#never forget to say:

[rapha-reads]

That moment when you jokingly ask your friend group on Insta why none of them are following Motaz Azaiza and send them a few posts about Palestine that could interest them, even though none of them has said a single word in support in three months, and one of your oldest friend immediately react all offended, saying that they can follow who they want and they don't have to report to me, and also this isn't the place to talk about the "conflict", and not everybody has the same opinions.

... Tell me you support IsraHell without telling me you support Isntreal.

And if I'm not supposed to talk about this genocide that's breaking my heart and making me cry for the past 3 months with my friend group of 10 years, then with whom the FUCK am I supposed to talk to? The walls? The void?

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[sunsestart]

This IS basically journal 3, right?🤨

[gfguren]

pro hero!bakugou x fem!reader | fluff, suggestive, husband!katsuki, katsuki implied as being taller than reader, implied age (~late 20's, early 30s~), light-hearted bickering, an excuse to write more domestic!kats, 1.8k | cw: cursing, suggestive

-your husband comes home late, soaking wet and a little bit handsy-

Katsuki is late; you hope traffic isn't too bad. Outside your window the sky is overcast, steely shades of grey over a slate canvas. The roads are dyed an inky charcoal, pooling at the surface where rain drip-drip-pours in endless streams.

You've taken up residence in the foyer, between the linen closet at the end of the hall, and the umbrella Katsuki left by the front door this morning. The very same one you reminded him to take with him at breakfast, and twice again before he left in the evening. If you loved him a little bit less, he might listen to you one day.

But you do—love him—right down to his bad habits and stubborn disposition.

So you wait for him the same way you have for years; perched at the breakfast nook in the corner with a warm cup of tea and a paperback that's been gathering dust for half-a-year now at least. The bar table is worn at the edges, legs wobble if you lean too far forward—frankly, you should have gotten rid of it years ago—but it was the first belonging that wasn't yours, or Katsuki's, but ours; a piece you thrifted when you were both still twenty-something and broke.

The years have changed a lot—our table, our bed, our house, our life. Your Katsuki.

—His wife.

The band around your finger is white gold; it clinks when you put the mug to your lips. Honey, ginger. Sweet. Rain hits the window and falls; two trails meet at the middle, and stick to each other like glue. Katsuki would laugh if he found you right now, smiling into your tea like a lovestruck fool.

You let the ceramic rest, turn to page thirty-or-something of a book that you totally-intend-to-finish. An hour passes before you hear the telltale rumble of an engine.

You spot his headlights first, misty pools of sunlight spilling onto the pavement when he pulls into the driveway. It's well past midnight now; Katsuki is a shadow against the porchlight, long strides and a hand over his crown. You have half a mind to bring the umbrella to him, but he's quicker, ascends the four steps to the veranda in two big leaps; you barely register the rustle of keys before he's stepping into the house, pooling rainwater at the welcome mat.

He's soaked at the shoulders, a grumble in his throat when he kneels to unlace his shoes—black leather, designer and sharp, same as the suit jacket around his shoulders. Tailored to fit him just right.

Katsuki's always been handsome, even as a hero in training renting hand-me-down suits from the little mom-and-pop shop down the street. But it really strikes you just how beautiful he is when you look at him now, dressed to the nines. All the years of hard work paying off in more ways than one.

You go a little fuzzy when he lifts his head to catch you staring; red eyes kindling the air and making it hard to breathe. He's the spitting image of a number two hero, just returned from a long night at some fancy-pants gala; sometimes you forget that's exactly what he is. Even more dumbfounded that, somehow, he's yours.

"I know," he grumbles, moving his shoes to the cabinet and meticulously hanging his jacket over the chair to dry. He briefly eyes the umbrella. "I f'rgot, kay?"

So have you, suddenly.

There's a pause and—"I didn't say anything."

He meets you at the table, one hand at the surface and the other at the knot of his tie. "Y've got that look."

You tip you chin to glare at him playfully. "And what 'look' is that, Bakugou Katsuki?"

"Like y'r about t'chew me up." He pulls the fabric strip from around his neck in one fell swoop, pops the first button of his dress shirt with his thumb. Your eyes fall for only a moment—barely a second—but Katsuki grins with the self-awareness of a man who's known you half his life. "Or about t'jump my bones, hah?"

He looks entirely impish in his revelation, ego flaring to rest in his cheeks; you have half a mind to nip at them like candy floss, instead you reach for the cuffs of his button-up, tidy the sleeves one fold over the other until the rainwater and well-kept muscles catch at the seams. You feign a sigh when his stare becomes too insistent to ignore, hand falling to rest at the peaks of his knuckles. "You'd like that, wouldn't you?"

"Yeah." A spark of firelight flashes in his eyes, deep carmine and coy; teasing him was so much easier a decade ago. "I'd let'cha."

You roll your eyes. "You're so unsexy, y'know that?"

"Hah," he barks with all the disbelief in the world. "What? Want me t'do that dirty talkin' shit instead? Jump y'r bones right here at the table? D'n think she'll hold up, baby."

He lets a fraction of his weight fall against the corner and the old wood immediately cries out, splintering oak and creaking hinges and the real, immediate threat that the poor thing might actually collapse at your feet.

You spring up defensively. "Katsuki!"

A once neatly-folded towel tumbles from your lap to land at your toes. His gaze falls; grin widens.

"Said y're gonna make me 'deal with it' next time I forgot the stinkin' umbrella, didn't'cha?" His fingers pinch the fat of your cheeks teasingly. "Love me that much, hah?" Your eyes narrow, fingers dive with intent for the space beneath his ribcage. He's quicker, wraps five fingers around your wrist and pulls you in with a hand at the back of your neck. He breathes, warm against the top of your head—"Missed y'tonight."

