One in the Same
Hmmmm
Hmmmmm
So we know during the time Tim lost in spleen (his Red Robin run) and wakes ups next to the pit he almost believed he had been tossed in the Lazarus Pits.
What if
Now hear me out.
What if he actually was.
But what if instead of gaining Pit Madness, he unlocked his past life memories.
His memories of being Daniel 'Danny' Fenton and Danny Phantom.
And once the memories returned so did his ghost form and powers.
And as Tim sits at the bottom of the pits, crossing his legs and letting all his memories slide back into place he questioned what to do now. He pondered for a moment and hummed tapping a finger to his chin.
Maybe he'll play the Pit Madness card? After all Ra's chucked him in here to either turn him into a mindless rage machine he could manipulate or see what the Pits would do to a mind like Tim's. Or Tim could pretend to be a silent rage, a calm before the storm.
Well, Tim grinned his eyes glowing green as he stared at the surface of the Lazarus waters above him, he was very good at lying this life time around. After all he was Tim 'I can even lie to Batman and get away with it' Drake-Wayne and he did used to be Danny 'Commit to the bit' Fenton/Phantom.
He was going to have fun playing that fruitloop named Ra's like the cheap kazoo he was.
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Mizu was wrong to let Akemi be taken because they both deserve better
First, a confession. When I saw this for the first time:
I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.
When Akemi does this:
I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.
So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?
Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.
Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.
Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.
Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.
But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."
"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.
One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.
In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.
Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.
Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.
Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.
Mizu had the power to help Akemi, and simply chose not to.
Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.
Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.
All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.
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Sometimes I think about the fact that we have absolutely no information on how long Aventurine actually spent in slavery.
He fled from the Avgin massacre as a young child, and we didn't see him again until he was a grown adult. I doubt he could have survived entirely on his own at that age and Sigonia's conditions seem too harsh for people to randomly adopt orphans, especially from a rival/outcast clan...
We do know that the master we see on screen was not his only master, because he was purchased from someone else, but we have no idea how many masters he had total before his final one, how many times he could have fled and been recaptured, how many times he was bought and sold...
We do know that Aventurine appears to have been kept on Sigonia or somewhere similarly tribal for those missing years, since his first request to the IPC is for Jade to take him to her "chief," but we don't even know how long Aventurine has been out of slavery. He doesn't look massively different in age from his "trial" with Jade to how he looks in-game now, and he did not rise through the IPC ranks over time like Topaz but won his role directly through his gamble with Jade and then later proving himself on Iymanika.
Basically, all this is leading to a big question: Is it possible that the Aventurine we know is only barely out of slavery? That there may be something like five years or fewer separating him from the wastelands of Sigonia? That he learned all these new behaviors, all this new information about how to operate as a free person in the universe, in what likely amounts to 2-3 years of Jade's guidance and his own hard work?
Man, what an incredible character. Really a standout among my very favorites.
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I need to know more about Motormaster and Swindle's relationship in your AU?? Those two are some of my favorites in the entirety of Transformers, and seeing them work together is all I could want. Are they best friends/good friends until Motors starts to have his boys win? What does Swindle think of the Stunticons?
Ahhh! Thanks for the interest/question! >w<
I must say, I feel like I don't know the most about MotorMaster atm. I'm just pulling from the 80s cartoon and character bio mainly. But he's always been really cool to me, all the Stunticons really, so I wanted to include them somehow :3
Anyway! As for Swindle and MotorMasters relationship? They are pretty much just work associates, but they respect each other's work. Though when Swindle is a bit too demanding MM thinks about how easy it would be to crush the little bot.
I'm thinking I might make it that the Stunticons were in a bad place or something and Swindle being the opportunist he is, offers assistance. Maybe they have trouble getting into races or something? And Swindle has the Shanix to throw around. An investment.
As for the Stunticons? Swindle thinks they're fine. Dragstrip is their star racer (makes the most profit) so he likes him the most probably, though Deadend and Breakdown are easier to talk to. Wildrider is just... he's kinda intense.
