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chouhatsumimi · 3 years

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Hi! I am trying to become a japanese to English (& vice versa) translator. I can't find any sources to check the English to Japanese translation. It is difficult to get which grammar must be used since I am not a japanese native and don't know any natives to ask either. I have studied till N2 level but have no experience and must start freelancing to get experience so I need to figure out how to translate on my own. I can only use free translation software but I am not sure about it's reliability. I have seen questionable translations when it's for Japanese to English. Do think you can give any suggestions or anything that might be helpful?

Hi! I did put in a little time searching for the kind of tools you might have had in mind.

It seems that there are many that function in the exact same way but have different interfaces. Here are two of them. Many others can be found by searching "日本語文章校正ツール" or similar keywords. https://dw230.jp/kousei/

https://so-zou.jp/web-app/text/proofreading/

While they can point out some things to look out for, from the testing I did with them, they overlooked some pretty obvious errors, while also catching some things that I couldn't figure out why it thought it was wrong/sounded bad, or how to fix it.

There was one more I found that I didn't try, because it involves downloading software. This page explains the software, and another page on the site offers the download. The webpage is sponsored by a university, so I think it's safe to assume its trustworthy, but it might be a hassle and I can't say for sure if it works.

https://www.pawel.jp/outline_of_tools/tomarigi/

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That said, it's most common for translators to work from one language INTO their native language. While interpreters often have to go both directions (J <--> E), translators typically work either (J -> E) [English native speakers] OR (E -> J) [Japanese native speakers]. If you grew up bilingual, maybe you can translate both ways. But if English is your native language and you learned Japanese as a second language (which is true of my situation), it's pretty much not going to be worth bothering to do E->J translation, unless there are extenuating circumstances. The reasons for this are 1) You can't be sure that the translation you produce reads smoothly or is error-free 2) While you might think, but yes, if I do a really thorough check and compare it against native Japanese examples, I can be pretty darn sure it's perfect, the amount of time it takes you to do that is not going to be cost-effective. Like anything else, people purchasing translation as a service usually want the end result to be done well, in a timely manner, and as cheaply as possible, so it doesn't make sense to hire you for E -> J when they could hire a native Japanese speaking translator, or send their work to an agency to find that translator for them.

If you ARE translating into Japanese and are not a native speaker of Japanese, it is a good idea to have a fellow translator who has the opposite native language you do (in this case Japanese & English), and ask them to check it over for you (which, considering that's part of their job, you'd probably pay a small fee for). They could do the same to have you proofread their translations into English. Some translators consult friends/spouses, etc., but I think this can get old for them sometimes, so it's advisable not to rely on them for your job. You mentioned not having any native speakers to ask right now, but this is still an idea you can file away for in the future when you meet more people and get to know other translators.

In short, if you're aiming to become a translator working with Japanese but are not a native Japanese speaker, don't worry about translating into Japanese. Just focus on translating from Japanese into your native language.

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Translation software: let me make a distinction here between "machine translation" and "CAT [computer aided translation] tools".

Machine translation is Google Translate, DeepL, anything like that. There are times when they work well, but particularly with a language like Japanese that likes to imply a lot of information instead of stating it directly (such as who is doing the action described in the sentence), they're pretty much always going to miss something. In any situation that someone is looking to pay a translator to do work, it's because they already know machine translation won't cut it. One thing that's becoming more common is MTPE (machine translation post editing), where a translator "fixes" what's wrong with a machine translation (or more often than not, just re-translates it from scratch because what the machine came up with is mostly useless).

CAT tools, on the other hand, are widely used by translators. Paid CAT tools such as Trados, MemoQ, Memsource, etc. can be very expensive, and are often provided by a translation agency to their translators. (Also, most of them require a PC operating system.) There's more I could say, but since I haven't been in any situations that require them, I don't have any personal experience. I do have experience using OmegaT (free, works on Mac) and Felix (free, I use it on Windows). They both take a little tinkering to figure out how to use effectively, but basically what they do is, once you've translated a segment of text, they store the original segment and the translated segment, and for each new segment you go to translate, the CAT tool compares it to segments that you've previously translated to see if you can re-use any of what you came up with before. They can also have a built-in dictionary function, but that's basically just having your typical web-based dictionary but more automatically and in a more convenient location.

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For going into freelancing, I have a few recommendations.

Apart from CAT tools, some resources that I refer to frequently are http://nihongo.monash.edu/cgi-bin/wwwjdic?9T (basically looks up all the words in a sentence at once), http://thejadednetwork.com/sfx/ (if you're doing anything with sound effects, like manga), https://tsukubawebcorpus.jp//search/ (this is a corpus, I have another post on how to use it -here-, it's probably going to be your best bet when it comes to checking grammar), https://books.google.com/ngrams (for when it comes to figuring out what turns of phrase are commonly used in English), and https://yomikatawa.com/ (for figuring out the readings of names in Japanese, though there are other sites that work similarly).

When it comes to practicing, contests are a good place to start. The two I know of now are run by JAT in October (https://jat.org/events/contests) and JLPP deadline of 7/31 (and they're long, so it's probably too late for this year unless you're free between now and then: https://www.jlpp.go.jp/en/competition6/competition6en.html ) You can also practicing doing translations for fun. Any kind of media you enjoy (manga, video games, variety shows, newspaper articles) is a good target for doing a practice translation. Just be wary that it's not a good idea to post your translation in a public location on the internet, because it could be infringing copyright/licensing agreements, etc. Finally, there are websites like Gengo, Conyac, Fiverr and others where you can do gig translation work. They can be useful for practice, but also have the pitfall of paying, like, 5% of the rate you should be getting. This is an ongoing debate because on one hand, you can get practice while still getting a little money for it, but on the other hand, if customers can get people to do that work for 5% of a livable wage, that makes it harder for aspiring and working translators to find enough work that pays well enough to support themselves doing only translation for a living. Entertainment (primarily manga) scanlation groups also a significant enough force to merit a mention here- many aspiring entertainment translators find themselves a part of such a group. Practice is practice and developing your skills is important, but they also have many many of the same problems associated with them as I mentioned above, namely infringing on copyright and contributing to the inability of anyone to turn entertainment translation into a livable full-time job.

Another recommendation I have is to join some J/E translation-focused groups. This page lists a number of them: https://shinpaideshou.com/translation/ I can personally vouch for JAT as I am a member and I got my current job by being part of their directory. They run an online training program (eJuku) once a year around April, and applications only stay open for a few days, so if you're interested make sure you keep your eye out. Another one not listed on that page is https://swet.jp/ which is not entirely about translation, but it is heavily related and they host some good events. Twitter is also a very good place to be if you're getting into J/E translation. I prefer to keep my tumblr and twitter separate but if you DM me, I can give you my handle so you can see who I follow and who among that seems worth following to you.

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In closing, I see you say "I have studied till N2 level but have no experience and must start freelancing to get experience so I need to figure out how to translate on my own." I'd say, give yourself some time. Even at N1 there's still going to be a lot you don't understand (or at least there was for me, that's why I started this langblr). I'm sure there are differences in our situations, but it was about five years ago for me that I started diving into translation- I think I was between N2 and N1 then. I've done a lot of translating and gotten a lot of experience since then, but I also have and am experiencing a lot of burnout. (In fact, I'm procrastinating right now by answering this....) Many translators have a job and translate on the side, and it's also common to gain experience with a company or agency before diving into supporting yourself on freelance work. I'd encourage you to take a breath, get experience when and where you can, and remember that if you keep at it long enough, you're sure to get there- just don't wear yourself out or worry to death in the meantime!

OH and definitely keep track of what projects you do, how long they are, and how long it takes you to do them! Knowing your speed is important when it comes to setting your working rates. I am always doubting these, and they differ from person to person, but my current estimates are that I can do 600 moji (Japanese characters) per hour, ~10 min. of audio per hour, and I try to aim for $45~$60 per hour. Generally the lowest acceptable standard rates are $0.05-$0.06 per moji and ~$5 per page of manga. You'll definitely get requests lower than that, so remember your sanity and don't be afraid to say no, there are plenty of opportunities out there!

#translation #Japanese translation #nanikanamae #JE translation #a day in the life of translation #day in the life of translation #if you or anyone has questions feel free to ask #I am absolutely swamped with things to do right now and this probably took over an hour to write so it might not be soon but I will see it

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mk-wizard · 3 years

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Big Hero 6 The Series: It could have been better

Hello, friends. Today, I will be analyzing a TV series based on a movie that I fell in love with for its colourful themes, deep plot, compelling characters, great CGI and memorable messages. Before I get into it, I want to take a moment to say that I have quit doing videos. They are too big of a pain in the petunia to make and I write better than I speak, so I will stick to writing essays, reviews and more. Anyway, onto the analysis.

All I can say about Big Hero 6 the series is that it had a great concept, it presented some great ideas and tried hard to be a cartoon of the times, but it could have and should have been a lot better. The show’s downfall all centers around trying too hard to be kid friendly which makes the shame sting all the more because Big Hero 6 was already kid friendly even with its dark themes, sharp edges and intelligent writing. If anything, even the brightest kid friendly cartoons (Steven Universe, She-Ra, etc.) had those things and actually benefitted from them. By needlessly trying too hard, character development got scrapped, the edges were all smoothed out, storytelling was subpar, the humour was too silly and the executive meddling in the end produced a dismal final season. However, I don’t want this analysis to be one lengthy negative rant about how awful the series was because in its defense, awful is an unfair word. It did have potential and ideas which are worth carrying over to a reboot that I hope will be done someday in the future. Also, we should root for a reboot because Big Hero 6 would not be the first story that needs it before striking gold. Just look at how many times Spider-Man was rebooted in film before MCU found the version that worked. Anyway, I will list all the things in Big Hero 6 that could have been better in my opinion;

1- Go easy on the laughs and be more generous with the action. - I love adding comedy to my own writing because I think a good sense of humour makes everything better, but Big Hero 6 is not a stand up comedy routine. It is a superhero story where we expect action, suspense and life or death situations that are to be taken seriously first. The comedy should be for relief and with the right timing. Also, the chibi cutscenes and having characters act like fools aren’t funny. Ren and Stimpy are the exception not the standard and their way of making you laugh doesn’t fit an action series. In a show as big as Big Hero 6, real life physics and danger matters.

2- Make the villains menacing and gritty. - I admit that after having a movie villain like Yokai who was the stuff of nightmares, it is going to be a challenging act to follow, but it was obvious that the writers were trying especially with some villains who could have easily gone into some dark relatable territory. For example, Mr. Sparkles (the gentleman in the photo above) embodies social media and Internet personalities. Right off the bat, you have a long list of things which embody the dark side of that like scams, fraud, using social media to dox or harass, driving people to suicide, online predators, the Internet personalities being very depressed people in real life, and much more horrifying things. When you stop and look at it, Mr. Sparkles even looks like the Joker which hints how dark and scary he could have been if the stops were removed. The same goes for enemies like Hardlight who embodies online gaming, Liv with cloning, Obake an amoral and insane scientist, and Trina and Noodle Burger Boy (more on him later) being evil robots. Globby especially should have been painted and written in much darker colours rather being played off for laughs because he has many parallels with Clay Face. The only two villains who I can say were supposed to be campy, charming and comical were Baron Von Steamer and Supersonic Sue because they were a satire of the Adam West style villains.

The rest of them needed to be dark and threatening including Mr. Sparkles. In fact, I would love a rebooted version of Mr. Sparkles who gives me the heebie-jeebies. Going back to Noodle Burger Boy, I must confess that I was actually excited when I heard that he was going to be the main villain of the final season because I thought he was going to fulfill his master’s final wish and as a reminder, Noodle Burger Boy was based on a super robot for military purposes.

It would have been fantastic if Noodle Burger Boy was upgraded into a full military war machine with a new threatening look. For that, I think all of the villains deserve to be rebooted and have their full potential unlocked for better or for worse.

3- A show about geniuses merits genius level art quality. - I am usually forgiving towards art styles, but in the case of Big Hero 6, the oversimplified style with minimal details and lack of textures did not suit the show. The characters blend in with the background which makes them look flat and the special effects were extremely dulled down. I also know for a fact that Disney can do a lot better than this because I saw how superbly Tangled the Series was drawn.

You can see and almost feel the difference in quality, the number of layers and level of detail between the two styles. I think there was no excuse Big Hero 6 was not done in the same style and at the same level if not better as Tangled.

