#or. another common one. 'i need to talk to this specific person and no one else will suffice'

[daz4i]

hobbies include lamenting loneliness even when it is easily avoidable

[sakuravalelp]

Phantom letters - DPXDC PROMPT

The bats wake up one day to the internet going crazy; people around the world were getting letters from they're diseased loved ones. The reactions are mixed, from people being outraged for the "prank" to people crying in melancholy at getting closure.

All the letters have something in common: They're closed with a green sealing wax that had an stylize DP and the name Phantom beneath it. Posts about the cards were using the # Phantom Letters.

The bats are discussing the viral posts in the cave when Alfred comes holding a basket filled with letters, announcing they were left at the doors. The letters had the sealing wax that they recognize from the posts. Checking the cameras they can see how they glitch before the basket appears.

Alfred starts to distribute the letters that had only one destinatary. Letters from each Thomas and Martha to both Bruce and Alfred. Letters from each John and Mary to Dick. A letter from Catherine to Jason. A letter from the Drake's to Tim, and another one to Bruce.

Once they had calmed down enough from the shock, Alfred proceeded to read the shared recipients. From Thomas and Martha to "The grandchildren we never got to meet." From John and Mary to "the family that took our little Robin in." Letters from Catherine to "My little boys family." The letters were directed to people the deceased didn't get to meet.

As much as the mere existence of the letters tugged at their hearts, they decided to not read them until they verified that the handwriting actually belong to the ones it claimed. They checked each letter, and in the end confirmed the letters were in fact from they're lost love ones.

After much discussion, each person makes the decision to read they're own letters later in private, and they proceed to read the ones that shared recipients out loud. The letter mentioned specifics like names and events that the deceased shouldn't have been able to know, including they're vigilante abilities, which had them pause each time to panic a bit. But what was more interested were certain pieces of the letters that mentioned a Prince Phantom.

"Prince Phantom said to don't mention things past our death, but it wasn't a command, so we're hoping this won't be much of a problem." - John and Mary

"I still can't believe Prince Phantom is letting us do this, but I'm so glad." - Catherine

It finally paints the mystery in a more concerning light when at the end of Thomas and Martha's letter there is a call for help.

"We're sorry for ending the letter on a serious tone, but seeing the kind of job you all get involved in, we wanted to ask: Could you please help Prince Phantom? Phantom had asked us to not give information about this, but he's so young, and has already been hurt so much. Please, check on Amity Park, Illinois."

-_-_-_-_-_-_-_-

Meanwhile, team Phantom has decided that they needed to get the news about the GIW out of Amity and ask for help. Two problems:

the GIW blocks any technological attempt made.

People might be afraid to learn that ghosts exist and side with the GIW.

As a way to deal with the public image, Phantom opens a possibility that the death have never had:

"All afterlives are open to write letters to their love ones that are still alive today. Nothing that includes threats, and don't go talking about the anti-ecto acts or Amity Park yet, we're trying to ease people into our existence first. Also, I know you all check on your love ones when the veil is thin, but please keep the things you shouldn't know out of the letters if possible. If you want your letter to be sent in the first batch, make sure to deliver your letter before the week ends."

Letters are a good way to reconnect people with the death, they aren't digital, and the GIW won't be able to intercept letters if they're send through inter-dimensional portals. Two birds in one shot.

[psychoticallytrans]

There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.

There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.

Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.

I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.

I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.

But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.

Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.

Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[jasperxkuromi]

Play ideas for chronically ill, disabled, or otherwise bed bound/low energy littles

Hi all! I am chronically ill. I am not comfortable sharing my specific diagnosis, but I am more than okay with talking about disability in general. Everything below is based on my own personal experiences and activities I like to do while stuck in bed. Everyone's body and experiences are different. I may list some things that just aren't an option for you, and that's okay. You are more than welcome to add on to this post with activities you do too!

🐛 Open the curtains and cloud watch! I like to look for clouds that remind me of animals or characters and day dream a story about them. If the weather is nice, consider opening your window a little bit and letting some fresh air into your room.

🐦 Bird watch! I have a bird feeder outside my window that I painted myself from a kid's kit. There are also bird feeders that have suction cups that can be stuck right on your window. You can also make your own seed ornaments. You could pick yourself up a kids book or two on learning to identify birds.

🌷 Get a window planter. You may need someone's help to set one up, but once they are in place they are fairly easy to care for. I like pansies and marigolds because they remind me of childhood, and they are low maintenance and do well in containers.

📖 Audiobooks are great for middles who want to read chapter books. If you have a library card you can borrow tons of audiobook, ebooks, and comics through hoopla and Libby for free. There are some audiobooks for younger kiddo books, but honestly I think YouTube is better for that.

🖼️ Scrapbooks and journals! Being penpals with another little is also an option, but I do recommend using basic internet safety and common sense. (I don't think you should do this if you are under 18). You could always scan/take pictures of your letter and send it digitally to your penpal instead.

🛏️ If you spend a lot of time in bed, and have the money to do so, I really recommend getting items to make your time in bed more comfortable. Extra pillows, or even a reading pillow can be helpful. Lap desks or bed tables can give you space to color or set up play scenes with small toys.

🌟 You can also decorate the area around your bed to make it more child like! Fairy lights, glow in the dark stars, bed canopies, posters, and the like.

🪑 I have a floor chair I use for times I am playing outside of my bed. Being close to the floor helps me feel small, but not having back support hurts after a short while. I have an adjustable one that I can lay flat on the floor as a sleeping mat. Very helpful for the times when I need a quick nap after playtime.

🎨 Check the seasonal and kids sections at dollar stores and Five Below. I usually find fun craft kits that can keep me occupied for a bit for really cheap.

🧶 Do your own crafts! I like the knit and crochet. Some people can do them in bed, but I find it difficult to find a comfortable way to do that. However making friendship bracelets in bed works out pretty well. They make great gifts, even for non little friends. Or you could make matching ones for you and your CG or favorite plushie!

🪀 Make your own sensory bin! You can find tons of tutorials and ideas online. Bonus is you can get most of the items you would use at the dollar store. There are tons of other DIY sensory toys you can make as well if you look around. Glitter/shaker bottles are pretty popular too.

🐇 Cuddle with your stuffed animals. Tell them stories. Play pretend. Read to them. They will appreciate all of it.

🎮 If you have an old 3DS stuffed away in a drawer somewhere, pull it back out. 3DS are fairly easy to install homebrew and there are toooons of kiddo friendly games you could get (check 3ds.hacks.guide for this, do not follow tutorials on YouTube or random websites as they very well could be outdated)

💊 Decorate your medicine organizers with stickers. If you use mobility aids you can decorate them as well! Fake flowers are great for decorating mobility aids and there are tons of ideas you can find online.

🍼 I have stomach problems that makes it hard for me to eat enough. I often drink Ensure to make sure I am getting enough calories/nutrients. I get the strawberry flavor and sometimes put it in my sippy cup and pretend it is strawberry milk 😋

😴 If you need rest, rest! You deserve to get as much sleep as your body needs. Babies and toddlers take naps all the time! Trying to just exist with chronic health issues is difficult enough. You don't need to push yourself.

[bridgertonnteas]

So I have some tea about our favorite bridgertons

I was at the afterparty today of the London screening & premiere and some info are confirmed that I happened to know from today and from before through insiders 1) Ben is the s4 lead & everyone already knows it and just like they used Polin season to build Fran story, they will use Ben season to build Eloise story 2) They thought about combining seasons but the idea fell through after fear of the fan's reaction. They thought about combining Ben & Eloise seasons first, but Ben fans have been eagerly wanting his season, so they decided to focus on him in his own season. The idea presented itself again about possibly combining Eloise and Fran seasons together in one season, but that idea feel through as well. So far each season will focus on a specific sibling 3) There is a possible spinoff or two they thinking about one would be between s3 & s4 and one between s4 & s5. the spin-off they think about it to happen between s3 & 4 is a young Violet spin-off. nothing is finalized yet but they have been seriously considering it 4) All the cast of s3 gave their agreement to come back in future seasons and they don't want a repeat of s1 leads not returning and JB did say he wants to be back as long as they need him even if as cameo

gossip side of things 1) Luke T & Harriet Cains did break up then went back together and now it's unclear what the state of their relationship is, but at least they are still friends. Things possibly will be clearer when him as the lead of the new season news will be out. She was seen with another man that she was cozy with at the NYC premiere, but Luke T has also said he video called her during that event according to a fan video

2) Bessie Carter was upset about something she read in her comments bit of it was unreasonable due to jealousy and comments that affected her for a bit and for a brief time it made her unfollow all her female co-stars 3) Claudia Jessie isn't engaged, but she is still in a long time serious relationship 4) Luke Newton's casual gf or what some call situationship he has with certain someone isn't over yet, but it isn't serious nor exclusive either. He hasn't been introducing her as his gf to anyone and calls her just a friend of a friend & came close to ending that relationship once. She didn't show up even at the after party, but there has been a talk that he and his friends possibly met her & her friends at another party later, but that is unclear and unconfirmed. He was seen however with his friends and his assistant leaving the London after party together. some of his team left with him as well 5) Nicola Coughlan Was dating someone but broke up with him by end of March. some speculated that she still might be with that person, but they are just still friends. The guy has common friends with her friends and the relationship ended in a friendly way. He was seen kissing someone else in April

6) Both Luke N and Nicola C were seen together having more than friendly strolls in some of the press tours countries. They also had a private trip together along with their teams and things seemed to be more than friendly with them, but according to close acquaintances they are very still close friends & they so far not taking their relationship further out of worry of complicating their work relationship and unsure if those feelings that developed before during s3 filming but ignored then again during past few months were real or if they were just due to spending much of their time together. The show staff, their respective teams, and others also see their attraction to one another & have been openly hoping for them to get together one day sooner or later

[dailyadventureprompts]

Monsters Reimagined: Bandits

As a game of heroic fantasy that centers so primarily on combat, D&D  is more often than not a game about righteous violence, which is why I spend so much time thinking about the targets of that violence. Every piece of media made by humans is a thing created from conscious or unconscious design, it’s saying something whether or not its creators intended it to do so. 

Tolkien made his characters peaceloving and pastoral, and coded his embodiment of evil as powerhungry, warlike, and industrial. When d&d directly cribbed from Tolkien's work it purposely changed those enemies to be primitive tribespeople who were resentful of the riches the “civilized” races possessed. Was this intentional? None can say, but as a text d&d says something decidedly different than Tolkien. 

That's why today I want to talk about bandits, the historical concept of being an “outlaw”, and how media uses crime to “un-person” certain classes of people in order to give heroes a target to beat up. 

Tldr: despite presenting bandits as a generic threat, most d&d scenarios never go into detail about what causes bandits to exist, merely presuming the existence of outlaws up to no good that the heroes should feel no qualms about slaughtering. If your story is going to stand up to the scrutiny of your players however, you need to be aware of WHY these individuals have been driven to banditry, rather than defaulting to “they broke the law so they deserve what’s coming to them.”

I got to thinking about writing this post when playing a modded version of fallout 4, an npc offhndedly mentioned to me that raiders (the postapoc bandit rebrand) were too lazy to do any farming and it was good that I’d offed them by the dozens so that they wouldn’t make trouble for those that did. 

That gave me pause, fallout takes place in an irradiated wasteland where folks struggle to survive but this mod was specifically about rebuilding infrastructure like farms and ensuring people had enough to get by. Lack of resources to go around was a specific justification for why raiders existed in the first place, but as the setting became more arable the mod-author had to create an excuse why the bandit’s didn’t give up their violent ways and start a nice little coop, settling on them being inherently lazy , dumb, and psychopathic.   

This is exactly how d&d has historically painted most of its “monstrous humanoid” enemies. Because the game is ostensibly about combat the authors need to give you reasons why a peaceful solution is impossible, why the orcs, goblins, gnolls (and yes, bandits), can’t just integrate with the local town or find a nice stretch of wilderness to build their own settlement on and manage in accordance with their needs. They go so far in this justification that they end up (accidently or not) recreating a lot of IRL arguments for persecution and genocide.

Bandits are interesting because much like cultists, it’s a descriptor that’s used to unperson groups of characters who would traditionally be inside the “not ontologically evil” bubble that’s applied to d&d’s protagonists.   Break the law or worship the wrong god says d&d and you’re just as worth killing as the mindless minions of darkness, your only purpose to serve as a target of the protagonist’s righteous violence.  

The way we get around this self-justification pitfall and get back to our cool fantasy action game is to relentlessly question authority, not only inside the game but the authors too. We have to interrogate anyone who'd show us evil and direct our outrage a certain way because if we don't we end up with crusades, pogroms, and Qanon.

With that ethical pill out of the way, I thought I’d dive into a listing of different historical groups that we might call “Bandits” at one time or another and what worldbuilding conceits their existence necessitates. 

Brigands: By and large the most common sort of “bandit” you’re going to see are former soldiers left over from wars, often with a social gap between them and the people they’re raiding that prevents reintegration ( IE: They’re from a foreign land and can’t speak the local tongue, their side lost and now they’re considered outlaws, they’re mercenaries who have been stiffed on their contract).  Justifying why brigands are out brigading is as easy as asking yourself “What were the most recent conflicts in this region and who was fighting them?”. There’s also something to say about how a life of trauma and violence can be hard to leave even after the battle is over, which is why you historically tend to see lots of gangs and paramilitary groups pop up in the wake of conflict. 

Raiders:  fundamentally the thing that has caused cultures to raid eachother since the dawn of time is sacristy. When the threat of starvation looms it’s far easier to justify potentially throwing your life away if it means securing enough food to last you and those close to you through the next year/season/day. Raider cultures develop in biomes that don’t support steady agriculture, or in times where famine, war, climate change, or disease make the harvests unreliable. They tend to target neighboring cultures that DO have reliable harvests which is why you frequently see raiders emerging from “the barbaric frontier” to raid “civilization” that just so happens to occupy the space of a reliably fertile river valley. When thinking about including raiders in your story, consider what environmental forces have caused this most recent and previous raids, as well as consider how frequent raiding has shaped the targeted society. Frequent attacks by raiders is how we get walled palaces and warrior classes after all, so this shit is important. 

Slavers: Just like raiding, most cultures have engaged in slavery at one point or another, which is a matter I get into here. While raiders taking captives is not uncommon, actively attacking people for slaves is something that starts occurring once you have a built up slave market, necessitating the existence of at least one or more hierarchical societies that need more disposable workers than then their lower class is capable of providing. The roman legion and its constant campaigns was the apparatus by which the imperium fed its insatiable need for cheap slave labor. Subsistence raiders generally don’t take slaves en masse unless they know somewhere to sell them, because if you’re having trouble feeding your own people you’re not going to capture more ( this is what d&d gets wrong about monstrous humanoids most of the time). 

Tax Farmers: special mention to this underused classic, where gangs of toughs would bid to see who could collect money for government officials, and then proceed to ransack the realm looking to squeeze as much money out of the people as possible. This tends to happen in areas where the state apparatus is stretched too thin or is too lighthanded to have established enduring means of funding.  Tax farmers are a great one-two punch for campaigns where you want your party to be set up against a corrupt authority: our heroes defeat the marauding bandits and then oh-no, turns out they were not only sanctioned by the government but backed by an influential political figure who you’ve just punched in the coinpurse.  If tax farming exists it means the government is strong enough to need a yearly budget but not so established (at least in the local region) that it’s developed a reliably peaceful method of maintaining it.  

Robber Baron: Though the term is now synonymous with ruthless industrialists, it originated from the practice of shortmidned petty gentry (barons and knights and counts and the like) going out to extort and even rob THEIR OWN LANDS out of a desire for personal enrichment/boredom. Schemes can range from using their troops to shake down those who pass through their domain to outright murdering their own peasants for sport because you haven’t gotten to fight in a war for a while.  Just as any greed or violence minded noble can be a robber baron so it doesn’t take that much of a storytelling leap but I encourage you to channel all your landlord hate into this one. 

Rebels: More than just simple outlaws, rebels have a particular cause they’re a part of (just or otherwise) that puts them at odds with the reigning authority. They could violently support a disfavoured political faction, be acting out against a law they think is unjust, or hoping to break away from the authority entirely. Though attacks against those figures of authority are to be expected, it’s all too common for rebels to go onto praying on common folk for the sake of the cause.  To make a group of rebels worth having in your campaign pinpoint an issue that two groups of people with their own distinct interests could disagree on, and then ratchet up the tension. Rebels have to be able to beleive in a cause, so they have to have an argument that supports them.

