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#maybe 1 more for plot purposes but
koushirouizumi · 3 months
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A Summary of COFTFFVerse DaiHika {Post-DigiAdventures 02, when theyre in 10th~ grade}
Hikari, half-possessed UNWILLINGLY, (KEYWORD UNWILLINGLY), by LadyDevimon, to Daisuke, as 'Hikari': You can hold me, embrace me, or cHASE AFTER ME IF I RUN AWAY !!! D A I S U K E: I'm too scared to do any of those things. HIKARI:
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byoldervine · 6 months
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Types Of Writer’s Block (And How To Fix Them)
1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out
Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on
2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page
RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable
3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it
Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them
4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt
Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else
5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference
Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on
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metranart · 4 months
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Acting like a bird in heat, Hawks ends up fulfilling his mating cycles with you… but now that his mind isn’t a pool of hormones… why does he keep looking for you?
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Hawks x Student! Reader (Part 1)
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Warning tag: obsessed! Hawks, possessive! Hawks, naive! student reader, violation of trust, dubious consent, mating cycles, rut response, obsessive behavior, uncontrollable thirst for reader, manipulation, forced, thigh riding, hormonal minds out of control, sexual content, first time, cock riding, teenage fuck, Dabi's toxically interested in you, Bakugo bestie yet secretly inlove wit you, love confessions, cock-drunk, Hawks trying to be good but failing miserably, gaslighting, HEAVY plot, lots of smut.
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The last time you saw him, your fingers dripped in his milky and creamy essence, his cheeks were bright red, and foggy as the feather adorning his back, and his voice held an elusive pant as if trying to catch his breath, along with his actions. Self-consciousness, the new mask for him to wear as he disentangled your hand from his now flaccid cock, almost caringly, half-lidded golden orbs shinning in its post-delirium bliss yet hiding a regretful truth. How the fuck did this happened? And why the hell did he allowed it? What was that new confusing feeling inside his chest?Takami Keigo knew what it was, but had never had such a close encounter with it in his whole life. 
Shame. 
No man, no citizen, no hero... –shall call himself trustworthy, after what he did. After the kind of thoughts that now circled his brain...agh! and he called himself the Number two hero. What a farse.
A steady hand passed through his golden locks, disheveled strands restricting the smooth motion, as he heavily sighed. 
I need a bath, thought mildly annoyed. Maybe that would serve him to clear his mind and untangle the treacherous feeling threatening to drive him insane, a cold shower would serve the purpose of cooling the deep mortification, he was experiencing. Fresh summer wind ruffled the papers scattered on top of his desk and at the same time, refreshed his blushing skin. The memory of his recent untactful sin, raving his brain like a horde of savages attacking a peaceful village. Damn his luck. Damn his choice of actions and must of all, damned the day, he saved you. Hawks could still remember so many details, little yet so endearing details about you. When arrived at the scene never thought for a minute, would become involved in such colorful acts.
Everything went peachy during the rescue; Endeavor handled the Villain with upmost care while incinerating his head right away from his body. Tactful, the winged hero recalled to think quite amused, it would have been a scarring scene, if not were for the villain being a Nomus. Yet, he couldn’t avoid but to think, there still were so many more options to reach the same end. His job in this particular scene was easy, to say the least. Save the hostage. A sweet, scared and highly ordinary young girl who found herself trapped in the crossed fire. UA uniform hugging your figure, as the Nomus paraded itself around you like a bee setting his sting to hurt. There was little time to act, and the moment the flames exploded from the Number one hero, Hawks saw his window open to save the deceptive young girl. Flying through hell fire landed with a soft thud in front of you, displaying his wings to envelop you in a cocoon of feathers, the red flames licking his crimson wings while shielding you from harm.
His gloved hands went straight to your waist in a studied motion, at the same time his gaze fixed in yours asking for permission to touch you, you almost threw yourself at him like a trembling leaf who seek shelter from the chaotic winds. The winged hero was quick enough to pull you into his welcome arms and fly up, taking you both from the ground just in time. The scorching heat caressed his flying form before both were out of reach. The crowd around the sinister cheered the incineration of the villain, and a swift smirk kidnapped the blonde’s lips in a sassy gest.
He knew he have it in him, Endeavor just needed a few notches in the right direction. All those musings were curtly interrupted as his eyes focused on the civilian resting in his arms, your round eyes caught him off guard, nevertheless, was quick to smile and reassure your questioning stare. You seemed in shock, probable still were. These nasty things never left a sweet taste behind. Flying you to the safety of the ground, landed near the scene, but far away to gift you with some privacy to compose. Hawks gently unwrapped you from his chest and placed a comforting hand over your hunched shoulders, reassuring smile always present in his welcome expression. "It´s ok, you are safe now." His palm gently squeezed your shoulder, thumb doing comforting circle motions over the fabric of the uniform. "Breath, in and out, you'll see how you feel better in matter of seconds–" You managed to quirk the edge of your lip up, and your frame stopped shaking, the tremors slowly disappearing the more oxygen you gulped. "Atta girl" The hero cheered, lowly. "In and out, you’re almost a pro." His good-hearted joke reaped the fruits as a melodic giggle escaped out of you, and your tense frame seemed to relax. "T-thank you, Hawks" you timidly stammered, eyes glued to your fidgeting fingers interlacing each other, nervously.
Looking up from your hands met his gleeful stare, and your cheeks gained a dust of pink. Your lips opened and closed as if wanted to say something but didn’t dare to. Hawks pretended no to notice, to save you the embarrassment. 
He was used to have this effect over the female population, every woman in town was one smirk away from his warm bed, but the young hero had grown tired of those kinds of relationships. When you can have all, you can eat, eventually the buffet seemed less attractive, almost boring.
He liked sex, holly shit, he fucking did! as much as the next guy would. But he needed a challenge –   actually wasn’t sure what he needed, but something inside him was unsatisfied and restless, continuingly poking at the back of his mind.
“Don’t mention it, cutie.” The hero said simply and looking around, realized that your home shouldn't be far away.
“If you want, I can take you to your house" he suggested, in a carefree and friendly tone, "flying everything is closer." Cheerfully, added.
Taking a moment to think, nibble your lower lip a bit but you ended up accepting. His amber glasses shone under the rays of the sun and without preamble, he offered you his arms which you nervously climb for him to leave the safety of the ground and surf the sky, again.
"Are you comfortable?” Keigo asked, feeling your body a little tense among his arms, being carried bride style across the sky would definitely woo any girl, nevertheless, you seem more uncomfortable than anything else. 
“M´Ok.” you said, curtly, and hawks, merely nodded. “By the way, are we heading in the right direction?"
A blush swept across your cheeks at the realization of what he just stated, and timidly squeezing his arm to feel more secure, you glanced down and before you could tell him exactly where your house was, you noticed something coating your fingers.
“You are hurt!” You half-yelled worried, looking at your blood covered hand, and then, at his wounds. You had not noticed it because he had not said anything, nor had he complained, but his arm was burned and one of his wings was semi-scorched. To which the young hero, just shrugged his shoulders, not giving it much importance.
"Comes with the territory." He openly joked, but your eyebrows continued to frown. "It's not serious, a few of Endevour´s flames got me... nothing that won't heal in a few days." He encouraged you, but you weren't able to shake the feeling of guilt.
You had been training hard to become a hero, and just when it was time to prove yourself, you froze.
It was so, so embarrassing that Todoroki's father had to save you, that you refused to go back to the dormitory you shared with your class A classmates. Surely, they would be worried, not to mention, you had already ghosted, a few text messages from Professor Aizawa asking if you were okay. But you just kept feeling like you let everyone down. That was why you preferred to go home and cry your eyes out in the solitude of your bedroom, or among your mom’s arms. 
Now, you felt even worse, since Hawks, the number two hero, was injured because of you. Maybe he didn't show it since he was too professional, but that wound was serious and would take more than a few days to heal, not to mention it could get infected.
Ugh! you had to help him, was the least you could do… It was what a true hero would do.
Setting your mind, you decided to use your quirk on him, despite Recovery Girl several warnings. Without a doubt, you could heal him... now the only setback was, not losing control while doing it.
An idea suddenly lights your brain, and catching a glimpse of a well-known hidden alleyway, near your house, you signaled to him that you had arrived.
Hawks landed softly, and let you down, looking around the place. "I'll take you to the door, which one is yours?" The young hero, offered.
“...Is the one on the other side of the alley.” You indicated, signaling a house, close by.
“Oh, fine.” Keigo said, not really understanding why you choose to walk instead of fly straight to your house, but he let it pass. “Lead the way, then.”
Both entered the alley which was being embraced by thin shadows and before you reached the other side, you turned around and looking at Hawks with embarrassment, you fidgeted with your fingers for a moment. Surprise morphed Keigo´s features comically when out of all the requests in the world, you suddenly asked. 
“May-may I give you a kiss?” You asked, timidly and noticing his bemused expression, corrected. “...As a way of thanking you.... for saving me....”
Your timid request took him by surprise momentarily, but soon his features regain his cool, and was quick to nod to then leant down. A kiss on the cheek, Keigo thought it to be innocent enough, not a usual request, nevertheless, a simple one. If this put you to rest, he'll humor you. Keigo was cocking his head for you to place your sweet lips.... it's now or never, you breathed deeply.... if you were going to use your quirk, now was the moment.
Two slender hands perched in each side of the Hero´s face and in a firm, straight movement, you cocked his face in your direction, surprise registered in his face, and his golden orbs popped open at the feeling of your lips locking with his.    
COMING SOON PART 2....
⭕️ In my PATREON you will find NSFW art of this chapter and more spicy MHA NSFW art and exclusive smut fanfiction.... Plus 'Spicy Foreplay tier reward' like: voting poll privilege for the exclusively Patreon one-shot stories where you can choose the couple pairing and kinky mood for the story and NSFW art, along with some naughty animation like THIS ONE ....and my eternal and vast gratitude for your support!!!
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lilacstro · 3 months
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your birthday and profections
hey!! I hope you all are doing fine. If its your birthday, then happy birthday haha(so random lmao) This is a long post, so you may need to read through :) Apart from your solar return, profection years are another way to check major themes of your year.
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At its most basic, every age that’s a multiple of 12 is a 1st House year. So that’s when you turn 0, 12, 24, 36, 48, 60, 72 and so on.
Every year after is a 2nd house year, which is when you turn 1, 13, 25, 37, 49, 61, 73
3rd house year: 2, 14,26,38,50,62,74 and onwards
Once you know the house connected to your current age, you can plot your experience of life via the topics and themes of each of the 12 houses.
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Themes House wise:
1st House - Self, Identity, Beginnings (YOU CHANGE)
Self-image, appearance, first impressions, approach to life, early environment, physical body, persona
2nd House - Value, Possessions (YOUR PERSONAL BELIEFS CHANGE)
Finances, personal resources, material wealth, values, self-worth, assets, possessions, spending habits
3rd House - Communication, Learning
Communication, siblings, local travel, early education, writing, neighbors, short trips, mental processes
4th House - Home, Family
Home, family, ancestry, roots, real estate, emotional foundation, private life, parents
5th House - Creativity, Pleasure
Creativity, romance, children, play, entertainment, hobbies, self-expression, speculation
6th House - Work, Health (TAKE CARE OF YOUR HEALTH)
Daily work, service, health, routine, fitness, diet, pets, responsibilities
7th House - Partnerships
Marriage, partnerships, close relationships, contracts, public relations, collaboration
8th House - Transformation, Shared Resources
Transformation, death and rebirth, inheritance, shared resources, taxes, sexuality, mysteries, occult
9th House - Exploration, Higher Learning (YOUR LUCK CHANGES)
Higher education, philosophy, long-distance travel, religion, law, beliefs, exploration, publishing
10th House - Career, Public Life
Career, public image, reputation, social status, authority, ambitions, government, recognition
11th House - Social Networks, Aspirations
Keywords: Friendships, social groups, networks, aspirations, community, collective causes, social activities, ideals
12th House - Subconscious, Solitude (YOU CONNECT MORE WITH YOUR SOUL AND HIGHER SELF AND PURPOSE)
Subconscious, solitude, secrets, endings, spirituality, isolation, hidden enemies, mysticism
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Your Time Lord for the Year
The other thing profections will do is turn on a planet as the ruler or ‘lord’ of your year ahead. This is called a time lord. This planet will be the traditional ruling planet of the sign on the profected house.
For example, your profected house by age is the 7th House, look at the sign in that house. Gemini in 7th? Mercury is the ruler. Taurus in 7th? Venus is your time lord.
This planet becomes a guiding influence for your year ahead. Not that if you have Venus as your time lord you will fall in love daily lmao, But rather, you will experience rulership of this planet affecting your themes of the year. I hope im making sense.
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Planets in Houses
Next, check the placements and themes of your profected house in your natal chart. For instance, everyone turning 18 will be in a 7th house year BUT each person will have different planets in their 7th house, and a different sign ruling the house.
For example, my 7th house is empty, and in my 18th year nothing major or life changing has happened, I am on my gap year.
If you have Mars in your 7th House, then your Mars themes – developing or managing assertiveness in partnerships, dealing with a little tension, the impact other people have on your decision making process, that type of thing – are highlighted for that year.
If you have Pluto in your 7th house, then themes like power, struggles, isolation and transformation maybe highlighted that year.