3- Don’t dumb down or flanderize amazing characters. - I absolutely detest it when characters are flanderized because it makes them one dimensional and grating. For example, Go Go is tough as nails and extremely calm, but she is not cold or hesitant towards helping her friends. She doesn’t require very special episodes for us to know that. If anything, the movie version of Go Go reminded me a lot of Garnet in how she deconstructed the broody character. She isn’t cold or emotionless. Just calm and mature. Another good example was how Honey Lemon was rewritten to be overly positive to the point of toxicity, naïve and oblivious with a juvenile obsession with stickers. Then you have poor Fred who was rewritten to be an incompetent fool. The spark that makes Big Hero 6 shine is that they are a team of geniuses meaning they are all intelligent. Even Fred is genius in his own way just not a scientific one. He has a vivid imagination, he is resourceful and can get himself out of tight spots. Please, don’t turn characters into dummies especially if their intelligence is a part of them. It doesn’t make them better or funnier. It ruins them.

4- Tadashi needs closure and honour. - I am all for Hiro making peace with the loss of his brother, but Tadashi is to the Big Hero 6 team what Uncle Ben was to Spider-Man. His loss was the catalyst if not the reason. He should never be forgotten. Moreover, there was never any true closure to him especially with the possibility that he may still be alive up in the air. After all, like Callaghan, his body was never found and it turned out that Callaghan was still alive.

With that said, who is to say that Tadashi was not secretly still alive and just hiding or being hidden? This is something that Disney really needed to clear up if not for the fans, then at least as a service to such an important character. Never just forget about them.

5- The format can only be episodic with a deep plots, continuity and character development. - Random episodes with a mere monster of the day is an outdated format which doesn’t fit Big Hero 6′s modern and bright setting. In seasons 1 and 2, when the episodes were plot heavy with character development, the series shined brightest. It also helped move the story along, but with the final season, plot was removed, closure was abandoned or poorly written if any was given, and characters were disallowed from growing. A good example at how plot and character development could have made this series and its characters better was the relationship between Hiro and Megan. Would it have truly survived or would they have broken up?

Would Richardson Mole have eventually lost interest in his obsession with besting and bullying Fred or would his obsession consume him compelling him to become a super villain? I do see quite a few similarities between Mole and Reverse Flash.

Then you have Karmi who is in my opinion, the biggest wild card of the bunch. She was intentionally introduced as an arrogant, prickly and unlikable yet complex character who rivaled Hiro bitterly.

Yet had a huge crush on his alter ego and as time went on, started to grow up and even form a friendship with Hiro. What would have happened further down the road with her? Would she have become a super hero herself? Or maybe even another love interest for Hiro kind of like how Black Cat is for Spider-Man?

Is Obake really gone?

What does the future hold Diana (Liv’s clone), Liv herself or the Sycorax the genetics company?

Is Alistair Krei going to become an ally to Big Hero 6 or an antagonist? There is also the issue at how little we know about the other Big Hero 6 characters other than Fred, Hiro and Baymax. What are Honey Lemon, Wasabi and Go Go’s backstories? These questions matter and while not every mystery can be solved, leaving none of them solved is lazy writing.

6- Executives, kindly stay out of the writing and any other part of the creative process. - I’m sorry, execs, but there is no nice way to say it. History itself proves that every time executives got involved in the creative process of any media, it got worse not better. Leave the writing to the creative team and the execs should only handle the legal stuff. Please. We understand that TV is a business, but writing itself is not. It is an art which you just don’t have a talent for. Let the creative people do their thing with the freedom necessary and you do your thing, deal? Deal.

7- Focus on Hiro and Baymax. - The are the main characters so keep them at the heart of the series no matter what happens around them. That is all I can say.

And that sums up all the things that could have made Big Hero 6 the series better, but this is all just my opinion. What is yours?

PS: I am well aware that the Big Hero 6 series is being retconned because a new series called Baymax is in the works as well as the long awaited sequel to the first movie. I am looking forward to both with an open mind. PPS: I also am aware that some people liked this show the way it was including the art style and I am cool with that. An analysis for art that includes cartoons is never right or wrong. It is solely based on opinion. I may have thought this series could have been better, but there are people who make arguments that it could have been worse.

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thearkhound · 3 years

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Kojima Cinema Vol. 4: Lost World

Greetings from Kojima Cinema in the U.S.

At the end of the previous month we went to the United States to attend the Electronic Entertainment Expo (E3), as well to research data for Metal Gear Solid. For this installment of Kojima Cinema, I'll discuss Lost World, the sequel to Jurassic Park, which I snuck out to see after attending E3, as well as its creator Michael Crichton (who happens to be one of my favorite authors).

By the way, Lost Warld (as in a combination of World and War) was the title of a canceled project that was planned to be my first game.

Lost World from Atlanta

I saw Lost World in a movie theater inside the CNN building in Atlanta. Since it hasn't been released in Japan yet, I was able to see it without any preconceived notions, but it ended up being very disappointing. Certainly there's a lot more CGI than the first movie and the dinosaurs are even better animated, but the story was way too much like a Godzilla movie. (Or maybe it was more like King Kong? Perhaps it's closer to Gappa: The Triphibian Monster?) At any rate, what happened to Michael Crichton's original story? I felt like going to Steven Spielberg and tell him "please, don't ruin Crichton's work anymore!"

Better CGI, But Half The Impact

I'm already used to seeing CGI dinosaurs, so there wasn't as much of an impact as there was for the first movie. I remember being moved to tears during the first movie when the Brachiosaurus, the first dinosaur, showed up as if I was glad to see one alive. There's a similar scene in this movie where they encounter a group of Stegosauruses and then Dr. Ian Malcolm says something along the lines of "everyone is impressed at first, but then they all run away" (there were no subtitles, so I'm not certain), which is nothing but ironic.

Jurassic Park: The Ride: The Movie

Ultimately the movie's priority is to charm the audience by showing off dinosaurs. It felt as if the plot and the characters were only added there as an excuse to showcase all the popular dinosaurs like the Compsognathus, the raptors and the T-Rex. It felt less like a movie written to tell a story and more like a film version of the "Jurassic Park: The Ride" attraction at Universal Studios. If you look at it with that perspective, it's a well-made and calculated film.

Despite A Noticeable Rut in the Production, Spielberg's Style is Still in Good Health

Spielberg's heart-pounding style is still in good health despite all of this. The scene where the trailer is falling off the edge of a cliff could be said to be one of the highlights in Spielberg's career. I don't like it very much, but the succession of one crisis after the other makes my hands sweat. Especially the gimmick of the glass gradually breaking is a novelty that no one else has done before. But I was left with one unanswered question. Why does the rear hatch of the trailer only has one sheet glass?

Unfortunately there were many scenes that ended up being not very interesting due to the usual hackneyed direction. There are many indirect effects that we're already familiar with, such as the camera tracking used since Close Encounters of the Third Kind, the use of lost limbs as seen in Jaws, rivers and waterfall turning red due to bloodshed, also seen in the original movie, and the swaying of trees and vibrations of water surfaces that gives the dinosaurs a sense of speed and weight... Perhaps the film would've been very different if the direction had been more creative. Was this the result of relying too much on CGI?

The Movie is Not The Novel

It's been two years since I've read the original novel by Michael Crichton, so I might not remember the details clearly, but it contained a certain message. He portrayed the habits of dinosaurs more extensively than in his first novel and even unraveled the dinosaur extinction theory with his novel ideas. In that sense, the book was less of a story and more of an academic study on dinosaurs. It also carried poignant criticisms and messages, such as warnings about technology and human society. As a fan of Crichton who was aware of the original novel, this film adaptation with its strong giant monster movie flavor left me dissastisfed.

About Michael Crichton

My introduction Michael Crichton was naturally The Andromeda Strain. Since then I've read all of his novels and essays that were translated to Japanese, including his work under the John Lange penname, all the way up to Airframe, with the exception of Eaters of the Dead. Crichton is one of the few authors whom I buy the first edition hardcovers from without hesitation. I've also seen many of the films he has directed such as Westworld, Coma, The Great Train Robbery, Runaway and even Looker. I like him as a filmmaker, even if he hasn't been holding the megaphone lately.

The Appeal of Crichton

Perhaps Crichton's appeal is that he has a visionary focus, creates a chaotic reality that is difficult to distinguish what is fact from fiction and skillfully embeds valuable information that few people know into his entertainment. The amount of data based on ideas and meticulous research is skillfully blended into products of entertainment. I aspire for the same thing Michael Crichton does in the games that I want to make. That's how I developed Snatcher and Policenauts, and it's the same thing with the upcoming Metal Gear Solid. The reason why I'm so fixated over creating a backstory or universe that doesn't really affect how a game works is because I want to get those aspects right.

Is A Fiction That Exceeds Reality Possible?

Lately there have been novels written by doctors, former mercenaries and even active policemen that ended up becoming hits. The realism and persuasiveness of such works is not something an average novelist can compete with just their imagination alone. Even I realized that when watching ER, a TV series that Michael Crichton created. What you create with knowledge will end up being completely different from what you create without. That's why asked for military advisor Motosada Mori to supervise the action and backstory in Metal Gear Solid. Recently, alongside Mr. Mori, we were able to gather research at a SWAT drill and a military base, where even saw an M1 tank. I think I was able to understand some things with such experience that I wouldn't able to from working at a desk alone. With Metal Gear Solid I hope I will able to create a video game with a Crichton-like aspect to it and not be lost in direction.

Source: Game Hihyо̄ Vol. 16 (September 1997), page 58-59

#Hideo Kojima #Jurassic Park #steven spielberg #michael crichton #Game Hihyou

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named-jiang-or-wang · 3 years

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SHANG-CHI (2021) Fan Revision

In my previous posts in @welcome-to-the-cafe I posted multiple rants about the movie itself. (Part 1, Part 2, Part 3). For such a great movie, there were still some flaws, which I will attempt to correct here.

Large fish first.

I hated the final CGI fest. Not the Ten Rings battle between Wenwu and Shang-chi, the one with ugly CGI monstrosity. "Dweller in the Darkness", for a name so mysterious, the result sure was a pretty generic bat-winged western dragon-shaped bastard. Really, as soon as it popped out of the cave, it stopped being scary; it stopped doing the one thing that made it more frightening than Wenwu, which was telepathically manipulate Wenwu using his dead wife's voice. That shit was creepy! Why stop it for the climax?? We need to involve the Ten Rings themselves in its creepiness. They should be empowered directly by the Dweller and dark feelings, and the Rings should partially transfer to Shang-Chi at his lowest, most-rage filled moment.

Plus, for all of the Chineseness of the rest of the movie, the Dweller in the Darkness looked incredibly Western. I can't think of one thing it references in Chinese mythology, which was strange since Morris does! It's a Hundun （混沌）, one of the Four Perils (四凶), why not use another one of them, like the Qiongqi (穷奇）. Especially the Qiongqi, since it supposedly eats people, so we can keeping the soul-sucking mechanic.

The little bat-spawns are also poorly-designed, and not fun to watch the martial artist army fight. Martial arts are meant to fight other people, by the Heavens, not weird flying tentacle things. Why is Ta Lo's training anti-human instead of anti-monster? Because anti-human training looks cooler. And we can keep that, with a solution I'll explain after complaining about the Dragon.

The CGI Kaiju battle between the dragon and dweller was cinematic, but it eliminated the kung fu from the final fight, reducing both Shang-Chi and Xialing to boring dragon riders. The dragon wasn't really something that deserved to be a character. I get that Shang-Chi is supposed to have his 'awakening' moment, where he embodies the dragon his mother teaches him about at the beginning of the movie. But the dragon doesn't have to be "real", it should be more of a spirit that goes into him, or comes out of his heart and empowers his body. Either way, it should be more of an internal instead of external dragon. This better reflects the internal emotional conflict of Shang-Chi, his guilt over not saving his mother and then doing terrible things to get revenge; he has to let that go, accept her loss, and with that, he can let his inner dragon out. Just like...shit, just like in Kung Fu Panda 3 lmao.

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So what are my solutions to the climax?

1) Make Dweller in Darkness possess Wenwu. Or suck his soul, and then take his shape. Maybe even take the shape of the mother as well at first!

2) Make the little soulsuckers transform into shadow martial-artists. They still can only be killed by dragon weapons.

3) Make the dragon a spirit that rises out of the water that goes into Shang-Chi and Xialing, enabling them to fight Wenwu/Dweller more evenly.

Here's my altered sequence of events.

The 5 humvees still arrive, the small skirmish between the Ten Rings and the villagers still happen (without the giant lions). Wenwu and Shang-Chi still duke it out, and Wenwu knocks him away. Wenwu makes the big leap to the sealed cave, and Xialing and the aunt notice. The aunt activates a magic thing that raises a giant bridge from the depths of the water and Xialing crosses over to fight her dad. Wenwu pounds the door a bit more, and the Dweller's minions shoot out in black mist, forming into humanoid shapes that begin fighting the villagers and Ten Rings.