Remnants: Like a hybrid of brigands, rebels, and taxfarmers, Remnants represent a previously legitimate system of authority that has since been replaced but not yet fully disappeared. This can happen either because the local authority has been replaced by something new (feudal nobles left out after a monarchy toppling revolution) or because it has faded entirely ( Colonial forces of an empire left to their own devices after the empire collapses). Remnants often sat at the top of social structures that had endured for generations and so still hold onto the ghost of power ( and the violence it can command) and the traditions that support it.  Think about big changes that have happened in your world of late, are the remnants looking to overturn it? Win new privilege for themselves? Go overlooked by their new overlords?

Art

[cy-cyborg]

Disability Tropes: The disabling change of heart

When a character in a story becomes disabled, they'll sometimes experience a trope that I like to call "the disabling change of heart". This is when the character goes through a massive change in their outlook, their personality, their goals or even roll in the story, specifically because they became (or are about to become) physically disabled. Sometimes, this will be in relatively small ways: the happy-go-lucky comedic relief character might become bitter, angry and jaded after getting into an accident that caused a spinal injury, or the severally depressed and nihilistic character might suddenly start acting more cheerful and hopeful, stating that loosing their leg has "put things into perspective and showed them what really matters". In other cases though, the impact is much larger, the heroic character you've been hearing about looses an arm thanks to the main character's actions, causing them to become consumed with anger and self-loathing which they take out on everyone else, eventually becoming an antagonist as they seek revenge for what the main character did to them. The morally grey or even villainous character is injured by their own scheme, giving themselves a permanent disability in the process, which prompts a change of heart and leads them to turn their lives around and become better people, maybe even deciding to team up with the heroes.

Now, having a character go through a personality and goal change due to a major life event, such as becoming physically disabled, isn't inherently bad. A lot of writers are told to tie major shifts in your character's development to major life events, because realistically, something like becoming newly disabled will at least impact how you view the world around you. I very frequently talk about how if I didn't loose my legs, I would have become a vastly different person, but the issues with this trope depends on how it's used and the reasons behind these developments, and whether or not the change suits the character in question.

Before we get into things, I would like to specify that in this post, I'm only going to be talking about how this trope is used with physical disabilities and other easily visible forms of disability. It does show up with characters who develop disabilities under the mentally ill and neurodivergent umbrellas, and is actually a bit more common than what I'm talking about today, but the specific ways its utilised are so different that it's more or less a separate trope, and one that deserves much more attention than I could give it here as this is already going to be a pretty long post. So for today, I'm keeping to it's use with physical and visible disabilities, and we'll talk about how this trope is used with neurodivergence and mental illness another day.

The main thing you need to be mindful of is ensuring that you, as an author, are not including your ingrained biases about disability into the reasoning behind the change. Let's look at one of the examples from before, an evil character who, after loosing their arm (because it's almost always loosing an arm for some reason) becomes a villain and wants revenge against the main character. In a story like this example, the character who became an amputee often views this new disability as something that has ruined their life. It's something that has caused them to suffer, and they want to make the main character (or whoever has "wronged" them) suffer like they did. Stories like this example portray disability as something that is not just horrible, but life-destroying, especially with villains who become all-consumed by the misery this disability has brought them. Many stories that utilise this version of the trope also often perpetuate the idea that if you become disabled, you'll have to give up all the things you love and your goals, even when this wouldn't necessarily be true for the character in question.

Let's say your character was a knight, and the main character cut off their arm in a training accident. obviously you can't be a knight with only one arm because you can't fight anymore, so they left their order. Now this character has become a villain and has found power that "makes up" for their disability, perhaps magic or some other force that doesn't exist in the real world, and are back to get revenge on the character for ruining their lives. Here's the thing though, the loss of a limb, or at least, the loss of an arm specifically, often isn't the career ender people think it is, even back then. In fact, there are many historical records of real amputees continuing to serve as knights and other similar military roles after loosing an arm or at the very least, continuing to fight in other ways. One such example was Götz of the Iron Hand, a mercenary knight who lost his arm to a cannon. Götz had fought as part of the Roman empire's military in 1498, but shortly after left to form his own mercenary company. He lost his hand in 1504 and continued his career as a mercenary with the help of an iron prosthetic capable of holding his sword and the reigns of his horse, among many other things such as writing, for another 40 years. Götz wasn't unique in this though, several suits of armour from the same time period have been found with integrated prosthetic hands, though the names of their owners are unknown. There was also Oruç Reis (aka Aruj Barbarossa), A privateer admiral who served the Ottoman Empire in and around the Mediterranean who lost his left hand - earning him one of many nicknames: Silver-Hand, thanks to the colour of his prosthetic. Oruç, like Götz, continued his career for several more years until he was eventually killed in 1518.

My point in bringing this up, is to highlight how important it is to double check that the reason your character's whole motivation for turning to villainy, isn't just based on your ideas about what a disabled person can or can not do. Actually double check it, research it, especially if it's important for your plot.

Even in the cases where the disability in question actually would stop someone from being able to do something, the incorrect assumptions can still occur and cause issues in different ways. For example, a character in a more modern setting who looses their arm due to an accident the main character was responsible for while serving in the military would be discharged, ruining the character's plan to become a general some day. This absolutely would be devastating for a character like that, and they realistically could struggle to adjust, both in terms of getting used to their disability and finding new goals for their life. They may well feel anger at the main character, however, if you are portraying just living with a disability, in the case of this example, living with an amputation as inherently "suffering" for no other reason than they are disabled, it is still perpetuating those really negative ideas about disability. I've said this a few times in other posts, but villains who are evil or even just antagonists purely because they're disabled or are trying to avoid becoming disabled is a trope all its own and one that is best avoided if you yourself aren't disabled, as even outside of spreading these negative ideas about life with a disability, it's just an overdone and overused trope.

But what about when this trope goes in the other direction? when you have an antagonistic or even just morally grey character who becomes disabled and this is the catalyst that turns them into a good guy?

For the longest time, I knew I usually disliked this version of the trope too, but I couldn't put my finger on why. With disability being the reason someone became a villain, the underlying reason it's there is often able to be boiled down to "I, the writer, think being disabled would be terrible and life like that is inherently suffering, so this character is angry about it," which is obviously an issue (the "inherently suffering" bit, not the anger). However, when a character becomes good due to becoming disabled, the reasoning is usually more along the lines of, "this is a big change in a character's life that has caused them to reconsider and revaluate things" (or at least, that's what I thought). This isn't bad, nor is it necessarily unrealistic. Hell, as I already said, I do consider my disability to be a catalyst that made me into who I am today. I also know plenty of people who, after becoming disabled later in life, did have a big change in how they viewed themselves and the world, and who consider themselves better people since becoming disabled. It's far, far from a universal experience, mind you, but it does happen. So why did this version of the trope still not sit right with me?

Well, I think there's a few reasons for it. The first being that there's a tendency for non-disabled people to think real disabled people are just incapable of evil deeds, both in the sense that they aren't physically capable of doing them (which is bad and not even always true for the reasons we already discussed), but also in the sense that there's this idea that disabled people are, for some reason, inherently more "good" and "innocent" - As if breaking your back or loosing a limb causes all evil and impure thoughts to be purged from the body. This is a result of many folks viewing disabled people as child-like, and thus attributing child-like traits (such as innocence) to them, even subconsciously. This is an incredibly common issue and something disability rights organisations are constantly pushing back against, as this mentality can cause a lot of unnecessary barriers for us. With how often I and many other disabled people are subjected to infantilization, I would be honestly shocked if it wasn't at least partially responsible for people thinking becoming disabled is a good reason to kick off a redemption arc.

This infantilization isn't unique to physically disabled people by the way, in fact it's way, way, more commonly directed at people with intellectual and developmental disabilities - or at least, people are more open about it, but as I already mentioned, how that is reflected in tropes like The Disabling Change of Heart is vastly different and deserves a post of it's own.

That's mostly just speculation on my part though, since that infantilising mindset does show up a lot in media, but not usually as part of this trope specifically.

However, it's not the only reason I wasn't a fan of it. When the disabling change of heart is used to fuel redemption arcs, I think, once again, that the disability itself being credited with causing the change directly is another factor. When this happens, it's usually because "it put things into perspective for me and showed me what really mattered."

This sounds better than our previous example on the surface, but stories that use this logic are often still portraying disability as an inherently bad and tragic thing, something so bad, in fact, that it makes all the other (legitimate) issues they thought were massive before seem so small by comparison. This is a type of inspiration porn: content made to make non-disabled people feel inspired or just better about their own situation. It's the mentality of "well my life is bad, but it could be worse, at least I'm not disabled like that!"

In a fictional story, this might look like an athlete character who dreamed of making it big so they could be famous and get out of poverty. They were a dick to anyone who got in their way but only because they were worried about not being able to make rent if they don't constantly win. One day though, they overworked themselves and got into a car accident on the way home because they were too tired, and now they're in a wheelchair and can no longer walk, which is (supposedly) absolutely tragic and way worse than anything else they were already going through. But they end up becoming a better person because it has put things into perspective for them. Yeah they were struggling to make ends meet, but at least they weren't disabled! Now that they are, they know they shouldn't have cared so much, because money doesn't matter when compared to not being able to walk, right?

As well as portraying disability in a negative light, these kinds of stories dismiss and diminish the other struggles or challenges the character is experiencing, placing the status of "not disabled" above all else.

There's also the fact that, when a lot of real people say their disabilities had positive impacts on their lives, they don't usually mean the disability itself is directly responsible for the change. There's exceptions of course but for myself personally, and most of the people I know who say they are better people because of/since becoming disabled, the disability has been more of a neutral catalyst than the actual cause of positive change. Meaning, it opened the door to allow those changes to happen, but it wasn't the direct cause. For me personally, becoming physically disabled at a young age didn't make me a nice person like people expect, I was still a little judgemental asshole for a lot of my childhood. However, because I was disabled, I had to travel a lot, initially because I needed medical treatment that my local hospital wasn't equip to provide, and later, because I started competing in disability sports. because of both of those things, I met people I never would have otherwise who made me reconsider what I'd been taught on a wide range of subjects, and made me question where those beliefs had come from in the first place. When I say my disability played a part in who I became, it wasn't because my disability itself change me, but it helped me meet people who were positive influences on me and my life. but when creatives make characters who experience arcs like this, they ignore this, again, defaulting to the "this was a bad thing that just put all my other problems into perspective" reasoning.

Some iterations of this trope also use disability as a kind of "karmic punishment" where the disability is portrayed as a rightfully deserved punishment for an evil character's deeds - usually something relating to the disability they acquired but not always. An example might look like an evil tyrant who punishes the rebels they captured by cutting off their hands. Eventually, this catches up with him, maybe the friend or a child of one of the rebels is able to capture the tyrant and cuts his hands off as payback so that he gets a taste of his own medicine, a taste of the suffering he imposed on others. Now facing at least one of the same realities of the people he subjugated, he realises the error of his ways. With some pressure from the main characters, he has a change of heart and surrenders himself, steps down to let someone else take his place, or perhaps he decides to start changing policies to be more in-line with these new morals until some other character usurps him, becoming an even bigger threat than the previous former tyrant.

Once again, stories that use a disability like this are still portraying the disability as an overall inherently bad thing, but there's the added layer at play in this example. The thing is, there are a lot of people in real-life who actually believe disability is a punishment from God. I remember one time when I was over in the US, an older lady came and sat down on the seat beside me on the bus and started asking me about my disability and specifically, how I became disabled. This isn't an unusual interaction, it happens fairly regularly whenever I use public transport, but on this particular day, the conversation suddenly shifted when I told her I became disabled when I was very young. This woman, despite the bus-driver's best efforts to get her to stop, ended up lecturing me for an hour and a half (during which time I couldn't move due to how my wheelchair was held in place) about how my disability was punishment from God for my parent's sins. She then tried to convince me to attend her church, claiming they would be able to heal me. And the thing is, this isn't an uncommon experience.

A lot of disabled people are targeted by cults using this same method: they'll convince people their disabilities are a punishment, make them believe they deserved it, that they just weren't good enough, but don't worry, if you repent and come to our specific church we can heal you. There was even a case in Australia recently that uncovered a cult called Universal Medicine, who taught that disabled people were reincarnations of evil people, and that being disabled in this life was their punishment, as well as that parents who have disabled children were being punished for other sinful behaviours. They were found to be operating a disability care service named Fabic that was being paid for by the NDIS, a subsection of the Australian government funded healthcare system that specifically aids disabled Australians by paying for and subsidising treatments, technologies (such as mobility aids) and other services relating to their disability. Fabic was found to be stealing excessive amounts of funding from their disabled clients under the guise of therapies and carer services, but was not actually helping their clients at all. Whether it's just taking advantage of them to get their money, or actually using this logic as a justification to mistreat them, this mentality of "disability is a punishment" actually gets real disabled people hurt or worse, and so seeing it come up in media, even if there is no ill-intent, can be very distressing and uncomfortable for disabled audiences.

So with all this being said, is the disabling change of heart a trope you should avoid in all it's forms and versions? No, but it does need to be handled with extreme care. I do think it should be avoided as a reason for a character becoming evil for the most part. If that really can't be avoided in your story though, at the very least, ensure that you foreshadow the change. Your happy little ray of sunshine, embodiment of sweetness and innocence type character probably isn't going to turn murderous and want revenge for an accident for example. A character who is likely to be driven to that kind of extreme of wanting revenge for their disability, so much so that they become a villain, probably already had at least a few traits that would predispose them to that line of thinking already, before becoming disabled. As for when it goes in the other direction, and you have a character becoming a good guy, avoid using the reasoning that "the disability put things into perspective for me". Instead, if you must use this version of the trope, use the character's new disability as the reason they encountered other people and situations that challenged their views, things they wouldn't have encountered otherwise. No matter the reason though, be very careful to avoid inspiration porn, and as always, try to find a sensitivity reader to give your story a once-over, just to make sure something didn't slip under your radar.

[Thumbnail ID: An illustrated image showing the same elf character twice. The picture of her on the left shows her laughing evilly, two tiny horns protruding through her brown hair. She is wearing a black dress and red shoes. On the right shows her in a yellow dress, sitting in a bright pink wheelchair with her head held eye and her eyes closed. The horns have been replaced with a glowing halo. In the centre is text that reads: "Disability Tropes: The disabling change of heart." /End ID]

[ripplestitchskein]

Today I wanna rant talk about this

Versus

This

A lot, and I mean A LOT of people use these two moments as a way to compare Stolas and Blitzø with Fizz and Asmodeus. Specifically, Asmodeus with Stolas. And I get it, both Tiny Clown Imp with Giant Bird Aristocracy. Both dealing in different ways with the social hierarchy of hell. People keep using it as a “well Stolas HID while Asmodeus declared” and yes, that’s true but I don’t actually think we’re meant to be comparing Stolas and Asmodeus, at least not about this specific thing.

Blitzo doesn’t need someone to declare their love for him, he needs to declare his love for someone else.

People put the “Stolas is ashamed of Blitzo because of his station” on Stolas a lot and it is shown multiple times that it is not a factor for Stolas. He even like…sings about how it’s not an issue? Explicitly. The different stations was an issue for Asmodeus for awhile based on thier convos and the hiding. And it was for Fizz, though for different reasons I’ll get into in another post cause this is already going to be long as fuck. But this social hierarchy, famous person conflict is 100% Blitzo.

Blitzø is the only person who should be interpreting Stolas hiding his face as being because of the social disparity because that is a hangup of his. We, the audience, should know better because we’ve been shown the truth, or the reality of the situation in the scope of the show, MULTIPLE times. Blitzø is the one who harps on the class disparity, he’s the one who has the perception that Stolas is only looking for a fetishcentric fuck with the common rabble. The audience is supposed to see Blitzø’s reaction and know he is wrong, that this interpretation is because of one of his character flaws of feeling not good enough, and being compared to people, not because of the reality, because we have proof otherwise. Including the canon song where Stolas fucking says it outright.

There is a lot of talk about the “solution to Stolitz” being Stolas loudly and publicly declaring their relationship ala Asmodeus. But…Stolas already did his big public declaration at the BEGINNING way BEFORE Asmodeus. Stolas did it in The Circus flashback. He reinforced it at the Harvest Moon festival. He reinforced it at Ozzie’s.

