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Shadows of the Past
Chapter 14: Peril
Summary: After a year of blissful cohabitation, Astarion disappears without a trace, leaving behind a heartfelt letter explaining his departure. Determined to find him, you traverse FaerĂťn in search of your lost love, only to realize that some absences are meant to be permanent.
Returning to Waterdeep, you find solace in the company of Gale as you come to terms with Astarion's absence. But just as you begin to heal, Astarion reappears, begging for a second chance at love.
The question looms: can you forgive his abandonment and trust him once more? As you grapple with your emotions and trauma, a sinister force lurks in the shadows, targeting you for unknown reasons.
With danger closing in, you must navigate the treacherous waters of trust, love, and betrayal to uncover the truth behind the mysterious entity's motives. Will you be able to reunite with Astarion while facing the demons of your past? Can you unravel the secrets that threaten your very existence?
Setting: Post End-Game. Mostly canon compliant.
Word Count: 6.3K
Content: Explicit 18+ - intended for mature audiences.
Warnings: [Additional tags will be added, but expect mature content / read at your own risk.]
Spoilers. Mentions of in-game missable content. Violence. Sexual Assault [Implied/attempted sexual assault: Chapter 7]. Past Trauma. Murder. Death. Longing. Sexual themes. Smut. Blood drinking. Angst. Innuendos. High use of sarcasm. Completely fabricated camp interactions. Panic attacks. Anxiety.
Time itself moves sluggishly as the spawn descend upon the petrified, screaming miscreants that share your cell. Your heartbeat thuds in your chest, fighting your ribs like striking bolts of lightning. You steel yourself against the rising panic, wrapping yourself in unflappable poise and watch for your opening.
As soon as the wave of spawn crashes and parts, you squeeze Hecatâs hand to signal her itâs time to move and bound through the gap. The corridor is a catastrophe, the stones painted in fresh crimson, bodies of guards ripped open, with their raw innards spilling out like gruesome garlands wreathing the walls. Hecat pales at the sight, dry heaving, but youâve long become acquainted with such nightmarish affairs.
You tug Hecat along behind you, bare feet smacking the stone with such force it sends jolts of pain charging up your legs as your bones shudder with the impact of every step. That is nothing compared to the acute, explosive pain stabbing your chest with every inhalation.
Hecat stops, acquiring a shield and sword from a fallen guard. The blood makes the stone slick, and every step must be taken carefully. You cannot afford to fall. A stumble will almost surely mean death. Spawn that have finished their meals are starting to take notice. Hecat deflects them with her shield, stabbing with her sword when she has an opening and keeping you safely behind her.
The passageways are labyrinthine, confused tangles of convoluted twists and turns that sometimes double back or arrive at dead ends unexpectedly. Tears are creeping out of the corners of your eyes, dallying down your grimy, red cheeks from the agony radiating from your ribs with every expansion of your lungs. Panic starts to crumble the blanket of calm, surging through you as you frantically dart through the shadowy, disorienting hallways. The angry army of thudding footfalls of the spawn in pursuit echoes through the corridors.
Bounding up a dim stairway, the hilt of a dagger peeks out from between the joints of armour, nestled into the corpse of a guard. You yank it out with a quick tug, but time is not on your side this night. A spawn grasps your ankle, its clawed fingers sinking into your flesh and jerks you off your feet. Your head bounces off the stone slab stair, peppering your vision with black sparks of dazing pain. The only thing you can see through your muddled sight is those glowing eyes. You lash out with the dagger and sink it deeply into the socket. As soon as youâre released, Hecat is already towing you back to your feet, pulling you up the stairs and into the next room.
The milky eyes and pallor of bloodless bodies greet you. The undead in this part of the prison seem to roam, unsure of their orders, but as soon as the thudding of your heart is heard, their heads snap in your direction. They swarm around you like enraged bees. Despite Hecatâs exhaustion, she is unwavering. Her sword slashes through the air, shield deflecting the snapping fangs and shredding claws.
You feel the pangs of irritation at your uselessness. Your magic, once your greatest weapon, is now a prison in its own right. The vampires press in closer, surrounding you like a pack of ravenous wolves, their movements orchestrated by an unseen hand, but they donât move to attack further as they corral you.
âWhat are they doing?â Hecat pants with wild eyes, frantically searching for an escape.
âI donât know.â
A red aura shifts around the spawn, the same one Cazador used to control Astarionâs sibling during their midnight visit to your camp. They part for a tall, pallid figure that appears seemingly from the shadows.
âNice to see you again, Sorceress,â it speaks. You recognize that voice, and your heart arrests in your chest, sinking into your stomach.
Aldous.
Your mind reels, trying to make sense of what youâre seeing. No. He is dead. You watched the life be abducted from his eyes yourself. Yet, he stands before you, pale as death with glowing crimson eyes. His face splits into that repellent smile, and his cackling resounds off the walls.
âThat one.â He points at you, âShe is to be taken alive. The Tiefling matters not.â
âWhat the fuck,â Hecat breathes.
âIâll be seeing you soon, Sorceress,â Aldous laughs, hysterical and bone-chilling. âAnd your fanged friend. I cannot wait to drain you dry in front of him.â
A harrowing scream tears from your throat, a melody of rage and sorrow as Aldous disappears in a burst of red, drawn home by his unknown master. Grabbing Hecatâs hand, you eye a door and dash toward it with renewed vigour. The vampireâs claws and fangs pierce your skin as you burst through the legion. You stab and slash with reckless abandon, sinking the dagger into anything that attempts to halt you.
Hecat and you stumble into the room and try to close the door on writhing arms and legs. Hecat lashes out with her sword, severing limbs from bodies obstructing it until it slams shut and locks.
âHelp me!â Hecat yells as she throws a table over. You help barricade the door with whatever is available.
âThey want you?â Hecat snaps, levelling the sword at you, âWho the fuck are you, dragon girl, and why the fuck do they want you alive?â
Youâre doubled over, hands on your thighs, trying to inhale as much air as your lungs can possibly take, but the splitting pain in your side hampers your ability to catch your breath.
âI donât know,â you retort venomously, eyeing the sword and Tiefling.
âThat one knows you,â she hisses, shifting her stance and getting ready to strike. âWho the fuck is he?â
âA dead man,â you sigh, pushing your hair from your eyes. âI killed him. Apparently, it didnât stick.â
âYouâre a murderer?!â She gasps, bringing the steel blade to your neck.
âYes,â you growl, unbothered by the threat.
Hecat laughs, withdrawing her blade, âI would not have thought you possible of such a heinous crime.â She winks, âI like you even more now.â
You cannot help but choke out a pained laugh, but itâs more of a groan than anything. You look around. Waxy moonlight floods the room from a small window. Itâs the first window youâve seen, but bars in a crisscross pattern make escape impossible, and the wood door is starting to splinter and crack under the barrage rattling it on its hinges.
A sudden shift in the atmosphere makes your skin prickle as the dam of suppression is released, and the Weave returns to you in an overwhelming deluge. You donât have time to wonder why or how, and you donât much care. The Weave causes the air to crackle, abuzz with powerful energy, and you fill yourself with it. You grip the iron and allow the potency of your draconic fire to spill out of you with a daunting laugh you cannot stifle. The bars heat, whine and wail, glowing white-hot and oozing, and Hecat thrusts her sword into the gooey mess of molten metal to clear your path.
The moon hangs high in the sky, casting an eerie glow upon the building, and the air is brisk as you clamber onto the roof. You cast Shatter, crumbling the stone around the window to block the pursuing spawn.
âThatâs some potent magic you have there,â Hecat grins. âIâve never seen anyone melt metal with their hands before.â
Her words of praise float over you as you eye the raging war of the courtyard below. Some guards remain alive, fighting another horde of spawn descending on the grounds. From the height, you can see beyond the solid walls surrounding the compound, and your feet move unconsciously, eyes skipping over the landscape - searching, searching, searchingâŚ
There.
âWe could jump,â Hecat says hesitantly, peering over the edge.
âNo,â you bark with a smile. âWe fly. Follow me.â
You cast Fly, taking her hand and soar into the air. Hecat yelps at the suddenness of your movement and clings to you. You cannot quite reach your target before your feet hit the soft, muddied terrain. Spawn trample the ground, careening toward you like a blight on the land. Hecat stands in front of you, but you are muzzled no longer.
âDetono!â You howl, and the wave of crackling energy bowls the spawn over.
You cast Fireball and rain blazing death, warping the fire into flames that burn blue, bending it to your will. Your fingers dance in the moonlight, under stars that envy how bright you burn. Hecat stands at the ready, prepared and reinvigorated, but with unfathomable rage, you donât miss. With every step, every twitch of your fingers, every syllable that brushes off your tongue, you are violence, you are slaughter, you are death incarnate.
It feels magnificent. Exhilarating. You are so wonderfully, splendidly fucking alive.
Whatever spawn remain have begun to retreat, much to your displeasure, disappearing in puffs of red mist, back to whatever hole they crawled out of.
âKamena!â Strong arms wrap around you, lifting you off the ground, and pressing you tightly to firm, sculpted muscles. You would do anything to stay in this embrace but the pain in your ribs forces a pained cry from your lips, and Astarion jerks away from you.
Hecat screams, charging forward with her blade levelled at Astarion before you have time to explain. Astarion dodges swiftly and has one blade to Hecatâs throat and the other pressed firmly to her stomach before you can blink.
âAstarion, donât,â you wheeze, shaking your head. âShe helped me escape. Hecat, this is my friend.â
âFriend?â Hecat barks as Astarion releases her with a skeptical frown, and she reels back. âYou failed to mention that your friend is also a fucking vampire.â
âAstarion is a person,â you growl. Without the adrenaline rocketing through your veins, your injuries and weariness have begun to take their toll on your body, and you stumble.
Astarion catches you, âYouâre injured?â
âHer ribs are broken, I think,â Hecat replies for you. âThe guards did not treat her well.â
âShadowheart!â Astarion bellows and slightly lifts the hem of your shirt, revealing the edges of mottled blue, black and yellowing bruise expanding up your side. âGood Gods, my love.â
âIâm fine.â You bring Astarionâs eyes to yours, gazing into the scarlet sea you have longed to swim in. It almost makes it past you, but your brows furrow, âDid you just call for Shadowheart?â
A hand lays on your shoulder, and blue magic laves away the cutting pain in your side, âThis was supposed to be a nice, boring vacation,â Shadowheart tuts, nose rising into the air with a snort. âI should have known better than to think you might be able to keep yourself out of trouble.â
âShadowheart!â You pivot, wrapping your arms around her. âGods. Iâve missed you.â
âI missed you, too.â She drawls, returning the hug gently.
âWhere is the wizard?â Astarion asks, âWe should get her home. She smells terrible.â
Shadowheart chuckles with Astarion as you frown at them. âShe really does. If I can smell her, I canât imagine how bad she smells to you, vampire.â
âBe glad you canât,â Astarion wrinkles his nose at you but sweeps you off your feet and into his arms, kissing your forehead.
âTake her home,â Shadowheart instructs. âIâll wait for Gale.â
The conversation between them starts to sound far away as lethargy drags at your mind.
âWhat do we do about this one?â Astarion gestures to Hecat.
âLeave her with me,â Shadowheart concludes with a tinge of threat. âShe can bring me up to speed on exactly what in the Hells is going on around here while we wait for Gale.â
âShe helped me,â you murmur. âBe nice, Shadowheart.â
Shadowheart smirks, âArenât I always nice?â
âWake up.â
âNo,â you grumble, forcing your eyes open.
âYes.â Astarion purrs with cold breath on the shell of your ear that sends delightful shivers down your spine. âYou are not crawling into our bed smelling like a flophouse latrine.â
You giggle, wrapping your arms around his neck and pressing your body tightly to him. He tries to tug you away half-heartedly between his grunting protests, but thereâs no real force behind his playful pulling.
âNow, you smell, too!â You chime as he sets you back on your feet and starts drawing a bath.
âNaughty girl,â Astarion smirks, chuckling.
You catch a glimpse of yourself in the gilded mirror. Your hair is matted and dingy with grime. Filth streaks your face, dulling your complexion. Your shirt, once a pale blue, has been rendered brown, stained with dirt and blood thatâs both new and long dried.
Movement behind you catches your eyes, whisking them away from your reflection. Bottles of oils float through the air, appearing to move on their own as Astarion pours oils into the water, and notes of lavender, sandalwood, and vanilla arise with the steam. This is something youâve never gotten used to. Objects seemingly floating, as if picked up by a breeze and carried aloft of their own free will.
âOdd, isnât it?â Astarion says, moving your hair and bringing you back from your contemplations.
âWhat?â
âNo reflection.â Astarionâs cool fingers curl into the hem of your shirt, and you lift your arms, allowing him to peel the disgusting garment from your body, âObjects moving on their own, a ghost underdressing you.â
âA little,â you admit. âI just donât understand how you always look so fucking perfect all the time.â
âOh,â he giggles, turning you around, hooking his fingers in your waistband, and crouching. âDo go on.â
You put your hands on his shoulders, leaning some of your weight into him while he strips you, lifting one leg at a time, âI missed you."
âI missed you, too. Very much.â He says, taking your hand in his, âCome. Into the bath with you before it gets cold, and you chastise me.â
Climbing into the steaming water is like climbing into a sun-soaked dream. How very odd is it you can forget how your skin feels when itâs clean. As you slough off the dirt, blood and filth, the pads of your fingers do not recognize the buttery softness of your skin without the grainy texture.
