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thefirstknife · 1 year ago

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Hi Bel,

I keep seeing comments about people complaining about the quality of destiny’s writing and story in the last few weeks. I haven’t really engaged with destiny since season of defiance, what’s currently gotten everyone so riled up? I thought that people were enjoying Season of the Deep/Witch in terms of narrative, why is Season of the Wish causing people to deride the destiny writing staff again?

I don't know!

Deep and Witch have been absolute bangers in every aspect to me. I've been enjoying all interactions and lore tabs we've received. A lot of them are stuff that we've never had before, a lot of reunions and closures, a lot of development and interactions between characters who you wouldn't really think would have much in common.

Sloane's return and healing from what she's been through has been fantastic, Drifter opening up with her to help her because he also got help from others was fantastic, Sloane reuniting with Aisha and Shayura brought me to tears (Shayura's descent into madness was triggered by immense trauma of Sloane staying on Titan and Titan disappearing), everything with Sloane and Zavala...

Witch was just incredible in every single way; the focus on Eris, the amount of Eris and Ikora content!!!!! Everything about Xivu and Savathun and their interactions together!! Eris finally fulfilling her goal she promised Savathun YEARS ago, getting that closure.

Wish so far has been equally great to me. All the new stuff about Ahamkara is amazing, finally giving us proof for long-standing speculation about Ahamkara and how they aren't universally evil creatures and expanding on them as a species. I love all interactions we've had so far; finally we have Petra back, Mara's singleminded focus on figuring out how to defeat the Witness and her continuous work to improve as a person, ALL SJUR MENTIONS!!!!! I won't talk about the "leak" because we have no context for it so I will wait for the full story to be revealed before I can pass judgment; something that I think should be a lesson to learn from this entire year. Maybe wait for the story to finish before judging the story.

Literally everything this past year that involves Osiris, but especially this season now that he's back in his element with the Vex. And of course every little detail we get of him and Saint. Osiris honestly shaped this year for me with everything that he's done to uncover the biggest mysteries. I think a big reason is that a lot of people just don't like Osiris, which I consider a massive skill issue.

Other than that, I don't know what are the issues people have besides just not being interested in any of these storylines and attributing it to a nebulous "bad writing" claim. I also genuinely believe that way too many people get wrapped up too much in fandom, imagine storylines they want to see and then get disappointed when the actual story doesn't go there. Almost like people forget that this isn't their story and these aren't their characters. A lot of it is also fandom completely warping characters into not what they actually are and then feeling like the canon story is the one that's wrong.

Whatever is the reason, I guess everyone is entitled to their perspective of the story and everyone is free to explore the story in different ways through fanfics and AUs and whatever. I do that too!

But I would definitely ask people to be normal with how they engage in criticism, especially in the current state of affairs. Writers are developers; they experience a ton of harassment and negativity from the community and also from inside the company. And they are online: they can see what we're saying. It's been documented that community commentary has been used to harass writers:

Imprint this into your brain and never forget what these people had to go through. Let's not forget also the way people treated Seth Dickinson on social media when he was active with Destiny fans. "Fans" were actively arguing with him about his own work (telling him that HE is wrong) and were utterly disgusting towards him when he tried explaining what he wrote. His works are now hailed as the best writing in Destiny and people want him back. If I were him, I wouldn't want to come back ngl, not with how he was treated and not with how fans are still treating writers (and hey, Seth wrote LF Collector's Edition! So he was back, technically, this year!). Let's not forget that a lot of writers are members of various marginalised groups. And I'd definitely not want to go back with zero support from leadership.

Which is also an important aspect for all developers, including writers: sometimes they have orders they may not like, but can't argue against. They do the best they can with what they're given, the time they have and directions they receive. And with that in mind, I am enjoying everything we've gotten this year, obviously with some specific complaints about things I didn't particularly enjoy (like the universally mid reception of Defiance; I've spoken about my gripes with it before, a big one being the shafting of Suraya who should've at least been mentioned in a lore tab).

I can tell that there is passion in their work, even if maybe they would prefer to do more with it, but can't. Maybe even if they want to take different routes, but can't. But from what we got, I can feel that they care about this world and these characters. I can tell that someone lovingly wrote about Sloane and her friendships with two grieving women. I can tell that they deeply cared about Sloane's friendship with Zavala and that they loved showing us Saint and Drifter caring about a fellow trauma survivor.

I can tell that the writers are immensely careful and loving towards Eris; everything she went through was crafted with love and passion from both writers and her VA. Eris' story is such a fundamental aspect of Destiny and I can tell that this was important to the writing team and that they gave her everything they could to do justice to her character and her arc and her healing and her release from the cycle she was trapped in for so long.

I can tell that there are writers who care a lot about Osiris and Saint and their relationship. I can tell that someone cared a lot about expanding on Ahamkara and giving them more personalities. I can tell that someone cared DEEPLY about Sjur and Mara and that her repeated mentions are the passionate work of writers who want us to remember her.

I could go on. And I know that not everyone sees it this way, which is fine; we all have different ways of perceiving stories. I enjoy discussing things we in the fandom disagree on and I enjoy hearing different perspectives! Unfortunately, this has recently become rarer and rarer. And for the love of god, please try and treat writers with some respect, especially now, especially those who are still working and doing their best with the shitty situation they're in. None of the cries of "poor devs" ring true to me unless the same is given to writers, instead of treating them like punching bags.

#destiny 2 #long post #for the record: yeah i also have some gripes with some writing decisions. it's normal #but i feel like those are things that i can learn to accept or let go or even have my mind changed with a different perspective #or by just accepting that the writing team was limited in some way and that this was the best they could do #it happens to every story at some point #and yeah capitalism is the death of art. destiny's story would be better from start to finish if it weren't a shooter mmo #but that ship has sailed a long time ago. like. in 2014.#it's honestly a miracle that we got even a fraction of the stuff we got considering the target audience of fps mmos #and it's fine if this just isn't good enough to some. happens #but i think we can move on without being shitty about devs yeah?#in all likelihood writers may even agree that some of the stuff they had to write isn't the best or isn't what they wanted #calling them bad writers over circumstances we don't understand is just shitty #just like it's shitty to do it to any other dev over bugs in the game or badly implemented features or whatever #none of these people are sitting at their desks maliciously laughing while deliberately creating 'bad' things #and this is especially bothering me for writers because of how atrocious people are to artists of all kinds #almost like writers had to strike this year to be respected and treated as people that matter

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cy-cyborg · 8 months ago

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Disability Tropes: The Perfect Prosthetic

[ID: A screenshot from the movie Nimona, showing Nimona, a small white girl with red hair, grabbing the right prosthetic arm of Ballister, a knight in black armour with black hair and light brown skin. He is holding a broken bottle in his prosthetic hand while Nimona admires his arm. Overlaid on the screenshot is white text that reads "Disability Tropes: The Perfect Prosthetic" /End ID]

In a lot of media, prosthetic limbs are portrayed as these devices that act as a near-perfect replacement for a character who has lost, or was born without a limb. So much so that in a lot of cases, the use of a prosthetic has basically no impact on the character beyond a superficial level or their appearance, or it's portrayed as something that's even better than the old meat-limb it's replacing. This trope shows up most often in Sci-fi, but it shows up in all kinds of stories outside of that, even otherwise very grounded ones!

If a story isn't depicting the loss of a limb as the be-all-end-all worst thing that can happen to a person, they almost always default to a perfect prosthetic, functionally curing the amputation with it. But the reality is that prosthetics are FAR from perfect, and as someone who has used them for their entire life I don't think they ever will be. Limb difference is still and always will be a disability, regardless of the prosthetics available, and this really isn't a bad thing.

Why is this trope so common?

I meant it when I said this is a really, really a common trope, so much so that the majority of the media I've seen with amputees and characters with limb differences that released in the last decade or end up using it. Even stories where becoming an amputee is treated like a fate worse than death, ironically, aren't excluded from this. I have a few theories as to why this has happened: The pessimistic answer is that it's easy. You get to have a disabled character and claim you have disability representation, without really having to do much extra work or research because most of your audience won't notice if you aren't accurate - in fact they kind of expect it. You also, for the most part, dodge the backlash other kinds of disability representation (or really any minority representation) usually get. The more optimistic reason is that, for a long time, amputees and people with limb differences (as well as a lot of other disabled people) were predominantly shown in media as sad, depressed and unable to do anything, very much falling into the "sad disabled person" trope. As a kid, this was really the only way I saw people like me on screen or in books. And so, the limb difference community pushed back against that portrayal and were pretty successful in changing the narrative in the public's eye. A little too successful. A lot of creatives were genuinely trying to do right by our community, listen and do better, but many simply overcorrected and instead ended up creating stories where prosthetics were essentially cures instead of the mobility aids they are. I also think the public's general lack of understanding about disability plays a roll in all this. There are a lot of people who, in my experience, believe that the more visible a disability is, the worse it is. Limb differences and amputations are very visible, but prosthetics, even those that aren't trying to be discreet, make them less so. While using a prosthetic is very, very different to a biological limb, you won't necessarily see how in a casual interaction with, say a co-worker or neighbor, especially because there is a very real stigma applied to people with limb differences to keep those things hidden from the public. There are other reasons too, such as the fact that a lot of creatives don't even consider the connection to real amputees when creating characters with robotic limbs in genres like sci-fi and some fantasy, so they never stop to consider that these tropes could be impacting real people. Amputees are also very frequently used in "inspiration porn" content that uses the angle that disabilities can be "overcome" with a good attitude, downplaying the way those disabilities actually impact us. The prosthetics industry - specifically the component manufacturers, often also push the idea of prosthetics being the only way to return to a "normal" life, both to the wider public and to people with limb differences and amputations (which can add to that sense of shame I mentioned when it doesn't play out that way for them). On top of that, I also think the recent increase in popularity of concepts like trans-humanism contributes to it as well. these movements often talk about robotic or bionic body parts being enhancements and "the way of the future", and I think people get a bit too caught up on what may be potentially possible in the future with the real, current experiences of people with "robotic limbs" aka prosthetics, now. There are also inherently disabling things that come with removing and replacing parts of your body, things that will not just go away with some fancier tech.

So How do you actually avoid the trope?

So, we have some ideas about why it happens, but how do you actually avoid the "perfect prosthetic" trope from appearing in your work? The most important thing is to remember that this is still a disability. The loss of a limb, even with the best prosthetic technology or magical item in the world, will always have some inherently disabling aspects to it - and this is not a bad thing. The key is to not over-do it, lest you risk falling into the old "sad disabled person" trope. So let's go over some of the ways you can show how your character's disability impacts them. You don't have to use all of these recommendations, just choose the ones that would best fit your character, their circumstances and your setting.

The prosthetic itself is just different

Probably the most important thing to address and acknowledge for prosthetic-using characters, is the actual ways in which the prosthetic itself is different from a biological limb, and the drawbacks and changes that come with that. For the sake of simplicity, I'm mainly going to focus on modern prosthetics here, but it's worth considering how to apply this your own, more advanced/fantastical prosthetics too. One major thing that most people writing amputees fail to acknowledge is that prosthetic limbs are not fleshy-limbs with a different coat of paint. They do the same basic thing their meat-counterparts do, but how they do it is often drastically different, which changes how they are used. A really good example of this is in prosthetic feet. There are dozens of joints in a biological foot, but most prosthetic feet have no joints or moving parts at all. Instead of having dozens of artificial joints to mimic the real bone structure of a foot, which are more prone to failure, require power and make the prosthetic much, much heavier for very little gain, prosthetic feet are often constructed from flexible carbon fiber sheets inside a flexible rubber foot-shaped shell. This allows the bend and flex those bones provide, without all the drawbacks that come from trying to directly mimic it. Making the sheets into different shapes makes them more ideal for different activities. E.g. feet made for general use, like walking around the city, are simple and light, shaped to encourage the most energy-efficient steps, while still allowing their users to do things like wear normal shoes. Feet made for rough terrain often have a split down the middle of the foot to allow the carbon fiber sheets to bend better over rocks when there is no ankle, and some newer designs also include a kind of suspension using pressurized air pulled from the prosthetic socket to allow some additional padding. Running feet have large "blades" made of these carbon fiber sheets to absorb more pressure when the foot hits the ground, and redirect the force that creates to propel their user forward as quickly as possible.

[ID: A photo of 4 prosthetic feet. On the left, the foot is covered with a black shoe, the one to it's right consists of a small, carbon fiber blade, split down the middle, in roughly the same shape and size as the previous foot. Next to the right is an even simpler and smaller carbon fiber foot with no split, and finally is a very short foot that is vaguely rectangular in shape. /End ID]

These are some of my own prosthetic feet I've had over the years. The two on the right are designed to be used by someone who is less mobile, and the ones on the left are made for someone who is more active. As my needs changed over the years, I've used different designs and styles, and keep the old ones since my needs do tend to fluctuate.