His initial public declaration was following up a Imp leaving his bedroom in front of the Ars Goetia yelling “Sorry I fucked your husband” after a big aristocratic party by coming out well fucked and loudly screaming he was getting a FUCKing DIVORCE and ripping a banner in front of some of the most socially influential people in Hell. He then publicly thirsts over Blitzø at the Harvest Moon festival, multiple times and by name AND species. He takes Blitzo’s hand, and goes on a public romantic date with him, even reminding the doorman of who he was and who he was with and THEN when all eyes are still on them after the song at Ozzie’s, despite everything said, reaches out to him across the table and then gets up and leaves with him even taking his car home when he has the ability to just portal. No one who converses with him about Blitzø is left with any ambiguity that they are involved, not Stella, not Striker, not Octavia, he loudly declares he is into the imp to anyone who will listen, often in front of Blitzø, which he cringes away from and insists is just a transactional fucking.

The contrast to be drawn between Asmodeus making a public declaration shouldn’t be on Stolas but BLITZØ. He’s the one who needs to declare it, Stolas already has, repeatedly and out loud, and in public already.

Blitzø is the one who can’t say it out loud. He’s the one who shies away from conversations about it and dismisses it when anyone brings it up. He uses the excuses of social class and it being only for sex to justify his own inability to own it. There’s a reason all his exes are massively famous people who got famous after he destroyed the relationship. With Verosika it’s pretty clear she was super into him and he dipped. It’s not clear if it was because she was getting famous, that might be revealed, but the hints we have (her tattoo, his stealing her credit cards and disappearing) is that the end of that relationship was all Blitzø. When people find out he was in a relationship with her he is uncomfortable with the fact that she is famous, he goes out of his way to separate himself from her fame. Because people react exactly as he expected them to, incredulous someone famous could be into nobody Blitzø.

Somewhat ditto with Fizz, at least at first. Fizz was shown to be already pretty well known by the end of their friendship. Because of Blitzø’s self worth issues he doesn’t believe someone like Fizz could reciprocate his feelings, he sees him surrounded by people and doesn’t feel worthy to be one of them so he turns away and accidentally burns down a circus doing so. While a confession from Fizz first, if he felt the same way, might have prevented the catastrophe we have no way of knowing if Blitzø would have done the same thing to Fizz he did to Verosika and let his self worth issues eventually destroy their relationship too, especially after he signs on with Mammon. A big theme of their comments to each other before their reconciliation are about the disparity in fame, Fizz is also an imp so it’s not social class, but that Fizz is a beloved, famous figure and Blitzø failed at becoming one.

The Circus illustrates this so well, Blitzø is the failure who keeps trying his hardest and Fizz is the one who steps in and just kind of naturally does it. Blitzø’s dad makes no secret of the fact that Fizz is the more desired one. We also see Stolas appreciating Blitzø for who he is. Laughing against the crowd, just like during the sitcom taping, he doesn’t care about the public’s reaction to Blitzø, it doesn’t lessen Blitzø in his eyes at all.

We have also seen Blitzø be told very publicly a person loved him already as well and it STILL wasn’t what he needed. Verosika has it literally tattooed in a prominent place on her body, out there for everyone to see.

He doesn’t want a public declaration, he fears making one of his own and being compared to the one he declared for. “That guy is with THEM?!” It happens when Verosika steals his parking space and everyone realizes they dated, and it happens when the crazy fan goes after Fizz. People dismiss Blitzø in favor of the famous person he is with.

Hearing that, again, would invite the scrutiny that would just further validate that he’s not good enough, that he’s lesser and lower. That’s been his experience so far. Stolas declaring it would just put the spotlight on him once more, and I think it would actually make things worse for him mentally and emotionally. His reaction to Ozzie outing Stolas as his date to the crowd shows us this. I believe it’s why he split up with Verosika, the more famous she got the more eyes on him that could find him lacking. He’d be in the spotlight and his act wouldn’t be able to measure up to hers.

Just like at the circus with Fizz when they were kids, or during the sitcom, when eyes are on Blitzø he fails. Stolas gave him a bit more confidence each time. Not by loudly yelling “Hey, I like him!”to sway the audience, but just by quietly and genuinely laughing at his jokes and appreciating Blitzø for who he is. Stolas I think realizes this consciously, he sings it in Look My Way that the realm doesn’t appreciate what Blitzø is and because of this Blitzø built up walls around himself to protect from that lack of appreciation. Stolas tries to hype Blitzø up, he does so in the Harvest Moon Festival early on in their relationship but it makes Blitzø uncomfortable because the public declarations bring eyes to him. He has like….relationship stage fright in a sense. Imo the last thing Blitzø needs is another loud declaration.

Stolas though, he does NEED it. He has had one romantic partner publicly declare they don’t love him to all who will listen for like well over a decade, and now he needs a partner who will make it really really clear they do and I think preferably out loud where others can hear.

Stolas’s conflict and flaw is his family and his desire for reciprocal love. The shame of being an adulterer, of destroying the idealized family he strived for and the image he projected for so many years. And especially, the loneliness of his “romances” being one sided. With the exception of Octavia all of Stolas’s surrounding family and “friends” don’t give a fuck about him and he knows it. Why would Blitzø be any different? He also needs someone to choose him outside of a business or familial relationship. Stella was an arranged marriage to produce a heir. Blitzø was a sexual transaction for the grimoire. Octavia is his daughter. His relationship with his father shows that he isn’t special to him either. Paimon doesn’t even know his name. Stolas has no one declaring for him.

There’s a reason most of Stolas’s issues are told though “images”. The family portraits, the Sinstagram posts of Blitzø appearing annoyed or disinterested while Stolas does not see the picture Blitzø took, because that is his primary issue, he destroyed the image of himself he was trying to project for a chance at a reciprocal relationship. That image maintenance has nothing to do with Blitzø’s imp status, but more the public lack of perceived reciprocity in his romantic dealings.

He knows he looks like a fool, putting himself out there and not getting a confirmation back. This is why every problem Stolas had with his marriage seemed to come down not to attraction or status but mutual feeling. He doesn’t feel bad for cheating because Stella made it clear she didn’t care about him for him. Stella tells everyone loudly and publicly, even before Stolas cheated, how she feels about him. So as soon as Stolas can he jumps at the chance to say “HEY EVERYONE SOMEONE DOES LIKE ME! HE HAD SEX WITH ME AND EVERYTHING”and yelling out “THE ONLY MAN WHO CAN FUCK ME”. Flirting with Blitzø in front a crowd of people. He desperately wants to be publicly desired, to know he’s loved and for others to know he’s loved too.

I don’t think it matters to Stolas at all that who he cheated with was below him in terms of social hierarchy, or that people know about it, and he hasn’t ever indicated visually or with words that Blitzø being an imp was the root of those issues for him. Stella brings it up because she’s obsessed with status and EVERYONE KNOWS that her husband fucked an imp and is now divorcing her. Asmodeus brings it up because the entire Lust song at Ozzie’s is to distract the audience from his very real love affair with Fizz and maintain the public fiction that what he and Fizz have is just physical.

The whole social hierarchy issue is a deflection, and a misdirection.

This is further emphasized by the fact that Fizz and Asmodeus fucking isn’t even really an issue? People seemed to know they were fucking, like them being walked in on at breakfast and loudly declaring “ we are just banging, we are not in love”. The social hierarchy conflict as an external factor kind of falls apart on that alone but let’s move on. It’s not 100% clear if people outside of the household knew about Fizz and Asmodeus so we can maybe assume the public at large did not. But higher level demons being in a relationship with lower level ones doesn’t appear to be an issue? Like most of the powerful demons we see are actually in relationships with someone from a lower class. Even Mammon surrounds himself with imps and relies on one for his business.

Blitzø sure as fuck brings it up as a justification for why he’s not good enough. But Stolas doesn’t.

He’s even been shown visually and deliberately as forgetting that it’s even a factor, starting with his bowing to Blitzø as a baby owl and then again as an adult. So the comparison of these two moments as being about shame regarding social status for Stolas doesn’t make any sense to me. I don’t think it’s about social status at all really. I think that’s the excuse Blitzø uses to push people away and that’s just as much about social status as it is their fame. I’m not saying it’s not a larger theme of the show, but I think in this instance and for Stolitz it’s a distraction from the larger issues Blitzø has.

Stolas doesn’t need to publicly declare their relationship for an audience to solve their relationship issues because he already did, and I think we’ll see that the reason it’s such a huge plot point for Asmodeus and Fizz (beyond it being tied to their specific roles in Hell as the King of Lust and a public figure) is that it needled to be removed as an obstacle in BLITZØ’S mind.

Blitzø was the one present to witness the public declaration between Asmodeus and Fizz at the competition, not Stolas. If the comparison was between Stolas’s behavior and Asmodeus’s he would BE there, we, the audience, would have him there to connect that conflict in our mind as being rooted in Stolas. But he isn’t, because that conflict is 100% Blitzø. He won’t be able to use the imp versus demon thing as an excuse anymore as there is a very public example of someone even higher than Stolas loving an imp that he personally knows. Not only that but we see no indication in the episodes after Ozzie’s that there was ANY fallout for Stolas or Blitzø having their relationship outted so publicly. We see a big press todo about Stolas going to the hospital but not a single scene of like press asking Blitzø or Stolas about their relationship or the scene at Ozzie’s. Because no one but Blitzø actually cares? Scenes in media show us what’s important and if it was actually important to the larger world of Helluva Boss we’d have scenes to show that. There is no press coverage after the Not Divorced party, none after the Harvest Festival and none after Stolas officially makes moves to divorce Stella. He has assassins follow him around but not press. We DO get those press scenes when Fizzarolli and Asmodeus come out as being in love, because they are big public figures, but the only people who even mention Stolas and Blitzø are contained to Ozzie’s alone, and really it’s just Wally, Fizz and Asmodeus. The rest of the club is just interested in the spectacle.

The point of the hiding Stolas’s face behind the menu was not to tell audience he was ashamed of Blitzø, or that his being with Blitzø is a problem for him socially, but to reinforce Blitzø’s excuses to himself that it is, and highlight Blitzø’s self worth issues. This is further confirmed when Stolas reaches out to him across the table even though they are still in public and then later when he verbally expresses to Blitzø that he’d like to spend time with him without sex, tells him he enjoyed spending time with him outside of the arrangement, makes himself physically uncomfortable in the van just to spend more time with him. All of which Blitzø refuses to believe and dismisses. All of their interactions are shown as Stolas being the one to put himself out there, sometimes to a desperate cringe inducing degree, and Blitzø shutting it down and only expressing that his external protestations are not his true feelings by his avoidant looks, stumbling over his words and excuses, and his “protesting too much”. We as the audience see he’s full of shit through the reactions of others, Millie and Moxxie and Fizz specifically calling Stolas his boyfriend or being skeptical of the bullshit Blitzø spews to diminish the relationship.

For Stolas the song at Ozzie’s was a reminder that he had done something that fucked up his family and frankly his life as he knew it, tarnishing his image as a husband and father, and that fuck up has nothing to do with Blitzø being an imp, everyone knew that already for the most part from the very first time they had sex, but because Blitzø was the catalyst for the risk he took. He used to have the image of his family and his Princely appearance to hide behind and now we’ve shone a spotlight on who he really is, a lonely, soon to be divorcee, on a date with a demon who has acted completely dismissive of him, even outright ignoring him and ghosting at times.

A good way to highlight this issue with image is when Stolas nervously giggles and tries to over the top declare “we are having a perfectly normal date!” to the waitress by playing it off as being okay and trying desperately to get Blitzø to participate. He’s being publicly humiliated again and he tries to play it off and cover it up.

We see it again in his text messages from after Ozzie’s, he is so desperately trying to show Blitzø that it didn’t bother him, but that if it bothered Blitzø he’d like to talk about it. He tries to front it as “I don’t mind jokes about myself, it was pretty funny hahaha” but we as the audience see it for the pathetic attempt at faking it is. Laughing it off and pretending it doesn’t bother him is what Stolas does but he still made an attempt, he still tried. Stolas is from what we see extremely comfortable expressing his feelings, loudly and at length. It when he gets rejected for them that he pretends it’s not how he feels. And once again, he reaches out to Blitzø, gets shut down after putting himself out there and then acts as if everything is fine.

During the song at Ozzie’s , when the spotlight comes to Stolas, Asmodeus starts reminding him he “destroyed” his life, his family, and his image for a dude who does not outwardly appear to return his feelings, who is in fact just fucking him, and not even because he is interested in Stolas, but because he is using Stolas for the book. Every time Stolas tries for more he gets slapped back. He threw everything away for more of what he already had, a loveless business arrangement. He’s not shamed by the fact that Blitzø is an imp but that he ripped apart his picture perfect life for a guy who was acting distracted and ignoring him, who at times is completely turned away from him, and who is sitting across from him visibly uncomfortable at being called out as being on a date with him, and who he cannot get to agree to anything more despite his desperately trying.

Stolas’s part of the Ozzie’s episode opens with Gabriela yelling “Why won’t you LOVE ME ALEJANDRO” and then the man puts a streak in his hair to call back to it and people are still thinking it’s about status for him?

He just watched Blitzø stand up for Moxxie and Millie but when the focus turns to Stolas Blitzø cringes and makes himself small.

Lets break down what actually happens on screen because it is ALL in the visual choices made by the artists and what the song is actually about, lust being more acceptable than love because love is embarrassing and Blitzø hates to be embarrassed:

Moxxie starts singing, and after he sings “I loooove you” the shot jumps to Blitzø who CRINGES and shrinks a bit behind his menu. Publicly declaring your love for someone in public like that? Fucking Yikes. Bro.

Blitzø stands up and defends Moxxie and Millie but not necessarily to support their love, but their sexual relationship. This says a lot about which one Blitzø thinks of as being publicly acceptable.

Fizz turns his attention to Blitzø and the entire call out is about his bad love life, not his social status, and not even necessarily his level of fame but his failures as a romantic partner and the state of his relationships. It’s interesting that the song turns to this lack of love since just a few verses previously they act as though a romantic relationship is anthema to what they are all about. As soon as Fizz starts talking about his LOVE life Blitzø looks nervously at Stolas out of the corner of his eye.

Stolas is shocked as the song starts in on Blitzø but he doesn’t leave or shrink away immediately, he makes this absolutely hysterical face when Verosika is singing.

Blitzø does NOT like that Verosika is singing about their relationship. He crosses his arms and gets very sour pussed.

Then when Verosika starts getting more predatory, and going in on Blitzø physically, Stolas STANDS UP and looks as though he’s going to intervene.

The Wally Whackford yells “Are you sleeping with an Imp?” And Stolas remains standing, in the spotlight for several seconds. He doesn’t even start to move away to get out of it until Asmodeus comes up into his space and the scrutiny is all on him. He still doesn’t hide his face nor does it look necessarily shamed, it looks surprised and scared with where this is going and to have the attention on him but he does not look shamed. In fact, he doesn’t react to the imp comment at all, he is just as shocked and surprised as before Wally yelled as he is after. He keeps making this same shocked and scared face the whole time. We continue to see the crowd throughout all this and the scene is from a wide shot. It’s from the main POV, which is largely Blitzø’s.

The POV then switches to ONLY Stolas’s, we are seeing THROUGH his eyes and what HE sees is his family turning away from him and then they shove Blitzø in a chair, make him the center of Stolas’s vision and he’s left with Blitzø’s embarrassed, cringing face. The crowd, the club, everything else is painted out. From Stolas’s POV he doesn’t see or register the public, he sees and registers his family and Blitzø. They are center of his vision and the club and its patrons aren’t even present in the shot. If the issue was the social status we would have no need to remind the audience of Stella and Octavia by projecting their images and then having a sequence where they turn, walk away and burst into flames. Wally’s comment would be enough to establish it. The crowd would be visible because they would be what matters to Stolas. But it isn’t, we have to dive into Stolas’s POV, get a visual reminder of his family and see how Blitzo looks from Stolas’s POV.

We pull back to the outside POV and Stolas sits and stares for an entire beat after the POV shift (a technique used to tell the audience THIS was how Stolas saw the situation, now we’re back to the main POV), Blitzø is still shrinking away from him and THEN after Asmodeus says “you sold your life for a thrust” is when he hides his face. Yes, I did slow down the animation to actually see the sequence shot for shot and yes, it is a sign I have lost my mind.