âTilt your head back,â Astarion instructs. He pours hot water over your head, fingers gently detangling your matted hair, lathering it with soap.
The bruise extending up your side is still faintly visible, staining your skin in hues of blue and yellow, and your fingers skate up, poking and prodding.
âWhat happened in there?â Astarion brushes the backs of his fingers gently down the marbled skin.
âThe guards had a bone to pick with me,â you shrug, trying to cover the solemnity of the conversation with a pleasant smile. âI donât wish to talk about it right now, Astarion.â
âKamenaâŚâ Astarion sighs with a sullen shake of his head.
You press your fingers gently under his chin, bringing his eyes to yours. Gods. When he looks at you, it is not a glance. It is a song, a message, a constellation of promises wrapped in scarlet, and you never want to look away.
âIâm not running, Astarion.â You assure him, âI will tell you all about it, but tonight, can we just be us?â
Astarion smiles, nodding his understanding, âOf course.â
âThank you.â
Astarionâs fingers massage your scalp as he washes the soap from your hair, rinsing it until the water finally runs clear.
âDo we have wine?â You ask on a whim.
âGale does,â Astarion grins momentarily, but his lips press into a thin line. âIs this celebratory drinking or âitâs better to forgetâ drinking?â
You wince at the question. You know itâs not exactly the healthiest way to deal with your problems. You are tempted to lie to him but force the truth from your lips, âA little of both?â
âI can live with that, I suppose,â Astarion nods, helping you stand and wrapping a plush towel around you, patting you dry. You smile as he dotes on you, âI know where the wizard hides the good stuff. I will go raid his cellar.â
Slipping into one of Astarionâs shirts, you light the fire with naught but a thought. It feels good to have your magic back after being deprived of it for so long. You grip the Weave, pulling the mystical essence from your blood and bones, and it feels like taking a deep breath after you didnât realize you were holding it. Fire spurts out of your palm, and you fashion it into a ring, forcing the flames to move unnaturally as they chase each other around in a never-ending loop.
You lift the flaming ring above your head, hovering between your palms like a fiery halo, and force it to expand and contract simply because you can.
âDid no one ever teach you itâs dangerous to play with fire, Sorceress?â
âPerhaps for the untrained, Rogue,â you smirk, snap your fingers, and the halo bursts like a firework, pinpricks of fire whirling around you.
You let the fire ebb and die out slowly, relinquishing your magic with a sorrowful sigh. The Weave fills you with life, comfort and peace. Without it, youâre thrust back into a stark reality. Astarion hands you a glass, and you grab the bottle and wink as you drink deeply. The wine is a crisp white wine, buttery with hints of vanilla. It sparkles on your tongue and fizzes down your throat, and you cannot help but close your eyes at the pleasure of it all after drinking brown-tinged water for a week.
âShall we sit, or would you prefer to keep standing in the middle of the room?â
âGods,â you smirk, handing the bottle to Astarion and trotting over to the bed. You flop onto it gracelessly. âLetâs drink in bed! Iâve been sleeping on stone for a week, and this is lovely, but itâs missing something.â
âAnd whatâs that, my dear?â Astarion cocks his head handsomely with a boyish smile that tells you he knows exactly what you think itâs missing.
âYou!â
âIn that case,â Astarion giggles and removes his shirt. He thrusts the wine bottle into your hands. Your fingers fumble to catch it, senses entirely possessed by him, âWe might as well get comfortable, yes?â
âYes,â you breathe, swallowing thickly.
Astarion saunters around the bed, discarding pieces of clothing along the way. He makes it look casual, unpremeditated, but itâs maddeningly slow.
âYouâre a tease,â you mutter under your breath, sipping the wine and slipping out of your shirt.
âI am not!â He chuckles, âYouâre just exceptionally impatient. Good things come to do who wait, sweetheart.â
âDo they?â You quirk a brow at him, âIâm not so sure about that. Do you have proof of this notion?â
âI waited two hundred years for you.â Astarion purrs as the bed dips under his weight, and he presses his body against your back, wrapping his arms around you.
âI love you,â you murmur, craning your head to look at him, slipping your fingers into his hair.
âI love you, too. I should not have let the wizard talk to me into leaving you in there so long. Iââ
âNot tonight, Astarion.â It sounds like a whimpering plea, âPlease."
âRight. Apologies,â he rasps, lips against your neck.
âHave you been eating?â
âAlways so worried about me,â his lips twitch into a smile. âIâm fine.â
Perhaps he is fine, but you are most certainly not. Suddenly, youâre impacted with a deep-seated need to feel that intimacy, that descent through the branches of his veins. You want to bleed into him, your soul and his, intertwined as one. The intensity of the emotion catches you off guard.
Are you chasing the bloodless daze that his feedings provide? Are you hoping it will lay a shroud over the dread sinking your stomach? Is this another way to run?
Maybe.
But you are so good at running.
âWould you like a nibble?â You bite your lower lip, trying to keep the hint of anticipation from your voice.
Astarion jerks his head up, pushing your shoulder until youâre lying on your back and looking up at him with an arched brow. He regards you thoughtfully, âIâm not so sure thatâs a good idea tonight.â
âWhy?â
Astarion rifles his fingers through his hair, âYou are well aware of the effect you have on me when I feed on you. I cannot promise that once your blood dawns on my tongue, your skin under my fingertips, I wonât lose myself in the need to make every inch of you mine.â
You wrap an arm around Astarionâs neck carefully, kissing along his jaw. You whisper in his ear, âSo make me yours.â
Astarion shudders amorously as you ghost your lips over the ridge of his ear to the tapered tip. He grabs your waist with a low, rumbling growl, pulling you into his lap to straddle him. His desire for you pressed firmly against your already slick sex. Astarion looks deeply into your eyes, holding you still as if trying to figure out if youâre in your right mind.
Youâre trying to figure out the same thing.
He catches your lips in his, gentle at first but with progressively more ferocity. He groans into your mouth. It radiates down your spine, stealing your breath, and a chill rushes through you, settling in your core. Your heart flutters with desire, the increasing drumbeat of it making its way between your thighs.
Astarionâs hand grips your hips, undulating them, his cock sliding between your folds, brushing up against your swollen flesh. You have been so fundamentally deprived of his affection that every touch sends shivers over your skin, every slide of his tongue against yours makes you want to sigh, and every groan steals the air from your lungs.
His fingers tease the peaks of your nipples, and you throw your head back and gasp. Astarion kisses up the column of your throat, his free hand cradling the back of your head, fingers twisted in your hair.
Thereâs but a moment of clarity. You are running headfirst, barrelling into anything that might hope to make you numb - him, pleasure, alcohol, bloodlessness.
Astarionâs fingers glide between your lips and sweep over your sensitive pearl, and coherence is lost in a white-hot rush of pleasure. You melt, draping your arms over him and biting his shoulder to hush your cries. His lips trace along your neck, and you roll your head to the side. His fangs sink into your flesh, and he growls, deeply and lofty, his chest rumbling against yours as if thunder was rolling through it. Your essence trickles through his veins like a gentle rain as he draws in methodical sips, savouring every drop.
Your hips buck as he continues his ministrations. You yearn to feel that decedent stretch of your walls as they envelop his cock, and he knows it. Astarion encourages you to lift your hips, pressing the swollen, blunt head of his cock to your entrance, and you sink down his length as he rubs against all your ridges so exquisitely that it makes your vision blur.
You donât even notice his fangs retreat from your neck as his lips mould to yours to dampen your unadulterated breathy moans. You close your eyes and fade in and out as your head spins around with pleasure so intense you cannot think straight. The woozy fog of blood loss only adds to your dwindling reason and logic. With every pump of his hips and every roll of yours, you are walking on the fine edge of paradise.
But thereâs something not quite right in his movements. They are tactical, methodical, and too perfect. You drive your eyes open, blinking away that haze of ecstasy. When you look into Astarionâs eyes, heâs not looking back at you. Heâs looking past you as if through you, but his body knows this dance well enough, and he continues to go through the motions even when heâs a million miles away.
You go rigid, halting all movement in a split second, and your heart seizes, bound by the flash freeze in your chest. It jolts him back to himself, and he blinks rapidly, almost confused.
âAstarion,â you purr, concealing the hurt in your voice. Why didnât he tell you? Why didnât he say something as he promised he would? âLet's stop.â
âNo,â he protests, shaking his head. âIâm fine.â
âItâs okay, my love.â You cradle his cheek, trying very hard not to move a muscle until he tells you, âTell me when I can move.â
âIâm sorry,â he looks away from you, brows downturned, rubbing his eyes. âI want this. You. I was there, and then I just⌠wasnât. I donât know what happened.â
âHealing is messy. Isnât it?â
âYou are a gift,â Astarion folds his arms around you, hugging you close to him, and you try to hug him back, but itâs admittedly awkward when heâs still inside you, and youâre trying your best to keep yourself still. He laughs, âYou can move, Kamena. Iâm not uncomfortable.â
âYouâre still inside me,â you retort, almost as if to alert him to this fact.
âYes, thatâs considerably obvious, but thank you for pointing it out,â he chuckles as you relax slightly. âDo you think we could stay like this? Just for a little bit? I find it⌠strangely helpful.â
This is new. Not unwelcome, but definitely new, âYou want to sit here with your cock inside me, and what, chat?â
âPrecisely!â He chimes happily, leaning back with a grin, âIâm so glad you understand, darling. Hells. Do I have some stories for you! Do you know how hard it is to break into the government buildings here? They are locked up tighter than a patriarâs purse, but I do love a good challenge.â
You canât help but burst laughing at his carefree attitude, the way heâs still rock hard inside you, talking about committing crimes as if you were sitting at a table sharing stories over dinner and drinks. This is not typically how you remember him reacting, but this⌠this is progress, and you will take it.
You groan, âWhy were you breaking into the civil buildings, Astarion?â
âHow do you think Gale knew where to find and nullify the device suppressing magic at the prison?â Astarion drawls, pleased with himself. âThat man is terrible at stealth. Even worse than you. He complained about his knees the entire time! Gods. I am centuries older than him, and you donât see me bellyaching.â
âHow utterly annoying! Iâm surprised you didnât kill him,â you giggle at how he smirks with a wily glint in his crimson eyes. He definitely considered it. âIn that case, youâre going to have to take me on a date where we break into this government building that gave you a hard time. This is something I must see.â
âYou cheeky little minx,â he laughs. âI would love nothing more.â
The murmur of voices, clinking of cutlery on the tableware, and smell of what is surely Galeâs cooking drift down the hallway as you approach. Astarion follows closely behind, his hand at the small of your back. He has not stopped touching you in some fashion since you returned, as if heâs worried that you might disappear.
You stop dead in your tracks when you see the back of Hecatâs head, sitting at the table, shovelling whatever gruel Gale provided into her mouth and nodding as he recounts tales of your grand adventure in the Underdark. It takes substantial effort not to tell Gale to shut his trap. He does realize that you met this person in prison, right?
Shadowheart sees you first, leaping from her chair and dashing over, sweeping you into a tight hug, âGods. You smell much better,â she giggles when you groan and squeeze her hard enough to expel some air from her lungs, âAre you okay?â
âIâm fine,â you nod, but you havenât been able to take your gaze, etched with skepticism off Hecat.
Shadowheart whispers, âShe had nowhere else to go. Gale invited her.â
You snort, âOf course he did.â
âIâve been watching her closely,â Shadowheart sniffs. âAnd I will continue to do so.â
You suppose the woman was instrumental in your escape, and perhaps, for now, you should give her the benefit of the doubt.
âSit,â Astarion instructs, pulling a chair out for you. âI will get you some food.â
You arch a brow at him and give him an almost imperceptible shake of your head. Although anything will be better than the stale bread and dried meat the prison served, whatever Gale has fashioned resembles wet dog food, and your stomach, as hungry as it is, flops in your belly.
Astarion kisses your temple, âTrust me.â
You sit, and Astarion gathers fresh fruit from the fridge, cutting it up in deft, precise movements. He glares at the knife spitefully, assessing the edge and rolling his eyes. You would giggle, knowing heâs judging Gale for the state of his knives, if you were not so flabbergasted that Astarion is preparing your food.
Hecatâs voice breaks you from your astoundment, âYou clean up nicely! I almost forgot what colour your hair was under all that crud.â
She, too, looks substantially different without dirt smudged on her face, âI could say the same about you,â you retort a little too sourly.
Hecat smiles, not catching the venom in your voice, âYour friends are very nice.â
âYes,â you give Gale a sideways glance, and he looks bashful. âGale is very generous and trusting.â
Galeâs face flushes red, and he clears his throat, putting a finger in the collar of his robe, and pulling it away from his neck like the garment is restricting his breath.
Astarion places a bowl of perfectly diced fruit before you. He sits, dragging his chair close to yours so he can keep a hand resting on your thigh. You donât miss the way Shadowheart glares at him with unspoken bitterness.
âDear Shadowheart already gave me quite the berating,â he shimmies his shoulders as if he enjoyed it.
He actually might have.
âNot enough of one if you ask me.â Shadowheart scoffs, her eyes narrowed and blazing with acidity.