There are also robotic feet available that are designed as a kind of "all-purpose" foot that use an electronic ankle which more closely mimics a biological foot, but they are not very popular as the mechanism adds a lot of extra weight and it requires a battery and power to work, with many amputees feeling the jointless carbon fiber feet do a better job at meeting their needs. The same goes for arms and hands. "Robotic" hands that mimic a meat hand exist, but they aren't really that popular, even in places like Australia where the prohibitively expensive price tag isn't as much of an issue due to government programs that pay for the device for you. Instead, most arm amputees who use prosthetics that I know prefer simpler devices that do specific tasks, and just swap between them as needed, rather than something that tries to do it all. A big part of this is because the all-purpose hands can be clunky. they often require manual adjustment using the other hand to do simple things like going from holding a deck of cards to putting them down and picking up a glass of water, for example. The few that don't require that, I've been told, are often temperamental and don't actually work for every person with a limb difference.

Altered Proprioception

Loosing a limb is a big deal and this is always going to have an impact on the body in some way that won't be solved with a fancy piece of tech. One such example is how limb loss effects your sense of proprioception. This is your sense of where your body parts are in space. It's how you (mostly) know where your foot is going to land when you're walking, or how you're able to do things like lift up a glass of water without needing to actually watch your hand do it. Your brain does this by creating a mental map of your body, but this map doesn't get adjusted if you loose a limb. If that map doesn't accurately reflect your real body, you're not going to have an accurate sense of proprioception. This might look like a leg amputee being a bit less stable on their feet, or like an arm amputee needing to look at their arm or hand to be able to grab something with it. Those born without their limbs who take to using prosthetics often have a lot of trouble adapting, as their brains aren't used to having that limb in the first place, whereas an amputee's brain can sometimes be tricked into using their outdated body map to help them adjust to the prosthetic (though its impossible to line it up perfectly). Prosthetics that directly integrate with the nervous system, while rare, do exist, and even this direct connection doesn't completely erase this issue for reasons doctors aren't quite sure about. This is something that does become less of a problem with time. Eventually, someone proficient with their prosthetic will learn to compensate, but their sense of proprioception will never be 100% perfect. At the end of the day, no matter how it attaches, a prosthetic is still not a natural part of the body, and that will always cause some issues. It also means if they aren't practicing it all the time, they may have to relearn how to compensate for it.

Extra weight

You also have to remember that a prosthetic is not a natural part of the body, like we already talked about, and so no matter how good it is, your brain will most likely always interpret the weight of the prosthetic as something attached to you, not part of you. This means that, even though prosthetics are actually a lot lighter than biological limbs, they feel so much heavier. This is because, while a meat limb is heavier, a lot of that weight is from muscles which are actively contributing to the limb working, so it doesn't really feel like its that heavy. When you have less of your meat-limb though, you have even less muscle to work with to move this big thing strapped to it, so it feels heavier. The more of the limb you've lost, or just didn't have, the heavier the prosthetic has to be, and the less muscle you have left to move it. It's for this reason that a lot of amputees and people with limb differences get tired faster when using prosthetics. Some of us are fit enough where you almost wouldn't notice the extra effort they need to put in, but once again, just because you can't see it from the outside, doesn't mean it's not an issue.

Avoiding Water

Most prosthetics also aren't waterproof, and so prosthetic users have to be very careful about when and how they come into contact with it. For amputees with electric components, contact with water at all will likely damage the device. This can even include especially heavy rain, something I was told to avoid when I got my electronic knee prosthetic and something I assume would also apply to arm amputees with complex, electronic hands. For those with non-electronic prosthetics, water can be hazardous for different reasons. If the prosthetic has metal components, water may cause them to rust, especially if it's salty water. Other prosthetics have foam covers to give the illusion of a limb with the general shape of muscles and fat, but these covers do not come off, and if they get wet enough that water seeps all the way through, it is very hard to dry it and they may become moldy. Finally, cheaper modern prosthetics may also float. Many are made of very light-weight materials and some have pockets of air trapped inside them. For leg prosthetics in particular, this means a user might, at best, struggle to swim with them on, but at worst, may get flipped upside down and become trapped underwater - something that happened to me as a very young child. On the flip-side, older prosthetics were usually made of heavy materials like wood or steel, and so had the opposite problem, acting like a weight and pulling a person down if they were to wear them in the water. Water-safe prosthetics do exist, I had a pair of prosthetic legs as a teenager that were hollow, and designed especially for me to swim with fins on when swimming in the ocean, and Nadya Vessey, a double leg amputee in New Zealand even got a mermaid-tail prosthetic made especially for use in the water. Most amputees though just swim without any prosthetics at all, and in 99% of cases, this is the easiest and safest way to go.

Prosthetic-Related Pressure Sores and Pain

Many people with limb differences also experience pressure sores from their prosthetics. Modern prosthetics typically attach to the body using a socket made of carbon fiber or fiberglass, held on either by pressure, using a vacuum seal or through a mechanical locking system built into the socket. No matter the specifics though, the socket has to be very tight in order to stay on, and this means that extended periods of use can lead to rub-spots, blisters and pressure sores. Many socket prosthetics also use silicone liners to add extra padding, but this means wounds caused by the pressure can't breathe, and bacteria in sweat has nowhere to go, meaning if the person doesn't rest when one of these wounds occur, it can very easily and quickly turn into a serious infection. In a properly fitting prosthetic, used by someone who has fully adjusted to them, this doesn't happen often, but it is something most amputees and people with limb differences have to at least be mindful of. Some new prosthetics use a different method of attachment, called Osteointegration - where the prosthetic attaches to a clip, surgically implanted into the person's bones. While Osteointegration avoids many of the issues like pressure sores that come from a socket, they have their own issues: mainly that they are incredibly expensive, and as of right now, have a pretty high failure rate due to the implant getting infected. Because the implants are directly connected to the bone, these infections become very serious very quickly. Many people with Osteointegration limbs have to be on very strong medication to keep these infections at bay, and they are generally considered unsuitable for anyone who is going to regularly come into contact with "unclean" environments.

Maintenance

[ID: A screenshot of Winrey, from Full Metal alchemist Brotherhood, a white woman with blond hair handing out the sides of a green hat. She is measuring a piece of metal from a prosthetic she is making while Ed, the prosthetic's owner, gives her a thumbs up in the background. /End ID]

Finally, prosthetics also require maintenance from a specialist called a prosthetist, and they don't last forever. Some parts, like a foot or hand, can be reused over an over, but the sockets of a prosthetic need to be completely remade any time your body changes shape, including if you gain/loose weight, you start experiencing swelling, or you're just a child who is growing. Children in particular need new prosthetics every few months because they grow so fast, and as such, their prosthetics have to be made with this growth in mind. If they go too long without adjustment or an entirely new prosthetic, it can seriously impact the child and their growth but even small adjustments can be costly, depending on where you live. While prosthetics are built to be sturdy and reliable, they need a lot of work to stay that way. The more complex the prosthetic, the more work is needed. Complicated electronic components may need to have regular maintenance done by your prosthetist or even the specific component's manufacturer, and depending on where you live, this might mean having to send your prosthetic limb away for this to be done. While my prosthetist technically has the skills and knowledge to do the maintenance on my electronic knee, for example, the manufacturer forbids anyone not from their company to provide this service, meaning my leg needs to be shipped off to Germany once every few years if I want to keep the warranty. This has the unfortunate side effect of sometimes your limbs getting lost in postage (shout-out to Australia Post, who lost mine twice), meaning it can be months before you get it back or get a replacement. Usually, you'll be given a replacement in the meantime if you need it, but walking on a leg that isn't yours, even when its correctly fitted, always feels a bit weird (maybe that's just me though).

Not every difference is Inherently Negative

We've talked about some of the negatives that come from having a prosthetic, but not every difference is negative or even really that big of a deal. In fact, often times, it's these little moments in the depiction of a disability that go the furthest and make it feel the most genuine. My amputations effect me from the moment I wake up, to the moment I go to bed, but that doesn't mean every single way it impacts me is always inherently bad or negative. For example, back when I was working a normal job and going to university, I would often come home, throw my legs off at the door with the shoes still attached and get into my wheelchair, the same way you might throw your shoes off after work and replace them with comfy socks and other comfy clothing. This is something I've only ever seen on screen once, with Eda from the Owl House (and she wasn't even an amputee yet, her limbs were just detachable)

[ID: an screenshot of Eda from the owl house, a very pale woman, laying on the couch in a bathrobe, her hair in a towel. She has taken her actual legs off, throwing them to the other side of the seat. /End ID]

After that, my day mostly looked the same as most other people working a 9 to 5, I'd make myself dinner, watch some TV or play some games, maybe do some extra work at my desk or chat with friends. The only difference is that it would all be from a wheelchair, mainly because my prosthetics were heavy and it was just easier to use the chair around the house. The fact my afternoon and evening routine was done from a wheelchair wasn't a bad thing, it was just different. Likewise, I also don't sleep or shower with my prosthetics on, for the same reasons most other people wouldn't take a shower or sleep in thigh-high, steel-capped boots. In your own stories, this might look like giving your characters similar alterations to how they go about their day. Let them take their arm or leg off when they're resting or relaxing, show them taking a few minutes longer to get ready because they have to put it back on, show them doing some things without it. Arm amputees in particular tend to get very good at going about their days without their arm prosthetics, and leg amputees often either learn to get around more relaxed spaces like their homes using a different mobility aids like wheelchairs or crutches, or just through hopping if that's something they're physically able to do. Even when everything is going well and working as intended, your limb-different character won't wear their prosthetic 24/7, no matter how much they love it. There doesn't have to be something wrong with it or painful about it to not want it glued to them at all times, just like you can love a pair of big heavy boots but not want them on when you're trying to sleep. For more action-focused stories, being an amputee, also changes things like how you fight. The specifics will vary from person to person, but for example, when I did Hap Ki Do, a Korean Martial art, my instructor heavily modified when I learned what techniques. Beginner-level kicks and most leg attacks were impractical for me, as the force from the kicking motion would usually cause one of my legs to fly off. I also couldn't jump very well, due to some complications with my original amputation that made my stumps too sensitive to withstand the force of landing again. So I ended up learning a lot more upper-body attacks much earlier than it is typically taught. By the time I got my green belt, I was practicing upper-body techniques usually saved for black belts - including weapons training that I could use my secondary mobility aids for, like crutches and my cane in a bad situation. Many holds that rely on creating tension in your target are also less effective on amputees, because either the anatomy that causes those holds to be painful just simply isn't there, or the body part in question can just be removed to escape. Whether we're talking about the negative things, or just neutral differences that come with using prosthetics, you don't want to go too far with any one example. The key is to strike a balance. Of course, the old writing advice of "show don't tell" also applies here. It's one thing to tell us all of this stuff, but unless we actually see it play out, it won't mean much.

How NOT to avoid the trope

Before we move on, let's focus for a moment on some common things I've seen that you SHOULDN'T do as a way to get away from the trope.

The Enhanced Prosthetic

A lot of sci-fi in particular will take prosthetic limbs, make them function exactly the same as a biological limb, but add something extra to it. This does change the way the prosthetic functions and is used, but it usually still ignores the actual disabling parts of having a prosthetic. A really good example of this can be seen in pretty much any futuristic setting, but personally, I think Fizzeroli, from Helluva Boss is the best one to demonstrate what I mean. Fizz is a quadrilateral, above knee/above elbow amputee with highly advanced prosthetics that function, more or less exactly like the limbs he lost, but with the added benefit of being super-stretchy. Fizz is an acrobat and a clown in service, at least initially, to Mammon, one of the Seven Deadly Sins. These prosthetics help him perform and we even do see how they change little things like how he walks and just goes about his day, but the show still treats them like natural arms and legs, but better.

[ID: A screenshot of Fizzeroli from Helluva Boss, a white-skinned imp with 4 black, prosthetic limbs, dressed in teal a nightgown as he lays in bed, reading from a list /End ID]

We see that he never takes them off, even when sleeping, and when he needs to use them as regular arms and legs, they do everything he needs, perfectly fine - at least when they're working correctly. The only time he ever even takes them off or has any issues with them, is when they break in season 2. The word amputee is never used to describe him, as far as I remember, and the fact he is one never really comes up at all, except for when they break or when the story focuses on how he lost them. Which brings me to my next point.