But it’s important! This technique is really common in literature and media, you introduce one character’s conflict or flaw and then, to show that it contrasts with another character’s situation you jump into their POV, this is to remind the audience that there is a difference between them, that they are seeing this situation from two different places. The shots are wide for the social status implication that speaks to Blitzø’s issues with public declarations and his own self worth and we jump into Stolas’s just to remind the audience HEY, THIS IS ISNT WHAT STOLAS IS THINKING IN CASE YOU FORGOT ABOUT THE MAIN REASON THEY ARE NOT ON THE SAME PAGE, and then we just jump back to wide shots and bringing Blitzø back as the character whose flaw is being depicted.

The rest of the shots are from main POV and show Blitzo reacting to that. A deliberate contrast is set between what Stolas perceived and what Blitzø did. They present this direct visual contrast using a POV switch to show it. From Stolas’s POV he is being shamed not by the public, who didn’t factor into his POV at all, but by the loss or strain of his familial relationships and by Blitzø presenting himself completely differently when the focus is on HIS relationship with Stolas versus how he reacted to Moxxie/Millie and even Verosika.

From Stolas’s perspective and the audiences Blitzø was relatively okay up until Verosika pushed him, then we see Stolas’s reaction to that. That’s when Blitzø’s entire demeanor changes. He wilts, he shrinks, he makes himself small. Before that he winced a little but mostly he seemed annoyed. Until it gets turned on his date with Stolas. And we see this confirmed through Stolas’s POV, that we are seeing Blitzø how Stolas is seeing him looking sheepish and unhappy right in the center of the shot.

You sold your life for a thrust” is so important in this sequence, Blitzo just basically confirmed from his contrasting reactions and body language throughout the song that what they have is just sex, and we know from Stolas asking Asmodeus about the crystal and following up on it that he is really focusing on the transactional aspect of it and the situation he put an unwilling (at least in his mind) Blitzø in. This is just another bad arrangement like his marriage.

We don’t have onscreen confirmation, so this is more speculation but I imagine Stolas is probably comparing himself to Paimon a bit. His father purchased an unwilling imp to play with him as a child, the imp pretended to be into him to use him for the family treasure and now he’s essentially purchasing the same imp and that same imp appears to once again just be tolerating him for material gain.

Anyway, enough thoughts that depress the fuck out of me.

When we switch back to Blitzø after M&M finish their song we see the public again through their clapping and see his reaction. Now the issue at large is firmly back to the inferiority complex. Blitzø started shrinking and cringing away as soon as the famousness of his date was revealed, as soon as the crowd does exactly what he fears, comparing him to his partner and finding him lacking. Then we have Stolas reaching out, with no regard for the crowd who is back around them in the shots until the hand close up, and Blitzø shuts him down. Again. Once more we have Stolas visibly reaching out and trying to give Blitzø what Blitzø is outwardly projecting he wants (just like Stolas does with the dirty talk), and Blitzø being the one to say something annoyed or dismiss it. There is literally nothing Stolas can do to resolve this, because it’s an internal issue for Blitzø. Stolas externally declaring to every realm in hell won’t fix Blitzø needing to believe it and declare it for himself.

The conversation at Stolas’s house after reinforces everything, that Stolas is trying to do what Blitzø is projecting he wants. Blitzø appears to have an issue with their relationship being just about sex, the same person who goes out of his way to force all his non-familial relationships to be just about sex (even Moxxie and Millie, and when he turns a heartfelt reconciliation sexual with Fizz by asking to make out) and Stolas offers him multiple options for more of a romantic or comforting evening, because it’s what he wants as well, and Blitzø ignores that entirely, just outright refuses to acknowledge it. In the hospital we see Stolas tried AGAIN after Ozzie’s via text to work it out, and talk it out, but when Blitzø shuts it down again and when his initial approach didn’t work, Stolas tries just brushing it off and putting up that happy EVERYTHING IS OKAY image again.

So all this billion words and unhinged analysis to say that Stolas is not Asmodeus, he isn’t the one who needs to make the declaration, that won’t actually solve Blitzø’s problem and he already has put himself out there multiple times. Stolas is Fizz, obsessed with putting on a show.

Blitzø’s issues are internal and multiple people have tried to show him in external ways they love him and he either relates it back to sex, dismisses it entirely or physically removes himself from their lives. This is understandable considering when he does put himself out there he gets rejected, (circus audience, Barbie, his various gigs before I.M.P, Loona sometimes) or people act incredulous that someone could be with him. So the only way for him to complete this character journey is to internally reconcile and externally express.

Stolas is much more external about his issues, he tries putting on a happy face, laughing things off, trying to have a perfect day at LooLoo Land with a disinterested daughter, flirting outrageously with a disinterested partner, he wants the external situation to reflect what he feels inside but those around him don’t give that to him. He tries to have a perfect marriage, he gets a partner who throws obnoxious parties for what appears to be the chance to ridicule him publicly. He tries to have a perfect day at LooLoo Land to recapture happier times and accidentally alienates his daughter. He talks about how much he wants to bone Blitzø because that’s how Blitzø approached him and what he seems to be into in his relationships and is the only way he allows Stolas into his life at all, and in return he gets annoyed looks and insults.

“Or Is it Me?” In Look My Way makes me tear up every goddamn time because Stolas believes there is some internal problem within himself, that he cannot give Blitzø what he needs because he’s BEEN TRYING to be what Blitzø seems to want and gets nothing back no matter what approach he takes. No one will externally acknowledge him. Stolas doesn’t have an internal problem accepting his feelings and who they are for, regardless of status or consequences, he clearly says this in Look My Way and shows it before that with his over the top behavior, he needs someone from outside himself to acknowledge and reciprocate it.

So yeah, I disagree with the idea that Blitzø is the one who needs a public declaration. He might need a private one to take away his excuses but I don’t think he needs Stolas to do what Asmodeus did. What Blitzø seems to need is to be brave enough to declare his feelings for once and not shy away from the attention that comes with that. To accept himself as he is, like Stolas accepts him, and that realize he is just as worthy of love as the other people in his life. Stolas needs a declaration to validate his internal feelings, ease some of his loneliness with confirmed reciprocity and to have outwardly what he wants inwardly.

Thanks for reading if you did. I am sorry for being the way I am.

[yusiyomogi]

From what I've gleaned through talking with translators, Dungeon Meshi doesn't use Japanese honorifics as often as most manga. Is that true? If so, can you tell us all details about who uses honorifics, when, and for whom? Would love to hear all about it! (Room Surprise)

it's true and you can notice it easily when you watch the anime in japanese. i think it happens pretty often when manga or anime try to portray western settings, especially fantasy settings, since they come with their own set of tropes. most obviously, you'll notice that [ちゃん] "chan" and [くん] "kun" honorifics are almost entirely absent, since their role is less important for casual conversations. but here is where manga usually encounter the problem that it still needs to use some honorifics to show the difference in the way people address each other: you can't just use "mister" or "miss" or "sir", it'll look unnatural. so, no matter what, manga still needs to use honorifics.

the first and most obvious honorific you'll encounter in the manga is [兄さん] "nii-san" - "older brother", the way falin usually address laios. it seems like falin, in general, a character who uses honorifics pretty often, likely to give her speech more cute and polite tone. another notable example is when she calls marcille [お姉さん] "onee-san" - "older sister" in the flashbacks, something that girls sometimes use to call their older friends. i haven't noticed her using it in the current time though, she just mostly calls her "marcille".

probably the funniest use of honorifics in the manga is in chapter 13, after chilchuck says that he's actually 29 years old. while senshi and marcille react like chilchuck is still young, laios with some hesitation and awkwardness calls him "chilchuck-san". obviously [さん] "san" is pretty known honorific that's used to show respect, often to older people. chilchuck was not amused.

i'll mention here that most of the younger characters still address much older characters with "san", like in a case of tansu, even if it's not necessary applied to characters like senshi. but this is a common rule, "san" is still used most of the time for older characters, since it'd be simply too rude not to use it. students in magic school from flashbacks also use "san" to refer to marcille, but it has less to do with her age and more with their admiration of her.

island governor uses [殿] "dono" to address tansu, which is one of the most respectful honorifics, but often used by people of the same high social status. it also can be translated as "lord" in that setting, which is more appropriate, i think. tansu calls the governor [島���殿] "shimanushi-dono", literally "the lord of the island" and that's how other people call him too.

interestingly enough, that's also how yaad calls laios in their first meeting - "laios-dono", likely because yaad is both extremely polite and wants to show deep respect to someone he already sees as future king.

as you can guess, characters from fantasy country inspired by japan also use some specific honorifics. maizuru and the rest of toshiro's team calls toshiro [坊っちゃん] "botchan" - "young master", which is very polite, but can feel a bit humiliating for adult man, i think, since it has a secondary meaning of "greenhorn" or "spoiled kid" (lol). not necessary in that setting or context though!

kabru is one of the politest people in the story, so he uses respectful honorifics pretty consistently. he pays a lot of attention to social hierarchies and has a good control of the way he speaks and how familiar he can act with other people. he addresses toshiro as "toshiro-san" throughout the story and he also calls laios "laios-san" at least a first few times they speak to each other. I noticed that when he speaks with laios he also adresses falin as laios' [妹さん] "imoto-san" - "younger sister" in the same respectful manner. he usually drops the honorifics when he feels like he's gotten close to a person.

canaries aren't particularly respectful in their speech in general, though they still abide to general rules. when it comes to specifics, pretty much everyone in the story uses [隊長] "taicho" to address mithrun. it can be translated as a "squad leader", but usually translated to something like "captain". for example, it's the same honorifics people use for major kusanagi in "ghost in the shell". as far as i can tell, the only time mithrun was addressed differently is in chapter 94, when kabru was trying to bring him back from his stupor and called him "mithrun-san" instead.

that's what i've been able to find so far! if i find anything else, i'll just add it to this post.

[ofc-vi-writes-too]

so all ive been able to think about is gotham for the past several days, and more specifically how gothamite culture has to be SO drastically different and jarring to literally anywhere else in the world. Like even other super cities like metropolis, or central city, or wherever else are at least KINDA normal. Like yea u have superman or wonderwoman or the flash but they dont really have to deal with the same level of bs as Gotham.

That being said here are a list of things that I think are extremely normal to Gotham, and other things that happen in thay horrible little city:

• the episode of Hot Ones with Brucie Wayne where no one thinks he’ll even be able to stand the 2nd or 3rd wing but he eats all of them with no reaction, and Sean Evans (or the in universe equivalent) just sits there like “wow no one has ever had literally no reaction before this is really crazy, and Bruce Wayne of all people?” Afterwards Bruce has second thoughts and realizes that maybe he should have played up his reaction to the spice a bit more. People Inside of Gotham are a little shocked because everytime he eats in public it is the most boring, bland, flavorless food imaginable. (he handled the spice so well because Batman is ready for all potential threats and forms of torture. Ridiculous levels of spice included)

• Gotham schools offer courses in self defense. In some school districts its actually mandatory, thats usually in old gotham or downtown gotham. In more affluent areas, self defense is still taught in schools, but most kids are sent to some ritzy trainer to make sure they can defend themselves.

• No one even blinks when theres a new vigilante by the time Damian comes around. Theres still a little buzz but by the time Duke shows up, people are like “Oh cool another one. HEY BRO WHATS YOUR NAME.” I saw someone post here about how when the Wayne kids get mad at Bruce, they go to Selina and make public appearances as Stray, Catwomans sidekick. I personally believe that Tim was the first one to do it but Dick does it the most, and gothamites didnt even need to get used to Stray showing up sometimes, nor did people really care that Stray was always wildly different heights, shapes, colors, etc. the additude is kinda like “I have taxes and job security to worry about. If a new vigilante is what were doing then so be it.”

• People tend to think that Gothamites aren’t smart, but that city is home to the Richest, smartest, most creative people alive. They mostly just lack morals. Like Dr. Freeze, Harley Quinn, hell even The Riddler are all insanely intelligent. Half of Gothams Villains have at minimum 2 Doctorates in something or other. Gotham generates a lot of cash as a whole, and small businesses thrive there. They have high employment rates, and most citizens have their associates despite everything happening around them. People who have never been to Gotham before expect to have to talk down to the citizens but Gothamites just kinda roll their eyes at them and carry on about their merriment.

• Gothamites CONSTANTLY says “because I’m Batman” when they don’t want to explain themselves. Kids hear it a lot from parents and they also get “If you don’t go to sleep, Condiment Man i gonna come and cover you in stinky relish.” Because truly what else is condiment man good for.

• Gothamites who work at BatBurger and typically work the night shift are used to visits from Batman, Robin, Red Hood, Cat Woman, Harley Quinn, etc. Sometimes they remember the workers and ask about their family, and how life is, and other things like that. Theres some barely 18 y/o who just graduated high school who worls at Bat Burger, and asked Red Hood to help him impress his gf by saying theyre friends. He like fuck it why not and tells the gf that the kid helped him save an old lady’s cat in a tree and now theyre bffs. She totally believes it. Score.

• I see the Gotham thinks Batman is Bruce Wayne’s boyfriend theories and raise you: Its pretty common knowledge that Bruce Wayne is Batman, just no one has the heart to tell him. Also theyre scared he will quit if anyone brings it up. So from this Gothamites created the joke that BW and batman are dating and when asked about it in an interview, dick grayson is like “……yes! My adoptive father is dating the guy who dressed up like a bat every night…!”

• this cuased and arguement between Bruce and Dick because no! Bruce isnt dating Batman! (stray was seen again that week) HE IS BATMAN! But fuck now the public thinks theyre a couple so now bruce gets asked about it and hes like “haha yes my spooky bat bf is who i love very dearly!” As punishment He makes Dick bring him flowers in the batsuit because “as far as he is concerned, this is his shithead son’s fault.” Thats a direct quote btw. Little does he know this somehow ties back to Tim Drake before they met.

[sundrop-writes]

Emergency Contact

Jason Todd x Gender Neutral Reader

You choke on your words, but you swallow them faster.

Just want you to be my Emergency Contact.

Summary:

After Jason miraculously comes home from his brush with Deathstroke, you’re both feeling it in very different ways. You have an unexpected physical wound from the battle, and he has many (very expected) emotional wounds. You help each other heal. Even if it’s very stubborn on both your parts.

Jason Todd x GN!Powered!Reader. Enemies/FWB to Lovers. Angst and Hurt/Comfort. (Slight Smut). Set during Season 2, Episode 5.

Word Count: 10,400

DC Titans Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Detailed warnings and author’s notes below the cut.

...

Warnings: general emotional angst, Jason has a self deprecating inner dialogue, (kind of) enemies to lovers - more like annoyances to fuck buddies to lovers, friends with benefits to lovers, the reader and Jason have a bantering/argumentative nature to their relationship, the reader is meant to be 100% gender neutral (the reader is never referred to in the third person, so there is no need to use they/them pronouns, but the reader is not called she/her or he/him), Jason calls the reader ‘babe’ (imo, a completely gender neutral term and he would call anybody that), mentions of alcohol (Jason drinking a beer), the reader character has ice powers (not entirely relevant to the plot but I couldn’t help myself lmao).

sexual themes throughout, mentions of sexting (no detailed descriptions), mentions of sexting in public, mentions of the reader character sending nudes to Jason (no detailed descriptions of the photos), one scene with detailed smut (but it is not the primary focus of the fic), the reader’s genitals are not described in any specific way, some dirty talk, Jason is more dominant and the reader is more submissive, penetrative sex, Jason is annoying even during sex, Jason has a pain kink (even when he’s a dom, he’s a painslut, I don’t make the rules), scratching/marking (Jason receiving), slight humiliation kink.

mentions of canon level violence, mentions of kidnapping (in alignment with canon), mentions of Jason being beaten by Deathstroke, mentions of Jason’s near-death experience (being dropped off the building), gun violence, the reader is injured - has a bullet wound/bullet fragment in their stomach, mentions of blood, descriptions of first-aid, mentions of puss from an infected wound (theoretically, not something that happens in the fic). That should be everything.

A/N: The title for the fic comes from a song by Pierce the Veil of the same name. It’s a newer song, and it’s one that I absolutely went to when looking for a title for this fic. The concept of becoming someone’s emergency contact is about upgrading the relationship from casual to much more serious, and just the whole song, and specific lyrics in it suit this fic so well. I highly recommend listening to it paired with this fic.