Swindle mainly just keeps his business / interactions between himself and MM. They both have their goals and don't fluff up the relationship much. They do probably have big celebrations at the casino when the boys win and it's planned though! He's a bit like a sponsor. Drinks on the house! 🥂🎉
That's about all I have idea wise for them now! Of course I'm still reading the IDW1 Collection and maybe (hopefully) there's a Stunticons story in there? So they may change a bit! If I learn something new about them haha. Anyway thanks for your curiosity for the au! :D 💞
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The Most Unreliable Narrator I Have Ever Seen
soooooo I had a Cyberpunk-obsessed phase pass recently, and this time Johhny Silverhand's character caught my eye. His story, more specifically, and how... inconsistent he seems, depending on each source.
In the game, Johhny acts like a bastard for most of the game. He panic-rages on his first meeting with V, throws many threats around, but is later beaten into the background with the blocker pills Misty gave to V. Even Johnny's friends' are well, they react Loudly to his return. Y'know, make it known his presence alone provokes a lot of anger from them.
Even during his first appearance, when V gets thrown into Silverhand's memories of his SAMURAI concert, the only real thing V recalls is the all-consuming rage that he felt, which he tried to shout out through the microphone, but it never felt like enough.
And doesn't this sound weird then, that the only thing Johnny does throughout the game after that first meeting is help V out? He learns about the Smasher guy hideout at the docks (he does that through dubious means but that's Johnny for you), he helps V out when the seizures become worse, he calmly agrees to Any decision V makes, despite V clearly Not being in any real state to oppose him in the finale of the game, he plans the whole thing with "Alt" so V can get his body back at Johnny's own expense, from the beginning, and he doubles down on that claim at the end of the game.
Do you see the dissonance? The egoist rockerboy that admitted to using his friends to getting what he wants, and the downright self-sacrificing hero and a friend that is Johnny at the end of the game? People change, sure, but this divide is very massive and too sudden, so I wanted to dig into that. And what I've stumbled upon, with the help of canon Cyberpunk materials like the Red sourcebook (or, more specifically, LayedBackGamers' reading of the canon books and his lore videos on different topics), is that
Johhny Silverhand from Cyberpunk 2077 is the Most Unreliable Narrator I've Ever Seen.
Count with me here:
Johhny's personality in general. No matter what your interpretation of him his, it's impossible to ignore that Johhny is very much a people person and he exploits that knowledge and charisma to suit his own goals. If you choose to trust him, then you might have already been played.
2) Johhny has been alone, only his lovely self for 50+ years inside the Arasaka chip. Don't ask me how he is still even remotely sane, I haven't got a clue (hopefully the time as a construct without outside stimulation flies differently and he hasn't felt those 50 years in real time). The thing to mention here, however, is that, being alone with your thoughts and emotions for a long time, having nothing else for entertainment, is a great opportunity to rewrite your own memory of events or emotions you've felt.
3) Lack of a body. The aforementioned constant rage, that was the dominant emotion is Johnny's life (before Alt, at least, if Never Fade Away is anything to go by, and I mean, that's literally a love ballad), is a symptom of his PTSD from his too-young years serving in the corpo war, same as his signature silver hand. I'm not a specialist here, but I do know PTSD, especially for war veterans, is a physiological illness just as much as it is a mental one. Johnny's body literally had trouble living normally after that experience, and knowing this bastard - he never managed to treat that. Existing as a personality construct frees him from the many bonuses of being corporeal, but it also free him from the physiological side of PTSD. His day-to-day existence is fundamentally different from that of the Johnny Silverhand that the world knew 50 years ago, so yes, as a 'time traveler' or a source of information and comparison about the 70's and 20's of cyberpunk world Johhny is not a good source.
4) The chip with Johnny is literary inside the head of another person. The characters in game question, multiple times, just which decisions is V making on his own, and which of them might be Johnny's doing. Not consciously, no, but V and Johnny are clearly not your simple neighbours. They are not your 'close friends that start subconsciously copying each other' too. It is quite possible that the chip with Johhny is adapting to the 'hardware' it is running on, so it is specifically implementing parts of V's personality into Johnny, to minimize the 'friction' between the personality and the body it is supposed to inhabit. Everyone say hi to existential horror)
5) How does Soulkiller ever work? Is there data on how much the resulting engram actually resembles the person it tried to copy? How did the process of copying Johnny go? I can answer the last one - very badly.
