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sehnsuchts-trunken · 2 months

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So Much Love in Oklahoma

Tyler Owens x fem!reader 7k words

summary: Tyler saves you from a tornado one day. The next, he shows up at your doorstep.

a/n: absolutely no clue about tornados. or oklahoma. don't come at me for inaccuracies

also!!! i'm currently working on some tyler smut too, but you are so definitely allowed to come request things (or just talk to me)! my inbox is wideeeee open, especially when it comes to mister owens <33

masterlist | twisters masterlist

What happens that particular Tuesday afternoon should have been impossible. That's what goes through your head about a bazillion times in the following days. The chances of what happens even happening are about as close to zero, you think, as the possibility of you discovering a cure for cancer.

(They're not. Of course. But it feels like that.)

Because you're not even really in Oklahoma. You're just driving through Oklahoma. You're not from a place where they give you a 'How to Deal with Tornados' manual in school. You're entirely, completely, wholly unprepared for what's brewing as you drive down almost empty highways with the radio all the way up.

So when suddenly, you're in the middle of a storm, with the wind picking up until it drowns out your music and rain and hail slashing against your windows, you're absolutely terrified.

It forms within a few minutes, goes from barely grey skies to a horrible, horrible whirl of almost black clouds, and the insecurity you'd been feeling turns into the gut-churning realisation that you're unquestionably fucked.

Some part of your brain tugs out a deeply buried memory of cars being sucked into tornados on the news, so with your heart racing a few hundred miles per hour and your hands shaking so badly you can barely hold onto the steering wheel anymore, you maneuver your car onto the side of the road, just in time for you to be climbing out of the passenger seat as another car comes to a shrieking halt next to yours.

You're getting drenched within half a second, you're honestly not that sure whether your cheeks are wet from the rain or your tears, and on top of that, you almost trip as you set your trembling feet onto the ground below. The other car's driver bangs their door shut with a resounding thud that makes you flinch so hard you think your soul leaves your body. Your head shoots up as he shouts at you, already three steps away from his truck:

"What the hell are you doing out here?"

He's drenched, too - his hair sticks to his face and his shirt clings to his skin and his pants are stained at least a shade darker. But unlike you, he's not shaking, he's steady as a fucking rock, steady and quick, already reaching out for your arm before you can even begin to think. Your brain lags behind, foggy and cloudy and scared, so fucking scared. You're so terrified you can hardly open your mouth.

"I-", you stutter, then he's wrapping his big hand around your arm and tugging you away from your car, away from the road already.

"We need to get the fuck down!", he calls, pulling you with him onto one of those many, many fields that surround you. "There's a ditch over there, see that?"

You're wide-eyed, shaking, basically being dragged along by him - one foot in front of the other, that's what your brain's concentrating on right now, which is easier said than done. You trip over your own feet every other step. But the guy just wraps his arm around your waist and hurries further.

"Do you see that?", he asks again when you don't respond. Your mind races even faster than your heart does, but you force yourself to concentrate on his voice. The panic doesn't lessen, but his question shifts your focus. Ditch. Ditch. Not the storm raging around you, no, you're looking for a ditch. You're focusing on finding a ditch.

"Yeah", you breathe, your eyes finally catching on the ditch only a bit away.

"Yeah?", the guy shouts. "We need to get there. We need to get low."

With that, he picks up his pace once more and you stumble along, bumping into his side, watching the ditch come closer and closer and closer until your feet are drowned in dirty, muddy water.

"Alright, get down!", he shouts, unwrapping his arm from around your waist to help you into the cold, cold water. "Hold onto the ground!"

You aren't thinking. You can't think. Your brain has shut off completely. Panic numbs every part of you. All you can do, all you can possibly do, is concentrate on the voice of the man who's crouching down beside you. It's like his words have replaced your own thoughts, and like a marionette, you stretch out your arms and dig your fingers into the grass. Which is way easier said than done. You're pretty sure you feel one of your nails break as you try your hardest to find something, anything to hold onto. And then the wind hits.

If you'd thought you'd experienced heavy winds before, you were wrong. So wrong. No vacation in a surfer's town could possibly compare to this.

"Fuck!", you scream, instinctively dropping your head onto the moist grass below. The wind pulls and pulls and pulls at you and you imagine yourself being dragged by it - dragged away, away into certain death. But then an arm wraps around you, and the guy next to you is not next to you anymore but half on top of you, securing you in his arms, holding you close, pressing you to the ground.

"Stay down!", he shouts as you cling to the grass. "I got you."

I got you.

You replay that in your head like a mantra - he's got you, he's got you, he's got you. You're trembling, you're shaking, you're cramping, you're trying to hold onto the ground with all your might as the wind grows and grows and grows and pulls and pulls and pulls at you.

You want to scream. You think you're screaming. But it's so loud. It's deafening, the roar of the wind and the thunder. You can't hear yourself scream.

He can, though. He can. And he tightens his arms around you and repeats "I got you, I got you, I got you". And you believe him. You have to.

You're crying now, you're sure of that. Some part of you hurts. Maybe all of you hurts. You're scared. You're not just scared, you're terrified. It's loud, it's loud and it's everywhere, all around you.

And then suddenly - there's nothing.

It disappears within seconds.

There's no sounds. None. There's silence, deafening silence. Forget the calm before the storm - this is the silence after the tornado.

You take a few shuddering breaths. You're trembling, trembling from head to toes. You're soaked. You're cold.

"Alright, it's gone", the guy says - the guy that's still got his arms wrapped around you, who's still on top of you. "You did it."

He pulls his arm away from you and rolls onto his back next to you. Water sloshes around as he goes.

You don't move an inch.

You can't move.

You're stuck, you're frozen in place. Your fingers are cramped into the dirt and the grass and you're frozen.

The guy sits back up again and reaches out for you. He smooths his hand down your back, surprisingly warm against your ice-cold skin.

"Hey", he says softly. "You're okay. You can get up."

You pry your fingers from the ground one by one, flex your trembling hands and push yourself upright. It takes a few seconds for reality to sink in - you're in a ditch. In a ditch. You're soaked, soaked with muddy ditch water. Your shoes are drenched, your legs splattered with dirt, the hem of your dress soaked in brown. And you're cold. Ice-cold and trembling. And your legs hurt, your arms hurt, your fingers hurt. Three of your nails are cracked.

You're sitting in a ditch in the middle of Oklahoma and you'd just been through a tornado. A fucking ditch in Oklahoma and a tornado.

And a guy, a guy who's brushing his hand down your arm and eyeing you up.

"Alright, let's get you out of here, you're shaking", he says and for the first time, you turn your head and look at him. Actually look at him.

He's tall and he's blonde and he's drenched, too, drenched in that same dirty, muddy water as you. His hands are big, big and pleasantly warm as he grabs softly onto you and carefully maneuvers you towards him.

You don't really remember the next minutes. Not what you're doing, at least. It's a hazy, fuzzy passing of time - you barely remember that you're moving. You're cold and scared and still in shock and somehow, your eyes have locked onto him, onto this guy who you realise probably just saved your fucking life. Because when you come back to reality, he's wrapping a blanket around you - a dry, warm blanket - and the spot where you'd parked your car is empty.

Empty.

"My car", you whisper, staring wide-eyed at absolutely nothing. The guy wraps the blanket tighter around you before he looks over his shoulder and glances around.

"Your car's not that important", he reassures, even though his voice is heavy. Heavy and raspy, you realise. He's got a certain Southern twang to it that you hadn't noticed in all the chaos before. "Much more important is that you're alive."

You nod half-heartedly (he's right, some rational part of your brain shouts, while the practical part mourns the shit ton of money you'd just lost) and settle your eyes back on him.

You don't know what it is, exactly, but something about this, something about the warmth of the blanket and the way he's rubbing your arms, something about him, about his voice and his words, slowly peels away the layers and layers of terror that are clinging to your pounding heart.

You swallow hard, reach up to tug the blanket tighter around yourself and shift your focus. Not the car or the tornado or the fact that you're drenched in dirty ditch water - him. This guy in front of you, who's looking you up and down to check if you're hurt. It's easier that way. It's easier to calm down when you're not thinking about any of it. It's easier when you're staring at him, counting to ten, slowly regaining your sanity. And what's suddenly also easier is realising that this guy in front of you is very much easy to look at. Even though his hair sticks to his head, even though his jeans are stained brown. He's what you'd expect as a reference picture next to the word "handsome" in a dictionary.

All of a sudden, you're not as cold anymore. All of a sudden, you're rather flushed. Because if he's drenched and dirty, you must look about the same. And you don't think you want him to see you like that. You'd much rather meet him in a bar or something, when you're dressed up and clean and preferably not terrified.

"Thanks", you get out, a little too quickly as you tighten the blanket further around yourself. "For, uh, for saving my life."

The guy's lips quirk up and he grins, a lopsided, half-cocky grin that makes your heart leap.

"Anytime, sweetheart", he drawls, then reaches up as though he wants to tip his hat - just that he's not wearing one, so instead, he settles for brushing his hand through his hair, just a second too late to seem intentional from the start. "Why were you out here anyway? Half a mile back is a gas station with a basement."

"I didn't-", you start, hesitant to admit just how unprepared you'd been for what had happened. "I didn't know it was a tornado. I thought it was just a bad storm or something, I'm... I'm not from around here."

He nods at you, his lips already parting when you suddenly twitch away from him and sneeze - once, then twice. His grin has dropped by the time you look up at him again and excuse yourself. God, is this embarrassing.

"You need dry clothes before you catch a cold", he says, his eyes travelling down your soaked dress and your bare legs. "I've got a shirt in the trunk, give me a minute."

He walks towards the back of his car and opens up his trunk and you're hit with two thoughts at the same time. The first is more along the lines of goddamn, are his shoulders broad, but the second - arguably the one that should be more important - is why the fuck his car is still standing in the very same spot he'd parked it before the tornado had hit.

Especially when your car is absolutely nowhere to be seen. Your car and all your things inside it. Oh, god-

"Here you go", he says, holding out a dry copy of the shirt he's wearing, red checkered cotton. He's about to go on when you blurt out:

"Sorry, why's your car still... you know, there?"

His lips pull into that impossibly charming grin once more and he points at the underside of the truck.

"Tornado-proof", he explains, just the slightest bit cocky. You follow the invisible line he's drawing to two... what looks like giant screws? twisted into the ground below.

"Oh", you let out, not too intelligently - but really, what are you supposed to say?

He just chuckles and holds the shirt out for you again. You take it carefully, your fingers grazing his. He's so warm, so fucking warm. Meanwhile you're shaking even underneath the blanket he'd given you. Though that's also starting to get soaked.

"You can change in the car if you want", he offers, already pulling open the door to the passenger seat. You don't really have to think hard about it. You're drenched in the middle of nowhere, with no way to get home, and this guy has just saved your life. So you unwrap the blanket and give it back to him with a smile and a thanks.

It's tight and cramped inside the car, even as you roll the seat all the way back. You pry the drenched dress off of your body and only then remember to turn around and check if the guy is watching you (as handsome as he is, he's still a guy). But no, he's turned away, has his hands rested against his hips and is staring intently at the slowly clearing sky.

You turn back with a smile and get rid of your soaked bra, too, before you pull his shirt on over your head.

Damn, it smells good. He smells good. And it's very comfortable, you have to admit. Plus, it's dry, which is most definitely an improvement.

You take a few seconds to consider whether or not to pull off your shorts... but they're drenched, too, and the guy seems respectful enough to not risk a bladder infection for. So you take your shoes off, and your socks, and your shorts. And then you crack open the car door again and knock softly against the window.

"I'm done", you call out, loud enough that he can hear. He turns back and his eyes drag down your body - or what of it he can see through the open door - and even though he looks right back up at your face, you can't help but feel flustered. You ball your wet clothes up in your hands nervously.

"Alright then", he says, takes a step closer and reaches for the door handle. "You said you're not from around here, where were you driving?"

Ah, right, that part.

Honestly, with so much happening in so few minutes, you'd about blocked out everything else. Everything normal.

"My parents, uh-", you start, trailing off when you realise that's not much help for him. "About three, four hours from here."