This was based on a request from my old blog, but obvi I don’t have that ask anymore - the request was about Jason getting shot and having his wound attended to by the reader, but I changed it to the reader getting shot cause I thought that was more interesting and less common. If the person who made that request sees this and finds my new blog, I hope you enjoy it! And in general, I hope everyone who reads this enjoys it.

This is another re-post from my old blog, and I do have a sequel for it in my drafts, which I am not actively working on. And before I post the sequel, I do plan on tweaking this and revamping it a little, but I figured I would repost this for now just to have the masterlist complete on this blog.

...

If asked, you would be hard pressed to explain your relationship with Jason Todd. 

The best way you could describe it would probably be - friends with benefits? 

But most of the time, the two of you weren’t even friends. You weren’t the type to hang out casually, or spend time alone together if it didn’t involve ripping each other’s clothes off. 

If you ever exchanged secrets or those precious bits of your most raw selves, it was by mistake. It was through sarcasm, or coming off the tired lips of someone who had just been exhausted by a few orgasms. The two of you knew each other well, quite literally inside and out. But you always made a deep, concerted effort to hold each other at arm’s length. And maybe that’s part of what all the snark and harsh words were for. 

It wasn’t all arguing. You were friendly. You could be civil, at the very least. 

Right from the moment you had first met Jason, you had found him to be so damn annoying, a shitstain on the earth - yet, someone you couldn’t stay away from. The line between flirtatious banter and a truly grinding argument was always so thin with the two of you. 

… 

You hadn’t expected that your life would be truly changed when you walked into that safehouse in Chicago that day. You truly thought nothing of him when his eyes landed on you - in those moments, a completely anonymous stranger, raking his eyes over you like you were a piece of meat. It was a gaze that immediately made you feel naked, something that made you want to smack him. You told yourself it was because he was being a pervert, not because of the heat that curled in your gut at feeling so intensely desired by him. 

He had been sitting on the couch sipping a beer like he owned the place, his thighs spread wide in a way you immediately decided was arrogant and annoying rather than hot - showing off his muscle tone as if it was trying to break through his jeans. Definitely annoying. Definitely the stance of a fuckboy trying to look bigger and badder than he was. He definitely was not attractive. 

When Dick led you, Rachel, Gar, and Kory further into the condo that seemed far too conspicuous to be a safehouse, the stranger you would later come to know as Jason quickly spoke up. 

“Who are your friends?” He asked. 

As he rose from the couch, his eyes lingered on you. Though his words seemed more out of curiosity, you couldn’t help but feel that bite of something more salacious lingering in his voice. 

It caused you to scoff and roll your eyes. 

“Not important.” Dick declared, his voice snippy. He was clearly annoyed with this new guy, and you could tell that your perceptions of him were definitely not ill-informed. 

“Who’s he?” Kory asked, going for the obvious question. 

“Not important.” Dick parroted out the words again, sounding much shorter with his patience. 

“Anybody want a brew?” Jason asked, motioning with the beer bottle in his hand. 

“Brew?” You twisted your eyebrows with disgust, staring him down as you commented on his odd choice of slang. 

He didn’t get to reply, as you were trampled over by Gar’s enthusiastic voice in your ear. 

“I do!” He said, raising his hand with excitement. 

“No, you don’t.” You quickly told him, reaching out to grab his hand and put it back down. “It’s disgusting.” 

You had a grand suspicion that Gar had never drank beer before, and he had no idea what he was truly asking for. Rather, he was simply taking advantage of trying new things because Dick and Kory were incredibly slack parental figures and he was away from home for the first time. 

“No, no one wants a brew.” Dick sighed, shaking his head. He threw Jason a small glare and you resisted the urge to laugh. 

“That can’t be Adamson.” Kory said, motioning toward Jason. 

This left you confused. But you didn’t question it. 

“He’s not Adamson. Adamson’s in the bathroom. Unconscious.” Dick explained. 

“Hi, I’m Rachel.” Rachel told Jason, offering him a sweet smile - being her usual sweet self. 

“Jason.” He introduced himself, in that moment, finally giving you a name to that obnoxious face. 

“I’m Gar!” Gar said with a grin, to which Jason nodded. 

Jason caught you glaring at him, and looked you up and down again, as if trying to willfully tear off your clothes with his eyes. It made your skin itch with heat and you would forever deny that it was a feeling you liked. 

“What can I call you, babe?” He asked, his voice entirely slimy, the kind of tone he would have used to recite cheesy lines to Tinder dates, you were entirely sure of. 

Before you could come up with some clever reply, Dick sighed in frustration and started balking again. 

“Okay, who we all are doesn’t matter right now.” He pressed, his neck so entirely tense that veins began to pop from the skin. “Can we just chill out, relax, sit on the couch and watch TV or something?” 

It seemed that he wouldn’t get his wish. 

Gar quickly charged around the table, finding something else to get strung up about. 

“Yo, when did you get another one?” He asked, putting his hands on both of the expensive cases on the long dining table - a copy identical to the one you knew to be containing Dick’s Robin outfit. 

It made you curious, and the answer that followed certainly surprised you. 

“That one’s mine.” Jason said, his chest literally puffing out with pride as he stated the fact. 

“No way.” You scoffed. 

“Yes way.” He quickly argued back, the whole exchange sounding entirely juvenile.

“This one’s yours? Wait, you’re Robin too?” Gar quickly put the pieces together. 

“I thought you were Robin?” Rachel commented, tilting her head toward Dick with curiosity. 

“I am.” Dick said firmly. 

“He was.” Jason corrected, a cocky smirk forming across his lips. 

“Batman really lowered the height requirement, huh.” You said. 

The words flew from your mouth before you could stop them, seeing as it was likely the only thing you could nitpick about Jason’s appearance. Between his stunning sharp jaw, his piercing blue eyes, his oddly appealing wild hair, his muscle tone being somehow visible beneath his baggy clothing - all of it made you equally frustrated and annoyed with him, and your baser urges couldn’t resist the low-hanging fruit. 

You felt victory and a slight pang of guilt when Jason deflated because of your comment, shrinking back into himself at your words. 

He didn’t have anything to say in return, he simply sipped his beer. 

“Wait, how many Robins are there?” Gar said, beginning to excitedly ramble at the thought. “Are there a lot? Cause I would love to-” 

“Okay, quiet.” Kory cut him off, clearly becoming annoyed with all of this dancing around the point as much as Dick was. “Sit.” 

Her words were firm, and you couldn’t help but to listen. You found yourself collapsing to sit on the couch while Rachel and Gar took seats at the dining table. Jason continued to linger in the middle of the room, staring at Kory and Dick as their frustration filled the air. 

“Bathroom.” Kory told Dick, and then they left to deal with whoever - or whatever - Adamson was. 

Jason sighed and took a seat beside you. When his eyes fell on you, you set your jaw and glared at him. You didn’t give away a single ounce of the heat you were feeling as his eyes locked with yours. 

“Even if I am the shorter Robin, I can assure you that everything else about me is… very long.” He lowered his voice and whispered those last words, crowding into your personal space as he did so. 

It sent shivers down your spine, his silken voice making the words sound too tempting. Even if you twisted your face and said ‘gross!’ causing him to dissolve into laughter, you didn’t make an effort to move away from him or put any space between your two bodies on the very large couch. You told yourself it was because you were tired from a very long day of travel, not because you were enjoying the smell of his strangely expensive cologne from this close by. 

His grin was still entirely smug, and you couldn’t stand it. 

When he raised the beer bottle up to his mouth again, you reached over and put a hand on his forearm, forcefully dragging his arm down as you made a snide comment. 

“That shit is disgusting, why the hell do you drink it?” You asked. 

You found your face drifting toward his again and if asked, you would say it was a form of intimidation - not that you were being drawn in by an unconscious attraction to him. 

“Because I can.” He replied, just as snide as he slipped your grip and sipped on the drink. 

You mocked his words in an entirely childish voice, and then you raised a single finger up to it and skimmed along the neck of the bottle. It took only a single moment of concentration with your skilled powers to freeze the beer inside solid. He thought he felt an extra chill coming off his hand, but convinced himself that he imagined it. But when he kept it tilted and nothing came out to meet his lips, he shook it and then stuck an inquiring eye inside the bottle. 

When he saw that it was completely frozen, he looked over and saw you grinning, and little did you know - that was the moment he became completely taken with you. You were one of the most annoying people he had ever met, and he found himself so intensely attracted to you. 

Even if it was getting under your skin by arguing with you or fucking your brains out, he knew in that moment - he had to get inside you and drive you insane the same way that he knew you would for him. 

… 

When Dick left to go check on his old circus friend Clay, Jason winked at you and said ‘don’t miss me too much’. You made a show of putting a finger near your mouth and audibly gagging. 

Later that night, when Jason didn’t return, you hated the curl of disappointment that panged in your stomach. You wanted to hit yourself for staring at the door, waiting for the second Robin to come in behind Dick. 

You hated yourself even more for replying to Jason’s texts. 

Apparently he had taken your phone out of your jacket pocket when you went to the bathroom (not to see Adamson - a different bathroom, to pee). And he had put himself in your contacts as ‘Hot Guy’. He had also sent himself a text from your phone that read ‘omg Jason you’re so hot, will you fuck me?’. And then replied to it from his own phone with a picture of his cock. 

Unfortunately, the only thing you could mock about the picture was poor lighting. 

When you told him as much, he quickly remedied that with several more pictures - ones with better lighting. He sent a video with very distinct audio. You would deny that you rushed to put your headphones in to listen to it while you sat on the train with Kory and Gar. You would deny that it drove a hard, hot pain between your thighs. 

You dug through a folder and sent some pictures of your own. You told yourself it was to prove to him that you were too good for him - to show off something he could never actually have. To tease him. 

You would deny that you loved the compliments he gave you, that you ate up the affection like a plant lovingly soaking up the sun. 

When you were sexting him, you had no clue that you were ever going to see him again. It was almost mindless, something for a dopamine hit to distract yourself from all the chaos going on around you. You weren’t doing it because you actually liked Jason. You didn’t have any real attractions toward him, or any real plans to carry out all of the bold things you said in those messages. 

You had no clue that you’d end up living together. 

When you did find out that Dick would be taking Jason into the newly reopened Titans Tower along with you, Gar, and Rachel, you didn’t make a big deal of it in your mind. When Jason made flirtatious remarks toward you in person, you brushed him off. You put up a wall. 

You told yourself that he was nothing more than a cocky, shallow guy who would use you for sex and then throw you away - something you could never actually build a proper relationship with. And if you were supposed to live together, be some kind of team like Dick expected you to be, then you couldn’t be messy. You couldn’t get emotional. 

You had no clue that on one of those first nights living together, your self assured discipline not to give into your lust for him would break like a wafer cookie, and you would be in his bed faster than a sea turtle running into ocean. 

… 

“Fuck, babe, you feel so good on my cock.” Jason grunted, his face buried in your neck as he thrusted deep inside of you. The loud squelch of artificial wetness coming from between your thighs as he worked his hips, working you open with a needy, demanding pace. “Bet you love this cock, huh? Tell me how fuckin’ much you love it.” 

“Shut up.” 

The words came from your throat as a weak whimper, much less powerful than you had intended. 

You didn’t want to give him any more power than he already held over you - he had you weak and willing on his cock, something you would have never admitted could be true until it was happening in these moments. 

Though you would never admit it aloud, you loved the way he handled you. Having you pinned against the bed with his fingers digging into the flesh of your hips, having you breathless and moaning as he fucked into you with fast, obviously skilled strokes. Your nails cut into the flesh of his back, and he let out a low rumble from his gut as the sharp sting sent a wave of pleasure through him. 

You hated the twinge of lustful embarrassment that curled in your gut when he chuckled at your words. 

“Oh, you want me to shut up?” He asked, slightly breathless from the act himself, moving one hand beside your head to raise himself up slightly to look in your eyes. 

He was sweaty, disheveled, his hair a mess, his muscles taught with the effort as he continued to pound into you. You hated that you had imagined him much like this before, and that this outlived all of your fantasies. 

“Yes.” You fired back. “Just shut up and fuck me.” 

He bit his lip - something you didn’t know was him trying to hold back his orgasm, so utterly turned on by your bratty defiance, the twinge of a whimper in your voice as you said those words. 

“You weren’t tellin’ me to shut up when I was texting you.” 

He said, all hot breath fanning across your chin, his hips spearing forward in sharp, hard hits that made your skin smack loudly together. It made you work hard to suppress moans deep in your chest in a way that was painful, like venom inside your lungs. You wouldn’t give him the satisfaction of your sounds, of knowing just how good he was fucking you - even if he could see it written all over your pleasure twisted face. 

“You only begged for more when I was tellin’ you how I was gonna lay you on my bed. Take you apart… make you scream my name.” 

He reached his other hand from your hip to the point where you were joined. He began touching that tender place, making sharp, vicious strokes that were almost vengeful. Tears easily gathered in your eyes and he let out another chuckle when you choked on a deep, pleasurable wail. 

“Tell me, how many times did you touch yourself reading what I wrote?” 

He asked, leaning down to whisper the words right in your ear. 

“How many times did you cum thinking about me?” 

“I didn’t.” You choked out, digging your nails deeper into the skin of his back, causing him to grunt as the pain mixed with the pleasure flowing through him. 

“Sure, babe.” He smirked down at you, turning that look into something absolutely pavlovian that would forever make you feel his cock deep inside of you when you saw it, rather than feeling annoyed. 

Maybe from that point on, it was a bit of both. 

In an effort to shut him up, you reached up and claimed his lips. It was supposed to be a kiss, but it was mostly teeth. When you bit down on his bottom lip, snarling, he tasted blood and the way he moaned at the pain was absolutely unmistakable. It was something you remembered and used against him many times after that. 

… 

You wouldn’t allow yourself any room for self hatred when it came to that break in your self control. When it became an ongoing thing, you spun it as positive in your mind. 

It was just sexual release. You and Jason both needed it. It paired well with intense training and the heavy studying that Dick made you do. It lowered your stress levels a lot, and it helped you get through the day. 

The more time you spent around Jason, the more you got to know him, and the more you came to realize that he was nowhere near shallow. You easily saw that he was caring, deep, complex, troubled. The more time passed, you found yourself falling for him and the more you deeply denied it. Because it was just sex. 

Things were good between the two of you, and you knew that if you added anything else to the mix - any complicated, mushy feelings - you would fuck it up. 

You were especially reminded of this - how important it was not to fuck things up - just a day or so before every other force aside from you railed Titans Tower and began royally fucking things up. 

… 

It was a morning just like any other at Titans Tower. It was delightfully quiet - even though Dick demanded that everyone get up at ungodly early hours to begin training, you had somehow managed to wake up before everyone else and you were enjoying the peace it brought you. 

When you got up to see that Jason was already in the kitchen, standing at the counter as he munched on a bowl of cereal, you wanted to scorn the idea that your peace would be interrupted. But instead, you found yourself willfully suppressing a smile. 

You yawned and walked over to the counter, grabbing a bowl from one of the cupboards, thinking that cereal was just the right idea on his part. A deep frown cut through your face when you poured out the rest of the cereal box he had left on the counter, and a very measly amount fell into your bowl. 

“What kind of asshole only leaves three fucking cornflakes in the bottom of the box?” You scoffed, causing him to chuckle. 

“Learn to count, babe.” He told you, speaking with his mouth half-full. “That’s more than three.” 

You rolled your eyes. You were likely exaggerating - but still, it seemed rude to you to leave such a small portion, barely a handful, in the bottom of the box. 

“Or did I make you cum so hard last night that I knocked the common sense out of your head?” He added on, throwing you that signature smirk that made heat bloom between your thighs. 

You let out a sarcastic snort, giving him a purposefully disgusted grimace as you lifted the bowl up and dumped the remaining cereal into his portion instead. 

“You might as well take these.” You told him. “And don’t flatter yourself, you’re not that good.” 

You moved behind them, distracting yourself from the conversation by making a cup of coffee. 

“Oh really?” He perked up, rising to his full height, pure mischief in his voice. “It didn’t sound like it last night.” 

Much to your horror, he then began imitating your moans. 

“‘Oh, Jason! Oh, fuck me! More!’” 