The Glitchy/Broken Prosthetic

One way I see people try to avoid the perfect prosthetic trope, is to take the prosthetic and break it or otherwise make it unreliable by having it malfunction, but not really changing anything else. This approach is heading in the right direction but still kind of misses the point of the criticism a lot of limb different folks have with the depictions of prosthetics in the media. Yeah, prosthetics do break down and some do require extra maintenance, but if your character's prosthetic is still exactly the same as a biological limb (or even better, in the case of the "enhanced prosthetic") when it's not broken, and the only time their disability is treated like a disability, is when it breaks, you're not really addressing the issue. Real prosthetics, like we discussed, even when functioning at 100%, exactly as the manufacturer intended, don't function the same as a meat-limb. They are fundamentally different, and the glitchy/unreliable prosthetic completely ignores all of that. Once again, Fizz is a really good example of this - the only time his prosthetics are not perfect, is when they break or are malfunctioning (despite the criticism, I do genuinely love Fizz as a character, but he unfortunately does fall into a lot of disability tropes).

[ID: Another screenshot of Fizzeroli, this time in a torn up jester outfit, looking down, panicked, at his prosthetic arms which are fully extended and laying motionless on the ground, with his left arm visibly short-circuiting with electricity around it. /End ID]

Now this isn't to say you can't have your character's prosthetics break down or malfunction at all. just that this shouldn't be the only way you differentiate the prosthetic from a biological limb. You should also be mindful of how or why they're breaking. A typical prosthetic isn't going to break down randomly from normal use unless something is very, very wrong or your character just has a terrible prosthetist (which unfortunately, does happen). You might experience issues if you try to make the prosthetic do something it just wasn't designed to do, or expose it to something it wasn't designed to deal with though (e.g. submerging an electronic prosthetic in water and trying to use it to swim).

Just add Phantom Pain

Another common pitfall I see when people are trying to avoid the perfect prosthetic trope, is to just give the character in question phantom pain - which is a side-effect of amputation where your brain's mental map of the body doesn't acknowledged you lost a limb. Your brain tries to fill in the gaps, since there is no signals coming from that part of the body anymore, and assumes either something must be wrong and so you should be in pain, even when you actually aren't. Alternatively, it can also happen when your brain was so used to feeling pain from that area before, in the case of people who had chronic conditions before they lost their limb, that it just keeps remaking those old signals itself. Like the broken/glitchy prosthetic approach, this also doesn't really address the issue with the perfect prosthetic trope, because it has nothing to do with the prosthetic itself. Phantom pain doesn't come from the prosthetic, nor does it effect how they're used, and so including it doesn't really address the issue of the prosthetic being functionally the same as the original, biological limb. This isn't to say that you shouldn't include phantom limb sensation or pain as something your character experiences, but just keep in mind that, when used on it's own, it doesn't counter the trope. Also, just be sure to do your research, everyone's experience with phantom pain is different and it's not something everyone with a limb difference even experiences.

Why is this trope even a problem?

Alright, so we know what the trope is, we know why it became so prevalent, ways to avoid it and also how not to avoid it. All good information, but why is this trope even bad? Why should you try to avoid it? Outside of just wanting to portray a real disability that effects real people more accurately in your creations, the prevalence of this trope actually contributes to a lot of real-world issues, especially when it's as overused as it currently is. I've talked before about "the jaws effect" - where the depiction of something in the media, especially something that the public is widely uneducated on, influences how people see it in real life. The Jaws effect specifically referred to how the popularity of creature-feature movies featuring sharks, like Jaws, caused the belief that sharks were monstrous killing machines to become much more wide-spread, even going so far as to influence decisions about laws and policy surrounding real-life shark preservation and culling in some parts of the world. But sharks aren't the only thing this has happened to.

Disabled people are so thoroughly misunderstood by wider society, that when tropes like this one become popular, people can and often do start to believe the misinformation they spread - in this case, believing that our prosthetics are a perfect replacement for a biological limb, and that getting a prosthetic means you're not disabled any more. While this can be annoying and cause small scale issues for some of us, like people giving us a hard time for using disability accommodations we very much need, it can also impact us in systemic ways too. If the wrong people believe these tropes, it can and does have a very real impact on the lives of disabled people through things like changes to policies to make it harder for amputees and people with limb differences to access financial assistance for other things outside of our prosthetics we may need assistance with.

Conclusion

Despite the very real harm tropes like this can do when it's overused, I don't think it should go away entirely. Some of my favourite pieces of media even use the perfect prosthetic trope and there are even some kinds of media where I even think it's somewhat unavoidable. Characters with perfect prosthetics in kids media in particular, especially when talking about side characters, can help to correct some of the other stereotypes kids may have seen elsewhere - such as prosthetics being "creepy" or "scary" - in a way that is casual and easy for them to understand. The problem with the trope, in my eyes, is it's excessive overuse. It's the fact that it seems to be the only representation amputees and people with limb differences are getting now. Not every story with a limb-different character can or even should delve into the reality of what using prosthetics is actually like, but we need at least some stories that do, without it being this majorly depressing thing.

#Writing disability with Cy Cyborg #Disability tropes #Long Post #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing #Disability in Media

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choshashio · 3 months ago

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12 Writing Exercises to help develop your character and their voice.

Editors note - There's a lot of boring writers drivel. So, to spare you from the headache if you're not interested, your characters individual voices and personalities are important for engaging stories and interesting plots. You can skip down to the end for the exercises.

Think about the people you know, the people you love. What's one thing they have in common, besides the obvious? They're all uniquely different. Everyone in the world is different in some way, even in media. Books and movies all have unique sounding characters that are different from each other. In Harry Potter, for example, All of the characters have their own voice, even the Weasley twins are different in their own ways.

Complex and unique characters that sound different, interact and speak differently, make for engaging books and dynamics.

I don't know anybody who would want to read a 50,000 word novel about two boring characters, who're exactly alike, and talk in the same monotonous tone. You can have a character who is "boring." who speaks monotonously and still have an interesting novel that people would read.

Having different characters who come together to create funny, interesting, or weird dynamics makes for a readable piece. Take your monotonous character, by themselves, they're kind of boring. They're not engaging to follow. But, introducing different characters to come and interact with your "boring" character, creates funny and memorable dynamics.

Think the anime Saiki K, or Veronica Sawyer from Heathers. If you took only those two characters, and stripped away all of the background characters, they wouldn't make for very interesting stories. Saiki would be happy, living his days in peace and quiet. Veronica would just be a normal edgy high school girl. But if you bring the side characters back, you bring the story and their conflicts back. Saiki goes back to being annoyed by his weird and goofy friends, wishing for peace and quiet. Veronica goes back to being tormented by JD and the group dynamic in the Heathers clique.

These stories utilize background characters to create conflict in their main characters' lives, and makes fun and interesting stories and dynamics with them.

Without further ado, here are 12 exercises to help you develop your characters, and get you thinking.

Ask your character what they want, and have them monologue about it.

Think about who, in your life, does your character remind you of.

Ask yourself, What does my character want, and what does my character need? How do they conflict with each other, and how does this affect my story?

A good exercise to help you write characters interacting, and practice dialogue is to do the ABCD exercise.

The ABCD exercise is writing a full page, or 500 words, of dialogue between two characters, character a and character b, talking about what they think character c thinks of character d. Then, write another page depicting how character c actually interacts with character d.

Write journal entries from the pov of your character.

Think about your character's habits, nervous tics, or tells, and write out a page where they do those things.

Think about something your character holds dear to them, and give the item a backstory.

Think about how your character interacts with other characters, and write a page for each interaction.

Think about a belief or opinion your character has, and write a page of dialogue, where your character is explaining their belief, and why they believe in it, to another character.

Write a page about your character reminiscing, or talking, about a cherished memory from their past, or childhood.

Write a page of dialogue about character a telling character c about character b, whom c has never met before, what kind of things do they say? What do they think of b? Then write another page from character c’s point of view, what are they thinking? How do their thoughts of b change? What do they think of character a? How do they imagine character a and b’s relationship?

Write a page about a character being forced into a situation with their greatest fear. Then, if you want to go a step further, write a page of the same thing, but introduce another character that the first holds dear to them, or wants to protect.

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inkskinned · 2 years ago

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no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

#spilled ink #writeblr #this is a real story lol #looking back i liked larry as a person SO much more than my ex hollyyyyy shitttt #compulsory heterosexuality will do you DIRTY #edit to correct effies name my apologies to effie and effies family

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trans-axolotl · 9 months ago

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also in regards to that last article about varied ways of thinking about psychosis/altered states that don't just align with medical model or carceral psychiatry---I always love sharing about Bethel House and their practices of peer support for schizophrenia that are founded on something called tojisha kenkyu, but I don't see it mentioned as often as things like HVN and Soteria House.

ID: [A colorful digital drawing of a group of people having a meeting inside a house while it snows outside.]

"What really set the stage for tōjisha-kenkyū were two social movements started by those with disabilities. In the 1950s, a new disability movement was burgeoning in Japan, but it wasn’t until the 1970s that those with physical disabilities, such as cerebral palsy, began to advocate for themselves more actively as tōjisha. For those in this movement, their disability is visible. They know where their discomfort comes from, why they are discriminated against, and in what ways they need society to change. Their movement had a clear sense of purpose: make society accommodate the needs of people with disabilities. Around the same time, during the 1970s, a second movement was started by those with mental health issues, such as addiction (particularly alcohol misuse) and schizophrenia. Their disabilities are not always visible. People in this second movement may not have always known they had a disability and, even after they identify their problems, they may remain uncertain about the nature of their disability. Unlike those with physical and visible disabilities, this second group of tōjisha were not always sure how to advocate for themselves as members of society. They didn’t know what they wanted and needed from society. This knowing required new kinds of self-knowledge.

As the story goes, tōjisha-kenkyū emerged in the Japanese fishing town of Urakawa in southern Hokkaido in the early 2000s. It began in the 1980s when locals who had been diagnosed with psychiatric disorders created a peer-support group in a run-down church, which was renamed ‘Bethel House’. The establishment of Bethel House (or just Bethel) was also aided by the maverick psychiatrist Toshiaki Kawamura and an innovative social worker named Ikuyoshi Mukaiyachi. From the start, Bethel embodied the experimental spirit that followed the ‘antipsychiatry’ movement in Japan, which proposed ideas for how psychiatry might be done differently, without relying only on diagnostic manuals and experts. But finding new methods was incredibly difficult and, in the early days of Bethel, both staff and members often struggled with a recurring problem: how is it possible to get beyond traditional psychiatric treatments when someone is still being tormented by their disabling symptoms? Tōjisha-kenkyū was born directly out of a desperate search for answers.

In the early 2000s, one of Bethel’s members with schizophrenia was struggling to understand who he was and why he acted the way he did. This struggle had become urgent after he had set his own home on fire in a fit of anger. In the aftermath, he was overwhelmed and desperate. At his wits’ end about how to help, Mukaiyachi asked him if perhaps he wanted to kenkyū (to ‘study’ or ‘research’) himself so he could understand his problems and find a better way to cope with his illness. Apparently, the term ‘kenkyū’ had an immediate appeal, and others at Bethel began to adopt it, too – especially those with serious mental health problems who were constantly urged to think about (and apologise) for who they were and how they behaved. Instead of being passive ‘patients’ who felt they needed to keep their heads down and be ashamed for acting differently, they could now become active ‘researchers’ of their own ailments. Tōjisha-kenkyū allowed these people to deny labels such as ‘victim’, ‘patient’ or ‘minority’, and to reclaim their agency.

Tōjisha-kenkyū is based on a simple idea. Humans have long shared their troubles so that others can empathise and offer wisdom about how to solve problems. Yet the experience of mental illness is often accompanied by an absence of collective sharing and problem-solving. Mental health issues are treated like shameful secrets that must be hidden, remain unspoken, and dealt with in private. This creates confused and lonely people, who can only be ‘saved’ by the top-down knowledge of expert psychiatrists. Tōjisha-kenkyū simply encourages people to ‘study’ their own problems, and to investigate patterns and solutions in the writing and testimonies of fellow tōjisha.

Self-reflection is at the heart of this practice. Tōjisha-kenkyū incorporates various forms of reflection developed in clinical methods, such as social skills training and cognitive behavioural therapy, but the reflections of a tōjisha don’t begin and end at the individual. Instead, self-reflection is always shared, becoming a form of knowledge that can be communally reflected upon and improved. At Bethel House, members found it liberating that they could define themselves as ‘producers’ of a new form of knowledge, just like the doctors and scientists who diagnosed and studied them in hospital wards. The experiential knowledge of Bethel members now forms the basis of an open and shared public domain of collective knowledge about mental health, one distributed through books, newspaper articles, documentaries and social media.

