! Have the fans forgotten just how much he adores his students!?!! Yuuta knew exactly how Gojo must’ve felt… even taking over his body, he didn’t need to view his memories to find out.

Even if it is, from a narrative standpoint, incredibly disgusting, Gojo gave them permission because he values the lives of the people he cares about, especially the kids (ppl always forget that he loves children 😭… he’s do anything for them), above his own. When it comes to the kids, he knows that he’s the adult in the situation. Just like Nanami, it’s the adults duty to protect the children and he feels the same way. His corpse gave them a way to fight back and he gladly gave it to them as sad as this might sound… He’s always been this way and we all know why. Come on. He’d always seen it as his duty to protect and shield them from the horrors of the real world that would soon hurt them back. I hate that he’s still being used as a weapon in his death so much, it really makes me want to cry, I could barely sleep 😭… but man…, whenever stuff like this happens, it just goes to show that not everyone was reading the story with their eyes open. Blame it on shipper brainrot.

[compacflt]

i am pretty solidly anti-fic printing except when its my fic that i wrote & i want to hold it in my hands for editing purposes

final (final!!!!) edit & slider one-shot inbound soon

[cerealmonster15]

i do love sneaking in side ships to fics where they arent the focus but also i think the only reason i have the cater/trey mention in this story was bc i needed a reason to prevent cater from giving silver and kalim more thought out advice kflsjdfklsjd i had to interrupt him and make him LEAVE!!!

[triglycercule]

putting on mtt offical themes and fanmade theme songs and group songs when i sleep all so when i fall asleep and dream i can see them and see what theyll be like and then i wont have to think of them 24/7 through my day when i can just think of them during night. this possibility could either end up in me getting killed by them so gruesomely that i wake up traumatized or i wake up happy and satisfied from a restful night of trio dream time

[queerasf4ck]

Some of you are so weird about labels. You’ll be like, "We must maintain the purity of this label by policing how others use it." What are you, the Catholic Church? Chill.

[tenok]

.

[firedragon1321]

Pokemon/Digimon-Esque Bullshit

Being autistic over Pokemon and writing means taking a hammer to the entire Pokemon Cinematic Universe in three hundred unique ways and getting shit that's basically only united by "there are people and monsters". I've seen more modern takes on mon stories, but I feel like they all wanna be Pokemon 2.0 or they're leaning on Ow the Edge factor. So fuck it- I'll make my own and pretend Temtem and Palwold don't exist.

Because I don't like repeating myself (when I'm really repeating myself) and there's just. SO MUCH. So many different ways to approach Pokemon, and I will turn ALL of them into at least one (1) novel.

In no particular order-

Zunru (vicious deconstruction of the "monster as fighter" concept), which I started in 2020.

I have a WIP about Ash's departure from the anime (which I'm saving along with other short WIPs to get rid of in NaNo).

The Toon-iverse Saga plops Pokemon-esque characters in the real world and skewers the fandom.

FENmons (baby's first attempt from 2016- not very good on the mon stuff, but hey- we get to make fun of the orange cheeto man!)

I have an untitled side WIP that's about the mon genre in general, and focuses more on child-friendly naivety (sort of like Toon-iverse Saga, but different, aka "help my art project is mutating (again)").

(Still haven't figured out how to work Kieran into something yet. I have a lot of feelings about him. He recontextualized the games and how people interact with the player character forever for me. Oh well. Future WIP I guess. Maybe a short story? Novella? Maybe.)

And don't get me started on the Digimon style novels/WIPs. Holy shit.

Toon-iverse Saga (again, same as above)

Singularity (more optimistic source material deconstruction than Zunru. There's a focus on modern tech like social media algorithms and artificial intelligence because I want to throw kaiju at them.)

School's Out Forever (not officially Digimon-esque, but features kids with monsters that react to their emotions- c'mon)

The untitled WIP will hook around to Digimon since it's a crossover (of original shit???)

If it's not here, Tai threw his genes at the protagonist and gave them big hair, goggles, or both. Or I used the Adventure cast as building blocks to make a group of OCs (it's actually a really good base).

TL;DR- I am drowning in hyperfixation-related WIPs.