Hecat arches a brow, confused at what is going on, and youâre not about to lay out your life story for some stranger you met in prison, so you push the conversation forward.
âAldous is a vampire,â you say far too casually and are met with looks of shock and silence.
Gale and Shadowheart eye Astarion.
Astarion scoffs, rolling his eyes, âOh, donât look at me like that. It wasnât my bloody doing. I am a mere spawn. I do not have the power to turn anyone. Gods,â he shakes his head. âI donât believe it possible. I disposed of him. Thoroughly.â
âDid you destroy his body?â You ask. Gale almost chokes on his tea at the indifference in your voice.
Astarion nods, âEntirely. There was nothing left.â
âIs that the man who was after you?â Hecat asks, but her eyes are not on you.
They are moored to Astarion, like a shipwreck lying on the ocean floor, irretrievably bound. Astarion doesnât seem to notice as he typically does not, but these dew-eyed ogles always make jealously flare to life. You place your hand on Astarion, stop yourself from growling âmine,â and instead, settle on scowling.
Astarion is alerted to your discontentment by the heat radiated from your palm. He makes a show of kissing each of your fingers, slow and lingering, trying very hard not to snicker. He finds your jealousy endearing but equally foolish, and perhaps it is.
Hecat does not seem to care or notice. It drives you mad, so you crawl into his lap, placing yourself between him and her gawking orange eyes. You can hear Shadowheart chuckling under her breath. She knows your protectiveness of Astarion all too well.
Astarion remains casual about it as if itâs not unusual for you to sit in his lap during breakfast. He grabs the bowl of fruit you have yet to finish and shoves it into your hands, âEat.â
You grumble curses under your breath only he can hear, at him and his bossiness, at Hecat, and shovel fruit into your mouth.
Astarion chuckles, kissing your cheek, and purrs reassuringly, âI only have eyes for you, thiramin.â
You know this, but itâs not his eyes youâre concerned about.
A knock on the door breaks you from your brewing hostility, and you nearly answer it as a reflex, but he holds you and shakes his head, âNo. Not this time.â
âIâll get it,â Shadowheart chimes.
Gale accompanies Shadowheart. All three of you are holding the Weave, ready to cast at a momentâs notice. There is an undertone of mumbling, and Astarionâs face transforms into a formidable scowl. His grip on you tightens, and he brandishes a dagger.
âBlackwell,â he growls.
Flames immediately jump to life across your skin, licking up your forearms and through your hair. Hecat is on her feet, her fists balled, stirred by your unease.
Gale returns, looking contrite, wracking his hand over his face, âIâm sorry, my friend, but we must hear him out.â
Astarion is the first to answer, his voice rough and grated in warning, âAbsolutely fucking not! I donât care what information he has or what he has to say, Gale. If you let him into this house, I will kill him. I promise you that. You would not want to get blood all over these lovely floors. Would you?â
âInformation?â You ask, placing a hand on Astarionâs as he grips the dagger so tightly his fist shakes.
âDonât be an idiot, Kamena,â Astarion snarls.
âMy son,â you hear Mr. Blackwellâs voice as he sidles up behind Gale as if using him as a shield. Shadowheart has a tight clutch on his shoulder, bristling with fury, âIâve made a grave mistake. I know I have no right to ask, but I donât know where else to turn. I... I need your help.â
âHelp?â You seethe, fingernails digging into the table to keep yourself from burning him where he stands, shoulders slumped, wringing his hat in his hands. âYou want our help?! Thatâs laughable.â
âYou killed him.â Mr. Blackwell mewls, âDidnât you?â
You do not answer. No one does. Instead, you level him with a glower sharp enough to cut through mountains.
It is answer enough.
âI made a deal,â he continues. âNo one would listen to me. No one cared. I was out of options, and then I was approached by a woman while I was at a tavern. She told me she could bring him back. She told me there was a spell that would return him to me. She said the only payment she would ask was that he would be in her service. I... I did not ask questions. I did not know what she was!â
âYou godsdamned idiot,â you hiss, clenching your teeth so hard the nerves trill. âYou made a deal with a vampire?â
âNobles,â Hecat scoffs with a disgusted twist of her lips. âAll wealth, zero intelligence.â
âI didnât know!â Mr. Blackwell cries, slipping to the floor into a puddle of sorrow. âShe said he would return to me the next night, and he did, but he was not the same. His mother let him in. She was so happy to see him she did not notice or care. She hugged him. He⌠He bit her! I could not get him to stop. He looks like you,â Mr. Blackwell says sullenly, nodding toward Astarion. âRed eyes, pale as a sheet.â
âI am sure he does,â Astarion beams a fanged, threatening grin at him, making Mr. Blackwell squeak like a mouse caught in a trap.
Questions are whirling through your mind. Why would a Vampire Lord take notice of you? Why would they waste resources â spawn, scrolls or otherwise? Why bother having you imprisoned, beaten, and weakened? There is always a purpose to their madness, but what could you have that they want?
âWhat could a Vampire Lord possibly want with you?â Gale echos your thoughts, fingers on his chin. âAnd why bring Aldous back? How did they bring him back?â
âAldous is easy. Most likely a scroll of True Resurrection. I imagine they turned him because they knew his thirst for revenge would make him easy to manipulate. Vengeance is a powerful motivator.â Your brows furrow, tapping the table with your finger rapidly, âWhat I donât understand is what use they would have for any of us. I canât think of a single relic in our possession that would do a Vampire Lord any good.â
Hecat looks between all of you with a puzzled look. She knows too much now, adding yet another complication.
âAstarion,â Shadowheart prompts him, âYouâre the resident expert on vampires. Care to speculate as to why they would go through all this trouble?â
Astarionâs brows furrow and he shrugs, âI donât have the slightest clue. Vampires are territorial beasts, but I do not think they would go to such lengths when they could have simply attacked me while I was hunting if their concern was territory.â
You give the worn noble on the floor a once over, and you feel nothing but hatred for the pathetically snivelling man. Should you feel merciful? Gods. When did you become so callous? âDid Aldous say anything else?â
âHe muttered things here and there.â Mr. Blackwell sighs letting his head drop into his hands, âSomething about ruins being the key and a contract, but none of it made any sense. He seemed like he was in a haze, drunk-like.â
Ruins being a key and a contract? It's not much to go on at this point, but you suppose, itâs a start.
âWhoever this Vampire Lord is,â Shadowheart crosses her arms, âThey will know exactly who we are. They will not underestimate us.â
âIndeed,â Gale agrees with a curt nod. âWe must take precautions, prepare and plan for the worst.â
âWho the fuck are you people?â Hecat asks, slack-jawed and wide-eyed.
âAdventurers,â you trample over Gale who is about to spill your entire story, looking him in the eyes with a warning. His mouth snaps shut. âNothing more.â
It seems your adventure in Waterdeep is just beginning. Â
Thank you to all those who read/like/comment/follow/reblog/etc. I'm forever thankful for the support. I love reading your comments â¤ď¸
Chapters Master List - Shadows of the Past
AO3: Crossposted
If you're interested, I also write fanfic for Ascended Astarion x Spawn Tav - Fangs and Fractured Hearts
Small Notes:
Shadowheart â¤ď¸
I'm dying to hear all your theories on why a Vampire Lord has taken an interest! đ
Are we trusting Hecat?
Fucking Aldous 𤏠Hopefully we get the chance to kill him... again.
#astarion x you#bg3 astarion#astarion#astarion x tav#astarion x reader#astarion x mc#astarion smut#astarion romance#astarion ancunin#baldurs gate astarion#astarion x oc#astarion bg3#baldurs gate 3#spawn astarion
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A Court of Fire & Masks
Eris x OC Fic
Chapter 11
Summary Penelope enters the glamorous yet treacherous world of Autumn Court life, where appearances are everything, and even the slightest misstep could ruin her families reputation. As the youngest daughter of a noble family, she's expected to smile, nod, and blend in - just like her older sister. But when Penelope's curiosity about inter-court politics leads to a forbidden mention of unrest, she quickly realizes she may not have the weaponry for the brutal battle of social court, especially when she runs up against heir to the court, Eris Vanserra.
Content Warnings:
Emotional manipulation
Verbal and emotional abuse
Power imbalances
Anxiety and panic
Mentions of sexism & misogyny
Dark themes of cruelty
Word Count: 5,780
Master List: A Court of Fire and Masks Master List
Tagged: @mrsjna @lilah-asteria @ambivalence-is-me @rcarbo1 @aaliyahmorielle @feyrfly
The days that followed passed in a blur of monotony, marked by endless hours spent poring over documents that seemed to serve no discernible purpose. That is, if Penelope had been given any real purpose to begin with. The vague directive to review the papers strewn across Erisâs impossibly large desk had offered little more than a way to occupy her time. Most mornings were spent hunched over the desk, convoluted writing of males who seemed to use twenty words where she could summarize in five. Dust-covered books, untouched for half a century, added to her frustrations as she flipped through their brittle, yellowed pages in search of anything actually useful.Â
By the afternoons, her momentum had waned. The words blurred together as her eyes grew heavy, and she found herself staring at the same sentences without the slightest notion of comprehension. The stillness of the manor pressed in around her, seeming to grow tighter each day.Â
The Autumn Manor itself, vast and wholly unfamiliar, felt less like a home and more like a gilded cage. Seeking some semblance of relief, Penelope had taken to wandering the servantsâ quarters. The narrower, utilitarian hallways lacked the opulence of the High Familyâs living quarters, and yet she found the simplicity of it to be a strange comfort. Stone corridor after stone corridor often led to doors opening into gardensâor to dead ends, where solid walls marked the abrupt conclusion of her explorations. It was odd, she thought, for a house to have hallways that lead nowhere. Then again, the seeming purposelessness of it all mirrored the seeming purposelessness of the opulence of the Manor altogether.Â
The labyrinthine layout did at times disorient her, and more than once, Penelope found herself retracing her steps, certain sheâd passed the same ornate portrait at least three times. She often wandered until she felt she might never find her way back, lost in the belly of the Manor, only to be startled by a familiar corridor or landmark that guided her back to her chambers.Â
Nights brought little solace. Sleep eluded her more often than not, and she spent countless hours tossing and turning in the too-firm bed, the scratchy woolen blankets offering more discomfort than warmth. The chill of the room settled deeply in her bones despite her efforts to burrow deeply, and she began wearing her heaviest gowns to bed in the futile effort to remain warm.
The wind continued its restless murmuring, slipping through the windows with a persistent hiss. Though she no longer startled at the sound it left her with a deep unease. And then there were the footsteps.
She told herself they were nothing. The house settling, perhaps, or rodents scratching within the ancient walls. But the sound cameâfaint, deliberate, unmistakably like footstepsâshe dared not look at the light beneath her door. The memory of seeing shadows there, unmoving and impossible, was too fresh, too vivid. She wasnât sure she could bear the sight of them again, the weight of knowing someoneâor somethingâmight be right outside the door.Â
It was all silly, of course. Mere childish illusions brought on my exhaustion and the unsettling adjustment to a new environment. Foolish. Right?
And yet, the unease lingered in her belly.Â
The other advisors remained no more welcoming than they had been during her initial introduction. Penelope had learned their names and roles not through any formal introductions, but through the fragmented pieces of conversation she had overheard and the context she had gleaned from observing them at meals. Gregor, the rotund male whose every word and action seemed designed to provoke disgust, advised the High Lord on military strategy. His manner was as brutish as his appearance, his opinions delivered with a bluntness that left little room for nuance.Â
Elias, with his chestnut hair and the faint arrogance of youth, handled economic matters. His purview extended both internally and externally, overseeing trade routes, resource allocation, and financial strategies for court prosperity. Of the three present advisors, he was the least openly hostile, though his sharp remarks and veiled condescension carried their own weight of disdain.Â
Alaric, was no less unwelcoming. Tall and spare with silver streaked hair pulled back neatly, he gave the general tone of being perpetually unimpressed and barely seemed to acknowledge Penelope at all. Through snippets of conversation, Alraric was the Autumn Courtâs expert in historical affairs, with his knowledge spanning centuries of Prythianâs history. He ensured legacy and tradition remained upheld and advised on everything from diplomatic ceremonies to the proper handling of disputes steeped in ancient precedents.
Then there was Vanderguard, the oldest and most imposing of all three. His hawk-like gaze rarely left her when they were in the same room, and his wordsâwhen he chose to speakâcut through the air with the authority of one who had advised Beron Vanserra personally since the beginning of his High Lordship. Vanderguardâs loyalty was clear, his every move calculated to maintain the power and order of the Autumn Court, regardless of who might fall by the wayside.Â
The fifth advisor, Pollard, was absentâsent away on what Penelope had pieced together to be a matter of grave importance. Pollard had been Erisâs personal advisor, tasked with guiding the heir into his future role, should he take on the High Lordship. It was no secret that Beron favored Eris as his successor, though his younger brothers vied bitterly for the title, their antics described in tones of disdain during hushed conversations among the staff. The Vanserra family, it seemed, was a storm barely contained within the walls of the manor. Baronâs decision to appoint Pollard as Erisâs mentor had been seen by some as a sign of confidence in his eldest son, though Penelope wondered the truth of that. Beron seemed to care little for anyone but himself and she hazarded a guess that Beron didnât consider what would happen to his court after his death. Perhaps he didnât fully believe he could die.