Meanwhile, Shang-chi is having a flashbacks in the water of killing his mother's murderer, in the process, one of the Ten Rings that is knocked away during Xialing and Wenwu's fight finds its way into the water and revives Shang-Chi. He joins the fight just as Xialing is knocked aside, apparently over the cliff. Shang-Chi loses it, and fights his father more brutally, until 5 of the rings transfers to him. They whisper to him to make his father pay, and he knocks his father into the door, shattering it, and seemingly killing Wenwu. Shang-Chi is appalled at what he's done, and he collapses and drops his 5 rings. He hears his sister calling for help, and he rushes over to see her hanging off the edge of the cliff. He can't reach her, and he cries to her that he's sorry for everything. Xialing forgives him for abandoning her before, saying that him coming to Macau meant a lot, and that their mother would be proud of him. With effort, he pulls her up, while the 5 rings to his father who rises from the rubble. Shang-Chi said their mother wouldn't be proud after what he's done for revenge, but Xialing tells him that he needs to accept what has happened.

Wenwu looks triumphant at the open gateway, but a dark mist spills in front of him and take the rough shape of his wife. He is about embrace her, but she grabs him around the wrist and possesses him through the Rings. Dweller uses Wenwu's and Ying Li's voices to taunt Shang-chi and Xialing.

Shang-chi finally lets go of his guilt and stops "running away". The spirit of the dragon rises from the sea and goes into him and his sister, empowering them. They double-team the Dweller/Wenwu until he blows them back with "Enough!". The little soulsuckers return with their spoils, strengthening the Dweller, and now he has the advantage. He defeats both of them, holds Shang-chi down, trying to steal his soul. Xialing is trying to pull him away. Shang-chi looks his father in his eyes and tells him he forgives him and he is still a good man. This awakens Wenwu inside the Dweller, and in one dramatic moment, transfers the Ten Rings to his son. With this, Shang-chi knocks Wenwu/Dweller back, and Xialing restrains him with the ropedart. Shang-chi performs exorcism, deleting Dweller forever, but Wenwu is mortally wounded. He tells Shang-chi and Xialing that he loves them, and he will tell their mother how proud he is of them, then dies.

Rest of the movies is the same.

Oh, we do need to deal with the secondary characters.

Katy shouldn't be good at archery, but could save Guan Bo/Razorfist/Death Dealer in a key moment, maybe just by tacking. She could do more to counsel Shang-Chi and Xialing before their big moments.

Death Dealer was wasted. Unique, memorable design (if kinda half-assed), only to be ignominiously soulsucked first by CGI uglies. He is basically Shang-chi's primary martial arts tutor, so should know a variety of martial arts styles. To incorporate his opera mask (a full-faced one), and add even more mystery, he should be a bianlian (变脸), a Chinese facechanger, and for each face he has a different kungfu style. This could be used to semi-humorous effect, with mocking faces and angry faces. And a Monkey King face when he's using a staff! We should not see the glint of his eyes. Before Xialing runs across the bridge to fight Wenwu, she should have a showdown with Death Dealer to show she did learn kung fu even without him. They fight to standstill, until the aunt steps in and they kick his ass together. I think he should live too, and have a team up with the aunt to delete soulsuckers.

youtube

Oh I know now, Katy, Morris and Slattery should have a comical chase/fight with Razorfist. He screams "You! I recognize you from the bus! And you stole my car!!!", and he charges at them, ignoring everyone else. They find a way to beat him up, and think they've lost him, but he gets back up and almost has them, until the soulsucker bois nab him. Katy, being a good person, fires and arrow and saves his ass.

These, and some aesthetic changes, like giving the young mom a thin flowy cloth mask instead of her noisy bamboo one, would bring the movie up from a 7.5 to a 9.5 for me.

#shang-chi #rewrite #headcanon #simu liu #tony leung #menger zhang #awkwafina #michelle yeoh #death dealer #ten rings #asian american representation #marvel #revision #bianlian #Youtube

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canary3d-obsessed · 4 years

Text

Restless Rewatch: The Untamed Episode 13, second part

(Masterpost) (Other Canary Distractions)

Warning: Spoilers for All 50 Episodes!

This Fucking Turtle

The rock that Wei Wuxian and Wen Chao are standing on starts to move, because of course it does. It’s a tortoise shell, sort of. There are some problems with this ostensible tortoise.

First, Murder Turtle a tortoise is technically a turtle don't @ me doesn't look anything like a turtle. I try really hard not to project my western mythologies onto Chinese works, but god dang this thing looks like the Loch Ness monster.

Second, its shell wobbles a bit, but there's no indication that the creature can move around the cave until much later. During an extended fight with several tasty cultivators, it stays put and just moves its head around.

The immobility problem aside, it's not a terrible monster. After the hell dog, I'm relieved to have a normal CGI beastie where some things are done really pretty well. Its eyes and skin are particularly good.

What's not good are the teeth. When Murder Turtle closes its mouth, its long pointy upper teeth have nowhere to go, so they pierce its lower jaw and just sink in there. No wonder it's pissed off.

Its relationship with its shell is...well, let's save that for the next episode.

Irons in the Fire

Meanwhile, Wang Lingjiao (Wen Chao's girlfriend) decides she's in the mood for barbequed MianMian, so she grabs a hot iron to burn her face.

Wei Wuxian to the rescue! He shoots three arrows at once and hits all three of his targets, in a move that he'll repeat with even more arrows at a later date.

Wang Lingjiao decides to throw the iron at MianMian, who decides not to duck, while Wei Wuxian leaps into the path of the iron and gets deeply burned on the chest through his clothing. This is absolutely definitely how time, things flying through the air, and branding irons work.

(more after the cut)

Jiang Cheng and Wen Zhuliu start fighting again. These two can't quit each other, almost like they have a date with destiny in their future. Jiang Cheng shows off his purple bloomers while he and Wen Zhuliu try to outspin each other.

Camera operator: Why you gotta take it out on me?

Wen It’s Time To Say Goodbye

The Wens decide to dip, heading up the rock face and cutting the ropes behind them, which would be super inconvenient if several of the cultivators didn't know how to literally fly.

But they also put a bunch of rocks in the hole, while Wen Qing begs them not to do it.

Down at the bottom of the cave, everyone sits and chats, while Murder Turtle wishes it had legs so it could chase them. Oh wait, it does have legs, it just isn't ready to get out of the bath yet

Call the Waaambulance

MianMian is crying over all the nonsense the writers have put her through in this episode, and Wei Wuxian tries to cheer her up by talking to her like she's a toddler. On the plus side, he'll be a great dad for a toddler one day.

Jin Zixuan: I'm used to women crying around me, is that not typical?

Lan Wangji has got no time for cheering up crying girls, and starts heading back to the turtle bath, because he has figured out how they can escape.

He and Wei Wuxian show off their mind reading abilities, where Lan Wangji explains absolutely nothing and Wei Wuxian perfectly understands him. See also: “Fortunately.”

Rather than try to swim for it, the other cultivators want to hang around and wait to be rescued, or just generally feel like staying put and whining.

Wei Wuxian takes charge through sheer force of personality, and makes Jiang Cheng go find the way out while he himself distracts Murder Turtle with fire.

Wei Wuxian can make talismans without 1. ink 2. a brush or 3. paper. He just needs his flesh and his unusually sharp incisors. He's so far ahead of everyone around him; how is a dude this talented ever going to be anyone's right hand man? He’s already on track to creating a new talisman-based school of cultivation, even if he never gets around to the whole necromancy thing.

Swimming in the Pool, Swimming is Cool

The main group of cultivators go swimming while Wei Wuxian lights fires to keep the tortoise's attention. For some reason he just stands there when it's about to eat him...maybe he's mesmerized? Lan Wangji flings him out of harm’s way and gets his already-busted leg chomped on.

Wei Wuxian pulls Lan Wangji to safety and tells the other cultivators to get going. Jiang Cheng doesn't want to, but Jin Zixuan convinces him.

For fans of homoerotic screen caps, this episode is a gold mine.

Murder turtle suddenly remembers he has legs, but Wei Wuxian and Lan Wangji instantly find a room he can’t fit into, so they’re okay for the night.

Owie Owie Owie

Now we have an extended hurt/comfort session with our wounded heroes. Lan Wangji is bleeding, so Wei Wuxian...puts a splint made of sticks directly onto his unbandaged lacerations, and ties it with his pristine headband, which will remain pristine. Then he puts medicine on the lacerations.

This seems like a situation where the script said "broken leg" and the makeup department said "MOAR BLOOD" and nobody changed the direction to the actors. In any case, the sticks seem to help and bandages are not mentioned.

What is mentioned, of course, is the dreaded stale blood, which plagues many a c-drama hero, and has to be driven out through strong emotion. This is totally how the human circulatory system works. To be fair, there is probably a perfectly reasonable underlying concept in Chinese medicine that has been exaggerated for dramatic effect, so that every possible ailment or injury results in vomiting blood, sometimes sexily.

Wei Wuxian clears up the blood problem super quickly by offering to show Lan Wangji his dick, not to put too fine a point on it. Alas, he retracts the offer once the crisis has passed.

Once they settle down, Lan Wangji takes the opportunity to put some medicine on Wei Wuxian's burned tit, and to chide him for letting himself get injured. It's like he doesn't even know him.

Wei Wuxian: I had no choice, because I am psychologically driven to sacrifice myself for other people at every opportunity. Get used to it, cupcake.

Wei Wuxian points out that MianMian is pretty and that it would be bad for her to have a mark on her face. Lan Wangji points out, not quite in so many words, that Wei Wuxian is pretty and now HE has a permanent mark. Before Lan Wangji ever got to see his bare chest, too.

Wei Wuxian says it's cool for men to have marks on their bodies. Preferably hickeys and rope burns, but scars are okay too.

Lan Wangji: you're going to love my future body mods, then.

Then Wei Wuxian waxes poetic about having a pretty girl remember your heroism, and Lan Wangji gets jealous and cranky. Wei Wuxian misinterprets this, but not unreasonably, considering that Lan Wangji was putting his own body between MianMian and harm not all that long ago.

After some extended eye fucking followed by laughing and saying "no homo" for the censors, the conversation moves to a more serious place.

Wei Wuxian engages in a little WangXian meta analysis, noting that Lan Wangji can tease him now, and is talking to him slightly more. Falling for a high-spirited, popular extrovert has been hard on Lan Wangji, but Wei Wuxian is also struggling with falling for a nearly-silent, crushingly-shy introvert. Wei Wuxian really does find Lan Wangji boring on one level, at the same time as finding him utterly compelling on other levels.

Wei Wuxian starts to say something about the Lans and stops himself with this charming gesture. I've seen it here and there in c-dramas and I assume it's a thing in China. It's a perfect way for a hyperactive talker to say "I'm shutting up now" without using even more words to say it.

Lan Wangji finally, FINALLY tells Wei Wuxian - briefly - what happened to his home. Wei Wuxian, in one of those moments of empathy that they have more and more often as time goes on, asks about his loved ones, and forgoes any other questions.

Lan Wangji tells him that Lan Qiren is seriously injured and Lan Xichen is missing. Wei Wuxian is extremely concerned about one of these people.

When Lan Wangji falls asleep at 9pm on the button, Wei Wuxian tenderly covers him in his own robe, offering physical comfort in place of the emotional comfort Lan Wangji won’t let anybody give him.

Then Wei Wuxian gazes at him like a lovestruck dope, before settling down beside him for the night.

Soundtrack: Peter Gabriel, I Go Swimming

#fytheuntamed #the untamed #wangxian #wei wuxian #lan wangji #the untamed gifs #the untamed meta #restless rewatch the untamed #canary3d-original #my gifs #the untamed spoilers

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monsterqueers · 2 years

Text

Semi-Liveblog of Xenogears

Finally getting around to this crunchy 1998 jrpg, watching it on youtube because ive been told the UI and game mechanics are really ass in places, this will be copypasted from my carefully largely spoiler free discord ramblings to my platonic partner in batches so no spam.

I know a few spoilers for this that were specifically why I wanted to witness it- IE that I can ‘Same Neurotype!’ a character, and its Really Dark. The Mindfuck stuff goes without saying its the monolithsoft staff.

Copypaste from last night under the cut

Ohhh man the screen resolution and menu sound effects very crunchy ps1 shit The low res anime&cgi cutscenes with 90s dub voices... -chefs kiss- Very crunchy Man I think I recognize this fucking random extras voice.