Tōjisha-kenkyū quickly caught on, making Bethel House a site of pilgrimage for those seeking alternatives to traditional psychiatry. Eventually, a café was opened, public lectures and events were held, and even merchandise (including T-shirts depicting members’ hallucinations) was sold to help support the project. Bethel won further fame when their ‘Hallucination and Delusion Grand Prix’ was aired on national television in Japan. At these events, people in Urakawa are invited to listen and laugh alongside Bethel members who share stories of their hallucinations and delusions. Afterwards, the audience votes to decide who should win first prize for the most hilarious or moving account. One previous winner told a story about a failed journey into the mountains to ride a UFO and ‘save the world’ (it failed because other Bethel members convinced him he needed a licence to ride a UFO, which he didn’t have). Another winner told a story about living in a public restroom at a train station for four days to respect the orders of an auditory hallucination. Tōjisha-kenkyū received further interest, in and outside Japan, when the American anthropologist Karen Nakamura wrote A Disability of the Soul: An Ethnography of Schizophrenia and Mental Illness in Contemporary Japan (2013), a detailed and moving account of life at Bethel House. "

-Japan's Radical Alternative to Psychiatric Diagnosis by Satsuki Ayaya and Junko Kitanaka

#personal #psych abolition #mad liberation #psychosis #altered states #antipsych #antipsychiatry #mad pride #peer support #schizophrenia #i have a pdf of the book somewhere if anyone wants #the book and the documentary also discuss some of the pratical struggles in creating a community like this which i also found helpful as #someone who is very interested in helping open a peer respite.

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chowadoe · 7 months ago

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my Metamy kid!! his name is Dusty Rose :D ft. single mom Amy Rose and Absentee baby daddy metal sonic LOL

his name's Dusty Rose after Dusty Miller, a plant that looks like metal/silver. Dusty Rose is also a pink color ! it also rhymes with Rusty Rose. im so smart (/j)

born from Metal Sonic's core and infused with Amy's biosignature, Amy and Metal Sonic had a very brief 'thing'... eventually Metal Sonic was soft rebooted and sent away yet again, but he left a piece of himself (part of his 'core'? infused with chaos energy..?) to Amy, which then became Dusty. leaving Dusty as the last true remaining testament of their love

(I just love the idea of Amy with a Waitress style character arc... finding love again in raising her child and not the way she used to think, being spent with another person)

Dusty would be very fixated on the idea of love, after all his mother raised him on the notion of that. Amy's standards for true love and fairytale romance have definitely changed being with Metal Sonic, but the root message being that love is all encompassing and transformative.

He was 'created' to look like Mobian, and Amy treats him no differently than any other Mobian/human. Still, he believes that he should hide all the parts that 'other' him from society, which means his robot parts. (legwarmers!)

He's got a bit of a bad boy edge to him LOLLL i kind of created him that he'd be an emo kid. (fall out boy.. my chemical romance.. a bit of IDKHow) really good at electric guitar and part of a band. eventually he finds his passion is in lyric-writing (all those love stories and inheriting his mother's gift for writing love letters)

he often wonders what a beating heart is like, as someone without one. he's interested in the heartbeats and the pulses of others, but he is a total sweetheart himself.. still, even to other mobians unaware that he is an android (a weapon at that), it's still a little off-putting..

more abt him belolow

Dusty's core is already made/designed after Amy's biosignature, and in meeting other people, he's able to read their biodata and stash it into an archive, but he doesn't reproduce it onto himself. (though unsure if he could? either his code has a blockade or he chooses not to)

Dusty, additional to his stash of weapons, has the ability to shift too like his papa... become something similar to Metal Overlord but not entirely... like a half robot dragon boy or smth.. IF he's under the right conditions to have it pulled out of him. or something

Dusty DOES "grow" up. basically, he's an inorganic being whose core is trying to emulate/copy the growth progression of other organic beings.

As it would grow in size (and Dusty's cognition "matures"), his mother and her friends would modify as needed to adjust his frame, etc, but rarely were things ever replaced. Like a mollusk, its shell growing in size- but one needing accommodations. A heart bigger than its own body that threatens to spill- a chick that has outgrown its shell, well before its expected date- needing modifications to keep it inside and protected

Metal Sonic and Amy would have something profound-- one of those tragic, star-crossed enemies-to-lovers dark fantasy romance stories Amy's always loved to read about- but then having it play in real time and having to come to terms with the real world implications of actually having one. It's just that- a fantasy. and metal sonic would grapple with the ideas of love, which i think would be inherently dark and a little possessive given his upbringing-- but what him and Amy have would be sweet at the very core of it. so him giving a piece of his core that reads and adapts to Amy's biosignature and oops... accidental baby....

Dusty finds himself drawn to music. his mom and dad couldn't quite communicate love language physically (with Metal Sonic's claws and his lack of mouth) so I hc that Amy taught Metal Sonic how to hum and sing and communicate their love through music and vocalizations (which carried onto Dusty)

4th pic is Dusty doing breathing exercises with his mama... Dusty gets embarrassed super easily so him and Amy would regularly do breathing exercises so he doesn't overheat like a PC

#metamy #sonic fankid #metamy fankid #sonic oc #fankid #metal sonic #amy rose #dusty rose

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cazshmere · 7 months ago

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12th House Sign in the Natal Chart and How you can Heal and Find Closure from Past Wounds 🩵

materialist🔖

DISCLAIMER : healing is a journey, not a destination, and everyone moves at their own pace. these tips are here to give you a nudge, not to create pressure or perfection. if you’re reading this and some things resonate, that’s wonderful :) take what feels right and leave the rest. and remember, there’s no one right way to heal or find closure. it’s okay to stumble, feel lost, or take a break. trust that every small step forward, even the tiniest ones, are part of the process. be kind to yourself along the way; you’re doing the best you can 🩵

🧩 aries in the 12th house

1. you’re bold in action, but sometimes hesitant in introspection. reflect on fears you might avoid and tackle them directly, like you would any challenge.

2. pent-up frustrations weigh on your subconscious. try activities like boxing, painting, or writing letters you’ll never send.

3. give yourself time alone without needing constant action. Silence and stillness help you get in touch with buried emotions.

4. reflect on times you acted quickly and accept that growth often means making mistakes.

5. indulge in something silly, like playing a game or watching cartoons. It helps you reconnect with yourself. watching your comfort movie with your favourite snacks will surely help

HEALING TIP : try journaling with a twist : write letters to yourself from different ages, like your 5-year-old self or your future self, to see your emotions from new perspectives. this could be super cathartic for you and help you move through the hard feelings holding you back also try meditation that is targeted towards inner peace

🧩 taurus in the 12th house

1. learn to release your hold on past pain. Healing for you often means loosening your grip on comfort zones, even in memories.

2. reflect on areas where you’ve felt unappreciated, finding self-worth from within rather than external validation.

3. you resist change, so make small, gradual adjustments to your daily life that invite healing over time.

4. practice acceptance of things you cannot control or predict; even small, symbolic acts like letting go of a token can help.

5. revisit an old hobby that once brought you joy, like gardening, knitting, or cooking. it’ll remind you of your inner peace.

HEALING TIP : try a sensory grounding exercise: touch something soft, listen to calming music, and smell something grounding like lavender to soothe your mind and body. also something that can temporarily help is watching a super scary movie or just eating spicy food, it can help you distract yourself from your thoughts, at least momentarily

🧩 gemini in the 12th house

1. your mind runs fast, but your 12th house challenges you to slow down and acknowledge buried insecurities.

2. release old narratives, whether it’s past gossip, harsh words, or regrets, let go of thoughts that weigh you down. Practice rephrasing past stories with kindness.

3. try creative outlets that let you express emotions without words, like art or dance, to connect with deeper feelings.

4. when you socialize, make time for connections that feel supportive and honest, without intellectual posturing.

5. quieting your inner monologue helps you access the quiet truths below the surface. Breathing exercises can help here.

HEALING TIP : try recording voice memos on your phone when you feel overwhelmed. Sometimes saying things out loud can help you make sense of them faster than writing.

🧩 cancer in the 12th house

1. you tend to tuck away your deepest fears. Make time to reflect on past emotions without judgment or the need to ‘fix’ them.

2. address any unconscious attachment to people or situations that no longer serve you, knowing it’s okay to need change.

3. offer compassion to yourself, revisit times when you felt misunderstood or unsupported, and give your younger self the love they needed.

4. learn to let go without feeling abandoned. Spend time nurturing your sense of self apart from your relationships.

5. forgive old wounds, allow yourself to release grudges or hurts, understanding that they don’t define your future connections.

HEALING TIP : write a letter to someone from your past you’ve never fully moved on from, then release it (you don’t have to send it).

🧩 leo in the 12th house

1. step back from needing validation, explore who you are outside of praise or recognition. spend time with yourself, just being rather than performing.

2. acknowledge areas where you might have felt rejected or unappreciated. practice self-love that doesn’t rely on others’ feedback.

3. try activities where you’re a beginner. learning something new can help you find power in vulnerability.

4. let go of ego-driven fears, focus on what makes you feel genuinely fulfilled, not just admired. reframe your goals around personal joy rather than approval.

5. reclaim your authenticity by exploring what brings you joy outside of an audience, like a private creative hobby that brings you peace.

HEALING TIP : try visualising your inner child, close your eyes and picture yourself as a child full of hope and joy, and send love to that younger version of you.

🧩 virgo in the 12th house

1. acknowledge that some things don’t need fixing. practice letting go without feeling the need to control every detail.

2. practice self-compassion, allow room for mistakes and honor your efforts without focusing solely on flaws. embrace your progress, not perfection.

3. stop overanalyzing (ik it’s hard but your overthinking is what causes majority of your problems, the more you overthink the more power you’re giving to those unwanted thoughts) give your mind permission to take a break. activities like meditative gardening or painting can help soothe the inner critic.

4. connect with your intuition, trust your instincts rather than rationalizing everything. allow yourself to simply “know” without overthinking it.

5. embrace the chaos haha, let things be messy or spontaneous without judgment. Flexibility helps you grow beyond rigid expectations.

HEALING TIP : try writing a list of what you’re grateful for, it's a simple but powerful tool to shift your focus from worries to abundance.

🧩 libra in the 12th house

1. find comfort in solitude, learn to enjoy your own company, separate from others’ opinions or companionship. practice inner peace.

2. let go of past people-pleasing, allow yourself to address buried feelings of resentment that may stem from overextending for others.

3. balance your inner harmony, focus on inner alignment rather than external harmony. Journaling or meditating on your needs helps you center.

4. heal relationship wounds, reflect on past connections that left an impact. release blame, knowing each taught you something valuable.

5. set boundaries with yourself, give yourself permission to say “no” without guilt. embrace your inner balance, free from others’ demands.

HEALING TIP : you can try a heart-centered meditation to connect with self-love and release neediness for outside validation or try a balance-focused yoga routine, it can be both grounding and soothing, helping you connect with your inner equilibrium.

🧩 scorpio in the 12th house

1. embrace your emotional vulnerability, lean into your feelings without fearing loss or control. Sharing emotions helps relieve hidden weight.

2. release grudges (ik this is something hard for you but letting go is better than holding on to the things that cause you problems - forgive but don’t forget perhaps), practice forgiveness as a way of releasing old hurts that drain you.

3. face your darkest worries with courage, knowing they don’t define you. Write them down and let them go.

4. reclaim personal power, you’re literally THAT bitch don’t forget that queen, focus on how you can empower yourself from within, instead of seeking control externally.

5. trust others with your feelings when it feels right; vulnerability can be deeply healing.

HEALING TIP : you can try shadow journaling by exploring both light and dark thoughts to understand yourself more deeply or if you want something fun instead try listening to a mystery podcast or an immersive story app where you can dive into thrilling narratives. this helps you tap into your emotional depth while being entertained, offering healing through mystery and intrigue.

🧩 sagittarius in the 12th house

1. look inward for meaning, sometimes answers lie within, not in new experiences. find fulfillment in self-reflection rather than escapism.

2. explore spiritual grounding, sagittarius craves meaning, so find practices that connect you to a sense of purpose, like guided meditation.

3. release judgment and let go of self-criticism about past “mistakes.” accept that growth is a journey, not a fixed outcome.

4. embrace introspection by giving your adventurous mind permission to slow down and find contentment in stillness.

5. cultivate patience please (so so important) you may be prone to quick fixes; practice patience with yourself and your journey to healing.

HEALING TIP : start a personal travel vlog (even if it's just to document your local adventures) or use digital journaling apps to record your thoughts, dreams, and philosophical insights. It’ll allow you to process your emotions while in a fun way <3

🧩 capricorn in the 12th house

1. release pressure to always be “on”, let go of needing to achieve every moment. It’s okay to just “be” sometimes, without a goal in sight.

2. forgive your past mistakes, address any old guilt you’re holding onto. you’re allowed to grow beyond your old decisions and learn without punishment.

3. embrace vulnerability (very important) being open about your feelings doesn’t weaken you; it strengthens your ability to understand and trust yourself.

4. trust life’s timing, not everything has to be perfectly planned. lean into moments of uncertainty and find peace in simply experiencing.

5. reflect on your worth beyond productivity, spend time exploring who you are outside of what you “do” or “produce.”

HEALING TIP : try weekly self-check-ins to connect with your needs and desires, away from the hustle of daily demands.