"That's quite a drive", he chuckles. "I live maybe half an hour from here, how about I take you with me so you can eat and drink something? Maybe you can borrow a pair of Lilly's pants. And you could phone your parents."

Your tongue darts out to wet your lips and you narrow your eyes at him, taking a second too long to even understand all of what he's saying before taking another second too long to sort how you'll respond. Then you start with what you find most important.

"I've got my phone", you tell him, pulling it out from where you'd just deposited it in the centre console. "I had it in my pocket."

You'd taken it with you more reflexively than consciously when you'd stumbled out of your car - but truly, what self-respecting adult didn't take their phone with them when they left anywhere?

The guy just raises his eyebrows and glances at your phone.

"And it still works?", he asks, a little incredulously.

"Yep", you smile - for the first time, you realise, since the tornado. "It's waterproof."

More because you'd been scared you'd drop the love of your life into the pool or the ocean on vacation, but a tornado in the middle of Oklahoma worked as well. At least you now knew you'd spent your money wisely.

"Smart", he grins. You can't help but grin right back.

He's charming and he's respectful and he looks so goddamn good.

"Who's Lilly?", you ask then, because that had been the second thing you'd wanted to say. He hesitates for a half a moment.

"A friend", he says. You squint at him. He doesn't look like he's lying, but he does look like there's something you don't know about. God, if he turns out to be a cheater- "I'll introduce you if you'd like."

You raise your eyebrows. Alright, so not a cheater. And, if you're interpreting correctly, another invitation to come with him. Not that you'd been about to refuse the first one.

"Sure", you say, as casually as you can. "I didn't really feel like standing around half-naked on the street anyway."

...

A few minutes later, he's driving his weird car/truck with the screws on the bottom down the empty highway. Though 'empty' is the wrong description, really - here and there, trees, road signs and utility poles are scattered on the pavement.

You're driving in silence. Well, silence as in neither of you talks, not as in actual silence. Alongside the motor, the radio had turned on, playing one country song after the other.

"You never told me your name", the guy says suddenly. The very much stranger, who's very much right - you'd never told him your name.

"You never told me yours", you counter, because that's also the truth. He'd never told you his name. You knew his friend's name, but not his.

"Didn't think I'd have to", he mutters under his breath, so quietly you barely catch it. "It's Tyler. Tyler Owens?"

He says it like it's a question. You don't know why. So instead you just answer with your own name and Tyler, as you'd come to know, repeats it with a smile on his lips.

God, you don't think it's ever sounded that good.

"Pretty name", he says, all casual like that doesn't get your heart racing again. Pretty. He'd called you pretty. Almost unconsciously, you brush your hands through your hair.

"Thank you", you mutter. As if to distract yourself, you add: "So, Tyler, what do you do?"

...

Exactly half an hour later, Tyler takes your hand in his and helps you out of his car. His house - the one he's sharing with Lilly, you'd found out, with Lilly and the rest of his Tornado Wranglers - is big and inviting. It's a little way off from any other houses, which you personally think is quite nice. Not that you say that, though.

Tyler walks you inside without having to unlock the door. He takes two steps, then he calls out "Guys, we've got a guest", which immediately results in a surprised shout of "whoops" and the sound of a set of feet scurrying up the stairs. Tyler has barely pulled off his shoes (after politely asking you to wait just a second) when a head pops through the doorframe at the end of the hallway.

"Boone was naked", the woman grins before settling her eyes on you and throwing you a wave. "Hey there, I'm Lilly."

She glances down at your bare legs.

"A little cold there?", she asks and even though her words are sarcastic, her voice is anything but.

"A little", you answer truthfully, smiling at her as she steps out into the hallway.

"You want a pair of pants?", she asks, seemingly without giving a single thought to who you are or why you're standing half-naked in her hallway.

You glance at Tyler, but he's grinning and only shrugs at you, so you turn back to Lilly and nod at her. She seems sweet, really sweet, and very kind. She takes you with her to her room (up two sets of stairs, the fucking house has three floors and a basement) and shows you her closet, the very definition of unbothered even as you nervously rummage through her clothes.

"Hey, you can take a shirt too, if you want", she says, flopping down onto her bed and rolling onto her side to look at you.

"Oh", you let out and glance down at the shirt you're wearing - Tyler's shirt, that very country, checkered shirt that's way too big for you. "I'm fine, thanks."

Honestly, if it were up to you, you would never wear anything else ever again. Tyler's shirt is soft and comfortable and - most importantly - it smells like him. You really just want to tug the hem up to your nose and breathe in his scent (but that would be weird, so you don't).

"Alright", Lilly drawls. "Your choice."

...

Lilly shows you the bathroom, gives you the wifi password and tells you to come down whenever you feel like it. You realise half a second too late that you haven't told her your name yet and crack open the bathroom door to call out for her.

Honestly, you like her. You really like her. And you really like Tyler, too. He's handsome and he smells good and he's respectful and he's nice and he saved your fucking life today. You don't even want to think about what would have happened to you if he hadn't driven by.

In the bathroom is the first time you can really breathe. You throw some water at your face and blowdry your hair. Ten minutes later, you're walking down the stairs into the hallway again - this time, when you stroll through there, you're wearing comfortable pants, fuzzy socks and take your time to look around.

You'd already called your parents back in the car with Tyler. They'd been about as shocked as you'd expected, had needed a few minutes to even understand just what you were telling them, but then they'd offered to come pick you up immediately. Tyler had provided them his address and now here you are - knocking at the open door to the kitchen, where all of the Tornado Wranglers sit around the table. All of them, except for Tyler, who's leaning against the countertop and looks up at you with a grin when you step in.

"Hey there", he drawls, his eyes raking down your body once more today - you've tucked his shirt into Lilly's pants and you could swear his eyes linger on your waist. "Warm and dry?"

"Very", you grin back, then nod at Lilly. "Thanks again."

She shakes her head and waves you off.

"Hey, no big deal. Do you want some pasta?"

...

It's comfortable there, in the kitchen of these strangers who are feeding you pasta and lending you clothes. You've settled onto the countertop next to Tyler and now and then, when you're dangling your feet or he's taking a bite, your legs graze his arm. He's changed into dry clothes too, you realise as you brush against him for the first time, and he's even warmer now than before.

"Tyler's told us all about you", Boone says after a few minutes of easy conversation. You raise your eyebrows and turn your head, staring at Tyler from the side.

"Has he?", you ask, because you hadn't even told him enough about yourself to warrant any use of the word 'all'. Sure, you'd talked on the ride here - but mostly about him, because - as it had turned out - what Tyler Owens did wasn't a normal job like doctor or lawyer, but instead professional Tornado Wrangler. Which, of course, had then dominated the conversation for the rest of the drive.

"Yeah, like how you were driving to you parents and didn't know what to do in a tornado so you just kept on driving", Boone grins, scraping the rest of his pasta off his plate. "And how he made you go in that ditch and-"

"Alright, shut up, Boone", Tyler interrupts, even though there's no real malice behind his words. "She knows the story. She's in it."

"I'm just saying", Boone goes on, entirely undeterred as he puts his now empty plate down on the kitchen table. "If you'd filmed that, it would go viral for sure."

You have to snort at that.

"Yeah, because of all the indecent exposure."

...

When your mother rings the doorbell three hours later, you're in the middle of the second round of a boardgame Dexter had pulled from a drawer. You'd been paired with Tyler for the first round and - somehow not surprisingly - that had worked quite well. You'd won just so against Dexter and Dani (Lilly and Boone hadn't been too much competition) and Dani's "We never get to play this right 'cuz we're always five people" after Tyler had high-fived you with a victorious cheer had warmed your heart. At least they'd enjoyed themselves - at least you hadn't been a burden.

"I call dibs on her", Lilly had declared when the second round had begun, so Tyler had teamed up with Boone instead.

"Oh, oh, botany!", you call out, just as the doorbell finally rings. Lilly jumps up and high-fives you.

"How in the hell did you guess that?", Dani asks, sounding all but exasperated at this point as Tyler pushes out of his seat and walks towards the front door. You shrug.

"Pure talent", you joke, then you climb off the couch as well. "Alright, it was so nice meeting you all, but I think my taxi's out front."

They all hug you goodbye and tell you to come around again anytime - Boone even hands you one of those t-shirts Tyler had told you about in the car. You can hardly hold back a snort. Though Tyler had told you about the shirts existing, yes, he must have accidentally forgotten to mention that his goddamn face is printed on them, paired with the very... comedic phrase "Not My First Tornadeo".

You thread through the hallway with the shirt and your phone in your hands, only to be hit with the sight of Tyler hugging your mother on the doorstep. Or your mother hugging Tyler, more like. Either way, you're suddenly frozen in place.

But then your mother opens her eyes and sees you standing there and she lets go of Tyler with a sharp cry to come running at you instead. She throws her arms around you with so much vigor you're almost knocked off your feet. You meet Tyler's eyes over her shoulder - crinkled with lines of laughter as he smiles at you. Your eyes dart away again just as quickly.

"It's fine, mom, I'm okay", you reassure.

"Yeah, thanks to Tyler", she mutters into your hair. "I already told him we'll pay him whatever he wants for saving our daughter."

"And I already said I don't want any money", Tyler clarifies.

...

The next morning, you wake up comfortably late in a warm bed. You walk down the stairs in fuzzy socks and start the day with a simple cup of tea.

A simple cup of tea and Tyler Owens' YouTube channel.

You'd looked him and his Tornado Wranglers up the very second you'd sat down in your mother's car. Then you'd subscribed to every channel you could find. And then... you'd kind of got obsessed. You'd watched so many of their videos that by one am, you'd simply fallen asleep to one of them.

"Aunt May's gonna be here in half an hour", your mother informs you casually, a stack of plates in her hands as she rummages around in the kitchen. You're still sitting at the table in your pajamas, a spoonful of cereal in your mouth, your phone propped up against a water bottle in front of you, playing a Tornado Wranglers video from a year ago.

"Seriously?", you get out, chewing on your cereal before you can swallow it down. "Mom, I still have to shower and get ready and all."

She throws you one of those eyebrows-raised glances that immediately let you know she's judging you for something.

"We only let you sleep this long because you almost died yesterday", she says matter-of-factly, then she eyes your phone. "And if you weren't watching Tyler's videos so obsessively, you would be done by now."

"Really, mom?"

You let out a resigned sigh. She only shrugs and grins at you. She's a little bit right, anyway.

"He's good-looking, I get it", she says, then she strolls out of the kitchen, chuckling to herself while you curse at her. He is good-looking, fuck this. You need to get it together before the rest of your extended family arrives.

...

The doorbell rings for the umpteenth time that day, just as you step out of the bathroom and smooth down the front of the red-checkered shirt you're wearing. You call some version of "I got it", down the hallway, not too sure if anyone even hears - they're all in the backyard anyway. Then you open the door with a smile on your face, a smile that instantly pulls into a wide grin when you see just who's standing there.

Because it's not another aunt or uncle or cousin. It's no one in your family, not even close.

It's Tyler.

Tyler Owens.

"Hi", he says. Just that. Hi.

You lean against the open door and cross your arms. Your grin only grows.

"Hi", you echo.

His eyes rake down your body and it seems like whatever he'd wanted to say gets stuck in his throat as he realises that the shirt you're wearing isn't your shirt, really. You can't help but bite down on your lip.

Look, you hadn't expected this. You hadn't expected him. None of this was a scheme or a plan or anything even close. You'd just seen it lying there this morning, right next to Lilly's pants on your desk, and you hadn't been able to help yourself. It smelled so fucking good.

"Nice shirt", he grins, eyes snapping back up to yours.

"Thanks", you grin back. "I got it from this guy after he saved me from dying in a tornado yesterday."

Tyler chuckles.

"Seems like a great guy."

"So great", you agree. "Even though he prints his face on t-shirts."

Tyler is just about to retort something - all toothy grins and laughter lines - when your mother calls out his name, very obviously pleasantly surprised as she comes down the hallway. She smiles at him, big and wide.

"What are you doing here?", she asks, stopping next to you to ask the very question that had been on the tip of your tongue too when you'd opened up the door.

"Oh, I'm just bringing these back", he says and holds up his hand to show a stack of neatly folded clothes with your bra right on top. You have to bite down on your cheeks to stop from outright grinning.