[oifaaa]

The other thing about Lost Days is I believe even winnick himself has stated that it was a poor writing choice and he's glad it's no longer canon

We love to see a guy recognise his mistakes I'm grateful it was only a very small part of lost days and it is very easy to ignore it

[dailyeca]

sometimes i think that i should be putting him in more complex compositions and dynamic poses and cool outfits and color palettes and pretty rendering and detailed backgrounds and more characters and story-driven comics and personal meaning

and then im like. that's the fucking devil talking. dailyeca is and always was supposed to be a low maintenance blog where i draw an eca a day and this eca can be the most scribbled motherfucker in da world but as long as there's a daily eca then i've succeeded. when i have time to add cool shit i can absolutely do that but even if he's just a sketched up bust shot at 11:59, i'm doing enough because that's just dailyeca babey.

[scattered-winter]

ok winter...it's my turn now: jaykyle. i am intrigued, and i'd like to know as much as is feasible to tell me. (it's killing me to send something this open-ended but i feel like i don't actually know enough about them to be more specific.)

TEEHEE <3333 SOOOO GLAD YOU ASKED BECAUSE I CARE THEM <33

jaykyle is a ship between two of my favorite dc characters, jason todd and kyle rayner. they're both sooo fascinating on their own AND as a pairing and I just <3333 this is gonna get long because 1) they both have very long and complicated stories that's gonna take a bit to unpack and 2) I love them <33 and I love to talk about them <333 a bit of forewarning, but comics storylines are RIDICULOUSLY complicated and pretty much every single character has more origins, timelines, and personalities than you can shake a stick at. in the comics fandom we take marie kondo's words to heart because if we tried to stick to What Canon Says, we would be running in circles all day because everything contradicts itself. everything is canon and nothing is canon and if it doesn't spark joy, it isn't true <3 I'll explain everything to the best of my ability but it's gonna get Real Complicated Real Fast

tw for death (child and otherwise)

jason todd (playlist) is part of the batfam (group of vigilantes associated with batman) and he's also part of the wayne family (by adoption). I looked everywhere for the panels to show how he was introduced because it's objectively the funniest way to introduce any character but alas, they have eluded me so I'll just tell you: he grew up in the poorer parts of gotham city with his parents, catherine and willis todd. willis got caught up in two-face's gang (because gotham city as a whole has a trend of eating its people alive/forcing them to do crime because they're desperate and have no choice etc etc) and ended up getting killed because of it, and catherine died of an illness, leaving jason to fend for himself on the streets.* he is brought into the story by jacking the tires off the BATMOBILE, and getting caught by batman himself. in response to this he hits batman with a tire iron, calls him a big boob, and runs away (and in the process making bruce laugh out loud in the same place his parents died which makes me SOO OUGHOUGHOUGHOUGH)

*catherine and willis both loved jason very much, but recent comics have portrayed willis as abusive/catherine as neglectful, which doesn't spark joy for me personally so I tend to ignore those ones and stick to the others where they were genuinely loving parents who fell on hard times.

the original robin, dick grayson, recently moved on from the mantle and went to live somewhere else,* so bruce adopted jason and started training him as the new robin. he was a very bright, very loving boy who enthusiastically went to school and read books and loved bruce so so much and bruce loved him because that was his KID.**

*I can't remember if he went to live with the titans or went to gotham's sister city, bludhaven; but in any case he ends up in bludhaven eventually and operates there as nightwing

**In more recent comics, jason's robin days are portrayed as him being brash and violent (new drinking game: take a shot every time a comic describes robin jason as "angry" or "reckless" smfh) and of course while being a vigilante involves violence, and being a well-rounded character, jason did indeed have moments of anger, I strongly dislike this way of thinking because it takes so much away from his character and you'll see what I mean by that in a minute.