I hope it makes sense, use this for both, your time lord and the ruler of your profected house: Sun: Vitality, Identity, Ego
Self-expression, leadership, creativity, purpose, individuality, confidence, recognition
Moon: Emotions, Nurturing, Instincts
Emotions, intuition, habits, home life, family, subconscious, nurturing, cycles, forming close relations
Mercury: Communication, Intellect, Movement
Communication, thinking, learning(even life lessons, or about yourself), travel, writing, siblings, negotiation, information, introspection
Venus: Love, Beauty, Harmony
Relationships, attraction, beauty, art, values, pleasure, social life, harmony, indulgence
Mars: Action, Desire, Conflict
Energy, drive, ambition, aggression, initiative, sexuality, competition, courage, assertiveness
Jupiter: Growth, Expansion, Wisdom
Growth, expansion, luck, optimism, philosophy, higher learning, travel, abundance, generosity
Saturn: Structure, Discipline, Limitation
Structure, discipline, responsibility, limitations, authority, perseverance, time, maturity, career
Uranus: Innovation, Change, Rebellion
Innovation, rebellion, change, freedom, individuality, technology, unexpected events, unconventionality
Neptune: Dreams, Intuition, Mysticism
Dreams, intuition, mysticism, spirituality, illusion, compassion, imagination, escapism, idealism
Pluto: Transformation, Power, Depth
Transformation, power, depth, rebirth, intensity, secrets, control, regeneration, shadow self
Chiron: Healing, Wounds, Growth
Healing, wounds, inner growth, wisdom, teaching, mentoring, empathy, vulnerability, self-discovery
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PLANETS RULED BY AGE Ages 1 to 4 of your life is ruled by the Moon. Ages 5 to 14 is ruled by Mercury. Ages 15 to 22 is ruled by Venus. Ages 22 to 41 is ruled by the Sun. Ages 42 to 56 is ruled by Mars. Ages 57 to 68 is ruled by Jupiter. Ages 68 to death is ruled by Saturn.
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I hope I explained it well, combining your profected house, time lord and the planets in the profected house and the ruling planet of your age, you can get some information about the themes and effects you might be experiencing in your life and use it as a guide for your betterment.
support me on ko-fi :)
Remember, nothing is bad/challenging and you always have free will for the most part of your life and you dont have to subscribe to things you dont wish for, all the best<33
If you want, leave suggestions and feedback for the next post in asks, and comments :)
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sunderwight · 8 months
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Bingqiu AU where SY and LBH grow up as childhood friends (idk maybe they're both at QJP but Shen Jiu is less of an asshole, or maybe SY transmigrates into Random Village Bully Child No.3 when Binghe's mom is still alive -- or both) and there's none of the tension of the idea of "one day Luo Binghe is going to rip my limbs off" for Shen Yuan.
So he and LBH can just be bros! Fantastic! Shen Yuan has never had a little brother before but he's had a little sister, he knows how to do this. Just spoil the cute kid rotten!
It's only fair compensation for how many terrible things LBH is gonna have to endure on the road to ruling the world, after all. SY also feels more freedom to change minor aspects of the plot around, too, like maybe he'll stop Liu Qingge from dying, definitely he can help LBH get a better start to his cultivation journey, and maybe the abyss and xin mo thing doesn't really need to happen...?
The list of things SY considers meddling with ends up including wives.
Like really, come on now, Luo Binghe may be a stallion protagonist but there's no need for that many women. Especially when at least half of them are just increasingly cheap copies of the other half, and that's being generous about it. Some of PIDW Binghe's wives were, frankly, horrible people. And if he's being honest about it, it wasn't fair of Binghe himself to take on that many either. Even if anyone would naturally give their left arm to be the protagonist's wife, after a certain point Binghe just can't spend that much time actually with them! And then he can't form the kinds of deep and meaningful bonds which might actually help heal his trauma!
SY's not looking to interfere too much, of course. Ning Yingying is not his favorite wife, but she's fine. She causes trouble but it isn't on purpose, and she's genuinely sweet and willing to befriend Binghe before he's anything special (although even now, it's obvious Binghe is special). Ning Yingying can stay.
And of course, so can Best Wife Liu Mingyan.
But Sha Hualing? Well, she offers some political advantages, and as the demon wives go she's not the worst. She's kind of iconic and was very popular, but Shen Yuan thinks the harem could do without her scheming and malicious attitude towards the other wives. The cost of harmony was too high for the political bonuses offered, especially when Binghe might as well just take her ancestral lands by force and be done with it. He's going to advise against that match.
And the Qin sisters. Sure there's the legendary threesome, but Wanrong's dead weight and it never struck SY quite right how Qin Wanyue pressured Luo Binghe into sex. The threesome wasn't even good anyway.
Better Qin Wanyue than the Little Palace Mistress on that front, though. But aish, that's complicated, the Palace Mistress is even more politically vital to securing HHP than Sha Hualing is for her father's kingdom, and almost as bad for the peace and harmony of the harem. Ultimately SY will leave it up to Binghe, but if Binghe asks, he's going to advise against the Huan Hua wives too.
With thoughts like this in mind, SY starts talking to Binghe about how to establish a household, what to look for in a spouse (or twenty), and other topics of that nature. What sort of household Luo Binghe ought to strive to have, and what sorts of standards he should himself to. Also while of course assuring him that Shen Yuan isn't interested in women. Lest he worry that Shen Yuan might be trying to steal any of the wives from him, at any point. He's not competition!
SY: I am helping to pave the way for Binghe to have better marital relationships! I am the best big brother slash best buddy ever! don't worry, no matter what happens to Binghe, this gege will be your no.1 cheerleader forever!
LBH: is he saying I should get a palace if I want to marry him? well... that sounds reasonable. ok, I will do it! (•̀ ω •́)✧
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yourelliewillms · 3 months
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the guy from the record
store wasn't a guy?
ellie williams fanfic
━━ chapter 1 wc: 1.9k
read the chapters here !!
you've recently discovered this record shop, the perfect place to find everything of the new kind of music you've just gotten into, rock. your friends wouldn't share this interest with you but maybe the cute guy from the store will.
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━━ he/him pronous are used for ellie sometimes but it's for plot purposes i swear !!
BASED ON THE GUY SHE WAS INTERESTED IN WASN'T A GUY AT ALL !!!! i love that manga so much i needed an ellie version so i did it myself. of course this is going to be shorter and pleeaase go read it i swear you won't regret it <3 i hardly recommend you to listen to the manga's playlist too, i'll add some of the songs to this fanfic. literally all i want is my lesbians to have the recognition they deserve. ALSO green is the characteristic color of that manga so i'll be using it here too, everything will be green bc we love green lesbians.
another warning, english is not my first language so you may find some mistakes.
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it's been a long day at school but at least the week of exams has ended and you've done pretty good. "i deserve a prize" you think to yourself while your feet guide you out of the building. certainly the exams drained you, the only thing you want to do now is take a long nap to catch up on sleep.
walking down the sidewalk, you put on your headphones which have been your best friends for the last few months when you discovered this band nirvana. it is in fact a popular band but in your friend group? no, not at all. your friends prefer other kind of music. pop, kpop, even jazz, but rock? impossible.
so you find yourself unable to share your new music taste with your friends. even if you beg them to give it a chance, they'll refuse it every time. this is definitely the worst, how are you supposed to fully enjoy this work of art only by yourself? they definitely don't understand what good music is, if only they gave it a chance you could-
just when the music from your headphones stopped, you could still hear one of your favorite songs smells like teen spirit coming from a... record store?
your mind is full of questions, since when has been this store here? this is just 5 minutes away from school and you've never noticed it. maybe this is the prize you deserve for having successfully passed all your exams. buying your very first vinyl will surely be the boost of serotonin you need.
you took off your headphones before getting into the store and quickly walked to check all the beautiful vinyls. the excitement could be seen in your eyes, all the vinyls of your favorite bands in one store and you're even considering finding a job, buying everything of this store is not a want but a necessity. this must be heaven.
after what felt like seconds but were actually 20 long minutes, you finally make your choice and find the vinyl that'll have the privilege to be your very first and most appreciated acquisition.
you turn around, walk towards the shop counter and just then realize how rude of you was not to greet the old man at the store. however, you don't care that much, he should understand that you were too excited to even speak and... was it an old man? did you even look at the person who was next to you the last 20 minutes?
"i'll take this" you place the vinyl on the counter before looking up at the person in front of you.
but now, you reassure one more time that you're not on earth anymore. this is definitely heaven, or maybe something greater because the angel in front of you isn't from this planet at all. green eyes, auburn hair drawn back in a messy bun, a scar on one eyebrow, black clothes with a nirvana t-shirt, an arm tattoo and a mask. this is the most gorgeous guy you've seen in your entire life and you were rude to him, you didn't talk to him for this entire time.
"i love this one" he gave you your new purchase in a bag "you have good taste" that raspy voice that'll live in your mind rent free for an eternity, you're sure about that.
meanwhile, your mind has been spinning for the last 30 seconds. a cute guy with a stunning style and majestic music taste, you've seen only his eyes but you can already imagine a life with him where you get married and play your favorite songs in your wedding.
"thanks, you too. bye" and just like that the conversation ended. you're definitely not the most flirtatious person but you didn't ask him anything, maybe it was too soon to ask for his number but not even his name? really? you can already hear your friends scolding you but at least you remember half of his face and that's enough to be delusional the following months until you find another crush.
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8 in the morning and you've been talking for half an hour to your friends about this cute guy from the record store. of course they scolded you for not asking his name but your excitement couldn't be taken away that easily. no other boy from your school has ever made you feel like this, no one called your attention like he did.
"is there any possibility that you see your boy again?" dina, your best friend asked "and maybe ask him out"
"dina!" you frowned as if she had just said the craziest thing you've heard in your life "it's too soon for that. but as soon as i see him again i'll ask him his name" you started kicking your feet "and he'll fall in love with me."
dina and your bursted out laughing and spent the whole morning planning your future life with someone you saw once.
maybe you've been talking too loud or maybe she doesn't like you, but the girl next to you has been glancing at you and dina and she seemed a little too much interested in your conversation.
ellie. you've been classmates for almost a year but you two never spoke. she's like any other girl at school. she wears the same uniform as you, a white shirt and a gray skirt. she also wears these square glasses and she has her headphones on most of the time.
she seems like one of those nerds but one that doesn't participate that much in class. she comes to class, listens to the professors and goes home. you've never seen her talking to any other classmates but she seems comfortable only drawing on her notebook and listening to something on her headphones, it's not that you don't like her, but you haven't had the opportunity to get to know her.
but today she seemed quite distracted and instead of focusing on the class, she was focused on you. she seemed nervous, maybe she wanted to join the conversation and make some friends?
however, the bell rang. you were too busy talking about your new guy to try to figure out why ellie's been looking at you more than usual. you began to pack up your belongings; notebook, pencil case, some other books and, are you forgetting something?
the moment you're getting up from your seat, you can feel ellie's presence approaching you. you stare up at her for a few seconds and before you can say something, her hand reached your ear and put on one of your earbuds.
"you dropped this" your eyebrows furrowed, did she always had those pretty green eyes?
the song that you'd been listening on loop nothing at all was playing on your earbuds loud enough for her to listen to it "that song rocks, doesn't it?" and just like that she walked out the door leaving you completely confused. you're sure you've seen those eyes before, you think that maybe for a split second you stopped looking at ellie as your classmate and maybe... someone else.
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on the other hand, ellie has been walking in silence staring at her feet while her mind is about to explode because the girl who sits next to her, her classmate and one of the most popular girls at school, has met and is interested in a guy who works at the record store. but no guy works there, just ellie.
she got a part time job and she's been working there for a few months but that was the first time she saw you there. you didn't recognize her though, since the style she has at her job is the opposite of the one she has at school.
probably the best option is to tell you the truth, the guy you're interested in isn't a guy and is actually the boring, nerdy girl from school, the girl you'd never talk to because that would only ruin your reputation, or at least that's what ellie thinks.
ellie thought that her job should be boring and only boring, she didn't want to have to deal with something else than that. and now that girl has a crush on her, or she has a crush on the person she thinks ellie is.
fortunately, ellie's job is calm. not many people visit the store so she spends her first hours of work tidying the place, not paying much attention to the store itself.
while cleaning at the back of the store, ellie heard the ring of the little bell on the door warning the presence of a client. she sighed and fixed her clothes before getting into the store again but got surprised when she noticed that the client was actually you.
if it weren't for the music playing at the store, the place would have been in complete silence. no one was on sight when you walked in so the sound coming from the back of the store scared you and you jumped. "you scared me, i didn't know you were here" you giggled nervously.
"have you been looking forward to it that much?" you were starting to stutter when the green eyed spoke in what seemed a flirty way. "no- i mean! the new foo fighters album" she interrupted herself "you were looking forward to it because you wanted to buy it, right?" she tried to hide her shaky voice, did she just accidentally flirt with you?
"i swear it's so good, you can hear it a thousand times and it'll still sound amazing. also, i know you like nirvana too because you bought the vinyl. you'll love it, i totally recommend it."
you were in a dream, did you just exchange more than two words with that guy? and he was showing a lot of interest it seemed unreal. you'd be a fool if you mess this up.
"i really want to buy it but uhm..." your pockets were empty, you spent all your money in that vinyl and being an unemployed student is not helpful to your situation "i'm a bit short of money right now" not to say that you're dry.
"i'm sorry but i-" yet she didn't let you finish your sentence "i bought this one for myself. you can have it and tell me your opinion when you return it."
he couldn't be more charming to you. only 5 minutes talking and you had already fell down on your knees. "thank you. you can give me your number so that i can bring it back." your hand sweating for you've finally made a move on who you thought was the guy from your dreams.
"no," no? he rejected you just like that, he didn't even a think a second to answer your question "it's just... i can't use my phone at work."
laying on the counter in front of you was a black ink pen which you quickly grabbed and started writing your phone number on his wrist next to his tattoo.
ellie looked at you stunned, she was glad she was wearing a mask because her cheeks had turned crimson. she noticed your hand shaking and that was the moment she realized the trouble she'd gotten into.
"i thought that if i wrote it on a paper, you'd lose it." the music playing in the background just made the atmosphere between you two dreamlike. you waved and smiled at him as you left the store hoping your burning cheeks would go unnoticed. not only did you have someone to share your interests with but also it was someone who you were crushing on really hard.