(...)

but the dubbing pool of voices in 98 was pretty small so chances are I HAVE heard it but oh man this is a tense moment and the VAs sound like they are discussing the weather this is great

-juicy Space Bullshit happening- Some dude: Im evacuating the ship (said like im ordering coffee)

The graphics are pretty impressive for the ps1 I think. The cgi is hysterical tho Im sure it looked better on a crt tv because the spacing and blurring or the lights makes the shading look less fucky on a lot of older stuff The detail on the 2d animation is really good tho for a ps1 anime custscene

oh naked lady dubiously censored naked lady yes this is a xeno game there must be boobie. Contextless boobie Oh man now I gotta read a lot of white text on black screen lol but the music is nice never heard it but it sounds nostalgic 'look at this cute village with cute music!' ok 'it is now on fire!' That sounds about right oh my fffuninkg god that screen transition windows movie maker shit ohhh yes this is good the screen is still wobbling and flashing oh lord the eyestrain lol

First thing the protagonist does is swear we are getting off to an excellent start Awwwe he paints thats cute

oh god the iu direction hud THATS AWFUL(complementary) thats very 90s 00 Weird Shit Before They Codified Whats Expected With A Hud design

Fei(Protagonist) has a sparse room with just a fuckton of art supplies in it where he seems to be only drawing self insert fanfic lol. Hes got his priorities in order. oh man that low poly cow

They did good to make a fully 3d 'move the camera around' game in 98, as low poly as it is I can see the 'sort of squeezing out everything you can out of the game engine' effort that went into xc1 in this

This girl and also this whole village totally has death flags I can smell it on them they are to happy and cosy Fei dodging conversation he doesnt wanna have like Naked Dunban

Oh what the shit you can talk to an npc while you talk to another npc??? lmao CRUNCHY gameplay that sounds like you can cause problems for the ui and fill the screen with textboxes I hope they thought of that and don let let you endlessly add more text boxes this town music really sounds like music ive heard a million times before for hours but I know ive never played this game maybe its background music for some video essayist or something very cosy tho

KITTY OMG IF YOU TALK TO THE CAT IT MEOWS??? CAT SPOTTED AND IT IS ALSO GREEN FOR SOME REASON KITTY KITTY they better not kill the cat (they will probably kill the cat) you can make him(the protagonist not the cat) jump in a well for no reason lol OH PUN "'well' done! you found an item!" "Alls well that ends well." Ok this is a good localization

'bearcows' Oh so that isnt a cow its some fucked up chimera thing oH GOD ITS MOUTH OPENS LIKE A BEAR GOT IT OK

its got canines..... This animal is almost certainly one of the most dangerous.... Bulls kill so many people every year and this one has TEETH

'We got -list of a bunch of combo fruits and veggies- and turnips!' turnips, the universal constant I guess

no dont drink fertilizer fei apparently drinking miracle gro will heal you Dont Worry About It

The space lazer sounds for messing around in the menu lol

There is just no combat tutorial AT ALL HA oh hes got voice acted lines in battle lol!!! Thats a higher voice than I expected

completely incomprehensible battle hud fans really werent lying there it is Super Crunchy Can barely read this lol and at the speed the person playing is buzzing through it I cant tell if its turn based or not Dont know what that bar is either I THINK its turn based with a time limit? Yeah seems to be Head so hard you can kill a wolf by headbutting it I guess sorry its a two tailed jackal lol thats cool monster design tho

its a chicken in the house how cute! -talks to the chicken and it makes a horrible staticky noise- ah Fei, while pleasant bg music plays: hm wonder where the doctor is :) -explosion noise- -all music stops-

found him!

Ah yes For No Particular Reason This Is Shaped Like A Cross And Has A Winged Person Statue In It

This game is under NO CIRCUMSTANCE epilepsy or motion sickness friendly lol

Also yes the windows movie maker wobbly screen effect is EXACTLY what dissociation feels like thats right.

Knowing the special spoiler that I do about this game makes this part unintentionally funny. Dude its your alter. Crack ur plural egg. The childs VOICE ACTOR OH MY GOD LMAOOO OOF Things are already going ‘fun’ directions

Oh I think im getting whats going on with combat, you do fucking button combos in your turn??? is that whats going on? Oh GOD the platforming..... Oh thats the real content warning for this game.... Oh wow. Thats really bad. oh! Is that a conlang or another real language I cant tell its cool has anyone tried to make a language bible for it if its a conlang? conversations like Fei: If ur gonna kill me at least try to aim for the vitals attempted murderer: What The Fuck We finally get a full name for our protag! Rejoice! HAHAHAHHA OH MY GOD WHO IS THE MCS VOICE ACTOR LMAO OH MY GOD THIS IS VERY MUCH EARLY DUB HMGJFDjgh

oh hey his va was an extra in avatar the last airbender

The voice cracks in the kid version of the character ohhh my god this is excellent horrible 00s english dub

the music is really good though very nice atmosphere

Yeah it seems to be different button presses use some energy on the bar and you combo them in an attempt to puzzle that together for your turn with some combos being special and will do lots of damage or something???

Also you can really hear the music vibe being very xenoseries. Them violins set to mental break downs <3

'the lip synch in xc2 is bad' Observe Xenogears Lip Synching in the anime cutscenes Oh man its Bad Lip Synching (in a good way)

wow thats a lot more blood than theyd get away with in a t rated game today! well its 2d so probably actually thats fine but

Jesus christ Feis english VA is unintentionally hilarious Its a 14 year old anime boy voice and hes Beefy Like it would be one thing if it was a good 14 year old boy voice, but it sounds like a grown man trying(badly) to do a 14 year old boy voice for a beefy man which is why its funny good thing hes mostly crying and screaming in the cutscenes and not talking

Random t rex in a xeno game we meet again!

LMAO deus es helicopter

Dropkicking sharks in the desert... Yes. Normal activities

Ahhh yes, time for the talking about god again! This is a xenogame AND a jrpg after all. Gods are hunted for sport. I think I kinda like the 1.25 speed versions of some of these songs more than the regular version but that might be because ive now listened to them that way for 2 hours

Oh yeah this is a game that if you played high would be a very bad time. Some real mindfuck shit is happening (complementary) HIM! The dude the internet really likes! Blonde himbo spotted! BART XENOGEARS,,,

wow the doctor guy can do a full split his wife must like that

HHHEXCUSE ME???!?! Word for word quote: 'Is there anyone who is almost dead, with no arms and legs, or in need of an abdominal operation!? No one...? Well that's depressing..."

LMAOOOO We found a dude in a cave who doesnt believe in evolution and thinks space aliens brought humans to the planet and hes probably right lets be real this is a jrpg. (edited) Guy In A Cave: -proceeds to belt out straight up bible stories when asked about what ‘myth’ he believes in- Ok this is a xeno game he is almost certainly right if hes yelling about god

Just three dudes in a cave, two himbos with hair past their ass and an old man yelling about god and his skull collection. Lovely.

There is one brain cell in the party and our other guy has it who isnt in the party right now. We are talking to the old dude. We should not be talking to an old dude who collects human skulls even if he is friendly but thats just me

This customization menu is atrocious oh wow INCREDIBLE,,,

Wow Bart really is proto-Zeke from xc2 no wonder xenofans are rabid for himbos. WHY must the customization window zoom to the asscheeks of the not-gundams every time you refuel them What, are we piping fuel up the robots asshole? Is that whats happening?

Oh new himbo is kind to children no wonder people think hes husband material lol

-insert 'sand is coarse and rough and gets everywhere' star wars joke here- also new guy has pirate music and pirates are cool so like.

its a fucking prOJECTOR HEHEHEHEH LIke the ones that project light on a viewscreen from above omg you can taste the 00s

Man I can see exactly why xenogears people are so obsessed with Bart. Pretty, beefy, friendly but distinctly weird to mildly unhinged, pirate-cowboy-prince, whips. wait a minute wait a minute. Robots, mindfuckery, sad protagonist who Doesnt want To Get in The Robot.... When did NGE come out old on- I thought so it came out in ‘95 I feel this is a bit of a love letter to NGE

omg omg Bart does a little hopping animation when hes excited thats adorable

does... does this bad guy really just straight up have a giant cross tattooed on his face??? Theres heavyhanded symbolism and then theres whatever that is (edited)

ok I have to stop watching these and go to bed but thots so far: - The fandom darling is as good as advertised. Excellent man lemmie give him a headpat I want to eat him like a croissant. - Charming and Weird And Fucked Up in equal measure which is good - You can smell the crunchy 90s sci-fi emanating from this game(complementary) - The music sounds deeply nostalgic like ive heard it for hours a million times before but ive 100% never heard any of this game. Good stuff. - I am intrigued how the funny 'jump in the well' gag has progressed from funny pun hole with items in it if you jump down it a few times into using a well to sneak into some shitheads lair and unkidnap a little girl. Wonder if this is gonna keep being a thing.

#xenogears #liveblog #wayward rambling #xenogears lb #theres some spoilers in here ig

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plasticnightmaredoll · 3 years

Text

Mortal Kombat (2021) Review

Well, well, well....here we are, a Mortal Kombat movie -- not the first, obviously. I will say, it's much better than both films from the 1990s. I will also say that, for the most part, I enjoyed it more than "Mortal Kombat 11" and its garbage DLC "Aftermath."

Come for me all you want, but I am standing by my thoughts on that game and its DLC.

Overall, I did like this new "Mortal Kombat" movie. It was entertaining. However, I have...a lot of issues with it, too, pertaining to lore, acting, and special effects.

What was the best part of this movie? If I had to pick one? Oh, definitely Hiroyuki Sanada as Hanzo Hasashi/Scorpion. He is one of the best Japanese actors working today. He's one of the best actors working today. Having him play such an important character was probably the best choice the producers made.

Also, quick side note: Hiroyuki is 60 years old. HOW?! I mean, he doesn't look 20, but 60? I have my doubts.

Also, this is the first time I've heard him speak English. Interesting.

Another wise decision the producers made for this movie is casting Josh Lawson as Kano. I don't like Kano. He's a dick, but Josh gave the idiot a sort of douchebag charm that you couldn't help but be amused by.

So, what did I like, broken down:

Josh Lawson and Hiroyuki Sanada

The opening scene and final fight were the best scenes in the movie. Fantastically done, both of them.

Some cute little references to MK lore: a picture of Nightwolf, the use of "flawless victory," the use of "fatality," some suspiciously MK-sounding music cues, the massive statue of Shao Kahn...There were some nice fan service moments.

The fights, even the training ones, were all entertaining. Kind of like with "Godzilla vs Kong," the action is one of the strongest points of "Mortal Kombat" (2021).

The concept of the dragon brand to indicate who would fight in MK tournaments was actually a great choice. It does give the writers an excuse to not worry about including EVERY MK character; only the ones who have been "chosen" can fight at this time. It makes sense, it works, it's intriguing.

Kung Lao slicing Nitara in half (Sorry, Nitara -- love ya, Girl!) with his "spinning hat" technique was probably the most Mortal Kombat kill of the movie. It was extremely graphic, bloody, gross, over-the-top...it was perfect.

Hanzo toasting Bi-Han with his classic fire breath was a badass move if I ever saw one.

I did like how Mileena's mouth "worked" in this movie. She had sharp teeth and reddened skin(?) around her mouth to indicate that there was something not quite right with her face. Then she gets pissed later in the movie and opens her jaw completely, revealing an almost snake-like mouth, the skin tearing in the process. It was pretty badass. I liked it.

I actually liked Raiden a lot in this movie. I don't particularly like him in the games (don't come for me -- it's just my opinion) but I thought he was awesome in this movie, a truly intimidating but wise presence. His lack of full assistance made more sense in this movie, too (again, don't come for me because this is just my opinion).

The special effects were sometimes quite good. Sub-Zero's ice powers were well made, for example. Another example is Goro, who was fantastic (so much better than he did in the 1995 movie).

The backstory behind the main weapon of Hanzo was a pleasant surprise: it was a gardening tool to being with, and he just so happened to find it and turn it into a weapon.

Mixed thoughts:

The acting was decent overall. The only two I thought did great were Josh Lawson and Hiroyuki Sanada, but everyone else was ok. Some of the performances got a little hammy at times, but...I'm not going to take too many points off for that.

I liked Mileena but also was disappointed. She wasn't as malicious and flirty as she normally is; like she was watered down in this movie for some reason. However, she still was a dangerous fighter and her mouth was crazy! 👄

What I didn't like:

Some things didn't look so great. When Jax lost his arms, it looked...well it looked like blatant CGI. The lighting barrier Raiden created to protect his fighters from Shang Tsung looked pretty cheap as well. Some set pieces looked a bit too much like set pieces. I know we're on a set because this is a movie. However, when it looks kind of obvious, it really distracts you. I know this is a Marvel movie or something, but I think the special effects and sets could have looked a bit more refined.