however, the happy days weren't gonna last. jason discovered that catherine todd wasn't his biological mother, and he had found some evidence pointing to who his birth mother was. (I think it was a birth certificate that was partially damaged so he couldn't see the whole name but it's been a while since I've read the comic where that happens so don't quote me on that) but regardless of how he found out, jason set out to find his real mother. he'd narrowed down the list of possible mothers to a few different women, so he found them each in turn and ruled them out as he went. he ran away from home to go on his little self-discovery mission, and the only reason bruce didn't go after him was because the joker had a big scheme with a nuclear missile that kinda took precedence. but by pure happenstance, they ran into each other and decided to work together for both their goals (stopping joker AND finding jason's mom). eventually jason and bruce narrowed the list down to one woman: sheila haywood. they travelled to ethiopia to find her, and jason actually did, but moments after meeting her, sheila betrayed him and handed him over to the joker, who proceeded to beat jason within an inch of his life with a crowbar while sheila watched.

(batman: a death in the family)

he then tied up sheila and left them both to die in the warehouse because he rigged it with a bomb. jason, despite being betrayed by her literally minutes before, stopped to untie her to get her out instead of saving himself. but the bomb went off with them both inside, just in time for batman (who had been frantically rushing to the warehouse as soon as he heard that jason had been captured) to see the explosion <3

(batman: a death in the family)

and the thing that REALLY fucks me up is that even after everything she did to him, jason still used himself as a human shield to try and protect sheila. these two panels have literally caused me lasting damage

(batman: a death in the family)

this is also why the narrative of jason being reckless makes me so angry. he didn't die because he was a reckless idiot who rushed into danger without a thought, he died because he tried to save a woman who nearly got him killed. he died shielding her with his own body even though she betrayed him literally a few minutes earlier. some comic writers have rewritten the scene to take out sheila entirely, but that takes away a huge part of the story!!!! jason didn't die because he was reckless!! he died because he was trying to save someone!!!! I will literally fight people on that to my grave smh

bruce brought jason's body back to gotham and buried him, and was never really the same after that (but that's a topic for another ramble because this is about THE BOY <3)

this is where things get a little trippy <3 first thing you gotta know about comic books is that death is RARELY permanent. the exact details are lost on me since I tend to avoid the big crisis events (and the headache they give me) but basically superboy-prime punches the fabric of the universe and kinda .. breaks some things. and jason wakes up in his coffin (slightly zombified), six feet underground. after clawing his way out of his own fucking grave, jason gets hit by a fucking CAR and is then taken in by talia al ghul (one of bruce's past lovers, daughter of ra's al ghul [leader of the league of assassins]). talia put jason in something called a lazarus pit, which is basically a pool of green bubbly goo that can resurrect someone (ra's al ghul is hundreds of years old and keeps himself alive with the pits). jason came fully back to life and stayed with talia for a time, during which he travelled the world to be trained by some of the best/most notorious fighters and assassins all over the globe. at this point, he'd been dead for quite a while (a year AT LEAST) and so when he finds out that the joker is still fucking ALIVE, it's .... a shock, to say the least. it's a very complicated issue because batman's deepest-rooted rule is to Never Kill, and there were a lot of underlying circumstances preventing him from killing the joker right after jason's death (despite really, really wanting to) but the thing is. the joker just keeps killing and hurting people, and he gets put in arkham asylum, and escapes and kills more people, then gets put in arkham again, and it's just a vicious cycle where the joker just keeps hurting more and more people. and like. jason got murdered by the joker and the guy is still fucking alive and murdering more people. so he heads off to gotham with a huge plan to confront bruce and make him choose once and for all: kill the joker, or let jason die. this whole arc is my very favorite comic book of all time, batman: under the red hood <333 basically jason becomes a crime boss called red hood (which was the joker's old alias before he became...well, the joker) and plots CIRCLES around bruce, joker, and the other crime bosses. they're literally his pawns the entire time <3 but this all comes to a head when jason traps batman, the joker, and himself in a room where he finally reveals his identity to batman and gives him an ultimatum: kill the joker, or kill him. he had the whole place rigged with explosives so that no matter what bruce chose, they would still blow up (as a form of insurance? as a form of suicide? who knows!)