Okay, so even if wearing his shirt hadn't been a scheme, and even if you hadn't expected to see him... You might just have done something to ensure you would see him again. But hey, he's about the most handsome man you've ever laid your eyes on, you'd be damned if you'd have to watch him on the screen of your phone for the rest of your life. So yeah, you may have accidentally 'forgotten' your wet clothes in his bathroom after you'd hung them over the heater to dry. You just hadn't thought he'd find them so quickly.

"And you drove four hours for that?", your mother asks, more baffled than you are. Tyler only shrugs. Your mother reaches out for your clothes, grabs them from him and puts them on the cupboard in the hallway. Then she looks at him.

"You're coming in, yes? We're having barbecue now and cake in a bit. I'm not letting you drive four hours here just to deliver her clothes."

...

Twenty minutes later is when you get Tyler alone for the first time. Your mother has schlepped him with you through the whole garden and introduced him to every single person there - "He's the guy who saved her yesterday!" (because, obviously, your story had been about the only topic anyone had talked about so far) - your father first and foremost, who hugs Tyler so tightly that for a moment you're afraid he'll break him.

You catch up with Tyler just as he finishes loading his plate with food, finally on his own after your mother has excused herself to go cut up more bread.

"How'd you find me?", you ask, sipping at your ice-cold coke and eyeing him up. It's the one question that had been burning in your mind for the past twenty minutes. How in the hell had he managed to find you? It's not like you'd left a note with your address next to your clothes (though in hindsight, you don't remember how you'd meant for him to bring them back to you).

He looks almost bashful for a second.

"Boone noticed you'd followed our account", he explains then. "He figured out your last name from your handle and searched the phone book of the city on your mom's license plate. And then he read out all the names until I recognised your mom's because she'd introduced herself to me yesterday."

Your eyebrows raise, further and further the more he speaks. You swallow. Silence falls for a second, then two.

"You know, some people would call that creepy", you say, but your lips tug up into an involuntary grin that gives away more quickly than you'd wanted that you aren't one of those people. Tyler grins right back at you.

"Personally I think it would've been more creepy if I'd kept your bra."

...

It's 9:20 when your mother comes over. You've long since switched from barbecue to cake, then to snacks. Your feet are tucked underneath Tyler's legs, propped up against the side of his garden chair and he's running his fingers up and down your calves.

You'd spent the afternoon chatting away and laughing, barely talking to anyone but him. Your 'family get-together' had turned into more of a date. You certainly aren't about to complain, though.

"Tyler, you're staying the night, right?", your mother asks, a fresh plate of chips in her hands that she puts next to the almost empty one on the table in front of you.

"I don't want to overstay my welcome", he says, all gentlemanly even as your mother rests her hands against her hips and stares him down.

"Young man, you're welcome in this house any time, for however long. I'm not letting you drive home four hours. You're staying the night." Then she points at you. "She's still got a couch in her room that you can sleep on. I'd offer you a guest room, but half the family's staying here and we're already out of air mattresses."

So an hour later, you're rummaging about your room, picking up clothes off the couch and stuffing them in your closet to make room for Tyler. He's leaning against your doorway, looking around, taking in the mess that is your childhood bedroom.

"Nice posters", he says, and you throw him a look over your shoulder that could be deadly. He's grinning all sarcastic, only chuckling as his eyes meet yours. "You could put up one of my shirts here."

You have to snort at that and before you can even really think about it, you've pulled the shirt Boone had given you yesterday from where you'd put it down on your desk. You throw it at him carelessly and he catches it with no effort at all, which - paired with that fucking grin - shouldn't be as attractive as it turns out to be.

"Knock yourself out", you say, then you turn back around to your closet and tug out bedsheets for him. "My old poster glue should be in one of the desk drawers."

You don't think he'll seriously do it, but you seem to have misjudged him. Badly. Because he gets to work immediately.

You watch him for a few stunned seconds before you decide to just leave him to it. So while you turn the couch into a makeshift bed for him, he glues that goddamn "Not My First Tornadeo" shirt to your wall.

"Fits perfectly if you ask me", he declares eventually, barely concealing the amusement dripping from his words. You smooth down his sheets before you look up at your wall. He's put the shirt up in one of the few empty spots, right between your Maroon 5 and Destiny's Child posters.

"Yeah", you snort. "Perfectly."

You give him a toothbrush and let him use your bathroom. While he's gone, you change into your pajamas, fold his shirt carefully and put it on a pile with Lilly's pants and her socks. Honestly, a little part of you already mourns the loss of it - but another part of you already has hope for another shirt. Maybe in a different context.

"What're you doing?", Tyler asks, shutting the bathroom door behind him. You don't look up as you fold the other clothes you'd thrown onto your desk yesterday.

"I put Lilly's things and your shirt there, you can take it back tomorrow", you explain, starting a second pile of your own clothes next to his.

"Keep my shirt", he says. That finally makes you look up at him.

Which isn't a good idea. Not at all. Because he's standing there in nothing but his briefs and good fucking lord-

You'd known he's handsome. You'd known he's broad. But you hadn't known he's fucking ripped. You shouldn't stare. You're very aware. You definitely shouldn't stare. It's incredibly rude to stare. It's very inappropriate to stare. But goddamn, this man is built so perfectly god himself must be jealous.

You have to forcibly blink yourself back to reality. You're definitely red in the face when you finally manage to meet his eyes again. And he's raised his eyebrows in a way that tells you he's reading your every emotion right off your face.

"Sorry, come again?", you croak out, brushing your hand through your hair and realising just a second too late that your eyes have travelled down too far again.

"I said you should keep my shirt", he repeats, a very, very obvious grin on his lips. "It looks better on you."

"Okay", you agree, a little too quickly. The heat in your cheeks comes from more than just the half-naked view of him now. He thinks his shirt looks better on you. You don't even care if that's a line. "I'll... I'll go brush my teeth real quick."

When you come out of the bathroom a few minutes later, Tyler has made himself comfortable on your couch. It's a little too small for him, you realise, but he doesn't seem bothered. He's pulled the covers up to his hips - you can still stare at his chest, to your delight. And he's put one hand under his head, flexing his bicep in a way that has you hurrying over to your own bed so you won't jump him right then and there.

"Alright, goodnight, Tyler", you breathe, adjusting your pillow and wrapping your blanket around your body as if grabbing at it will somehow ground you.

"Goodnight", he echoes, and then you turn off the light.

It's quiet. The only noise is the laughter of your family a floor below, all settling into bed themselves. It's quiet and it's dark.

And you're staring wide-eyed at absolutely nothing.

Oh, god. He's so fucking hot. He's so fucking hot you want to throw yourself out of the window. He's so fucking hot and he's on your fucking couch, barely ten feet from you. He's so fucking hot and he'd driven four hours here just to bring your clothes.

"Tyler", you say, barely two minutes after you'd turned the light off. He hums in response - still awake. You don't know what you'd expected. "Thanks again. For, you know, for everything."

"Anytime", he replies, and even though you can't see his grin, you imagine you can hear it. You nod into your pillow. Then silence falls again.

It lasts maybe another two minutes.

"Your family's nice", he says then. You can't help but smile.

"Thanks", you mutter.

"I like your mother", he says. Your smile only grows. You turn onto your back and stare at the dark ceiling.

"She likes you too."

It's the truth.

Tyler stays quiet. You don't even try to close your eyes this time - you can hear him breathe, deep and relaxed. It's calming. You're sure it could lull you to sleep. If you were anywhere near tired, that is. This way, you just blink at black nothingness.

"Were you really a Destiny's Child fan?", Tyler asks eventually, his sheets rustling.

"Yep", you say.

That's it for that conversation.

You don't know what it is, the darkness or the silence, but something pushes on your chest and weighs you down, warming your skin as it settles on your body. It's a tension, thick and heavy, one that had grown with every scrap of conversation.

"You know-", he starts again, but this time, you've got enough.

"Tyler", you interrupt, turning onto your side and pulling your covers with you. "Get up here."

You can't see him as he throws his bedsheets off himself, can't watch as he heaves himself up, can't look at him as he strides over to your bed - but you hear the rustling of his covers, you hear the couch creaking, you hear his steps on the floorboards. And you feel the mattress dipping when he finally sets his knees on your bed.

You don't wait until he's actually in there. You don't think you could possibly wait until he is. You just push yourself up, grab onto the first part of him you can get your hands on (his shoulders), cup his face in your palms and pull him into you.

Right into your kiss.

Tyler Owens kisses you for the first time in the darkness of your childhood bedroom. For the second time in the morning light in your bed. For the third time in your parent's kitchen, right as your mother walks in. For the fourth time in his truck, after your parents all but throw you out of their house and force you to go home with him. For the fifth time in front of his own house, where his crew watches through the window.

And after that, Tyler Owens loses count of just how often he kisses you. Because he kisses you every day for the rest of his life.

#x reader #tyler owens x reader #tyler owens #twisters #tyler owens twisters #twisters 2024 #twisters x reader

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lilacstro · 3 months

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Astro observation pt 7

a lot of posts haha. here we go with our observation series:

1.People with Sun in 8th/12th house, are very untapped. In the sense, the have a hard time discovering their real self and identity. This might seem a very general knowledge I know, but there is a difference between both these placements, with 8th house, the identity is gained through the transformations the person goes through in their life, this search is temporary yet this keeps on changing with experiences.

2. However, with people with Sun in 12th house, this search is everlasting it seems. Its confusing, and intimidating to them. There is a lot of struggle. But they do find themselves, and that happens with self discoveries and self talks and findings, finding yourself, is what I mean, it feels like an eureka moment, and once they realize what was always within them, it becomes their shadow and never really leaves.

3. Often seen gemini moon people laugh off what they are going through and talk about it in a seemingly unimportant way or make jokes about it. I would say, inquire about it when it appears so, its often much serious than how they make it seem and they won't say

4. People with Leo moon are cancer moons in sidereal. I wonder if this is the reason they have charm to them, and strong wave of feels. They may feel lost when they are with a lot of people, and might feel like they are exhausting themselves by putting up a show. They gain clarity and conscience in solitude, and these people have STRONG feelings about things and people and are very expressive about it. This can also be because moon is super comfortable in cancer. This also adds to the intensified charm these people carry.

5. Speaking of which, I have often seen you transform into your element when you are the highest on your feels like maybe when angriest or argumentative, I realized this while talking about an experience with my sister. A fire element person may become extremely volatile and raged, A water element person may feel a choke in their throat, shaky knees, watery eyes and overwhelming feels in the chest, a lot of despair, An air element would not stop throwing whatever is going on in their mind even if they regret it later and might say super outrageous things, An earth element person would just retreat after saying a few words when they feel it isnt a place or time to speak, but they will hold it against you, even for a while, if you did something demeaning.

6. People with 8th house stelliums/moon may dream a lot. Ones with Neptune in 8th house might often have esoteric, mystical, encrypted kinds of dreams.

7. People with Jupiter in 12th house usually have a very kind inner self and personality and that usually reflects onto others, I have seen this in charts of a few people.

8. Pluto in 9th house may actually struggle a lot with academics in general. Having a weird tenacity, would go to either extremes. This would however, see a change much later in their lives.

9. Scorpio mercuries (or maybe water mercuries in general) may have a strong ability to pick up on random words and wide vocabs, like words may come naturally to them even if they might not be aware of the meaning and when you look that up, its a right word to use.

10. Another observation I have noticed in my family is, wherever Virgo is in your chart, whichever house I mean, is where you are often expected to help or be reached for help. Virgo in 1st, tasks involving their all, their whole self maybe, Virgo in 8th? Advices, problems, secrets and mental help and guidance in hard times, Virgo in 9th? helping with tutoring, morals ethics and grounds, Virgo in 6th? help through sickness, for pets and animals. I can make another self proclaimed theory post lol

11. Scorpio stelliums and scorpio suns/moons/8th house placements usually have an ability to test the soil from the surface. What I mean is, they complete the puzzle themselves, without having to do anything, it would just come naturally to them, it can be expecting what the plot for a thriller would be, understanding spiritual sciences or things with having limited basic knowledge much better than expected, being able to know about people from mundane information without even meeting them etc.

