The whole discourse about the privacy/secrecy/support thing has been sitting with me for a few days (I mean other than it always does to a certain degree) thanks to all the excellent discussion happening and I know I'm not saying anything that hasn't been said a million times before, but I think what we're seeing and what we're going to learn (e.g. from TTPD) is that it wasn't just the support issue, but how it was shown/handled.
We've all gone out of our way to show that introversion =/= lack of support. Someone can be shy, reserved, etc. and still show up for their partner, whether in public or at home. To chalk any of the differences up to the clash between introversion and extroversion is unfair to folks who count themselves among either tbh.
@thisisctrying said something the other day that hit the nail on the head about how if that support had been offered in private, there very well may not have been a Joever to begin with, or at least not at this point in time. (Sorry for loosely paraphrasing, and for namedropping you! Long time listener, first time poster.)
If this were a case where the "shy" partner said, "I am really uncomfortable with the spotlight personally and do not want to court it, but I will support you in your ambitions and offer you whatever you need to make them happen and make the glare bearable," I suspect that would have gone a long way to making Taylor feel seen and comfortable in pursuing her goals in the way that she now has. Again, that might have been more akin to the balance that seemed to have been struck around 2019 from what we can see, but even speaking in a general sense, there are lots of couples out there, celebrity or not, that have similar approaches where there are highly driven people and busy careers involved.
(A famous example being Dolly Parton's marriage. Tbh I know next to nothing about her and Carl, but she's always heralded as an example in this regard, because her husband is famously uncomfortable with the spotlight and hasn't accompanied her to public events in decades, but she's said that she never minded that because that was always work to her, and what was important was that he supported her in pursuing all her career goals and basically ensured she had a place to call home to return to at the end of the day.)
We're kind of in a brave new world with her current relationship because it felt like, at least at the start, we were maybe watching her figure out her boundaries in real time as to what she was comfortable with or not and adjust accordingly. Like so many have said, I fully believe the extreme privacy thing was initially driven by herself and her experiences in 2016, and she needed that quiet time to recover from all of the things and figure out how to exist in the world again.
Stating the obvious, it seemed like eventually privacy was equated with secrecy, turning the relationship and the celebrity into the elephant in the room and something to never be spoken of to the outside world. People are free to choose whatever works best for themselves and their relationships, and for some the separate public lives might work, but the “kept me like a secret but I kept you like an oath” theme is all over her work and it’s clear that it’s a sore spot for her, because she’s been made to feel shame just for the life she leads so many times in the past.
What I’m trying to say is that it’s pretty obvious something Not Great was happening behind the scenes, which didn’t just amount to “she wanted to be a public celebrity and he wanted to be a private hermit.” (Also, in case anyone forgot, this is a person who also chose a public-facing career who also has to engage in press for it, but I digress.) As her career reached new heights post-folklore, if she had the support at home to do all the things without judgment and with encouragement, and in turn offer the same support to her partner, she may have very well lived just fine with that, not unlike Dolly Parton’s case.
By reading between the lines in all the press since, as well as comments on tour and general ~vibes~ with TTPD teasers, it seems like one of the issues was that that was likely not the case. There was all the stuff that we saw — the reticence to acknowledge each other in the media (particularly on one side), the lack of public support even at events at which they were both in attendance for their respective jobs, the great lengths they went to not to be photographed together at events they attended yet no problem taking pictures with other friends and coworkers, the jobs that separated them, the withdrawing from the public even for work accomplishments, etc. Which could all be manageable if a couple chooses to do so together and are not inherently a sign of trouble in themselves.
But what we’re seeing now I think is a reflection of the things we weren’t seeing then, and it seems to indicate some very deep hurt. (I know, call me Captain Obvious.) And like so many have been saying, it feels likely that that part of that hurt is rooted in that very lack of private support where a person would expect it from their partner. Obviously as a Taylor fan blog I’m going to be more inclined to understand her side of a story, but tbh, it’s also because… this is sooooooo common, and something I’ve experienced in my friend group. (@taylortruther is right when she says most breakups are the same one way or another lol.)
One partner is resentful of the other’s success, or resentful that the other’s priorities begin to evolve as new experiences unlock new goals, or feels the other’s ambitions are not worthy of pursuit, and coupled with perhaps their own struggles in the same domain, it’s easy to see where that can chip away at the other partner’s morale and faith in the relationship. I know I’m just speculating here, but I also don’t think it’s totally unfounded. (Again, because a) I’m picking up what she’s putting down and b) it happens to sooooooo many women even among us dull normals.)