I'd like to point out the obvious and say that jason was NOT in a great state of mind during this whole thing. like. this post highlights it very well imo, but tl:dr jason didn't really...make a plan for after the showdown. it was clear that he had a single goal in mind, which was facing off with bruce and the joker once and for all, and it was also clear how it would end because he knew deep down that bruce would never kill the joker. so he knew he would die going into it but he didn't really care. he did in fact die at the end of under the red hood, since he was originally meant to be a one-off character, but he was so popular that dc sorta erased his death at the end of utrh and established him as a main batfam player.

jason's post-resurrection characterization is REALLY inconsistent, but really at his core, he's deeply traumatized and angry, and his driving motivation is to save gotham in what he deems is the "right" way: killing criminals so that they're no longer a problem. which, considering how many times supervillains break out of arkham and wreak havoc, isn't really that far of a stretch. but because of batman's firm moral stance on killing, the two have a very .... complicated relationship. but regardless jason has one of the coolest designs in the entire batfam in my opinion <3

(batman: three jokers)

(red hood and the outlaws) (I hate this comic for what it did to the other characters but the art was pretty at least)

sometimes he's drawn with a white streak in his hair (a side effect of the lazarus pit) which is one of my FAVORITE looks for him <33 and he's a regular contender for my icon because he's my blorbo bingus blob boy <3333

BUT ANYWAY <333 ON TO KYLE <333

disclaimer: I haven't been reading kyle's comics as long as I have jason's (jason was my gateway character who first got me into comics in the first place so I had a lot more time to really dig into his comics and characterization) and there's a lot of info about each character that's kind of...absorbed over time. because there's so many different stories and comics about each character, it's hard to find everything they appear in, and since I haven't been reading kyle for as long, I don't consider myself an expert on him in any way but I'll do my best to talk about him because he's my favorite green lantern <3

(playlist) in order to explain kyle, first I need to explain hal jordan. he's the Original green lantern (meaning when you think of the dc superhero green lantern, he's probably the one who comes to mind despite there being more lanterns than I can count. he's the most well-known by FAR) but basically, the green lanterns are an intergalactic military/police force led by the guardians (a bunch of really tiny blue guys). they use green power rings that are fueled by willpower, and so only someone with a lot of willpower (specifically, the will to "overcome great fear") can be a green lantern. (there's a ring for every color on the spectrum, but that's another ramble for another day). hal jordan had been losing faith in the lantern corps for a long time, but the last straw was when his hometown, coast city, was destroyed. hal basically went into a massive grief spiral and tried to bring back the entire city and didn't have enough power to do that, so he took on the name parallax and murdered pretty much the entire corps, and most of the guardians to absorb the main green power source to get enough power to Resurrect The City. but one guardian managed to escape to earth, where he found kyle rayner and gave him the last green power ring.

being practically the only green lantern left, kyle had to defeat parallax and restore the corps practically by himself. and the thing about kyle is that he's the GOOFIEST guy on the planet (affectionate). upon finding out that he's now a superhero he proceeds to immediately go tell his ex-girlfriend about it (alex <333) and they have a photoshoot of him in his suit. I fucking love them <333

but alas!!! happy days don't last <3 kyle leaves alex alone for literally only a few minutes to go be a hero, and while he's gone, one of green lantern's biggest enemies breaks into her apartment and murders her. kyle comes back to find her dead body stuffed inside the fridge (fun fact: that's actually where the term "fridging" came from <3) and he proceeds to. torture and almost kill the guy who did it. we love an unhinged icon <3

(green lantern #55)

it's been a while since I've read his origin comic, but kyle eventually defeats parallax. further down the line, he becomes a white lantern (mega-powerful because it has the powers of all the colors in the spectrum, not just green) and in my personal favorite comic, also becomes ion (basically the living embodiment of green lantern power. also basically a god) and tbh it's his BEST look of all time

(ion: guardian of the universe)

like I said, I don't really have as clear of an idea of kyle's timeline since there's a few gaps in my reading, but the essentials is that he literally can't keep a girlfriend because they keep dying, and he continuously gets the power of a literal god and is so humble and heroic about it that it never goes to his head. but he also consistently tortures and kills without really showing any remorse whatsoever <33 he has the range <33