12. Virgo people are often fond of doing everything completely, even if it seems they are unorganized or something. Kinds of people who want to read each line of the book, prepare each questions and chapters for the exams, writing everything in detail, without wanting skip anything at all

13. People with capricorn placements (esp sun, moon, rising) might actually have daddy issues or some kind of unusual thing going on with the father. Maybe he lives distant, maybe he was never there, maybe you get to see them rarely, maybe you dont know how to feel about them, maybe they prioritized earning wealth over family time so you don't know if you should hate them for this or love them for breaking their back, or pure daddy issues.

14. People with mars in 9th house, might have a lot of trouble focusing while studying, a lot of restlessness, which can cause problems, academically. However, if they are able to channel this effectively, it can turn into a passionate drive for learning and academia, and you will find them being your rivals soon enough.

15. People with harmonious aspects in moon and Venus/moon and mercury/Venus and mercury/ have smooth talking skills more than often. Making someone feel good even if its your first conversation with them, an ease and charm comes out.

16. People with gemini moons often have siblings. Also read somewhere that their mother probably had them when she was going through a hard time in some ways or some extreme situations could have happened around birth, maybe weather conditions?

support me on ko-fi :)

thats all <33 paid readings are open. i love you :)

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cyberclouddream · 4 days

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The 6th House and Bad Fortunes

In Hellenistic astrology the 6th house is referred to the “place of bad fortune”, connected to disease and decline in vitality. Here it’s more associated with hardships and illness than daily routines and activities. This is due to it being twelve houses away from the 7th house, which would mean imprisonment to significant commitments, like our health and vitality.

It represents the challenges that arise when our creative and romantic aspirations meet reality. By addressing the issues related to health, routines, and service we can transform the challenges here into opportunities.

Aries Rising

- tedious jobs that demand grinding

- may clean up after others or work beneath your skill level

- burnout because of perfectionism

- overworking with little recognition

- hypochondria; frequent doctor’s visits or checkups

- nitpicky with coworkers

Remedies: balanced diet; prioritize and delegate tasks; activities that promote self-improvement; face issues head-on; eliminate distractions; learn to say no

Taurus Rising

- passive-aggressive co-workers

- people-pleasing overload

- headaches or skin problems

- jobs that lack beauty or creativity

- indecisive career path

- superficial relationship with colleagues

Remedies: make workplace aesthetically pleasing; distinguish supportive relationships from toxic ones; take proactive steps to manage burnout; stay physically active

Gemini Rising

- jobs full of manipulation, power struggles, or drama

- unhealthy or overwhelming intensity at work

- anxiety, digestive issues, or fatigue

- strong desire for control over work environment and tasks clash

- help others with hidden agendas

Remedies: stop avoiding hard tasks; let go of grudges; find a life outside of work; channel rage into work; get regular check ups

Cancer Rising

- dissatisfaction in routines

- overcommitting to responsibilities

- lack of exercise, weight issues, digestive problems

- conflict with traditions or authority

- too much optimism

Remedies: learn to focus on tasks; be wary of escapism; be honest about what you can handle; establish flexible routines

Leo Rising

- rigid rules or strict hierarchies in workplace

- relentless pursuit for success

- issues with bones, joints, or skin

- missing opportunities for joy

- feelings of isolation and loneliness

Remedies: drop guilt about labor and delegate tasks; don’t take work too seriously; reassess goals if feeling stagnant or underappreciated

Virgo Rising

- jobs that feel misaligned with values or ideals

- alienation at work

- inconsistent health practices; issues with circulation, nervous system, or sudden changes in well-being

- rebel against routine tasks or authority figures

- difficulties with structure or traditional methods

Remedies: make decisions instead of overthinking; engage more with colleagues; address and change when there’s discomfort; stop idealizing job or coworkers; embrace structure

Libra Rising

- neglect important tasks and responsibilities

- elusive health issues; frustration when seeking health solutions; often feel tired without clear reason

- sensitivity leads to overwhelming emotional labor

- lack of structure in workplace

- romanticizing hardships, sacrifices, or struggles

Remedies: stop dreaming and start doing; get real about health issues; don’t overindulge in pleasures; don’t let feelings dictate work ethic; confront conversations and conflicts head-on

Scorpio Rising

- rush into tasks without proper planning

- take on too much workload at once

- headaches, high blood pressure, or injuries over overexertion

- struggles with monotonous tasks

- inconsistent motivations

Remedies: think before you speak to not burn bridges; learn to collaborate; own your mistakes; get organized

Sagittarius Rising

- stuck in unfulfilling jobs that lack progress

- overindulge in comforts; overeating or neglecting physical activity

- resistance to new opportunities and changes at work

- jobs that offer little financial security

- neglecting mental health

Remedies: don’t cling to routines or methods; avoid complacency; don’t overindulge in comfort foods or luxuries; don’t expect people to read your mind

Capricorn Rising

- erratic work performance

- overwhelmed by too many projects

- headaches, digestive issues, or anxiety

- resist structured routines

- prioritize mental stimulation over exercise or proper nutrition

Remedies: don’t take on too many tasks at once; confront workplace drama; avoid procrastination; make time for resting well; think before you speak to avoid misunderstandings

Aquarius Rising

- difficulty separating feelings from workplace

- fluctuating health issues, like digestive problems or issues linked to their emotional state

- prioritizing helping others over their own needs

- home dynamics effect work

- lack of professional boundaries

Remedies: don’t play victim; set emotional boundaries at work; don’t beat around the bush; avoid overindulgence; be realistic about your limitations

Pisces Rising

- snuggle with recognition at work

- desires for leadership clash with authority

- neglect health for status and appearance

- difficulties maintaining routine

- dramatic responses to setbacks, like unnecessary stress

Remedies: quit trying to be the center of attention at work; limit drama and theatrics; don’t let your pride blind from constructive criticism; be a team player; avoid overcommitting because of your passion;

#astrology #astrology observations #sidereal astrology #traditional astrology #hellenistic astrology #6th house #aries rising #taurus rising #gemini rising #cancer rising #leo rising #virgo rising #libra rising #scorpio rising #sagittarius rising #capricorn rising #aquarius rising #pisces rising

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exitpursuedbyavulcan · 1 year

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What is Broken I (Aemond Targaryen x Pregnant Wife!Reader)

The war, the "Dance of the Dragons," as they have come to call it, is over. And yet, you are not celebrating. You have just learned that your husband, Prince Aemond, spent the last months of the war with another woman in his bed. Not only that, but his mistress is pregnant. Just like you...

Pairing: Aemond Targaryen x fem!reader (third person, no use of Y/N), side Aemond Targaryen x Alys Rivers

Warnings: Angst, pregnancy and related symptoms, infidelity, some pushing and hitting

Author's Note: It's finally here! Sorry y'all, this month a) I found out my dog has terminal cancer, b) I got covid, and c) my laptop randomly went kaput in the middle of an episode of the West Wing. But it's finally here! As it says on the taglist, this will be a three-part series.

Taglist is done via reblogs

Series Masterlist

What is Broken

It was a lovely night in King’s Landing.

There was not a cloud to be seen for miles, and the stars were bright and twinkling. The waters of Blackwater Bay were calm and reflected the full moon as clearly as a freshly polished mirror. Even the wind seemed in a pleasant mood, carrying the sweet scent of spring on its back as it drifted lazily through the windows of the Red Keep.

Every bit of it grated on her heart like a whetstone across dull steel.

The worst night of one’s life should not be so lovely, she thought. It should be terrible. With storms and an angry sea, and perhaps even a raging fire somewhere in the distance.

If the night had been so, she would not have seen it when, only a few moments ago, a massive winged form landed in the fields just outside the city with a lowing wail, the last person she wanted to see strapped to its back. Thankfully, Aemond was far enough away that she could not make him out against the mass of his mount.

The people would cheer him in the streets as he rode toward the castle. The victorious Prince, returning after long months at war, having not only ended the war itself but avenged the deaths of his eldest sister, brother, and his little nieces and nephews.

Daemon Targaryen and his dragon had perished above the God’s Eye, the waters below boiling when their bodies fell into its depths.

With the Rogue Prince gone, the war was swiftly over. Rhaenyra was killed, her last remaining son taken as King Aegon’s ward, and the royal host returned to King’s Landing victorious. Even Cregan Stark had agreed to halt his advance South, redirecting to Harrenhal for peace talks.

Harrenhal. A cursed place, now to be the site of great diplomacy.

Even thinking about the horrible castle was enough to turn her stomach.

A letter detailing exactly what had occurred within those melted stone halls during the war, written by the late Prince Daemon himself, sat on her vanity. A final act of retribution against his soon-to-be killer.

She knew that her husband was only returning home because of the letter.

My dear Princess, Despite the conflict between our sides of the family, I have always thought you a rather sweet girl. Therefore, it is with the deepest regret that I must now shoulder the burden of informing you of your beloved husband’s improper conduct during this awful conflict…

A pang of nausea shot through her stomach as she remembered the words.

A mistress… some Strong bastard… called Alys, my spies tell me… every night, without fail… from the very first week… another bastard babe in the whore’s witchly womb…

There was a pounding from within her, soft thumps and kicks as the life inside her own womb became unsettled by its mother’s roiling emotions. She laid a hand over her belly, whispering soothing words she did not believe to try and calm it – and herself.

Once, she would never have believed Daemon’s stories. But then word came that, after the final battle, Aemond returned to Harrenhal for less than an hour before he again mounted Vhagar and flew for King’s Landing. It was not like Aemond to make such swift decisions. Nor did it strike her as the action of an innocent man.

When she called for Ser Willis Fell, her heart had been filled with hope that the new Lord Commander of the Kingsguard would dispel her worries. That she had only allowed herself to consider the possibility of Aemond’s infidelity because her mind was addled by her delicate condition.

“My princess, I cannot, in good conscience, tell you a lie…”

She had screamed then. And cried. And possibly thrown things at the Kingsguard, but she couldn’t entirely remember.

All she could remember was how Aemond kissed her on the day he left for Harrenhal. Deeply and passionately. Until she could feel his love for her as clearly as her own heartbeat. Then he knelt before her and placed a single, tender kiss to her belly, to where they had only just learned that their babe grew.

Less than a moon’s turn later, he had taken another woman to his bed, and seeded her, too.

Now he was returning home – in haste.

He knew, then. That Daemon had let slip his secret. Perhaps it had even been the Rogue Prince’s last words. Spat in Aemond’s face in the seconds before his body tumbled into the lake below. Had she not been caught in the crossfire, she might have admired it for the masterful manipulation it was.

But in seeking to destroy Aemond, Daemon had destroyed her as well.

She was broken from her thoughts by the distant sound of people cheering. Aemond was making his way through the city more quickly than she thought. The streets weren’t as crowded as she hoped they would be this late at night.

It was late. Far later than she had become accustomed to. These days, she was often in bed and asleep not long after the sun had set, hoping that she would somehow find a full night’s sleep. Never to any avail.

For a moment, she thought of slipping beneath the blankets and pretending to be asleep so she would not have to speak to Aemond until the morning. But he would only crawl into bed with her, and then he would see when she inevitably woke…

That was not a conversation she wanted to have today. Really, there was no conversation she wanted to have with Aemond, only that which must be had.

She was resolved that Aemond would not find her weeping or stewing in heartbreak. No, she would not let him think he held such power over her, even if he did. He always had, even when they were young children.

So, she resumed her nightly routine as though nothing was wrong, as if she was entirely unaffected by his betrayal. Sitting at her vanity, she began to unbraid her hair. Her maids usually did it for her, but she had dismissed them the moment she read Daemon’s letter, not wanting to see their pitying faces for longer than she had to.

Since learning she was with child, everyone – including her maids – fussed over her constantly. It was not without reason, she knew. There was indeed very good reason why everyone was so concerned about her. But after six months, she was tired of it.

Just the simple act of taking her braids out and brushing through her loose hair by herself brought a welcome feeling of independence that she had not felt in some time. Perhaps ever.

That feeling slowly faded away as the cheering and celebration from the city came closer and closer, until she could hear gauntleted hands clapping in the castle courtyard below.

Aemond was here.

