#just answering this question

[noco7]

Hi hope your well! I was just wondering — your fics have a lot of dialogue and as a writer myself that’s something I struggle on… how do you know what to make them talk about/introduce certain conversations? does it just come to you?

I am well! A lot of things have happened (not in a bad way), and I am single no longer. (Yippee!) (And our relationship is nothing like the one in NCi7 lmao... not that it hasn’t had it’s share of miscommunication tensions.) Anway... as for dialogue that’s a tricky question. One part of NCi7 having so much dialogue is that Noah and Cody are quite talkative characters themselves, and that helps. Especially Cody. Especially Cody when he likes someone. He wants to ask questions, he wants to flirt, he wants to show off. Everything. Chatty lil’ man. Noah is a bit more reserved, but he will never miss a chance to snark. It’s why they have such good banter. Additionally, NCi7 is a fic based on “communication.” The whole point is for them to become better communicators, so the story just HAS to have a lot of dialogue. So I can show their bad communication and how it slowly becomes good communication. But how do I know what to make them talk about? Well... that’s an odd question to me, because what they talk about is just the story. So for me, coming up for things for my characters to talk about equals coming up with the chapter outline. In NCi7′s case, I wanted the characters to change how they thought about physical affection, sex, sexuality, guilt, relationship roles, gender, career, family, etc. Just the whole shebang. So ... I had a lot of things for them to talk about. That’s probably my best tip. If you want your characters to talk more, give them something to talk about! If you don’t have much plot (which is fine), then maybe think about ... Dialogue as a characterization tool. What kind of words are the characters using? What kind of tone? What do they think is appropriate conversation?  What questions do they ask? The more in-character you make it, the more fun it is. And dialogue is so, so useful with backstories. It’s one thing for a character to ruminate on what happened in their life. It’s another to see them say it out loud. And what kind of snap-judgements will the other person make? I wish I could give more specific advice, but I don’t know what story you’re writing (feel free to DM or discord me about it, I’d love to hear) but without specific details, I don’t have specific advice. Lastly, how do I introduce conversations? Honestly, I don’t remember. I do remember sometimes writing a chapter, not knowing how to transition to a topic, and putting in [INSERT TRANSITION HERE] so I could fill it in later. I would say try to use the environment to your advantage. If you need your characters to argue over PDA, bring in a public place. If you want a character to relfect on their parenting, have them see/do something that reminds them of it. Have a character notice something’s off with the other and ask.  Give them a reason to speak.  Anyway, thanks for asking this question! If you want to send me your work so I could read it, I’d love to. It doesn’t even have to be an advice thing, I love seeing how other writers write, and there’s a huge chance I could learn something from your writing as well. But it can be a suggestions/advice thing if you want it to be.

[spectralsleuth]

Reblog and put your rare pair in the tags/comments! I want to see the depths people will go to create, for the most random two characters in the most obscure media.

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[sexhaver]

a good experience more people on this website should have is confidently bringing up some leftist talking point you picked up from tumblr around family members, only for them to ask extremely basic and predictable followup questions/rebuttals that you have no response to because you just internalized the three-paragraph post with 3k notes. this only needs to happen a few times for the lesson to stick and the sooner the better

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[becca-e-barnes]

Bucky pinning you down so you can’t squirm and he’s just sitting inside you while he tortures your clit feeling you clench around him. He makes you cum over and over until he finally cums.

Overstimulation + super soldier stamina = …

- 🍯

Dear God, I know I just don't have it in me to behave during cock-warming. When it comes down to it, I genuinely have no patience at all 😵‍💫

"You..." Bucky begins, pressing you down onto the bed before gripping your ankles and forcing you to flip over onto your front. "Have a problem with control."

With your face turned away from him, you can't help but smile to yourself. No one has ever said it out loud but you know he's right.

Being in control is where you're most comfortable. No hands are safer than your own. Except maybe his. You know he won't fuck this up.

"And you..." He continues, gathering your wrists behind your back, holding them tightly with one hand. "Need to learn how it feels to have control taken from you. Do you understand?"

As soon as you begin to nod your head, you feel him start to tape around your wrists, holding them together behind your back. Once he's content they're secure, he sits on the edge of the bed, facing the mirror before he pulls you onto his lap.