🧩 aquarius in the 12th house

1. embrace your quirks and shadows, you have a unique mind, so allow yourself to be different even in your struggles. reflect on hidden fears and accept them.

2. let go of needing to understand everything, release the need to overanalyze or intellectualize every emotion; trust that some things are just felt, not solved.

3. balance independence with connection, don’t isolate yourself too much. healing also comes through genuine human connections.

4. explore spontaneous introspection, give yourself the freedom to meditate or journal in unconventional ways, like painting or singing.

5. lean into self-compassion, you may be hard on yourself for being “too different” or processing wounds and hurts “differently” but learn to embrace that unique perspective as your strength.

HEALING TIP : try creative expression exercises that bring your thoughts to life, like freeform art, dance, editing, posting stuff online (blogs, reels etch) or sound journaling helps too.

🧩 pisces in the 12th house

1. set healthy boundaries with emotions, your empathy can pull you into others’ feelings. spend time differentiating between your own emotions and theirs.

2. give yourself closure without finality, understand that sometimes closure isn’t perfect or neat, and let go of needing every question answered.

3. create a soothing retreat, build a healing environment, like a cozy corner or blanket fort lmao, where you can escape and connect with your inner peace.

4. release victim mentality, move beyond past hardships by reclaiming your personal power and seeing yourself as a survivor, not a sufferer.

5. TRUST. YOUR. INTUITION. you’re naturally in touch with the unseen. lean into that gift by tuning into your feelings without judgment.

HEALING TIP : create a healing playlist filled with calming music, or even soothing ASMR sounds, to help you unwind and feel safe in your own space.

banner & pic credits to the rightful owners <3

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eureka-its-zico · 3 months ago

Text

Residuals Pt 3

Ongoing Series

Synopsis: You and Robby spent seven long years together until the day it ended. You’ve done your best to create space; to become invisible. You can’t miss what you don’t see. Unfortunately, the universe (Gloria and the Board of Directors) seemed to have missed the memo.

Pairing: Michael ‘Robby’ Robinavitch x Reader

Genre: Established previous relationship, slight age gap (by about 15 years give or take), a little bit of tension mixed in with a little bit of hate yearning, cause she’s a saucy angsty fic ok

A/N: Screaming at the top of my lungs because you have all been so incredibly lovely and sweet. I appreciate every single one of your comments, reblogs, and your excitement over this spur-of-the-moment series idea. Honestly, I can gush forever. Thank you! This chapter is centered around a little extra backstory on their relationship (briefly). I noticed it's around ep. 4 when everything starts popping off in the show (and I have scenes already pre-written cause I’m excited!) so I hope the story stays entertaining and true to showing slow insights into characters, their flaws, and being human. As always, I hope you all enjoy this next chapter. Much Love. Jenn

Thank you to the bestie @viridian-dagger for humoring me and checking all of my work. Thank you for helping keep me sane.

Words: 7208

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You remembered with agonizing clarity the last day you’d seen Robby. You could recall down to the very marrow of the hour how you’d watched him grab his backpack and head out the door.

If you weren't careful, your subconscious loved to dredge that particular memory up in frequent rotation.

If you weren’t careful, always on mental high alert, the memories came violently to the forefront demanding that you remember what it felt like to walk the halls of your home in nothing but his shirts. It had you up late in the middle of the night writing a list of all the achingly obvious differences between the empty bed you now slept in and the one you’d shared with him. How his large frame curled against your back or how his nose pressed into the crook of your neck before he woke you, trailing kisses down your collarbone.

Sometimes, Robby held you so tight you’d jokingly ask if he was trying to morph together like The Thing.

You’d gotten used to the quiet in your home. The lack of security knowing another person was there. You’d learned to portion down your meals, so you didn’t make some on accident for two, or three when Jake was home for the week. You did laundry less and didn’t have to fold as much. There was no one to help you build furniture or tear it down. The trash was handled by you and only you. Dishes sat questionably for longer in the sink than they should’ve. There were no hands on your hips to keep you steady as you demanded to be an independent woman and use the step ladder to change broken fixtures and lightbulbs. No car rides with blues gently playing through the speakers with his hand on your thigh.

No. You were reminded every minute of every day since you’d left of what you lost. What you chose to leave behind.

The day you left you’d waited in the hall. In the past, before the pandemic, before the world went to shit and stopped making sense, Robby waited for you to send him off. You’d bring him his backpack full of protein bars, a homemade sub sandwich (if he ever got to it), and instant coffee packets when he didn’t. The moment you were close enough for him to grab - to touch - Robby would reach for you.

Before Robby, you didn’t know what it felt like to be worshipped; to be craved and wanted so badly that they couldn’t wait for the moment they could touch you. The safety of trusting someone because they loved you without pretense allows you to be comfortable enough to be good, bad, weird, and everything in between.

“You’re my favorite person.” He’d told you this randomly, while you’d both been curled up on the couch. Your cheek pressed against his chest. You heard the slight change in rhythm before he spoke. It was an answer to a question you’d asked weeks ago. One he refused to answer because “What are we in junior high?”

You didn’t believe in fairytales or the idea of perfect relationships. You believed in what someone’s actions said about them when they tried to cover them up with words. You didn’t know what it was like to have someone choose you, all of you, until Robby.

Whenever he had the chance, Robby was always touching you - light traces of fingers that drew aimless doodles in your skin while he read. His hand glided across your back as he passed you in the kitchen or the hallways at work. Once Robby learned how much you loved having his hands on you, he found ways to use them all the time - in ways that made you feel secure and others that were far from innocent.

But out of everything, Robby always made sure you were taken care of and, most of all, loved.

Usually, when Robby departed from the house, he used his large frame to crowd into your space. Possessive hands snaked around your waist to pull you flush against him. Every time, like clockwork, you eagerly respond to his touch. Your neck already falling back just enough for his mouth to slate over yours.

Those memories of better days, days where you didn’t have to question if he still loved you, are what made the last day so hard. You stood there, silently hoping that he would turn around. That Robby would just stop putting in his air pods, looking everywhere but at you, and finally acknowledge you. You didn’t want your last fight to be what you remembered - the words you’d hurled at one another with tired vehemence the final thing you heard.

You just wanted him to love you like he used to. But the problem was, you weren’t sure if you could love him how you used to anymore either.

“I think you should take Kiara up on her offer, Michael. You need to speak with someone even if it isn’t her.”

“Jesus,” he huffed. A hand scrubbed at his face before latching behind his head. His eyes screwed tight as if he could simply blink the conversation away. “Here we fucking go again.”

“Yes, here we go again. We wouldn't have to keep doing this merry-go-round around the issue if you would just admit - “

“Admit what?” His voice rose in challenge, and it took every ounce of you not to return it. “You seem to want me to say I’m broken so you don’t have to be the only one.”

“That’s bullshit,” you scoffed, pushing your dinner plate further down the table.

You weren’t hungry anymore.

“It’s not bullshit! I’m not the only one in this room who won’t be honest with themselves.”

“That’s real rich coming from you, Michael. If you think that’s true, look me in my eyes and admit you don’t feel some type of way since he passed. And I never once fucking said that you were broken - “

“That’s the point! You don’t have to. I can see it in the way you look at me. The way you talk to me. It’s like no matter what the fuck I say you don’t believe me. You just want me to be depressed like - “

“Like what, Michael.”

The room went glacial cold. Your eyes turned to slits as you waited for him to finish his sentence. A piece of you prayed he didn’t because you didn’t know how much more you could take before you finally broke.

“Like you,” he sighed, voice defeated as if he hated saying it as much as you hated hearing it. “You haven’t been the same since -”

“Shut up.”

“- it happened and I’m sorry. I - I wish I’d been there - “

“I said shut up! Jesus, just stop talking!”

The venom in your voice was toxic. It had your arm lashing out and shoving the plate of food off the table. The sound of tableware clattering and glass breaking dimmed the flash of anger enough to be embarrassed at your outburst. You hadn’t meant to do it. Just like you hadn’t meant to do a lot of things since Adamson passed, since the pandemic, and…since you received the news.

It was written plainly in the silence held between you. The unspoken depression from two different spectrums left you both unable to help the other. Neither of you knew how to bridge the gap your stubbornness bred.

Doctors were historically the worst patients because of that very reason. Pride. You used to believe Robby and you didn’t share an ounce of it between you, but you’d been wrong. You forgot you were both human and flawed.

“I just want to help you, Michael. Please. Ever since Adamson passed and - and what happened - “

“He doesn’t have anything to do with what happened! What happened fucking happened because it’s nature. It’s - it just wasn’t our time. You’ve got to stop beating yourself up for something you have no control over. How many times have we told our patients this?” Robby looked up from his hands and you wished he hadn’t. His watery eyes were close to spilling; the tsunami of pain was all-consuming and when he whispered your name before he spoke again, you wanted to shatter. “You’re killing yourself from the inside out with this self-hatred.”

How many times have you been told that exact thing? It was an unfortunate natural process. It just ‘happened’. Every word is sterile and scientific which makes you feel less and less like a person. And what about the news that came after? Was that natural too?

Maybe you were the one who was broken.

“Adamson happened too, and you haven’t been the same since we lost him. You’re on edge more, Mike. You snap at work and home. You’re closed off. You’re so desperate to put it under the rug that we only focus on me? Bring up my faults so we can bury yours.”

A sneer pulled up his lips as he turned away from you. His eyes scan over the shelves and furniture in the room - looking everywhere but at you.

“You just want to help me? That’s what you keep feeding yourself but in reality, you just want me to be who I was before this. I don’t know if I can be that man again and when I tell you that, you act like a fucking child going around slamming doors.” Shame flushed up your face, turning your cheeks red with embarrassment. You’d done that and worse. You thought you could wait whatever this was out until it got better. But it wasn’t better. It was worse and you were so, so tired. “You want to focus on me but what about you?”

“You aren’t the only one hurting - that lost someone. You left me! You fucking left me to deal with it all on my own. Where the fuck were you when I needed you?”

“I’ve been right here with you!” Robby shouted back. “I’m right here with you, baby, but you don’t fucking see it. You won’t let me in.”

The tears you struggled to contain escaped in one shaky exhale. You carried around so much of your shame and guilt - tried repairing the cracks with quick fixes so Robby wouldn’t see because the last thing you wanted was pity. You didn’t want the confirmation that you were irreparably broken.

“But you’re not here. Are you? Not really.”

The earlier flash of rage was extinguished with each word. This job was a marvel and a curse. It took and took without forgiveness. Sometimes you’re fighting to save people who don’t want to be saved; who’ve never known the support and love they needed to believe they were more than their demons. Who wanted to succumb to a brief drop of loneliness in the ocean of a lifetime. Or you saw the ugliness that people did to one another and left you having an existential crisis if someone’s bad choice made their life unworthy of saving.

Robby dealt with all of these things daily. He shouldered them for every friend in the hospital. For every patient who needed the strength of his resolve and the care he delivered. He gave all that and more during the pandemic and now he’d given so much that there wasn’t much left to tend to himself.

Robby used to lean on you for just about everything. Sometimes, your talks were gradual - opening up little by little until everything was exposed. Other times, they came in bursts. A rush of words said too fast because if neither of you just ripped the band-aid off and said it, nothing would ever get fixed. Now all of that came to a screeching halt. You didn’t know what he was feeling anymore or thinking. He shut you out in so many ways. You tried to break through and failed.

You both stood at separate spectrums of grief and neither of you knew how to reach the other anymore.

“I can’t do this anymore.”

You hadn’t meant about your relationship. You wish you could’ve said that - informed him that the despair and betrayal of your own body left you in a place of purgatory. The pandemic stripping you bare and raw pressing salt into every wound. How was Robby supposed to love you if you didn’t know how to love yourself?

But it’s not how it sounded leaving your lips. It’s not how he took it as you watched his shoulders deflate. The emptiness that hollowed out his eyes in protection and left them empty as you felt.

“No one is forcing you to stay.”

You never did get to tell him you saw him - saw that he’d been there waiting for you to open up. He wasn’t who he was, but he’d still tried the best he could in whatever ways he could. In the end, you believed you deserved punishment.

Maybe that’s what losing Robby was - the universe's way of dishing it out for a wrong you never knew you committed.

It felt suffocating; your chest caved to create a black hole of grief that felt never-ending. You watched as the pandemic tore him down piece by piece - shredding him to ribbons. So many lives were ravaged by the virus with no way to combat it. You remembered the overwhelming, crushing feeling of seeing dozens of patients lining hallways because there were no more beds. Every doctor, nurse, RTs, and CNAs struggled to care for every patient and be with those in their final moments because the families couldn’t. It was chaos. It was frightening. It felt like it would go on forever. The last thing anyone expected was for Adamson to get sick. For the virus to infiltrate his body and claim his life.