You hum against his chest, damp fabric sticking to your cheeks, flush and warm with surprise. You can count the number of times he's been this blunt with his affection on one hand; at least twice being in the presence of an empty champagne glass, or five. "Did you drink?" He gruffs at that—the only indication that he heard you at all. "Katsuki?"

"Come with me next time."

You tilt your chin, brow creasing. His head dips at the sight of the first wrinkle, the way it always does when he's trying to change the subject, or sweeten you up, or get his way in any way, really—a habit you must have taught him because you let him get away with it every single time. It's probably why he looks so offended when you pull back suddenly with a click of your tongue.

"That's not an answer."

"Not a drop," he finally says—huffs—with an almost boyish scowl.

You find yourself stifling a laugh, hand over mouth, and he glares, even as you step away to rustle through the linen closet. His eyes are red hot, brow downturned, downright grumpy, only cooling to a simmer when you're toe to toe once more, fresh towel in hand and lightly waving him down to your level. His spine bows, head dips until you're massaging the soft cotton through his hair; you would have had to fight him on this once—years ago—before time weathered his sharp edges, doused the wildfire raging in his heart until he became the man he is now—irritable, arrogant, stubborn, still, but willing—to make amends for who he was before, to extend a hand where he's able, to let you offer him one in return.

"Chose this one on purpose, didn't'cha?" Katsuki's voice is lukewarm, a tepid grumble at the back of his throat, an almost purr when you dip your fingertips against his nape.

"No idea what you're talking about."—but you do. The towel in question, he means, is from the left side of the closet, your side, all soft cotton and fluff; the same ones he refuses to use, for those very same reasons. "Said they 'd'n dry a damn thing' but-" you drape the supposed 'overrated, overpriced pile'a'fluff' around his shoulders to ruffle his bangs, more wily than usual, and barely damp. "Would y'look at that?"

He snorts, hand falling to the small of your back. "Don't get smart."

"Or what?" you keen up at him, at the balls of your feet, tip toes and still barely nose to nose; they bump once on accident, and twice on purpose. "Huh?"

Warm, exasperated breath fans across your cheeks. "Tryna start somethin' t'night, are ya?"

You bat your lashes, head tilting and fingers splaying across the 'v' of his neckline. "Me? Start something?" Your grin betrays your facade. "And what if I am?"

He pulls you in at the waist, holds you steady with one, strong arm, warm lips at your jaw and low, deep voice in your ear. "Better be ready t'finish it, then."

His right hand comes to rest at the back of your thigh, teases the skin right where your skirt ends; gooseflesh blooms all the way up your spine and you shiver. "Who's jumping bones now, huh?" you bark—yap, like a scaredy-pup with it's tail between it's legs—bite lost somewhere between the callouses on Katuski's fingertips and the press of his hips against your own.

You straighten your shoulders to get a good look at the ego washing over his face like miles of trumpet vine. All consuming, a force to be reckoned with. And devastatingly pretty.

"That'd be me, pretty lady," he says, all kinds of smug and annoying.

You hold him with your stare for an entire second—two, just so you can get a real good look at his stupid, handsome face—and then you're pulling him in by the collar, wrinkling the shirt he'll spend too much on dry-cleaning tomorrow. Not that he seems to mind when your tongue meets his, honey mingling with the mint on his breath and making his head swim, all but forgotten when a hand comes to rest at your waist, heated fingertips beneath your sweater, licking softly at your skin.

He walks you back 'til your thighs hit the table—(it rocks, precariously); one of your hands fall against the surface, the other to his heart that thump-thump-jumps when thunder rumbles through the house, and stills. You smile, soft against his lips, thumb tracing the precipice of his collarbone until your fingers can curl around his spine. The next kiss against his mouth is featherlight, barely there; you sigh, contentedly—"I love you."

Katsuki goes a little hazy, eyes the color of early Autumn; the blazing summer sun reduced to a tealight candle, flickering in the palms of your hands. "Yeah," he chokes. And you know just what he means.

You kiss him then, once more, a little more playful this time; mischievous and coy with a cheeky, "—even though you're totally unsexy."

"So help me, y/n, I will howitzer this table."

[zyphnn]

saying goodbye

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[cheekinpermission]

C'mon, Deuce... you were the chosen one!

Pt. 1 | You're here! | Pt. 3 | Pt. 4 | Pt. 5 | Pt. 6 | Final

[roughentumble]

DC supervillain of the week who traps the justice league(in their league disguises) in a reality tv show like love island. it airs on tv and everything like they use supervillain powers to forcefully broadcast "love island: justice league edition" while the supers have to try and figure out how to escape. during a personal squabble wondy steps up and says "everyone calm down, we're all a team, we each have our strengths and weaknesses, we need to work together to solve this" and then it cuts to her talking head segment and she says "im not a fan of green lantern."

[imperatorcopia]

IM STILL HERE!!!! I NEVER FUCKING LEFT!!!!! I LIVE IN THESE PHOTOS!!!!!!!!!

and the fact that THE GHOST ACC POSTED IT ON THEIR STORY....

[yashley]

We’ve all been there.

[lotus-pear]

the besties!!

[stromer]

and thirdly, i didn't want him to beat me up

[btsiu]

Message from Jin: June 13 2024,☀️

[izel-scribbles]

the one part of malevolent that i will consistently cry over is part 20 when arthur recites the poem he wrote about his parents. like i’m never gonna be normal about it.

[dlartistanon]

Fitting meme to remember her other legacy