"Legs spread over the top of mine." He orders and you do as you're told, not because you have to but because you want to.

You notice the way your cunt is already glistening in the mirror and you're almost embarrassed because he hasn't even touched you yet.

"Fuck, you're made for this." He groans, lining his cock up to your slick entrance and you wonder if he's holding his breath too while he slides into you, as deep as your bodies will allow.

You're obsessed with the sight in front of you; your own naked body, with your legs spread so far apart you can see how your cunt is stuffed full of him.

Being shorter though, your feet can't touch the ground like this. There's no way you'll get enough leverage to fuck yourself on him but as soon as you start to tell him that, he silences you with two thick fingers between your lips.

"I'm not letting you fuck me." His free hand roams over your body, squeezing your breasts, pinching your nipples and then settling between your spread thighs.

"I'm going to play with you. I'm going to see how much you can take. I'm going to work out exactly how you like your clit stroked and I'm going to do that until your legs are shaking and your body won't let you cum any more. Maybe then I'll fuck you but sweetheart, that will be hours from now." His breath is hot against the side of your face, his fingers slipping from your mouth to your waist while he starts to flick gently against your clit.

"I'm going to start slowly. I'm going to do everything I can to drag this out as long as possible. I can feel every clench and flutter of this pretty little cunt and I'm going to enjoy it until you're dripping over my balls." At this rate, it won't be long until you're dripping onto the carpet, never mind over him. You dreamed he'd want to take control like this but you never imagined the way your body would respond.

"And then, when you've cum more times than you can handle, I'm going to tell you that I love you while I fuck you like I don't."

Update: Part 2

[jq37]

Siobhan Thompson, who has casually translated Elvish and Latin on this show on multiple occasions: Why do you expect me to know the etymological roots of British slang?

[luxaofhesperides]

Soulmark AU + Sleeping Beauty ; requested by @candeartist422!

For the last few years, Duke’s been waiting for his soulmate to die.

It sounds cruel to say it that way. But the waiting is more painful, he thinks, than just mourning a lost love. It’s not like most people ever meet their soulmates anyways; his parents weren’t meant to be, but they still loved each other and had a life together. He wishes he could turn his focus away from his soulmate, but Duke is a romantic at heart and has always wanted to find the other half of his soul.

But since he was fourteen, his soulmark has dulled, fading in and out of color. What was once a vibrant blue crystal star, with eight points and a swirl of watercolor hues around it, dimmed more and more until Duke was sure he was watching his soulmate die slowly. 

His soulmate didn’t die then. Whoever they are got better, his soulmark gaining color, but it never went back to the way it was. For years after, Duke would check at the beginning and end of each day, keeping track of when it faded and when it regained its color. 

He thought his soulmate was sick. In and out of hospitals, fighting to stay alive.

And then it went nearly colorless. 

Duke doesn’t remember much about that day. He knows he woke up, brushed his teeth, the lifted up his shirt to check his soulmark in the mirror. The blue was almost completely gone, the star on his left hipbone nearly gray with how colorless it was. He started at it for a moment, shocked, and reality slid away from him as he retreated into the safety of his mind, fully dissociating. 

Bruce had found him when Duke didn’t show up for breakfast. He held him and offered quiet words of comfort that Duke couldn’t understand, but just having someone with him lessened the hurt of losing his soulmate. 

Seeing the color come back the next day, faint as it was, hurt even more.

A year later, Duke still can’t break the habit of checking his soulmark twice a day. It hasn’t changed at all, still faint and dim, but carrying just enough color to show that his soulmate was still alive. At the very least, they were still breathing, but his chance of ever meeting them is basically zero. Still, he can’t help but hope, wishing that he could meet them even once before they die and leave him forever. 

“Same as ever,” he murmurs to himself as he brushes his thumb against his soulmark. He’s terrified that he’s forgotten how beautiful the blue of it was when his soulmate was healthy. 

Duke doesn’t let himself think on it too much anymore. Though his thoughts often turn to his soulmate during quiet moments like these, the busy nature of Gotham is usually more than enough to pull his attention back to the here and now. There’s no use in obsessing over his soulmate anyways; they’re just going to die, sooner or later, and Duke knows he’ll never get to meet them. They’ll just be another empty space in his life, right next to his parents. 