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the first person on the taglist will be my editor/manager/first person who read this @ohnopoteito thank uuu 💋💋
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midnight-in-town · 10 months
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Ao no Exorcist is a Shonen series written by a woman and it shows
Since the latest chapter, I've been thinking about how several usual Shonen tropes are written rather differently under Kato-sensei's pen. No judgement or anything, it's just cool to observe. Some examples :
1) Rin's mentor is a woman
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2) Rin's secret, despite being the MC, was revealed in ch13 to the entire cast, meanwhile Shiemi, The Main Girl, who was introduced to be so helpless is only starting to be explained.
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3) Also, the Mysterious plot-relevant Shonen Parent is actually the twins' mother. (Of course Shiro is super plot-relevant too, but Satan is still angsting over Yuri and she's a huge part of the reason why he's the big bad)
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4) Rin also changed his view about his future throughout the story: from dropping out of school, passing by hoping to become the Order's Paladin (probably to cope with Shiro's death and also to antagonize Arthur), to finally showing way more interest and potential in the (less epic and heroic in appearance) field of talismanic cooking.
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5) When it comes to arcs, mental illness is a valid reason to build a character arc around...
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6) And so is making an arc about girls being "cursed" to basically "get married and have children before they hit 30, the age where their beauty fade thus they become useless" :
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7) ANE is a story about women becoming traitors to protect their loved ones, like Mamushi
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or becoming overwhelmed because men toyed with their feelings like Tamamo
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8) Older women can be absolute badasses like Shiemi's grandma
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or Lucy.
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9) Complicated mother-daughter relationship and girl friendships are given as much focus as complicated father-son relationships and sweet bro friendships (like Bon and his dad during the Kyoto arc, as well as the complicated but deep bond between the Kyoto Trio)
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10) And one of my favorites: full time single dad, asking for help to do the job as well as he can and finding his true purpose in life by doing so :D
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Hmm and now that I think about it, the only other Shonen series written by a woman I've been as invested in is Kuroshitsuji, by Yana Toboso, and similar examples can be found in it too, namely:
1) If Ciel ever finally admits needing a mentor, his aunt Frances will probably play that role
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2) Girls can be super strong & skilled (Elizabeth, Mey Rin) and clever (Sieglinde)
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3) (one part of) the Big Bad is a woman (Queen Victoria)
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4) maybe Ciel's entire revenge stems from a conflict between Queen Victoria and Ciel's maternal grandmother, Claudia.
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5) the Undertaker has been a continuously freaking pain in the ass because he probably fell in love with that same maternal grandmother and couldn't mourn properly
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TL;DR we love our boys and their spectacular growth and development under women's pens a.k.a shonen series written by ladies are hella fun to read. :D
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cherryredstars · 1 year
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Pairing: Sub!Miguel X gn!reader
Warnings: 18+, Smut with Little Plot, Blowjobs, Praise, Bondage, Petnames, Edging, Cum Eating, Overstimulation, Inexperienced!Miguel
Summary: No easier way to blow off steam than by blowing off your boyfriend :)
A/N: So much subby Miggy guys. I swear the next one will (hopefully) be different! Also happiest of birthdays to @artisticspivers!
Word Count: 3.9k (Edited)
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So, maybe you were a little mad.
But who wouldn’t be? All you wanted to do was spend a nice day out with your boyfriend after not seeing each other for almost a week. But, all you got was a hunkering man trailing behind you as he busied himself on his phone. He had barely spoken a word to you besides a ‘hey, missed you’ and a 'don't you already have something like that?’ when you walked out of the dressing room. He had instantly felt bad when you had decided you had enough and pursed your lips with a quiet, ‘I’m tired. I want to go home.’
He wasn’t trying to do it on purpose, you knew that. Miguel was a busy man and he had a lot on his shoulders. But that didn’t stop you from throwing a pity party for yourself in the passenger seat that quickly turned into silent anger. He was your boyfriend damnit and he should know something like this would upset you! It took everything in you to not whisper something nasty under your breath as every little thing he did wrong today ticked in your head. 
When you had arrived home, you had quickly slammed the car door and made your way up to your shared apartment. Meanwhile, Miguel carried a regretful frown as he followed silently behind you. That upsetting pit in his stomach grew stronger when you didn’t even glance his way as he opened the door for you. You had just walked straight in and dumped whatever you were carrying on the counter and started taking off your shoes and coat. 
“Mi vida, I-” Miguel started with a sigh before you walked around the counter and slammed your hands on it, causing him to jump slightly. 
“Let’s play a game.” You cut in with a voice dripping with mock excitement along with a too wide smile. 
Miguel’s brow furrowed in confusion at the quick switch in your mood. He quickly shook his head and tried again, “I think we should really ta-” 
“Choose a number between 1 and 5.” You had interrupted again, fingers tapping an intimidating rhythm on the countertop. Miguel’s gaze fell to your fingers, more confusion filling his features, “Five?”
“Okay, now-” You said quickly and Miguel snapped his gaze up to your face. “Wait, no, that isn’t my number. I was ju-” 
“Now.” You emphasized, clenching your jaw. So now he wanted to be chatty. Go figure. “Pick a new number: 1 to 5.”
Miguel tried to dampen down his own anger. He balled his fists and flexed his hands before letting out a deep breath. He understands why you’re acting like this, so now he needs to be the patient one. “I pick two.”
He flinched again when you clapped your hands loudly. A more genuine smile formed on your face and the tension in Miguel’s body started to disperse. Okay, Miguel can work with this. You’re already feeling better, so maybe he just needed to play this little… game with you for a little bit. Just until you feel ready to talk and Miguel can find a way to make it up to you. Maybe he can plan a more private date. Maybe bring you to your favorite spot and wine and di- 
“Sit on the couch.” 
Miguel pulled himself from his thoughts and looked up to find that you moved from the counter to stand next to the couch. Miguel tried to ease the furrow between his brows and walked over to you. He took it as a small victory when you didn’t react as he grazed his hand against yours in passing. He took it as an even greater victory when the second he sat down, you were jumping into his lap and connecting your mouth to his. 
Miguel groans as he reciprocates the kiss. His hands instantly start grabbing at your body, squeezing the skin of your thighs and massaging his hands into your ass. In response, your hands reach down to the ends of his shirt and pull it up and over his head. When your lips reconnect, he tries to tease his tongue into your mouth. A soft whine of displeasure is pressed against your lips when you deny him entry. You pull away with a bite and drag of his bottom lip and he looks up at you with hazy eyes. A pleased sigh hums from his throat as you give him one last peck, his lips trying to follow yours when you get up. 
Miguel’s legs are already spread slightly, but you push them further out to make room for your body. Miguel’s half-lidded eyes follow you and his brows knit in confusion as you start unbuckling his belt. He watches silently as you work on unlooping the leather and pulling down his zipper. He can already feel his cock pushing against his briefs, and he shifts away slightly every time your hands get too close to it. Your face already being too close to his too aware cock makes him twitch. He’s sure that if you exhale a little too hard in the right direction, he’ll explode in his pants.
His hands reach down to grab on your wrists gently, stopping you from pulling down his remaining clothes. Your eyes trail up his body, going from his bulge, to his naked stomach, over his chest, and finally to his own red irises. Miguel gulps nervously at the almost threatening look you have on your face and he has to hold onto you a little tighter to resist the urge to let you go like you’ve burned him. “What…what are you doing?” 
The question makes you roll your eyes. Can a man practically built with sex appeal in mind be so naive, even with his inexperience? You make a mental note to go through his search history because there is no way he has never seen someone about to get a blowjob. For now, you resist the urge to reply with ‘the laundry’, and instead shake off his hands. “I told you. We’re playing a game.”
Miguel opens his mouth to question you again, but instead closes it when he can’t think of anything to say. Instead, he lifts his hips slightly off the couch when you tap his hip so you can remove his clothes. They fall to the floor and Miguel squirms as his cock springs up to rest against his stomach. His aching tip has the smallest bead of precum forming over his slit and his face turns a bright red as you watch it build up. 
You creep your hand forward, brushing over his balls and Miguel throws the back of his hand over his mouth to suppress a whimper as his cock jumps in response. His brows are furrowed and his breaths heave against his chest as he watches you wrap your hand around his base. Your hand travels up his length until your thumb presses into his tip. Another whine is suppressed as you bring the thumb to your mouth and suck off his precum. 
You look back up to Miguel’s face, making a show of twirling your tongue over the pad of your finger and humming. Miguel’s eyes take in the sight, loving the way your lashes flutter up at him. God, why did you have to be so goddamn erotic. His free hand quickly reaches down and wraps around his cock in an attempt to keep it from twitching again. He squeezes his hand so hard that it’s almost painful, but he knows if he doesn’t, he’ll end up cumming. God you barely even touched him and he’s already about to explode. 
As if you read his mind, you began giggling. You pop your thumb out of your mouth and remove Miguel’s hand to replace it with yours. It causes a whispered curse to leave Miguel’s mouth as you mutter, “I barely even touched you and you already look ready to fall apart.”
He’s about to disagree, but he cuts himself off with an ‘oh fuck!’ when your tongue kitten licks his tip. He instantly throws his head back over the couch, his hand turning over to completely cover his mouth. A ragged breath escapes into his palm as he tries to calm himself down. He tries to think of anything that can push down the tightening in his stomach, but his brain is short circuiting from the way your warm tongue is licking his head and length. 
 “Shit.” Miguel breathes out when his head falls forward to see you. Your hand still holds onto his thick base and your eyes stare up at him as you swirl your tongue over his tip to collect his precum. He lets out a moan that turns into a choked gasp as your licks escalate to gently sucking his swollen head into your mouth. It’s so warm and wet and it's like nothing he’s ever experienced before. His hand leaves his mouth, revealing that it’s dropped open to let out soft pants. His now free hand reaches out and holds onto the back of your neck in a half-hearted attempt to get you off him. “Fuck, I’m so close.”
His whispered confession causes a small moan to vibrate around his tip and he lets out his own as he reaches his peak. He’s gasping out a combination of ‘please, please’ and ‘I’m coming’ repeatedly as he tilts his head back up towards the ceiling. His salty liquid fills your mouth in thick squirts, and you close your eyes as you savor its flavor with each swallow. Once he rides out the last of his release, you pull your mouth off of him. Your lips brush against his semi-hard cock as you smile up at him and say: “One.”
Even if he wasn’t in his post-orgasm daze, he still would have no clue what you mean. His brows furrowed as he brought his eyes back down to your smiling face. His eyes scan you, trying to find a single hint about what ‘one’ means. When he can’t find it, he lets out a breathless, “What?”
“One, Miguel. That was one. You need four more.” Your explanation is still lost on him. You can still see the clear confusion on his face and you can’t help the chuckle you let out. “The game, Miguel? You chose the number five, remember?” 
The realization quickly hits him and his eyes widen. Choose a number between 1 and 5. An almost scared look crossed his face. Five? How the hell was he supposed to survive four more rounds of this if he came from you practically breathing on him? Pick a new number: 1 to 5. If his first number signified the amount of rounds or how many times he had to cum, then what does the second number mean? Miguel gulped before asking, “And two? What does the second number mean?” 
You simply smiled and shook your head, “You’ll have to find out next time we play.” 
Your answer was less than comforting, but Miguel has little time to question you as you suck him back into your mouth. A sharp hiss leaves Miguel’s mouth and his hold on the back of your neck grows tight. His mouth parts in a silent moan as his hand pushes you further down his cock, letting more of him experience the heaven your mouth causes. Your mouth bobs up and down as you suck him in, your tongue playing with his tip before you go back down. Each lick and suck causes Miguel to blink rapidly, mouth still parted with harsh breaths. 
“Fucking hell, cariño, so fucking good. Mouth feels so fucking good.” Miguel whimpers out as his hips thrust up slightly. 
Sweat breaks on his hairline as he tries to keep his movements shallow to not hurt you. He mumbles small sorrys into the air every time his hips jut forward, and you hum your enjoyment around him as a sign that it’s okay. You force yourself to take more of him in, relaxing your throat and hollowing your mouth. It allows Miguel to hit the back of your throat and he lets out a choked gasp. He stutters out another apology as his hips thrust up again and you gag.
You shake your head slightly, holding him to the back of your throat. The action has Miguel creeping his hand up and into your hair, his other hand running down his face until it stops over his mouth. His apologies turn into hissed curses as he continues thrusting his hips. His head rolls to the side as his eyes glide down to stare at you. You let out a weak moan as he tightens his hold on your head to keep it in place as he fucks your face. 
His thrusts quickly become sloppy and he comes undone when your throat tightens with a gag. He lets out small whimpers and lazily fucks his release down your throat. You blink with tears gathering at the corner of your eyes as you let him, trying to swallow it all without choking. When he pulls out, his hand slides back down to the back of your neck to massage it. “I’m sorry. I wasn’t too rough, was I?”
The question is quiet and paired with a soft, concerned look in his eyes. You quickly shake your head no as you lean forward to kiss him. A soft moan escapes him as his taste clings onto your lips. A satisfied breath leaves his nose as you pull away again. That starstruck look is back in his eyes and he can’t help but whisper out, “You’re amazing, you know that?”
His admiration makes you giggle and your hand comes up to caress the side of his jaw. “You might have to take that back after we’re done. You still have three more to go.”
Your words cause a stressed groan to leave Miguel’s mouth. He quickly starts kissing you again, trying to buy himself extra time. It doesn’t last long though as you quickly pull away and reach for his discarded shirt. Miguel raises a brow as you take his hands and hold them in front of you. Miguel quickly pulls them back, but your hand is quick to grab them again. 
“What are you doing?” Miguel hisses in a whisper as if he’s sharing a secret. You don’t respond, instead trying to tie his hands together as he squirms. 
When you finally get them tied, Miguel tries to undo the knot by moving his wrists. But it does nothing but cause a slight burning sensation and he stops. His eyes leave his binds and go down to your face. You give him a sultry smile before you lower your mouth to his tip and your hand comes back to his base. You stick your tongue out, slapping his tip against it. 