Robby had run outside, tearing off his hazmat suit. Unable to breathe around the soul-crushing grief that constricted the air from his lungs. He’d crumbled like a house of cards as you held him in your arms, but he wasn’t allowed to grieve. He was a doctor, you were still a fucking doctor, and neither of you were allowed to grieve. You needed to compartmentalize; sew up the fraying edges of your grief and go back inside and be the doctors everyone needed.

It was agony watching what came after. The way he struggled day and night to get any amount of rest while wrestling with his demons. The guilt kept him up at night and woke him screaming covered in a cold sweat. Eventually, he stopped sleeping in bed with you all together. Slowly, you saw him less at home and only at work. You watched while the anxiety ate him alive and transformed him into someone you could barely recognize, and you felt helpless against it. At any moment, the pain in your chest would swallow you whole.

And just when you thought, given a few months, you’d be able to find new joy in your life, it all came crashing down again.

So, you waited in that hallway. You waited for any sign that you should stay. You waited to see if you’d change your mind and begin to be honest with him. You waited for him to at least turnaround and look at you - for the recognition of the life you’d had months before to flash in those beautiful brown eyes. You waited in the hallway even after he’d left - waited for your tears to dry before you went upstairs to pack up your old life and find a new one.

You’d expected a lot of possibilities when Gloria brought you back down to the Pitt. You considered all the variables and the endless amount of what-ifs. It felt inevitable for you to end up in this very situation; him being the attending, in charge of the Pitt, and overseeing a case. The only thing you hadn’t accounted for was how the heat of his body pressed against your back made you forget how to breathe. Your mouth suddenly dry and your heart pounded violently against the ache in your chest.

Was Robby even aware of what he was doing? You could practically feel him take a breath he was so fucking close. Fuck, you wanted to scream and you almost did when you felt his gloved hand move across your lower back as he stepped around you. The old desire to touch you every chance he could was a surprise to you both when the reflex made its appearance. It must have been a mistake - a subconscious tick because old habits can die hard. It was the only thing that made sense. You fought the urge to mouth a, ‘What the fuck?’ at him. Did he even realize what he’d done? If he did, he was damn good at hiding it.

You needed to get your shit together. You brought him in here for your patient.

“Allan,” you began to introduce him and found you had to clear the warble from your voice. “Allan, this is Dr. Robby. He’s the attending doctor here in the emergency department. Robby, this is Allan and his mother, Rebecca.”

“Pleasure to meet you both. Now, Allan, why don’t you tell me what brings you in today?”

Once Robby agrees to your use of wire cutters to remove the key rings, conferring on medications during and after a take-home prescription, you immediately go to work. It took a few extra minutes of explaining to Allan (and his very traumatized mother) that you would be as gentle as possible, but the longer the key rings stayed on to cut off circulation, the higher the chance of necrosis would occur. You also promised him lidocaine to numb the area. Lots and lots of lidocaine.

You’d just signed off on discharge paperwork and spoke with him one last time about maybe just buying what he wanted to try next time. It was not only the safer option but probably more fun and less mortifying than having his mom bring him here.

You stepped out of the room and made your way up to Dana’s desk. While you’d been in the room doing minor surgery to metal keys, you’d heard a couple of new traumas that arrived through the ambulance bay. The one that unfortunately had stuck with you was the nineteen-year-old kid who’d been found unresponsive. Nineteen. Two years older than Jake.

For years you tried to make sense of how it was possible to become so attached to a son that wasn’t even yours. You didn’t give birth to Jake and missed the beginning stages of his life. You met him at his ninth birthday party and thought he would automatically hate you. Instead, he asked you questions about superheroes and if you had a favorite wrestler.

The relationship between Robby and Jake’s mom had been hard to navigate. Harder when you came into the picture because all mothers are understandably weary of unknown variables and people around their children. You did your best not to step on any toes and bided your time until Jake’s mom trusted you - felt comfortable enough - with your presence to allow Jake to stay over when he asked Robby.

You went on field trips as a chaperone when Jake asked, helped him build science fair projects, and tried your best to play basketball with Jake and Robby. You were better at three-pointers and playing horse than the original two - on - two. Jake chose to see you as another parent. His mother decided to let you be a part of his life and knowing Robby, loving Robby, brought you all together. You were forever grateful to both of them for it.

But seeing cases like this one - hearing about them - caused a cold sweat to spread across your body. Jake was a good kid - a smart kid but even smart kids could make mistakes.

You pulled your phone out of your back pocket and continued moving towards where Dana sat front and center in all the chaos. She was currently on the phone but her eyes tracked you as you made your way towards her.

Quickly, you unlocked your phone and went to your messages. You tapped on Jake’s name.

Mom v2.0 ~ Hey kiddo just checking in. Everything good?

You were about to lock the phone and put it away when his reply came back at lightning speed.

JakeTheRipper ~ Hey! Ya everything’s 👍🏽 I’m coming by the hospital later to get tickets from dad. Be cool to see you. JakeTheRipper ~ if you can! JakeTheRipper ~ if you have the time!

You and Jake never lost contact with one another after you and Robby split. It’d been his golden rule and who were you to break rules, especially golden ones? But you hadn’t seen him since he was fifteen. The last weekend you spent housed up in the house - his teenage self picking up a dark cloud stole the warmth from the home.

He’d asked to see you a few times since then but you were always busy. Always unsure if you were overstepping. But you were here now and he said he was coming here anyways so -

“What’s got you smiling all goofy?”

Dana’s question sent you crash landing back into the present. You were standing directly in front of her seated position, phone in one hand and wire cutters in the other while a perfectly arched brow did most of her questioning.

“Ugh, it’s nothing,” you replied, tucking the phone back into your pocket.

God, you were acting suspicious. Be natural. Be cool.

“You got a boyfriend or something?”

“Oh, god no, no, no.”

You were throwing in way too many no’s.

You felt like you were under a microscope when Dana’s eyes narrowed in on you like this. A cold sweat was going to happen any minute now.

“There aren’t that many things that make women smile at their phones like that.”

“Memes make people smile at their phones because they’re witty and funny. A good deal on a pair of shoes, funny videos of animals, or cute babies…anyway,” you mumbled before handing the wire cutters over the top of her computer. “Ron the maintenance guy should be coming by to pick these back up. If I miss him, can you let him know I appreciate him letting me borrow these?”

“Did you tell him what they were gonna be used for?”

“Oh, god no, and please Dana don’t tell him I used it to cut key rings off a patient's penis.”

“You mean he didn’t know why you were asking for them?” She laughed. Dana fucking laughed and it eased the tension from your shoulders tenfold. “I think at least owe the man some kind of lunch, don’t you?”

“Ugh, well, I disinfected them. Twice? Does that count?”

Another bark of laughter came as she shook her head in disbelief. She was still smiling when she reached out and took the cutters from your hand.

“Aren’t you supposed to be up in triage?” Langdon asked, sliding in on your right.

“Did you come all the way over here from your spot in hell to ask me that, Langdon? Are we slacking off today or willfully choosing to be lazy?”

Langdon shot you a sarcastic smile before he reached over to grab a tablet and handed it over to the med student who’d been with him before. Her dirty blonde hair was slicked back into a tight ponytail and her glasses gave her an almost childlike demeanor that was only enhanced by the excited way she bounced on her heels. Her hand shot across the counter in way of introduction.

“Melissa King - everyone calls me Mel.”

She was so eager - sweet - that you almost warned her to be cautious in the Pitt. It tends to eat the good ones alive.

“Dr. Fullerton,” you replied, taking her hand briefly. “I remember you from earlier. Hopefully, Langdon is taking care of you and isn’t showing you what not to do during a residency?”

“Ha, that’s very funny, Fullerton. How long has it been since you’ve been down here? You’ve probably gone soft with all the babying they do upstairs.”

“Out of the two of us, Langdon who is still in their last year of residency and who is a board-certified doctor?”

“You know what I smell?”

“I don’t smell anything,” Mel interjected, thin lines of confusion creasing around her eyes.

“No, I don’t mean - it’s metaphorical, Dr. King.”

“Okay, kids that's enough. Robby sees you two both standing here bickering, you'll both be in trouble.”

“Is that your way of telling us to go back to taking care of the board?” You asked.

“No, it’s my way of telling you both to get the hell away from my station. Now shoo both of you,” Dana retorted, using a stack of patient demographics to swat at Langdon and you.

“I’m going, I’m going,” you surrendered, backing away.

You were mid-turn when an enthusiastic wave from Dr. King was thrown your way.

“It was nice to meet you. Again,” she excitedly called after you.

She seemed too pure to have picked the Pitt. Everyone had their reasons for doing residencies here and, hell, you believed med students should be mandated to work at least one full rotation in an emergency department to truly learn. Mel, however, made you just want to protect her from the harsh realities of a place like this. It could be soul-crushing and there is no way to prepare yourself for when it happens.

“Likewise, Mel. If you ever want a break from ER Ken you’re more than welcome to come find me.”

“She’s good where she’s at, Fullerton.”

You didn’t bother giving a retort; you and Langdon could keep up the verbal back and forth the whole shift. You were only a couple feet away when you heard Dr. King state, “She seems nice.”

“Yeah. She’s alright. A little unhinged, but alright.”

Each word had been pulled like teeth from him; admitting you weren’t the absolute worst thing in the world, or at least inside this hospital, you knew made Langdon grumpy. Those few words left a sour taste in his mouth admitting anything nice about you, but it was enough for you because it meant one thing for you. There was hope that today wouldn’t be a total disaster after all.

It was a busy morning but mornings were always busy in the Pitt. There shouldn’t have been a reason the hum of panic constantly buzzed behind his ears. It only grew louder the closer he got to the pediatrics wing of rooms. The bright colors blazed out into the hallway; all greens and blues. Animal motifs meant to instill comfort instead summoned what he’d struggled to keep buried.

Dana already caught him helplessly trapped outside the room. The memory of that day - the last day with Adamson - flashed vividly like every nightmare he’d had of that day since. Robby had been so engrossed in the recollection of monitors blaring and Princess shouting for him to do something, “Robby we’re losing him,” that he wasn’t able to shake the feeling of dread off.

He knew Dana noticed. The way her eyes craned over his shoulder to take in the peds room was the only confirmation he needed.

“You okay?”

“Yeah. I’m fine. When do I ever make you worry about me?”

“Are you kidding?” Dana chuckled. “All the time.”

They both knew he was lying. Robby never did confirm it when Dana asked, but he didn’t need to. He wasn’t sure if he’d ever be fine or even close to simply being okay. Even after four long years, Robby found he still sought Adamson’s advice. Moments in the Pitt he swore he could hear him directing the room; asking questions to challenge Robby because “a doctor never stops learning.”

He missed being able to confide in him. The expectant look on Adamson’s face when Robby asked about situations in his life where he was at a loss of what to do.

Robby needed to change the subject - and lead Dana down a safer path of questioning that he could handle. If he could keep himself away from that room he should be okay. He could handle you being here and everything else if he didn’t have to step foot in that room. He should’ve known there was no safe space where Dana wasn’t going to bring you up. Robby could see the hard exterior she tried to keep up to defend against your presence was beginning to crack.

Maybe so was his.

“The two of you looked cozy earlier.”

“Dana, you know I wouldn’t know what to do without you.”

“Uh-huh.”

Her voice oozed a playfulness that edged towards teasing.

“But there is no universe where you and I talk about this.”

“I was just making an astute observation.”

“I would appreciate it if you maybe observe somewhere else. We have eleven more hours of this shift to go and I’d rather not have to spend it talking about her.”

“Yeah, because you’re allergic to talking in general.”

“Well, that’s just not true. I’m allergic to people I don’t want to have a conversation with,” he pointed out.

She tried to shake the smile off her lips. Her palm lightly smacked at his shoulder which caused his smile to rise in response.

“You’re such a smart ass.”

“I try my very best,” he mumbled as he leaned down towards the computer.

He’d just grabbed his badge to swipe past the electronic monitor to unlock the computer, placing his arms to brace on either side of the keyboard when he felt her presence eclipse to his right. Dana was leaning over the counter divider. Her arms hanging over waiting for him to look back up at her.

“Something else I can help you with, Dana?”

“Just wondering if you’d be more talkative if you knew Fullerton was all smiles earlier. She had her phone out. Seemed to be textin’ someone.”

Robby could feel his eyes narrow in on her position. He shouldn’t care - he shouldn’t fucking care - because you were the one who left. What did he care if you were dating anybody? It’s been two years. The chances of you dating were astronomically high; shit, he’d attempted it a while after you left. Instead of taking care of himself because, “You look like shit,”, as Dana lovingly told him, he’d done what 95% of the population does: he ran from it.