Death of Johnny is told in excruciating detail in the Cyberpunk sourcebooks. Johnny died on the floor of Arasaka tower, torn in two by a shotgun blast from Smasher. There is no information on how much time it takes Soulkiller to create the engram from the brain, but it better have finished doing that before Johnny's brain started dying from a lack of blood and oxygen, and he clearly didn't have much time either, considering bisection is not the best for bodily fluid preservation, so it's a wonder the engram even works properly. Plus, during the initial heist to steal the chip with Johnny, the chip was damaged further before the idiots decided to stick an unknown harddrive into their heads to preserve it. Basically, it's nothing short of a miracle, that engram-Johnny is actually a whole damn person, that he can function, think and feel properly (well, as much as Johnny can do those things)
It is very sad that V can't talk to Johnny about this, as the man does blame himself over things he hasn't even done, and he had done enough emotional damage to himself and people around him without that kind of burden on top of it.
6) Johnny's memories are literally false. The attentive reader had to pick this up in my previous point - didn't Johnny die in the hands of Arasaka after they interrogated him? Nope. Nope, and I can say that confidently because,
(drumroll please)
Cyberpunk tabletop sourcebooks! Mike Pondsmith, the creator of the Cyberpunk universe and the TTRP series of games, has worked closely with CDPR writers during the production of the 2077. He oversaw everything, and he says that 2077 is in the same cyberpunk universe too, it's not an 'alternate reality' or anything.
Johnny Silverhand died while trying to buy time for his friends to escape, from a shotgun shot from Adam Smasher. That's it, he died on that floor, there was noone to interrogate, no rooftop helicopter he ran for.
The sequence of 'memories' we see from Johnny's POV in the game is a mishmash of two different assaults on the Arasaka towers, yes towers there were two of them. There is a great video explaining all the small and Major details Johnny's version of events got wrong, because we have the sourcebooks and the text inside. You may accuse me of holding a 'holy canon' argument ... and well, yeah, this is kind of holy knowledge, as it was written for gamemasters.
Still, some of the things in Johnny's version are Major, and while the media certainly covered the whole story extensively with corpo propaganda (oh, btw, Johnny didn't bomb anything, he probably didn't even know there was a nuke involved, he is literally just a scapegoat), there are some holes that a citizen of this world might know and wish to poke. The aforementioned Two Arasaka towers, or the absence of the legendary solo Morgan Blackhand from Johnny's story. Interestingly enough, there is a radiostation of Maximum Mike in-game, who is actually just pretty much Mike Pondsmith, and he does propose a couple of questions the 'official' version of the attack doesn't cover (like, where would a rockerboy even get a nuke, he might have been popular, but that's not just something you find without military contracts, and that means corporations). Another thing is that since Arasaka owns Soulkiller and has had the engram for a couple of decades, it is quite possible they are the ones responsible for messing with Johnny's memories.
So uh, yeah, Johnny is the Most Unrealible Narrator I have ever seen. Johnny of 2077 is most certainly not the Johnny of 2020's, but this might be a good thing. Maybe the 'real' 2020's Silverhand could never have made the progress the engram did, or become such a good friend and companion for V, or maybe he could have done those things too. We'll never know. I really love this story anyway.
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Crowley first sheltered Aziraphale under his wing Before the Beginning.
Then, on the wall, as it starts to rain for the first time, Crowley starts to move towards Aziraphale first, and then Aziraphale lifts his wing to shelter him.
But, also, Aziraphale doesn't protect himself from the rain, he just stands under it.
So.
Do you think Aziraphale doesn't mind the rain because it's Her creation so it can't be bad? But neither him nor Crowley knew whether it might hurt a demon?
Or.
Do you think Crowley knew/remembered Aziraphale and was like okay it's your turn to be the umbrella now? And he just took a chance to see what would happen?
Do you think Aziraphale remembered Crowley and thought why yes of course, it's my turn now, it's only fair? Or do you think he saw/felt Crowley moving and assumed that's what he wanted?
Or.
Do you think Crowley doesn't want rain on his wings cause they still hurt from the fall and Aziraphale gathers this might be the case and down't want Crowley's new black wings to hurt?
Or.
Do you think it was just..instict? For both or them?
Or-
...I could do this all day.
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