With all the pointed mentions about how much Taylor feels supported in her current relationship and how she in turn loves to offer the same show of support to not only her partner but other loved ones, how she’s stepped out more in the last year to a whole host of events, how she’s mentioned feeling like she locked herself away for years and she’s just proud of her partner and happy she can show up for him even if the chaos around it is unsettling, it paints a picture of what perhaps was happening before last year.
To feel like you’re all alone in carrying the weight of the relationship (or burden of it), of twisting yourself into knots to accommodate the other person’s boundaries (or insecurities) but not feeling reciprocity for your own has to be so painful. (The idea that it may have been even darker and to have a partner not only be unreceptive to your own needs but even perhaps resentful/dismissive/belittling of them is even more painful to think of. I guess we’ll find out when TTPD comes out if that was the case, too.)
At a certain point, that lack of acknowledgement will force your hand to be able to reclaim yourself. And it feels like the further removed Taylor in particular is from it, the more she moves from being sad about the life she felt she gave up by leaving, to angry at the life she felt she was giving up by staying. Especially being in a relationship now where it seems like everything comes much easier, where she can be open about the person she’s with and show up for them, all the stuff that seemed as challenging as climbing Mount Everest in her past is nothing more than a molehill at best in her current life.
TL;DR: I don’t think it’s privacy that inherently spells doom for a celebrity relationship like this; it’s the mutual support and respect that does. If Taylor had felt that in the later years of her previous relationship, I think we could be seeing a different, though not necessarily unfulfilled, person right now in 2024, who’d be happy on tour but whose personal life would look a little different. But it seems like by losing that support she lost parts of herself, and we’ve seen her reclaim that in spades in the last year, and perhaps to degrees she didn’t even realize she could from before all the Bad Stuff started happening in her young adulthood.
I know this was extremely long-winded and unnecessary, especially about total strangers we only know through scraps fed through the media, but I just always bristle at this idea that issues like these boil down to “personality differences,” as though one person wants to live in a city and the other on a remote island, or some shit like that. The whole support (and gender tbh) issue is one that’s just very close to my heart because again, I have seen it play out with so many of my friends in long term relationships and marriages and I just think people in relationships (and women in particular in some circles) deserve better than to feel like they’re being, well, tolerated.
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"You want a ride to fame? I've got the fastest route!
What's it gonna be? Are you in or out?"
x~x~x~x
HPHM Cardverse developed by @ariparri // Rakepick's outfit // Duncan's outfit // the more "court-worthy" outfit Duncan eventually bought for Jacob
x~x~x~x
The day Jacob Cromwell first arrived at the palace of Spades, he earned more than a few skeptical side-eyes. It was hard not to judge Jacob poorly, when he strolled inside dressed in clothes more appropriate to working in a mechanic's shop than in one of the most powerful royal courts in Cinderhaven. His black slacks and white shirt were clean and his boots were polished, yes, but he'd rolled his sleeves up to his elbows and the lone pop of color in Jacob's outfit -- his red suspenders -- were far too informal for such a setting. And yet Jacob walked with his head held high, almost arrogantly so, and went straight to work in his new workshop just down the hall from the office of his boss, the also very recently installed Jack of Spades, Duncan Ashe.
One of those most skeptical of Jacob -- at least at first -- was the Ace of Spades, Patricia Rakepick. She had been the one hold-out in selecting Duncan as Ulrich Scheller's replacement, citing his young age and subsequent lack of experience as rationale, but she'd ultimately been overruled. Not only did the King of Spades, Oskar Doyle, support Duncan's promotion, but the Queen of Spades had agreed with it too, before her tragic death. Even Ulrich Scheller himself was steadfast about Duncan being the one to take his old position.
"Mr. Ashe may be young, but he has discerning judgment -- far better than even I had at his age," the former Jack had said. "I've always valued his counsel as my subordinate, and I think the Court of Spades will come to appreciate that very same counsel once he takes my place."
Rakepick was not convinced. And, to be fair, it was hard for her not to feel some resentment at how seemingly easily it had been for Duncan Ashe to climb the ranks of power, while still fresh out of university. Perhaps it was dumb luck or the fact that Duncan was a young man with a good sense of dress from a reasonably well-respected family -- a more objective source might also have pointed out that Duncan was a far more likable person than Rakepick. Even despite his brusqueness, he could be witty and funny and yet also dedicated, down-to-earth, hard-working, and supportive. Duncan chased his ambitions with laser-precision, and yet he also never failed to take helpful input from the people around him. His pride was never so inflated that he couldn't take constructive criticism or admit when he was wrong, nor was it an obstacle to him making iron-clad friendships that gave him people in his corner who stuck with him solely out of sincere enjoyment for his company.