Her hand fell to cradle her stomach and was immediately met by three quick thumps against her palm. She knew the child did not understand what was happening and was only responding to the touch itself, much in the same way a cat arches its back when petted.

Still, it comforted her. It made her feel like she was not alone.

“Kirimvossi, rūhossas,” she whispered with a smile before resuming brushing her hair.

Her smile did not last.

Sooner than she had hoped, she heard the clanking of armor as the guards outside her door straightened, bowed, then retreated.

A shiver went through her, stealing the air from her chest while cold gathered in her heart and began sinking to her stomach. Dragging her brush through her hair suddenly took great effort, as did every breath.

Yet it was surprisingly easy to banish the tears forming in her eyes and school her face into tired neutrality. To glance only once at the figure now lingering in the doorway before turning away without acknowledging him.

She did not know if it was strength or cowardice.

He called her name, his voice rasping and low – desperate. “We must speak.”

She did not respond. She didn’t even look at him.

Aemond sighed, calling her name again. “Please, my love. Look at me.”

Still, she did not move.

“Ābrazȳrītsos,” he said, a hint of command slipping into his plea. Little wife.

He had always loved calling her little. According to their mother, the first thing Aemond did when he saw her as a babe was exclaim, “She’s so little!”

Ever since, he’d been calling her little.

First, she was simply hāedus. Little sister.

Whenever she tried to follow Aemond when he went somewhere she wasn’t allowed or did something she wasn’t allowed to do, he would gently scold her, “Haedus, you’re too little.” Inevitably, she would cry. About half the time, her crying was enough to sway him.

Then, she became zaldrīzītsos. Little dragon.

“You’re my zaldrīzītsos,” he would say when she hugged him tightly after Aegon or one of the Strong boys mocked him for not having a dragon. She didn’t have one either, but she never felt she needed one, for she had Aemond.

For a time, she was maegītsos. Little witch.

Aemond had dubbed her so when she came to visit him in the Maester’s tower while he recovered from the loss of his eye. The Maester would give her some “special leaves” so she could brew a “magic potion” to help Aemond get better. In truth, the potion was simply tea. But Aemond always pretended that the potion had indeed worked miracles, just to make her happy.

Once he was healed, she was again zaldrīzītsos.

Since he finally had a true dragon, she worried that he would not want her anymore. When she came to him in tears one day as he was leaving the Keep to see Vhagar, he hugged her tightly and told her, “You will always be my zaldrīzītsos.” Then he brought her with him to ride Vhagar. It was the best day of her life.

Or it was, until the day they were officially betrothed, and she became raqiarzītsos. Little darling.

It was what he would call her every morning when he greeted her with a chaste kiss on the cheek. How he would summon her to his side at court events. What he moaned when they kissed unchastely each evening before saying goodnight.

She had been so excited when she became his ‘ābrazȳrītsos.’ The first time he had whispered it in her ear at the wedding feast, she’d blushed so brightly that their grandsire inquired about her health. The next time he said it, Aemond made sure they were alone.

Little sister. Little dragon. Little witch. Little darling. Little wife.

Always little.

Once, the names had made her heart flutter with delight. Now, they only prompted another wave of nausea.

Aemond was everything to her – he always had been. She thought he felt the same way, but it seemed she was wrong. To him, she was just “little.”

She flinched at the sound of his voice, of that word. How he spoke to her like she was some frightened animal poised to lash out.

Yet at the same time, her heart melted to hear the voice she loved so dearly after so long an absence. Merely the sight of him in the mirror sent a feeling of warmth and belonging flooding through her.

She hated him.

She loved him.

She was angrier at him than she had ever been in her life.

She wanted nothing more than to run into his arms.

She could do nothing but continue to brush her hair and stare into her reflection.

Aemond sighed, finally stepping into the room and shutting the door behind him. “You won’t even look at me, ābrazȳrītsos?”

She gave no answer.

He whispered her name again, “Abrazȳrītsos, please,” Aemond’s voice turned quiet as he reached her and set a hand on her shoulder as if to turn her around by force, but she wrenched herself out of his grip, staring down at the floor. Though she did not look at him, she could almost feel the misery on his face. “Please look at me.”

“If I look at you, I fear I will be sick,” she explained weakly. “I don’t want to harm the babe.”

His irritation began to surge, she knew it even without seeing him. His breathing quickened slightly, and she could hear the creaking of leather as he rolled his shoulders and balled his hands into fists – he had been so hurried he had not yet taken off his riding gloves.

“You are my wife,” he huffed. She could hear him attempt to contain the sharp edge of barely contained anger in his soft voice. At least he was considerate enough to hide it. “You are my sister – my blood. You love me as I love you, and you carry my child within you. Yet you cannot even look at me?”

Fury roared to life like a surging flame within her. How dare he be angry with her when he is the one who ruined everything?

“Why did you come back?” she spat back, quietly yet viciously.

His stare continued to weigh on her through the mirror. “I promised you the day I left that I would return to you when the war was done,” he said, half-smiling at the memory. “The war is over, so here I am.”

She shook her head. “The war is not over.”

“Of course, it is. Daemon and Rhaenyra are dead, and – ”

“The fighting is over,” she corrected. “But the war is not finished. Peace must still be brokered. As Prince Regent, that is your responsibility. Yet you are here rather than with the rest of the soldiers and politicians at Harrenhal. Why?”

She wanted him to be the one to say it.

Aemond sighed, raising a hand to touch her, then pulling away. “Is it so hard to believe that I missed you and simply couldn’t stand to stay away a moment longer?”

She was moving before she could process what she was doing, standing from the vanity and turning to face Aemond, her hand raised and ready to strike.

But he caught her arm by the wrist, stopping her moments before her palm could impact his cheek – his scarred cheek. His eye was wide, filled with sadness and shock in equal measure. He turned to look at her hand as if it was some kind of curiosity he had never seen before, like he couldn’t understand how it could ever be raised against him.

Tears were spilling down her cheeks when he turned back to her, and his expression gave over entirely to despair. Aemond opened his mouth, but words failed him.

He lowered her hand gently, bowing his head slightly to the right to give her an easier target.

It broke something within her.

She dove toward him, wrapping her arms around him as she cried into his chest, clinging to him as if he were her the only thing keeping her anchored to the ground.

But the moment Aemond moved to return the embrace, she shoved him away. It only moved him a step back, still within her reach. He did not move closer, and when she began to pound her fists furiously against his chest, he didn’t try to stop her.

“Why did you come back?” she demanded as she pushed him once more. “Why did you not just stay in Harrenhal with your whore and leave us alone?”

Aemond did not respond. His mouth hung open, but he said nothing. He could do nothing but stare at her, his eye flitting between her belly, where his child had grown –so much he could hardly believe it – in his absence, to her eyes.

Those eyes. A warm, rich brown that shone with gold in the firelight. It was Aemond’s favorite color. For whenever he saw it, in her eyes or their mother’s, he knew he was home.

But now those eyes he loved so dearly were filled with tears of his own making. He wanted nothing more than to see them dry and sparkling with love once more.

“Abrazȳrītsos, you must know I will always return to you,” he begged, stepping forward and cautiously placing a hand on her belly. Almost immediately, he felt a stirring within her, and a weak pushing against him.

His child.

Was it reaching for him, or pushing him away?

Before he could truly ponder either answer, his wife pulled away from him, her arms curling protectively around her abdomen.

He had to say something. Something to take her pain away, to make everything well again so he would have the chance to hold her and the babe. Even if it was a lie, he would say it if it made her forgive him.

“Raqiarzītsos,” he started, only for her to take another step away and scowl at him. He sighed as the realization of how deeply had hurt her truly sunk in. He softly called her name, “My love, it was one mistake. One moment of weakness, I swear –”

“Liar!” Her voice had grown rough with her fury, and Aemond flinched at the sound. He had never heard her shout like that, not even when she was a babe herself.

She saw his discomfort and reveled in it. Seeing him suffer a fraction of what she felt gave her a sinful spark of joy, one that she felt no need to beg forgiveness from the Seven for. She turned away from him and retrieved the letter from Daemon, panting as she looked over the words once more.

“A mistress now lies in your husband’s bed. She was a wetnurse at Harrenhal, some Strong bastard. She must be something truly special, for she is the only Strong – trueborn or bastard – to have survived Aemond’s rather thorough purging of the bloodline. I suppose it is now clear why. I have not been able to learn much about her. She is called Alys, my spies tell me.”

With smoldering eyes, she turned to Aemond and began to read aloud. “She reports to your husband’s chambers every night without fail, as she has done from the very first week he arrived at that cursed place. One of my spies even reported that he calls her to him after each battle or razing of some poor Riverlanders, as well as anytime he feels frustrated. It is no surprise, then, that there is another bastard babe in the whore’s witchly womb. Your brothers do have a fondness for seeding unsuitable women, don’t they?”

When she looked up from the letter, she found Aemond’s face set in anger, his fingers curled as though they were aching to grip his sword and run someone through. His eye flew from the letter to her face, the rage burning there only softening for a moment.

The left corner of Aemond’s mouth twitched upward involuntarily, and he jerked his head to the side to try and hide it. “You would believe Daemon’s word over mine, abrazȳrītsos? After all he has done?”

She let the letter drift back to the table. “If all I had was his word, I would not have believed it,” she explained. “But it is not only his word.”

Aemond exhaled slowly, looking away from her. Incensed as he was, he would not make her the target of his ire. Never her. “Will you tell me who else?”

“No,” she answered, shaking her head slightly. There was a dark glint in his eye that promised violent retribution upon whoever she would name. No one deserved torture, or perhaps even death, for telling the truth.

With a nod, Aemond closed his eyes and bowed his head. He would not press her further, though she knew he would likely still try to find out who it was by other means. But in that moment, she could not bring herself to care.

She was so tired.

She had anticipated a long fight, and thought she was ready for it. In the hours she waited for Aemond’s return, she had carefully tended the spark of her anger so it would burn only when she commanded. But the moment she saw him, it escaped her grasp and became a wildfire in a dry grassland. It was fierce, quick, and lethal. In an instant, it had consumed every bit of her strength, leaving only the barest smoldering remains in its wake.

After a few more silent moments, Aemond again opened his eyes and looked down at his wife.

“I will not insult your intelligence by trying to deny it any further,” he said, clenching his fist to stop himself from reaching for her, “and I know there is nothing I can say to excuse what I have done. But my love, I truly am sorry. For what I did, and for the hurt I have caused you.”

She stared at him, trying to detect and hint of insincerity. She found none.

“I love you. I know I have given you ample reason to doubt that but…” he swallowed thickly. “I do love you, abrazȳrītsos. I always have and I always will. I know in my heart that the gods made us for each other. And if they had fated us to others, I swear I would have defied their will and ripped them from the heavens so that I could love you.”

He licked his lips and removed his gloves before offering her his shaking hand.

Perhaps it was the result of the weariness pervading her entire being. Perhaps it was the tug of an unborn babe reaching out, somehow knowing its father was near. Perhaps it was the sliver of her soul that had always belonged to Aemond beckoning her to rejoin him and become whole again.

Whatever the reason, despite the protestations of her aching heart and her rational mind, she put her hand in his.

It did not fit as well as it used to.

If Aemond noticed, he did not acknowledge it. He raised their joined hands to his lips to kiss before resuming his plea. “I know I don’t deserve your forgiveness, and I will understand if you do not give it, but for the sake of my heart and the love we share, I must ask it. Abrazȳrītsos, can you ever forgive me?”

The world fell silent, and so did she.

If she focused, she could hear her heartbeat, along with two others, thumping out three different rhythms. It was discordant, yet somehow comforting. She listened to it for a moment, trying to hear a melody within it. But there was nothing.

She turned her attention to her hand in Aemond’s grasp. There was a welcome heat where his skin touched hers, but also a tingling numbness. A slight discomfort, akin to wearing new gloves before they had softened and molded to her hands.

Then, she looked at Aemond. At the face that was more familiar to her than her own. It had changed in the last six months – more so than she would have expected. The color of his skin had deepened from so many days spent in the sun, and there were new blemishes that had not been there before. The shadows under his eyes, the roughness where it once was smooth, and the new smudge of a scar above the corner of his right brow.

All of it was strange. Known, yet unknown. Question, but no answer.