He tries once again to undo the tie, an almost predatory look in his eyes as his brows furrow. He’s about to open his mouth and tell you to untie him, that it’s unnecessary, but you blink innocently up at him and you sink your mouth further onto his dick with a hum. Instead of a protest, a sharp whimper leaves his mouth. His claws dig into the flesh of his hand as he watches you pull off of him, spitting a thick glob of saliva onto his tip and massaging it into his skin with your hand. You make a show of quickly bobbing around him for a few seconds before pulling off again to jerk him off. 
He’s acutely aware of his sensitivity, hips ever so slightly fucking into your hand as he lets out moans and grunts. Every now and then he tries to undo his bondage, only to be stopped with the slight scraping of your teeth or by your hands coming up to hold his hands still. His breathing becomes more desperate and he tries to press his hips further into the couch to give himself a small break. Your mouth instantly follows, staying attached to his dick as you suck him. 
“Fuck, give me a break. Please.” Miguel grits out as he feels his cock throb as you jerk him off again. 
You glare up at him with a shake of your head, solidifying your answer as you vigorously move your head up and down him. Miguel lets out loud groans, blood beading around his nails from how deep they sink into his skin. His hips buck again and his body shakes violently. He lifts his hips as he explodes with a shout. He squirts hard as he whines. The thick ropes come too quick for you to swallow all of it, a trail running down the side of your mouth. 
Miguel desperately starts pleading as you don’t get off him like the other two times before. After you swallow, you quickly go back to bobbing your head again. You hum out, ‘two’ faintly around his cock and he sobs from the stimulation on his sensitive cock. He bites his lip and he presses his back hard against the couch as he closes his eyes tightly. He mutters something under his breath, almost like a prayer, voice beginning to hiccup as tears build up behind his closed lids. As you continue, his words get louder as his voice rises. 
“Fuck! Please! Oh god, please! Stop! Stop, stop, stop. I can’t take it!” He sobs out as he throws his arms into the air and over his head to grip the back of the couch for stability. 
His muscles are tense as they shake and his back arches off the couch as he cries. Loud, watery breaths part from his mouth and he starts babbling nonsense in an effort for you to take mercy on him. It has no effect on you, just making you roll your eyes and give his overused tip hard sucks. Miguel comes quick, everything is too much to him and he lets out loud sobs as tears stain his cheeks. 
When he comes, you finally give him the mercy he was looking for. You pop him out of your mouth, some of his cum getting caught on your chin and lips while the rest streams down his length before pooling at his abdomen. As he releases, your hands untie his shirt and his hands instantly fly to cover his face once they're free. He cries into his hands as his body jolts and spasms. 
“Please, no more. No more, no more, no more. I-i can’t take it, please.” He gasps into his hands, his wrists slightly reddish from being tied up. 
Miguel flinches slightly when you reach up and gently take his hands away from his face. His eyes are glossy from tears and his lips tremble in their pouting form. You coo gently at him, peppering soft kisses to his forehead to calm him down. His hiccups die down to soft whimpers as he closes his eyes and breathes in your scent. Your hands come up to gently cradle his jaw.
“Shh, it’s okay, puppy. You’re okay. Only one more. You can do that right? Can you do that for me, Miggy? Can you give me one more?” You whisper to him, your other hand brushing away tears from his eyes. 
His eyes instantly start tearing up again and his head instantly shakes no, “I-i can’t.”
You shush him again as you press a hard kiss to his forehead. Your hand pushes his sweaty hair out his face and you take his wrists into your hands to massage away any soreness. “Of course, you can. You’ve been doing such a good job so far.”
He tries to process your words, taking a few deep breaths. You both sit in silence for a moment until Miguel’s breath resumes to a normal pace and his body has stopped its hard spasms. When he swallows and whispers a weak ‘okay’, you smile encouragingly at him and get back on your knees. 
You keep your touch light as you grab onto his dick, but Miguel still lets out a soft whine. You gently stroke him to get him hard again, pressing soft kisses to his tip. When he gets to an inbetween state, you gently suck him into your mouth again. A watery moan vibrates from his throat as he begins to harden fully in your mouth. Even with his sensitivity, you can’t help but want to drag this out. You softly release him, holding his cock still as you blow warm air onto his tip. A pained hiss leaves his mouth, face looking hopelessly to the ceiling. 
You continue the action, sucking him off and stopping to blow air onto him every time he comes close to finishing. It causes soft sobs to rebuild in his chest as his tip swells angrily for his final release. He lets out a whine each time, hands clawing into the couch cushions or into his hair as his eyes dart around the room as if looking for something to help him escape your edging. He reaches the point again where he’s overly sensitive and begging for you to give him his release. 
“Please, please let me finish. I can’t. Please.” His voice is scratchy from all his loud moans and whimpers. His eyes are desperate and seem to look past you in a lust-filled daze. 
Your hands come to massage his thighs and you nod, “I need you to do something for me first.”
“Anything. I’ll do anything.” he replies quickly, nodding his head in agreement with himself. 
You hum and kiss his tip again, causing his cock to twitch. “I need you to say sorry. Say you’re sorry for how you were behaving before.”
After finishing your sentence you begin sucking him again. Miguel cries out, yelling out sorry over and over again as his palms come to press into his eyes. When he twitches in your mouth again, you don’t tease him and let him finish. He shouts out and his legs push his body off the couch. 
You take your mouth off of him and lean back to give him room. His body convulses in its suspended position and his cock still twitches and jumps even after he stops spurting out cum. His legs seem to give out as he falls to the couch and sinks into the cushion. He sits there shivering, his chest heaving with heavy sobs as he repeats ‘I’m sorry, I’m sorry, I’m sorry.’ 
Once he finally calms down, he pulls his hands away from his face. His lashes are wet with tears, and he blinks at you sluggishly. He looks so pretty with his dazed eyes and sweaty skin. You walk over and gently wipe his face and neck with his shirt, slightly cleaning him up. When your eyes meet his, he whispers out like a timid child, “Did I do good?”
His question instantly melts your heart and you have to resist the urge to pout at his cuteness. You smile brightly at him and kiss the tip of his nose. “Of course. Did so good for me, baby.”
Miguel seems to relax with your reassurance and he rests his head over the back of the couch as he lets his body rest. He closes his eyes as the soreness starts to creep in. His eyes only open when you press a cold glass of water to his overheated skin. He graciously drinks some of the water through the metal straw you placed in the glass to make it easier for him. 
You brush your hand through his sweaty locks to push them away from his face as you whisper, "Go take a nap, Miggy. We’ll talk about what happened later.” 
Your words are all he needs before he lets out an affirmative hum and lets his body succumb to exhaustion.
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Might be the last subby Miguel post for a while. School is starting up again and I have to finish some WIPs and pre-write some quick stuff in case I get busy!
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spectralreplica · 1 year
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Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.
Drawing with anti-aliasing off really brings me back...
Classpect thoughts under the cut if you really want:
Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.
So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.
Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.
Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)
So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).
Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.
I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)
Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic." 
I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.
Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.
Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.
Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".
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damian-lil-babybat · 1 month
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DAMIAN WAYNE IS A GREEK TRAGEDY
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When I say Damian al Ghul Wayne has almost all the ingredients of a classical Greek Tragedy, it is not an empty claim.
1. Tragic Hero: The hero facing his destiny with dignity. His virtuous character forms a bond with the audience, while his tragic flaw results in the audience’s fear for him, and his terrible punishment reveals a sense of pity.
Damian is the hero of his own story. In his mind, he was given a destiny, a standard to live up to. It came from his grandfather, as Hafid al Ghul, son of the Demon. It came from his mother, as her Alexander, with Talia deluding herself as Olympias. It came from his father, as the son of Batman.
He thought himself perfect on all those role, mighty ones they might be, heavy and overwhelming even, but he persevered in ways that should be impossible and ultimately achieved the pinnacle of a perfect heir for all of them.
2. Tragic Flaw: The human limitations of the hero or an error in judgement leading to the downfall. He attempts to escape from his destiny; however, he unknowingly runs toward it. His attempt leads him to his “damnation”.
But what he thought was perfection, was his downfall. For even if he was designed and raised to be perfect, those roles are fashioned by imperfect mortals. As the son of the Batman, he was all too much of a monster to even be treated as child, let alone a son. As the son of the Demon, he was too soft, kind, and all too human, to sit upon the al Ghul's immortal throne. As the great Alexander, he was deemed as a mere pawn, a victim of circumstance, and not a victor of his own fate.
He was set up for failure before his story even began.
3. Catastrophe: The horrible ending of the play: death, suicide, ruin etc. Upon the truth being revealed about Oedipus’ origin, Queen Jocasta commits suicide by hanging herself, Oedipus stabs his eyes with the pin on Jocasta’s dress and pleads to be exiled from the city.
And just like all tragedies, it ends up in death...so many deaths and sacrifices. Repeat and rinse, the cycle continues with each redeeming arc punctuated by his death or ruin.
And just like Sisyphus, one must imagine him to be happy. For how else could he endure these unending trials?
4. Central Belief of Destiny: The belief of the fact that the actions were preordained by the gods and the flaw was inevitable. Even though Oedipus attempts to flee from his preordained destiny, the belief in inevitable destiny becomes the reason for his destruction.
How else could he keep harking on to his destiny? Desperately clinging to it like a promise gold once he touched it like Midas' cursed hands? But no, everything he touches turns to dust, every height he scale would be pushed down reverting him back to his old bare bones of an unwanted worthless child from both side of his parents, even how much he tries to make things right. Every person or thing he treasured is another ammunition for plot purposes to make him more tragic than he already was.
Damian had tried to flee before, but fate always brings him back. Because Batman needs a Robin. But Bruce already has a Robin, doesn't he? Because Damian needs to be Robin? Just cause, who would he be then? When all those titles he earned has been discarded and thrashed in the light of Batman's justice?
And the only one title he could be proud of is always threatened to be taken away if he just as much cross an invisible line that keep on changing depending on whims of the doomed narrative.
5. The Chorus: Approximately twelve masked men, forming a specific group, make comments on the ongoing play by singing and dancing.
Due to its form of media, Damian has no twelve singing and dancing masked men. XD
BUT If I have a say on this, I'll give Damian his own set of bardic troupe narrating his life story, and maybe somehow DC writers would finally admit he was loved and wanted, and was never alone and actually have family, companions and friends along the way!
https://www.byarcadia.org/post/ancient-greek-tragedy-101-the-introduction
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AND THAT IS WHY it makes more sense for writers to like and, or dare I say, even love Damian's character.
A lot of great fanfictioners in AO3 actually root for this little guy. So it's nice ✌️
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sevensoulmates · 5 months
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Buddie 7x06 Meta
HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!
First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.
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First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.
I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...
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CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.
BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.
I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.
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Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.
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This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".
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This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.
Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.
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This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.
I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.
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Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).
We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.
Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.
Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.
All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.
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Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?
I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.
Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.
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There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.
The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.
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So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.
Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.
Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.
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Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.
And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.
In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.
That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.
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I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.
Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.
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Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.
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This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.
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They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.
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These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.
I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.
We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.
The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.
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Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.
Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.
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Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.
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Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.
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Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.
Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.
And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!
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simpingsavant · 8 months
Text
Late Night
Pairing: Spencer Agnew x GN!Reader
Summary: You are the person always working when Spencer stops by to get his fix of Mountain Dew Kickstart.
Genre/Warnings: Fluff, slow-burn. A gross man flirts w you for plot purposes. Promise it's very non-major but just in case.
Word Count: 6.4k
A/N: First time posting for smosh, but not the first time posting fanfic. I made a whole side blog for this lol I'm thinking I want to post more so feel free to send me smosh requests and give lots of love so I stay motivated to write more hehe <3
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Working the graveyard shift at a 24-hour convenience store is generally not a good idea. Except this one is in a nice area of LA, you’re almost always working with someone, and it’s slow enough that you can get your grad school work done.
Four months ago, when you were first looking at the help wanted sign in the window, you decided you would give it a week to see if it was actually worth it. Now, you were contently typing away on your computer as a group of middle-aged people grabbed alcohol and snacks. They were fancily dressed but the expressions on their faces were reminiscent of college students who were partying through the night like they owned it. When they came up with a case of Pabst Blue Ribbon and enough snacks to last them weeks, you happily scanned the items.
The silver fox dressed in a deep, blue suit dropped a twenty in the tip jar.
“Thank you,” You said, handing him a receipt as his cohorts grabbed the food.
The bell jingled as they left. Your coworker was in the back taking inventory. You looked down at your laptop, rereading the last couple of sentences as you found your place in the research essay you’d been taking notes from.
You loved your job. You worked from 11 pm to 8 am and although it took you time to adjust to a new sleep schedule, it was worth it. You were paid slightly more since you were working such an atrocious shift and you never interacted with your boss. Occasionally, he would message you that he was coming in early to talk, but he often just texted about what he wanted you to get done.
Until 1 am, you were working with Michael, a young man who was in his senior year of college. At 4 am, Marie would come in, an older Latina woman who had been working this shift for over ten years now. She’d relieve you for your break and you’d come back just in time for the morning rush.
You liked the morning rush. Although you couldn’t get much homework done at the time, it was when you had your most regulars. You would see moms buying their children lunch before school, office workers buying cheap coffee, and students buying energy drinks.
Marie would man the register, and you would come to help if needed. During rests, you would be restocking shelves or cleaning.
From 1 am to 4 am, you would usually see only a few faces. You would see students who stay up extremely late or workers having to go in much too early. Since it was a nice neighborhood, they were all pleasant people and you never worried about your own safety or well-being. 
Only one regular came in consistently during these hours. He looked to be about your age with chocolate hair that curled at the nape of his neck. He came in just after 1 am and always sported dark eye circles. He purchased anywhere from 4 to 8 cans of Mountain Dew Kickstart and occasionally a bag of chips. 
Sometimes, you’d see him in the morning again before you were off. He’d buy a cheap coffee and some fruit.