I preferred the Quan Chi twist in regards to the death of Hanzo's family. It provided a much more complicated revenge story, and...I just think it was a better choice than making Bi-Han the murderer, like in this movie. I get that if they did use the Quan Chi twist, this movie would have become, like, 5 hours long or something, and would have had yet another character to develop (or attempt to develop). Still, it's not my favorite take on the Sub-Zero vs Scorpion story. So...meh.

Reptile looked impressive. He was more like a ... reptile than usual, you know, as opposed to a humanoid reptile creature. However, he didn't speak and didn't wear any armor, and his role in the movie seemed forced. It felt more like a badly executed fan service moment, like, "Heeeyyyy, it's Reptile, Guys! Ok, kill him because we have too many characters already...."

Cole was a likable guy, but I didn't see a point in his character being in the movie. He isn't an MK character from the games, and this just doesn't seem like the time to make a new character for the franchise. There are so many more MK characters to choose from, I think they could have avoided making up someone.

At the same time, though, this movie does suffer from having too many characters to focus on: Cole Young, Kano, Sonya Blade, Jax Briggs, Liu Kang, Kung Lao, Reptile, Mileena, Reiko, Kabal, Shang Tsung, Raiden, Hanzo Hasashi/Scorpion, Bi-Han/Sub-Zero, Goro, Nitara...I mean, damn, that's a bunch of characters to cram into one two-hour film. People who know little to nothing about MK may not be bothered by this, but fans like myself most likely will feel disappointed with how certain characters were handled in the movie.

Reiko, what...did they do to you? Did...he even need to be in the movie? I mean, he was just.....there.

Having the concept of "arcana" was just...I don't know. It wasn't a terrible idea but it also made things even less believable. No one got their unique traits due to some sort of weird-ass prophecy or whatever in the games. I suppose the writers used this "arcana" thing as a way to keep the movie flowing and avoid having it be hours long. However, it just didn't sit right with me.

I know this movie is only two hours but I would have liked a little more development for Mileena, Reiko, and even Kabal. Kabal gave us the short version of what happened to him but, again, it was so quick. Like, blink and you'll miss it. I think Mileena and Kabal are two very interesting characters in MK, and having them be so one-dimensional was disappointing.

Hanzo was barely in this movie. It seemed....weird to me. Bi-Han was out there wrecking everyone's shit and Hanzo was somehow trapped in the Netherrealm until Cole was forced to fight Bi-Han one-on-one? I mean, eh? They chose the absolute best actor to play Hanzo but didn't use him much.

I was so disappointed to see Kung Lao killed off. I mean, characters that die in MK games don't always stay dead but still....he was so much fun in this movie (as he should be).

I didn't care for the portrayal of Nitara at all in this movie.

I didn't hate "Mortal Kombat" (2021), but I didn't love it, either. I'd watch it again, and I would watch a sequel, but there is definitely room for improvement. There is a lot of potential for the next MK movie(s) to be much better (this movie had clear potential, too, to be honest). I just hope that maybe the writers will realize this if a sequel is made.

Final grade: C+

#mortal kombat #mortal kombat 2021 #mk #liu kang #shang tsung #raiden #cole young #hanzo hasashi #bi-han #sub-zero #goro #kabal #mileena #kung lao #sonya blade #jax briggs #kano #reiko

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icarus-suraki · 3 years

Note

☕ opinions on old films?

Send me a ☕ and a question and I’ll ramble for you.

Oooh, how to interpret this one? Because when someone says "old films" I immediately think of black-and-white films, but given that the 1970s was 50 years ago, maybe those count now too.

On the one hand, count me in with the anti-Gisnep, pro-practical effects crowd. That's something that old films have that the newest ones don't: practical effects, no CGI. Gimme some puppets and rigging and pipes and tubes and clever ways to make what someone can imagine happen in reality.

"But that looks so baaaaad!" Yeah, well, it took a bit more union labor and ingenuity to do in reality what is now done with green screens. I think seeing Ian McKellen sitting in an all-green set for The Hobbit and saying "This is not why I became an actor!" really drives home the point. There is something to be said for the Old Ways with real people in real sets with real props.

Now. Does my fondness for old techniques absolve old films of a lot of the outdated and downright problematic elements? No, of course not. Birth of a Nation has some historical significance as such an early full-length film but it's really, really problematic in terms of plot and costuming. And of course more recent films are guilty of a lot of the same things (see: Cloud Atlas) but there's less support for why these decisions were made to cast a white actor to play a, say, Japanese character.

So, to that end, I think one of the best ways to think about old films is to have a context around them. It's much the same way as reading literature--especially from eras and/or places you aren't as familiar with. I read Rebecca of Sunnybrook Farm as a 6th grader (I think?) and a good 90% of it went right over my head--because I had no context. Once I got into high school and beyond, there was all kinds of context put around what we were reading and it made everything make so much more sense. And damn if I wasn't glad to have a whole book of annotations for Ulysses.

Likewise with old films: you need a context to frame it. Yes, you can interact with Street Angel (1928) in terms of its plot and characters, but it really helps to have some more details surrounding it. Doesn't have to be an exhaustive amount, but just something will help. This is why museum curators put notes around exhibits, right?

Or, how about a newer example: I fucking love and adore the old Dollar Trilogy movies. Love 'em. And I think they deserve a bit more love than they get for some of the details and context behind them. And knowing how different they are from the Westerns that came before them in the 1940s or 1950s makes them a bit more interesting (and they pretty much spoiled me for any John Wayne Western lmao).

And you can get into all the pre-code, MPA-rated, silent, talkie, genre-defying, CGI, in-camera, independent, studio-system, German Expressionism, American Zoetrope details you want--comic book fans sure do like to get into their fandom's details. You don't have to but it behooves you to know a little.

One issue with old films is that they can get to be a bit like the Beatles: suddenly this film or that film is The Best and Most Important Thing Ever because a lot of important white men have decided that. And don't get me wrong: I like both the Beatles and a lot of Classic films. But I'm not going to insist that if you didn't like Citizen Kane you're wrong. I've seen it, for whatever that's worth, and I get the significance of Citizen Kane thanks to a dose of context both past and present. And now I get more jokes on The Simpsons or I can infer what it means when a politician says it's his favorite movie. Is it my favorite? Did it move me to such an extent? Not really. I get it but I don't share it.

Same thing for any "classic" movie: why does everyone reference North by Northwest? Why do critics have mixed opinions on the new West Side Story? Wait, did Hey Arthur's intro really reference West Side Story? And it's based on Romeo and Juliet??? When you get context, you get more depth, you get a--it sounds a bit pretentious but--richer sort of experience, I guess?

Anyway, to circle back to Birth of a Nation, given the characters in it? The heroes of it? The costuming of certain actors? Holy shit, dude, you have got to put context to it. Must you watch it? No, of course not. I know a lot of people would be uncomfortable with that, and that's perfectly fine. But it would be unfair to cut it out of history and imply that moviemaking sprang fully-formed from Buster Keaton's forehead or something.

I'll leave it with this: with any famous old film, it does you well to know of it, but I'm not going to demand anyone watch anything. Don't be a snob about films both seen and unseen.

One last thing: so many current movies are so photoshopped and rotoscoped and focus-group'd and test-audienced that they're just really...slick. And, to my mind, they're too slick and they cease to be something I can really enjoy (yup, lookin' at you, Marvel). They feel like long commercials. And maybe some of that's the CGI and photoshop and rotoscope, but I feel like some of it is the pure commercialization of it.

It's a bit like if only the Name Brand Authors (like James Patterson, Danielle Steel, Fern Michaels, &c) were the only ones published: slicked-down, ghostwritten, churned out books that are as polished as one might expect and don't dare upset the fans and everyone just waits for the next one to come out to consume it as usual. But we are fortunate to have other things, less polished things, less "acceptable" things, less bland things in the book world. We've got weird shit and experimental shit, thank fuck.

Movies, though, are so fucking expensive anymore that something that's a bit Out There takes all but a miracle for it to ever see the light of day. It's risky! And I like seeing some of that Out There stuff, even bad movies, even B movies. The kind of things were you can tell what the whole cast and crew were trying to do even if they didn't quite have the budget or skills. Or things that are more a labor of love or an intended message. Or communicating something abstract. Or the kinds of things where you can see some of the wires (metaphorically speaking) but that doesn't detract from the whole (Caligari is one of my favorites here; I swear I can smell the paint on the sets when I see it but I just love it so much). Eeeeeevery once in a while something really weird breaks the surface (The Fall, The Fountain, Anti-Christ, Begotten, even things like Easy Rider) but it takes a Big Name or Big Money to make it happen anymore, unfortunately.

Anyway, tl;dr: my opinion of old films is that they have significance in many, many ways but it helps viewers to grasp that significance with some help, some information, some context. Also Marvel movies and Gisnep stuff are high-gloss, high-budget Pablum and that's not my bag

#ask game #ask me things #i herd teal deer

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phantombandit-films · 4 years

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Why ‘War of the Worlds’ (2005) is a underrated masterpiece.

‘War of the Worlds’ was released in 2005, it is directed by the film god that is Steven Spielberg (Jaws, E.T.) and written by Josh Friedman (Terminator: Dark Fate, Avatar 2) and David Koepp (Jurassic Park, Mission: Impossible)

Cast: - Tom Cruise as Ray Farrier. - Justin Chatwin as Robbie Farrier. - Dakota Fanning as Rachel Farrier. - Miranda Otto as Mary Ann. -Tim Robbins as Harlan Ogilvy. - Ann Robinson as Grandmother. - Gene Barry as Grandfather.

First lets start with some history of ‘The War of the Worlds’ - The 2005 film is based off the novel of the same name which was written by H.G. Wells between 1895 and 1897, it then was then made into a series by Pearson’s Magazine in 1897 in the UK, Cosmopolitan in the US. Then becoming a hardback novel in 1898, it is one of the earliest written pieces to tell a story of conflict between Martians and man and so its one of the most commented on pieces of science fiction.

It has been adapted and developed several times over many decades in many medias, the ones that come to mind are the famous 1938 dramatic radio reading that was directed and starred Orson Welles that actually caused public panic to those who listened in and didn’t know that the Martian invasion was fiction, its said that up to a million people ran out of their homes in terror. (Source: https://en.wikipedia.org/wiki/The_War_of_the_Worlds_(1938_radio_drama) )

The 1953 ‘The War of the Worlds’ film adaptation, which was produced by George Pal and directed by Byron Haskin. It also starred Gene Barry (who played Dr. Clayton Forrester) and Ann Robinson (who played Sylvia Van Buren) who can also been seen at the end of the 2005 film, they play the grandparents of Robbie and Rachel which I think is a sweet little cameo to see for those who loved the 1953 film. Ann Robinson also revived her role as Sylvia Van Buren in two other films and three episodes of ‘The War of the Worlds’ tv series in 1988.

In 1978 the most well known musical album by Jeff Wayne was produced and based off the story of ‘War of the Worlds’ this album included the voices of Richard Burton and David Essex.

This was then turned into a concert musical which tours annually through out the UK and Europe, the concert includes live performers such as Carrie Hope Fletcher but also a 3D hologram of Liam Neeson. It also includes a mix of computer animation, pyrotechnics and a big mechanical tripod that comes out on stage and lights up and can fire its heat-ray.

(Source: Birmingham Mail.)

There have also been several Tv series, the two newest being the 2019 BBC version staring Poldark’s Eleanor Tomlinson and Full Monty’s Robert Carlyle, that has a Edwardian setting and follows closely to the novel.

The other being the FOX 2019 adaptation that is set in present day Europe but I found this version didn’t really go off the novel, and was frustrated with the lack of the famous Tripods. (Source: https://en.wikipedia.org/wiki/The_War_of_the_Worlds)

As a kid I would watch the 1953 film with my mum all the time as its one of her favourites and I do really like it, but then 2005 rolled around and in comes Steven Spielberg’s version. To be fair it was probably 2006 when I finally saw it, I was nine years old at the time and I remember my dad bringing home the DVD that someone at work had lent him. I don’t remember watching it but I do remember having nightmares for a month after, only for a month though. Many years later when I was half way through high school and getting more and more into film my dad then bought the DVD from Woolworth's before it shut down, the DVD didn’t have a case only a see through CD case so I think it only cost him something like 50p. So I re-watched and again I don’t really remember this but all of a sudden I was hooked, and it climbed to the second spot on my favourite movies list where it still sits today. Honestly if you asked anyone I was friends with at that time they will tell you just how obsessed I was with it.

I have many scenes that I love in this film the first being the rise of the first tripod, but there are two that I geek out over every time.