Heather Collins was an R2 at the time. She was funny, intelligent, witty, beautiful, and he’d fucked it up in record time. All the things you’d thrown at him about being shit at taking his own advice, hiding from his problems, were true. When things took a turn he’d lock up. Collins noticed the cracks and mentioned them enough he countered with argument after argument. The worst part was he was harboring a love for someone else that was gone. You can’t love someone else, give them the love they deserve, when you’re buried ten feet deep for someone else. She deserved better than to be a rebound - better than what Robby could’ve given her because no matter how amazing she was he still thought of you. Heather deserved more than to be a body to bury his sorrows in. He tried dating again a year later but that had also gone up in spectacular flames. Robby couldn’t keep the ghost of you from haunting him.

He tried to act like he didn’t care - that Dana’s words weren’t threatening his last proper brain cell for the day. By the look on Dana’s face, he did a shit job of hiding it. So what if you were with someone? He shouldn’t even care.

“Did she say who she was talking to?”

Why the fuck did he ask that? Dana didn’t necessarily answer him as much as she chose instead to grin. A silent, ‘Gotcha’ flashing that he absolutely hated. He’d walked right into it.

“Surprise, surprise. I thought she’d be one of your allergies.”

A huff of laughter rushed past his lips that he tried to cover up with a cough.

“You’ve got a mean streak in you.”

Dana patted his arm before she retracted back inside her bubble. The phone went off in record time to pull her safely away from having to hear him complain. She gave him one last thumbs up before her back faced him, completely ending the conversation and forcing him back to the open file on the screen.

He enjoyed the quiet for all of a millisecond before he heard -

“Hey, fruitcake.”

God, take him now. Robby chose to ignore her. Ignore her like every other time -

“Hey, I’m talking to you, fruitcake.”

“Myrna,” he bit out. “I told you a hundred times my name is Dr. Robby.”

He expected her to argue about nicknames and their usage. It’s usually what happens when he advises her that maybe she’d get better treatment if she’d use real names. That isn’t what he got.

“Do you wanna see my vagina?”

Robby’s eyebrows ran towards his hairline as he replied, “I've already seen it. And once was enough, thank you.”

“And what about mine?”

Robby knew that voice. He’d know it in any lifetime, through space and time; Robby would know your fucking voice anywhere. He turned to his left and there you were with your elbows and back resting against the counter. You’d leaned close enough so that your words were for him and him alone.

Robby wanted to humor himself that it had to be his imagination. The flash of something dark, ravenous, and achingly familiar he saw in your eyes must have been his subconscious going haywire. It wasn’t until he watched recognition dawn of what you said, the way you’d fucking said it, crest over your face that Robby knew he hadn’t made it up.

The heat of embarrassment had you straightening up beside him. He could see it in the light tinging of your cheeks, the anxious beat your fingers rapped on the counter. You weren’t looking at him now but he wished you would.

And then the memory of Dana saying you’d been caught smiling at your phone reared its evil head.

Mine.

He couldn’t keep the word from forming in his head. You’d been his for so long and those words of yours meant to tease and force him to give you a response. Robby wanted to tell you that no, once wasn’t enough. It was never enough.

Mine.

The last few months of your relationship had ended in flames but the rest. What about the rest of the many years you’d spent together? They’d been spectacular. The best memories he had you were a part of. The attempts at gardening and doctoring up sick animals. The way you’d dance to his records as you danced through every room while you dusted. The sounds of yours and Jake’s laughter mixing from the kitchen table going over homework.

He could remember the way your hands fisted the sheets as his hands hooked under your thighs to bring you closer to his greedy mouth. Your slick drenching his face, his beard, stubble - whatever phase he was in with or without facial hair. Robby loved it when you began to let go; body melting in his hands as your fingers wound themselves tightly in his hair to pull him closer, deeper. Robby could get drunk off your taste, the soft keening breaths that came ragged and shaking from your chest. How your body trembled as he worked each finger inside you until your back arched beautifully off the bed.

Mine. Mine. Mine. Mine….

He shouldn’t care. He shouldn’t fucking care, but he fucking did.

“What can I do for you, Dr. Fullerton?”

Robby grabbed the PPE gown from beside the table before he went to his full height. From this advantage, he could faintly make out the dying hint of a flush on your cheeks.

“I was talking here first, Sugar tits.”

You pivoted to glance around him and waved at Myrna who waved back with her middle finger.

“Myrna, always a pleasure. I think that’s my third finger wave today,” you muttered the last part to him.

“Dr. Fullerton.”

“Right, right. I wanted to see if I could borrow one of your med students. Central 3 and 4 have two patients, males twenty-three and twenty- four in age. Both were at the same BBQ and believed dumping liter fluid on a fire was a good idea.”

“Yikes.”

“Yeah, they look like human marshmallows right now. One has second-degree burns while central 4 has, what I believe, might be second degrading into three.”

“Do you need me to come take a look?”

It felt like a reasonable question. He was attending and usually, all consultations like this went through him for an opinion. He’d just done it with her half an hour ago. It shouldn’t be a big deal -

“Oh, no, no. Thanks but I think I got this.”

“Oook. If you got it, why do you need a med student?”

“I figure it would be a good teaching moment for one of them on treatments of burns and how to assess the level. I’ve already called surgery for a consultation on central 4. Plus, there’s no available nurse to help me attend to both.”

Robby tried to keep the scoff from coming out. He shook his head and went to move around you, shooting Myrna an irritated glance that hopefully she caught as his nonverbal way of telling her he didn’t want to see her the rest of the day.

“So, you are saying you need help, you just don’t want my help.”

God, he sounded like a petulant child. By the look on your face, you’d agree with that statement.

“Robby, I know you’re busy - “

“I’m not busy,” he cut in.

“Robby, the parents of the OD teen are here.”

Dana came from behind the station, her eyes glancing between the two of you.

“Okay, park them in Trauma 1. He’s not back from CT yet. I’ll be there in a minute. You can borrow Whitaker,” he directed at you.

He had to move. There was still the floating face patient in trauma 2. He needed to find out if they’d been able to prep for a safe intubation and if not, they were doing a solid alternative. Langdon was there with both interns. Robby could trust him. He should’ve been more worried about himself because as he passed by you on his way to trauma 2, he felt his body dip towards you. The jealousy rushed up like a lance piercing his heart as he remembered Dana’s words. The idea that you’d moved on, that someone else had taken his place, threatened to remove whatever sensible bit of himself he had left.

“And don’t pull your phone out on the floor. It’s unprofessional, and I won’t have it in my department. You can step outside like everyone else.”

You didn’t look at him as he spoke. You didn’t even snap at him or give him any hint you’d heard him. Robby knew you’d heard him, but your eyes were solely focused behind him. It was the spot he’d just been standing - the spot Dana now occupied.

There should’ve been some satisfaction in watching Dana’s face crumble like this. All the earlier anger dissipated back into a playful, if not biting, rhetoric that gave you some hope the day wouldn’t be your version of Dante’s Inferno.

But Robby’s comment…

Only one person saw you on the phone earlier. One person who’d asked about who you’d been talking to while you’d read Jake’s texts. You’d been so ready to shout at Robby that it was Jake, his son. It might have given you some retribution but why should you have to explain anything to him? He was acting like a jealous significant other, not a damn boss. The way he’d pressed himself against you earlier; touching you as if half-possessed.

You weren’t helping, were you? The minute the words had leapt from your mouth you’d wished you could take them back. You shouldn’t have said it and yet, you did. You fucking did and now the wanton look he’d given you was forever etched into your brain.

You were an idiot.

An even bigger idiot for thinking Dana would’ve left anything between you.

“You just couldn’t help yourself. Could you?”

“Kid - “

Dana took a step forward ready to explain. You didn’t have it in you to listen. When the phone went off in her hand you found your way out and took it.

“Do you know where I can find Whitaker?”

“He had a patient around the North-East hallway.”

“Thanks.”

You heard her call your name. Not Fullerton, not kid. Dana said your name and for the first time today, you wished she’d stuck to calling you an asshole.

You followed Dana’s instructions and moved toward the hallways. You weren’t sure how long you’d be searching for him, but luckily it wasn’t long. On the opposite side of the hall, you watched him wheel a patient out of 17 North and into the halls. Whatever the patient said stopped Whitaker in his tracks - both grateful and surprised all at once. You waited a few minutes longer for him to enjoy a good moment with his patient (because sometimes it didn’t always go like that) before you made your way around to get to him.

“Whitaker!”

“Uhm, oh yes. Hi, Dr. Fullerton.”

“I have a couple of burn patients in Central 3 and 4; second to third degree. Dr. Robby said you’d be able to assist if that’s alright?”

“Yeah, yeah. I would. That’d be awesome. Thank you.”

He was so earnest it was endearing. “You’re welcome. Now, let’s go remove some dead tissue.”

You took the lead in showing Whitaker to the rooms. You were trying to make polite conversation. It only seemed fair to take a small interest in what motivated a young doctor to get into the field of medicine, of saving lives. Basic questions such as those were able to tell you a lot about who someone was and if they held enough compassion to be around people during their most vulnerable times.

You did try your best to keep your attention trained on the work. It was your turn to be a teacher, and you wanted to do it well. You didn’t have an excuse why you looked toward Trauma 1. No excuse at all why you watched Robby speak to the kids' parents looking defeated before they’d even begun. There was even less of an excuse for when Robby looked away from them, his eyes searching until he found yours, that should’ve made you want to forget these last two years. You hated the old impulse to run to him - to care for him. The last time you’d seen Robby looking desperately close to combusting like this it’d been a few doors down standing outside pediatrics.

Looking at him now, Robby seemed ready to quit, and it wasn’t even close to 8:30.

______________

As always, thank you all so much for reading!! Comments and reblogs are always appreciated!

______________

Tag list: @whatdoesntkillyoumakesyoustrange

#Residuals #ongoing series #the pitt #the pitt hbo #the pitt fanfiction #michael robinavitch #dr michael robinavitch #dr robby #dr robinavitch #michael robinavitch x reader #dr michael robinavitch x reader #dr robby x reader #dr robby x you #the pitt x reader #dr robby x oc #michael robinavitch x oc #michael robinavitch x you #noah wyle #saucy angsty babies

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creativepromptsforwriting · 4 months ago

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Drabble List #13

75 prompts to write drabbles or longer stories.

"It's time to move on."

"There's no going back."

"Why do you care?"

"This could change everything."

"I need to know the truth."

"We can't give up hope."

"I knew it would come to this."

"They won't stop until they get what they want."

"I won't let you down."

"What are you waiting for?"

"I can't do this without you."

"We need to take a risk."

"How can I ever trust you again?"

"It's not too late to turn back."

"We need to act fast."

"This isn't about winning."

"What did you expect?"

"We need to find another way."

"How can you be so calm?"

"I won't let them hurt you."

"Why didn't you believe me?"

"This is our moment."

"I didn't know who else to turn to."

"We need to stay together."

"How did it come to this?"

"You're the only one who understands."

"We have to be ready for anything."

"I wish things were different."

"It's not as simple as it looks."

"What are we waiting for?"

"You think you know me, but you don't."

"It's not about what we want; it's about what we need."

"I've made mistakes, but this isn't one of them."

"Every choice comes with a consequence."

"I didn't ask for your opinion."

"We have to find another way."

"You're stronger than you realize."

"I can't keep doing this forever."

"What if everything we've been told is a lie?"

"I won't let fear control me."

"Why do you always have to be right?"

"There's no place I'd rather be than here with you."

"This isn't the life I imagined."

"We have to keep moving forward."

"No one said it would be easy."

"We can't let them get away with this."

"It's time to make a stand."

"I never thought it would end like this."

"Do you really believe that?"

"We can't change the past, but we can shape the future."

"I'm not as perfect as you think."

"This is the moment we've been waiting for."

"You can't hide from the truth."

"Everything is falling apart."

"We need to stick to the plan."

"I refuse to give up."

"They don't understand what we're capable of."

"This is just the beginning."

"I never wanted to hurt you."

"We're running out of options."

"This is bigger than both of us."

"I can't believe you did that."

"We're all in this together."

"You have to see it from my perspective."

"It's not as simple as black and white."

"We're fighting for something greater than ourselves."

"I didn't choose this path; it chose me."

"We have to be brave."

"You're not alone in this."

"This isn't a game."

"I didn't come this far to fail now."

"We can't let fear hold us back."

"I'm not the same person I used to be."

"This isn't about revenge."

"I believe in you."

Drabble Masterlist

Have fun creating and writing!

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

#drabble list #writeblr #writing prompts #creative writing #writers on tumblr #drabbles

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girlkisser13 · 10 months ago

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being married to erik lehnsherr would include

• erik is EXTREMELY protective of you. he uses his powers subtly to ensure your safety, like redirecting bullets or stopping potential threats without you even noticing.

• when you’re driving he will use his powers to move a car over if he thinks that they’re drifting into your lane.

