#reality hacking

[theindexproject]

The voting has been cast, but make sure to follow and subscribe so you don't miss the next chapter and other stories! https://www.youtube.com/@TheIndex Also join the conversation on the Discord channel! https://discord.gg/zy25mxTuht

[soulcruzerone]

bending reality

There was a moment, years ago, when I first questioned the solidity of reality. It wasn’t a grand revelation, not some hallucinatory break where the walls dissolved into cascading green code—but something smaller, quieter, like a glitch at the edge of perception. I was walking home late at night, the streets empty, the air heavy with that strange, electric stillness cities get after midnight. The…

[bloomzone]

A PROGRAM OF A HEALTHY DIET

(with idea)

- inspired by Korean idols !

By: ★﹕byeolgιrᥣ﹒

"Take care of yourself, That's the priority, You can only recieve love if you love yourself, I hope you think of yourself as a priority, Then people around you will love you"

- Jang Wonyoung

Breakfast:

1. Overnight oats with almond milk, chia seeds, sliced banana, and a drizzle of honey.

2. Whole grain cereal with skim milk, topped with mixed berries and a sprinkle of flaxseeds.

3. Veggie omelette made with bell peppers, onions, and mushrooms, served with whole grain toast.

4. Smoothie bowl with blended spinach, frozen mixed berries, Greek yogurt, and a handful of granola.

Mid-Morning Snack:

1. Sliced cucumber and cherry tomatoes with hummus.

2. Rice cakes with avocado mash and a sprinkle of black pepper.

3. Cottage cheese with sliced strawberries and a drizzle of balsamic glaze.

4. Whole grain crackers with tuna salad (made with Greek yogurt instead of mayo) and cucumber slices.

Lunch:

1. Quinoa salad with diced mango, black beans, diced bell peppers, and a lime vinaigrette dressing.

2. Whole wheat wrap filled with grilled chicken, lettuce, tomato, avocado, and mustard.

3. Lentil soup with a side of mixed greens salad and a whole grain roll.

4. Brown rice bowl with stir-fried tofu, broccoli, carrots, and a teriyaki sauce.

Afternoon Snack:

1. Sliced apple with a spread of almond butter and a sprinkle of cinnamon.

2. Edamame beans sprinkled with sea salt.

3. Greek yogurt parfait with layers of granola, mixed berries, and a drizzle of honey.

4. Air-popped popcorn seasoned with nutritional yeast and smoked paprika.

Dinner:

1. Grilled shrimp skewers with quinoa pilaf and roasted Brussels sprouts.

2. Baked cod fillet with roasted sweet potatoes and steamed green beans.

3. Turkey chili served over baked sweet potatoes and topped with diced avocado.

4. Whole wheat pasta with marinara sauce, lean ground turkey, and sautéed spinach.

Evening Snack (optional):

1. Sliced pear with a sprinkle of cinnamon and a few squares of dark chocolate.

2. Celery sticks filled with almond butter and topped with raisins.

3. A small handful of mixed nuts (such as almonds, cashews, and pistachios).

4. Herbal tea with a squeeze of lemon and a small piece of cheese.

These meal ideas offer a variety of nutrients while keeping the overall calorie intake in check for a healthy and balanced diet.

[scipunk]

The Animatrix (2003) - A Detective Story

[thatsbelievable]

[thejournallo]

Welcome to the Journalist!

I decided to open this blog because I love to manifest. It makes me feel grateful for what I have and for what I could have in the future. I've been exploring various methods to shift, and I thought, why not share them with others? (Plus, I might sprinkle in a little witchcraft here and there that helps with manifestation.)

With so many methods out there today, I realized it would be helpful to have a blog that explains them in a clear and concise way—without the overstimulation of a 6-second video.

When I searched for resources, I found that many blogs just didn’t meet my needs for several reasons:

They only covered the most popular methods.

Some explanations weren’t detailed enough for my ADHD brain.

And honestly, some hadn’t been updated since 1618.

That's why I'm here—to be the resource I couldn’t find.

Masterlist Methods

I made this master list so you all can see what methods I talked about already and the connection between them.

I want it, i got it:

Manifestation Method Masterlist

And i oOp- New Reality:

Shifting Methods Masterlist

Witchcraft Basics and Giggles:

Witchcraft Basics Masterlist!

Spells and Rituals Masterlist! (coming soon!)

The True Hacks:

the 12 laws of the universe

lucid dreaming vs shifting

neville lancelot goddard: who is?

affirmations for the mouth

10/10/10 worksheets

angel number

Stop dualism

Law of assumption VS Law of attraction

Don't use the law of assumption against you.

Life Hack: the 333 method

Life Hack: the right affirmations

Life hack: 10 minutes

Life hack: Write

Life hack: routine

Life hack: balance in yourself

Affirmations:

Desired job

Shifting

All eyes on me.