BUT. AT LAST. WE GET TO JAYKYLE. THE THING YOU ASKED ABOUT IN THE FIRST PLACE. there's only ONE comic that I know of where they actually interact on-panel, and that's countdown presents: the search for ray palmer. it's tied in with countdown to final crisis, which is one of the biggest dc events of all time, and I haven't read it and probably never will because the big crises always give me SUCH a headache to try and understand </3 but I HAVE read search for ray palmer because <3 of them <3

essentially it's a story where the atom (ray palmer) gets lost in the multiverse and so 3 people who are already kind of...Outside the Mainstream Timeline embark on a multiverse journey to find him. those 3 people? jason todd, kyle rayner, and donna troy. jason is only alive because the timeline shattered, kyle was literally a time-and-reality-altering god not just once, but multiple times, and donna troy has also died and come back and like. is the only comics character with Self Awareness (remember when I said every comic book character has a gazillion different origins and reboots? donna remembers ALL of them <3) and so all three of them are affectionately referred to as "cosmic mistakes" because. they're literally irregularities in the cosmic timestream. and I love them for it <3

the reason I'm a jaykyle truther is because. they're so fucking funny in that comic. they argue in pretty much every single panel they share, but their internal monologues are....very, very homoeretic.

(kyle, about jason) (countdown: search for ray palmer: wildstorm)

(jason, about kyle) (countdown to final crisis #33)

and honestly, it's about how fucked up they would be together. they would tear each other apart and also tear apart everyone else and it would be a horrible time for everyone involved <3 there are ships for cute cuddles and then there are ships for fucking killing each other and jaykyle is the second one <3333

[shivasdarknight]

[Image ID: A screenshot of user redwinterroses (from Jan 27, 2022) tinted yellow to indicate that it is a screenshot and not a post on the dashboard. The screenshot reads: All I'm saying is, if a fic refers to characters by their physical attributes instead of their names or pronouns ("he smiled at the older" "the blonde laughed") when we know who the character is, and ESPECIALLY if the descriptions include "ravenette" or "cyanette" or other ridiculous words--

I'm clicking out of that fic so fast my Ao3 history won't even register I've been there. /.EndID]

I'm gonna use this as a launching point for something that really bugs me with regards to how people - especially folks on tumblr - talk about fanfiction and if something isn't "up to snuff" or to their tastes. This ranges anywhere from grammar and punctuation, to even judgement towards someone for their skill in writing and how they frame it on tumblr - such as word choice or dialogue tags (said and its variants). Plenty of other things that get torn into (like POV type like first, second, or third (usually its first getting dunked on, second if you're not a Homestuck); or even tropes) but that's a different discussion, and I'm focusing more on how people talk about things that are "subpar". There are many posts like this, but I want to use this one to talk more about it as it's the one I most recently found. We're going to talk about this attitude, critique vs criticism vs what tumblr thinks is good critique with regards to writers (regardless of skill level, but mostly beginner ones), so this will get a bit lengthy.

Let's get definitions out of the way so everyone is clear here. When I say critique, this is in reference to feedback given towards a thing (writing, art, etc.) with the intention of improving upon it. Critique has a narrow scope, but it often addresses subject, form, technical aspects (in writing, form and technicality are grammar/punctuation, style, and prose - the latter of which is what OP is digging into), and execution. Critique includes both negative and positive aspects because it's important for good critique. Critique isn't tearing into someone for the sake of it, because the point of critique is to improve upon these aspects and become more comfortable in your craft. To take critiques is a skill in its own, but so is giving critiques - the best advice is usually a "critique sandwich" in which you say something positive, point out something that can be improved upon (importantly: not saying negatively charged things), and then summarize in a positive tone. Critique is not an excuse to bully, and critique should always be consensual. Critique appears in classes, in the form of beta readers, asking others for advice, and so on and so forth. The person who made the thing must be open to critique for critique to be effective. If they are not looking for critique and you give it anyways, you're just an ass.

