#just my interpretation of her

[flossmoss]

no because I’m thinking more about minthara being jealous. It’s such an interesting thing to me. Because she’s possessive, like of course she’s possessive and protective look at how she grew up but I think jealousy is new to her. In menzoberranzan she had no reason to be jealous of lovers, either they were so adoring of her she didn’t have to think twice or they were so inconsequential to her that it never crossed her mind. Possessive sure, I don’t imagine she would’ve wanted her lovers seeing other people but never jealous, never worried in that way.

and then she meets tav and she loves them in a way that she hasn’t experienced before, and that love feels so precious and so important that she’s microdosing them with poison because they cannot and will not die.

and on top of that, on top of this person she loves and being under the sun for the first time and recently escaping the voice of a godthing buried in her skull, she has to contend with feelings she hasn’t had to contend with before and it’s just so SO interesting to me.

[bigfatbreak]

What does Tom think of Emilie after meeting her?

the only Agreste he's not massively disappointed with is Adrien himself. It's a good thing that's the only one he plans on sparing.

[ew-selfish-art]

Dp x Dc AU: Dani has a too many break-ups for Danny’s heart to handle as an older brother- So he gives her a criteria that her next boyfriend needs to fit for Danny to approve of their relationship. 

Dani was really excited about her new boyfriend. He was witty, and charming, knew how to sword fight and was absolutely stunning. He loved his family, was passionate about animals and social justice causes, and he was an artist! She had a thing for green eyes, and hey, he was actually super chill about them having flexible schedules to see each other (she had vigilante shit to do that she couldn’t explain)! It’s been going on for a few months and she’s honestly ready for him to meet Danny & Jazz but... 

The last time she was home it was for a broken heart and Danny was beside himself with worry over her. He made the guys recently deceased ancestors come forward to speak on his behalf and it was Mortifying- Danny was ready to throw down. And Dani had to admit, it was super sweet that her big brother cared so much. He’d happily given a shovel talk to each of her partners when she brought them home and he’d happily tried to bond with them and integrate into their lives. Danny always allowed her to make mistakes but respected her choices to only ever ask two questions when a new partner came into the picture: Do they make you happy? Do they treat you well? 

This last time he made a simple request, just could they please fit this one criteria? 

The thought comes to her unfortunately when she’s making out with her perfect match, her soul mate, this beautifully stabby man Damian Wayne, that she should bring up the deal breaker. Her brother gave her literally one request for her next partner, and by the ancients she didn’t want to disappoint Danny. 

Pulling away from her boyfriends kiss for just a moment, Dani quickly asks “Sorry, Sorry, it’s just...Have you ever died before?” 

Damian’s look of confusion and then concern grew on his normally collected face, which told her more than enough. 

“Okay great!” And she leaned back in, only to realize that he’s pulled back. 

“Would... Would you care to explain why you just asked me that?” Damian was doing his best to not jump to conclusions.

“Sorry, I just got in my head a bit about how you’re like, the light of my life and I want you to meet my family and then my brain wandered, before you did that thing with your teeth, to the fact that my brother kind of requested... um, well, he just asked that my next partner be, uh, don’t freak out if this sounds weird, but uh, be dead.” 

“He...He wants your partner to be dead.” 

“Well, Dead adjacent is perfectly normal in my family! It’s not like a whole thing! You’ve died before, so he’ll absolutely love you! And he’ll love you even more because you love me!” She smiles as brilliantly as the stars.

Damian isn’t sure for a second, but eventually asks: “Your family is ‘dead adjacent’ and you want me to meet them?” to which she happily confirms. 

“Do you... Wish to know how I-” Damian begins but she cuts him off “No! Never, I would never ask that of you. He won’t ask either! He actually has a better vision for these things so it probably won’t even come up! How does next Tuesday work?” 

“That should be fine, however, well...On the subject of family expectations ... Is it even possible that you might be a vigilante?” Damian’s worries melt away when his girlfriend smiles and lunges forward to kiss him. 

Families could have such weird expectations, you know? 

[kagoutiss]

din’s champion

[tubbytarchia]

@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever

[each-uisge-enthusiast]

the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.

[astrobei]

in my heart of hearts mike wheeler is absolutely an athena kid but i also have to offer up a concept that i think has extreme comedic and dramatic potential aka: repressed gay teenager mike showing up at camp half blood unsure of who his godly parent is and feeling insecure about not having powers and one day when he’s making not-so-secret heart eyes at his best friend and son of apollo will byers is when a bunch of glowing floating hearts show up above his head. and that’s how mike gets claimed by none other than aphrodite, the goddess of love and sexuality, and is in full denial about it for three days because he thinks it’s some kind of sick and twisted JOKE

(on aphrodite’s end, she’s upset mike is throwing away the gift of true love and keeps trying to trick him out of repression by making more and more improbable and hilarious gifts appear when he and will are hanging out. mike hands will a book and it turns into a box of chocolates and he has to fling it away like a frisbee before will sees it. they’re having lunch and romantic music starts playing. she gives mike the same blessing she used to claim piper and will can’t even look in his direction for a full day because he starts blushing so hard. fifty bouquets of flowers show up at the apollo cabin’s doorstep with a note that says love, mike and by the end of it, mike isn’t even repressed and unsure about his sexuality anymore — he’s just trying to not throw himself into the bonfire out of sheer embarrassment)

[lasshoe]

I respect that you need to go home to your son, Ted. But I just want you to consider the possibility that this is your home.