Good grades

love life

natural beauty

Flirt Master

a good february

Everyday is a good day!

Best Year Ever!

Everything I write becomes my reality.

Become a master manifester

[disk28]

[strawberryicemoon]

I was thinking about "Princess-coded" characters, and by extension Aelita. And I'm thinking Franz/Waldo almost kinda made his daughter a god?

At least the potential is there.

We don't really see Aelita do anything that crazy with the super computer, but Aelita is one of the few beings who can theoretically make full use of the computer.

And the things we do see the computer do are wild. Turn off gravity and heat on earth, and of course return to the past for example. The supercomputer literally gives someone the power to play god. If someone with malicious intent got full control of the computer the results would be devastating. And Aelita technically has that power.

If Lyoko was written a bit less episodically and with more of an interest in examining the implications of its worldbuilding I think there could be room fro a story about what it means to be human/transcending humanity. A story where in Waldo's desperation to save his daughter he literally deifies her, chains her to the fate of reality itself and the implications thereof. Don't get me wrong I enjoy it as is, but stuff like this is why I keep thinking about this show. Granted Aelita's storyline already does touch on aspects of this with Aelita not considering herself human and her horror at what her father did to her life at points. And well, of course the only reason Aelita IS involved in all of this is because of her father.

Garage kids had the kids retain their Lyoko powers in their day to day life, and while I think understand WHY they changed that, from a worldbuilding perspective there is no real reason they don't. After all the super computer already gives them the ability to remember rttp and a resistance to Xanas influence. Irl powers really isn't far out of the realm of possibility. An Aelita with Creation in her day to day life would not be something to be trifled with.

On a totally unrelated note, we know how easy it was for Aelita's very life to become entangled with the computer itself, dying if anything happened to the computer. And with the computers influence on the world, how easy would it have been for the whole world's existence to have become entangled with the computers continued existence.

[theindexproject]

YOU chose that Theo should appeal to Seraph's mercy and ask for help. And it worked! Seraph will help you, but at what cost? Now you must decide, HOW Seraph is going to help! Don't forgot to vote in the comments, the community post, X, or on our Discord channel!

YOU DECIDE. What should he do? Subscribe and stay tuned for new episodes!

Catch up by checking out the audio version on Spotify! https://podcasters.spotify.com/pod/show/the-index-project

---

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== ABOUT THE INDEX PROJECT ==

The Index Project is an experiment in running a Sci-Fi franchise that puts YOU in the driver seat. It's an audience participation storyworld that blurs the line between story and reality across film series, comic books, novels, video games, and more. Get involved and stay active to help shape the storyworld, become a creator and maybe even get a cameo.

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[soulcruzerone]

bending reality

There was a moment, years ago, when I first questioned the solidity of reality. It wasn’t a grand revelation, not some hallucinatory break where the walls dissolved into cascading green code—but something smaller, quieter, like a glitch at the edge of perception. I was walking home late at night, the streets empty, the air heavy with that strange, electric stillness cities get after midnight. The…

[ilovecatfr]

Scripting that I'll forget this is my cr and instead that I'll only remember my better cr as my original reality when I shift to my HP dr. That way when I shift back I'll shift to my better cr dr.

[scipunk]

Johnny Mnemonic (1995)

[iidsch]

also more codelyokoposting but I really really dig XANA as a villain. It's not a person with a complex background that led them down the path of evil, it's not a morally grey character you sympathize with but condemn. It's a powerful AI capable of controlling almost anything in the real world. It doesn't have a face or a body, we only know it for its symbol and for the monsters it controls in the virtual world. It's willing not just to kill people through various methods (poisoning, drowning, car crash, fucking space lasers too?) but also Earth as a whole (it tried to blow up a NUCLEAR PLANT and crash two trains with toxic chemicals in them). And we don't even know why it does this, at least not for now. It may not even have a particular reason, just some sort of virus or malware in the form of an AI that seeks nothing but destruction without any goals in mind. This "pure evil" characteristic doesn't come off as childish, like in some children cartoons, it's just kind of scary to think that such an incomprehensible and destructive force exists, almost feels like a natural disaster

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[the-raccoon-girl]

Nah, hear me out on this one: Manifest little things to train the brain

One thing I really like to do to "train" my brain, is doing little manifestations

Like what I did a few minutes. I was getting off the shower, I was putting my clothes

Sometimes my cat happens to go on the other side of the door and meow so I let her in

But this time she was outside, but I wanted her to come, so I decided to manifestate it with LOA (aka Law Of Assumption)

I simply started to pretend she was already outside the door wanting to come in

But I thought to myself that I was only going to let her in when I finished putting my clothes on

Sure enough

When I put my shirt on she meowed outside the door

It's really that simple, it's like tricking your brain ig