“Come on, Thomas, focus,” he tells himself firmly, then gets dressed and heads down to the kitchen for breakfast.

The manor is quiet. It usually is in the mornings, with everyone from the night shift dead asleep and trying to get as much rest as they can before they have to start their day. Not that many of them stay in the manor these days; Duke and Damian are the only permanent residents at the moment, but Steph usually stays half with her mom and half in the manor during the summers when she’s home from college, and the others drop in whenever they feel like it. 

Bruce lives more in the Batcave than the manor, so he doesn’t really count. It’s also why Duke is surprised to see Bruce awake and dressed like a normal person, drinking coffee in the kitchen as if this is a normal occurrence. 

“Morning,” Duke offers.

“Good morning, Duke,” Bruce replies. “Sleep well?”

“Well enough. Alfred out or something?”

“He may have kicked me out of the Batcave to clean it up a bit,” Bruce answers tiredly. “Want me to make breakfast?”

Duke has heard the horror stories of Bruce’s attempts to make edible food in a kitchen. In the interest of not dealing with food poisoning, Duke shakes his head quickly and says, “Nah, it’s fine. I was kinda wanting to eat out for breakfast. Get out there as me, and not a mask, you know?”

“Mind if I join you? Alfred may forgive me for not sleeping if I willingly go outside.”

Duke laughs. “Sure man, as long as you pay.”

“I’ll drive, too.”

“What, don’t trust me behind a wheel?”

Bruce gives him a tired look, eyes dead and dull. “I have taught all my children how to drive. The day I willingly let them take the wheel when I am not actively dying is the day I’ve been replaced by a robot clone of myself who doesn’t know better yet.”

“That is… very specific. Is that a thing you usually worry about?”

“I’m Batman. I have to worry about everything.”

Yeah, that tracks. Duke wouldn’t be surprised if he has at least five contingency plans for that scenario, should it ever happen. “Well,” he says, “Right now, all you need to worry about is having your wallet and driving us down to The Foodie Nook. I’ve been craving their breakfast plates for ages.”

Bruce doesn’t object to his choice of restaurant and follows Duke down to the garage, grabbing a random set of keys and pointing it out to the many cars he owns. One near the front blinks its lights as it unlocks and Duke cheerfully tosses himself into the passenger seat as Bruce opens the garage door. 

The drive into Gotham is smooth. They don’t hit traffic until they reach the bridge that leads into the city proper, taking them away from the quiet of Bristol. The morning is busy, but not enough that Duke worries about being out as the Signal to help keep the peace. It’s a normal type of busy, one borne from people going about their lives, feeling safe enough to go out. 

The Foodie Nook is entirely local and very popular, so the parking lot is nearly full. But they expanded their space last year, which means he and Bruce don’t have to sit outside while they wait to grab a table. Bruce keeps conversation light and casual, well aware of the many listening ears around them, and it’s nice, feeling normal for once. 

Well, as normal as life can be with Bruce Wayne™. The server who comes to lead them to a table realizes who she’s talking to after she gets a proper look at them while holding open the door and promptly stutters over her words. 

“No need for any special treatment,” Bruce laughs lightly, “We’re just here for breakfast. Nothing special.”

“Of course,” she replies, cheeks red. “Um, right this way! We’ve got a table by the windows for you. Just two, yeah?”

“Yup! Just two. Thought this was a good day to spend some time with Duke. He’s a great kid, you know, I’m glad I was given the opportunity to foster him.”

The sunny, cheerful Bruce Wayne persona is so different from the usual Bruce he works with that it feels like he’s standing next to a stranger. But his words are sincere and warm his heart, filling up the gaps that his soulmate has left. 

“Here you are!” their server announces, showing them to their table. “I’ll be right back with some menus.” She’s gone in a rush, and other customers glance over before quickly averting their gaze. 

It’s one of the unspoken rules of Gotham: give the Waynes their privacy while they’re out in public. Questions and conversation are for public events only, but if they see a Wayne out and about during a normal day, everyone leaves them be unless spoken to first. Duke used to follow those rules as well when he was just another Gothamite. It’s strange being on the other side of that now that he’s in with the Waynes.