It was a cartoonish, pornographic imitation, something he likely wouldn’t have done if the others were anywhere within earshot. Oddly enough, even though your relationship was casual, you still kept it guarded and private, as though it were some precious secret that needed to be kept from the others. 

“‘Jason, please, your dick is the best! Oh, make me cum!’” 

But that was the farthest thing from your mind as embarrassment curled in your stomach, the reaction he likely wanted to draw out of you. You hated that you didn’t truly know if it was accurate or not, because sometimes - yes, he did fuck your brains out and make you completely mindless on his cock. 

But you would never admit that he was right. 

“Shut up.” You sighed, causing him to dissolve into laughter, feeling as though he had won. 

But you wouldn’t simply leave it at that. 

Instead, as you pushed the button on the machine and your coffee began to drip, you turned around and gently placed your fingers on the side of his cereal bowl. You froze all the milk inside of it solid, making it into one large frozen chunk with the spoon stuck inside when he wasn’t looking - distracted, staring at your face, looking for any trace of the reaction that he had drawn out of you. 

You just glared, and he smirked once more. 

When he picked up the spoon again and went to take another bite, the entire bowl came with it. He sighed in defeat when he realized what you had done. 

“You know, it’s so damn annoying when you do that.” He sighed. 

“I know.” You grinned at him. 

He couldn’t help the butterflies that fluttered in his stomach at this. He resisted the urge to grab you by the sides of your head and steal the grin of your mouth with his own. He told you that it was out of annoyance, and not affection. He told himself those lines were most definitely not blurred when it came to you. 

… 

Confessing your feelings to Jason would not have been your choice. 

Given the choice, you would have let your feelings quietly live and die inside of you. You would have just kept Jason as a friend. You would have even dropped the amazing sex if it meant staying on good terms with him. 

But the stakes rose pretty quickly, and things were taken out of your hands. The choice was stolen from you and Jason entirely against your will. 

When you found out he was missing, supposedly kidnapped by Doctor Light on the heels of some misguided plan - something inside of you shattered. Up until that moment, if you thought it was just a stupid crush, or an infatuation inside of you that would easily fade with time - you quickly found out that you were wrong. 

You went through the stages of grief like a rocket. 

Denial. Staring at the door, waiting for him to walk inside at any moment. Just like you had back at the safehouse.

Anger. Being so pissed at Dick at the other older Titans that you could barely breathe. How had they let this happen to him? How could they make him feel so inadequate that he felt the need to go out on his own, half-cocked, clearly doing something in the name of looking for their approval? 

Bargaining. You would have traded places with him. You would have been the one, alone and scared and stranded if it meant that he got to be at home safe. You would have gone with him to carry out the stupid plan if he had only asked. Why hadn’t he asked you? 

Depression. You wept in your room, hands clasped over your face, letting out chest-shaking sobs as you thought of the possibility of him never returning home again. You realized the possibility of him dying was very real and it made your lungs burn. 

And then finally - Acceptance. You finally accepted that your feelings for him were something bigger, and if it meant that you were the only person in the Tower who truly cared about him (probably aside from Gar) - the only person who didn’t just see him as a pawn to be used against Deathstroke - then you had to do something about it. 

So you laid out your love for Jason. You put it all on the line for him. You accidentally confessed to him, showed your feelings in a gesture so quiet it screamed. 

You knew that for someone who stepped up to become Robin, someone who scorned cops for pummeling down on the innocent when they were supposed to be protectors - stepping up to try and save his life meant a love bigger than anything else you could have done. 

And he was terrified of it. There was a big justice in your love for him. And to him, there was an even bigger justice in giving you an out to escape it - to escape loving him.  

… 

Hectic. 

That was easily how you would describe the last few days at Titans Tower. 

Between the unexpected arrival of Rose - Dick taking on another stray because, like Rachel said, he couldn’t resist a bird with a broken wing. Finding out that she was related to one of the deadliest men on earth that the Titans apparently had previous history with. And then Jason going off on his own without telling you, some botched hostage trade, and the group picking up yet another stray - a strange boy who had saved Jason’s life. It was all a blur of hectic chaos that had you snapping your neck to keep up. 

Sleep was scarce and you couldn’t remember the last time you’d had a proper meal. 

But you weren’t truly worried about any of that. 

Dust had been kicked up around your life, and you couldn’t wait for it to settle before you made your next important decision. 

Even though the wounds were still tender, you knew that things were safe for now, and your number one concern was Jason. 

The minute he had gotten in the door, even though he was slightly hobbled and clearly sore from whatever Deathstroke had done to him, he rushed out of your sight. He was clearly eager to get away from everyone like a wounded animal sulking away to lick his wounds in peace. And when you had chased him, ignoring a nagging pain in your own side from the fight, he had slammed his bedroom door in your face, entirely uncaring of the fact that you called out his name, concerned for him. 

The rest of the group was distracted with Conner - not knowing what he had been shot with or how to fix it. You hated it, but in the eyes of the group, yet again, Jason and any of his problems fell to the back burner. 

After you had taken a short shower and changed your clothes, you found yourself here. Standing in front of Jason’s closed bedroom door, hoping not to face another cold rejection. 

You wondered if he would be sleeping, wondered if you should interrupt his peace. But you knew that sleep was unlikely after everything that had happened. 

So you took the leap. 

You raised a fist, once again pushing down that stinging pain coming from the right side of your stomach. You reasoned that it was probably nothing more than a bruise forming there. And you knocked on the door. 

A few moments later, the door was jerked open, and Jason glared at you. 

His eyes were dull and tired, and there was a large bruise forming on the side of his mouth. Probably one of many others that you couldn’t see, from the way he had been walking earlier. He likely hadn’t been sleeping, but you had disturbed him. 

“What the hell do you want?” He grumbled out, his voice dull, lacking any true fight. 

“I wanted to check on you.” You told him, entirely honest. “I know it might seem stupid, but I wanna see how you’re doing.” 

Jason scoffed and rolled his eyes. 

He wanted to agree that - yes, it was stupid. It should have been obvious how he was doing after being kidnapped, beaten, and dropped off a building. But he was an idiot who had gotten himself thrown headfirst into that mess, thinking he could handle it. And he didn’t need to go crying to you about how badly he had fucked up. He had made a poor choice and he deserved all of the consequences. It was a simple fact of life. 

“I’m doing just fine, thanks.” Jason said, entirely snide and sarcastic. “Look, I don’t need your help, okay? So fuck off.” 

It was a set of harsh, cutting words. But he thought getting distance from you would be best. This whole thing had woken him up from the sweet little fantasy the two of you had been participating in. He was a natural born fuck-up. And sure, he could have you for a while, play around a bit - but he could never truly make you happy. Eventually, he would fuck you up too. He was a harsh poison and it would be better if he got out of your life before you felt the full effects. 

He moved to shove the door closed and upon instinct, you reached up and fought him on it. Unconsciously, you winced as a sharp pain came from the injury in your stomach, reaching for it with your free hand as you held the door open with the other. It should have been no big deal. With your meta abilities, you usually healed quicker. You weren’t even used to feeling it when you got hurt. You were probably just feeling it worse because you were tired. 

You tried to ignore the pain. But in a moment, Jason’s eyes went wide with worry as his gaze darted from your face, knit with pain, to where your hand was nursing the injury. Any sense of smarmy discontent dropped from his features, immediately being replaced with a softness and worry for you. 

“You’re hurt.” He said quietly. 

He let the door fall open again, reaching for your hand to inspect the injury himself. 

“I’m fine.” You played the card this time, exchanging his lie for your own. 

It was an odd play. He had lied about not being so torn up inside, emotionally devastated as he was, and now you were lying about not being physically injured from the fight. The two of you made an odd, but perfectly matched pair. 

Jason barreled right past your words, and you were easily pliant to his touch as he removed your hand from the injury. You certainly were not expecting for him to find anything incriminating under your hand. But he glared at you when he found bright red spread across your palm, a glossy wetness leaking through your shirt. 

“You’re bleeding.” He grunted at you. 

Clearly, he was disappointed in the fact that you had neglected to bring this injury to the group’s attention. Pissed off at the fact that you weren’t in the medbay with Conner receiving some treatment right now. 

Maybe you could blame it on the chaos. Maybe you could blame it on the fact that with everyone so emotionally distraught, you didn’t want to be just another problem for everyone to fuss over. 

“Whoops.” You breathed out sarcastically. “I didn’t even notice.” 

That last part was honest. In all the adrenaline, all your worrying over whether or not Jason was going to live as you watched him dangle so high off the ground - you truly hadn’t paid any mind to the injury. 

“You didn’t-?” Jason huffed out in anger, but didn’t bother finishing the sentence. 

Perhaps he partially understood himself, knowing how the adrenaline from a fight could stamp out pain. Or perhaps he knew how truly stubborn you were and he didn’t want to waste his energy arguing with you. 

“You need this treated.” He added on. 

No matter how fucked in the head he was, he never wanted to see you hurt. That was something he would definitely waste his energy on - wearing down your stubbornness until you let him or someone else in the house take care of the injury properly. 

“Conner is worse off than I am.” You shrugged. “He needs the attention more.” 

“Then let me help you.” He said, an impatient nagging rising up in his throat. “Bruce gave me some first aid training. One thing that means I’m not totally useless.” 

The words made your chest ache for him, a pain that easily competed with the bleeding wound. 

“Jason-” 

You wanted to argue with him. You wanted to tell him he had infinite worth to you. 

But of course, he cut you off. 

“Just go sit on the bed.” He told you, quiet, but a firm command that you couldn’t ignore. 

He gently pushed past you, on a quest for some supplies to patch you up with. You then found yourself drifting into his room almost mindlessly, your hand clutching the wound again upon instinct. It was a place that you felt oddly at home. The nights you had spent in that bed since coming to Titans Tower, your head delightfully empty as he had fucked you hard and fast - they were by far your favourites. 

You would say it was because of the sex, and not just because you got to be wrapped up in Jason’s arms. Maybe everything had changed. Maybe your answers were different now. Maybe you were raw and tender and Jason wasn’t prepared to chase you in that devotion. 

But that was just the thing. With you and Jason, there was never any sense of devotion. You and Jason were always hard and fast. Teasing each other, verging on the edge of vengeful. It was a flame that burned intensely hot - but it was never anything soft. It was never anything that prompted you to knock on his door so late, wanting to check on his well being. It was nothing that prompted you to make chase to put your life on the line for him. 

Even just knowing that he had the intent to attend to your injury, called himself useful because of it - the thought cradled you like a warm blanket. It had you balancing on the edge of a dam holding back a barrage of feelings that you had been quelling down since the moment you had first put your lips on his.

“I told you to sit.” Jason’s voice came from behind you. 

He had raided the infirmary and now had a handful of supplies - luckily without anyone seeing him or questioning why. When you turned to him, he was closing the bedroom door behind him, sealing you both in with this newfound soft intensity, the tired lull of two people unwilling to hold back that softness anymore. It was entirely dangerous, and entirely life-saving at the same time; and neither of you realized it. 

“Since when do you get to boss me around?” You told him, your voice low and lacking any true spirit or sarcasm. 

It was in the same vein as the banter the two of you usually threw around - bickering about who was a bigger asshole, who was more stubborn, who was better in bed. 

You expected some kind of sexual comment in return. You could almost hear it now - he was the boss of you because he made you melt on his cock, made you mindless and dumb with it. 

But, no dice. 

The longer you stared at him, catching bits of the fresh pain swimming through those gorgeous blue eyes, you wished so badly for the mischief and sarcasm and light to come back and bite you the way that it used to. 

It only made your stomach churn harder at the whole situation. Things had officially changed between you and Jason. You had yet to find out if it was for the better, or for the painstakingly worse. 

Jason sighed through his nose. 

“You can be such an asshole sometimes.” He told you. Coming from him, and given the nature of your relationship, you knew it was almost a compliment. “Will you just sit down and let me help you?” 

Even though you were utterly terrified of the swelling of emotions you felt, bound to come to a head - you did. 

You sat on the edge of the bed and he placed the supplies beside you. 

When he mumbled out a quiet ‘lay back’, and you did, his cool fingertips at the hem of your shirt pulling it upward felt strangely more intimate than any other time you had been in this same position. It wasn’t heady, you weren’t granted the distraction of his mouth on yours and his tongue shoved between your lips while a harsh throbbing nagged between your legs.

This was quiet, and calm, and gentle. 

When you caught his eye above you as he wiped away the blood with some clean gauze, you saw nothing but pity and worry and sparkling affection for you. You almost dared to call it something as epic and dangerous as love, buried deep in his eyes. He worked with the most delicate touch, almost as if he was afraid to break you, before he glanced down and inspected the wound. 

His brow furrowed with even more intense worry, guilt nipping at his insides when he got a good look at it. 

“I think I see a bullet in here.” He told you, and then he moved around the bed and grabbed his phone, turning on the flashlight to have a better light to inspect it. You felt intensely naked, intensely caught when he began shining the light on your stomach with a harshly inquisitive look across his face. “Definitely something shiny. You got shot and you didn’t fucking tell anyone?” 

It was only then that you realized when you had gotten the wound - the exact moment clicking into place in your mind. 

“It was only a ricochet.” You argued quietly. “It’s not that bad.” 

Jason scoffed and rolled his eyes, and began sorting out his supplies, preparing to pull out whatever was lodged inside of you. 

… 

Dick explicitly told you to stay put. 

They only wanted the more experienced Titans, the Varsity squad on the case when dealing with Deathstroke. He blamed young naive incompetence as the reason Jason had gotten captured in the first place. You blamed him and Bruce pushing Jason out, making him feel like he needed so desperately to prove himself. But it was something Dick wasn’t ready to hear - an argument you weren’t going to have with the very stubborn team leader. 

Instead, you went for the silent route. You trailed the rest of them out of Tower, and when Dick strayed away from the rest of the group, his head on a swivel as he glanced back and forth, seemingly wanting to assure that none of the others were following him - you followed your gut instincts and went after him. 

You hid in the shadows and the moment that Deathstroke hit the button and those panels scrolled up, revealing Jason stranded on that scaffolding - you couldn’t help yourself. 

“Jason!” 

You screamed out his name, you leapt forward. 

Dick didn’t have time to scold you, not before the gunfire started. 

Kory came out of nowhere - seemingly, she had the same idea as you. Putting her life on the line for an emotionally repressed man that she hadn’t admitted her feelings for. But she was there because she was in love with the other Robin. (Or rather, a man who claimed over and over again that he wasn’t Robin.) 

Things quickly became a blur - flashes of flame as Kory fought, battling with the muzzle flashes from Deathstroke’s guns, limbs flying as they fought each other. You didn’t see it, but Deathstroke raised and aimed at you as you rushed toward the window, blindly going after Jason. In response, Dick charged forward, redirecting the gun as he pulled the trigger. You heard the sharp ‘ping’ sound of metal on metal - what you couldn’t see was the bullet hitting one of the metal beams in the ceiling. But you certainly felt it when it sliced into your side. 

At the time, it was nothing compared to the fear you felt for Jason. 

His eyes were wide with terror, and you could only focus on getting him to safety. You had no idea that a large part of his panic came from seeing you in the building. He had hoped that Dick would keep you away from all of this. But there you were, standing a few feet away from a man with a gun who was shooting around wildly. Jason would have delighted in being dropped off the building to his death if he had to see you get fatally shot when he could do nothing but squirm on the other side of the glass. 

You put two hands on the glass, banging on it - of course, it was no use. It was inches thick, meant to keep people from going through it at this height. Working entirely on instinct, you put your palms flat across it and began forming ice crystals over it, hoping to make it rigid and breakable if it was frozen. 

Once there was enough ice, you quickly looked around and spotted a metal pipe there for the in-progress construction of the building, so you grabbed it and rushed to smash the glass with it. You felt victorious as it shattered, and Jason flinched away from the shards, putting you one step closer to freeing him. 

Though the moment the glass was cleared, leaving the wind whipping around you, his first words of greeting to you were not celebratory. 

“What the hell are you doing here?” He barked at you, clearly angry with you. 

You felt a dull ache in your chest at this. You thought he might be relieved, happy, pleased. At the time, you couldn’t interpret his harsh reaction as worry for you possibly getting hurt. 

Nonetheless, you ignored his harshness. You would save him, whether he wanted to be saved or not. You draped your body through the window, reaching out to him. You made an effort to keep most of your weight planted on the floor of the building, in case the scaffolding wasn’t stable enough to hold two people at once. 