Penelope had heard the rumblings of a rather sinister nature as being the reason for Pollardâs absenceâa growing threat beyond Prythianâs borders that required immediate, discreet attention. Whatever Pollard had been sent to address, it was clear from the advisorsâ cryptic discussions that the matter was far from trivial. And yet, no one seemed willing to elaborate on what, exactly, was unfolding beyond the Autumn Courtâs gilded halls.Â
Nearly a week had passed since Madame Alba had informed Penelope of Lord Erisâs delay, and she was beginning to wonder if he would ever returnâor if this was all some cruel and unusual plan to humiliate her. The thought gnawed at the edges of her mind. Regardless of her doubts, she kept to her duties, performing them with a quiet diligence that felt more like survival than purpose.Â
On the seventh day of her solitude, as the golden light of the late morning filtered weakly through the high windows of Erisâs study, she heard footsteps echoing down the corridor outside. The sound startled herâit had been days since sheâd heard anything other than the rustle of pages or the occasional creak of the old manor settling. She froze for a moment, her hand still resting on the edge of a book filled with yellowed, brittle trade maps. Her legs were curled beneath her in the oversized chair behind Erisâs desk, her posture more casual than she would have dared if he were present.Â
The footsteps grew closer and stopped outside the study door. A light knock followed. â
Penelope glanced up from the faded lines of borders and rivers she hadnât truly been studying. Her heart gave a faint flutterâof apprehension or relief. She cleared her throat, the sound rasping in the quiet. âCome in,â she called out.Â
The brass doorknob turned with a soft click, and the door creaked open just a crack before swinging wider. Standing in the doorway was one of the maids Penelope recognized from the servantsâ quarters. The girlâs eyes were wide and youthful, but her rough, calloused hands bore the unmistakable marks of years of hard labor.Â
âMy apologies for interrupting you, my lady,â the maid said, her voice light and invitingâa stark contrast to the cold formality Penelope had grown accustomed to the last seven days. It was the warmest voice she had heard since her arrival. âBut Lord Beron has requested your presence in the council room immediately.âÂ
Penelope froze, her heart leaping into her throat. Lord Beron? She stared at the maid, her mind scrambling to process the words. The High Lord of the Autumn CourtâBeron Vanserra himselfâwas summoning her? The mere thought sent a jolt of icy panic through her veins. Why? What could he possibly want with her? Did he even know who she was?
The knot in her stomach tightened, but she forced herself to remain calm. âThank you,â she said, her voice measured.Â
The maid bobbed her head in acknowledgement and turned quickly on her heel, leaving the door ajar as she disappeared down the corridor. Her footsteps echoed faintly, fading into the silence of the manor.Â
Penelope stood motionless for a moment, staring at the open door as if expecting one of the maids to return and clarify that there had been some sort of mistake. But no one came, and the weight of the summons settled heavily on her shoulders. Lord Beronâthe figure whose shadow loomed over every corner of the Autumn courtâhad called upon her. It wasnât an honor; it felt like a threat.Â
She swallowed hard and set the book sheâd been holding onto the desk, her hands trembling slightly as she smoothed her skirts. With a deep, shaking breath, she stepped out of the study and into the dimly lit hall. Of course Beron knows who I am, she told herself firmly. His sonâhis heirâasked me to come to the manor as an advisor. This is expected.Â
But the reasoning felt hollow. The idea of standing before Beron Vanserra himself, without Eris or anyone else present to mediate and provide context, gnawed at her nerves. It feltâŚwrong. And yet, it couldnât be wrong. Not when it came from the direct command of the High Lord.
This is fine, she repeated inwardly, her pace steady as she descended the back staircase leading out of the servantsâ quarters. Iâve done nothing wrong. Thereâs no reason to think otherwise.Â
The words should have provided some comfort, but the coiling unease in her chest told a very different story. As she stepped into the grand main hall, the walls of the manor began to press down onto her again, the vaulted ceilings amplifying every sound of her quickening footsteps. The polished tile echoed sharply beneath her heels as if the house was announcing her arrival, loudly and rudely.Â
The grand doors were slightly ajar, their dark wood towering above her. From within, voices echoed faintly. All male. Her stomach twisted as she recognized the distinct and almost smoky voice of Vanderguardâs voice alongside Beronâs. The realization sent a fresh wave of fear and apprehension crashing over her as she grew ever closer.
This is worse than just Beron himself, she thought, her hands brushing her skirts again in a futile attempt to calm her trembling fingers. If Beronâs command was a fire, Vanderguardâs scrutiny was the blade that followed.Â
As the grand double doors swung open, pushed forth by two attending footmen, Penelope stepped into the council roomâa space that she had only heard mentions of in passing but had never actually stepped foot in until now. The sight of it struck her immediately. The room was built to intimidate. Its vaulted ceilings stretched high above, the dark wooden beams intricately carved with knotwork that seemed almost alive in the flickering faelight. Massive iron chandeliers, spiked and foreboding, hung from the beams, their candles casting uneven shadows that danced across the vast expanse of the ceiling.Â
In the center of the room sat a table of commanding presenceâan immense piece of dark oak polished to a mirror-like gleam. Its surface was starkly bare, save for a few scattered documents, an inkwell, and a quill resting near Vanderguardâs place. Ten heavy chairs with high carved backs sat around the edge of the table. All but one was occupied.Â
Penelope bit the inside of her cheek, her pulse quickened as her eyes flicked to Vanderguard. He was speaking, his voice sharp and deliberate, though she couldnât quite make out the words. She hovered in the entryway, uncertain whether to move forward or wait to be acknowledged. Gregor, Elias and Alaric also sat at the table, clearly having also been summoned, but it felt improper to her to approach the table without being beckoned. Her gaze shifted to Beron, seated at the far end of the table, the High Lordâs presence was nearly impossible to ignore.Â
Beron Vanserra sat back in his chair, his posture casual yet commanding. He leaned onto the armrest, his sharp, angular face partially obscured by his long fingers as he rested his face against them. His eyes, assessing and unrelenting, remained fixed on Vanderguard as the advisor spoke. Though his demeanor seemed relaxed, there was a tension in the room, and Penelope felt it the moment she stepped foot inside.Â
To her right, nearly camouflaged among the towering, thirty-foot tapestries lining the walls, a footman stepped forward. The deep reds and golds of the woven images cast him in muted hues and she barely had noticed he was there. He moved to the single empty chair near the end of the table, pulling it out with a faint scrape of wood against stone. Turning toward Penelope, he gestured silently for her to take her seat.Â
Her chest tightened as she forced her feet to move. As she neared the table, Vanderguardâs voice paused mid-sentence, and she felt weight of every gaze around the table shift toward her. Sharp, assessing eyes bore into her.Â
She prayed no one noticed as she swallowed hard, forcing down the bile that had collected in the back of her throat. The footman stepped back as she eased into the empty chair, her hands smoothing her skirts beneath the table in a vain attempt to steady herself. Still, the eyes lingered, watching, waiting.Â
After what felt like an eternity, Vanderguardâs voice resumed. Apparently, she thought, Iâm supposed to be at this table.Â
She glanced around the table, her gaze flitting over the faces surrounding her. Four advisors, each one stoic and sharp, Beron at the head of the table, two of his sons seated beside himâfaces she had only recognized in passing. And then, directly across from her, Eris.Â
He was almost lounging in his chair. When their eyes met, a faint, amused grin curved his lips and he let out a soft, almost noiseless chuckle. Penelope furrowed her brows as she tried to decipher the source of his amusement. But Eris offered nothing, merely pressing his bottom lip between his teeth as though to stifle further laughter. His amber eyes seemed to dance briefly before he turned his attention back to the conversation at the head of the table.Â
Penelopeâs ears still rang faintly from the rush of the blood pounding in them, but as the voices of Vanderguard and Beron filled the room once more, the tension in her chest began to ease.
âMy lord,â Vanderguard continued as Penelope finally managed to pick up the thread in the conversation, âshe was at one time an enemy to our court. And now, simply because the bloodshed has ended, thereâs no reason to start letting those who were enemies back within our borders.âÂ
Beron Vanserra shifted slightly in his seat, lifting his brows. With a small sigh, his hand dropped to the table, his fingertips tracing the intricate carved patterns in the polished oak absentmindedly. âBut would it not be detrimental to lose out on an opportunity such as this one?â he countered. âImports from other courts have been lacking, and it seems that outsourcing to further lands would be strategic.â His amber eyes, the same as his sons flicked to Elias, his expression expectant.Â
Elias, caught in the debilitating gaze of the High Lord, straightened in his seat, his hands flattening against the table as he gathered himself. He stammered slightly before finding the right words. âI will admit,â he began cautiously, âthat trade within Prythian has not been as prosperous as it once was. Biodiversity from other continents couldâpotentiallyâbring new economic growth.âÂ
Beron inclined his head slightly and gestured back to Vanderguard. âSo it seems as though this isnât something we should simply dismiss.âÂ
Before Vangerguard could respond, Gregor cleared his throat, the grating sound making Penelope cringe. Everything about the maleâhis mannerisms, his tone, his mere presenceâseemed to have that effect on her. âThe war we fought has long since passed,â he said. âAnd from everything Iâve gathered, their armies are disbanded, their ranks in shambles.â He paused, his eyes scanning the table. âAt this point, if theyâre looking to make amends, Iâd wager itâs because theyâre struggling to rebuild after the warâs end.âÂ
Penelope noticed Vanderguardâs expression hardened as he turned his gaze toward Gregor, skeptical. The two locked eyes. Gregor might have held authority in matters of war and military, but Vanderguardâs influence wasnât far behind.
The stalemate was broken by Erisâhis voice calm and measured. âFrom the little communication Iâve received from Pollard,â he said, âtheyâve been more than accommodating. From what I can tell, they seem genuine in their desire to restart trade.âÂ
Penelope turned to him, watching as his amber eyes remained focused on his father. She had imagined Eris sitting quietly in these meetings, meant to observe his fathers machinations, perhaps offering a question here or there to learn. But now, hearing him speak with such confidence, caught her off guard. He wasnât a mere studentâhe was a participant.
Beron nodded at his sonâs comment, then turned toward Alaric, seated further down the table. âAnd what of the other courts? Are they opening their borders?âÂ
Alaric responded quickly. âI believe they are engaging in the same conversations we are. The Spring Court, however, has been notably accommodating. Their High Lord has even gone so far as to bring his son to court events hosted by them.â
Beron scoffed, a faint smirk playing on his lips as he leaned back in his chair. âI wouldnât put much stock in the decisions of a brute as large and unsubtle as he,â he muttered, his words dripping with disdain.
A ripple of low chuckling worked its way around the table, the faintest smiles breaking through some of the advisors' more composed expressions. Penelope noticed, however, that Eris remained mostly silent, his focus still fixed on his father.Â
âSo itâs decided, then. We reopen trade,â Beron stated, carrying an air of finality.Â
Alaric shifted in his seat, his mouth opening slightly as though he were about to protest, but he quickly thought better of it and held his tongue. Elias offered a tight-lipped smile, though the incredulity of it was unmistakable. Strange, Penelope thought. For the advisor in charge of trade, he didnât look particularly enthusiastic about the new opportunities this decision would bring.Â
It was Vanderguard who seemed the most perturbed. His long fingers rubbed together slowly, and his shoulders sagged as if he were releasing a silent, reluctant sight. Beron, obliviousâor perhaps uncaringâclapping his large hand down on the table, the sound echoing through the chamber like a thunderclap. The reverberation made Penelope flinch slightly in her chair.Â
âI expect to see a drawing of trade routes and actionable plans before the end of the week,â Beron bellowed. âAnd send word to their trade masters that we will set up a formal meeting to discuss next steps.â
Vanderguard bent over the parchment in front of him, his quill scratching hastily across the surface. Penelope guessed he was making a detailed list of tasks, likely to assign to the others. The sound of the quillâs movements was oddly loud in the otherwise quiet room.
Hazarding a glance toward Eris, Penelope noted his outward composure, calm and collected as always. But her eyes lingered on his hands. His knuckles were growing paler with each passing moment as his thumb rubbed slowly over them, as though he was restraining himself.Â
Beron scanned the room, his gaze sweeping across the table. âIs this going to be an issue for anyone?â he asked. It wasnât a questionâit was a challenge.Â
No one spoke. No one dared.Â
Penelope found it peculiar, unsettling even, that this group of advisorsâassembled to guide the High Lord, to make decisions in the best interest of the Autumn Courtâseemed to fall into silence so easily when faced with his preconceived notions. For all their supposed expertise, their collective deference to Beronâs dominance struck her as both troubling and calculating.Â
The silence lingered a beat longer, punctuated only by the faint scratching of Vanderguardâs quill. Penelope kept her gaze steady, careful not to draw attention to herself as Beronâs eyes finally hit her. They lingered, and it seemed as though he locked his jaw slightly before moving on from her. She felt herself breathe relief.