For the first month, you were too concerned with doing your job well to start any conversations besides pleasantries. He was, however, the first customer you recognized as a regular. You couldn’t help but wonder why anyone would need so many energy drinks. In particular, why in God's name did he love Mountain Dew Kickstart?
Maybe you were so intrigued because he caught your eye from day one. He was dressed in combat boots and a worn jacket. You soon learned those two items were part of his daily attire. You liked the way his hair looked or the way his downturned eyes crinkled as he smiled.
In your second month of working there, you spent way too much time trying to think of a way to start a conversation.
So far, you only got:
“Hi.”
“Hi.”
“How’s your night going?”
“Good, and you?”
“Fine. Do you want a bag?”
“No, I have my backpack.”
“Okay. Your total is $12.53, go ahead and swipe, insert, or tap your card. Would you like your receipt?”
Sometimes he said yes, sometimes he said no. A few times, your hands would brush. He was always so warm, your cold hands lingering as he bashfully smiled and looked away.
“Have a good one.”
“You too.”
His hair was getting longer and you thought it suited him well. You wanted nothing more than a reason to hold a genuine conversation with him.
During your third month, that reason finally came.
He walked in, luscious locks replaced with a buzz cut and you couldn’t help but go “Oh wow.”
“Is it that bad?” He joked, rubbing the top of his head.
“No, no,” You immediately said, hands moving rapidly. “It just surprised me.” A beat of silence followed before you added, “You pull it off.” He really did, but you also took that as a sign you liked him a little too much. You felt like a schoolgirl with a crush.
“Thanks, it was for work,” He adds, voice monotone despite the little grin he sported at your compliment. He walks farther into the store, toward the opposite wall with the display of drinks.
“For work? Are you joining the army?” You question, stumbling over your words slightly as you realize that it’s finally happening—you are finally holding a conversation with him.
“No,” He laughs. “I work for this online entertainment company.” He fills his arms with five cans. “It was for a special.”
“Oh,” You reply, rolling on the balls of your feet as you try to think of ways to keep the conversation going. “Are you an actor?”
“More behind the scenes,” He replies, coming up to the counter and placing his drinks down. He grabs a bag of chips from the front display.
“That’s cool,” You say, picking up the first can as you begin scanning.
He shrugs, “I’m sure half the city does stuff online.”
“I doubt that,” You scoff. “Maybe half does entertainment, but definitely not exclusively online content.” Feeling a little bad for shutting him down, you look up at him for a moment, expecting to see disappointment or annoyance.
Instead, he’s smiling. It’s not a large smile, but it quells your anxiety.
“You’re probably right,” He answers, fishing out his card.
“I usually am,” You joke, giving him a quick look before clicking away on your screen. “Your total is $10.54.”
He lets out a short laugh that makes your insides flip with satisfaction. “I’m Spencer by the way,” He offers, putting away his card after the reader beeps.
“Y/N,” You say, tapping your name tag. “Do you want your receipt, Spencer?”
“Sure, Y/N,” He answers, putting his drinks into his backpack.
You rip it from the printer and hold it out. The way he said your name makes you shiver. He takes the receipt and bids you farewell.
You see him in the morning and you’re eighty percent sure he times it to check out with you instead of Marie. Today he opted for an iced coffee with lots of cream and a plastic container of chopped mango.
“Good morning, Spencer. How’d you sleep?”
“Good, but not long enough. What about you?”
You see a flash of realization on his face as soon as he says it, but you’re speaking before he can correct himself.
“Haven’t slept yet, but I get off in ten minutes and will be able to sleep till five today so that’s nice.”
“What’s at five?”
“Class. They’re in the evening since so many grad students work day jobs.” You tap away on the screen. “Would you like your receipt?”
“Nah, just toss it.” He picks up the drink and fruit. “See ya later, Y/N.”
“See you,” You reply, crumpling the receipt and throwing it in the small trash bin under your register before waving to the next customer.
~~
Since then, Spencer has come in every night without fail and sparked a conversation with you. You learn that the company he works for is called Smosh and you think the name is vaguely familiar. He asks you what you’re studying and why you’re always on your laptop.
The next month and a half goes by quickly. You come to expect him, anticipating his nightly visits. He has recently started staying longer, leaning over the counter and smiling at you as he talks about something that happened the other day. If another person comes in, he usually takes that as his sign to leave, wishing you well and exiting before the new customer is ready to check out.
You’re unfortunately not getting as much homework done because of this, but you don’t mind one bit. You either work during your break or just take some time before class to do more. You wonder if he’s not getting as much sleep because of this, worried you’re burdening him. Despite this, you know that you’ll selfishly never be able to turn him away. Even if it is for his own benefit.
Once, he came in before Michael had left. Your conversation was curt and he left right after you gave him the receipt. Michael stared you down the whole time and Spencer was clearly thrown off by another person being there.
“Who was that?” Your coworker asked, moving toward you from his spot behind the hot food.
“Just a regular,” You answer, trying to keep your cool. You pull out a cloth and begin wiping down the counter, wanting to occupy your hands. “He usually comes later.”
“Ah,” Michael says, nodding slowly and giving you a look. “That’s it?”
“Yeah?”
“Interesting.”
The comment piques your interest and you can’t help but ask, “How so?”
Michael smirks at you, “Why do you care?”
“Bro, shut up,” You hiss, pushing him out of your face and walking over to your stash of food. Your face felt hot as you walked past, and you attempted to hide it in the collar of your shirt. It was never fun to be caught with a crush, but you wanted to know Michael’s thoughts. So far, you and Spencer always talked in privacy, with no onlookers to comment on if your feelings seemed mutual.
“Fine, fine,” He relents, holding his hands up. “It’s just that I saw him through the window before he came in and he was smiling way too big for someone coming in the pick up energy drinks.”
“You’d be surprised. He gets those every night,” You defensively argue, “He probably has a shrine at home.”
“Oh, come on,” Michael says, rolling his eyes as you pop a chip into your mouth. “That smile dropped as soon as he saw me. I bet he wishes it was just you.”
“Don’t say that stuff.”
“Why not? Don’t you like him? You definitely lit up when you saw him.”
You gawk at your coworker, absolutely astonished at how easy it was for him to notice. This was the first time anyone witnessed the two of you interact and now you were questioning every interaction. Did he like you? Or did he just like that you gave him a confidence boost because your infatuation was so obvious?
“W-what’s your major again? Investigation?” You accuse, stuttering out of pure frustration.
“Yes, actually—”
You roll your eyes, but the sound of the door brings your back to attention. You steel your expression but are grateful the conversation ended. It was a wake-up call for you and you spent the rest of your shift trying to understand your feelings more.
Could it still be called a crush? You felt like you knew so much and yet so little about him. When did you cross the line from strangers to acquaintances? How do you go from acquaintances to friends? Did you even want to be friends?
After that, Spencer always came in after Michael left, his disposition more friendly when it was just the two of you. You didn’t know if that was a good sign or a bad sign, but it was hard to think about when only a counter separated the two of you and he was radiating warmth and cracking jokes.
~~
“Okay,” You hear Michael say and all of a sudden you are back to reality, no farther in your reading than you were 10 minutes ago.
The door to the back shuts and you look at your coworker with wide eyes.
“I finally finished with inventory.”
He looks down at his phone, prompting you to look at the time showing on your laptop.
12:56
“Sweet,” He says, tucking his phone into his back pocket. “Need anything from me before I go?” 
“No,” You answer. “Enjoy your night.”
“Thanks, I’m gonna go grab my stuff before I clock out.”
“For sure. See you tomorrow.”
“Later,” Michael says.
He opens the door to the back and you turn to your computer. The break room was through those doors as was the back entrance which almost all employees used when coming and going.
You focused on your computer, reading the most important parts of the study and taking down notes. In the back of your mind, you knew Spencer would be arriving soon. It makes you nervous, butterflies erupting in your stomach as you await his arrival.
You have been thinking lately about how to advance your relationship. Maybe get more personal with the information or invite him to hang out outside of your job. The idea makes you queasy because you worry about ruining everything by trying to get more.
You finished the reading and moved on to another class assignment. Spencer came in soon after, his lips quirked up and no jacket on. The weather was getting warmer and it was rather dry. You could absolutely walk around with only a T-shirt and jeans on despite the time.
This, however, drew your eyes to his arms immediately. They weren’t as hairy as you were expecting, his beard and how quickly his hair grew back making you think they would be. He wasn’t very muscley in any way, but your eyes shamelessly lingered on his biceps longer than you wanted.
His skin was littered with freckles and tattoos, black ink that started at his forearm and rose past his t-shirt. You could spend hours looking at them, a couple of them immediately garnering your interest.
“Hey,” You greeted, your eyes snapping up to his face. You were pretty sure he caught you, but he thankfully said nothing. Maybe he was used to his tattoos being looked at, an easy cover considering you weren’t just looking at his tattoos.
“Hey, how’s your night?” He makes his way across the store with ease, eyes staying on you.
“Fine, it’s extra slow tonight.”
“That’s nice,” He’s speaking loud enough that you can hear him from far away. “Are you getting a lot of homework done?”
“Yeah,” You replied. “Finals are coming up and I’m working on all the trivial homework now so I can study and work on the final essays in the library.”
“Is this your final year?”
“Sort of. I’ll be getting my masters after this, but I’m on an automated track for my PhD.”
There’s silence as he grabs a final can and walks up to the front. It’s almost awkward, but you aren’t sure why. It seems like he wants to ask you something, but is struggling to say it.
You start scanning his items, letting him think instead of trying to fill the space with meaningless talk.
“Are you still working here over the summer?”
“I am,” You light up, realizing why he was nervous. It sent a spark through your body to think about him missing you.
God, you wanted him so bad.
“I’m also doing some research work for a professor though,” You add. “I’m honestly too busy to have a job and it will only get worse in the upcoming year, but I need the money and this is the best option for pay and the ability to do homework.”
“Damn,” Spencer sighs. “I’m sorry about that.”
His voice is soft and sincere. It throws you off for a moment, not used to this kind of sympathy. Your social circle consists of Michael, Marie, and other students who were also going through their own shit.
“Oh, it's nothing,” You shyly reply, eyes falling to the counter and lips forming a tight line as your mind races.
“No, seriously,” Spencer insists. “It must be so difficult and yet you never seem like you’re struggling.”
With a large breath, you finally accept his compliment. “Thank you, that’s very nice of you.” You look up to see that his gaze is already on you and you hold eye contact for an absurd amount of time. You’re sure any onlookers would consider the scene intense.
The pressure of the moment builds, compressing your lungs.
“Um, anyways, your total is $9.54,” You say, breaking the silence and eye contact.
“Oh, right.”
Spencer shoves his hand into his pocket to grab his wallet and you once again admire his arms as he’s busy.
“How was work today?” You ask, wanting to dissipate the intensity of the moment.
“Long.” He answers. “This week is a filming week so I’ve been busy as hell working behind the camera and being in a few videos too. Tomorrow is Friday though and I don’t have to be in till 11 am.”
You hum in acknowledgment, “That sucks.” 
Long ago, when curiosity finally got to you, you looked up Smosh. You realized quickly that the name was familiar because it was quite popular back in OG YouTube. You spent an hour exploring their channels before growing bored and looking up videos with Spencer specifically. It was weird and you could only watch in short increments of time before needing a break. You felt like you were violating his privacy, but struggled to stop when you realized just how funny he was, his humor translating perfectly on camera. He held your attention in so many videos, quick quips making you burst out laughing.
You also note the differences in how he talks to you and how he talks to the camera. Although quiet, he cracks jokes almost every time he speaks. His coworkers seem like friends and you’re sure that helps to comfort any nerves he would have on screen. However, they were obviously trained on-camera talent whereas he simply fell into it because of how much the audience liked him. Around you, he made jokes, but he also seemed to shed the demeanor he developed for videos. Not every sentence was about entertaining.
They were real. Real discussions with real problems no matter how mundane.
“Yeah, but at least we are getting it done. Next week is all at my computer or in meetings,” He adds, tucking away his card and putting his drinks into his backpack. “Anyways, so, when is your finals week?”
“In two weeks technically, but I have a couple of major things going on next week,” You answer, taking a seat on the stool next to you.
“Like what?” Spencer inquires, a light in his eyes that sends a shiver up your spine.
“Well, I’m taking four classes. Two of them have an exam and a final essay. One has a final essay and matching presentation, and then last is a group assignment that also has a presentation and essay.”
“Oh no, not a group assignment,” Spencer interjects, empathy on the tip of his tongue.
“I know,” You agree, nerves falling away as you ease into familiar territory. “People in masters programs are not as bad but they can still be pretty clueless and unhelpful.” You shake your head in frustration, “Like this one guy in my group, he thinks he is so edgy and smart. He takes no criticism but also doesn’t put in enough work. He’s basically made me his personal target and I literally have a group chat with two other members just to rant when he says the stupidest shit.”
“Damn, sounds like an ass.”
“He is,” You groan, closing your eyes. “But we are almost done. We have the essay due next week and then presentations during the finals period.” You grin in relief, “After that, I have two weeks of break before starting my internship with the professor.”
“Are you getting paid for that?” Spencer asks.
The conversation was flowing easily, his interest in your life more evident than ever. It isn’t lost on you that he’s exhibiting every sign of attentive listening and it makes your insides twist. He’s leaning forward, fingers tapping away on the counter as he nods periodically.
“Only in experience,” You sigh. “Money would be great, but I’d rather learn from this and not get paid than not do it at all. I only have to dedicate 12 hours a week to it anyway and that’s not much considering my usual schedule is jam-packed.”
“What’s the study about?” He asks, holding your gaze more often than usual. You find it hard to reciprocate, too nervous to engage in whatever he is doing. You aren’t sure if you could call it flirting because he definitely wasn’t complimenting you, but he was acting differently enough that it was noticeable.