Rakepick's critical view of Duncan Ashe, however, completely justified her initial suspicion of Jacob Cromwell. This suspicion quickly flickered out, though, when she made a point to stop by the Jack's stooge's new workshop.
It was still quite early that morning — most of the King’s, Jack’s and Ace’s staffs had only just started their work for the day -- and yet that oddly chipper new "favorite" of the Jack of Spades' was already hard at work. He’d arrived a good half hour before his scheduled shift and used that extra time to hang up the blueprints for the couple dozen projects he'd already hashed out to show "Ashe" when he arrived later that morning. Then, at his formal start time, Jacob set about testing out his new power-saw (which the curly-haired young man had fanboyed over when he first saw it) to cut out a metal skeleton for his blimp prototype while also making some alterations to the blueprint on his desk.
By the time Rakepick dropped in, she found Jacob in the midst of a short "break" in his work, which entailed him adjusting the screws on a device set up under his desk.
Because Jacob was so preoccupied with what he was doing, he didn't get a good look at who had entered. And because he was so used to being an overworked part-time mechanic, cook, and librarian, his first instinct was not to stop what he was doing, introduce himself to the person, and ask how he could help them, but to greet the stranger cheerfully without even looking up from his work.
"Hey there! Come on in and look around if you’d like — I’ll be right with you!"
Rakepick cocked her eyebrows at the young man largely obscured under the desk, tightening the screws on what looked like the foot pedal of an old sewing machine. With a roll of her eyes, the Ace looked around — only to be startled by the prototype hanging over her head.
It resembled — for lack of a better term — a small mechanical dragon, with its “head” and “limbs” cut into halves hanging from separate wires. The wings were crafted out of aluminum, carved wood, and fabric, and the “body” was a balloon with multiple model stairways attached to it and aluminum “legs” hanging off of them and cut open to show off rooms on the inside. Even the head (adorned with two thick lightning rods as horns) was cut down the middle to show off a miniature cockpit on the inside.
Rakepick actually raised her gloved hand to shift the head around, her eyes widening with interest upon the intricately designed interior. It even had a miniature control panel with what looked like tiny fuses. When she tapped at one of the levers inside the model, two spotlights appeared out of the dragon’s mouth, casting a light down onto the multiple blueprints laid out on the desk.
"It’s a modified blimp," said Jacob’s voice from under the desk. "Those mouth lights would be hydroelectric-powered, via collected rainwater -- I originally thought of using solar power, but too much concentrated heat could run a risk of the thing catching fire, since the blimp itself would use hydrogen...much less rare alternative to helium…"
Rakepick raised her eyebrows. "Hydroelectric power, you say?"
Didn’t Duncan Ashe bring up something once about hydroelectric power in one of his meetings with Ulrich Scheller…?
"Yeah!" said Jacob cheerfully, still not looking up. "I brought it up to Ashe a while ago, shifting our main source of power away from coal and toward hydroelectric -- and he thinks it’d be a great way to save money for other projects. Plus water's much less hazardous to work with…though if coal can be mined more safely, I reckon it could still be used, just in smaller amounts…still need to make a prototype or two for that project…"
Then this person was where Duncan Ashe stole that idea from. Rakepick pursed her lips. It seemed this new Jack really was good at getting credit not rightfully owed him.
"But hey, there's only so much time in a day!" Jacob laughed to himself. "Only sent my letters of resignation in yesterday morning — didn't really have time to get all these ideas out of my head, before that…"
Rakepick glanced around. By her count, she could see five unfinished blueprints hung up on the wall, one more and several printed graphs on the work bench next to an old phonograph, and what looked like a row of small plant boxes with thermometers stuck in each one.
"…You did all this just in one day?" she asked.
"In half a day, a night, and some of this morning. But yeah."
This boy works hard, thought Rakepick.
"Though a few ideas I'd been ruminating on for a while, beforehand," Jacob pressed on. "I just hope it's enough…I've never worked as any kind of advisor before. Don't really know how much my work will be commission-based and how much will be free-lance…"
Rakepick crossed her arms, considering the young man's spade-gloved hands under the desk testing out the little sewing machine wheel he'd attached to the leg of his desk. Only when he turned it did Rakepick realize it was attached to the phonograph on the desk, and the wheel turning also made the crank handle rotate.