âWell,â Beron said, his eyes widening, âIâm not sure what you all are sitting around for. It seems you have plenty to do.âÂ
The words were laced with hint of amusement, but the underlying command was unmistakable. Chairs scraped against the stone floor as the advisors scrambled to rise, their movements bordering on desperation. Vanderguard was the first to gather his parchment, tucking it neatly under one arm as he strode briskly toward the door. Gregor followed close behind, his boots clunking heavily as he muttered something under his breath. Elias and Alaric both seemed to hesitate for a second, catching each other's eye from across the table before casting a glance at Beron before hurrying after the others.Â
Penelope rose more slowly, encumbered by her skirts. Her gaze drifted across the table, landing on Eris. Unlike the others, he hadnât made a move to leave. He remained seated, his posture unchanged, leaning back slightly in his chair with one arm perched on the table. His eyes were still fixed on his father as though dissecting him.Â
For a moment, Penelope hesitated, unsure whether to follow the exodus of other advisors or remain behind. The room felt heavier now, as if the departure of the others had left a vacuum that pressed down on her. She cleared her throat softly, but Eris didnât seem to notice at first.Â
Beron had turned away, leaning slightly toward one of his sons as he spoke in low tones that Penelope couldnât quite catch. Whatever was being said was clearly not for the ears of the room. She shifted her gaze back to Eris, who still hadnât moved, his attention locked on his father.Â
Clearing her throat slightly, Penelope tried again, the sound barely audible over the faint murmur of Beronâs conversation. This time, it seemed to pull Eris from whatever trance heâd fallen into. His attention snapped to her, his amber eyes narrowing slightly as though heâd forgotten she was still there. After a beat, his lips curved into a faint smileâa polite gesture more than anything else, entirely devoid of warmth.Â
âLady Penelope,â he said at last in his low, smooth voice.Â
âMy lord,â she replied, dipping into a small curtsey.Â
Eris rose from the table then, the scrape of his chair loud in the cavernous room and he buttoned his jacket. There was something unreadable in his expression as he cast one final glance towards his father, who was still enveloped in the quiet conversation at the end fo the table.Â
Then, Eris turned to her fully, straightening, though his gaze lingered on her for a moment longer than expected. âLetâs chat,â she said simply.Â
Without waiting for a response, he strode toward the door. Penelope hesitated for a fraction of a second before following, her footsteps quickening to match his as they passed through the grand doors of the advising hall.Â
The two walked in silence, their footsteps echoing faintly against the stones as they ascended the steps and made their way down the corridor to Erisâs study. Penelope waited for Eris to say anything, though he remained silent.Â
Once they were inside the confines of his study, Eris let out a sigh of relief, his shoulders dropping as his hands curled over the edge of the doors. He leaned against them for a moment before shutting them with a soft click.Â
Penelope stood awkwardly in the center of the room, unsure whether to sit or remain standing. Eris turned to face her, clapping his hands together with a smile that was surprisingly warm.Â
âYouâre a sight for sore eyes,â he remarked, crossing the room before settling into the chair behind his desk. As he settled in, he immediately began shuffling through the scattered documents on his desk, seemingly mildly confused. Without hesitation, he picked up a few and tossed them unceremoniously into the wastebasket at his side.Â
Penelopeâs heart sank as she recognized the parchmentâmaps and records she had painstakingly reviewed for days, trying to make sense of their contents. Her mouth opened slightly, the beginning of a protest forming on her lips before she swallowed them, the words dying in her throat.Â
Eris picked up another piece of paper, glanced at it briefly, and made a similar judgement, his hand moving towards the wastebasket. Just as Penelope was resummoning the courage to say something, his eyes flicked up to meet hers, a faint, annoying smug tugging at the corner of his mouth.
âYou can sit down, you know,â he said.Â
Penelope hesitated for a moment before stepping forwards and easing into the chair opposite Eris.Â
The heir continued rifling through documents, his attention flicking briefly to each page before discarding them into the wastebasket without a second thought. Each sound of crumbled paper hitting the bin caused the rage simmering in Penelopeâs stomach to churn higher. It was like the discarded pages were stoking the fire.Â
Eris peeked up at her then. He raised a brow. âAre you going to say anything? Or are we going to just sit in silence?âÂ
Penelopeâs jaw tightened as the pang of frustration and anger rose, traveling from her chest to her throat. âWhat would you like me to say?â She asked, her voice laced with restrained irritation.Â
Eris paused, curling the edge of the paper in his hand to see her better over it, his expression shifted as he studied her. âWhat?â he asked.
Penelope shrugged, her voice more pointed now. âWhat would you like me to say, my lord?â
Eris exhaled, the sound halfway between a sigh and a groan as he leaned back in his chair, the paper dangling loosely from his fingers. His head tilted slightly as he regarded her with a look of mild annoyance. âCome now, Penelope,â he said, âLetâs not start all of this.âÂ
âAll of what, my lord?â she shot back, her brows furrowing. Her anger bubbled right beneath the surface. His title, though delivered politely, came out with barbs.Â
Eris lowered the paper, gesturing vaguely toward her with a flick of his hand. âAll of this,â he said. âAll this formality.â He paused, searching for the right word. âItâs exhausting.âÂ
Penelopeâs lips pressed into a thin line as she stared at him. The audacity.Â
âThen tell me how you would like me to be, my lord,â she shot back.Â
Eris let out a louder, more theatrical groan this time, dragging a hand down his face. âStop it with the âmy lordâ shit,â he said bluntly.Â
The unexpected profanity caught her off guard, her brows lifting slightly as the word hung in the air.Â
âItâs pandering,â he continued, leaning forward slightly in his chair, narrowing his eyes at her. âAnnoying, even. Iâve been hearing it all weekâevery second of every damn day. If you address me with âmy lordâ every time you open your mouth, itâs taking at least a century off both my life and yours.âÂ
He was clearly annoyed, his patience fraying, though Penelope couldnât begin to guess the length of rope he was at the end of. âIâm sorry,â she said quietly.Â
Eris rolled his eyes slightly. The irritation in his expression didnât waver. âWhat now?â he asked.
Penelope peered up at him from beneath her brows, her fingers tightening slightly against her skirts. âNothing,â she replied, her words clipped.Â
Eris leaned forward, his elbows resting on the table as he fixed her with a pointed stare. âWhy are you acting like a brat?âÂ
Her mouth dropped open, her shock and offence immediately flaring to life. âExcuse me?â she demanded, her voice sharper now, her hands going to grip the arm leans of the chair.Â
âYou heard me,â he said bluntly. âYouâre acting like a brat and I have no idea why.âÂ
Penelopeâs pulse thundered in her ears, the audacity of his words igniting something in her. âBrat?â She repeated, the word was almost a hiss. âI donât believe Iâve done or said anything to warrant being called that, my lord.âÂ
Eris didnât flinch and he met her glare head on. âWeâve seen each other for, what? Five minutes? And youâre already acting like Iâve done something wrong. So what is it?â His voice remained calm, but there was a notable sharpness in it that sent Penelope into a rage.Â
âMaybe Iâm acting like this because Iâve been sitting in this house for a week with no direction, no support, and no idea why Iâm here in the first place,â she snapped. âAnd now you show up and toss aside the only work Iâve done like itâs nothing. So forgive me, my lord, if Iâm not brimming with joy.âÂ
Her words hung in the air. Eris blinked slightly and glanced down to the table strewn with papers and books, his expression shifting slightly, though it was hard to tell if it was surprise, guilt, or annoyance that flickered across his face.Â
âWell,â he said finally, leaning back in his chair. âAt least weâre being honest with one another.âÂ
Penelope wasnât finished. âAnd I think brat was completely uncalled for,â she said. âFrankly, it was immature.â
Eris chuckled low, and faintly mocking. âIâm being immature?â he said, raising a brow. âYouâre the one pouting.âÂ
Her hands shot up in frustration. âWhat am I doing?â she asked with exasperation. âIâm just sitting here! I havenât done anything!âÂ
Eris leaned back in his chair, gesturing vaguely toward her with a flick of his hand. âYour face is pouty,â he said, the corners of his mouth twitching with amusement.Â
Penelopeâs jaw dropped, her hands clenching in her lap. âMy face isâwhat?!â she sputtered. âThatâs ridiculous. Iâm not pouting, Iâmââ She cut herself off, realizing how defensive she was being, which only made her cheeks burn hotter.Â
Eris shrugged nonchalantly, though the mischievous glint still sat in his eyes. âYou donât have to admit it,â she said smoothly, tilting his head slightly as if assessing her. âBut itâs written all over you. Sulking, sighing, your quiet glare.âÂ
Penelope huffed, crossing her arms tightly over her chest. âWell, maybe if you hadnât walked in here acting like everything Iâve done is worthless, we wouldnât even be having this conversation and I would have acted like a âbrat.ââ
Erisâs smile faltered and he blinked at her. âWhat?âÂ
She gestured sharply to the documents strewn about the table. âAll the things you left me to read over and review?âÂ
Erisâs brow furrowed, genuine confusion flickering across his face as he glanced at the pages. âWhat documents?â he asked in disbelief.Â
Penelope leaned forwards, her hands pressing against the desk as her sharp gaze pinned him in place. âThe documents you left me to look over,â she said deliberately.
âI didnât leave you anything,â Eris shot back, his voice rising slightly, though the confusion in his expression seemed genuine.Â
Her mouth opened, but she closed it quickly, her mind scrambling. âMadame Alba told me they were from you,â she said after a beat, her voice firmer now, as if stating it aloud might make it irrefutable. âShe said you wanted me to review them while you were away.âÂ
Eris shook his head, his eyes narrowing as he examined the documents again. âI didnât leave anything,â he repeated firmly, his tone laced with disbelief. He gestured toward the papers with a faint scoff. âI havenât seen half of these before, and most of them are uselessâworthless documents that arenât worth the ink theyâre written with.â
The knot in Penelopeâs stomach tightened, unease curling in her chest as confusion morphed into something sharper. âThen⌠whose idea was it for me to waste a week of my time going through all of this?â she demanded, her voice rising slightly as her frustration seeped through.
Eris leaned back in his chair, the leather creaking faintly as he relaxed into it. He chuckled softly, his gaze drifting downward to his hands, where he rubbed his thumb across his knuckles. âI donât know,â he admitted, the amusement in his tone grating against Penelopeâs nerves. âBut itâs clear someone wanted to keep you busy.â
Penelopeâs chest tightened at his words, and she felt heat rising to her cheeks. âTo keep me busy?â she echoed, her tone edged with incredulity. âWhy? Why waste my time like that?â
Eris stifled another laugh, though his smirk remained intact. âMaybe to test you,â he said with a casual shrug, as if the thought were inconsequential. âOr maybe to humiliate you.â
His chuckle came again, light and irritatingly unaffected, until Penelope shot him a glare sharp enough to cut. His laughter died in his throat, though the smirk lingered faintly at the corner of his mouth.
âEither way,â he said, his tone softening slightly, âit wasnât me.â
Penelope stared at him, her anger and embarrassment simmering dangerously close to the surface. âThatâs supposed to make me feel better?â she snapped. âThat it wasnât you? That someone deliberately set me up to look like an idiot?â
âLook Penelope,â Eris offered, âWhatâs done is done. Itâs no harm.âÂ
Penelope fell back in her chair, her arms crossing tightly over her chest as she attempted to temper the growing irritation. She tilted her head slightly onto Eris. âAnd where have you been the last few days?â she demanded.Â
Erisâs faint smirk vanished instantly, his expression hardening into something more serious. His jaw tightened briefly, and the easy, almost teasing feeling between the two of them dissipated entirely.Â
âThat,â he said, his voice steady and low, âis what we need to talk about.â
A Court of Fire and Masks Master List
#acotar fluff#eris vanserra fluff#acosf#a court of thorns and roses#acowar#eris x oc#autumn court#eris vanserra#fanfiction#acotar slow burn#slow burn#fanfic#fic writers of tumblr#writing#acotar enemies to lovers#acotar angst#acomaf#acotar#pro eris vanserra#eris vandaddy#acotar fanfiction#enemies to lovers#eris vanserra fanfiction#eris acotar#eris vanserra fic#A Court of Fire and Masks
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Kingdom Hearts' story is not all that confusing tbh, or at least isn't "fully incomprehensible and makes NO sense" levels. It's got some convolution but nothing super labyrinthine and not that it doesn't at least try to explain at some point along itself, people just think too much/explain stuff badly and make it seem way more complex than it actually is sometimes TBH.
~~~
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Alhaitham & Kaveh drabble | light angst
It's a quiet Friday night. Kaveh is draped over the back of the sofa, transfixed on his sleeping roommateâs face.
The dim glow of the crystal lamp dusts a soft yellow glow across Haithamâs face. Even in his sleep, he is largely expressionless, save for the occasional movement under his eyelids and the briefest twitch of his brow. His book rests on his chest with his finger still between the pages of where heâd stopped before sleep stole him away.
Despite his alcohol-hazy and fatigue-fogged mind, Kaveh recognises the title as one of Haithamâs newest reads, picked up at the start of the week- amongst three other titles. Was he a speed-reader? How many words did he capture at a glance? Kaveh wonders, when Haitham reads, if pictures form in his mind, or are abstract ideas contained in the shape, weight, and sound of the words.
He touches his forehead with his fingertip, as though he can connect to his thoughts and reach somewhere beneath his stony facade. Alas, there is no way to read Haitham, no matter how hard he tries; He is a blueprint Kaveh may study ten thousand times, but never be able to figure itâs labyrinthine layers, always stuck at sharp angles and convoluted diagrams that lead to nowhere.
Kavehâs eyes trace over Haithamâs lips, and his hand follows in its wake. His finger trails along his cupidâs bow, thumb sweeping over the swell of his bottom lip.