The first scene being the one in the basement at Robbie and Rachel’s house, the scene starts off with Ray asleep in a chair. He starts to stir when when a blue flash of light on his face, but then jolts up right at a load whooshing noise followed by closely by Robbie shooting up from just below the camera. I love the way that Robbie appears sort of fits with the sound that’s heard, also the whole mood of the scene which is pitch black with this blue flashing light every now and then. The fact that you’re just as clueless as the characters as well, you find out what’s happening when they find out. Also the way that Rachel appears behind the basement stairs, which will appear again near the end of the movie in a much more damaged basement which shows just how much their world has changed in just a short few days. The sound design in this movie as well is something that I love, I love when the sound in a film alone can creep you out. The tripod sound is one of my favourite sounds to exist, like if I heard that from outside I would be so creeped out and scared. At this moment in time Robbie and Rachel have no idea what is hunting them or what Ray has seen, Imagine running from something and seeing something completely destroy the whole of your neighbourhood yet not knowing what it looks like. This is what runs through my mind when I heart Rachel cry “Is it them, Is it them?!” Then the next morning when Ray goes upstairs and see’s that the house is just completely destroyed by an aeroplane that has crashed down in the middle of the the housing estate. This Boeing 747 was a out of use plane and the production crew bought it for $60,000 which then cost them $200,000 to transport, it was then broken into pieces and houses were built around it. Which just shows how far some movie productions will go to make a film look more legit. (We love practical effects in this house.) This scene is still set up at Universal Studios Hollywood and can be seen on the Studio tour.

(Basement and Plane crash scene.)

My second favourite scene, which is one of my all time top favourite scene ever with no surprise is the dock scene. The speeding train that’s on fire is absolute stunning in every sense but for me the scene starts when the music starts. ‘If I ruled the world, everyday would be the first day of spring.’ But i’m really glued to the screen when Rachel starts to follow the birds coming in from the river to in land, she follows them up to the hill where she notices the tree’s on the top are moving weirdly. “The tree’s are funny.” She then reaches out and grabs onto Rays hand who was talking to a friend. Robbie turns to the hill as the camera slowly comes back and shows Robbie also turning to look at where Ray is looking. (Just remembering that this is the first time Robbie and Rachel ever see the tripods.)

The camera then shows us what the family is looking at to reveal a tripod stood on the top of the hill, it then moves one of its legs which crushes a tree and makes everyone else look back. Obviously chaos ensues from this point on, everyone running trying to get onto the ferry to get away from the impending doom, unfortunately we learn that no where, not even on the water is safe. As a tripod comes up from out of the water and attacks the ferry, the family manage to escape and get to land on the other side of the ferry. They stop for a moment to catch their breath as people are being picked out of the water below them, they turn as a old air raid alarm is heard on the other side of the hill and we see tripods coming over another hill that was filled with people and using their head rays to wipe them all out, we also see in the distance a lighting storm indicating more Martions are still coming to earth. The scene is like a depiction of all the stages of the attack. (Dock attack scene.)

I mean all the action scenes in this movie are just so beautiful and amazing, but did we expect any less from Spielberg? And the CGI and practical are all done extremely well and fitted together to make a scene look as real as possible. One of the art directors that worked on this film, Doug J. Meerdink who has also worked on Jurassic Park: III, Cloverfield and Jurassic World.

I was looking up some trivia on IMDB for this movie and found that there was a deleted scene that is called the ‘Camelot’ scene. This scene is supposed to take place between the attack on the ferry and the battle on the hill, it involves Ray, Rachel and Robbie walking through an abandoned housing estate that’s named Camelot, when a pack of tripods start walking near by. One of the tripods breaks off and the family has to take cover behind a SUV, they watch helplessly from behind as the tripod reaches into the house and grabs people from the houses. This scene has never been released but apparently it was fully finished, VFX and all but then taken out a few weeks before post production was wrapped up. There is only one official video from this scene that was in the actual trailer for the film, and it’s only a shot of the family hiding behind the SUV.

The only other shot from the scene is this landscape shot of a CGI tripod.

There are also photos of the set designers setting up the miniature of the housing estate to shoot this scene, the rest are fan arts of how the scene maybe looked/ played out. (Source)

I really hope that one day Steven releases this scene, or for some anniversary adds it into an extended version of the film like we’ve seen for other films. Because I would love that so much! It seems like such an incredible scene, and to see the tripods up this close again would be so cool!

One of the trailers that was released for this film doesn’t have any of the film shots it in, It takes place in a normal neighbourhood where people are just going about their normal nightly routine when suddenly over the hill there are all these brilliant flashing lights, everyone's just coming out of their houses in their pj’s and standing in the street marvelling at this sight in front of them. Then we see explosions and suddenly heat rays are blowing up the tress on the street which then goes into the title. I just love this, a trailer that doesn’t give anything away from the movie but creeps you out enough to be invested. (Trailer.)

All in all it’s just an very visually pleasing film, it feels real enough to give you a sense of fear for the characters and for yourself. I also love that Steven stayed true to the source material,more truer than some of the other adaptations and also added in his own little Easter eggs. The sounds, the aesthetic, the colours just everything comes together so beautifully. I think its a very underrated movie that deserves so much more love.

#war of the worlds #war of the worlds 2005 #robbie farrier #ray farrier #rachel farrier #steven spielberg #movie #film #film talk #tom cruise #dakota fanning #justin chatwin #the war of the worlds #not really a film review #i just wanted to talk about my love for this film

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ultrahpfan5blog · 4 years

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Watching Snyderverse Part 3 - Zack Snyder’s Justice League

After BvS, I was honestly not particularly looking forward to Justice League. For me, it was obvious that Snyder’s versions of these characters and his overall doom and gloom approach was not something I was particularly enjoying despite some promising elements in both MoS and BvS. Then we saw exactly how JL production went down. Despite the happy face they tried to paint, the fact that there was going to be a 2 hour mandate, the fact that Whedon basically reshot a bunch of Snyder’s film with the film being a mishmash of two directors who couldn’t be any more different in their sensibilities, and that that the actors, specifically Ben Affleck, looked like they couldn’t wait to be done with this movie and this role, made it obvious that the movie wasn’t going to turn out well. So my expectations were rock bottom for the theatrical cut. As it happens, that was a good thing. The theatrical cut of JL is a thoroughly unremarkable movie. I don’t abhor it but it is so obviously a patchwork job and a studio mandated film that there is no passion or vision in the movie at all. I mean, I didn’t like BvS much at all, but there was a vision there. Theatrical cut of JL seemed like a film that felt like WB just felt they had to put out there and then move on. And then years later, we get Zack Snyder’s full version of Justice League. I watched it in one sitting, which was maybe a mistake because it is heavy viewing for 4 hours. Without a doubt it is a better movie than the theatrical cut. Its a little tough to judge this film because this is no way a movie that would have been released theatrically. But its also impossible to judge on what it may have been if it was edited down to a 3 hour length. So best to just judge it on its own merits.

Firstly, the positives. This is definitely a more coherent and clear movie. The plot is not rushed and every sequence, be it a character moment or an action sequence, is fully realized without any weird edits. The film does have some more humor than the previous two Snyder films. Mainly courtesy of Ezra Miller and Jeremy Irons. And the humor is not awkward like in the theatrical cut. Ezra Miller in particular benefits from that because some of his cringey lines from the theatrical edition are cut. The special effects are largely impressive and definitely an improvement over the theatrical edition. On a character level, definitely Cyborg gets the most benefit out of all the characters. As we get a full and thorough backstory for him. We get insight into his relationship with both his parents. Steppenwolf also gets significantly more screen time and his motivations are definitely more clearly defined in the movie than in the theatrical. Miller and Momoa also get some more scenes to flesh out their individual characters. What does surprise me is that the film contains a lot of scenes which are essentially just alternate versions of scenes from the theatrical cut. The film isn’t radically different from the theatrical version, but the scenes included in this version feel a little more real. Like a scene with the entire League discussing Superman’s return in the theatrical cut made it obvious that the actors weren’t in the same room together, whereas the original scene in this movie has them clearly in the same physical space. The Superman scenes are also infinitely better without the CGI upper lip. Thankfully, Snyder doesn’t do what he did with the previous two movies and gives some breathing room between action sequences. Probably a bit too much time, but that’s better than no time at all. the tunnel action sequence and the climax set piece is definitely pretty cool. Flash actually having an active role in the climax was a big improvement. My favorite action sequence is still the Superman vs the League because it shows just how powerful Superman can be. Also, the color palette is a lot more consistent and better than the weird bright and red color palette that is used in the theatrical cut.

When it comes down to the performances from the cast, nobody really stands out. They are all fine, but unlike in BvS, where Affleck stood out. Everybody here is just motoring along. In the theatrical cut, Affleck looked completely checked out. I was hoping the original cut would beef up his performance. While it is slightly better, he’s still just a bit too restrained in the role and doesn’t leave the type of impression he left in BvS. Everyone is at their most dour self. Gal Gadot’s WW is more serious and therefore does not get to show her more radiant side in Patty Jenkins’ movies, Momoa is also similarly more dour and serious and not quite as fun as he was in Aquaman. Ray Fisher is decent but its a role that requires him to be very robotic for large chunks of the film. So its a little difficult to assess his performance. Cavill is in far too little of the movie to give much of a performance. He’s perfectly fine in the handful of scenes he has. Miller is probably the best of the lot, even though he’s still more Peter Parker than Barry Allen. Some of the supporting cast actually fare a little better. Irons is a delight whenever he’s on screen and Affleck is also at his best when they have scenes together. That dynamic works. Joe Morton is surprisingly affecting as Silas Stone, as is Billy Crudup in his brief scenes as Henry Allen. Its always nice to see more of Willem Dafoe, Diane Lane, Connie Nielsen, and JK Simmons. Simmons as Gordon was great casting and its a pity we won’t get to see more of him in that role. Amber Heard for some perplexing reason has a British accent in this film as Mera. Given Dafoe and Momoa both speak in their normal voices, that must have been a choice. It did feel a bit funny. Jared Leto and Jesse Eisenberg are back as Joker and Lex and neither of them particularly improve on their performances. I mean, they have a scene each so its no harm done, but the Joker scene particularly drags on for too long. Amy Adams has a small role and she does manage to make to get some emotion out of a handful of scenes.

The film has more than its fair share of issues. Firstly, it is just way, way too long. The pacing is glacially slow at times. And I mean that in the most literal manner. There is so much slow mo in this movie, its crazy. I swear, if you removed the slow motion, you might lose 20 minutes of the run time. Snyder is clearly in desperate need of an editor here. The film has the exact opposite problem of the theatrical cut. Whereas in the theatrical cut, it always felt that every scene was just edited a little too short, in this movie there are scenes that are going on for far too long. There are some very strange edits. Like an entire scene where women in the village are singing hyms when Arthur leaves and smelling his clothes. There is a meet cute between Iris and Barry which is completely unnecessary and is frankly slightly creepy where Barry is caressing her face while she is in the process of being thrown out of her car. Some music choices in these scenes are also a little bizarre. Everything involving the Martian Manhunter is not necessary. I mean, his involvement in a crucial Martha and Lois scene actually takes away from the emotion of that moment. And then he has a very tacked on final scene which is kind of awkward. The Knightmare scene also drags for a bit too long, especially given they are supposed to be in danger while being out in the open. We still have no more clarity as to why Bruce is having these visions. The slow pace does make things boring at times as well. While I am glad that Cyborg’s backstory gets beefed up, there is a bit too much of Cyborg being angry at his father. After a while, it gets monotonous. The film takes too long to get the team together and the first JL action sequence doesn’t happen until over 2 hours into the movie. The film should have spent a bit more time with the team interacting with one another. That’s what made the Avengers movies work and some of the best parts of this movie are also the team together. There are some Snyder tone deaf moments as per usual. While WW’s entry action sequence is very cool, I do find it funny that they have her comforting a girl and the girl wanting to be just like her after she basically obliterates the terrorist into dust. Given her abilities shown in that sequence, there is no reason she wouldn’t have been able to disable him. But instead she just obliterates him. Its all very Snyder. I do also have to wonder about that sequence. I still don’t get exactly how terrorists feel that blowing up a few city blocks will bring down the modern age. I thought this was a weird Whedon thing but it turns out to be a weird Snyder thing. Also, for all the hype about the black suit Superman, its really nothing more than an aesthetic choice for no rhyme or reason. I honestly prefer the Blue and Red if the black suit doesn’t have a point, like the restorative factor from the comics. Also, for all the blame people put on Whedon about the skimpy outfits on Amazons and the weird backside shots of WW, turns out they were all Snyder. There are a few select things that the Whedon cut did slightly better. For example, there is no real major debate or conflict within the team other than minor objections from Arthur over the implications of using the mother box to bring back Superman. Also, a sequence in the theatrical cut where Bruce admits that Clark was more human that he was, is a better version of a similar scene in this movie. Also, while not perfectly executed, the theatrical cut did acknowledge that Bruce was a human fighting amongst superpowered individuals. Also, most importantly, while Steppenwolf is an improvement over the theatrical cut, this is still a movie where the plot involves a villain trying to find three boxes. Steppenwolf is still pretty boring and the main story is not interesting at all. The Darkseid angle of this story is also overhyped since he’s barely in the film.