Before you can answer, a customer walks in, the bell ringing in your ears as you look at the brunette in front of you. You expect him to leave like every time before, but he doesn’t move. Although thrown off slightly, you recover quickly and answer his question. When the customer is ready to check out, Spencer simply steps to the side but lingers near. As soon as the man leaves, Spencer is right back where he was and asking you another question that keeps you talking.
He leaves twenty minutes later, eyes half-lidded and tired. You don’t see him that morning, likely because he doesn’t have to go into the office as early as usual. Despite logic, you still miss him.
~~
When Spencer comes in that night, he’s later than usual. Not by much, it’s not even 2 am when he walks through the door. And yet, he’s apologetic.
“Hey, sorry,” He mumbles, coming right up to the counter.
Taken aback, your hands slip from your keyboard and you stand up straight. Fridays were always the busiest weekday and although you did wonder where Spencer was, you didn’t have much time to think about it.
“I was playing a game and totally lost track of time,” He continued, a touch more out of breath than usual. He runs a hand through his short, recently bleached hair.
“No worries,” You say, not quite sure why he’s apologizing. It’s not like you had a set time to hang out or do something together. “Need to come get a drink so you can keep going?” You ask, trying to dissipate the awkward feeling that was bubbling up. You didn’t want to let yourself assume more than was reality.
“No, no, I mean,” He stumbles, “I probably will go back to playing, I just—never mind.” He looks down, staring at the counter, specifically the display of scratchers in the built-in glass case.
God, this felt so weird. You shouldn’t have said that, maybe he actually wanted to see you but then you ruined it by making it about the drinks and not you.
“So, what game were you playing?” You ask, the air feeling stuffy.
After a relieved sigh, Spencer goes into the details. You listen intently because not only is he a good storyteller, but you also genuinely care about his interests.
As he rants about some game mechanic, your mind begins to wander. More precisely, you wonder if your affection for him is obvious. Even from the short interaction you had in front of Michael, he could tell there was something more going on. To a stranger would it be obvious? To your friends would it be obvious? Would they say you two would make a cute couple? Or would they not see the chemistry?
“Oh, that’s frustrating,” You say, picking up on the pause in his monologue.
“Eh,” He shrugs, “It’s life.” He leans over the counter, shoulders more relaxed than when he first entered. “I needed a break anyway. So, how’s your night been?”
“Well,” You begin. “I felt rather lost without you.” Sarcasm is dripping off your tongue and Spencer immediately smiles. “My internal clock is all screwed up.”
“You poor thing,” He says, playing along.
“You, sir, need to take your responsibility more seriously,” You laugh, sitting back down in your chair and leaning over to grab your water. “More than half an hour late, I’m sure your body is screaming for a Mountain Dew.”
“Not just a Mountain Dew,” He protests, “A Mountain Dew Kickstart.”
You giggle, just about to add something before the bell rings and your eyes immediately shift to the front door. The patron, dressed in black jeans, a blue hoodie, and a leather jacket, comes up to you immediately. In the fifteen-foot walk between you and the door, you notice he is at least twenty years older than you, skin wrinkling and sagging with age. His clothes are worn, fraying at the seams. When he pushes forward, Spencer immediately slinks away, stepping over to look at the opposite wall of food. The stranger places his hands on the counter and you see dirt under his nails.
When he speaks, his voice is hoarse.
“Two packs of the Marlboro Red,” He commands, his eyes dragging up and down your body. Just as you turn to grab the cigarettes, you can see a smirk forming on his lips.
You sigh, taking a moment to harden your exterior before turning around to scan the packs. These kinds of customers were uncommon for the area, but still came in enough for you to pick them out of a crowd immediately. Usually, they leave easily enough.
“Anything else?” You ask, giving him a tight-lipped smile.
“Two of those beef taquitos, hun,” He says, a dirty finger pressing against the warm glass.
You feel a wave of cold at the name but move aside to grab the hot food without any fuss. The sooner he leaves the better. When you hand them over to him, he purposefully moves his hand far enough forward that it touches yours. You are vaguely aware of Spencer in the background, but force your eyes off him.
You can deal with this on your own just fine.
The stranger's eyes linger on your hand and you snatch it away, typing on the tablet to add the taquitos to his total.
“Anything else?” You echo, voice more curt than before.
“Hmm,” He hums contemplatively, putting his finger to his chin like he’s performing. “I suppose I’ll take your number too.”
You fake a laugh, looking into his eyes for only a moment before going back to your screen. “Although I’m flattered, I don’t give my number to strangers.” A few more taps to the device, “Your total is $22.37.”
“Well,” He leans forward and reads off your name from the tag. It sounds sickly coming from his lips. “My name is Mark. Give me your number and then we won’t be strangers.” He pulls out his card to pay, shoving the cigarettes into his pockets.
You give him a forced smile, resting your hand on your heart while you try to let him down gently. “Nice to meet you, Mark, but still. I am not interested.”
“Why?” He questions, “You got a boyfriend?”
You debate telling him you’re in a relationship. Maybe it will get him to leave, maybe he’ll just suggest you cheat. It’s always difficult to tell.
“Dude,” You hear a voice speak up. “You’re holding up the line.”
Mark turns around to see Spencer a few feet behind. You have to crane your neck to see him, the brunette lining up down an aisle. He’s holding some random items, clearly having wandered around the store, paying attention but trying to look like he was merely shopping.
Just before Mark can say anything, Spencer is pushing forward and shouldering past. “Just take the L and move on,” He deadpans, his voice low and foreboding. He stares down the stranger, putting his items onto the counter without even looking away. He’s half a head shorter than the guy, but his presence alone makes up for that tenfold.
“Here’s your receipt,” You quietly interject, holding it out. Half of you was thankful for the interruption, but the other half of you was annoyed. Despite that, you choose to use this opportunity to end the conversation.
With a huff, Mark snatches the receipt from your hand.
“Whatever,” He mumbles to himself, “Bitch.”
The bell dings as he exits, leaving you and Spencer in a loud silence. You let out a shaky breath.
“Oh my god,” Spencer begins. His words draw your gaze away from the door and to him. You can see the concern on his face and the disgust in his eyes. “Are you okay?”
“I’m fine,” You have a moment to say before he’s talking again.
“What an ass. Do you not have a panic button?”
“I do,” You answer, “But that’s for robberies.”
“Or this!” He protests, gesturing at the door where the man had exited. “You need to stay safe.”
“I was staying safe,” You defend.
“I can’t believe they have you alone at this time of night,” Spencer continues, seemingly not registering your words. “Like, anyone can just come in here!”
“Spencer,” You say, trying to grab his attention.
“You should never have to deal with that kind of–”
“Spencer,” You repeat, finally getting him to shut up.
“What?”
“It’s fine, I can deal with this on my own. You didn’t need to help,” You explain, wishing the moment would simply pass so you could move on.
“Just because you can deal with it on your own doesn’t mean you have to,” He argues, his voice softer than before.
His words leave you at a loss, unsure how to respond. He breaks the silence before you can.
“How often does this happen?”
“Not often,” You say, struggling to make any eye contact. “This is a nice area and usually they just give up after a couple of tries.”
Spencer sighs, running a hand through his hair with an exasperated expression. “Sorry,” He mumbles, the word being pulled from him. “I shouldn’t have freaked out like that.” You can see the regret in his eyes. “I got so heated and I should have just made sure you were okay.”
“Oh,” You say, “Thanks.” His apology was unexpected but very appreciated. “I am fine.”
Spencer nods, the moment feeling slightly awkward as the resolution comes. “When does the next person get here?” He asks.
“Four,” You answer, taking a chance to grab your phone and check the time.
2:21
“Damn, that’s a long time.”
“It’s whatever,” You shrug. “It goes pretty quickly since I’m basically just talking to you and then doing homework.”
When the words register for him, there’s a glint in his eyes and a small smile forming on his face. “That’s good,” He replies. There’s a pause before he speaks again, “But damn, that’s like an hour and a half away.”
“Yeah,” You sigh, resting back on your stool.
“Can I stay?” He asks, surprising you. “For peace of mine, I mean. I’m just thinking about me leaving and that guy coming right back in. I don’t know, it’s dumb, but I just can’t imagine leaving you right now.”
“Sure,” You reply, interrupting his word vomit once you’ve regained your barrings.
“Really?”
“Yeah,” You shrug, a closed-lip grin forming. “I would love for you to keep me company.”
“Cool,” He says, a smile forming for him.
The moment is awkward and foreign. From an outside perspective, you probably both look like grinning idiots.
“Well,” Spencer begins, breaking the silence, “I’m definitely going to need an energy drink to stay awake.” He looks down at the pile of snacks he brought up. “You keep working, I’m gonna put these away and come back up with stuff I actually want to buy.”
“Roger that,” You reply, giving him a look before turning back to your computer. You don’t get much work done as you wait for him to come back up. You can’t see him in the aisles, but as he moves between aisles, he always looks at you. The security camera screen is just to your right and you can’t help but watch him as he puts away the random collection of items.
You’re nervous, too distracted by his presence to focus on anything. You were somewhat excited to spend such a prolonged period of time with him. However, you were also absolutely terrified that you would make a fool of yourself or simply seem too boring.
“Okay,” You hear him say, already aware that he was making his way back to the front. “All done.” He is now holding three cans of Mountain Dew Kickstart and a chocolatey protein bar. “Can I also get a couple of taquitos?”
“What kind?” You ask, reaching forward to start scanning his items.
“Your pick, I guess."
You smile at him and see he’s already grinning at you. You can’t help it, everything he does seems to make you happy beyond logic. “I’ll give you one chicken and one fiesta. The beef is fine and the cheese is not good.”
“Sounds like a plan,” He laughs, pulling out his card to pay and then opening a can and taking a big swig.
“Did that guy getting some make you crave them?” You ask, a joking glint in your eyes as you look up at him.
“Am I a misogynist if I say yes?” He replies, making you let out a laugh that was just a little too loud.
When you hand him the taquitos, he leans back onto the counter, head turned so you can see his side profile. He has the drink in one hand and the paper bag of taquitos in another. He takes a bite, a comfortable silence falling over you both. You occupy your time by looking down at your computer and mindlessly clicking around while you try to think of things to talk about. 
“How was work?” You say, deciding on that as the least risky option.
“Good,” He shrugs. “We finished a little late and traffic meant I didn’t get home till almost 7 pm.”
“Oh jeez,” You groan. “My commute is pretty easy in the morning because I go opposite the traffic.”
“I’m jealous,” He replies, smiling at you. “Do you live far from here?”
A shock of electricity shoots through your body. “Somewhat. This isn’t my local convenience store, but I’m not that far.”
Spencer nods, “This isn’t mine either.”
“What?”
He turns to look at you, eyebrows perked up like he didn’t just say something ridiculous.
“This isn’t your nearest convenience store,” You repeat slowly. When he nods, you ask, “So why do you come here?”
Spencer laughs, realizing his mistake. “The one nearest me is literally down the street, but they don’t always have these,” He answers, holding up the pineapple orange mango-flavored drink. “This store is only a few more minutes away and it always has them.”
“I’m pretty sure that’s because you buy our stock,” You joke. “I’ve literally had my boss ask about why we are selling so many more.”
“Really?” He gasps, leaning in closer. “I used to only make the walk here if the closer one was out, but four months ago I just stopped bothering.”
The fact that four months is when you started working is not lost on you. Feeling confident, you add, “What about when you get coffee? I’m sure the other one has coffee.”
“True.” He looks slightly caught off guard, eyes scanning the store before speaking, “I only come to get coffee here if I’m too lazy to make it at home and running early enough to…” He pauses for a second, the sentence closing as if it wasn’t the planned ending. Finally, he adds, “To see you.”
You hum, looking down because your face is warm and you’re at a loss for words. Luckily, he’s too nervous to look at you either. You feel tingly, knowing full well that this is a special moment that you’ll look back on if you end up dating.
“Anyways,” Spencer breaks the silence. Before he can say anything else, he yawns, mouth opening wide.
“You know you can go home, right?” You laugh. When you look down at your computer, you see it’s about half an hour later. “No one has come in and I doubt anyone will before Marie gets here.”
“No, no,” He protests. “And anyway, aren’t I making time fly?”
“I suppose,” You grin. “You are quite great company.”
Spencer flashes you a smile that makes your insides twist. You wonder if he is picking up on all this. If he can tell that you’re interested in him.
“I’m honored.”
“You should be.” You sarcastically quip. “I have high standards for the company I keep close to me.”
“Is this close?” He contemplates aloud. “I’ve never even seen you without your black polo, black pants, and nonslip shoes.”
You laugh, looking down at your clothes. “Don’t you like this fit?”
“I mean, I love it,” Spencer starts, “But I don’t know how much you’re serving day to day.”
“I serve even when I’m only going to class,” You protest. “Maybe when I’m done with finals, I’ll grace you with my out-of-work personality.”
Spencer grins, “I’d be honored.”
You’re on high alert, knowing exactly what was happening.
“You should be,” You echo, unsure of what else to say. It doesn’t matter though. You could say anything and Spencer would find you charming.
“Maybe we can go to competing stores and graffiti them,” He suggests, long since turned around so he can look at you fully.
“Pft,” You laugh. “I don’t want to get arrested with you the first time we hang out.”
“You don’t? That’s usually my go-to!”
“Well, my go-to is food. Or the arcade.”
“The arcade?” He questions. “All this time I’ve been talking about games and you’ve never mentioned that you’re also a gamer?”
“I am not!” You protest. “Definitely not compared to you. You’re a savant and I’m the fool.”
“I doubt that,” He replies, a grin never leaving his face as he leans in closer. “I say arcade so I can check out your skills.”
“Deal,” You say, leaning onto the counter so you are only a few feet away. “The arcade it is.”