Kaveh bites down on his own lower lip, teeth worrying the already broken skin as an undeniable ache to press his own against Haithamâs blooms in his chest.
Itâs a familiar feeling, one that has not surfaced for a long time- deadened by the belief that Haitham did not see him as anything more than a broken bird he saved out of pity; the snuffed out Light of Kshahrewar now crawling in soot and ashes.
Albeit this, the old flame flickers to life in his chest, weak but alight. And it is that which forces him over the edge of the sofa, leaning in as close as he dares to. A lock of hair comes loose from his ponytail and it gently sweeps across Haithamâs cheek. His trembling fingers are digging into the sofa seat and he struggles to balance on the balls of his feet.
Without warning, Haitham stretches, his eyes fluttering open in slow blinks. Kaveh falters and fails to recover in time, and he teeters over the sofa.
A series of grunts and curses and more groans follow as Haitham is pinned under him and tries to get Kavehâs elbow off his chest.
âWhat the hell are you doing?â Haitham hisses, struggling to breathe with Kavehâs knee still on his stomach.
âShit, sorry,â Kaveh mumbles, scrambling to get off but his limbs have turned to jelly and heâs not doing much except fall over Haitham again.
âStop moving,â Haitham tries to grab him by the elbows but Kaveh isnât listening and accidentally knees Haitham in the groin. Haitham hisses with a low curse and tightens his grip on him. âStop,â he growls, the flash of irritation in his tone reflecting in his eyes.
Kavehâs tongue turns to stone and all he can manage is wordless gaping. Heâs perched atop Haitham and straddling his lap, and Kavehâs cheeks grow hot at the realisation, but heâs bound by that single word that forces him to remain obediently still. âSorry,â is all he can manage.
Haitham breathes sharply, brows furrowed while he regains his composure. âIf itâs that game where you try to walk the shortest possible distance from the door to your room, I swear-â
âCan I go now?â Kaveh asks, vaguely aware of how distant his voice sounds form his body- disembodied, he recalls the word to be- his mind is elsewhere too, trying to distract from how close they are. His heartbeat pounds in his ears and all he can feel is that warmth radiating from beneath him, separated only by a few layers of fabric.
Kaveh manages to stand, swaying unsteadily even with Haithamâs help, before he quickly shuffles away from him. Heâs halfway to his room when he realises his hair tie has come loose, and he glances over his shoulder to the sofa for it, but his mind goes blank when their eyes meet.
Haitham drops the hair tie in his hands on his way to his own room, but not before shooting him an odd look. When Kaveh refuses to meet his gaze, however, he eventually bids him goodnight and disappears behind his door.
Kaveh grips the hair tie in a death grip, teeth worrying his lip as he wills himself not to cry. What had compelled him to attempt a kiss of all things, he could not fathom- least of all Haithamâs serious lack of reaction. Had he actually read him wrong this whole time, or was it just in his head?
His colleagues often touted liquid courage as a supposed help with matters such as these, but perhaps it was that Kaveh lacked any at all in the first place.
#alhaitham#kaveh#alhaitham x kaveh#kaveh x alhaitham#we love a pining kaveh#kavetham#haikaveh#ĺçĽ#genshin#genshin impact#genshin drabbles#nomelwelloy#been stewing in the drafts for a while
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Feet would move in a canonical pattern, with the miniscule heels of his shoes creating a repetitive sound atop pristine tiled floor. Slender fingers had encircled firmly the handle of the ceramic utensil, with his preferable liquid concoction poured inside. His mind filled with an array of contemplations, centralized in the completion of his aspirations that is approaching dangerously ---
And yet, their interruption took transpiration.
Momentarily, chestnut hues would glance at his surroundings, as the sight of the slightly open door became part of his vision. He had acknowledged to whom this particular room belongs to, notwithstanding the uncanny similitude of each doorframe installed within the stronghold of Las Noches. However, what caught partial attentiveness was the unrecognizable voice emitting from the room that Inoue Orihime was taking temporary residence in. Thence, seconds thereafter his destination altered for the sake of quenching mundane inquisitiveness, as feet began moving again, in a more idle motion this time; soon to find himself standing right at the doorframe hat leads to her private encirclement. A concise scrutiny that led to a technological device he had promised to bestow, should her assistance be satisfactory enough. In actuality, such fact was of no concernment; the minute she was brought to this realm, she was subjected to follow his regulationship.
Hmm.
A faint arch of slender brow was all he allowed himself to unveil as expressionism, as clamor from foremotioned gadget would echo cranial walls. It has come to an immense surprise to behold that such a pure human being would appreciate the usage of profanity, especially in such perpetuity.
Profanity, profanity, and more profanity.
Beholdenly, there was habitual unreadability plastered, with the minor exception of mentioned arch of brow. What in the world is this program? Hm, perhaps this could have been a mistake.
âźÂ      âââââ      Expletives  intertwine  humorously  with  laughter,  merging  with  TV's  sound.  An  oddly  fitting  duet,  idiosyncratic  yet  incontrovertibly  captivating.  Cocooned  contentedly  in  the  comfortable  warmth  of  her  blanket,  she  follows  the  unfolding  episode,  irises  glowing  with  excitement,  an  enthusiasm  she  keeps  for  moments  like  this.  The  exchange,  unrefined  though  it  may  be,  obscures  surprising  gems;  subtle  perceptions  nestled  within  vulgarity,  gastronomic  techniques  she  hadn't  anticipated  gaining  from  such  irreverent  sardonicism.
Her  mind  wanders  briefly  to  innumerable  evenings  spent  submerged  in  dense,  labyrinthine  texts.  Aizen's  tasks  had  been  meticulously  brutal,  offering  no  forbearance,  forcing  her  down  convoluted  corridors  of  obscure  verses,  cryptic  metaphors.  Poetry,  of  all  literary  pursuits  her  least  favored,  had  morphed  into  her  confidant.  She  had  fought  vehemently  with  ambiguous  interpretations,  extracting  lucidity  from  opaque  phrases.  Now  the  TV  rests  in  her  embrace,  tangible  proof  of  her  triumph,  hard-earned.
When  the  screen  abruptly  succumbs  to  the  intrusive  glare  of  commercials,  her  awareness  blooms  toward  the  hushed  rustle  at  the  threshold.  She  recognizes  him  instantly,  his  aura  is  unmistakable.  Tilting  her  head  toward  the  entrance,  auburn  locks  cascade  along  her  jawline.  "Do  you  intend  to  linger  there  all  evening,  or  will  you  step  in?"  Timbre  echoes  comfortably  through  the  chamber.  Lonely?  Perhaps.
#â° *ă
¤in chara.ă
¤â§˝ hime#ooc; com on Aizen I dare you to watch ramsey with her lol#ooc; after all the 5756748 poetry books you make her read lol
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â¨ArchaeoAstrology
đ§đžââď¸Vixen
đAngela Bassett
- Erika Sloane
đď¸âMission Impossible
The Final Reckoning" aims high, delivering the explosive action and death-defying stunts the franchise is known for.

đCreative Analysis:
âMission: Impossible - The Final Reckoning" (M:I 8)
Aims high, delivering the explosive action and death-defying stunts the franchise is known for.
However, it appears the film fell victim to its own ambitions, with its **mixed reception** reflecting a divide between its visual spectacle and its storytelling flaws.

Here's a deeper dive into how this installment both soars and stumbles:
đ Strengths:
Where the Mission Succeeds
đ¤ľđťââď¸Tom Cruise's Unyielding Dedication
- At 62 years old, Tom Cruise continues to redefine what it means to be an action star.
His **commitment to jaw-dropping stunts**, such as the now-iconic **Biplane Sequence**, is nothing short of extraordinary.
This relentless pursuit of authenticity ensures the action feels visceral and realâsomething few actors in modern cinema can replicate.
2. **Action as a Visual Ballet**
- The franchise's signature **high-octane action sequences** remain intact. From rooftop chases to gravity-defying combat, the film showcases the kind of **meticulously choreographed chaos** that fans of the series crave. Despite pacing issues in the first act, the action delivers a much-needed adrenaline boost just when itâs required.
3. **A Nostalgic Reunion**
- Returning characters like **Luther Stickell** and **Benji Dunn** lend the film a sense of continuity and camaraderie. Their presence reminds viewers of the franchise's **rich history**, creating emotional touchpoints amidst the chaos.
4. **New Faces Shine**
- The addition of talented actors like **Hannah Waddingham** injects fresh energy into the series. While the plot may falter, the **performances remain strong**, with each actor bringing their A-game, even when burdened with heavy exposition.
5. **Cinematic Beauty**
- Whether itâs sweeping aerial shots, dazzling cityscapes, or tense, close-quarters action, the film is a **feast for the eyes**. Its **visual polish** reinforces the sense of a globe-trotting spy saga, immersing audiences in its world despite narrative shortcomings.
---
#### **Weaknesses: When the Mission Stalls**
1. **Complexity Without Clarity**
- The plot's labyrinthine twists and turns might be intended to keep viewers guessing, but instead, they leave many feeling **alienated and confused**. A convoluted storyline loses its intrigue when it requires constant exposition to remain coherent.
2. **Exposition Overload**
- Speaking of exposition, the filmâs heavy reliance on characters **explaining the plot** detracts from its momentum. Scenes that should feel thrilling or emotional are weighed down by overly detailed dialogue that feels more like a lecture than a narrative.
3. **Pacing Problems**
- The film's **three-hour runtime** is an ambitious choice, but not a justified one. The **slow first act** struggles to find its footing, delaying the payoff that fans are waiting for. By the time the action ramps up, some viewers may already feel disengaged.
4. **Retcon Risks**
- In an attempt to tie this installment to earlier films, the story **retcons certain elements**, which some fans feel detracts from the integrity of the series. Instead of expanding the "Mission: Impossible" universe, these changes make it feel **smaller and less cohesive**.
5. **Tone Disparity**
- The shift to a **somber, melodramatic tone** clashes with the **lighthearted fun** that earlier movies balanced so well. While stakes are expected to escalate in a finale, losing the franchise's signature charm may alienate long-time fans.
---
#### **Overall Impression: A Divided Legacy**
"Mission: Impossible - The Final Reckoning" is a paradox. It delivers on its **promise of action spectacle**, yet falters in its attempts to craft a satisfying, cohesive narrative. Fans of the franchise will undoubtedly appreciate the **thrills and stunts**, but the film's **bloated runtime**, **convoluted plot**, and **shifts in tone** may leave them wishing for the simplicity and charm of earlier installments.
Ultimately, the film stands as a testament to the franchise's ambitionâbut also as a reminder that **bigger isnât always better**. For die-hard fans, itâs still an exhilarating ride. For others, however, it may feel like a mission best left unaccepted.
#đ§đ§ŹđŞˇfaith love peace unityÂŽď¸#đ§đžââď¸Vixen#â¨ArchaeoAstrology#đAngela Bassett#đď¸Mission Impossible#đ Strengths:#Where the Mission Succeeds
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Furtiv is lik a sneeky sneek, a shadowy figger slippin thru the crevices of reality, eluding the perceptual faculties of the uninitiated. Itz like a cat, but not a cat, more like a phantasmagorical entity that evades the ocular apparatus with an almost preternatural dexterity. Imagine a clandestine operashun in the labyrinthine corridors of a mind-bogglingly convoluted edifice, where every step is a dance of surreptitiousness and every breath is a whisper of the arcane. Furtiv is the art of being invisibul in plain sight, a masterclass in the esoteric discipline of not-being-seen-ness.
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The mind. Such a labyrinthine. An abys yet to be completely expored. Complex in not only its functionality but also in its convoluted anatomy. Stay with me. Let's try and attempt to scratch its base. Hope we don't end up with a basilar fracture or, worse of all, comminuted fracture. That would be catastrophic, wouldn't it?
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The Clone Conundrum: How the 90s Spider-Man Saga Scrambled a Golden Opportunity
Get Spider-Man: Clone Saga Omnibus Vol. 1
Get Spider-Man: Clone Saga Omnibus Vo. 2
Few Spider-Man storylines have left as indelible a mark on comic book history as the infamous âClone Sagaâ of the 1990s. What began as a bold narrative experiment evolvedâor devolvedâinto a polarizing epic that alienated fans, frustrated creators, and complicated Spider-Manâs mythos. Despite its stellar roster of writers and artists, the Clone Saga became a sprawling, convoluted tale that epitomized missed potential. It was a fascinating concept on paper that, in execution, felt more like a scrambled egg than the golden goose Marvel hoped it would be.
This is the story of how a saga that could have been one of the most intriguing and impactful Spider-Man narratives instead became one of the most controversial.
The Promise of Simplicity
The Clone Saga wasnât an entirely new concept. It traced its roots back to the 1970s when the original âcloneâ storyline introduced a duplicate of Peter Parker. That story ended with the apparent death of the clone, leaving Peter to continue as Spider-Man. In the 1990s, Marvel revisited this idea with a compelling twist: what if the Peter Parker fans had followed for decades wasnât the real Peter Parker at all?
This premise offered a tantalizing opportunity to strip away decades of continuity baggage and return to the core of Spider-Manâs identityâa young, struggling hero trying to balance his personal life with his responsibilities as a crimefighter. By introducing Ben Reilly, Peterâs clone, as the ârealâ Spider-Man, Marvel aimed to rejuvenate the character and give fans a fresh perspective.