On the other hand, criticism - especially in this context - is broader than critique. It tends to have a more negative connotation of it, but to be critical of something isn't inherently to be negative to it. This is where you see your media criticism, dissection of trends, etc. This doesn't usually engage directly with the source of the criticism most often, it's usually supplementary. Again: broader than critique, but its space does not often overlap with the original thing. Important to note that criticism does not inherently mean that the critic hates the thing being criticized. Criticism is just being critical of a thing. To be critical is not inherently negative; it's just talking about something to a finer degree than casual consumption. It's not admonishment, it's often a way to start a discussion.

This is where people tend to balk at the idea of criticizing fan media because they conflate the two, but critique =/= criticism. Critique is more based in the craft itself (art, writing, etc.) while criticism is more about the broader impact of the thing made by the craft. While critiques do exist in criticisms, and critique can draw from criticism, they are not the same thing.

Examples:

Critique:

Your inking wasn't consistent, so the final print is splotchy. You need to improve on inking your block if you want your final image to look the way you intend it to

You added too much ink to the block and caused a lot of spillage, you need to find a balance between the two in order to get what you want

I like the gestural nature of your drawing, but I think that you would get a stronger composition if you pushed it further and focus on line weight

The alliteration is a really nice touch in your prose, but you fall back on it a lot. I think that the alliteration would be more effective in this moment if you limit it to that moment and change up how you write prose leading into it - maybe slowly increasing the repetition until you get to the three-beats?

Your prose is really strong, and I like what you've developed so far. What I think you need to work on is learning how you can control your technical flow with better punctuation usage, such as a better understanding of when to use commas or em-dashes.

You're using periods at the end of your dialogue that is followed by a tag. Unless there's nothing like "he said", then periods in dialogue must be a comma. Not "'Alright.' He responded.", but: "'Alright,' he responded.".

Criticism:

There is a common trend within fandom to take a female love interest from canon and find a way to shove her off to the side for the sake of m/m shipping. It's come in a variety of forms, but the most notable ones include villainizing, killing her off, or the modern lesbian best friend/wingman which overlaps with the other modern form, the mean lesbian adjacent to the m/m ship.

Despite all the advancements that have been made in terms of accessibility within video games, it almost seems like some games are more inaccessible than ever due to developers prioritizing a key experience rather than making sure it's playable for everyone. A good example of this would be the MMO, Final Fantasy XIV, and its late game raiding that features many fights with non-toggleable flashes that have induced seizures in players, or their lack of color contrast options for color blind players - forcing both groups to either suffer through the content, not raid, or seek out illegal mods if they play on pc. Console raiders have no such options, as the in game effects toggle doesn't apply to the worst offenders.

With these examples out of the way, look back at OP and how they've framed their "advice" (which they say is advice further down this thread - as with all others who jump in on the post with "advice") - does this look like critique or criticism?

This style of post - and how everyone jumped on it - are part of a really frustrating trend online, but especially on tumblr, where people make vague complaints about a kind of writer and use their vague posting to tear into them. At this point, most people understand that unwanted critique is bad, so they instead channel that need to critique in stuff like this. From here on, I'm going to call it ""advice"" - quotations and all.

This is not advice. It's not even good critique. This ""advice"" is taking a common mistake or habit of fanfic writers - most of whom are new to writing, are teenagers, or haven't been professionally trained in writing because so few people have that opportunity - and then tearing it to shreds. This is looking at a habit that fanfic authors learning how to write picked up from other authors learning how to write, and then declaring that if a writer uses it you will not engage with them whatsoever.

That's not advice. It's a vague threat through shaming people for doing stuff. The thread goes on to list actual advice, but most of it is the most bare bones writing tips that doesn't account for people experimenting with style. It's shame through nitpicking and expecting everything to be perfection.

Fanfiction is held to a really awful standard in which it must meet every single one of your needs as a reader, otherwise it's not worth your time. Between the lack of support on platforms like AO3 or FFNet, and then these mass shaming posts that tear into writers for having the audacity of making a mistake, is it any surprise a lot of fanfic writers give up? Why so many fanfics you like just go unfinished with no word from the author?

Tumblr is too comfortable with this idea that they get to sit here and tear into authors who may not be using perfect syntax or use goofy words like silverette. You are looking at someone stumbling their way through a hobby that is admittedly very hard and tearing into them behind their back. When people see these posts, their fist reaction isn't go go "oh thank you for the advice," it's to get self conscious about their own writing and if they do fit the bill, they're not likely to take your advice. They may just stop writing altogether.