“I don’t know,” she whispered.

“What…” Aemond’s lip quirked again as he cupped her cheek with his free hand. “I don’t understand, what don’t you know, my love?”

She winced slightly at the foreign sensation of his hand against her skin. He had callouses now he didn’t have before. “I don’t know how to forgive you, or if I even want to. I just feel… tired.”

Aemond nodded, bowing his head once more to hide the disappointment he could not keep from his face, and looked at her belly. “Of course, you are tired,” he said, “I am sorry, I did not consider how late it was.”

She caught his eye flicking towards the bed – their bed, or at least, it used to be. A cold coil of panic began to wrap itself around her heart. He could not sleep here. He could not see…

“I would prefer if you slept elsewhere,” she said hastily before he could ask otherwise. “For tonight, I would like to be alone.”

Tears shone in Aemond’s eye for a moment, but he did not let them fall. He gave her a tight smile and again kissed her hand. “If that is what you wish, I will obey, but may I ask one thing?”

It would be foolish to say yes. Foolish to give him the opportunity to persuade her at all when she knew how easily he had always been able to sway her with his sweet words. Foolish to do anything but send him away immediately.

And yet…

“What would you ask?” she whispered, betrayed by the foolish little part of her heart and soul that was still and would always be his ‘hāedus.’

“I ask only for a few moments, and then I will leave, as you wish. But it has been half a year, abrazȳrītsos, since I have seen you, or heard your voice, or held you in my arms.” He squeezed her hand, drawing her attention to his face, open and earnest and pleading. “So for only a few moments, please, allow me to hold you again.”

His softly spoken words were like a siren’s song, and she began to feel faint as she struggled to resist falling under its spell. She closed her eyes and took a deep breath, begging her mind to calm and think clearly.

“I promise, I will do nothing more than hold you,” he said, running his hand delicately over her cheek. “I just want to hold my wife.”

He did not deserve it, she knew. Nor did he deserve to be touching her as he did now, though she did not push him away. He did not even deserve her consideration of his request.

But it had been half a year for her, too.

Half a year with no one to kiss her good morning or good night. No one to carry her to bed when her legs and back ached. No one to hold her hair and whisper soothing words when she was sick.

She’d had her mother, her sister, and her maids. Even a Maester, at one very low point. But that was not the same. It was not the touch of a beloved husband.

Despite her anger, she was aching to be held by him.

“Just for a few moments,” she whispered through trembling lips. “Then you must leave.”

She did not have time to regret her decision before Aemond pulled her forward and wrapped his arms around her, kissing her forehead as he thanked her. And before she could pull away, he was turning her slowly, so her back was pressed flush against his chest.

“It’s alright,” he assured her when she made a soft noise of confusion. “Trust me, abrazȳrītsos.”

His hands skated down her arms, his touch featherlight and yet searing. She gasped as he began to cradle her belly, her head lolling back into his shoulder. If given one more breath, she would have pushed him away, but then…

He laced his fingers together and took the weight of her belly into his own arms.

It was a rapturous feeling, to have the burden of it lifted from her and her eternally aching spine, even for a moment. She sighed in relief and leaned back further into her husband. Gratitude flooded through her, and her hands flew to rest over his.

“Oh, Aemond,” she breathed into his neck.

Gods, she had missed him so much. Everything would have been so much easier if he’d been here to hold her like this. He had always known been able to help her, she should have known that even with their first child, he would somehow know what to do…

Her eyes snapped open, and her blood ran cold.

This was their first child, but it was not Aemond’s only child.

He had another, far away, within a different mother. A mother whom he had been there for as she grew, Who, thanks to her role as a wetnurse, would be able to teach him exactly how to help.

“Did you hold Alys like this?”

Aemond stiffened behind her, and his grip tightened. “Abrazȳrītsos…”

“Don’t lie to me, Aemond. Not anymore.”

Silence, then…

“Yes, I did.”

She seized his hands and ripped them apart, tearing herself out of his grasp as quickly as she could, heedless of him reaching for her. Stumbling, she crossed the room before turning back to him, eyes blazing through new tears.

“Do not ever touch me like you touched her,” she spat. Her rage had reignited, the barren grassland now an endless field of flame.

Aemond’s mouth hung open as he looked to her in despair, his arms held helplessly in front of him. His voice broke as he said her name – a plea. “I just wanted to hold you. To help you.”

“And you did. For a few moments, just as you asked. Now leave, as you promised.”

He was looking at her like she was a wild beast, primed to lash out should he make one wrong move. But she didn’t mind, for that was exactly what she felt like. He had made her feel that way, and she hated him for it.

Aemond just stood there, and she could see his mind working desperately to figure out what to say to placate her. She would not give him the chance.

“Leave!” she screamed, her voice ripping its way out of her throat, burning as it went. She could not help but wonder if that was what dragons felt when they breathed fire.

Lowering his arms, Aemond nodded. “I will leave, abrazȳrītsos. Just as I promised. I am sorry.”

“I don’t care.” She meant it. His apology meant absolutely nothing to her raging, broken heart.

She watched him carefully as he turned and walked through the door, ready to rage at him again if she needed to. Perhaps she would actually breathe fire the next time.

Aemond did not try anything to soothe her or convince her to change her mind. The warrior prince knew when a battle was lost. But she knew he had not yet ceded the war.

That much was clear when he paused in the doorway, looking back at her in determination. “I love you, abrazȳrītsos, and nothing will ever change that.”

Then he closed the door, and was gone.

But she could not stop crying, for she knew he would return.

Worse, she knew that as angry as she was, she loved him, too. And nothing would ever change that, either.

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kettlefire · 1 year

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DP x DC Angst Prompt

Inspired by the song Preacher by Roe Kapara

"This is a distress signal from Amity Park Illinois." A scared teen girl was the face to meet the staticy camera. Red hair pulled up in a messy bun, tear stains clear on her face, eyes rimmed red.

All options were running out. They had two days, two days before the hunt began. Two days before they lose everything.

A distress signal, broadcasted on loop, over and over again to any frequency they can get their hands on with the limited equipment they had.

"This Friday, at 3:15am, my town is going to make an irreparable mistake."

A soft clang rang from somewhere of screen, but that didn't shift her attention.

"My town, my home, has fallen to the manipulation of a deranged woman."

A choked sound came from off screen, sounds uncomfortable close to a sob.

"Amity Park has always been disconnected from the rest of the world. A small town, in it's own small world. Things have been happening here for the past two years, and now..."

She paused, glancing off screen before wiping her face.

"Now we aren't enough to save it. We did took too long to notice the cancer that was spreading. The hysteria combined with fear of the unknown that drove out town to follow her.

My name is Jasimine Fenton, I'm here with my father Jack Fenton. My mother, Madeline Fenton, is the reason the world might be facing war."

The video footage grew worse, static starting to over take the image and the audio.

"Dad, we're losing it!"

"Sorry Jazzy-bear" The new voice clearly came from a man, even if he stayed clear of the camera view. A moment passed before it was fixed.

"We don't know how long we gave before they find us, but... My baby brother Danny Fenton is going to be brutally hunt down Friday morning.

There's no time to put all the information needed in this signal, but I'm begging anyone who sees this. Please send help.

Anyone who has spoken against the plan has been imprisoned, the only ones from the team that's fear is us."

Jazz let out a shaking breath, staring off screen for just a moment before coming back, fresh tears rimming her eyes.

"All Danny every wanted to do was protect his home, and all he got in return was pain and hatred. Please, you might not know us, but you need to know. Danny holds a high position with in the ghostly realm.

Whatever you want to call it, the ghost zone, the infinite realms, or purgatory. Doesn't matter, all you need to know of the living kill Danny, the ghosts will rage war."

A heavy thud filled the room, the camera seemed to shake at the sound. Fear filled Jazz's face.

"Dad, they-"

"It's okay Jazz, finish the recording, they can't get in yet."

Jazz nodded, moving toward the camera. She seemed to cup it in her hands and tried to speak over the loud thud that continued to penetrate the area.

"We're running out of time, I hope this reaches someone somewhere. More than anything, I hope this reaches the Justice League.

Reaches them before Friday. Before the world is in true danger. Danny is the only link to peace between worlds. Don't let a woman driven by hatred be the end."

This time instead of a thud, it sounded more like a crack. The camera shifted and a view of a large man built like a tank was caught. A strange gun in one hand, and what looked like a strange grenande in the other.

"Jazzy-Bear, there's an escape tunnel in the back. Go, I'll hold them off as long as I can."

"No! I'm not leaving you!"

"Jazz-"

"No. I don't care, I'm no use to anyone by myself. We need to stick together."

"Jasimine-"

"I'm setting the recording to loop."

"Honey-"

Loud crash broke through following another crack. Heavy footsteps followed. Voices screamed through the air.

Jazz's face filled the screen completely as gunfire could be heard.

"Please send anyone, I can't lose my baby brother too."

And just like that, the screen went black. Barely a couple seconds passed before the screen lit up again.

The video starting from the beginning. Hoping for anyone to view it.

A cry for help cycling through an endless loop until it found it's self broadcast for the League.

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literaryvein-reblogs · 2 months

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Writing Notes: Emotions (Anger)

Anger manifests differently in different people. But here are a few notes to help with writing when your characters feel and/or show anger.

Angry: Other Words to Use

HIGH furious, raging, irate, hateful, incensed, hostile, outraged, indignant, exasperated MODERATE aggravated, irritated, irked, upset, annoyed, offended, sulky, ticked off, fuming, sullen, provoked LOW perturbed, hassled, bothered, fuss, fret, displeased, peeved

Signs of Anger

Eyebrows may be lowered and pulled closer together

Eyelids may become squinted or raised (or the eyes may bulge if they are enraged)

Lips may tighten or curl inwards

The corners of the mouth may point downwards

The jaw may be tense and might jut forward slightly

Vertical wrinkles may appear between the eyebrows

The nostrils may flare outwards

Increased heart rate

Sweating

Trembling

Rapid breathing

Flushed face

Restless movements

Anger: Some Quotes

When anger rises, think of the consequences. (Confucius)

The best answer to anger is silence. (German Proverb)

Holding on to anger is like grasping a hot coal with the intent of throwing it at someone else; you are the one who gets burned. (Buddha)

Bitterness is like cancer. It eats upon the host. But anger is like fire. It burns it all clean. (Maya Angelou)

The best fighter is never angry. (Lao Tzu)

Usually when people are sad, they don't do anything. They just cry over their condition. But when they get angry, they bring about a change. (Malcolm X)

Anger is just anger. It isn't good. It isn't bad. It just is. What you do with it is what matters. It's like anything else. You can use it to build or to destroy. You just have to make the choice. (Jim Butcher)

Anger at lies lasts forever. Anger at truth can't last. (Greg Evans)

Anger makes dull men witty, but it keeps them poor. (Elizabeth I)

Anger is a brief madness. (Horace)

Anger: Phrases & Idioms

Nurse a Grudge Against Someone

Throw a Fit

Dish It Out

Have a Bone to Pick

Have a Chip on One’s Shoulder

Grit One's Teeth

Have a Low Boiling Point

Let Off or Blow off Steam

Sources: 1 2 3 4

If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!

#writing #writing prompt #quotes #writeblr #writers on tumblr #poets on tumblr #poetry #literature #creative writing #spilled ink #words #lit #langblr #studyblr #dark academia

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fluidstatick · 3 months

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FCG's sacrifice | Critical Role - Bells Hells ep 91

youtube

If you've not seen Sam's video on the Crit Role channel, It's Been Awhile, go watch it now. Then come back and watch this again. Then bear with me, I need to talk about this for a bit.

When I saw this the first time I thought it was odd that everyone was crying so much. Laudna's death gave everyone focus, and Molly's was met with solemnity, but few tears. Why did Sam's decision rock the table so much harder this time?

Everyone is crying when FCG decides to sign off. Matt cries harder than we've seen since the C2 signoff. Taliesin hides his face. Liam is visibly crushed, and then snarling with rage, and then numb. Marisha is bargaining, Ashley is protesting, Laura is speechless. At the time I wrote it off as the cast being tired, frustrated by the Otohan battle, disappointed by a rough run of ineffective strategies.