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lucid-loves · 8 months
Text
Taste Like Venom ~ Simon "Ghost" Riley Part 1
Pairing: Simon "Ghost" Riley x assassin!reader (fem!reader, no use of y/n, callsign “Hex”)
Word Count: 3.4k
CW: angst, violence, blood, strong language, scars, enemies to friends to lovers trope, slow burn, plot, clear attraction and sexual tension, smut later on, reader POV and ghost POV, minors dni, Soap lives in this AU
Let me know if I missed any CWs.
Synopsis: After Makarov gets away again, Laswell decides to force a favor from you, the world’s greatest assassin and best-kept secret. You are now expected to help the 141 with taking down Makarov in addition to playing nice with them. It’s hard to play nice when you have always worked alone. It doesn’t help that one of the team members, Ghost, gets curious about you with each interaction. 
Part 1 ~ Part 2 ~ Part 3 ~ Part 4 ~ Part 5 ~ Part 6 ~ Part 7 ~ Part 8 ~ Part 9 ~ Part 10
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You’ve always been a light sleeper, if you could even be called that. The truth was that you hardly slept at all. Bedtime was always more like cat-nap time. Light, soundless, ready to pounce at the sound of dust falling to the floor. That’s how you trained yourself and the habit stuck, even if you don’t take missions anymore. It was hard to deprogram a killing machine. 
The two years have been peaceful even if you were always on edge. Semi-retirement has been kind in only giving you the sounds of the forest trees in the wind, the gentle rush of the creek, birds singing every morning, and most importantly, no visitors. The world didn’t know that you existed and you preferred to keep it that way for as long as you could. While you did feel the phantom blood dripping down your hands every now and then to an unsettling reminiscent degree, you did like this little slice of heaven that was your off-grid cabin. It was a good place to be before you undoubtedly go to hell in the end.
You were in your bed when you heard the rustling of the forest floor just outside your window. Steps. But not the steps belonging to a fox or bear you have learned to recognize over time. These were the steps of a man. No, multiple men. The way the foot falls of a man walking is an undeniable melody you have heard thousands of times. In the dead of night, you bolted up out of bed and reached for your throwing knife and a pistol, always kept at your bedside. Like a thief in your own home, you silently followed the sounds outside along the walls until you reached the living room. They were going to come in through the front door. 
Under the cover of darkness, you readied your aim at the door. To your surprise, they were messing with the keypad that locked your house down, inputting codes with a subtle click and then beep of a correct code. No one should know the code except for two people. Laswell and yourself. 
As soon as the door revealed moonlight and a silhouette, you fired your gun. A warning shot. Grazing right past neck. The men stopped and immediately aimed their own rifles, but the one in front held his hand up in surrender. Following orders, the rifles were lowered. You were the first to speak, your voice dripping with venom. “State your purpose and maybe I won’t kill you all where you stand.”
A gentle yet deep Liverpudlian accent voiced back. “Easy now. We don’t mean harm. Laswell sent us here. Code Swan.”
“Song?” You replied, your muscles still tense, unwilling to lower your defenses until the full code was complete. It is what ensured both yours and Laswell’s safety.
“Black Death.” He replied back. You stayed in position for a few moments before finally sighing and lowering your weapon. You turned on a table lamp next to you to get a better look at the intruders. Four men stood in your doorway. One with a fishing hat, one with a mohawk, one with a baseball cap, and one with a skull mask. They were all tall, big with muscle, and seemingly not American from their patches. An interesting bunch to say the least. 
“Fucking Laswell.” You cursed Kate’s name. She should have contacted you about this. You were just about to paint the porch with her mens’ brains. You hated surprises. You often killed them before finding out the intentions. 
With a wave of your hand, you invited the men to come into your cabin. They cautiously came in, surveying the layout and now understanding what Kate meant when she said that you were “belligerent.”
You turned on the main lights and tried to get a fire going to relieve some of the autumn chill that had crept through the house. Their leader began to unload his things on the kitchen table, sighing from the weight relief. His men joined in, save for one. You could feel his eyes on you as you encouraged the fire. You didn’t even have to look back to know that he was watching your every move. 
“It’s rude to stare.” You warned curtly as you stood and turned. The man in the skull mask and balaclava didn’t avert his gaze.
His voice was rich and gruff like gaboon ebony. His Manchester accent came clear as day. “You’re half naked.”
He was referring to the large band shirt and boyshort panties that you were wearing. What did he expect from someone that thought that enemies were breaking in? You rolled your eyes and scoffed. “I’m in my pajamas. Besides, a good soldier shouldn’t get distracted by any amount of nudity.”
His blue eyes narrowed at your dig. He was a good soldier. An excellent soldier actually. One of the best. But excellent, good, or bad, no one would be able to resist staring at your figure. The exposed thighs, the large neckline of the shirt hanging off your shoulder, various scars scattered across skin like an abstract painting. He’s never seen anyone like you before. 
Too bad you had a combative mouth. 
Before he could get a word in, you had walked off into the kitchen, not bothering to go get pants on. It was your home for fuck’s sake. Besides, there were more pressing matters than your clothes or lack thereof. 
You began to pull out all the food you had out of your fridge. Everything from deli meat to leftover lasagna was being laid out on the large quartz island. You weren’t going to heat anything up or make something new, but the laid out spread would be enough. You weren’t a completely heartless host. Just a bare minimum one.
Once the food was out for pickings, you headed back near the dining room, leaning against the doorframe. The boys had maps, blueprints, and laptops covering every surface of your table. Your beautiful, hand-made pine table. This was to be their new safehouse for now. Hopefully not for too long.
“Captain, it’s connecting now.” The one with the mohawk called out. The captain came right over to greet the screen.
“Laswell, can you hear us?”
“Loud and clear, John. Did everything go well?” Kate chipperly asked. You haven’t heard her voice in a long while. You almost forgot how nice her voice actually was.
“She nearly shot my fuckin’ neck off.” Mohawk-guy grumbled. 
Kate gave a light, short laugh. “Sounds like it went smoothly then. The best that it could be. She there?”
All four men looked up to you, expecting you to come over and face Laswell through the screen. However, you stayed where you were. Instead, you spoke loud enough for your friend to hear. “Kate Laswell.”
“Hex, I’m sorry that I couldn’t warn you about this beforehand. You know I wouldn’t have done this if it wasn’t an emergency situation.” She began to apologize and justify. It was always an apology followed by a justification. You wondered if she even ever means her apologies, but in the end, you never really cared enough. However, now it is different.
“I don’t exist, Kate. And now four new people know that I do. . .” You retorted back.
It was silent for a moment, the tension in the air thick. She was on the other side of the screen, but it felt like you were going to get into a physical fight with her anyways. “They’re trustworthy. I trust them with my life and the lives of millions upon millions. Just like I trust you. And as the only people that I trust, I need you to help them.”
“They have already taken over my home. What more do you want from me?” You clenched your jaw, trying to prepare yourself for an answer you probably wouldn’t like. Like hell were you going to play dorm mother to them and like hell you were going to just move out. The last thing you wanted was to take care of these men longer than necessary. This was already pushing that line for you.
“Athame.” She bluntly said. That was the worst answer she could have said. The confused looks the men gave each other made you grateful for a fleeting second. They didn’t understand your secret codes and languages. But they will soon.
Your jaw was clenched so hard that your teeth ached. You damn near cracked them. While your voice before was dripping with venom, it was now drowning in it. “Are you fucking kidding me?!”
“Hex, I-”
You finally came over, nearly pushing the captain out of the way in your warpath. Through the screen, Kate could see how angry you were. Not just angry, furious. She steeled herself, ready for your onslaught of curses, stopping herself midway through her explanation. “I don’t do this shit, Kate! I work solo for a very particular fucking reason. And now you want me to work with four strange men?! Now you want me to play nice?! I’m not a fucking soldier that can just be ordered around!”
“I know! I know. . . But. . . we’re desperate. I’m desperate, Hex. Please, this is the last favor I will ever ask from you. This is an awful target we’re talking about. Someone that is better off in this world dead.”
“You mean Makarov, right? Why should I clean up your government’s fuck-up? Again, might I add.” You spat. You lived off the grid and weren’t a citizen of anywhere, but you still watched the news. You always knew what was going on in the world among other secrets. Makarov was a threat to the world, but as far as you were concerned, it wasn’t your problem. If anything, the government needed this lesson as a direct consequence of their negligence and incompetence. 
“Because Chalice.” She simply stated, knowing that her final word was a last ditch effort. Chalice was an agreement that you two had made long ago. It could only be used once in your lives, a truly desperate resort for help. If one of you uttered it, then the other would have no choice but to help, no matter the request. That was the law between your friendship, among other things. The other code words were favors, but this was the ultimate one. Life or death.
You considered punching the laptop in anger. Right at Kate’s face. You didn’t like her call for Athame or Chalice, but now you didn’t have a choice but to comply. It didn’t mean that you weren’t still furious though. “Fuck you, Kate.”
“Thank you, Hex.” She breathed a sigh of relief. She wanted to tell you more about what she needed from you, but she knew that you had to cool off first otherwise you would burst into flames. That would've made things harder for all of you. So, she nodded as a signal for dismissal which you gladly took. You retreated to your room, locking the door shut and basking in the darkness. 
You could feel the blood boil within you. It burned your insides and choked you. Grabbing your pillow, you pressed it against your face and screamed out your frustration. When that didn’t help, you punched the exposed logs of your cabin wall until your knuckles were splintered and bleeding.
~
Ghost sat on the couch, his thoughts swirling with uncertainty. The rest of the meeting with Laswell was brief, wanting them to try to decompress for the next several hours. Sleep, eat, process. All in the comfort of an assassin’s home. 
Compared to your personality, the cabin was decorated warmly. Everything was cozy, earthy, and fresh. The fire crackled comfortably, the plush couch was broken in, and every wooden piece of furniture looked hand-made. Bookshelves were filled with classic books and another shelf collected various music records. The only thing that seemed out of place was the lack of real personal mementos. No pictures, no art, not even knick-knacks. The others didn’t seem to notice or care as they picked through the food left in the kitchen. But for Simon, it left him uneasy.
He recalled the briefing before they were sent to the middle of nowhere to you. Kate said that you were an old friend of hers from high school. You have been friends ever since, but you were different than most people. You were a deadly assassin unknown by the world. No records, no pictures, not even a birth certificate. You handled delicate problems with grace and grave justice. You always worked alone, you didn’t trust others, and you were deadly. Everything about you was a secret until Kate made the crucial choice to ask for your help. Hell, they didn’t even know your call sign until Kate said it over the video call. 
“You should eat, Lt. There’s a lot of options, but they’re dwindling fast.” Soap patted him on the shoulder, awakening him from deep thought. Ghost looked up at the sergeant, watching him stuff a sandwich into his mouth. It looked like all the deli meat from one packet was in between the bread. No lettuce or tomato. 
“In a bit. I’m gonna talk to Hex real quick and ask some questions.” He replied and got up from the couch. 
Soap swallowed nervously. “Kate said that she’s gonna need time to cool off. . .”
“Our new member is part of the team now. She’s gonna have to get used to us even if she wants time for herself.” He justified it with a shrug of his shoulders. Soap shook his head and walked back into the kitchen, knowing that what Simon was about to do was most likely going to be a bad idea.
Ghost walked down the hall, observing each door as he passed them. Most of them were slightly open revealing extra bedrooms, an office, and a bathroom. Only two of them remained closed, both locked with keypads. For a second, he wondered which bedroom was yours before he could hear the sound of light music behind one of them along with swearing. It made him wonder what was behind the other door that was locked down.
Deciding to let it go for now, he approached your door and knocked. “Hex, open up.”
He heard you let out a frustrated groan before the door opened up. It was only just enough to see you, the pure darkness behind you, and the blood dripping down your fists. He crossed his arms over his broad chest and quirked a brow that you couldn’t see behind the mask. It didn’t take a genius to realize what you had done. “Are you done throwing a temper tantrum?”
You scowled at him, a fire in your eyes that made Simon’s heart skip a beat which confused him. He wasn’t afraid of you, so why would his heart alter its beat for you?
“If I knew that you were just going to insult me, I would’ve shot you dead on my porch.” You bitterly snapped, moving to close the door in his face. However, Ghost stopped it from slamming and took your hand in his, observing the damage you’ve done to yourself.
Your breath caught in your throat. Electricity ran through you at his touch. When was the last time someone has touched you? You attempted to pull back, but his hand firmly gripped yours. “Hey! What the fuck? Let go of me!”
“Calm down and let me see. It hurts, doesn’t it? Stings?” 
You narrowed your eyes, but eventually nodded. It did sting and the dripping blood already stained your carpet. However, you could take care of it yourself. You didn’t need some man coming in to try to fix you. “I’ll be fine. I can tend to it myself.”
“First aid in the bathroom?” He asked, seeming to ignore your clear hint that you wanted to be alone. 
Understanding that he probably wouldn’t drop this until he saw gauze around your knuckles, you headed to the hall bathroom with a huff, opened up the cabinet, and took out the first aid kit. You then took a seat at the edge of the tub and began patching yourself up. Every now and then you looked up towards the doorway, making sure that the skull man was watching you take care of yourself. Without his help. Without anyone’s help.
Finally, your hands were wrapped and the bleeding had stopped. You held up your hands towards him. “Happy now? Will you leave me alone now?”
“Hex.” Ghost simply said as a warning. God, you were infuriating. An attitude problem was something he would normally be able to snuff out immediately. He did it all the time when training new soldiers. Not you though. New soldiers were like little candles, easily blown out of their fire with just a breath. You? You were like a raging forest fire. One that clearly had its own traumas over years of service that the world may never know. 
You didn’t like how he studied you. How his eyes trained on you were a mix between hatred, curiosity, and something else that you couldn’t quite put your finger on. A magnetic pull that begged for you to look at him too. You also didn’t like how he was trying to treat you like one of his rookie soldiers. The only thing you wanted to do to make it all stop was to push him away. “Don’t talk to me like some new recruit straight out of school. I’ve already earned my place in the world with the amount of scars I have. So, don’t treat me like I’m under you. I won’t even let your captain talk to me like that.”