Duke barely has to look through the menu when it’s handed to him. The breakfast plates are his favorites and he gets one every single time he comes to The Foodie Nook; stacked full with breakfast foods from around the world. As a kid, he loved the Mexico Plate, but these days he’s craving either the Brazilian Plate or the Vietnamese Plate.  

He can’t decide on which one and thinks about tossing a coin to decide, but seeing how that’s Two Face’s whole thing, he decides to hold off and settle the matter with eenie-meenie-minnie-mo. 

He gets the Vietnamese Plate.

Bruce, on the other hand, reads through the entire menu like it’s a novel, then leans over and says rather loudly, “Duke, what’s a tort-illa.” 

The pain he feels hearing that is only worsened by the amusement in Bruce’s eyes. He’s doing it on purpose, playing up the Brucie act for the public so he can psychologically torment Duke. A few nearby customers choke back laughter, turning away to hide their smiles. 

Duke shakes his head and says, “Don’t worry about it. It’s just food. Don’t ask any more questions, I just want a peaceful breakfast.”

“Well then,” Bruce replies, “I suppose I know what to order now.”

As if she was summoned, their server reappears before them, cheeks still looking a little flushed. “Hi! Ready to order?”

She writes down their orders quickly, valiantly keeping a straight face at Bruce’s mispronunciation of tortilla, then heads off to deliver their orders to the kitchen. 

Rather than draw out a conversation with Brucie Wayne, Duke settles for playing a few idle games on his phone; his current favorite is one quiet cat cafe game where he directs cats into fulfilling cafe orders. 

Bruce, despite being out in his civilian identity, is working. He’s on his Batman phone, which looks the same as his other cell phones except this one has a bat symbol sticker just barely hiding a Superman sticker on the phone case. His brow is slightly furrowed as he reads whatever file he’s accessing from the Batcomputer. It’s a little worrying but it could be anything. Bruce makes the same expression when he reads one of Tim’s snarky comments getting quoted in the news.

But that’s not Duke’s problem! He’s here to enjoy his breakfast and it will take the end of the world itself to remove him from his seat before he’s done eating.

The game takes most of his attention until their food comes out, and by then Bruce has tucked away the smallest of his Batman mannerisms. They enjoy a normal, peaceful breakfast. Bruce ends it by asking their server if she has any debt that’s weighing her down, then giving her a tip that’s at least five thousand dollars above that. 

She does cry and Bruce hugs her. It’s very sweet. 

As soon as they get back into the car, his easy going smile drops and Duke knows some superhero nonsense is about to take over his day. 

“Duke,” Bruce starts, seriously, “I received a message from Zatanna.”

“Don’t drag this out,” Duke says, “Just give it to me straight. What terrible thing is about to happen to us?”

“It’s nothing too big. They just recently defeated a magical being who had been tearing apart secret government facilities in Illinois. He had both magic and a high tech weapon, which they confiscated and are delivering to me. The government agency he was fighting was suspiciously interested in the weapon, and based on their behaviors and newly revealed work, Zatanna made the decision to turn the weapon over to us so it doesn’t fall into the wrong hands.”

Bruce smoothly merges into traffic as he speaks, getting them onto the road back to the manor. There’s a look in his eyes that means he’s keeping a lot unsaid, and Duke knows without a doubt that whatever this government agency was doing is bad if Zatanna needs Batman to act as extra security. 

He’s not sure about her decision to trust the weapon to be safe in Gotham, either. Sure, Batman will keep it as safe as he can, but with their luck, it’ll end up in the hands of a Rogue and lead to a lot of death and destruction. 

As soon as they cross the bridge and return to Bristol, Bruce steps on the gas and the car tears down the road. Without any other cars to worry about (or traffic laws), it takes barely two minutes to reach the manor, when the gates open for them and let them into the garage. 

Alfred waits for them by the door, looking them over with a critical eye. “I see you have managed to go outside, Master Bruce. What’s the special occasion?”

“Just breakfast,” Bruce answers. “I’m heading back down to the Batcave. Zatanna will be here soon to deliver a weapon.” He’s gone before Alfred can say anything more, hurrying down the hall and turning the corner, disappearing from sight as he heads towards his office. 