“What do you think?” You replied, pure sarcasm dripping through your voice as you reached behind Jason and began fiddling with the rope around his wrists. 

The position put the two of you in intensely close proximity. Jason caught a whiff of your unique scent, the shower gel you used that mingled with your body’s natural oils; and he felt so painfully at home. For the first time that night, he held back tears. He couldn’t help but to lean his forehead on your shoulder, taking comfort in having you so near after being on edge and terrified for so many hours. You resisted the urge to run a hand through his hair, to cradle him and give him further comfort. You forced yourself to focus on the task at hand - getting him to safety. 

Behind you, at the very back of the room, Dick and Deathstroke wrestled with the remote for the explosives attached to the scaffolding. 

Just as you managed to get Jason’s wrists freed, Deathstroke hit the switch, and the bombs went off. 

… 

You winced loudly as Jason dabbed at the wound with disinfectant. 

“I would say sorry… but, you’ll thank me later when this isn’t swollen and leaking puss.” He told you, throwing you a small smirk. 

It was smug. It was the usual kind of humor that he gave you. 

It was comforting to know that every trace of the Jason you knew hadn’t been stolen by Deathstroke. 

You held your breath as he pressed down with the medicine-covered gauze again, drawing much less of a reaction out of you this time. 

“Great mental image, Jay.” You replied, your voice dull. It lacked any of the true bite you wanted to deliver in response to him. “I’m sure it’s such a turn-on thinking about my puss.” 

It was meant to be a joke. But even unconsciously, it was an acknowledgement of that dangerous line - the line between truly caring and just using someone for sex. The line between having someone in your life as a body to get off with, and being so… homely with them. 

You and Jason were towing that line dangerously. It was a thread that you were balancing on, and it would either break, or you would cross to the other side and be forever bonded to him. 

Jason shrugged. “Maybe I don’t have to be turned on by you all the time.” 

There was more stuck in his throat. Another dangerous acknowledgement of that line. 

‘Maybe I just have to care.’ 

Both of you lulled into silence because neither of you dared to say it. 

After a few moments, Jason put down the gauze and hesitated to reach for the tweezers. He knew that pulling the bullet out would be painful, but inevitable. It was a lot like the state of your relationship with him. Break it off, and find happiness elsewhere, or acknowledge this big thing swelling to fruition between the two of you. Have Jason fuck it up eventually. Painful, but inevitable. 

“You shouldn’t have to be hurt like this.” Jason said quietly. “You shouldn’t have gotten hurt for my sake.” 

There it was again - words with a dangerous double meaning. 

You looked up at him, pure pain knit across his face, and for a moment he looked from the tweezers to you and he could hardly stand holding your gaze. 

‘It’s worth it.’ You wanted to say. ‘For you, I’d bear any pain.’ 

The words lived and died behind your eyes, and your tongue decided on something else entirely. 

“It’s nothing.” You told him. 

You downplayed the pain, pretending that the injury was only a minor inconvenience for you. And in the grand scheme of life, it was. With time, it would heal. Losing Jason would be something you’d never heal from. 

Jason shook his head at this statement. 

He forced himself to reach for the tweezers then. He handed you his phone, a silent agreement that you would hold the light as steady as you could. He knew you well, too well, and he knew that you needed something else to focus on to push away the pain. He put his free hand on the plush of your stomach, pulling back slightly to hold the wound open while you held the light on it. 

When the sharp metal of the tweezers breached your wound, you wanted to swear. You wanted to call him an asshole as the pain shot through you. You wanted to scold him for leaving the Tower and being kidnapped in the first place. But you knew that even if it was playful or sarcastic, fueled by the bite of your pain, it was not what he needed to hear right now. So instead, you held your breath, and gripped his phone hard, keeping the light steady as you bared the sharp shocks of pain. 

After a moment of digging around that felt like an eternity, he pulled out the fragment and held it up to show you as you collapsed back against the bed, panting with tears stinging the edges of your eyes. 

“It’s not nothing.” He declared sharply. 

You couldn’t conjure a response. You knew he was right. And you didn’t want to be forced to admit it. 

Instead, you turned off the light from his phone and relaxed into the bed, closing your eyes as he walked around to the trashcan and threw out the bullet fragment. It fell into the bottom of the plastic wastebasket with a very small ‘ping’ - making you wonder how something so small could cause so much trouble. 

Jason quickly returned to you, dabbing more disinfectant into the wound in a way that made you groan and flex away from the touch. Once again, he did not apologize. 

There were a few moments of muddy silence with nothing but your slightly labored breathing, trying to contain your sounds of pain so as to not make him feel any further guilt about the whole incident. 

Your mind churned, and you couldn’t help the next words that came from your mouth. 

“I meant what I said.” You told him. 

At the sound of this, his hands immediately stilled. You felt his eyes on you, and you forced yourself to open your own and look up at him once again. He stared you down with intense examination. He looked for any ounce of falsity, any sign that you were lying, even posturing to make him feel better after everything that had happened. 

He didn’t find any. 

You thought he might acknowledge you, that he might say something back to return your mighty words. Instead, he simply reached for more gauze, and began putting a final bandage on your wound. 

… 

The explosion caused a sharp rattle through your ears. It shocked you and made you dizzy and put the whole world off-kilter. The only thing you could perceive past the mind-numbing hum in your brain was the feeling of Jason’s rough glove gripping tightly onto your wrist, so you gripped back as hard as you could. 

When you blinked open your eyes, you were half-hanging out of the open window, the edge of the floor cutting into your waist as you held onto Jason by nothing but his wrist. His whole body weight created a harsh burn, straining on the muscles in your shoulder as you watched him dangle hundreds of feet above the street. 

Panic flooded you. 

You scrambled to reach out with your other hand, and the moment you moved, your shirt slipped against the sleek, polished material of the floor and you began sliding out the window. You gasped and Jason stilled his panicked flailing immediately. 

“Don’t move!” He shouted. 

“Give me your other hand so I can pull you up!” You shouted back. 

Beyond the unpleasant hum of your eardrums rattling, you still heard chaos behind you. Gunshots, the grunts of fighting, Kory and Dick’s voices yelling. They were busy with Deathstroke, they couldn’t help you or Jason. 

Jason looked up at you with glassy eyes. 

He knew that with all his gear weighing him down, even with the training you had been doing, you wouldn’t be able to pull him up. Not by yourself. And if you weren’t careful, his body weight would just pull you out of the window and cause you to go tumbling down to your death along with him. 

When you saw that frown etch across his lips, that filthy look of dawning - you glared at him. 

“Give me your other hand!” You screamed, your voice raking across your throat like hot coals. A hot boiling rage at the fact that he seemed almost determined to die. 

There was one thing he was determined about. If he was going to die, he wasn’t going to take you down with him. 

His gloved wrist started to slip from your nervous, sweaty palm, and you tried hard to hold on tight. You formed large shards of ice, hoping you could create some kind of bond there by freezing your hand to his. But it would only be temporary with gravity trying to tear the two of you apart. 

“You have to drop me, Y/N.” He said, nothing but pure mourning on his lips. “I’m dead weight.” 

You both knew it was a horrendous double meaning. 

He thought he was a dead weight to your life. 

“No!” You immediately defied this thought, that feral rage ripping at your throat once again. “I’m gonna pull you up. I’m gonna pull you up!” 

You reached your other hand down and tightly wrapped both of your hands around his wrist, yanking upward. The harsh movement caused you to slide even further out the window. You were now dangling dangerously over San Francisco with only the thickness of your thighs giving you any real stability on the intensely high up floor. It made you dizzy, and the only thing you had to focus on were the wet wells of Jason’s eyes staring up at you. 

“It’s no use!” Jason said tearfully. 

You ignored him. 

You cast your chin over your shoulder, and began shouting. 

“Help me!” You screamed, trying desperately to get the attention of Dick or Kory. “Help me! Fuck!” 

“You have to let go.”

Jason’s words immediately shifted your focus back to him. 

But of course, you refused. 

“I’m not letting go of you!” You declared sharply. “Not that easily.” 

As he stared up at your tearful eyes, he knew that you meant it as more. 

Unfortunately, it was the one thing he was terrified of. 

He thought that you saw him as some shiny perfect thing, something good and worth having in your life. He thought that you were incapable of seeing the poison, the true fuck-up that he was. If you didn’t let go of him, sooner or later, just like everyone else in his life, you were going to get burned. 

So Jason did what he had to do. 

He began prying your fingers off his wrist, trying his best to keep you stable while he forced himself from your grip. 

“No!” You shrieked. “No, no, no-” 

You didn’t have much room to fight him about it without falling out of the window yourself. 

You made a move to readjust, to get a tighter grip on him - and it was the one deadly move that caused him to slip out of your touch completely. 

You were forced to watch on in chest clenching horror, blinking through heavy tears as he began hurtling toward the ground. 

… 

If not for Conner - a literal miracle - swooping in and saving Jason at the last second, then you would have spent the rest of your life regretting those moments, wondering what you could have done differently to save him. 

When Jason finished taping down the bandages, making sure the wound was clean and secure, he laid his palm flat on top of it. It was a kind of ‘kissing it better’ that instantly spread warmth curling through your gut. It was a touch so incredibly tender - especially compared to the heated, aggressive groping you were used to from him - that it caused a whimper from the back of your throat. 

You knew it was unlikely, but you hoped that he hadn’t heard it. 

“All done.” He said quietly. 

You instantly felt regret when he took his hand away and began tidying up the medical supplies. But you forced yourself to sit upright, now feeling only muscle soreness and a much duller pain coming from the area. You felt intensely thankful for his care as you pulled your shirt back down, righting your clothes back into place. 

“You’re free to go now.” Jason told you, his voice still low, as though a single decibel would shatter the delicate peace between the two of you. 

You felt your heart sink. 

In an instant, you understood what it was - he was concerned about your physical wellbeing, but he didn’t actually want to have you around. Just like his reaction to you showing up at the hostage exchange - he didn’t want your presence there. 

You heaved a sigh and got off the bed as Jason busied himself with gathering up the used gauze to throw it away. As you put your hand on the doorknob, you couldn’t quite bring yourself to leave. 

It was something else. 

It had to be something else. 

Jason hadn’t let himself drop off a building in some desperate ploy just to get away from you. He had been trying to save you. 

He was so utterly willing to give his life for yours. 

And now he was trying to back down from that. 

You turned and faced him, leaving the door closed. When he turned from ditching things in the wastebasket, he froze. He was entirely surprised that you were still there.

The two of you locked eyes, both staying still - like a predator and prey locked in a stalemate, wondering who would run first. 

In this situation, you weren’t sure who was the prey. 

You were both so vulnerable. 

Jason thought it would be selfish to get caught up in all of this, to finally admit those dangerous feelings he had for you. When he cared for things, he usually ended up breaking them. Of course, it was never on purpose - he was an idiot. Everything he touched, he fucked up. He had made that more than evident with his last braindead plan, the outing to prove that he was worthy of being Robin. Something that had gotten you shot, probably could have gotten you killed. 

If you stuck with him any longer, you probably would end up being killed. And he would never forgive himself for that. 

He would be better off ripping himself from your hold, as much as it hurt. Giving you a dose of that heartbreak now so that you could get over him and go after better things. 

As you stared at Jason, you could see all the pain boiling underneath his surface. You wondered what he was thinking, what the hell he was churning over in that intense brain of his - but you didn’t dare to ask. 

You knew that he needed to be held right now - in every sense of the word. You knew that he needed to be cared for the way he had cared for your wound, pushing past the pain in order to heal. You wondered if he would lay down and bear it or if he would continue to fight you. 

You were the one to bravely step forward. Though Jason was tempted to ask you to leave, that thing inside of him yearning to marinate in his isolation because he deserved it, he pushed it down. He let his hands naturally come to sit on the plush comfort of your waist as you put a gentle touch on both his shoulders, leaning into his body ever so slightly. 

You laid your forehead on his cheek, right next to that ugly bruise that had been left on him, and he let out a contented sigh as he felt your warmth envelope him. For the first time since his feet had touched the ground, he felt calm. He felt safe. 

You smoothed a hand across his shoulder, and raised your head, using your touch to gently tip his face toward yours. He quickly realized that your intention was to kiss him. And something ached in his heart - something painful and longing. He knew that it would not be needy and haste with the intention of pile-driving toward sex like your other kisses had been. He knew that it would be the metamorphosis of your relationship that he was not prepared to go through. 

He nuzzled along your forehead, gently stopping you. 

“Please don’t do this.” He murmured quietly into your skin. 

He knew that it would break him. 

He knew that this was the moment - like Gatsby reaching up toward the stars - this would be the moment that he was tied to you forever, damned by his love for you. Only, much different than Gatsby, he wasn’t destined for some grant fate if he didn’t have you. He was on a one way path to a messy death, and he was determined not to take you down with him. 

Tears pricked the edges of his eyes at the thought. 

You pulled back, just enough to properly look him in the eyes, and your own tears formed when you saw that pathetic puppy dog looking back at you. 

“Why not?” You demanded, much sharper than you intended. You knew he was fragile and you didn’t want to upset him any further than he already was. 

“You know why.” He replied, his voice barely scraping above a whisper as the emotion clutched at his throat. 

Jason wanted to hold onto you forever, but he was also a realistic person. He expected that any minute now, you would rip away from his arms and charge out the door, entirely angry with him, and this would finally be over. You would finally be safe from him - safe from any nasty fate his life could conjure up for you. 

You hated what he was asking of you - asking you not to care for him anymore. As if you could somehow switch it off. Impossible. 

“I meant what I said.” You repeated yourself, still entirely firm in this conviction. “I’m not gonna let you go that easily.” 

You leaned in, planting your lips on his in a light kiss. A pained sigh ripped through you when he didn’t make any moves to kiss you back. 

“Jason, please.” You whimpered out desperately. “If you get to bandage my bullet wound, then I get to do this.” 

Jason wanted to spell it all out for you, plain and dirty. He wanted to get angry, he wanted to scream. He wanted to rush along the inevitable. He wanted to tell you what a poison he was to the world, that he deserved to die and you deserved better things. But he had the utmost feeling that you wouldn’t listen. 

“Please, stop pushing me away.” You whispered against his lips. 

Instead, he listened to your plea. He let himself indulge in this selfish softness for once. 

He reached up and grabbed your jaw, pulling you into a firmer kiss, declaring every ounce of passion and terror that he was feeling in those moments. You answered it all right back - digging your fingers into the shoulders of his shirt, letting out a hot huff against his cheek as you leaned into his body. 

He would never be perfect - but he was yours.

...

PLEASE NOTE: I do have a sequel in mind for this, but I don't know when I am going to have it finished and posted. Please do not ask me to write more of this or ask me when the sequel will be coming. If you are going to comment, please comment about the body of work here that I have already written.

[srjlvr]

SEVEN ROYALTIES

7 brothers. 7 new kings. 7 new thrones. 7 love stories.

note. im a bit early to do this, but we’re getting closer to 1.5k followers so i decided to drop it! i cant believe i am able to reach this amount of followers honestly! this is a special series to show you how thankful i am. i wouldn’t be here without y’all.

THE seven brothers of hybe’s kingdom will be getting each a new throne and kingdom of their own to rule, and each one gets a love story of his own too.

GENREs will be included in each member’s story and so are the WARNINGS and WORD-COUNTS.

TAG-LIST ; i’ll consider this tag-list to all members, send me an ask or comment on this post if you’d like to join.

PERM TAG-LIST ; @sungwhoonz , @ohdudehesflirting

lee heeseung x fem!reader genre: strangers to lovers , commoner and a royal , fluff , angst ! warnings: loads of curse words.

you always knew your short temper will be a disadvantage, but you never thought that moment will happen when it came to a royal blood.

“watch where you’re going!” you yelled at the person who just bumped into you, “my apologies madam, perhaps i can offer you some sweet cookies as an apology?” he smiled.

you laughed at the nickname and the cute offer, “people don’t offer here cookies just because they want to apologize, are you new in town?”

he then shook his head, “you keep your things to yourself if you don’t want people to keep asking you for favors”

you ran before the person could even reply, “didn’t she realize who is she talking to?”