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[kinigoni]

roleswap au i’ve been thinking abt for weeks bc don’t u ever think abt how great chrom!morgan could pull of a marth cosplay just look at my son

[double--blind]

(SPOILERS) Ashley, self-esteem, and starvation

So, I adore Ashley. She's this intensely toxic, vicious, cruel, manipulative girl, and her psychology gives me hella brainworms. Andrew's not the only one whose head I wanna crack open and root around lol. She's thrown away the world just to keep her brother by her side, and she'll continue to do worse and worse for the same reason. She's pretty awful! I've been thinking about why, though. How did things get so bad? How did her soul get so dark?

We don't know everything (I'm waiting for those new eps patiently aND CLAWING AT THE WALLS AND FROTHING AT THE MOUTH but whatevs y'know whatevs I'm normal. I'm fine), yet what information we have been given is bumping around my brain like a DVD screensaver on hyperdrive

It's clear from the start that the roots of Ashley's issues lie in her horrible, neglectful upbringing, but it's hinted that even those outside of her family felt the same abt her. I'm lowkey even betting we'll learn later on that she was ostracized by her peers somehow. However, what's most disconcerting, I believe, is how little she was when the results of this alienation are first made apparent to us (bc kids aren't dumb; they notice this stuff oftentimes instinctively, impossibly young, before they even know what it means to be hated), and how devastating the consequences were.

(There's something decidedly childish abt her dream sequence in the "questionable" route—filled with crayon scribbles and rabbit plushies, the metaphors simplistic yet profound—which really hammers in how these sentiments are things that have made a home in her since childhood. Formative subconscious truths.)

Growing up unloved and noticeably unwanted by virtually everyone around her likely left her with a gaping hole in her heart that she'd spend the rest of her life trying to fill. She'd make friends, but she'd always worry that they'd leave her, that they'd betray her, nothing tangible or weighted enough in their connection to trust in its persistence. Why should she expect otherwise? Not even being bound by familial ties ensures affection if her parents are any indication.

Every lesson she'd ever learned had always taught her this: you are easy to abandon. You cannot love and be loved by virtue of your own worth.

You have to rip their affection from their clenched hands if you want it so bad.

This understanding carries with it an undercurrent of degradation, instilling within Ashley a constant, biting inferiority complex which will never fail to be a source of insecurity. She will always be put last. She was difficult to raise, so her parents gave up on raising her. She was difficult to get along with, so her friends gave up on getting along with her.

It's an odd cycle. She's difficult bc she needs to be to get attention, but bc she's difficult, she can't keep it. Not without having whatever fondness she's managed to cultivate within someone fray at the seams, volatile and prone to collapse, bleeding toxicity.

Hence, her relationship w/Andrew.

By being the only reliable constant in her life, caring for her and keeping her company, Andrew essentially became her only source of happiness, and she's since learned not to bother with anyone else. Still, it's dangerous to keep all your eggs in one basket; since he is all she has, she must protect her place in his life with even greater ferocity, which becomes a torturous ordeal when coupled with her damaged self-esteem.

It's apparent in her quarrels with Andrew that she needs constant reassurance that she is wanted in some capacity or perceived in some positive light (getting pouty when Andrew says he's "stuck with her", needing to hear that she's pretty, needing him to "choose her", wanting him to say he loves her back, etc. etc.), yet her insecurity remains, bc unlike her, he's got options. She doesn't think he needs her like she needs him. He's got a gf, their parents love him, her friends love him. Why would he settle for her? What if someone better comes along? Someone she can't scare away?

Wouldn't he just leave her like everyone else?

Even before getting locked in the coffin of their apartment, starvation's been a constant theme in Ashley's life. She's constantly aching for love, and Andrew's the only one who can feed her. When you're forced to fight for a bite to eat or suffer every moment you hunger, you become ravenous—covetous—when faced with food; you don't want the hunger to return, so you lock down the source of your sustenance, wary of its retreat. Ashley's in a permanent state of intense insecurity, always anxious that the love that gives her life will leave her.

Andrew knows Ashley better than anyone else in the world, and it's obvs to everyone and him how desperate Ashley is for him, but I don’t think Andrew has truly, consciously processed the depth of that desperation. It's there buried in his head somewhere no doubt, but rn, he doesn't operate w/the direct awareness that he is everything. He is brother, mother, friend, and soulmate. He is life and love, air and water, everything that is good in the world—everything that there is to justify existence.

It's heartbreaking, in a way, that it's so difficult for Andrew to convince her of his loyalty. This goes further than his tendency to hide his true feelings, bc when push comes to shove, he's at her beck and call. Objectively, he's hers. She doesn't see that bc all she sees is all the ways she can lose him.

So, she gets bratty. She gets pushy, possessive, territorial. Manipulative. Gets under his skin, guilts him to exhaustion, bc she can't see him staying any other way, bc he doesn't get it, bc it works. He bends to her will, for her sake. For now. It's always "for now", bc he'll start slipping away again, and then it'll get worse. She does worse.

Becomes worse.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[hollyoakhill]

Been thinking so much abt these two. Just felt like drawing them about a year after the events of TOTK

[living-la-vida-lesbian]

hot take: jason and steph would get along not because they can relate to each other but because he would be one of the only batfam members to treat her with genuine respect and she would be one of the only batfam members to not judge him for how he views justice

[jadequarze]

My personal take on Imogen’s new fit. I’m not sure if she takes the magical fingerless gloves, so I left it aside. I’m 100% sure I’ll change her design, as I do, as time goes on

[rebellum]

The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"

And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"