"I think that depends on whether that project on your desk is something the Jack commissioned," said Rakepick, "or if you came up with it for him by yourself."
Jacob laughed. "Oh, this? Nah, this is just a personal project...I wanted to use it back at the mechanic shop, originally, but I didn't have proper room for it...Wyn, my sister Carewyn, she let me keep it in pieces under our window, until I could figure out where to put it -- "
Once Jacob had finished his adjustments, he got up off the floor at last, sat down in his chair in front of the blueprint, and pressed the foot pedal. The pedal made the wheel rotate, which subsequently turned the crank on the phonograph so that it could play the record set on it.
"When the red, red robin comes bob-bob-bobbin' along...along...
There'll be no more sobbin' when he starts throbbin' his old sweet song..."
Jacob's almond-shaped blue eyes lit up in delight seeing his invention working right, and he cheerfully sing along to the next few lines.
"Wake up -- wake up, you sleepy head!
Get up -- get up, get out of bed!
Cheer up -- cheer up, the sun is red!
Live, love, laugh, and be happy..."
Rakepick's eyes trailed over the modified phonograph, along the careful metal-work attaching the disparate pieces and the screws securing them to the work bench. All this effort and inventiveness, for something this boy wasn't intending to get any reward for from his employer...
Rakepick's lips curled up in a very slight smirk. She had to admit -- she was impressed.
Still pedaling away to play the song on the record, Jacob finally looked up at the person who'd entered his workshop with a smile. That smile dimmed, though, when he realized just who he was talking to.
"Oh," said Jacob, startled. His foot stopped pedaling as his eyes flitted quickly to the sword at Rakepick's side and the stylized silver-white pauldrons on her shoulders. "Uh...you with the military or something?"
Rakepick smirked. "'Or something.' Patricia Rakepick -- Ace of Spades. And you'd be Jacob Cromwell, of course."
"Uh -- yeah." Jacob looked sheepish.
Rakepick's smirk widened a bit. "You seem surprised to see me."
"Sorry -- I didn't think anyone outside of Ashe's people would be interested in any of this," said Jacob, sounding slightly abashed as he crossed one leg across his lap. "I mean, this stuff's really more for interior projects -- nothing that fancy..."
"You sell yourself short, Master Cromwell," said Rakepick. She once again indicated the prototype of the blimp hanging from the ceiling. "Frankly I'd say with a brain like yours, you could make a rather fine Jack yourself, some day."
Jacob's blue eyes went very wide. Then, almost immediately, his expression gained a much darker look -- one that swept through offense and disgust so thoroughly that it was close to revulsion.
"Uh -- no," he said incredibly bluntly. "Ashe is the Jack."
"I never said he wasn't," said Rakepick, "merely that you're more than qualified for such a position. More qualified than many candidates I could envision as Jack...or King, for that matter..."
"I wouldn't want the post, in any case," Jacob cut her off. "I'm not here to do Ashe's job, or the King's."
So this boy had no ambition in that direction? That was reassuring, to Rakepick.
"Good to hear it," said the Ace, before she added a bit more lowly, "...Though it occurs to me that may be why you were brought here in the first place."
Jacob's eyebrows furrowed. Rakepick folded her arms behind her back as she considered him.
"Mr. Ashe brought up your ideas to the rest of court, long before your arrival," she said grimly. "He's glided to where he is partly on the back of your creativity -- is it so surprising that he'd want to keep leeching off of your efforts and use them to earn further prestige for himself?"
Rakepick's eyes narrowed a bit.
"Your talents are far too impressive for you not to get full credit for them, Master Cromwell. I can think of quite a few projects outside of the Jack's domain that could use a mind like yours -- ones that would pay very well and offer further rewards, for your efforts."
Jacob, however, had already closed himself off visibly -- he slouched back in his chair and crossed his arms, his eyes narrowing.
"No offense, Madam Ace, but I'm not here for money or 'prestige' or whatever. I don't give a damn about politics -- I'm here because I want to do something useful, not prance around like a show horse, schmoozing with people. The only power I care about is the power in my brain and in my own two hands -- and I intend to use them to work really hard and make things that solve real problems. I want to help Ashe and the Country of Spades, however I can."
Rakepick's brows raised. This boy wasn't interested in financial reward either? A truly rare breed, to find at court.