In the end, it feels that there is a pretty decent 3 hour movie hidden in an ok but dragged out 4 hour film. I’m glad the Snyder fans got to see it. I have had my issues with Snyder’s vision. While I feel he has grand ambitions and a sense of scale and scope, he hasn’t really got the sense of story and script to really make it work to a degree where the audience at large would appreciate it. I have seen his old storyboards and read his recent interviews about what he was going to do. It sounds very grand and very cool, but with a big potential of being a gigantic mess. Who knows what will happen in the future but at least it right now seems that they are moving on from Snyder’s vision. For this film, I am right now landing at about a 6/10, which is the highest mark out of all the Snyder DC movies. I’ve only watched it once and watching it again is a big endeavor so I won’t do it anytime soon, but maybe revisiting it will make me either like it more or less.

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tsuki-sennin · 3 years

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Mina-san, bonne lecture~! (Tsuki recaps his feelings about Kamen Rider Saber, a personal essay.)

So, Saber... what a wild ride it's been, huh? Just a quick heads up, this is very long and rambling, and also contains spoilers for everything in Saber. It's fine if you don't wanna read all this, but I just wanted to get my thoughts out there.

TL:DR, Kamen Rider Saber's an undercooked hot mess I absolutely adore, warts and all.

Speaking as objectively as possible, it's a 6/10. Probably closer to a 5 than a 7... it's not great: All the different plot elements are cluttered and weirdly paced; character focus is disjointed and clearly biased toward certain characters, leaving great ones like Kento and Ogami, interesting ones like Kamijo and Hayato, and underdeveloped ones like Sophia and especially the Shindais in the dust; not to mention its balance of comedy and drama is off, and while both are very effective, there's a lot of mood whiplash that can take you out of the story. I also feel like a lot of the easily avoidable character conflict could've been easily resolved, even in universe, by simple conversations. Be careful Fukuda, I think Inoue might sue you if he finds out you've been biting his style and doing it worse.

Rider shows have a very frustrating tendency to drop cool form ideas and not do anything with them, and I don't think it's ever been more the case than with Saber. There's a similar argument to be made with the majority of Heisei Phase 2 after Gaim, but wow. The suits are expensive to make without just straight up recycling everything, I get that, but man, I really wanted to see more Wonder Rider forms. How come Touma got all the fun, eh? Of note are the Blades King of Arthur forms (which look amazing by the way), Espada's Jaaku Dragon forms (one of which I even drew last night), even the non-elemental random Wonder Ride Books all have awesome design elements that go tragically unused. Even if the other Swordsmen just kinda have the ones they do get to use slapped onto them, that's at least something. Touma also just straight up only uses Diago Speedy twice and never again. You have cool props guys, don't waste them like that!

Speaking of waste, Espada, goddamn. Since most of the Wonder Ride Books are Story Type and he needs one very specific Story Book to transform, he doesn't get much of... anything, really! No Wonder Rider forms like Blades, Lamp Do Cerberus being exclusive to Ganbarizing, only getting to use the Ride Gatriker like once, he even spends the second and third arcs as a completely different Rider, then once he comes back he doesn't get a King of Arthur-granted upgrade or even a Necrom Espada form. ...at least, not yet anyway. I'm holding out hope for Espada x Necrom and the eventual Saber V-Cinemas. Extra Rider stans, we will be well respected someday.

The Unreal Engine CGI used for fights in early Chapters was pretty good but wow it feels disconnected and they really drop it quick. I feel like if the animators had more freedom to use as many forms as they want, we'd have gotten a lot more mileage out of the books beyond... decoration basically. I actually really liked the CGI sequences, they felt creative and were fun to follow along with.

The soundtrack is pretty great on its own and conveys what it needs to, but they seriously overplay the orchestral themes. It honestly feels kind of... stock at times. I think my favorite parts of the score are when it winds down, since it feels a lot more natural and lets the cinematographers and actors speak for themselves.

As awesome as I think Falchion's design and the Mumeiken Kyomu are, The Phoenix Swordsman and the Book of Ruin comes up short as its own standalone thing. You'd think 30 or so minutes of non-stop action would be awesome, and it almost is? It's as good as a typical episode of the series with a higher action budget, but it kinda drags on a bit too long; and although I think Emotional Dragon looks cool, it feels a bit tacked on. Coming off of the incredible Zero-One REAL×TIME, it doesn't give you much room to breathe, which Rider films are typically great at handling. I also thought the resolution for the kid's subplot was kinda forced. He does an okay job at acting considering his age and doesn't overstay his welcome, but I really don't see how 20 minutes of violence and action is enough to convince him to be brave enough to go play with the other kids. 5/10, it's closer to a 4 than a 6 and I think that maybe Zero-One should've stood on its own if they really had to push back Kiramager Bee-Bop Dream because of the pandemic.

Alright, with all that said... As imperfect and undercooked Saber was, like Ghost I can consider it a personal favorite, 10/10. Call it a guilty pleasure if you want, but holy hell it's just the show I needed. Takuro Fukuda has a talent for creating fun, wonderful characters and utterly fascinating worldbuilding and concepts. It's a shame he doesn't utilize them fully, but hey!

The action and fight choreography are pretty top notch as usual. Lots of beautiful shot composition and set pieces, and plenty of great angles to help keep up with the extra busy action. I love watching the suit actors perform and they deserve all the respect in the world for their hard work in those hot, sweaty, and heavy costumes. Their visual design is also top notch, with lots of unique and fascinating forms and cool weapons I desperately want to play with despite being broke, all with spectacular finishers and hype jingles with the voice of Akio motherfucking Ohtsuka calling them out. A real feast for the eyes. Not a single bad suit among them, yeah I said it, fight me.

The crossover specials are soooo good too.

-I went over my feelings on the Zenkaiger crossover episodes in a separate post (good luck finding that btw), but to sum it up, they were great character moments for Zox and the Shindai siblings with lots of great screwball comedy and some good old fashioned meta humor.

-The Ghost crossovers are great little side stories all about how Daitenku Temple somehow had the Ghost Ijunroku Wonder Ride Book? I genuinely have no idea why it was there, or how Makoto had the Specter Gekikou Senki, and as far as I remember neither of their origins are explained. Did Luna or Tassel hand them off to them and told them to wait for a sword guy? And why do these generic French Revolution Gamma villains working for Danton get their asses handed to them so easily by Kanon, who literally just became a Rider? I thought that Makoto deciding to adopt all the Kanon clones into his family was both hilarious and adorable though; considering all the crap they went through, I think it was a good ending to this plot. Gimme Espada x Necrom already Toei/Bandai/Fukuda/whoever I need to yell at, give Kento things to do, I beg you.

-I haven't actually seen Super Hero Senki since it's not available for subbing yet, but apparently there's a Journey to the West plot starring the Taros and Ohma Zi-O and I want to see that so badly.

Tokyo Ska Paradise Orchestra? Yoohei Kawakami? A match made in heaven, that's what they are. All of their themes are absolute bangers. All of them. Almighty, Kamen Rider Saber, Sparks, Taju Rokou, all excellent and empowering pieces. Rewrite the Story, Will Save Us, and The Story Never Ends are all amazing inserts done by the cast, and it makes me wish we had even more of them to help break up the monotony of the score.

The characters are what easily make this show such a great watch though. For the most part, they have great personalities and chemistry, consistently fun and interesting scenes, well acted and... sometimes well-written development, and deeply investing personal stakes.

Narrating it all is the delightfully eccentric Tassel/Viktor, portrayed by Romanesque Ishitobi "TOBI" of the Paris-based Les Romanesques. I was utterly confused by his presence at first, wondering why there needed to be a narrator when the story would've been perfectly fine without it. He even got a special spot in the opening despite having no stake in the plot despite seeming to live in Wonderworld, who the hell is this guy? But then I thought "OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD". I thought it'd be some subversion of expectations, true form, "That Was His Mistake!" shit. Trust me, it made a lot more sense in my head. I'm very happy that they didn't do that, as I grew to love having male Yuuka Kazami as my narrator, and when he was shown to be actually important by being friends with Yuri my mind was blown. And doubly so when I realized just how deeply necessary to the plot he really is.

Rintaro/Blades is up there as one of my all time favorite secondary Riders, since his curiosity is always consistently funny and adorable, his forms are all gorgeous and impressively designed, his relationships with Mei and Touma are absolutely sweet and compelling to see unfold, and his arcs about becoming willing to call out those he views as family and coming to terms with his feelings of inadequacy and both moving past and using them to strengthen himself are always great lessons to pass on to kids. ...even if they took like 10 goddamn episodes to be conveyed in what could've been 5, but hey, Takaya Yamaguchi does a stand-up job all throughout. Rider veteran Eitoku's refined, almost logical movements with the Suiseiken Nagare absolutely beautiful to see in action, and his final form having the same white and blue color scheme as Zooous's base form is an amazing touch I don't see appreciated enough.

Mei Sudo's also absolutely wonderful, serving as the perfect emotional core of the story, responsible for most of the funniest lines, sweetest character moments, and some of the most deceptively compelling drama. Asuka Kawazu brings the perfect energy for such a dynamic and well rounded character, and absolutely nails her scenes of quiet turmoil. As much as I would've loved her to become a Rider, I don't think she really needed to. She's already done so much to help, and as cool as it would've been to see her pick up a sword and fight alongside them as Espada, Calibur, or Falchion she's already endeared herself to me as one of my favorite supporting characters in the whole franchise.

I can't get enough of my homeboy Kento Fukamiya/Espada. Like Rintaro and everyone else for that matter, he also suffers from Saber's pacing issues; and like his predecessor Valkyrie from Zero-One, he doesn't get a proper upgrade aside from his Wonder Combo, instead becoming an anti-villain using a completely different powerset and shifting the Raimeiken Ikazuchi out of focus for the Ankokuken Kurayami, and I feel there's a serious missed opportunity to see him use Jaaku Dragon with Alangina. However, Ryo Aoki's performance is probably among the most easily praiseworthy in the whole cast, managing to convey both Kento's kind and knightly stoicism as Espada and his emotionally unstable despair as Calibur perfectly, in conjunction with Yuji Nakata's experienced and expressive stuntwork.

Ren Akamichi/Kenzan's a dark horse favorite for sure. I remember back when Saber was first picking up, people hated this breezy mad lad for being such a simple character at first. Overly concerned with strength? Black and white world view? Annoyingly energetic? Agh, real-feeling character flaws, I hate them, get him away from me! But then y'all came crawling back. Eiji Togashi's apparently a bit of a rookie actor, and it really shows with some stilted delivery and the way he sometimes bobs his head when giving his lines, but man he improves dramatically as the series goes on. His inexperience ironically ends up really selling his character development, and his unexpectedly beautiful relationship with Desast is special evidence of that. The Fuusouken Hayate's three modes and Satoshi Fujita putting them to excellent use through his stellar acrobatic movements are also really cool.

Why did Luna have to be a child for so long? Does Wonderworld not age whoever inherits its power? Well since Luna randomly becomes an adult in Super Hero Senki and some of the final episodes, I guess so? Miku Okamoto does a fine job for a kid actor, but she's basically done all the heavy lifting for the whole series and doesn't give Mayuu Yokota enough time to get a feel for her character as an adult. How did she choose Touma to inherit the power anyway? Does she just subconsciously decide to trust him with it upon seeing how kind and passionate about storytelling he is? Well if that's the case, why didn't Kento get at least some of that power too? He's just as important to the merchan- I mean Luna-chan, isn't he? Why did Tassel pick her over someone who isn't a literal child who'd be understandably terrified about basically becoming an embodiment of storytelling?

Sophia also kinda suffers from the same problems. Rina Chinen's voice is very pleasant to listen to, but she doesn't really do much beyond serving as a source of exposition and support. I think her dynamic with Mei's adorable, and given her kindness I can certainly understand the respect Northern Base has for her, but she doesn't really contribute a whole lot. If she could use the Kurayami and become Calibur all this time, then why didn't she take it from Kento and Yuri and do so earlier when Kento decided to go back to being Espada? I know she's not much of a fighter and as the closet thing the Sword of Logos has to a leader after Isaac's death I'd understand not wanting to put her at risk, but considering Storious is destroying the world, and she's very evidently kicking a lot of ass in the first part of the final battle even in the basic Jaaku Dragon form, I think it would've helped a lot, just sayin'. Tassel at least has the excuse of being unable to interact with the real world, but Sophia obviously didn't just be put in charge of Northern Base just because she's a pawn in Isaac's plans right?