But hereâs where things started to go wrong.
A Saga Stretched Too Thin
The Clone Saga was originally intended to last a few months. It was a straightforward tale of identity, responsibility, and self-discovery. However, as sales for Spider-Man comics surged during the sagaâs early issues, Marvelâs editorial team decided to extend the storyline. What was meant to be a tightly woven narrative spiraled into a labyrinthine epic that stretched across multiple titles and years.
As the story dragged on, it became increasingly convoluted.
⢠New characters like Judas Traveller and Scrier, who were intended to add intrigue, instead felt out of place and disconnected from Spider-Manâs grounded world.
⢠Twists and revealsâsuch as Ben Reilly being the ârealâ Peter Parker and later reversing this revelationâalienated fans who felt jerked around by the shifting narrative.
Get Marvel Legends Ben Reilly Action Figure ⢠The resurrection of Norman Osborn, the original Green Goblin, was a particularly contentious decision. Osbornâs death had been a defining moment in Spider-Manâs history, and bringing him back felt like a betrayal of that legacy.
The result? Reader fatigue. Fans who initially embraced the storyline grew frustrated by its seemingly endless detours and lack of resolution.
The Creative Struggles
Behind the scenes, the Clone Saga was a battleground of conflicting visions. Writers and editors clashed over the direction of the story, leading to inconsistencies in tone and plot. Howard Mackie, one of the key creators involved, later admitted that the saga became too unwieldy, with too many cooks in the kitchen.
Glenn Greenberg, author of âThe Osborn Journal,â questioned the logic behind key plot points, such as Norman Osbornâs apparent willingness to let major events unfold without intervening. These inconsistencies undermined the storyâs credibility and left readers scratching their heads.
The Fans Speak Out
If there was one thing the Clone Saga did well, it was spark debate. Fans were vocal about their dissatisfaction, particularly with the decision to replace Peter Parker with Ben Reilly. Peter Parker was, and remains, a beloved character. For many readers, the idea that he might be a clone was not only shocking but also unwelcome.
The backlash was so intense that Marvel eventually reversed course, reinstating Peter Parker as the one true Spider-Man. But by then, the damage had been done. The sagaâs prolonged runtime and narrative missteps had alienated many readers, some of whom abandoned the comics altogether.
Bright Spots in the Chaos
Itâs important to note that the Clone Saga wasnât without merit. Despite its flaws, it introduced compelling new characters and ideas that left a lasting impact on Spider-Man lore.
⢠Ben Reilly, though divisive, gained a dedicated fanbase. His journey as the Scarlet Spider offered a fresh take on the Spider-Man mythos, and his struggles mirrored Peter Parkerâs in interesting ways.
⢠The saga explored themes of identity and self-worth, posing thought-provoking questions about what it truly means to be âreal.â
⢠The artwork by artists like Mark Bagley and Sal Buscema was consistently strong, capturing the energy and emotion of Spider-Manâs world.
These elements showed that the Clone Saga had the potential to be something great. Unfortunately, they were overshadowed by the storyâs larger flaws.
The Aftermath
Marvel didnât shy away from acknowledging the Clone Sagaâs shortcomings. The company even poked fun at the storyline with the parody comic âSpider-Man: 101 Ways to End the Clone Sagaâ and a gag cover in an issue of âWhat If.â These self-referential nods highlighted Marvelâs awareness of the sagaâs reception among fans and creators.
In the years since, the Clone Saga has been revisited and re-evaluated. While it remains a cautionary tale about the dangers of overextending a storyline, itâs also a testament to the enduring appeal of Spider-Man as a character. Even at its most chaotic, the Clone Saga reflected the core themes of responsibility, identity, and perseverance that have defined Spider-Man for decades.
A Golden Opportunity, Squandered
In hindsight, the Clone Saga had all the ingredients to become one of Spider-Manâs most intriguing storylines. It had a compelling premise, talented creators, and the potential to redefine the character in meaningful ways. Instead, it became a case study in how editorial interference and commercial pressures can derail a story.
The sagaâs greatest tragedy is that it wasnât inherently a bad idea. On the contrary, the concept of Peter Parker confronting his own identity and legacy was rich with narrative possibilities. But by stretching the story too thin and introducing too many twists, Marvel turned what could have been a streamlined and impactful tale into a convoluted mess.
Conclusion: Lessons Learned
The 90s Clone Saga remains a polarizing chapter in Spider-Manâs history. For some, itâs a nostalgic relic of an era defined by excess and experimentation. For others, itâs a cautionary tale about the perils of prioritizing sales over storytelling.
Ultimately, the Clone Saga was a missed opportunityâa golden idea that could have reinvigorated Spider-Manâs mythos but instead became a symbol of creative overreach. Itâs a reminder that even the most beloved characters can stumble when their stories lose focus.
Yet, despite its flaws, the Clone Saga endures as a fascinating piece of Spider-Man lore. Itâs a testament to the characterâs resilience that even when his world was at its most chaotic, his core appeal remained intact. Spider-Man is and always will be, the friendly neighborhood hero who inspires us to keep going, no matter how tangled lifeâs web becomes.
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#Spider man#clone saga#peter parker#ben reilly#marvel in the 90s#90s marvel comics#marvel comics#marvel cult classics
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Trope chats: Time travel
Time travel, a concept that has captivated human imagination for centuries, has been a recurring theme in literature and media, offering endless possibilities for exploration, reflection, and speculation. This essay delves into the rise and fall in popularity of time travel narratives, examines its use as a literary tool and symbol, and discusses the pitfalls inherent in its portrayal.
The origins of time travel in literature can be traced back to ancient myths and legends, where characters journeyed to distant pasts or futures through supernatural means. However, it wasn't until the late 19th and early 20th centuries that time travel became a prominent theme in fiction.
One of the earliest examples is H.G. Wells' seminal novel "The Time Machine" (1895), which popularized the notion of a machine capable of traversing through time. Wells' work laid the foundation for future time travel narratives, inspiring countless authors and filmmakers to explore the concept further.
Throughout the 20th century, time travel narratives flourished in various forms of literature and media, from classic science fiction novels like Ray Bradbury's "A Sound of Thunder" (1952) to iconic television shows like "Doctor Who" (1963-present). These narratives often served as vehicles for exploring philosophical questions about causality, free will, and the nature of reality.
Despite its enduring popularity, time travel experienced a decline in the latter half of the 20th century, as audiences and creators gravitated towards other speculative concepts. However, the genre experienced a resurgence in the late 20th and early 21st centuries, fueled by advancements in science and technology, as well as shifting cultural and social dynamics.
Films like "Back to the Future" (1985) and "The Terminator" (1984) revitalized interest in time travel, blending action, humor, and intricate plotlines to appeal to wider audiences. Similarly, television series such as "Lost" (2004-2010) and "Doctor Who" (2005-present) introduced new generations to the complexities and possibilities of time travel storytelling.
Time travel serves as a versatile literary tool, allowing authors and creators to explore a myriad of themes and concepts. It enables narratives to transcend temporal boundaries, weaving together disparate timelines and realities to craft compelling stories.
One of the most common uses of time travel is as a metaphor for exploring personal or societal change. Characters journeying through time often confront their past mistakes, grapple with unresolved conflicts, or seek redemption for past actions. In novels like Audrey Niffenegger's "The Time Traveler's Wife" (2003), time travel is used to explore themes of love, loss, and the passage of time.
Furthermore, time travel can function as a symbol for the human desire to escape the constraints of mortality and the inexorable march of time. In Jorge Luis Borges' short story "The Garden of Forking Paths" (1941), the protagonist embarks on a labyrinthine journey through time and space, reflecting the complexity and ambiguity of human existence.
Despite its narrative potential, time travel storytelling is fraught with pitfalls and challenges. Maintaining internal consistency and avoiding paradoxes can be difficult, as altering past events can have unforeseen consequences on the narrative's coherence.
Additionally, time travel narratives run the risk of becoming overly convoluted or relying too heavily on contrived plot devices. The temptation to use time travel as a convenient solution to narrative problems can undermine the emotional resonance and thematic depth of the story.
Moreover, time travel can sometimes be used as a crutch to evade meaningful character development or thematic exploration. Instead of grappling with the consequences of their actions, characters may simply "reset" the timeline or escape to a different reality, diminishing the impact of their choices and experiences.
Time travel remains a perennially popular and endlessly fascinating concept in literature and media, offering writers and creators a vast playground for exploration and experimentation. From its humble origins in ancient myth to its modern incarnations in blockbuster films and bestselling novels, time travel continues to captivate audiences with its promise of adventure, mystery, and philosophical inquiry. However, navigating the complexities and pitfalls of time travel storytelling requires careful craftsmanship and a deep understanding of its narrative and thematic implications. As long as human curiosity persists, time travel will remain a timeless trope in the literary and cultural landscape.
#writeblr#writers of tumblr#bookish#writing#booklr#fantasy books#creative writing#ya fantasy books#book blog#ya books#writers block#am writing#fantasy writer#female writers#fiction writing#how to write#story writing#teen writer#tumblr writers#tumblr writing community#writblr#writer problems#writer stuff#writerblr#writers#writers corner#writers community#writers life#writers on tumblr#writerscommunity
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the enigma of (art) blend modes, and how doing brain research taught me how to better utilize them
(DISCLAIMER--I'm not actually going in-depth on different blend modes; there's other resources for that sort of thing! Rather, I'm just planning on talking about how they've been captivating to me in the past.)
I've been working with digital art programs for quite some time now, mostly for my game development pursuits, but also more recently just for fun.
Whatever program I'm using, be it Aseprite, Krita, or Paint.net, there's always this goofy little feature referred to as "blend modes". Really, all it refers to is how new colors should be made when two colors overlap on an image--particularly from different layers.
Back when I was young and naive, those layer blend modes hardly did more than just exist. Maybe I'd pull down that drop-down menu and switch around the modes every once in a while, but this was never used to help me during the creation process.
There's something about starting to use a new art program and getting overwhelmed by all the buttons on the UI. Of course, it takes time to master those menus, but when you do, it's nothing short of rewarding.
Which brings me to one of the most interesting programs I've worked with: Fiji.
Fiji isn't an art program--it's anything but. Instead, it's open source image processing software, designed for life science related analyses.
I've had the (mis)fortune of becoming acquainted with this software through my internship. When it was introduced to me last year, it was... overwhelming, to say the least.
This is what it looks like when you open it:
Not too overwhelming yet, right? Wrong. Here's what the dropdown menu for "Analyze" looks like.
(I like how it starts with normal sounding words, before devolving into things like "Helmholtz Analysis" and "Multi Kymograph".)
If any of you are already super-mega-brain-nerds and know how to utilize all of these options, then good for you, I suppose. For the vast majority of the people who are unacquainted with neuroscience (such as myself), however, this is INCREDIBLY daunting to navigate. Imagine something just as confusing as this for the other menus.
Hell, even just importing imaging data proves labyrinthine:
Okay. I'm done fussing over how convoluted Fiji's menus are.
I've worked with them for long enough to understand them a little better, though I still couldn't tell you what half the buttons do.
...like most of the art programs I use.
Yes, I've used Paint.NET since, like, 2018. No, I still have no idea what the "Clone Stamp" button does.
(by the way, if you're still using Paint.NET yourself for art, 1. what are you doing, and 2. Krita is much better for what I needed from an art program, so I might recommend trying that out if Paint.NET is getting on your nerves!)
Anyway, loading imaging data into Fiji usually gives you a video you can pan through. Most imaging data usually either represents a z-series, t-series, or both.
A z-series is imaging done on several layers of the subject's brain at a single time point, to create a 3D stack of images with time substituting for the depth into the brain.
On the other hand, a t-series is imaging done (usually) on a single layer of the brain throughout several time points. (Data I've worked with has ranged from 15-minute-long t-series to 100-minute-long t-series.) This again creates a 3D stack, though this time, time represents, well, time. (This is how most video is stored--even if the video itself is 2-dimensional, you're still "technically" viewing 2D slices of a 3D stack--though only super-nerds call video 3D.)
A zt-series can also be imaged by making several z-series over time, which can be processed into a 4D video. (Usually, though, the slices have to be processed through software to order them properly.)
Last year, I worked with zt-series a lot. This year, however, I've got easier work--I'm just working with t-series this time, to analyze calcium activity.
They're nicer to work with, to say the least. I've worked on automating the collection of calcium activity data by comparing the minimum and maximum values of each pixel throughout the whole t-series in order to determine where there's potentially calcium activity happening.
...in fact, once you get an image of the minimum and maximum values of each pixel across the whole t-series, you then work with those images as layers and use different functions to extract a mask that shows only potential calcium activity regions.
...
So it's adjacent to blend modes in a way.
Specifically the "Multiply" and "Divide" modes.
...
It's a bit of a stretch, of course, but working with these black-and-white images has helped me better grasp what's going on under the cover when I use those same blend modes for art.
Of course, I'm not using them masterfully yet. Really, I'm just using them to add blocky-ish shading to translucent objects.
...I'd show an example, but I can't find any pictures right now.
...
Sorry about the tangent.
I just feel like somehow this contributes to the intimate interconnectivity of everything.
Art and brain research being related on a software level.