STATUS posted!

park jay x fem!reader genre: arranged marriage , one sided love at first , angst , fluff ! warnings: curse words , mentions of food (nothing serious, just dinner breakfast and all) , uhh dunno if it’s really a warning but just a rude behavior.

it’s been a few months since your huge wedding held in the castle, “i’ve married to you only because of the fact that i need to marry off to someone to get the throne” your newly husband groaned.

he’s been telling you the same sentence each time you remind him that you’re actually a married couple.

you’ve been taking care of him when he got sick, made him meals and even did most of the laundry, regardless of the fact that you have tons of servants.

jay has been ignoring you all day and all night ever since you first met, even ordered that you must have separated rooms.

but all it took for him to understand that he so longed for you, is to see you walk away. now, he’s determined to bring you back and love you all over again.

STATUS posted!

sim jake x fem!reader genre: strangers to lovers , fake relationship , he fell first but she fell harder , runaway royals , fluff , angst ! warnings: mentions of pregnancy(nothing serious i promise trust me) , mentions of food (not specifically, just meals).

your beauty is beyond compare, and you know that. your parents knows that too. which is why they’ve been forcing you to go on dates with filthy princes who wants nothing but to use you and your beauty as a trophy.

you hate that, being treated as an object in the eyes of other people. so you ran away. where? you didn’t know, but you packed your bag and left the house in the late late hours.

what you didn’t expect however, was to get caught by another runaway prince.

“who are you?” you suspiciously asked. “i’m sorry madam, let me introduce myself, i’m sim jake, hybe’s-“

“hybe’s prince” you gasped, “and you are?” he shrugged off the fact that you just cut him in the middle of the sentence.

“i’m l/n y/n—“ “the runaway princess?”

STATUS posted!

park sunghoon x fem!reader genre: childhood friends to enemies to lovers , one sided love somewhere into the story , heavy angst , fluff ! warnings: character’s death (not a main character) , curse words.

sunghoon has everything, wealth, power, a throne. but none of these matters when he can’t have you by his side.

“i hate you, park sunghoon” you spit out, nothing but hate is in your fierce glance at him. he just chuckled, “you don’t mean that”

“oh i do,” you nodded, “and i’m only doing it because i promised her it’ll happen”

“looking back at that promise, i realize why you used to believe that promises are stupid” you added.

“i’m sorry” he apologized, “sorry isn’t going to change anything, is it?”

STATUS posted!

kim sunoo x fem!reader genre: mistakenly falling in love , strangers to lovers , fluff , a bit of angst ! warnings: none atm.

the ballroom was full with young royals who are there the celebrate ni-ki’s birthday, the youngest out of the seven brothers.

it was a NO ADULTS party and therefore, the king and the queen ( aka the parents ) tried to describe him who is he going to marry. it was a pretty obvious force marriage.

“you’ll know it when you see her, she’s awfully pretty” they said.

“i’m l/n y/n” you introduced yourself with a curtsy, sunoo took your hand and kissed the back of it, “you look awfully pretty, y/n”

“oh! her name is minju!” right after the party, the queen and the king reminded sunoo that the girl he’s off to marry is named minju.

STATUS posted!

yang jungwon x fem!reader genre: childhood friends to lovers , promised to marry , fluff , angst ! warnings: mentions of food , pregnancy i think , maybe curse words (do lmk if i missed something!!)

you’ve known jungwon ever since you can remember. his castle is considered your second home and your castle is considered his second home.

you were pretty confident in your friendship, until you became teenagers and things started to fade away between you two.

he knows you’re promised to him, so why was he so unconfident about it when he saw you talking to other princes?

and you know he’s promised to you, so why do you feel like crying when he’s being introduced to other princesses as well?

STATUS posted!

nishimura riki x fem!reader genre: troublemakers falling in love , strangers to lovers , dumb and dumber relationship , fluff , angst ! warnings: none atm.

you were some kind of the black sheep in your family, always breaking rules and doing what you’re clearly not supposed to do. you love your freedom.

you heard about a prince who’s just exactly as you are, and you’re more than eager to meet him.

“are you…?” in one of your usual sneak outs, you bumped into a familiar face, “am i…?” he mocked.

“never mind” you shrugged, “i thought you were nishimura riki”

“i thought you’re l/n y/n” he chuckled, it was too dark for the both of you to see each other. “so who are you?” you asked, “nishimura riki, you?”

“l/n y/n”

STATUS coming soon!!

••• copyright © srjlvr all rights are reserved.

[bakuhatsufallinlove]

Who Wants To Talk About Japanese Orthography In Manga???

Me, it's me, I do, and I have been chomping at the bit to get the chance to.

Orthography refers to the conventions of written language to represent sounds. That may bring to mind the idea of rigid grammar rules or spelling standardization, but in a linguistic sense, orthography simply describes observable trends across language use. This isn't about authority--I am not going to talk about what schools teach or say people should write one way or another. This is about examining how real people use written language creatively to convey different things in popular media.

This is a huge topic, so I'm only going to use examples from MHA to highlight Horikoshi's style.

First, let's get a run-down of the main parts of written Japanese and how they tend to be used.

We've got kanji and kana; kanji are logograms, while kana are syllabaries. Kana refers to both hiragana and katakana collectively, but we will delineate the two from here on.

The Wikipedia page for kanji, describing this more succinctly than I'm about to.

For clarity, I'm gonna color-code each one.

Let's take a quick look at all three in action.

Chapter 65

By virtue of being the syllabary that grammar particles are written in, hiragana can get away with a lot that kanji and katakana can't.

You can write simple sentences in hiragana alone, like so:

The sentence is perfectly comprehensible like this, but it reads as casual or perhaps a bit immature, like the person is either leaving out kanji for speed or simplicity (like online) or they aren't confident using kanji. Although, the word hito (person) is extremely common and its kanji is simple, so this would probably look more natural:

But there are also kanji for the word kawaii, so you could also write it this way:

On the other hand, writing the whole thing in katakana looks weird as fuck:

bECAuSE iT kINDA reADS LIKE THis, or maybe L I K E T H I S

It seems almost alien, overemphasizing the phonetic sound of the words, implying there's something notable or unusual about them.

But what if you write it like this?

Both ways use katakana to put flavor on a specific word. The first puts it on person, which could be used in a situation where someone hasn't been named yet, but the speaker tonally emphasizes your knowledge of them--like "oh, you know who."

The second emphasizes cute, which could read as sexually suggestive, teasing/joking, or even a threatening tone, depending on the context. "Real cute, ain't they?"

Basically, the connecting grammar bits need to be in hiragana, but nouns, verbs, and adjectives can typically be written in any of the three systems. That introduces choice into the matter, and these choices may have some cultural connotations.

This is a subtlety in written Japanese that manga loves to take advantage of. Orthography contributes a lot to characterization and tone, so individual creators develop little quirks as part of their own writing style.

Now let's finally take a gander at some of Horikoshi's!

Kanji instead of hiragana for semantic emphasis

Chapter 48

Best Jeanist could have used only hiragana for the word "good" (いい, ii), which is a very common way to write it. But he's not just commenting that they are nice kids, he's talking about them as "goodie two-shoes" and even puts brackets around the idea. The kanji emphasizes the cultural idea of a Good Child™, a well-behaved, morally upright, obedient young person.

Kanji instead of hiragana denoting a serious or severe tone

Chapter 36

Katsuki's "you" pronoun omae being written with kanji comes across as markedly serious, especially compared to how his dialogue is normally written. This is actually the only time Katsuki says omae and it is written with kanji--all the rest are in hiragana, which tends to read as more casual.

Hiragana instead of kanji denoting a gentle tone or youthful/childlike language

Chapters 129 and 183

Katsuki and his omae show us how kanji use can be seen as more mature and serious; Eri's dialogue does the opposite of this by using hiragana when it could use kanji, emphasizing her youth and innocence.

Katakana instead of hiragana or kanji for emphasis or slang

Chapters 209, 207, and 2

As I detailed above, one of katakana's most common uses is similar to italics or all-caps.

But you also tend to see slang written with it, and depending on the slang, the word being in katakana can immediately clarify it from other, perhaps more standard meanings. In Jirou's case, her personal pronoun uchi can mean a couple other things, so it being written in katakana clarifies her usage. It could arguably also imply she is taking a bit of an argumentative tone--Katsuki's slang is typically written in katakana for both of these reasons!

Katakana denoting regional dialect/accent, nonstandard pronunciation/muddled speech, or confused articulation

Chapters 102, 208, 394, and 2

Ochako gets flustered and defaults to her regional Kansai dialect. Instead of "chigau wa" (Tokyo dialect), she says "chau wa" repeatedly.

Katsuki and Toga both drop the w- sound from a word. Katsuki says "ore a" instead of "ore wa," while Toga says the word "kawaiku" as "ka'aiku" and "kawaii" as "ka'aii." Notice how the katakana which represents the vocal omission/hiccup is actually smaller than the others? That's also a little stylistic detail for communicating this kind of nonstandard speech.

Izuku repeats All Might's words, chikara wo, in a confused daze because he isn't following All Might's point. By removing the kanji especially, this kind of katakana emphasizes him sounding the words out without recognizing the underlying meaning.

Basically, Japanese has some excellent ~vibes-based~ orthography because of how the language is structured!

Of course, you find this kind of thing in English as well--especially in the age of the internet, where people note that "how dare u" reads as tonally distinct from "how dare you." As you develop language fluency, you tend to pick up these things subconsciously more than anything, but it's one of my favorite things to analyze and compare.

These are just a few examples and my own interpretations of them. I'm sure there are many more uses and flavor-nuance I'm not picking up on. Since any given choice can be read a few different ways, context is very important. My examples aren't definitive proof of anything, but it can be fun to keep these kinds of details in mind while reading.

Shueisha and Shonen Jump surely have in-house standards for text, and mangaka must operate within that range. That said, I have indeed seen every one of these examples in other manga as well.

And on the independent side of things, doujinshi and online manga are basically the wild frickin' west--I have seen tons of totally crazy, highly creative ways to take advantage of the unique flexibility found in Japanese, but that's a post for another day.

I will probably write more about this kind of thing in the future when I can pinpoint some more observations, but I hope you all enjoyed the ride. <3

[etoilesbienne]

out of curiosity, what are the common qEtoiles mischaracterizations, and the accurate characterizations you wished people used more? Sincerely, an English speaking fan who is re-learning French!

honestly i kind of consider it a mischaracterization when people like... make etoiles into this team leader who always knows what to do and move things forward. or like that he has a bad attitude to like... match his fighting skills. or like the dark knight brooding warrior. he says he is these things. these are lies. he lies about himself constantly. i wouldnt trust a good 2/3 of the things he says about himself to be true. you read him clearer through his actions than his statements.

in my opinion etoiles is more like. sturdy second in command. he's not there to lead, he's there to fill in the holes where they pop up. he's there as cover. he's quick witted in shortchange scenarios, but that is so not the same thing as a genuine strategist. in another expression, if someone is a leader, the leader is a doctor, etoiles's role is more like... the EMS team in an ambulance. He's not there to fix your problem, he's there to keep your problem covered until you can get someone else to fully fix it. but that doesn't mean his role is any less important when he's needed.

Etoiles is also, like, so very much a team player if he respects and trusts a person. And it is so easy to have his respect and trust. His trust starts at 100% for everyone. he's also so very very very good at reading people (gesture to the bbh clip where bbh moves his mouse slightly downward and etoiles calls him out on being depressed). He read Mousey as enjoying dungeons and pvp way more and wanting to hang out with her. He's also one of the only people who like continuously runs in the girlies group and makes all of them pvp with him and they all love it so he keeps coming back to pvp with them. Thats how he started his whole thing with Tina and pvping with her constantly. Reading other people also, he loves finding other pvpers so he attacks roier constantly now bc he knows roier can pvp.

What else OH Etoiles loves whining (and this is because Rayou loves whining) that dude will just complain constantly. You haven't seen an etoiles stream if youve never seen him whine. Can't say I'm not kind of endeared by it. With this too he loves over explaining things (RIP armor powerpoint wish you couldve been given...) because he wants to help everyone....

OH and he's very over exaggerated too in replying to people in a complaining way and a self deprecating way and also likes to try to push the envelope with people and he does all of that to try and get a laugh out of others. like he's well aware people find him going "Oh so you don't give a shit about me and want me to die ? you want etoiles to die ?" fucking hilarious and also loves complaining in the first place thats why he does that. if your etoiles isn't complaining and whining then it isn't etoiles. the self deprecating thing is... its interesting bc he does have full faith in his abilities but will never say it out loud unless its trying to reassure someone who is worried. pushing the envelope is so specific he won't do it too much and its like........... from what ive seen (correct me if im wrong) heavily directed at non francophones where if they laugh at something wack he's done he'll try to do it again to make them laugh more. shoutout to the time he made bbh laugh so much when he cursed he didn't get languaged by bbh so he kept cursing to try to make bbh do it again. the dudes a total people pleaser.

smaller thing ive talked about extensively already (u can prob find it in my q!etoiles tag if i remember i'll edit a link to the posts in here soon lol) etoiles hates losing he looooooves winning he's very intense about it lol. its cute!

on a final note even if you don't become deeply unwell about etoiles like i am i think this highlight clip video has like everything he's like condensed into like 11 minutes. You should watch it. It's a good starting point.

[riality-check]

#42 with any ship you want for the “100 ways to say I love you” prompts?

VERY late but here we go!

42. "Is this okay?"

The weirdest thing about Steve Harrington is that he's weird.

Since the spring break from hell, Eddie has learned that he's been a bit of a dick. For all his railing against stereotyping and conformity, he subscribed to a lot of it under the logic of shielding his little sheep. He's had his assumptions proven wrong again and again since by people like Better Wheeler and Better Sinclair and Steve, and he thinks he's probably a better person for it.

His personal growth isn't the point, however monumental.

He's grown past the point of thinking Steve was just another brainless, clone-like jock, but he's still learning new things about him.

Like, Steve is really loud sometimes. He talks to himself like he forgets that other people can hear him, and one time he started singing "Hammer to Fall" before he realized that the D&D session in the next room over quieted down specifically to hear him. It's more common when they're at his house than anywhere else, but it still happens.

And Steve is a really good cook, but he makes the strangest things. He can make delicious meals out of the most random ingredient combinations - Sinclair and Henderson have, indeed, put this particular skill to the test time and time again - but when Eddie asked if he could make chocolate chip cookies, he looked at him like he had three heads.

But the weirdest thing about Steve, by far, is his thing with touch.

He oscillates wildly between being the clingiest motherfucker on the planet and actively avoiding all human contact. Sometimes, Eddie can see the switch happen in real time, can see how he seeks out contact from Buckley one moment and freezes at a hug from Henderson in the next.

It's weird. Steve Harrington is weird.

But, while Eddie is a touchy guy, he's not a dick. So, he's come up with a new catchphrase, at this point, around Steve.

"Is this okay?" Eddie asks, putting an arm around his shoulders.

"Is this okay?" he asks, grabbing for Steve's hand.

"Is this okay?" he asks, kicking his feet up into his lap.

Steve says "yes" most of the time, and when he says "no," Eddie calmly moves away.

It's that simple, because Eddie isn't a dick.

He's not the only one who does this. Buckley, Better Wheeler, Better Sinclair, and Henderson all do the same thing. They all check first, albeit in different ways.

But Eddie starts to notice a pattern. Soon, he becomes the person Steve asks the most often.

He lightly shuts it down the first time it happens. Tells Steve he doesn't need to ask. Eddie has always been touchy, practically hanging off of all the friends who are okay with him using them like personal jungle gyms.

Steve shrugs, plays it off the way he plays off everything because he's still cool, just not an asshole. But Eddie can see the relief in his face.

There's nothing special about this time. Steve curls into his side without asking, without preamble, as has become more common, while they engage in the weekly pastime of watching a tape Steve "borrowed" from work.

Robin is usually there with them, but she and Nancy finally figured their shit out. They're off doing god knows what.

Probably each other, Steve suggested dryly when Eddie brought it up, causing him to spray Coke out of his nose right when the movie started.

But now? Westley isn't dead, and as he's threatening Humperdinck, Steve whispers, "Is this okay?"

Eddie turns to the side just in time for their lips to meet softly.

And that's when he realizes that months and months of "is this okay" and gentle touches have been his own personal "as you wish."

He's been in love with Steve Harrington for months.

And he thinks that this kiss, and the next, and the next, and the next, are more perfect than anything Westley and Buttercup could ever dream of.

Prompts here.