Ryou Ogami/Buster is also a victim of the disjointed character focus. I have no problem believing he's an excellent father and fighter thanks to Yuki Ikushima and Jiro Okamoto, respectively, but he feels a bit flat and simple in comparison. His rivalry with Desast is randomly dropped, his wife doesn't even show up until the final episodes, he's kinda sidelined in terms of action a whole lot. I imagine that must've sucked for the Rider Dads out there. He does get to star in his own manga, and that was pretty good, so I guess I can't be too mad.

Tetsuo Daishinji/Slash fares better though. Hiroaki Oka, being a Kamen Rider fanboy himself, manages to make him among the most relatable characters in the series. Not only are his hyperfixation on swordsmithing and anxiety played surprisingly believably, Hirotsugu Mori letting him cut loose is extremely cathartic and hilarious, and you really feel for him when the Onjuuken Suzune becomes the first victim of Calibur!Kento's sword sealing.

Yuri/Saikou's another dark horse favorite, for me at least. "Oh great, Avalon guy's got even more merchandise to sell, I wonder what his Sword of Light is- it's himself. Well... that's different." I admit, I didn't like him at first. He felt like he was there to fill out character dynamics in the absence of both Rintaro and Kento, I thought his gimmick was too silly even if his design and jingles were bangers, I didn't particularly care for his power set. But then XSwordman came around I totally got it. He's an endearing, hard-working man trying his best to catch up on all the cool shit he missed, unafraid of experimentation, ready to throw down at a moment's notice, serving as a wonderful bit of consistent support for our heroes, a truly knightly individual, an absolute Chad. and goddamn does he make me worry. Tomohiro Ichikawa, I salute you good sir.

Even if they fall short compared to the rest of the cast, the Shindai siblings are at least cool enough to not wanna write out entirely. They kinda devolve into comic relief after they become allies, something that villainous Riders from Chase onwards are very prone to doing, and it's especially awkward in their case because I think that they kinda get off scot-free for obeying the obviously sinister and crazy Isaac for so long, as well as driving a wedge between a lot of people and threatening children in Reika's case. I think their sibling dynamic is nice though, even if Fukuda recycled it from Makoto and Kanon and has some... questionable possessive undertones as a result. It's cool how they're basically foils to Touma and Rintaro though. The dispassionate and methodical Reika/Sabela is beautifully played by Angela Mei and her moments of emotional depth are fascinating to watch. Her Rider form is a thing of beauty, and its use of literal the Eneiken Noroshi's smokescreens and Yuki Miyazawa's precise and deadly stinging strikes are a joy to watch. And while Ken Shonozaki's not given the best direction as the undercooked plate of 7-Eleven fried fish that is Ryoga/Durendal, he manages to sell him as an experienced and hardened warrior with an awkward side that's especially evident in the Zenkaiger specials. His goddamn RWBY weapon that is the Jikokuken Kaiji is absolutely sick, I'm a sucker for transforming weapons and its combination of time and water powers is really cool, especially with Yasuhiko Amai's deliberate and forceful acting in the suit.

Daichi Kamijo/the Second Calibur, for as brief as his story was, was a pretty cool starter villain. Hiroyuki Hirayama brings this poor bastard to life in a genuinely touching way. I love how as Calibur he goes full force on his creative use of Wonder Ride Books for attacks, and his debut as Jaou Dragon got my blood pumping. His end is also deeply tragic, and I really felt for him when he realized just how badly he fucked up. Hayato Fukamiya also does wonders for the backstory, and while he also doesn't get much to work with, Mitsuru Karahashi makes his regrets and love for Kento feel genuine.

Legeiel and Zooous are both very intimidating and entertaining villains. On top of being just the right balance of goofy and threatening, Kairu Takano and Koji Saikawa's stage presences are both very strong, and their mixture of camaraderie and in-fighting is extremely believable. Zooous's rivalry with Rintaro feels incredible to see through to the end, and although Legeiel doesn't get quite the same treatment, Elemental Dragon had such a cool debut that it more than makes up for it. Their final fights are also absolute spectacles. I don't think their sympathetic angle works even close to as well as it does with MetsubouJinrai or even the Gamma, but I get it, power corrupts, and you probably feel a lot of sadness and regret for things you've done when you die unless you're a right bastard.

Isaac/Master Logos/Solomon is kinda generic. As wonderful as Keisuke Soma is, he doesn't get much dimension to work with. The result of that is while he nails being as smug and punchable as possible, he feels almost... comically generic. Genta Umemori from Shinkenger was full of personality! He was also basically some guy, but he was fun, he felt connected to the rest of the cast! Meanwhile the only real time we get to see Isaac's depth is when we see him crying over his failures. I almost appreciate him being unapologetically evil though, since I've seen way too many shows where redeemed villains get off scot free for way worse things, and some where they outright demand you to sympathize with them despite them doing nothing to warrant it.

Bahato/Falchion surprises me by not just being a movie villain whose actions affect the main plot, but also being a movie villain who actually gets to appear in series as a recurring threat! ...and it's not a particularly great showing on his part, sadly. Masashi Taniguchi does a wonderful job with what he's given, but his character feels like a retread of Eternal without any of what made Katsumi Daido a compelling and frightening villain. I'd like to believe Yuri when he says that he used to be a good person and a hero to the people, but I can only hear so many anime villain monologues about the pointlessness of life and the beauty of destruction before I can never take them seriously again. ...I think that's his biggest problem, actually. I thought he was an overall uninteresting and generic villain in the movie, and the cartoon nihilist he's shown to be in series is only a small step up. He still feels like filler. If only there were a far better written and much cooler villain who takes on the Mumeiken Kyomu after his de--

Desast is probably one of the finest anti-villains I've ever seen in recent years. On top of an absolutely badass character design and the excellent combination of Kazuya Okada/Danki Sakae's suit work and Koki Uchiyama's stellar voice acting, his story being so thoroughly intertwined with Ren's makes their shared journey and bromance a borderline Shakespearean tragedy. His struggle for identity despite Storious treating him as nothing more than a failed experiment and the Sword of Logos treating him as a mere monster really gripped me, and the way he uses what little time he has left to encourage Ren into blossoming on his own is absolutely beautiful. I think his enmity with Ogami is criminally underexplored in series, considering he killed several of the previous Riders and how Ogami's in desperate need of screentime.

Then there's our main villain, Kamen Rider Storious. Robin Furuya brings an incredible amount of charisma to this character, expertly portrayed as both a sinister, manipulative bastard , and as a lonely, tragic figure that arguably makes him feel even more villainous. Speaking as a struggling writer myself, it's easy to feel stuck in the idea of "fuck it, who cares, maybe everything is predestined", but I can't imagine what it's like to know that as the truth and carry it with you for all that time. All of your grand ideas have roots from your experiences, and you're not the only one who even could have those experiences. It's easy to just fall into despair and give up trying, but would that make you happy? Sure, Storious is sadistic, he may be fulfilling his goals, he may be ungodly powerful... but it's not enough for him, is it? All of his friends are gone, one of them even at his own hand, he probably doesn't have any idea what to do after he destroys all the world's stories, Touma even reached his full power before he did, and his downfall is so predictable that even a blind person could see it. He even seems to welcome it, what's up with that? But then I realized... OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD. He's so far gone, he's so desperate to stick it to the Almighty Book, he's willing to twist the archetype of the Hero's Journey so hard, it snaps in two. What I think is interesting is that he's ironically trying to chase the trend of "edgy superhero story" that became super popular in the 21st century. The Boys, Brightburn, Kamen Rider Amazons, The Sentry, No More Heroes, Magical Girl Site, even mainstream comics from DC and Marvel... Surely Storious must've seen the cruelty and tragedy these stories are filled with, but he chooses to go through with trying to force the world into this direction anyway. Did they, along with seeing the ever-popular tragedies of legendary playwrights and bleak satire of the twentieth century fuel his despair?

And yet... there's one who stands in determination against his ideals.

Our hero, Touma Kamiyama, the titular Kamen Rider portrayed by Syuichiro Naito and Kousuke Asai, he speaks to me on a personal level. There're plenty of jokes to be made about his procrastination in early chapters, his godless fashion sense, and him doing the funny run up the slope, that's all fine and dandy, but I rarely feel so connected to a character the way I did Touma. The struggle to create, find companionship, live your life, reach out to others... these're things a lot of people struggle with, and of course you see them depicted a lot in media about creators, but Saber gets to the root of what the greatest thing about storytelling really is. Giving people hope, while using the pain of the past as fuel for the future. Sure, Storious may be right about how every story has been done as far back as human civilization gets, he may even be right about how any spin or creativity humanity has is outright predestined. It should be pointless to even try, right? That's where Touma Kamiyama disagrees. He didn't spend all that time fighting and creating just to give up at the idea of predestination. His novel writing-fueled creativity in his early training, his devotion to his friends that let him surpass Kamijo as Dragonic Knight, his compassion for the Primitive Dragon that let him combine their powers to destroy Legeiel as Elemental Dragon, his resolve that let Xross Saber dethrone Solomon, and his passion for the craft of storytelling that let our heroes channel their wishes into Wonder Almighty... all stemming from the belief imparted onto him by his predecessor that "Hope lies beyond your resolution." And that you decide how your story ends. He may not be the greatest Rider to some, he may be as lame as others think he is, he may not even be my favorite, but I have no issue calling Touma Kamiyama... Kamen Rider Saber, one of the all time greatest carriers of the Kamen Rider name.

The final chapter's definitely not as great as some other Rider finales, but goddamn. Primitive Dragon consciously choosing to save Touma is so sweet and such a great emotional payoff, I loved jamming out to the opening theme while our boys lay the smackdown on Storious. Wonder Almighty's a fitting final bit to close the main series out with, if not exactly a great one. I think the cover is great, and the book's body is a lovely shade of candy apple red, but I really don't like how its pages are just the covers of the other books copy-pasted onto onto the pages, that feels lazy. Maybe if it were a panorama of all the books' characters, I'd like it a lot more as a symbol of how unified the Swordsmen are, but eh, what can you do? On a related note, does this mean all the "last episode extra final forms" of the Reiwa Era are gonna be named after their series's opening? That's a neat idea.

I felt a lot of feelings seeing all those video messages of Rider fans all across Japan talking about their favorite stories, and how their passion and fond memories help reshape the world. Mei's monologue at the ceremony about is also really touching and- IS THAT A HUMAGEAR!? :O

Y-yeah dude, it is! Wow, where have you guys been for the past 48 episodes?! Are you guys doing okay? How come you're like... the only one here? Is the technology of Hiden Intelligence only really that prevalent in that very specific metropolitan part of Japan and they're just not coming around much over here? Is it like Dragon Ball where anthropomorphic animals are just vibin' with humans while the heroes are off kicking ass? Apparently he's played by Hasegawa Keiichi, who wrote this episode and had the award ceremony named after him. ...is Hasegawa Keiichi a HumaGear in this universe then? Did he set up this award ceremony in Touma's honor? If so, why is it named after him? Did reading one of Touma's books lead to his Singularity? I know this is just a cameo, but... god, I have so many questions that probably will never be satisfactorily answered.

Overall, if I had to compare Saber to anything, it'd probably be Sam Reimi's Spider-Man trilogy. It's awkward, stupid, overwrought, undercooked, illogically written, scattershot, cheesy as fuck, and has a tendency to squander its otherwise fine execution; but the sheer passion for storytelling, sense of spectacle, deeply fascinating characters, and belief in the ideals set forth by the cast, crew, and fans are absolutely admirable. Improvements would certainly make it an overall better experience, to be sure, but there's something deeply captivating about how wonky this series is. Seeing everybody get their happy ending after all they've been through felt extremely gratifying though, and I may have to wait another for the epilogue to and then wait for Revice, but... man. I'm hella proud of our awkwardly-emoting, fashion disaster novelist and all of his heavily flawed friends for carrying the Kamen Rider name on to the future. Here's hoping Revice will keep it going.

Alright, that's everything I wanted to talk about. Sorry this was so long and ramble-y, I had a lot to say. I'll probably be liveblogging Revice as episodes of that come out, so... look forward to that, I guess. See ya.

#kamen rider saber #long post #tsuki talks #personal #kamen rider #whew #ok bye have a nice day

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