“I see we have yet to break that bad habit of his. Did you enjoy your morning out, Master Duke?”

“Sure did, Alfred. I’m, uh, also going down to the Batcave. He’s definitely not telling me a lot about what’s going on, so I’m just going to read about it over his shoulder. I’ll be back up for lunch, though!”

“And perhaps you’ll be able to drag Master Bruce away from that cave of his,” Alfred comments wryly as he walks with Duke towards the office. He gives Duke a nod, then splits away from him, returning to the kitchen where Duke can hear Damian speaking to someone, probably Tim by the annoyed tone of his voice, and mentally wishes Alfred luck in handling them.

Duke sets the correct time on the clock in Bruce’s office and heads down to the Batcave, taking the steps two at a time. 

Bruce is already at the Batcomputer, shoulders tensed, when he arrives. 

“More bad news?” he asks as he makes his way over.

Bruce doesn’t bother looking away from the screen as he says, “More details about the fight. It seems the magical being called himself a ghost and was going on a rampage due to a betrayal. He says they nearly killed his son.”

“Oh, yikes.”

“And two of the scientists working with the government agency said that he stole their son and is keeping them from saving him.”

“Yikes,” Duke says with more feeling.

He doesn’t get to hear anymore details about JLD’s fight with this ghost when he catches a flicker in the corner of his eye. Duke turns and stares at the empty space in the Batcave near the medbay and watches as colorful magic gathers and swirls in dizzing circles. The portal opens a moment later and Zatanna steps out, looking exhausted and lightly singed. 

“Batman,” she greets, holding a white gun that looks like it belongs in an early sci-fi movie from the 60s. “The GIW is trying to arrest us. Constantine keeps burning their badges and documents so it shouldn’t be a problem, but they are determined to get this back. I wouldn’t be surprised if they came after you next. They’ve got some way of tracking things, but I didn’t have time to get any details before I had to leave.”

Bruce takes the gun from her hands carefully, looking it over with a sharp gaze. “Why would a ghost want to use a gun?”

“I don’t know. He had a variety of powers, too.”

“What does this do?”

“Shoots ice. He never let it go and nearly burned me alive for taking it before we subdued him.”

“We’ll keep it locked up,” Bruce promises. 

Zatanna sighs. It looks as though a physical weight fell off her shoulders. “Thanks. I’m going to head back to stop Constantine from getting into a fistfight with the GIW agents.”

She opens another portal with a waved hand and a muttered spell. Bruce is already walking away to set the gun down on a work station, so Duke is the one to wave Zatanna goodbye. 

By the time he reaches Bruce’s side, the gun is already dismantled, all pieces neatly set aside. Sticky notes denote which pieces go together and in what order. It looks the same as most guns, save for the aesthetic, but the heart of it is a glowing blue orb, large enough to cover the entirety of Bruce’s palm, and it brings a chill to the air.

Duke stares at it and feels his soulmark burn ice cold.

“Duke?”

It’s in his hands. He doesn’t remember reaching out to take it, but it’s in his hands. He can’t take his eyes off of it, cradling it gently and bringing it closer to his chest. 

It’s the same blue his soulmark once was. Before his soulmate began to fade, before every day became a waiting game to see how long his soulmate will last before they die. 

This has something to do with his soulmate. He’s sure of it. 

He won’t let anyone take it from him. 

“Duke. Give that to me.”

He doesn’t feel like he’s in his body. He’s detached, floating somewhere outside his body, puppeteering his limbs, making them move without feeling the motion. Shadows condense around his feet and Bruce takes a step back, wary. 

“Duke,” he says again, but Duke can’t find any words, can’t draw on his voice, can’t even look away from the bright, bright blue of the orb. It pulses lightly in his hand like a heartbeat. 

Bruce reaches a hand out. 

He’s pulled back by shadows before he can get close, and Duke holds the orb against his chest, right against his heart, and feels the cold seep into him. 

“Duke. I need you to look at me.” This time, Bruce’s voice has Batman’s growl in it, a heavy command that he can’t help but instinctively follow. He looks up and meets Bruce’s eyes, but he can’t focus. All his awareness is in his hands and the heartbeat of the glowing orb.

“I have to protect this,” Duke manages to whisper. “I… I think it’s alive.”