What gets to me is that this ""advice"" - this shaming framed as tips from people who "Actually Know how to write" - is it's considered a more widely acceptable way of talking about fanfiction and fanfiction authors than actually supporting authors you like. It's more acceptable than passing around resources. It's more acceptable than actual criticism of harmful things in fandom (see: colonizer lan wangji, op of this thread has talked about it a fair amount) that the criticism of would then make spaces safer for the people impacted (in that case, address the anti-indigenous writing of a horrific fic in the MDZS fandom that was trying to romanticize the tactics used in the genocide of indigenous americans).

Tumblr users seem to know to not take unwanted critique to the comments of the author in question, yet they can't seem to keep their mouths shut; instead, they curate hundreds of posts with thousands of notes to shame authors who have committed the grave sin of using goofy words or having awkward prose - which I'm so sure that no of the people making these posts have ever made mistakes like these in their own writing </sarcasm>

This collective shaming of writing characteristic of people learning how to write or who aren't super familiar with English doesn't sit right with me. Especially since so much of it feels like a reflexive cringe for things that the person grew out of. Maybe something isn't your style, but maybe it works for someone else. Everyone complains about the repetition of "said", but there are some hard hitting stories that weaponize the repetition of "said" for effect. Consider OP: a very specific one that I use still is bluenette, in part because I am a brunette who dies his hair blue very frequently - thus, bluenette (brunette+his is not incorrect in usage for myself, check my pinned; brunet+she would also not be incorrect - so do not come nitpicking me). Bluenette sounds so much like brunette that it comes off as a pun, and in this case it is used intentionally for said pun and often as a joke somewhere in my writing or even just conversation. Is OP going to also apply this logic to people who refer to women as brunets or blonds, or men as brunettes or blondes? Sometimes stuff like this is someone trying to work out their style. Sometimes it's a genuine mistake. Sometimes it's someone doing this with the utmost intention of calling a character by their hair color as a sign of disrespect through denying them their name - you do not know why it's used, and to publicly shame people for a common mistake is not how you're going to get them to improve.

The way ""advice"" is delivered feels like reflexive cringe, like I said, but also like a gross misrepresentation of what criticism is. Criticism's goal is discussion and improvement. Posts like these are just a way to shame people who aren't as skilled as you expect them to be. Let me make this clear: you are reading fanfiction. Many people use fanfiction to learn how to write, and may not have the most polished style. You are reading this for free. It's frankly really shitty to nitpick at someone's writing style and skill and then put it on blast for thousands of people on tumblr to jump in on this dogpile. Even when you give advice - such as in this post down beyond this screen - it's still framed negatively and in a "do this or you're bad" kind of critique. This is not framed to actually help people with their writing; this is shaming them into the style that you like and find engaging. And every following post beyond the advice from OP in this example further dogpiles the original point.

If you are shaming someone through a vague post because you don't like the fact that they're not a skilled writer, then it's clear you do not actually care about these people improving. You would rather mass shame writers who don't fit your view of what technically flawless prose looks like - be it because they're a teenager, they learned writing from online spaces and are still learning, or English isn't their first language - than actually teach them in a way that would be conducive to learning. You would rather have people jump in on this mass shaming as a sense of self importance because none of you write that way, thus everyone else who does is bad.

This is not critique. This is not criticism.

This is shaming writers - specifically writers who are still learning - for the fact that they do not match your expectations, and then gloating about how you never want to touch their work ever again.

The example above is shaming a common writing habit of teenagers and new writers who learned independently, and then following that shame with a threat to never engage with their stuff again, and then some tips sprinkled in with more "if you do this, shame on you" language.

You know, the exact stuff that makes people quit writing as a hobby or trying to learn it because they want to join in when it concerns this aspect of fandom.

This kind of ""advice"" is just vague blogging a writer to shame them. They may not ever see it, but Tumblr sure does a good job of keeping people from ever attempting to write because of the unreasonably high standards for a new/inexperienced writer putting stuff on the internet.