After putting the first aid back where it belonged, you attempted to leave the bathroom and retreat back to your bedroom. Yet, Ghost wasn’t giving up just yet. His hold body blocked the bathroom exit. He was tall, strong, and sturdy. It wasn’t hard for him to completely fill up the space. However, that didn’t intimidate you. You got up close, and looked straight into those icy blues. Even with the black warpaint, you could tell that his lashes were meant to be blonde. Some of the paint had flecked off revealing some true color. You wondered what the rest of his face looked like for a second. Just a second.
You stood your ground, engaging in a heated staring contest. It was like lightning crackling between the two of you. After a while though, Simon finally gave in and held his hand up like a handshake. “Lieutenant. They call me Ghost.” 
Hesitantly, you took his hand and firmly shook it, refusing to back down from a battle of wills. “Hex. That’s all you will know me by.”
Suddenly, he pulled you in closer, your chest almost touching his. On instinct, you pulled a knife from the waistband of your underwear. It was the one you took with you earlier for the showdown at the door. You held it to his neck, blade dipping in until you could feel the push back of skin. Ghost didn’t flinch or jump back at your defense. Instead, he whispered into your ear that he wanted to get close to in the first place. “As hard as you may try to fight it, you’re going to know me. And I’m going to know you.”
You bit back the shiver that went down your spine from the whisper, aching to slice his throat in retaliation. Chalice had you pinned, though. You had to avoid killing the people you are going to be working with at the very least. 
Ghost slowly backed up and headed back towards the kitchen for some food, leaving you to process what just happened. You silently walked back to your room without looking back at him, ears turning red and heart racing unnaturally. You didn’t want to give him any satisfaction by giving him any more attention. However, Simon was already somewhat satisfied. 
Yet, there was a part of him that wanted more.
Soap was eating a piece of lasagna when he walked in. Gaz and Price were quietly conversing at the other end of the island. It took a lot of food to fill up men like them. It wouldn’t take long for them to eat you out of your house and home unfortunately. 
“So, how did it go?” Soap nosely inquired. As Simon surveyed the food before picking out a tupperware full of stew, he shrugged casually.
“She almost sliced my head off.”
Soap suppressed a chuckle and did his best impersonation of Laswell. “Sounds like it went smoothly then.”
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How can I write the banter between a character and his/her friends? (how can I put a joke into writing in the most natural way?)
^I'm sorry for my english, this is not my first language^
Writing Natural Banter
There are two main reasons why banter comes off feeling unnatural in a story:
1 - The Dialogue is Unnecessary - Good stories have a relative balance of dialogue, action, and exposition. However, just as action and exposition needs to have a purpose in the story, so does dialogue. In other words, a moment of dialogue between your characters needs to be there to move the plot forward, develop the setting or world building, deliver backstory, develop character, or deliver vital information.
If you find yourself starting a conversation between characters just for the sake of banter or dropping a particular joke, and not because it accomplishes something important, the dialogue will fall flat because it doesn't need to be there. Instead, save banter for dialogue moments that need to be there... moments when your characters are talking because they need to talk
2 - The Banter is Irrelevant - In real life, banter tends to be topical. In other words, it's relevant to something happening in that moment. So, when your characters are having (or are about to have) a necessary moment of dialogue, think about the things that are relevant to them in that moment. What topical things might they comment on as they head into this conversation or mid-conversation? For example, if the previous chapter involved a big action scene where the characters were being chased by the bad guys, they might have a conversation the next day in which they make future plans. So, as they go into this conversation, what topical things might they comment on? Perhaps someone makes a joke about something that happened during the chase, just to lighten the mood? Or, maybe someone makes a joke about the place where they're having the conversation? Maybe someone suggests that their next move should be to research where the bad guys have their lair, and that might be an opportunity for someone to make a quip about who among them is good or bad at research. Again, it's all about relating the banter to what's already being talked about rather than pulling it out of thin air.
Making sure the banter and jokes are relevant to what's going on and what's being said helps to make it feel natural.
Happy writing!
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catskets · 2 months
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From Desires to Demo: How to Write a Good Demo for your Visual Novel
I'm deciding I want to expand on some topics in longer, fuller-length posts based on points I made in this general VN development post.
There is a problem that players have expressed to me about visual novel demos, especially in horror/romance/yandere circles these days: they are not demos at all. Rather, they feel like introductions to the characters and the setting, and nothing happens at all. No one wants to have to go find out everything good about your game by going to your Tumblr and going through 10+ months of asks to get themselves hyped up for your game. Most people are not going to do that. They will instead play your demo and go "this isn't enough for me to come back to" and never think about it again.
How, then, do you get people playing your demo and being excited for the full game? This is my personal guide on how to make a compelling visual novel demo.
In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel, or, perhaps, improve on what you've already made.
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What is the purpose of a demo?
A demo is short or a demonstration. Your job is to demonstrate a portion of your game to players. In more "traditional" games, a demo typically takes place in a very tightly-constricted space that is meant to show off how the game feels. Maybe this is the first few levels of a platformer that showcases the general atmosphere and gameplay of the game.
We aren't making action and adventure games in explorable spaces. We are making visual novels. Most visual novel demos just showcase a small portion of the game, maybe the first few scenes.
What your demo should have is this:
A general vibe for your game. You're writing a psychological horror game. Give me a taste of that! Show me a bit of the gore, a bit of the horror.
A sense of urgency. A lot of demos I've played and discarded have been discarded because the game itself does not give me a motivation
An established plot. What is going to happen in the future? Why am I in this world?
In general, think of your game as the back cover of a book. That's where the hook that draws you in to read it. Just give me a proper taste of your game!
There are cases in traditional games where things are hidden from the player in demos (let's all remember MGS2) and where things are changed in from the demo to the final product. That's perfectly okay! You are not obligated to update your demo unless you find gamebreaking bugs and other issues. If things change from the demo to the final product, let your players be surprised and intrigued by these changes!
I can make this a list of do's and don'ts:
Before writing your demo...
Do: Outline, plan, and everything else.
Unless you're blessed by Mnemosyne herself, you need to outline where your story is going to go.
When starting a project, I write a 1-2 page document that has this information:
Name of the game
The target audience
The genre and moods
A paragraph summary of the game
1-2 sentences describing main characters and their roles
Write a short scene that captures the essence of the game
Write a basic outline. You don't need to fit everything in and outline it all, but give yourself an idea. A beginning, a middle, a climax, and an end. Some people just write the start and the finish, and then the middle gets all muddled and convoluted.
While writing your demo....
Do: Make it clear how the choices will impact the game
Visual novels are a medium where player choices affect the game. Make sure those choices actually matter. They don't all have to, of course. They might matter later in the game, but you should at least try to write an example of how a choice may matter.
For example, in Art Without Blood's new demo, certain choices mean you meet the characters in a different order and experience different sides of them.
Having a certain amount of a sanity stat will cause characters to give you some flavor text.
Here's a very simple idea: if you're running your game on a "love points" or other points system, you can make it so if player gets 10 points with love interest, get a different scene. It shows that your choices are impactful. Just let players have a taste of the consequences of their actions.
Don't: Character dump.
Many demos I have played were just character dumps. This means using the demo just to introduce to us the characters but not giving them room to truly show their personalities or their attachments to the problem.
For example, I played a game recently that had the player complaining about their living situation, showing us the characters in the same living complex, showed off the yandere, and then had the player deal with an annoying, evil boss. That sounds like lots of games, right? And that doesn't sound very fun, does it?
Do: Ground the player in the world
Try to immerse your player character in your world. I want to read like I'm part of it. What is our purpose? If we are a stranger, how can you immerse us in a world so far removed from ours?
Do it slowly, and do it with necessity. You don't necessarily want an exposition dump either.
Establish the world, establish the conflict, establish why they got into this conflict, and leave us off with a reason to come back.
Don't: Make your players have to visit other sites to get important information
Your ask blogs or other social medias should contain supplemental material that keeps players engaged, but it should not be a place where you should go "well, actually, in the demo, x y and z should have happened but it didn't."
Try not to spoil your game on your socials. What's the point of playing if I can just read it all on your blog?
I should learn about the plot and the characters from the game itself. I should not have to get a sense from your blog about a character because they were so dry in the demo.
Obviously, this isn't to say you need to include everything about a character in your demo. But we need to get a sense of personality. I shouldn't have to go to Tumblr to find that personality.
Do: Ask for help
Making a game on your own, especially for the first time, is scary. It's okay to ask for help. It's okay to get people to help you out with parts you aren't so familiar with. It doesn't make you any less of a developer. A lot of people need some degree of help. There is nothing wrong with that.
Don't: Start your marketing until you know you can finish the demo
I've seen lots of demos that have been in the works for years. It can be disappointing for fans and demotivating for the developer to have an idea, tell the world, and then not see a demo for a long time. This is especially the case when money is involved, but it's still irresponsible to promise a product and never deliver it. Be honest about the status of projects and your life.
Do: Outline content warnings properly
It is up to the player to decide if they think they're capable and ready to play your game. Make sure to outline your content warnings. Cover the basics, and feel free to leave an extended warnings list in your game or on your game page for specifics.
Content warnings are usually things like blood/violence, profanity, sexual content, etc. Trigger warnings typically get into specific things, like suicide, dentists, or religious trauma. Think of content warnings like the ERSB.
Put a splash screen before the game starts that showcase the content warnings and a place to find trigger warnings.
Don't: Pull back punches with what your characters are capable of
It's fiction. It doesn't necessarily mean you support your characters being crazy stalkers. Know the audience you want to write for, and don't feel a need to cower. Let them be filthy. Let them get their hands deep into someone's chest cavity and rip a body apart.
What I'm trying to say is you really shouldn't tone down what you think your characters are capable of because you're afraid of making fans sad or upset because pookie isn't acting the way they thought pookie acted in their head. It's your character. You're commanding the story. You are choosing where it goes, not fans. Just because you have an audience doesn't mean you need to tone it down to be more palpable to others.
Once your demo is released...
Do: Keep a balance
Making games is very, very hard. And the world is very, very harsh. It is okay to let your fans know about delays or potential cancellations, such as through the devlogs on itch.io for your game, in your community spaces, or on your blog. Please be honest. If you do not think that, after a demo's release, you can continue on the project, make it clear that it has been cancelled or on hiatus.
People will be understanding. The world sucks, and it sucks the life out of us. People are more forgiving if you are honest with the status of your game, rather than leaving it in a perpetual limbo.
Don't: Think that the popularity of your demo constitutes how "good" your game is.
Your demo may not do well. That could be a number of factors. Maybe your marketing didn't hit where you think it should have. Maybe you posted it at the same time as another game. Not your fault. The full release may do better. Don't let the numbers be the reason you give up.
Do: Network!
Get to know fellow developers in the space so you can learn from one another and get more ideas for improving your own games.
Don't: Use developers.
Use a developer's resources. You should not be making friends with other devs if your desire is to try and become friends with big people. That's a parasocial relationship, buddy!
Do: Tell your fans the course of action
Do you have a development timeline set up? Writing multiple days? Give fans a general outline that you planned before writing your demo. It's okay to miss things as long as you're honest. But a timeline will help you hold accountability for yourself.
Don't: Charge for it.
I've seen at least 3 games take the "I'm going to charge for a demo" route in an effort to sway children from playing the game. This is going to sway everyone. Especially if players have not seen a complete + finished product from you, they will not be buying an unfinished game. There are other ways to hide your games from children, such as using itch.io's adult content filters and applying them to your projects.
Main takeaway: Be honest.
I say this a lot throughout this post, but it's because it pushes on a particular trend I see in beginner visual novel developers. There's this desire to create, but there is also the desire for fandom centered around what characters and world spawn from your creations. To maintain that fandom, you need to create. You need to be consistent. It may be harsh, but it's the reality.
Life is hard, and a large majority of us are NOT doing this for a living. Life will get in the way. It always has, it always will.
That's why it's good to practice integrity. Know yourself and your limits. Take steps back and be willing to be open + honest.
Fans won't be happy if you keep saying a game is delayed and show little to no work. Posting unrelated artwork and spending months answering Tumblr asks instead of making a game will eventually run you in the mud without anyone to enjoy what you have the potential to create.
Live up to your promises, and if you can't, be honest. Your community will support you as long as you're open.
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My Season 3 Wishlist:
💕Ghost Jackie haunting Shauna some more and Ghost Natalie haunting Lottie and Misty
💕No. more. Adam. Martin. I don’t want to hear about him anymore please I do not give a fuck‼️
💕Let Lottie be a little evil! I want her to spiral a little bit and go feral like I know they intended for her in Season 1
💕Nat thriving as the leader of the group, realizing that she has a true knack for leadership and survival. She finds purpose in that and it’s so sad and tragically ironic because we know that purpose will one day be ripped away from her and she’ll be lost and directionless again for most of her life until right before her death. I will eat that shit UP
💕Lottie being Nat’s cute little spiritual advisor in the Wilderness (and more sexual tension please, maybe a little smooch?)
💕Let Travis have connections and plot lines outside of Nat (and vise versa!) But also don’t just ignore TravNat just to please the fans that are upset with the way their relationship was written, fix it!
💕Please remember that Taissa has a son lol, like where is he??? Who’s taking care of him? Is he okay? One of his moms is in the hospital on the verge of death and the other just took off with her ex-butch to join a cult. CPS please take this poor child away!
💕Adult TaiVan
💕Pre-crash and post-rescue scenes!!!!!!!!!
💕Cabin Daughter is revealed to be alive and she was Javi’s “friend,” she’s the one who moved Crystal’s body, stole some of the bear meat, and she was the one who pooped in the pee bucket! (That last one isn’t necessary it would just make me chuckle)
💕Coach Ben dies! Not because I hate him just because I want to see the girlies go feral and kill him
💕Shauna VS Nat in the teen timeline
💕They find those underground tunnels from Lottie’s vision
💕Nat funeral😔😔😔
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