“Okay. Let’s get you to the medbay so you can sit down. We’ll figure this out, Duke.”

Bruce slowly, carefully, sets his hand on Duke’s shoulder. He keeps his attention away from the orb, so Duke allows it and lets Bruce guide him to the medbay and onto one of the medical cots. Bruce leaves him after a minute of quiet fussing, muttering about calling Zatanna.

Whatever. None of that matters when the heartbeat of the orb grows stronger, steadier, and Duke feels it match the beat of his own heart.

Time slips away from him. Distantly, he hears people move around the cave, speaking in low tones. A hand presses against his shoulder, warm, then moves away. 

The orb in his hand moves. 

Duke blinks slowly, then claws his way back to awareness, pushing past the haze that’s fallen over his mind. The orb turns over in his hand, then cracks right down the middle. The glow grows stronger, washing the medbay in blue light and a symbol appears on the orb.

It’s his soulmark. 

Later, he won’t be able to say why he did it. There were no thoughts, no reasonings, no explanations. Duke simply moved on instinct and lifted the orb up to his face and pressed a soft kiss against it. 

One moment, the orb was still.

The next, it had burst in a flash of light that blinded everyone in the Batcave, and then a thin, injured teenager had fallen into Duke’s lap. 

Hands immediately grab him, pulling him away from Duke. The teenager puts up no fight, eyes barely open, but he reaches for Duke weakly. On his wrist is the bright blue snowflake, the color strong and vivid. 

“That’s me soulmate,” Duke whispers as he watches Bruce and Tim set the boy down on another medical cot. 

“What?” Tim says, turning to face Duke, concern clear on his face. 

“That’s my soulmate,” he repeats, louder. Then, panicked, he pulls up his shirt enough to see his own soulmark; the color is still dull, weak, barely there, but it’s more blue that it has been in a while. He doesn’t need to say anything. Tim sees the dullness of his soulmark, looks at the boy, and puts the pieces together on his own.

“I’ll call Doc Thompkins,” he says, already moving to fix everything. Bruce remains where he is, making sure the boy is tucked in and breathing steadily before he returns to Duke. 

“Are you alright?”

Duke swallows roughly, unable to tear his eyes away from the boy. He’s pale and thin, as if he’d been starved, and there’s frost beginning to spread on the bedsheet from his fingers. “He’s my soulmate,” Duke manages to say. “He’s been dying for two years.”

Bruce’s eyes a hard, a determined light in them. “We’ll save him,” he promises. 

If anyone can, it’s Batman. 

If anyone can, it’s them, Batman and the Signal, and their entire network of family and friends. 

Duke’s been waiting for his soulmate to die all this time. Now, he’s going to save him.

[chloesimaginationthings]

IS THAT JEREMY!?

I’M GLAD YALL NOTICED THIS DETAIL! To answer your question,,, oh yknow

[bowenoke]

in scott's pov (ep7) he refers to scar as grian's husband. no one tells him this is not the case. this is because traffic!scott decides who is and is not married like some sort of contractually binding arbiter of love. to me anyways

[ew-selfish-art]

DpxDc AU: Tim as a child was never given a lot of information regarding the scribbling messy handwriting that appeared over night all over his arms- naturally he came to his own conclusions.

Tim Drake was home entirely alone at 9 years old and was about to go out for the night to test his brand new long exposure camera lens when he sees the writing on his arm. It’s not English, like he assumed it was at first, but it was using the alphabet to represent… Tim isn’t bad at math but this formula is complex for his little genius brain.

Looking at his camera, he decides he can spare a moment to look it up, solve it, and get back out into old town Gotham in time for Batman and Robin’s final patrol lap. He does just that, finding the problem to relate to some aerospace engineering and then quickly deduces what laws and theorems need to be applied. He finds a pen, writes down his findings in much neater handwriting onto his arm, and goes out. It’s barely a remarkable night at all. He gets a much more memorable photo of Robin roundhouse kicking a hench person.

Things just continued on that way. Tim would find some complex math, physics or chemistry prompt on his arm (surrounded by various question marks or notes or sad faces)- he’d answer it as best he could and move on with his life. Perhaps his parents were manifesting these pop quizzes? Perhaps his subconscious felt guilty about abandoning his studies for more Bat related pursuits? Tim really didn’t care to think much about it once he became Robin- there was too much on his plate and too many peoples problems for him to fix.