"...That's quite noble of you, Master Cromwell," she said, and she meant it. "And it's for that reason that my offer still stands. If you wish so much to be of use, your talent and creativity would be incredibly useful, in giving the army the means to protect the Country of Spades. Your blimp prototype, for instance -- I imagine it could be a perfect flagship, with some minor alterations and a proper set of guns -- "
"Guns?" Jacob repeated, appalled. "Madam, the blimp of that prototype is full of hydrogen. Anything using gunpowder could risk setting the whole thing ablaze. That flying machine is strictly meant for long-distance transport, to reduce travel time and be more resilient to bad weather..."
"A very good idea, when our King has to travel frequently to other parts of Cinderhaven."
The stylishly dressed Jack of Spades had materialized seemingly out of nowhere and walked up behind Jacob's chair, bringing his hand onto his subordinate's shoulder. Jacob looked up at him, and his expression immediately brightened.
"Ashe!"
"I'm flattered that you approve of my staff appointments, Madam Ace," said Duncan, though his voice betrayed a notable edge, "but as you might've noticed, Jacob has quite a few projects already in the works for his place here, working for me. I'm afraid any commissions you might wish to offer him will have to wait."
Rakepick pursed her lips. She got the feeling that Duncan had overheard a lot more of her and Jacob's conversation than he would've admitted -- he was more than clever enough to eavesdrop for important information before making himself known.
"Perhaps," she granted. She turned on her heel, but paused long enough to shoot a cold smile over her shoulder at Duncan. "But don't hoard him away all for yourself, Mr. Ashe. A young man of talent like Master Cromwell could change the world, so long as he has the freedom to chase his own success."
Duncan clenched his jaw as the Ace strolled off.
"Don't hoard him away" -- you dodgy geebag, if you even think of trying to snatch Jacob up for yourself -- !
"What a weird woman."
Duncan looked at Jacob, startled, to see the man frowning very deeply at Rakepick's retreating back.
"She acts like she's complimenting you, and then she says things that make absolutely no sense," Jacob muttered irritably. "'So long as he has the freedom to chase his own success' -- as if I somehow don't? And insinuating that I'm here to do your job...I'm a technology guy, I'm not here to waste time kissing up to people..."
"Good to know you think I'm wasting time," Duncan said very dryly.
Jacob looked sideswiped. "Huh? What, no -- I didn't say that! I said it'd be a waste of time for me to do that..."
"Of course it would -- I'm already doing it," Duncan cut him off smoothly with a wry smile.
His smile then faded as his face grew more serious.
"...Jacob...what Rakepick said...it's not true, not a bit of it. Of course, yes, I did share your ideas at court -- but I did not take credit for them...I told the former Jack they were yours. And I didn't want you here so you could do my work for me or make me look better. I wanted you here because...well, your ideas are useful, and I..."
I want you around. I want you around all the time, not just at that old tavern every Tuesday and Thursday...
Duncan swallowed, his dark eyes flitting down to Jacob's lips and back up into his blue eyes.
"...I do...want you to succeed. I want your work to be appreciated. All of it -- whether it's for me or not."
Jacob grinned. It made his blue eyes sparkle, even though his face lacked any light of revelation about the unspoken sentiment in Duncan's posture.
"I know, Ashe," he said. "And that's all I want, really, to know my work means something. Sure, the paycheck's great -- " he gave a cheekier grin, " -- makes it easier for me to support myself, Wyn, and Mum, you know...but I took the job because you wanted my help, needed my help. And well, you know me...I like to help people. Especially the ones I care about."
Duncan tried very hard to bite back the flush rising in his cheeks. Somehow Jacob completely missed it, though, because his focus was drawn to the blueprint he'd left on his desk.
"Speaking of which!" he said brightly. He snatched up the blueprint and held it up for Duncan to see. "I sketched out a concept for a new hydroelectric generator, for your upcoming meeting with the King of Spades! I suggested several dimension sizes, since I wasn't sure how big the boiler here is, but I thought the palace would be a good place to test its efficiency and ability to heat multiple levels..."
Duncan looked it over and nodded in approval.
"Not bad," he said, and his lips unfurled in a more mischievous smile. "I think the King and the rest of the court will be very impressed with it, and you, when you accompany me to the meeting."
Jacob was taken aback. "Wha -- ? You want me to -- ?"
"Yes -- but only after I take you shopping for some new clothes. I'm not introducing you to Oskar Doyle in red suspenders."
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