Most of all, I thought Travis' body language and quiet remark were so strange. He's smiling throughout this death scene, eyes sparkling, awed, and he says in a level, sincere voice - "I'm so proud of you." We all know Travis laughs when he's panicking, so I thought he was just enjoying the symmetry of FCG's character arc. But now that we know why the table was so broken up at this, I understand Travis' amazement and pride, too.

Everyone is in tears because they don't know if Sam is going to come back. They don't know if he'll make it. They know they can't make their fear and hurt explicit, because it'll breach Sam's privacy at a very dark and frightening time. But he takes this poetically timed opportunity to allow Bell's Hells to endure. He removes himself narratively, preserves his privacy, and lays a plot point that will allow the others to channel their grief and fear into the game in his absence. Travis sees what this decision does not just for the narrative, but for the health of the brand. That's CEO Travis telling Sam how proud he is. And when FCG bolts for Otohan at a full dash, thinking about Bertrand, and Dorian, and Frida -- That's Sam, squaring up to cancer, thinking of his predecessors in the fight, his comrades in his own battle, and the people who most need him to win.

When Matt said "The stakes are higher than ever", he wasn't talking about Exandria. He was talking about Sam, the table's one of a kind friendship, and the joyful soul of CR. And nobody knew when or how they'd come out the other side.

At the Greek, When Ashton failed his wisdom save against Dominox and it used FCG's voice to accuse them of letting him die, I was thrown a little by Tal's performance. If Ashton failed the wisdom save, why is he so strong in the face of this accusation? But now I see it's Taliesin asking cancer, how dare you try to make us feel guilty while our best friend kicks your ass? How dare you tell us that we've fucked up, when we've all done everything in our power to protect this man that we love?

I didn't like Braius when he debuted. I thought he was too vain, too brash, too pushy. I thought he was a goofy swing and an ill fit for the party. But now, in context with everything we didn't see before, he's perfect. He's a husky-voiced warrior of few words, a jittery fanboy, a wounded jester, a powerful healing force of darkness, a joyful slut with a slit throat, so alive, alive, alive.

I could say so much more but I'm emotionally exhausted. Get your HPV vaccine. If your body needs pelvic exams, get them, every year, no slacking. If your body tells you something is weird, listen to it, and find a doctor who will also listen to it.

If you're reading this, I love you. Go tell someone who needs to know that you love them.

Fuck Cancer.

#cr3 #critical role #sam riegel #Youtube

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pmamtraveller · 12 days

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LAMIA /1909/ by JOHN WILLIAM WATERHOUSE

In Greek mythology, Lamia was a beautiful queen of Libya who caught the eye of Zeus. When his wife, Hera, discovered their affair, she became enraged and cursed Lamia, transforming her into a serpent-like monster. Hera also killed Lamia's children, further deepening her grief and rage.

Lamia is depicted with a hauntingly beautiful face and a flowing, ornate gown she sits by a tranquil pond. Her long hair flows over her shoulders, and she gazes intently at her reflection in the water. The painting aligns with the femme fatale archetype showcasing a self-absorbed Lamia in a moment of introspection.

Waterhouse painted classical themed paintings as a reaction against the industrialization of society. He often drew inspiration from literary sources, including poets like Alfred Lord Tennyson and John Keats, which is evident in Lamia's rich narrative quality. The artist's style is evident in the lush landscapes and emotive figures used.

The painting had a generally positive reception, reflecting the artist's enduring popularity and the appeal of his themes. At the time John William Waterhouse created Lamia in 1909, he was experiencing a period of declining health. By this time, he had been grappling with cancer, which would ultimately lead to his death in 1917.

#lamia #zeus deity #hera #john william waterhouse #pre raphaelism #pre raphaelite artist #20th century painting #1900 art

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dancingastralwitch · 11 months

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A Palestinian man is asked in an interview by a white woman if he condemns Hamas while his people are being slaughtered in the open, and HE is the one condemned when he yells that it's injustice to insulate that his people deserve to be murdered, because "Hamas chose this."

A black woman is attacked first in a fight and SHE is the bad guy when she strikes back, she is the one whose face is plastered all over social media to be condemned and shamed for "aggression."

Two sisters are appropriately reacting to their oppressors by ripping off posters promoting their propaganda, and THEY are shamed and attacked for their lack of politeness when their people are being killed for existing.

An American democrat watches her colleagues cheer on genocide and ethical cleansing, the murder of children and the rape of women and the slaughter of families, and SHE is the one censored for speaking out in defense of them, despite her grief of losing family members.

Zionists are not condemned for enjoying the thought of children being killed, for calling Palestinians "animals" or saying Gaza should be "turned into a parking lot", Israeli doctors can get away with demanding that Palestinians, HUMAN BEINGS, should be murdered, that their only remaining hospital should be crushed.

They are not condemned for saying they wanted nuclear weapons unleashed on Gaza, they are not condemned for the imprisonment and torture of children, for desecrating dead Palestinians' corpses and mauling their bodies, for mocking Muslim Palestinians by rubbing their bullets against pig's skin before shooting them, for bombing Palestinian churches, for bombing universities, for shutting electricity from Gaza, cutting Palestinians from food and water, not letting them access to aid, for bombing CANCER hospitals and CHILDRENS HOSPITALS, for turning the sky of Gaza RED from explosions, for killing enough students that the entire school year was canceled, for annihilating families, for attacking Jewish people in Jerusalem, for cutting dead fetuses off dead mothers, for STEALING THEIR SKIN AND ORGANS and using them for their benefit, for forcing CHILDREN to hold a press conference to say that hey, they want to live.

Insinuating that this is about religion is the basis of Zionism. 60 members of Hamas were killed, and 10,500 civilians killed, 4000 of which are children. Over 800 bloodlines erased. Israel says they aim for "damage, not accuracy." Implying this is about Hamas is lies.

When white people in power tell you from their air-conditioned studios this is Israel defending itself, refuse to let Palestinian journalists explain things happening from their point of view, watch those journalists lose their entire families for speaking about what's happening to them, demonize Arabs who rage about injustice, ask Palestinians grieving if they condemn Hamas, know this is propaganda.

You shouldn't need them to tell you they're parroting lies to you. Their lies kill people. Their lies destroy people. Their apologies are insincere and their "sympathy" is limited only to those who look like them. It is unjust. It is cruel.

If I was were to narrate to you every atrocity Israel commited that I am aware of, I would never stop typing.

#and no matter how much people will yell about this #zionists will only listen to other zionists #no matter how brilliant and educated a non-white person #can be #their opinions and thoughts are disregarded #cnn only aired an interview from a nurse working at the Indonesian hospital in gaza because she was white #no matter how many people yell for the world to free Palestinians #how many humans with heart and grace do so #the congress and biden are the ones with power.#listen to people and be patient #we should not quiet down once a ceasefire is called.#we should keep yelling until every man and woman and child and tree and house in Palestine is free #until the birds chirp again without being shot down.#palestine #free palestine

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octuscle · 4 months

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Bowling Night

"Bowling? Really?" Francis was fuming with rage. His friend was finally back home after two weeks away on business. He had dressed up. He had been looking forward to a romantic evening. And now his friend was taking him to a shabby bowling center full of fat rednecks. "Darling, please! I had five-course dinners every night for two weeks, had to make small talk in a suit every night. I was looking forward to seeing you so much. But I want to do something really simple tonight. I don't know how I came across bowling myself, but I passed this place on my way from the airport. And somehow I really felt like it now." Konstantin took his friend tenderly in his arms and gave him a kiss on the forehead. Francis tapped his pink sneakers on the floor. Konstantin knew his friend only too well. He knew he couldn't stay angry for long. He gently pulled Francis out of the parking lot and towards the bowling center. Maybe it was going to be a nice and relaxed evening after all. He had always loved going bowling as a child. He had loved celebrating his childhood birthday at the bowling alley. But it must have been…. "YUCK!" Francis cried out. "I'm not wearing those shoes in my life. They're disgusting. What brand is that anyway?" The young man at the counter rolled his eyes. Konstantin tried to calm everything down. Francis struggled to calm down. Konstantin had promised him a glass of sparkling wine. He could usually always calm Francis down with that. And it seemed to be working now too. Konstantin took Francis in his arms and they walked to their train together. Francis continued to grumble quietly to himself. "And when is my champagne coming now?" he asked. "Yo, two brewskis for two browskis?" Francis looked at the young man like an insect to be squashed

"I've already got a beer, you can have that. I'll get a second one for you, buddy." The young man pressed an ice-cold bottle into Francis' hand. He smelled of sweat and Axe. Francis almost had to hold his nose. But then he looked the waiter in the eye. Beautiful blue eyes. Damn, what a face. Features as if chiseled from granite. And even though he didn't know what was coming over him, he gave the waiter a fist bump and said, "Thanks buddy, you're such a lifesaver!" And to Konstantin he said "Come on then, let's throw some bowling balls." Shit, for supposedly still bowling, he was good. Damn good, Konstantin thought to himself. And how did Francis know the waitress? The two of them seemed so familiar, as if they'd known each other since kindergarten? A burp from Francis snapped Konstantin out of his thoughts. "Bro, like seriously? Wake up, it's totally your go!" Konstantin's eyes were almost watering from the stench of nachos, beer and cigarettes that Francis had belched out. They didn't have any nachos. And Francis didn't smoke. "Yo, Chuck! We're all thirsting for another round of brewskis, and hey, you got any cancer sticks on deck?" Francis called out to the waiter. The legs of his sweatpants were tucked into white socks that were no longer quite clean. And what had he done to his hair? Konstantin threw his ball. Strike! He turned around. And saw Francis openly grabbing the crotch of the waiter, who had just returned with beer and cigarettes, and sticking his tongue down his throat. Francis registered Konstantin's horrified look with a grin. "Yo fam, Chuck is gonna roll up later on. I'm thinking a triple threat situation would be straight fire to cap off this lit night, amirite?" Francis stood up, took Konstantin's head and pulled him towards him. And then he gave Konstantin a deep, long French kiss. Konstantin felt dizzy. Francis stank. No, he smelled male. Very masculine. And he tasted masculine. And he felt masculine. Konstantin wanted to run Francis through his curls. But there were no more curls. There was only cropped hair. Francis pressed his crotch against Konstantin's. Both their cocks were hard as steel. "We gonna have that lit threesome later, but right now, I need you, like ASAP, like yesterday! Hurry up, babe!" Francis whispered in Konstantin's ear. And pulled him towards the toilet.

Always when Stan rolled back from a away gig, Frank went total cray-cray like a hyped-up rabbit. Those two went at it like wild animals in the john. Chuck totally saw that coming, no more bowling for them today, duh. When Frank and Stan finally strolled back, Chuck was there waiting with three brewskis like a boss. "Yo, chill out outside while I dim the lights. Hope you've got some juice left for me!" Stan and Frank just grinned and nodded. They sauntered out to the lot, Stan sparking up a ciggie. The night was just getting started, y'all! 🍻💥✨

#male tf #reality change #inked man #chav tf #age reduction #trackies #ai generated

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nayatarot777 · 6 months

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Lilith In Cancer/4th House

This is intuitive astrology. Meaning that I’m making these notes based on what I intuitively pick up about this astrological point being merged with these signs. Take it with a grain of salt and understand that you might not relate to everything that I get from your placement. 🖤

Astrology Masterlist

This placement evokes Lilith into the themes of immediate family, home, the mother/more primary parent, the foundation of your entire life - so your childhood, what you’ve learned from your family in terms of your emotional make-up, domestic duties, your ancestry, your cultural heritage, your roots, and your ability to nurture yourself or others.

Lilith in this placement usually struggles with severe emotional detachment, and this is due to a lack of emotional expression and nurturing within the family home. Particularly a lack of this from the primary parent who was responsible for nurturing you but didn’t, for whatever reason.

A lot of people may feel like they’re either severely emotionally detached or severely emotionally dependent on others (perhaps towards their family in particular for those with Lilith in the 4th house). The theme of extremes is always present with Lilith.

People with this placement often don’t emotionally express themselves enough due to a pattern of being shamed for their emotional expression from their parent/families, or they’re very emotionally erratic and have strong emotional reactions to things - especially when it comes to feelings of rage and anger. They got used to being told that they were “too sensitive” as children- or they were treated like they were.