Notably, however, after the attack at the Tower, the pop quiz appeared and Tim wrote back that he wouldn’t be able to find an answer to this one. It was the only time Tim questioned the markings appearance and it was because the next thing that appeared was “Hope you feel better soon.”

… his parents wouldn’t include that on a pop quiz. Cursed then. Tim decided it must be a curse, whatever, he’d deal with the implications later in life.

Tim then has the worst year of his life, hes 15, no longer Robin and the questions from his curse are getting less math oriented and more… philosophical. A lot of mentions of death that, in hindsight helped him actually grieve, and a lot of theories about dark matter and souls. Tim answers back as best he can but he’s drained and his answers aren’t very good in his opinion. He gets minimal feedback.

It all comes to a point that he’s at a family dinner, Bruce is at the head of the table, Jason has promised just to stay for dessert, Damian hasn’t thrown a single insult his way and Steph was laughing at him- when a new theoretical model appears on his arm.

“You’re just as bad as Bruce, Timberly. Hiding a soulmate from all of us, how fucking typical.” Jason points out, while watching Tim scribble back some math with a question mark onto his arm.

“A what? No, this is just a curse. I get pop quizzes every now and then.” Tim bats away Steph who rapidly approaches and began to analyze his arm (the rest of the family isn’t far behind).

“Drake. Explain how you came to this conclusion.” Damian seems more curious than anything, if his lack of insults was anything to go off of.

“Since I was young I’ve had at least weekly math check ins, I never had a parent or anyone else around so I assumed my parents had me cursed to ensure I stayed on top of my studies. Sometimes it’s physics or chemistry, for a while there it was a ton of philosophy and behavioral psychology.” He shrugs his shoulders.

“Master Tim, I believe the lack of adults in your life has led you towards a false conclusion. That is most certainly a soulmate mark. The individual to whom you are responding is undoubtedly your other half.” Alfred attempts to calm the room before explaining to Tim. Tim isnt sure if he believes the butler, though Alfred only very rarely lied, so he grabs the pen once more. He writes his first question back: “Who am I to you?”

The room waits in anticipation and within moments a brand new line appears on Tim’s arm and he is vindicated: “We do math together???”

——

The reason Danny is failing English is because his built in homework helper sucks ass at metaphors and has apparently never read any classic literature. The tutor on his arm is great at puzzles and math tho.

Danny gets a reply back one night that he wasn’t expecting (Who am I to you?) and he mentions it to Jazz. Who goes insane that Danny didn’t even question it and just went with “meh, probably haunted” as his explanation for the phenomenon for all these years.

Apparently, if Jazz was right, he had a soulmate who was uh, super fucking smart. That was an overwhelming thought.

The next day Danny is in crisis mode and writes back “Wait, WHAT AM I TO YOU??? Can I help on your homework??”

Danny gets vindicated when the writing on his arm presents a shit ton of dates and information for an unsolved Gotham cold case. See, Haunted.

———

Eventually between Danny becoming the top candidate for astrophysics at Wayne Enterprises and Tim Drake being outed as having contributed tips to the GCPD that solved cold cases- they meet and realize just how dumb they’ve been.

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[that-one-weird-cloud0]

Batman: You need a new costume. That one provides no protection.

Danny: oh I cant.

Batman: You won’t owe me for it.

Danny: no I literally cant. Like if i remove it it just returns.

Batman:………. Explain.

Danny: look *takes off glove and explodes it into pieces*

*glove reforms on his hand*

Danny: see? Can’t get rid of it. It’ll just heal itself.

Batfam: …

[999999999inadream]

toby fox needs to add like a bit of narration in deltarune abt kris like "they themmed they/themily down the stheirs" cus i cant go on seeing them constantly get he/himmed in yt comment sections

[catmask]

does menya use self/name pronouns (like no actual pronouns, just menya’s name) or is it just how mars makes menya talk ?

its funny you ask, i was just doodling this to clarify due to some confusion with the main charas

[setacin]

"she's dead scar.... you won."

my cosplay of scar's secret life red life skin!