#blog#neuroscience#neuroscientist#brain research#internship#art#art software#interconnectedness#blend modes#paint.net#krita#fiji software#imagej2#i dont know why i bother with the imagej2 tag#i highly doubt there's a vibrant imagej2 community active on tumblr#blogging about imagej2 on their blogs.#what a bunch of nerds
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Brooks Nunez's Comprehensive Guide to Timeshare Cancellation: A Path to Liberation
Navigating the labyrinthine world of timeshare ownership, Brooks Nunez found himself entangled in a web of perpetual commitments and escalating fees. This realization sparked a journey of empowerment and liberation for Brooks Nunez, leading to the creation of this definitive guide to timeshare cancellation, crafted to aid others in reclaiming their freedom and finances.
The Seductive Trap of Timeshares: Brooks Nunez's Initial Attraction
Brooks Nunez, like many, was initially captivated by the glossy promises of timeshare ownership. The prospect of a guaranteed yearly getaway seemed like a dream. Yet, as the sheen of this dream faded, Brooks Nunez discovered the harsh reality: rising maintenance fees, inflexible scheduling, and the elusive nature of so-called 'investments'. This awakening marked the beginning of Brooks Nunez's quest for autonomy and release from the timeshare bind.
Navigating the Cancellation Labyrinth: Brooks Nunez's Strategy
Brooks Nunez soon realized that severing ties with a timeshare was no simple feat. The process was deliberately obfuscated by providers to deter owners from exiting their contracts. Brooks Nunez's journey through this intricate maze was fraught with legal jargon, stringent policies, and aggressive customer service tactics. However, Brooks Nunez's resolve led to the development of a clear, actionable strategy for those seeking to follow in his footsteps.
Step 1: Deciphering the Contract with Brooks Nunez
Brooks Nunez emphasizes the paramount importance of understanding your timeshare contract inside and out. This document contains the blueprint for your escape. Brooks Nunez advises a meticulous review of any cancellation clauses, paying special attention to the fine print that outlines the conditions and deadlines for termination. For Brooks Nunez, enlightenment began with the realization that the contract held both the shackles and the key to liberation.
Step 2: Brooks Nunez's Advocacy for Legal Counsel
Brooks Nunez strongly advocates for the enlistment of legal expertise. The convoluted nature of timeshare agreements often requires the discerning eye of a professional specialized in timeshare cancellation. Brooks Nunez's journey was significantly aided by such experts, who offered not only clarity but also a robust defense against the timeshare companies' intimidation tactics. Brooks Nunez's partnership with legal counsel was a critical step towards achieving freedom.
Step 3: Brooks Nunez's Proactive Communication and Documentation
Throughout his campaign for cancellation, Brooks Nunez maintained meticulous records of all communications with the timeshare company. Brooks Nunez advises owners to correspond in writing and keep detailed notes on all interactions. This methodical approach, as demonstrated by Brooks Nunez, ensures a well-documented trail of evidence that can prove invaluable, especially in disputes.
The Brooks Nunez Manifesto: Empowerment through Knowledge and Persistence
Brooks Nunez's odyssey from timeshare entrapment to emancipation is more than a personal victory; it's a blueprint for others. Brooks Nunez has emerged not just as a liberated former timeshare owner but as a beacon for those feeling ensnared by their timeshare obligations. Through his detailed guide, Brooks Nunez extends a hand to those navigating the treacherous waters of timeshare cancellation, offering hope and practical advice.
In sharing his narrative, Brooks Nunez underscores a universal truth: with the right knowledge, determination, and resources, liberation from even the most binding commitments is within reach. Let the Brooks Nunez guide to timeshare cancellation illuminate your path to freedom, just as it did for Brooks Nunez himself.
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What were some of the trials and challenges that Elysia faced during her journey in the Underworld? || @mythosisms
During her arduous journey in the Underworld, Elysia faced numerous trials and challenges that tested her strength, resilience, and determination. Here are some of the obstacles she encountered:
The River Styx: To reach the heart of the Underworld and confront Hades, Elysia had to traverse the treacherous River Styx. The dark waters were filled with malevolent spirits and swirling currents that sought to drag her down. She had to navigate the river's depths, evading the grasping hands of lost souls and overcoming the overwhelming despair that permeated the air.
The Guardians of the Underworld: As she ventured deeper into the Underworld, Elysia encountered formidable guardians that sought to impede her progress. These guardians, ancient and powerful beings loyal to Hades, tested her combat skills, cunning, and resourcefulness. Each guardian presented a unique challenge, requiring Elysia to find creative ways to overcome their strengths and exploit their weaknesses.
Labyrinthine Mazes: Within the Underworld, Elysia faced intricate and labyrinthine mazes that twisted and shifted with every step. These mazes were designed to confuse and disorient any intruders, leading them further into the depths of the Underworld. Elysia had to rely on her intuition, problem-solving abilities, and inner resolve to navigate these convoluted paths and find her way forward.
Stygian Shadows: The Underworld was plagued by dark and malevolent creatures known as Stygian Shadows. These elusive beings thrived in the shadows, preying on the life force of lost souls and any intruders who dared to venture into their domain. Elysia had to confront these formidable adversaries, using her combat skills and the remnants of her divine heritage to overcome their insidious attacks.
Emotional Trials: Along her journey, Elysia faced emotional trials that tested her resolve and ability to confront her past. She encountered illusions and manifestations of her lost memories, forcing her to confront painful experiences and make peace with her fractured identity. These trials challenged her emotional strength and determination to reclaim her true self.
Hades' Manipulations: Throughout her quest, Hades relentlessly attempted to manipulate Elysia, exploiting her insecurities and doubts. He whispered lies and doubts into her mind, seeking to break her spirit and bend her to his will once again. Elysia had to develop mental fortitude and inner clarity to distinguish truth from deception and resist Hades' insidious influence.
Through each trial and challenge, Elysia grew stronger, both physically and emotionally. She honed her skills, discovered hidden depths of resilience, and tapped into her divine heritage. These trials shaped her into a formidable warrior, preparing her for the ultimate confrontation with Hades and the reclamation of her freedom.
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Recently Viewed: The Last of Sheila
[The following review contains MAJOR SPOILERS; YOU HAVE BEEN WARNED!]

A great mystery requires a certain degree of misdirection.
The Last of Sheila, for exampleâa 1973 whodunnit penned by Broadway composer Stephen Sondheim and Psycho star Anthony Perkins (apparently, neither man decided to quit his day job: this is the pairâs only screenwriting credit)âbegins with a fatal hit-and-run. Naturally, the audience assumes that the remainder of the movie will revolve around identifying which member of the sizable ensemble cast (a colorful assortment of Hollywood hotshots, has-beens, and hangers-on) was responsible for the tragic accident. In a subversive twist, however, the opening scene is a red herring (albeit not totally irrelevant to the story)âfor both the viewer and the characters. The murder that actually motivates the plot occurs a little more than halfway through the narrative. And once the guilty party is exposed, the fun still isnât over; indeed, there are approximately thirty minutesâcomprising multiple shocking revelations, a whole additional climax, and enough expository dialogue to capsize a luxury yachtâleft before the end credits roll. This intentionally convoluted, labyrinthine structureâwhich Rian Johnson acknowledges as having inspired his own Knives Out franchiseâmakes the film a delightfully unpredictable thrill ride, even by its genreâs usual standards.
Imaginative, unconventional, darkly comic, relentlessly witty, and savagely satirical, The Last of Sheila is a largely forgotten masterpiece that deserves to be rediscovered. Watch it immediately.
#The Last of Sheila#Stephen Sondheim#Anthony Perkins#Rian Johnson#mystery#whodunnit#film#writing#movie review
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Two paintings "Pink Parandzha", artist Vadym Mykhalchuk

With dimensions of 100x80 cm (39.4x31.5 inches) for each painting, the large-format canvases command attention and immediately elevate the aesthetic of any space they inhabit. However, it's not merely the scale of the works that astonishes but also the intricacy of execution and the emotional resonance they carry.
Mykhalchuk captures the sublime beauty of the female form in audacious compositions, revealing a blend of boldness and vulnerability. The women in the paintings are portrayed without upper clothing, a deliberate choice by the artist that functions as a celebration of innate beauty and individual uniqueness, rather than objectification.

The use of the pink Parandzhaâcovering the faces of the womenâis an ingenious element that injects layers of complexity into the work. It transforms the painting from a mere visual experience into a narrative expedition. This veil becomes an emblem of both concealment and revelation, symbolizing the labyrinthine complexities of the human psyche. By juxtaposing the daring with the demure, Mykhalchuk invites you to undertake a journey into the ineffable, to probe into the enigmas of identity, desire, and human emotion.
Beyond its aesthetic and narrative merits, this diptych represents an outstanding investment opportunity. Vadim Mykhalchuk is an artist on the rise, and works like "Pink Parandzha" are increasingly gaining international recognition. This acquisition would not only be a focal point of any art collection but also holds significant promise for future appreciation in value.
The "Pink Parandzha" is not merely a work of artâit is a statement, a question, and an invitation all at once. It challenges us to delve deeper, to look beyond the obvious, and to engage with the convoluted layers of human existence. It's more than a painting; it's an experience that enriches the soul and intrigues the mind. Wouldn't you like to be a part of that exploration?
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Queens of the Stone Age: Queens of the Stone Age (1998)
Fans were still mourning stoner/desert rock iconoclasts Kyuss 25 years ago when three of its former members -- guitarist Josh Homme, bassist Nick Oliveri, and drummer Alfredo HernĂĄndez -- became Queens of the Stone.
Queens of the what?
Actually, most of us diehards already knew the strange moniker from Kyuss' farewell EP, and I'd kept tabs on Homme's ensuing meanderings, which included touring with the Screaming Trees and leading the Palm Desert-based music collective known as the Desert Sessions.
It was out of that eclectic melting pot, mixing the stoner rock scene with musicians as diverse as Dean Ween, Alain Johannes, Chris Goss, Mark Lanegan, Les Claypool, Twiggy Ramirez, even P.J. Harvey, that Q.O.T.S.A.'s mutant sonic recipe got its unique flavor.
But, at first, I simply saw the Queens as a new breed of underground-doomed stoner rock when I picked up this self-titled CD at the specialized record store that once lurked in the basement of Chicago's historic Metro club.
How could I not, given the stylized, anti-commerce '70s erotica chosen for its cover by graphic artist (and future Man's Ruin label head) Frank Kozik? (*)
As I later described it in Loudwire, this was a "transitional record bridging the vast aesthetic gulf between Kyussâ gale-force stoner metal and the Queensâ psychotic brand of art rock," adding that it "arrived to little fanfare in 1998 but reverberated far and wide."
Moreover, whereas future Q.O.T.S.A. LPs added loads of contributing musicians, this one was jammed into shape by the duo of Homme and Hernandez (Oliveri joined just in time to appear in the rear sleeve photo), and thus, it's a "guitar album" through-and-through.
Albeit one whose sheepish vocals, crunchy guitar, elastic bass, and metronomic drums felt simultaneously familiar and totally alien to stoner rock devotees, so I'll just share some of my personal, convoluted impressions of its songs ...
Beginning with an all-time favorite in "Regular John" (**), which, for a year or two, served as my Friday night, "get revved up to go out and break shit" music, with its relentless thrust and hypnotic, Motorik-like ur-riff (Š Julian Cope).
Another mesmerizing standout, "Mexicola," rumbles down the bass' neck with a tone reminiscent of the Beastie Boys' "Sabotage," and leads a flock of slow-boiling siblings in "Walkin' On the Sidewalks," "You Would Know," and "You Can't Quit Me Baby."
As for stoner rock proper, the closest sounds here would be the bombastic power chords of "Avon" and labyrinthine contortions of "Hispanic Impressions," while the clearest glimpses of what lay ahead for Q.O.T.S.A. figured in the groovy "If Only," the shortwave radio distortion afflicting "How to Handle a Rope," and the sheer lunacy of "I Was a Teenage Hand Model."
This last song and another comically-titled highlight, "Give the Mule What He Wants," suggested listeners shouldn't take any of this too seriously, but we soon learned how seriously Homme saw things when he landed the major label and management backing to take Q.O.T.S.A. mainstream with 2000's fabulous Rated R.
Personally, I was thrilled for these Kyuss castaways, because I never expected a band this bizarre, let alone one with roots in the as-yet-unredeemed stoner rock scene, to sell millions of albums -- not least once my boys, Monster Magnet, had failed to do so with '98's No. 1 Active Rock hit "Space Lord."
But Queens of the Stone Age proved to be as unique a commercial/artistic phenomenon over the next few years as their peculiar moniker foreshadowed.
* Two different, N.S.F.W. images were used for the LP and CD: my original copy featured a crotch-shot of Trinidadian-British model Sylvia Bayo, but I'm afraid I haven't found a name for the young lady pictured on the vinyl.
** Co-written by former Monster Magnet/Wellwater Conspiracy guitarist John McBain.
More Queens of the Stone Age: Rated R, Songs for the Deaf, Lullabies to Paralyze, Era Vulgaris, ⌠Like Clockwork.
#queens of the stone age#kyuss#monster magnet#desert sessions#stoner rock#alternative rock#kraut rock#motorik#vinyl#frank kozik#man's ruin#wellwater conspiracy#fu manchu#screaming trees#mark lanegan#john mcbain#beastie boys#pj harvey#twiggy ramirez#alain johannes#dean ween#nick oliveri#josh homme#metro
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