These people may also reject domestic duties. Absolutely hating to cook, clean, look after children, and take care of a home. This is most likely because these things were used against them growing up. This gives the energy of women who were used as mini maids, babysitters, chefs, etc when they were just a young girl.

As a result, natives with this placement are usually robbed of their childhoods. And this leads to them being forced into maturing before they should’ve had to, but also showing more emotional immaturity as they get older - because they were never given the tools for emotional regulation. They were basically told to perfect emotional suppression while never actually developing in that area.

People with this placement (especially women), may resent abiding by a traditional feminine role in which they take care of the home and the children, but they shame themselves for that resentment and force themselves to continue down a path of a domesticated lifestyle for the sake of acceptance from others.

This placement also makes me think of people who watched their mother/nurturing parent or caregiver being vilified and demonised for not abiding by social standards - especially the social standards put into feminines/women.

The native may have grown up in a family full of men who’d try to oppress the women within it, only to be met with resistance and rage from said women who they tried to control. Always a battle of the sexes. Or the native could’ve just been taught that “girls/women shouldn’t do [xyz]”.

This sounds strange, but those with this placement are probably demonised the most by people who share the same cultural roots as them.

They might also have issues within the country/city/state that they were born or raised in.

These are the types of people who are either extremely patriotic due to being taught to be so in a very unhealthy way, or they completely reject patriotism. They may have grown up in a patriotic family in which they didn’t share those same views with, and were therefore shamed for it. It’s the energy of someone being shamed after pointing out all of the negatives about their culture/birth country to their parents or family members who act like their nationality/culture is superior to others’.

The native could also come from a family full of people who are known for being the rejected household in their neighbourhood or community. This could also be the case for your ancestral lineage in general - especially regarding the women. They probably had the types of female ancestors who would constantly clash with the expectations and demands of men.

These natives never truly felt comfort or at home with their family members. As if they didn’t actually belong. They were most likely singled out and treated worse than anyone else or most others in the household.

The natives could reject their own emotional needs or be incapable of emotionally nurturing and providing comfort for themselves due to not even knowing what that feels like. After all of the years that they had to suppress what they needed on an emotional level due to their requirements not being met, they don’t even know where to start in relation to healing that. And this is the house/sign of the foundation of you as a person. That’s why natives with this placement can take such a long time to come to terms with and integrate this shadow aspect of their personality. They’re most likely the slowest to do so (aside from 12th house/pisces Lilith).

These natives were treated like the problem-children if they didn’t just obey their parents. If they dared to reject the social and gender expectations that their family put onto them, they were demonised in an attempt to shame them into submission.

The native could’ve had a very emotionally abusive or emotionally dismissive/neglectful mother figure, leading them to have all sorts of issues with women in their lives in general. Especially Lilith in Cancer. You guys most likely experience the most shame and suppression from women who are supposed to be nurturing towards you. Or perhaps just women in general. That can lead women with this placement to either not trust other women or to not like other women at all.

This placement can also indicate the death of a mother or the more nurturing parent too, which could’ve been the reason why these natives lacked emotional nurture. If they didn’t experience abandonment through death, then it was through something else. Perhaps the parent actually leaving physically. Or the parent abandoning the native through substances (for Lilith in Pisces in the 4th house, for example. Or people with Neptune contacts to their Lilith in Cancer/4th house).

#astro placements #astrology placements #astro posts #astro tumblr #lilith #lilith in the houses #Lilith in the signs #Lilith in cancer #Lilith in the 4th house #lilith placements #4th house

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joannechocolat · 1 year

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On why women’s rage is a superpower

My mother hates my new book. I gave her a proof just a few days ago, and although she’s still only halfway through, she can’t wait to tell me all the ways in which she hates my novel.

“Is this science fiction?” she says. (She detests science fiction.) “Were you ill when you wrote this?” (I was.) And repeatedly, she says: “Why are the women so angry?”

I get it. She’s out of her comfort zone. At 83, with no internet, no interest in pop culture and a deep-rooted hatred of anything close to horror or the supernatural, she wasn’t my target audience. And yet it’s never easy to hear such criticism from a loved one. But in some ways, she isn’t wrong. Broken Light is an angry book. It came from a time of lockdown, when social media was my only window onto the world. It came from a place of trauma, when I was fighting cancer. It came from a place of corrupt hierarchies, self-serving politicians, anti-vaxxers, Covid deniers, victim-blamers, and those eager to blame all their woes on minorities. And of course, it arose against the background of the #MeToo campaign and the Sarah Everard murder – a murder that shocked the nation, not least because the murderer turned out to be a serving police officer with a reputation for sexual misconduct - which unleashed a collective howl of protest, as well as an ugly, misogynistic backlash. Even so, my story came as something of a surprise to me: the story of a woman’s rage, and, on reaching the age at which women often feel least valued, her coming into her power.

It surprised me, most of all because I wasn’t an angry person. At least, I didn’t think I was. Those who know me describe me as someone who tends to flee conflict, who generally tries to find common ground, who gets upset when people fight. And yet, writing this story, I found myself saying and feeling certain things on behalf of my heroine, Bernie Moon; things I might not have said for myself, but which felt right and urgent, and true, and strangely liberating.

Anger has a bad press. A woman’s anger, especially. While men are encouraged to express feelings of justified anger, women are often criticized when they try to do the same. Angry women are often portrayed as “harpies,” “banshees,” “Furies.” It suggests that a man’s rage is righteous, but that a woman’s is unnatural, making her into a monster. Male anger is powerful. The God of the Bible is one of wrath. Seldom is he ever portrayed as expressing any other emotion. In the same way, men and boys are often led to believe that expressing emotion is weak - except for anger, which is seen as acceptably masculine.

In comparison, women are often criticized when they show aggression. Angry women are hysterical, shrill, out of control, unreliable, unattractive, unfeminine. A perceived lack of “femininity” makes a woman less valuable, less worthy of respect and of protection. The Press coverage of women victims of violence is a case in point. A victim of violence needs to be attractive, white, gender conforming and virtuous in every way if she is not to be overlooked, or worse, portrayed as somehow having contributed to her misfortune. When trans teenager Brianna Ghey was stabbed, the Press were very quick to state that her murder was not thought to be a hate crime, whilst at the same time obsessing over – and questioning - her gender. When Nicola Bulley disappeared, police felt obliged to divulge details of her struggle with the menopause, as well as her alcohol issues, even though this was privileged information and of no public relevance. When Emma Pattison, the Head of Epsom College, was murdered alongside her daughter, the Press immediately assumed that her husband George must have felt “overshadowed” and “driven to distraction” by his wife’s prestigious job. In all three cases, the victim falls under the hostile scrutiny of the Press, while the perpetrator is given an excuse. In all three cases, the victim – one trans, one hormonal, one better-paid than her husband - is effectively portrayed as “unnatural”. Subtext: Unnatural women do not deserve the protection of the patriarchy. Unnatural women come to bad ends.

Once you start to acknowledge it, rage grows at a surprising rate. Over the past three years, I have found myself growing increasingly angry. Angry at the injustices committed by our Government; t the greed of corporations; angry at the prejudice extended to those who are different.

Connecting with others on social media has made me more aware of the lives and experiences of those from different backgrounds to mine, and with different levels of privilege. For a long time I’d been resistant to calling myself a feminist. Feminists are angry, I thought. What right have you to be angry?

Growing older, I realize that this was my mother speaking. A woman of a certain generation, who although she was aware of the challenges of living in a patriarchy, still had a level of privilege that many women do not share. White, professional, cishet women can sometimes have the luxury of choosing not to be angry. White, professional, cishet women can sometimes have the illusion of equality. But feminism isn’t only for just one kind of woman. A feminist must look beyond the limits of their own experience. And that’s where the anger really starts: anger at injustice; anger at corruption and lies. Most of all, anger at the prejudice against certain people for just being themselves; for being transgender, or Black, or old, or simply not conforming to what a white, patriarchal society expects and values. And once you start seeing injustice, you start to see it everywhere. It’s like an eye, which, once opened, cannot unsee inequality.

My anger flourished in lockdown. A time of growing divisions. Masks are invaluable in a pandemic, and yet they inhibit connection. They serve as a kind of reminder of who can speak, and who is to be silenced. While Boris Johnson was urging the public to trust the police, a vigil for Sarah Everard was broken up, with violence, by officers citing lockdown laws. While elderly people were dying alone; while I drove for four hours just to go for a half-hour walk in the park with my son; while I sat alone in my chemo chair, politicians were partying. Billionaires were enriching themselves. Behind the mask, the eye opened wide. I caught myself making faces behind my disguise at strangers. There was something weirdly liberating about this; as if, behind the piece of cloth, I could express myself at last. Not unlike writing a book, in fact. On screen, the eye opened wider. Bernie Moon, my heroine, was unlike like me in many ways, and yet anger connected us. The anger that comes from helplessness; from seeing others mistreated. Anger at a society that propagates inequality. And the anger that comes from hormones – those mood-altering chemicals that everyone produces, and yet which allegedly make women erratic; unreliable; hormonal.

In his novel, Carrie, Stephen King tells the story of a girl, whose telekinetic powers are unleashed by her teenage hormones. Carrie is unpopular, bullied, isolated. Her rage finds an outlet in her power. Driven to breaking-point by the bullies, she becomes a monster. Of course she does: after all, the author of this tale is a man, writing from the perspective of a couple of thousand years’ worth of patriarchal inheritance. In literature, a woman’s anger is unnatural; monstrous. It leads to terrible, unnatural things: makes murderers and infanticides of Clytemnestra and Medea; monsters of Medusa and Scylla. Unnatural, monstrous women are always punished in literature, even while acknowledging that they are often the victims of men. And unnatural women are often seen as physically repulsive – a reminder that, to be valued and loved, women must be young, and pure, and conform to the standards of beauty set out by their society. In literature, just as in life, those women who do not conform tend to be less valued, less seen, and when they do appear, do so as wicked witches, evil stepmothers, ugly crones and hideous travesties of womanhood.

But what would happen if a woman took control of the narrative? In recent years, we have observed a number of retellings of Greek myths from the point of view of the monster. Stone Blind, by Nathalie Haynes; Medusa, by Jessie Burton; Circe, by Madeline Miller. In both cases, the monstrous woman is seen from a different perspective; her rage absorbed and justified; her narrative reclaimed from a patriarchy that seeks to tame and subdue a woman’s rage, even at the cost of her life.

My new novel, Broken Light, comes from the same process of reclamation. It owes a debt to Carrie, but I have avoided the explicitly paranormal theme of the original, as well as the girl-on-girl bullying and the psychopathic mother. In my version, Carrie lives; marries her childhood sweetheart; internalizes all her rage and suffocates her power. Until the menopause – a topic which until recently has been largely misunderstood and taboo – at which point her power returns, and with it, a new kind of freedom. Freedom from the male gaze; from the responsibilities of motherhood; from the largely impossible expectations of society. Unlike puberty, menopause is triggered by a lack of certain hormones; and yet the symptoms can be just as dramatic and isolating. Loss of libido, exhaustion, depression, emotional outbursts as well as unpredictable and alarming hot flashes – my version of Carrie’s pyrokinesis. Whether my heroine’s powers stem from any kind of paranormal source is very much up to the reader to decide – after all, paranormal is only a step away from unnatural. And what counts as unnatural is in the eye of the reader – an eye that has been opened, I hope, to a series of new possibilities.

One is that rage is natural. Living in a patriarchy, women have a right to their rage. In fact, it seems more unnatural to me when women are not angry, given how much misogyny remains in our society. And growing old is natural. Being hormonal is natural. Differences are natural; so are disabilities. All women matter; whatever their age, or colour, or sexual orientation, or marital or reproductive status. The value of a woman’s life should not be defined by her popularity, or her age, or her looks, or her kids, or her value to the patriarchy. And no-one else gets to decide what a woman ought to be. A woman is not what, but who - a person, not an object; an active participant in her world. Women have lived too long behind the mask. They deserve their own stories. Stories in which they are allowed the full range of human possibility. So, to answer my mother’s question: Why are the women so angry?

Because it’s a superpower.

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