• as his partner, you have a significant role in his plans and strategies. your insights and ideas are crucial, and he trusts you implicitly with major decisions.

• balancing erik’s often ruthless methods with your own moral compass can be challenging. you constantly strive to find a middle ground, helping him see different perspectives while understanding his deep-rooted convictions.

• erik loves to shares his vast experiences from different historical events, giving you a unique perspective on history and the evolution of mutant-human relations.

• being with erik means constantly learning and evolving. he encourages you to hone your skills, whether they’re related to your powers (if you have any) or other talents.

• despite his tough exterior, erik shows his softer side only to you. his love for you is profound and unwavering, and he cherishes every moment spent with you.

• you both enjoy challenging each other intellectually. debates are a common occurrence, and they often end in mutual respect and deeper understanding of each other's viewpoints.

• erik shows his love in small, meaningful ways, like always having your favorite tea ready or ensuring you have a warm blanket when you’re cold, using his powers to fetch things without you asking.

• you both share a strong commitment to the mutant cause. whether it’s through activism, helping mutants in need, or fighting against oppression, your relationship is a powerful force for change.

• despite the constant battles and responsibilities, erik always makes time for private getaways with you. these retreats are a chance to relax, reconnect, and enjoy each other’s company away from the chaos.

• HIM LETTING YOU WEAR HIS HELMET>>>

• the two of you often host gatherings for the mutant community, providing a space for mutants to connect, share their stories, and support each other. these events are filled with a sense of unity and purpose.

• trust is the cornerstone of your relationship. despite the challenges and dangers, you both have unwavering loyalty to each other, knowing that your bond is unbreakable.

• erik respects your independence and ensures that responsibilities are shared equally. whether it’s managing your home or leading missions, you both contribute and support each other’s strengths.

• if you have children, erik is a fiercely protective and loving parent. he’s dedicated to teaching them about their heritage, powers, and the importance of fighting for their rights.

• GIRL DAD MAGNETO>>>

• i mean come on, it’s basically canon that this man is a girl dad. look at the way he treats wanda and lorna compared to pietro.

• he occasionally shows off his abilities in small, romantic gestures, like creating intricate metal sculptures for you and arranging a metal flower bouquet that never wilts.

• your house is adorned with thousands of metal flowers he's crafted for you.

• he's also made countless pieces of jewelry for you as well.

• he made your wedding ring himself. <33

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iamgonnagetyouback · 4 months ago

Note

I’ve read every single one of your works, and I am absolutely obsessed! The way you write and capture emotions is beyond amazing—it’s pure magic. I really hope this isn’t too much to ask 😭, but I just adore your writing so much. If you’re not comfortable with this request, though, please don’t hesitate to ignore it. Thank you so much!

Could I request a James Potter x Reader story? The plot starts with James pursuing Lily Evans, but along the way, he realizes his feelings for her were more about the excitement of the chase. In contrast, with the reader, he feels truly at ease, able to be himself without pretending or changing for anyone. I’d love for Lily’s perspective to be included—how she starts to desire James after noticing how much he’s 'matured' in his relationship with the reader, but she can only stand by and watch as James and the reader create their beautiful love story.

'CAUSE YOU ARE THE ONLY ONE.⠀ ⠀ ⠀ ⠀ ⠀ㅤ ㅤㅤ●ㅤㅤㅤㅤ ㅤ J. POTTER

SUMMARY ৎ୭ james potter has always been the grand gesture type, but for the first time, he isn’t chasing—he’s just asking. and when he does, you don’t roll your eyes or turn him down. no, you match his dramatics, meeting him right where he is

WARNINGS ಇ. mutual pining, james being dramatic (as always), reader matching his energy (as you should), lily’s pov & realization, slight angst (if you squint), mostly just fluff A/N ಇ. omg stopppp you’re making me blush ‹𝟹 this is the sweetest thing ever, and i’m so honored you enjoy my writing!! ♡

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ⠀ ⠀ ⠀ ⠀ ᡣ𐭩 words.ᐟ 1,836

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ౨ৎㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

James Potter had been chasing Lily Evans for years. Everyone at Hogwarts knew it—how he’d flash his most charming smile, throw an arm around her shoulder with a wink, and dramatically proclaim his undying love. It was all in good fun, of course. At least, that’s what he always told himself.

Lily, ever stubborn, had always rebuffed him. At first, she detested his arrogance. Later, she simply rolled her eyes and dismissed his advances, treating him as little more than a particularly persistent house elf. James didn't mind. The chase was half the fun, after all.

"She'll come around, you'll see," James would say after every rejection, running a hand through his already messy hair.

"Mate, she's been saying no for three years," Sirius pointed out, sprawled lazily on the Gryffindor common room couch. "At what point do you consider the possibility that she's actually not interested?"

James gasped, placing a dramatic hand on his chest. "Not interested? Padfoot, please. That’s just what she wants me to think."

Remus sighed from behind his book. "Or perhaps she genuinely means it. You ever consider not making a public spectacle every time you ask her out?"

Peter snickered. "Yeah, Prongs, maybe if you stop serenading her in the Great Hall, she'll stop running the other way."

"That was one time!" James protested. "And I thought she’d appreciate the gesture."

You, sitting cross-legged by the fire, smirked. "James, darling, even I was embarrassed for you, and I usually live for the drama."

Sirius grinned. "See? When even our dear, theatrical doll here cringes, you know you’ve gone too far."

James huffed, crossing his arms. "You lot are supposed to support me."

Remus finally set his book down, giving him a small smile. "We do support you. We just also support your dignity."

James groaned, burying his face in his hands. "Alright, fine. Maybe I’ll try… a different approach."

The boys exchanged glances, and you patted his knee sympathetically. "That’s the spirit, Prongs. Maybe next time, just… don’t propose in front of McGonagall again."

James groaned even louder as the Marauders burst into laughter.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ౨ৎㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

But somewhere along the way, the chase had stopped being fun.

It had started with you.

You, the one he never really had to chase. You, who laughed at his antics but also scolded him when he was being too reckless. You, who had a quick wit but also a kindness about you that softened his rougher edges. You, who never needed him to be anything but himself.

It hadn’t happened all at once. There was no lightning strike, no grand revelation. Just little moments that wove themselves into something undeniable.

The way you tucked a stray curl behind your ear when you were reading, tongue poking out slightly in concentration. James had watched you do it a hundred times before realizing how endearing he found it. The way you argued with Sirius about the best way to sneak into Hogsmeade, eyes alight with mischief as you held your ground against the self-proclaimed master of rule-breaking. The way you always had a spare quill when he inevitably lost his, rolling your eyes fondly as you handed it over with a teasing, "Honestly, James, do you even own quills?"

There was the way you leaned against his shoulder after a long cold day, sighing. "James Potter, you are a human furnace. Please continue existing exactly as you are."

There was the way he found himself seeking you out first—before Remus, before Sirius, before Peter, before anyone else—whenever he had good news to share. The way his jokes felt funnier when you laughed at them. The way his name sounded different coming from your lips, softer somehow, like it belonged there.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ౨ৎㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

One night, after an exhausting Quidditch practice, you had met him outside the changing rooms with a chocolate frog in hand. "For your heroic efforts," you’d said with a mock bow, pressing it into his palm. He had laughed, shoving it into his pocket, but the warmth in his chest lingered long after.

James Potter had always thought he wanted a grand, all-consuming love. He had spent years chasing something he thought would make him whole. But standing beside you, teasing and laughing and existing so effortlessly together, he realized something else.

Maybe love wasn’t supposed to be a chase.

Maybe it was supposed to feel like home.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ౨ৎㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

Lily noticed the shift before James did. It crept up on her, subtle but undeniable, like the slow changing of seasons. He still ruffled his hair like a prat, still laughed too loudly with his friends, still turned every moment into a grand performance. But there was something quieter about him now, something settled in the way he carried himself. The endless pursuit that had once defined James Potter—the grand gestures, the dramatic declarations, the unrelenting chase—had stopped. And he hadn’t even noticed.

At first, she felt relief. She had spent years pushing him away, certain that his attention was something fleeting, something she didn’t want. And now, finally, he had listened.

Then she felt something else.

She caught herself watching him more often. Noticing the little things. The way his grin softened when he looked at you. The way his hand found your wrist when he pulled you toward him in the common room, like it was second nature. The way he listened when you spoke—really listened, with an intensity that made it clear you had his full attention. She had never seen that look on his face before. Not when he looked at her.

And suddenly, she found herself wondering. Had she been wrong about James Potter?

Had she spent all these years dismissing him without ever really knowing him? Had she mistaken boyish bravado for immaturity, mistaking the show for the substance beneath it?

But it didn’t matter.

Because James wasn’t looking at her anymore.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ౨ৎㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

The realization hadn’t struck James like lightning, not at first. He hadn’t woken up one day and thought, Oh, I love her. No, it was something slower, quieter—woven into the fabric of every moment he spent with you.

It was the way you sat beside him in the common room, curled up with a book, the firelight casting flickering shadows across your face. The way you absently played with the hem of his sleeve when you were lost in thought. The way you saw him—not James Potter, Quidditch Captain, mischief-maker, the boy who never stopped chasing—but James. Just James.

And for the first time, he found that was all he wanted to be.

He didn’t need to impress you. He didn’t need to chase you. He could just exist with you, and it was enough.

There was a night—one that stuck with him, long after it had passed—when he had finally put words to the feeling.

You had found him on the Astronomy Tower, shoulders hunched against the cold, lost in thoughts he hadn’t even realized were weighing him down. You didn’t ask what was wrong. You just sat beside him, close enough that your knees touched, close enough that he could feel your warmth.

“You ever think about who you are without all the noise?” he murmured after a long silence.

You tilted your head. “What do you mean?”

James hesitated. Then he sighed, running a hand through his hair. “I’ve spent so much time being—being James Potter, you know? The one who’s always got a joke, the one who’s always chasing something. But with you…” He trailed off, glancing at you from the corner of his eye. “I don’t have to be anything but me.”

You blinked, taken aback, before a small smile curved your lips. “That’s a good thing, isn’t it?”

James let out a breath he hadn’t realized he was holding. “Yeah,” he said, his voice quieter now. “Yeah, it is.”

You nudged his shoulder gently. “For what it’s worth, I like just you.”

And that was it.

Not a grand confession. Not a dramatic moment. Just quiet understanding.

Just home.

Lily saw it all unfold. Saw James fall in love without the fanfare, without the spectacle. And for the first time, she saw him—not the boy who had chased her, but the boy who had finally stopped running.

And it wasn’t for her.

It was too late.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ౨ৎㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

Then came the grand gesture.

James Potter did nothing in half measures, and asking you on a date was no exception. If anything, he seemed almost nostalgic about the whole ordeal—like he had spent so many years planning elaborate schemes for Lily that now, finally asking the right person, he wanted to do it justice.

So, naturally, it started with fireworks.

Not just any fireworks, but ones that spelled out your name across the sky in brilliant, shimmering letters, crackling above the Quidditch Pitch where half the school had gathered after dinner. Then came the enchanted banners floating midair, reading: 'WILL YOU GO ON A DATE WITH ME?' in flashing gold and red, trailing behind a very enthusiastic Sirius, who had volunteered to fly them around on his broom. A charmed choir of singing toads croaked a love song (Remus’ contribution, because, according to him, ‘there needed to be some class in this spectacle’), and Peter had somehow gotten his hands on a bouquet of flowers that smelled like sunshine.

James himself stood in the center of it all, hand on his heart, eyes locked on yours, waiting.

The crowd turned to you, hushed in anticipation. Lily, standing off to the side, watched with wide eyes, an unreadable expression on her face. There was a time when she would have scoffed at something like this, dismissed it with a roll of her eyes.

But you—

You were grinning.

Dramatically clutching your chest, you gasped, staggering back like a swooning damsel in distress. "Oh, James Potter! Whatever shall I say? This is all so sudden!"

James, without missing a beat, fell to one knee. "Say yes, my darling star! For I have loved you since the dawn of time—or, well, since fourth year at least, and that’s practically the same thing!"

You pretended to think, tapping your chin. "Hmm. I don’t know, Potter. It’s an awfully big commitment."

James shot to his feet, grabbing your hands, eyes wide with mock desperation. "I shall spend every day proving myself worthy of your love! I shall carry your books! Share my sweets! Defend your honor against Slytherins and bad hair days alike!"

You sighed deeply, then beamed. "Well, in that case… Yes! A thousand times yes!"

The crowd erupted into cheers, Sirius fist-pumped midair, and Remus groaned into his hands. James, triumphant, swept you up in a spin, laughing so hard his glasses nearly fell off.

Lily watched it all unfold, and for the first time, she felt the weight of what she had lost. Not because she wanted James, not really. But because once upon a time, it had been her he was chasing.

But James Potter had finally stopped chasing.

Because he had already caught what he was looking for.

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